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asvterias · 3 days

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𝖢𝗁𝖺𝗉𝗍𝖾𝗋 𝟥: 𝖮𝗎𝗋 𝖥𝖺𝗍𝖺𝗅 𝖥𝗅𝖺𝗐𝗌

the cast // series masterlist

chap. 1 || chap. 2 || chap. 3 || chap. 4 || chap. 5

word count: 4.5k+

tag list: @s0r0ws @starvviss @kjisbae17 @lov3rgiiirl @starless-nightz @random-girls-loves

author’s note: anyways, i hope you liked this chapter! please don’t be a silent reader and interact within the chapter. also, i hoped you cried immensely because that was the ideal intention of this chapter; to make it as depressing as it could possibly get (for now 😉)

ꪆৎ ˚⋅ ➴ ᡣ𐭩 ྀིྀ ꪆৎ ˚⋅ ➴ ᡣ𐭩 ྀིྀ

‼️ DISCLAIMER FOR THIS CHAPTER ‼️

Main Characters Deaths, Just An Overall Sad Chapter & Angsty Ending

ꪆৎ ˚⋅ ➴ ᡣ𐭩 ྀིྀ ꪆৎ ˚⋅ ➴ ᡣ𐭩 ྀིྀ

Everyone’s huddled up in the car with your parents in the front seats and the children in the back. You hated the middle seat so you told Grover to get comfortable there, for the greater good, and you sat on the left side, right behind your mother.

Right now, Grover is updating you and Percy about everything demigod-related.

“My job has been to guide you to this moment. It’s always an emotional rollercoaster for young demigods, so providing a support system is really–“

“Who are you?” Percy interrupts him.

Grover stared blankly at your brother, “I’m Grover. I’m your best friend and–“

“What are you?” The blonde recorrects.

“That is a very good question,” You chirped up, “I would like to revisit my previous question.”

“No, Y/N, let it go!”

“I’m asking the important questions here!”

“Irrelevant questions!”

“To answer your question, Y/N, no, I was born like this,”

“You sure? You know parents tend to lie a lot too,”

“I’m fully aware of adult tendencies to lie frequently, but I was born like this. I’m serious.”

He removes his tam, revealing two small goat horns. “I’m a satyr, and I’m your protector, both of you.”

“You’re our protector?” Your brother asked rhetorically.

“If I hadn’t gotten you kicked out of school, you’d never have survived the night. And what’s chasing us now would have found you there easily.”

“Oh, because that’s so comforting to hear.” You cross your arms.

Percy turns his head to the car window and Grover looks dejected at the action.

“I’m sorry.” Grover breathes out, sincerity laced in his tone, “Usually, I can sense danger coming a mile away, but this time…Well none of us saw Dodds’ coming.

“So you knew about that…creature?” You inquired, gaining Percy’s attention back onto his friend.

“That thing that Dodds turned into, you saw it happen? Why didn’t you say anything?”

“I saw some of it.”

“What part did you see? Where she flung me across the sky or when she attacked Percy?”

“Well, yes and no. The Mist kept her hidden even from us until it was too late.”

“I think I have a concussion from that,” You wince at the memory, holding the back of your head. “Besides, what the hell is Mist?!”

“The Mist is a veil that hides the magical world from the human world. My legs, Dodds’ wings, Even Dodds’ absence, but it isn’t supposed to hide things from me. That never happens. Something more powerful is at work here.”

“Maybe we’re the power sources.” You shrugged.

“Yeah, right,” Percy scoffs.

“The sooner we get you two to camp, the better off you’re–“

“Camp?! Who’s going to camp?!” You backtracked.

With a baffled expression, Grover turned to your parents, completely unimpressed by their timing, “You told them about camp, right?”

“We were getting there!” Your parents shouted simultaneously at Grover.

Grover nods his head, leaning back into the seat.

“Camp is a sanctuary for half-bloods. A safe space where you can learn who you are and what the world is like on the other side of the Mist.”

“Wait, hold up this an actual summer camp with mosquitoes and other dangerous animals lurking in the woods?!” You deadpanned. “Nah, you can keep that, I’m not going.”

“You don’t have a choice.” Your mom states.

“Uh, it’s not far, actually, just a little way past the bend up there.” Grover directs your mother.

“Mom, what else haven’t we talked about?” Your mother, Sally stayed quiet, anxiously glimpsing at her son. “What else haven’t you told us?”

“There are more secrets?!”

“Oh, there’s more like you wouldn’t believe, sweetie.” Jessica grins.

“Jess, that’s not helping whatsoever!” Sally exclaims.

“Sorry, it just slipped out of my mouth.”

“And you wonder why Y/N is a mini you.”

A flash of blinding light appears from mid-sky and disposes of a creature, which instantly starts running on all fours, chasing after the speeding car.

“Is that the Minotaur?!”

“Holy shit!” You and your mom said simultaneously in bewilderment.

“Once the attacks start, they never let up. Okay? Dodds was just the beginning.”

“Then who’s the freaking ending?! Because I’m ready to slain as many monsters as necessary.”

“He is next. He- he is brutal, he is relentless–“

“He’s still wearing underpants.”

“Out of all things, you could have noticed, Percy, you chose that?! Us trying not to die should be your main priority, not if the Minotaur is playing goddamn dress up!”

Percy and Grover kept their eyes on the large bulky monster.

“It’s gone!” Percy shouts, astonished.

“Gone?! Gone where?! I hoped it vanished back to wherever it came from!”

“Like it’s ever that easy!”

Then, the Minotaur’s loud footsteps and rough grunts halted and it almost calmed everyone’s racing heart rates.

“I think it’s gone for good now.”

Until it reappeared, now gaining up on the speeding car, The Minotaur ran up closer to the car front, beside Sally’s car door, aiming for severe damage.

“You just had to say something, didn’t you?!”

“How was I supposed to know that would happen?!”

“Because you jinxed us!”

“Don’t blame me because I’m stating the obvious!”

“I will push you out of this car!”

“Do it! I dare you!”

“Little Blondie, don’t tempt me with a good time!”

“Who are you calling Little?!”

“Someone who hasn’t had their growth spurt yet.”

“Hey, I’m still developing!” Percy gasps.

“Yeah, just very, very slowly.”

“Can we sacrifice Y/N to The Minotaur?”

“Oh please, you don’t have the balls to do it anyways,” You scoffed, “Besides, you need me. I’m always saving your dumbass, you can’t get rid of me!”

“Stop! Nobody is going to push anyone out of this car!”

“He started it–“

“No, I didn’t you, liar–“

“That’s it! Don’t make me come back there! I don’t care who started it, just know that it's ending!”

“Is there any more insight you’d like to add, Grover?” Sally calmly questions, acting like her children and wife didn’t have a screaming match a few seconds ago. Your family was truly a chaotic mess whenever they wanted, dismissing the matter as if impending death wasn’t lingering over their shoulders.

“Yes, I do.”

“Then, go right ahead,”

“The Mythomagic cards were training. Everything has been training for what’s still ahead of you.”

“What’s ahead of us?!”

“Kids…”

“I’m actually 24,” Grover confesses quickly, causing two heads to turn in unexpectancy.

You and Percy shared the same shocked expression, “Wait? What?”

“Hold on, please.”

The Minotaur roars loudly.

“Moonlight…listen to me.” your mom looks at you through the mirror as your gaze hesitantly meets hers. “You and Percy are forbidden children, monsters are going to attack you every day, this camp can protect you both.”

“Why can’t you and Sally come with us then?” you bargained with her, tears forming in your eyes. You couldn’t imagine, much less experience your life without your mother and Sally. The same women who nurtured you since you were babies and taught you everything you knew. You refused to give up on them, everything they did was to protect and love you, and now it was your turn.

Sally starts to talk, eyes stuck on the road, “We humans are not allowed there. Only demigods like you two.”

“But we don’t wanna leave you two.” Percy persisted.

“You’re our moms.”

“You’re gonna have to, that Minotaur isn’t gonna stop until he kills both of you.”

All of a sudden, a collision hit the car with enough brute force to send the car off the road and everything went black. It was all so quick, the collision, the swiveling of the car and landing on the side of the road, far from bypassers to rescue.

The rain pattering against the car turned into a heavy rainpour as everyone in the car, hanging upside down with the seat belt anchoring them, remained still, all unconscious.

After a while, the dulling pain in your head sharply woke you up, being the first to recover from the crash. Holding your head in pain as you slowly opened your eyes, feeling the blood trickle from your head, surveying your surroundings as you saw Percy and Grover still unconscious. Quickly unbuckling your seatbelt, you got out of your seat, repeating the same action to your younger brothers.

One by one, you carefully got everyone from the car as they began to wake up. A growl from the distance urges you to move faster as you help your other mother, Sally, get out of the damaged car.

Sally, Percy, and Grover were recovering, standing on their feet, checking for any injuries and your mom was the last one who needed rescuing.

“Mom…” you shake her but her body is motionless as the tears well up in your eyes.

You felt Sally’s arm pushing you back, sending you into Percy’s and Grover’s embrace as you nervously observed.

“Come on, come on, Jess…” Sally murmurs, kneeling down, searching for a pulse. “You gotta survive, we have children together, we can’t lose you right now.”

“Is she okay?” Percy chirps up, deciding to speak for you.

You found everything incomprehensible around you, your senses became deafening and a high-pitched ringing in your head matched the loud heart beating in your chest.

When Sally stayed silent, it only worsened your anxiety, “Mom, is she okay?!” Percy speaks again, adding some base in his voice yet his tone slightly wavers.

“She has a fading pulse…” Sally whispers, sparing a sad glance at you and quickly turning back to Jessica, “It’s decreasing rapidly,”

Dropping to the muddy slippery ground on your knees, tears quickly filling the brim of your eyes, threatening to fall as you moved closer to her.

“Mommy…” you cradle her face into your chest, saddened by her face, eyes closed as blood trickles down her forehead.

“We can revive her, right!” Your voice cracks, whipping your head to Sally, “Tell me we can revive her!”

“Y/N…” Sally sighs deeply, trying to contain her tears. You turn around, looking down at your mother, resting on your lap, body motionless yet her face looks peaceful.

“No! We- I can save her. We can do heart-to-heart compressions,” you shake your head, starting to do heart-to-heart compressions. “Why isn’t she waking up? Mommy, this isn’t funny anymore now, you have to wake up and help us. Please I can’t do this without you, I can’t do this whole new demigod thing without you.” your voice was dry, as you leaned down, blowing air into her mouth, hoping for a miracle to occur.

You didn’t truly believe in miracles, but for your mother, you’d start believing it. Right now, you would do whatever it took to bring her back even if it meant wishing on the impossible.

“We didn’t do plenty of things yet, I wanted you and Sally to meet my first girlfriend, attend my graduation, be there when I move out and eventually get married, and get grandkids from Percy because we both know I’m not going through that torture.”

Your senses became intensely heightened, catching onto Grover’s whisper to Sally, ignoring him as you spoke up.

“I refuse to leave her alone, she isn’t dead, just having some problems waking up and getting a pulse back.” You were in extreme denial, “Come on, mum, you focus on her face, giving her air and I’ll do her chest,” you beckoned Sally forward.

“Sweetheart…she’s already….gone.”

“She’s my mom and Percy’s mom, your wife. She wasn’t supposed to die this early. If all you’re gonna do is stand there and be useless, don’t bother talking to me.” It wasn’t intentional to snap at your other mother, but your emotions were driving you crazy and brazen.

“You’re the sun to my moon, Mommy, I can’t shine when you’re not there with me. Y-you promised me, you pinky promised that we were all going to survive, but you lied. Why did you lie to me?” You sobbed. Despite being physically exhausted, you weren’t giving up on trying to revive your mom, she would have never given up on you so you would stop trying until you had something, anything; a pulse, a gasp, her eyes shooting up. “Remember…” You weakly asked, holding onto the moon-shaped necklace on your neck, staring at your mom’s sun-shaped necklace.

The sky crackled with slight thunder as the rain poured down heavier. Finally understanding the meaning of your nickname, you sobbed desperately until the broken cracks of your voice gave out.

There was no sunshine without her moonlight, always them being in a pair, nothing without the other. Sadly, you lost your sunshine, darkening your moonlight to its deepest depths, harvesting it into something vengeful and heartless. Something that even scared you to a certain extent, like this was another new side flourishing because of the horrible circumstances.

You rested your mom on the ground, ignoring the cold rainpour.

“She’s gone…” Sally cries, grabbing your arm and pushing you into her body for a hug. You cried into the hug, tightening your grip as your wails echoed throughout the forest. Maybe this was all a nightmare, where you’d wake up and relax in reality. This was the time that your mom needed to wake you up and reassure you that she was right there, staying with you and protecting you.

Your chest clenched against your rib cage, devastation wracked throughout your entire body as the tears relentlessly spilled out.

“But she- she can’t be gone!” You hiccup, eyes glossing over with fresh tears, feeling another arm snuggle around your side.

“I know, sweetheart. I’m so sorry,” she caressed your face.

