#that family guy bit is right it does insist upon itself but it has a valid point to insist etc etc | Explore Tumblr Posts and Blogs

jinxthejubilee · 2 years

Text

Random Thoughts ❤️‍🩹

A dynamic that's been hinted at and should be expanded upon in the game, for Today's Topic: Mammon and Michael's Relationship

Warning: Spoilers for Obey Me, mentions of unseen characters, neglect? (Kind of)

-------------------------------------------------------

It's a bit baffling to me that the devs haven't addressed this, but the fans surely have! For better or for worse (mostly worse for Michael tho).

But really, the concept of the brother's previous relationships and what they mean to them now that they're demons, is really fascinating.

We get bits and pieces from Simeon and how he deals with his complicated emotions towards the demons he once called brothers, but that's a topic for another day.

So let's break down what we know about Michael the Archangel:

Michael is the leader of the Celestial Realm's legion of angels.

He was described as Lucifer's "twin," having been very close to one another.

During his early life in the Celestial Realm, Mammon was once the little brother of Michael.

According to Asmodeus in Lesson 27-19, Michael couldn't handle/didn't know how to deal with Mammon, and as such, Lucifer had taken Mammon under his care.

Michael himself has been described as "too upfront about his desires," and places unreasonable responsibilities and tasks upon the people who work under him.

However, many of those same angels respect him and see him as a good person.

Both Mammon and Raphael view him as "weird" and "socially inept."

Many of Luke and Simeon's tasks to Michael, according to the chats, are to find and bring him sweets. He apparently has pretty lavish tastes.

Luke has stated repeatedly that Michael is one of his mentors and reports directly to him.

And according to Simeon, Michael is "calm, yet stern" when he is angry, and he prefers to talk things out as opposed to physical discipline.

Now, as fun as it would be for Michael to be this extremely cold, two-faced perfectionist that tormented Mammon during his younger days in the Celestial Realm, bringing this moral dilemma about how angels are not always the "pure and virtuous" beings we all see them as, I'm sad to say that that's not what we got here (rip fanfic writers).

But really, game Michael is far different than the absolute bastard people write him as. And that in and of itself, intrigues me.

So how did Michael treat Mammon during their time together?

Now, seeing as Michael has a tendency to thrust work onto other people, you would think that would serve as an aspect as to why Mammon was removed from him. But I don't think that was the case.

Think about it, despite how he might complain, Mammon DOES enjoy working. Whether that be physically: finding jobs to pay off his debt, to help someone, or to buy MC something as a gift, or mentally: keeping tabs on his family's emotional states; Mammon can and will get stuff done when he puts his mind to it.

And Mammon most definitely will learn and help all that he can when it comes to the people closest to him, so what was the issue?

Well, according to Mammon himself:

Not exactly the most respectful image Michael nor Raphael had of Mammon, right?

I'm sure that we all can picture Mammon as a rambunctious little tyke who the elder angels had trouble "controlling."

With that in mind, Michael most likely didn't have much faith in Mammon's ability to help him either. As a brother, nor a protégé.

So I'm willing to bet that Michael wouldn't let Mammon do much, or try to distract him with menial tasks that Mammon knew were not important.

Imagine how insulting that would be for Mammon. The guy who pushes work on other people, won't trust you with helping him out. Willingly. Ouch...

This would only spur Mammon on even further to misbehave and get into trouble, possibly for attention.

Which is an interesting contrast to Lucifer.

Because despite how reckless and irresponsible Mammon admittedly is, Lucifer trusts him the most out of all of their brothers to help him.

Yes, Lucifer is the guy who insists on doing everything by himself most of the time, but even he can't do everything.

And I think that was a part of why Mammon accepted Lucifer instead of Michael, aside from admiration that is: Trust.

As Mammon said, Lucifer saw the potential in Mammon, brought him up to be one of the greatest warriors and/or angels in the ENTIRE Celestial Realm. So much so, that Mammon even became Lucifer's official assistant.

That, and the fact that Mammon witnessed Michael push most of his responsibilities onto other people, would draw Mammon towards the ever-reliant Lucifer.

Lucifer inspired and trusted Mammon far more than Michael ever could. Michael only saw him as a troublemaker, and Mammon recognizes and appreciates Lucifer for seeing that there was more to him than that.

Now, as for Mammon's feelings about Michael, I don't believe that Mammon holds any ill-will towards him, but he's not exactly thrilled about talking about him either.

When Michael is brought up by either Luke or MC, Mammon becomes slightly uncomfortable. I mean, who can blame him?

As much as the idea of Michael being an all around bad guy is very far-fetched, I can imagine Michael hurting Mammon in a few ways. It wouldn't be on purpose, but it would add a bit more motivation for Mammon to favor Lucifer over Michael.

Aside from Michael not trusting Mammon, either physically, emotionally, or both, I can imagine a scenario in which Mammon had overheard his then-older brother venting to Raphael or Lucifer about him.

We all know how emotional Mammon can get, and I'm sure his younger, angelic self was no exception.

Can you imagine how devastating that would be for a young child to hear their older brother complain to his friends about him? That would be soul crushing!

This would play into the two-faced concept of Michael that the fans are attached to. Sure, Michael can be a fairly good person, but he IS the type to bad mouth the people he doesn't like or has problems with, in private.

This in contrast to Lucifer, Mammon, and quite frankly, all of the brothers, who are very blunt and upfront about how they feel about someone.

Thus, would end Mammon's ability to rely on Michael and their brotherhood.

HOWEVER! That doesn't mean that Michael doesn't still care about Mammon!

Luke has mentioned to MC before that Michael does, in fact, miss Mammon, Lucifer, and the others. To the point where he has collected all of their past belongings, including but not limited to, Lucifer's ring.

Once again, a topic for another day, but Michael's feelings over what happened could prove to be interesting.

Simeon himself reminisces over losing his family, and Michael has proven to be the same in his own way.

The situation over Lilith's ordered execution and the battles that followed suit was conflicting on both sides.

Michael, Simeon, Raphael, and the other angels may have won the war, but they lost a lot.

But I do remain adamant that Michael and Raphael overcompensate that guilt by establishing to the angels at the time that the rules are the rules. And by winning the war, it was seen as their proof that violating those rules would have dire consequences.

Which could play into yet another reason Mammon didn't get along with Michael at the time: Michael could never see the bigger picture.

Michael never fought for anything other than the order for the Celestial Realm. Yes, Lucifer was similar in that regard, but he would never turn his back on something he believed was wrong or right. Especially for family.

You could do so much with these ideas! The stories, character development, and histories are endless!

Sadly though, I'm not confident that the writers of Obey Me would give Mammon the space to talk about his experience with Michael or his younger years as an angel anytime soon. But I guess we'll just have to see about Michael when he gets here, won't we?

Author's Note: Hopefully, I did a decent job at explaining my thoughts here! If I add any more details to this, don't be surprised. As you can see, I was very passionate about this topic.

I do wonder what Michael will look and act like in the game. I know that he's probably going to be a love interest, but I honestly hope he isn't. I know Obey Me is an otome game, but we can at least have a few characters that aren't romancable.

Reading fanfics about Mammon and Michael is really interesting! Almost all of them paint Michael as this abusive authority figure to Mammon, and how this abuse seems to continue into present-day with Lucifer and all of his over the top punishments. Again, I've only scratched the surface on this topic. Many people have different views on Michael already, and we haven't even physically met the guy! Sorry Michael! :(

With all of that being said, thank you all for reading, have a lovely night or day, and I'll see you later! Byeee! 💗

748 notes · View notes

earnestly-endlessly · 3 years

Note

hi! hope you're doing well :) do you have any domestic!cherik fics? or established relationship ones?

Hi anon, thanks for the ask. I'm doing very well, been super busy because I'm currently moving but it's all good. I have plenty of great domestic/established relationship cherik fics for you. I hope you enjoy!!

Domestic/Established Relationship cherik

Daycare ‘Verse’ – orphan_account, pocky_slash

Summary: A modern AU in which Charles runs a mutant daycare and Erik is his long-suffering engineer boyfriend.

Runs in the Family – Anonysquirrel (chibirisuchan)

Summary: Alex knew his own reputation. Hell, he'd started some of his own reputation, because it kept some of the smarter thugs off his back. Everyone knew Alex's reputation. There was no way Hank didn't know his reputation, but he'd brought Alex into a house with some really expensive things and a lot of innocent little kids and his too-friendly, too-harmless dad.

But clearly Hank hadn't told his family anything about Alex, just like he hadn't told Alex anything about his family. At least, not about the brain-breaking parts of his family.

"I didn't know where to start," Hank said, for the dozenth time.

Gift of the Magi, But Screw it Up – librata

Summary: He doesn't know if he's buying too much, too little, or even the right things at all, because he's never entertained a guest as important as Edie Lehnsherr.

Making perfect – aesc

Summary: As is the case with most trials in Erik's life, this one starts with Charles gazing beseechingly at him and asking him for a favor. Not that their going-on-three years relationship is a trial, even though it started with Charles giving Erik the full benefit of sad blue eyes and asking him if he wouldn't mind opening his car door since he'd locked his keys inside, but still.

Continue firm and constant – aesc

Summary: Moira hasn't seen her old partner in saving the world from threats human and intergalactic, Erik Lehnsherr, for a few years. When she finally does see him again, she finds a man different from the one who's been with her down in the dark and the dirt and the blood... or maybe he isn't so different after all.

After School Special – listerinezero

Summary: Charles was barely seventeen and Erik was his social studies teacher. But after almost fifteen years together, does it really matter how they met?

Terrifying Domesticity – ishipitsobad

Summary: Erik is the most dangerous and notorious mafia boss around for miles, and yet the strangest things terrify him.

For example: his children, and his very pregnant mate.

Trying is Half the Battle – Pookaseraph

Summary: Post-Cuba, no divorce, Charles and Erik are in an established relationship and when Charles gets sick with a random flu bug, they discover that Charles can get pregnant. They then try to get pregnant, and try, and try.

We’ll all be gone for the summer – pocky_slash

Summary: Charles and Erik's usual family beach vacation gets a little bigger when they agree to watch Erik's teenaged twins for the summer. Charles is looking forward to a chance to bond with his step-children. Erik is terrified of screwing them up even more.

A Summer Day So Late in Coming – helens78

Summary: Fifty years after they fell in love, Erik comes to Charles with a proposal that rocks Charles's world.

Still Going Strong – JackyJango

Summary: Speaking of forty-eight, Erik hates it. Hates it even more that others are aware of it. While he’s pragmatic enough to know and accept that aging is inexorable, the increase in number gives the people around him the freedom to pounce at him with questions, opinions and advice he'd fought to keep at bay all year.

