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#inspiration: Captain America Civil War
team-iceflower · 2 months
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Ruby: Thank you Weiss, for everything.
Weiss: Of course, you can always count on me.
Ruby: *slowly leans in to kiss her*
Yang and Blake waiting in the car: *nodding approvingly*
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srdonix · 10 days
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strangelittlestories · 6 months
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"I don't want to fight you." The first knight said - both their lip and their muscles quivering.
"I don't want to fight you either." Said the second knight - various parts of them were also quivering but not unattractively so.
"But it looks like we have to fight." Said the first knight. "Because of our irreconcilable but equally valid moral outlooks."
"Yes," said the second knight, "it looks that way."
They looked at each other and in that look was sadness, but also defiance and a little bit of excitement.
"You're a really good knight."
"So are you."
"Maybe after all this is over - if we both survive - we could take the armour off and cuddle?"
"I'd like that."
When the two of them fought, the earth shook. And, despite the falling rubble and gasps of the local populace, they each thought that the ground trembled just for them.
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crazydaymycrazyway · 3 months
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While in a discussion
Namgung Su: (to Suryong's opinion) He's right
Suryong: (suddenly loosing all intrest in the discussion) Did you just agree with me?
Namgung: (face pinched) Ugh, can I take that back?
Suryong: (with his sh*t eating grin) nope, you can't. (Standing from his chair, and declaring) Listen here, everybody. Namgung Su just agreed with me!
Namgung Su: Oh for the love of-
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ellemj · 5 months
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That Wasn't Quiet: 12 Days of Smut #5
Bucky Barnes x Reader One-Shot
Fully inspired by this tiktok from @the.stark.internship: https://www.tiktok.com/t/ZT8u74sXe/
Summary: You've been on the run for two months and now that the team has found you, they don't trust you to be alone. Of course, Bucky is one of the ones assigned to keep an eye on you through the night, even though you two have a bit of a history.
Warnings: profanity, teasing, oral sex (female receiving), slight exhibitionism (someone overhears), fingering, MINORS DNI, 18+!!!
Feel free to comment and let me know if this requires any other warnings.
Word Count: 3.2k
A/N: This one isn't Christmas-themed because truthfully, I forgot about that. It takes place sometime after Captain America: Civil War but before TFATWS, not that that matters much for a one-shot. Also can everyone go look at @littlemiss-yeehaw's fckin INSANE SKETCH OF A HAIR-PULLING BUCKY BARNES BECAUSE I'M STILL NOT OVER IT THANKS.
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            “How’re we doing, boys?” Nat asks the question immediately upon entering the surveillance room of the Joint Counter Terrorist Centre in Berlin. She’s the last to arrive. She glances around the room, letting her eyes scan over the expressions of Steve, Sam, and Bucky. They all look quite done with the situation at hand.
            “She’s not talking.” Steve answers. He’s standing with his back against the far wall, with his arms crossed over his chest and a slightly defeated look on his face. Bucky, however, looks more determined than defeated.
            “She’s about to.” Bucky’s tone is so calm and certain that it draws all eyes to him as he pushes himself off of the table he was sitting on. Nat looks at him, her interest clearly piqued, before glancing back over at Steve, wondering if she should be concerned. Steve gives Bucky a hard stare, while Sam turns his head to watch as the man with the metal arm and perpetual bad attitude heads straight for the door. No one makes a move to stop him. Instead, as the door shuts behind Bucky, everyone turns their attention to the surveillance screen that shows you. You’re locked in a secure glass chamber, with your arms and legs immobilized by metal restraints, and even your shoulders are held in place by something similar. The only movements that you’re free to make are within the normal range of motion of your head. Everyone watches as Bucky steps into the secure holding area and stops a few feet away from the glass that separates you and him.
            “Bucky Barnes.” You say his name with amusement. You find it amusing that he’s the team’s last resort. First, Steve tried to get through to you. Steve is just too nice, he was never going to get anything out of you. Then, Sam tried to rationalize his way into your mind. Of course, that was about as effective as Steve’s good cop approach. Next, they sent in Agent Everett Ross. You have to admit, Ross was good. If you were going to tell any of them anything, it probably would’ve been him. He has that whole I’m-on-your-side-and-I-can-help-you thing down pat. But you were waiting to see if Bucky would take a shot at you. You wanted to see him. Now he stands before you, wearing one of his signature Henley tees and hiding that irresistible silver arm from you. “You just couldn’t stay away, could you?” You tease.
            “I could, but where’s the fun in that?” He plays along, but he’s actively denying himself the pleasure of looking at you. He’s keeping his eyes down on his hands, where he’s using a small cloth to clean the crevices of his metal knuckles. You imagine he probably scuffed it up a bit during the scuffle earlier today. It took the entire GSG 9 team along with Steve, Bucky, and Sam to capture you and bring you here. You never were one to go down without a fight.
            “Why don’t you go ahead and ask your questions? Get them out of the way so we can get to the good part of all of this.” Your eyes are tracking every move he makes with his hands. You’re mesmerized but trying your best to focus on your goal.
            “And what’s the good part of all of this, sweetheart?” Fuck. He hasn’t called you a name like that since… Images of the last time you were together start flooding through your mind. Your memory is a blur of his hands on your hips, his lips against your ear as you sink down on his cock, and that stupid name rolling off of his tongue: sweetheart. As you’re lost in thought, Bucky’s taking the chance to look at you. You look just like you did the last time he saw you, barely two months ago. The only thing that’s different about your appearance now is the bruise over your left eye and the cut over your cheekbone. He finds himself wanting to severely injure whichever GSG 9 agent it was that laid hands on you hard enough to cause even those minor wounds, but he can’t think about that right now. He needs answers.
            “The good part will be the moment you realize you still need me, in about three minutes, give or take a few.” You say smugly, tilting your head to one side since it’s really the only move you can currently make. Bucky tsks, tucking the small cloth in the back pocket of his dark jeans before looking you dead in the eyes.
            “Why are you in Berlin?” He asks plainly. Wow, right to business then. You expected him to at least question what you meant when you said that he still needed you.
            “I needed to speak with an inmate at the Berlin Correctional Facility.” You answer honestly. He’s already gotten more info out of you than anyone else has today, but that’s all part of your plan.
            “Zemo.” Bucky says coolly. You nod slowly, awaiting Bucky’s next question. “What information does Zemo have that you’re interested in?”
            “He knows someone that has the ability to reverse the effects of the super soldier serum.”
            Your words send a blanket of silence throughout the surveillance room, as well as sending a new wave of realization rushing through Bucky’s mind. This is why you disappeared two months ago. All of those times you talked about wishing you’d never been injected with the serum, all of those hours that Bucky knew you spent researching and experimenting on your own blood samples looking for a way to reverse the effects, Bucky should’ve known. He should’ve known the day you disappeared from New York that you were simply continuing your efforts to get yourself back to normal. But, he never put two and two together. Instead, he believed it when he was told that you’d been compromised, that you’d gone dark and that the serum had likely brought the worst parts of you into the limelight. All of this time, everyone assumed you’d been working against SHIELD and the Avengers as a rogue agent. They were all dead wrong.
            “This is the part where you realize you need me.” You say with a smirk. “You need me because I’m the only one that’s ever wanted to reverse the effects of this serum, I’m the only one with the research and the leads that I have now. There are other super soldiers out there besides the three of us in here, and a lot of them do way more harm than good. If I can get to this guy that Zemo knows, we’ll have a chance at righting a few wrongs.”
            “Why should we trust you now? You’ve been gone for two months and you’ve left a trail of dead bodies and destruction everywhere that you’ve been.” Bucky’s eyes are narrowed at you now, analyzing every face you make and every word that leaves your lips.
            “I said you needed me. I didn’t say you had to trust me.”
---
            It’s a long three hours later when you’re finally set free from the uncomfortable glass chamber. Agent Ross insisted they keep you in magnetic handcuffs, though you think it’s more for his peace of mind than anything, because with a little effort and determination you think you could pretty easily get out of them. You sit in the backseat of a car with Steve on your left and Bucky on your right, his cold metal arm pressing against your side due to the lack of space the two giant men leave you. Agent Ross is driving while Nat sits in the passenger seat. Sam chose to fly ahead and scope out the safehouse you’re being taken to for the night. Since you’re still not trusted, they’ll be leaving you, Steve, and Bucky there overnight. They figured you wouldn’t be able to fight two super soldiers on your own, and even if you did manage to take them both down, there wouldn’t be anyone else around for you to possibly severely injure or leave dead on your way out.
            You fight the urge to be an annoying little shit for the duration of the car ride, and instead remain silent. You can be an annoying little shit once you’re locked in the safehouse for the night. The plan is to head over to the Berlin Correctional Facility first thing in the morning to meet with Zemo and find out what he knows. Until then, you’re going to be kept under the watchful eyes of Steve and Bucky. Steve isn’t feeling great about the plan at all. He’s the only one that knows you and Bucky have a bit of a past. He doesn’t even know what exactly that past is, but he’s always been able to sense the tension between you two. He sees the way Bucky looks at you like he’s both angry that you’d leave and angry that you didn’t invite him to run away with you. It almost makes him wonder if having Bucky here with you tonight is going to be more trouble than it’s worth. Maybe they should’ve had Nat stay instead.
---
            The safehouse is small as shit. There are exactly two bedrooms, not a single window in the whole place, and even the couch in the living room is only a two-seater. You’ve decided Berlin sucks. You had to fight Steve and Bucky just to be allowed to have a shower, with the two men only giving in if you agreed to leave the door open while they sat out of sight in the living room.
            As you’re in the shower, rinsing the soapy suds off of your skin, Bucky’s sitting next to Steve on the couch, actively trying not to think about how naked you are just down the hallway. He can’t seem to shake a specific memory that’s playing behind his eyelids every time he blinks. He had your front pressed up against one of the gym shower walls, fucking into you so slowly and silently that no one ever would’ve realized you were about to cum on his cock for the second time that day. God, you were always so pliant for him, so ready for his touch at any given time. He has to wonder if you’d still be that way after two months without him. Have you thought about him while you’ve been away?
            “Maybe you should go check on her.” Steve says to Bucky, tilting his head in the direction of the open bathroom door. You’ve been in there for almost twenty minutes now, when they originally gave you a ten-minute limit. There isn’t any way you could possibly escape through the bathroom walls, but they still don’t trust you to be alone and out of their sight for that long.
            “Why me?” Bucky asks, raising an eyebrow at Steve.
