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#Dialogue Books
thegirlwiththelantern · 3 months
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2024 Literary Books
This is a really exciting year for me. I’m looking forward to literary fiction in ways that I haven’t before. The Storm We Made: A Novel by Vanessa Chan | 02 / 01 / 24 – S&S/Marysue Rucci Books Malaya, 1945. Cecily Alcantara’s family is in terrible danger: her fifteen-year-old son, Abel, has disappeared, and her youngest daughter, Jasmin, is confined in a basement to prevent being pressed into…
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Taco Crimes
Donnie would absolutely blow a fuse if someone ruined their books with how sacred he was to that mint condition comic, and I’m sure Mikey thinks cooking is an art. Cross either of them and it’s hell to pay!
I read a lot of book series that had been handed down to me by my siblings, but you could really tell whose they were before based on their condition. One sibling left foodstains and dog ears, another left spine breaks and ripped paperbacks, and the final would threaten my life if I so much as dented a page. Such is life with shared things
I guess you could say those books were well loved, for better or for worse lol
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ruegarding · 7 months
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i never understood ppl claiming percy has never suffered the consequences of his loyalty. you're talking about percy "i know the prophecy said my friend would betray me but these are my friends they wouldn't betray me" jackson, who walked into a remote part of the forest with luke and almost died in book one. you're talking about percy "kronos told me point-blank there was a traitor but i can't imagine any of these ppl betraying me" jackson, who decided to stop looking for the traitor and moved on. you're talking about percy "nico is acting suspicious and very clearly hiding something from me but he's my friend and i trust him" jackson, who walked into nico's very obvious set up and almost got himself held hostage during the titan war. percy is so loyal that he cannot fathom betrayal until it's happening, and it has nearly killed him multiple times.
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whatthehellami · 5 months
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Artwork is not mine.
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highsummonertemptress · 10 months
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Bad Form Review Issues
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alex-wrtng · 1 year
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Dialogue tips that actually work:
You are not writing a movie (ignore this if you are). The reader doesn't need to know every word the characters say for the duration of the story. Less is more.
Dialogue can happen within the prose. "And they awkwardky discussed the weather for five minutes" is way better than actually writing five pages of dialogue about the weather.
Balance your dialogues. Surprise yourself with a monosyllabic answe to a dialogue that's ten sentences long. Don't be afraid of letting your character use half a page for a reply or nothing at all!
Don't write accents phonetically, use slang and colloquialisms if needed.
Comma before "said" and no caps after "!?" unless it's an action tag. Study dialogue punctuation.
Learn the difference between action tags and dialogue tags. Then, use them interchangeably (or none at all).
Don't be afraid to use said. Use said if characters are just saying things, use another word if not. Simple. There's no need to use fancy synonyms unless absolutely necessary.
Not everyone talks the same way so it makes sense for your characters to use certain words more often than others. Think of someone who says "like" to start every sentence or someone who talks really slow. Be creative.
Use prose to slow down the pace during a conversation.
Skip prose to speed up the pace during a conversation.
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shyjusticewarrior · 15 days
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Jason: Has Bernard always looked at you like that, and if so how did you think he was straight?
Tim, to Steph: Stop telling Jason things.
Steph, ignoring Tim: I took Tim's gaydar cause he's not worthy.
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spiderzlover · 3 months
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The 00p book club💧💧
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dogzcats · 9 months
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EMMA. (2020): from book to screen
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novlr · 1 year
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Vary your language with synonyms to use instead of "said"
While there is nothing wrong with the word "said" in and of itself, variety is the key to exciting writing that keeps readers engaged.
Combining action beats with varied synonyms as well as "said" yields the most interesting and varied results.