Besides, Erik believes that youth is a state of mind, not a phase in one’s life.

You have a child’s mind in a man’s body, Charles constantly tells him.

But despite his age, Erik is healthy. He works out daily. His muscles are steel and he can dead-lift four hundred pounds. He can break bones without breaking a sweat. Most importantly, he can still carry Charles to the bedroom and fuck him senseless. And as long as Erik can do that, he’s perfectly happy.

Before You Attempt Me (Fair Warning) – kianspo

Summary: Charles helps Raven get ready for the prom. Surprisingly, that part goes well. The prom itself not so much. Erik cooks a lot of unhealthy comfort foods and is incredibly patient. Charles mostly frets about everything, until Erik does something neither he, nor Raven see coming.

And now you will not be alone any more – pocky_slash

Summary: Erik gives driving, sewing, and cooking lessons, soothes nightmares, bolsters self-esteem, and still can't figure out why Charles keeps smiling at him like that.

Some sense of touch and a melody – pocky_slash

Summary: On a day when Charles, for once, finds himself saying the right thing to everyone he sees, he allows himself to be talked into a field trip to a local orchard.

It’s kind of our whole thing – pearl_o, pocky_slash

Summary: After two years of best friendship, Charles and Erik thought they knew everything there was to know about each other. They're surprised, then, when their first summer as a couple reveals that they have a lot to learn about each other and themselves.

Indulgence – grim_lupine

Summary: “The children are still asleep,” Charles murmurs groggily, flinging an arm out as if searching for Erik beside him. “The house is still standing, this is a ghastly hour, and more importantly, I’m still here. Why do you insist on doing this every morning?”

Your Father’s Daughter – ConsultingWriter

Summary: Wanda proves just how much she takes after Erik.

Pietro reeled back before leaning back in "They didn't tell you what happened? Wanda got in a fist fight and totally wailed on this guy, I mean, on one hand I feel kinda embarrassed for him, but it was so epic."

Erik's eyebrows shot to his hairline. Wanda got in a fight? That was....surprising, to say the least. Wanda tended to take after Charles in temperament and preferred talking to violence.

This Crazy Game Called Life – chiasmus

Summary: Raven declares game night in the mansion. Sean finds an elephant, Erik inherits one hundred unwanted cats, and Charles scars Hank for life with misdirected dirty thinking. This is five thousand-something words of crack with a dose of schmoop. I'm not sorry. Written for this kink meme prompt: Raven is tired of the boys going off to play chess (if they're even playing chess!) and pulls out a load of board games from one of the closets in the mansion. Madness ensues.

To my roomba with love – sareyen

Summary: There are a lot of things that Erik loves about Charles. He loves all of the obvious things; Charles’s kindness, his intelligence, his laughter, his eyes. He also loves the little private things; the way Charles sneaks Erik his unwanted tomatoes, his warbled opera singing in the shower, that sensitive spot on his hip.

And he loves the silly things about Charles, especially the way the man has a habit of talking to inanimate objects when he thinks no one is looking. Charles has conversations with the kettle, the washing machine, and their roomba – and every time Erik eavesdrops on him, he falls in love with the man a little bit more.

Everything About it is a Love Song – pocky_slash

Summary: Erik's spent fifty years being a figurehead and he's ready to leave that behind. Luckily, so is Charles.

(aka Old Retired Dudes in Love)

A Very Xavier-Lehnsherr Christmas – zamwessell

Summary: Erik is discovering new things about Charles Xavier all the time. Charles sometimes talks in his sleep. Often about food. Occasionally in Latin. Charles has a scar on his left thigh from attempting to demonstrate relativity to a girl by sitting on a hot stove. Charles doesn’t mean to be so loud when they make love, but sometimes Charles can’t help himself.

Charles is a voracious reader. Charles has an unspeakably filthy imagination. Charles will try anything in bed twice to make sure he wasn’t wrong the first time.

Charles is unexpectedly fond of Christmas. Perhaps that is not the phrase. “Unhealthily obsessed” might be better.

The fluffiest holiday fluff you ever read in your dang life.

Of Crabs and Castles – flightinflame

Summary: Charles and Erik take their children to the beach. Wanda builds a sandcastle, Nina makes some friends, and Pietro gets some exercise. Some family fun in the sunshine.

Bring Your Daughter To Work Day – listerinezero

Summary: Charles brings three year old Lorna to class with him.

Glasses – grim_lupine

Summary: Charles blinks at him bemusedly, but Erik barely notices because Charles is wearing glasses— wire-rimmed, and Erik can feel the metal humming, traces without touch the way they follow the curve of Charles’s nose and rest behind his ears.

Genetics Isn’t Sexy – pocky_slash

Summary: Charles lectures. The kids aren't very responsive. Erik, on the other hand....

Peanut Butter and Honey (The Fairytale Remix) – pocky_slash

Summary: Once upon a time there was a Princess named Anya who lived in a house with her Daddy and her wicked stepmother Charles. (A wicked stepmother is the person who comes and lives with princesses and their daddies after their mommies go away.) She had a best friend named Leroy, and one day he was lost.

The Bystander (The Consultant (aka A Westchester Telepath in the Avengers Tower) Remix) – Nanimok

Summary: When it comes to Professor Charles Xavier, telepath, SHIELD consultant and compulsive flirt, no one is safe.

Not even the Big Three.

#cherik #cherik fic recs #fic recs #asks #earnestly answers #domestic au #established relationship au #long post

143 notes · View notes

simplysummers · 3 years

Text

Breaking down Hunter and Omega’s relationship. Pt 2.

We’re back at it, here with the second post in this father-daughter-space-duo series! You guys responded to the first post better then I expected in all honesty! I didn’t think my insights were viewed as so important lmao. I don’t really think much introduction is needed here, the post itself is very self explanatory.

(Pasted paragraph: I would just like to add a disclaimer here. I am, in no way whatsoever, slating the other batchers for having differing relationships with Omega. I absolutely adore everything single one of the boys, and I think they all have wonderful and unique interrelations with her. Although I may point out these different approaches in comparison to Hunter’s, I am not stating these engages are wrong, just different is all!

I’m going to separate this into a little series- covering each episode in a separate post, which I’ll have tagged as the series progresses. Once I’ve tackled these two, as they’re my favourites, I’m going to move on to each individual Batcher and perhaps a few other dynamics such and Hunter and Crosshair, or Wrecker and Omega! Let me know what you guys would like to see!)

(Thank you to this weeks proof-reader: @treasureofmy-heart 💛)

Cut and Run: S1/E2

We kick off this episode with Hunter walking in on Echo inspecting Omega and Wrecker fast asleep on the floor. His face is very relaxed and he clearly finds it very sweet that her childlike curiosity has tired her out. His line, “ha, well this is a first,” while holding a strong gaze in Omega’s direction, suggests that she’s been exploring for quite some time, unleashing her endearing juvenile inquisition in the batchers presence. Hunter continues to claim she’s curious, using the same lighthearted tone he has always used in her regard, sparing the conversation in the medical wing on Kamino. This continues to confirm his gentle approach and concern towards the young clone.

When Echo confronts him over the situation at hand, it’s evident that Hunter hasn’t actually thought about what he’s going to do with Omega, yet by the look of quizzicality on his face. I personally took this as a sign that his initial thoughts were always “we’re going to lay low with her, look after her, while keeping everybody else safe.” It’s clear here that Echo has differing ideas that Hunter hadn’t even began to consider, and I think that’s what perplexes him in this moment. He needs to consider everybody.

The kid is up and awake! (Let the havoc commence aha.) Omega’s reaction to sunlight and dirt is definitely one of my favourite developmental moments of hers, it really sets in place that this little girl may have been an intelligent medical assistant, but she lacks experience, and still needs a guiding hand to help her through this new world she’s never endured before. I’d like to point out that it is, in fact, Hunter who stops to watch Omega’s reactions, and his FACE when she’s playing in the dirt! I’ve never seen such a parental smile on a man so stoic! I feel like I’m repeating myself a lot, but he is so endeared by her! She’s a breath of fresh air in Hunter’s very toxically routined life, and I love that for both of them. When they finally reach Cut’s land, Hunter is the one to pull her back, despite the fact she had to run between Echo and Tech to get to him. And upon Suu and Cut’s arrival, I actually didn’t realise that Omega creeps behind Hunter, most likely because these are strangers she doesn’t know and she feels she needs the protection. This confirms a clear bond between them has already began to flesh out.

There isn’t too much to say about the introduction and inhibitor chip discussion, as Omega spends a decent amount of that time exploring Cut and Suu’s house, but I will just say that it’s a nice touch that she ends up back at Hunter’s side when her part of the conversation is needed, she always seems physically drawn to him. Which brings me to my next point. Upon Shaeeah and Jek’s arrival, Omega once again creeps behind Hunter out of fear, only deciding to approach when formally addressed to do so. *Sigh*, and when Shaeeah pulls Omega out to play, and she halts to ask for Hunter’s permission, which is clearly given through a series of comforting smiles, is a plain indication of a trusted child-parental relationship. I must admit, Hunter’s face is pretty hilarious when everybody practically calls him out on his parental role- it’s just “why are you all staring at me..?” Because you’re acting like a dad, my dude.

Okay! Down to Cut and Hunter’s discussion. It’s a nice touch that Hunter is the first one outside to watch Omega play, swiftly followed by Cut, who, rightfully so, questions her existence. Although instead of explaining Omega’s origin (and by that I just mean that she’s a medical assistant clone from Kamino), he states that it doesn’t matter what the Kaminoans created her for, because she’s with them now, and to be with them she doesn’t need a purpose, she’s just a kid and should be allowed to act like one. Cut goes ahead to tease him over the ins and outs of raising a child, but to Hunter it was a no-brainer, Kamino wasn’t safe, so she was coming with them, as I’ve said previously, he saw NO negotiations. And as Cut says, “I (you) have to do what’s best for them.” This adds sentiment to the narrative of Hunter’s commanding role within the squad and Omega specifically.

So I’m shifting ahead slightly to the ball incident, and I have a LOT to say about this scene. First of all, it’s clearly evident that Hunter is the first to leave the house, along with Cut and Suu following closely behind. Associating this trio together is purposeful on the animators part in my opinion, they intentionally exclusively had Hunter leave with the other parents in the situation, isolating him specifically with that role in Omega’s life. When he finally reaches her, we see the protective hand come straight out to guard her against the Nexu, a typical trait they’ve established between them.

