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#writing characters
lyralit · 2 years
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show, don't tell:
anticipation - bouncing legs - darting eyes - breathing deeply - useless / mindless tasks - eyes on the clock - checking and re-checking
frustration - grumbling - heavy footsteps - hot flush - narrowed eyes - pointing fingers - pacing / stomping
sadness - eyes filling up with tears - blinking quickly - hiccuped breaths - face turned away - red / burning cheeks - short sentences with gulps
happiness - smiling / cheeks hurting - animated - chest hurts from laughing - rapid movements - eye contact - quick speaking
boredom - complaining - sighing - grumbling - pacing - leg bouncing - picking at nails
fear - quick heartbeat - shaking / clammy hands - pinching self - tuck away - closing eyes - clenched hands
disappointment - no eye contact - hard swallow - clenched hands - tears, occasionally - mhm-hmm
tiredness - spacing out - eyes closing - nodding head absently - long sighs - no eye contact - grim smile
confidence - prolonged eye contact - appreciates instead of apologizing - active listening - shoulders back - micro reactions
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thrxughthenxght · 3 months
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I'm doing an experiment
Edit: Should've added smut. If smut is your top struggle and you want to or do write it, reblog and say so <3
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the-bar-sinister · 10 months
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🎉 Write characters that you find interesting and compelling.
🎉 Don't worry about making characters too over the top, or 'too much'.
🎉 Write characters who want big things.
🎉 Write characters with conflict between what they want and what they need.
🎉 Write characters who don't realize they are doing harm.
🎉 Write characters who don't know how to communicate well.
🎉 Write characters with people they love in the way of what they want.
🎉 Write characters with amazing abilities who use them in ways that unintentionally fuck them over.
🎉 Write messy characters!
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burntoutdaydreamer · 5 months
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To Write Better Antagonists, Have Them Embody the Protagonist's Struggles
(Spoilers for The Devil Wears Prada, Avatar the Last Airbender, Kung Fu Panda 2, and The Hunger Games triology).
Writing antagonists and villains can be hard, especially if you don't know how to do so.
I think a lot of writers' first impulse is to start off with a placeholder antagonist, only to find that this character ends up falling flat. They finish their story only for readers to find the antagonist is not scary or threatening at all.
Often the default reaction to this is to focus on making the antagonist meaner, badder, or scarier in whatever way they can- or alternatively they introduce a Tragic Backstory to make them seem broken and sympathetic. Often, this ends up having the exact opposite effect. Instead of a compelling and genuinely terrifying villain, the writer ends up with a Big Bad Edge Lord who the reader just straight up does not care about, or actively rolls their eyes at (I'm looking at you, Marvel).
What makes an antagonist or villain intimidating is not the sheer power they hold, but the personal or existential threat they pose to the protagonist. Meaning, their strength as a character comes from how they tie into the themes of the story.
To show what I mean, here's four examples of the thematic roles an antagonist can serve:
1. A Dark Reflection of the Protagonist
The Devil Wears Prada
Miranda Priestly is initially presented as a terrible boss- which she is- but as the movie goes on, we get to see her in a new light. We see her as an bonafide expert in her field, and a professional woman who’s incredible at what she does. We even begin to see her personal struggles behind the scenes, where it’s clear her success has come at a huge personal cost. Her marriages fall apart, she spends every waking moment working, and because she’s a woman in the corporate world, people are constantly trying to tear her down.
The climax of the movie, and the moment that leaves the viewer most disturbed, does not feature Miranda abusing Andy worse than ever before, but praising her. Specifically, she praises her by saying “I see a great deal of myself in you.” Here, we realize that, like Miranda, Andy has put her job and her career before everything else that she cares about, and has been slowly sacrificing everything about herself just to keep it. While Andy's actions are still a far cry from Miranda's sadistic and abusive managerial style, it's similar enough to recognize that if she continues down her path, she will likely end up turning into Miranda.
In the movie's resolution, Andy does not defeat Miranda by impressing her or proving her wrong (she already did that around the half way mark). Instead, she rejects the values and ideals that her toxic workplace has been forcing on her, and chooses to leave it all behind.