            “You know why.” Steve chuckles, hinting to Bucky that he knows there’s been something between you and him. Bucky shakes his head, but doesn’t say anything. Instead, he stands up and treks down the short hallway. You can hear his footsteps before he ever has a chance to say anything, and you quickly cut the running water off.
            “You’re really taking your time in here.” Bucky points out, stopping right outside of the bathroom door. He can see the reflection of the shower curtain in the bathroom mirror from where he’s standing. He only has a second to notice the way your towel is folded up on the bathroom sink, a good two steps away from the shower, before you pull the curtain open confidently. His eyes freeze on your naked reflection in the fogged up mirror and all of the blood in his veins reroutes straight to his cock. “What the hell are you doing?” He asks harshly, quickly stepping into the bathroom and throwing the door shut behind him. He sure as hell isn’t going to let Steve see you like this.
            “You said I had to leave the door open, I was just following orders. I can’t reach my towel from here.” You say innocently, pushing out your bottom lip in a fake pout. Bucky isn’t even facing you, he’s standing facing the bathroom sink and mirror, with his eyes shut tightly.
            “You’re so damn manipulative.” Bucky spits the words out through clenched teeth before grasping the towel in his right hand and tossing it over his shoulder to you. You towel yourself dry quickly before wrapping it around your figure and stepping out of the shower. The bathroom is so small that you have no choice other than to brush against Bucky’s back as you pull the curtain closed. He tenses up as soon as he feels how close you are to him.
            “Tell me something, Bucky.” You whisper. You let your fingers trail down his back lightly, surprised that he hasn’t turned around and shoved you away yet.  “You’ve missed me, haven’t you?”
            “Get dressed.” He says flatly, opening his eyes for a moment to verify that your clothes are still sitting on the other side of the bathroom sink.
            “No.” Your answer is defiant. You let your hand fall away from his back but you keep your eyes focused on his frame, on the way his shoulders are moving up and down with each heavy breath he takes. He’s trying to keep himself calm and composed. Knowing how easy it was to get him riled up back when the two of you messed around only makes this whole situation laughable. He already wants to fuck, and you’ve barely done anything.
            “Why are you making this so hard?” He questions, boldly turning around to face you in your towel-clad state.
            “What’s so hard?” The teasing lilt in your tone is driving him insane. He watches as you stand three inches in front of him, letting your eyes travel down his body to land right over his hard-on. His jeans can only do so much to hide it. “Oh, I see.” You laugh lightly, noting his boner. Bucky feels enraged. Enraged that you left two months ago, enraged that you never once tried to reach out to him or ask him for help with your little side mission, and especially enraged that you’re standing here right now teasing him, like you haven’t also been reliving your past sexual trysts with him. You want him as much as he wants you right now, and he can prove it. He will prove it.
            In one swift move, Bucky grabs your waist and spins you to the side, pinning your back against the bathroom door before sliding down to his knees in front of you. In another second, he’s tugging on the bottom of your towel, forcing it to unwrap from your figure and fall to the floor around your feet. When he has you fully naked for him, he looks up at you with his lust-blown eyes.
            “You’re going to be quiet for me.” There’s no hint of a question in his voice, and you can only nod in response. “Good girl.”
            Bucky nudges your knees apart with his hand before hitching your left leg up and over his shoulder. Shit. Is he really going to eat you out right here, with his best friend only a few feet away from the thin wooden door that your back is pressed against right now? You look down as Bucky leans forward and captures your clit in his mouth, licking and sucking on it with enough passion to make your head spin. Your back arches off of the door as your fingers card through his hair, pulling his face impossibly closer to your cunt. Any other time, Bucky probably would’ve pulled back and told you to be patient. But this time, he’s feeling every bit as impatient as you. So, he continues to work on your clit, circling the tip of his tongue around it just like he used to do when he wanted to drive you crazy in bed. His metal hand is gripping your ass while his flesh hand moves to join his mouth between your legs. He teases your entrance with a fingertip for a moment, and just as you’re about to beg for more, he plunges it into you up to the first joint. The moan that sneaks past your lips is a good bit louder than you expected it to be and Bucky pulls back abruptly, giving you a stern look and squeezing your ass with his metal hand.
            “What did I say?”
            “I’ll be quiet.” You promise, in a hushed tone. Bucky eyes you coldly for a second before nodding and putting his mouth right back where it belongs. He steals a look up at you to find you covering your mouth with one hand while the other hand is firmly rooted in his hair. You’re doing so fucking good for him. As a reward, he adds a second finger inside of you, alternating between thrusting them in as deep as they can go and then curling them against your walls.
            What you don’t expect is a third finger. When he adds a third finger inside of you, the stretch is a little too much to bear and you moan out louder than before. You expect him to stop, you expect him to pull back and tell you to shut the fuck up, but no. Even though Steve is now fully aware of what’s going on behind the closed bathroom door, Bucky doesn’t stop. Your moan and the fact that Steve knows you’re getting off right now spurs Bucky on so much so that he starts sucking on your clit like it’ll take him right back to two months ago when everything was perfect. He increases the pace of his fingers fucking in and out of your tight, wet cunt, absolutely loving the sounds your body is making. He’s committing those sounds to memory right there on the bathroom floor. A few seconds later, he feels the way your hips are bucking against his face and the way the walls of your pussy are repeatedly clenching around his fingers and he knows.
            “Bucky, I’m gonna cum.” You moan out. You’ve stopped caring that Steve can probably hear every bit of what’s happening right now. All you care about is your looming orgasm that’s being held hostage by the man between your legs. Bucky continues doing exactly what he’s doing, working your cunt just right until you finally tip over the edge, falling into perfect bliss over his mouth and fingers. He continues curling his fingers softly inside you and pressing his tongue against your clit as you lightly grind against it. When you finally still above him, he pulls back and sucks the taste of you off of his fingers.
            “That wasn’t quiet.” Bucky laughs, looking up at you with a mischievous smile painted across his features.
            “No, it wasn’t.” Steve’s slightly unsettled voice echoes from the living room down the hall.
            Oops.
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vase-of-lilies · 11 months
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It's Been a Long Time
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❀ WandaNat x Reader (f)
❀ Warnings: SMUT, desperate sex, separation, cannon typical violence, oral (r receiving and w receiving), shmexy toys, use of a strap-on, poly!relationship, pet names (baby, honey, sweetheart), tattooed reader (just a small one on her chest), nats and Wanda's mommy milkers, overstimulation, body worship, lots of orgasms, this is just super smutty and I hope you like it lol, sadness, tears, angst, captivity (not of reader), mommy kink (not MDLG), use of a butt plug and lube, female masturbation, voyeurism(?), threesome, lots of aftercare, kisses, fluff, and goodness!
❀ Request: SMUT! smexy, depraved smut with lots of overstimulation, body worship, oral, orgasms, and toys, just allll the slutty and smutty goodness 🤤 
❀ A/N: I really hope you like this one! I set it after Captain America: Civil War when Nat exposes everything about the accords and herself, and Wanda goes to the prison on the ocean thingy. So they both go home to their girlfriend who just misses them like crazy:( 
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When you heard the news of the Avengers getting caught, your heart broke. The two women you loved were a part of the team, and their getting caught was the first thing on your list you were worried about, besides them getting killed, of course. Natasha and Wanda had fallen for you when you approached them while they were having coffee one morning. You had noticed that Wanda had dropped her wallet, so you quickly went to return it to her. 
Unbeknownst to you, that day would change the trajectory of your entire life. The two women would smother you with their eternal love for you, take care of you when you were sad, love you when you had a hard time loving yourself, and leave you alone when you wished. They understood you, knew you, and just loved you. They showed their love in different ways;
Wanda showed it through words. Telling you how beautiful you are, saying she loves you, holding your hand in public, kissing your head when you woke up every morning. Natasha, she was a little different. Being more conservative and hidden, she showed her love in smaller ways. Protective looks at someone who is looking at you, gifting you flowers she picks from the compound garden, and tickling your back during movie nights. 
Unfortunately, both women knew what they signed up for when they decided to join the Avengers. They put the people of their city before themselves. It was heroic, and you loved that about them. They were admirable and inspiring. Even when Wanda made a mistake with her powers, you still loved her. Even when Natasha turned her back on you and Wanda, you still loved her the same as well. 
As you were watching TV, an emergency broadcast sounded, and you watched in horror as the Avengers were seen being escorted onto a large plane, going only god knows where. Clutching the shirt-sewn pillow, you hold it close to your heart, silent tears falling down your cheeks. Wanda looked heartbroken at what was unraveling, and Natasha looked defeated as she was escorted into a police car. 
You glared red-fiery bullets at Tony Stark, who stands with Vision, Spider-Man, and other people you thought were your friends. They were watching their team get captured, rendering the city in danger as the most powerful of people were locked away. Reaching for your phone, the first person you call is Wanda. No answer. Next, you call Natasha. No answer. In a fit of desperation, you call Tony. 
"What the fuck did you do?? Why are you doing this??" You scream into the phone as you hear Tony's smug voice on the other side. He sighs and lets you scream at him. 
"Y/n, listen to me. They are a danger to-" You didn't let him finish.
"They are your fucking team, Stark. You are more dangerous than all of them combined! They have friendships that can never be undone, promises that can't be broken, lovers-" your voice cracks and you whimper. "Fuck you, Stark. Fuck you, and fuck your so-called morals." Before he got a chance to respond, you hung up the phone. 
The channel changes on its own, and you see Natasha's picture on the screen. A headline below her says, "Natalia Alianovna Romanova, the assailant behind the escape of Captain America." You shook your head, knowing they wouldn't arrest her if it was on her watch. She would be on the run, and with everyone knowing who she is, she won't be coming home to you. 
Wanda, you didn't know where she went or what happened to her. You prayed and begged someone, anyone, to bring them back to you. But nothing, no matter how hard you tried, they were nowhere to be found. 
It would be weeks before you showered again. You were staying up late every single night worrying, researching, and calling people, trying to find where your lovers were. You tried looking for the sightings of Natasha, but no luck. You tried finding out where Wanda was by tracking the plane number you saw on the TV. But no luck either; it was military-protected. But one day, an unknown number called you. Immediately you picked up, not caring who it was. 
"Y/n? This is Rogers. I can't talk long, but Wanda and Natasha are coming home. I have them located, and they are both safe. Give them time, but soon." 
You sighed in relief and responded, "Where are they? Please, I need to know; I need to know where they are!" 
Steve was quiet for a second, "I'm sorry, I can't disclose that information right now. Give them a week, and they'll be home, ok?" He waited for a response, but you hung up and threw your phone to the other side of the room. 
