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celaenaeiln · 10 months

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You know what’s interesting?

Dick didn’t set out to murder Zucco with the intent of being a killer. He viewed it as an unfortunate byproduct of his actions.

His real goal was to “purge the world of criminals” because “darkness needs light.”

Do you realize how unhinged that sounds? It means Robin wasn’t created from anger. It was created from the messed up psyche of a child who realized at 8 years old that the entire world needs something better than what it was given and so he went out and became it.

I cant properly explain how insane that is. It’s like putting the logic of the Joker inside the mind of child but turning it for good. Everything is falling into place now. That is why the Joker hates Dick-he is the one Robin the man couldn’t break. Literally COULDN’T because when he’s facing Dick, he’s facing the version of himself that would have existed if he had put himself to good. That was would break HIM.

Imagine spending the better part of your life doing your utmost worst to show Batman that people and the system are inherently evil only to have him fall head over cowl for a version of yourself to completely invalidate your reason for existing. How psychotic would you turn when you realize you have nothing to prove?

This also explains why Dick is so well adjusted and sociable in a way that Bruce and the others aren’t.

Bruce loses it when he loses his children, he thinks it’s a failure of his abilities and doubts his life’s work.

Jason loses it when he thinks he’s been replaced because his reason for being is having someone care for him.

Tim loses it when he comes to a dead-end. He feels helpless and lost when he doesn’t know the next move because his reason for being is being able to solve what’s wrong.

Damian loses it when he feels abandoned. He feels hurt and broken because he’s a child who wants to be loved.

The reason Dick was the perfect choice for Dark Crisis and to become the dawn of DCU is because his sole reason for being is to be the light.

That is why Bruce refused to destroy a planet when Superman asked him too. That is why Dick was the only person in the universe who could control the Darkness infecting him when even Deathstroke lost his mind to it. That is why the evil Justice League chose Dick of every one to kill-to make a point.

This is why he’s looked up to by major heroes such as Superman, Wonderwoman, the Titans, the children, the villains, and the civilians.

This is why Harvey Dent called Robin Dick “Batman’s secret weapon.”

Although anger was the baseline emotion, Dick doesn’t have anger issues because:

Robin wasn’t created for revenge. It was created with the intention of building a world so unrealistically good, that the level of the vision Richard Grayson was aiming for and set the standards for- is so terrifyingly inconceivable.

And that-is why he is a happy, feral, monster.

#robin was so much more than the result of an angry child #he set the standards so high he scared bruce for what he aiming #bruce didn’t enable him-he leashed him #dick grayson #nightwing #bruce wayne #batman #joker #tim drake #red robin #damian wayne #robin #jason todd #red hood #robin dick grayson #batfamily #dc universe

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writers-potion · 2 months

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Writing Morally Gray Characters

Morally gray antagonists and heroes can bring up many interesting questions about your story's theme and plot. Yes, your hero does want to save the world, but resorts to cruel ways of bringing peace?

Being morally gray can also mean that the character is highly goal- oriented and values efficiency and success over anything.

Deceiving Appearances

As is true in real life, a person's intentions aren't always obvious. A character, their title, background or really just how they look might at first indicate they're the hero type but surprise - they're not.

By hiding ulterior motives behind more apparent ones, you can add depth to your morally gray characters. Appearances can be deceiving, and that makes for a juicy read.

Morally Gray vs. Villains

Morally gray characters and villains are not strictly one and the same. Yes, there is overlap-they can be villains-but the distinctions are there nonetheless.

I don't think having a dark past to provide motivations for morally gray characters is too effective. They do intend to harm others, and sometimes, that's just the way they are.

Recognition

Your morally gray character should recognize that their choices can cause harm, intentionally or otherwise.

Although he's willing to risk the chance in his pursuit of knowledge, he does actively recognize that his actions can result in negative consequences. He sometimes acknowledges this before he does something, and sometimes only in hindsight.

Remorse

They must understand and experience remorse. When the consequences of their actions wreck and story world and kills people around her, she would certainly have regrets and even struggle to undo what she did.

The point here is, she won't regret until she has already caused the wreckage.

Redemption

Finally, when even they feel things have gone too far, your morally gray character must seek redemption however that manifests itself in your story.

For all their logic and reasoning, they are not without feeling. They can grow to care for other characters and go out of their way to help them at times, even save their life.

If you like my blog, buy me a coffee☕ and find me on instagram! 📸

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villainousauthor · 2 months

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Hero stares down at the paper in front of them with mounting dread. Their stomach is all tied in knots, and they feel a cold sweat at the back of their neck.

"You know, you don't have to do this if you truly don't want, I'm not forcing you." Villain purrs behind Hero, voice against their ear. The threat is unspoken. If Hero doesn't sign, they'll continue with their rampage. Continue killing, destroying, maiming.

The pen shakes in Hero's hand as they continue staring down at the paper. It's just a piece of paper, made of thick cardstock, cream white. Yet Hero has been staring at it for fifteen minutes, as if it'll bite them.

Certificate of Marriage

The font is too pretty, all stately and official looking. Hero feels as if they may throw up any minute.

"I don't understand why.." Hero finally finds their voice, asking the question that's been bouncing around in their mind since Villain first pulled the paper out as they suggested a truce.

"You already know my terms. In exchange for leaving your hero friends unharmed, for leaving the civilians of the city unharmed, I want you." Villain's voice is something possessive, filled with fire and heat. "This just makes it more official. More binding."

Hero shudders, and they feel as Villain steps closer behind them, a dark shadow looming over them. They know this goes beyond simply wanting to make their agreement more binding and they both know it.

"You know it's not legitimate- it's not legally binding without an officator." Hero stumbles over their words, not even sure if that's true.

Villain snorts, not usually one to be worried about legality of course. They put a hand to Hero's shoulder, warm and rough.

"I can find a priest to threaten. No one needs to know how and when we signed. Unless you'd rather make a big ceremony of this." Villain's tone is now teasing, amused by the idea of a wedding. "That could certainly be done if you prefer."

Flushing hot, Hero shakes their head quickly. No, they would not prefer that. This is already nerve-wracking and humiliating as is. A part of them wants to outright refuse, to tear the paper the shreds, and throw it in their face, but Hero knows this is the chance to get Villain to back down.

"I wouldn't be unkind to you." Villain says, voice suddenly softer and more serious. They lean forward, face resting against Hero's neck. The most terrible part is that Hero knows they mean it. They wouldn't be unkind or cruel, and that makes this all the more difficult. "You'd belong to me, but I'd take care of you."

Hero already knows there's no choice. They knew from the beginning that there was no other option. They have to do what is best for everyone else. Shakily, they finally nod.

"So selfless, so sacrificial to others." Villain says as they place a feather light kiss against the shell of their ear. "We'll have to work on that once you're with me."

They take Hero's hand currently holding the pen in their own, their grasp strong, as they lift it to the paper.

#hero x villain #prompts #dialogue prompt #hero #original writing #villain #villain prompt #hero prompt #villain x hero #superhero #writing prompts #writeblr #writers on tumblr #my writing #whump #sort of i suppose

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alijuan · 1 month

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Ascended Astarion is true unlike Spawn Astarion who pretends to be good for Tav

If i see that opinion again i will explode🫠

It's funny because Astarion will only approves if you persuade him not to perform the ritual.

