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#this is still developing so i am not saying anything just posting
3hks · 14 hours
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Writing Character CHANGE
Character development is absolutely CRUCIAL to a story, but having spent more time thinking about this topic, I came to the realization that I misunderstood a lot of points other people have made when teaching how to write character development.
There are a lot of factors that play into character development, but in this post, I'll cover some overall, but the main thing concerns any change to your character! (Which is also a huge part in development, really.)
So with this post, I'll be teaching you MY personal tips regarding this subject!
*The Basics*
Before we really get into the developmental stage, there are some things you want to establish, in which I'll explain later!
A couple of flaws.
How your character views themselves at first.
Your character's morals/ideals and how they think.
These things may vary, but you want your readers to be able to at least roughly predict how your character will act during specific events!
*Change*
Character development is just about how your character changes throughout the story. I like to say that there are several different ways one may change, (we'll get into that later on) but your character should NOT stay the same as the same person during the exposition and during the resolution!
"During character development, your character should grow."
This is a common piece of advice; your character needs to grow. And while I've assumed for the longest time that I understood what it meant, it never truly clicked.
While they will use words such as grow, what they really mean is that your character should mature. By the end of your story, your character may not always end up as a better person. When I say mature, I mean that they have reflected back on their life and have understood the consequences that came with their actions (if any) or how they could've done things differently.
Your character will not always end up as a better, fixed person, but they should understand their world and themselves better.
*Negative/Passive Change*
Alright then, so how does a character develop if they don't necessarily change for the better? Well, I'll get into that!
No matter what, your character should have learned a lesson through their experience. Even if they haven't exactly improved as a person, there should be a moral they can learn from what they have gone through.
If not, then did they really grow?
Additionally, how did their qualities negatively impact themselves? If they are bad traits, then it needs to be clear. And the best way to achieve this is by demonstrating how it hurts your character! However, it is rather uncommon for a character to undergo little to no change after a story!
*Positive Change*
Let's circle back to the basics, real quick. Remember how I said that before any development takes place, your character should be anything but perfect? That same thing applies to after the change.
Do NOT create a flawless character by the end of your story. Instead, focus on one or two flaws that get fixed as the story continues. These don't have to be huge, life-changing imperfections, but they can be minor ones that still shape their life in one way or another.
"Fixing" too many shortcomings can make your character seem, well, out of character, producing a character development that's more forced. The same thing applies if you're attempting to FULLY alter a fault that's just too big. The change will be too noticeable.
What am I talking about? Here's an example!
Imagine a character who's incredibly closed off to other people, wanting to ensure that he never gets too close to others.
That's a pretty sizable flaw, no? By the end of your story, you do not want to completely change because you need to preserve character, but you can change it a bit. Does he have a few friends now? Does he understand that there are some people worth trusting?
He may still be closed off to majority of people, but at least it's not everyone, and that's a realistic change.
*Different Changes*
As I continue to read more stories and watch more shows, I have realized that character development is not always about fixing flaws or personality, but it can extend far past that line.
So listen up, because I feel like no one really talks about this.
Your character can change their IDEALS, MORALS, and how they VIEW THEMSELVES.
Hear that? If your character has strong morals, they will hardly stay the same as they reach the end. Remember the requirements I mentioned at the beginning?
See how it connects now? There is SO much more to character development than changing a few imperfections. Like I said in the start, your character needs to grow and mature. Things like new morals or ideals assist with that!
*SUMMARY*
In order to start character development, you need a couple of flaws, an idea of how your character looks at themselves, and their morals. This is because those are the main parts of you character that may change through time.
Growth = Maturing (gaining a better sense of who they are and the world they live in.)
NOT ALL CHARACTER DEVELOPMENT IS POSITIVE!
For negative or passive change, make sure to clarify how their imperfections affected or hurt them and have some sort of moral that follows.
YOUR CHARACTER SHOULD NOT BE PERFECT!
They should not be perfect in the beginning, and not perfect in the end! Do not 'fix' too many traits because you want to preserve character.
I think that's all! It's quite the post for something so simple, eh? But hey, character development is absolutely PIVOTAL to a story so I hope I at least explained the 'change' part of that well!
Happy writing~
3hks <3
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vegfam · 1 year
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Willa Hoard, also known as “Billie” was a social studies teacher at Chesapeake High School and ran the school’s GSA (Gay-Straight Alliance) Organization. On October 3, he was placed on indefinite leave by the school, with few details provided to parents at the time.
On November 2, disturbing video footage began circulating on Twitter from inside Hoard’s classroom. The videos originated on Facebook, first posted by a concerned mother.
In one video, two students are seen laying on the ground together, with one grinding on or humping the other in the middle of a class lecture. Another clip shows one student sucking at the stomach of another student. Both clips took place while Hoard was present in the room, apparently unconcerned by the behavior. 
But the sexual behavior Hoard allowed in his class was just one of many disturbing components of the story. Hoard had apparently been communicating with students through unmonitored channels, in flagrant violation of safeguarding ethics. In some screenshots, students are seen referring to Hoard as “mom” or “mother.”
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capaldiera · 21 days
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man idgaf about what treville and richelieu have going on (mostly nothing) (they dont like each other but they work together a lot bc of their jobs.) (i guess treville holding onto a sense of honour whilst working with the cardinal is interesting but like that's not. thats not really those two having something interesting going on). lets talk about the king and the cardinal man.
#the way the king sometimes resents the cardinal's influence but is so easily manipulated to feel lost without it.#the fact that he'll openly acknowledge the cardinal wants him to rule unfairly and play favourites. with a fond look on his face#''i will disband their whole regiment if that's what it takes to make you happy. only please don't leave me alone'' with tears in his eyes#all of which was exactly what the cardinal was going for and he just gets away with it!#the queen finds out he was trying to have her Killed and she says yeah fuck you obvi but i wont tell the king tho bc he loves you ?#i'm not saying any of this is like romantic to be clear lol. it's just very interesting#i mean i dont think it can probably be categorised really. but im definitely not calling it that#it is super interesting though the way the cardinal needs to undermine the queen and place himself closer to the king to succeed in his aim#it would be somewhat appropriate for sure to say its kind of a parent-child relationship in some ways but that's definitely not all of it#in terms of the way the king relies on him and his guidance. but again thats not all of it and he's not a child. or not actually a child.#and i could say this about any of the relationships between men on the show but of course Because they're both men that means the#Possibility of it being anything but fully platonic is not something he can acknowledge and for that reason whether it is or Not there's#still going to be a level of repression and denial that just complicates things. even though/if theres not truly anything to deny#meanwhile honestly i think the cardinal is personally being normal about it even tho he's a freak about a lot of other things#i mean idk that was my impression. i am sorta-watching through s1 again so maybe i'll develop my ideas on that#anyway#me.txt#musketeers posting
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seventh-district · 21 days
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man. grief really sneaks up on ya at the most random times
#Seven's Public Diary#grief#cw grief#vent#cw vent#vent post#cw vent post#cw death#cw pet death#cw pet loss#one minute ur folding laundry and the next ur sobbing over a dog that’s been dead for nearly 10 years#and the one that’s been dead for 9. and the one that's been dead for almost 5. and the cat that’s been dead for almost 3.#and the list goes on. once i start crying about one of them i start crying abt all of them#but it always starts with her. she’s always the first in my mind when something reminds me of dead pets#something. happened to my brain. when i lost her. i don’t think anything else has ever fucked me up so badly#which is saying a lot given that i’ve lost actual human family. i feel kinda bad admitting it bc like. how do u say that a pet’s death-#-hurt you more than a persons. how do u say that and not sound Wrong. i dunno#a number of factors all came together to combine into such an awful experience with losing her specifically.. that it just. was different.#kinda insane how it’ll be a decade this year and the impact of her death on me and my development is as profound as ever#losing her shaped several core parts of who i am now#at least she’s still with me in that sense. for better or for worse.#anyways. it’s not a complete mystery why it suddenly hit me. but it’s still wild how much grief hurts when it comes back to the surface#the combination of my Very late period finally being about to start aka Hormone Storm currently happening#plus randomly hearing The House That Built Me for the first time in ages… was more than enough to do me in#it’s been many months it feels.. since my last breakdown over it. so i was due for another round of remembering and lamenting i suppose#i feel better now tho. or no not Better. just emptier. good empty i guess#i’m also very hungry now though. so that's enough venting abt it.#it’s time for food and sleep now
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qqueenofhades · 2 months
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https://www.tumblr.com/qqueenofhades/743255237060689920/the-thing-that-confuses-me-about-the-dont-vote
The “don’t vote” left’s point is basically that, if Biden gets a second term, it’ll basically signal that “They’ll vote for us as long as we’re not Republicans, why don’t we do some REAL fucked up shit, if we can get away with it?” It takes the power out of the people’s hands and places it firmly in the party’s.
I can’t completely disagree with that, my caveat is that there’s no real alternative system or party in place, because top-down change is ineffective; a third party president has to contend with a two party congress.
Except no. This whole "Biden just wants to do as much fucked up shit as possible while not being a Republican, and if you give him a second term he'll do more fucked up shit deliberately to spite you" mindset is only possible as an interpretation if you a) deliberately and comprehensively ignore everything he has done to date, and b) you approach the situation with the maximum bad faith possible. Not to mention, the ultimate outcome of this Big Important Teaching Biden A Lesson is that Trump gets back into power and makes everything orders of magnitude worse, because he does in fact want to deliberately do evil shit to everyone and says so at every opportunity. There is not some magical happy alternative that springs into existence by not voting. If you choose this as a year to Teach Biden A Lesson, you are enabling Trump. Trump will be much, much worse. If you don't care about that, I still do not care what your Great Ideology is. You are not helping anyone and you are directly and irreversibly hurting everyone.
I made a post a few days ago wherein I mentioned that I want to assess Biden fairly, taking into account both strengths and weaknesses, but the rampant bad-faith, lying, misreading, misrepresentation, and open sabotage of him (especially by the online left; the GOP sometimes only wishes they were as good at turning Biden's voter pool against him) makes it really difficult to do that. My frustration with those people makes me just want to go "BIDEN IS GREAT THE END." I know he is a flawed old man (though by literally every account of a career spent in public service, he really does care about making the world a better place and any remotely good faith reading of his accomplishments thus far can see that). It is also very likely that he goes MORE left in a second term because he won't have to face the electorate again, he has always gone more left when pushed before, and he's not actually the scheming genocidal mastermind that leftist social media paints him as. Shocking, I know.
I know there are things in the world we don't like and don't want and want to stop, and therefore we blame our own president for not making it stop. But I have zero, no, none, absolutely none whatsoever sympathy for this pseudo-populist "WE NEED TO TEACH BIDEN A LESSON BY ELECTING TRUMP AGAIN, I AM VERY MORAL MUCH ACTIVIST" mindset. There's this funny thing about America wherein it is still (for now) a democracy. If Biden wins a second term, he can't run again. I would take literally anything these people said more seriously if they focused on developing their dream progressive successor for 2028 (and also figured out how to get that person elected and in a place to make real change) rather than cynically sabotaging Biden in the most consequential election year, again, of our lifetimes. If you don't like him now, find a way to make his successor a better option. Throwing a toddler tantrum and handing the country back to a senile, deranged, fascist, revenge-riddled, theocratic Trump HELPS. NOBODY. I still don't know how many times I'm going to have to say that, but yeah.