“What kind of demigod I am, if I was blessed with all these supernatural powers, can’t even save my Mom from death? What kind of daughter am I to just stand by and watch her own mother die? I don’t want this demigod life anymore, please take it all away if it means my mother is coming back, to me, to home. I’m so fucking tired and I just wanna go home! Home is wherever the four of us are!”

“Don’t you ever say that again, you did everything you could, your perseverance is one of your strongest qualities that Jessica adored very much. She wouldn’t want you to doubt yourself like this nor would I,” Sally reassures you, resting a thumb on your cheek, “Our beautiful daughter, she’s so proud of you, I want you to know that.”

Your eyes were puffy and red from tears as you listened to your mother’s words of encouragement and reassurance.

Much to your dismay, another loud roar broke the semi-family grievance, reminding them of the harsh reality.

“We have to go now!” Grover hastily urges.

“I’m not leaving my mom here like this,” you point to her still figure on the ground.

“We won’t, I promise you, sweetie. I’ll give her a proper burial, but right now we have to go!” Her tone was urgent as she quickly scanned the dark forest with the illumination from the car light.

You hurriedly rushed towards your mother’s still figure on the muddy ground, leaning down.

“Goodbye, Mom,” you whisper hoarsely, kissing her forehead for the last time. You stared down at her neck, gazing at the sunlight necklace she wore yanked it off, and shoved the meaningful jewelry into your back pocket. Your heart broke again, realizing she can’t respond, despite being in extreme denial.

Percy struggled to plant you on your feet as Sally walked over to Grover.

“Grover, I am entrusting you to protect my children, my only son and only daughter.”

“Don’t worry, Mrs. Jackson, Percy, and Y/N will be totally safe at camp–“

“Swear it.” She commands.

“What’s happening?”

“Swear it, Grover! Keep my children safe from anyone or anything that comes for them, that wants to harm them, that looks at them in the wrong way. Do you understand me?”

“I swear!” Grover persists, with determination and sincerity in his voice.

Sally nods at the boy, venturing over to you and Percy.

“I gotta go now,”

“Go? What do you mean go? Y/N stop her from going on this suicide mission,” He stares at you, waiting for a response. The first time you didn’t respond to your brother’s words caught him off guard, knowing you’ll always be his first defender.

The boy winces seeing your shaken body and red puffy eyes. It didn’t take a genius to know that you were still traumatized from witnessing your mom’s death. Seeing this sad broken-hearted face of yours, devastated Percy beyond any words to ease the pain. All those times, you’d reassured and defended him countless times, and yet he was speechless about how to comfort you right now. He felt like such a horrible brother to you.

“Your sister isn’t in charge, I am and what I say goes!”

“But–“

“This is no buts! You’re gonna be brave now. Remember what I taught you, remember the stories I told you. Especially the stories, they will tell–“

“No way! Mom, I’m not leaving you, not like how we left Mother stranded and alone to die.”

“Perseus!” She snapped, tired of his persistent attempts, cupping his face, “Listen to me! You…are not broken. You are singular. You’re a miracle and you are my son. Hold fast, brave the storm.”

“And Y/N,” She caresses your face, her saddened expression increasing at your blank eyes, “You are not neglected in this family, you’re just as important. You are one of a kind, my beautiful baby girl. You are my daughter and I don’t ever want you to forget that.”

Those words melted in your heart and words rambled from you without hesitation, the guilt of everything came crashing down.

“I’m so sorry, mother, for not being able to protect any of us. I failed at what I was best at.”

“You’re a kid, be a kid, stop worrying if you’re not going to save everyone. That’s too much of a heavy burden on yourself, it’s not good for your mentality. Live life, get a girlfriend and don’t force yourself to grow up too fast because you'll regret it. Let me tell you something unfair; you can’t save everyone all the time. I love you two so much,”

“We love you too.”

Just like that, The Minotaur had the worst timing of moments erupting with a loud search roar.

“We need to move!”

“Give me your coat.”

“Why?” Percy asks but removes his coat anyway, “What are you gonna do?”

“He smells half-blood, that’s what he’s tracking, yeah?”

“That’s right.”

Sally grabs the coat from her blonde son, “So if he smells you in two directions at once, maybe I can confuse him, buy us both a little time to get away.”

“Mom, please don’t…we can’t afford to lose another parent on the same night.” Percy pleads, stepping forward, gesturing to you, “Y/N is one of the strongest people I know, and a few hours into this demigod madness, she’s broken, possibly going to recover from trauma at the camp where we’re supposed to rediscover our true potential for a man who wasn’t even here our whole lives.” He whispers, a string of desperation in his voice, “You can’t do this to us…please don’t do this to us. You’re all we have left.”

“Hey! It’ll be okay.” She reassures the blonde boy with a weak smile, “Y/N bounces back, she always does. For the first time, she needs you more than you need her right now, so be her anchor for right now, and don’t ever let go.”

Another yell echoes throughout the forest and trees falling down a few feet away meant the Minotaur was getting unbelievably closer. Your heart raced in your chest, once you saw the bulky overgrown monster, standing on its hind feet, intimidating everyone who bore witness.

Sally wastes no time, giving Percy a forehead kiss and then moving over to repeat the same action with you.

“Go now!” She shoves you away into Percy’s and Grover’s arms, now facing the Minotaur as the trio escapes into the rainy forest night.

Her plan for using Percy’s coat as bait to seemingly distract him and draw him away from the two demigods was successfully executed.

After maintaining some far distance from your mother, Sally, and the Minotaur, the trio still kept on running, nobody turning back. Until a loud roar reverberated across the forest broke your concentration on getting to safety and intensified your worries for your mother. You stopped running, turning around as your heart hammered inside your chest, the adrenaline pumping.

Despite being miles away, you and Percy viewed the fight, flinching when the monster knocked your mother down with its horns.

The Minotaur held in its hand, lifting up something in the air…someone more life-like…that’s someone who was your mother, Sally! You gasped and shoved at the revelation, wondering about your mother’s fate and you continued to watch the heartbreaking scene. Your body wasn’t acting upon cooperation with your mind, telling you to run away before it gets you next or attempting to save your mother. Having already lost one parent was devastating as it is, and losing your other parent would cause a lifetime of trauma for you.

Your heart clenched in fear as Sally struggles to escape from his grasp.

You felt Percy’s scared face hide into the fabric of your cotton shirt, clenching onto the shirt as he squeezed his eyes as tightly as possible.

For the last time, your mother, Sally looked over at you, stretching out a hand, guiding you out to safety, content you’ll be fine. Just like that, she closed her eyes, slowly disintegrating into gold ashes. Huh, that was weird. Humans don’t shrivel up and fade into ashes like that. That definitely was magic.

It was quiet, the rain pattering over you was now a background noise as you struggled to process the incident.

You gulped down the harsh lump in your throat. “It’s…mother’s gone, too…” You informed Percy, tone hoarse as he slowly pulled away from your body.

He looked ahead again, seeing nothing, Sally wasn’t there and the Minotaur was staring into nothing, seemingly distracted.

“Where did she go? What happened to her?”

“…She disappeared into gold ashes.” You whispered slowly, trying to comprehend your mother’s demise in your mind. Once again, your vision becomes blurry and the tears start to form at the loss of yet another parent. “It looked so unrealistic,”

After that Percy began to speak, but your focus wasn’t even directed on him, but rather at that charging furious Minotaur, hungry for more blood.

The pain and suffering became a dangerous mix of anger and hatred directed at the Minotaur.

Grover’s statements fall on deaf ears, partially drowned out by the heavy rainfall. “Y/N and Percy come on, we’re almost there.” you glance at your blonde brother who holds the same on his face.

‘So what happens when the protector is unable to protect? Do they give up instant hope and cower in shame? Or do they fight back, willingly seeking a second chance to redeem themselves? Whether you make a change or just be a bystander like others? This time the answer to that is simple, mourn your losses later and avenge them now. For all you can do right now is fight on the battlefield, because this is no place to cry and admit defeat.

No, you refused to give up hope and you weren’t going down without a fight. This monster had already taken your worlds away, so you had nobody else to lose.

Grabbing the pen from your pocket, holding it out, and witnessing it transform into a golden sword at will. The fight with the Minotaur was brutal and intense, alongside the heavy downpour of rain that attempted to slow down the intensity of this fight. Despite double-teaming the monster, he resisted surrender, determined to win and kill you both. Surprisingly, you gained the agility to climb onto his back while Percy distracted him.

Somehow, you gained the ultimate advantage with the lighting sword in your hand and stabbed the monster in its eye, ignoring his roar of pain. If anything, its pain only further encouraged you to continue.

Too full of adrenaline, you grab his two horns, gripping them and pulling them out with your utmost strength. A new sudden strength you just obtained. Gasping in shock was quickly outlived when your sword slipped out of your hand and dropped onto the muddy ground, disappearing from your eyesight. Stumbling onto his feet, inflicted by the pain, you groaned, gripping the monster by his rough skin as he attempted to shake you off.

“Percy the sword!” You yelled at him. Your brother throws the sword upwards as you catch the weapon.

You stab the monster in the neck, wincing at his loud screeches, but continue to stab his neck. Once the monster was deemed weak enough, you sliced the sword right through his neck, seizing the opportunity of successfully killing it. To be certain of killing that wretched monster, you deactached its horn from its head with your uppermost strength, then using it to pierce its own eye, another terrifying wail leaves its mouth.

This was all this stupid monster’s fault. If it hadn’t chased after you or slammed itself into the car, your mom would be alive. If it didn’t have such a bloodthirst for demigods, Sally, your mother would still be alive. Alive. Alive. Alive. You just wished your moms were alive, to see you mature into such a courageous daughter to avenge their deaths.

Soon enough, the monster staggered on its feet and its body began to disintegrate into black dust before your eyes.

“Y/N!” The voice becomes disoriented as you stumble on the ground, two arms catching you as you faint, everything fading away into a black abyss.

ꪆৎ ˚⋅ ➴ ᡣ𐭩 ྀིྀ ꪆৎ ˚⋅ ➴ ᡣ𐭩 ྀིྀ

“Is she okay?”

“Did she do it alone?”

“Is the blonde boy, okay too?

“How is that possible?”

“I don’t know.”

“Yeah, he’s okay.”

Grasping onto your fading eyesight, there were four shadowy figures above you, all their voices sounded childish except the girl’s voice which sounded very mature.

“They must be the ones.”

“Hush, Annabeth.”

“They’re waking. Everyone give them some space, please.”

Obeying the command, the four unknown kids gave the siblings some space, revealing a half-man with the…bottom of a horse. Okay, it’s finally official, you’ve completely lost it!

“Welcome to camp, Percy Jackson and Y/N Matthews. We’ve been expecting you two.”

Oh my god! Who are these people?! What in the absolute fuck is going on?! This demigod shit is not cut out for me.

ꪆৎ ˚⋅ ➴ ᡣ𐭩 ྀིྀ ꪆৎ ˚⋅ ➴ ᡣ𐭩 ྀིྀ

likes, comments, and reblogs are highly appreciated!

#her pretty girl series #dior goodjohn #clarisse la rue #clarisse la rue x reader #clarisse la rue x fem!reader #clarisse la rue x black!reader #clarisse la rue x black!fem!reader #clarisse la rue series

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kursedmayo · 1 day

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This is gonna be a a bit of a controversial take but to me Farcille to me is not very appealing since Falin and Marcille's relationship is a bit too complex to be boxed into a simple ship. There's both gay, platonic and familial implications and I don't think I've seen this type of relationship in media before actually.

In the Anime they really went all in on the yuri domtext- I refuse to call it subtext because its not, in fact sub (jk) but in the manga it's a bit more ambigious. In both media though they're portrayed as close, like way too close just to be friends. I think this might have to do with initial impressions, Marcille treating Falin like a little sister while Falin treats Marcille more like friend.

If you've read the Manga there was an implication that at some point Marcille wanted a younger sibling, but apparently she ended up being the youngest and the last child (if my memory serves correct). When she met Falin, she was a bit shy, tomboy-ish, and seemingly carefree when they met, which can sometimes be perceived as someone being pretty childish. Because of that, in her mind Marcille may have somewhat adopted the idea that Falin is younger than her and such, and then her subconscious childhood desires made her think of Falin as a little sister. I myself is more receptive to receiving or initiating touch with my brothers since I'm comfortable with them, so I can see why they're comfortable being physically close often.

This may also be why she dislikes Toshiro (Shuro) so much, she was particularly defensive of her little sister. I kinda doubt Falin discussed ever wanting to get into a relationship so maybe Marcille wanted to beat back unwanted suitors? At the same time this may just be her being jealous and not wanting to let Falin go, which can be interpreted to be something due to romantic feelings for Falin.

