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#and The Poet As Hero
madnessofmen · 10 months
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hah I knew you were a bloodthirsty bitch
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myownpanicroom · 3 months
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To any suicidal followers I may have: This is a sign to not kill yourself. You are loved and the world is special because you are in it. Keep holding on.
-PLEASE REBLOG THIS YOU MAYBE ARE SAVING SOMEONES LIFE
You are special and amazing , If you need to talk or some help send me a dm and I will talk to you.
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grimeye-j · 5 months
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All of those Soldier, Poet, King PJO edits on TikTok are really getting the order wrong. I mean did everyone collectively forget how when Percy & Jason fought over the chair (& by extention the leadership position) in HOO it was Annabeth who ended up taking it.
Percy is the soldier, Grover is the poet, & Annabeth is the king
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cantcatchmeee · 1 year
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Heroes & Villains features pt. 1
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Crafting Compelling Morally Gray Characters: A Guide for Fiction Writers
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In literature, there is often a clear distinction between good and evil. Heroes are portrayed as virtuous and villains as wicked. However, in recent years, there has been a rise in the popularity of morally gray characters - those who do not fit neatly into the categories of good or evil. These characters are complex, flawed, and often make decisions that challenge the reader's moral compass. In this guide, I'll help you explore the art of crafting compelling morally gray characters and how to make them stand out in your fiction writing.
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What Are Morally Gray Characters?
Morally gray characters, also known as morally ambiguous characters, are those who do not conform to traditional notions of good or evil. They may have both positive and negative traits, and their actions may be motivated by a mix of good and bad intentions. These characters often blur the lines between right and wrong, making them more relatable and intriguing to readers.
Examples of Morally Gray Characters
Some well-known examples of morally gray characters include:
Severus Snape from the Harry Potter series: Initially portrayed as a villain, Snape's true motivations and actions are revealed to be more complex and morally ambiguous.
Jaime Lannister from A Song of Ice and Fire series: Known for his arrogance and incestuous relationship with his sister, Jaime's character evolves throughout the series, showcasing his internal struggle between his duty and his personal desires.
Walter White from Breaking Bad: A high school chemistry teacher turned methamphetamine producer, Walter's character is constantly torn between his desire for power and his moral compass.
Why Are Morally Gray Characters Compelling?
Morally gray characters are compelling because they challenge the reader's perceptions of right and wrong. They are not easily categorized as heroes or villains, making them more relatable and human. These characters also add depth and complexity to a story, making it more interesting and thought-provoking.
The Power of Relatability
One of the main reasons morally gray characters are so compelling is because they are relatable. They are not perfect, and they make mistakes, just like real people. This makes them more human and allows readers to connect with them on a deeper level. When readers can see themselves in a character, it creates a stronger emotional connection to the story.
The Element of Surprise
Morally gray characters also add an element of surprise to a story. Their actions and decisions may not always align with what the reader expects, keeping them on the edge of their seat. This unpredictability makes the story more engaging and can lead to unexpected plot twists.
The Exploration of Morality
Morally gray characters also allow for a deeper exploration of morality in a story. By challenging traditional notions of good and evil, these characters force readers to question their own moral compass and consider the gray areas of morality. This can lead to thought-provoking discussions and a deeper understanding of complex moral issues.
How to Craft Morally Gray Characters
Crafting morally gray characters requires a delicate balance of positive and negative traits, as well as a deep understanding of their motivations and internal struggles. Here are some tips for creating compelling morally gray characters in your writing.
Give Them a Strong Motivation
Every character, regardless of their moral alignment, should have a strong motivation for their actions. For morally gray characters, this motivation should be complex and not easily defined as purely good or evil. It could be a desire for power, revenge, or even a sense of duty. This motivation will drive their decisions and actions throughout the story.
Show Their Flaws and Vulnerabilities
Morally gray characters are not perfect, and they should not be portrayed as such. They should have flaws and vulnerabilities that make them more relatable and human. These flaws could be physical, emotional, or moral, and they should play a role in the character's development and decisions.
Create Internal Conflict
One of the defining characteristics of morally gray characters is their internal conflict. They are torn between their good and bad tendencies, and this struggle should be evident in their thoughts and actions. This internal conflict adds depth to the character and makes them more relatable to readers.