Now we move on to the confrontation. This is the first time Hunter raises his voice at Omega, and immediately she turns herself away from him, curling into her shoulder and making herself small. Omega is going through a lot of emotions right here, she’s afraid, anxious, and she’s being forced to deal with the fact that for the first time, Hunter is mad at her, for something she didn’t even intend to do wrong. Whereas from Hunter’s perspective, he hasn’t acknowledged she’s already in a bit of a state, and instead feels the need to immediately lecture her for her mistakes….although this lasts all but thirty seconds. Upon Cut’s attempts to diffuse the situation by having him pull Hunter away and reiterating that “she’s (Omegas) not a soldier”, his face immediately softens, he forgot for a moment, but now he realises and instantly the features are set in a regretful frown, he clearly feels awful and misrepresented. Hunter continues to observe Cut’s behaviour as he comforts Omega, who seems to take to the attention like a kicked puppy, lip trembling, eyes shaky, shoulders hunched, and I honestly think as Cut carries her away- is the exact moment Hunter realises he isn’t good enough for Omega. (I’ll further out on this in a moment)

I only want to briefly touch upon Omega’s gunners nest scene because I don’t think it has too much impact on her relationship with Hunter, however I would like to address the symbolism. I personally see the removal of her headpiece and the addition of her bangs as a new beginning, attaining the contrasting yellow light of Salucemi in comparison to Kamino, where she would’ve been given her jewel. Considering the episode’s outcome, Omega is no longer the tightly held, quivering little girl from Kamino, and instead she brings a slight unruliness to her aura, a little cheeky, definitely her brother’s sister. Still a sweetheart of course, but with a matter of confidence and boisterous behaviour to her. She seems to bounce out of her sadness quite easily here, as she seems suddenly awkward- yet curious- over Tech’s plan later on.

Furthering out into my previous point about Hunter believing Omega deserved much better in comparison to what he could provide: his conversation with Suu. “Protecting them is what we do.” The realisation on his face when she says this, it’s so…raw, something he’s taking time to comprehend. He heeds her words because he knows she and Cut are experienced in this field, they are better suited for Omega than he and the boys are, he believes he isn’t good enough for her, and this is projected when he insists ‘Mega leave with the family of four. Although Suu questions his sincerity, and he does indeed dodge the straightforward answer, this is what Hunter anticipates is best for Omega. He’s putting her needs above his happiness, no matter the heartache.

Moving along slightly, as Omega and Hunter spend a short period of time away from each other during the ship impoundment, I briefly wanted to touch upon the tone of Hunter’s voice when he learns Omega is on route to their position…by herself in a heavily armed spaceport. His eyes widen in a moment of fear, his voice is suddenly strained, he is struck with another raw emotion, something he frankly can’t obtain right now, and it’s let out in a minor threat towards his brothers- “if something happens to her-“ a clearly indication of worry.

This next point absolutely breaks my heart, the poor dears, both of them. Upon Omega’s arrival, Hunter is left to explain his forced proposal that she should leave Salucemi with Cut and Suu. As usual he completes his little ritual of taking her shoulders and crouching to her level, although this time he can’t quite look her in the eyes, a clear sign of regret and guilt, because he doesn’t want to give her away, he knows deep down she belongs with them, but he doesn’t believe he has what it takes to raise and protect her. The way Omega’s eyes crumple really catches me here, she’s being left, again… All this kid has ever known her entire life has either been abandonment, abuse or isolation, and she’s being passed on to strangers by the only people she’s ever been able to trust, and not only is it clearly breaking her heart, but she’s taking it personally, she thinks she’s at fault, much like Hunter does. Her line: “but, I want to stay with you.” compressed with the quivering tone and her precious accent really aides her desperation here, it conveys her in an adequate and very precise way.

Starting a brief new point to split these up slightly: I bring us to the continuous glances shared between them. Omega consistently looks over her shoulder to Hunter, she doesn’t want her eyes to leave him for one moment, she’s savouring his face, his details, for the very last time. And equally, Hunter is letting go of something he doesn’t want to leave behind, he likes the kid, to the point where his own self depreciation and doubt have been forced ahead in order to protect her, he can’t risk anything at this point. I’d also like to quickly mention how beautifully Omega’s eyes are animated, they intel so much, those precious little doe irises hold such story to them.

Moving on to a little jump cut enduring the batch’s escape and Omega’s return: Hunter’s tone of voice when addressing Wrecker is so pained, and his facials match it perfectly “she’s not com-“ it’s almost as though he’s biting back the urge to sprint headfirst into the gunfire if only to catch up to the little clone before it’s too late.

However, seeing as she’s managed to find her own way back that wouldn’t be exactly necessary. I think it’s a nice point that Hunter is the one to rush to Omega’s aide after she is grabbed by the trooper (flowing a brief flash of concern crossing his face), although Wrecker might’ve been closer, it’s a nice hint to their subtle closer bond. He, once again, crouches to her level although an unnecessary step in the situation, and I see this as another nod to their familiarised dependancy.

Finally, my last point for this episode, is their final conversation within the last few minutes. It’s faint, but the fact that the other batchers are all busying themselves in the cockpit, leaving Omega and Hunter to chat privately, is a very distinct use of separation. It also should be noted that Omega is the one to approach Hunter, this shows a decent level of not only maturity on her part, but trust between them as family, she trusts both him and herself enough to advance on a delicate situation, we even see her hesitate slightly, before pushing forward with a slip of confidence, and that takes a lot of gut from a little kid. She stands her ground, but with compliment. She very much reminds me of Hunter himself in the brig, assertive yet respectful. And speaking of Hunter, his face is just absolutely guilt-ridden when talking to her, because he too made the mistake of attempting to give her away, no matter how much good he thought it would do them both. While Omega is admitting she has a lot to learn in regards to safety and tactility, Hunter is suggesting he has a lot to learn about raising a child and providing the necessary care for her. It’s a brave moment for both of them, to be honest and open, and yet its received extremely well on both ends.

“If this is where you want to be…then this is where you’ll stay.” The admiration in his voice, the admiration in her eyes! They absolutely adore one another, and it melts my heart every time it’s displayed!

I hope you liked my analysis of Hunter and Omega’s relationship in episode two of The Bad Batch! Of course, I’d love to discuss these two with anybody who might be interested, so please feel free to drop me an ask or a DM, and if you’re captivated enough I’d totally recommend looking out for my future posts on the topic!

As always, much love to our ‘Megs and Hunter, thank you for reading! 💛

Part One: Aftermath

101 notes · View notes

taehyungsbabyygirl · 3 years

Text

Socialità

Chapter 1

Genres: Light fluff, tinge of romance and wholesome(?)

Warning(s): The littlest bit of sexual tension if you squint

----------

Fortune, fame, beauty.

Those are the things that people had associated you with.

Who does not know Y/F/N Y/L/N? You're basically in every magazine cover, every Youtube thumbnail and news headline. Surpassing Kylie Jenner as quote unquote The World's Richest Young Businesswoman and even beating Ariana Grande as the most followed female influencer on Instagram.

Who really are you? Well, to explain it simply to people who are unaware of you, your businesses and socialite status, you are the owner of a multi-billion dollar brand.

What started with a small online business at 16 which sells nightwear for women with affordable, cheap prices had bloomed into a luxury brand known for their elegant, classy clothing line, ranging from lingerie to formal clothing such as glamorous dresses to charming suits and tuxedos for both men and women.

The brand name? After years of rebranding, it's finally official that the name is, Socialità. Fitting with your brand's target market which were rich socialites from across the globe. Of course there was a reason for that, considering that the materials were high quality, imported ones such as satin and silk from Japan, Egyptian cotton, and French lace, also the designing and productions team who were amongst the best in the art of fashion and exclusivity of everything that was made under the brand, without a doubt would result in a higher cost of production and simultaneously a higher price for the merchandise itself.

And all this success did not come easy, there were countless times when you wanted to hideaway and give up on everything you had invested on. At the age of 28, you finally got to where you are now, thriving with the business that you had built with your own bare hands from the confines of your own bedroom.

But, there was one thing that you were lacking in, the love department. Although you were pretty much well-known by youngsters to elders alike, luck does not seem to be on your side when it comes to romantic relationships. It's not that you weren't romantic or sweet enough, gosh you are a hopeless romantic actually, but you just somehow fall for the wrong person, time and time again.

All the people you had dated once you established a name in the fashion world were either self-centered jerks or gold-digging leeches who were only there for the fame and riches. It's as if you had dated way more men than Taylor Swift ever had, except, you don't call these people out in songs.

Aside from owning a lavish clothing brand and billions to your name, having to work with socialite circles, had granted you the socialite status too. You'd be lying if you say that no rich bachelor had tried to flirt around with you but, your previous horrible experiences with dating as a successful businesswoman made you put your guard up and in the end turning you into the most sought after bachelorette of the 21st century.

-----

"What??? The Bachelorette?? Gosh guys, that would be a horrible idea." You shook your head, swirling the red wine in your glass before sipping on it.

It was a normal weekend evening for you and your peers aka your personal management team which consisted of Selma, Carrie, Lulu, Trey and Giovanni. Sitting in the dining room of your enormous mansion in Calabasas while drinking cheap wine and munching on Cheeto Puffs.

You just finished ranting about how you are so unlucky in love and that you're almost turning 30, without being cuffed to someone. In your opinion, people in their late 20s had already met that person and having good balance in their work, social and love lives but you're here having a nonexistent love life instead.

Tired of constantly listening to the same rants over and over again, Giovanni proposed that you put yourself in a controversial yet exciting TV show, The Bachelorette.

"Girllll you should give The Bachelorette a try, I mean I know that the show is basically scripted but it seems exciting, no?" Giovanni chirped.

"Oh my god yasssss! I'd have the time of my life if I'm surrounded by a dozen of good-looking hunks!" Carrie joined in and daydreamed.

You snorted and put your glass down on the marble surface of the table.

"Yeah but the men on there are usually insincere and only in it for their 60 seconds of fame and the winner of the show is probably just motivated by money. What difference does it make with me going to a private party or nightclub and getting to know dudes there?" You retorted; brow raising to your two friends.

"Sis, the difference is, these men would have to submit a form regarding their background and audition for the show! If you want, we could even be your reps during the audition. We know who are the best people for you!" Selma answered your rhetorical question while pouring herself another glass of wine. She's your PA and bestie so she knew how to reply with the same energy as yours.

Sighing deeply with your fingers pinching your nose bridge, you thought once, twice, thrice and made your decision. Well, what's the worst that could happen right?

"Fine, fine! I'm in with the idea. But if this thing goes south, I.Am.Out." The dominant businesswoman persona in you presented herself whilst the others, especially Giovanni, cheered upon your agreement with their idea.

-----

After months of preparations for your big reality TV debut, it was finally the day for the first week of The Bachelorette. Although you're the one being the prize and the one being chased, you felt uneasy and nervous to meet the men who had passed the auditions to become contestants.

