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#may be the greatest thing ever to happen to me

thestarsarebrightertonight · 2 days

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i hate it here // mattheo riddle x fem reader

playlist : i hate it here - taylor swift

"im there most of the year cause i hate it here"

summary: you and mattheo find yourself laying on the rocky edge of the black lake , giving you a moment of serendipity to show him there is a world beyond the cold castle behind you.

y/n , no specific house , fluff , short!

masterlist tppd series masterlist

you allowed the sound of the waves to drown out all of your thoughts as you found yourself laying amongst the rocks of he black lakes shore , mattheo riddle doing the same besides you.

"do you ever worry theres nothing beyond hogwarts?" he said softly as a silence followed , "i mean i hate it here but what if these are the best years of our lives and we're wasting them hating a place that isnt so bad afterall?"

you listened to his soft , anxious rant before simply turning your head to look at him , mattheo doing the same.

"i like to imagine everything i could do after hogwarts. when im in herbology i imagine my life travelling the world and collecting plants and discovering new ones , in defence agasint the dark arts i imagine chasing a death eater through the streets , i imagine the feeling of catching them - the euphoria. in charms i imagine being a professor , inventing new spells , teaching or working for the ministry." mattheo silently stared at you as you spoke , "the point is , there so much more out there mattheo , not even in the wizarding world , in the muggle world too. it may sound stupid but doesnt being a muggle singer sound fun? or a librarian protecting the acient words that are around me every day , lending people the knowledge of a well known poet or showing them the new world of a fiction novel."

he began to smile as you listed every opportuinity , the adventure of every posibilty flickering in his eyes.

"life doesnt end at hogwarts , thats where it begins." you smiled at him.

he grinned at you , seemingly happy with your response , "no matter what happens when we leave this place , ill be with you. even if you work in a muggle cafe or become the worlds greatest quidditch player , ill be there. i hate it here but i will never hate you."

"good because what we've got going on is a forever thing!" you both laughed as mattheos heart fluttered at the thought of it.

"forever" he smiled.

#harry potter #harry potter x reader #hp fanfic #x reader #hp #hp fandom #mattheo x reader #matheo riddle #mattheo riddle #slytherin #hogwarts #taylor swift #theodore nott #draco malfoy #ttpd #i hate it here

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absolutebl · 6 months

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This Week in BL - It's weird where I am right now, Okay?

Organized, in each category, by ones I'm enjoying most at the top. However, I've put quite a few on hold for travel reasons.

Oct 2023 Wk 4

Only a few screen shots for you this week, my hotel wifi is actually THAT bad.

Ongoing Series - Thai

My Dear Gangster Oppa (Thurs iQIYI) 1 of 8 - Classic unlucky in love failed crush on straight bestie = both v queer and v emo yaoi. I gotta say I like these actors way better in this than their previous series, and maybe that’s because Tew is more like Tul and I just like Meen better when he’s… erm… mean. All of which is to say, this is off to a wonderful start and I am about to lose my very sleep deprived little mind... ready for a ABL ecstasy rant?

I LOVE THIS SO MUCH I CAN'T EVEN.

"I play support because that way everyone is happy to see me show up," might be the single best moment of characterization BL has EVER seen.

Look here, in the grand cornucopia of BL universes this is my metaverse. It's pulp... but relatively high production. It has an established pair that I know I like... but who were given crap before. It's a tidy little script, it's not gonna run too long, and it's ALL the archetypes and tropes I love but rarely see. It's Japan's style otaku plus Korea's style gangster, Thailand's style friendship group, and it arrived out of NOWHERE. It's Korea's IP & money, Thailand's talent, and China's streaming service.

Do we know what the hell is going on?

No we do not.

Do we care when it's this much fun?

No we do not.

(In this I speak for everyone... no, EVERYONE.)

This show I why I got into BL.

Don't bother me with trifles. Me and My Dear Gangster Oppa are sailing off into the infinite pixilated sunset together, thank you very much.

Dangerous Romance��(Fri YT) ep 11 of 12 - I managed to watch most of it on low rez before YT "discovered" I was in Asia and therefore could not be allowed to watch Asian shows. (AKA my VPN failed me.) But it seemed like a good ep.

My Universe (Sun iQIYI) Lucky Love ep 10 of 24 - I enjoyed this 2 part installment, it’s a bit of a sad sack recovery SAGA, but the acting is genuine, the couple believable, and the story felt particularly queer to me. 7/10 but close to an 8. It was really quite charming.

However: Next week looks not good on many levels - it's horror and I spotted guitar. Which is even more horrific.

Absolute Zero (Thai Weds iQIYI) ep 5 of 12 - do temporal paradoxes exist in Thailand? That is the question. I gotta say Tor (Ongsa) is carrying this show and is doing a really great job, it's just the story itself doesn't resonate with me. Ugh it's so sad.

Is it, indeed, better to have loved and lost than never to have loved at all?

We only on ep 5 and had a full story arc already, there is A LOT more to go.

Venus in the Sky (Tues iQIYI) 9 of 10 eps - the fact that in losing Sky Venus also lost his surrogate family explains his resulting bitterness a little bit more. I wish we had gotten this back story much earlier. Still stupid pulp made me cry, which of course means it's back in my good books. This story is slow as fuck, but I'm going on a rollercoaster with it.

Ongoing Series - Not Thai

Kiseki: Dear to Me (Taiwan Tues Viki & iQIYI) ep 11 of 13(?) - I love them, okay? All of them. This is a great sappy classic Taiwanese BL and it is my baby and you can’t take it away from me. MINE.

You Are Mine (Taiwan Fri Viki) eps 8 of 10 - oh noes it got sad, I thought they would at least would have had drunken sex before the drama. Sigh. Still the kissing was good, as it should be from Taiwan.

If It’s With You AKA Even If I Fall In Love With You AKA Kimi to nara Koi wo Shite Mite mo’ (Japan Gaga) ep 4 of 5 - Amane is so brave. About being gay. Being out. Confessing. Its admirable if scary. Otherwise this ep was pretty slow.

Bump Up Business (Korea Gaga) 3-4 of 8 - how do I feel about this show? Conflicted. Are OnlyOneOf doing a great job? Yes, actually. Am I enjoying it? No, not really. Is this anyone's fault? I don't think so.

The little linguistic negotiation was cute tho. And we seem to have gotten idols kissing in a BL both in the same group, so that glass ceiling dildo has finally been broken.

NineMill are unexpectedly good, also KB plays a great evil ex. Of the 3, I think only Nine is good enough to go into acting permanently (but he's not tall enough). Still, all hail OnlyOneOf... kings of the "gay concept." You boys make me v nervous but as couple-branding goes, you just out branded Thailand. Mad props baibies. Legit never thought I'd see the day.

Trust Korea to be in it to win it.

Mr Cinderella 2 (Vietnam Sat YT) ep 6 of ? - i pretty much just forgot to watch this.

It's Airing But...

I Feel You Linger in the Air (Fri grey) ep 8 of 12 - I will try to watch and do a series review in November but... not sure I will be able to. Fingers crossed.

Love in Translation (Sat iQIYI) ep 8fin - completed but I couldn't catch the last ep, my final thoughts in Nov.

Only Friends (Sat YT) ep 12 fin - completed, but see afore mentioned YT issues. I'll review it in Nov. I anticipate better internet soon.

What Did You Eat Yesterday Season 2 AKA Kinou Nani Tabeta? Season 2 (Japan Fri Gaga) ep 1 of 10 - I find this series more fun to binge, so I'm waiting until it completes its run.

I Cannot Reach You AKA I Can't Reach You AKA Kimi ni wa Todokanai (Japan Tues Netflix-Japan & ????) - in classic JBL fashion, I Cannot Reach You could not be reached.

Can I Buy Your Love From A Vending Machine? AKA Sono Koi, Jihanki de Kaemasu ka? (Japan cinema release in-country only) - This one is a movie from Japan so in customary fashion who tf knows when (or if) it will get international distribution. Salaryman Ayumu Koiwai just can't tear his eyes away from the strong, muscular man as he checks on the stocks of the vending machine in his office.

One Room Angel (Japan Gaga) - adaptation of Harada’s manga of the same name (which I did not like) about a convenience store clerk who's stabbed, nearly dies, and returns home to find an angel waiting for him. With only 5 eps and a good chance this won’t end happy, I'm gonna wait and let you tell me how it goes.

Next Week Looks Like This

Upcoming October BL

10/31 SHADOW (Thai Gaga) 1 of 14 - this is a horror BL featuring ghosts and other paranormal elements in a high school setting. I'm not wild about Thai horror (or horror at all). It features Singto (who did paranormal BL He's Coming to Me) opposite Fluke N (who's done a couple horror's before). Also Fiat. Dan suffers from sleep paralysis, and in his dreams he sees a shadow that suffocates him. It gets worse when he transfers schools.

Upcoming November BL

11/3 Twins the series (Thailand ????) 1 of 10

11/17 Pit Babe (Thai) - Pavel my love!

11/19 Bake Me Please (OhmFluke but not, Thailand)

11/22 7 Days Before Valentine (Thailand) - horroresk

11/25 The Sign (Thailand) - horroresk

11/30 For Him the series (Thailand) - high heat

VIP Only (Taiwan) - may be delayed/canceled

Cooking Crush (OffGun, Thailand) - may be delayed, there some kinda gossip/rumor/shade happening at GMMTV

Wuju Bakery AKA Space Bakery (Korea) - this one may be DOA

2023 forthcoming BL master post (see comments, some are inaccurate, NOT KEPT UPDATED).

THIS WEEK’S BEST MOMENTS

My Universe - I just enjoyed the angle of this kiss shot.

Uh huh. Sure, honey. (Bump Up Buisness)

COULD THIS EXPLAIN THE SNUFFLE KISS?!!!!

(Last week)

#this week in bl #My Dear Gangster Oppa #may be the greatest thing ever to happen to me #My Universe: Lucky Love #My Universe the series #TulHin #Meen Nichakoon #thai bl #Venus in the Sky #Bump Up Buisness #Korean BL #OnlyOneOf #japanese bl #taiwanese bl #upcoming bl 2023 #november bl #Kiseki: Dear to Me

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fictionadventurer · 1 year

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People will often say, 'If you could be with Lincoln for dinner, what would you want to ask him? What would be the unanswered question?' And I know I should be asking him, 'OK, suppose you had not been killed, how would you have dealt with the South? How would you have dealt with Reconstruction and all the controversies that arose?' But I know that if I really had him for dinner one night, I would simply ask him, 'Tell me a story, Mr. Lincoln.' Because then I would see him coming alive. He laughed so hard when he told one of his funny stories, his eyes would twinkle. And then I'd know that the Lincoln I knew -- who was somehow able in the worst days of the war to dispel the anxiety of his Cabinet members by his humor and his life-affirming sense of storytelling -- then I’d know I would have seen him alive.

-Doris Kearns Goodwin, Presidential Episode 16

This was where I had to stop the Lincoln episode at the end of my commute, and as I pulled into the parking lot I said to myself, "Wow, that's lovely." A little schmaltzy, perhaps, but I think it gets to the core of why people study history. Sure, there's the intellectual impulse to analyze and understand events with the benefit of hindsight, but deep down, the heart of historical study is a desire to connect with people. To bridge the gulf of time and space and get to know people despite the fact that they lived in a completely different century.

History's not just dry lists of dates and names and theories. It's people. It's personalities. It's quirks and memories and stories. It's knowing that a historical figure isn't just a face on a monument, or a source of information, but a guy who can tell really funny stories. And I wanted to share this quote because it really understands the humanity of history in a way I rarely see expressed.

#history is awesome #presidential talk #i had this woman's lincoln book rented on libby #cuz the library happened to have it and i thought i recognized her name from podcast ep descriptions #with no real intention of ever listening to it but now i may just have to give it a try #it's crazy how i keep thinking 'this era of history's so interesting i don't think i want to move forward in the podcast'#but then i hit the next ep and it fires me up to find out what's next #i thought the lincoln ep would be relatively boring but they take an interesting angle with it #and after all the buildup to pre-civil-war #i'm now desperate to see how they can possibly build things back up now that they finally broke apart #look at me treating american history as if it's a tv show #(of course i know the broad outlines but i'm specifically not refreshing my memory on later details to avoid 'spoilers')#anyway i didn't want to make the main point of the post about catholic things #but i do want to mention here in the tags that this approach to history #is one of the greatest proofs we have of the communion of saints #we have a drive to connect with each other despite coming from different times #we are timeless beings caught up in the flow of time #enough rambles time to post

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iisasarcasticlittleshite · 3 months

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Heyy bbg 😩

How was ur dayyy, mine was ok i went shopping 😘

Whats ur favorite colorrr, i like blue 😝

How would the boyz react to breaking the bedframe during sum rough... activities 😉😏😩😳

Dont forgor to drink water and get atleast 6 hrs of sleep pls 🥺

Heyyy! I am so sorry this took me so long to start on, I went a little MIA there, lol. So of course my first post of 2024 is OM smut lol Happy 2024 everyone! Now, on to the hcs! Mature content below the cut. Warnings for Levi's section, implied monster f*ck*ng, very slight.

Lucifer

This bastard makes no secret of how proud he is to make a mess of MC.

His reaction depends on the position, if the bedframe cracks while he is on top, then he makes sure MC's safe before continuing elsewhere.

MC's barely had time to comprehend that the bedframe gave way underneath them before Lucifer is scooping them up and resuming their activities on his desk or against the wall.

"Lucifer, did we-?"

"Don't worry your pretty little head about it, my darling. Now, sing for me~"

But. If that bed breaks while MC's on top? That is a very different story.

"Look at you, taking me so well even the bed can't take it~"

"Go on, love, do it again."

Demon does not give a shit, clasps MC's thighs and holds them up while he thrusts up to meet their hips.

He may act mildly displeased at having to buy a new bed, but that aura of pure pride rolling off him the next day is fooling no one.

Mammon

Let's face it, he's so sex-drunk he probably didn't notice. He's too busy overstimming himself to the point of tears, pretty noises pouring from his kiss-bitten lips with shameless abandon.

He's the Avatar of Greed after all, and here is his greatest treasure, all naked and pretty for the taking, giving him everything he could ever want. Why in nine circles of hell would he stop?

He'll fuck until the mattress hits the ground, or until MC tells him to stop, because he always retains enough of himself to keep them safe.

Once they're done and laying on a skewed wreck of a bed, sweat colling on their skin, that's when Mammon finally notices.

"Hey...what happened to the bed?"

MC chuckled, pressing a kiss to his brow. "You happened, baby."

His cheeks turned pink and he hid his face in their neck as though he could hide the blush from them. MC felt him grinning against their skin, until the reality struck him.

"How the fuck am I gonna explain this to Lucifer?"

Leviathan

He also wouldn't notice, but not for the reason you might think.

Usually, Levi is a very sweet lover, tends toward the submissive side and lets MC set the pace.

However...

For their lovemaking to get to the point of breaking anything, it's because Levi has gone absolutely feral.

I'm talking more demon than anything else, growling and snarling instead of whimpered, sweet moans tumbling from his lips.

You'd better believe he'll break the bed, the only thing that will stop him is MC, and if they choose not to...

He'll break a lot more than the bed.

Satan

Believe it or not, I don't actually see this happening with Satan.

He's so cautious of his wrath around MC in the bedroom that I'm no so sure he'd even be comfortable playing rough.

The most that happens with him is toppling a pile of books or something. Once, he accidently knocked into a shelf and used himself as a meat shield for MC as the avalanche came down.

That made for an awkward evening when poor Beel come to the rescue.

Asmodeus

Let's face it, if he did it, it was on purpose.

