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novlr · 3 days

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What is a good way to start a novel? (sentence frames)

Are you a creative writer struggling to get started on your next project? Do you find yourself staring at a blank page, unsure of where to begin? Fear not! Here are some sentence frames designed to inspire your creativity and help you generate story ideas.

Get to know your main character

[Character name] was not your typical [profession/role]; in fact, they…

Despite being [adjective], [character name] had always felt…

[Character name] had a secret, one that they had kept hidden for [time period]…

As [character name] looked out the window, they couldn’t help but wonder what life would be like if…

[Character name] had always been drawn to [hobby/interest], but had never had the courage to pursue it until…

The day [character name] met [another character], everything changed…

Setting the scene

The town of [name] was known for its [unique characteristic], but beneath the surface…

In a world where [fantastical element] was commonplace, [character name] stood out because…

The [building/location] had stood abandoned for [time period], but on this particular night there was [an event]…

The [place/location] was famed for its [unique characteristic], but [character] found themselves drawn to [thing]…

Introduce conflict

[Character name] had always believed that [belief], until [event] forced them to question everything.

When [character name] discovered [secret/revelation], they knew they had to…

The arrival of [character/object] in [setting] threw [character name]’s life into chaos, as they…

[Character name] had always been content with their [status quo], but when [event] occurred, they realised that they could no longer ignore their true calling.

The arrival of [character name] in [place/location] set off a chain of events that would uncover long-buried secrets and force the [people of location] to confront their darkest demons.

Show character growth

[Character name] had spent their entire life [doing/believing something], but now they began to wonder if…

As [event] unfolded, [character name] realised that they were capable of…

[Character name] had always been afraid of [fear], but in the face of [challenge], they discovered…

[Character name] used to [old behaviour], but now they [new behaviour]…

As [character name] faced [challenge], they discovered a [new strength/quality] within themselves…

[Character name] never thought they could [achievement], but with [catalyst], they learned to [lesson]…

Create suspense and mystery

[Character name] knew that [mystery/secret] held the key to [goal], but the closer they got to the truth…

As [character name] delved deeper into [investigation/quest], they began to suspect that…

The [object/clue] seemed insignificant at first, but as [character name] examined it more closely, they saw [detail].

[Character name] had a nagging feeling that something was off about [person/place/thing], but couldn’t quite put their finger on it until [event].

The [sound/smell/sight] was hauntingly familiar to [character name], but they couldn’t remember why until [event].

Explore character relationships

[Character name] had always looked up to [other character], but now they began to see them in a different light because [event/change].

Despite their differences, [character name] and [other character] found themselves drawn to each other because of [detail].

[Character name] knew that [other character] was hiding something, but they never expected [revelation].

[Character name] and [other character] were once inseparable, but [change] meant they grew apart.

[Character name] never expected to find a friend in [other character], but [character detail/event/location] brought them together.

[Character name] couldn’t shake the feeling that [other character] was hiding [secret] from them.

Remember, these sentence frames are just a starting point to help you generate ideas and get your creative juices flowing. Feel free to adapt, combine, or expand upon them to suit your unique story and writing style. The most important thing is to let your imagination run wild and enjoy the process of writing your novel!

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writingwithfolklore · 2 days

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Making the Most out of your First Draft

As someone who used to write every first draft without planning and then use that to figure out characters and outlines, I have a lot of experience in first drafts that are incredibly helpful to forming an actual story, and drafts that don’t add much.

So here’s how to make the most out of your first draft:

1. Write what doesn’t make sense

One of the most helpful first drafts I ever wrote abandoned plotlines and started new ones as though they had existed all along like several times. It was also the longest draft I had ever written because I had packed so many ideas into it. The reason why this is helpful is because you can test out what a plot point will look like in the middle or even end of your story without having to go back to the same beginning again and again.

It doesn’t need to make sense, just try things out. Disappear characters who don’t work, add a best friend near the end that acts like they’ve been there the entire time, whatever idea you’re interested in you can try out without worrying too much about what makes sense or what you’d need in place to set it up. It's like literally stream of consciousness writing, and you're going to learn so much more about your world, plot, and characters than trying to make it make sense.

2. Write poorly

I spent a lot of that first draft having characters monologue to themselves or each other about their interests and problems and lives which allowed me to explore their backstories and voice even if that’s not something I would do in a final draft. I had the wackiest plot points to see how my characters would react, what would happen to the plot, and if I didn’t like it I would keep going like nothing had happened, I did a lot of yadda-yaddaing over worldbuilding and setting the scenes and making up things on the spot to see if they’d stick, skipping sometimes to the interesting stuff, or adding in a random scene just for fun.

