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There is beauty 
in the silence, in the stillness, in the gone-ness.
In the dripping water casting ripples in puddle—
who is left to see it?
In the soundless streets—
who is left to hear it?
-
There is beauty
in the empty, in the quiet, in the ghosts.
In the burning lights, haloes silver and rose—
who is left to see?
In the winding roads, snow pristine and clear—
who is left?
-
There is beauty 
in the dark, in the soft, in the peace. 
Silence is a commodity rarely found and never sought, 
An extinct creature killed by advancing times. 
There is beauty in its return; 
There is beauty in its resurrection.
-
(who is left to hear?)
-
—beauty in a time of mourning (Yushan C.)
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Everything feels the same, now. 
That is to say, 
Everything feels like coming to life. 
That is to say, everything
Feels like dying anew. 
.
—resurrection (Yushan C.)
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WHAT TO DO WHEN THE DARK STARTS CALLING
Don’t say you’re fine. Every lie amplifies its siren’s call. 
Play music. The soft sort. The sort that sounds like lullabies and freedom, maybe a pinch of adrenaline. 
Work. Anything is enough to plug your ears, dull the dark’s edge. 
Lie. It’ll amplify it, but we’re all masochists here, aren’t we?
Punch something. A wall, maybe. The blood looks like eyes. The pain feels like teeth. 
Don’t say you’re fine. Fine doesn’t mean a damn anymore, anyways. It’s a cop out, a run out, a blindfold.
Close your eyes. 
Close your ears. 
It can’t get you here.
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Years ago, my friend had a ganglion cyst, right on her wrist. 
Fluid build-up. Best to let it rest. 
Don’t aggravate the joint. 
It’ll go away on its own. 
.
Some days, I think memory is a bit like that. 
A build-up in oft-agitated joints, 
The nerve bundle harmed by relentless back-and-forth that has become
       habit, 
Become routine. 
It goes away on its own, quiet as a last breath stealing out of a lung. 
Fades as time wears on.
.
Other times, it’s more like a broken bone, never healed right. 
You remember the crack, the pain, the wrong-ness
       of the displaced shards of calcium. 
You remember the painstaking, irritating, frustrating process
       of healing and relearning simple tasks. 
.
On rainy days, the bone twinges. 
On rainy days, you are right back to the break. 
.
—you can always wait for the sun (Yushan C.)
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Sometimes forgiveness is swallowing a match, 
          swallowing ten. 
Your veins ignite like gasoline-soaked wood 
(are your doubts the gasoline or your convictions?)
(does it matter?)
.
Sometimes it’s a bit like suffocating,
Water rushing in through your nose and you’re
Drowning 
(are your memories the water or your dreams?)
(does it matter?)
.
—Yushan C.
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I do not know how to go on 
With you, 
And I do not know how to go on 
Without you. 
This is our liminal space, our
Handcarved pocket of eternity. 
Always here and always leaving and maybe, 
in a hundred years or a few seconds, 
we will find our way out of this trap. 
.
—Yushan C.
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I am rediscovering how to love
The way I used to when I was five. Before Love
Was swept under the rug and 
Freedom became the only prize. 
Fear runs rampant, dominates—Panic is seeds sown by a 
         careless farmer—
But here, in this moment, without distraction, 
        without fear, 
I am rediscovering what it means to love despite 
       the flaws we hold. 
Here in this moment, 
I am redefining who I choose to be.
If one thing must come from this living, 
barring death, 
let it be the choice to love again, 
despite Love’s faults in the past. 
.
—in the space between here and then (Yushan C.)
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this has 100% been talked about before but younger members of the lgbt community (especially on tumblr) NEED to understand that “gay panic” doesn’t mean “oh no i’m a teen panicking because i might be gay” it means “literal legal defense used in cases where a person has murdered someone upon finding out they were gay”
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Maybe I should’ve known romantic love was a lost cause
      for me when I fell 
More in love with the moon than any person; 
When my soul ached for one more minute under the stars, 
Rather than the company of someone else. 
.
Or maybe I should’ve known when the forest beckoned 
       me home—
Craggy trails and footstep-less dirt singing a siren’s song.
When disappearing into the wild seemed more right
Than handing someone my heart; 
When emerald pines and russet ground seemed a more 
         welcome place
Than someone’s embrace. 
.
Or maybe there was no way to know. 
Maybe it always would’ve been this—
the moon and the stars and the trees and the earth—
the persistent sense of wrong—
the slow discovery, the quick recovery—
Maybe, in the end, it would always have been like this.
.
—Hindsight (Yushan C.)
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(I will never forget this—)
.
They brought siege engines to your town, 
Armies to the valleys of your body and the plains of your skin. 
They brought mercenaries to carve the sword off your arm. 