Asmodeus knows exactly what he's doing when it comes to MC's pleasure, knows exactly how to make them writhe just so that it was actually the human who let magic slip in their daze and cracked the bedpost.

The Avatar of Lust chuckled against their sex, his head buried between their thighs and his eyes alight with pure sin. "What else can I make you break, lovie?"

"S-sorry..."

"Oh no sweetheart, don't apologise. Let me see how much more I can make you sing for me~"

#om #obey me smut #obey me x mc #obey me x reader #lucifer #mammon #leviathan #satan #asmo #obey me lucifer #obey me mammon #obey me satan #mammon x mc #obey me asmodeus #lucifer x mc #obey me asmo #asmodeus x reader

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sugusearrings · 6 months

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( ' safe & sound ' )

just close your eyes, the sun is going down you'll be alright no one can hurt you now come morning light you and i'll be safe and sound.

— summary: captain levi ackerman the strongest warrior alive is struggling to adjust after the war. but you (fem!reader) are there to remind him he deserves peace. — genre: fluff but tiny bit of angst. — playing: safe & sound by taylor swift — note(s): so aot just ended and i'm still in denial it's really over. my boy eren did nothing wrong but i understand, 80% is kind of a lot BUT HE WAS A CHILD WAR WEAPON. anyways, post war. SPOLIERS AHEAD JUST A FAIR WARNING OKAY. levi ackerman and reader have a slight age gape ( reader is 25 and levi is in his mid thirties). mentions of brief sex. mentions of scars and death. maybe some spelling errors i missed but i tried ~ levi may be grumpy and mean but he's a total softie to the reader. — word count: 2k

He inhaled sharply as his upper body sat up from his sleep. He could feel the cold sweat formed on his the side of his head rolling down. His chest rose up and down with each inhale he took. He ran his hand over his face. He glanced down at his hands. His two missing fingers always reminded him what happened almost five years ago now. The rumbling ending. Everyone is trying to rebuild a normal life. He never really knew what a normal life was. His life was all about fighting and survival and now it was over. What was Levi made for now?

He quickly reached over for his cane leaning against the nightstand.

Levi was determined not to be stuck to that damn chair, he did whatever exercise he could without putting too much on his body. There were some days he had to be wheeled around. But using the cane on the daily was happening often. He didn’t want to be helpless or dependent on anyone. He was never like that so why start now?

He made his way out of the bedroom and walked into the small hallway that normally took two minutes to pass but it felt entirely. He was on alert, adrenaline pumping through his veins already. How could he protect now? He felt so useless. Once the greatest warrior to this. At first it was hard accepting this new reality of his. All he wanted to do was sink more into the dark and isolate himself.

If he was gone, would anyone notice? Would anyone care? Those he loved and cared for were long gone leaving him alone. He never knew loneliness would become his true enemy.

He held his breath accepting his fate as he walked into the kitchen. His dull gray eye widen seeing you standing there already pouring some tea in one of his favorite cups. He nearly dropped his cane.

“Name…”

“Captain Levi?” You looked up at him a bit startled he was awake. He let out a heavy exhale.

“After all this time, you still callin’ me that?” He rolled his eye then shook his head. “Give me a break.” You giggled quietly with a light blush appearing on your cheeks.

“I’m sorry, it’s just an old habit I guess.”

“What are you doing up?” He asked you completely ignoring what you said.

“I figured you would want some tea when you would wake up.” You replied walking over to grab another cup from the cabinet. Levi could feel his ears beginning to burn. He cleared his throat.

“You…know?” You turned around to see the flustered older man. You tilted your head slightly to the side and was baffled. He thought he could hide his nightmares from you. His nightmares of the past.

“Of course I do.”

Your warm smile still made his heart throb the same way it did when you two met.

He found you the most annoying thing ever. You were too optimistic for his liking and you were very emotional. You were immature and very impulsive. But he adored that about you. You weren’t scared to stand up for what you believe in, even against him. When he was your captain and you were just a cadet on his squad. You two saw things from different perspectives but he respected that. He wasn’t sure if he ever told you he did.

“I’m sorry I woke you.” He made his way over to the nearest chair at the table. He pulled it out so he could sit. You took the cup full of tea and walked over to place it in front of him.

“It’s okay, Levi. Your nightmares don’t always wake me,” you placed your hand over his, “I have my own too, y’know?” You gave him a gentle squeeze.

The guilt sunk deep in Levi’s chest. How could he not think about you having your own trauma for what you both went through. Losing people you love, being injured and almost close to death several times. You had many scars to prove it. Especially the one on your neck reaching to the top of your chest. It was easier to hide but doesn’t mean it wasn’t a constant reminder when you would change outfits, shower, even during intimate times.

“I’m a horrible husband aren’t I, name?” He sighed deeply, reaching to grab his cup the same way he always has. You smiled remembering the time you made fun of the way he held his glass to your other comrades. It was all laughter until Levi was behind you the whole time. When you turned around looking white as a ghost seeing Levi glaring down at you. You screamed loudly then he made you clean his office and room from top to bottom.

“A little bit.” You teased him playfully. You grinned when your husband glared at you. “I’m kidding, Levi. How are you a bad husband?”

“My wife has fucking nightmares next to me and here I am sleeping.” He snapped. You bit your bottom lip and lowered your eyes. “But I even breathe a certain way, she knows if there’s something wrong with me.” He went on becoming more aggravated with himself.

“You’re being hard on yourself again.”

“You’re not denying it.” He countered. You sighed deeply.

“Levi…I have nightmares, yes. But you help me just by being there next to me.” You gave him another squeeze. Before he could say some smart ass remark you cut him off. “You remind me of what’s happening now. I can’t forget the past...I can never forget. But waking up next you eases it and makes it better to deal with.” Levi remained silent.

He couldn’t believe someone like you could ever love someone like him. To this day he would be in disbelief. You were so warm and he was so cold. But here you are sharing a life with him.

“You make it sound so easy.” He mumbled lowly.

“I know when you have nightmares when you hold onto me tight.” You admitted. His eye widened looking over at you. You smiled shyly looking away. You were trying to hide the dark blush on your cheeks but he would always see it. You couldn’t hide it from him.

He could remember the first time he made you blush. It was the first time he saw you with your hair down. When he complemented you ( in his own way that didn’t sound too mean ), you blushed. His heart fluttered how perfect you looked with your cheeks flushed.

“You woke up because I wasn’t in bed this time…” You spoke snapping him out of his own thoughts.

“I thought in a marriage there was no such thing as secrets.” He joked dryly.

You laughed covering your mouth with your hand. He noticed some faint scars on your hand. He remembered that scar. He remembers all the scars on every inch of your body. He would kiss them gently some nights making your breathing hitch. He would kiss the scar on your neck the most. He felt that needed the most attention. The day he almost lost you for good.

You were fighting alongside him against Zeke for the first time.

That’s when Levi realizes his feelings for you.

He stood by your side whenever he can, waiting for you to recover. He would even read out loud to you. When you woke up a few days later, you asked him to re-read the sentence he just read because you couldn’t hear him.

What nearly broke him when he thought you drank the wine with the spinal fluid.

Thankfully you didn’t but he confessed his feelings for you the same night. Yes, it was inappropriate for a caption to be with his cadet but he didn’t care about his title or yours in that moment. Levi just needed you to know in case something happened. He was ready to hear your rejection but when you confessed your own feelings for him, he was relieved.

That’s when Zeke did the explosion, Levi had enough time to push you off the wagon leaving him to suffer the injuries alone. He doesn’t regret it. He’ll do it all over again.

“Is this how you pictured how things would be after?” You asked him gently. Levi closed his eyes for a brief moment before opening them. His dull gray eyes staring into yours.

“Yes and no.”

“That’s not a fair answer, Captain Levi.”

“Name.”

“Sorry.” You held your hands up in defense. He sighed softly.

“Yes, I pictured this after the rumbling. Marrying you, having a normal life with you. Just being with you in peace. What I didn’t expect was to be like this.” He glanced down at his hand again that bandaged up from the fingers he lost from that explosion. “I wasn’t much of a looker then but god look at me now.” He let out a sad chuckle. You frowned, feeling your heart aching. Was he serious right now? You thought Levi was the most handsome man you ever met. You were drawn to his dark gray hues. During the day they would glisten.

“Levi, don’t think that. You’re still handsome to me and always will be.”

“Don’t feed me that shit, name.” Levi scoffed. His stubbornness was still the same as before. You sighed and rested your chin on your hand letting him ramble on his negativity. “Probably see me as a pity case.”

“If that’s so, why do we still make love four times a week?” You questioned. When you looked over to your husband who was silent but red in the face. You felt your lips curl up into a smirk. “Cat got your tongue, captain Levi? Oh I’m sorry, I forgot to mention how we fuck multiple times. All night if I don’t tap out.” You purred in a tone you knew was his weakness. Levi shifted a bit in his seat then brought his left hand to clear his throat.

“Shut it you brat.”

You simply smiled at your victory.

“I love you, Levi. I don’t know why you can’t accept that.”

“You deserve better.”

“So do you.” You replied back. Levi glared at you once again.

“How can you say that shit?”

“Because you’re saying it so why not?” You shrugged then got up to pour yourself that tea you swore it was cold by now. Levi’s eye scanned down to your body how it hid underneath his white shirt. When you would lift to reach something it exposed some of your bare flesh underneath. He held his breath for a moment.

“I just…hope this is what you want.” His voice spoke. You didn’t turn around. Your eyes glanced down at your cup you were holding. Your ring finger was empty but the silver band stood on your nightstand with your glass of water that was empty now. Levi would always bring you a glass of water before bed.

“I want to spend my life with you, Levi. We’re at peace now. You’re at peace. You deserved this. You risked your life so many times. Everyday it’s a struggle for you to live with what happened. But we can do it together, just trust me?”

You turned with glossy eyes staring back over to him. He used his strength to stand up on his own for a moment. Then he made his way over to you. Once he was close enough, he placed his hand on your cheek just studying your face.

“I’m sorry if I hurt your feelings…I’m just scared to lose you.” He confessed not trying to make eye contact with you. You placed your hand on his cheek and stroked it with your thumb. You stroked over the scars left behind by the stitches on his face you did for him. “I don’t know what I would do if I ever lost you.”

“I survived to live a life with you, Levi.”

You whispered then leaned forward to place your lips against his. His arm wrapped around your waist to bring you closer to his body. His lips moved against yours passionately. He pushed his body against yours causing your lower back to press against the counter. You let out a shaky breath when he broke the kiss then started to kiss along your neck. His fingers trailed down to the buttons on your shirt. Just when you were going to close your eyes and enjoy his lips sucking on your skin you were interrupted.

“Mommy? Daddy?”

You both pulled away at the same time to see a groggy toddler with messy dark hair all over the place. He hugged his stuffed bear tightly with his other arm.

“Hi baby.” You greeted him softly making. Levi straighten your shirt making sure the buttons were still in tact.

“What are you doing up, hm?” Levi asked him. The toddler frowned with his gray eyes half open.

“I wanna sleep with you and mama.” He made grabby hands towards him. He shook his head.

“Sorry kid, you have to go sleep in your bed like a big boy.” Your son sniffed and his big gray eyes began to water. Of course you were a sucker but you didn’t expect for Levi to be the one who caved in. “Tsk. Fine. Just for tonight.” Levi grabbed his cane and began to walk back into your bedroom. The little boy’s eyes beamed, making you giggle quietly. You brought the two cups to the sink thinking you were in the clear.

“Clean those damn cups.” Levi’s voice echoed from the bedroom.

You sucked your teeth with an eye roll.

“I’ll clean them in the morning.” You entered the bedroom seeing Levi already in bed. He leaned over to bring his son into bed. He snuggled up against his father, sighing happily feeling his warmth. You went over to your side on the bed to lay next to your son.

Levi always spoke about not wanting children. You didn’t have a clear answer if you wanted them or not. Some days you did but bringing them in a world like this wasn’t fair either. But finding out you were pregnant on your wedding day was a surprise. It meant you were pregnant during the fight that stopped the rumbling.

It was a miracle the child growing inside of you survived. But he’s a fighter like his father.

Asher Levi Ackerman.

A fortunate blessing for you both.

You leaned against the headboard stroking Asher’s hair as his eyes began to close.

“He looks just like you.” You whispered to Levi as you moved some of Asher’s dark hair out of his face. He smiled a bit.

“You think so?”

“Everyone says it. He looks nothing like me.”

“But he acts like you. A brat.”

You reached over to shove him playfully. It made him chuckle.

“Sleep, name. We have a long day at the shop tomorrow.”

“Fuck me.” You mumbled under your breath with a groan.

“Maybe tomorrow.”

Levi laid down and closed his eyes hearing you giggle quietly before drifting back to sleep. You laid down staring at your son and husband cuddling with one another. You could tell Levi’s nightmare was over for the night. You soon drifted into a deep slumber.

And yes, you did forget to wash the teacups in the sink

But Levi washed them before opening the tea shop for the day but he did remember to scold you about it.

#drabbles #levi x reader #levi x you #levi ackerman x reader #levi ackerman x you #levi ackerman x female reader #levi ackerman fluff #aot x female reader #aot fanfic #aot fanfiction #attack on titan fanfic #attack on titan drabble #( sugusearrings writing * )

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divinesangel · 22 days

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— 𝐥𝐞𝐭𝐭𝐞𝐫 𝐟𝐫𝐨𝐦 𝐲𝐨𝐮𝐫 𝐟𝐮𝐭𝐮𝐫𝐞 𝐬𝐩𝐨𝐮𝐬𝐞

pm me for a personal reading!

— 𝐩𝐢𝐜𝐤 𝐚 𝐩𝐢𝐥𝐞!

— 𝐩𝐢𝐥𝐞 𝟏

my dearest,

as i write this letter to you, my heart is filled with excitement and anticipation for the life we will share together. every word i write comes from a place of genuine affection and admiration. there's nothing i would love more than to shower you with my affection in love, the love that i've been saving to myself for many years now. i've been waiting for you for such a long time and i still am. i can't wait for the day that we get to do endless things together, visit, many places, and do many things together. you inspire me to grow and to expand myself in ways i haven't been able to before. i'm quite eager to see our future together unfolding in abundance and prosperity. i'm pretty sure we will build a life filled with stability, harmony, and security, which is more than i could ever ask for. i will protect our connection and our home will be like a sanctuary, a place where love and joy will be present, and where we will be able to create our own family.

you need to know that i will always stick by you through thick and thin, to support you in anything that you need, in your endeavors and your dreams, and to always work to make our connection happen and for our future family to thrive. i'm pretty sure that we will be able to any storm that comes our way. although sometimes i'd rather keep the bad news to myself so you don't have to experience any negativity, i promise to always communicate with you and show you my commitment to honesty and transparency, even when the truth may be difficult to face.

i will always cherish you and take care of you. my love for you knows no bounds, and i am thankful for every moment we share. your happiness is my greatest priority, and i will do everything in my power to ensure that you feel loved, cherished, and appreciated each and every day. with you as my partner, i know that anything is possible.

until we meet again, know that you hold my heart in your hands, now and forever.