A lot of people don't understand the concept of grey morality and it shows. Many people justify him but this type of AA fan thinks worse of him than he really is. He needs the ritual not because he's a power-hungry villain, but because he needs safety for himself and his lover. Depending on Tav/Durge's actions, he either stays with the feeling of fear (AA is still afraid deep inside, the game files confirm this) or he fights against it and becomes truly free of Cazador and fear (spawn ending). The dialogue with Durge about not being afraid is wonderful and shows difference between SA and AA.

Astarion: This little adventure of ours has taught me that we can't let our lives be ruled by fear. Or else we never really live. Astarion: I'm not afraid. Not of you, not of your darkness, and not of our future.

The point of the spawn ending is that Tav/Durge saw him as more than just an outward image of a power-hungry killer incapable of becoming a better person. But if you can't see beyond that image, he will think that he has no choice but to continue living in the world that Cazador has built for him. If you think that AA is his best ending because he is evil then you have failed to understand his whole personality.

I feel safe with you. Seen.

Despite of his love of killing (he is a vampire after all), he repeatedly showed compassion and guilt for luring people. Before the ritual, he literally convinced himself that he should kill spawn for power. Astarion rationalises this to protect his psyche, because he’s clearly not the type of guy who can sacrifice thousands of people to the devil and not feel anything about it.

Durge/Tav: This isn’t you, Astarion. Not really. Astarion: It should be.

I really like that the player technically makes the insight check and that there’s an advantage when they're romancing Astarion. Tav/Durge could see through the image Astarion was trying to create. They saw an elf whose fear prevented him from seeing all the possibilities.

Astarion: When I look at my future, anything and everything feels possible now.

Just as Astarion saw Durge not just as serial killer, but as someone who could defeat Urge and become a better person.

Durge: I am myself at last. You don't need to fear anything from me ever again. Astarion: I knew you had that sweat heart all along. I was alarmed by you sometimes, scandalised even, but somehow by your side, I still only ever saw you.

AA fans also often ignore the fact that the game has good and bad endings in the companion stories. And it's not about morality. All companion quests are literally about how the desired and obvious path leads to a bad ending. And Astarion is no exception. In a good ending, he gets the chance to heal and finally acceptes himself and his vampire nature, in a bad ending, he gives up and regresses as a person.

Spawn Astarion knows what he wants and says it. SA is ready for a relationship and sex. Ascended Astarion can’t answer the question of what he wants, so he acts as a vampire lord should. AA is literally back to the state of the first act and has started manipulating Tav/Durge through sex again (even repeating the same phrases). This is why he doesn’t really want sex (he approves if you choose the no sex option and he definitely dissociated during the sex scene) unlike Spawn Astarion who initiated it.

Spawn Astarion is the same Astarion who enjoys “murder and terror” and you can see that clearly in his “hero” ending (more like “antihero”). And this is the ending without romance, he chose it himself. And the whole idea of him pretending to be good for Tav is actually meaningless without romance.

Ascended Astarion is the same Astarion, but stuck in a black and white world of fear and domination.

SA scene ends with hope music (instrumental version of I want to live) AA scene ends with chains.

And there’s so much more. Larian specifically showed the difference between good and bad endings in the dialogues, scenes after ritual, recent updates and even the interview so people would definitely understand, but they didn't🙃 Some AA fans (especially on youtube and larian forum) are on a new level of delusion.

#bg3 #baldur's gate 3 #astarion #Narrative comprehension is dead #durgestarion #astarion x durge #astarion x tav #spawn astarion #ascended astarion #такого непонимания очевидного я не видела даже в геншин фандоме

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spenglernot · 7 months

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STORIES TELLING: NED LOWE AND THE DEATH OF POOR REPRESENTATION IN OUR FLAG MEANS DEATH

In history, Ned Lowe was one of the most sadistic and violent pirates in the early 18th century, so he’s an obvious choice for a villain for season 2, episode 6 – Calypso’s Birthday. What is interesting is what the OFMD writers chose to do with him.

Lowe announces himself to the crew of the Revenge with great fanfare (cannon ball attack) and gets right to the point.

Ed is thoroughly unimpressed.

Cut to Ed and Stede tied up while Ned attempts to set the mood so he can monologue about why he wants to kill Ed.

Ed knows what’s coming. He is going to suffer but he still can’t be arsed to meet Ned with anything but vaguely bored dismissiveness (and Stede is happy to play along).

Up on the deck, Ned prepares the crew for his big, dramatic moment of symphonic torture.

Note that the Revenge crew is tied down, braced by vices and generally unable to protect themselves from imminent torture and possible death, but their spirits are up. They don’t seem terribly fussed.

Then Stede uses his people positive management style to happily orchestrate a worker uprising in Ned’s crew.

Ned’s crew responds instantly; severing their allegiance to Lowe and telling him off.

The crew sails away and talks profit sharing while Ned dully threatens to hunt them down.

Ned is now a prisoner of the Revenge crew and seems entirely disinterested in his own survival.

And Ned sinks to the depths, without struggling at all.

There is a lot going on in this episode: pay and labor equity direct action, gay love engagement bliss, kink humor, Stede being a hero and saving his crew by playing to his strengths, then having to decide whether to kill in cold blood and feel the consequences of that choice. Ed having one more reason to be done with piracy (while being so impressed with and fond of Stede), and then watching his man make a fraught choice and having to deal with the fallout from that. (And, damn, I haven’t even mentioned the passionate sex bit.) Anyway, back to the point.

Now for the the meta part

The Ned Lowe sequences are perfectly in keeping with OFMD’s signature blend of madcap violence, humor, and big emotional gut punches. But something about Ned Lowe just strikes me as off for this show.

Ned is seriously threatening the crews’ lives, so why don’t they take him seriously?

Why does Ned have such a boring, throwaway backstory?

Why is Ned so nonchalant about his own death; like it’s a foregone conclusion?

Why does Ned have a silver violin and silver spurs on his slip-on dress shoes?

Why is Ned sartorially monochromatic?

And then I realized who Ned reminds me of.

This guy,

Earnst Stavro Blofeld in the James Bond film Diamonds are Forever (1971)

And this guy,

Scar in Disney's The Lion King (1994).

And this guy,

Xerxes, 300 (2006).

And it sure seems like Ned Lowe isn’t just an episodic villain. He is an archetype of the one-dimensional, stereotypical queer-coded villain that has been endemic in film and television throughout history. The OFMD writers have a lot to say about what to do with this kind of character:

Don’t respect him.

Feel free to openly mock him.

Don’t let him take your joy, even though he will hurt you.

He won’t disappear on his own. You have to throw something at him (take action) to make him go away.

Once he’s in the water, he’s content to drown. He’s not into what he’s doing any more than you are.

Oh and, just to be clear,

The LGBTQIA+ community has a very long history of turning shit media into better stories. So, hey, big media, prepare to have your crap characters wrecked (improved).

Now, back to our transformative pirate show with rich, complex queer characters and a multi-layered plot that surprises me every week and makes me feel big feelings - most of all, joy.

Final thought: I do wonder if Ned Lowe is monochromatically silver as a tribute to/poke at, Hollywood and the silver screen.

This meta was written before OFMD season 2 has fully aired. No idea what’s going to happen in the finale (and I’ve generally fled social media to avoid spoilers). I’ll be back, looking at everyone’s fascinating posts after episode 8 airs.

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antianakin · 3 months

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I watched Dune: Part Two over the weekend, and I came to realize something: Anakin Skywalker has a lot in common with Paul Atreides, and none of them are good.

Funnily enough, I was also making comparisons between Dune and Star Wars when I saw it this weekend, but more positively. Not necessarily specifically between Paul and Anakin, but in the ways the two stories subverted the Chosen One storyline.