Avoid Stereotypes
When crafting morally gray characters, it's important to avoid falling into stereotypes. These characters should not be one-dimensional or defined solely by their moral ambiguity. They should have unique personalities, backgrounds, and motivations that make them stand out as individuals.
Show Their Growth and Development
As with any well-written character, morally gray characters should experience growth and development throughout the story. They should learn from their mistakes and make decisions that challenge their moral compass. This growth and development will make them more dynamic and interesting to readers.
How to Make Morally Gray Characters Stand Out
With the rise in popularity of morally gray characters, it's important to make yours stand out in a sea of similar characters. Here are some tips for making your morally gray characters unique and memorable.
Give Them a Distinctive Voice
A character's voice is an essential part of their identity. It should be unique and reflective of their personality and motivations. For morally gray characters, their voice should reflect their internal conflict and the complexity of their moral alignment.
Create a Strong Backstory
A character's backstory can provide valuable insight into their motivations and actions. For morally gray characters, a strong backstory can help explain their moral ambiguity and add depth to their character. It can also create empathy and understanding for their decisions.
Use Foils to Highlight Their Morality
Foils are characters who contrast with the main character, highlighting their strengths and weaknesses. For morally gray characters, foils can be used to showcase their moral ambiguity and challenge their beliefs. This can add depth to the character and create interesting dynamics between them and other characters.
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Morally gray characters add depth, complexity, and relatability to a story. By challenging traditional notions of good and evil, these characters force readers to question their own moral compass and consider the gray areas of morality.
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the-soulwhispers · 10 months
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‘I have no notion of loving people by halves, it is not my nature. My attachments are always excessively strong.’
Jane Austen, “Northanger abbey”
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wavesoutbeingtossed · 19 days
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I meant to post about this back when TTPD was released and never got around to it, but it's so touching to me that Taylor has peppered so many British-isms into the album, and not just in a jokey kind of way like in "London Boy" back in the Lover days.
It's such a beautiful, subtle nod to how much that was her life for years, and to the marks the city and the muse(s) left on her. Because isn't that true of any of us when we've been around a person for so long, or live in a place we've made into our home? You start picking up their speech patterns until they become second nature. (For instance, one of my best friends moved abroad for university, and before long she started dropping in words like "fortnight," "lorry,""shops" (vs. stores) into conversation when we'd speak, which only got stronger along with her accent shifting as the years went by and she stayed there.) Kind of a love language code switching.
It’s sprinkled throughout the album. “For a fortnight” in “Fortnight,” “blokes” on “The Alchemy,” “the shops,”* in “How Did It End?” I think my favourite use of it is in “The Bolter,” because it’s such a classic twangy yeehaw Taylor song, but she’s got these tiny turns of phrase that point to where she spent a large portion of her adult life. (E.g. “best mates,” “out the drive,”* “wish he wouldn’t be sore,”*)(*yes I know these aren’t like, specifically not-American, but as someone who has grown up with North American English in the same generation as Taylor, these definitely feel anachronistic/foreign. Like if I hear someone say “the shops” instead of “the store,” “drive” instead of driveway or “sore” meaning upset, I’m thinking they either watch a lot of 1950s movies or they’re from the UK. And yes I know it’s to make everything rhyme BUT THAT’S THE POINT SHE IS MAKING THEM RHYME ON PURPOSE ok I’m stopping now before the linguistics nerd in me jumps out) It’s such a cool merging of influences, much like the album as a whole fuses together experiences and muses and sounds.
And that gets back to the “I love this place for so long,”of it all. The place is the city, the place is her home, the place is the person, and they are all part of her. To me, these are part of the subtext of the album, of the big love she once felt for all of it, and how it changed her. And, why it hurt so much to leave it all behind. So she’s starting over back home in America, but she’s taking a little bit of London with her for its curtain call on TTPD.
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fandom-trash-goblin · 3 months
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If you are dead, I am not alive. If I'm alive, you can't be dead. Oh, I hated you— But you were still my brother.
Cain & Abel. Wei Wuxian & Jiang Cheng. Sirius & Regulus.