— 𝐩𝐢𝐥𝐞 𝟐

my love,

my heart overflows with warmth and anticipation for the journey that lies ahead of us. it's as if fate itself has brought us together and knew that we were always meant to be together. even if we haven't met yet, i just know that our connection will be instant as i feel the sparks even now. it's all gonna be magical, reminding me that our story is guided by something greater than ourselves. i'm impatient for the day we will get to experience that. my soul fell for you the moment it entered my body.

every time i think of you, my mind drifts back to the innocence and purity of childhood, like the sweet nostalgia. you remind me of something sweet, although distant. it's probably due to our souls knowing each other for lifetimes, finding solace and comfort in the familiarity of our bond.

my greatest desire is to see you happy, to witness the glow of joy radiating from your being and being there by your side to see you overflow with happiness; being there for you every time you need me. i know you'll be there for me as well, and it such a comfort for my heart. hand in hand, we can make anything possible.

with all my love, your future spouse

— 𝐩𝐢𝐥𝐞 𝟑

my most precious,

i find myself grappling with the complexities of life, feeling torn between the various paths laid out before me. there are moments when i question whether i am truly ready for what lies ahead, whether i possess the strength and clarity to navigate the challenges that await. the truth is, my love, there are aspects of my life that i am still coming to terms with, aspects that fill me with uncertainty and doubt. i am confronted with decisions that demand my attention, choices that require me to confront my deepest fears and desires.

but then, amidst the chaos of my mind, there is you. with you, my love, everything changes. in your presence, i find a sense of peace and clarity that i have never known before. it's as if the weight of the world is lifted from my shoulders, and suddenly, everything feels possible. you have this remarkable way of making me feel like everything will be alright. your unwavering faith in me, your boundless love and support—it fills me with a sense of courage and conviction that i never knew i possessed.

there are many things i'd like to talk to you about that have to do with how i've been feeling. things that i've never dared to tell anyone else out of fear they might not get it as well as you will. i've experienced dark times in the past that i'm trying to come into terms with, and i will tell you all about it.

it's as if you are my guiding light, leading me through the darkness and showing me the way forward. yes, there may still be moments of doubt and uncertainty, but with you, my love, i know that i am not alone. with you, i feel as though i can face whatever the future may hold with courage and grace.

yours always, x

𝐦𝐢𝐧𝐢 𝐚𝐧𝐧𝐨𝐮𝐧𝐜𝐞𝐦𝐞𝐧𝐭

hi! it's daphne here.

i'm currently offering personal readings for €5 ($5.43) so don't hesitate to send me a private message if you're interested!

thank you for being here!

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makingqueerhistory · 7 months

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Spooky Queer Books

Since spooky season is starting, I thought I would share a list of my favourite queer books that are great for this time of year.

Some of these links are affiliate links.

It Came from the Closet: Queer Reflections on Horror

Joe Vallese

Horror movies hold a complicated space in the hearts of the queer community: historically misogynist, and often homo- and transphobic, the genre has also been inadvertently feminist and open to subversive readings. Common tropes--such as the circumspect and resilient "final girl," body possession, costumed villains, secret identities, and things that lurk in the closet--spark moments of eerie familiarity and affective connection. Still, viewers often remain tasked with reading themselves into beloved films, seeking out characters and set pieces that speak to, mirror, and parallel the unique ways queerness encounters the world.It Came from the Closet features twenty-five essays by writers speaking to this relationship, through connections both empowering and oppressive. From Carmen Maria Machado on Jennifer's Body, Jude Ellison S. Doyle on In My Skin, Addie Tsai on Dead Ringers, and many more, these conversations convey the rich reciprocity between queerness and horror.

Into the Drowning Deep

Mira Grant

The ocean is home to many myths, But some are deadly... Seven years ago the Atargatis set off on a voyage to the Mariana Trench to film a mockumentary bringing to life ancient sea creatures of legend. It was lost at sea with all hands. Some have called it a hoax; others have called it a tragedy. Now a new crew has been assembled. But this time they're not out to entertain. Some seek to validate their life's work. Some seek the greatest hunt of all. Some seek the truth. But for the ambitious young scientist Victoria Stewart this is a voyage to uncover the fate of the sister she lost. Whatever the truth may be, it will only be found below the waves. But the secrets of the deep come with a price.

The Devouring Gray

C. L. Herman

After her sister's death, seventeen-year-old Violet Saunders finds herself dragged to Four Paths, New York. Violet may be a newcomer, but she soon learns her mother isn't: They belong to one of the revered founding families of the town, where stone bells hang above every doorway and danger lurks in the depths of the woods. Justin Hawthorne's bloodline has protected Four Paths for generations from the Gray--a lifeless dimension that imprisons a brutal monster. After Justin fails to inherit his family's powers, his mother is determined to keep this humiliation a secret. But Justin can't let go of the future he was promised and the town he swore to protect. Ever since Harper Carlisle lost her hand to an accident that left her stranded in the Gray for days, she has vowed revenge on the person who abandoned her: Justin Hawthorne. There are ripples of dissent in Four Paths, and Harper seizes an opportunity to take down the Hawthornes and change her destiny--to what extent, even she doesn't yet know. The Gray is growing stronger every day, and its victims are piling up. When Violet accidentally unleashes the monster, all three must band together with the other Founders to unearth the dark truths behind their families' abilities...before the Gray devours them all.

Tell Me I'm Worthless

Alison Rumfitt

Three years ago, Alice spent one night in an abandoned house with her friends, Ila and Hannah. Since then, Alice's life has spiraled. She lives a haunted existence, selling videos of herself for money, going to parties she hates, drinking herself to sleep. Memories of that night torment Alice, but when Ila asks her to return to the House, to go past the KEEP OUT sign and over the sick earth where teenagers dare each other to venture, Alice knows she must go. Together, Alice and Ila must face the horrors that happened there, must pull themselves apart from the inside out, put their differences aside, and try to rescue Hannah, whom the House has chosen to make its own. Cutting, disruptive, and darkly funny, Tell Me I'm Worthless is a vital work of trans fiction that examines the devastating effects of trauma and how fascism makes us destroy ourselves and each other.

#queer #lgbt #transgender #queer books #lgbt books #book recommendations #queer history

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turnstileskyline · 4 months

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The Oral History of Take This To Your Grave – transcription under the cut

The pages that are just photographs, I haven't included. This post is already long enough.

Things that happened in 2003: Arnold Schwarzenegger became governor of California. Teen Vogue published its first issue. The world lost Johnny Cash. Johnny Depp appeared as Captain Jack Sparrow for the first time. A third Lord of the Rings movie arrived. Patrick Stump, Pete Wentz, Joe Trohman, and Andy Hurley released Take This To Your Grave.

"About 21 years ago or so, as I was applying to colleges I would ultimately never go to, Fall Out Boy began as a little pop-punk side project of what we assumed was Pete's more serious band, Arma Angelus," Patrick wrote in a May 2023 social media post.

"We were sloppy and couldn't solidify a lineup, but the three of us (Pete, Joe, and I) were having way too much fun to give up on it."

"We were really rough around the edges. As an example of how rough, one of my favorite teachers pulled me aside after hearing the recording that would eventually become Evening Out With Your Girlfriend and tactfully said, 'What do you think your best instrument is, Patrick? Drums. It's drums. Probably not singing, Patrick.'"

"We went into Smart Studios with the Sean O'Keefe... So, there we were, 3/5 of a band with a singer who'd only been singing a year, no drummer, and one out of two guitarists. But we had the opportunity to record with Sean at Butch Vig's legendary studio.

"Eight or so months later, Fueled by Ramen would give us a contract to record the remaining songs. We'd sleep on floors, eat nothing but peanut butter and jelly, live in a van for the next three years, and somehow despite that, eventually play with Elton John and Taylor Swift and Jay-Z and for President Obama and the NFC championship, and all these other wildly unpredictable things. But none of that would ever come close to happening if Andy hadn't made it to the session and Joe hadn't dragged us kicking and screaming into being a band."

Two decades after its release, Take This To Your Grave sits comfortable in the Top 10 of Rolling Stone's 50 Greatest Pop-Punk Albums, edging out landmark records from Buzzcocks, Generation X, Green Day, The Offspring, Blink-182, and The Ramones.

It even ranked higher than Through Being Cool by Saves The Day and Jersey's Best Dancers from Lifetime, two records the guys in Fall Out Boy particularly revere.

Fall Out Boy's proper full-length debut on Fueled by Ramen is a deceptively smart, sugar-sweet, raw, energetic masterpiece owing as much to the bass player's pop culture passions, the singers deep love of R&B and soul, and their shared history in the hardcore scene as any pioneering punk band. Fall Out Boy's creative and commercial heights were still ahead, but Take This To Your Grave kicked it off, a harbinger for the enduring songwriting partnership between Patrick Stump and Pete Wentz, the eclectic contributions from Joe Trohman, and the propulsive powerhouse that is Andy Hurley.

The recordings document a special moment when Fall Out Boy was big in "the scene" but a "secret" from the mainstream. The band (and some of their friends) first sat down for an Oral History (which doubled as an Oral History of their origin story) with their old friend Ryan J. Downey, then Senior Editor for Alternative Press, upon the occasion of the album's 10th anniversary. What follows is an updated, sharper, and expanded version of that story, newly re-edited in 2023. As Patrick eloquently said: "Happy 20th birthday, Take This To Your Grave, you weird brilliant lightning strike accident of a record."

– Ryan J. Downey.

A Weird, Brilliant Lightning Strike Of A Record. The Oral History Of Fall Out Boy's Take This To Your Grave.

As told by:

Patrick Stump

Pete Wentz

Joe Trohman

Andy Hurley

Bob McLynn - Crush Music

Sean O'Keefe - Producer/Mixer

John Janick - Fueled By Ramen

Tim McIlrath - Rise Against

Mani Mostofi - Racetraitor

Chris Gutierrez - Arma Angelus

Mark Rose - Spitalfield

Sean Muttaqi - Uprising Records

Rory Felton - The Militia Group

Richard Reines - Drive-Thru Records

"To Feel No More Bitterness Forever" - From Hardcore to Softcore, 1998-2000

PETE WENTZ: When I got into hardcore, it was about discovering the world beyond yourself. There was a culture of trying to be a better person. That was part of what was so alluring about hardcore and punk for me. But for whatever reason, it shifted. Maybe this was just in Chicago, but it became less about the thought process behind it and more about moshing and breakdowns. There was a close-mindedness that felt very reactive.

TIM MCILRITH: I saw First Born many years ago, which was the first time I saw Pete and met him around then. This was '90s hardcore - p.c., vegan, activist kind of hardcore music. Pete was in many of those bands doing that kind of thing, and I was at many of those shows. The hardcore scene in Chicago was pretty small, so everyone kind of knew each other. I knew Andy Hurley as the drummer in Racetraitor. I was in a band called Baxter, so Pete always called me 'Baxter.' I was just 'Baxter' to a lot of those guys.

JOE TROHMAN: I was a young hardcore kid coming to the shows. The same way we all started doing bands. You're a shitty kid who goes to punk and hardcore shows, and you see the other bands playing, and you want to make friends with those guys because you want to play in bands too. Pete and I had a bit of a connection because we're from the same area. I was the youngest dude at most shows. I would see Extinction, Racetraitor, Burn It Down, and all the bands of that era.

WENTZ: My driver's license was suspended then, so Joe drove me everywhere. We listened to either Metalcore like Shai Hulud or pop-punk stuff like Screeching Weasel.

MCILRITH: I was in a band with Pete called Arma Angelus. I was like their fifth or sixth bass player. I wasn't doing anything musically when they hit me up to play bass, so I said, 'Of course.' I liked everyone in the band. We were rehearsing, playing a few shows here and there, with an ever-revolving cast of characters. We recorded a record together at the time. I even sing on that record, believe it or not, they gave me a vocal part. Around that same time, I began meeting with [bassist] Joe [Principe] about starting what would become Rise Against.

CHRIS GUTIERREZ: Wentz played me the Arma Angelus demo in the car. He said he wanted it to be a mix of Despair, Buried Alive, and Damnation A.D. He told me Tim was leaving to start another band - which ended up being Rise Against - and asked if I wanted to play bass.

TROHMAN: Pete asked me to fill in for a tour when I was 15. Pete had to call my dad to convince him to let me go. He did it, too. It was my first tour, in a shitty cargo van, with those dudes. They hazed the shit out of me. It was the best and worst experience. Best overall, worst at the time.

GUTIERREZ: Enthusiasm was starting to wane in Arma Angelus. Our drummer was really into cock-rock. It wasn't an ironic thing. He loved L.A. Guns, Whitesnake, and Hanoi Rocks. It drove Pete nuts because the scene was about Bleeding Through and Throwdown, not cock rock. He was frustrated that things weren't panning out for the band, and of course, there's a ceiling for how big a metalcore band can get, anyway.

MANI MOSTOFI: Pete had honed this tough guy persona, which I think was a defense mechanism. He had some volatile moments in his childhood. Underneath, he was a pretty sensitive and vulnerable person. After playing in every mosh-metal band in the Midwest and listening exclusively to Earth Crisis, Damnation A.D., Chokehold, and stuff like that for a long time, I think Pete wanted to do something fresh. He had gotten into Lifetime, Saves The Day, The Get Up Kids, and bands like that. Pete was at that moment where the softer side of him needed an outlet, and didn't want to hide behind mosh-machismo. I remember him telling me he wanted to start a band that more girls could listen to.

MCILRATH: Pete was talking about starting a pop-punk band. Bands like New Found Glory and Saves The Day were successful then. The whole pop-punk sound was accessible. Pete was just one of those guys destined for bigger things than screaming for mediocre hardcore bands in Chicago. He's a smart guy, a brilliant guy. All the endeavors he had taken on, even in the microcosm of the 1990s Chicago hardcore world, he put a lot of though into it. You could tell that if he were given a bigger receptacle to put that thought into, it could become something huge. He was always talented: lyrics, imagery, that whole thing. He was ahead of the curve. We were in this hardcore band from Chicago together, but we were both talking about endeavors beyond it.

TROHMAN: The drummer for Arma Angelus was moving. Pete and I talked about doing something different. It was just Pete and me at first. There was this thuggishness happening in the Chicago hardcore scene at that time that wasn't part of our vibe. It was cool, but it wasn't our thing.

MCILRITH: One day at Arma Angelus practice, Pete asked me, 'Are you going to do that thing with Joe?' I was like, 'Yeah, I think so.' He was like, 'You should do that, dude. Don't let this band hold you back. I'll be doing something else, too. We should be doing other things.' He was really ambitious. It was so amazing to me, too, because Pete was a guy who, at the time, was kind of learning how to play the bass. A guy who didn't really play an instrument will do down in history as one of the more brilliant musicians in Chicago. He had everything else in his corner. He knew how to do everything else. He needed to get some guys behind him because he had the rest covered. He had topics, themes, lyrics, artwork, this whole image he wanted to do, and he was uncompromising. He also tapped into something the rest of us were just waking up to: the advent of the internet. I mean, the internet wasn't new, but higher-speed internet was.

MOSTOFI: Joe was excited to be invited by Pete to do a band. Joe was the youngest in our crew by far, and Pete was the 'coolest' in a Fonzie sort of way. Joe deferred to Pete's judgement for years. But eventually, his whole life centered around bossy big-brother Pete. I think doing The Damned Things was for Joe what Fall Out Boy was for Pete, in a way. It was a way to find his own space within the group of friends. Unsurprisingly, Joe now plays a much more significant role in Fall Out Boy's music.

WENTZ: I wanted to do something easy and escapist. When Joe and I started the band, it was the worst band of all time. I feel like people said, 'Oh, yeah, you started Fall Out Boy to get big.' Dude, there was way more of a chance of every other band getting big in my head than Fall Out Boy. It was a side thing that was fun to do. Racetraitor and Extinction were big bands to me. We wanted to do pop-punk because it would be fun and hilarious. It was definitely on a lark. We weren't good. If it was an attempt at selling out, it was a very poor attempt.