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saetoru · 9 months
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✩ ‧₊˚ ✩。09:08 AM — GOJO SATORU.
contents. manga spoilers, satoru keeps the scars bc that’s character development ok, post canon, insecure! gojo / reverse comfort, you sit on his lap, ig angst to fluff, embarrassingly cheesy look away pls :,)
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satoru, since he’s come home with those scars, has always evaded your hand. you’ve tried a few times, have reached out to cup those cheeks you miss holding—but he’s managed to grab your hand and kiss it every time.
it’s smooth—like everything else he does, satoru dodges your touch smoothly. with an easy grin. with a teasing glint. it’s slick and all too natural, and almost undetectable. but you know him better. you know him better than anyone has had the pleasure of knowing him, you like to think. and you know that satoru doesn’t let your hand meet his cheek, not even the edge of his jaw, on purpose.
“good morning,” you smile, reaching forward to lay a hand over his face. satoru, with his eyes still closed (as expected), grabs your hand and plants a soft kiss to the back as he hums.
you’re almost certain he can sense the way your lips tug into a frown.
“mornin’ sweetheart,” he says lowly, “watching me sleep? that’s a bit creepy,” he teases.
“i can’t help it,” you hum, “you’re too handsome.”
this is rare—giving satoru compliments easily is rare. usually, you make him work for them, keep him waiting on the tips of toes before finally giving him that praise you know will go straight to his inflated ego. but sometimes, like now, you think he deserves to hear it—unfiltered and raw and filled with truth.
satoru is handsome. always has been. always will be.
“aw,” he cracks an eye open, “maybe i should let myself get scratched up a bit more. maybe you’ll talk nice to me more often.”
“i mean it, toru,” you frown, insisting, “you’re handsome. so handsome.”
your hand reaches for his face again. he turns his head this time, feigning a yawn as he stretches before sitting up. there’s a slight bit of tension in the air now, his lips tighter in his smile as he hums before turning to you and poking your nose.
“well, aren’t you sweet,” he smiles almost bitterly.
you haven’t seen his smile reach his eyes for a while. he doesn’t meet your gaze through the mirror in the mornings as you brush your teeth together anymore, doesn’t wink at your reflection and make you roll your eyes. he doesn’t spam your camera roll with pictures of himself anymore when you’re in the bathroom, doesn’t leave you with those silly faces and smug grins that make good wallpapers. he doesn’t even crack those annoying jokes anymore, doesn’t whine for you to admit he’s the most handsome guy you’ve ever had the pleasure of meeting as his face digs into your neck.
instead, satoru dodges your touch. he kisses you briefer these days, avoids looking in the mirror, smiles like he has to—not like he finds a reason to.
“you don’t believe me?” you ask gently, furrowing your brows, “you know i’d never lie to you.”
“i didn’t say that, did i?” he asks, waving a hand casually. “c’mon let’s go brush our teeth. you don’t wanna kill me with that morning breath do you—”
“satoru, you’re still handsome, you know,” you say gently. you decide to rip the bandaid off as you add, “even with these.”
for the first time, your hand manages to reach for his face without him pulling away. you think it’s more out of surprise than anything, that it’s because he wasn’t expecting you to be so straightforward instead of trying to be subtle like usual. for a second, you think he might just put his infinity up—but he doesn’t ever. not around you.
but you can see it, the way his knuckles twitch a little like he’s clenching them. the way he’s so still, it’s almost like he’s willing himself not to tense. the way he doesn’t even lean into your touch like he always does.
he doesn’t want your hand on his face, but you stroke a thumb over a scar anyway, cupping his cheek as you study his face up close.
it’s still him—still satoru with that sharp nose and those rosy cheeks, still satoru with those long lashes and perfect jawline. there’s rough, marred bits of skin that meet soft, supple ones. you feel over the dips of where each scar starts slowly, committing each one to memory.
they’re newer parts of him, ones you don’t know very well yet, ones that remind you of the ugliest parts of the world—but they’re a part of satoru now, and anything that’s a part of satoru can never be ugly. no matter where they come from, no matter what they’re a reminder of.
not if it’s him.
“you think so?” he asks with a tight grin, “is my money maker still money making?”
“don’t be greedy,” you quip, “you have plenty of money.” and then, softly, you add, “but i’d pay a good fortune or two to wake up to this every day.”
“good thing i give it to you for free,” he hums, “i’m generous, you know?”
“what a catch,” you grin, “generous, strong, rich,” you list, making an amused grin stretch across his lips, “handsome,” you add. his smile falters a bit at that. “satoru, i’m serious.”
“oh, i love when you get all serious,” he whistles. he’s deflecting—you expect him to, but you’re not backing down. one leg swings over his hips, and then you’re climbing onto his lap, right there where he can’t avoid you. but he finds his attention to your lips, still smooth as ever as he avoids meeting your eyes.
“satoru—”
“oh? you want to do this already? it’s barely—” he makes a show of glancing at the clock before turning back to you with a suggestive grin, “—nine am. but i guess we can have a little fun before—”
“i don’t care about these, you know,” you murmur, pulling your head back when he leans in for a kiss. your finger lightly traces the scar by his left cheekbone, making him frown.
“see? you’re basically admitting you have to look past them,” he groans frustratedly—it’s the first time satoru’s acknowledges his scars. it’s the first time he’s finally let himself look upset without trying to hide it behind a forced grin and a dry chuckle.
“i don’t,” you frown, “sure, they’re new,” you admit softly, “and i don’t like being reminded you got hurt. but they’re not ugly—you’re always pretty.”
“there’s so many,” he mumbles, “they’re everywhere.”
“i think they’re cool,” you shrug, “they make you look tougher. less like a spoiled princess.”
“hey,” he pouts, “i’m not spoiled.”
“you’re a bit spoiled,” you chuckle, playing with the hair at the nape of his neck—his lips quirk up, and you can’t help but notice how real it looks for once. “but i suppose you deserve it. not because you’re handsome though. because you deserve good things—just for being you,” you insist.
his lips are quivering a bit, and he’s blinking faster now. you ignore it, though, taking your sweet time as you lean down and kiss along the edges of every scar on his face, tracing your lips along where the old skin meets new.
“that’s cheesy,” he mutters, “now you sound like a therapist.”
“i mean it,” you say firmly, “and i meant it when i said you’re handsome too.“
“handsomest guy you’ve ever met, right?” he bats his lashes—they’re a bit hopeful, though, and you smile as you gently kiss the corner of his mouth before nodding.
“definitely,” you nod, “you’re the prettiest.”
“am i?” he grins, “now i’m more spoiled. who’s fault is that really?”
“i’ll allow it for today,” you snort, “today you can be spoiled. i’ll humble you tomorrow.”
“we’ll see,” he hums.
your hands cup his cheeks as you lean down for a kiss, and satoru’s hands clasp over them gently, holding them in place—and when you kiss him delicately, like the sun meets the moon as your lips touch, like your world revolves around him as you pull him closer, you think satoru is unfairly handsome.
and you’ll have to remind him that a bit more often.
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he’s my liddol sourpatch :(
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colleendoran · 3 months
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Great Big Good Omens Graphic Novel Update
AKA A Visit From Bildad the Shuhite.
The past year or so has been one long visit from this guy, whereupon he smiteth my goats and burneth my crops, woe unto the woeful cartoonist.
Gaze upon the horror of Bildad the Shuhite.
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You kind of have to be a Good Omens fan to get this joke, but trust me, it's hilarious.
Anyway, as a long time Good Omens novel fan, you may imagine how thrilled I was to get picked to adapt the graphic novel.
 Go me!  
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This is quite a task, I have to say, especially since I was originally going to just draw (and color) it, but I ended up writing the adaptation as well. Tricky to fit a 400 page novel into a 160-ish page graphic novel, especially when so much of the humor is dependent on the language, and not necessarily on the visuals.
Not complainin', just sayin'.
Anyway, I started out the gate like a herd of turtles, because  right away I got COVID which knocked me on my butt. 
And COVID brain fog? That's a thing. I already struggle with brain fog due to autoimmune disease, and COVID made it worse.
Not complainin' just sayin'.
This set a few of the assignments on my plate back, which pushed starting Good Omens back. 
But hey, big fat lead time! No worries!
Then my computer crawled toward the grave.
My trusty MAC Pro Tower was nearly 15 years old when its sturdy heart ground to a near-halt with daily crashes. I finally got around to doing some diagnostics; some of its little brain actions were at 5% functionality. I had no reliable backups.
There are so many issues with getting a new computer when you haven't had a new computer or peripherals in nearly fifteen years and all of your software, including your Photoshop program is fifteen years old.
At the time, I was still on rural internet...which means dial-up speed.
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Whatever you have for internet in the city, roll that clock back to about 2001.
That's what I had. I not only had to replace almost all of my hardware but I had to load and update all programs at dial-up speed.
Welcome to my gigabyte hell.
The entire process of replacing the equipment and programs took weeks and then I had to relearn all the software.
All of this was super expensive in terms of money and time cost.
But I was not daunted! Nosirree!
I still had a huge lead time! I can do anything! I have an iron will!
And boy, howdy, I was going to need it.
At about the same time, a big fatcat quadrillionaire client who had hired me years ago to develop a big, major transmedia project for which I was paid almost entirely in stock, went bankrupt leaving everyone holding the bag, and taking a huge chunk of my future retirement fund with it.
I wrote a very snarky almost hilarious Patreon post about it, but am not entirely in a position to speak freely because I don't want to get sued. Even though I had to go to court over it, (and I had to do that over Zoom at dial-up speed,) I'm pretty sure I'll never get anything out of this drama, and neither will anyone else involved, except millionaire dude and his buddies who all walked away with huge multi-million dollar bonuses weeks before they declared bankruptcy, all the while claiming they would not declare bankruptcy.
Even the accountant got $250,000 a month to shut down the business, while creators got nothing.
That in itself was enough drama for the year, but we were only at February by that point, and with all those months left, 2023 had a lot more to throw at me.
Fresh from my return from my Society of Illustrators show, and a lovely time at MOCCA, it was time to face practical medical issues, health updates, screening, and the like. I did my adult duty and then went back to work hoping for no news, but still had a weird feeling there would be news.
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I know everyone says that, but I mean it. I had a bad feeling.
Then there was news.
I was called back for tests and more tests. This took weeks. The ubiquitous biopsy looked, even to me staring at the screen in real time, like bad news. 
It also hurt like a mofo after the anesthesia wore off. I wasn't expecting that.
Then I got the official bad news.
Cancer which runs in my family finally got me. Frankly, I was surprised I didn't get it sooner.
Stage 0, and treatment would likely be fast and complication-free. Face the peril, get it over with, and get back to work. 
I requested surgery months in the future so I could finish Good Omens first, but my doc convinced me the risk of waiting was too great. Get it done now.
"You're really healthy," my doc said. Despite an auto-immune issue which plagues me, I am way healthier than the average schmoe of late middle age. She informed me I would not even need any chemo or radiation if I took care of this now.
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So I canceled my appearance at San Diego Comic Con. I did not inform the Good Omens team of my issues right away, thinking this would not interfere with my work schedule, but I did contact my agent to inform her of the issue. I also contacted a lawyer to rewrite my will and make sure the team had access to my digital files in case there were complications.
Then I got back to work, and hoped for the best.
Eff this guy.
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Before I could even plant my carcass on the surgery table, I got a massive case of ocular shingles.