Here are some examples you can use in your next project to keep you writing varied:
Instead of "said quietly"
whispered
murmured
muttered
croaked
purred
hissed
crooned
breathed
buzzed
Instead of "said affectionately"
admired
gushed
praised
flattered
lauded
beamed
complimented
approved
exalted
Instead of "said sadly"
sobbed
cried
lamented
pleaded
wept
grieved
wailed
sniffled
bawled
Instead of "said angrily"
growled
fumed
demanded
hissed
scolded
mocked
yelled
bellowed
berated
Instead of "said fearfully"
stuttered
gasped
stammered
gulped
cautioned
screamed
wavered
croaked
blanched
Instead of "said excitedly"
cheered
sang
beamed
rejoiced
hailed
exclaimed
celebrated
exulted
blurted
Instead of "said uncertainly"
inquired
hesitated
balked
deferred
speculated
floundered
pondered
wavered
vacillated
Neutral synonyms to use instead of "said"
voiced
expressed
insisted
noted
uttered
continued
replied
went on
began
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burntblueberrywaffles · 4 months
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Lucy gray: *sings the most gorgeous, beautiful, poetic, heart wrenching song*
Coriolanus: Wow… I didn’t realize she was a WHORE
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poorly-drawn-mdzs · 7 months
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I ABSOLUTELY ADORE YOUR SQQ HE LOOKS SO FUCKINH DONE WITH LIFE
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The recipe for SQQ is: calm on the outside, screaming on the inside.
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wizardfvcker · 8 months
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do you guys see my vision
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projecttreehouse · 2 years
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how to write convincing dialogue
did you know that show, not tell applies to dialogue, too? while dialogue can be used to further your narrative, it can also be used to showcase your characters. here's how:
-what is your character hiding? most people don't say things at face value. they hide what they mean within their words and tone, but in writing, you can't verbally hear the character's tone. ways to convey non-verbal tone include: contradictions between words and actions, context behind the words (ie. the scenario, character's actions and feelings), syntax (ie. fragments, repetition, awkward phrasing). also consider who the character is hiding information from: is it the reader? the characters? both?
-favorite words or phrases. does your character use a certain phrase or word a lot? do they often put their prepositions at the beginning or the end of the sentence? these are questions to ask when you're arranging the syntax of the dialogue. everyone has a specific way of talking. make sure you give each character a distinguishable voice.
-personality. this is how you can create a distinguishable voice. is your character confident? are they shy or hesitant? do they repeat the phases of others because they have nothing to add to the conversation? are they confrontational or do they beat around the bush? ask questions like these. if your character is confident, they may make bold statements and appear sure of themselves unlike shy characters who use words such as "maybe" or "should" or "think." to boil it down, think active wordage versus passive.
-observe others. don't look solely at television or other books. sit at your local coffee shop and listen in on conversations, then try and break it down. are they hiding anything? do they frequently use any words or phrases? how would you describe their personality? the better you get at breaking down conversations, the better you can create convincing ones, whether shallow, deep, or as a narrative device, because even if you use your dialogue to move your narrative along, it should still be compulsively convincing.
one way to tell if you've ticked all these boxes is if you can tell who is speaking without any tags.
happy writing! if you have any questions about how to implement any of these tips, our ask box is always open.
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ppinksun · 2 months
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they were so insufferable in book 6 <3
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ofswordsandpens · 4 months
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while I do like the added dialogue between Sally and Percy in the minotaur scene, namely Sally's speech to Percy telling him to hold fast, I really wish the scene had more of the urgency that it did in the book. Like Grover's heavily injured to the point of incoherency, Sally and Percy literally have to drag him up the hill, and that's when they're overtaken by the minotaur. In the show, having them all come to a grinding standstill and Grover being fully alert like "sorry I know we're being chased by certain death but your mom's human so she can't come :/" was kind of adflksadfjasdf
oh and in the book Percy doesn't immediately pass out. Instead, Percy doesn't let himself until he's hauled Grover over the boundary line and all the way to the big house because he needs help and it's only then does Percy finally collapse. and idk just the imagery of it all -- Percy crying for help, for his mother -- it always stuck with me and I wish they hadn't taken it out.
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