MCILRITH: It was such a thing for people to move from hardcore bands to bands called 'emo' or pop-punk, as those bands were starting to get some radio play and signed to major labels. Everyone thought it was easy, but it's not as easy as that. Most guys we knew who tried it never did anything more successful than their hardcore bands. But Pete did it! And if anyone was going to, it was going to be him. He never did anything half-assed. He ended up playing bass in so many bands in Chicago, even though he could barely play the bass then, because simply putting him in your band meant you'd have a better show. He was just more into it. He knew more about dynamics, about getting a crowd to react to what you're doing than most people. Putting Pete in your band put you up a few notches.

"I'm Writing You A Chorus And Here Is Your Verse" - When Pete met Patrick, early 2001.

MARK ROSE: Patrick Stump played drums in this grindcore band called Grinding Process. They had put out a live split cassette tape.

PATRICK STUMP: My ambition always outweighed my ability or actual place in the world. I was a drummer and played in many bands and tried to finagle my way into better ones but never really managed. I was usually outgunned by the same two guys: this guy Rocky Senesce; I'm not sure if he's playing anymore, but he was amazing. And this other guy, De'Mar Hamilton, who is now in Plain White T's. We'd always go out for the same bands. I felt like I was pretty good, but then those guys just mopped the floor with me. I hadn't been playing music for a few months. I think my girlfriend dumped me. I was feeling down. I wasn't really into pop-punk or emo. I think at the time I was into Rhino Records box sets.

TROHMAN: I was at the Borders in Eden's Plaza in Wilmette, Illinois. My friend Arthur was asking me about Neurosis. Patrick just walked up and started talking to me.

STUMP: I was a bit arrogant and cocky, like a lot of young musicians. Joe was talking kind of loudly and I overheard him say something about Neurosis, and I think I came in kind of snotty, kind of correcting whatever they had said.

TROHMAN: We just started talking about music, and my buddy Arthur got shoved out of the conversation. I told him about the band we were starting. Pete was this local hardcore celebrity, which intrigued Patrick.

STUMP: I had similar conversations with any number of kids my age. This conversation didn't feel crazy special. That's one of the things that's real about [Joe and I meeting], and that's honest about it, that's it's not some 'love at first sight' thing where we started talking about music and 'Holy smokes, we're going to have the best band ever!' I had been in a lot of bands up until then. Hardcore was a couple of years away from me at that point. I was over it, but Pete was in real bands; that was interesting. Now I'm curious and I want to do this thing, or at least see what happens. Joe said they needed a drummer, guitar player, or singer, and I kind of bluffed and said I could do any one of those things for a pop-punk band. I'd had a lot of conversations about starting bands where I meet up with somebody and maybe try to figure out some songs and then we'd never see each other again. There were a lot of false starts and I assumed this would be just another one of those, but it would be fun for this one to be with the guy from Racetraitor and Extinction.

TROHMAN: He gave me the link to his MP3.com page. There were a few songs of him just playing acoustic and singing. He was awesome.

WENTZ: Joe told me we were going to this kid's house who would probably be our drummer but could also sing. He sent me a link to Patrick singing some acoustic thing, but the quality was so horrible it was hard to tell what it was. Patrick answered the door in some wild outfit. He looked like an emo kid but from the Endpoint era - dorky and cool. We went into the basement, and he was like, trying to set up his drums.

TROHMAN: Patrick has said many times that he intended to try out on drums. I was pushing for him to sing after hearing his demos. 'Hey! Sing for us!' I asked him to take out his acoustic guitar. He played songs from Saves The Day's Through Being Cool. I think he sang most of the record to us. We were thrilled. We had never been around someone who could sing like that.

WENTZ: I don't think Patrick thought we were cool at all. We were hanging out, and he started playing acoustic guitar. He started singing, and I realized he could sing any Saves The Day song. I was like, 'Wow, that's the way those bands sound! We should just have you sing.' It had to be serendipity because Patrick drumming and Joe singing is not the same band. I never thought about singing. It wasn't the type of thing I could sing. I knew I'd be playing bass. I didn't think it'd even go beyond a few practices. It didn't seem like the thing I was setting myself up to do for the next several years of my life in any way. I was going to college. It was just a fun getaway from the rest of life kind of thing to do.

STUMP: Andy was the first person we asked to play drums. Joe even brought him up in the Borders conversation. But Andy was too busy. He wasn't really interested, either, because we kind of sucked.

WENTZ: I wanted Hurley in the band, I was closest to him at the time, I had known him for a long time. I identified with him in the way that we were the younger dudes in our larger group. I tried to get him, but he was doing another band at the time, or multiple bands. He was Mani's go-to guy to play drums, always. I had asked him a few times. That should clue people into the fact that we weren't that good.

ANDY HURLEY: I knew Joe as 'Number One Fan.' We called him that because he was a huge fan of a band I was in, Kill The Slavemaster. When Fall Out Boy started, I was going to college full-time. I was in the band Project Rocket and I think The Kill Pill then, too.

MOSTOFI: After they got together the first or second time, Pete played me a recording and said, 'This is going to be big.' They had no songs, no name, no drummer. They could barely play their instruments. But Pete knew, and we believed him because we could see his drive and Patrick's potential. Patrick was prodigy. I imagine the first moment Pete heard him sing was probably like when I heard 15-year-old Andy Hurley play drums.

GUTIERREZ: One day at practice, Pete told me he had met some dudes with whom he was starting a pop-punk band. He said it would sound like a cross between New Found Glory and Lifetime. Then the more Fall Out Boy started to practice, the less active Arma Angelus became.

TROHMAN: We got hooked up with a friend named Ben Rose, who became our original drummer. We would practice in his parents' basement. We eventually wrote some pretty bad songs. I don't even have the demo. I have copies of Arma's demo, but I don't have that one.

MOSTOFI: We all knew that hardcore kids write better pop-punk songs than actual pop-punk kids. It had been proven. An experienced hardcore musician could bring a sense of aggression and urgency to the pop hooks in a way that a band like Yellowcard could never achieve. Pete and I had many conversations about this. He jokingly called it 'Softcore,' but that's precisely what it was. It's what he was going for. Take This To Your Grave sounds like Hot Topic, but it feels like CBGBs.

MCILRITH: Many hardcore guys who transitioned into pop-punk bands dumbed it down musically and lyrically. Fall Out Boy found a way to do it that wasn't dumbed down. They wrote music and lyrics that, if you listened closely, you could tell came from people who grew up into hardcore. Pete seemed to approach the song titles and lyrics the same way he attacked hardcore songs. You could see his signature on all of that.

STUMP: We all had very different ideas of what it should sound like. I signed up for Kid Dynamite, Strike Anywhere, or Dillinger Four. Pete was very into Lifetime and Saves The Day. I think both he and Joe were into New Found Glory and Blink-182. I still hadn't heard a lot of stuff. I was arrogant; I was a rock snob. I was over most pop-punk. But then I had this renaissance week where I was like, 'Man, you know what? I really do like The Descendents.' Like, the specific week I met Joe, it just happened to be that I was listening to a lot of Descendents. So, there was a part of me that was tickled by that idea. 'You know what? I'll try a pop-punk band. Why not?'

MOSTOFI: To be clear, they were trying to become a big band. But they did it by elevating radio-friendly pop punk, not debasing themselves for popularity. They were closely studying Drive-Thru Records bands like The Starting Line, who I couldn't stand. But they knew what they were doing. They extracted a few good elements from those bands and combined them with their other influences. Patrick never needed to be auto-tuned. He can sing. Pete never had to contrive this emotional depth. He always had it.

STUMP: The ideas for band names were obnoxious. At some point, Pete and I were arguing over it, and I think our first drummer, Ben Rose, who was in the hardcore band Strength In Numbers, suggested Fall Out Boy. Pete and I were like, 'Well, we don't hate that one. We'll keep it on the list.' But we never voted on a name.

"Fake It Like You Matter" - The Early Shows, 2001

The name Fall Out Boy made their shortlist, but their friends ultimately chose it for them. The line-up at the band's first show was Patrick Stump (sans guitar), Pete Wentz, Joe Trohman, drummer Ben Rose, and guitarist John Flamandan in his only FOB appearance.

STUMP: We didn't have a name at our two or three shows. We were basically booked as 'Pete's new band' as he was the most known of any of us. Pete and I were the artsy two.

TROHMAN: The rest of us had no idea what we were doing onstage.

STUMP: We took ourselves very seriously and completely different ideas on what was 'cool.' Pete at the time was somewhere between maybe Chuck Palahniuk and Charles Bukowski, and kind of New Romantic and Manchester stuff, so he had that in mind. The band names he suggested were long and verbose, somewhat tongue-in-cheek. I was pretty much only into Tom Waits, so I wanted everything to be a reference to Tom Waits. The first show was at DePaul [University] in some cafeteria. The room looked a lot nicer than punk rock shows are supposed to look, like a room where you couldn't jump off the walls. We played with a band called Stillwell. I want to say one of the other bands played Black Sabbath's Black Sabbath in its entirety. We were out of place. We were tossing a few different names around. The singer for Stillwell was in earshot of the conversation so I was like 'Hey, settle this for us,' and told him whatever name it was, which I can't remember. 'What do you think of this name?' He goes, 'It sucks.' And the way he said it, there was this element to it, like, 'You guys probably suck, too, so whatever.' That was our first show. We played first and only had three songs. That was John's only show with us, and I never saw him again. I was just singing without a guitar, and I had never just sung before; that was horrifying. We blazed through those songs.

ROSE: Patrick had this shoulder-length hair. Watching these guys who were known for heavier stuff play pop-punk was strange. Pete was hopping around with the X's on his hands. Spitalfield was similar; we were kids playing another style of music who heard Texas Is The Reason and Get Up Kids and said, 'We have to start a band like this.'

MOSTOFI: The first show was a lot of fun. The musical side wasn't there, but Pete and Patrick's humor and charisma were front and center.

TROHMAN: I remember having a conversation with Mani about stage presence. He was telling me how important it was. Coalesce and The Dillinger Escape Plan would throw mic stands and cabinets. We loved that visual excitement and appeal. Years later, Patrick sang a Fall Out Boy song with Taylor Swift at Giants Stadium. It was such a great show to watch that I was reminded of how wise Mani was to give me that advice back then. Mani was like a mentor for me, honestly. He would always guide me through stuff.

MOSTOFI: Those guys grew up in Chicago, either playing in or seeing Extinction, Racetraitor, Los Crudos, and other bands that liked to talk and talk between songs. Fall Out Boy did that, and it was amazing. Patrick was awkward in a knowing and hilarious way. He'd say something odd, and then Pete would zing him. Or Pete would try to say something too cool, and Patrick would remind him they were nerds. These are very personal memories for me. Millions of people have seen the well-oiled machine, but so few of us saw those guys when they were so carefree.

TROHMAN: We had this goofy, bad first show, but all I can tell you was that I was determined to make this band work, no matter what.

STUMP: I kind of assumed that was the end of that. 'Whatever, on with our lives.' But Joe was very determined. He was going to pick us up for practice and we were going to keep playing shows. He was going to make the band happen whether the rest of us wanted to or not. That's how we got past show number one. John left the band because we only had three songs and he wasn't very interested. In the interim, I filled in on guitar. I didn't consider myself a guitar player. Our second show was a college show in Southern Illinois or something.

MCILRITH: That show was with my other band, The Killing Tree.

STUMP: We showed up late and played before The Killing Tree. There was no one there besides the bands and our friends. I think we had voted on some names. Pete said 'Hey, we're whatever!'; probably something very long. And someone yells out, 'Fuck that, no, you're Fall Out Boy!' Then when The Killing Tree was playing, Tim said, 'I want to thank Fall Out Boy.' Everyone looked up to Tim, so when he forced the name on us, it was fine. I was a diehard Simpsons fan, without question. I go pretty deep on The Simpsons. Joe and I would just rattle off Simpsons quotes. I used to do a lot of Simpsons impressions. Ben was very into Simpsons; he had a whole closet full of Simpsons action figures.

"If Only You Knew I Was Terrified" - The Early Recordings, 2002-2003

Wentz's relationships in the hardcore scene led to Fall Out Boy's first official releases. A convoluted and rarely properly explained chain of events resulted in the Fall Out Boy/Project Rocket split EP and Fall Out Boy's Evening Out with Your Girlfriend. Both were issued by California's Uprising Records, whose discography included Racetraitor's first album and the debut EP by Burn It Down. The band traveled to Wisconsin to record their first proper demo with engineer Jared Logan, drummer for Uprising's 7 Angels 7 Plagues.

TROHMAN: This isn't to be confused with the demo we did in Ben's basement, which was like a tape demo. This was our first real demo.

STUMP: Between booking the demo and recording it, we lost Ben Rose. He was the greatest guy, but it wasn't working out musically. Pete and Joe decided I should play drums on the demo. But Jared is a sick drummer, so he just did it.

TROHMAN: We had gotten this great singer but went through a series of drummers that didn't work out. I had to be the one who kicked Ben out. Not long after, our friend Brett Bunting played with us. I don't think he really wanted to do it, which was a bummer.

STUMP: I showed up to record that demo, feeling pulled into it. I liked hanging out with the guys, but I was a rock snob who didn't really want to be making that type of music. The first few songs were really rough. We were sloppy. We barely practiced. Pete was in Arma Angelus. Joe was the guy determined to make it happen. We couldn't keep a drummer or guitar player, and I could barely play guitar. I didn't really want to be in Fall Out Boy. We had these crappy songs that kind of happened; it didn't feel like anything. Joe did the guitars. I go in to do the vocals, I put on the headphones, and it starts playing and was kind of not bad! It was pretty good, actually. I was shocked. That was the first time I was like, 'Maybe I am supposed to be in this band.' I enjoyed hearing it back.

SEAN MUTTAQI: Wentz and I were pretty tight. He sent me some demos, and while I didn't know it would get as big as it did, I knew it was special. Wentz had a clear vision. Of all the guys from that scene, he was the most singularly focused on taking things to the next level. He was ahead of the game with promotion and the early days of social media.

STUMP: Arma Angelus had been on Eulogy. We talked to them a bit and spoke to Uprising because they had put out Racetraitor. At some point, the demo got to Sean, and he decided to make it half of a split with Andy's band, Project Rocket. We were pretty happy with that.

HURLEY: It was kind of competitive for me at the time. Project Rocket and Fall Out Boy were both doing pop-punk/pop-rock, I met Patrick through the band. I didn't really know him before Fall Out Boy.

TROHMAN: We got this drummer, Mike Pareskuwicz, who had been in a hardcore band from Central Illinois called Subsist.

STUMP: Uprising wanted us to make an album. We thought that was cool, but we only had those three songs that were on the split. We were still figuring ourselves out. One of the times we were recording with Jared in the studio, for the split or the album, this guy T.J. Kunasch was there. He was like, 'Hey, do you guys need a guitarist?' And he joined.

MUTTAQI: I borrowed some money to get them back in the studio. The songwriting was cool on that record, but it was all rushed. The urgency to get something out led to the recording being subpar. Their new drummer looked the part but couldn't really play. They had already tracked the drums before they realized it didn't sound so hot.

STUMP: The recording experience was not fun. We had two days to do an entire album. Mike was an awesome dude, but he lived crazy far away, in Kanakee, Illinois, so the drive to Milwaukee wasn't easy for him. He had to work or something the next day. So, he did everything in one take and left. He played alone, without a click, so it was a ness to figure out. We had to guess where the guitar was supposed to go. None of us liked the songs because we had slapped them together. We thought it all sucked. But I thought, 'Well, at least it'll be cool to have something out.' Then a lot of time went by. Smaller labels were at the mercy of money, and it was crazy expensive to put out a record back then.

MUTTAQI: Our record was being rushed out to help generate some interest, but that interest was building before we could even get the record out. We were beholden to finances while changing distribution partners and dealing with other delays. The buck stops with me, yes, but I didn't have that much control over the scheduling.