In Star Wars, Anakin is the Chosen One and it IS a good thing, but it's not INEVITABLE unless Anakin chooses it. He HAS to make the choice to be a good, balanced, selfless person in order to achieve the perfect prophecized ending. It is impossible to achieve it through brute force of will or selfish agendas.

In Dune (based purely on the story in the films, I have not read the books so I cannot speak to what the story was in there if it's different), Paul is the Chosen One by design of other mortal people around him, he is the Chosen One because they CREATED a Chosen One through specific breeding and manipulation of cultures and religions. They literally achieve their prophecized ending through brute force, Paul becomes a messiah by forcing himself to ride a sand worm, by killing and defeating the opposing forces on the planet, by using Fremen as weapons in a holy war, by drinking poison and coming out of it alive. The subversion here isn't in how the prophecized ending is achieved, but in how it was CREATED and the fact that achieving it is a BAD THING.

Anakin chooses to DEFY his destiny out of selfishness while Paul chooses to GIVE IN to his destiny out of selflessness, and then they both end up villains as a result. Both of them made their own choices, but were also manipulated onto this path by forces they couldn't control and people they should've been able to trust. They're both left feeling like they're out of choices and so the only one left is the one they KNOW is bad.

But I find myself somewhat more able to sympathize with Paul because he tries SO HARD throughout the entire film to keep this from happening, he knows exactly what's going to happen if it does, and in the end, he's just outplayed basically. He'll never be a match for the greater forces at play until he becomes one of them, and at that point he's lost in every way that matters. It's a completely lose-lose situation for Paul the way I saw it. Even with the visions, Paul has had multiple visions come true before he has the one about the holy war, and has a lot more reason to believe that it's true due to Jessica's training. And it felt like when he drank that poison that some part of Paul almost literally did die, that someone else came back to life in some ways and that's part of the whole tragedy. He's almost possessed by the powers around him by the time he declares himself Emperor.

The same is DEMONSTRABLY not true for Anakin. Anakin walks into the darkness with his eyes open and his head held high because he believes HE ALONE will benefit from it. There's no selflessness in this choice in any way shape or form. He has had ONE VISION come true that we know of before he gets the dream about Padme and the Jedi notoriously do not believe visions to be all that trustworthy to begin with, so all of his training tells him that just because ONE vision came true still doesn't mean that THIS one is true and even if it were, he can't trust that any action he takes to keep it from happening will actually have that result. But he's selfish and greedy enough to try anyway, to discard everything he's ever been taught, for power. He convinces himself that doing this makes him a hero, that murdering the Jedi, down to the last child, makes him a hero. There's no evidence that doing what he's doing will save Padme, or that Padme would even WANT him to do this to save her. He's not truly outplayed, he had all the tools at his disposal to make the better choice in that moment in Palpatine's office, he's just not a good enough person to make it. He IS a match for the greater forces at play in terms of power, he and Mace could've EASILY killed Palpatine together if only Anakin had chosen the better path. He just... chooses not to because it doesn't benefit him to do so. Anakin could've won, in every way that mattered. He only loses because he makes the stupidest choice imaginable.

Dune is a political sci fi epic about how people in power will literally create messiahs for the people they intend to subject as a way to consolidate their own power.

Star Wars is a children's cautionary tale wrapped in an space opera adventure about how letting your fears control you will bring about your own destruction, and only kindness and selflessness will save the world.

It's not exactly a secret that Lucas was inspired by Dune when coming up with Star Wars, so I find it really interesting to look at the similarities and differences in how they each approached their Chosen One storylines.

#star wars #dune #dune part two #anakin critical #anakin skywalker critical #paul atreides #dune spoilers #dune part two spoilers

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drawnfamiliarfaces · 8 months

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what would they look like as villains? I know that some have canonical versions, but I would like to see your intropritation (let's be honest, for most - the evil alterego is an exact copy, but only with a slightly modified color palette and frowning eyebrows)

(I'm sorry for my English)

oh, this was a wonderful ask to get on the eve of spooky month ;D im not god at villain (re)design but it was a fun thinking exercise! (also im assuming you were asking about HoMies xD so)

I mean, there is only so much one can do to remake protagonists into villains and yet still have them remain recognizable, so no wonder evil!versions often are just recolor/frowny sort, but I tried my best to be creative ;D

(and your english is alright! no worries)

also while you can imagine them being as villanous as you want in these designs, there are some little blurbs/backstories i made up for myself as I tried to design them, if you are interested (they are various shades of dark, since you know, tragic backstory and all that lol):

Kim Possible - Hero for Hire turned Mercenary for Money - Kim is widely known for her profeciency in hand-to-hand and quick thinking when on the jobs, but one time something went terribly wrong. Maybe client info was unreliable, or a freak accident, but as the result both Kim and Ron got hurt, leaving Ron in a hospital permanently, and Kim with scars and trauma. After that the girl who worked on favors and rides lost her trust/belief in goodness of people, becoming jaded by reality of a job she accidently found herself in. Kim changed into someone very cold and calculated, someone who started taking jobs that required using serious weapons instead of gadgets, and more importantly getting paid, so she could support her best friend (who is in coma and thus unable to influence this downwards spiral Kim find herself in).

(in contrast to canon!Kim's free flowing hair, she ties it back in order to never be distracted in crucial moment. has a lot of new scars due to more dangerous jobs. i still cant decide if she kills with her weapons or not, but she certainly learned to hurt people. also a very complicated relationship with Shego, since Kim is also a mercenary now, but Shego still remembers that girl she was and is conflicted about this new Kim)

Danny Fenton/Phantom - Ghostly Hero turned Ice Prince - s3e6 Urban Jungle turned out differently, when in the end, defeating Undergrowth, meant also hurting everyone he had been connected to at that moment (level of hurt depends on your preference for angst i guess lol), but anyway, Danny horrified by what he have done (and with memory of Dan still haunting him), still technically unstable with his Ice Powers, flees back into the Ghost Zone to the one place he knows he won't be able to hurt anyone. Sequestering himself in the Far Frozen, he goes full Elsa, and become a remote Ice Prince, that even Far Frozen Yetis are still nervous around, with his only contact being Frostbite. Slowly he wastes away, freezing from his powers not only physically but also like emotionally.

(fun (?) tidbit: fur on his new snow cape/coat is from yetis, unfortunate to wander too close to ice prince. so there are a bunch of partially bald yetis in far frozen lol. Danny is constantly covered in bits of ice and frost, since his ice powers are unstable due to emotional damage. Danny's crown is not a conscious choice, but rather a manifestation of Far Frozen starting to bond with Danny's ice core to become his lair and also sort of recognizing Danny as future Ghost King.)

Jake Long - American Dragon Guardian turned Corrupted by Dark Magic Dragon - Series Finale The Hong Kong Longs, ended differently, when Dark Dragon left a parting shot before he was inprisoned for another Millennium. Since meeting Jake, Dark Dragon has been interested in aquiring him as minion/apprentice(?), and had been steadily trying to sway him to his side. But as he lost he made a last ditch attempt, infecting Jake with Dark Magic. As the result, Jake now cannot control his Dragon Form, being steadily consummed by the Darkness and turning more Draconic as time passes, until he will become full Dragon all the time and under the thrall of Darkness. The change is harsh and as the result Jake falls into violent moments during which he hurt his loved ones that fight to keep him from changing. In one of his more lucid moments, Jake flees to hide away in order not to hurt anyone.