2. An Obstacle to the Protagonist's Ideals
Avatar: The Last Airbender
Fire Lord Ozai is a Big Bad Baddie without much depth or redemptive qualities. Normally this makes for a bad antagonist (and it's probably the reason Ozai has very little screen time compared to his children), but in Avatar: The Last Airbender, it works.
Why?
Because his very existence is a threat to Aang's values of nonviolence and forgiveness.
Fire Lord Ozai cannot be reasoned with. He plans to conquer and burn down the world, and for most of the story, it seems that the only way to stop him is to kill him, which goes against everything Aang stands for. Whether or not Aang could beat the Fire Lord was never really in question, at least for any adults watching the show. The real tension of the final season came from whether Aang could defeat the Fire Lord without sacrificing the ideals he inherited from the nomads; i.e. whether he could fulfill the role of the Avatar while remaining true to himself and his culture.
In the end, he manages to find a way: he defeats the Fire Lord not by killing him, but by stripping him of his powers.
3. A Symbol of the Protagonist's Inner Struggle
Kung Fu Panda 2
Kung Fu Panda 2 is about Po's quest for inner peace, and the villain, Lord Shen, symbolizes everything that's standing in his way.
Po and Lord Shen have very different stories that share one thing in common: they both cannot let go of the past. Lord Shen is obsessed with proving his parents wrong and getting vengeance by conquering all of China. Po is struggling to come to terms with the fact that he is adopted and is desperate to figure out who he is and why he ended up left in a box of radishes as a baby.
Lord Shen symbolizes Po's inner struggle in two main ways: one, he was the source of the tragedy that separated him from his parents, and two, he reinforces Po's negative assumptions about himself. When Po realizes that Lord Shen knows about his past and confronts him, Lord Shen immediately tells Po exactly what he's afraid of hearing: that his parents abandoned him because they didn't love him. Po and the Furious Five struggle to beat Shen not because he's powerful, but because Po can't let go of the past, and this causes him to repeatedly freeze up in battle, which Shen uses to his advantage.
Po overcomes Shen when he does the one thing Shen is incapable of: he lets go of the past and finds inner peace. Po comes to terms with his tragic past and recognizes that it does not define him, while Shen holds on to his obsession of defying his fate, which ultimately leads to his downfall.
4. A Representative of a Harsh Reality or a Bigger System
The Hunger Games
We don't really see President Snow do all that much on his own. Most of the direct conflict that Katniss faces is not against him, but against his underlings and the larger Capitol government. The few interactions we see between her and President Snow are mainly the two of them talking, and this is where we see the kind of threat he poses.
President Snow never lies to Katniss, not even once, and this is the true genius behind his character. He doesn't have to lie to or deceive Katniss, because the truth is enough to keep her complicit.
Katniss knows that fighting Snow and the Capital will lead to total war and destruction- the kind where there are survivors, but no winners. Snow tells her to imagine thousands upon thousands of her people dead, and that's exactly what happens. The entirety of District 12 gets bombed to ashes, Peeta gets brainwashed and turned into a human weapon, and her sister Prim, the very person she set out to protect at the beginning of the story, dies just before the Capitol's surrender. The districts won, but at a devastating cost.
Even after President Snow is captured and put up for execution, he continues to hurt Katniss by telling her the truth. He tells her that the bombs that killed her sister Prim were not sent by him, but by the people on her side. He brings to her attention that the rebellion she's been fighting for might just implement a regime just as oppressive and brutal as the one they overthrew and he's right.
In the end, Katniss is not the one to kill President Snow. She passes up her one chance to kill him to take down President Coin instead.
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unboundprompts · 4 months
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Could you maybe write some prompts for portraying an unreliable narrator?
How to Write an Unreliable Narrator
-> 8 Tips to Writing Unreliable Narrators - Writer's Digest
make them a liar. Have them commit their faults outright, contradict themselves in the narrative, prove them to be a liar by their actions, have them hint that they know more than they're telling, reveal the truth a little later than they should, or have gaps in their memory.
shift their motives. Give your character conflicting desires and changing drives. Keep your reader guessing about their true mindset. (Are they in love with Character B? Or are they obsessed with Character B? Do they want to help B, or do they want to harm B?)
make them more clever than they appear. Have your reader believe your character is innocent and incapable of cunning and calculating schemes. Maybe they appear innocent and naive to the reader, and only later it is revealed that their childish actions have purpose.
use your secondary characters. Have them catch your narrator in lie, reveal that they are a victim of your narrator's lie, reveal a truth that the narrator has yet to share with the reader. How they treat the narrator can also show their unreliability. Sharing personal histories with the narrator may expose a side to the narrator that the reader hasn't seen.
add an unpredictable act. When a calm, thoughtful, innocent character suddenly does something out of character and a little unhinged, they become unreliable. (ex: a grieving woman suddenly throws all of her husband's belongings in the lake.)