"Don't worry! Me and Giovanni made sure that we only let the best ones pass the audition. And when I say the best ones, I meant, socialites, doctors, businessmen and even kinsmen of royalty!"

"Only the best for our QUEEN!"

Those were the words that came out of Selma and Gio's mouths. Thankfully you have these reliable people to help filter through the applicants of the program. If you gave the show's producers 100% control over who comes in and comes out of the show, it'll be a hot mess and they'd probably choose the men based on their looks and bulkiness but not necessarily the brains and skills.

Throughout the audition process, all of the men's background and names were kept a secret from you by Selma and Gio, it'll be a surprise, they said and you trusted them with it.

Sitting at the back of a limousine alone, you started to fidget with the dangling diamond of your earring subconsciously; a habit that you developed whenever you had cold feet.

The vehicle was heading towards the villa where the first meeting would happen between you, the bachelorette and your suitors.

You and the production team had discussed about how the first meeting would be. You thought that the idea of having to stand in front of the villa's front door while the men arrive in limos were quite cringy and not to mention time-consuming and unnatural so you proposed the idea of having the men arrive in a first come first serve basis and sit in numbered rooms in the villa while awaiting you. In that way, you could see who was punctual and who was late. But the catch is, the contestants only have 5 minutes to chat up with you and leave a good first impression.

-----

Alas, you finally reached the villa and stepped out of the automobile. Your dress was a satin, rosé coloured one with a modified A-line, basque waist and halter neckline; glamorous yet not over the top, suitable for a socialite like you.

Not wasting any time, once the cameras started rolling, you entered the ginormous villa and headed upstairs to the rooms, knocking the door gently before entering the space.

The first man you met was Kim Namjoon, he introduced himself as an engineer, a sound engineer. He was confident from the get go and eloquent too.

"Hmm an engineer ay?" You propped your head with the palm of your hand; leaning against the couch's back pillows.

"Yeah.. My family insisted I do that. I wanted to be a musician at first, and that's why I took up sound engineering now." He gave out a dimple smile which you couldn't help but grin at. They're adorable.

You liked his presence and how outspoken he was but sadly the 5 minutes were before you knew it.

Next, you met up with a gentleman named Im Jaebum. A winery owner. He gave you a warm hug from the first time you entered the room.

"I heard that you're a wine conoisseur yourself Y/N? I'd love to take you to Napa Valley where my winery is. I'm sure we'll have a blast there." He smiled and acted a bit smug.

"That sounds like a plan.. I'm not a person who would say no to wine." You replied with a light wink, returning the smugness to him.

Continuing on, after Jaebum, you entered a room which looked bigger than the previous two you'd been in.

By the big window, there was a man with broad shoulders who introduced himself as Kim Seokjin, as he turned around, he greeted you and pecked your hand.

"Nice to meet you I'm Kim Seokjin, just call me Jin." He smiled softly, inviting you to sit down next to him.

"Nice to meet you too Jin.. So what do you do?" You asked carefully; quite intrigued by how good-looking he is with the slicked back hairstyle he has.

"Well I'm a professor of English and Korean Literature. Probably one of the most uninteresting jobs among the other guys." He timidly admitted; being quite humble.

You immediately disagreed with his statement, telling him that literature components are fascinating and that educating people about it is a magnificent job.

Afterwards you conversed with a man named Park Jinyoung. He was also extremely dashing and he's a car dealer. But not just any car, the ones he sells are top brands such a Lamborghini, Maserati, Tesla and Ferrari.

"My job is amazing. Good money, good image, but there was something missing and I think we both could relate to that, we both are looking for love." He half-bragged which didn't really impress you but you agreed nonetheless.

As you politely excused yourself to move on to the next room, where the man was leaning back and scrolling through his phone. Fair skin and contrasting ebony coloured hair.

This guy gave off a cold vibe to you but that made you even more intrigued to get to know him.

"Hi..." You sat on the couch with him and he gave a small smile as he put his phone the side.

"Min Yoongi.. Nice to meet you." He extended his hand out to shake yours. A pretty formal greeting despite the consequences you two were in at the moment.

You two kept the conversation going by talking about your jobs and background. Everything you asked, he answered in all honestly and you liked that. The push-and-pull game was a fun one to play but with Yoongi, the small talk you had was chill and relaxed, the most natural one you had the whole night.

Up next was a kind looking male, taller than Yoongi who seem to be nervous about meeting you for the first time.

"Hello!" You greeted him with a bright smile to ease his anxiousness.

"Hi, hi.. I'm Mark Tuan. I'm an artist.." He abruptly greeted you back.

"Ooh! Like musically or..?" You tilted your head.

"Visually.. I draw and paint."

You led the conversation with the man since he looked very hesitant and awkward the whole time.

The next room had a bubbly and energetic man who was basically radiating good vibes as you entered the room. His name was Jung Hoseok. As you peeked into the room, he immediately walked towards you and gave you tight bear hug with a huge smile plastered on his face.

"Well besides my job as a paediatric specialist, I also enjoy dancing. Do you like to dance?" He jumped off the seat and proceeded to pull you up with him to playfully salsa. His actions made you laugh happily.

"You're so spontaneous!" You hit his chest lightly, still laughing at you guys' actions.

After the exciting interaction between you and Hoseok, you had to calm down and lower your expectations again after it skyrocketed because of the doctor earlier.

That's when you met a muscular man, if Hoseok earlier had radiated good boy vibes, this one radiated bad boy vibes.

He was Jackson Wang, a well-known socialite who is the heir of Wang Co. Ltd. A company which sells electronics such as smartphones, tablets and computers.

"Hello.." You said softly, slightly intimidated by the man's comparably bigger size to you.

"Hello, pretty lady." He took your hand in his and kissed it just like Jin had but his way of executing it was different. The male kissed each of your knuckle and it got you culture shocked.

"Oh wow.. Okay.." You laughed awkwardly as you looked at the man kiss your hand.

The conversation went well with him despite you noticing that he was practically staring at your with those deep brown eyes while you spoke about yourself to him.

The sexual tension was there and you were hoping, praying that the next man would tone down a bit and let you relax, thankfully custom jeweler, Park Jimin did.

"I'm a jeweler.. And can I just say, I adore these diamonds. You have remarkable taste." He proceeded to run his hand gently through the diamond earring you were wearing.

"Thank you! And I absolutely adore this choker you have on.." You reciprocated his action which made him smile softly.

Next up was the room of a private jet pilot named Choi Youngjae.

"Nice to meet you Y/N! I hope we could create good memories here. I'd love to bring you on a helicopter and show you the aerial view of California." He mused but you're not entirely impressed but acted as if you were in order to not hurt his feelings.

"Aww I'd like that. The view must be amazing!" You cringed at your own words but smart enough to mask it.

Hmm, you foresee someone who's potentially going to go home first in this show. His words lacked personality and character and not well thought.

Come on, you obviously had rode a helicopter and saw the aerial view of California. You ride it to work whenever the traffic is congested. He could at least thought of another country or state but instead he settled with Cali, the state where you are based in.

Disappointed, you moved on to the next room, surprisingly, the atmosphere was different, the area was dimly lit and the man sitting on the chair had his legs spread.

"Hi.." He spoke with a deep, low voice that caused you to bite your lip.

"Hello.." You smiled amidst the tense situation, making your way towards him.

"Kim Taehyung.. Fashion designer and owner of TH Couture." He answered without you asking.

The male was quite blunt but his demeanor was alluring. There was a mysterious aura circling him, totally someone to keep an eye on. The conversation was as intense as Jackson's but the two of you had the same interest which was fashion so you didn't feel as awkward as when you were with Jackson.

After Taehyung, it is down to three more people, you were already losing momentum and excitement as you already had spoken to 11 men that night. Before entering the next room, you took a deep breathe and loosen up your shoulders.

In the room was a man, he looked the most different, he had a lengthy name, a Thai one.

"Kunpimook Bhuwakul, but just call me Bam Bam.. I know my name's quite long and I'm also more comfy with Bam Bam.." He bowed to you like a gentleman and smiled handsomely at you.

"That's an adorable name! Bam Bam huh?" You sat down and grinned at the latter.

"You think so? You're adorable-er" He winked at you and caught you off-guard.

As the five minutes of jokes and flirty pickup lines ended, you bid farewell to the Thai man, little did you know that the person you just talked to was related to the Thai royal family.

Entering the 2nd last room, there was a tall man, looking around the well-furnished room but as soon as you came in, his attention diverted to you.

He greeted you with enthusiasm, introducing himself as Kim Yugyeom, an app developer and gaming streamer.

"Gosh you're pretty." He said straight-forwardly while smiling brightly and hugging you snugly.

"And GOSH you're tall!" You replied with those words and the same smile as what he had on his face. At this rate, reciprocation is really your best friend when you don't know how to react or reply to a certain remark from the suitors.

You talked about the apps Yugyeom had developed and the variations amazed you. He had created tons of apps such as games, workout apps, e-commerce platforms, online stores and sorts. But when he started talking about games, you began to lose interest in the chatter. Games weren't your strongest suit but you were happy that he is passionate about them and sharing it with you.

Finally! The last room! Which meant that this person is the last person to arrive to the villa. You wonder who this latecomer is and when you got into the area, your eyes widened.

Jeon Jungkook? He was somebody you had worked with and still actively working with. He is the person in charge of the photography and videography for Socialità and seeing him on The Bachelorette is a huge surprise.

"Wait.. JK?" You didn't know how to react.

"Hey! There's my girl!" He walked towards you with his bunny smile and gave you a hug. You couldn't believe that this was happening, Selma and Gio must've put him in to pull a prank on you.

"One question. Why?" You laughed in disbelief.

"Can't a man try?" He questioned back cheekily.

You two continued the conversation casually without any awkwardness as the two of you had known each other already. That was when you got to know that he had taken a liking on you ever since you two started working together. Everything he told you had sounded sincere so far.

-----

After the first meetings were over, all the men were put in the lounge to get to know each other's competition while you were interviewed by the crew regarding your first impressions of all of your suitors.

"Well everyone was pleasant. But there were a few who didn't pass my vibe check. I guess we just gotta see how it goes." You gave an ambiguous answer to the camera.

"Who do you think caught your eyes the most?" Henry, the producer asked.

"Hmm.. I don't want to seem bias, I mean this is the 1st episode after all but... Hoseok was fun to be around.. Jackson came off very strong. And well Jungkook too of course!"

"You seem to know him.." The producer stated.

"Yes yes.. We actually work together.. I didn't know that he'd want to participate in this show too." You shrugged and flashed a pearly white smile.

"Do you see anyone who might be going home soon?"

"Oof.. That's a dangerous question. That'd probably be ..."