You were angry and worried about your girlfriends. Steve was a little help with the burner phone call, but it still made you infuriated that he didn't tell you where they were. You knew that he couldn't be tracked fully with a burner phone, but you didn't know what technology Stark would use to capture him again. 
Just like Steve said, it would be another week before you would see them. So you cleaned yourself up a little bit. You showered, tidied your room and the rest of the apartment, and decided to cook an actual meal—a simple [enter your favorite easy meal here] dinner for you and your lovers. 
That is, whenever they came back to you. 
~~~~~~~
You had got through the week Steve said they would be here, but they still did not show. Maybe they forgot about you? Maybe they didn't love you anymore. Those were the thoughts coming through your head 24/7. After the phone call with Steve, you felt something. You felt a spark of hope and were confident they were going to come home, yet they didn't.
But the day came when they finally did—the day started as every other one, in bed, unmotivated to do anything. You had gotten in the habit of staring at the picture of you, Natasha, and Wanda in central park. You were squished in between the two of them, their lips connecting to both of your cheeks as you smiled in the middle of them. It was your favorite picture of you three, as it brought back memories from the "good ole' days."
You had found that showering washed the pain away for a temporary time. The water flowed down your skin with ease and, in turn, felt like you were a new woman. Today was no different. You got in the shower, and like every other day, you continued to pray and beg anything for your lovers to come home. With every bubble that fell through the drain, you counted your wishes. It felt useless trying to hope for them to come home anymore. But you knew you had to keep trying. 
After you got dressed, you went to the kitchen for some breakfast. [Enter your favorite breakfast food here] sounded amazing, and once you made it, it hit the spot. You were in your thoughts for a long time before you noticed a small knock at the door. You figured it was a package you ordered, so you answered it. 
To your utter surprise, Wanda and Natasha stood right in front of you. In the flesh, alive and breathing. Wanda was in a musty blue jumpsuit, and Natasha looked like she was in hiding, her red hair growing long over her shoulders. You stared in disbelief at the two women in front of you. Not sure if they were real or not. 
"I-is it you?" You whisper, tears prickling in your eyes. Wanda smiled, lifting her hand to cradle your cheek. 
"It is, sweetheart. We're home." Wanda responded, a sad smile painted on her lips. 
You let out a sob and wrapped your arms around the two of them. You hid your face in Natashas' chest as you pulled Wanda closer to you. "Wh-why did you leave? Why didn't y-you come home?" You whimpered, your voice muffled by the soft material of Nats' maroon shirt. 
The two women looked at each other, and Natasha took the lead. 
"We were caught in the wrong place at the wrong time милая (honey), and we had to go away for a little bit." She said, giving your head a soft kiss as she ran her fingers through your wet hair. You sigh in relief as you feel Wanda give you a reassuring squeeze, and you look up at her as well. 
"Are you both ok? Are you hurt? Did they hurt you?" You ask quickly, pulling away and scanning the two of them, running your eyes over their body and looking at their faces to see if they wince in pain anywhere. You feel lighter as you see them shake their heads, and you grab their hands and pull them inside. Inside their home, where they belong with you. 
"I saw it all happen, o-on the news… I wish I could have been there t-to help you somehow. I just f-feel like I sh-should hav-have done something." You cry, sitting down on the kitchen chair you pull from the table. 
"Baby, please don't feel that way. You didn't have to do a thing. We made a sacrifice so that you would be safe. So don't you dare take the blame for any of this, do you understand?" Wanda says, kneeling in front of you and taking your hands. Her thumb rubs tender circles on the backs of your hands. 
You nod in understanding and look down at your hands in sadness. "I just missed you both so much. I thought you were never coming home." 
Your small voice breaks their hearts, and Wanda cups your cheeks, pulling you in for a passionate kiss. Gratefully and happily, you return the kiss, wrapping your arms around her neck to bring her closer to you. Natasha kneels next to Wanda, and after pulling away from Wanda, you lean over to the redhead, kissing her lips with just as much passion. "My god, I missed you both so much. I was going insane without you two here."
They both smile from below you, and each takes your hand in theirs. "We've missed our baby, and I think we all need a bit of relief from our time away…." Natasha smirks at you and Wanda, and in sync, you both nod. Understanding what she is saying in an instant. 
They pulled you to the bedroom, their eyes never leaving yours. They tenderly laid you down on the bed, placing your head gently on a pillow. Both pairs of hands explore your body as if it is a newfound land that no one has laid eyes on before. Your shirt comes off, and you are left bare for them. They both pause as they look at you from above. 
Wanda speaks first, "Did you get this while we were gone, baby?" Her soft fingers trace the fine line of a tattoo in the valley of your breasts. The lines connect to make three naked women intertwined together, all holding each other tightly. A heart at the crown of each woman's head and you right in the middle. 
"It's beautiful, honey. Gorgeous." Natasha says, leaning down to kiss along the ink lining your skin. "I've missed this body, your scent, just everything about you милая (honey)." She talks, her lips kissing down your belly to the waistband of your silk shorts. 
Wanda sits at your side, smiling as she kisses your lips, holding onto your hand as she moves down your neck to your chest as well. She takes one of your perked nipples into her mouth, smiling as a moan escapes your throat. You haven't been intimate in so long, and it felt so good to feel this close to your lover again. "O-oh.." You let out a small gasp as Natasha gently pull your shorts down your legs, a hum coming from above you as Nat looks hungrily at your soaking wet pussy. 
"So wet, baby. Is this all for us?" Nat asks, softly raking her fingers over your inner thighs, coaxing your legs open even more. You nod in response, your cheeks heating up at how exposed you are. "I need a taste…." She whispers, and Wanda nods at her. 
Natasha lays on her belly, spreading your petals wide open. Slick strings from her fingers as she prods at your hole, and you moan softly. She licks a long stripe from the bottom of your cunt and circles around your clit, making you squeeze Wanda's hand tighter. 
Her mouth feels so fucking good on your pussy, and you arch your back, pushing your breast further into Wandas' mouth. She rubs your other hardened nipple in her fingers; like a bud of clay, she's rolling into a perfect ball, and pleasure courses through your body. Your wiggling body makes it hard for Natasha to focus, and Wanda takes note of this, so she moves to straddle your lap, keeping your lower body still. 
Your eyes close as both women dominate you, Wanda pleasuring your breasts as Natasha eats you out like she's never before. You grasp the sheets in your hands, your orgasm coming closer and closer until it hits you. As you cum with a shout, Natasha enters two fingers inside of your clenching cunt, smirking as you squeeze her fingers extra tight from not cumming in so long. "So delicious, милая (honey), so fucking good." She whispers from in between your legs, your juices covering her lips. 
"Have a taste, my love," Nat says, sitting up and removing her fingers from your pussy, moving them up to Wandas' lips. She closes her mouth around Nats' fingers and moans softly. 
"Mmmm, baby, you taste like strawberries and cream…" Wanda says, smiling down at your fucked out face. A thin sheet of sweat covers your forehead, and you return a smile. 
"J-just for you, Mommy…" you whisper, your breath coming in small pants. Nat chuckles lightly and crawls to your side. "And you too, m-mommy…." you add, making sure Nat feels just as much love. 
"Oh, baby, did you think we were done? No, no, no, we have so much to catch up on." Wanda smiles and kisses your lips in a sloppy, desperate kiss. While she is devouring your lips, Natasha makes her way to the closet. She reaches for the box marked "toys" and smiles at your messy handwriting. As she opens the box, she takes out your favorite [enter favorite color and desired size] strap, a powerful vibrating wand, and her favorite toy to torture you with; the ruby-like jeweled butt plug that fits your ass like a glove. 
She turns around with the supplies in her hands, and to no one's surprise, you had managed to get Wanda down to her bra and panties. Her jumpsuit was discarded on the floor by the bed. With her lips glued to yours, Wanda takes your hands and pins them above your head, wanting all of you under her control. You smile as your noses nudge against each other as she pulls away for a second. You look up at her, and your eyes flick from hers to her lips. "You always take my breath away." Nat smiles at your moment with her and sets the supplies at the end of the bed. 
"Alright, it's time for the real fun," Nat says, smiling as she removes her shirt and jeans. You sit up with Wanda sitting next to you, but you are quickly stopped in your tracks as Nat gives you a look that immediately pushes you into submission. As you lay back down, Wanda runs her fingers through your hair, and Nat climbs between your legs once again. 
You watch in anticipation as Nat buckles the harness to her hips, the false cock bobbing in front of her. She rubs her hand over your pussy lips again and gently enters your hole with her finger. Stretching you out to make sure that her cock fits perfectly inside of you. As Wanda sits above you, she continues to brush through your hair with her fingers, something she does as a gesture of love while Natasha takes charge of both of you. 
Nat smiles and seductively holds up the bejeweled butt plug, and you whimper softly, knowing how much you love it yet loathes it at the same time. Natasha would completely understand if you said no to something and would respect it. But this time, you would allow her to do anything to you. 
She gently holds your legs open and puts your ass on her lap, your legs up by her shoulders. She opens the small bottle of lube and puts a small amount on the metal plug as well as your puckering hole. You jump at the slight coolness of the liquid but relax as her warm fingers rub it in, pushing her finger into your ass with ease. You groan softly, turning your head and hiding your face in Wandas' leg. 
She smiles at your shyness and tickles your arm to soothe you as Nat works your ass open for her.  
"Come on, baby, loosen up for me; you used to take me like a champ," Nat says, pushing her fingers in a little deeper. You moan in response, feeling like you haven't been stretched out like this in ages. Well, you haven't, but it still felt like the first time all over again. "I know you can do it, honey, come on, let me in…" she whispers, gently moving her other hand to the top of your cunt, rubbing small circles on your sensitive button to help you relax. 
With a whimper coming from your lips, you relax your lower body in hopes of assisting Nat. With luck, she pushes her fingers to her knuckles and smirks. "Good girl, that's our good girl," She coos and smiles as she pushes her fingers in and out of your tight back hole. "She's so good, isn't she, Wands?"
Wanda hums in agreement, her fingers teasing your nipples once again. "So so good, the best girl." She smiles down at you, chuckling softly as your face contorts into a face of pleasure. You bite your lip and whine at the sudden empty feeling of Nats' fingers leaving you. But you are quickly full again when Nat pushes the plug into your ass, the jewel nestling right between your ass cheeks. 
Nat smiles at her work and rubs your skin softly. "It fits perfectly… red suits you милая (honey). My god, you are so beautiful." She looks over you adoringly and leans down to press a kiss to your bent knee. As she kisses closer to your cunt, Wanda slowly straddles your chest and looks down at you with a smirk. "Do you wanna taste baby?" You nod eagerly, and you link your arms around her legs to pull her closer to your mouth. 