4 Types of Unreliable Narrators:
-> What Is an Unreliable Narrator? - MasterClass
Picaro. The picaro is a character who has a knack for exaggerating.
Madman. The madman is unreliable because they are mentally detached from reality.
Naif. The naif’s narrative abilities are impacted by inexperience or age.
Liar. The liar is the most deliberate of all the unreliable narrators. The character fabricates stories, often to paint a better picture of themselves or achieve a desired outcome.
If you like what I do and want to support me, please consider donating! I also offer editing services and other writing advice on my Ko-fi!
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urfriendlywriter · 1 year
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25 hot traits for your character :
(feel free to use <3 yall gotta agree with me on the 10th, 11th, 12th and from 17th to 21st cus :) tag me yall )
they hold eye contact whenever you talk
they love when you wear their clothes. [hehe]
they get physically clingy whenever they're jealous [ holy god]
always pulls you into a random embrace.
they manspread alot with a sultry gaze >> [imagine that gaze and that fucking smirk]
likes to tease you a lott
or easily blushes when you teach them ♡
holding gazes while kissing your body [highway looks mad comfyy rn]
"look at me when I'm making you feel good, baby" *coughing violently*
vocally expressive, isn't afraid of moaning loud > <
loves keeping you close to them
"if you ask me to fucking kneel, then I would, my love."
clicking their tongue against their cheek when they're mad or jealous !!!!!
kissable lips. sultry gaze, seductive smirk. [weak in em knees fr]
"say that again, mi sol."
loves to showcase you.
always has the top button of their shirt open [banging my head aaaaa]
slightly biting their lower lip when they smile
rolls their tongue over their lips often
sexy fingers !!!!
baby face, raspy and deep voice > \\ <
knows the effects of their actions over you [ do yk my last name?? its *yours* ;) ]
smells good 24/7
multilingual. (now tell me yall dont find multilingual people hot af-)
skilled. an all-rounder irl. smart and skilled, can easily save the world singlehandedly fr
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novlr · 8 months
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How to Write Defiance: A Quick Guide for Writers
Whether they're standing against authority or resisting the status quo, the actions of defiant characters can add layers of depth to your story. Here are some quick tips on how to effectively write defiance in your characters.
Behaviour
Question authority and break rules
Don't easily back down from challenges
Rebellious and do the unexpected
May appear stubborn to others
Don't easily conform to norms
Value their independence and freedom
Resilient in the face of adversity
Assertive and direct
Courageous in the face of danger
Act based on their principles and beliefs
Interactions
Direct and stand their ground during disagreements
Don't shy away from tough conversations
Don't let others manipulate or control them
Not afraid to express their opinions
May challenge others' viewpoints during discussions
Stand up for what they believe in
Protective of those they care about
May be argumentative or confrontational
Don't give in easily during negotiations
Can be inspiring, encouraging others to stand with them
Body language
Head high with a strong posture
Serious or determined expression
Maintain steady and direct eye contact
Use expansive, open body language
Do not shy away from physical confrontation
Cross their arms to show resistance
Move with purpose and determination
Not easily intimidated by the physical presence of others
Clench their fists when frustrated or angry
Adopt a challenging stance
Attitude
Not easily swayed by popular opinion
Confident in their own abilities
Persevere no matter how tough the situation gets
Believe strongly in their cause or principles
Refuse to be victims
Unruffled by criticism or opposition
Disregard rules they don't agree with
Risk-takers who often choose difficult paths
Value transparency and honesty
Can come across as proud or arrogant
Positive story outcomes
They may succeed in overturning an unjust system
They can inspire others to stand up against injustice
They achieve their goals through sheer determination
They may help someone break free from oppression
They can contribute to a significant societal change
Negative story outcomes
Their defiance can get them into trouble
They may alienate themselves from others with their behaviour
They can face severe consequences for breaking the rules
Their relationships may suffer due to their stubbornness
They can be misunderstood and labelled as troublemakers
Helpful Synonyms
Rebellious
Nonconformist
Contrary
Dissident
Contrarian
Unruly
Insurgent
Uncooperative
Unmanageable
Mutinous
Intransigent
Insubordinate
Recalcitrant
Resistant
Obstinate
Obstreperous
Noncompliant
Indomitable
Unyielding
Fractious
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deception-united · 7 days
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Random Character Profiles
Prodigal slacker. An exceptional intellect, capable of solving complex problems with ease, but absolutely no drive or motivation to apply their abilities towards any practical endeavors. Others are often frustrated by the wasted talent, but they couldn't care less. If their ideas are so great, someone else can come up with them. They're just here to laze around and have fun.
