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theeccentricraven · 2 days
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Five things I like about writing
Thank you @kaylinalexanderbooks for the tag!
Rules: Title says it all 💜
I love to follow in the footsteps of my favorite authors. I've read so many good books in my life. I admire how authors put a lot of hard work and effort into the writing. I love how their stories impacted me. I want to do the same.
I love making my quirky ideas come to life. My mind is constantly brewing ideas. What if this? What if that? How about this? How about that? My mind is storming with so many ideas, I need to get them down. I love seeing those ideas on paper.
I love expressing emotions and pain. I've gone through a lot of pain in my life. My characters go through painful experiences as I did. I like to get deep into their emotions. It helps me heal and persevere.
I like to come up with imaginative settings. I've created worlds after thinking, "I've seen some cool worlds in other fantasy and sci-fi, but I haven't seen this yet." I create places that I would love to visit. I often create places I wish were real. Even when writing in our contemporary world, I like to find ways to use the setting. I like to imagine amazing events happening in ordinary places. The setting is like a character.
I like doing a project that's worth doing. Even if I write 300,000 words of trash, it's still worth it. I've made something. I've accomplished something. I'm a creator holding my creation. I am spending my time on something that requires a lot of brains, perspiration, and determination. I am keeping the craft of writing alive in our generation. I inspire myself. I hope to inspire others.
Tagging (No Pressure): @selenekallanwriter @americanfemcel @melpomene-grey @talesofsorrowandofruin @faeriecinna @tildeathiwillwrite @ad-wills and anyone who wants to join!
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cy-cyborg · 8 months
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Tips for drawing and writing amputees: The prosthetic needs something to hold onto
Prosthetics need to be able to hold on to the body.
If you're giving your amputee something similar to 99.99% of modern prosthetics, this will be done through a socket. This is a ridged cup made perfectly for the amputee that holds the prosthetic onto the body. Older prosthetics (mostly anything before the 90's) made the prosthetic socket intentionally tight in spots, which is what held it in place. Some people with sensitive skin still use this style of prosthetic but they've mainly fallen out of use in favour for suction sockets. These sockets create a vacuum seal that holds the prosthetic in place. These can work in two ways, either just by forcing excess air out of the socket and creating the seal that way, or for some legs, sucking that excess air out and into an "ankle" mechanism to offer some extra suspension and padding in the step.
Some prosthetics will also use additional measures as well as suction, such as pin-locks, where the amputee wears a sock with a screw at the bottom that clips into a mechanism at the bottom of the socket, or a prosthetic with movable panels that can be tightened via cables running through the socket.
I've used all of these except the pin lock socket, and they all have one thing in common: The sockets need as much space as possible. For prosthetics using suction in particular, this is to spread out the amount of force being applied to the leg. If all the suction is being applied to the end of the stump, it's going to get sore and could even damage the skin. If that same amount of suction is applied to a much wider area, it's going to feel less intense. Likewise, older prosthetics needed as much space to work with as possible too, as applying tight pressure to a small area as opposed to a larger surface to keep the tension isn't good for your skin or muscles in that spot.
For this reason, the sockets will take up all of the space available without limiting movement, meaning they will go all the way up to the next major joint. An amputee who lost their hand through the wrist will have a socket that goes all the way to their elbow. An amputee who lost their leg through or above the knee will have a socket that goes all the way to their hip.
Sometimes, if an amputation is particularly close to a major joint and there isn't a lot of space left between the stump and the next major joint, prosthetists will opt to immobilise the closest joint and take the socket all the way up to the next major joint. This was something I've actually discussed with my prosthetist. My left leg is amputated below the knee, but I only have a few centimetres of space below the knee. That leg occasionally needs revisions, meaning they take the very tip off of the stump to help correct issues with weird bone growth, scarring, infections etc, but if I get another revision, my leg will be too short to comfortably wear a socket, so my knee will need to be immobilised and my leg will become, functionally, an above knee amputation, despite still having the joint. This is rare, but it happens on occasion, showing that sometimes that need for space trumps even the use of a still functional joint. It's really important.
I wanted to bring this up because I see a lot of people draw sockets on their amputee's prosthetics, but they're much too tiny to be comfortable!