Her pussy drips right over your mouth, and you can hardly contain your excitement. You pull her down to your and suck hard on her clit, making her moan and grip the bed frame in front of her. She arches her back, grinding down on your mouth with pleasure filling her veins. Lust fills her system, and she reaches back to pull on your nipples again, smiling at the vibration of your moans against her clit. 
Natasha leans back as she watches you devour Wanda and smiles as she plays with herself in return. She rubs her clit with her fingers, but it just isn't enough, so she reaches for the vibrator that sits next to her. She turns it on and sighs in relief as she presses the bulb to her aching clit. Throwing her head back in pleasure, she watches the two of you through hooded eyelids, smirking as she matches the movements of Wandas' hips, circling the vibrator one way and then the other. 
Once you sense Wandas' orgasm starts to form, you smile as her moans fill your ears like music, and you gently push your fingers in to help her with that final push of pleasure. She gasps, as does Natasha at the end of the bed, both women coming to their high at the same time. The two of them moan loudly as they both cum, and Wandas' hips come to a stop as she takes in a deep breath. "Oh, baby, you were hungry, weren't ya?" She chuckles and scoots down, leaning over your chest to kiss your lips, tasting herself on her tongue at the same time. 
"Mmm, you taste so good, Wands." You whisper against her lips, and you smile as you take in her soft kisses in return. As Natasha finishes, she hands the vibe to Wanda, who turns around on your belly, so now she is facing Natasha, who has spread your legs wide so they both have unlimited access to your most intimate parts.
Wanda spreads your pussy lips apart and licks small circles on your clit while Natasha pushes the tip of her cock into your hole. Already being stretched out, Nat knows you can take all of her. She places her hands on your thighs and pushes further inside your wet hole, slowly filling you up to the brim. You moan loudly, and you squeeze Wandas' hips as she straddles you. 
You hear the click of the vibrator switch, and you jump as you feel the vibrating against your puffy clit. A loud moan escapes your lips, your legs shaking in response as Wanda circles the vibe in all the right ways. Natasha moves her hips in a smooth rhythm, pulling endless pleasure from your cunt with each thrust. With Wandas' skilled hands with the vibrator and Natashas' cock stretching you out perfectly, you are in a state of euphoria for the first time in a long, long time. 
Your first orgasm hits you like a semi-truck, and you see white. Your pussy walls clench around Natasha's cock like a vice, and your clit pulses against the vibrating head held in Wandas' soft hands. And they are far from done, you know that; Wanda knows that, as does Natasha. They continue to push you to your limits, torturing your cunt in the most loving way possible. 
Your second orgasm hits just minutes later, and your juices squirt from your pussy and onto the sheets just under you. You let out a loud moan and squirm underneath Wanda. "One more, baby, one more just for us." She encourages and turns the vibrator up to its highest setting. You whimper in response, your red puffy cunt getting its last bit of pleasure. Natasha thrusts in and out of your pussy faster, and you are pushed to your third and final orgasm. 
As you are cumming beneath your two lovers, they share their love with a long and loving kiss. Their tongues fight for dominance in the other's mouth. Finally, with gentle care, they move their focus to you. Wanda removes the vibe from your quivering clit, and Natasha slowly removes her cock from your soaking wet hole and gently pulls the plug from your ass. She teases you by pulling it out just a little bit, then pushing it back into its spot again. But finally, she pulls it out and leaves your ass a gaping hole. 
Once Wanda moves from your belly, she begins cleaning everything up, the toys, the pillows, blankets, and other things while Nat helps you. 
Nat smiles and sighs as she massages the skin of your ass and guides you to calm down. She puts her hand gently on your heaving chest, and you follow her breaths as she silently tells you to copy her. You breathe with her, your senses calming down at the moment until you are fully at peace. 
As you lay fucked out, Wanda lifts you into her strong arms, carrying you to the bathroom to clean you up. While Wanda sits you on a towel on the counter, you lay on her chest as Nat fills the tub up with warm, soapy water. Wanda chuckles at your tired look, your slouching body, and your droopy eyes. "We missed you so much, baby. I couldn't stand another day in that stupid prison without you." She says in a soft voice as she wipes your face with a warm washcloth.
You lean into her gentle touches and hum lightly in response, too tired to form complete sentences. Nat chuckles and lifts you into the tub with her, Wanda getting in on the other end and the two women caging you between their entangled legs. "It is so good to be home… to be home with our girl," She says as she holds out her hand for Wanda. 
Wanda solemnly agrees and squeezes Nats' hand, and as your head rests against her breasts, she kisses your forehead. "We won't ever leave you again, honey. Never, ever again. We promise." Wanda nods and softly rubs her hand over your leg, soothing you as you hide your face in Nats' chest. 
You knew that was a promise your two lovers would keep. It was a promise that would never be broken, despite the challenges that were faced in their everyday lives. They loved you far too much to see you heartbroken, and they swore never to leave you broken again.
Ever. 
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anyca786 · 15 days
Text
Jimmy Kimmel Live
Y/n! Actress x Sebastian Stan (+ Chris Evans, Anthony Mackie and Paul Rudd)
A/N : Inspired by the Jimmy Kimmel Live interview during Captain America: Civil War (8years ago)
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The lights dim in the studio, and a booming voiceover fills the air. On the screen, a montage explodes – Captain America’s shield clashes with Iron Man’s repulsor blasts, Black Widow flips through the air, and heroes stand divided. The title card blazes: Captain America: Civil War.
Thunderous applause erupts as the lights return to a smiling Jimmy Kimmel. “Welcome back to Jimmy Kimmel Live! Tonight, we have a super-powered group joining us. Give it up for Chris Evans, Sebastian Stan, Anthony Mackie, Paul Rudd, and the lovely Y/n!”
The five actors walk out, waving and soaking in the cheers. Jimmy throws them some playful jabs, then dives into the questions.
“Alright, let’s test your knowledge of each other. Chris has memorized all the songs of which Disney musical?”
“Frozen!” Anthony Mackie blurts out, earning laughs.
“Nope,” Chris smiles. “Anyone?”
Paul leans in, “Aladdin?”
Y/n and Sebastian speak at the same time, “Little Mermaid!”
"Yes" Jimmy confirms. The crowd roars with laughter. Chris throws his arm around Y/n.
“This is the kind of chemistry you see on screen, folks,” Paul teases.
“Well,” Chris grins, “Y/n and I might have belted out a few Little Mermaid duets in our trailers.”
"Interesting. Alright, let's move on. Paul's family name was shortened from what?" Jimmy asked.
Anthony jumps in with a goofy grin, “Rud-rud-evan-rudabar?”
The actors erupt in playful chaos, throwing out silly suggestions. Finally, Paul reveals the answer: “Rudnitsy.”
The questions keep flying. Chris nails Anthony’s debut film, and the crowd goes wild. The tension rises as Jimmy reaches Y/n.
“Alright, this might get interesting. Who is y/n's celebrity crush?”
Y/n hides her face, a playful blush creeping up her cheeks.
“Oooh, this is juicy!” Anthony leans forward.
Paul throws out a guess, “Brad Pitt?”
"Nope, try again" Jimmy says with a playful smirk on his face.
Chris and Anthony exchange knowing smirks.
Sebastian tries his luck, “Johnny Depp?”
Y/n shakes her head, even more flustered.
"Maybe I should just say it for you…" Chris teases.
"Please don't!" Y/n says blushing.
Jimmy, sensing the tension, prodded further. "Come on, Chris, spill the tea!"
Chris Evans & Anthony Mackie replied "Sebastian Stan!"
The crowd gasps, then bursts into excited cheers. Sebastian's cheeks match yours in a vibrant shade of red.
He leans towards you, a playful whisper brushing your ear. "Really?"
You nod sheepishly, a smile tugging at the corner of your lips. "We'll talk about this later," Sebastian murmurs back, a flicker of amusement in his eyes.
"Alright last question, aside from English, what other language does Sebastian speak fluently?
"Romanian!" Y/n replies immediately and the crowd erupts in whistles and applause.
As the show drew to a close, Jimmy unveiled a set of action figures – Captain America, Falcon, Winter Soldier, Ant-Man, and (your superhero name). The audience roared with approval as you held up your miniature self.
"Thank you guys for being here!" Jimmy said, extending a warm hand to all of you.
The cheers continued as you and your fellow Avengers exited the stage, the energy of the night buzzing in your veins.
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Part 2 soon
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literaryavenger · 4 months
Text
Captain America: Civil War - 2
Summary: After Peggy's funeral, Steve, Sam and you go to Bucharest to track down Bucky before the FBI kills him, or at least tries to.
Pairing: Avengers x Reader
Warnings: Descriptions of violence. Language. My poor attempts at being funny.
Word Count: 2.6K
A/N: Here's part two of Civil War and the first look into a Bucky x Reader relationship! That's my goal, anyway. Hope you enjoy!
Masterlist | Series Masterlist
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It’s been a sad few days for Steve, he’s been crying a lot after the news that Peggy died.
You and Sam offered to go with him to the funeral so now you’re both sitting in the first row as Steve and five other guys carry the coffin.
“And now, I would like to invite Sharon Carter to come up and say a few words.” the priest says and Steve’s old neighbor Agent 13, steps up to the podium.
Your eyes widen a little in shock and elbow Sam while looking at her, then Sam nudges Steve and nods to her.
“Margaret Carter was known to most as a founder of SHIELD… but I just knew her as Aunt Peggy.” Sharon starts the eulogy and you look at Steve who's just as surprised to see her. “She had a photograph in her office. Aunt Peggy standing next to JFK. As a kid, that was pretty cool. But it was a lot to live up to. Which is why I never told anyone we were related.”
She looks directly at Steve before continuing. “I asked her once how she managed to master diplomacy and espionage in a time when no one wanted to see a woman succeed at either. And she said, compromise where you can. But where you can't, don't. Even if everyone is telling you that something wrong is something right. Even if the whole world is telling you to move… it is your duty to plant yourself like a tree, look them in the eye and say ‘No. You move.’.”
Her words hit you deep, and you’re sure they hit Steve deep, too.
Peggy was clearly a very smart woman, and the fact that she helped found SHIELD and was such a badass made her your inspiration when you were a trainee and ever since you became an agent. Sharon’s words just made you more and more sure that not signing the Accords is the right thing to do.
-
After the funeral Steve asks you and Sam for a moment alone, so you hug him before letting him have some peace, making your way to the hotel you’re all staying at with Sam.