Loveable annoyance. A mind that dances on the border of sanity, and a perpetual source of simultaneous amusement and irritation. They delight in making puns and bad jokes at the expense of others' patience. Undeniably loveable nonetheless.
Reluctant recluse. They present a facade of rugged independence, portraying themselves as one who thrives on solitude and despises the company of others. They project an air of indifference towards others, often dismissing any attempts at connection or sympathy with a sharp retort or a cold shoulder. But beneath this tough exterior lies a soft spot reserved for the select few who have managed to breach their defenses—though they're reluctant to show it, going to great lengths to conceal the affection they view as weakness. Their stubborn refusal to accept help or acknowledge their own struggles stems from a fiercely guarded sense of pride, manifested in their vehement denial of any signs of weakness or vulnerability, even when they're visibly on the brink of death.
Sister figure. Sharp-witted and quick-tongued; will shame, embarrass, and ruthlessly tease. Their sarcasm is as much a display of fondness as it is merciless. Fiercely affectionate, extremely caring, unwaveringly loyal. Will put themself in danger for those they love, and will not hesitate to hurt anyone who offends or hurts those they care for; but mess up, and their sternness could make a warrior sob.
Impressively patient. Reserved, caring, mature, typically polite and tolerant to an extreme extent. May lash out occasionally. Possessive of a quiet strength, tending to observe situations with a thoughtful demeanor. Their reserved nature can be mistaken for aloofness despite their deep well of empathy and care for those around them. They navigate social interactions with a polite grace; however, beneath this composed exterior lies a potential for volatility on the rare occasions when they are pushed to their limit. Often the peacekeeper in friend groups.
People hater. Seems perpetually done with everything and everyone. Specialises in dry remarks and diminishing enthusiasm. General mood killer. However, their outward projection of disdain and superiority is really a mask of their own feelings of inadequacy.
Feel free to add on any other character descriptions you like! Happy writing ❤
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3hks · 19 days
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Flaws to Give to Characters II
When I first posted "Flaws to Add to Characters," it gained a lot more popularity than I thought it would! And since you all loved it so much, here's another one!
>>> Selfishness - When one becomes too focused on themselves, they start to ignore those around them who've helped along the way.
>>> Indecisiveness - When one can't make a decision, ultimately, they are stuck and unable to progress.
>>> Self-Centered - Self-centered people are often too consumed with themselves to worry about anything else. Sometimes it's similar to selfishness, and other times it's not. They may be too vain or too busy victimizing themselves to care about others.
>>> Gullibility - A seriously gullible person is easy to trick, manipulate, and hurt.
>>> Skepticality - People that are just too skeptical can be difficult to deal with because they seemingly have to question every action. There's always a motive behind kindness, right..?
>>> Bluntness - Though honesty is the best policy, bluntness is something else. Being too honest can be quite hurtful depending on the situation.
>>> Pushover - Not being able to say "no" when one wants to makes it difficult to be able to advocate for themselves. Additionally, they can get taken advantage of and used.
>>> Easily Offended - This person will absolutely take EVERYTHING personally. Those around them have to be careful about their words, actions, or even behavior because they will look too deep into the most non-meaningful actions. This is usually a result of insecurity.