I did mention most prosthetics use a socket, but not all do. Some old prosthetics did not have sockets and were held in place using other methods.
This is a "prosthetic" my prosthetist found in his company's back room. He's not sure when it was made, but together we came up with an estimate of it being made around the 70's for a through-hip amputee (meaning someone who's whole leg was amputated with no stump at all)
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It's designed so that the user would rest their hip on the cushion and use the handle to hold it in place and move it in time with their walk. This kind of mobility aid isn't often used anymore (me nor my prosthetist have seen one out in the world), and seems to have faded in use during the 80's as sockets were invented that could better hold onto the hip and pelvis for through-hip amputees and the use of wheelchairs for amputees became less stigmatised.
There's also A new type of prosthetic has been developed called the Osseointegration prosthetic, which also doesn't use a socket either. These are very rare as they are incredibly expensive and still very risky, but these prosthetics bypass the socket and implant the prosthetic directly into the body through a rod planted inside one's stump bone. This rod has a clip at the end of the stump, so the external part of the prosthetic can be removed as needed (and replaced). The reason they are risky though is that they are EXTREMELY prone to infection. I only know one person who had this implanted successfully, but he has to be very careful to keep his leg clean or else it will get infected (and it frequently does, he's constantly on antibiotics). Everyone else I know who got it had to get it removed.
With time these implants will get safer, but we are a very, very long way off from that right now.
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Crafting Compelling Morally Gray Characters: A Guide for Fiction Writers
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In literature, there is often a clear distinction between good and evil. Heroes are portrayed as virtuous and villains as wicked. However, in recent years, there has been a rise in the popularity of morally gray characters - those who do not fit neatly into the categories of good or evil. These characters are complex, flawed, and often make decisions that challenge the reader's moral compass. In this guide, I'll help you explore the art of crafting compelling morally gray characters and how to make them stand out in your fiction writing.
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What Are Morally Gray Characters?
Morally gray characters, also known as morally ambiguous characters, are those who do not conform to traditional notions of good or evil. They may have both positive and negative traits, and their actions may be motivated by a mix of good and bad intentions. These characters often blur the lines between right and wrong, making them more relatable and intriguing to readers.
Examples of Morally Gray Characters
Some well-known examples of morally gray characters include:
Severus Snape from the Harry Potter series: Initially portrayed as a villain, Snape's true motivations and actions are revealed to be more complex and morally ambiguous.
Jaime Lannister from A Song of Ice and Fire series: Known for his arrogance and incestuous relationship with his sister, Jaime's character evolves throughout the series, showcasing his internal struggle between his duty and his personal desires.
Walter White from Breaking Bad: A high school chemistry teacher turned methamphetamine producer, Walter's character is constantly torn between his desire for power and his moral compass.
Why Are Morally Gray Characters Compelling?
Morally gray characters are compelling because they challenge the reader's perceptions of right and wrong. They are not easily categorized as heroes or villains, making them more relatable and human. These characters also add depth and complexity to a story, making it more interesting and thought-provoking.
The Power of Relatability
One of the main reasons morally gray characters are so compelling is because they are relatable. They are not perfect, and they make mistakes, just like real people. This makes them more human and allows readers to connect with them on a deeper level. When readers can see themselves in a character, it creates a stronger emotional connection to the story.
The Element of Surprise
Morally gray characters also add an element of surprise to a story. Their actions and decisions may not always align with what the reader expects, keeping them on the edge of their seat. This unpredictability makes the story more engaging and can lead to unexpected plot twists.
The Exploration of Morality
Morally gray characters also allow for a deeper exploration of morality in a story. By challenging traditional notions of good and evil, these characters force readers to question their own moral compass and consider the gray areas of morality. This can lead to thought-provoking discussions and a deeper understanding of complex moral issues.
How to Craft Morally Gray Characters
Crafting morally gray characters requires a delicate balance of positive and negative traits, as well as a deep understanding of their motivations and internal struggles. Here are some tips for creating compelling morally gray characters in your writing.
Give Them a Strong Motivation
Every character, regardless of their moral alignment, should have a strong motivation for their actions. For morally gray characters, this motivation should be complex and not easily defined as purely good or evil. It could be a desire for power, revenge, or even a sense of duty. This motivation will drive their decisions and actions throughout the story.