You’re in the hotel bar when the news comes on with the bombing in Vienna. You and Sam exchange a worried glance and set out to find Steve right away.
You find him near the elevators with Sharon just as the elevator arrives.
“Thanks for walking me back.” Sharon says and as Steve answers “Sure” you get close to them.
“Steve.” you grab his attention.
“There’s something you gotta see.” Sam finishes.
We all go up to Sharon’s hotel room to turn on the news that’s all about the UN bombing in Vienna and how the culprit is believed to be James Buchanan Barnes, the Winter Soldier HYDRA asset and formerly known as Sergeant Barnes, Steve’s best friend.
They talk about the death of King T’Chaka and you look at Steve who seems as concerned as you are as you quietly say. “That’s not good.” And he agrees with a nod.
“I have to go to work.” Sharon says and you all know what has to be done.
-
Sam, Steve and you flew to Vienna with Sharon and now you and Sam are in a coffee shop waiting for Steve while he talks to Natasha.
“How can you eat at a time like this?!” you whisper shout to Sam, annoyed.
“What am I supposed to do, starve?” He answers and you roll your eyes but before you can say anything back, Steve steps next to him.
“She tell you to stay out of it?” you ask him, knowing Natasha pretty well.
“Might have a point.” Sam comments casually.
“He'd do it for me.” Steve says back.
“1945, maybe.” Sam says and you roll your eyes and try to be a little more sensitive than Sam.
“I just want to make sure we consider all our options.” you gently say, but Sam cuts in.
“Yeah, the people that shoot at you usually wind up shooting at us.” He says and can’t really fight him on that, he’s not wrong.
Sharon appears next to Steve and starts talking quietly without looking at any of us.
“Tips have been pouring in since that footage went public. Everybody thinks the Winter soldier goes to their gym. Most of it is noise. Except for this.” She slides Steve a file. “My boss expects a briefing, pretty much now, so that's all the head start you're gonna get.”
“Thank you.” Steve says as he takes the file.
“And you're gonna have to hurry. We have orders to shoot on sight.” she says and leaves as the three of you exchange a worried glance. Without wasting any time, you make your way out of the coffee shop and to the airport, destination: Bucharest.
-
You get to the right address and go separate ways. Sam gets to the roof of the building that Steve enters to look for Barnes and you go to the roof of the other building, where you have an eye on both Sam and, thanks to the scope on your rifle, you can see Steve even through the covered windows.
You see Steve enter the small apartment and look around, then he goes to the kitchen and picks up what looks like a notebook and opens it. Then you hear Sam’s voice through the comms.
“Heads up, Cap. German Special Forces approaching from the south.” You notice movement behind Steve as Sam talks.
“Understood.” Steve says as you see Barnes has entered the apartment.
“Steve, turn around.” You tell him through the comms and he slowly does.
“Do you know me?” You can hear Steve ask, but can’t hear Bucky’s response because he's talking too quietly.
“They've set the perimeter.” Sam says, but you’re still focused on Bucky inside the building.
“I know you're nervous. And you have plenty of reason to be.” You hear Steve say, “But you're lying.” You can see Bucky’s lips moving, but at this angle you can’t really read his lips.
“They're entering the building.” Sam says and you finally take your attention away from the apartment and look around the building as you hear Steve talk.
“Well, the people who think you did are coming here now. And they're not planning on taking you alive.”
“Sam, they’re on the roof.” You say through the comms.
“She’s right, I'm compromised.” He says.
“This doesn't have to end in a fight, Buck.” Steve says.
“5 seconds.” Sam says in your ear.
“You pulled me from the river. Why?” Steve keeps trying to get through to Bucky.
“3 seconds!” You say as you see them about to breach the apartment.
“Yes, you do!” Steve almost yells before you hear Sam yelling in your ear.
“Breach! Breach! Breach!” you see a grenade crash through the window. Bucky kicks it to Steve, and he smothers it with his shield.
You see Bucky shielding himself with the mattress against an attack from the window, then he blocks the door with a table as cops swing in on cables. Steve pulls the rug from under a policeman, sending him flying. Bucky slams another policeman into the wall.
“Buck, stop! You're gonna kill someone.” you hear Steve say before Bucky slams him down and punches a hole in the floor right next to his face.
You faintly hear him say, “I'm not gonna kill anyone.” Before he pulls something out the floor, throws it out the building and it lands near you.
You’re about to go see what’s in it but are distracted by Bucky and Steve hiding behind the shield together before Bucky shoves Steve into a cop and you have to stop yourself from laughing. 
Bucky holds up his metal hand and repels bullets, then slams a cop into some shelves. He picks up a large cement brick and slams it into a cop and you can see Steve fighting another cop on the balcony.
You see Bucky punch through the wall beside the door. He steps into the hallway and you lose sight of him, a second later Steve steps into the hallway and you lose him too.
“You have a visual, Sam?” You ask through the comms and he answers with a simple ‘No’.
You hear Steve say “Come on, man.” and hear his grunting as he fights.
After a minute you hear Steve say “Y/N, he’s coming your way.” and you frown.
“What do you mean he’s-” Before you can answer you can see Bucky jumping out a balcony and you let out a quiet “Holy shit.” that makes Steve groan and Sam snicker.
Bucky lands not too far away from you and, before he can get to his backpack, you put yourself in front of him so he can’t get to it.
“Hello, soldier.” you say in a teasing and vaguely flirting tone, but he simply looks at you for half a second before throwing a punch that you avoid and quickly say “Not a talker. Got it.” Before throwing a punch of your own that he easily stops, holding your arm as he sweeps your legs and in a second you’re on the ground.
Bucky picks up his backpack and runs, but a big man all dressed in black, a full face mask with pointed ears, slams into him and knocks him down. He extends his fingers and sharp claws pop out and he attacks Bucky with sweeping kicks and slashes.
Bucky fights back but is kicked into a wall, the figure swipes his claws and spins gracefully. Bucky narrowly avoids being slashed, holding up a metal bar to protect himself.
You get up and get closer to them to try and help Bucky. You kick the man off of him and protect Bucky by standing in front of him in a fighting stance.
“Bad kitty.” you tell him and can hear Steve and Sam simultaneously say “Seriously, Y/N?”
“Sam, southwest rooftop.” you hear Steve say as the cat man lunges at you. 
“Who the hell's the other guy?” Sam asks.
“About to find out.” Steve answers while you try your best to not get killed by the overgrown cat you’re fighting at the moment. The man manages to slam you into a wall and lunges at Bucky with his claws, but Bucky grabs his wrists.
You’re about to help but a soldier fires a machine gun from a chopper, the ammo bounces off the man’s armored suit who’s now on top of Bucky, but you’re forced to hide to avoid the bullets.
You hear Steve call for Sam’s help and Sam answers with a “Got him.” before he flies down and shoves the chopper off course, then swoops towards street level.
Bucky breaks free from his attacker, slings his bag on his back, runs and jumps down a level, and the other man slides down the wall using his claws for traction. Bucky lands at street level and the chase continues. Steve follows and lands rolling along the ground. 
You watch them from the edge of the roof and sigh. “Okay, I can’t do that.” You look up in search of Sam. “Sam, I need a ride.”
“I got you.” He says as he swoops down and picks you up, taking flight again to follow the others while you hang on to him for dear life.
Gunfire from the chopper tears up the sidewalk, Bucky jumps down through an opening, lands in an underpass and he runs through the traffic. Cat Suit and Steve drop down and chase after Bucky as a Special Forces Vehicle pursues all of them.
You see Steve leap onto the vehicle and splinter the windshield and, when the driver stops, Steve yanks him from the vehicle and kicks the windshield out, then drives off.
Bucky runs over the top of a speeding car, outpacing it and Cat Suit is a few cars behind, keeping pace with him. Then he leaps on the back of the 4x4 that Steve's driving and Steve swerves from side to side, trying to throw him off.
“Sam, I can't shake this guy.” He says into the comms.
“We’re right behind you.” Sam says as you fly behind him.
Several police cars join the chase and you see Steve side-swipe another car and drive on.
Bucky leaps over a barrier and Steve drives through it, then you can see Bucky grab the handlebar of an incoming motorcycle and spin the bike around in mid air, throwing the rider off as he gets on the bike himself, riding away and sending cars careering out of the way. 
Steve keeps on Bucky's tail with Cat Suit holding onto the back of his car. They all rocket through another underpass and Sam flies into the underpass. 
Cat Suit leaps off the front of Steve’s car onto Bucky's motorbike and Bucky flings him over his head and the bike leans down on its side. Bucky kicks his assailant away, straightens up and rides on.
Cat Suit catches a ride on one of Sam’s legs and Sam tries to kick him away. Bucky throws a sticky bomb and blows up the roof at the end of the underpass, bringing down tons of rubble. 
Sam tells you to hang on and you can feel his grip tighten on you as he stops and throws the Cat Suit man into the rubble. He throws Bucky off the motorcycle as Steve swerves the car through the rubble and leaps out, running as Bucky and the Cat roll on the ground.
When they stop the Cat is on Bucky right away but Steve jumps on him and pulls him off Bucky.
Steve stands up, facing the sleek and muscular overgrown black cat as the police arrive and surround you all, guns aimed. War Machine leaps down from above and raises both his suit hands, guns drawn.
“Stand down, now.” Rhodey says, aiming at Bucky and Steve who are standing side by side and at the Cat Suit Guy. Steve puts his shield on his back again as Rhodey continues. “Congratulations, Cap. You're a criminal.” 
Police move in and force Bucky to his knees. The Cat raises his hands as a cop moves Steve's arms behind his back and you and Sam are also handcuffed and brought closer to the others by two police men. The cat retracts his claws and pulls off his mask revealing his face and you’re all shocked to see it’s King T'Challa. 
“Your highness.” Rhodey says as Bucky's hauled flat on the ground and getting handcuffed.
-
You all get arrested, forced to change out of our suits and gears and taken to Berlin. Bucky is restrained inside a glass-walled pod surrounded by armed guards.
In an SUV sits T’Challa on front, then you, then Steve and last Sam. You’re quietly going through traffic until Sam very respectfully breaks the silence. “So, you like cats?”
“Sam.” Steve warns him while you snort in amusement, looking out the window to avoid what you’re sure will be a disappointed glare from Steve. 
“What?” Sam continues. “Dude shows up dressed like a cat and you don't wanna know more?”
“Your suit…” Steve ignores Sam and addresses T’Challa. “Is it Vibranium?”