It doesn’t have to be good. Even a little bit. You’re learning about your world and your characters and the story you want to tell, but you aren’t writing it yet. Allow it to be the worst thing you’ve ever written.

3. Make notes on what you like

As you go through and throw spaghetti at the wall (figuratively speaking), make notes on the things that stick. If you write a line of dialogue you really like, or a piece of backstory or even a vibe, make sure to make a note of it somewhere. This will help you narrow down your ideas to what you want to keep when you start writing your story. And if you’re like me and you want to outline or plan your subsequent drafts, these notes will be invaluable to start forming your planning.

Anything else I missed?

#writing #creative writing #writers #writing community #screenwriting #writing inspiration #books #filmmaking #film #writing advice #first draft #making the most out of your first draft #pantsing #pantser #writers on tumblr

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goodluckclove · 11 hours

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You Don't Need an Agent! Publishers That Accept Unsolicited Submissions

I see a few people sayin that you definitely need an agent to get published traditionally. Guess what? That's not remotely true. While an agent can be a very useful tool in finding and negotiating with publishers, going without is not as large of a hurdle as people might make it out to be!

Below is a list of some of the traditional publishers that offer reading periods for agent-less manuscripts. There might be more! Try looking for yourself - I promise it's not that scary!

Albert Whitman & Company: for picture books, middle-grade, and young adult fiction

Hydra (Part of Random House): for mainly LitRPG

Kensington Publishing: for a range of fiction and nonfiction

NCM Publishing: for all genres of fiction (YA included) and nonfiction

Pants of Fire Press: for middle-grade, YA, and adult fiction

Tin House Books: very limited submission period, but a good avenue for fiction, literary fiction, and poetry written by underrepresented communities

Quirk Fiction: offers odd-genre rep for represented and unagented authors. Unsolicited submissions inbox is closed at the moment but this is the page that'll update when it's open, and they produced some pretty big books so I'd keep an eye on this

Persea Books: for lit fiction, creative nonfiction, YA novels, and books focusing on contemporary issues

Baen: considered one of the best known publishers of sci-fi and fantasy. They don't need a history of publication.

Chicago Review Press: only accepting nonfiction at the moment, but maybe someone here writes nonfiction

Acre: for poetry, fiction and nonfiction. Special interest in underrepresented authors. Submission period just passed but for next year!

Coffeehouse Press: for lit fiction, nonfiction, poetry and translation. Reading period closed at time of posting, but keep an eye out

Ig: for queries on literary fiction and political/cultural nonfiction

Schaffner Press: for lit fiction, historical/crime fiction, or short fiction collections (cool)

Feminist Press: for international lit, hybrid memoirs, sci-fi and fantasy fiction especially from BIPOC, queer and trans voices

Evernight Publishing: for erotica. Royalties seem good and their response time is solid

Felony & Mayhem: for literary mystery fiction. Not currently looking for new work, but check back later

This is all what I could find in an hour. And it's not even everything, because I sifted out the expired links, the repeat genres (there are a lot of options for YA and children's authors), and I didn't even include a majority of smaller indie pubs where you can really do that weird shit.

A lot of them want you to query, but that's easy stuff once you figure it out. Lots of guides, and some even say how they want you to do it for them.

Not submitting to a Big 5 Trad Pub House does not make you any less of a writer. If you choose to work with any publishing house it can take a fair bit of weight off your shoulders in terms of design and distribution. You don't have to do it - I'm not - but if that's the way you want to go it's very, very, very possible.

Have a weirder manuscript that you don't think fits? Here's a list of 50 Indie Publishers looking for more experimental works to showcase and sell!

If Random House won't take your work - guess what? Maybe you're too cool for Random House.

#writing community #writeblr #on writing #writers on tumblr #authors of tumblr #queer writers #poc writer #trans writers #ya author #writing tips #writing resources #writing inspiration #writers supporting writers

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hayatheauthor · 2 days

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Crafting Sad Scenes: Writing Tears and Emotional Depth

Creating authentic emotions is vital for immersive storytelling, which is why I decided to make this series on how to write different emotions. After exploring rage, it's now time to delve into sadness!

When it comes to portraying sadness, delving into various aspects of your character's behaviour and environment can deepen the emotional impact. Here's a guide on how to evoke sadness in your writing using different elements:

Facial Expressions

Downcast Eyes and Furrowed Brow: Describe how their eyes lower and brows crease, reflecting inner sorrow or distress.

Quivering Lips or Trembling Chin: Note the subtle quivers in their lips or chin, indicating emotional vulnerability or the effort to hold back tears.