>>> Overthinking - We all have our moments with this one. Overthinking can often lead to indecisiveness, ensuring that a decision won't be made in the future.
>>> Impulsivity - Sometimes it's better to just think things through. Being too impulsive can lead to unideal situations, events, and outcomes.
Whaddya think? Were these helpful? I'm thinking about continuing these series, but what do you think? (Not gonna lie, these posts help me get my ideas and thoughts in order too.)
Happy writing~
3hks <3
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sweepweep · 7 months
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Reminder that you are not self-centered or narcissistic for having fun reading what you write! If you think your writing, plot, and/or characters are well-executed, they ARE. It’s YOUR story and it’s beautiful
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digital-inkwell · 5 months
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some rather basic tips to writing
Start with an idea: The first step in creating a good storyline is to come up with an idea. This can be anything from a character, a setting, or a plot point that you find interesting.
Develop your characters: Once you have an idea, it's time to start developing your characters. Think about their personalities, motivations, and backstories. This will help you create characters that are relatable and interesting to your readers.
Create a plot: With your characters in mind, it's time to start creating a plot. Think about what your characters want, what obstacles they will face, and how they will overcome them. This will help you create a compelling story that will keep your readers engaged.
Use descriptive language: When writing your story, use descriptive language to help your readers visualize the setting and characters. This will help them become more invested in the story and feel like they are a part of it.
Show, don't tell: Instead of telling your readers what is happening, show them through actions and dialogue. This will help your readers become more engaged in the story and feel like they are experiencing it firsthand.
Use dialogue effectively: Dialogue is an important part of any story, as it helps to reveal character traits and move the plot forward. Use dialogue effectively by making it sound natural and realistic.
Edit and revise: Once you have finished your first draft, it's time to edit and revise. Look for areas where you can improve the story, such as plot holes or weak character development. This will help you create a polished final product that your readers will enjoy.
By following these steps, you can create a good storyline and use effective writing techniques to engage your readers and keep them invested in your story.
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lyralit · 2 years
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ᴛɪᴘꜱ ꜰᴏʀ ᴡʀɪᴛᴇʀꜱ [ꜰʀᴏᴍ ᴀ ᴡʀɪᴛᴇʀ]
don't let your skill in writing deter you. publishers look for the storyline, not always excellent writing. many of the greatest books came from mediocre writers—and also excellent and terrible ones.
keep writing even when it sucks. you don't know how to write this battle scene yet? skip ahead. write [battle scene here] and continue. in the end, you'll still have a book—and you can fill in the blanks later.
find your motivation. whether it's constantly updating That One Friend or posting your progress, motivation is key.
write everything down. everything. you had the perfect plot appear to you in a dream? scribble down everything you can remember as so as you can. I like to keep cue cards on my nightstand just in case.
play with words. titles, sentences, whatever. a lot of it will probably change either way, so this is the perfect opportunity to try out a new turn of phrase—or move along on one you're not quite sure clicks yet.
explain why, don't tell me. if something is the most beautiful thing a character's ever laid eyes on, describe it—don't just say "it's beautiful".
ask for critique. you will always be partial to your writing. getting others to read it will almost always provide feedback to help you write even better.
stick to the book—until they snap. write a character who is disciplined, courteous, and kind. make every interaction to reinforce the reader's view as such. but when they're left alone, when their closest friend betrays them, when the world falls to their feet...make them finally break.
magic. has. limits. there is no "infinite well" for everyone to draw from, nor "infinite spells" that have been discovered. magic has a price. magic has a limit. it takes a toll on the user—otherwise why can't they simply snap their fingers and make everything go their way?
read, read, read. reading is the source of inspiration.
first drafts suck. and that's putting it gently. ignoring all the typos, unfinished sentences, and blatant breaking of each and every grammar rules, there's still a lot of terrible. the point of drafts is to progress and make it better: it's the sketch beneath an oil painting. it's okay to say it's not great—but that won't mean the ideas and inspiration are not there. first drafts suck, and that's how you get better.
write every day. get into the habit—one sentence more, or one hundred pages, both will train you to improve.
more is the key to improvement. more writing, more reading, more feedback, and you can only get better. writing is a skill, not a talent, and it's something that grows with you.
follow the rules but also scrap them completely. as barbossa wisely says in PotC, "the code is more what you'd call 'guidelines' than actual rules". none of this is by the book, as ironic as that may be.
write for yourself. I cannot stress this enough. if what you do is not something you enjoy, it will only get harder. push yourself, but know your limits. know when you need to take a break, and when you need to try again. write for yourself, and you will put out your best work.