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franzzkafkaa · 2 months
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@forourpoets
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percabething · 29 days
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this is a call to all the pjo writers on here!!!!!!
When are yall writing a fic based on but daddy I love him by Taylor swift where reader is like defending their s/o to their godly parent?????
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if anybody uses this pls give creds lmfao
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midnightsslut · 2 months
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thinking about how ‘my sadness is contagious’ is one of the statements that is explored all over midnights and how that ties into an album called the tortured poets department
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words-on-pa-per · 1 month
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“Fuck, what happened to you?”
“Shut up, at least I’m a better fighter than you.”
“Not what I meant. Tell me. I’ll have a noose on their neck by 10.”
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balletfilmss · 1 month
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annabeth “i can do it with a broken heart” chase
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mershellscape · 26 days
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percy "you know how to ball" jackson
&
annabeth "i know aristotle" chase
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hero x villain who's afraid of little old me
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aphroditeinthesea · 13 days
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“ guilty as sin ”
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jason grace x fem!reader ⚡️
if there’s no such as thing as bad thoughts, why is y/n feeling so guilty? | pt. 2
⚠️ cheating, swearing, breaking girl code, make out, sexual insinuation & while i was posting this there was random lightning and thunder so took that as a sign that this was pretty good
✩₊˚.⋆☾⋆⁺₊✧
The first thing Y/N noticed about Jason was his girlfriend. Okay, maybe that wasn't the first thing, but it was up there. Maybe the first thing she noticed was his hair, the way that sun shined around it, making his aura glow. Or maybe it was the way his eyes were so vibrant that she felt like she was drowning in the Blue Nile. Or, gods, his muscles. The way his shirt was barely able to conceal his abs. Then, his absolutely beautiful girlfriend, who surprise, surprise, was a daughter of Aphrodite.
Of course she knew she had to keep these feelings locked inside a vault. Especially at how she so easily befriended Piper, who if she knew about these feelings, would have Y/N’s head. But how was she supposed to? Whenever she saw him, basically doing nothing, her mind already had images of him flashing in her mind that she tried so desperately to flick away.
But once the feelings had gotten too intense, she had to tell someone. So she turned to the wisest person she knew, Annabeth Chase. She decided to walk to the Athena cabin after training. She found the blonde reading a book on her bed. She approached her, speaking up, “hey, can we talk?” she looked around, “privately?”
Annabeth nodded before leaving alongside Y/N. She led her to cabin 3, which was uninhabited since the disappearance of Percy.
“What’s wrong?” Annabeth began.
Y/N sighed before explaining the ordeal to the girl. Excluding certain fantasies about the boy that not even Zeus himself could get her to confess.
“As a girlfriend of a guy who everyone has a crush on,” she began, seeming annoyed at her own statement, “don't act on it.”
Y/N nodded, “yeah, I could never act on it, I mean, Piper’s my friend,” she paused and looked up at the daughter of Athena, “I’m not a bad person am I?”
“There’s no such thing as bad thoughts, only your actions talk.”
But after a few months. After they found out the memories were fake, that Jason was a Roman demigod, that there was no relationship to begin with, Y/N had the guilty hope that they would break up. But no. Instead they continued dating? She was furious, while also hating herself every second of every day. She had thought that maybe after all this time the feelings would go away. But they didn't! They wouldn't! They couldn't!
Every time she saw the two of them together, she wanted to vomit. Especially when they’d act all couple-like and kissing and hugging and standing within a ten foot radius.
One day at archery practice, she was about to shoot, when she saw the couple walking nearby. She immediately sunk into herself. She drew back her arrow, sulking, until she heard a loud, “ow, fuck!”
She looked up, realizing that she had accidentally shot the foot of the son of Apollo that had been helping her. She gasped, “oh my gods, I’m so sorry.”
He sat on the grass, holding onto his bleeding foot, “dont worry about it,” he hissed through the pain. A few other campers ran over to help him over to the infirmary.
She awkwardly looked around, unsure of what to do.
“What happened, Y/N?” The sound of Piper’s voice behind her caught her attention.
She paused, looking up at the blond boy before back to Piper, “I got distracted and, uhm, accidentally shot him.”