Meanwhile, when Falin met Marcille her impression was that she was a cool academic girl that took interest in her and befriended her. Marcille is most likely her first friend at that point and quickly became her best friend. She clearly admires Marcille and good LORD have you seen that bath house scene?? It was much less yurified in the Manga since Marcille was clearlu tired from using ancient magic and was having delayed reactions but I really dont think that was sisterly in any shape or form, it seems far too intimate. Keep in mind she was the one who initiated the hand locking in the bath house, not Marcille, so that may imply sometjing. So this brings me to my final conclusions.

Marcille probably thinks of Falin like a little sister or at least perceives Falin as someone younger than her that she wants to take care of. At the same time though her relationship with Falin is also hard to define completely by familiar or platonic because Laois is literally there for comparison and their relationships don't seem very similar to me.

On the other hand, Falin most likely sees Marcille as her best friend, someone either her equal or greater in skill or talent. When she has a slightly embarassing problem (like her constant flushed cheeks) she wants help with, she trusted Marcille enough to go straight to her instead of figuring it out herself so that says quite a lot, considering Falin seems to be of the independent type and don't like bothering people. However, there are also some odd vibes regarding her behavior with Marcille that prevents me from also waving Farcille off, so again I hesitate to box their relationship nearly into a single category.

So yeah. No hate to Farcille but I think I'd rather label these two weirdos with "???" instead of just friends, sisters or girlfriends. It feels a bit more accurate that way.

#text #kursed rambles #delicious in dungeon #dungeon meshi #falin touden #marcille donato #farcille #might edit later

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tamamatango · 3 days

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“Holy shit they actually froggin did it”: A Keroro Gunso anime revival preliminary info and speculation post (late as hell edition)

Okay first of all,

AWAKEN

That’s right, vanished-into-the-void bastard Kirb here, I am an alive person still, though I’m certain a lot of stuff on this blog is horrifically outdated. Don’t get too used to my presence, I’m a whole ass adult with a 9-to-5 now and don’t really have the energy to put into consistently maintaining this account, at least not to the degree that I used to (took me well over a whole ass MONTH just to write this post). However, I’ve returned for a special occasion, as basically anyone still in this fandom is already aware considering it’s been forever now:

We are so fucking back

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It took thirteen years and counting, but here we are, a brand new Keroro anime project is in the works—no “the short anime of all time” Flash series here, this is the real deal, straight out of 2004–2011, and goddamn is it beautiful. I might’ve been off the mark when I called it for the 15th anniversary, but it’s now the 20th, five years later, and the madmen did what was once thought impossible by many.

So let’s break down what the hell is actually going on here, because when this got revealed last month, Keroro fans on all sides of the globe basically started collectively running around like headless chickens. I’m gonna divide this aggregation post into the following sections:

Where did this even come from

Clearing up misconceptions

Okay so like what is “““Project”””

Collection of statements from official accounts, staff and cast, etc.

The Localization Question (TM)

Miscellaneous thoughts that don’t really fit anywhere else

I was originally going to make this a living document of sorts but some small stuff has already happened since I started drafting this the day after the reveal happened, so this should be it for the time being. It’s a hefty enough post as is. I am just a master procrastinator :V

That takes care of all the goofy intro nonsense, now for the parts you actually want to read, starting underneath the cut!

Section 1: The Signs Were There

As previously stated, 2024 is the 20th anniversary of the Keroro anime, along with the 25th anniversary of the manga’s serialization but apprently even they don’t care about that since they’ve made no fanfare around it whatsoever, unlike the joint 15th & 20th anniversary back in 2019. Maybe they will as we get closer to the manga anniversary in November, but for now-obvious reasons the anime has been overshadowing the manga side by a lot.

If you’ve been monitoring the Keroro PR account on Twitter (you bet your ass I’m still calling it that) you’ll have noticed an increasing output of Stuff over the last year or two, even compared to the prior anniversary. These include but are not limited to:

In 2021, the series opened an official YouTube Channel, where they’ve been doing reruns of the anime (region locked to Japan), PR podcasts, etc. It’s also where the revival announcement premiered on April 1 at midnight JST.

In 2023, the series opened an official Fan Club with a paid membership. Originally it was a temporary project meant to last for only the two anniversary years (2023 for the pilot oneshot’s anniversary, and 2024 for the anime/manga), but was ultimately extended indefinitely due to “good reception” (my guess is it was always planned to be more than two years but they didn’t want to make it too easy to guess as early as last year that the anime was returning lol). They have a merch store, giveaways, and some kind of social component. I don’t know much about it otherwise because it’s a paid membership that I don’t have access to.

The series has had an overall increase in merchandise and collabs since 2022 or so. This has pretty much always been the case, but there was a bit of a lull between the Flash series ending and the ramp-up period to this (I’d start at 2021 when the YouTube channel opened). Save for the 15th/20th stuff in 2019, for which the major project was Keroro UC, a spinoff manga/plamo line that just…never released all the models and has never been brought up again. Guess it didn’t do very well :V

A number of international releases/rereleases happened as well, but I’ll get into that a little bit more in its dedicated section. For now let’s just say that the anime being finally licensed and put up on streaming in North America may indicate the new series will be English translated in some capacity. It’s also made a resurgence in Korea, its biggest market outside Japan, where it’s had new exhibitions and collab cafes, a redub (that only got through 2 seasons I think), and even a new mobile game.

And finally, a week or so before the announcement, a new Twitter account was created specifically for the anime side of the brand. I think this was really the big tip-off, as Keroro PR has been the hub for all things related to the franchise for the last nearly 15 years, even when the original anime itself was still running during Twitter’s infancy. Keroro PR has posted everything for every other anime anniversary. The fact that now all of a sudden they had to sector off the anime stuff into its own account made it clear something bigger was going on. (Accordingly, the Keroro Anime account has labeled Keroro PR the “original work” account, AKA the manga side of things.)

Essentially I think they’ve been planning this to some degree since as long ago as 2021, the first time the president of Bandai Namco Pictures (animation studio comprised of Sunrise staff that took over the Keroro IP in 2015 and are now producing the new anime) openly acknowledged the possibility. I’ll just link my own tweet with the translation of his statement here. This was right around the opening of the YouTube channel, so I don’t think it’s a coincidence.

tl;dr Momentum for the anime component of the franchise has been building for the past couple of years pointing toward a new anime around the 20th anniversary, so I wouldn’t say this comes off as a huge surprise, though I was expecting something smaller scale than what we might be getting (more on that in the “what is this” section).

Section 2: No It’s Not April Fools, Guys, Plus Other Clarifications

With the announcement spreading across the internet, I’ve seen a few points of confusion going around that I’d like to clear up before I go any further.

As I’ve made clear in the section title, yes the new anime was revealed on April 1, no this is not a prank. A lot of Japanese companies do post April Fools pranks, but keep in mind April also marks the start of the new fiscal year in Japan, so many legitimate announcements are made as well. Plus, the original anime’s exact anniversary was on April 3, just a couple of days after the announcement.

I’ve seen a lot of people call this a new series, season, etc., but officially, the only term used to describe this so far is “new anime project”. That could mean literally anything, from TV series to movie to ONA and so on. I am leaning closer to a certain interpretation, which is what the entire next section is for, but for the time being, calling it anything other than “new anime” is technically not concrete info.

There seems to be a little bit of confusion on what studio is working on this, but in short: it's Bandai Namco Pictures (BN Pictures or BNP for short). As previously mentioned, this is the studio that inherited the Keroro IP when it spun off from Sunrise in 2015. Sunrise, the anime's original studio, is now a brand name for the larger anime management company Bandai Namco Filmworks. Although they've held the IP for almost a decade, this is the first time they've really gotten to do anything with it besides merchandise licensing and some anti-piracy commercial from a few years ago that they’ve ironically scrubbed from the internet now. If you've seen the name Studio BIND (Mushoku Tensei, Onimai) floating around, they're assisting with the production but are not the primary animation studio. Of course this is all assuming this setup continues on to the final project and not just for the PV, but I see no reason to assume otherwise at the moment. It would be rather unusual for BNP to outsource anything if it was solely for a 30 second trailer.

I think that does it for the main points of contention I wanted to address for now, so moving on to the thing we all really want to know…

Section 3: Okay But What Is It Actually???

Well, as I said in the previous section—we don't know, lol. At least not officially. But if we put our thinking caps on, we can make a few deductions:

The anime project will be broadcast on TV. In other words, it won't be an ONA (original net animation). This is determined based on the fact that TV Tokyo, the network the original anime aired on, is on the production committee. For those who don't know, a production committee for an anime is the collection of parties/companies who contribute to the production and funding of the anime. For comparison, the Keroro Flash Series, which aired only on the TV channel Animax to accompany a dedicated timeslot for the original anime reruns, did not have TV Tokyo in its committee. So, it will likely air on TV Tokyo once again.

It's (probably) not a movie. This is going to be more evidenced by point 3 than anything, but BNP has been pretty clear about when something is a movie specifically in the past, such as when Kaiketsu Zorori had various feature films in the 2010s before getting an actual TV anime revival in 2020. Still, we can't be 100% sure until someone directly says otherwise.

It's going to be more than a one-off. I will post the statement in full in the next section, but the Keroro PR account uses specific wording (“resumption,” “new start,” etc.) that sounds very much like they’re making a longer term commitment, so this is straight from the horse’s mouth, essentially.

The series will be a continuation of the 2004-2011 series rather than a reboot. This one’s probably my flimsiest prediction as the PR statements sort of obfuscate whether it’s one or the other, but the character bios section on the new anime portal site gives away a big hint: the Garuru Platoon, Pururu included, is there. This means that we can reason that, at minimum, all or part of Season 3 has already occurred. The character bios themselves also summarize things that weren’t revealed until a little while into the show, such as how Momoka and Tamama met. That all said, the Garuru Platoon members do not have bios, so I suppose they want to keep what’s being done with them a bit of a secret; perhaps they intend to reintroduce them with some kind of dramatic arc again. Either way, if the series does retread/retell some old material, it probably won’t be the bulk of the story. This makes sense to me, as it’s not like the show has been so hard to find in the last decade that a reboot is necessary to get a modern audience on board—it reruns constantly on kids’ TV channels like the Japanese version of Cartoon Network, is available in full on multiple streaming platforms (movies included), and is now on its second rebroadcast of the whole series episode by episode on the YouTube Channel. Unless you’re a literal toddler, if you’re interested in the series, you’ve probably watched at least some of it already.

In conclusion, based on the above (admittedly sparse) evidence, I am inclined to believe the new anime project is a TV series that will air on TV Tokyo as the 2004 anime did and will be a continuation rather than a reboot; however, there is no way to determine episode length, episode count, etc. at this time. It could be a cour (for those who don't know anime, "cour" is your average 12-episode season), it could be consecutive cours, it could be split cour (in other words, goes on break for a season before returning), it could even be a year-round anime if they really wanna go all the way with it. Granted, I hesitate to believe that they would do the latter simply due to the nature of anime production these days, and as far as I know, BNP has not done a single year-round airing since its founding. Even the aforementioned Kaiketsu Zorori revival was a two cour (24-25 eps) series each year from 2020-2022. My guess is we're looking at something similar here, but Keroro is a pretty big deal, so could they make an exception? Maybe, but this setup would already lead to more episodes than the vast majority of anime these days, so it would still be plenty enough to be happy with.

Considering all this and the list of numerous hints that we were potentially getting a new anime as far back as three years ago as bulleted in Section 1, you might question what made me doubt that it could be a series in the first place. Well, besides just the series being so old and it being so long since the anime ended that it felt a little like wishful thinking, at least three members of the cast said that a new series was not something they were specifically looking to do...I think, anyway. Let me explain.

Last year, on December 9, a Keroro birthday event with Kumiko Watanabe (Keroro), Etsuko Kozakura (Tamama), and Takeshi Kusao (Dororo) was hosted in person and livestreamed on TwitCast for fans that paid for a ticket. There were two timeslots for the in person event, and only the evening show was streamed, with the afternoon one being in person only. Now that I have adult money, and being the impulse driven gremlin that I am, I paid for the virtual ticket. Most of it was just cute little segments like the three cast members doing live commentary on some of the birthday episodes, discussing the results of a “favorite lines from their characters” poll hosted on Twitter a few weeks before the event, and a brief visit from Jashin-chan of Jashin-chan Dropkick/Dropkick on My Devil, a series that Keroro recently collabed with for a series of merchandise. Unfortunately the event wasn't archived publicly and they specifically asked to not upload materials to social media, and I'd like to respect that request mostly out of consideration for the cast, so you will just have to take my word for it :P (besides those who were watching me talk about it in real time on discord).

The reason I'm going on this tangent is because, at the end of the stream, a special prerecorded video featuring the three cast members was shown exclusively for virtual attendees. In it they essentially explained that they still greatly enjoy the characters/series and would love to partake in more events and projects, but "not necessarily a new series." I promise you I listened to this clip over and over the entire time it was available and that's what I heard. Now look, the room they recorded this in was echo-y, and my Japanese is pretty decent (enough for my N2 anyways, yeah I did that while I was away from here clap clap) but listening comprehension is my weaker area, so maybe I just take a massive L here. When I started writing this post there was a sentence here guessing about whether they were just being cheeky or didn’t know yet, but an interview came out last month that gave what’s all but a conclusive answer to that. More on it in the next section but tl;dr, they likely did not know it was happening at all. Well, at least they got to be as surprised as we were :V

Anyways now that the thing has been revealed none of the last two paragraphs even matter, so I just prattled on for no reason besides to admit my own shame. Next bit.