“The Black Panther has been the protector of Wakanda for generations. A mantle, passed from warrior to warrior.” T’Challa finally speaks up. “And now, because your friend murdered my father, I also wear the mantle of king.” Oh, no. “So, I ask you... as both warrior and king... how long do you think you can keep your friend safe from me?”
The silence that follows is deafening, as none of you know or want to give an answer to that, and you’re sure T’Challa doesn’t expect one.
“Sorry about King T’Chaka…” You say quietly after a moment.
“Don’t worry, miss Y/LN. He will be vindicated.” He answers back without missing a beat.
You look back at Steve and Sam and they both look as worried as you feel.
This is not going to end well, is it?
Requested taglist: @sapphirebarnes @aki-ham
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racefortheironthrone · 5 months
Note
How was Iron Man thought of by comics readers, before the movie? I've heard different takes, from him being despised to being generally popular.
This is one of those that really changes depending on the era you're talking about. It is true that, overall, Iron Man was not a particularly well-loved or important character before the movie.
Indeed, I would argue he was kind of the bottom of the C-tier. Yes, he was a founding Avenger and he had some solo stories people liked, but he also fucked off out of the Avengers after #16 (because of a weird Stan Lee idea), and wound up leading the West Coast Avengers who were sort of an in-universe joke, very much the also-rans to the Avengers (who weren't particularly that big either). There was likewise a running gag about villains finding it embarassing to lose a fight to "Old Shellhead."
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But he wasn't despised, just kind of inessential and overshadowed by more prominent heroes. This would change in 2002 with the creation of the Ultimates and the Ultimate Universe.
Now, I fucking hate Mark Millar's work, but credit where credit is due: he made Tony Stark a main character when he had not been one before, and the movie would not have happened without his inspiration (although I'd argue there was a lot of sifting the pure from the dross on that one).
One of the ironies of the MCU, though, is that it got its liftoff from Iron Man just at the point where the comics had reached Peak Tony and fans really turned against him during Civil War. Mark Millar might have thought that the Pro-Registration side was self-evidently in the right, but no one agreed with him - especially once he started building interdimensional black site prisons for superheroes, recruiting supervillains to work for the government, and creating a murderous Thor clone. Not only did the fans hate him, but pretty much all of his old friends now considered him a traitor - and Marvel pretty much had to kill Tony and replace him with a pre-fash AI backup, then have Tony be the leader of the "good" side in Civil War II, to deal with the backlash.
(Incidentally, I would argue that Hickman's Avengers run did a way better job with Millar's concept than Millar ever could.)
This is why Captain America: Civil War ended up being a second take for the concept, where both sides were depicted as more reasonable in their motivations and actions than in the comics that inspired the movie, and then Infinity War and Endgame recontextualized Tony as a tragic character who ultimately managed to redeem himself with a heroic sacrifice. (Although since then, they really have gone too far with his canonization.)
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found a st*ggy stan who used "seventy years of sleep" (which if you didn't know, is a stucky poem by cardiamachina) for a st*ggy gifset. Deciding that the original work and its details needed to be known, but also wanting to be nice about it, I reblogged the post mentioning that it was in fact inspired by Stucky, with a Wikipedia screenshot.
Bitch comes into replies saying "yes, I know honey, that's the half of the point, bothering your kind" and this is where I blocked them.
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I'm sorry you're free to ship whoever you want in fiction but if your motivation is simply to annoy people who don't agree with you (especially when your ship is a cheap copy of our ship that can't even have a non-toxic, original and convincing storyline, and does grave disservice to all three people across both ships) then all I can say is...I can see why you're a P*ggy stan. Stay mad.
Anyways just in case this post blows up (cause a recent one unexpectedly did),
Here's a petition link with a self explanatory title for Stucky shippers out there. Here is the original post I made about this.
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ultimatespideypoolfan · 5 months
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Chibi Ultimate Spider-Man & Ultimate Deadpool! It's the first time I draw chibi fanart. This fanart took me inspiration from Deadpool's special cameo in Captain America Civil War when Wade was doodling Chibi Spideypool.
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mycatsaidwhat · 1 year
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things i’ve heard college students say pt. 27
-if you hit it raw, why are you voting red? 
-if all he does is smoke and give you meat, you’re dating a barbeque grill sis 
-being horny is a feminine trait, you should be thinking about war
-lord, we thank thee for the food before us *grocery store sushi, sponge bob fruit punch, pokemon-themed fruity pebbles* 
-why does the aftertaste of coke zero taste like blood 
-suck it up, you’re an American, you can do anything with god and Nixon on your side
-i’m too drunk to pray for god 
-if I’m ever in a coma, just show me that meme of Georgia as a state backslapping the Republican elephant and I will bolt upright 
-“Academic weapon” and “alcoholic” both begin with A
That they do, Braden, that they do
-My Little Pony? More like My Big Pony
That did psychological damage
-turning right on red is the greatest civil liberty we have left in this country 
-well as of 1989, dueling does not prevent you from running for public office, so props to you 
-he walks like he got pegged
-if I’m ever throwing up on the side of the road and I text you that I’m drunk, you don’t have to come get me. I always find my way home. Like a pigeon. 
-being in a relationship will NOT solve your problems. Happiness comes from substance abuse 
-I wrote down all the reasons we should do shots tonight. For context I have an essay due tomorrow. 
-I want you to take a picture of Quintin Tarantino in person because he simply CANNOT look that weird in real life 
-you’ve got like 50 feet of intestines, right? You could definitely do a couple laps around a tree with them 
-*is making an alignment chart of writers that we’ve covered in class and whether we could take them in a fight and if we’d feel good about it* 
-i wanna kill everything or die, I don’t know, I’m sad 
-he seems like the kind of professor who would make us fill out the course evals in class 
-he has abs, what do you think we were doing? 
-Here in this house we stand for the flag. The flag being Bucky Barnes in the first Captain America movie, greasy and sweaty and freshly tortured
-I’m just trying to enjoy my shitty Busch light and you bring me Charles LeClerc with his legs spread 
-if I got cancer my private snap story would become an inspirational story and that sounds like a lot of pressure 
-college is just progressively caring less about people seeing what you’re doing on your computer in class. I’m texting, I’m on Doordash, I’m on Shein, I’m on Tinder, I do not give a fuck 
-got stacks on stacks on stacks, baby I clear the racks 
Nice, Dr. Suess, get it! 
I was referencing a rap over Gimme More by Britney Spears, but sure  
-if doing drugs and fucking raw in pools in front of everyone is what adult producers think eleventh graders are up to these days then someone needs to tell them 
-I’d fuck to the Gravity Falls theme 
-you missed the professor’s Coin Jar Day and his annual discussion of child marriage 
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cece693 · 4 months
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Talk it Out (Steve Rogers x Gender Neutral Reader)
This is inspired by the Tony vs. Steve debates arising when Civil War premiered. I believe both were at fault—but what if there was a voice of reason who diffused the situation?
Summary: Being related to the genius Tony Stark had many benefits, but being stuck in an argument between him and your fiance, Steve Rogers, was never anticipated.
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Being a Stark had its fair share of perks: a hefty bank account, influential power, looks that turn heads. But what the public was unaware of was the messy family drama, courtesy of Howard Stark. Despite the world applauding him as a genius inventor, at home, he was anything but wonderful. Work seemed to be his one true love, leaving little room for the whole parenting gig. Affection and care for his kids, especially name, were as rare as a unicorn. And when the Stark siblings were paid attention, it was mostly due to the public image Howard wanted to construct as a loving father.
So, when Tony decided to start flying around New York as Iron Man, name wanted nothing to do with it. Don't get them wrong, they loved their brother, but staying out of the limelight gave name the peace they longed for since childhood. No image they had to uphold nor expectations they needed to live up to, name was content spending their remaining days working on the numerous charities and foundations Stark Industries supported. Name wasn't interested in the media at all, but they guessed being related to Tony Stark and dating fellow Avenger, Captain America aka Steve Rogers would throw that plan out the window.
Their relationship with the Captain had been a surprise to all; meant to be kept a secret from the public, with only the Avengers and Tony (obviously) knowing. However, when a picture leaked of them holding hands, the world went crazy. With everyone, even news channels, speculating the nature of their relationship, it was name who ultimately decided to clear up rumors. Yes, they were dating Captain America, and what about it? The world had bigger problems than worrying about stranger's love affairs. So, even if the public knew about their romance, name withheld that they were also engaged.
But as name said, the world had bigger problems. And indeed they had. After a failed attempt by Loki to take over the world, alongside Ultron's failed destruction of said world, their plate was full. It didn't need unnecessary drama thrown into it: like Steve and Tony bickering due to the recently written Sokovia Accords.
"You're being irrational!"
"Sue me Rogers for wanting to protect the world."
Rolling their eyes, name didn't understand how a friendship like Steve and Tony's was being destroyed over something as stupid as the Accords. If they were being honest, both men were acting like children.
"Can't you guys just talk it out?" Name spoke, sitting up from their seat to glare at their brother and fiance. "I know Tony's a drama queen—"
"Hey!"
"But I expect better from you, Steve. Now, I'm going out with Pepper for lunch. When I return, you better have resolved this or else." Kissing both men's cheeks, name left the room. Looking at each other, Tony and Steve thought the same thing.
'Name is scary when they want to be.'
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captainwidowspring · 11 months
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A Thorough Analysis of Civil War's First Trailer
So I was inspired by this post to watch the first Civil War trailer, and I was intrigued, for the trailer seemed to promise a much better movie than what we actually got. Therefore, I decided to compare stuff in that trailer to stuff in the finished movie, and what I found was very revealing. For Civil War, despite the title, is very much not a Captain America movie: and this trailer provides some insights into how it came to be so. It offers multiple insights into what we were robbed of, and how exactly the movie was maliciously turned against Steve and his friends. Indeed, the sheer extent to which the movie has been twisted is truly enraging. This is going to be rather long, so get ready:
The first thing that is shown in the trailer is the scene of Steve, Bucky, and Sam in the warehouse after Bucky wakes up. Steve asks pleadingly, "Buck, do you remember me?" And after Bucky gives his response, Steve is shown with an expression of pure relief and joy and hope. This is in sharp contrast to what we got in the actual movie. In the actual movie, Steve asks almost accusingly, "Which Bucky am I talking to?": and his expression after Bucky's answer is significantly muted. It is clear that the change here was done to both downplay Steve and Bucky's relationship, and try to make Bucky less sympathetic. First of all, Steve went from "Buck" to "Bucky" which while still a nickname is much less familiar. Second of all, the change in question is quite telling. The original question—"Do you remember me?"—is very eager and hopeful, and indicates a clear trust that Bucky is not dangerous. The new question, on the other hand—"Which Bucky am I talking to?"—is much more resigned, and implies that there is a good chance that Bucky is dangerous and not in control of himself.