“Is he okay?” Jason questioned.
“I’m sure he’ll be fine,” she brushed off, “a little arrow in the foot never killed anyone.”
“Achilles would beg to differ,” he remarked with a smirk. Gods, that was going to be the death of her, The way his scar curved with his mouth. She liked to imagine he got the scar in a battle to the death against a Roman beast- or whatever, she didn't really understand what happened at that camp, other than the fact that they had really hot guys.
She must have been staring for too long as Piper looked back up at her boyfriend herself, raising an eyebrow.
Y/N panicked, “I should go see if he’s okay,” she ran off to the direction of the infirmary.
“You shot someone in the foot?!”
“Annabeth, I really don't feel like talking about this right now.”
“No, Y/N,” she stood in front of Y/N, “why?”
“Jason-”
Annabeth shook her head, “he has a girlfriend.”
“I know, that’s the problem-”
“She’s not the problem, Y/N,” the girl interrupted again, “you're being so immature, you have to get over this.”
Y/N turned around to see Piper and Jason laughing about something. She looked back at Annabeth, “I’ll try.”
That next week, she had gotten a date with a son of Hermes. It was a nice date, too. A picnic on the dock during the campfire.
“I was originally born in Minnesota, but then we moved to New Hampshire-” his voice was drowned out by her thoughts. She felt so… faithful to Jason. If it's make believe, why does it feel like a vow? She felt like he had written ‘mine’ on her upper thigh in her mind- “what about you?”
“Oh, I’ve never been to Michigan.”
He raised an eyebrow, “I asked if you liked strawberries?”
“Oh,” she looked at the strawberry she had accidentally crushed in her hand, “yeah.”
“You don't like me, do you?”
She shook her head, “no, nothing with you. You're great, this picnic is amazing, I’m just… I am so in love with one of my best friends’ boyfriend. I’m just trying to get over him.”
“Jason?”
She looked at him, her mouth agape, “how did you…?”
“A good guess.”
She hid her face in her hands, tears welling in her eyes, “am I allowed to cry?”
He pulled her into a hug, “go talk to him.”
New advice? She’ll take it!
She stood up, “I’m really sorry, I’ll make it up to you, promise!” she claimed before running off to the fire. Everyone was beginning to disperse, when the blond hair caught her eye. She rushed over to him, “I need to talk to you.”
He looked confused, but nodded, leading her into his cabin, “what’s up?”
“I have a huge fucking crush on you,” she blurted, “I know I shouldn’t, but I can’t help it. And I thought that if I told you, it would go away. I’m sorry.”
He stayed silent for a minute, thinking. He ran his fingers through his hair. Did everything about him have to be this fucking hot?
“I have a girlfriend.”
“I know.”
He shook his head, “no, I need to remind myself of that. Y/N,” he walked closer to her, taking her hands in his, “I really like you, Y/N.”
She let out a deep breath, “Jason, that doesn't help.”
“It doesn't help me either, that’s why I’ve been trying to ignore it, but,” his right hand let go of hers, finding its way to her lips, “look at you.” He slowly leaned down to kiss her. Once, twice, thrice, four- over and over again. She wasn't even sure when she was suddenly pinned to his bed as their kisses got messier. His fingers traced the skin under her shirt, sending shivers down her spine, gasping when he would zap her.
“Jase,” she breathed, “this is really bad.”
He bit her bottom lip, “I know, we shouldn't-”
She kissed him again, “no.”
He leaned back, “Y/N, we really can’t.”
“I know, I know,” she heavily breathed, “but what are you saying?”
He stood up, forcing his glasses back on, “I need to go talk to Piper,” he grabbed her hand, helping her up, “go back to your cabin, let’s just forget about this.”
“No.”
“Y/N, please, we can talk some other time, but please, just go for now.”
She nodded, tears in her eyes, “right, okay,” she followed behind as he walked to the door, opening it for her. She looked up at him, “goodnight, Jason.”
He gently touched her arm, “goodnight.”
She walked out feeling shame and guilt fill her body. She felt it in all her limbs, making it hard for her to walk, feeling pulled down by her emotions, she wondered, without ever touching his skin, how could I be guilty as sin?
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