WENTZ: It's not what I would consider the first Fall Out Boy record. Hurley isn't on it and he's an integral part of the Fall Out Boy sound. But it is part of the history, the legacy. NASA didn't go right to the moon. They did test flights in the desert. Those are our test flights in the desert. It's not something I'm ashamed of or have weird feelings about.

STUMP: It's kind of embarrassing to me. Evening Out... isn't representative of the band we became. I liked Sean a lot, so it's nothing against him. If anybody wants to check out the band in that era, I think the split EP is a lot cooler. Plus, Andy is on that one.

TROHMAN: T.J. was the guy who showed up to the show without a guitar. He was the guy that could never get it right, but he was in the band for a while because we wanted a second guitar player. He's a nice dude but wasn't great to be in a band with back then. One day he drove unprompted from Racine to Chicago to pick up some gear. I don't know how he got into my parents' house, but the next thing I knew, he was in my bedroom. I didn't like being woken up and kicked him out of the band from bed.

STUMP: Our friend Brian Bennance asked us to do a split 7" with 504 Plan, which was a big band to us. Brian offered to pay for us to record with Sean O'Keefe, which was also a big deal. Mike couldn't get the time off work to record with us. We asked Andy to play on the songs. He agreed to do it, but only if he could make it in time after recording an entire EP with his band, The Kill Pill, in Chicago, on the same day.

MOSTOFI: Andy and I started The Kill Pill shortly after Racetraitor split up, not long after Fall Out Boy had formed. We played a bunch of local shows together. The minute Andy finished tracking drums for our EP in Chicago, he raced to the other studio in Madison.

STUMP: I'm getting ready to record the drums myself, getting levels and checking the drums, pretty much ready to go. And then in walks Andy Hurley. I was a little bummed because I really wanted to play drums that day. But then Andy goes through it all in like two takes and fucking nailed the entire thing. He just knocked it out of the park. All of us were like, 'That's crazy!'

WENTZ: When Andy came in, It just felt different. It was one of those 'a-ha' moments.

STUMP: Sean leaned over to us and said, 'You need to get this guy in the band.'

SEAN O'KEEFE: We had a blast. We pumped It out. We did it fast and to analog tape. People believe it was very Pro Tools oriented, but it really was done to 24-track tape. Patrick sang his ass off.

STUMP: The songs we had were 'Dead On Arrival,' 'Saturday,' and 'Homesick at Space Camp. There are quite a few songs that ended up on Take This To You Grave where I wrote most of the lyrics but Pete titled them.

WENTZ: 'Space Camp' was a reference to the 1986 movie, SpaceCamp, and the idea of space camp. Space camp wasn't something anyone in my area went to. Maybe they did, but it was never an option for me. It seems like the little kid version of meeting Jay-Z. The idea was also: what if you, like Joaquin Phoenix in the movie, took off to outer space and wanted to get home? 'I made it to space and now I'm just homesick and want to hang out with my friends.' In the greater sense, it's about having it all, but it's still not enough. There's a pop culture reference in 'Saturday' that a lot of people miss. 'Pete and I attack the lost Astoria' was a reference to The Goonies, which was filmed in Astoria, Oregon.

HURLEY: I remember hearing those recordings, especially 'Dead on Arrival,' and Patrick's voice and how well written those songs were, especially relative to anything else I had done - I had a feeling that this could do something.

WENTZ: It seemed like it would stall out if we didn't get a solid drummer in the band soon. That was the link that we couldn't nail down. Patrick was always a big musical presence. He thinks and writes rhythmi-cally, and we couldn't get a drummer to do what he wanted or speak his language. Hurley was the first one that could. It's like hearing two drummers talk together when they really get it. It sounds like a foreign language because it's not something I'm keyed into. Patrick needed someone on a similar musical plane. I wasn't there. Joe was younger and was probably headed there.

HURLEY: When Patrick was doing harmonies, it was like Queen. He's such a brilliant dude. I was always in bands that did a record and then broke up. I felt like this was a band that could tour a lot like the hardcore bands we loved, even if we had to have day jobs, too.

"(Four) Tired Boys And A Broken Down Van" - The Early Tours, 2002-2003

STUMP: We booked a tour with Spitalfield, another Chicago band, who had records out, so they were a big deal to us. We replaced T.J. with a guy named Brandon Hamm. He was never officially in the band. He quit when we were practicing 'Saturday.' He goes, 'I don't like that. I don't want to do this anymore.' Pete talked with guitarist Chris Envy from Showoff, who had just broken up. Chris said, 'Yeah, I'll play in your band.' He came to two practices, then quit like two days before the tour. It was only a two-week tour, but Mike couldn't get the time off work from Best Buy, or maybe it was Blockbuster. We had to lose Mike, which was the hardest member change for me. It was unpleasant.

TROHMAN: We had been trying to get Andy to join the band for a while. Even back at that first Borders conversation, we talked about him, but he was too busy at the time.

STUMP: I borrowed one of Joe's guitars and jumped in the fire. We were in this legendarily shitty used van Pete had gotten. It belonged to some flower shop, so it had this ominously worn-out flower decal outside and no windows [except in the front]. Crappy brakes, no A/C, missing the rearview mirror, no seats in the back, only the driver's seat. About 10 minutes into the tour, we hit something. A tire exploded and slingshot into the passenger side mirror, sending glass flying into the van. We pulled over into some weird animal petting zoo. I remember thinking, 'This is a bad omen for this tour.' Spitalfield was awesome, and we became tight with them. Drew Brown, who was later in Weekend Nachos, was out with them, too. But most of the shows were canceled.

WENTZ: We'd end up in a town, and our show was canceled, or we'd have three days off. 'Let's just get on whatever show we can. Whatever, you can pay us in pizza.'

STUMP: We played in a pizza place. We basically blocked the line of people trying to order pizza, maybe a foot away from the shitty tables. Nobody is trying to watch a band. They're just there to eat pizza. And that was perhaps the biggest show we played on that tour. One of the best moments on the Spitalfied tour was in Lincoln, Nebraska. The local opener wasn't even there - they were at the bar across the street and showed up later with two people. Fall Out Boy played for Spitalfield, and Spitalfield played for Fall Out Boy. Even the sound guy had left. It was basically an empty room. It was miserable.

HURLEY: Even though we played a ton of shows in front of just the other bands, it was awesome. I've known Pete forever and always loved being in bands with him. After that tour, it was pretty much agreed that I would be in the band. I wanted to be in the band.

WENTZ: We would play literally any show in those days for free. We played Chain Reaction in Orange County with a bunch of metalcore bands. I want to say Underoath was one of them. I remember a lot of black shirts and crossed arms at those kinds of shows. STUMP: One thing that gets lost in the annals of history is Fall Out Boy, the discarded hardcore band. We played so many hardcore shows! The audiences were cool, but they were just like, 'This is OK, but we'd really rather be moshing right now.' Which was better than many of the receptions we got from pop-punk kids.

MOSTOFI: Pete made sure there was little division between the band and the audience. In hardcore, kids are encouraged to grab the mic. Pete was very conscious about making the crowd feel like friends. I saw them in Austin, Texas, in front of maybe ten kids. But it was very clear all ten of those kids felt like Pete's best friends. And they were, in a way.

MCILRITH: People started to get into social networking. That kind of thing was all new to us, and they were way ahead. They networked with their fans before any of us.

MOSTOFI: Pete shared a lot about his life online and was intimate as hell. It was a new type of scene. Pete extended the band's community as far as fiber optics let him.

ROSE: Pete was extremely driven. Looking back, I wish I had that killer instinct. During that tour; we played a show in Colorado. On the day of the show, we went to Kinko's to make flyers to hand out to college kids. Pete put ‘members of Saves The Day and Screeching Weasel’ on the flyer. He was just like, 'This will get people in.'

WENTZ: We booked a lot of our early shows through hardcore connections, and to some extent, that carries through to what Fall Out Boy shows are like today. If you come to see us play live, we're basically Slayer compared to everyone else when we play these pop radio shows. Some of that carries back to what you must do to avoid being heckled at hardcore shows. You may not like our music, but you will leave here respecting us. Not everyone is going to love you. Not everyone is going to give a shit. But you need to earn a crowd's respect. That was an important way for us to learn that.

MOSTOFI: All those dudes, except Andy, lived in this great apartment with our friend Brett Bunting, who was almost their drummer at one point. The proximity helped them gel.

STUMP: There were a lot of renegade last-minute shows where we'd just call and get added. We somehow ended up on a show with Head Automatica that way.

MCILRITH: At some point early on, they opened for Rise Against in a church basement in Downers Grove. We were doing well then; headlining that place was a big deal. Then Pete's band was coming up right behind us, and you could tell there was a lot of chatter about Fall Out Boy. I remember getting to the show, and there were many people there, many of whom I had never seen in the scene before. A lot of unfamiliar faces. A lot of people that wouldn't have normally found their way to the seedy Fireside Bowl in Chicago. These were young kids, and I was 21 then, so when I say young, I mean really young. Clearly, Fall Out Boy had tapped into something the rest of us had not. People were super excited to see them play and freaked out; there was a lot of enthusiasm at that show. After they finished, their fans bailed. They were dedicated. They wanted to see Fall Out Boy. They didn't necessarily want to see Rise Against play. That was my first clue that, 'Whoa, what Pete told me that day at Arma Angelus rehearsal is coming true. He was right.' Whatever he was doing was working.

"My Insides Are Copper, And I'd Like To Make Them Gold" - The Record Labels Come Calling, 2002

STUMP: The split EP was going to be a three-way split with 504 Plan, August Premier, and us at one point. But then the record just never happened. Brian backed out of putting it out. We asked him if we could do something else with the three songs and he didn't really seem to care. So, we started shopping the three songs as a demo. Pete ended up framing the rejection letters we got from a lot of pop-punk labels. But some were interested.

HURLEY: We wanted to be on Drive-Thru Records so bad. That was the label.

RICHARD REINES: After we started talking to them, I found the demo they had sent us in the office. I played it for my sister. We decided everything together. She liked them but wasn't as crazy about them as I was. We arranged with Pete to see them practice. We had started a new label called Rushmore. Fall Out Boy wasn't the best live band. We weren't thrilled [by the showcase]. But the songs were great. We both had to love a band to sign them, so my sister said, 'If you love them so much, let's sign them to Rushmore, not Drive Thru.'

HURLEY: We did a showcase for Richard and Stephanie Reines. They were just kind of like, 'Yeah, we have this side label thing. We'd be interested in having you on that.' I remember them saying they passed on Saves The Day and wished they would have put out Through Being Cool. But then they [basically] passed on us by offering to put us on Rushmore. We realized we could settle for that, but we knew it wasn't the right thing.

RORY FELTON: Kevin Knight had a website, TheScout, which always featured great new bands. I believe he shared the demo with us. I flew out to Chicago. Joe and Patrick picked me up at the airport. I saw them play at a VFW hall, Patrick drank an entire bottle of hot sauce on a dare at dinner, and then we all went to see the movie The Ring. I slept on the couch in their apartment, the one featured on the cover of Take This To Your Grave. Chad [Pearson], my partner, also flew out to meet with the band.

STUMP: It was a weird time to be a band because it was feast or famine. At first, no one wanted us. Then as soon as one label said, 'Maybe we'll give 'em a shot,' suddenly there's a frenzy of phone calls from record labels. We were getting our shirts printed by Victory Records. One day, we went to pick up shirts, and someone came downstairs and said, 'Um, guys? [Owner] Tony [Brummel] wants to see you.' We were like, 'Did we forget to pay an invoice?' He made us an offer on the spot. We said, 'That's awesome, but we need to think about it.' It was one of those 'now or never' kinds of things. I think we had even left the van running. It was that kind of sudden; we were overwhelmed by it.

HURLEY: They told me Tony said something like, 'You can be with the Nike of the record industry or the Keds of the record industry.'

STUMP: We'd get random calls at the apartment. 'Hey, I'm a manager with so-and-so.' I talked to some boy band manager who said, 'We think you'll be a good fit.'

TROHMAN: The idea of a manager was a ‘big-time' thing. I answered a call one day, and this guy is like, 'I'm the manager for the Butthole Surfers, and I'd really like to work with you guys.' I just said, Yeah, I really like the Butthole Surfers, but I'll have to call you back.' And I do love that band. But I just knew that wasn't the right thing.

STUMP: Not all the archetypes you always read about are true. The label guys aren't all out to get you. Some are total douchebags. But then there are a lot who are sweet and genuine. It's the same thing with managers. I really liked the Militia Group. They told us it was poor form to talk to us without a manager. They recommended Bob McLynn.

FELTON: We knew the guys at Crush from working with Acceptance and The Beautiful Mistake. We thought they'd be great for Fall Out Boy, so we sent the music to their team.

STUMP: They said Crush was their favorite management company and gave us their number. Crush's biggest band at the time was American Hi-Fi. Jonathan Daniels, the guy who started the company, sent a manager to see us. The guy was like, "This band sucks!' But Jonathan liked us and thought someone should do something with us. Bob was his youngest rookie manager. He had never managed anyone, and we had never been managed.

BOB MCLYNN: Someone else from my office who isn't with us anymore had seen them, but I hadn't seen them yet. At the time, we'd tried to manage Brand New; they went elsewhere, and I was bummed. Then we got the Fall Out Boy demo, and I was like, Wow. This sounds even better. This guy can really sing, and these songs are great.' I remember going at it hard after that whole thing. Fall Out Boy was my consolation prize. I don't know if they were talking to other managers or not, but Pete and I clicked.

TROHMAN: In addition to being really creative, Pete is really business savvy. We all have a bullshit detector these days, but Pete already had one back then. We met Bob, and we felt like this dude wouldn't fuck us over.

STUMP: We were the misfit toy that nobody else wanted. Bob really believed in us when nobody else did and when nobody believed in him. What's funny is that all the other managers at Crush were gone within a year. It was just Bob and Jonathan, and now they're partners. Bob was the weird New York Hardcore guy who scared me at the time.

TROHMAN: We felt safe with him. He's a big, hulking dude.

MCLYNN: We tried to make a deal with The Militia Group, but they wouldn't back off on a few things in the agreement. I told them those were deal breakers, opening the door to everyone else. I knew this band needed a shot to do bigger and better things.

TROHMAN: He told us not to sign with the label that recommended him to us. We thought there was something very honest about that.

MCLYNN: They paid all their dues. Those guys worked harder than any band I'd ever seen, and I was all about it. I had been in bands before and had just gotten out. I was getting out of the van just as these guys got into one. They busted their asses.

STUMP: A few labels basically said the same thing: they wanted to hear more. They weren't convinced we could write another song as good as 'Dead On Arrival.' I took that as a challenge. We returned to Sean a few months after those initial three songs, this time at Gravity Studios in Chicago. We recorded ‘Grenade Jumper' and 'Grand Theft Autumn/Where is Your Boy' in a night or two. 'Where is Your Boy' was my, 'Fine, you don't think I can write a fucking song? Here's your hit song, jerks!' But I must have pushed Pete pretty hard [arguing about the songs]. One night, as he and I drove with Joe, Pete said, 'Guys, I don't think I want to do this band anymore.' We talked about it for the rest of the ride home. I didn't want to be in the band in the first place! I was like, 'No! That's not fair! Don't leave me with this band! Don't make me kind of like this band, and then leave it! That's bullshit!' Pete didn't stay at the apartment that night. I called him at his parent's house. I told him I wasn't going to do the band without him. He was like, 'Don't break up your band over it.' I said, 'It's not my band. It's a band that you, Joe, and I started.' He was like, 'OK, I'll stick around.' And he came back with a vengeance.