There is another difference between the two clips that is quite noteworthy. In the trailer, right after Steve says "Buck," there is a pause, and a nicely centered, well-lit shot of Bucky looking attentively at Steve is shown before he continues. In the finished movie, however, Bucky is not shown until Steve finishes his question: and the shot of Bucky is noticeably darker, and he is crammed into the side of the frame, and unlike the trailer his face is turned away from the camera and obscured by his hair. This was clearly done to try to make Bucky seem more dangerous, and prevent the audience from trusting him.
The trailer conversation continues as follows:
Steve: You're a wanted man.
Bucky: I don't do that anymore.
Steve: Well the people who think you did are coming right now. And they're not planning on taking you alive.
Once again, this is in sharp contrast to the conversation in the finished movie:
Sam: Just like that, we're supposed to be cool?
Bucky: What did I do?
Steve: Enough.
Bucky: Oh, God, I knew this would happen. Everything Hydra put inside me is still there. All he had to do was say the godd—n words.
It's clear that the change here was once again to make Bucky less sympathetic. Intriguingly, based on the trailer, it seems like the words might originally have been less of a factor, and Bucky ended up in the warehouse for a different reason. But besides that, the conversation is also much more compassionate. Bucky was given a chance to explicitly say, "I don't do that anymore," confirming that he has thoroughly rejected what Hydra tried to make him into, and Steve's subsequent response—"the people who think you did are coming right now,"—emphasizes Bucky's innocence and the fact that he is being targeted and endangered for something he didn't do. This is not brought up in conversation in the finished movie, however. Bucky is not allowed to bring up the fact that he's not the Winter Soldier anymore, and the fact that he is being wrongfully hunted is ignored as well. Instead Sam immediately asks, "Just like that, we're supposed to be cool?"—as if Bucky had done something wrong when he was literally just mind controlled—and when Steve tells Bucky that he did "Enough," which emphasizes Bucky's guilt rather than his innocence, Bucky responds, "Everything Hydra put inside me is still there," which clearly implies that he has not in fact changed at all from his Winter Soldier days.
But what's really interesting is that dialogue that is very similar to the warehouse conversation actually does appear in the finished movie, just in a different place: in the apartment in Bucharest. Here is that conversation, with Sam's comments removed for clarity:
Steve: You know me?
Bucky: You're Steve. I read about you in a museum.
Steve: I know you're nervous. And you have plenty of reason to be. But you're lying.
Bucky: I wasn't in Vienna. I don't do that anymore.
Steve: Well the people who think you did are coming here now. And they're not planning on taking you alive.
This indicates a substantial reshuffling of scenes, because much of that dialogue was clearly intended to be in the warehouse; we have several clear shots of Steve in the warehouse speaking those lines. Also, Steve's line changes from "coming right now" to "coming here now" which implies that in the first instance, the pursuers didn't know their location, and if they were in the warehouse that would make sense. So this doesn't seem to be just a case of the trailer being intentionally misleading. And, just as with the changes to the warehouse conversation, these changes afforded the movie a chance to downplay Steve and Bucky's relationship and cast doubt on Bucky. For example, Steve's earnest "Buck, do you remember me?" has been changed to just a flat, quick "You know me?" The question has been altered to make it much less personal, and to deemphasize their history. Also, Bucky being allowed to say that he's not the Winter Soldier anymore is now moved to before the events of the warehouse, so that once the words become a factor the movie can continue to insinuate that he's dangerous. In addition, while Steve is still allowed to draw some measure of attention to Bucky's innocence, Bucky immediately responds to the revelation that he's being wrongfully attacked with "That's smart. Good strategy," so that his attackers receive a measure of validation also. It certainly did not seem like he was going to respond thus in the warehouse; if he had, it would have been an abrupt and jarring change of tone. The clear and concerted attempt to slander Bucky, and Steve by proxy for believing in him, is quite heinous.
The next thing that does not appear in the finished movie comes a little bit later. There is a clip where Bucky is shown for a second before a car passes him and then he disappears—the background is clearly Bucharest—and then it cuts to Steve looking out a window in Lagos. Given the discrepancy of location, as well as the fact that Lagos came before Bucharest, this might just have been the trailer being intentionally misleading. After all, following The Winter Soldier many people wanted to see more of Steve and Bucky's relationship, and Marvel knew of this: but since with everything else that went on in Civil War there wasn't much time for that, they might have put some quick extra footage in the trailer to lure people in.
However, it is also equally possible that this was something that actually was supposed to be in the movie but then got cut. After all, based on the warehouse dialogue, some scenes did get reshuffled: and later in the trailer we are shown Steve jumping off a truck to get a boost into the building instead of being lifted up by Wanda, and there are more assailants when he gets in the building, and there does not appear to be any gas. In addition, unlike the second trailer we are not given any hints of Rumlow's explosion, so it's possible that Lagos was not originally meant to be the inciting incident for the Accords, and that it did actually originally come after Steve saw Bucky in Bucharest. And indeed, the footage the trailer gives of Steve looking out that window never appeared in the final film; he is clearly looking out the window quite yearningly, not in the cool and collected manner of someone gathering information for a mission. So either Lagos was a scene that got moved in the reshuffling, or that footage was shot with the sole intention of tricking people into thinking Civil War would feature more of Steve and Bucky's relationship.
The next difference can be seen in a bit of audio. Natasha says, "I know how much Bucky means to you," unlike in the movie where she says, "I know how much Barnes means to you." And this appears to have been a change that was made fairly late in the game: in the movie, Scarlett Johansson pauses briefly before saying "Barnes" indicating that this was not what she was used to saying. Such a change once again intentionally serves to try to distance the audience from Bucky, and make them care about him less. So we're seeing a clear pattern here.
The next change is significantly more alarming. While Natasha is saying, "Stay out of this one. Please," a shot of Steve standing where he went after he found out about Peggy's death is shown. Now, there are two things this could mean: either 1) Marvel knew that people wanted to see more of Steve and Bucky’s relationship in Civil War, but since the end product didn’t have much to offer they put an unrelated scene in the trailer to trick people, or 2) that scene actually was originally intended to be about Bucky, and Peggy’s funeral was something that was added later. It's hard to tell which one it could be. Again, it is possible that this was done with the express intention of tricking people. However, again, it is also possible that this was something that got changed. Steve looks much more clearly upset in the movie than the trailer: and it's entirely possible that Steve's message on the phone was supposed to be something about Bucky, and Peggy's funeral was something that ended up replacing this. After all, it's not like Peggy's funeral had much impact on the plot; its main purpose appeared to be to both remind people that Steve was supposed to have had a romance with Peggy, and to set up his romance with Sharon. (And none of this was hinted at in the trailer.) Stucky shippers have long speculated that the Staron romance in Civil War was fueled by gay panic, and it appears that they might have been right. Whatever the situation was, however, such shenanigans are truly despicable and disgusting.
(Shortly afterwards, in response to an argument Tony made about the Accords, Steve is heard saying "That's not the way I see it," and this is immediately followed by Tony saying "Sometimes I want to punch you in your perfect teeth." I don’t think this was intentional, but such an exchange perfectly sums up how Tony acts for pretty much the entire movie.)
Soon afterward is another interesting change. Footage from the scene in Bucharest where the police in the helicopter shoot at T’Challa and Bucky is shown, but then instead of T’Challa and Bucky, the target appears to be Steve. The clip that is supplied here is clearly from the portion of the movie that includes Bucky meeting Zemo and Bucky's subsequent escape, based on the clothes Steve is wearing, as well as the fact that it looks like Steve is in front of the damaged helicopter. It looks like the helicopter is hanging off the launch pad with the front end sticking up, and there is a bullet hole in the front window. Now, this is quite distinctly not from the finished movie; the helicopter is not pierced by bullets in the film, and it is never seen hanging in such a position. However, more footage from the finished movie is shown immediately afterward; Steve is shown pushing himself up after a bunch of excitement, and the helicopter is behind him on its side. Given this, I'm not sure why the other clip was in there. For even then it doesn’t seem like they were planning on using it, and it is very different from what happens in the movie, with the biggest difference being that Steve and Bucky are alone on the roof. I guess maybe they wanted to make it seem more like Hydra might be involved somehow, because that would make it somewhat more of a sequel to The Winter Soldier than the actual movie was, and a sequel to The Winter Soldier was what people were expecting. So again, either Civil War really was originally going to be more of a Captain America movie, or that footage was shot with the sole intent of deception.
Shortly afterward there is another interesting clip. It is very brief, but there is a shot of Bucky running with a terrified expression on his face, followed by a spray of bullets on the ground, presumably what he is running from. This was seemingly supposed to be part of the Bucharest chase sequence. Once again, however, it does not appear in the finished movie. We are actually given very few shots of Bucky's face throughout the finished chase sequence, and in all but one of these he looks determined rather than afraid. This isn't necessarily a bad thing, but considering all the other Bucky slander the movie ended up having, it does not feel like this was done with good intentions. Bucky is apparently not allowed to feel fear—he can only be determined or startled—because if he was allowed to be afraid, more people in the audience might realize that he has feelings too, that he wasn't having a very good time of it either, and the wrongness of the situation might be emphasized. All of which is stuff Civil War was apparently allergic to, in its quest to treat him like dangerous damaged goods. It seems like once again this was a thing to show Bucky's side of the story that was purposely taken away.
Following this there are two more indications that Lagos might have originally been substantially different. One is the fact that, shortly after Steve’s “We fight,” line is heard, a few clips of Natasha’s scenes in Lagos are shown. This sort of implies that she was going to help him with the aforementioned fight. Again, this might have just been the trailer being misleading: but since there were already several scenes that indicated that Natasha was going to be opposed to Steve for some portion of the movie—Steve asking her, “Are you going to arrest me?”, her line, “you know what’s about to happen, do you really want to punch your way out of this?” and the fact that she was not in Team Cap’s charge—it’s not like the fact that she wasn’t with Steve for a large part of the movie was going to be a surprise. The trick here would just be making people believe that at some point she was going to rejoin Steve and fight with him, instead of turning on Team Iron Man at the last minute and then disappearing from the movie shortly afterward. But if it wasn’t a trick, maybe Lagos actually was originally supposed to come later in the movie, and she was going to be reunited with Steve for that.