Show Their Flaws and Vulnerabilities
Morally gray characters are not perfect, and they should not be portrayed as such. They should have flaws and vulnerabilities that make them more relatable and human. These flaws could be physical, emotional, or moral, and they should play a role in the character's development and decisions.
Create Internal Conflict
One of the defining characteristics of morally gray characters is their internal conflict. They are torn between their good and bad tendencies, and this struggle should be evident in their thoughts and actions. This internal conflict adds depth to the character and makes them more relatable to readers.
Avoid Stereotypes
When crafting morally gray characters, it's important to avoid falling into stereotypes. These characters should not be one-dimensional or defined solely by their moral ambiguity. They should have unique personalities, backgrounds, and motivations that make them stand out as individuals.
Show Their Growth and Development
As with any well-written character, morally gray characters should experience growth and development throughout the story. They should learn from their mistakes and make decisions that challenge their moral compass. This growth and development will make them more dynamic and interesting to readers.
How to Make Morally Gray Characters Stand Out
With the rise in popularity of morally gray characters, it's important to make yours stand out in a sea of similar characters. Here are some tips for making your morally gray characters unique and memorable.
Give Them a Distinctive Voice
A character's voice is an essential part of their identity. It should be unique and reflective of their personality and motivations. For morally gray characters, their voice should reflect their internal conflict and the complexity of their moral alignment.
Create a Strong Backstory
A character's backstory can provide valuable insight into their motivations and actions. For morally gray characters, a strong backstory can help explain their moral ambiguity and add depth to their character. It can also create empathy and understanding for their decisions.
Use Foils to Highlight Their Morality
Foils are characters who contrast with the main character, highlighting their strengths and weaknesses. For morally gray characters, foils can be used to showcase their moral ambiguity and challenge their beliefs. This can add depth to the character and create interesting dynamics between them and other characters.
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Morally gray characters add depth, complexity, and relatability to a story. By challenging traditional notions of good and evil, these characters force readers to question their own moral compass and consider the gray areas of morality.
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the-thing-of-worms · 20 days
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The plague of the avid reader and writer
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madrewrites · 1 year
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not writing my wip and not not writing my wip but a secret third thing (elaborately daydreaming about wip)
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okwrites · 1 year
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Breaking 3 Writing 'Rules':
If you have ADHD or ASC or are some other flavor of neurodivergent, the 'rules' many big name authors post about how they've reached success can actually make you feel REALLY BAD because you can't always do the same thing.
Building a positive relationship with writing can make all the difference in getting you writing more.
'Write every day.' - Don't write every day, write when the mood strikes. But you can trick your brain into work mode by trying different things. Put on your shoes when it's time to write. Light a candle. Put on the same playlist every time. After a while, it'll be like a light-switch. When you light the candle, your brain will find writing easier. Just don't force it. When you try to force writing, you build up frustration and resentment if you don't get anything out. Some days just won't be writing days. That's FINE, lots of authors don't write every day (even if they say they do).
'I write 1000 words every day!' - Well, if you WANT to write and are struggling, a goal of 1000 words seems really far away. So do incremental goals. One sentence. One paragraph. 100 words. Usually by then you're in the flow of things and you can write 1000 words pretty easy. And again, celebrate every single one of those goals so you want to keep doing it. If you have to? One sentence, walk away, come back later, add another, GOOD JOB, two whole sentences!
'Sit down and block out x hours every day just for writing.' - Actually, the best way I've found to write is to tell my brain the deadline or end time is really, really soon - so I write in 20-30 minute chunks, and then walk away or take breaks and come back if I want to later. By setting that arbitrary shorter deadline, my brain can see an end and will work harder and focus more because it knows it's just for a little bit. If 20-30 minutes is too long, start with 15 minute chunks.