(it seems an interesting thought to expand on the possiblity that the Dragon form can overwhelm the human part and that it would associate with dark magic to succumb to its baser instincts, and also would be a great opening to all those wonderful draconic fan headcanons fandom made about Jake lol)

Ben Tennyson - Hero Wielder of Omnitrix turned Corrupted/Hacked Ultimatrix Unstable User - During Alien Force Ben tried multiple times to hack/meddle with Omnitrix settings, and when he continuously tried the same with Ultimatrix in Ultimate Alien, something has gone wrong. Ultimatrix has bonded deep into Ben's DNA and body, and now every change is felt acutely, not to mention the alien perceptions are now unfiltered and Ben recieves the raw experience of being a different speices/state. It comes to a point when it start to mess with his mind, only made worse by Dagon's reemergence and all the enemies. In the final showdown of Ultimate Enemy goes differently, how? no idea (again depends on your preference level of angst lol). But as the result, Ben, unstable and a little crazy, is on the run with his corrupted Ultimatrix, his reputation in tatters and is considered dangerous by Plumbers.

(i had a little extra idea of Omniverse continuation, where new Plumber Rook Blonko, now has to hunt his hero turned crazy tragic villain Ben Tennyson. Very emotional and angsty (and a bit gay lol), where Rook continuously trying to unsuccessfully catch crazy Ben and convince him to let Azimuth and plumbers to help him.)

Juniper Lee - Youngest Te Xuan Zhe turned Corrupted/Fallen Te Xuan Zhe - in this case in Out of the Past, what Ah-Mah Jasmine feared about Fallen Te Xuan Zhe Kay Yee managing to corrupt Jun has sort of came to pass. After defeating Kai Yee, being touched by the overwhelming power of Magical Elders has left its mark on Jun, as well as Kai Yee's words and Jasmine's initial fear about/distrust in Jun (she is like 11-12 people, it would FUCK HER UP MENTALLY???). As Jun goes through her rebellious teen phase, the unfairness of her trapped position as protector and the demands of it, grates on her more and more, and she finds refuge in studying magic. As the result, her magical ability grows and as her desire for freedom, and the smallest seed of corruption from the events of Out of the Past grow too. So in the end, Jun learns magic to wield it , like Kai Yee, but unlike Kai Yee, not just for battle, but for personal goal of freeing herself and any future Te Xuan Zhe of her family line.

(fun tidbit, Jun doesn't continue to dye her hair pink, instead she uses blood from battle ;D morbid i know but i couldnt help it i like the imagery of her passing her bloody hands through the white part to paint it. she has lightning scars all over her body, that appear only when she uses magic - a manifestation of her brush with orb of magic elders.)

Rex Salazar - Last Hope Against EVO turned Contained and Controlled Weapon of Providence - Rex's return 6 months after Breach transported him and his introduction to Black Knight goes very differently. Instead of prolonged mind games, Black Knight just imprisons Rex pretty much right away while he is vulnerable, content to attempt to trigger Rex's amnesia ad use the mind-control collar, to turn him into her mindless weapon. She was sorta successful? But with Ceaser on the inside, he managed, with the help of Six and Holiday, to free Rex, even if it was too late to save his mind. As the result, whatever reeducation Rex suffered from Black Knights left him instinctively reacting with force and in defense. The whole last part of the season goes very differently in this state, and the finale also ends differently, with Rex, overwhelmed with power of Omega Nanite (God) but in no mind to actually control it. So in the end he is forced to be contained as his friends and family try to figure out how to save him.

(the angst of mind-controlled Rex is something I enjoy, but since he canonically is immune to it, the idea of an induced amnesiac episode seemed like a best bet for this one, but with like double the angst since Six&Holiday would have to struggle not only with Rex being turned into amind-controlled weapon but also him not knowing them)

Randy Cunningham - Chosen Norrisvile Ninja turned Disgraced/Fallen Ex-Ninja - relatively early in his career, after accidently releasing Tengu and Howard getting possesed by it, Randy makes an ultimate sacrifice by burning the Ninja Mask in order to defeat Tengu. However, he didn't expect that Tengu-possesed Howard to be sealed away together and the Ninja title being taken away from him for his reckless (even if noble) decision. Frantic, because he lost two important parts of his life, his best friend and heroic purpose, Randy tries to get the reborn mask back, but it, along with the Ninjanomicon were spirited away by the Messenger to pass on to another candidate. And thus starts Randy's panicked downward spiral and frantic attempts to get back the mask in order to free Howard. Since he still has his memories, Randy trains to become a better fighter. He knows he has to fight the new ninja for the mask, since he believes the Ninjanomicon would advice strongly against New Ninja helping Randy free Howard. In school He becomes known as resident outcast with bad reputation who lost his best friend under suspicious circumstances, and magical underbelly of Norrisville another antagonist for the Ninja to battle. However he still retains an odd sense of honor about Ninja (because he was one) so when opportunities to team up with Sorcerer, McFist, Sorcereress come up, he either ignores them or uses them for his own goal. The closest thing to hit home for him was when Mac Antfee also tried to get mask back, but for his own selfish purposes unlike Randy, well, lets just say Randy was pissed.

(i feel bad since i practically nipped Randy's career right on the bud, unlike others, but this one felt like a good turning villain opportunity unlike season finale. also! the idea of Randy beng an antagonist to the next ninja, while struggling with his own goodness and desire to save Howard is incredibly interesting to me lol. also he got scars from Tengu)

Zak Saturday - Heroic Fighter for Cryptids turned Cryptid Kur re-Reborn - the last episode, where Argost took powers of Kur and subsequently Zak died for about 3 minutes, Zak didn't reawaken unscathed. Kur is not only powers to control Cryptids, it was a person once, and after Zak died and was ressurected, a part of Kur has come forth, because some part of Zak has been lost in his death. A changed Zak Saturday worries his family, with him being quiet and introspective, not to mention pale/golden eyed and slightly zombie-like from his brush with death. Inside, parts of Zak the Kid and Kur the Olden Cryptid mesh and mix, leaving this new Zak struggling with who he is. As time passes however, Zak the Kid is slowly loosing the battle with a much more powerful older part of the soul of Kur (it wouldnt normally happen but Zak the Kid lost a significant part of his spirit when he died, which was filled with Kur) slowly regain his abilities (like in TGAS). At some point a change happens, and Zak retreats from his family, starting to wander the world as two parts of him struggle for dominance.

(fun tidbit! Zak's outfit is the same from his future vision of him overtaking the world as Kur, it seemed approrpiate lol. Also for some reason I kept thinking of Van Kleiss (from Generator Rex) when designing evil!Zak. they kinda have the same vibe)

Jenny XJ-9 Wakeman - Robotic Hero of Earth turned Robotic Overlord - this is a bit of mixed influences from different points: in season finale Dr. Locust turns Dr. Wakeman's creation against her; Jenny's Older Brother Armagedroid; Vexus attempt to sway Jenny to her fellow robots side; the whole year where Jenny was mind-controlled by a bratty kid and everyone feared her and even her mother planned to create a new XJ-10 in order to defeat her; and also a bit random but that one time Jenny pretended to be a villain Ruby Rocket (hence the red color scheme with bits of Armagedroid/Cluster designs). I have a bit less clear timeline for this, but lets just say its gradual and that at some point a lot of manipulations Jenny suffered turned her against humanity and their use of her robotic brethern. While she does not desire to destroy humanity like her brother, she certainly lost her trust in it, and after a manipulation one time too many, she snaps, turns into a leveled up version of Ruby Rocket/Anti-hero persona, she takes her sisters and leaves to Cluster, where Vega welcomes her. Jenny still protects Earth, but admittingly from afar and in a more evil way I guess?? She loves her mother, but she struggles with Dr Wakeman's previous disregard of her siblings and just callous regard to her creations (Wakeman can be cold/serious/to-the point, without Jenny constantly reminding her that she wants to be like a normal girl).