Section 4: SAUCE PLOX??? (Current testimonies from relevant people/entities)

Naturally, when the trailer dropped, we got a pretty decent handful of comments from whatever staff and cast are on social media. Most of these are just people going “yay we’re back hooray!” (paraphrased) but the Keroro PR account statements are actually kinda sorta hints? So I’ll start out with those. There’s two tweets that I want to highlight here:

First is from April 1 (JST), the day of the reveal. In this tweet the account wishes everyone well for the new school/fiscal year, but the important part is the last sentence, This can be translated any number of ways (thanks to yoroshiku onegaishimasu and its 50 potential meanings, every Japanese translator’s worst nightmare), but essentially it’s something along the lines of “we hope you’ll support the restart/resumption of the Keroro anime for a long time to come.”

The keywords here are obvious: 再始動 (saishidou) meaning either restart or resumption. I know you’re probably thinking those are two very different things, but the nuance here is that it’s more of a restart in production than restart of the continuity. For the latter, I think it’s more common to see リメイク, which is just the English word “remake” in katakana. Worth noting that the Flash anime used none of these words in its marketing, but it did use language such as “brand new invasion plan,” “rebirth of Keroro,” and so on…in addition to, you know, having a completely different artstyle and a title change to just “Keroro”, which this clearly does not (the artstyle is relatively faithful to the old one and the project is under the original Keroro Gunso name).

The other big word is 末永く(suenagaku), which…also doesn’t have one exact translation, but implies somewhere between years or even an indefinite period of time. I didn’t want to say a specific unit of time in my translation of the statement because well, we can’t really be sure of anything here, but either way, they’re signaling that they’re most likely in it for the long haul.

Then there’s the tweet from the PR account commemorating the actual anniversary of the original anime (April 3). This one uses 新しいスタート, “new start”—no real multiple definition shenanigans here, this is about as literal and straightforward as you can get. In terms of the reboot or not question, this could lean either way, but it definitely adds to theory that it is a series of some sort.

Okay, that’s all for the individual tweets I’m gonna totally overanalyze, otherwise I’d be stuck here for even longer than I already have been. Here’s a quick list of involved staff who tweeted about the reveal:

Unsurprisingly, Kumiko Watanabe (Keroro) posted that day, reiterating that it is real and saying “believe usssss!” (As a reminder, half the internet was convinced it was April Fools for like a whole week)

Adding to the cast comments, Etsuko Kozakura (Tamama) says, “Whoo-hoo! Can’t wait for more news! Keroro Gunso is still the greatest!!”

Jouji Nakata (Giroro) didn’t make a specific comment about the trailer, but has been retweeting the other official accounts and such and replying about it, so he has acknowledged it otherwise. As a substitute, here’s a picture of him visiting the Keroro Exhbition in Ikebukuro a day early.

Here’s an interesting one—Haruna Ikezawa (Momoka) said about the trailer, “Really?! Is this real?!?!?!” While no cast members outside of the Keroro Platoon were officially revealed to be reprising their roles, I’m assuming they’re going to try their best to reassemble as much of the cast as of season 7 as possible—besides Keiji Fujiwara (Paul/Narrator), who sadly passed away in 2020—so I kind of figured Ikezawa would know about this, but maybe not…? Well, considering that the main five were completely blindsided by this to the point where they weren’t even sure this was a real thing until they were in the middle of recording it (as I said previously, more on that later), I suppose the other cast members were just. Not told. I don’t really doubt Ikezawa would return (she even stated it could happen someday all the way back when the then-final season ended in 2011 and did come back for Flash)…but unless they were like really worried about leaks why even keep them in the dark to learn with the rest of the public, idk man :V (so much for not overanalyzing tweets huh)

On to production staff now, here’s the tweet from Satoshi Koike, animation director of the latter third of the original and also the reveal trailer, indicating that he’s most likely back for the new project. It’s just a simple “Welcome back! (de arimasu)” but the images he used were drawn back in 2019 to commemorate the start of the Reiwa era, spoofing the original lyrics of the first opening. The reveal trailer tweet itself from the Keroro Anime account does this too (“Starting today, the Reiwa era shall be known as the Keroro era!”).

New to the staff is Jouji Furuta (yes we have two Joujis now har har), who did the storyboards and direction for the trailer. He’s relatively new to the scene as a whole, with his most well known project being Shaman King Flowers. Although he never worked on the series before, he did a pretty good job emulating the original, and based on the last line of the tweet, it seems like he will be staying on for the full project as well.

And now for a kind of weird section where I talk about the few related accounts that the Keroro anime twitter is following but haven’t made any kind of verbal acknowledgement yet.

First and foremost is Mine Yoshizaki—you know, the guy who created the fucking series, whose name is on the copyright string and whose explicit permission they had to get to do another anime in the first place? Yeah so it’s been over a month since the reveal now and there has been zero acknowledgement from him. I do know his personal social media account has been inactive for quite a few years now (I feel like the anime account is only even following it for symbolic reasons), but he had multiple other opportunities to say something at this point. He did contribute some signed artwork to the anime-focused exhibition that just ended but nowhere in it does he directly mention the new adaptation, and so far he hasn’t commented on it in Shonen Ace (maybe in the next volume, assuming that’s soonish). I have my theories about his relationship to the anime, especially now that the Kemono Friends fiasco has occurred, but that’s all a story for another day or never. I’m sure he’ll contribute something later, but even so it’s just really bizarre to have nothing to say about your biggest creation’s first new adaptation in over a decade. Oh well.

Character designer Fumitoshi Oizaki, who has been around since the beginning if I remember correctly, has been retweeting things, but no official comment just yet. (He discretely left a message at the expo apparently, but didn’t post it online, so no idea if it mentions the new anime.) He isn’t credited on the trailer, but considering he’s still been pretty involved with the franchise’s promotion over the last few years, I would be very surprised if he wasn’t returning.

Last but certainly not least is Junichi Sato, the chief director for the original anime for the first two seasons, arguably its most well-known and critically praised era. He’s also a very notable director in his own right, having headed other famous series like early Sailor Moon and Ojamajo Doremi. Sato didn’t direct the original anime for the majority of its runtime (though he did direct the first four movies), but he still directs and storyboards on projects to this day, including for other franchises’ major anniversaries (namely Doremi and Precure). Though not certain, I think it’s very possible that he returns for this in some capacity, if not as director than perhaps for storyboarding or general advising.

To close out the testimony section, I’m going to share here the translation I did of the aforementioned interview with Kumiko Watanabe in last month’s issue of Newtype (anime-centric magazine published by Kadokawa). I won’t re-summarize it here since it’s not particularly long, but the main takeaways from this in terms of hints as to what we can expect are that a) the cast was surprised by this and potentially didn’t even know back in December when they last discussed the possibility of working on Keroro again, and b) as I previously speculated, this is going to be a long term enough project that at least Watanabe feels the need to physically prepare for it lol. And thankfully, it seems they’re all excited to go back to the series. I spent a long time thinking they might not be up to it again since it’s been so long and they’re much later in their lives/careers (Nakata just turned 70 oh man) but I’m glad I was wrong! Though I don’t expect this to be another 300 episode commitment anyway; in spite of the PR comments I don’t think we’re going for that long with the nature of anime production these days lmao.

And now for a topic which I think many of you are concerned about…

Section 5: “But what if my 日本語 is not 上手???” (The Localization Question)

If you did not get the joke in the above headline without looking it up, it’s probably safe to assume that if you want to watch this Thing, you will need it in a language other than Japanese (and even if you did get the joke you will know if you are truly 日本語上手 when people stop saying 日本語上手 to you). I’m going to focus on English for this post since that’s the primary language of the audience here, though I would be very shocked if there isn’t at minimum a Korean translation—dub more likely than sub imo, since the most famous version of the show there had different names for the characters and was changed to be set in Korea, and the series is HUGE there to the point where it almost rivals the Japanese market.

So, English. Well, if it were a few years ago (say, if this came during the 15th anniversary like I was originally coping over), I would be markedly less optimistic about getting any official translation at all. At that time, the dub was explicitly dead and the only English sub had been delisted for a few years, and even that was only available in a select few countries in Continental Europe on a pretty obscure streaming service called Viewster for like a year or two before getting pulled. It’s no surprise that this particular sub eventually became more well known as the subs on the torrents compiled by ColdFusion (whoever that was, I’m still not sure myself). That was until…

…the magical year of 2021, when our heroes at Discotek licensed the ENTIRE SERIES (minus the movies) for an official English release using Viewster’s existing translations! That’s right, we got all of it. And not only that, the whole series was also added to Crunchyroll, though only the sub; Discotek had the Funimation dub but it seems it did not get ported to Crunchyroll when the merger happened this year. It does seem that Crunchy has still not made the series available outside of the US and Canada, which is a shame, but man is it still surreal to have the entire series legally available both digitally and physically after nearly two decades of scattered fansubs and hardly accessible official releases. Surely this was a huge win for Discotek, right?

Weeeeeell…no. Of course they weren’t able to say it out loud, but it’s been extremely heavily implied that unfortunately the BluRay/DVD releases flopped for them, and they did say they definitely won’t be getting the movies or the Flash series. They also stopped releasing the discs on a one season a year basis and started bundling them together, with seasons 5–7 coming out all at once later this year, so they’re clearly trying to just get it off their plates. To be honest, this was pretty predictable because…it’s been on Crunchyroll since before the discs even came out. Look, physical media is super cool and all, but who in this economy is going to pay $40-60 per box for a handful of seasons at most when they can get the whole damn thing on their phone for like $8 a month. Crunchyroll isn’t necessarily a disc killer; their release of Digimon Adventure, for example, still seemingly did well despite that series being available on Crunchyroll two years prior, but in addition to Digimon being more popular in the west, it’s one $60 purchase for the whole series versus having to spend like over $200 for 358 episodes. I applaud them for rolling the dice and trying to get this behemoth of a release out there, but I’m not surprised about the lack of financial returns.

However, since Crunchyroll now has set a precedent of having the original series available on their platform, we just might get the new series available on there as well—if not as a simulsub, then at least dropped in batches later on. I’m not 100% confident in this, particularly because technically Discotek still holds the license, but my guess based on the way they’ve talked about the series is that they’re pretty open to someone else taking it off their hands when they’re done releasing the original series (and the translations weren’t originally theirs to begin with anyways, they purchased them and did some touch-ups to the existing translation with added typesetting). As far as simulsubs go, the kids’ shows that get simulsubbed tend to be from Toei, with whom Crunchyroll has a known partnership. But if it is split into cours rather than being a year-round anime, I think the chances of a simulsub go up. Whatever the case may be, it’s for sure in a better position to get an official subtitled release than it ever was before. I’m certainly praying this happens because I believe most of the people capable of fansubbing (with good translation anyway) have gradually moved away from the fandom over the last decade for various reasons—myself included, though mostly I just quit fansubbing/scanlation in general for Personal Reasons(TM). Fingers crossed, everyone.

So subs remain as a not-guaranteed-but- definitely-not-low possibility. But what about a dub? If you recall, Keroro has had a very rocky history in 3D with English dubs, with the American dub being in licensing hell for years before finally falling into Funimation’s lap and subsequently failing to take off despite remaining a beloved cult classic to Some Fans (I am not as high on it, but longtime Kirb followers probably know that by now), and the only other English dub is relegated to the network Animax in Hong Kong + Southeast Asia with no official home release, leaving all of it besides parts of seasons 3 and 4 as lost media (and the voice acting sucked ass but at least the script was accurate). But we’re not in the mid 2000s to early 2010s anymore; this is the screamin’ ’20s, baby! So much anime is getting dubbed now, sometimes at almost the same time as the Japanese release! There must be a chance, right?!

Eeeehhhhhh I wouldn’t bet on it. Even the Toei kids’ shows Crunchyroll started simulsubbing usually don’t get dubs (Digimon is an exception, and the reboot’s dub took YEARS to come out). Anime dubs, as far as I’m aware, are not cheap to produce (though it’d be great if more of what the companies are pocketing went to the actors’ wages >_>), and if the show does have the potential to become somewhat of a long runner, I think they’ll need to see more interest around the IP to fund one, and both Funimation and now Discotek’s releases have proved that the audience for it isn’t always there. I also speculate they’d be doing a lot of recasting; the casting process is not as smooth and (I believe) more expensive than it is in Japan, and a lot of the original cast are not working as often in the field anymore and/or have been involved with some pretty serious controversies—I’m sure those in the know are thinking of a specific drawn-out conflict but I’m pretty sure it’s more than just About Him at this point. So let’s just say that while some of the cast still remembers the show fondly, I think trying to get them all in the same project again would potentially open some cans of worms better off left closed. It’s not 100% impossible it gets dubbed, you never know what the industry can manage to make work these days, but I’d wager it’s like 90% not happening. Just a hunch. If anyone more knowledgable than me on anime localization (this goes for both the dub and sub stuff) would like to argue me with better explanations than I have I’d very much be glad to hear it.