I didn't even know there was such a thing. 
There I was, minding my own business. I go to bed one night with a scratchy eye, and by 4 PM the next day, I was in the emergency room being told if I didn't get immediate specialist treatment, I was in big trouble.
I got transferred to another hospital and got all the scary details, with the extra horrid news that I could not possibly have cancer surgery until I was free of shingles, and if I did not follow a rather brutal treatment procedure - which meant super-painful  eye drops every half hour, twenty-four hours a day and daily hospital treatment - I could lose the eye entirely, or be blinded, or best case scenario, get permanent eye damage.
What was even funnier (yeah, hilarity) is the drops are so toxic if you don't use the medication just right, you can go blind anyway.
Hi Ho.
Ulcer is on the right. That big green blob.
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I had just finished telling my cancer surgeon I did not even really care about getting cancer, was happy it was just stage zero, had no issues with scarring, wanted no reconstruction, all I cared about was my work. 
Just cut it out and get me back to work.
And now I wondered if I was going to lose my ability to work anyway.
Shingles often accompanies cancer because of the stress on the immune system, and yeah, it's not pretty. This is me looking like all heck after I started to get better.
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The first couple of weeks were pretty demoralizing as I expected a straight trajectory to wellness. But it was up and down all the way. 
Some days I could not see out of either eye at all. The swelling was so bad that I had to reach around to my good eye to prop the lid open. Light sensitivity made seeing out of either eye almost impossible. Outdoors, even with sunglasses, I had to be led around by the hand.
I had an amazing doctor. I meticulously followed his instructions, and I think he was surprised I did. The treatment is really difficult, and if you don't do it just right no matter how painful it gets, you will be sorry. 
To my amazement, after about a month, my doctor informed me I had no vision loss in the eye at all. "This never happens," he said.
I'd spent a couple of weeks there trying to learn to draw in the near-dark with one eye, and in the end, I got all my sight back.
I could no longer wear contact lenses (I don't really wear them anyway, unless I'm going to the movies,) would need hard core sun protection for awhile, and the neuralgia and sun sensitivity were likely to linger. But I could get back to work.
I have never been more grateful in my life.
Neuralgia sucks, by the way, I'm still dealing with it months later.
Anyway, I decided to finally go ahead and tell the Good Omens team what was going on, especially since this was all happening around the time the Kickstarter was gearing up.
Now that I was sure I'd passed the eye peril, and my surgery for Stage 0 was going to be no big deal, I figured all was a go. I was still pretty uncomfortable and weak, and my ideal deadline was blown, but with the book not coming out for more than a year, all would be OK. I quit a bunch of jobs I had lined up to start after Good Omens, since the project was going to run far longer than I'd planned.
Everybody on the team was super-nice, and I was pretty optimistic at this time. But work was going pretty slow during, as you may imagine.
But again...lots of lead time still left, go me.
Then I finally got my surgery.
Which was not as happy an experience as I had been hoping for.
My family said the doc came out of the operating room looking like she'd been pulled backwards through a pipe, She informed them the tumor which looked tiny on the scan was "...huge and her insides are a mess."
Which was super not fun news.
Eff this guy.
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The tumor was hiding behind some dense tissue and cysts. After more tests, it was determined I'd need another surgery and was going to have to get further treatments after all.
The biopsy had been really painful, but the discomfort was gone after about a week, so no biggee. The second surgery was, weirdly, not as painful as the biopsy, but the fatigue was big time.
By then, the Good Omens Kickstarter had about run its course, and the record-breaker was both gratifying and a source of immense social pressure.
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I'd already turned most of my social media over to an assistant, and I'm glad I did.
But the next surgery was what really kicked me on my keister.
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All in all, they took out an area the size of a baseball. It was  hard to move and wiped me out for weeks and weeks. I could not take care of myself. I'd begun losing hair by this time anyway, and finally just lopped it off since it was too heavy for me to care for myself. The cut hides the bald spots pretty well.
After about a month, I got the go-ahead to travel to my show at the San Diego Comic Con Museum (which is running until the first week of April, BTW). I was very happy I had enough energy to do it. But as soon as I got back, I had to return to treatment.
Since I live way out in the country, going into the city to various hospitals and pharmacies was a real challenge. I made more than 100 trips last year, and a drive to the compounding pharmacy which produced the specialist eye medicine I could not get anywhere else was six hours alone.
Naturally, I wasn't getting anything done during this time.
But at least my main hospital is super swank.
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The oncology treatment went smoothly, until it didn't. The feels don't hit you until the end. By then I was flattened.
So flattened that I was too weak to control myself, fell over, and smashed my face into some equipment.
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Nearly tore off my damn nostril.
Eff this guy.
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Anyway, it was a bad year.
Here's what went right.
I have a good health insurance policy. The final tally on my health care costs ended up being about $150,000. I paid about 18% of that, including insurance. I had a high deductible and some experimental medicine insurance didn't cover. I had savings,  enough to cover the months I wasn't working, and my Patreon is also very supportive. So you didn't see me running a Gofundme or anything.
Thanks to everyone who ever bought one of my books.
No, none of that money was Good Omens Kickstarter money. I won't get most of my pay on that for months, which is just as well because it kept my taxes lower last year when I needed a break.
So, yay.
My nose is nearly healed. I opted out of plastic surgery, and it just sealed up by itself. I'll never be ready for my closeup, but who the hell cares.
I got to ring the bell.
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I had a very, VERY hard time getting back to work, especially with regard to focus and concentration. My work hours dropped by over 2/3. I was so fractured and weak, time kept slipping away while I sat in the studio like a zombie. Most of the last six months were a wash.
I assumed focus issues were due (in part) to stress, so sought counseling. This seemed like a good idea at first, but when the counselor asked me to detail my issues with anxiety, I spent two weeks doing just that and getting way more anxious, which was not helpful.
After that I went EFF THIS NOISE, I want practical tools, not touchy feelies (no judgment on people who need touchy-feelies, I need a pragmatic solution and I need it now,) so tried using the body doubling focus group technique for concentration and deep work.
Within two weeks, I returned to normal work hours.
I got rural broadband, jumping me from dial up speed to 1 GB per second.
It's a miracle.
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Massive doses of Vitamin D3 and K2. Yay.
The new computer works great.
The Kickstarter did so well, we got to expand the graphic novel to 200 pages. Double yay.
I'm running late, but everyone on the Good Omens team is super supportive. I don't know if I am going to make the book late or not, but if I do, well, it surely wasn't on purpose, and it won't be super late anyway. I still have months of lead time left.
I used to be something of a social media addict, but now I hardly ever even look at it, haven't been directly on some sites in over a year, and no longer miss it. It used to seem important and now doesn't.
More time for real life.
While I think the last year aged me about twenty years, I actually like me better with short hair. I'm keeping it.
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OK. Rough year. 
Not complainin', just sayin'.
Back to work on The Book.
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And only a day left to vote for Good Omens, Neil Gaiman, and Sandman in the Comicscene Awards. Thanks. 
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lovebugism · 3 months
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Smut request idea: Eddie worshipping reader's tits, who is insecure about their small size (lol totally not projecting 😅)
ty for requesting :D — eddie 'heart eyes' munson sees your boobs for the first time (cw for nudity, but no real smut, 18+ mdni, 1.1k)
bug's one year celebration ♡
On a rainy, post-show night, in the back of Eddie Munson’s van, you decide to be brave.
Buzzing with alcohol, adrenaline, and adoration — a wild concoction rushing like fire through your veins — you take your shirt off for the very first time in front of him. Mostly because your sweater was getting itchy, so you’re not entirely sure how brave that makes you. But your skin burns still, empty like a blank sky, yearning for a warmer touch to fall over you like stars.
In the simplest, most human way, you need Eddie to touch you like you need to breathe air. 
So, when you tugged the fuzzy sweater up and over your head, you hadn’t thought much about doing it. You were too full of need, too unthinking. Head clouded with longing until you developed something short of tunnel vision for the boy underneath you.
It wasn’t that big a deal, right? Isn’t this what girlfriends do with boyfriends?
Eddie’s silence is not reassuring. It feels more like a knife lodged in the very center of your sternum.
You lay the sweater beside you and cross your arms slowly over yourself. Equal parts to hide what you’d just revealed to him and to shield your bleeding, stinging heart.
Eddie’s face twists, pained features swirling like a hurt puppy. “Wait— What are you doing?” he asks in an unabashed whine. His less-than-subtle pout deepens as his chocolate-button eyes flit up to yours.
You keep curling in on yourself, but from where you straddle his thighs, he’s impossible to run away from. “Why aren’t you saying anything?” you wonder in a tiny voice, distantly fearful of the answer. 
You don’t have the kind of chest people put on magazines. Maybe you should’ve just kept the shirt on.
Eddie’s ringed fingers smooth around your bare waist. He realizes he’s holding you there for the very first time without any fabric covering you. His chest starts to sparkle. His thumbs rub gently at your ribcage, just below the arms still concealing yourself.
“‘Cause I’m too busy enjoying the view, honey,” he answers with a plush pink and crooked smile. His words are slightly slurred, weighed down by fatigue and desire. “How am I supposed to think when I’m looking at you, huh?”
You make a faint, grumbly noise, features scrunching in disdain at his compliment.
He smiles wider and curls his fingers around the wrists you hold over yourself. There is little force behind his touch, no eagerness to tug your hands away. Instead he just holds you, in a distinctly quiet embrace, telling you silently that you can let your guard down whenever you’re ready.
“So you don’t think they’re weird?”
He answers with an immediate scoff. “No, I don’t think they’re weird— I think they’re beautiful! I think every part of you is beautiful.”
You grow less and less tense in his hold. Your hands start to slip. You let them. 
Bare again in front of him, the boyish glimmer in Eddie’s dark eyes returns. 
The wild cadence of rain on the rusted tin roof resembles the rapid patter of his pounding heart as he ogles at you. And, with his back propped against the driver’s seat, he has the most perfect view of you.
The pale hands along your ribcage slowly start to rise. His warm touch leaves sparkling goosebumps in its wake. He doesn’t stop until his thumbs are settled neatly beneath your breasts.
“I mean— I always knew they’d be pretty, you know?” he mumbles, getting lost in you all over again. You don’t know if he’s talking to you, or if he even knows he’s rambling. “‘Cause when you’d let me feel you up, you know, over the shirt— I always imagined what you’d look like under it…”
He trails off then, forgets how to make words when his thumb rubs over your soft nipple. The gentle stimulation makes it stiffen beneath his touch. Eddie smiles to himself, all boyishly giddy.
“…But I couldn’t’ve, in my wildest imagination, expected this.”
Your chest warms with his affection. You scoff about it, anyway. “You’re such a boy,” you laugh.
“It’s not my fault you’re so pretty…” 
Still cupping your chest, Eddie leans down to kiss you there. A chaste, open-mouthed peck to your pebbled nipple. His heart swells when he hears you moan above him — your nose buried in the strands of his wild hair, fingers playing with the curls at the nape of his neck. 
Eddie licks his rosy lips when he pulls back from you. 
“See? You’re gonna kill me one day, doll— I swear,” he teases in a joking tone, but means every bit of it. He loves you so much it makes his chest ache. You’ll give him a goddamn heart attack one day if he’s not careful. “Can’t believe you’ve been hiding from me this whole time…”
You’re not sure either, now. 