To be continued (3 March, 12 AM, KST)

Author's note: Sorry for the delay guys! I underestimated the length of this chapter but I hope you guys like it! Don't forget to like and reblog this to show support! Also follow so you don't miss out on updates! This chapter is more of an introductory chapter so we'll be seeing more action and interaction between Y/N and de boyzzz.

Who do you think would be eliminated first?

Tagging @aretha170

91 notes · View notes

darkficsyouneveraskedfor · 4 years

Text

Secrets ~ 1

Warnings: noncon sexual acts later in series

This is dark!Bucky and dark!Steve and explicit. Your media consumption is your own responsibility. Warnings have been given. DO NOT PROCEED if these matters upset you.

Summary: A buried family secret comes to light thrusting you to the forefront of an old alliance.

Note: Bruh, other series are still going. At least one update a week for existing series in future, I promise! Probably more.

This was semi-inspired by The Princess Diaries but obviously we’re not going highschool.

Thank you. Love you guys!

As always, if you can, please leave some feedback, like and reblog <3

You found it hard to focus on the lecture. You copied the slides without processing the words. You couldn’t tear your mind from the unusual stranger. The one who had slipped from the room not ten minutes earlier. The one no one else seemed to notice; even the professor as she outlined the fall of the Roman Empire.

You did because you were early every week. You sat in the same seat, pulled out your notebook and pen, and put your phone on silent. You’d worked too long to screw this up. Years of saving and scrounging just to pay the application fee, bursaries awarded for your volunteer work and nearly forgotten extracurriculars from high school.

So, you noticed. The man sat in the back row with not a possession before him. Silent, discerning, and to be frank, a bit too old for the student body. Even you, after several years away from academics, thought so. You used the reflection in your phone screen to watch him and when he stood and left without cause, you angled it after his departure.

Perhaps he had come to the wrong room. Or maybe he had got the wrong time. He could be an older student or a guest speaker. Whatever he was, he was gone and you needed to focus. You didn’t have much time outside of class to revise your notes. Between your job at the campus bookstore and your intern position at the museum, you didn’t have time for anything beyond a few hours sleep.

You packed up as the lecture came to an end. Tuesdays, Professor Halren went over the week’s material and Thursdays you had a class discussion on the assigned articles. Basic, simple, but at least eighty pages of reading a week. You climbed the steps between the rows of tables and passed through the upper doors. The east entrance down the rear stairwell was the quickest exit.

You tossed your bag in the passenger seat of your crummy used Honda, parked in front of the burger joint several blocks away from campus parking. It cost you more to park on-site than it did for the beat-up contraption itself.

You drove to the museum and got out, your lanyard around your neck denoting you as a volunteer. You usually worked the help desk or handed out pamphlets for upcoming tours. Most of the time it was quiet enough for you to study in between visitors.

Sheila was the curator on duty that night. She kept to her office, saying she trusted you to direct the rare patrons who arrived on a Tuesday night. As expected, it was dead. You wandered around with textbook in hand, occasionally looking up to check that you were alone.

There was a man by the chart of Greek gods and their relations. A spiderweb with no end. You closed your book and quietly set it down on the nearest bench as you kept an eye on the man. It was him, the one from the lecture hall. A frightening coincidence. He leaned closer to the diagram then turned away, walking, no marching along the wall and rounding the corner into the next section.

Your heart was beating; in confusion and fear. You followed, carefully not to let your shoes click as you did. As you reached the next corridor, he was nowhere to be seen. You continued on, around corner and corner, on and on, looking up and down the walkways. He was gone.

You came back to the bench where you left your textbook. You glanced around one last time and opened it. Behind the cover was a ribbon, a tricade of red, white, and blue, a star emblazoned three-quarters of the way up embroidered in gold and silver. You’d seen it before but none so new as this.

You held it up and felt it between your fingers. You closed the book again and tucked it under your arm. You went to the next wing; medieval history. You walked along the timeline of European kingdoms, below each was a display of royal families of each.

The same ribbon, aged and frayed, laid beneath the kingdom of Astrania, marked by the house of Rogers. A long storied bloodline thrust in and out of power by civil wars and politics well into the twentieth century. A country that stood still, one of the few who still lauded a monarch, as famous as the Windsors in England and beyond. The last vestiges of long lost era.

You shoved the ribbon in your pocket. It was likely a souvenir from some commodified tour of the country. A forgotten novelty sold for pennies and shoved into a used textbook. You shrugged and headed back to your usual spot among the ancient civilizations. Strange things happened. That was life.

👑

You spent your few hours before midnight writing up your rough draft for Life and Death in Ancient Greece then finally crashed. You slept on your back, uncomfortably; a heavy, exhausted sleep. You woke to voices. Your mother’s and another. One you didn’t know.

You checked the time, it was barely seven in the morning. You grumbled as you sat up. Your mother’s tone set you on edge as her voice rose. You stood and crossed to the door. You turned the handle slowly, listening through the crack of the door as you eased it open.

“You get out of my house.” She snarled. You’d never heard her sound so vicious. “I am not that person anymore. I never was.”

“You can hide behind a name,” The deep voice replied evenly. “It doesn’t change your real one.”

“My father is dead, his name died with him.” She hissed. “I won’t tell you again to leave.”

“Or what?”

“I’ll call the police, asshole.”

“I’ve been sent here under the banner of diplomacy, what are they gonna do?”

You stepped out as the argument continued, your mother growing angrier as you tiptoed down the hallway to the kitchen. She grabbed a frying pan from the dish rack as you stopped in the doorway and she waved it at the man standing on the other side of the table.

“I’ll just have to make you,” She warned. “Now go--”

“Mum,” You rubbed your eyes. “What’s going on?” You looked to the man as he turned to look at you. It was the same man from the day before. You recoiled and pressed yourself to the wall. “Who is that?”

“No one. He’s leaving.” She edged around the table and drew back the frying pan.

He didn’t move. She swung and he caught the pan as his palm deflected it away from his head. He wrenched it away from her and tossed it away.

“Sit down, your highness,” He glared at your mother as he clanked the pan against the table.

You frowned and looked at your mother. Her eyes glinted at you and she shook her head.

“You will not tell my daughter what to do,” She scowled. “Not in my house.”

“You can send me away now, but I’ll be back.” He looked around the kitchen. “Looks like you can afford a fine lawyer, indeed.”

“Lawyer?” Your mother spat.

“There’s a contract, Princess,” He sneered.

“There is no kingdom left. No crown, no throne.” Your mother neared and grabbed your wrist, drawing you to her. “My daughter does not belong to anyone.”

“Your own father signed the accord. We paid our dues, even after his fall, we expect you to fulfill your end of the contract.”

“My father is dead,” She pushed in front of you, shielding you from the man. His square jaw twitched and his blue eyes glimmered defiantly.

“As his heir, you would acquire his responsibility. She is his first born granddaughter.” The man asserted.

“She has no title.” Your mother insisted. “You can see we have no wealth, no holdings. We are displaced; we are common.”

“Princess Karissa of Ecklun,” The man addressed your mother, “Her daughter, Duchess of Brey. You needn’t land to uphold your titles… and your obligations.”

“The contract is old. Outdated.” Your mother countered. “There are other duchesses. Real ones.”

“The contract is legal still, it has been upheld to this point and there is no clause for annulment. Unless of course you have the funds to buy out the agreement.” He challenged. “Fifteen million, with interest.”

Your mother was silent. He hand squeezed your wrist.

“I never received any of these payments you claim to have made,” She said.

“In a trust, as stated in the contract, to be accessible upon the day of marriage.” He declared. “If you insist, however, I can return with my legal council… and a military escort.”

Your mother let out a long breath. She released you and shakily pulled out a chair from the table. “Sit,” She gestured you forward and drew another chair out. “I’ll entertain your… discussion.”

You stepped forward and sat and she did too. The man across from you lowered himself into another chair and set down his briefcase on the floor. He reached inside and drew out a bundle of papers. He slid them across to your mother.

“If you’d like to look over the terms,” He smirked. “You’ll see all is as I said.”

“He couldn’t find another bride?” She spat as she ignored the contract.

“Not legally.” He insisted and looked at you. “Forgive me. I didn’t introduce myself, your highness. James Barnes, I am a representative of the Astranian court.”

“I don’t--” You blinked. “I don’t understand what’s--”

“Yes, apparently your mother has created a convincing ruse here in this… slum,” He sighed. “What do you know of your grandfather?”

“Don’t talk to her.” Your mother snipped. “Talk to me.”

“She must know--”

“I will explain. That is my responsibility. My right.” She sneered and grabbed the papers.

She flipped the first page, then the second, she continued as she hastily read through it. You peeked over her shoulder but she kept turning away to block you. When she finished, she turned it face down.

“You signed it, Princess,” The man said.

“I was sixteen.” She said. “I was still a child.”

“You were a married woman.” He returned.

“A girl forced into a ring.” She slapped the paper. “And you would have me do the same to my daughter?”

“You already did,” He said plainly. “And she is older. Quite a few years, in fact.”

“It took you years to find us,” She grinned. “You think you’ll be as lucky again?”

“You are being watched. You have been watched.” He pushed his shoulders back. “We have waited long enough.”

“Can someone tell me what the fuck is going on?” You said.

The man, Barnes, looked at you. Appalled.

“I will,” Your mother squeezed your arm. “Mr. Barnes.” She turned back to him, her head held high. “Might you allow me some time to prepare?”

“To run?” He challenged.

“If we are being watched as you say, that should not be an issue,” She sniffed. “You must understand the circumstance.”

“I do understand your negligence,” He raised a brow. “One day. That is all I can allow you.”

He left the contract and stood. He took his briefcase and nodded to the table. “A copy for your records.” He reached into his pocket and pulled out a card and flicked it onto the document. “My information should you require it.”

He bowed his head and turned to leave you. The door opened and closed loudly as he strode out the back door. You sat, perplexed, and reached for the contract. Your mother caught your hand. She turned to you and drew your hand back with her.

“Honey,” She said softly. “I need you to listen to me. Just-- don’t talk, just listen.”

“Mum, I--”

“You’re going to hate me. I know that hate, I felt the same for my own father. I would not blame you for hating me even more than that.” She said grimly. “But please, there is much I need to tell you. That I should’ve told you before.”

“I don’t-- I don’t understand.” You sputtered.

“So just listen,” She pleaded. You nodded and your stomach bubbled nervously. “You’ve heard of Ecklun? You were always so fond of history.” You confirmed and she continued on. “And Astrania. Occasional allies until the dissolution of the former… but that all doesn’t matter.”

Your mother hung her head.