Section 6: The Stuff That Doesn’t Fit Elsewhere + Final Thoughts

There’s not going to be any real organization to this section. Here’s just some bullets of miscellaneous stream of consciousness thoughts related to whatever:

The character bios page on the site linked in section 3 has some WEIRD romanization choices. I don’t expect these to reflect on any official localization because chances are they’ll go with what Viewster used, which is largely what the fandom is used to besides the Kululu/Kururu split. It is indeed Kululu here and Kululu has been the de facto official spelling for a very very long time now but I still have a personal preference for Kururu because “Kululu” loses the onomatopoeia joke and I’m a rebel. But like. “Tololo”? Since when has Tororo ever been called that in any media? And worst of all, “Pole”? POLE?? That’s literally never been a thing what glossary did they pull these from.

Also worth noting, Alisa and the Narrator had merchandise sold at the Keroro expo (will talk about that next btw) despite not being on the characters page. This isn’t a confirmation of anything but I would be very surprised if Alisa doesn’t return at some point since she was pretty prominent later in the show and Yoshizaki seems to have a particular fondness for her, and the Narrator will obviously be there with a recast, though jury’s out on if his little ’sona guy will show up too. It won’t be the same without Fujiwara :(

I do want to touch upon the “Keroro expo”, officially known as the “Keroro Gunso Super Gerogero Museum” (expo is a fine shorthand because the Japanese word can mean exhibition also), since I’ve mentioned it a couple times throughout this write-up. This was an event that was held in Ikebukuro just recently from April 27–May 12 that was basically a walkthrough experience recreating settings from the anime, having artwork and stuff sprinkled in between (all reused, no new concept art or anything sadly). The main gimmick was that the venue had an exclusive app that let you take AR pictures with models of the Keroro Platoon. It also had an AI chatbot feature where you could talk to each member of the platoon, and not too many posted pictures of this feature but apparently the chatbots were uhhhhhh weird. I have no idea how much of it is generative from other LLMs, and I’m assuming they programmed it at least partially with their own original input/databases (which is the only way to make generative AI even close to ethical), but from the few screenshots I’ve seen their speech was just a little bit awkward and some of the stuff they said was really bizarre. At one point users started to turn it into an otome game and successfully romanced the frogs, which I’m assuming is a little bit out of the bounds of what they were expecting from this experiment. If they do release that app publicly at some point—they labeled the version at the expo to be a “test version,” so maybe—I sincerely hope they at least fine tune it because Good Lord. Finally and maybe most importantly, there were new voice lines recorded for the exhibit to give it an audio-drama type simple story, but unfortunately it was probably not archived because video recording was not allowed inside the venue. The platoon all had new voice lines along with Fuyuki and Natsumi, reportedly still played by Houko Kuwashima and Chiwa Saito respectively, so most likely they will return to reprise the roles for the new anime, though I don’t think those two were much in question. That’s really like the only important part of this for the purposes of this post I’m not sure why I mentioned anything else here actually. AI chatbot Dororo wants you to know he enjoys tickles from Giroro and Tamama. Yeah this thing’s a little fucked

I didn’t want to get too deep into this in section 3 because it’s not really a production related question, but…are Shin Keroro and related new characters gonna be in this or not? For what it’s worth the site seems to count the Flash series as part of the anniversary celebration, and screenshots with Shin in them are there even if he is completely absent from the character page. Flash was a total reboot so I don’t think it will be that exact iteration of the character if he is in the new anime, but there must be some way to work his stuff into the existing anime canon even with its many differences from the manga. Honestly I think the main obstacle to him appearing is just that the guy is not very popular lol. He’s hardly in the manga anymore and Tomosu and Myou are in it even less. I’m not sure if it was just franchise fatigue following the end of the anime but the reception to Shin was very meh across the board (at least among longtime fans, kids might’ve liked him I think. Which makes sense). So I could totally see them skipping him entirely. There’s still a lot of post-anime manga-only stories without his involvement at all, some that included him but he could easily be changed to some other character, and for the stories that revolved around him, well, the Flash anime got to a decent amount of them. This could really go either way but for now I’m going to lean toward him not being included. If he’s put in I think it will not be until the “second season” (whatever the definition of that ends up being) so we can be eased back in to the existing cast first before shaking things up significantly.

I like the new artstyle, assuming it carries over from the trailer to the final project. It looks like they hit a happy medium between the early and late artstyles of the original anime. This is the most obvious with the human cast who haven’t received new official artwork by Koike and/or Oizaki in a looooong time, and they look much better than the last time we saw them in season 7 where everyone got weirdly lanky for some reason.

Okay FINALLY I’m done here for now I think. At the time of writing we’re pretty much just in a “wait and see” phase with no other real concrete info around that I haven’t touched upon in this post. Trust me, I’ve tried digging for more, but I couldn’t find anything really interesting staff-wise and very few of the staff credited in the trailer are even on social media (sometimes staff can be a bit loose-lipped so it’s possible to get hints there). I’ve also checked every nook and cranny of the official sites of both animation studios and the companies on the production committee and turned up with nothing of note. I’m hoping we get some more info at least sometime between now and autumn.

Thanks for reading all the way to the end (or speedscrolling here, don’t worry I won’t be disappointed lol). I hope you found it informative even though I probably spent way too much time yapping about dumb shit. It took me entirely too long to write this post, but I don’t have as much time as I did as a teenager and it’s been a good few years since I’ve done a really deep dive into Keroro stuff. Needless to say, I’m beyond excited for this project and can’t wait to see how the last seven years of me huffing unhealthy amounts of copium pays off. I’ve had like a month and a half to sit on it now and it honestly still doesn’t feel real!

I will most likely return to report when we get some amount of substantial info—hopefully with way fewer words lmao. Until next time! Ge-gero~

#keroro gunso #sgt frog #sergeant keroro #anikero reiwa #I’m gonna call it that in tags because we don’t know if it’s airing in 2024 lol #infodump #translation #did y’all miss me #I hope not

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varpusvaras · 2 days

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I was talking with @the-starry-seas about cityboy Fox last night, and how he definitely has some problems with the nature. They said a certain thing would be funny. I had to write it.

Nature is good for the physical and mental health, the neon signs advertising plants and heatlamps for the citizens living in the towering buildings of Coruscant had said. Nature is good for the physical and mental health, the medical guidebook they had received at the start of their posting had said. Nature is good for the physical and mental health, the Jedi healer at the Temple had said. Nature is good for the physical and mental health, Doctor Brevent had said once Fox had landed on Alderaan.

The thing was, they were all correct, of course. It was all based on multitude of scientific studies, after all, and it wasn't like Fox didn't feel a lot better after only a single week on Alderaan. Of course he did. He got sunlight for multiple hours a day now, which corrected his circadian rhytm and boosted the amount of vitamin D in his body. He got fresh air, which did away the persisten cough he had had for the past year and a half. He got to move in an environment that wasn't all hard ground and harsh edges, which did wonders for the chronic pain on his legs and lower back. He woke up every day, listening to the soft winds and birdsong or soft rain, and it all just really, really made him more relaxed than he had ever been in his entire life.

So, yes, Fox would admit that nature was, indeed, good for his physical and mental health. He also loved Alderaan, loved the forests with pinetrees and hardwood and soft sandy paths, loved the mountains rising at the skyline, loved the little streams and rivers and lakes and the garderns around the Palace. The first time he had laid down on a patch of grass had quite literally given him five more years to his life.

The thing just was, that other things loved all of the same things as Fox did.

There had not been a lot of nature on Coruscant. Okay, scrap that, there had not been any nature on Coruscant. Whatever there was, was just patches of man-made greenery, reserved for limited population only, or things that had found their place in the darkest depths and shadowy corners of the planet. If you were on Coruscant and heard something that sounded too animalistic, it was your first, last and only chance to run.

It turned out that on Alderaan, many things were loud. Even worse, none of it made any sense.

Fox could understand the large cat-like predator that roamed around the woods at the foot of the mountains being loud. What he didn't understand was why the thing sounded disturbingly like a woman screaming. Even less he understood why the much, much smaller forest-cat, that was the height of Fox's shins and ate mostly small lizards also made a very similar sound.

His first weeks on Alderaan had been full of heart attacks. An evening walk with Breha, where she showed him the shining starling butterflies? Almost ruined because an actual fox had decided to sneak into the flower garden and screamed at him from behind a bush. Breha had thought it hilarious. Fox had thought about running away to some desolate moon in the Outer-Rim.

Now, after little over two years, Fox was...fine, with most of the things. He knew what all the animals sounded like. He knew not to sit on the ground after rain because there would be worms and snails. He knew not to go out for too long on the warmest days of late spring, because the pollen season was at it's peak then.

He had learned a lot of things, and he didn't feel like a stupid boy who had only ever seen sterilized white walls and concrete ground. Of course that was what he had been, but still. Fox felt like he could almost pass as a local these days.

Even certainly did, Fox thought, as he watched his son run along the edges of the small pond they had in the front garden. It was so shallow that the water barely reached to Fox's ankles, so it was fine letting Even be there by himself and watch the little water lilies and water bugs float on the surface.

Fox had not known a lot about babies when he had taken Even with him, but he had been more than eager to learn everything there was to learn. His son deserved only the best, and that meant that Fox had to also be the best father he could possibly be. Fox had learned that babies explored the world with touch, and that most of the time, they had no sense of danger, and would stuff anything and everything they got their hands on into their mouths.

It had just taken him a while to just figure out how much babies and little kids wanted to grab things and munch on them. It had been the thing that had made him most anxious, actually, once he had realised how eager Even was to put his hands and whatever was in them into his mouth. Fox thought he was being rather sensible being anxious about it. Too many things in the Galaxy were a serious choking hazard. Too many other things were...otherwise unsavory. Fox had almost screamed and thrown up at the same time when Even had somehow found a dead beetle and had already stuffed the fist that contained said beetle into his mouth.

Breha and Bail had tried to calm him down. It was a good thing he was vigilant, they had said, but not everything was so dangerous that Fox needed to lose either his sleep, his dinner or both. Kids needed to get dirty every now and then, they had said. It would boost their immune system. Bail had told Fox that he had apparently eaten sand when he had been little, and he was fine and healthy. Breha had continued with her own story of how she had eaten the leaves off of her mother's dayflower bush and the grass around it at the age of three because she had pretended to be a bantha while playing. She was also fine and healthy, and whatever health problems she had, were not the result of her getting some uncooked greenery into her system. Nature was good for your physical and mental health, they had said.

They were probably right, even if it all gave Fox shivers. But, perhaps, the problem was indeed Fox. After all, he was someone who had lived his entire life surrounded by sterilized walls or concrete ground.

Most importantly, Even was happy. Fox still remembered all too clearly the tiny, too-thin and bony baby wrapped inside the paper sheets in a metal cot, left inside the cold and lonely Kaminoan nursery. He still remembered that child, too small, too fragile, too quiet, a child whose big brown eyes had just stared at nothing at all and whose only way of communication had been wrapping his tiny fingers around Fox's.

That child was nowhere to be seen now. Even had a plump stomach and squishy arms and legs and a round, soft face, that was most of the time spread into a wide, toothy smile. He ran with little but surprisinly quick, wobbling steps, and babbled incessantly all the time and laughed loudly and without care every time Bail would scoop him up and twirl him around in the air.

Even lived surrounded by the exact opposite of the things Fox had, and he was all the better for it.

Fox watched as Even stopped to look at something at the ground, and then jump towards it, his hands grabbing at the grass. A small, bright green frog leaped up and into the safety of the water.

Fox held back a grimace. Yes, he was fine with most things these day, but there were still things he was less than enthusiastic about. Bugs were fine. He didn't go into a full panic when seeing one, but that didn't mean he wanted them anywhere near anyone's mouths. Lizards were actually pretty fun, at least the ones that lived on Alderaan, especially the little ones that lived on the trunks of trees and has round faces and equally round eyes and very stubby legs, or the blue ones that lived near streams and had become far too friendly with people, and would come over to see if you had something sweet for them to snack on.

It was the things that were wet and slimy and sticky that he was not alright with. Not that he would start to scream, either, but he'd much rather not have any close contact with any of them. He hated the feeling of them grabbing onto him, the many times featureless exterior creeped him out, and they were most of the time even more dirty than anything else.

Even jumped forwards again, falling onto his knees, and another frog jumped up from the grass. The frogs were fine. Totally fine. They were small and harmless and sometimes even kinda cute with their exaggeratedly large eyes. Sometimes. Most of the time they were wet and sticky and at least slightly slimy, but they were fine. It was fine, and they were definitely too fast for Even to catch. It was fine.