“I was just scared that… I don’t know,” you stammer, clammy hands fidgetting with his intentionally tattered Corroded Coffin t-shirt. You’d helped him cut rips into the white fabric before the show. You distract yourself with the pink lipstick smudge you’d pressed along the neck of it, rubbing hopelessly at a stain that’ll never come off. 
“I was scared that you’d think I was less pretty or something. I don’t know.”
“No,” Eddie recoils immediately, face twisting in abhorrence of the thought. He shakes his wild head at you. “No way. That’s not possible. I think you’re fucking— perfect. And I think that…”
His eyes fall to your chest again. He loses the rest of his words.
A smile blossoms on your face. You don’t think you’ve ever felt prettier than you do right now.
“You think that what?” you tease, hands rising again to twist in his deep brown curls.
Eddie’s button eyes flit back up to you. His ringed hands lift to cup your breasts in his wide palms. They fit just perfect in his hands — like he was made to hold you there. The width of his beam rivals your own. 
“That I just found Corroded Coffin’s next album cover,” he answers.
The sound of your laughter fills the van. Sunshine compared to the rolling rain outside.
“No. No way. That’s not happening,” you refuse, still smiling, as Eddie leans into you again.
You wrap your arms around his neck when he puts his mouth on you. He buries his own laughter against the plush of your breast — along with so many little kisses. 
He doesn’t mind your light-hearted rejection. The only thing Eddie likes more than showing you off is keeping you totally to himself.
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noxtivagus · 2 years
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>< it is 4 am i will sleep soon but
#🌙.rambles#it's not easy to just stop being confused and lost & stop worrying but#i feel a lot better tonight after remembering a lot of things n crying did help >< i think it's fine for me to do more tomorrow instead#regrets are hard to deal with but i know i'm stronger than them. so i'll prove it and rise above all that#oh yeah there's some stuff in particular that's weighing me down that r too personal for me to share with anyone but#i think i can handle that better now. in time.#we're all still so young n there's so much we have yet to learn and experience. we're still developing.... n that's part of being human.#GOD WAIT THAT'S NOT WHAT I MEANT TO WRITE WHEN I MADE THIS POST BUT YEAH POINT STANDS#i've just been listening to music for the past few hours i think while writing n doing other stuff#wait my mind is wandering;;;; i barely ate anything today.... just breakfast then some pastries then. half eaten lunch?#i'll take better care of myself tomorrow. this weekend. and next week especially when sembreak ! yes#i'm really gna have to sleep soon though oh my god how do i survive weekdays when i never get enough sleep unless i'm sick 😭😭#anyways. wait. music ! KINGDOM HEARTS.... FINAL FANTASY XV#started both in 2019 n finished in 2020 summer when i picked them up again.... wait.... my mind is wandering#i find it really interesting how the way we help others really says a lot about us ourselves as people#i've analyzed that a lot before n i am again now at 4 am oh no . i realize though that. for my own self#i'm actually rather affectionate at heart huh;;;; it makes me a bit shy thinking about that . i blame the stories and the final fantasy#compliments from the heart. how much i value you for who you are. and what you mean to me. i love to be direct about that#advice as the sort of person i know you are. because i love you. i'm romantic ! but not in a relationship way or wtvr here ok .#on that thought sometimes i realize i may often come across as aroace but goddamn i really just get shy n hide with that sort of topic#i will Deny till the day i die </3#i cld ramble more about this but it is now 4:20 n BACK TO KINGDOM HEARTS#hmm i was barely a teen when i played kh3/ffxv. thinking abt it n especially the latter really influenced me for life#earlier while listening to her ost i was thinking about how since i only played kh3 i don't know too much about the series' lore#& xion. but i find it interesting how. her theme is my fav from the charas. i really loved her name (i used it for the protag in a short#story back in gr9 for school). i never really knew too much about her but god i feel like. idk just a connection that's. hmmm#older now thinking more of her character she really really appeals to me. from her design n personality n it seems like fate. we're similar#wait this is so fucking dumb i searched up noctis n i immediately smiled . damn . he. 🥹 still so special to me#i shld replay kh3 n ffxv soon. my childhood. anyways it is nearly 4:40 holy shit i have to wake up at 5:30 GOOD NIGHT
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luna-lovegreat · 6 months
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Wait...
It's November. It's November first. Yesterday was October 31st, so October is over. ...it's over. Is it over?
Inktober, artober, whumptober, flufftober, linktober, every tag ending with -tober that's been circulating for the past month... is it over? I don't know why it's just hit me but...
This matters. So I will try to get the message across, even though I'm not the best at it sometimes
Fanartists, fan writers, artists, fic writers, people making comics, every single one of you that has created art for the past month...
Thank you
This is my first October on tumblr. When I started seeing the "tober" tags, seeing the posts from artists with wips, saying they were going to make something every day to a prompt, making masterposts to update with each day, I thought "cool"
But every day this month, I have gotten on here and smiled.
And I don't mean smiled. I mean I smiled at least 20 times every time I got on the app because I saw all the art and fics. I got to see artists/writers connect stories through different day prompts. I saw people having the most brilliant ideas and creativity, flowing from their hands into their posts. I saw artists responding to continuous asks, telling them how amazing they are. I saw artists getting behind, and keeping going.
I saw Free. Beautiful. Emotional. Amazing. Original. Creative. Art.
Every day
I haven't committed to anything of this before, so I can't directly relate to what you guys were thinking and feeling. But I'm willing to guess; I think you probably enjoyed it, because most won't do such a huge project unless they enjoy it. I think you probably saw it as a challenge you were willing to fulfill, and an opportunity to grow and develop your skills.
... but I'm also willing to bet you did it for us. For people like me, who love art, but don't do this specific type, who are in fandoms, who love tracking and watching you art and sending you compliments, who take joy in your work. For the other artists (and writers!) who admire each others styles and love to learn from each other.
If anyone ever tries to tell me that humans are inherently evil again, I will strap them to a chair, pull up these posts and say look. Look at what these people did. Look me in the eyes and tell me these sorts of actions don't come from the most loving hearts. Tell me these people don't want to make others happy, that they aren't inherently good. And I will tell you you're wrong.
I have so much going on, yet somehow it slipped into my life that I was constantly looking at your art for the joy of it without me even noticing.
And how is it possible. That we have such a beautiful community of people here that we will share. And communicate. And exchange compliments. And literally do things and send asks solely for the purpose of making someone smile.
I'm almost crying by now. God I can't express it well enough! But I am so. So. Grateful
You guys brought me a month of joy! You gave headcanons, and art, and stories!
Even yesterday, Halloween, I was blown away. Because I had expected... I didn't expect anything. And then I log on and see people sending happy halloween asks, exchanging doodles of candy, and headcanons and gifs.
And some are still catching up to the schedule or whatever, and that's ok! But at the beginning of this post, when I was simply realizing it was November, I asked myself "is it over?"
Is it over?
... I don't think so. I've seen artists say they're going to continue and expand on a piece they made and especially liked this month. Some people are still continuing, catching up to a voluntary deadline. All those masterposts with your whump/fluff/link/ink tober art? I know many as well as myself will be going through, looking over your posts with smiles, catching up on some things they missed this month... it will continue in the people and artists I didn't know existed before, but now follow. In the skills and growth in creativity! In the community we've grown, and art you've made, and the art to come, at a normal rate like every other month, even if it's not October anymore!
But my artists, writers... thank you so much. I don't know if you guys know how valuable and amazing you are. How incredible it is that you exist! People say it's amazing we exist under a sky of such stars, but how incredible is it that you made a stranger on the internet smile every day! Your life is so. So. Valuable. I can't even express how grateful I am that you exist, that you somehow are selfless enough to share the most beautiful parts of yourself simply to create, and to create joy. Thank you so so much.
(And this applies to all artists, in any fandoms, not just mine. And I'm just as grateful to people who couldn't do something every day, or only one day! You still share your art, you're just as... incredible. You are incredible.)
Okay.
So I'm gonna do this, and if others want to do it in the reblogs that's great! I do not care at all about reblogging or likes, but I want to make the people that have brought me such joy some appreciation- I hope I can bring you even a smidgen of the light you have brought into my life. So I'm gonna tag all the artists/writers I know of/can think of that have done any sort of October challenge, all of you creators that have made me smile. If people wanna want to tag others in the reblogs or replies to spread love that's cool.
(Basically I don't know social customs or anything at all, so if you don't want me to tag or if I was supposed to do something different or something let me know I have no idea what I'm supposed to do)(if I like accidentally tagged someone who isn't an artist/writer or forgot someone I follow... sorry)
@skyward-floored @kikker-oma @adrift-in-thyme @blueskittlesart @zeldaseyebrows @smilesrobotlover @bahbahhh @soso-dedeck @lennsart @arecaceae175 @illcamp @breannasfluff @solarfire-art @26kabeuchi @cathianemelian @truffeart @scribbly-z-raid @uniquevoidflowers
To all the artists and writers out there: thank you so much!!! You are amazing and I'm glad you exist. Your life is precious, and you matter. Thank you so much for sharing your beauty with us, we love you too!!!!!
... yeah. Just want yall to feel loved... because you are. Again, thank you. Thank you so so much to my beautiful creators who create joy as well as art, who keep storytelling alive. Just... thank you.
:)
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2024 Japan Grand Prix Race Analysis
My analysis of the 2024 Japan Grand Prix. Table of contents below detailing the order of the post. We have a lot to cover as this was an eventful race so I am not going to waste time making introductions.
Table of Contents  Ferrari – Race strategy: qualifying and tyre management – Charles: his qualifying and his race – Carlos: his race – In depth data and pace analysis Mclaren – Race strategy – Tyre management/Charles – Pace VCARB – Yuki: his race – Daniel: his crash with Alex Red Bull Mercedes Williams – Logan: his race – Team car problems Stake Concluding Thoughts
Ferrari
Ferrari had Carlos start in P4 and finish P3. Charles started P8 and finished P4. They both further secured Ferrari's lead for second in the constructors as well as keeping the WDC and WCC still competitive against Red Bull.
This race highlighted some areas that need to be improved on the SF-24 but more importantly it also showed some of the massive improvements that Ferrari has made in development and that is what made this race very exciting for Ferrari fans.
Once again the Ferrari strategy was great. It would have actually been good to mid if it were not for Charles having the skill and confidence to go for the one-stop strategy. But this is another race where I don't think they could have done anything better.
As it was with the starting grid positions Charles was looking at maybe getting P7 or P6 with a 2 stop strategy. And that strategy was most likely given the track and how much deg there usually is at Suzuka.
The reason Charles made it to P4 was because of his superior driving and tyre management, and Ferrari listening to him when he said he wanted to go for the one-stop strategy. They listened and it was 100% the right call on Charles’ part. 
Charles outperformed what should have been possible. If you don’t believe me just look at what Max, Lando, Oscar, Checo, Mclaren, and Red Bull are saying about his tyre management. Charles in the SF-24 was the only one who could have pulled that one-stop off. Seriously, the fact that Max didn’t think he could have done it is really all you need to know. They saw that and were genuinely impressed not only by the car but by Charles, because we saw that with Carlos he was struggling more with tyre deg and that was with a two-stop approach. 
So not only was this the best strategy to maximize points for Charles this race given his starting grid position, it was also just a truly phenomenal drive from Charles himself. 
And once again we are seeing incredible strides being made at the Ferrari pit wall in terms of timing and strategy. The pit stops for both drivers were on point. They listened to Charles and went with the strategy he wanted and it worked! 