Pained or Distant Gaze: Highlight a gaze that's distant, unfocused, or filled with inner turmoil, showing their emotional detachment or deep sadness.

Tear-Streaked or Reddened Eyes: Mention tear tracks or reddened eyes, portraying recent or suppressed crying, enhancing the visual impact of their sadness.

Hollow Cheeks and Sunken Eyes: Describe physical changes like hollow cheeks or sunken eyes, reflecting fatigue, despair, or prolonged emotional distress.

Body Language and Gestures

Slumped Shoulders and Hunched Posture: Show their dejected stance with slumped shoulders and a hunched posture, conveying a sense of heaviness or defeat.

Fidgeting or Clasping Hands: Detail how they fidget nervously or clasp their hands tightly, indicating inner turmoil or a need for comfort.

Absentminded Touching of Face or Hair: Mention absentminded gestures like touching their face or running fingers through their hair, reflecting introspection or sadness.

Slow or Listless Movements: Describe their movements as slow, lethargic, or lacking energy, mirroring their emotional state of sadness.

Avoiding Eye Contact or Retreating: Highlight how they avoid eye contact or retreat from interactions, seeking solitude or trying to mask their emotions.

Dialogue and Inner Monologue

Subdued or Monotone Speech: Show their dialogue as subdued, with a monotone delivery or pauses, conveying emotional restraint or inner pain.

Expressing Regret, Loss, or Longing: Use dialogue to express their regrets, sense of loss, or longing for something or someone, adding depth to their sadness.

Internal Conflicts and Self-Reflection: Delve into their inner monologue, revealing their conflicts, doubts, or self-reflection, showcasing the complexity of their emotional journey.

Using Metaphors or Symbolic Language: Incorporate metaphors or symbolic language in their dialogue or thoughts, enhancing the poetic or introspective nature of their sadness.

Environmental Cues and Setting

Bleak or Desolate Settings: Set scenes in bleak or desolate environments, such as abandoned places or dimly lit spaces, amplifying the sense of isolation or melancholy.

Rainy Weather or Gray Skies: Describe rainy weather, gray skies, or somber atmospheres, mirroring their emotional state and adding a reflective tone to the setting.

Diminished Colors or Lack of Vibrancy: Use descriptions of muted colors or a lack of vibrancy in the surroundings, reflecting the character's subdued mood and emotional depth.

Actions and Reactions

Withdrawing from Interactions: Show them withdrawing from social interactions, seeking solitude, or avoiding activities they once enjoyed, highlighting their emotional withdrawal.

Seeking Comfort Objects or Routines: Describe how they turn to comfort objects or routines, such as listening to music, writing, or engaging in familiar activities, as coping mechanisms.

Emotional Outbursts or Sudden Changes: Portray occasional emotional outbursts, sudden changes in behavior, or moments of vulnerability, revealing layers of their sadness.

Impact on Relationships and Interactions: Explore how their sadness affects their relationships and interactions with others, showcasing the dynamics of empathy, support, or misunderstanding.

Types of Tears and Emotional Triggers

Watery Eyes: These tears often accompany moments of deep emotional pain, such as hearing hurtful words, experiencing profound disappointment, or feeling overwhelmed by sadness. Characters may blink rapidly or struggle to maintain eye contact as tears well up, indicating their struggle to contain their emotions.

Quiet Tears: Quiet tears are silent and discreet, often shed in moments of solitude or introspection. They may occur when a character reflects on past memories, grapples with internal conflicts, or experiences a poignant realization. These tears are a subtle yet powerful expression of inner turmoil.

Full-On Sobs: Full-on sobs involve audible crying, heaving breaths, and visible emotional distress. They typically arise from intense grief, loss, physical pain, or overwhelming stress. Characters may find it challenging to speak coherently or control their emotions during such outbursts, revealing the depth of their emotional turmoil.

Tears of Joy: Tears of joy occur in moments of immense happiness, relief, or heartfelt connection. They often accompany scenes of reunions, achievements, or profound expressions of love and gratitude. These tears symbolize emotional release and the overwhelming experience of positive emotions.

Tears of Empathy: Characters may shed tears of empathy when witnessing others' suffering or hearing poignant stories. These tears reflect their compassion, sensitivity, and ability to deeply connect with the emotions of others, adding layers of empathy to their characterization.

Writing Prompts and Exercises

Write a scene where your character experiences a sudden wave of sadness in a public setting, struggling to conceal their emotions.

Craft a dialogue between two characters, one trying to comfort the other who is deeply saddened by a personal loss or disappointment.