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em-dash-press · 10 months
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The 5 Most Essential Turning Points in a Character’s Arc
You spend so much time creating a character because you want them to feel real. You want to connect with them and use them to create an experience for your readers. Their character arc is how that happens.
Don’t miss out on these essential turning points that make an arc feel not only whole, but complete.
1. The Inciting Incident
Your inciting incident gets your plot moving. It isn’t going to be the first sentence of your story (also called your hook), although it could be if you crafted your first sentence for that purpose.
An inciting incident is a plot event that guides your character in a new direction. It’s the successful prison break, the meeting of instant rivals, or the moment your protagonist wins the lottery in your first chapter.
Without the inciting incident, your protagonist’s life would carry on as usual. They wouldn’t start the arc that makes them an interesting person for the reader to stick with throughout your story.
2. Introducing the Protagonist’s Main Flaw
Every protagonist needs a primary flaw. Ideally, they’ll have more than one. People aren’t perfect and they rarely get close enough to only have one negative characteristic. Protagonists need that same level of humanity for readers to connect with them.
There are many potential flaws you could consider, but the primarily flaw must be the foundation for your character’s arc. It might even be the catalyst for the story’s peak.
Imagine a hero archetype. They’re great and well-intended, but they have a problem with boasting. Their arc features scenes where they learn to overcome their need to brag about themselves, but they get drunk and boast in a bar right before the story’s peak. The antagonist’s best friend hears this because they’re at the same bar, so they report the hero’s comment to the main villain. It thwarts the hero’s efforts and makes the climax more dramatic.
Other potential flaws to consider:
Arrogance
Pride
Fear
Anxiety
Carelessness
Dishonesty
Immaturity
3. Their First Failure
Everyone will fail at a goal eventually. Your protagonist should too. Their first failure could be big or small, but it helps define them. They either choose to continue pursuing that goal, they change their goal, or their worldview shatters.
Readers like watching a protagonist reshape their identity when they lose sight of what they wnat. They also like watching characters double down and pursue something harder. Failure is a necessary catalyst for making this happen during a character’s arc.
4. Their Rock Bottom
Most stories have a protagonist that hits their rock bottom. It could be when their antagonist defeats them or lose what matters most. There are numerous ways to write a rock-bottom moment. Yours will depend on what your character wants and what your story’s theme is.
If you forget to include a rock-bottom moment, the reader might feel like the protagonist never faced any real stakes. They had nothing to lose so their arc feels less realistic.
Rock bottoms don’t always mean earth-shattering consequences either. It might be the moment when your protagonist feels hopeless while taking an exam or recognizes that they just don’t know what to do. Either way, they’ll come to grips with losing something (hope, direction, or otherwise) and the reader will connect with that.
5. What the Protagonist Accepts
Protagonists have to accept the end of their arc. They return home from their hero’s journey to live in a life they accept as better than before. They find peace with their new fate due to their new community they found or skills they aquired.
Your protagonist may also accept a call to action. They return home from their journey only to find out that their antagonist inspired a new villain and the protagonist has to find the strength to overcome a new adversary. This typically leads into a second installment or sequel.
Accepting the end of their arc helps close the story for the reader. A protagonist who decides their arc wasn’t worth it makes the reader disgruntled with the story overall. There has to be a resolution, which means accepting whatever the protagonist’s life ended up as—or the next goal/challenge they’ll chase.
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Hopefully these points make character arcs feel more manageable for you. Defining each point might feel like naming your instincts, but it makes character creation and plotting easier.
Want more creative writing tips and tricks? I have plenty of other fun stuff on my website, including posts like Traits Every Protagonist Needs and Tips for Writing Subplots.
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mistblossomdesigns · 1 year
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The next time you're building a character profile, ask yourself these questions to dig a little deeper into your character's inner workings.
What do they wish they could change about themselves?
What is a negative trait of theirs they have to overcome?