Everything I saw this race was so promising for the trajectory of Ferrari and Charles’ season, and beyond into 2025 and 2026.
Charles: Race, Qualifying, and Free Practice
Charles ran a truly insane race. The only reason he gained all of the positions he did was because of his choice to do the one-stop and not only that but making it work! He gained every position it was possible for him to take and then some. His tyre management on this high degredation track was borderline supernatural.
Charles pulled off zero to negative tyre degradation on both sets of his tyres. (Negative deg is when faster laps are set as the tyres age) This was without question the best tyre management performance we have seen from a driver in 2024. It is something that no other driver could pull off (either due to skill, driving style, or machinery) and that is why Charles is Ferrari. 
Have I waxed on long enough about Charles and his tyres? Just wait till you get to the Mclaren section.
I also have a lot more to say about his pace and tyres in the data section.
For now let's move on to some of the questions people might have about what happened to Charles in qualifying and FP3.
Charles qualifying position was decided in free practice. I want to try to be brief, so here is a quick timeline of why Charles’ didn’t have the optimal setup for qualifying (this also applies to Carlos because both Ferrari’s underperformed in qualifying, there was a difference of 1/10th between them so it really was just a matter of the field being so tight)
Suzuka is colder during the day than any race we’ve had so far this year. With the SF-24 being so good with tyre deg that is actually a problem because it means that getting the tyres to warm up takes longer. 
The loss of all of FP2 due to rain was a big blow to Ferrari and especially Charles.
Charles has been having more issues getting his qualifying settings right to manage the tyre warming issue. This is due to his personal setup choices and driving style. Being gentler on the tyres in a car with less deg is leading to him underperforming in qualifying. 
So we lost valuable time when Ferrari really needed to understand the SF-24 behavior in the colder Suzuka temps. 
FP3: Charles and Carlos both got in some race sim laps, but only got to squeeze in 1 or 2 flying lap tests at the very end. Charles especially was frustrated by this. I believe that this came from not having the time to complete all of the program they had outlined to prep for qualifying and the race. 
Going into qualifying Charles didn’t have enough data to guide his settings for Q1. They went with a certain setup they hadn’t gotten to fully test and it didn’t work. Which led to them having to send Charles out again in Q1 with a different setup on another set of softs to try to set a better lap in Q1.
In Q3 Charles only had 1 set of softs remaining to set his best lap. It was okay but not enough. I do think that over qualifying he did get settings better on the car and if he’d had another set of softs he might have made it up to P6 (possibly P5) the middle of the field was very close so I don’t think this qualifying placement and time was as bad as it looks. It certainly isn’t great, but compared to his teammate and the rest of the top teams it wasn’t so concerning. 
So the lack of enough free practice to figure out the best qualifying setup for Charles in the colder temps is really what cost them here. I think this is why we saw Charles very frustrated at not having the time to do more flying laps during FP3 and Fred also not happy with the program they ran during all free practice sessions.
All of this does apply to Carlos as well. We’ve seen him qualify better in 2024 too so this was just a matter of the SF-24 settings on flying laps given the colder temps and the track. 
This is a current issue for the SF-24, but it is something that can be developed and I think there are certain upgrades that will address this. It is better to have a car base that is too gentle on the tyres than the other way around. The SF-24 tyre treatment is a good base to work with. This weekend just highlighted areas where improvements need to be made. The unfortunate part was the loss of FP2 because that was going to be important for colder temp data gathering.
I want to once again now take the time to shut down some narratives about Ferrari's race specifically relating to Carlos' lap 46 pass on Charles:
The reason Charles and Ferrari let Carlos pass was because Carlos was on newer tyres and thus had overall faster lap times.
It’s insane to expect a team to keep the car that has faster pace behind. I could see it if it was a difference of 1/10th or something or if it was the last lap of the race, then it’s up for debate. That wasn’t the case here, Carlos with the tyres that were 10 laps newer was almost 1 second faster. Keeping him behind would have not only compromised his race but also possibly Charles’. We don’t want a car just hovering behind the other. As we heard on the radio the main concern was keeping Lando behind. As far as gaining significant placement this race goes we always knew Lando was going to be Charles' competition. If the cars were fighting over pace with this big of a discrepancy in the pace we would have seen disastrous results. 
Charles knew this and this is why he let Carlos by. He was never intending to race Carlos(he literally said this in interviews after). With the way they started on the grid it was not going to be in the cards this race. Charles said as much and he isn’t upset about it. 
“Carlos overtook Charles”: No, Charles let him pass because that was strategically optimal for both Ferrari drivers. 
“Carlos’ pace was better”: No, he was on a completely different tyre strategy, the only reason he was faster is because he did two stints on mediums and then finished on newer hards. Charles overall race pace and tyre management was better. This is just a result of 1. Different starting positions and 2. Different tyre strategies. It’s very hard to do a driver-to driver comparison with blanket statements when they are on different strategies.
“Ferrari gave the order to switch with Sainz”: No, they just didn’t do that, I don’t know what race you were watching.
“They should have told Carlos to defend”: That would have been a bad strategy choice for both drivers. There is a lot more than current track position that goes into strategy calls.
"Ferrari strategy screwed Charles over again": No, Charles chose his strategy(and it was the right call). Ferrari did great in supporting him.
I don't understand why people want to run this narrative that we keep getting Silverstone 22' level strategy calls when that is just not happening.
Now Charles radio after the race may have sounded disappointed and in the heat of the moment he probably was. However in interviews after the race he was very happy with the car (I think he realized just what a good performance he put in) but also I think his big takeaway from this race was that Ferrari have given him a strong base to work with(finally) and he has been only saying more positive things since then.
Ferrari did amazing supporting both drivers. Especially Charles because it was his call to do the one-stop and they listened to him and supported him perfectly throughout running that strategy.
Carlos
Carlos ran a clean race. He gained the one position which is about what we'd expect from the car he was in and his starting position. His performance also gave us really good baseline data for the SF-24.
His race was mostly decided in qualifying and also the fact that Mclaren struggled far more than expected on this track. Ferrari initially thought he might have to fight Lando more for that position but Mclaren's struggle was Carlos' gain.
I also think that just this race in general from him and his driving style was really good data for the SF-24 to inform development and that is awesome!
I don't have a ton to add, it was good, got those WCC points for Ferrari and that's exactly what we want to see from him.
In Depth Data Analysis
The name of the game here is tyre wear. The SF-24 (especially in Charles' hands) has had phenomenal race pace and that is due to the fact that this car is so easy on the tyres. However Charles is the driver who has been able to pull this feature out of the car due to his driving style and tyre management skills.
We are going to look at a comparison of Charles' and Carlos' data to highlight exactly what was so interesting about Charles' pace. And then also adding in Max, because as the driver to beat he is a good benchmark(as well as showing the top performance of the RB-20)
Here is a comparison of lap times between Charles and Carlos, corrected for tyre age(because they were on different strategies)
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For the medium tyre I used both their first medium stints. Carlos did two stints on mediums, I used his first stint for comparison because it means both tyres were subject to the same time of day and track temps and conditions. 
Now the lap times themselves here aren’t as important. Carlos and Charles were in different spots on the track and Carlos was in much cleaner air even on that first stint. The real thing to look at is the way Charles lap time stays consistent, and even gets faster as the age of the tyres progresses, while Carlos starts off with his best speed and then gradually gets slower. Carlos’ pace here is an example of what we expect to see - as tyres age they get slower so his pace on these tyres is perfectly normal, by the time he got to lap 14 before he pitted he’d lost more than a second of pace on those tyres (which is normal and expected). Then we can then look at Charles who is getting almost the exact same lap time out of his 11 lap old mediums as the first lap. Where Carlos has lost more than a second, Charles has lost nothing. Furthermore you can see multiple instances of an increased speed on his previous laps, which indicates negative tyre degradation. This goes against general tyre wear behavior and can only be attributed to Charles’ skill in extending the pace of his tyres.
I want to add that both driver’s pace was excellent and that both their performances would not have been possible without the massive leap Ferrari has made with the SF-24 and race pace tyre degradation. 
Again looking at the hards the actual lap time is not important here, Charles and Carlos were running very different strategies at this point. Charles was racing to extend the life of the tyres to pull off a one-stop and Carlos was trying to regain position near the front. What we are looking at is once again the way the lap times increase for Carlos steadily, and just don’t for Charles. 
Charles once again was pulling essentially the same lap time on 11 lap old hards, while Carlos had lost a full second. The sheer consistency here is what is scaring the other teams. 
I want to note here that none of this is meant to make Carlos look bad. I think his runs and tyre treatment were pretty good overall, but when your teammate is defying the laws of physics in the same car it can even make a good drive look not as great. But I have no issues with how Carlos managed, he gave a good example of what I would say is the base deg for the SF-24.
Now I want to compare Charles’ pace to Max’s, again correcting for tyre age. 
This is helpful because this is where we can get a look at match-ups for the future, the strengths of the SF-24 compared to the RB20. 
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Here is where it gets interesting. Max on the hards was managing degradation amazingly, right on par with Charles. 
The big difference is on the mediums. After 11 laps Max had lost over a full second of pace on the mediums and Charles had not. 
This gap is where we are going to see big results come in from the SF-24 in the future. If I were Red Bull I’d be worried about this. And this is why they are also specifically worried about Charles, because we see that the SF-24 in Carlos hands is behaving as expected as far as tyre deg goes, the real threat based on the data is the combination of Charles Leclerc and the SF-24. 
Deltas Δ
Now let's take a look at what the change in pace lap to lap looks like for Charles, Max and Carlos. Again using those first 11 laps on the mediums.
Lap deltas are the change in lap time lap-to-lap, and this is a metric that shows if a driver is keeping pace, gaining pace or losing pace. Positive numbers mean a loss of pace, negative numbers are a gain. This is calculated by the equation of (Lap time B - Lap time A = change in pace or the delta Δ) So it's just the time difference lap to lap. This is how we can take a look at the actual pace and correct for lap times (which are not important here)
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On it's own this doesn't look like much, yes Charles is managing best, but Carlos is also ahead of Max. This is showing where the SF-24 is better than the RB-20. The fact that of these three drivers Max is the worst on this metric is notable.
However the impressive part of Charles' tyre deg is not in these first 11 laps. Because after these laps Max and Carlos had to pit because they were losing time and their tyres were done.
Charles kept going.
Here is what Charles' full stint on the mediums looked like.
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Charles continued to achieve faster laps and negative deltas well into the life of the tyres, and that is what is setting him apart from Carlos and Max.
Not only was Charles achieving negative deltas, he was doing it more consistently as the tyres aged.
For comparison here is Carlos' and Max's data overlayed on Charles full medium stint.
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While the first graph on the mediums shows that both Ferrari's were outperforming the RB20 in terms of deg(or at the very least Carlos was on a very similar delta to Max), this is where you see the difference in the drivers. Because Max and Carlos had to pit because they were rapidly losing performance on those tyres(see above time sheets) Charles was not, and he only improved. He more than doubled the life of his tyres in comparison to the other two.
This is the graph that really matters because it shows what each driver was able to do with one set of mediums. And as you can see it's not even close.
This is where you can see the impact of the negative deg over time. Compared to the normal deg we see with Max and Carlos it serves to highlight exactly how outside of the norm Charles was operating.
Charles only continued to improve well beyond the other two. That's what was insane about his tyre management.