Fox glanced around a bit, Even still staying at the corner of his eye. Bail was also out, and was currently catching up with one of their Captains. Breha still had to finish up some work, but she would be out soon as well. Fox had brought his datapad with him, since he had a new book he wanted to read, but he had not yet gotten around to even opening it. He had been too busy watching Even play to be able to concentrate onto the story.

Speaking of Even, Fox saw him turn towards him all of a sudden, his hands clasped together and a bright smile on his face.

"Buir!" He yelled. He still couldn't quite get the r-sound right at the end, so it sounded more like Buij. Breha thought it was adorable. Bail thought it was adorable. Fox thought it was so adorable that he could cry.

Right now, though, he was just a little distracted about what Even was holding in his hands.

"Buir!" Even yelled again, as he stopped right in front of Fox. "Buir, I caught it! For you! A frog!"

Fox looked down on Even's little hands, that were holding something that was definitely not a frog.

It did look like one, but only in the broadest sense. It was much bigger, barely fitting in Even's grasp, and instead of being bright green, it was muddy brown, and had fat, bulging limbs and a large, bumpy body. Despite it being otherwise big, it didn't have the cute, big eyes of frogs, but instead it was staring right back at Fox with two beady little eyes, that were half buried under the wringly skin of its head.

Fox had a brief thought that the thing reminded him about the late Chancellor-turned-Sith, and he liked the thing even less.

It was also definitely wet, sticky and slimy, almost dripping clear goo from its toes.

"Oh", Fox swallowed. "Even, my little heart, that's not a frog."

How had Even caught it in the first place? Was it just too big to move as fast as the little frogs, and hadn't been able to jump out of the way in time? Possibly. It was very still in Even's hands, after all. Too still. Fox hated it.

He would've especially appreciated if the thing stopped staring at him.

Even looked at the thing.

"It's a big frog", he said, still happily enough. "Can we have it?"

The thing stared at Fox, like daring him to say no.

"No", Fox still said, staring right back at it. "No, we cannot, it lives outside."

Even was a well-behaved child who didn't argue too much, and always ate his vegetables and held to their hands if they went somewhere. Fox prayed to the Manda that this wasn't the one thing that he would argue about for some forsaken reason.

Even pouted a little, but then his head whipped to the side, and the big, bright smile was back.

"Mama!" He yelled. "Mama, look!"

Fox turned to look as well. Breha had made her way out as well, and was now standing with Bail and the Captain. She looked really pretty, with a golden band in her hair and the sunlight making her skin and eyes glow softly-

The thing moved in Even's hands. Fox saw it, and turned to look. It was still staring right at Fox, as it squirmed again. Even was still too distracted by Breha, that he didn't notice the movement.

Fox opened his mouth to tell Even to put the thing down, when it squirmed yet again, and with surprising speed, it drew its legs under its body and leaped up.

Fox didn't have the time to move. The thing's beady black eyes stared right at him as its round and squishy body flew across the small distance between Fox and Even, and landed right on Fox's face with an audible, wet smack.

One of its sticky, goopy legs stuck right into Fox's mouth.

Even was staring at him now, with wide eyes and his hands grasping at nothing.

Fox definitely screamed.

#I am so very sorry Fox #so very sorry #you guys have seen all the vines and tiktoks about frogs and toads just leaping towards people with murder in their eyes #this one is it #Fox is sure the thing is malicious and targeting him and who can blame him really #this is now Even's core memory #I also have photo evidence of a three-year-old me eating hay for some reason #I've been vegetarian over half of my life now so it must've been an omen #ANYWAY toad 1 - fox 0 #sw #tcw #Star Writing #ficlets #my writing #Commander Fox #Bail Organa #Breha Organa #Oc: Even Organa #bail/breha/fox

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weirdmarioenemies · 4 hours

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Name: Krockhead

Debut: Donkey Kong Country 2: Diddy's Kong Quest

What a normal guy. A very normal crocodile. And that's why it's weird! This normal crocodile works alongside the rest of the Kremlings, who walk on two legs, and wear clothes, and sometimes even wear nipples. I guess I can't prove that Krockhead does NOT do all these things under the water, but that sort of assumption would just be silly. And why would I be silly? No one's paying me to be silly. I need a believable motivation here.

Krockheads are said to be "primitive" Kremlings, which I think pretty much cements them just being sort of Regular Crocodiles. And look, there they are! In The Swamp. Classic location! They are not really enemies, just Fun Aesthetic Platforms, though some of them do go in and out of the water. Also some of them are in lava instead of water! GEEET outta there! Biology Fact: animals can't go in lava! If they touch it, they are shot up at high speed going "yeowch! hachacha hot!"

Aside from Classic Green, Krockhead also comes in Good Ol' Brown! These ones are silly springboards, and will open their mouths to launch whatever Kong stands on their snouts. This is the opposite of real crocodilians, who for all their bite strength, are notoriously weak at actually opening their mouths! Maybe this is a viable hunting strategy. I guess a predator does not need to crush prey in its jaws if it can fling a poor critter into the air and have it most likely die on impact! And then an opportunistic scavenger does not need ANY hunting capability to swoop in and steal the kill for itself. Sorry Krockhead! Outdone by Nature's Funny Tricks.

I really hope Krockheads are just not at all anthropomorphic, and that they are also recognized members of the Kremling Army. I hope they get paid. I hope they receive discounts at Krazy Kremland which they do not redeem because they do not have a concept of amusement parks.

They probably look like this underwater. Hee hee

#krockhead #donkey kong country 2 #donkey kong country 2 diddys kong quest #donkey kong country #donkey kong #mario #mario enemies #mod chikako

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fumifooms · 3 days

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hey i have a lore discussion for ya. so. basilisk chapter: laios is like 'wow monsters that are a mix of multiple animals are so cool! i used to have this fake monster that had all these cool attributes. but i've realized now that i'm older that it's better if a chimera only has two or three animals, instead of a bunch.' however, the Ultimate Monster has about 12 animals in it. and because chilchuck says 'i thought he grew out of this', it's clearly not a continuity error. 1/2

So. Do you think this Ultimate Monster transformation was influenced by the Winged Lion, and it's evidence that the Winged Lion was specifically preying on the fantasies of laios when he was a kid dreaming about being a monster? i've never seen anyone talk about how odd it is that despite laios saying 'chimeras are better if it's just one or two monsters', he still likes his Ultimate Monster design, and even adds the third head to it during the story. 2/2

You’re right that this is a layered topic, but no I don’t think it’s a fantasy he only had as a kid that the WL had to dig for. Below we have a EverydayHeroes Scans glossary page plus the final chimera sketch. As you said, the third head is added during the story. "That scylla sure was cool, let’s add a wolf head in there." Something which he has to note down before going to fight the Winged Lion.

Notice the emphasis on "cool". I think the familiar chapter is the other major relevant bit for this plot thread. It shows us with no ambiguity that Laios does care about aesthetics. It shows us that he can build a monster through logic and be reasonable about it, but he’s also not immune from getting carried away.

Ultimately, it’s still Marcille who builds the perfect familiar that succeeds for the situation, and Laios undermines it for its looks before seeing it in action. Marcille here ALSO mentions how he ‘should have grown out of this phase’.

So yes I mean, I think it’s clear that Laios’ fantasy is a fantasy, it’s not rational or logical or even something good that would work out, and even he knows that. Kind of like how when the winged lion showed him visions of a golden kingdom he reigned over during the succubus-induced dream he ended up saying "yeah… Things wouldn’t be so simple". The winged lion draws from deep seated desires, wether or not the person knows it’s stupid or that they shouldn’t, morally or otherwise, doesn’t matter. The winged lion is brute forcing through enticement for them to cave in. I don’t think Laios thinks becoming a monster would be all that he’s hoped for rationally, especially after seeing the whole chimera Falin situation. It’s like people irl saying they’d like to be a housecat and lounge all day; it’s a fantasy but not something that would really work out, as most people can acknowledge while nevertheless still keeping that pleasant daydream. The winged lion calls it out too! "If you’d wanted to be another kind of monster instead of animal, you’d be invincible right now". His preference for chimeras itself is a matter of taste and not practicality. It’s not well thought out, it’s a craving. Laios wanting to be a chimera is a soup mix of comfort fantasy and childhood coping mechanism and special interest hobby and idealization, and more.

And!!! That’s the point! What saves the world, how Laios saves the world, isn’t a flawless plan! What saves the world is Laios’ most authentic most flawedly human desires, ones he couldn’t control or repress. It’s the weird interest that everyone shamed and denigrated, his uniqueness and feeling of disconnect towards humans, that ultimately saves humanity. Because he genuinely desired becoming a monster, genuinely had that hungry curious nature in the deepest corner of his soul.

The Winged Lion doesn’t work through thoughts and the brain but through wants that are more primal, in your guts, in your heart. It doesn’t seek to checkmate you through logic, it wants you to surrender yourself willingly through manipulating your wants, your weaknesses, your emotions.

It’s like Laios’ curse at the end too, and even the succubus. If Laios were to rationally go through these desires-based trials, it’d reflect his actual wants, instead of just desires and cravings: the curse would have been that Falin can’t be revived, and his most alluring form would have been Falin safe. Dunmeshi in this way is kind of about the struggle of rising above our animality and these deep seated desires that go against productivity and what we actually want, like say, always feeling physically hungry even if you’ve eaten more than enough and knowing you should stop there. Like, it’s why we’re talking about allure and enticement.

Like aughhhh!! Why Laios got to eat desires is because he genuinely wanted to see how it tasted so bad, it wouldn’t have been granted by the lion if it wasn’t something he truly desired, like <3 it’s not something he could have simply strategized he needed to genuinely want it. It wasn’t the plan. It wasn’t plan A or B or C.

Laios my favorite fucked up cinnamon roll who saves the world through his authentic selfish desires

But no I don’t think Winged Lion was preying on his kid fantasies as much as like. The remnants of it that are still there and repressed in him. Kinda like how Marcille’s desire is also about childhood trauma, but if it’d been processed better it might have been different. I do feel like irl we carry a lot of stuff with us that was shaped in our childhoods, often some level of unhealthy and irrational that we have to kinda work through and be like ok that’s enough of that let’s be serious now. And yeah! Yeah. You’re very right that his chimera is strongly associated with his childhood desires though. It’s just that these desires really do stick, and sometimes they can overtake logic, wether or not you’re an adult and wether or not you have a demon on your shoulder telling you to let yourself be tempted.

So yes! Laios knows that a chimera with fewer animals is logically better, but a True Heart’s Desire isn’t always rational or good and his heart yearns for the Rule of Cool.

It’s, again, like the succubi! Laios is interesting for this because the thing with succubi is that they freeze people: they make the prey freeze and not want to resist/run away, but they don’t make it reciprocate either. They don’t- they don’t usually have to reason with them and be like "no i swear we’re totally real <3". Like no one in the party thinks there’s any chance of hot naked blonde women, general Hareus or Izu’s mom actually walking out of the darkness in the dungeon, especially since they were already on guard and knew succubi were going to attack. But with Laios it was more complex than that. And I think it’s way less "oh haha yeah what you’re saying makes so much sense" and more "I want to believe this is real so for a lack of a better reaction I’m just going to not do anything, maybe just maybe it might be". Again it’s enticement, it appeals to your desires. Again it doesn’t operate on a rational level, and that makes sense because the succubi are monsters who seek to trigger your fight or flight or freeze instinct and make it land on freeze; it doesn’t operate on a rational level but a deep seated one that seeks to shortcircuit logic and better instincts. And part of that was Laios’ succubus going "oh your party members have 4 heads each!!!! Ain’t that cool!!!" like, his desire for chimeras and many headed monsters is so not rooted on a logical level.

It’s a silly fantasy. He thinks several heads are cool and he wants them, like the familiar he makes with Marcille. He chooses aesthetic over practicality becahse he wants to try and believe it’ll work out so bad, and truly I can’t blame him.

#Dungeon meshi #spoilers #dungeon meshi manga spoilers #Laios touden #meta #More stuff i’m gonna talk about in the marcille & chil’s arc analysis gdbdggd. Ideals vs wants vs desires. It’s getting convoluted over her #Ask #sorry everyone who sent an ask i’ll get to you i just needed an easy win today #I have more analyses on the succubi and the importance and meaningfulness of monsters for Laios if you dig around my blog #Ahh this is a post where the image composition gets messed up for no reason I see. Sorry can’t do anything about it it’ll stay long af

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scoobydoodean · 1 day

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I've noticed people often point to Donatello as the model soulless person and then argue the sharp contrast between him and Sam as proof that deep down, Sam is just a really shitty guy who has terrible thoughts that he manages to keep under wraps only with a soul. I don't think this is that fair of a take.

I think using Donatello as the contrasting character is cherry-picking and that Donatello is a very poor comparison for Sam. Donatello is more of an exceptional soulless person than a rule. We see multiple examples in season 11 of other people losing their souls. Several go crazy and murder people like feral animals. None of them have the ability to feel right vs wrong—they just understanding the existence of the societal rules they've grown up with, and either accept those rules or don't based on what they believe is in their best interest. Previous traumas also seem to play a role.