“My father knew the tide was against him. He tried to rally his reinforcements, he made promises to those he thought could help. He was the king, you see? He was dethroned, we were all thrown out of the country. I tried to… stay with him. Tried to make him move on but he wouldn’t. So after I had you, I left. Your father didn’t want to let go either and he refused to come with me.”

She touched her cheek and shuddered.

“It was all gone so I thought that meant it was over. Everything. The promises, the debts.” She shook her head. “I tried so hard to start over. For you. But… Your grandfather promised you to the heir of Astrania to fund his personal guard. The same that ejected us from our home.”

She twined her fingers together then pulled them apart. She gulped before she found her voice again.

“That heir is now in power,” She could barely look at you. “And you… you are to be his wife.”

“I-- no, they can’t-- it--”

“I thought I could stop it. I didn’t think they’d want it still but-- I always hated how backwards it all was. Bloodlines, lineage, privilege… It was all so ridiculous.” She huffed. “I-- tried. I failed.”

“You ran once, we can--”

“That man found me. I am not foolish to think he did not come with back-up. I have seen what happens when you undermine others. I have seen the ugliness of it. I can’t say what’s worse; to let them have you or to refuse and suffer further. You don’t know how-- I was stupid enough to think I could ever outpace them.”

You gaped at her. Shocked, angry, sickened.

“And now I can’t stop them.” She uttered.

“You didn’t tell me,” You breathed. “You should have told me.”

“I’m sorry--”

“I have school, work...I… No, they can’t. I have a life!” You stood and the chair wobbled.

“Honey, please,” She got to her feet. “I know how it feels. Trust me. My father, he did the same--”

“So what? Family tradition?” You scoffed. “They can’t make me. I’m staying. I’m going to school, I’m working. I’m not--”

“You don’t have a choice.”

“I won’t go!” You shouted.

“They’ll make you.”

“How?”

She looked at you. Her face was grim, her wrinkles more apparent than ever before. She didn’t need to say.

“They can’t--”

“They’ll find a way.” She muttered. “They always do. I’m so so sor--”

“So I’ll make them drag me,” You said. “I’ll fight it.”

“It’s treason--”

“It’s the twenty-first century!”

“Not there. It’s not the same as here. There’s no one to stop them.”

You didn’t know what to say. You hit the table and swore. You stormed from the room and slammed your door before you fell onto the bed and screamed into your pillows.

It was a dream. It had to be a dream!

648 notes · View notes

mars-writes-1999 · 3 years

Text

Penumbra Podcast fan Theory

I have a theory about how this season is going to end and where the Junoverse is headed. None of this is certain, it’s all just theory. This isn’t about Nureyev’s debts though, I have genuinely no idea what’s going on with that boi but he worries me lots. I love him, and can’t figure him out. This is about the other class X radical.

SPOILERS FOR JUNO STEEL AND WHAT LIES BEYOND PART 2

tl;dr Jet saw Nureyev/Ransom fly away with the Ruby 7. The Ruby 7 sent the distress signal. The Ruby 7 is a sentient ai. The Ruby 7 is the other class X radical.

1. Jet saw Nureyev/Ransom fly away with the Ruby 7.

There was a line from Jet that stuck out to me right away in What Lies Beyond part 2. At the very beginning of his interrogation jet says "I do not think. I know. There is nothing on this ship that they want." He also later says "There is nothing on this ship that they want. That is final". I do put more stock in the first than the second quote because by the second one he is playing along with Juno's plan and intentionally being angry. I have looked through the scripts and I don't think we're ever told where Jet is being held (lmk if I'm wrong) but for my theory to work he is somewhere with a window and/or he saw things before being put in a "cell" at all.

Jet is a straightforward guy and went into that interrogation with a plan. He had time to think about what he wanted to say to Juno and what he said was "I do not think. I know." I take this to mean she really does know. He knows that Ransom, who dark matters is looking for, is not on the ship. He knows that the Ruby 7, who he believes dark matters is looking for (I'll get to this later), is not on the ship.

While my Ruby 7 theory is a bit more of a long shot, I REALLY think Jet saw Ransom escape. He says in no uncertain terms that he KNOWS that there isn’t anything that Dark Matters is looking for. Even if we make an assumption that Jet thinks they’re only looking for one

2. The Ruby 7 sent the distress signal

So I’ve thought this might be true since my second listen through the episode. It was a bit of a wild guess at first, but the more I think about it the more I buckle down on it. It lines up in a lot of ways where nothing else I can think of does. This whole argument does assume that Sasha and Dark Matters didn’t just fabricate the distress signal, but given her distaste for agent G (god rest her soul), I think the signal was real.

When trying to decide who could have sent the signal we can immediately rule out literally every person in the carte blanche family. Buddy and Juno do a good job of explaining to us why each one of them couldn’t be it.

Buddy was dying (plus we have the added bonus of her monologue and knowing what she was doing)

Juno, Vespa, and Ransom were in sight of each other and in the way of EMP waves

Rita’s comms were knocked out by the EMP waves

Jet was fixing the Ruby 7 and was right next to the EMP waves. He was also pretty busy trying to keep buddy from allowing herself to be killed

All of these things considered, we can also just assume that no one on this ship would rat them out. The only possible defection is Ransom, but despite not knowing what his motives are, I don’t think he ratted them out to Dark Matters.

The only thing with the sentience to call out would be the Ruby (I’ll provide evidence for its sentience in a moment). I don’t know why it would reach out to Dark Matters specifically, but maybe it was just reaching out to anyone with a distress call. I don’t know how space distress calls work, but Sasha did need to specify that the call didn’t come from the Carte Blanche which means vehicles may have the power to send out a distress call.

We know from Sasha and Juno’s conversation that the distress call was sent out 4 times in 2 hours. In the episode we see 3 major EMP blasts: The one between episodes, the one when Vespa and Ransom start arguing and Buddy can’t communicate, and the one Buddy barely avoids by getting into the safe room. It isn’t unreasonable to presume there was a 4th EMP wave that occurred after Buddy was safe and sound but before the entire team made it back safely. 4 distress signals for 4 emp waves. If the Ruby 7 is the one sending these, then this math makes sense.

In The Heart of it all Part 2 Jet says to Buddy “Even an EMP so direct couldn’t deactivate its computer mind for a moment - though it is still bitter about its engines.” This means the Ruby may have been scared about its engines dying and therefore it sent out a distress signal.

None of this is provable at this point, but I also haven’t found any evidence to the contrary. If nothing following this is true, I still think this may be true.

3. The Ruby 7 is a sentient AI

It is at this point that I would like to acknowledge that I am using it/its as pronouns for the Ruby 7. This is how the car has been referred to in the show up until this point and so it is how I will be referring to it from here on out. If any of this pans out and the Ruby 7 uses different pronouns or signifiers in future episodes I will refer to it differently.

Before I give the reasons I think the Ruby 7 itself is sentient, I want to talk about why I think it’s plausible that Kevin and Sophie would take the story in this direction. The reason is pretty simple, they’ve told us they’d be willing to. Here is a clip of Kevin and Sophie in the Season 1 Q&A.

[audio file]

https://drive.google.com/file/d/1cOXj3ybVkszLdt8U8BiRrVW3Cy7O_oGl/view?usp=sharing

[google doc transcript of audio file]

https://docs.google.com/document/d/16EP7CP6Wxic3q7-QhPce1dinan5A0ACNDdxZ4DfaEtA/edit?usp=sharing

So not only does this clip make it clear that Kevin has wanted robots in some form from the start, it shows that Sophie is open to the idea. We also hear them talk about how big of a deal it would be to introduce elements like this into the story. I would consider all of this setup as treating the concept of AI with the respect and time it deserves. We also know how much Kevin loves the Ruby 7 so making the car a main character would absolutely be within the realm of possibilities. The Ruby 7 is arguably the 7th member of their crew with or without sentience.

Now to discuss the proof of the sentience of the Ruby 7. There’s a lot of evidence for this. The car has always been sassy and had a personality, but there are several moments that point to more than this.

In the very beginning of part 1 of Tools of Rust, we see Jet directly mull over the sentience of the Ruby 7.

The Ruby 7’s many background calculations make it more like a horse. It can be controlled, but only insofar as it wants to be controlled. (HE SHAKES HIS HEAD AND SNORTS, DISMISSING HIMSELF) “Wants to.” This car can make you believe in ghosts, too — a spirit in the machine. But the Ruby 7, whatever the force of its calculations, cannot want and cannot think; it can only behave like it does. ~from Tools of Rust Script released to 10$ Patreon supporters

This gives some of the base backgrounds into how Jet thinks about the car he is closest to. In this episode he refers to the ruby as “a wild horse, I must break it in.” The catalyst for this episode occurs while Jet is breaking down the tractor shield generator because when driving the Ruby 7 “Manuevers have not responded as they should.” There are of course reasons for these things that are not sentience. Jet himself does not think the car is sentient at the beginning of this episode. We also know that his view of the car is changing throughout his arc of this season. In its most recent appearance, we see the Ruby at its most sentient. Two distinct moments come to mind in regards to this.

First, in part one as they are discussing their plan after Rita deploys the Book:

JET: We will be on our own — even the Ruby 7 will temporarily shut down. RUBY 7: (PETTY/ANNOYED BEEPS) BUDDY: … Come again? JET: The Ruby insists that it will not shut down. It is incorrect. RUBY 7: (REALLY ANNOYED BEEPS) JET: The Ruby says that I should not tell it what it can and cannot do. VESPA: Really built some sass into that thing, huh? NUREYEV: Is it just me, or… have responses like this become more common from our mysterious vehicle? VESPA: I swear its voice changed, too. BUDDY: Then we’ll allow the car its moody teenage years, I think; after all this is over I’ll buy it an industrial supply of eyeliner and posters of sad young men. ~ From The Heart of it All part 1 script released to 10$ Patreon supporters

Here several characters are remarking upon the increasing sentience of the Ruby 7. In part 2 of this episode, we see further evidence that the crew, especially Jet, has noticed changes in the Ruby which make it seem more and more sentient.

BUDDY: Singing and theoretical mathematics? Is there anything that car can't do? JET: Increasingly I worry that there is not. Even an EMP so direct couldn’t deactivate its computer mind for a moment — though it is still bitter about its engines. (HE ACTUALLY IS WORRIED ABOUT WHAT THE HELL THE RUBY 7 IS, BUT NOW ISN’T THE TIME FOR THAT) But in this moment I am far more worried by.... ~ From Heart of it All part 2 script for 10$ Patreon Supporters

Here it is clear that not only does Jet sound concerned about the Ruby 7, but Kevin’s direction shows that Jet is genuinely unsure of the Ruby. Not just that he doesn’t know what the Ruby 7 is doing, but that he doesn’t know what the Ruby 7 is.