(Jenny was the hardest, because I couldnt find a clear point of turning in the series for her, so I decided to go with gradual change of mind about humanity sort of deal.)

oof this turned a bit long lol, thank you anyone who read through this clusterfuck! As you can see i sort of went with 'Were a Hero - tragically turned Anti-Hero due to circumstances' kind of vibe, since Im just unable to imagine these guys be like trully horrible evil villains (and this way is more angsty, since, like Fallen Heroes and all that). Im not that creative lol. Anyway, i hope you were as entertained as i was when creating this haha ;D

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the-modern-typewriter · 9 months

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Hello! Would you be able to do a hero x villain scene where the villain catches the hero doing something he's not supposed to and the villain uses that to blackmail the hero? I love your snippets, i could literally read them all day like a book lol

"Tsk. Tsk. What have we here?"

The hero froze. They ran through a million different versions of how screwed they were. Then, they swore quietly, and turned. "Is there any small chance that you're not going to make a big deal out of this?"

"You graffitiing the side of parliament? On-" The villain's gaze raked over the colours, the style, clearly matching it to the other acts of vandalism that had been making the news of late, "-multiple occasions." Their eyes it up. "Oh, they'll have your head, hero."

The hero's stomach sank. It wasn't even an exaggeration. "So no biggie. Right? You love a bit of chaos?"

The villain smiled. It was not a comforting smile.

The villain might appreciate chaos, but not so much as power.

The hero folded their arms across their hoodie, like that would somehow cover the bloody scrawl of 'inaction in the face of evil is evil, you bastards' behind them. It was complete with a rendition of the head minister's face with a moustache and devil horns and a list of the dead.

"Why are you even here?" they snapped.

"Consulting with him of the devil horns."

"Of course you bloody are."

The villain shrugged. "This administration is evil, as you say. It's very convenient. They're oh so eager to get me on board, yada yada."

"You in government?"

"Mm. It's horrifying, isn't it?"

Horrifying seemed like too mild a word. The villain was already powerful, with legal and official backing - however unjust - they would be unstoppable. Never mind that...

They were probably using the villain. Or, at least, trying to. The idiots didn't realise that the villain was a different sort of beast entirely; difficult to tame, malice not contained to cabinets and board rooms and cruel detachment. Or, maybe, they knew but were simply too greedy for what the villain could give them.

There was no way it would end well either way.

And now...

The villain's smile broadened, at the hero's expression.

"Relax, hero," the villain said. "I won't tell anyone."

"...you won't?"

"Not if you do a little something for me."

The hero stared at the villain, flat.

"Oh, come now," the villain purred. "I'm being nice."

"By blackmailing me?"

"By giving you a chance to avoid being executed on the front steps. By not instantly taking away the last hope that all these poor..." The villain swept forward, "downtrodden," they captured the hero's chin, "peasants have."

Their eyes met. The hero swallowed.

It didn't need saying that the villain could. Which meant that whatever they were after must be awful, for them to give up the chance of their ultimate victory, of the chance to get rid of the hero forever.

"What do you want me to do?"

"I have no doubt you're aware of the dance tomorrow."

"The one that costs an obscene amount of money that could be used on public infrastructure or the welfare of people who live here."

"That's the one," the villain cooed. "Come with me."

"Excuse me?"

"Come with me to the dance."

"As your accomplice to what?" The hero's eyes narrowed. "You're not going to kill them all, are you?"

"As my date."

The villain dropped their chin.

There was a long pause. The villain was implacable. The hero was having some sort of internal seizure. Emotional whiplash. Possibly an existential crisis.

"...you're blackmailing me to be your date."

"Astute observation."

"I notice you didn't say you weren't going to kill them all."

"I notice you didn't say no."

"Well," the hero huffed, face hot. "I don't have much of a choice, do I?"

"I was half-expecting an 'I'd rather die', I'll admit."

"I mean, it was a close shout. It is..." They looked the villain up and down, then quickly looked away from the disgustingly perfect body. "You."

The villain smiled again. Wild. Savage. No politician's curve of the lips.

The hero wet their dry lips, resisting the urge to clear their throat. "And if I do this...you won't tell anyone about..." They waved a hand at the wall. "I have your word?"

For what is was worth, and the hero had never expected it to be worth quite so much, the villain always kept their word. Unlike some people.

"You have my word."

The hero felt dizzy as the adrenaline in them bottomed out. Shaky. They realised abruptly how clammy their hands were around the cans.

It still seemed too easy. The villain could have finished them. It was a stupid, ridiculous thing to be murdered for...but exactly the kind of thing the current administration didn't tolerate. That along with free speech, empathy and the other hallmarks of a caring society.

The villain turned to look at the vandalism, attention roaming over the names, the words. It was impossible to tell what they were thinking.

"Go on then," the villain murmured. "Finish up."

"You're going to watch?"

The villain didn't deign that with a response. The hero tried - and failed - not to feel self conscious as they got back to work. They'd, for obvious reasons, never had an audience before.

After what it had cost, though, they couldn't leave the job half done.

They felt the villain's eyes on them the whole time, intent and electric. It made the hero feel like they were stripping.

By the time they were done, the hero's hand was shaking.

"Very good." They felt the villain's chest pressed against their back, their breath against the hero's ear. "Remember to wear something pretty for me."

Then, they were gone.

The hero had to get out of there.

#heroes and villains #blackmail #villains #heroes #villains and heroes #hero x villain

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averagecygnet-blog · 2 months

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emma is the villain of tgwdlm

I need to talk about this oh my god

because it's told from the hive's perspective. paul is the protagonist because he is the one who resists them but must ultimately come to accept that they're right. emma is the one who must be beaten through force.

the difference between the hero and the villain is that the hero must change, while the villain cannot. (I'm not speaking in universals here, just generalizations of how the narrative structures work that tgwdlm uses in parody.) the hero and the villain both hold a belief that represents the thematic evil; by the end of the story, the hero must undergo apotheosis, which is to say, ultimate unity with the thematic good. once this is achieved, he can defeat the villain, who represents the thematic evil completely and is incapable of change.

to the hive, "good" is unquestioning conformity to the group's ideals, specifically, singing and dancing in sync with everybody else. "evil" is refusing to sing and dance along when, clearly, you want to.

paul is the perfect protagonist because he resists song and dance, but largely because it makes him uncomfortable. getting out of your comfort zone is necessary for change! it's a good thing to let yourself go through something uncomfortable in order to come out the other side better and stronger for it. (that much is true; however, sometimes discomfort is a legitimate sign that you should stay away from something.) paul has never really tried singing or dancing, and deep down, is afraid that if he tried it, he might like it. exactly the sort of person who can be converted and used as a shining example of the hive's righteousness.

emma must be the villain because her refusal to fall in line is a choice. she can sing, she can dance, she was in brigadoon in high school and she fuckin killed it, she is even taught a whole ass song with choreography by the hive on their first morning in hatchetfield (emma's comment about how they have to sing "all the time, apparently!" and zoey's implied presence at the theater when the meteor hit - because she was with sam, and sam was there - strongly suggests that nora and zoey were zombified all morning and she had no idea). it's stated by hidgens and suggested by nora and zoey that getting a human to sing/dance along with them is supposed to be a sort of mesmerizing tactic that the hive uses to start synchronizing a person to the hive mind, but emma refuses. she sings and she dances, just like they want, but she chooses to actively hate it the whole time, on principle. she can't be convinced; they have to swarm her, surround her on all sides. let it out is meant to win paul to their side; inevitable is just to gloat.

in the bar scene in hidgens' bunker, emma says that she must be the villain to paul's hero because she was in the musical that got him to hate musicals. on the one hand, she had it backwards; she's the villain because according to the hive, the all-encompassing narrative power, he's not supposed to hate musicals. on the other hand, she's kind of right: paul is the protagonist because he is the guy who didn't like musicals, while emma is the villain because she has the capacity to like musicals as well as experience in them, but has chosen to reject them.

who is the hero and who is the villain all depends on who is telling the story. and the hive is telling this story. don't forget that.