Someone like Donatello has never been through anything traumatic that we know of, and he's just a professor. He has no need or incentive to kill anyone and no previous traumas that might induce him to want to harm anybody. Intellectually, he likely understands rules as a good way of maintaining societal order. He also understands that if he breaks the rules, he's going to get in trouble and lose his job, go to jail, etc. He isn't a fighter. He's just a professor and all he wants to be is a professor. The biggest moral quandary he deals with on a daily basis is whether to bump a student's course total up half a point to get them to the next letter grade. His goal is simply to continue being a professor. The rational option for him is to be a model citizen whether he can feel what the right thing is or only understands rules on an intellectual level.

The core thing soulless Sam tells you about Sam is that being a hunter is the occupation he finds most interesting (or else he'd go do something else that he found more intellectually fulfilling). All he cares about is killing monsters and capturing alphas and the intellectual fulfillment he feels when he clocks a witnesses lies (6.06) or solves the latest case puzzle. Fulfillment isn't nearly so cut and dry for Sam with a soul, because he has to deal with emotions which create more conflicting goals and desires than simple intellectual stimulation.

Hunters live lives where they are constantly faced with moral dilemmas that normal people will never face, and they know how to escape legal consequences. This is what makes soulless Sam such a dangerous hunter and why the outcome is so different from someone like Donatello. Soulless Sam's most rational option is not necessarily the societally acceptable one. Sometimes there is no societally acceptable option or any written rule that encompasses the complexity of the actual situation. Normally, hunters will "feel" out what's right and what's wrong in these situations. Soulless Sam identifies this ability as something he lacks. Sam recognizes this as a hindrance at first and wants Dean to fill that role for him (6.01, 6.06, 6.08). However, he also slowly begins to think that maybe other hunters are the problem and are hindered by their emotions and that he is better because he's capable of pure efficiency-based rationality. This is why he lies to Samuel, lies to Dean, and keeps secrets from Dean for Samuel (6.06, 6.07). He wants their help to reach his own goals, but increasingly sees their potential emotional reactions to his actions and each others actions as an inefficient hindrance that will impede the mission.

Letting a vamp turn Dean isn't something Sam with a soul would do or likely even think to do. This is the guy who went on two multi month revenge quests after his brother was killed (3.11, 4.01/4.09). With a soul, he cares about Dean's safety—even when he pretends he doesn't. He's hurt and killed people for hurting Dean or to keep Dean safe and he's been willing to hurt and kill more (example 1, example 2, example 3, example 4, example 5, example 6). Soulless Sam also has no reason to want Dean harmed unless it benefits him. There is nothing in him to love Dean, but there's also nothing in him to hate Dean. When he sees Dean being turned, and stops in his tracks, and smiles, it isn't actually because he's taking pleasure in seeing Dean being humiliated. There's nothing in him to feel hate toward Dean like that. Even hate like that would require a soul. Why Sam is smiling—what he's taking pleasure in—is seeing his plan come together—a solution to the issue of "find the alpha vampire". He immediately realizes he has an "in", and because Dean is merely a tool who can benefit him, his suffering that occurs in the process doesn't matter to the equation—just what Soulless Sam can get out of him. Using Dean, he's solved the latest intellectual puzzle. The same thing happens in 6.10 when Meg is on Dean's lap with a knife, making sexually suggestive commentary. Sam laughs—and Dean at first thinks it's because soulless Sam enjoys seeing him being treated that way, but Sam tells us he's laughing because he's figured Meg out—because he realizes she's desperate and scared of Crowley. Laughing at her takes also takes away her sense that she has the upper hand.

#soulless sam #6.10 #6.05 #season 6 #sams moral compass #pk rewatches spn number ?#donatello

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richea · 2 days

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Arise review

After buying the game at launch, I finally, finally finished my playthrough of Tales of Arise. Normally I would just write a few thoughts on Twitter and leave it at that, but I found I had a lot of things I wanted to touch upon with this game. With the prior two entries in the series, I kind of just rushed to finish them and then let them collect dust in my brain afterwards. However, back then I had other Tales games I wanted to try for the first time, so part of it was I was itching to get to ones I knew I would enjoy more. I got all caught up with the series before Arise was even announced, so there's no excuse this time!

With Arise, I took my time (well, maybe too much time), and let myself really process the game before I let myself finish it, in order to give myself a more solid basis for how I will feel about this game going forward. To that end, I wanted to really write down my feelings on the game in depth, touching upon all the various aspects of it and how everything made me feel.

Quick warning: if you don't accept criticism of Arise well, this isn't the review for you. I am approaching the game from the perspective of somebody who has played every other entry in the series and ruminated on all of them for years on end. I will be critical of the game in this piece. I'm not trying to tell people how to feel on the game, this is all purely my own thoughts and feelings, from the perspective of a long time Tales fan who deeply cares about the direction the series is going, and more importantly, its rich history.

I am also not looking for people to change my mind on the game, so please do not try to tell me my feelings are "wrong" or that I'm not appreciating certain things properly. I'm not looking for discourse.

That said, if you are someone who is interested in my perspective, then by all means enjoy the essay that is to come.

―――

In this post I want to dive into all the different aspects of the game and talk about each in depth, namely the story, characters and gameplay. I think it's more interesting to judge a game by balancing all these traits rather than just pinpointing one specific thing and basing my entire view of the game on that one thing (for instance, I tend to value interesting characters first and foremost when I indulge in media).

That said, for a quick TL;DR of my feelings on various things, when compared to other entries in the series:

Story: 2/10 Characters: 1/10 Character designs: 3/10 Other UI designs (such as monsters/menus/etc): 0/10 Battle gameplay: 4/10 Other gameplay: 4/10 Music: Undecided, which in its own right may not be a good indicator of how I feel about it Graphics: As a video game it's a 10, for Tales specifically it's a 9/10 for the graphics themselves and a 1/10 for the lack of anime portraits and the portraits we got just look awful (how does Ufotable only get worse with its Tales designs?)

Visual presentation

I want to start by acknowledging the graphics, as it's something that has zero relevance to how I feel on video games. Arise is a very pretty game! There is no denying this. I found myself stopping and just moving the camera around to admire all the pretty landscapes and views in the game. The character models are also very nice.

That said, like all modern Tales games, the battles are a bit overly stimulating on my eyes, because there's so much going on and lots of flashing lights. The actual effects were very pretty though.

The skits are absolutely horrible to watch. Even setting aside how I feel about the lack of skit portraits, the thin white text on top of the off-white backdrop was a horrible design choice. I think this is probably my least favorite aspect of the game. I get headaches very quickly from playing video games even just normally, and watching a ton of skits with intense eye strain did not help! There's also way too much movement with the skit... boxes? as well. Were they thinking about accessibility at all when coming up with them?

On the same topic, the subtitles for general cutscenes were also awful. The outline around the text needed to be much thicker. I could probably read 30% of the dialogue in the game. Thankfully I know a decent amount of Japanese, but still, I was interested in reading the actual translation of the text and I was having a really hard time. I feel bad for people who wanted to play with Japanese voices and don't know as much as me.

The menu UI was also very disappointing. It felt really barebones and had next to no personality to it. The big portraits drawn by Iwamoto were a nice touch (though if you're going to make such massive paintings, at least make the art itself more interesting to look at?), but it wasn't enough. They just felt like something to fill in the empty space which there was a lot of; the menu layout really did not utilize the space on the screen well, and it's double annoying when you consider how microscopic the font in the game is and how they could've used that space to make things more readable. Everything was hard to read, and again the lack of portraits was just utterly disappointing. Every time I opened the menu I just felt sad at how lifeless it felt.

Gameplay

My feelings on the gameplay are mixed. I'll start with the elephant in the room: the gald system in this game is not good. Only getting gald from chests and sub events is just a massively poor game design. Fishing helps but it's more time consuming than doing battles would be and there's really no other incentive to even doing it (at least battles would work towards EXP and getting battle proficiency things!).

The owl system was fun and was definitely a highlight of the game for me. It took me back to looking for attachments in Xillia, which is something I really enjoyed in that game as well and made the long traversing in the game more bearable. I just went from point A to point B in both Zestiria and Berseria, so this was the first game since Xillia 2 that I actually touched every corner of the map.

The battles are also a mixed bag for me. I will be completely transparent and state here that I mostly only played Shionne and Rinwell, so my feelings on the melee gameplay is very limited. My committed team was Shionne, Rinwell, Dohalim and Kisara. Between them you could hit every element weakness, on top of Kisara's high defense (and the fact that I just liked her more than Law and Alphen). From the perspective of a caster main, the battle gameplay was fine. Like other entries, you could do fun manipulation strategies to speed casting time. By the end game I was just spam casting Rinwell's highest tier spells instantly which was fun.

The healing is definitely... not great. There were a few times where I would run out of Orange Gels and then have to do a story progressing map action and it would eat the rest of my already gone CG bar. It was really infuriating. I only used First Aid the entire game, never anything else, because why would I use a better healing arte when it would just drain my gauge faster? It was a mess.

The monsters I did not enjoy. It felt really hard to stun them so it never felt satisfying fighting anything. Their movements felt WAY too grand. If every single boss is huge and epic and has moves that hit the whole map, the whole game starts to lose its impact. I also feel like they did way too much damage in a single hit, which made the healing issue even worse, and it felt more like I was trying to perfectly dodge every attack than it did managing my health in a natural way.

The skill system was just fine, no real commentary to make there. I wish there were more titles in the game however, and that they would display on the status screen (even Graces did this despite them both having the titles and skill systems merged).

Some quick other things

The campsite system was fine

I liked that the sub event indicators were really obvious, as someone who's really bad about doing sub events especially on my first playthrough (the actual sub events themselves are a different issue)

Like with fishing, I never really understood the point of the ranch

Did this game even have minigames?

I actually really liked the weapon skins system, that was super fun

Story

This is where I will start to nitpick things because I play Tales games for the story and characters first and foremost. And, having played every other game in full, my feelings on the story and writing in this game are... not very high.

To start, I do at the very least think Arise had some interesting starting concepts going on. Namely, a protagonist trying to figure out his amnesia and a girl who zaps everything she touches are pretty cool concepts! However, even from the first promotion trailer I was concerned about Shionne's story hinging too much on Alphen. The "he can't feel anything, she hurts everything she touches" plotpoints felt really, really convenient to me from the first trailer, and was a setup for having all the impact on the game being reliant on Alphen being a decent character (as well as, well, almost forcing him to be Shionne's hero, rather than him gaining that honor through actual hard work and emotion), but I was more than willing to give the game the chance to prove me wrong on that aspect.

I have too many feelings on the character writing so I will be giving them their own section below.

Anyway, sadly, I think those are the only two interesting and unique things in Arise's narrative. Everything else the game has done has been done in a prior Tales game but better. Let me go down the list (non-comprehensive as I can't remember every single theme from every single game, but I will name games that at least have these as the major theme that I can recall):

Two worlds vying for power (I could name games that don't have two worlds faster than I could name ones that do), and one world is trying to suck power out of the other one (Symphonia, Hearts)

The plotpoint about "when humans lose all their power they turn to dust" is literally exactly what happens in Hearts, while the "making people feel strong bad emotion to provoke them into our gains" is what Zestiria and Berseria's entire lore was about as well as Rebirth

Racism, oppression, slavery and colonialism (Phantasia, Destiny, Symphonia, Rebirth, Legendia, Tempest, Hearts (R removed this but there's literally an NPC who flaunts about enslaving the "lesser beings"), Berseria)

First half of the game is fighting a series of specific enemies, second half is focused on lore, especially figuring out stuff with the second planet (Destiny, Eternia, Symphonia, Vesperia, Hearts)

Do I think Tales rehashing tropes is a bad thing? No, not at all. It's something they have been doing for a long, long time. But what made it work in other games is that each game had at least something completely unique to it to balance that feeling of repetitiveness out. For instance, Hearts shows up a lot on this bullet list, but it is the only Tales game to have lore based around entering people's hearts, and the whole story is based around a fairy tale. Even the fact that it has a robot as a playable character was a first for Tales. Legendia rehashed a lot of plotpoints from Rebirth, but it had its own unique spin on things and the worldbuilding in it is completely unique with the focus on marine themes and the story structure being unique from any other game. Symphonia even keeps the same worldbuilding from Phantasia but the feels of the games are completely unique from one another due to how different the themes the stories tackle are. The issue with Arise is that I cannot think of anything unique in the game, aside from Shionne's thorns, that wasn't done in another game. And even then, all of the writing regarding her thorns is a big rehash of heroine tropes and situations in the series' past. I will go over that when I discuss her though.