WENTZ: It was maybe the first time we realized we could do these songs titles that didn't have much do with the song from the outside. Grand Theft Auto was such a big pop culture franchise. If you said the phrase back then, everyone recognized it. The play on words was about someone stealing your time in the fall. It was the earliest experimentation with that so it was a little simplistic compared to the stuff we did later. At the time, we'd tell someone the song title, and they'd say, 'You mean "Auto"'?

JOHN JANICK: I saw their name on fliers and thought it was strange. But I remembered it. Then I saw them on a flyer with one of our bands from Chicago, August Premier. I called them and asked about this band whose name I had seen on a few flyers now. They told me they were good and I should check it out. I heard an early version of a song online and instantly fell in love with it. Drive-Thru, The Militia Group, and a few majors tried to sign them. I was the odd man out. But I knew I wanted them right away.

HURLEY: Fueled By Ramen was co-owned by Vinnie [Fiorello] from Less Than Jake. It wasn't necessarily a band I grew up loving, but I had so much respect for them and what they had done and were doing.

JANICK: I randomly cold-called them at the apartment and spoke to Patrick. He told me I had to talk to Pete. I spoke to Pete later that day. We ended up talking on the phone for an hour. It was crazy. I never flew out there. I just got to know them over the phone.

MCLYNN: There were majors [interested], but I didn't want the band on a major right away. I knew they wouldn't understand the band. Rob Stevenson from Island Records knew all the indie labels were trying to sign Fall Out Boy. We did this first-ever incubator sort of deal. I also didn't want to stay on an indie forever; I felt we needed to develop and have a chance to do bigger and better things, but these indies didn't necessarily have radio staff. It was sort of the perfect scenario. Island gave us money to go on Fueled By Ramen, with whom we did a one-off. No one else would offer a one-off on an indie.

STUMP: They were the smallest of the labels involved, with the least 'gloss.' I said, 'I don't know about this, Pete.' Pete was the one who thought it was the smartest move. He pointed out that we could be a big fish in a small pond. So, we rolled the dice.

HURLEY: It was a one-record deal with Fueled By Ramen. We didn't necessarily get signed to Island, but they had the 'right of first refusal' [for the album following Take This To Your Grave]. It was an awesome deal. It was kind of unheard of, maybe, but there was a bunch of money coming from Island that we didn't have to recoup for promo type of things.

JANICK: The company was so focused on making sure we broke Fall Out Boy; any other label probably wouldn't have had that dedication. Pete and I talked for at least an hour every day. Pete and I became so close, so much so that we started Decaydance. It was his thing, but we ended up signing Panic! At The Disco, Gym Class Heroes, Cobra Starship.

GUTIERREZ: Who could predict Pete would A&R all those bands? There's no Panic! At The Disco or Gym Class Heroes without Wentz. He made them into celebrities.

"Turn This Up And I'll Tune You Out" - The Making of Take This To You Grave, 2003

The versions of "Dead on Arrival," "Saturday," and "Homesick at Space Camp" from the first sessions with Andy on drums are what appear on the album. "Grand Theft Autumn/Where is Your Boy" and "Grenade Jumper" are the demo versions recorded later in Chicago. O'Keefe recorded the music for the rest of the songs at Smart Studios once again. They knocked out the remaining songs in just nine days. Sean and Patrick snuck into Gravity Studios in the middle of the night to track vocals in the dead of winter. Patrick sang those seven songs from two to five in the morning in those sessions.

STUMP: John Janick basically said, ‘I'll buy those five songs and we'll make them part of the album, and here's some money to go record seven more.'

MCLYNN: It was a true indie deal with Fueled by Ramen. I think we got between $15,000 and $18,000 all-in to make the album. The band slept on the studio floor some nights.

STUMP: From a recording standpoint, it was amazing. It was very pro, we had Sean, all this gear, the fun studio accoutrements were there. It was competitive with anything we did afterward. But meanwhile, we're still four broke idiots.

WENTZ: We fibbed to our parents about what we were doing. I was supposed to be in school. I didn't have access to money or a credit card. I don't think any of us did.

STUMP: I don't think we slept anywhere we could shower, which was horrifying. There was a girl that Andy's girlfriend at the time went to school with who let us sleep on her floor, but we'd be there for maybe four hours at a time. It was crazy.

HURLEY: Once, Patrick thought it would be a good idea to spray this citrus bathroom spray under his arms like deodorant. It just destroyed him because it's not made for that. But it was all an awesome adventure.

WENTZ: We were so green we didn't really know how studios worked. Every day there was soda for the band. We asked, 'Could you take that soda money and buy us peanut butter, jelly, and bread?' which they did. I hear that stuff in some ways when I listen to that album.

HURLEY: Sean pushed us. He was such a perfectionist, which was awesome. I felt like, ‘This is what a real professional band does.' It was our first real studio experience.

WENTZ: Seeing the Nirvana Nevermind plaque on the wall was mind-blowing. They showed us the mic that had been used on that album.

HURLEY: The mic that Kurt Cobain used, that was pretty awesome, crazy, legendary, and cool. But we didn't get to use it.

WENTZ: They said only Shirley Manson] from Garbage could use it.

O'KEEFE: Those dudes were all straight edge at the time. It came up in conversation that I had smoked weed once a few months before. That started this joke that I was this huge stoner, which obviously I wasn't. They'd call me 'Scoobie Snacks O'Keefe' and all these things. When they turned in the art for the record, they thanked me with like ten different stoner nicknames - 'Dimebag O'Keefe' and stuff like that. The record company made Pete take like seven of them out because they said it was excessively ridiculous.

WENTZ: Sean was very helpful. He worked within the budget and took us more seriously than anyone else other than Patrick. There were no cameras around. There was no documentation. There was nothing to indicate this would be some ‘legendary' session. There are 12 songs on the album because those were all the songs we had. There was no pomp or circumstance or anything to suggest it would be an 'important’ record.

STUMP: Pete and I were starting to carve out our niches. When Pete [re-committed himself to the band], it felt like he had a list of things in his head he wanted to do right. Lyrics were on that list. He wasn't playing around anymore. I wrote the majority of the lyrics up to that point - ‘Saturday,' 'Dead on Arrival,' ‘Where's Your Boy?,’ ‘Grenade Jumper,' and ‘Homesick at Space Camp.' I was an artsy-fartsy dude who didn't want to be in a pop-punk band, so I was going really easy on the lyrics. I wasn't taking them seriously. When I look back on it, I did write some alright stuff. But I wasn't trying. Pete doesn't fuck around like that, and he does not take that kindly. When we returned to the studio, he started picking apart every word, every syllable. He started giving me [notes]. I got so exasperated at one point I was like, ‘You just write the fucking lyrics, dude. Just give me your lyrics, and I'll write around them.' Kind of angrily. So, he did. We hadn't quite figured out how to do it, though. I would write a song, scrap my lyrics, and try to fit his into where mine had been. It was exhausting. It was a rough process. It made both of us unhappy.

MCLYNN: I came from the post-hardcore scene in New York and wasn't a big fan of the pop-punk stuff happening. What struck me with these guys was the phenomenal lyrics and Patrick's insane voice. Many guys in these kinds of bands can sing alright, but Patrick was like a real singer. This guy had soul. He'd take these great lyrics Pete wrote and combine it with that soul, and that's what made their unique sound. They both put their hearts on their sleeves when they wrote together.

STUMP: We had a massive fight over 'Chicago is So Two Years Ago.' I didn't even want to record that song. I was being precious with things that were mine. Part of me thought the band wouldn't work out, and I'd go to college and do some music alone. I had a skeletal version of 'Chicago...'. I was playing it to myself in the lobby of the studio. I didn't know anyone was listening. Sean was walking by and wanted to [introduce it to the others]. I kind of lost my song. I was very precious about it. Pete didn't like some of the lyrics, so we fought. We argued over each word, one at a time. 'Tell That Mick...' was also a pretty big fight. Pete ended up throwing out all my words on that one. That was the first song where he wrote the entire set of lyrics. My only change was light that smoke' instead of ‘cigarette' because I didn't have enough syllables to say 'cigarette.' Everything else was verbatim what he handed to me. I realized I must really want to be in this band at this point if I'm willing to put up with this much fuss. The sound was always more important to me - the rhythm of the words, alliteration, syncopation - was all very exciting. Pete didn't care about any of that. He was all meaning. He didn't care how good the words sounded if they weren't amazing when you read them. Man, did we fight about that. We fought for nine days straight while not sleeping and smelling like shit. It was one long argument, but I think some of the best moments resulted from that.

WENTZ: In 'Calm Before the Storm,' Patrick wrote the line, 'There's a song on the radio that says, 'Let's Get This Party Started' which is a direct reference to Pink's 2001 song 'Get the Party Started.' 'Tell That Mick He Just Made My List of Things to Do Today' is a line from the movie Rushmore. I thought we'd catch a little more flack for that, but even when we played it in Ireland, there was none of that. It's embraced, more like a shoutout.

STUMP: Pete and I met up on a lot of the same pop culture. He was more into '80s stuff than I was. One of the first things we talked about were Wes Anderson movies.

WENTZ: Another thing driving that song title was the knowledge that our fanbase wouldn't necessarily be familiar with Wes Anderson. It could be something that not only inspired us but something fans could also go check out. People don't ask us about that song so much now, but in that era, we'd answer and tell them to go watch Rushmore. You gotta see this movie. This line is a hilarious part of it.' Hopefully some people did. I encountered Jason Schwartzman at a party once. We didn't get to talk about the movie, but he was the sweetest human, and I was just geeking out. He told me he was writing a film with Wes Anderson about a train trip in India. I wanted to know about the writing process. He was like, 'Well, he's in New York City, I'm in LA. It's crazy because I'm on the phone all the time and my ear gets really hot.' That's the anecdote I got, and I loved it.

O'KEEFE: They're totally different people who approach making music from entirely different angles. It's cool to see them work. Pete would want a certain lyric. Patrick was focused on the phrasing. Pete would say the words were stupid and hand Patrick a revision, and Patrick would say I can't sing those the way I need to sing this. They would go through ten revisions for one song. I thought I would lose my mind with both of them, but then they would find it, and it would be fantastic. When they work together, it lights up. It takes on a life of its own. It's not always happy. There's a lot of push and pull, and each is trying to get their thing. With Take This To Your Grave, we never let anything go until all three of us were happy. Those guys were made to do this together.

WENTZ: A lot of the little things weren't a big deal, but those were things that [felt like] major decisions. I didn't want 'Where Is Your Boy' on Take This To Your Grave.

JANICK: I freaked out. I called Bob and said, 'We must put this song on the album! It's one of the biggest songs.' He agreed. We called Pete and talked about it; he was cool about it and heard us out.

WENTZ: I thought many things were humongous, and they just weren't. They didn't matter one way or another.

"Our Lawyer Made Us Change The (Album Cover)" - That Photo On Take This To Your Grave, 2003

STUMP: The band was rooted in nostalgia from early on. The '80s references were very much Pete's aesthetic. He had an idea for the cover. It ended up being his girlfriend at the time, face down on the bed, exhausted, in his bedroom. That was his bedroom in our apartment. His room was full of toys, '80s cereals. If we ended up with the Abbey Road cover of pop-punk, that original one was Sgt. Pepper's. But we couldn't legally clear any of the stuff in the photo. Darth Vader, Count Chocula…

WENTZ: There's a bunch of junk in there: a Morrissey poster, I think a Cher poster, Edward Scissorhands. We submitted it to Fueled by Ramen, and they were like, 'We can't clear any of this stuff.’ The original album cover did eventually come out on the vinyl version.

STUMP: The photo that ended up being the cover was simply a promo photo for that album cycle. We had to scramble. I was pushing the Blue Note jazz records feel. That's why the CD looks a bit like vinyl and why our names are listed on the front. I wanted a live photo on the cover. Pete liked the Blue Note idea but didn't like the live photo idea. I also made the fateful decision to have my name listed as 'Stump' rather than Stumph.

WENTZ: What we used was initially supposed to be the back cover. I remember someone in the band being pissed about it forever. Not everyone was into having our names on the cover. It was a strange thing to do at the time. But had the original cover been used, it wouldn't have been as iconic as what we ended up with. It wouldn't have been a conversation piece. That stupid futon in our house was busted in the middle. We're sitting close to each other because the futon was broken. The exposed brick wall was because it was the worst apartment ever. It makes me wonder: How many of these are accidental moments? At the time, there was nothing iconic about it. If we had a bigger budget, we probably would have ended up with a goofier cover that no one would have cared about.

STUMP: One of the things I liked about the cover was that it went along with something Pete had always said. I'm sure people will find this ironic, but Pete had always wanted to create a culture with the band where it was about all four guys and not just one guy. He had the foresight to even think about things like that. I didn't think anyone would give a fuck about our band! At the time, it was The Pete Wentz Band to most people. With that album cover, he was trying to reject that and [demonstrate] that all four of us mattered. A lot of people still don't get that, but whatever. I liked that element of the cover. It felt like a team. It felt like Voltron. It wasn't what I like to call 'the flying V photo' where the singer is squarely in the center, the most important, and everyone else is nearest the camera in order of 'importance.' The drummer would be in the very back. Maybe the DJ guy who scratches records was behind the drummer.

"You Need Him. I Could Be Him. Where Is Your Boy Tonight?" - The Dynamics of Punk Pop's Fab 4, 2003

Patrick seemed like something of the anti-frontman, never hogging the spotlight and often shrinking underneath his baseball hat. Wentz was more talkative, more out front on stage and in interviews, in a way that felt unprecedented for a bass player who wasn't also singing. In some ways, Fall Out Boy operated as a two-headed dictatorship. Wentz and Stump are in the car's front seat while Joe and Andy ride in the back.

STUMP: There is a lot of truth to that. Somebody must be in the front seat, no question. But the analogy doesn't really work for us; were more like a Swiss Army knife. You've got all these different attachments, but they are all part of the same thing. When you need one specific tool, the rest go back into the handle. That was how the band functioned and still does in many ways. Pete didn't want anyone to get screwed. Some things we've done might not have been the best business decision but were the right human decision. That was very much Pete's thing. I was 19 and very reactionary. If someone pissed me off, I'd be like, 'Screw them forever!' But Pete was very tactful. He was the business guy. Joe was active on the internet. He wouldn't stop believing in this band. He was the promotions guy. Andy was an honest instrumentalist: ‘I'm a drummer, and I'm going to be the best fucking drummer I can be.' He is very disciplined. None of us were that way aside from him. I was the dictator in the studio. I didn't know what producing was at the time or how it worked, but in retrospect, I've produced a lot of records because I'm an asshole in the studio. I'm a nice guy, but I'm not the nicest guy in the studio. It's a lot easier to know what you don't want. We carved out those roles early. We were very dependent on each other.

MCLYNN: I remember sitting in Japan with those guys. None of them were drinking then, but I was drinking plenty. It was happening there, their first time over, and all the shows were sold out. I remember looking at Pete and Patrick and telling Pete, ‘You're the luckiest guy in the world because you found this guy.' Patrick laughed. Then I turned to Patrick and said the same thing to him. Because really, they're yin and yang. They fit together so perfectly. The fact that Patrick found this guy with this vision, Pete had everything for the band laid out in his mind. Patrick, how he can sing, and what he did with Pete's lyrics - no one else could have done that. We tried it, even with the Black Cards project in 2010. We'd find these vocalists. Pete would write lyrics, and they'd try to form them into songs, but they just couldn't do it the way Patrick could. Pete has notebooks full of stuff that Patrick turns into songs. Not only can he sing like that, but how he turns those into songs is an art unto itself. It's really the combination of those two guys that make Fall Out Boy what it is. They're fortunate they found each other.