Neither Carlos or Max were going to be able to continue their pace (hence the pit)
I feel like the data really speaks for itself. Max and Carlos are good comparisons here, Carlos is a good driver in the same car as Charles, and Max is the current top driver on the grid and is known for his tyre management.
I want to finish this section with the sentence that is chilling the blood of every other driver and TP on the grid: Charles set his fastest lap of his race on 25 lap old hards.
Mclaren
So what happened to Mclaren?
A lot of people were expecting Mclaren to be the second strongest team on this track. And qualifying certainly made it look like that might be the case. With Lando being ahead of Carlos in P3 and Oscar being ahead of Charles in P6 on the starting grid.
So why did both Mclarens get easily defeated by the Ferraris?
I think there are 2 main reasons.
The Mclaren car is not even close to the SF-24 when it comes to tyre deg, that car loses pace much faster so it just cannot fight when a Ferrari comes up behind it.
Charles 1 stop strategy really messed up the team's pit strategy with Lando. 
In Mclaren’s defense no one thought anyone would be crazy enough to try a 1 stop around Suzuka, let alone have zero tyre deg on a high deg track. 
They seemed to be managing their pit strategy with Lando under the assumption that Charles was going to pit twice, and I think they were very worried about an undercut in the pits (after they didn’t get away with it in Australia I think they were very keen to make sure they kept their position)
But Charles didn’t do a 2 stop strategy. He stayed out and his pace on the hards was unbelievable. 
There was really no way for them to see that coming. It’s kind of hard when your main competition decides this is the weekend he’s going to challenge the laws of physics.
(And you thought I was done talking about Charles’ tyre strategy)
Here is a graph of Lando vs Carlos. That was the spot he lost, and you can see that the pit strategy is really what cost Lando the spot. Carlos came behind him on much fresher tyres and by then he'd lost the pace. He pitted too early, and that was due to Mclaren not understanding that Charles is on another level.
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His pace was okay on newer tyres, but once they age the drop off was pretty bad. So the Mclaren car needs to improve in the tyre deg department if they want to see either of their drivers beat a Ferrari any time this year.
Furthermore Oscar once again struggled more because he is still the weaker of the two Mclarens when it comes to tyre deg, and on this track that really showed. 
But I think the fact that Mclaren kept trying to figure out when Charles was going to pit for his second stint and then he just didn’t really threw them off and had them making some weird pit calls. 
VCARB
Yuki
Yuki ran what was in my opinion the second most impressive drive of the race. He qualified P10 and finished P10. However to keep that position he pulled of some truly perfect overtakes. He was fighting to finally get that home race point. I was so excited seeing him put on that good of a show for his home fans.
In this race he became the first Japanese driver to score home race points since 2012, and that is just so exciting for Yuki and his fans. It really made that single point mean a lot. I don't think I have ever been more excited for a P10!
Yuki has really been showing what the VCARB car is capable of and it looks really promising. He seems comfortable and I think we will be seeing a lot more points from him this season.
Daniel: Crash with Albon and DNF
Going to be covering Alex and Daniel's crash this section.
On lap 1, Daniel and Alex made contact going into turn 3, resulting in both cars going off the track and ending up in the barriers. Both drivers had to retire from the race.
To me this looked like a result of crowding into that turn in the mid field with neither driver at significant fault. I don't think Daniel was trying to push Alex wide, and I also don't think that Alex mistook that corner. The FIA and stewards agree and Alex and Daniel's story of what happened make sense.
Going into the turn Daniel had the outside line, and he was trying to give room to the Aston Martin(Lance) on his inside. He didn't see Alex on his outside and his wheel made contact with Alex's front wing, causing his car to spin and pushing Alex of the line and into the gravel.
Alex thought he had the outside line to overtake and was in the process of attempting that when Daniel went to give space on the inside, this resulted in the contact and Daniel forcing him wide.
This crash really just was a result of crowding in that corner, Daniel was trying to give space to one driver and inadvertently crowded out another. There wasn't space so he was kind of in a lose-lose situation there.
I agree with the stewards that no penalty for either driver was warranted and that this was the result of midfield crowding, and some bad luck for both drivers. It wasn't a result of bad driving on either Daniel or Alex's part. Even if Daniel had seen Alex I am not sure what he could have done if he also needed to give room to Lance.
Ultimately I am glad both drivers are uninjured. Hopefully they have some better luck in future races.
Red Bull
I don't have a ton to say about Red Bull. My comparison in the Ferrari data section is what was most interesting about this race from the data standpoint.
They didn't do much, the Red Bulls started ahead and finished ahead as expected. Max and Checo both ran a really clean race. Again showing the power of the RB-20.
I will add that this was a really good race for Checo(probably his best this year), and it was nice to see him have redemption after Suzuka 2023.
Nothing terribly exciting to add. Max won again, well done Max!
Mercedes
Mercedes didn't have a great race, but considering that both their drivers DNFed in Australia it was good for the team to get some points. Lewis started in P7 and finished P9, while George started P9 and finished P7. So they swapped positions.
It seems that the Mercedes car might be better on those qualifying laps than the race pace (and even then it's qualifying has been inconsistent)
The most notable thing about Mercedes' race was when Lewis asked if he should let George pass when George came up behind him, and George did in fact make the pass. This was done simply because George's pace was better. Lewis knew this so it was best for the team.
I think that so far we have seen that the W15 is struggling in a lot of areas, and as far as drivers go George has been more comfortable in the car(could be driving style, setup, a combo of the two) than Lewis.
Both are solid drivers, and hopefully they can guide Mercedes into making improvements to the car to get them closer to top points. At this point the car Mercedes has made seems to have fallen short of expectations. Make no mistake though, Lewis and George are both drivers who are much better than the car they are in at the moment.
Williams
I covered Alex's crash with Daniel already so we are going to talk about Logan.
Logan honestly did about the best he could do in the car he had. After damaging both his front and rear wing in free practice and still using the repaired chassis from Australia his car was not in the best shape already going into the race. Additionally the Williams really struggled with grip in the rears and has been all over the place. Suzuka especially seems to have not been suited to it.
Yes on lap 41 Logan went off track into a gravel trap, but that was on a corner that had given more skilled and experienced drivers trouble this weekend so I am not going to fault him too much for that in the car he had. Better cars were having problems there too.
He did have a really strong first stint and was pulling some overtakes. Most of his positions were lost when he did get undercut by some pit stops, and then of course losing time to the gravel trap.
The win is that he finished the race and the car is intact. That may not seem like much, but given the state of things at Williams it's important.
There were some highlights for his race and I will say in terms of raw performance he has not been far off Alex this year. That car of Williams is really hindering both drivers.
Stake
Stake actually had pretty good pace overall. The car is not as bad as it has looked on paper. The main issues has been their slow pit stops (caused by incompatibility between the bolters and the tyre covers apparently) Zhou and Valtteri both showed some pretty good pace and were in positions for overtakes.
Zhou unfortunately had to retire his car due to gearbox issues.
Stake has really been a mess and we have not seen what that car can actually do in terms of performance overall, or what what their drivers are capable of in that car.
They are making attempts to address the pit stop issue and I think if they do that, then we will see both drivers picking up some P10 points at the very least.
Final Thoughts
I think we can all agree that Suzuka was the best race of the year so far from a pure racing standpoint!
Whew, that’s all I got on this race, so I will leave you with this final thought. 
This race was a warning shot from Ferrari.
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antimony-medusa · 7 months
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Gonna be honest with you though if someone outright says “don’t ship my character with other people” or something to that extent regarding smut or whatever I don’t think there should be any ambiguity
I get your point about the nature of fanfic being inherently encroaching upon people’s images so that levity should be extended to otherwise uncommon avenues but I really believe hardline boundaries should be respected, end of, no discussion. If I see people violating creators’ boundaries for their characters Or themselves (and these can be intertwined, it’s not up to the audience to pick apart their boundaries, cuz I’ve seen people try to do that) I’m not going to judge them fairly and I feel like neither should you.
Lines can be crossed and intimacy (not even necessarily romantic!) is a very different monster than the other avenues of storytelling because of how it involves real life relationships seeping into character relationships. Its’s uncommon for people to be like “I wrote A’s character being tortured because I feel like A is tortured in real life” but they Can and Often do that with ship work. So I don’t know, I feel like you’re not affording this the right nuance.
Alright, so, this is another post I'm gonna slap with a discourse and long post warning right away, buckle in.
Yeah, I hear what you're saying, and this is not an uncommon opinion to have! It's still the opinion of twitter/x so far as I know, and I think it's probably the opinion of the bulk of dsmp fans here, as well. I know my posts get notes once they start circulating in hermitblr, but I don't kid myself that I have the majority view. I am posting to explain my views expressly because I know a lot of people don't agree with me!
And in this case we do have a difference of opinion. There's two sort of points as I see it in your posts— we have hardline boundaries about shipping/nsfw from some people, and everyone in the fandom should be abiding by those no exceptions or be thrown out of the fandom; and we have shipping boundaries but not boundaries for other things because shipping is uniquely boundary-crossing and terrible and invasive, in contrast to anything else we can do in fandom.
Taking the second part first, I just don't think that's true. Let's not forget, boundaries discourse started with SMPLive and SMPronpa, and it was not the shipping that caused the discussion, it was the death games. The first real fandom reckoning we had with the notion of boundaries as mcyt fandom was over gore and murder and portraying people in violent ways. Shipping was barely a blip on the radar. The way the discourse has developed now, shipping is framed as the absolute worst thing anyone could ever do with your public image, and everything else is fine, but that is not the case for everyone. Recently the Pirates SMP creators were asked repeatedly for their boundaries (bothered on twitter, really) until they gave them and thus we saw people being fine with shipping but not wanting family dynamic, or being against both shipping and gore, or being fine with shipping but not wanting to be gender bent or trans headcanoned, etc. Not everyone feels the same way about the same things, despite the us-american cultural viewpoint that romance and sexualization is uniquely bad but gore and torture is fine, that everything else is fine.
Like, if we're looking at DSMP, I think there are a lot of creators who would feel just as strongly if not stronger about fics in which their character died of a terminal illness than they would about a fic in which they kiss someone, for understandable reasons. But I see those tropes in the tags regularly!
I think if we are honest with ourselves, if we are going to hardline boundaries about things that are uniquely invasive or bad to do to a creator's character with the view that we are putting all of this up for the creator's approval, we need to accept that this excludes us from writing anything where a character is abusive or is tortured or dies of a terminal illness or is psychologically broken or is age regressed or is neurodivergent or is queer if the cc is straight or trans if the cc is cis or cis if the cc is trans or straight if they're gay— the list of things that would be weird to do in the face of the real guy is really long. And it has most of our favourite tropes on it!
I love writing autistic philza. It would be really fuckin' weird to go up to Philza and tell him about how I write his character as whumped and autistic. Come on now. (But that's within boundaries, so that's— fine? I really don't think it's fine!)
Which is why my stance is that we should be thinking critically about these things, and keeping the fandom seperate from the creators. Some of these things are just not for the creators. They're fine but they shouldn't go on twitter. Y'know?
The idea that shipping draws uniquely on the real person and leads to invasive behaviour but nothing else does— that nobody does "I wrote A being tortured because I think A is tortured in real life"— Look. I have been in the fandom a long time. I remember how all the abused tommy narratives fed right into people assuming his family in real life were abusive— and talking about this on twitter! Where he and his family could see! People did this with WIlbur and Techno too!