The fires are lit; the people
.
are afright. They run akimbo, packing what little they have to hide in 
       the citadel, 
Protected by cranial bones and a mouth barred shut like a gate. 
We are hidden, but we are not. 
Your eyes are windows
.
To your castle—see the servants rushing to prepare, prepare
For siege, prepare
For battle, prepare
For death. 
We bear scars from the last skirmish, 
Blast marks from the last catapults to try and bring down these walls. 
.
Yes. That is where these bruises are from. That is where these fears 
           are from. 
.
They light their catapults. 
.
(—I will never forgive this)
.
—knight in broken armour (Yushan C.)
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I think we’re all broken, 
you whisper to the dark shimmering water lapping against the hull. 
I can see our reflections—
You, halved in white and 
Me, fading to black like an old film reel. 
Broken how? 
I don’t really need you to answer, not really. We’re cursed,
I know and you know, too, so you just laugh. 
Even that sounds like shattering glass. 
What is it about stars and streetlights and silent European nights 
          that tear us open to the core?
Cursed, you whisper, 
And suddenly thousands of years worth of history and ghosts and 
          fiends are clamouring for release beneath 
The liquid obsidian rocking the boat. 
Cursed, I whisper, but remind me:
Aren’t curses simply blessings from below?
.
— Cruise on the Danube (Yushan C.)
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I thawed, didn’t I?
Like winter ice in spring, 
Mountain run-off streaming into brooks and rivers. 
I felt the warmth of life—
Blossoms bloomed crimson violet vibrant blues. 
The sun was on my heart; I felt it melt, felt it give. 
Yet now, I stand staring into nothing searching for something; 
I stare at the placid blue surface around me, 
Not a ripple in sight.
This isn’t stoicism, 
This isn’t strength. 
This is calcifying into marble, is dying 
With your eyes wide open, 
Is stranding yourself on a lonesome little island and thinking it might
       not be so bad after all, disappearing.
I thawed, yes, but now 
I think all that was keeping me from sinking was the permafrost 
And now, that’s gone, too. 
(remind me: how did I ever mistake disappearing for flying?)  
-
—Spring Melt (Yushan C.)
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I don’t love you anymore. 
-
I don’t love you anymore, 
But
-
There are days I wake up and I think I feel your arms around me 
And my lungs
Ache like I haven’t taken in enough air. 
-
There are days where I turn
with your name on my lips 
And there is nothing there, only empty air,
Dust motes and smoke. 
-
I don’t love you anymore, 
but
-
It’s been so long since I was alone, 
I’d forgotten the way loneliness tastes like regret 
when you’ve drunk enough of it. 
-
—Yushan C.
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You wanted a love story and this
isn’t 
it. 
You say you’re going through trials by fire 
but these are not the flames 
that birth phoenix
these are the flames that destroy forests so
Put it out.
He she they aren’t worth the 
Destruction 
of your soul;
Darling, 
You wanted a love story and listen to me. 
This
isn’t 
it. 
.
—Why do we mistake destruction for creation? (Yushan C.)
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A friend of mine wants flowers for her room, she says. 
She wants to make it beautiful and vibrant and fresh, but
Blossoms fade and petals mold, she says,
Clutching her falsified flowers, 
Petals carefully crafted—
A forgery,
hundreds of days in the making in factories where they make 
          hundreds of petals that never die.
Immortality is the prize, beauty a side effect, and yet
How many of us choose both as a goal?
-
—Immortality comes with plastic petals (Yushan C,)
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There are endings, and there are endings. 
-
It was snowing, I think, that last day. Snowing the way it hadn’t yet, that year. 
The thing with snow:
It wipes away everything you’ve left behind, 
Buries it, 
like a pirate burying hoarded gold. 
We lay down our half-finished hopes, the midnight musings we’d  incanted into streetlight-lit hollowness. 
Hello! we cried. We are here. We are
Here, 
Like footprints in the mud and the branches of a fallen tree jutting up from the ground, we are
Here. 
There was moonlight, stealing away our
whispers 
like the wind borrows secrets, 
like a faerie steals a child. 
-
Count down from five, love. 
The snow is falling, and the stars are bright, and
the moon is listening. 
Count down from five—
promise me you’ll remember this is not the
ending it seems to be. 
-
—this is what it means to begin (Yushan C.)
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We make gods out of sinners and altars
Out of gutters. We bow, 
Heads down in silent reverence,
To fools who beat back the nonbelievers with
violent and wrath and the pious
Call it righteous.
The gutters birth no good saviours; these
streets 
Vanquish purity the way Heracles vanquished
the lion and Perseus vanquished the
serpent but they had gods on their side 
And we have only demons.
—modern sins equate salvation (Yushan C.)
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