Describe a setting that reflects the mood of sadness, using sensory details to evoke emotions and create atmosphere.

Explore a character's inner monologue as they reflect on past regrets or missed opportunities, expressing their profound sense of sadness.

Create a symbolic object or motif in your story that represents your character's journey through sadness, using it as a recurring theme for emotional depth.

Incorporating these elements can enrich your narrative and evoke powerful emotions in your readers, fostering a deeper connection to your characters and their emotional journeys.

Looking For More Writing Tips And Tricks?

Are you an author looking for writing tips and tricks to better your manuscript? Or do you want to learn about how to get a literary agent, get published and properly market your book? Consider checking out the rest of Haya’s book blog where I post writing and publishing tips for authors every Monday and Thursday! And don’t forget to head over to my TikTok and Instagram profiles @hayatheauthor to learn more about my WIP and writing journey!

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accept-manager-head · 16 hours

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#字母圈 #candid #facebook #birth chart #david dawson #novios #jack black #street fighter #garden #writing community #loz #cartomancy #digital aritst

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court-value-action-under · 2 days

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#jennifer love hewitt #emma stone #garden #writing community #loz #cartomancy #videos #دعاء #digitalmarketing #misha cross #enhypen #tessa thompson #writing

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ink-flavored · 2 days

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65 Question OC Polycule Ask Game

Do you have a bunch of OCs in a polycule? Do you have the burning desire to answer questions about them? Look no further for an excuse to talk about it! There are footnotes under the cut to explain some potentially unfamiliar terminology. Remember to send an ask to the person you reblog it from to make sure everyone gets to play!

How many members are in the polycule? How are they related to each other? Feel free to draw a flow chart.

Did the relationship start polyamorous, or was it a monogamous relationship that eventually opened?

If it started monogamous, how did the process of opening the relationship go?

Are there any mono-poly1 relationships in the polycule?

What “shape” is the polycule? A triad, a “V”, a straight line of metamours2, or incomprehensible?

Where do each of the members land on the “solo poly” to “entwined” spectrum?3

Where do each of the members land on the “free agent” to “community oriented” spectrum?4

How did each member realize they were polyamorous? Did they always know, or was there some sort of epiphany?

Do any of the current members practice hierarchical polyamory5? Who are the primary partners?

If the polycule is hierarchical, what differs in the boundaries set for primary vs secondary partners? Tertiary partners?

Have any of the members been in a hierarchical polycule before?

Have any of the members been in a non-hierarchical polycule before?

Do any of the members have a preference between hierarchical and non-hierarchical polyamory?

What’s the craziest polycule drama they’ve experienced so far?

Have any of the members been the unicorn6 of a relationship?

Have any of the members been unicorn hunters7 in the past? Were they successful?

How does each member like to engage with their metamours? Do they want to meet every potential addition, or do they not care at all?

What are their “vetoes” for potential metamours? Do they have any at all?

Which of the members want to live with their partner(s), and which prefer to live alone?

How do each of the members deal with jealousy? How intense is the feeling?

How intense does each member feel compersion8 toward their partners and metamours?

Who has the strongest communication skills in the group? Who has the weakest?

Who does the most scheduling out of all the members?

How do they deal with feelings of loneliness if their partner(s) are spending time with their other partner(s)?

Does the polycule ever have get-togethers or dates where everyone is present? What are they like?

Of the members who live together, what are the household dynamics like? How do they split chores, manage finances, etc.?

Of the members who live together, do they all sleep in one bed too? All separate bedrooms? Something in-between?

What are their sexual dynamics like? Is group sex frequent, or is it purely one-on-one?

Do boundaries shift depending on which partners are involved in sex or romance?

What kind of boundaries exist outside of a romantic dynamic? Are friends-with-benefits considered metamours? Hook-ups?

Are any of the polycule members aromantic? How does that influence their relationship boundaries and their relationship to polyamory in general?

Are any of the polycule members asexual? How does that influence their relationship boundaries and their relationship to polyamory in general?

Do any of the polycule members consider their relationship(s) to be queerplatonic? How does that influence their relationship boundaries and their relationship to polyamory in general?

How have their members’ respective family relationships influenced their polyamorous dynamics?

Were any of the members raised in a polyamorous family?

Are any of the polycule members parents? How many kids do they have?

If there aren’t any kids yet, will there ever be?

How would the polycule deal with one member wanting kids, but another member never wanting kids?

If the relationship opened up after children were already in the picture, how was the change explained to them? Was it explained at all?

Do all members of the polycule raise children together, or are there designated “parent” members?