"I Could Walk This Fine Line Between Elation And Success. We All Know Which Way I'm Going To Strike The Stake Between My Chest" - Fall Out Boy Hits the Mainstream, 2003

Released on May 6, 2003, Take This To Your Grave massively connected with fans. (Fall Out Boy's Evening Out with Your Girlfriend arrived in stores less than two months earlier.) While Take This To Your Grave didn't crack the Billboard 200 upon its release, it eventually spent 30 weeks on the charts. From Under the Cork Tree debuted in the Top 10 just two years later, largely on Grave's momentum. 2007's Infinity on High bowed at #1.

WENTZ: I remember noticing it was getting insane when we would do in-stores. We'd still play anywhere. That was our deal. We liked being able to sell our stuff in the stores, too. It would turn into a riot. We played a Hollister at the mall in Schaumburg, Illinois. A lot of these stores were pretty corporate with a lot of rules, but Hollister would let us rip. Our merch guy was wearing board shorts, took this surfboard off the wall, and started crowd-surfing with it during the last song. I remember thinking things had gotten insane right at that moment.

HURLEY: When we toured with Less Than Jake, there were these samplers with two of their songs and two of ours. Giving those out was a surreal moment. To have real promotion for a record... It wasn't just an ad in a 'zine or something. It was awesome.

MCLYNN: They toured with The Reunion Show, Knockout, and Punch-line. One of their first big tours as an opening act was with MEST. There would be sold-out shows with 1,000 kids, and they would be singing along to Fall Out Boy much louder than to MEST. It was like, 'What's going on here?' It was the same deal with Less Than Jake. It really started catching fire months into the album being out. You just knew something was happening. As a headliner, they went from 500-capacity clubs to 1500 - 2000 capacity venues.

WENTZ: We always wanted to play The Metro in Chicago. It got awkward when they started asking us to play after this band or that band. There were bands we grew up with that were now smaller than us. Headlining The Metro was just wild. My parents came.

MCLYNN: There was a week on Warped Tour, and there was some beel because these guys were up-and-comers, and some of the bands that were a little more established weren't too happy. They were getting a little shit on Warped Tour that week, sort of their initiation. They were on this little, shitty stage. So many kids showed up to watch them in Detroit, and the kids rushed the stage, and it collapsed. The PA failed after like three songs. They finished with an acapella, 'Where is Your Boy,’ and the whole crowd sang along.

WENTZ: That's when every show started ending in a riot because it couldn't be contained. We ended up getting banned from a lot of venues because the entire crowd would end up onstage. It was pure energy. We'd be billed on tour as the opening band, and the promoter would tell us we had to close the show or else everyone would leave after we played. We were a good band to have that happen to because there wasn't any ego. We were just like, "Oh, that's weird.' It was just bizarre. When my parents saw it was this wid thing, they said, 'OK, yeah, maybe take a year off from college.' That year is still going on.

MCLYNN: That Warped Tour was when the band's first big magazine cover, by far, hit the stands. I give a lot of credit to Norman Wonderly and Mike Shea at Alternative Press. They saw what was happening with Fall Out Boy and were like, 'We know it's early with you guys, but we want to give you a cover.' It was the biggest thing to happen to any of us. It really helped kick it to another level. It helped stoke the fires that were burning. This is back when bands like Green Day, Blink-182, and No Doubt still sold millions of records left and right. It was a leap of faith for AP to step out on Fall Out Boy the way they did.

STUMP: That was our first big cover. It was crazy. My parents flipped out. That wasn't a small zine. It was a magazine my mom could find in a bookstore and tell her friends. It was a shocking time. It's still like that. Once the surrealism starts, it never ends. I was onstage with Taylor Swift ten years later. That statement just sounds insane. It's fucking crazy. But when I was onstage, I just fell into it. I wasn't thinking about how crazy it was until afterward. It was the same thing with the AP cover. We were so busy that it was just another one of those things we were doing that day. When we left, I was like, 'Holy fuck! We're on the cover of a magazine! One that I read! I have a subscription to that!'

HURLEY: Getting an 'In The Studio' blurb was a big deal. I remember seeing bands 'in the studio' and thinking, Man, I would love to be in that and have people care that we're in the studio.' There were more minor things, but that was our first big cover.

STUMP: One thing I remember about the photo shoot is I was asked to take off my hat. I was forced to take it off and had been wearing that hat for a while. I never wanted to be the lead singer. I always hoped to be a second guitarist with a backup singer role. I lobbied to find someone else to be the proper singer. But here I was, being the lead singer, and I fucking hated it. When I was a drummer, I was always behind something. Somehow the hat thing started. Pete gave me a hat instead of throwing it away - I think it's the one I'm wearing on the cover of Take This To Your Grave. It became like my Linus blanket. I had my hat, and I could permanently hide. You couldn't see my eyes or much of me, and I was very comfortable that way. The AP cover shoot was the first time someone asked me to remove it. My mom has a poster of that cover in her house, and every time I see it, I see the fear on my face - just trying to maintain composure while filled with terror and insecurity. ‘Why is there a camera on me?'

JANICK: We pounded the pavement every week for two years. We believed early on that something great was going to happen. As we moved to 100,000 and 200,000 albums, there were points where everything was tipping. When they were on the cover of Alternative Press. When they did Warped for five days, and the stage collapsed. We went into Christmas with the band selling 2000 to 3000 a week and in the listening stations at Hot Topic. Fueled By Ramen had never had anything like that before.

MOSTOFI: Pete and I used to joke that if he weren't straight edge, he would have likely been sent to prison or worse at some point before Fall Out Boy. Pete has a predisposition to addictive behavior and chemical dependency. This is something we talked about a lot back in the day. Straight Edge helped him avoid some of the traps of adolescence.

WENTZ: I was straight edge at the time. I don't think our band would have been so successful without that. The bands we were touring with were partying like crazy. Straight Edge helped solidify the relationship between the four of us. We were playing for the love of music, not for partying or girls or stuff like that. We liked being little maniacs running around. Hurley and I were kind of the younger brothers of the hardcore kids we were in bands with. This was an attempt to get out of that shadow a little bit. Nobody is going to compare this band to Racetraitor. You know when you don't want to do exactly what your dad or older brother does? There was a little bit of that.

"Take This To Your Grave, And I'll Take It To Mine" - The Legacy of Take This To Your Grave, 2003-2023

Take This To Your Grave represents a time before the paparazzi followed Wentz to Starbucks, before marriages and children, Disney soundtracks, and all the highs and lows of an illustrious career. The album altered the course for everyone involved with its creation. Crush Music added Miley Cyrus, Green Day, and Weezer to their roster. Fueled By Ramen signed Twenty One Pilots, Paramore, A Day To Remember, and All Time Low.

STUMP: I'm so proud of Take This To Your Grave. I had no idea how much people were going to react to it. I didn't know Fall Out Boy was that good of a band. We were this shitty post-hardcore band that decided to do a bunch of pop-punk before I went to college, and Pete went back to opening for Hatebreed. That was the plan. Somehow this record happened. To explain to people now how beautiful and accidental that record was is difficult. It seems like it had to have been planned, but no, we were that shitty band that opened for 25 Ta Life.

HURLEY: We wanted to make a record as perfect as Saves The Day's Through Being Cool. A front-to-back perfect collection of songs. That was our obsession with Take This To Your Grave. We were just trying to make a record that could be compared in any way to that record. There's just something special about when the four of us came together.

WENTZ: It blows my mind when I hear people talking about Take This To Your Grave or see people including it on lists because it was just this tiny personal thing. It was very barebones. That was all we had, and we gave everything we had to it. Maybe that's how these big iconic bands feel about those records, too. Perhaps that's how James Hetfield feels when we talk about Kill 'Em All. That album was probably the last moment many people had of having us as their band that their little brother didn't know about. I have those feelings about certain bands, too. 'This band was mine. That was the last time I could talk about them at school without anyone knowing who the fuck I was talking about.' That was the case with Take This To Your Grave.

TROHMAN: Before Save Rock N' Roll, there was a rumor that we would come back with one new song and then do a Take This To Your Grave tenth-anniversary tour. But we weren't going to do what people thought we would do. We weren't going to [wear out] our old material by just returning from the hiatus with a Take This To Your Grave tour.

WENTZ: We've been asked why we haven't done a Take This To Your Grave tour. In some ways, it's more respectful not to do that. It would feel like we were taking advantage of where that record sits, what it means to people and us.

HURLEY: When Metallica released Death Magnetic, I loved the record, but I feel like Load and Reload were better in a way, because you knew that's what they wanted to do.

TROHMAN: Some people want us to make Grave again, but I'm not 17. It would be hard to do something like that without it being contrived. Were proud of those songs. We know that’s where we came from. We know the album is an important part of our history.

STUMP: There's always going to be a Take This To Your Grave purist fan who wants that forever: But no matter what we do, we cannot give you 2003. It'll never happen again. I know the feeling, because I've lived it with my favorite bands, too. But there's a whole other chunk of our fans who have grown with us and followed this journey we're on. We were this happy accident that somehow came together. It’s tempting to plagarize yourself. But it’s way more satisfying and exciting to surprise yourself.

MCILRITH: Fall Out Boy is an important band for so many reasons. I know people don't expect the singer of Rise Against to say that, but they really are. If nothing else, they created so much dialog and conversation within not just a scene but an international scene. They were smart. They got accused of being this kiddie pop punk band, but they did smart things with their success. I say that, especially as a guy who grew up playing in the same Chicago hardcore bands that would go on and confront be-ing a part of mainstream music. Mainstream music and the mainstream world are machines that can chew your band up if you don't have your head on straight when you get into it. It's a fast-moving river, and you need to know what direction you're going in before you get into it. If you don't and you hesitate, it'll take you for a ride. Knowing those guys, they went into it with a really good idea. That's something that the hardcore instilled in all of us. Knowing where you stand on those things, we cut our teeth on the hardcore scene, and it made us ready for anything that the world could throw at us, including the giant music industry.

#long post #lke. VERY long post #fall out boy #fob #take this to your grave #tttyg #patrick stump #pete wentz #joe trohman #andy hurley #if theres any typos lmk and i'll fix em this. hust took fucking forever to transcribe.

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celestialwrites · 3 months

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family/found family dialogue prompts ˚ ༘♡ ⋆｡˚

@celestialwrites for more!!

♡ “why’d you do it?” “because you’re my sister and i love you.”

♡ “betray me again and my dagger will find your throat faster than you can spew a sorry apology.” “it’s good to be home.”

♡ “blood will never shake our bond, believe that.”

♡ “family first?” Character nods in agreement, “family first.”

♡ “those people will never know you as i do, blood doesn’t define family.”

♡ “you may have been born my brother, but i chose you as an ally.”

♡ “what happened to starting a war?” “can’t do it without my baby (brother/sister/sibling)”

♡ “i changed your diapers!” “now that was just a bad decision on your part.”

♡ “you were more of a father to me than he ever was, just so you know.”

♡ “he chose me to be his family. me. i can’t let him down now.”

♡ “you were born for greatest, as your sorry excuse of a father figure, i attend to help you reach that greatest.”

♡ “looks like you’re stuck with me now.” “i’m cool with that.”

♡ “thank you for teaching me what a family looks like.”

♡ “i was just looking for my family!” character A sobs, “i thought we were your family?” character B whispers.

♡ “how do you know if you like someone?” “uh, why’d you ask me?” “cause you’re like my brother and you’re old so i’d thought you would know.”

♡ “you’re not just my best friend, you’re my family, don’t you know that?!”

♡ “family by blood is one thing, but a chosen family? that is something quite special that most won’t experience, a group of unique individuals all choosing each other. something truly special indeed.”

♡ “can i stay with you?” “yeah, kid. you can stay with me.”

REBLOG TO SUPPORT YOUR LOCAL WRITERS!!

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oepionie · 1 year

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—"POETIC RIZZ" various

SYNOPSIS: Horrible 3AM post—Just a bunch of random quotes/lines from various shows & books that i mixed together (Also diasomnia has the best rizz ngl)

WHEN HE SAYS “ILY”, BUT RIDDLE ONCE SAID

"In vain, I have struggled. It will not do. My feelings will not be repressed. You must allow me to tell you how ardently I admire and love you. One word from you will silence me on this subject forever. And so I beg you, most fervently, to relieve my suffering and consent to be my lover."

WHEN HE SAYS “ILY”, BUT DEUCE ONCE SAID

“This feeling has possessed me, I think and...I wanted to tell you that wherever you may end up in this world, I will be searching for you. I'm not afraid of anything now. I finally understand. I'm in love. We're in love. That means we'll meet again. I'm sure of it. ”

WHEN HE SAYS “ILY”, BUT LEONA ONCE SAID

"I had not intended to love but now, I have for the first time found what I can truly love—I have found you. And I will love you until I die, and if there is life after that, I'll love you then. You're more myself than I am. Whatever our souls are made of, yours and mine are the same."

WHEN HE SAYS “ILY”, BUT RUGGIE ONCE SAID

“I love you but I know it's not gonna be easy. It's going to be really hard; I'm gonna have to work at this everyday, but I want to do that because I want you; forever and everyday.—I am who I am because of you. You are every reason, every hope, and every dream I've ever had, and no matter what happens to us in the future, everyday we are together is the greatest day of my life."

WHEN HE SAYS “ILY”, BUT AZUL ONCE SAID

"I desire more…than what's within my reach. Who blames me? Many call me discontented. I couldn't help it: the greed is in my nature. Please just bear with me. You pierce through my soul. I am half agony, half hope. Tell me not that I am too late, that such precious feelings are gone for ever. I offer myself to you again with a heart even more your own than when you almost broke it."

WHEN HE SAYS “ILY”, BUT JADE ONCE SAID

"I miss you deeply, unfathomably, senselessly, terribly.I long for you; I who usually longs without longing, as though I am unconscious and absorbed in neutrality and apathy, really, utterly long for every bit of you. Moreover, you are the knife I turn inside myself; that is love. That, my dear, is love."

WHEN HE SAYS “ILY”, BUT FLOYD ONCE SAID

"I heard what you said. I’m not the sappy romantic you think. I don’t want the heavens or the shooting stars. I don’t want seaglass or shiny pearls. I have all those things already. I want…you. A steady hand. A kind soul. I want to fall asleep, and wake, knowing my heart is safe. I want to love you, and be loved by you."

WHEN HE SAYS “ILY”, BUT IDIA ONCE SAID

"My Persephone, I would have chosen you a thousand times over, the Fates be damned. Even if they unraveled our destiny, I would find a way back to you. All my heart is yours: it belongs to you; and with you it would remain, were fate to exile the rest of me from your presence forever."

WHEN HE SAYS “ILY”, BUT VIL ONCE SAID

"Darling you are mistaken, and you know nothing about me, and nothing about the sort of love of which I am capable. Every atom of your flesh is as dear to me as my own. Now, tell me every terrible thing you ever did, and let me love you, anyway. Yes, you make mistakes, are out of control and at times hard to handle. But if I can't handle you at your worst, then I surely don't deserve you at your best."

WHEN HE SAYS “ILY”, BUT ROOK ONCE SAID

"In beauty of face and soul, no maiden ever equaled you. If I were to be blinded the moment I laid eyes upon your incandescent form, I would not grieve, for in that very instance I have truly gazed upon everlasting beauty."

WHEN HE SAYS “ILY”, BUT LILIA ONCE SAID

"Be with me always—take any form—drive me mad. But I beg of you do not leave me in this abyss, where I cannot find you. Oh, God..It is unutterable. I can not live without you in my life. I can not live without my soul. It is the greater grief, after all, to be left on earth when another is gone."