#starkid #team starkid #the guy who didn't like musicals #tgwdlm #media analysis #literary analysis #hero's journey #tgwdlm emma #tgwdlm paul #emma perkins #paul matthews #lauren lopez #jon matteson #nick lang #matt lang #jeff blim

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save-the-villainous-cat · 1 month

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“Oh, Christ—” the hero cursed. They tried to laugh but this time, they couldn’t conjure the energy for it. Usually they laughed off most things but this was a little too serious.

“Stop moving,” the villain hissed. They pressed their palm into the hero’s side and although the hero wanted to pretend it didn’t actually hurt them, it burnt. It burnt a lot.

The hero had never experienced this kind of pain nor had they ever had the slightest idea how mortal they actually were. To be fair, they had never ripped open most of their torso either.

With the villain putting more pressure onto the wound each second, the hero could only pray that they wouldn’t pass out.

“And stop smiling, this isn’t funny,” the villain added.

“I’m nervous,” the hero explained. “And this fucking hurts.”

The villain slammed them back against the tiles when their hips moved up. It made the hero whine and beg like a dog but the villain didn’t seem to care about that. Eventually, they sat down on the hero’s hips and kept their hands on their flesh.

In other circumstances, this would’ve promised a good night. The hero was already without a shirt and the villain was, indeed, certainly attractive.

However, the hero was quite sure they had never seen this much blood in their entire life. If they had had the energy, they would have apologised for the bloody bathroom. The sink and floor especially.

“You won’t die on me. I know how to fix this.”

“Wouldn’t the bleeding stop if you pushed your fingers into the wound?” the hero asked. They felt light-headed. They had heard something like this in training. A sort of last-resort-thing.

But their thoughts already blurred together. They took in deep breaths as their body pumped blood through their torso. They were delirious, tasting blood. Oh God, the villain would kill them for ruining the bathroom.

“Do you actually want that?” the villain asked. The hero looked at the villain’s fingers move towards the cylindrical wound. Two fingers were on the raw and bleeding flesh, dipped in thick blood and nearly digging into the messy wound.

“Ah, maybe not—” It had been a screwdriver. The hero had been attacked with a screwdriver and their nemesis tried to save them from bleeding out.

It was so pathetic, so embarrassing, the hero could only laugh weakly. On their patrol the hero had been a little too confident, a little too cocky and now they turned the villain’s white bathroom into a red nightmare. This damn bathroom.

“Smart choice.” Instead of pushing their fingers into the wound, they used their palm again. Without much thought, the hero grabbed the villain’s arm but they couldn’t swallow the scream this time.

By now, tears ran down their cheeks and they could feel the wound pulsate. They wanted the villain’s soft touch and their sweet smile.

They wanted to fall asleep on their chest and forget about this stupid thing.

Longing for someone was something the hero loathed.

“Just let me die, please, this is torture.” They whimpered the last words. With one last rush of energy, they pushed themselves up to talk some sense into the villain but the villain only pushed them down again.

“I’m afraid this isn’t your decision anymore. I will save you and I’m sorry you’re hurt.” They grabbed the bottle of pure rubbing alcohol and the hero nearly managed to crawl back a little. “You need to survive.”

“Please, there is so much blood…”

“I am not going to let you die.”

“Then please be gentle.” The tears made it difficult to see them but the villain stared at them and the hero could feel something shift. Something was changing behind the villain’s eyes. They hesitated. “What?”

“Here.” The villain took their hand. “Squeeze as hard as you can when it starts to hurt.”

“You’re too kind,” the hero joked. Exhaustion took over them quickly. They were sweating. They felt disgusting. They were trembling. They waited for the alcohol to burn their skin.

“Oh, darling. I’m sorry. I promise I’ll make it up to you.” The hero frowned but the villain slapped them immediately without an explanation. The hero was so confused, so offended that they didn’t expect the following pain of the alcohol on their raw skin.

They supposed it was better this way but they still cursed the villain with every single insult they could come up with.

#Leo just one chance please 😣#writing snippet #heroxvillain prompt #heroxvillain snippet #heroes and villains #villain #hero #hero x villain #heroxvillain #an answer for an ask #request #suggestive #h/c

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codenamesazanka · 7 days

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more Deku bashing, if you'll forgive me

Seeing lots of shocked tweets and posts that Deku seems so cold and distant about Shigaraki dying in front of him; that Deku doesn't seem to care much at all; that Deku isn't devastated he wasn't able to save that little boy.

I have to point out that Deku never cared in the first place. He really didn't! It's why he needed to see The Crying Child to feel any bit of empathy for Shigaraki, and why ever since then, he only yammers on about saving the Crying Child and only the little boy. He never gave a shit about the Shigaraki in front of him. Never treated Shigaraki like someone real to engage with. That Shigaraki is unforgivable; and it was impossible to have ever bring the Crying Child into reality because the Crying Child was a memory, it happened 15 years in the past that cannot be changed, so all Deku can do is comfort the Crying Child then beat the shit out of Shigaraki.

I mean, just look at the imagery and the word choices:

Are those the words and expressions of someone who's trying to be careful about not hurting Shigaraki? Actually trying to help someone in pain? I remember when people were excited that Danger Sense would tell Shigaraki that Deku doesn't want to hurt him - turns out nah. He was so ready to make Shigaraki throw up blood.

Deku never tried to talk to Shigaraki. He never asked any questions during the whole time they were fighting. Mirio asked a question and got a response; but Deku? Nothing. Even in the memory-realm, when Shigaraki via memory-villains ask Deku what his plan was, Deku just shouted 'No!' and that was that.

When Deku said 'Somewhere inside of you is a person' he literally meant that. Inside of Shigaraki is the Crying Child, who is the actual person. Did he catch Shigaraki saying 'Spinner will be looking forward to this' and think, 'huh, Shigaraki has someone he cares about, I think? Then he wouldn't want to destroy Spinner, would he?' No. The fan-translation got everyone's hopes up that Deku wants to 'shred the rug' of societal failures, but the official translation was correct - Deku wanted to pry the lid off Shigaraki's trauma, accusing Shigaraki of repressing himself.

If he cared about Shigaraki at all, he would've protested when Gran told him he might have to kill Shigaraki. Instead:

He would've opposed the construction of something called a SKY COFFIN DEATH ARENA. He would've spoken up when Heroes talked strategy about how AFO is the better opponent to fight, implying that it's better if AFO had taken over Shigaraki, despite Shigaraki being the victim of AFO here.