What is their most hidden secret?
What keeps them from achieving their goals?
What's their most prized possession and why?
Happy writing!
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burntoutdaydreamer · 1 month
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3 Steps to Improve Your Characters and Make Them Three-Dimensional
So I don’t have a process for creating/developing characters (to me the process is intuitive to the point where I wouldn’t even know how to explain it), but I do have a process for revising characters that just… fall flat, for whatever reason. 
I like to get to know my characters by throwing them into a bunch of different situations and seeing how they react, but sometimes that’s not enough. In these cases I need to go back to the drawing board and figure out how to make them not feel like a cardboard caricature of the role I need them to fill. Here’s the process I use, and it involves three key questions to understand what makes your character tick.
1) What is this character’s fundamental belief- either about the world or themself?
2) Where does this belief come from?
3) How does this belief hinder them, and are they capable of growing past it?
Alright, here’s what the process looks like in action. 
Let’s say I have a character I need to flesh out for my story.
Character A is a middle aged coffee shop owner and the protagonist of her story. The central conflict of the story revolves around trying to save the family run coffee shop she inherited from her father when he passed away, which has recently fallen on hard times.
What is this character's fundamental belief?
Character A believes that the world is an inherently good and fair place. She believes that good is always rewarded and bad is always punished, even if the timing isn't always perfect. As such, she strives to live a virtuous life, putting as much good into the world as she possibly can. While she understands that even good people can face hard times, she believes that in the long term, if things don't work out, it'll be because she didn't put in the work needed to turn things around.
Where does this belief come from?
Character A grew up in a solidly middle class household with good parents that treated her well- rewarding her for good work, and fairly punishing her for misdeeds. Her parents gave her everything she needed, but also expected her to work hard for the things she wanted. She also had the experience of watching her father build a successful business through hard work and by building strong connections with the people in town. If we want to push this further, we could also say that this belief was reaffirmed by watching her brother ruin his own life, squandering all his money and goodwill with those around him on failed get-rich-quick-schemes and outright scams that landed him in jail.
How does this belief hinder them, and are they capable of growing past it?
Let's say that Character A recently hired a barista who seems perfect for the job. Strapped for help, she gets him started right away before getting the results of his background check. When the results come in, she finds out that he is on probation and was recently released from jail for a violent crime. Shocked, she fires him. Believing that people who end up in jail always deserve it, she can't see past her initial prejudices. As a result, her coffee shop suffers from the loss of her new star barista.
Some time goes on, and Character A encounters the barista again, and learns more about the circumstances that landed him in jail (maybe he was falsely convicted, maybe he was battling psychosis, maybe the violent act was done to prevent a loved one- anything that makes her question her initial assumptions). He then confesses that he is struggling to provide for himself and his family because no one will hire him because of his criminal record. Character A comes to realize that her belief isn't completely true, and that the world isn't entirely fair. Though it takes a lot of inner work to do so, including coming to terms with her privilege, she eventually accepts this, and revises her beliefs. She decides that even though the world isn't fair, people have the responsibility to make it fair.
She decides to re-hire the barista she fired. After doing everything she can to make things right with him, she proposes an idea she wants his help with. Together, they transform her family business into a joint coffee shop and community rehabilitation center. In addition to selling coffee, they also launch a program to provide resources to recently incarcerated individuals looking to reenter society. They'll host weekly events on job interview coaching, alcoholics anonymous, motivational speeches, group therapy, opportunities to connect with open-minded employers, and more. Their promotion of this new program enables them to secure funding from local patrons and public grants, and customers are willing to pay for more expensive coffee with the knowledge that that money will be put to good use.
Additionally, if we want to go with the brother in jail backstory, we could have this ending be an opportunity for her to reconnect with him and maybe even repair their relationship as she gets to see him in a new light.
Main Takeaways
And there you have it!
You can use this process on any character- protagonist, antagonist, side character, etc. By grounding your character's motivations and development in their beliefs, you can easily introduce depth and internal conflict while keeping everything connected to the themes and plot driving your story.
Depending on your character's role or your story's plot, the belief can be wide reaching and complex (such as a philosophy or ideology), or specific and personal (such as having to do with their self-esteem). Either way, it should always be tied to their personal experiences or observations. This doesn't necessarily mean a tragic backstory. It could be, but I encourage you not to make this your default way of creating character depth. A mundane but grounded and sincere motivation will always be more compelling than cheap, dark shock factor.