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moami · 1 year
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“the meaning of life is love” if you mean romantic then no, I am walking away from your definition and mind that values romance as the single pillar of life. if instead you mean the devotion of a friend to knowing the recipe of your favourite soup, the never-ending patience of your fingers scratching your pet’s itchy fur in just the perfect spot, the gentleness of the old neighbour tending to flower that will only bloom one year but they think still deserve to have the best care, the child reading a book of its most beloved story to a sibilng. if you mean humanity looking at the world and asking “who are you and how can I love you” and after not getting an answer, inventing poetry and song and science to understand, to adore, to remember. then yes. I walk towards you.
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underthetree845 · 6 months
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sleeplessdreamer14 · 1 year
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quiet night, apocalypse
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request: no
fandom: treasure planet (2002)
relationship: jim hawkins x gn! reader
summary: Jim comes to you in the late hours of the night in search of the safety of your embrace.
contains: anxiety comfort, reverse comfort, sleeping in the same bed, profoundness, some use of artistic license, a bit poetic at the end
a/n: I love that I can just write these whenever I want
It was half past 2 am, and Jim was still awake.
He’d gone to bed hours ago, but found himself unable to fall asleep. Even with his window open, the night was still a bit too quiet. It’s wasn’t that he wasn’t tired. He was rather exhausted, in fact. But his mind just wouldn’t stop running.
There wasn’t even one particular thing he was thinking of, just the lingering feeling that something bad was going to happen, whether it be in the near or distant future; a fear that had a nasty habit of plaguing him in the latest hours of the night when he was left alone with his thoughts. After hours of trying to drift off to sleep, Jim couldn’t take it anymore and pulled the covers off of himself, climbing out of bed and carefully treading out of his room, keeping one arm extended outwards to feel for the door since his eyes had not yet adjusted properly to the darkness.
He was careful to close the door slowly behind himself, turning the knob as to make as little noise as possible. Jim kept one hand against the wall as he walked down the hallway, his eyes gradually adjusting to his surroundings with the help of the moonlight shining through the window.
Finally, he came to the door to your room. As he reached for the doorknob, he froze in his spot and began to reconsider. It was so late and chances were you were probably fast asleep by now, and he already felt bad for wanting to wake you. But then he remembered your words from a while back, reminding him that he could wake you if he needed you. And right now, he did. Plus, he knew you would feel bad if he lost any more sleep because he decided to try and dealing with his anxiety alone.
With the same precision as before, he carefully turned the knob to your bedroom door and tip-toed in to see you lying fast asleep, kinda sprawled out along your bed, your lips parted slightly.
You had left your curtains open, allowing the silvery light of the moon to shine into your room and into your bed. He could see your back and shoulders rise and fall steadily with every breath you took.
Now he felt really bad for what he was about to do.
Jim proceeded with caution towards the vacant side of your bed and gently lifted the covers so he could slide into the spot next to you. As he expected, you must have felt the mattress dip as he climbed into your bed, causing you to stir in your sleep. A meek groan sounded from you as you stretched and rubbed your eyes, peeking one eye open to see your boyfriend timidly positioned on your bed next to you.
Once you registered the situation, you rubbed your face and propped yourself up on your elbows. With a sniffle, you asked if he was okay and what time it was in a hushed tone, your voice a little groggy from going hours without using it.
Jim took a breath in to respond, but came up empty, unsure as to how to explain why he was in your room at 2:30-something in the morning. He muttered shy apologies for waking you and rubbed the back of his neck, glancing between you and the window as he stumbled over his words.
This wasn’t the first time Jim had come to you like this, and he knew you wouldn’t sling off at him for it, of course, but he was still a bit sheepish. Coming up empty, he merely let out a slow puff of air through his nose and let his shoulders slump in defeat as he stared at his lap.
That on its own answered the first half of your question, and your expression shifted into one of sympathy as you sat up in your spot on the bed, lazily opening your arms as an invitation to come to you.
Jim quietly accepted, scooting closer to you so he could comfortably fit into your arms. You shifted around slightly just to ensure your legs wouldn’t get sore as you slowly rubbed gentle circles over his back. After the first couple of times, you had grown familiar with what to do in this scenario. You pulled away gently and reached over to open the covers further, patting the spot on the mattress next to you.
Moments later, you were lying on your sides facing each other beneath your comforter, your legs loosely entangled. Jim had rested his head on your chest with his arms wrapped around your middle while you had one arm draped over his shoulder while the other gently stroked his head.