Even when he ends up saving Tenko from Decaying the Shimuras, he's utterly lackluster there. Tenko's in tears, saying that he must have wanted to kill his family, he was born with a quirk like Decay, who could ever validate his existence the way he is??? And Deku's response? "Well. Holding my hand might make you feel better. So here." Saying something like, 'No, you're a child! It's not your fault!' or 'Your quirk isn't meant for harm, it can be useful too' or 'It's okay. You're not an evil existence' seems obvious, but Deku doesn't.

and really, all this has been obvious since the Mall Encounter in Chapter 69. Remember when Shigaraki point blank told him that All Might's smile is stupid because he acts like there's no one he can't save? And it's clearly full of resentment? And Deku picked up on this, which is why next chapter he asks All Might if it's true there are times where All Might couldn't save someone.

But once Tsukauchi said, don't worry about it, Deku did just that. When he does think about it one time, it's this absolutely nothing of a reflection

"I guess we just have to agree to disagree!" Come on. And this kid has a 'drive to save that eclipses all common understanding'??? for real?????

Deku has never given a crap about Shigaraki or Villains. Honestly, him wanting to save that sad little boy might as well be just Horikoshi putting lines in his mouth to move the story along.

If Deku really did care, I think he would've wanted to save the entire person that is Shigaraki. The Crying Child is a phantom - Shigaraki is real and solid and there. The Crying Child is innocent and easy to care about because it's a cute baby and it's openly weepy; saving hand-monster junji ito twink Shigaraki who laughs and talks about destroying everything Deku loves would've been an actual challenge. But clearly we couldn't have that because even the Crying Child was too far gone for Deku to save.

#character bashing #warning #nalslastworkingbraincell #again #i'll take it all back if next chapter proves me all wrong #sorry

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kingkatsuki · 1 year

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— when you stand up for him

Masterlist.

Warnings: 18+, v v suggestive, Bakugou’s always having nasty thoughts about you, not proofread.

Pairing: Bakugou Katsuki x f!reader.

Word Count: 1.9k.

Since you’d started working at Dynamight’s agency you’d found out firsthand how defamatory the media could be. There was often a mixture of positive and negative headlines for all the Pro-Heroes in the top fifty, some more negative than others. Cellophane had been stuck in a messy situation just last week when a saucy text chain had been leaked to the press, the lewd messages accompanied by a rather salacious picture of him in a state of undress. Obviously an attempt by the media to paint him in a bad light, but it actually ended up thrusting him into the top ten.

“He woulda sent that fuckin’ dick pic to anyone that asked.” Bakugou scoffed when you’d told him, grinning at the cheesy headline “Cellophane stuck in a sticky situation.”

But in particular, the media seemed hellbent on making a villain out of Dynamight. A well-known fact that they knew sold papers. His brash personality and fiery quirk made him an easy target for those sleazy tabloids to ridicule. Painting the perfect picture of Number One Pro-Hero Deku, and demonising the Number Two who was always hiding in his shadow.

Of course, the media scrutiny didn’t bother Bakugou much, far used to these words for them to have any real bite. The judgement seemed to have followed him since he was a teenager, and he’d spent the better part of his adult years trying to prove himself through his actions. And although you didn’t know it, your opinion meant far more to Bakugou than a handful of gossip magazines.

It wasn’t unusual for these reporters to call through to the Dynamight agency, especially after a successful mission. Each outlet wanting to be the first to get the scoop hot off the press from the main man himself, but fortunately for Bakugou you were the final roadblock between them and the Pro-Hero.

Most of the time you could weed through the good calls and the bad, finding the best opportunities for Dynamight to showcase himself to the world and add those precious boosts to his hero ranking. Knowing firsthand how much Bakugou hated any kind of interview environment, preferring to showcase himself through his hard work, you were careful with the engagements that you picked. The few he did were always enough to keep him sitting comfortable in second place.

You groaned when you realised who you’d ended up with on the phone, the lead journalist for The Heroic Choice, a controversial tabloid that had just published a rather scathing article about Pro-Hero Welder. And you were certain judging by the “direct” quotes that most had been stretched out of context to fit their narrative.

“Thanks for taking our call,” The voice spoke on the other end of the line, not that you’d had much choice, “Dynamight hasn’t responded to any of our emails, so I thought it best to try and reach you directly.”

“Yes, well Dynamight’s a very busy hero.” You spoke through gritted teeth.

“Oh, we’ve heard. We had a very concerned reader call in earlier to tell us that Dynamight almost killed someone again—” You were already seething at the accusation when the reporter continued, “How many totalled buildings is it this year? The budget must be at breaking point by now, or is it less a budget and more hush money for the victims? Almost as bad as a villain, wouldn’t you agree?”

You weren’t sure what came over you in that moment. Some would probably argue that it was the amount of love that you had built inside you for Bakugou Katsuki that made you want to protect and defend him with your life, or it could’ve just been the fact that being his secretary meant you got to see a side of him that no one else was lucky enough to see. The Hero that dedicated so many hours of his life to protecting the city and its residents, putting his own life at risk to ensure that people made it home safely to their loved ones. The countless amount of times you’d visited him in hospital or done a rather bootleg patch up of his injuries in his office after hours. The scars that now littered his body each held their own story of a time where Dynamight put others before himself, and you weren’t about to let some gossipy B-rate magazine besmirch him. Especially to try and call him, the man that would give his life for others, a villain.

So you did what Bakugou probably would’ve done, you exploded.

You weren’t even sure where it came from, certain in the months that you’d been working for Dynamight you’d never once let your temper get the best of you, even with particularly troublesome callers. His personality must have been rubbing off on you, as you continued to argue back and forth with the man on the phone, your voice increasing in power the more he argued back.

The noise roused Bakugou from his mission report, crimson eyes looking up from his laptop as he tried to make out the shouting on the other side of his office wall. Pushing his desk chair back as he dropped his glasses on top of his laptop he made his way towards the hallway, thinking that another person was harassing you for some kind of Dynamight endorsement deal again. Tugging open the door Bakugou prepared himself to tell whoever it was to leave and stop pissing off his secretary but he was shocked to see you shouting on the phone.

“Dynamight is the greatest Hero of our generation and we’re lucky to have someone like him protecting our streets. There’s no telling what could happen if we didn’t have him. Did you know violent crime is down twelve percent since he entered the top ten? And that’s not including the crime syndicates he’s managed to infiltrate in the last three months—”

Bakugou had to stop in the doorframe at the sound of you listing off facts about him so effortlessly. Mouth agape like a fish out of water as he began to wonder who you were on the phone to, and how they had managed to rile you up to this extent.

You hadn’t even noticed him standing there as you continued to berate the caller, asking them whether they had looked up any crime statistics or whether they were just interested in a sleazy headline.

Bakugou didn’t know what to say, standing outside his office as he stared at you between furrowed brows. After hearing shouting outside, he hadn’t expected it to be coming from you, and he definitely hadn’t expected it to be because you were defending him to the media.

It had Bakugou’s chest swelling with pride as he continued to hear you list of reasons why Dynamight would never do an interview with The Heroic Choice, not that he needed you to tell them that. He could’ve easily given them his own list of reasons, the main one being their scathing reviews of anyone other than Pro-Hero Deku. His throat felt dry as he watched your eyes darken as you continued to argue with them on the phone, nostrils flared as he tried to fight the blood rushing directly between his thighs.

God, you were so fuckin’ perfect.

