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#this is meant to be a poem
true-squid · 2 months
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ok but you dont fucking get it. i love you and it doesnt mean what you think. its not heteronormative and its not nuclear and it cant be described in a way that has words. there arent words for it. its not queerplatonic. its not romantic. its not platonic. its none of those things. its incomprehensive. its unwordable. its not because youre my lover or my mother or my sibling or my friend its none of those things. you dont fucking understand. we fuck and we share our feelings and we abandom the status quo and part of the point is that we dont make sense. isnt it? isnt it?
i feel alterous. thats the best word for it because there isnt one thats better and i dont think there ever will be. its not about not wanting to be romantic or sexual its about being different. its about a new fucking category, a secret third thing, yes and no, what happens when you mix everything and nothing together.
its because i see love differently. ive recontextualized it, made myself to view it in a way that is outside of the general conception of love. i want to explain it to you but i just cant. i want to but i dont know how. you need to feel it. you need to know what its like to be alien
im aromantic and im asexual
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despondentbeauty · 8 months
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In another universe, you stayed.
— In this one, you didn’t and it ruined me.
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onawhimsicot · 1 year
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i know not many people would want to read a 10,000 word article about the minecraft end poem and how the author, Julian Gough, was never fairly compensated for his work and has made it public domain.
But it's a very well-written and heartfelt read, and he makes it very clear that none of this is a cash-grab and despite the fact that he is essentially a starving artist in this capitalist society, he only mentions his financial struggles despite Minecraft's huge huge success at the bottom of this article and not in the tweets so as to not dilute his message.
Anyway, I just think it'd be cool if those who are able to could support him in some way whether it be subscribing to his substack or donating to his paypal (that's linked in the article, you can ctrl + F to find it easier), that's all.
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panthermouthh · 7 months
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And I said, “Hello, Satan
I believe it’s time to go.”
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duckiemimi · 3 months
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every time i remember the amount of times gojo’s official art pictures show him eating, there’s this little sadness that i get because i know geto would’ve loved to feed him and he would’ve loved to share his sweets with geto, like that one line in a citro poem, “i love you. i want us both to eat well.”
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whaliiwatching · 9 months
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you want it? come and get it
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sadghostgirl14 · 10 months
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sioster · 5 months
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 „Wilbur's Redoubt”
On the 15th I revisited the poem Reduta Ordona by Adam Mickiewicz and pondered a bit about the similarites of situations potrayed there and the 16th. If I would to make a statement, the 16th can seem like a reinterpretation stripped bare of the hopeful tone, generals with completely different motivations ending up sharing a similiar fate.
Idk im just overthinking again lolol love you guys and im sad that i didnt make it in time </3 rip
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proud of those boots :)
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mxxnlightsblog · 2 years
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"When we think of "meant to be," we automatically assume forever. But maybe it isn't supposed to last forever. Maybe it's just someone who is in your life to teach you something. Maybe the forever is not the person, but what we gain from them."
- excerpt from a diary I don't own. (via - southernsparkleandshine)
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silent-insanities · 8 months
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Everything in my life has been lost. And I don't know which direction to go.
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embeccy · 8 months
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"Eventually soulmates meet, for they have the same hiding place."
- Robert Brault
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seirette · 1 year
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For a happy marriage, all you need is...
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cuubism · 8 months
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i said i might write something based on Sonnet XVII by Pablo Neruda and well. yeah.
--
“Have you been thinking much of this time?” Dream asks.
They are at the beginning. The ancient, smoky main room of the White Horse, all the way back then, when that sweet, starlit entity had loomed over Hob with challenge and strangeness and then swept away again, leaving the start of a story in his wake. Only this time, Dream is sitting with him, and the rest of the room is faded out, as it had when Hob had first seen him, this collected truth of the universe.
(Dream does not believe in objective truth—of course he doesn’t, he is made of dreams—though he would not articulate it that way if asked. Hob, meanwhile, knows at least one truth, and it’s what he feels when he looks at Dream.)
“Don’t you think of it?” he asks, wrapping an arm around Dream’s waist, fingers over his hipbone. It is a dream, but that distinction does not matter to Hob much anymore.
“I suppose. I think of much.”
“‘Course you do.” He strokes his hand up and down Dream’s side, and Dream hums. “I wondered about following you. Think if I did you’d have been gone into smoke already.”
“Yes. I did not care to stay long.”
“Nor I,” Hob admits.
“Truly?” says Dream, with surprise.
“Was thinking about you too much,” Hob says. “How could I go back to just chatting with my mates when I had seen you?”
“Why did you stay, then?”
“You have to take time with your mates while you have it,” Hob says. “Didn’t need six hundred years of life to know that one. Just a couple dozen deaths. Had the rest of eternity to mull over you, after all.”
“And did you?” Dream asks.
“Oh, yes.” He pulls Dream close. Slides over until he’s half in his lap, straddling his thigh, perfectly placed to kiss him. Hands on his shoulders, his neck, the sharp cut of his jaw. Once, Hob had held him from afar, like a wish. Now, Hob holds him close, as dream, as friend, as lover, in his human way, with sweat and time and hands.