“You’re okay,” you spoke in a hushed voice, taking your time with your words and tightening your hold on him ever so slightly, and he did the same. “It’s alright now… Everything’s gonna be okay.”
Jim felt his eyelids begin to fall closed as he left his mind start to shut down, allowing him to only put whatever energy he had left into breathing. There was no fire, no storm, no disaster, there was only you, with him, in this room. Tonight, you were his, and he was yours. And so it would be come morning, and for as long as you two wished. It took a while, but eventually, your sweet nothings began to fade out as he finally succumbed to exhaustion.
And at last, the night was truly quiet.
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nakedcolerat · 4 months
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put those words down on the page, you may not think they're good enough, but they're your own creation and that makes it important.
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b-a-pigeon · 19 days
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Seeking beta readers for a queer fantasy romance novel
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Fell A. Marsh's Taker of the Third Path follows Linmiru, a hedgewitch led by his god to an abandoned inn at an ancient crossroads. His task there is to meet the next person to take the overgrown "third path."
Months pass, and a growing connection with one of the inn's guests leads Lin to question his devotion to destiny—but the fate of the world rests on his prophesied meeting with the taker. And when the day finally comes, Linmiru must confront the reality that nothing at the old crossroads has been as it seemed.
If you're into character-driven fantasy, romance that explores darker, heavier themes, queer and trans characters, and some unique and vibrant world building, you'll probably love this book as much as I do!!
No experience required—the goal here is to get authentic feedback from real readers. All you need to apply for a free copy is a love of fantasy and/or queer romance and the willingness to give your honest opinion! The beta reading period begins later this month, so get in while signups are still open!
✨ Learn More & Sign Up Here ✨
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cy-cyborg · 8 months
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Tips for writing amputees: We don't wear our prosthetics 24/7
Amputees don't wear their prosthetics 24/7. Most of us don't even wear them any longer than we have to lol.
I only really wear mine when I leave the house. I know other's who wear theirs around the house still, but they take them off when they're relaxing, going to bed, showering etc. Most prosthetics aren't water proof so you don't want to take them into the bathroom at all when water is going if it can be avoided.
They're like shoes (yes even arm prosthetics) - they're good, they can be comfy if you get good ones, that doesn't mean I want to sleep in them.
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I actually tried that once as a kid because people kept asking my why at school, so I did it so I could give them an answer. They kept getting stuck on the blankets whenever I moved and my stumps swelled up so much during the night that the prosthetic got stuck on in the morning (presumably because prosthetics trap heat, so that plus the blankets meant I got hot, which triggered the swelling) . I had to sit with my legs raised in the air for an hour so it would go down and I could take them off. -100/10 do not recommend. I did get the day off school though so that was good at least.
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15 Beautiful Lover-to-Enemies Dialogue Prompts | Betrayal Prompts
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"Do you remember the vows we made under the moon's gentle glow? How quickly they turned to ash, scattered by the winds of deceit."
"Your words were once my solace, but now they cut deeper than any blade forged in malice."
"In the labyrinth of our love, I found myself lost, only to realize you were the minotaur lurking in the shadows."
"Every kiss we shared was a dagger coated in honey, sweet yet deadly."
"The stars witnessed our passion, but they now mock our folly as we stand on opposite sides of a war we ourselves ignited."
"Our hearts beat as one, once upon a time. Now they drum the rhythm of discord and resentment."
"I thought I knew the depths of your soul, only to find abysses of betrayal waiting to devour me whole."
"Like a phoenix rising from the ashes, I emerge from the ruins of our love, reborn as your adversary."
"You were the melody to my symphony, but now your discordant notes shatter the harmony we once shared."
"We danced on the edge of oblivion, oblivious to the precipice that awaited our descent into enmity."
"The echoes of our laughter haunt me, mocking the innocence we thought would shield us from the venom of betrayal."
"Our love was a tapestry woven with threads of gold, now unraveling into a tangled web of lies and deception."
"I offered you my heart on a silver platter, only for you to feast upon it with the appetite of a ravenous beast."
"We were poets of passion, crafting verses of devotion with every whispered promise. Now our words are weapons, dripping with venomous intent."