He’d never had anyone defend him to such a level, and it made it even more special that it happened to be you doing it— the woman he was so madly in love with. Even the shy, wide-eyed look you gave him when you noticed him watching you made his heart flutter as you exchanged the last few words with the tabloid over the phone.

You’d been so heated you hadn’t even noticed Bakugou shamelessly ogling you while you were on the telephone, although you were certain he’d heard you. Your voice at least a few octaves louder than necessary, but you couldn’t help it. The realisation you had an audience now dawning on you as you gave your boss a sheepish smile.

“I’m so sorry about that, sir.” You practically gushed as soon as you slammed the phone down, which immediately began ringing again, “It just makes me so mad, they talk like they know you but they really don’t know you at all—”

“Next time, get me.” He rasped, mainly because you didn’t deserve dealing with assholes like that on the phone, but also because Bakugou wasn’t sure if he’d be able to survive you taking another call like that without blowing his load in public. The thought of having to spend the rest of the day in damp boxers had him squirming as he turned around.

“Yes, sir. I know I should’ve, but he made me so angry. I’m sorry.” No matter how many times he told you not to call him sir, you would do it anyway and it did nothing to quell the ache in his pelvis.

“Take five.” Bakugou grumbled.

“Thank you si— Bakugou.” You stopped yourself with a smile as you stood up from the desk hesitantly.

Bakugou practically waddled back into his office, trying to conceal the tent between his thighs from your praise. The overprotective words had his cock throbbing as he tried to calm his racing heart, and it didn’t help you’d said his name. Slamming his office door a little harder than intended as he pressed his back to the hardwood. Eyes screwed shut as Bakugou made a feeble attempt at steadying his breathing, before glaring down at the obvious bulge. Silently willing it to disappear as he prayed you hadn’t seen it.

But Bakugou had left so abruptly with barely a word that you began to worry that you’d done the wrong thing, remembering Creati’s words one evening when she had been visiting the agency. “All press can be good press if you orchestrate it correctly.” Maybe Bakugou really was mad at you for losing your temper on the phone to one of Musutafu’s biggest tabloids, you’d definitely guaranteed another negative Dynamight article about him. Your eyes glancing over to the shut door to his office as you gnawed your glossed lip between your teeth, pondering whether you should knock on the door to apologise. The phone began to ring again as you were making that decision, opting to pick it up and hopefully do some kind of damage control for his important public image. Hoping that the PR team wouldn’t find out just how hostile you’d been on the phone to a company representative. You had no idea that on the other side of the door, your boss was losing his cool because of you, but not for the reason you thought.

About a week later The Heroic Choice ended up posting their scathing article about Dynamight anyway, although it did little to smear his hero rating. Instead the article seemed to focus on his fiery little secretary who was seemingly even more tenacious than his newly appointed sidekicks.

“Dynamight’s secretary even more explosive than him? More on page six.” It was accompanied by a picture of you that Bakugou was certain they’d managed to take from one of your social media profiles.

You’d been so embarrassed when Bakugou had shown you the magazine with a smirk, highlighting his favourite parts of the article which happened to be the direct quotes of you defending his tenacity and altruism.

What you didn’t know was Bakugou had cut out this article and pinned it to the fridge inside his apartment, grinning at it whenever he passed. The picture they’d picked of you was real fucking pretty after all— it wasn’t his fault that it brought back the memories of you defending him every time he looked at it, his cock standing to attention when he remembered how irate you’d looked that day. Somehow it made you even prettier… But of course, he’d never tell you that.

#bakugou x reader #katsuki bakugou x reader #bakugou fluff #bakugo x reader

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villain-enthusiast · 2 months

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Hi Hello!! Would you please continue the snippet of villain finding hero dying? A lot of whump and caretaking would be great! (By the way.. just wanted to say this...I love your work!!)

so glad u enjoyed! hope this is also to your liking ☺️

part one

The hero came to with a start.

They shifted, groaning as their stiff muscles and joints ached. But they noticed that their body was comfortable, sinking into a soft mattress and swaddled in thick blankets—

Wait, what?

They blinked several times as fragmented memories flashed through their head, The blinding pain of the stab wound. Their broken comms. Blood, too much blood. They were going to die without help…

The villain. The villain finding them in the alleyway, gathering them up in their arms—

“You’re awake.”

The hero jolted, head whipping to the bedside, where the villain had apparently stood up from the chair behind them.

How long had they been waiting there?

They moved to prop themselves up, but the villain’s hands were immediately on their shoulders, gently urging them back down onto the stupidly comfortable bed.

“Don’t move too much. You’ll break the stitches,” the villain warned. They pulled the blanket covering the hero’s torso away to examine the bandages wrapped around their side.

It was then the hero realized that they had been scrubbed clean and given a new pair of sweatpants, every cut and scratch from their recent altercation carefully dressed.

Their eyes met the villain’s in silent questioning.

You did all this for me?

“I swear I didn’t look,” the villain blurted suddenly. “When I was bathing and changing you. I didn’t—.” They cut themselves off awkwardly, cheeks a little pink.

Oh, that’s not… Despite themselves, the hero smiled, or what they could attempt as a smile. Their jaw was incredibly sore from being socked twice in one day.

They opened their mouth to speak, to tell the villain that it was fine and that what they really meant was thank you—

The villain shushed them. “You have some bruising on your neck. It’ll hurt to talk. You should just rest.”

The hero scowled at them. “I—,” they attempted, and immediately regretted their choice as their swollen throat flared up.

The villain gave them a "told you so" look, and the hero leveled another glare at them.

It suddenly occurred to the hero how helpless they were. Can't move, can't speak. If the villain wanted to kill them, now would be the chance. Luring them into a false sense of security, giving them one last taste of comfort before—

“I just saved your fucking life. Stop looking at me like that.”

The hero frowned. Like what? they mouthed.

“Like you think I’m gonna kill you or something. I can be a half-decent person sometimes, y’know," the villain said. Their expression softened. “I’m not a monster.”

The villain's gaze flickered with something the hero couldn't quite place as they watched each other in comfortable silence. It was an understanding, in that moment, that the villain was not going to kill them, and that they had meant everything they said and more.

I couldn’t just leave you to die in that alleyway.

The villain sighed and turned to leave the room. Panic shot through the hero—they needed to say something to the villain, damn their throat—and before they could think twice about it, they reached out and took the villain’s hand in their own. Rough calluses from what was likely decades of training scraped against their palm.

The villain stared at them, but they didn’t pull away. Their fingers wrapped gently around the hero’s, cautious. Expectant.

“Thank you,” the hero croaked, “for saving me.”

The villain was silent for several heartbeats, watching the hero with those dark—so beautifully dark—eyes.

They took a breath, as if readying themselves for whatever they were going to say. “You mean too much to me," they finally said, voice low. "I'm not ready to let you go." Their hand lingered on the hero's, as if to seal their statement, to make a promise and keep it.

Then they released their hold, and the hero wished they could tell them to stay—that they wanted them to stay—but the villain was already closing the door behind them, and fatigue overtook them before they could process anything else.

When the hero awoke the next morning, the villain was nowhere to be found. But in the chair by their bedside, they found a fresh set of clothes, a cup of water, and a note:

Be back soon. - Villain

And though their jaw still ached, the hero smiled, fully and wholly.

#hero #villain #villain and hero #hero and villain #villain/hero #hero/villain #hero x villain #villain x hero #putting those tags bc how could i not #enemies to lovers #injured hero #hurt/comfort #my writing #writing snippet #villain-enthusiast #ask #continuation #working with less dialogue is honestly so interesting #really makes u focus on mood and description

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