Another glaring issue with the game is the skits. Normally, Tales skits have roughly 4 purposes. In order of prevalence: fun skits to show off the character's personality that the story can't showcase, the characters discussing story events to showcase the full depth of their feelings on the events as they happen, skits going over worldbuilding to explain in better detail if you didn't catch it from the story scenes (or just giving more information!), and navigational skits. Skits were always meant to be lively and engaging, even if things felt dull in the story, skits existed as a pick-me-up, and as a way to show how the characters were having fun. Skits are one of the most famous parts of Tales storytelling, specifically for this reason.

What's wrong with Arise's skits? In a franchise where the fun:dull skit ratio was 6:4 give or take, Arise changed those numbers to 2:8. Most skits were dedicated to rehashing events. Even in those rehashes, the characters were near constantly bringing up plotpoints that happened 30+ hours ago in the story. Over and over! Alphen was still talking about the first 5 hours of the game when you're on Lenegis!

Watching the skits, it genuinely felt like I was having constant deja-vu. I think I actually was worried I was going crazy at some point, because of the sheer extent of times they would have the same conversations over and over and over again. It got to a point where I would joke about Alphen and Law being on the screen together and I would say "countdown to them bringing up Zephyr" and every single time I would say that, the convo would turn to him. This was 55 hours into the game!

It's not bad for characters to reflect on the past events, but when that makes up the vast majority of their conversations, and one singular event makes up the entire personality of the character, the game feels dull very, very quickly. Skits transformed from a thing that I would usually open to find fun shenanigans between the characters and silly banter into me sighing about having to hear about Zephyr's death for the 200th time in the past 5 hours. It was very exhausting. Can we talk about something else now? My rant about this could be endless, but I genuinely want somebody to do a study on just how many times Alphen and Law bring up Zephyr throughout the game, and how many lines in the skits were dedicated to things that weren't just recapping events.

(Even then, there were cooking skits! However, I can only hear so many conversations about preparing food before I start getting bored. I know that eating and food is a BIG cultural point in Japan, but did every single "fun" skit need to be about eating? No.)

Speaking of, let me go over my feelings on the actual story and its events.

While the game did have a slow start, it wasn't that bad. The game eases you into what's going on, with the slavery and meeting Shionne. Nothing really of note to mention here. Rinwell and Law's character introductions were nothing special, but that was fine, it was still early in the game. My first major issue with the game is Zephyr's death. As it may be obvious from my above rant, the game places way too much importance on him as a character. A game mourning a character is nothing new. For instance, fractured Milla's death was a big turning point in Xillia 2. However, the entire game, as well as two entire characters, did not revolve around her death. Arise's issue is that Zephyr is barely a character, and yet the game constantly reminds you of how great and wonderful he was. We barely saw the guy, and no number of skits dedicated to Alphen and Law talking about him changes the fact that he is no more memorable than any other random NPC in the game. His death is unceremonious and was one of the most predictable deaths in the series to date.

(As an unrelated note, I am someone who loves a lot of NPCs in Tales. I love a lot of characters who have very little screentime. Two of my favorite Tales characters are Stella and Marian, who actually have a lot of similarities with Zephyr in narrative importance! The difference, however, is that you are not constantly having it drilled in that they are the epitome of nuance and the stories are not dictated by either character's morals, of which we never got to even see. Arise has Alphen claim Zephyr has the best moral views in the world and his entire life is dictated by those morals he was taught, and he pushes them on everyone else. Including the player.)

Zephyr's death aside, the other non-party characters are barely characters. I don't even remember any of their names. Especially the lords. To sum up my feelings on this instead of subjecting you to a long tangent on the lords, let me just drop these posts I made while playing:

One of Arise's lowest points however is how it handles its themes of racism and colonialism. I have a distinct memory of Alphen telling Rinwell to shut up when she brings up Renan oppression to him, Law tells Rinwell she's not allowed to want revenge due to her oppression, and there's this not-so-great scene on Lenegis where the party reflects on how... one of the lords was "only human" for wanting to enslave the Dahnans and how they can "see" his point of view? NOT GOOD! One of the comments I made while playing the game was "Alphen would stop Cless on his quest of revenge and he would also tell Velvet she's over-exaggerating is kind of my feelings on him at this point" and I still stand by it.

In general, the story is just very predictable. At no point in the game was I surprised by what was going on. Well, no matter, there's other predictable things in Tales games! ...But the difference is that other games, I at least was compelled by the characters and their reactions to those predictable events. Or, their personalities alone would carry me through plotpoints I otherwise found boring. Arise never endeared me to its cast, yet it expected me to find shock value and importance in its very predictable storytelling. I remember when the party takes on the lord who kills Rinwell's family, they said "we'll spare her life" (which is its own long rant but I digress) and I went "oh well someone DEFINITELY won't kill her one second later" and then Vholran showed up as I was saying it! Then, Alphen JUST so happens to get his feeling back in his body after Shionne walks right into Vholran's arms! This was truly the point in the game where I completely gave up on enjoying it and I started to only push myself to beat it just so I could get it over with.

The story sadly saw no improvements after that point either to remedy my soured feelings. The only two things I enjoyed after that point were the little bit with Dohalim's past and him making the speech on Lenegis, and Rinwell touching Shionne's hand in the final scene in the game.

I could go on forever about the story, but I will leave it at that.

As for the sub events, you couldn't really call them "events" when they were just one or two lines about defeating monsters. I did every sub event in the game up until before the final dungeon. I was very unimpressed by them.

Characters

This is absolutely my least favorite part about the game. As I stressed at the beginning, what I go through media for is for the characters. Good characters can salvage just about anything for me. When I watch story scenes, I'm always thinking about how it makes the characters feel. I went into Arise thinking "even if the story doesn't cater to me, at least I can fall back on enjoying the characters and their banter".

As you can already tell, I was utterly disappointed with the cast in Arise.

Alphen

He is easily the contender for my least favorite Tales protagonist, hands down. The issue with Alphen is he never has any original ideas at any point in the game. He always attributes any of his morals to Zephyr. He would go on tangents, explaining how other characters should feel about things, but when asked he got all of his ideas from Zephyr. It seriously felt as if he never thought for himself.

Making this worse is the fact that he would explain how everyone should feel. He would tell Rinwell to stop being mad about her oppression, he would tell Law to listen to his feelings on Zephyr and change his view on him based on his view of who Zephyr was, he would tell Kisara how to feel regarding her place as a woman.

Worst of all, however, was how he would talk to Shionne. Any time she would have an issue, he would make it about himself. In her most important scene in the game, where she's talking about how her thorns make her want to die, he made it about himself. She said what she wanted for herself and he said "whether you like it or not, I'm taking matters into my own hands". Yes, Tales has done this before, with the heroine wishing to die and the hero telling her he won't allow that, but it's infuriating in this case when he never lets her think or act or move or do anything without his input. There's countless scenes in the game where she would be upset and want time alone and he would force her to talk to him about her feelings. Shionne was not permitted to ever exist without Alphen forcing her to talk to him about it and expecting her to go along with what he wanted, and his feelings about her situation. Again, past Tales game have had this, but when it's so constant and so prevalent, and is the only thing the character has to them, it becomes exhausting and annoying.

Also, his only "unique, fun" trait was that he likes armor, but this dialogue only ever showed up... when you made armor?

I was really disappointed with Alphen. Which is really not good when he is the protagonist, and Shionne's entire character also hinges on him. Especially given the grand finale to the game was their wedding, when I saw no romantic tension between them, because all he ever did was explain how she should feel. He was such a mess. I have more I could rant about with him but I need to leave it at that.

Shionne

Shionne is a big bundle of wasted potential to me. That said, she is probably one of the only characters in this game who felt like a character.

Like I said above, her thorns are an interesting concept. However, the handling of it really was standard Tales heroine tied to a cursed fate. The damsel scene, the way she wants to die but the protag talks her out of it, etc. That said, I did think her trauma with never being touched in her life was interesting, and it did make me emotional at points, even if the execution was poor.

I just really, really wish she could've been a character separate from Alphen. Her writing truly was doomed from the start with him being the only person who could touch her. Again, it felt like she bonded with Alphen because he's the only person who can touch her, rather than them actually making a proper bond as people.

Rinwell

Rinwell is... fine? I honestly don't have a lot to say here. I think it was nice that she got importance as the spiritual person in the party, and her banter with Dohalim was nice. I really disliked her relationship with Law however, and again, I hated that Law and Alphen tried to talk her out of her revenge. She was in the position as a "spiteful" person who "needed to grow out of it" but... her family was massacred? Why is Law allowed to be furious about his dad dying, but she's not allowed to be mad about her family being killed? The hypocrisy in regards to Rinwell seriously infuriated me and I felt really bad for her.

Law

Hoo boy. I really do not like Law either, for many of the reasons I don't like Alphen. He does with Rinwell what Alphen does to Shionne. What is with Arise men and mansplaining everything to the girls and refusing to let them have any agency or thoughts without their input?

He was also supposed to be the "mood maker," except his only mood making scenes were Hootle pecking him in the face or him saying something dumb and Rinwell calling him an idiot. It really wasn't that funny and felt like borderline bullying.

Law falls under a Tales archtype I normally really really like (Tytree, Spada, Hisui, etc), so I was expecting to like him quite a bit, but sadly I just... do not. See my Zephyr rants above as well.

Kisara

Kisara is probably the most unfortunate character in the cast. In theory, I really like Kisara. I'm a big fan of knight ladies, and I always enjoy the older woman character in the party (even if only in her 20s). In practice however she just... completely misses the mark. All of her scenes are dedicated to one of three things: working (or not working) under Dohalim, her brother, or how she can be a proper woman. Yikes! It's not good when a female character's entire character revolves around what she can do for men! There's many skits where she asks "what can I even do if everyone cooks for themselves" and her conclusion is... to follow her brother's dream? Kisara, can't you find your OWN dream? And no, bringing up how she can help Dohalim also doesn't count here.

I don't hate Kisara for being who she is, but I really just want to have a stern talking to with whoever wrote her. A female character should not revolve around men and being in the kitchen. Seriously. This game came out in 2021, you should've known better.

Dohalim

While I didn't like his introduction scenes much, he grew on me a lot throughout the game, and he definitely felt the most like a Tales character to me. There was a lot of humanity and nuance to him, and he had the honor of actually having his backstory shown on screen. He had a lot of facets to him: the part of him that was a Renan leader, the part of him that supports the party, his own goals, his own motivations, interesting relationships with other characters, as well as (and maybe most importantly) fun things about his personality via his breaks from seriousness as well as his fondness for music and artifacts.

Overall he felt very fleshed out, and I really wish he had been put in another game. I came out of Arise quite content with the character that was Dohalim, which I cannot say for anyone else.

Closing thoughts

Overall, this is probably the most disappointed I have been with a Tales title. Of course, I don't think every game is perfect, and there are games that I will admit just don't click with me personally that others adore, and likewise there are games that I think fall flat in some regards but resonate with me for the characters.

For instance, I think Tempest is a perfectly fine and even charming game, despite it being more on the barebones side of things. I do not hold Tales games to unrealistic expectations when it's not necessary, and I always think of a lot of things when I base how I feel about the game: crunch time, what the creators had in mind when making it, what heart was put into the story, what fun I am able to find even in the game's flaws. Things to that effect.

Where Arise differs for me is that many of the decisions I dislike about the game were intentional. The lackluster, yet overbearing monsters were intentional, the lack of skit and status portraits were intentional, the story not being that compelling, but taking itself way too seriously and acting as if it's the pinnacle of Tales writing, is also what the producer of the game flaunts when he discusses it. All of these things negative attribute to the quality of the game. Arise scratches away the charm that Tales games have, yet it is flaunted as being something groundbreaking when the story never attempts a single new trope.

It's not one deviation from series staples, it's a whole cluster of them. Why was there any reason to remove post battle dialogue, when that is something everyone absolutely LOVED about the series? Why are skits, which are part of what brought Tales to fame, boiled down to recaps of story scenes and not fun moments, which is what everyone is excited for when they go to open a skit? Why are the cute and iconic monsters completely gone, when every single game used the same designs? Why does the producer for the series actively hate the things that the fans love about Tales?

Arise is essentially a long laundry list of bizarre decisions made by the producer with awful execution, and then sadly the writing does the game absolutely zero favors. I came out of playing it feeling hollow. I've been revisiting some older games after playing it, and I've been getting legitimately emotional at how the characters in these other games actually talk to each other like people, and don't just bounce recaps of events back and forth to each other. Other games know how to have fun, and they have compelling characters, which is really what has always been the thing bringing people back to this franchise.

Would I like Arise more if it wasn't labeled a Tales game? Honestly, no, given I only ever played it because it's under the Tales branding. And I shouldn't have to even ask myself that, given I play Tales to enjoy Tales, and its tropes, and all the fun little things these games provide that no other series can give me.

If and when the next Tales game comes out, I will still probably play it. But so long as it is under our current producer, I will go in incredibly cautious, given he seems adamant about hating all of the things I love most about Tales. At the very least, I hope the next game is more innovative with its writing and characters, and brings back some of the charm that even Zestiria and Berseria had.

#arise babbling #this is so long #and so negative #sorry in advance #i probably had more to add but this is too long as is

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