"The sunrise that once painted our love with hues of warmth and hope now heralds the dawn of our animosity, casting long shadows of regret across the battlefield of our hearts."
Short Note From Me!
Many fans of Enemies to Lovers often overlook the possibility of exploring Lover to Enemies. This underrated trope is one of my favorites and I believe it has the potential to make a novel truly stand out. If you have space in your story for this unique twist, I assure you it will result in an amazing read.
I created these dialogue prompts to inspire writers to explore the theme of lovers turning into enemies, showcasing a different form of betrayal.
Happy writing - Rin T.
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amberfoxerotica · 1 year
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Something stirred under the table, concealed beneath the long tablecloth. A slimy streak ran along my ankle, the touch soft and wet. A sigh left my lips at the delicate touch. 
“I see. So your tentacles are good for a great many things then.” The tentacle stroked up my calf in response.
I looked deep into the tentacle monster’s eye as I traced a finger around the rim of my wine glass. Sexual undercurrents were clear in the tentacle monster’s penetrating gaze. We shared this moment, heightened by the secret, sensual touch hidden from everyone else.
We continued sipping at our wine, our eyes locked, sparks of desire flying between us. The tentacle smeared up my knee, then up my thigh. Another tentacle joined the first, slipping under my dress and pulling my moistened panties from my arousal-soaked pussy. I sucked in a breath as the first tentacle brushed up my slit, turning my body hot with desire.
“Two strawberry tarts,” a voice said, causing me to jolt in my seat and the tentacle monster to pause its advances. Our waitress had returned. 
“I’m sorry. I didn’t mean to startle you,” she said as she lay two plates on the table.
“Oh! That’s quite alright,” I replied. “Thank you. The tarts smell delicious.” 
“Enjoy them,” the waitress said before departing.
I looked down at the tarts. They were still fresh from the oven and decorated with strawberries. “Something tells me you really like strawberries,” I teased. The tentacle monster reciprocated by spreading my pussy lips and, at a glacial pace, gliding an oozing tentacle into me. “I’ll take that as a ye–ess…” I said, my eyes sinking closed as the slimy penetration slowly overwhelmed me.
-----
This is an excerpt. Get the full story here
🌐 www.amberfoxerotica.com
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lowkeyed1 · 5 days
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my friend's putting out her debut novel, and it's available for ebook pre-order (print edition forthcoming)... i was lucky enough to get to read an advance so i'm gonna put the summary below the jump an also my own ravings about it. short version, i really recommend it -- it's a space adventure, a moving meditation on grieving, and chock full of lesbian rep.
summary: After pirates kill her three crewmates, Sam decides it's time to sell her ship and get out of the space business altogether. She hasn’t got a clue what she’ll do instead, but anything’s got to be better than captaining a kraken-class cargo cruiser haunted by the memories of her friends. The problem is, just when Sam’s supposed to be meeting a buyer, she finds herself enacting a rescue instead. Of a woman who might be an entirely different kind of problem. Kate knows what it’s like to lose someone. But having lived her entire life on planet, she can’t understand why Sam would want to sell her escape to the stars. It feels like incredibly good luck when the slightly surly captain agrees to assemble a new crew take her up for one final job. But when they end up kidnapped by a space mobster and forced to track down the same pirates that killed Sam’s crew, it’s starting to look like retirement might be permanent for them both. my rant: okay. sam. i love sam so much. she's repressing and trying to stay distant, trying to stay self-contained, full of loss and fear of further pain. circumstances force her into all the situations she wants to most avoid and she slowly, despite herself, ends up engaging again. it's like watching a beautiful, very grumpy flower unfold and soak up the rain and it just moves me so freaking much. the adventure is compelling and exciting and twists and turns throughout some amazing futuristic locales. i don't want to give away too much plot but it's fun and suspenseful and the side characters are also really interesting. i loved this so much i read it in every spare minute over two days, because i had to know what happened next. i love when a book grabs me like that :) preorder link!
reblogs appreciated <3 <3 <3
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thepedanticbohemian · 8 months
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I don't care what you write from screenplays to fan fiction, Neil Gaiman is a master you should absorb like a sponge.
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