I remember people reading about trans tommy and then truthing that the creator either was transmasc or was going to come out as transfemme any day now, publically, on twitter and in his chat. I have seen people she/her tubbo to his face on twitter, with fancams. I have been in chat when people who have clearly assigned Phil "dad" start asking WILDLY invasive things in TTS. If you think that shipping is the only fandom behaviour that can lead to people drawing directly from the streamers for their work and treating the creators weirdly about it, you simply have not been paying attention.
The way the fandom insists on treating benchtrio as children despite the fact that they're almost twenty and viciously attacking their friends for treating them as adults and chiding tommy and tubbo and ranboo for inappropriate behaviour. The list goes ON.
So. The recieved DSMP wisdom is that we should TTS the streamers to check if it's okay if we write a fic in which they die of cancer. We should DM them on instagram to ask if it's okay if we write them as a gender or sexual identity they don't share. We should show up in their twitter mentions to ask if it's okay if we write them as a physically abusive parent.
No????????
My view on that is that it is frankly bizzare it is that we have decided that "asking creators for detailed instructions regarding porn or gore" (especially in TTS! When they're fucking at WORK and can't step away! Stop doing this to the hermits!) is normal and fine and responsible but "post your shit in appropriate places and leave the creators out of it" will make you a monster.
Once again, the experience of someone coming up and saying "i think of you as age regressed" and someone saying "i found this fic where you're age regressed" and someone saying "can I write a fic where you're age regressed" is not that different. In all cases you know that the person has been thinking about it and putting it out there, and in all cases you didnt seek out this information, it was brought to you. In all cases it's weird. Just do not bring this information up to them!
If you just think about it for a while, you see that there is an entire host of things that would be weird to force into the view of a creator, especially when you consider that half the time we got these clips from TTS information when we have no idea if the person answering knew the context of what they were being asked, if they were specifically aware of the creator/cc divide that the fandom works with, or if they felt pressured into it. Oh yeah, let's take a TTS clip from Tubbo when it was 2 in the morning for him and he was deep in a minecraft mod when someone asked him about alters and delusions and he was like "oh you mean like— when they can't help it? I guess that's fine." That definately counts as freely given, reversible, informed, enthusiastic and specific consent to show him anything we want at all times forever. That's never going to make him uncomfortable.
Think a little here.
So I think there's a lot of the fandom that we should not be putting up for the approval of the creators, and if we don't have a firm answer on if they would like potential edge cases, we should probably be thinking about it and keeping it away from them (and I would err on the side of caution), we should NOT be showing up in the TTS to ask them about narratives in which they're institutionalized, or making them a GOP conservative in fiction, or if Wilbur was canon about seeing them as a bottom, or whatever bizzare thing someone is cooking up now. Honestly if you think to yourself "I don't know if the creator would like seeing this", I would be much more comfortable if the two choices we were picking between there were "simply don't write it" or "write it but keep it away from them", and "harass the creator for an answer on this subject and only write it if they say yes" never entered the equation at all.
And to return to your first point, if we already have a class of fiction that we are keeping away from the creators because basic intellectual curiosity would show that it would be weird to show someone, I don't think it's the end of the world to go "okay, creator doesn't like NSFW, so we also keep the NSFW away from them, keep this shit off twitter, block them if you create it, don't show it to them" and then we archive lock it and continue on our little weirdo on the internet ways.
Now, I don't expect to convince you of this, the phrasing of your post does not indicate that you're open to discussion on this topic. That's fine. Nobody has to agree with me. But I grew up conservative christian, and I have already had people try and get me to throw people out of the community for their perceived sins where I was like "well, I really don't think this is that bad", and I'm really resistant to being forced to do that again. I don't think it's a healthy way to run a fandom, to be shunning people for what they're doing in fiction. Harassing creators in chat? Sure, I will block them from my events as untrustworthy. That's hurting someone in the real world. Writing something that I don't vibe with privately on the archive for an audience of 50 people? That is not doing harm to real people. As long as they're not showing it to the creators, I don't count that as offensive.
How's that for nuance.
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yourheart-inmyhands · 6 months
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Ok a weird request 😭
Imagine yan!Zhongli, abyss!Aether and Neuvillette with a darling that loves them back (they don't care they're a yandere (and no it's not Stockholm Syndrome)) but just asks their brother to be with them (bc they imprisoned her) and if they accept, they see that the supposed "brother" is a dog- like- darling considers her dog her own brother.
The reason is that I myself consider the dog my mom has my brother- Please I am normal I swear 😭
- Weird anon ✨ (idk if you do this honestly 😭)
so i actaully don't write for aether anymore (i'm so sorry about that ;v;), but i hope you still like the other two! and don't worry about being weird lol, my cat is my literal son, like i'm 99% sure i gave birth to him and just forgot (it's scary how alike we are) XD
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Warning: this post contains yandere-themes, including obsessive behavior, implied being held against will, that's about it this one is pretty tame, and other potential topics. Please read at your own risk!
Yandere!Zhongli allows it, but that doesn’t mean he entirely understands it. Please don’t expect him to grasp the entire thing right away. He’ll ask if your ‘brother’ sits at the table for dinner and if Zhongli needs to prepare additional servings for him, etc. Despite having lived for many, many years and having seen many strange things, Zhongli still struggles to fully understand the situation. He allows it though, anything to make his beloved happy.
“Does he… does your brother sit at the table with us for dinner?” Zhongli looked at the dog sat by your feet, one eyebrow raised in confusion as he anxiously awaited your response. A dog at the dinner table wasn’t exactly good for sanitary eating but he supposed he could allow it to slide for your sake. You had been compliant with his wishes thus far, who would he be to deny you the one thing you had asked for. He at first thought that your ‘brother’ had once been human and turned animal, but when you explained the situation to him, he seemed to feel even more at odds. Regardless, you are his beloved, and he’d comply to your wishes so long as it was in reason. Not only did he want your love, but he wanted you to be happy, and if this silly wish of yours was what it meant, he’d gladly give in.
Yandere!Neuvillette is perturbed to say the least. He had known already that your family had a dog, but he didn’t think you’d be this attached to it. Nevertheless he does retrieve your ‘brother’ and makes accommodations inside the manor for him. He doesn’t much interact with him though, Neuvillette isn’t really a dog-person, he’s not really an animal person at all. This was your one ask thus far though and you’d been accepting of his love so he wouldn’t argue. The dog will not be allowed to eat dinner with you though, he will eat his food in a separate room, as proper etiquette calls for.
Neuvillette didn’t understand the attachment that humans developed with animals, but he also never really cared for animals. The melusines were different, they behaved much like humans and could converse with Neuvillette, animals could not. When you requested that you be allowed your brother, Neuvillette was skeptical at first. When you then explained that your ‘brother’ was a dog, he relented, retrieving the pet for you. While he makes a room for the dog and even prepares meals for him, do not expect him to love the dog. Neuvillette doesn’t much care for bonds with animals like that, he’ll greatly outlive them and simply isn’t fond of the type of companionship they provide, so your brother is all yours. Of course if you asked, he’d walk him or bathe him or do any other such task, but only if asked will he do it. His rule is that you asked for him to brought here and that he is now your responsibility.
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br-disaster · 2 months
Text
Nie Mingjue's Fatal Journey crying scenes appreciation post
There's no way I wouldn't make this post, but it ended up way longer than I intended.
Fighting with Huaisang
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When is this man not tearing up?
This fight is so important for Huaisang's character development and the movie's themes, with Huaisang being ready to challenge and question the Nie ways and Mingjue doing his best to uphold those traditions and keep the peace through the only way he knows how.
But it's still hard to be challenged like this and to face the possibility that everything you've ever known might not be right, actually.
And this gif specifically is from the moment Huaisang questions if Mingjue even knows what they're there to fight and what this supposed great evil that will come to Qinghe if they fail to balance their blades even is. Mingjue has no answer, of course, I suppose he was only taught this and never had reason to question it.
But Huaisang is also talking about the disciples they already 'lost' at this point of the movie, and he says something along the lines of " You don't know anything, you only know how to bring them here to die" and that does it. Because it's both "you can't follow these rules blindly when they rely on sacrificing people" and "you've changed and I don't trust your judgement on these matters anymore".
And as he says it, Mingjue looks at their disciples and he sees the puppets for a moment. And Huaisang just questioned if the other disciples were really attacked by puppets.
So that's a big moment and Huaisang is right, of course, but he doesn't have a confirmation that this is the result of Mingjue's health deterioration yet, so he keeps pushing. And Mingjue doesn't really have a counter argument because he knows what's going on with him, but it must be very scary to hear it from the person you care about the most and realize just how much you're being affected.
(Actually, Mingjue has one counter argument and that is "Well, I am at least trying to do something while you're painting and living a carefree life", and he's not wrong either. Huaisang is right and rightfully harsh, but this is the first time he's being confronted with these difficult choices and all their family history. He can reflect on and question it, but his brother has been meking those hard decisions since he was 14, when did he ever had a break to question and change things?)
Which leads us to
The Talk
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After seeing his brother sacrifice himself for him at the bridge, and then seeing Mingjue be so vulnerable and lost, that anger from their fight is gone. They can meet in the middle with "You are right, I wasn't thinking straight, this is not a long term solution and I've failed at changing our ways" and "It's not your fault, you did everything you could but you're not responsible for this situation" and it's very beautiful and heartbreaking.
Mingjue is so remorseful, both because he has condemned Huaisang to die with him and because he feels like he failed everyone and everything (even if he doesn't seem to know what he could have done differently to avoid all this).
And Huaisang's reaction in this scene is so calm it made me think this Huaisang is somewhat used to his brother displaying vulnerability around him. This isn't book NMJ with all his victories, this isn't a man who never let the Unclean Realm be conquered and who could afford to keep Huaisang far away from the war. This is a man who was attacked and subdued in his own home, who had to send Huaisang to the hands of the people who killed their father.
This Huaisang doesn't have reasons to see Mingjue as this unmovable force, he has seen Mingjue hurt and threatened and fearful; and he's now seeing him remorseful and defeated.
(I'm sure Mingjue telling Huaisang about the fact that he's dying and admiting his mistakes and insecurities is something new, especially considering their previous fight, but this Huaisang doesn't take it as a shock, because he knows his brother is only human and there's only so much he can handle. He even, like, explicitly says this)
And so he assumes this calm, reassuring and empathetic posture, because that's what his brother is asking for. And it's the most beautiful thing, Huaisang has so much love for him, so much empathy. And this is Mingjue's reaction to his brother's reassurance that it's okay if they have to die there:
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I'm sure Huaisang is still processing Mingjue's "I only forced you to practice because I'll die soon", but he's so good at reassuring his brother.
Because Mingjue just told him "I am dying and I'll go as a failure" and Huaisang insisted "None of this is your fault and you did everything you could and more, and if I have to die here with you today, I don't regret a thing, and you shouldn't either".
There's no despair or anger that his brother is only telling him this now, there's only understanding and acceptance and so much love and they really knew what they were doing with this movie.
His people love him
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Mingjue is so moved. He just admitted to Huaisang that he's not in peace with his accomplishments, or lack thereof; that he feels ashamed to face his ancestors, having done so little.
So I truly believe Mingjue doesn't consider himself worthy of this much trust and support. (And I can't ignore how this is tied to the Nightless City situation, where he led the men who trusted him with their lives to a dangerous situation and couldn't save any of them).