Generally, protagonists with happy endings and villains with successful redemption arcs are capable of moving past their beliefs, while tragic heroes and antagonists aren't, and this failure is usually the source of their downfall. Keep in mind that even if characters do move past their old beliefs, it will always be a difficult thing to do. It will require them to confront their own mistakes, biases, and emotional wounds, and require both internal and external work in order to fix whatever their old beliefs have damaged.
Hopefully this guide will help you approach your characters from a different perspective. Feel free to share any insights.
Happy writing y'all!
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unboundprompts · 3 months
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Thank you so much for your blog! It's so neatly organized, it's lovely to read. It takes a lot of commitment to do detail every post and still constantly update, and I'm very grateful for you <3
I was wondering if you could write tips+prompts for a paranoid character?
Thank you again 😺
Thank you for the kind words!! That means a lot :)
How to Write a Paranoid Character
-> sources: mind.org , betterhealth.vic.gov
Paranoia is the irrational and persistent feeling that people are "out to get you."
Things that Make Paranoia More Likely:
Having confusing or unsettling experiences or feelings that you can't easily explain.
If you are anxious or worried a lot or have low self-esteem and expect others to criticize or reject you.
If you tend to come to conclusions quickly, believe things very strongly, and don't easily change your mind.
If you are isolated.
If you have experienced trauma in the past.
Things that may Contribute to Paranoid Thoughts:
Life experiences. You are more likely to experience paranoid thoughts when you are in vulnerable, isolated or stressful situations that could lead to you feeling negative about yourself.
Experiences in your childhood may lead you to believe that the world is unsafe or make you mistrustful and suspicious of others. These experiences may also affect your self-esteem and the way you think as an adult.
If you experience anxiety, depression, or low self-esteem, you may be more likely to experience paranoid thoughts.
Paranoia is sometimes a symptom of certain physical illnesses such as Huntington's disease, Parkinson's disease, strokes, Alzheimer's disease and other forms of dementia. Hearing loss can also trigger paranoid thoughts in some people.
Lack of sleep can trigger feelings of insecurity and even unsettling feelings and hallucinations. Fears and worries may develop late at night.
Recreational drugs may trigger paranoia, such as cocaine, cannabis, alcohol, ecstasy, LSD, and amphetamines. This may happen particularly if you're already feeling low, anxious or experiencing other mental health problems.
Research has suggested that genes may affect whether you are more likely to develop paranoia.
Symptoms of Paranoia:
being easily offended
finding it difficult to trust others
not coping with any type of criticism
assigning harmful meanings to other people's remarks
being always on the defensive
being hostile, aggressive, and argumentative
not being able to compromise
finding it difficult (or impossible) to "forgive and forget"
assuming that people are talking ill of them behind their back
being overly suspicious
not being able to confide in anyone
finding relationships difficult
considering the world to be a place of constant threat
feeling persecuted by the world at large
believing in unfounded conspiracy theories
Writing Prompts for a Paranoid Person
-> feel free to edit and adjust pronouns as you see fit.
Everyone was against him. No one liked to see him succeed and so they were doing everything in their power to stop him.
People were talking about her behind her back. They would whisper as she walked by, and their laughter would echo in her ears as she got further from them.
"You never believe me!" They wailed, pointing an accusing finger at their friend. "You wouldn't get it! You don't know what it's like to be hated by everyone!"
He laid in bed, staring at the ceiling and wide awake. It was a nightly routine, at this point. He could never bring himself to close his eyes. There were too many things going on his head, too many things that only made him dread when morning came.
Everything was about to go so wrong so fast, and there was nothing she could do to stop it. The impending doom beat down on her shoulders, reminding her that she was not okay. She was not safe.
They couldn't stop fidgeting with their hands. It used to offer some form of comfort, but not anymore. How could it when the whole world is against you?
They were looking at him. They were watching his every move. He was being tracked. Studied. Something was going to happen. Something bad. Something he wasn't prepared for. What could he do to be prepared?
"You think I'm crazy, but I'm not! You'll see."
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