The other possible indication is the fact that another bit of deleted footage is shown. Steve is seen running and then an explosion goes off, and based on the background he is in the spot where in the movie he gets blown out of the building by Rumlow: but that does not happen in the trailer, the brunt of the explosion misses him and he is able to keep running. (And him getting blown out of the building is shown in the second trailer.) This is a further implication that Lagos might originally have been different. I guess if it was, the question is whether at the time of the trailer's release they were still intending to use that footage, or if they had already decided not to but showed it anyway.  
The final change is the fact that footage from a deleted scene (that we have access to) shows up in the trailer. Now, bits of deleted scenes being featured in trailers is not unheard of, and the clip itself doesn’t really show much; all it shows is Natasha on top of a storage container watching an explosion. However, comparing that clip with deleted clips from other trailers is quite revealing. In the second Iron Man 2 trailer, for example, two clips from deleted scenes are shown; one from the deleted opening where Pepper kisses Tony’s helmet, and one from the deleted scene where Tony is with Natasha at the party. It is not surprising that these scenes got cut, though, because the ideas these clips’ scenes conveyed were also expressed elsewhere. We got plenty of other Tony and Pepper interactions that showed their dynamic, and the same is the case with Tony and Natasha. However, in the scene the clip in the Civil War trailer is from, Natasha sees how violent the rest of Team Iron Man is being and becomes upset; presumably, seeing this pointless violence is why she later switched sides. But in the movie, no similar indications are given for her change of heart. In the movie it’s framed like she was fully intending to stop Steve, but then realized at the last second that she couldn’t and let him go. So while Iron Man 2 got rid of clips that were fairly redundant, Civil War got rid of a clip that would have supplied valuable information. And the lack of that valuable information appears to be an intentional effort to stifle Team Cap's side of the story, and prevent Team Iron Man from looking bad.
That is all the changes there are, but there is one other thing. One of the last things shown in the trailer is the "He's my friend/So was I," exchange. This is also what is said in the movie: but the fact that the trailer so prominently featured Steve and Bucky's relationship helps highlight just how ridiculous that exchange is. I wonder if that is another reason why Bucky and Steve's relationship was so carefully downplayed.
Now, again, considering that this is just a trailer, it is hard to tell how much of the stuff that was shown was originally supposed to be in the movie, and how much of it was the trailer being purposely misleading. After all, trailers are deceitful all the time, and the second trailer was also cut in deceptive ways. However, unlike the first trailer it does not show anything that is substantially different from the finished movie: so considering the abundance of unused footage in the first trailer, there very well might have been significant changes made after that trailer's release. Indeed, this film was supposed to be a sequel to The Winter Soldier before it became Iron Man 4, so it might have originally been less of a clown show. A sequel to The Winter Soldier is certainly what most people were expecting. It’s just hard to tell whether there had originally been more of an effort to make one, or whether the trailer was just stringing people along.
In conclusion, looking at the differences between the first Civil War trailer and the actual movie is quite revealing. The Russos said in the director's commentary that in making the film, the hardest thing for them to do was "to balance the characters, and constantly recalibrate, through the writing, through the acting, through editorial, to make sure you could walk out of the movie, and really be conflicted,”: and even with the few changes the first trailer gives us insight into, it is clear that this involved arranging things to purposely minimize Steve and Bucky's relationship, curtailing Bucky's role in the movie and making him look as unfavorable as possible, and deleting things that would either make Team Iron Man look bad or make Team Cap more sympathetic. Civil War was billed as a Captain America film, but considering how deliberately the movie was turned against him and his friends, it is quite clear how untrue that is.
Truly, it is exceedingly tragic that the third Captain America movie was turned into the Iron Man 4 mess it ended up being, when it should have been a continuation of everything that was set up in The Winter Soldier. And based on the fact that the first trailer seemed to promise those things, as well as the fact that even the second trailer was cut to make it look like Bucky would have a bigger role and Natasha would reunite with Steve (though Sam was largely left out), the makers of Civil War knew exactly where they were falling short. But unfortunately, they made no efforts to repair such deficiencies, and even now we are still waiting for Cap 3.
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starsxchains · 6 months
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To build a better world, you have to tear down the foundations of today.
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-Independent, low-activity, semi-selective Hydra!Steve Rogers roleplay account
-Inspired by the Marvel Movies + a metric fuck-ton of headcanons
-Continue Reading for the rest of it
[ Thread Tracker ]
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A Bit of Backstory…
[Applicable for all verses]
Known as HYDRA’s ‘Best Kept Secret’, Steve was an agent from the very beginning; from receiving the serum to joining SHIELD and leading the Avengers. Very, very few knew about Captain Rogers’ involvement, and those that did usually didn’t live long.
He ensures Bucky’s survival during the mock HYDRA takedown in the Alps and stays by his side during recovery until he crashes the Valkyrie, losing the tesseract and the Skull in the incident.
Once unfrozen, Steve is offered to lead a team, the Avengers, he agrees and HYDRA quickly comes knocking— Jumping at the chance to cement themselves inside the group.
Steve isn’t at all horrified at what they had done to Bucky, understanding that-
Sometimes, the greatest sacrifices lead to the greatest victories.
And he assumes the role of the Winter Soldier’s main handler as the Soldier behaves differently around him.
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Verses
˗ˏˋ ★ Main- The world still thinks Steve is Captain America, heading the Avengers and running missions as a SHIELD operative. [He is just ‘off’ enough that those who were closest to him would know something is wrong, if having infiltrated another ‘verse’] **Post-Insight
˗ˏˋ ★ Multiverse- A HYDRA experiment gone wrong, Steve is sent to other multiverses [and assumes your character’s canon]. <- Mostly combined with the ‘main verse’.
˗ˏˋ ★ Avengers Assemble- (pre)2012 -> Civil War era, can technically be included in ✮Multiverse✮, Steve find and kills(?) the original Cap and assumes his position- Still acting as an Agent of HYDRA, but HYDRA does not win in this verse.
˗ˏˋ ★ Post-Endgame- HYDRA!Cap assumes the role of Steve once again after he disappears into the past, but still agrees to hand over the shield, since HYDRA would be long-gone by this point. He is just ‘off’ enough that those who were closest to him would know something is wrong.
˗ˏˋ ★ HYDRA Wins- This would be post-Insight, with the help of Captain Rogers and the Winter Soldier, HYDRA is successful in launching project Insight.
Links
[Backstory, Headcanon, Etc]
[ Tag List ]
[Prompts/Memes/Games]
Project Insight Turns Nightmare: Captain America- HYDRA’s Best Kept Secret?
You Should Know
-This is a side blog! - I am not responsible for any hurt feelings/muses -HYDRA Trash Party is a thing here-
Rules
General
-Always 21+, those found to be under that will be blocked! -I have a very erratic work / sleep schedule + a sleep disorder-- -Please be patient but don't be afraid to shoot me a message or bump a thread! -Non-Exclusive!
Non- Roleplay accounts: Feel free to lurk, reblog the crack, reblog the gifs and memes and shit I’ve reblogged— Please, for the love of god, stay out of my plots.
Roleplay
-Don't assume our characters are in a relationship / situationship / or some sort of family unless otherwise established or discussed --NSFW/Kink abounds -Doubles are fun! -Everyone (21+) is allowed to shoot a starter or submit and prompt / meme-- Let's just jump into it! -Anything on my blog that isn't tagged with a specific person or #closed is always available for a response -I am not against having multiple threads with the same person/character - OC’s are acceptable as long as they don’t claim to be related, or in a relationship, with my character ++Preferable if they relate to the MCU in some form - I'm trying to keep threads to two per muse, not including small threads /sideplots / texting / crack --- If your muse has multiple verses, I am including those as separate muses
- Sentence -> Multi-para. I (do my best to) match energy! You do not have to write multiple paragraphs. - Highly OC-Selective
- Smut / NSFW needs to be discussed before sending prompts / asks, unless we are solidly pre-established. - I only do post / whatever replies- Banter in the comments of posts I make (not reblog) are fine, but other plots need to be in a post!
About the Writer
-Wynn, She/Her, 25 -Time-Zone: EST -Over 10 years of roleplay experience, with 7 of those being Bucky -On mobile, no idea how to format! -Erratic work/sleep schedule + sleep disorder can make for weird times --Please don’t be afraid to bump any of my posts or shoot me a -message! -Very shy, feel free to reach out lol
Other blogs -> @cybernetic-asset , @skullsandsteel , @striketeam-sic , @fluffysquidcat , + @strike-a
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ao3feed-sambucky · 26 days
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honey don't feed me i will come back
read it on AO3 at https://ift.tt/jWwm5KL by f3ralfa3 Throughout his life, Sam Wilson had grown used to the feeling of being watched. The careful, loving eye of his mama as she sat on the porch and watched him play in the yard with his sister as a kid. The judgemental, fearful stares from white strangers as he went on his evening walks alone in a new city. The heated gaze of an admirer in one of the many clubs he found himself at in his early 20s. The calculated, steady survey of his superiors in the Air Force, watching him from the ground as he soared into the sky. Sam knew what they all felt like, and various others in between. He knew whether a stare that he felt was malicious or friendly; whether he would have to get ready for a fight or turn on the charm for whoever was waiting for him when he turned around. But recently, Sam had been introduced to a new kind of stare; the cold, predatory gaze of one James Buchanan Barnes. --- Sam tracking Bucky down in Civil War. Inspired by "It Will Come Back" by Hozier. Words: 9199, Chapters: 1/1, Language: English Fandoms: Marvel Cinematic Universe, Captain America (Movies), Captain America Civil War Rating: Explicit Warnings: Creator Chose Not To Use Archive Warnings, Graphic Depictions Of Violence Categories: M/M Characters: James "Bucky" Barnes, Sam Wilson (Marvel), Steve Rogers (mentioned), Natasha Romanov (mentioned) Relationships: James "Bucky" Barnes/Sam Wilson Additional Tags: Slow Burn, Inspired by a Hozier Song, Song: It Will Come Back (Hozier), Eventual Smut, Light Angst, Hopeful Ending, Flirting, Top Bucky Barnes, Bottom Sam Wilson, Bucky Barnes and Sam Wilson Bickering, Sam Wilson is So Done, Animal Metaphors, Self-Hatred, Self-Esteem Issues, Rough Sex, Dirty Talk, Bucky Barnes Needs a Hug, Bucky Barnes is a Tease, Sam Wilson is a Tease, Sam Wilson is a bratty bottom, shakes them. they're so stupid, But I Love Them, god bless you hozier, Anal Sex, Anal Fingering, Blow Jobs, Multiple Orgasms, No Refractory Period read it on AO3 at https://ift.tt/jWwm5KL
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