WHEN HE SAYS “ILY”, BUT MALLEUS ONCE SAID

“I have little left in myself—I must have you. The world may laugh—may call me absurd, selfish—but it does not signify. My very soul demands you: it will be satisfied, or it will take deadly vengeance on its frame.”

WHEN HE SAYS “ILY”, BUT SEBEK ONCE SAID

"I am a gentleman. I have been raised to act with honor, but that honor is hanging by a thread that grows more precarious with every moment I spend in your presence. You are the bane of my existence, and the object of all my desires."

WHEN HE SAYS “ILY”, BUT SILVER ONCE SAID

"I have a strange feeling with regard to you. On some days—I have dreamed and wished I was one of your tears. To be born in your eyes, roll down your cheeks, and to die on your lips."

#twisted wonderland #twisted wonderland x reader #riddle rosehearts x reader #deuce spade x reader #leona kingscholar x reader #ruggie bucchi x reader #azul ashengrotto x reader #jade leech x reader #floyd leech x reader #vil schoenheit x reader #rook hunt x reader #idia shroud x reader #malleus draconia x reader #sebek zigvolt x reader #lilia vanrouge x reader #silver vanrouge x reader #silver x reader

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p1utofairy · 6 months

Text

PAC: “good karma my aesthetic. keep my conscience clear, that's why i’m so magnetic.” 🩰🍥🫧🪷

• what do you need to hear right now?

disclaimer ✩: take what resonates, leave what doesn't. i really appreciate y’all sm <3 for the patience, the love, the feedback and support. y’all are the greatest ever. i’m open to pac suggestions as well, so don’t hesitate to slide in my ask box! xoxo.

pile 1 ☂️ —

heyyy pile 1 ⭐️ what you need to hear right now is: release. relax and let go of any unhealthy attachments you may have to a certain person, place, idea or thing. i think you've been holding onto someone/something or the idea of what it could be/could’ve been. i pick up a feeling of yearning. you’ve been wanting something to work out in your favor, so you’ve been holding out…waiting to see if this situation will turn out how you anticipate. big 3 of wands energy. you’ve been waiting awhile now (i’m hearing weeks for some, months for others) for a clear answer. i think the more you wait around and stall things, the less likely things will go into motion. don’t chase, attract. remember that things will flow naturally to you and it’ll always work out in your favor no matter what — when one door shuts, several more will open. don’t put a time frame on it, you’ll get your answer/wish/clarity when you least expect. keep focusing on yourself and what you’re currently doing! whether that be going to school, work, the gym, studying, spending time with friends, etc. there’s a certain area in your life that you greatly want change to occur in, i’m heavily picking up for some that this is in regards to your love life, and again — i keep hearing that things will unfold in your favor when you least expect. very soon. you’re on the brink of something great, just don’t overthink it. relax, take a breath and just BE. your guides will handle the rest. love, prosperity and abundance are on the way to you. it just may not appear in the way you envision, which doesn’t mean it won’t happen at all. think about it this way, you might fantasize about coming across your dream person while you’re in a bookstore (on some ‘harry met sally’ type shit lol) so every time you go into a bookstore you’re kinda anticipating that to happen, but let’s say your busy at work or you’re frantically trying to prioritize doing your school work and studying and out of nowhere you look up and make eye contact with this person you’ve never seen before but you can feel the ✨vibe✨ like WHOA that’s…my person. i just see you being in your element when you meet this person pile 1, your mind will not be preoccupied/you will not have any precognitive thoughts — your person will just reveal themselves to you out of the blue. okay i feel like i’m getting carried away lol but everything’s gonna work out even better than you imagined pile 1 💗 trust that.

other channeled messages:

don't settle for less, pink + white by frank ocean, strawberry milkshake, chemtrails over the country club by lana del rey, leo sun, cancer moon, vedic astrology

pile 2 🦢 —

what's goodddd pile 2! i feel like you're in your self-love/healing era. you just bounced back from something and you did it with such resilience, ease and grace might i add. i'm hearing church girl by beyoncé, “i'm gonna love on me, nobody can judge me but me! i was born free.” okayyyyyy pile 2 i love this for y'all. i think some of you are really working on strengthening your throat chakra by speaking up for yourself and setting boundaries. just saw a meme that said “how i reclaimed the word ‘cunt’ by being one” OH WOW WOW WOW. i think you’re just over a lot of people and their bullshit, you may have just gotten out of a relationship, had a friendship breakup or recently left a job. good for you 💗whichever situation applies to you, i know it was draining and heavy on your shoulders. you finally feel like a weight has been lifted and you can spread your wings and be free. idk why i’m hearing some of you might be listening to a lot of lana del rey lately? (random but REAL af lol) i love that you know yourself at the core pile 2, you can’t fake it…if somethings not pleasing you or it’s not in your best interest, you know how to walk away and find something better. you don’t even know it, but you're inspiring to a lot of people. i think what you need to hear is: keep being your true authentic self. never forget where you came from and who helped you along the way, because i see that you have a big, bright and successful future ahead of you pile 2. you’re gonna be a star. “the diamond in the rough” from aladdin is what i’m hearing. you’ve got the wit, talent and empathy to get where you need to be in life. i wish you nothing but happiness and success pile 222 ♾️

other channeled messages:

hurricane by bridgit mendler, switch a n**** out by summer walker, olivia pope, sagittarius rising, cancer moon, pisces energy, save your tears remix by the weeknd & ariana grande, on my shoulders by sabrina claudio, red dress

pile 3 💵 —

hi pile 3 🤗 i’m getting rich vibes from y’all already lmfao, even if you aren’t (yet) there’s this energy of being very well-kept and liking the nicer things in life. you love you some good ol’ retail therapy. the message you need to hear right now is: spend your money wisely. i think you need to budget/save a bit more pile 3, you can sometimes go a bit overboard and indulge in the latest clothes, upscale restaurants or beauty products. you like nice things!!! there’s nothing wrong with that at all, you just need to make sure you’re prioritizing and balancing your earnings. some of you that picked this pile have very young energy lol like i can see you chilling at like 12am scrolling on youtube/tiktok and ooo’ing and aaa’ing at so many different product reviews and adding shit to your cart. some of you are tempted to buy stuff from the tiktok shop too lolll that was so oddly specific but i also feel like you've been big on protecting your peace lately. kickin’ back by mila j is coming to mind, “i’m kickin' back and i’m lightin' up doin' what the fuck i want. just rolled a wood, i’m feelin' good. just me, myself and this blunt.” i know das rightttt pile 3 🤭 you know your worth and you’re not settling for less than anything that you deserve — i love this.

other channeled messages:

luxurious by gwen stefani, need to know by doja cat, i just had an epiphany i need to go to tiffany’s, fenty gloss bomb, chanel chance, scorpio moon, catching flights not feelings

#pac #pick a card #pick a pile #pac reading #pick a card reading #intuitive reading #love pac #love reading #pac tarot #tarot reading #tarot #tarot pac #energy reading #p1utofairy

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my-love-is-sunlight · 12 days

Text

Turmoil

Law x gn reader

Warnings: little fight between Law and reader but nothing crazy, sfw and fluff at the end, good ending, FEELINGS

Word count: 1.6k

Summary: In which you save Law’s life and he gets mad at you

⋆౨ৎ˚⟡˖ ࣪

The moonlight danced with the dark sea water, accompanying you in your office as your eyes struggled to stay focus on the paper work in front of you, it was hard to tell the time when you lived in a submarine, but your body knows its well past 2 am, begging for you to snuggle into bed and drift away

From the shadows behind your door emerged your Captain, looking as tired as you did, a brow arching in confusion

“What are you doing?” His low raspy tone makes you jump on your seat as your eyes open wide in his direction, before they roll in annoyance and your eyebrows furrow

“Doing the work that YOU assigned me, Captain” the tone of your answer lets Law know that you’re still mad at him

“Should’ve thought better before-“ suddenly, and surprisingly you interrupt his so re-used speech he had given you a million times over since that evening

“Oh give me a break!” You trow your pen on the table, slamming your hands before gifting him the nastiest look he had ever witness painted on your face

Some days ago, the Heart Pirates found themselves in yet another fight were things weren’t going well for their Captain. You were the crews strategists and whenever you were caught in situations like these you were always by Laws side, but this time he had made you promise to stay out of trouble for this one, which in all honesty had struck your pride. Everyone knew how relentless of a fighter you were, that’s why you had gained such a position in the crew, so being told to back up was like a punch in the stomach, specially coming from your trusted Captain

Trafalgar Law was a stubborn, stubborn man, and that sometimes got him in more trouble that he could handle, as the enemies arrow flew trough his direction and a sword was drawn to his heart, in a blink of an eye you jumped in to protect him, without a second thought

Nothing bad had happened to you, you had came out victorious with a couple of scars nothing out of the ordinary, so when you were met by Laws angry eyes, a long speech on why what you had done was absolutely stupid and a punishment, you were left puzzled, and humiliated in front of all of your crew mates

Since then, you had been locked in your office, getting the extra work the doctor had assigned you so that ‘you learn how to listen’ done, and avoiding any words and looks of his

“I saved you” you got up of your chair as you walked towards the frame of your Captain, he may tower over you, but that would not stop you

“You put your life on the line y/n-ya, that I don’t tolerate” he answers you with a stern voice, eyes examining your every expression

“I did what I did because I wanted to, you may be the one giving orders around here, but you do not get dictate when or how I die”

As you get closer, Trafalgar cannot help but start to feel that maybe he was being selfish, after all, you had given him the greatest of gifts

Knowing there’s someone out there that is willing to die for you, no questions asks

But at the same time, the mere thought of losing you because he couldn’t be up to the task of protecting you boiled his blood and made his stomach turn a million times over

“Then maybe, you shouldn’t have joined my crew in the first place” he blurts out, every single word hitting you like a venomous snake bite, your heart clenching at the thought of being unwanted

Your greatest fear

Suddenly your body language does a 180, your anger being replaced with what could only be perfectly described as heartache. Almost immediately the doctor regrets even stepping foot in your office, before he can say anything you’re already back on your seat

“Sorry Captain” the pain in both your voice and your face makes Law hurt, and panic, and regret, yet words fail to come out of his mouth… just when he needed them most

“Don’t stay up too late” is all he can say before closing the door behind him

Next days in the Polar Tang were a pain, Law had been quite more irritable around everyone, even snapping on poor Bepo. You were either locked away working or in your room and sometimes even skipping dinner just to not cross paths with the damn surgeon, and if you were unlucky enough to do so, you would turn away immediately

Everyone knew something was up between the two of you, Ikkaku and Penguin had showed up at your office asking if everything was ok. You decided to keep it to yourself, you knew if Law found out you’re talking about him behind his back, about personal matters? Yeah, you would be dead to him, and even when mad, you respected him

Shachi was send to dig around Law, but when your name crossed his lips the doctor immediately shot down the conversation, this confirming their suspicions

But then, you finished the damn paper work, and guess who was the one you needed to hand it to?

You tried to convince anyone else to deliver the papers to Laws office, but it seemed like everyone had catch up and found this as an opportunity for you to make up with him, frustrating you beyond comprehension. They had even got to Bepo first

“Sorry y/n, I was told to tell you to deliver it yourself” he offered you a sympathetic smile, afraid of your answer, you just sighed defeated and thanked him anyways

“Just go in and hand him the papers! That easy” Ikkakus voice rings in your head as you try to wash your nervousness away in front of Laws office. Hesitantly you knock on the door, feeling lightheaded at the mere touch of it

“Go away Shachi” the doctors muffled voice meets your ears, confused you answer with the tiniest “It’s me, Captain” After a pause that felt like it lasted a decade, thinking he may had shambles himself out of the office, you hear a “Come in” so you do

You enter the office slowly, almost as if you made any sudden moves you’ll get caught like a pray in the wild. Trafalgar is sitting at his desk, his hands fidgeting and eyes following your form

“I have the paper work you asked for” you stay pretty far away from the desk, fear written all over you making Law feel twice as worse as he had been feeling this past few days

“Thank you y/n-ya, just leave them here” his voice sounded softer, but this didn’t made you feel any less scared as you approached the desk, gaze fixated on the papers in your hand. As you positioned your hard wok on the desk Law makes the uncharacteristic decision to hold your wrist before you retrieved, a shock running through your whole body at the action

Law’s heart beats a million times per second as he finds the right words to approach the matter, maybe he should’ve thought about them before taking your hand, your soft skin touching his freezing him. You lock eyes for a second and finally Law understands everything he had done wrong, from being ungrateful, rude, harsh and just overall mistreating the person he cares for the most

He would rather being shot than admit he was in the wrong, but he knew if he didn’t he’ll lose you, which was the reason he had caused this mess in the first place, so he swallows his pride

“I am sorry, I shouldn’t have screamed at you in front of everyone, or made you do all this work and… saying those awful things”

The fear washes from your body as you hear his apology, something you never thought you’d witness in your life, you let out a breath that you didn’t know you were holding since you stepped foot on the door, offering Law a genuine smile that made his heart fall to his feet

“It’s ok Captain”

“Law” he says, letting your hand go as his own insecurities disappear, thinking you were gonna bash at him after his apology

“Law” you parrot back, earning him another sweet smile of yours

“I just… didn’t wanted to lose you, I was so lost in that thought that I didn’t realize that’s exactly what I was doing” you had seemed to have pushed a button because he just couldn’t stop the thoughts that just fell directly to his tongue and overflow like a cascade out of his mouth

Laws eyes open wide as he sees you approach the other side of the desk, your arms wrap around his wide form like the softest blanket, hugging him while he still sits on the chair, your head resting in top of his. The surgeon stays completely still, taken aback

“Thank you for apologizing Law, I really appreciate it” you whisper making his face bright red and his hands shake, the way your body weights over his makes his brain malfunction and his heart go wild

You let go and approach the door of the office, Law remaining completely broken and flushed in his seat

“See ya’ at dinner.. Law” you say his name mischievously, giggling after before you disappear

The Captain stays still for a while, alone in his office, thinking about everything being open about his thoughts and feelings had gained him, and how addicting his name sounded falling from your sweet lips

⋆౨ৎ˚⟡˖ ࣪

This came to me in a dream and wrote it in almost one sitting lmao, feel free to request anything you wanna read I am having so much fun writing his emo ass

Reblogs are appreciated ;)

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harunayuuka2060 · 6 months

Text

MC and Simeon: ...

MC: Were you just pretending not to see me until now?

Simeon: No. You wouldn't believe how surprised I am to see you here in Celestial Realm, MC.

Simeon: What are you even doing here?

MC: ...

MC: Michael brought me here.

Simeon: Michael?

MC: Hm. I surrendered myself to Thirteen. Solomon stole the ring that contained my soul and gave it to him.

Simeon: I still don't understand... Michael has no reason to do that.

MC: *chuckles* I wish that is true.

Simeon: ...

Simeon: Tell me, MC.

MC: He wants to punish me for causing a lot of inconveniences, especially in the future. *smiles* Though I don't understand why it still matters in this timeline.

MC: When none of you will ever see me again.

Simeon: ...

Simeon: The future, you say?

MC: *nods* In the timeline I was in, you stole the ring of light to save me. And the very reason you were turned into a human and lost your right as an angel.

Simeon: !!!

Simeon: So that did actually happen.

MC: But not anymore, Simeon. You won't have to do that again.

Simeon: You may be right. However, a future without you...

MC: ...

MC: A future in which I'm no longer around would likely bring the greatest relief to everyone involved.

Simeon: Please don't say that... *tearing up*

MC: ...

MC: *hugs him*

Simeon: *hugging them tightly*

MC: Apart from Luke, I'm also happy to talk to you like this.

Simeon: Are you in hiding?