Now that I’ve shown all of the evidence I have I’m going to extrapolate some of this to draw a line from this evidence to my theory in part 1.

Jet knows something is up with the Ruby 7. He has seen Nureyev leave the carte blanche in the Ruby 7 and therefore knows the car is not on the ship. As the delivery notes say “now isn’t the time for that”. What does Jet have while in his “cell” but time? He spends part of his imprisonment sitting and thinking about the Ruby 7. He knows that Dark Matters could have easily found the cure mother prime so he assumes there is something else they are looking for. He realizes that his car is sentient. He realizes that they are looking for 2 main things, Ransom and the Ruby 7. He saw both of these leave. He says "I do not think. I know. There is nothing on this ship that they want."

For this to work, the Ruby 7 needs to be classified as a Class X radical, this is a tall order, but I think the Ruby 7 meets the criteria.

4. The Ruby 7 is the other class X radical

1st of all, look at that green car? That car is SO rad.

Jokes aside, there are 2 main criteria I’m using to determine that the Ruby 7 could be the class X radical Dark Matters is looking for. First, is it literally possible that this is what Dark Matters is looking for? Does it fit any descriptors Director Wire gives us during her interview with Juno? Second, does it fit the definition of a class X radical?

In answer to the first question, we consider what Dark Matters is searching for. We know that they know it’s class X, but not much else. In fact, Sasha suggests that Juno may know more than her about the radical because he’s been living with it. This gives the impression that they might not really know what they’re looking for. My theory here is they know that they are looking for a sentient robot, but they don’t know it’s a car. This explains why they know what they need to about its threats but not much else. It may also explain why some of the agents were looking in drawers. If they were not looking for Nureyev (cause like Buddy said, they should know he’s not inches tall) then perhaps they were looking for a sentient robot. Unless I’m misremembering something, I think this is all we really get in terms of information on what the second radical is. Sasha doesn’t give Juno much information despite giving him everything she can about the cure mother prime.

In answer to the second question, we look toward the definition Sasha gives Juno for a radical: “any person or object with the potential to cause significant change to civilized human life as we know it”. AI with sentience fits this definition. Even if you don’t think it does, the piece from the season 1 Q&A shows that Sophie thinks it does. They talk about the care that would need to be in place in order to introduce robots, ai, or aliens. Care is needed because any one of these three things would drastically change the galaxy as they know it.

I don’t really have any clever way to end this other than saying all of this could be wrong. I could be completely off and there are probably other explanations for everything I’ve described, but I actually feel pretty confident on this. It started off as a random thought and the more I’ve sat on it the more evidence I’ve collected. Whether this comes to fruition or not I hope you enjoyed reading my theory!

CC:

@thepenumbrapodcast

80 notes · View notes

racke7 · 3 years

Text

Supernatural Redone

So, because I started thinking about it, and because I'm bored. I decided to try to reimagine Supernatural into having a solid narrative all the way through. That is to say, that the first few episodes are consistent with later episodes in regards to “what is at stake” and “what is the enemy”.

(Supernatural is somewhat notorious for falling into ever-escalating power-struggles. Kind of like Dragonball.)

The first episode starts out the same. Sam's college-life gets interrupted by Dean showing up and telling him that their dad has gone missing “on a hunt”. They then set off to investigate various sites that their dad could've been investigating at the time of his disappearance.

During this process, various background-truths come to light. Things like Sam having basically walked out on their family, and that Dean was in many ways responsible for raising him, because their father was busy on his “quest for vengeance” against all the monsters (since a monster killed their mother).

Dean wasn't necessarily on good terms with their father either, but he was the one who always tried so hard to make him proud. And apparently the only one he ever seemed to be proud of was Sam who “went to college”.

Never mentioning that to do so, he abandoned his brother (who practically raised him himself) and more-or-less buried his head in the sand about the truth of all of the monsters who prey upon humanity.

Dean has a... complicated relationship to both Sam and their father. But he's picked his direction in life (hunting monsters for the betterment of humanity), and is painfully aware that trying to do the job solo won't end well. Which is why he's recruiting Sam for it.

Sam understands that going on solo-hunts is a good way to get killed, and for all that he dislikes their father and has some complicated feelings about Dean, he doesn't want his brother to get himself killed. So Sam follows, despite clearly wanting to go back to college and live a “normal” life, away from the death-defying bullshit of hunting monsters.

During their journey to hopefully track down some clue about their father, they encounter some kind of monster-thing that seems to have possessed one guy in particular. The monster-thing keeps popping up, trying to help them against the monster-of-the-week, and neither of the brothers are entirely sold on it.

It calls itself 'Castiel', and Sam keeps pointing out that “angels aren't real”. Castiel isn't very good at emoting, but generally just ignores Sam whenever he gets going about religion. Dean is just so close to pulling the trigger on the damn thing, but doesn't want to do it because there is a human in there.

Dean does this job because he wants to protect humans, and he really doesn't want to kill one. Even by accident. There are however probably hints that he might've done so in the past (Sam doesn't seem to be aware of this).

Either way, with the brothers unable to really attack Castiel, Castiel begins hanging out with them more and more frequently, and seems to be developing a little bit more in the sense of “human emotions” as a result.

Castiel cares very deeply about the idea of protecting humans, but also doesn't want to interfere with humans. Or rather, keeps saying that they shouldn't be interfering with humans, but will always step in if a human is being threatened. And Dean... kind of respects that.

(Cue weird homoerotic tension between Dean and Castiel.)

Sam and Dean finally hear about some clairvoyant person and whilst Dean is highly skeptical, Sam insist that they go ask them about their father.

The clairvoyant person (after a bunch of monster-of-the-week shenanigans) finally relents and gives Sam the information that they've been looking for.

Their father went after a bunch of monster-worshiping cultists. Sam tells Dean and Dean warns him that those cultists are “bad news” and that they really should maybe perhaps reconsider going there at all.

Sam pushes on, because if they can find their father then Sam can finally go back to his college-life that he left behind. Dean is very reluctant, but also very much refuses to let Sam go after them on his own.

Upon arriving, they find an abandoned house. Sam is frustrated, but Dean is still nervous and wants them to just leave already. Sam insists that they continue looking.

After interviewing the neighbors, Sam hears about a bunch of murders that took place in the house. Some kind of crazy person breaking in and shooting everyone. Thankfully the kids made it out okay.

Sam is a bit confused, because monsters generally don't use guns, and so he goes looking for the kids who supposedly survived the whole thing.

Sam drags Dean off to meet with them, and Dean is very blatantly reluctant to go. Sam needles him about “being scared of little kids” since he's been worried about the cultists all this time, and they're clearly all already dead.

Sam interviews one of the kids, and it goes mostly alright. Sam isn't used to kids, and the kid is a bit traumatized about the “scary men” who attacked their home. Apparently, there were two men involved. Which is news to Sam, but alright.

Unfortunately, the kid then catches sight of Dean and gets very scared. Because that's one of the “scary men”.

Sam makes a quick retreat, and confronts Dean about it. Dean continues to be very cagey and trying to persuade Sam to just “drop it, and let's leave, dad clearly isn't here”.

Sam puts his foot down and refuses, because why were there two men, and why does the kid recognize Dean as one of them?

Dean finally and with a great deal of reluctance and bottled-up anger relents. Dean brings Sam back to the abandoned house, and finally tells him.

Their father decided to attack the cultists, and Dean went with him, because it was a big group and he needed the backup. They made it into the building, found out a bunch of really fucked up shit about the cultists, and started blasting. So far so good, Dean isn't really proud of it, but the cultists had it coming.

Then they found a room filled with children. Children who didn't really understand the fucked up shit, but were still the children of the people who did the fucked up shit. So they were rightly terrified of the people who broke into their home and murdered their parents.

But Dean and Sam's father saw this as them being “accomplices” who'd inevitably grow up to be just as bad as the cultists. And so he decided to kill them too.

So Dean shot him in the back, terrified out of his mind, because those were just kids.

Sam is understandably horrified about what happened. Both that their father would do something like that, and with the idea of everything that Dean told him about “dad going missing on a hunt” having been a lie.

Dean angrily pointing out that he'd had nowhere else to go. Nobody else to turn to. And that the monsters weren't going to just stop murdering people just because it was Dean's fault that he was hunting solo.

Basically, a big and emotional fight between brothers.

Now. This could either go in the direction of forgiveness from Sam's side of things. Of him finally calming down and thinking it through and telling Dean that he “did the right thing” in killing their father, and that he's sorry that he had to do that.

Or it could end with Sam finally breaking off his last family-bond with Dean in particular, instead of just “walking out on the family-business”. Leaving Dean to mourn the train-wreck that is his life. Up until Castiel walks into the screen, and crouches down next to him, offering his own brand of awkward comfort (“there's a place just down the street that makes excellent pie”).

Either way, the end result is that Sam goes back to his college-life, and Dean teams up with Castiel to continue saving people from monsters. Even if those monsters sometimes turn out to be humans.

(Nobody ever finds out if Castiel is actually an angel, or is just using the name of one. But he’s clearly not a bad person, despite apparently possessing someone who may-or-may-not have consented to it.)

#stories #supernatural #rants #my writing

14 notes · View notes

alwaysthinkingoutloud · 3 years

Text

Hannibal Episode-by-Episode Meta/Analysis: Episode 1, Season 1 (Apéritif)

The series start with Will Graham in a crime scene doing what he does, which is resurrecting crime scenes for further evidence and possible insight into the criminal’s mind and motives. What is interesting about this first scene is that for a first-time viewer, for the first a few minutes, it is not clear if what we are watching is a possible reenactment or it is actually a memory. That doubt gets cleared in a minute but until then, we don’t know if he is imagining or is he remembering. Is he a guy with a powerful imagination helping FBI who literally puts himself into the killer’s shoes or is he the killer itself, hiding in plain sight? To my thinking, the very first opening to the story does say a lot about the end of it all as well.

“This is my design”

Why not say plan, but design instead? Planning is something mechanical, strategical. It is the result of motive and effort of a rational brain rather than an acted-on urge. There is no much room for subjectivity or creativity since efficiency is the ultimate goal. However, design has a more artistical ring to it. It is like, its prior aim is not to be useful, but to be beautiful. Designing is done when aesthetics is of concern. We would say, Michelangelo designed David, plan would not look right there. It would be accurate as for explaining the mathematical part of it, the disciplined and patient hours that has been put into it, but it would not do justice to the inspiration, passion, and desperate need of the artist for his creation to materialize. A planner would not adore his work, but a designer would. And Will understands the difference a bit too well.