As we see in the confrontation at Jinlintai, that technically happens after this movie, that is still a very sensitive topic.
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And here he has his loyal disciples saying they will follow him yet again, despite his previous 'failures'; just like Huaisang was ready to die with him. They have so much trust in him, and the way he's nodding a little here, just like he was nodding when Huaisang reminded him of everything he's done for their sect since their father died, is like he's convincing himself of it. That he can do this and he can do this right this time.
And yet
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He fails again. And I don't even think he knows it was him who killed those disciples, like some people say. He doesn't need to because it doesn't matter. His men, who followed him till the end of the world, are dead again. And so is the hope he had of doing this one right thing before he dies.
Yes, he supressed the saber spirit like he had to, but they're still dead, all of them.
He falls apart, how could he not?
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At some point I'm sure Huaisang his holding all his weight because he just gives up. There's only so much loss one can handle and that's way too much.
And look at the way Huaisang is watching him as he realizes something inside Mingjue shattered forever.
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There's so much pain in this scene, it looks physically taxing and I hope people gave Wang Yizhou a break after he shot this. I know it's his job and he's phenomenal at it, but this has to mess with your head a little.
And hey, it's a Huaisang crying scene as well. CQL Huaisang only really cries twice. First he watches his brother have a mental breakdown in his arms after unknowingly killing his own disciples; and then as he watches his brother qi deviate and die, while unable to do anything to either stop or comfort him.
(And a lot of people said there's no hesitation on Huaisang's part when he rushes to his brother's aid when Mingjue is hurt on this post's notes, and that's true for book Huaisang too, because he runs towards Mingjue as he is qi deviating, gets hurt in the process, and still keeps calling for him, which makes CQL's decision to have JGY holding him back kind of cruel, tbh, there's not a Huaisang who would run from a hurting Mingjue regardless of the risks
But at least we have this scene.)
And that's it, I guess. There's nothing uplifting to say about this, really. He just went through a lot and kept shouldering everything until he couldn't anymore. I just wish book NMJ had gotten to receive the same love and comfort and acceptance from NHS before he died, I wish he had been able to tell his brother what was actually happening, but thats kind of the purpose of this movie, so I'm just very grateful that it exists.
It's like that post says, it didn't change anything but the love was there, you know? That's how this movie feels for me.
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antiquarianfics · 9 months
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Shower
Sometimes it's all you can do to breathe. Sometimes you need a little help--even with the basics. Bucky's happy to help.
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A/N: This is a completely self-indulgent comfort fic. Genre: Fluff / Rating: PG Pairing: Bucky Barnes x Fem!Reader Warnings: Themes of mental illness, nudity. Note: I do not own the character Bucky Barnes or any other Marvel affiliated characters.
You do not have permission to copy or repost my work; however, feel free to like, comment, and reblog.
---
If you were being perfectly honest with yourself, you knew this was pathetic: lying on the bathroom floor, nibbling on a half eaten pop tart, and listening to the shower run.
“Not only am I gross,” you think, “I’m wasting perfectly good water.”
You sigh, willing yourself to stand up, to shower, to not eat on the bathroom floor. But you can’t.
Depression is weird like that, taking seemingly simple, inconsequential tasks and turning them into battles. You certainly didn’t lie on the bathroom floor, eating pop tarts, while listening to the shower run when you were mentally well.
The truth was: You just got back from a mission. A run of the mill recon mission. You were in, you were out. You did your job. But now you were sweaty, and sore, and unable to do anything for the benefit of yourself. Helping other people? No problem? Helping yourself? Mission: Impossible.
You groan, pulling your towel under your head for minimal neck support as you stare at the ceiling. You can see where condensation slowly develops and drips from the fan, and if you turn your head, you can see the fogged up mirror.
“I’ve been here a while,” you note.
You pull out your phone, checking the time. 9:04 PM. You don’t know when you got back, when you turned on the shower, when you dropped to the floor. The time tells you nothing.
You groan again, throwing your arm across your eyes. You’re tired, and you’re positive you could fall asleep here on the bathroom floor. You know you shouldn’t, but you could… and you haven’t been sleeping in your bed… and you let yourself drift off.
Banging. You wake to banging. No—knocking. You wake to knocking. As you come to, you realize someone is knocking on the bathroom door. You don’t have it in you to stand and open it. You never undressed anyway, lying on the floor in your tac suit, so you call out “unlocked!” and watch as the doorknob twists and the door is cautiously opened.
“Y/N?” The intruder calls softly with concern lacing each syllable of your name.
You groan in response, letting your arm fall from your face as your eyes flutter open. You look up to be met with the ever so concerned blue eyes of your best friend: Bucky Barnes. As he makes eye contact with you on the floor, eyes drawn downward at your groan, eyebrows scrunched in confusion, he opens his mouth to say something before seeming to think better of it.
“Can I come in?” He asks cautiously after a moment.
You nod and he slips into the bathroom, gently closing the door behind him. He lets himself sink to the floor beside you, pulling your head into his lap both to accommodate his large size in your small bathroom and in an attempt to comfort you. He lets his hand fall to your hair, quietly playing with it. You hum contentedly, eyes fluttering closed again, and you’re grateful he hasn’t begun interrogating you even though you know he’s confused.
Maybe 5 minutes pass in silence. Your mind is finally somewhat at ease from the comfort Bucky brings you, but you know he deserves an explanation as to why he’s on your bathroom floor holding you while the shower runs.
“I…” you start, trailing off before clearing your throat nervously and trying again. “I know this is weird. I can explain.”
Bucky shakes his head, raising an eyebrow. “You don’t have to, Doll. Lord knows I don’t always explain to you the weird things I do when I…” have an episode, he was going to say. He doesn’t want to call this an episode, though. He’s still not sure what this is. “We all deal with post-mission stress differently,” he says instead.
You huff. “I wish I was doing this because of mission stress.”
Bucky doesn’t respond, just watches patiently as he continues to run his fingers through your hair. He refuses to force anything out of you you’re not ready to share; after all, you never force him to spit his feelings out.
“Bucky, I… I’m not doing well.”
The admittance takes you off guard. You hadn’t even acknowledged to yourself that you weren’t doing well. You’d been avoiding that simple truth, that small detail.
“Yeah. Healthy people don’t generally run up the water bill while they snack on the floor,” Bucky teases gently. You are aware there’s no malice behind his words; he’s just trying to lighten the mood. You cringe, though, when you realize he had noticed the pop tart wrapper and the clear lack of pop tart. Bucky notices you cringe, though, and his light smile drops.
“How can I help, Doll?”
You shake your head. “You don’t have-”
“I want to,” he cuts you off.
You swallow nervously, but nod. You’ll let him help you.
“I, uh. Can you…” you scrunch your eyes, grounding yourself despite your embarrassment. “Can you help me shower?” You choke out the words, hoping he maybe missed them and will leave you on the bathroom floor to sulk.
Bucky smiles encouragingly, not showing any signs that he is bothered or uncomfortable with the request. Instead of running and leaving you to your self-destructive tendencies, he helps you sit up before standing himself, grabbing your hand and pulling you to your own feet. Gently he helps you out of your tac suit that clings to your body uncomfortably from sweat both from the mission and the steamy bathroom. Once your suit is removed, he helps you pull off your sports bra and shimmy out of your underwear. It’s intimate, yes, but it’s not at all sexual. You can’t help but curse yourself for letting the first time he saw you like this be under these circumstances. It wasn’t supposed to be like this. You bite your lip anxiously, closing your eyes as you wrap your arms around yourself in a self conscious hug.
Bucky’s gaze is 100% respectful. He keeps his eyes on your face, or the back of your head when you’re turned around, only letting his gaze drop to help you out of your constricted clothing.
He finally helps you step into the shower, pulling the curtain closed as you step in. You let yourself stand under the water, staring at the wall in front of you. Your thoughts are running a million miles an hour and are also nonexistent at the same time. You wish you knew how you could think about everything and nothing at the same time.
You hear a soft clinking sound that you’re sure is Bucky unbuckling his belt. Then you hear the sliding of his jeans down his legs, and the gentle grunt he lets out while he takes off his shirt. You’re not sure because you can’t see, but you’re pretty sure you hear him fold his clothes and yours to set neatly on the counter. Finally, he pulls the shower curtain back a little to step in himself.
He smiles reassuringly at you, keeping his eyes on yours. You force a small smile onto your own lips in response.
He’s still in his boxers, protecting his modesty for your sake. You can’t help but feel a little disappointed but you shake your head, chasing those thoughts out of your mind. He’s just your friend—your best friend—and he’s only doing you a favor. As a friend. Not his girlfriend.
Bucky’s eyebrows scrunch together in concern as he watches you shake your head, obviously distraught.
“Hey, hey. Sweetheart, look at me,” he says, resting his palm on your cheek. You look at him. “Are you alright?” He asks, searching your eyes for any indication that you’re not.
You only nod. He eyes you suspiciously but drops the subject. Instead, he reaches behind you for your shampoo, squirting some into his hand, before letting his hands fall into your hair, slowly massaging the shampoo into your scalp.
Bucky quietly washes you, stepping back only to let you wash your more intimate parts. His hands on your body are intoxicating. His right is calloused and rough from decades of use and his left is smooth and and warmed from the water, but they’re both so gentle as they run along your body. When he finishes bathing you, he lets his arms drop to his side, and you immediately miss his touch. He looks anxious and unsure of himself for the first time since entering your bathroom, and you realize it’s because he suddenly isn’t sure what to do with himself. Without thinking much about it, you give him a new task.
You step forward into him, wrapping your arms around his torso and resting your cheek against his chest. The action surprises him, but he almost immediately wraps his own arms around you, holding you close. He plants a soft kiss to the top of your head.
“I’ve got ‘ya, sweetheart,” he assures. “I’ve got you.”
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evertidings · 5 months
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— NOVEMBER 2023.
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accomplishments.
the thing about writing these updates is that i never write them on the first of the month. on top of that, i skipped last month because i published the update on october 28th and, well, you didn't exactly need a whole post of me rambling about how i gave myself too little time to edit and almost ripped my hair out during the process. that can be summed up in a sentence.
this month, however, needs a longer discussion. granted, november has always been a very busy month for me in terms of university and, on top of the mini-break i gave myself, there's not that much to talk about, but here i am.
to describe chapter eleven in a word, i'd say it's "progress." progress in terms of plot, in terms of character development, both the hunter and the ros—just progressive in general. i said this on patreon, but i have a habit of saying "this chapter is different to any that i've written before." i suppose it's true in a sense, but if i had to compare it to anything, i'd say it's giving the vibes of chapters one and two. maybe with a mix of chapter ten. the more i write, the more fun i find myself having with the chapter. it's exploring some themes i've been itching to get to for a while now and it's so satisfying to be able to wrap up all these loose ends and have it all come together.
it's way too soon for me to have any sort of release date right now but just know it's being worked on. i know i've been a bit quiet on this front and i swear i'm trying to work on it, but after nearly three years at this, i still feel like a boomer when it comes to answering asks. i do read them all as they come in, however, so if you ever wonder about that, now you know.
as the year comes to an end and the holidays begin, i just want to thank everyone for your endless support. extremely sappy, i know, but i just had to say it. no words can describe how much it means to me that people follow my updates and are invested in this project as much as i am. i hope you're all taking care of yourselves and that you're well <3
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