How does being in a polyamorous relationship influence how boundaries are taught to their kids?

How do the kids feel about their parent(s) being polyamorous? Are they supportive, indifferent, or actively opposed?

Have cultural dynamics played a part in how the polycule operates?

Are any of the members keeping their polyamory a secret? Why?

For mono-poly relationships, how does the monogamous partner see and experience their relationship with a polyamorous person? Their relationships with their metamours?

How did any monogamous partners deal with the idea of opening up a previously closed relationship? Was it a difficult change?

Did any monogamous partners discover they were polyamorous after the relationship opened up? How did they find out?

Do any monogamous partners still struggle to cope with polyamory? What gets them through the hard times?

Were any monogamous partners completely fine with polyamory from the beginning?

How do the polyamorous halves of the mono-poly relationships feel about dating a monogamous person? Is it a unique struggle or smooth sailing?

Do the mono-poly relationships have different boundaries than the poly-poly-poly-poly-etc. relationships?

How well do the metamours get along? Do they even know each other?

Do any of the metamours dislike each other? How does that impact their shared partner(s)?

Do any of the metamours hang out when their shared partner(s) aren’t around?

Do any of the metamours have specific dynamics and/or boundaries with each other? Why?

How do the members feel about marriage? Do they live in a society that recognizes polyamorous marriage at all? If marriage isn’t an option, what about legal protections?

What do any monogamous members think about their polyamorous partner potentially marrying someone else (either in addition to or instead of them)?

How does the polycule celebrate anniversaries?

How does the polycule celebrate birthdays?

If one of the members gets sick, who takes care of them? Is there a rotation of caretakers lining up, or designated partner(s)?

Has anyone experienced a particularly messy break-up while in the polycule? How did everyone handle it?

Which of the members, if any, would be happy in a monogamous relationship if having a polycule wasn’t possible? Would any rather be single than monogamous?

How insecure was each member when starting their polyamorous journey? In what ways?

How did each member overcome their insecurities about relationships? Have they at all?

Wild card! Ask anything you can imagine!

[1] Mono-poly: a relationship that contains both a monogamous and polyamorous person; the monogamous person is only dating one polyamorous partner, but that partner might have other partners in addition to their monogamous partner.

[2] Metamour: the members of a polycule who are dating the same person or people, but aren’t dating each other.

[3] Solo: presents to the world as single at first glance; may not want to live with any partner, or if they do, they may not choose to share finances or property.

Entwined: prefers relationships that are more entwined practically, financially, or both; values sharing living space, spending time in close proximity, sharing financial or household obligations, etc.; may see themselves as part of a unit, a single family that shares responsibilities together and approaches life together.

Definitions taken from “More Than Two” by Franklin Veaux and Eve Rickert

[4] Free Agent: values personal autonomy highly, places importance on the ability to make their own decisions, and presents to the world as able to act without requiring permission from others; places responsibility for decision-making, and for bearing the consequences, on each person individually.

Community Oriented: focuses on the interconnectedness of their relationships and their community; decisions are made with an eye toward how they might fit with the others.

Definitions taken from “More Than Two” by Franklin Veaux and Eve Rickert

[5] Hierarchical Polyamory: a kind of polyamory in which the members of the polycule are split into “primary” partners, “secondary” partners, “tertiary” partners, and so on. The higher “ranked” members are given more priority when it comes to spending time together, living arrangements, major life decisions, and overall have more control over the state of the polycule than the lower ranked members. This is in contrast to non-hierarchical polyamory, in which there is no ranking system, all relationships are treated with equal weight, and decisions are made as a group. There is no one proper way to practice polyamory, and both methods can be fulfilling for people who have different needs for their relationships.

[6] Unicorn: stereotypically, a young bisexual woman that is equally attracted to both primary members of a hierarchical polycule or a recently opened monogamous relationship, agrees to give both members equal attention, and agrees to have no additional partners. Referred to as “unicorns” because these strict requirements for a dynamic are basically impossible to find.

[7] Unicorn Hunter(s): stereotypically, the primary members of a hierarchical polycule or a recently opened monogamous relationship who relentlessly search for a “unicorn” to perfect their ideal polyamorous dynamic. Often have very strict requirements of their unicorn, which is why they’re constantly hunting for someone who can fulfill them.

[8] Compersion: the opposite of jealousy; the feeling of joy experienced when seeing your partner happy with their other partner(s).

#writeblr #writing community #writblr games #writeblr asks #writeblr tag games #ask game #polyamory #polycule #polyamorous character #OC game #oc ask game #long post #annika talks

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