“I mulled over you like fine wine,” Hob says, twisting his fingers in Dream’s hair, and Dream smiles. Hob kisses him again. Sips of his mouth like mulled wine, indeed. But his love for Dream is nothing so fleeting as spice on his tongue.
Or as fleeting as Dream sometimes thinks it will be. Dream is a living love poem to creation. But he does not know how to be loved in the way Hob wants to love him. In the way Hob does love him. Hob thinks that Dream knows how to be loved as a dream is loved, as a hope is loved, as an ideal is loved: held in glass, or in the sky, distant, perfect, disappointing up close. Parts of him are held as bubbles in different souls, but never in entirety.
He knows how to be loved as a nightmare is loved, bloody fear and history, raw closeness, curling in the humors of the body. He has been loved as a story is loved, which is to say, as creation is loved, as transmission is loved, as distance, as connection, as hearts on radio waves, as endings are loved, the pathways of him, container and fill.
Dream does not know how to be loved as a person is loved.
Hob loves him still when he grows teeth, and when a sweet taste comes to his mouth. Hob loves him as potential, as uncertainty. Story unset in stone. In softening belly and uneven step. Hob will show him how to be loved as a person is loved, because Dream is a person, especially when he insists he is not, and Hob loves him as one, has loved him as one, and Dream, who is used to being loved as dreams, cannot comprehend this.
He asks, sometimes. Why? Not even in a hurt, self-hating way. In a genuinely curious way, for he is not used to it. Hob hasn’t had the answer to that. Just trust that I do.
This moment, kissing Dream in the smoke of memory, is an answer. This is the beginning, but a fragment of words comes back to him, read in the between-time, when they were apart.
“You wanted to know why I loved you.” His lips are to Dream’s skin as he speaks, moved to his throat, his chest, pulling open his high collar, as Dream shivers under him. In the Dreaming, things can be like other things in a way that makes no sense in the Waking; Dreaming-sense is like a collage, the distant truth of collected fragments. And so touching Dream’s skin is like stepping out into the earliest morning, before the human world’s woken up, and feeling what’s un-meant to be felt.
“I do not think love needs a why,” Dream says. “Yet I have wondered.”
He gets it, Hob thinks, except that he doesn’t let himself.
He traces the harsh line of Dream’s collarbone with his mouth. Dream is full of harsh lines and seems incapable of letting softness stick to his bones. “‘I love you because I know no other way than this.’”
“I am familiar with the poem,” Dream says, but his voice is caught on Hob's words, his long fingers disbelieving in Hob’s hair.
“Are you?”
“Between shadow and soul is where dreams reside,” says Dream.
“And what about Dream?” Hob says, looking up at him, stressing the singular.
Dream’s lips purse, and Hob goes back to kissing his chest, up his sternum, over his heart. “I know,” he says between kisses, “no other way. Than this.”
Dream tangles him up, long arms, legs curled together, shadow and star around him. Hob’s loved him so long that he doesn’t remember what it was like not to. He has been tangled up in Dream since the beginning. It is what he is.
“A dream resides where it is wanted,” says Dream, finally answering his question. His voice has roughened, his breath has quickened, affected by Hob’s touch, by the words of the poem. Each lick, and kiss, and bite coils the Dreaming closer around them. One day it might be harder to wake up than to fall asleep.
“It’s wanted,” Hob says, and claims his beautiful mouth, pressing him back against the wall. His hair in its uncontrollable frissons, his eyes in their changeable void, his needy starvation of a thousand unanswered love poems—this kiss is a response to those missives. Dream is in the shadowed parts of him, in his turning points, in the words he speaks. Hob sees his answer in the tears that bead along his eyes but refuse to fall, in his darkness and whimsical creations, and his surprised, gentle pleasure when he’s kissed.
Hob loves him so. There’s no moral or end to that story. Hob’s love for Dream is. Full stop. End of sentence.
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pencap · 5 months
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GREEN
i am green green green down to my breath and blood and bones.
green with envy for all the beautiful things in the world that i cannot hold in my hands or press against my lips or swallow down whole.
green with sick all festering hurts i don't know how to heal and spreading poison i don't know the antidote for and hand-me-down aches i don't know the names of.
green with greed, the yawning void deep in my belly that wants and wants and wants and wants and wants from the day i was born screaming with want.
green with permission: yes please, come here, do as you please. i never did learn how to say no and mean it.
green like plants, like spring growth and summer leaves like basil and mint on kitchen counter tops like haworthia and pothos and monstera.
i am green green green down to my breath and blood and bones—
but maybe someday i will learn to hold the whole rainbow in my body.
- by sylvie (j.p.)
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sfsolstice · 15 days
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S. F. Solstice, "A Call"
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ullybug · 2 months
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acts of god by heather mchugh, poetry february 1981 issue
(x, x, x, x, x, x, x, x, x, x)
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