Later, talking with Jack Crawford, we learn that Will finds the name of Evil Minds Research Museum “hammy”. I do not think there is anything hammy about the name, it’s quite literal. It is not an ennobler name but why does Will find it so though? Does creativity and originality need to be perceived as abhorrent just because it was given birth by someone evil? This all-cautious way of approaching and overthinking things is a reflection of something dark within. Afterall, what is seen has at least a little to do with the seeing eyes, if not more.

Jack exhibits a disturbingly dominant way of communication with Will. He corrects Will’s eyeglasses, the guy who he knows is not comfortable with any kind of interpersonal interaction, within the minutes of their chat and holds down his bag to slow down his moving on. He is trying to make sure that Will feels Jack is the alpha and also that deep down, Will does not have the option to not cooperate. And more Will gets convinced to help for one step, stronger Jack drags Will into it for one more.

The first time we see Will interacting with any victim-related people, it is confusing. Being an empath and claiming that he can not only relate to narcissists and sociopaths but anyone, he does not seem to empathize much with the victim’s parents, cutting into the conversation about parents’ doubts on their daughter’s likelihood of being alive with a non-emotional, case related question. It almost makes you question if his ability to emphathize is just stronger with the dark side of the force than it is with the light one. Yes, the primer focus is to catch the killer and stop whatever malice is going on but after all, Jack came to Will with the need of help, so Jack must care about the case resolving more than he does. Yet, Jack seems more understanding of the parents’ feelings than Will, although Will is an ultimate empath. We even see Jack’s disapproval when Will cuts into the conversation. It is a brow mover.

Next, we get more insight about Will as he meets Winston. He finds him on the road roaming, tries to get close to him but cannot, so he drives all the way to his home to get something to lure him with and comes back to the dog. He is willing to go lengths to add a new dog to his pack, to his ‘family’, to his ‘social circle’. Something he is not willing nor comfortable to do for a person. Will's preferring an animal's company to a person's may say more than obvious. Afterall, he chooses Hannibal over Jack too, doesn't he?

Will who has already started to get traumatized by the case, is ambushed in the bathroom by Jack with an unforgiving mobbing, forcing ideas out of Will and stirring him up in the expense of his stability. Later on in his little chat with Alana, Jack’s intentions and priorities are further put into perspective. The way he talks about Will shows that for him, Will is more of a means to an end than an actual colleague. His insistence about “putting Will out there” despite Alana’s warnings and his admission of not being absolutely capable of protecting Will’s mental health just crowns that he does not genuinely care about Will. In fact, he even knows the risk of what he is doing, and he is trying to draw Dr. Bloom in to share, if not all together blame it on, the responsibility if something may go wrong.

We finally meet Hannibal in his office in a therapy session with his patient. The look Dr. Lecter throws when Franklyn blows his nose and places the dirty napkin onto the table… Up to this scene, we were not given any clue to suggest that Hannibal Lecter is a killer but after all, we do know who he is. And him being the first actual predator in the series we meet, we do not see him acting on brute violence or inelegant butchering. His first reaction depicted is unrest against rudeness. So the audience is welcomed into the mind of Lecter with an easily apprehensible act that can be shared by almost anyone. Almost to suggest that, this act of Franklyn’s may be enough to justify a wrath that may come upon him.

Jack shows up in Hannibal’s office unannounced and mistakes Franklyn with Hannibal. Hannibal, of course slightly annoyed, tells Jack to wait in the waiting room and invites him in with his own timing. Being a bossy and dominant guy he is, this takes Jack by surprise and it also tells us that there is an even stronger alpha here. So Jack realizes he cannot dominate Hannibal into his will like he did with Will. He may have to try something else. As Jack asks questions that are getting more specific and personal as they come, we see Hannibal getting cautious. Taking his scalpel into his hand and eyes widening. He lowers his guard only when he learns that he was referred to Jack by Dr. Bloom, his eyes visibly getting smaller, which are almost the only window to his thoughts anyway. So after seeing the sophisticated aura leaking not only out of Hannibal but everything around him, Jack chooses to sweet talk him into cooperation.

When Jack, Hannibal and Will first come together in a room, it is the first time in the show where Will makes such a long, non-blinked eye contact with someone, that being Hannibal. And we see mixed emotions and thoughts on Hannibal’s face. He is amused, intrigued and curious at the same time with the way Will thinks. He makes a quick analyze of Will which results in making him fling out of the room. Being the controlled, non-impulsive, strategic guy he is; even Hannibal himself is a little surprised with the sudden blurbing of his perception of Will. So maybe this first scene having Will and Hannibal together is another kind of first as well with both men doing something not typically them.

Hannibal, telling Jack that “he may help Will see the cannibal’s face”, he copies the crime of Minnesota Shrike. At the first look, this looks like an attempt of toying with the FBI and confusing them. But considering Hannibal’s last conversation with Jack, this feels more like a tribute, a helping hand for Will. Hannibal knows that Will would know that this is not the same killer the second he sees the crime scene. As Will later says to Hannibal, this was done to show Will a negative so that he could see the positive. So, we see from this point on that Hannibal’s wit does not focus on FBI, it does on Will. We see Hannibal eating and smiling, joyous of the fact that he now has an object of interest. Will imagining of a stag right after this, as stag will be the subconscious symbol of the Chesapeake Ripper / Copycat Killer before Will knows who he is and later when he does, of Hannibal; it shows that Hannibal literally entered his life and mind in more than one way.

Hannibal shows up in Will’s house very early and obviously very impatiently. So he does not only plan to interfere Will with being the Copycat Killer but through his ‘person suit’ as well. Feeding Will the meat of the girl he killed is also exciting for Hannibal as this manipulation game he has set to play with Will gets to be sicker for a normal human perception.

The breakfast scene is also the first time where Hannibal is looking for some ill-intent or killing inclination in Will, while Will denies having so. He wonders how much being able to empathize with killers say about Will’s own potential to do so. Hannibal suggests that Jack is treating Will as he is “a fragile little teacup, only used for special guests”. And that he himself sees him as “a mongoose that he would want under the house when snakes slither by”. He suggests that Will is not a pray that should be afraid to get hurt, that he is the predator. By that Hannibal does not only encourage the destructiveness Will may be trying hard to keep buried to come alive, but also the false perception that Will’s mind is strong enough to take any challenge Jack may throw his way.

Hannibal warning Garret Jacob Hobbs is literally setting the pieces in position of his will to get Will where and how he wants. He does not know what will be waiting in Hobbs’ house for Will but in the end, it does not matter so much since he just wants to see what happens.

When they arrive at the house, seeing Hobbs leaving his wife on the threshold her throat cut, Hannibal stands still. Is it because he is so confident that Will will be too frantic to ever look back and notice that, or is it because deep down he just does not feel like putting his person suit on in front of Will? I think both. When Will shots Hobbs and tries to tend Abigail on the floor, Hannibal walks in and sees Will caring hard for the girl. Hannibal’s face looks curious about what is going on but more than that, again, his focus is on Will more than it is on anything else. He sees all these humane emotions that Hannibal himself has always been somewhat stranger too on Will, those emotions that he thought, cannot come in a package with all the destructive ones. But maybe they can. And those emotions may even look nice. Because it almost does on Will. Although how the events would turn out Hannibal did not know, it was certain that the way he pushed things, there would be blood and there would be Will doing something that will change him one way or the other. After all, they have undergone a traumatic (for Will) and exciting (for Hannibal) circumstance together and it is a known fact that people who experience a significant situation together tend to develop emotional bonds. Maybe this was the least of what Hannibal hoped for. If that was the case, he got more than he wished. Will got to kill someone even if it was for a just reason and there happened to be an orphaned girl that Will desperately bonded the moment he killed her father, who maybe a manipulative tool for Hannibal in his game. The last scene where Will finds Hannibal holding Abigail’s hand in the hospital room highlights this perfectly. Now, Hannibal and Will has a mutual asset that Hannibal may use to draw Will closer to himself despite of Will’s initial reservations to do so.

#hannibal #hannibal lecter #will #will graham #hannigram #brian fuller #nbc hannibal #hannibal meta #hannibal analysis #hannibal and will #mads mikkelsen #hugh dancy #murder husbands #will and hannibal #jack crawford #hannibal loves will #will loves hannibal #aperitif

40 notes · View notes

cto10121 · 3 years

Text

The bad Shakespeare takes keep coming, I see. This one had the cleverness to couch itself as a personal narrative (makes it much more interesting, tbh). But as bad Shakespeare takes are my bread and butter, my boon and bane, mamma mia here we go again, with Merchant of Venice.

“But those who thought the play was irredeemably antisemitic were, the consensus went, vulgar and whiny—and, completely coincidentally, they were also Jewish, which somehow magically invalidated their opinions on this subject.”

I’m glad (is that even the right word?) this author found scholars that don’t think this play is anti-Semitic, but my experience with scholarship has been way more mixed than that. Suffice to say, this is literally all the play is known for these days, and views of the play as anti-Semitic are everywhere (Rosenbaum even had a hot take that since the Nazis liked it, it must be anti-Semitic). Didn’t know Harold Bloom thinks this play is anti-Semitic, though. That in itself is a bit of a red flag, as Bloom is a notoriously poor reader of Shakespeare.

“[I]n Merchant, Portia unhappily fulfills her father’s requirements of her suitors, while in Il Pecorone, the lady enjoys drugging her suitors and robbing them blind. By removing this detail, Shakespeare removed the suggestion that malicious schemers come from all walks of life.”

Or, by removing this detail, Shakespeare removed the clear and abhorrent sexism of his original source that turned a woman robbed of her autonomy by her father’s will into a criminal. It’s almost as if you’re damned if you do, damned if you don’t.

“Dr. Lopez, one of the most respected physicians of the 16th century, had indiscreetly revealed that he once treated the Earl of Essex for venereal disease. The earl took revenge by framing Dr. Lopez for treason and arranging for his torture; while on the rack, Dr. Lopez “confessed”—though “like a Jew,” as the court record states, he denied all charges at trial, while the attorney for the Crown referred to him matter-of-factly as “a perjuring murdering traitor and Jewish doctor.”

This is a very twisted account of the Lopez affair and Essex’s motives in going against him, at least to my understanding. For context, Lopez was accused of receiving loads of money from the King of Spain to poison Queen Elizabeth.

According to Stephen Greenblatt, in Will of the World: “Essex had tried some years before to recruit Lopez as a secret agent. Lopez’s refusal—he chose instead directly to inform the queen—may have been prudent, but it created in the powerful earl a very dangerous enemy. After his arrest, he was initially imprisoned at Essex House and interrogated by the earl himself. But Lopez had powerful allies in the rival faction of the queen’s senior adviser William Cecil, Lord Burghley, and his son, Robert Cecil, who also participated in the interrogation and reported to the queen that the charges against her physician were baseless.” Lopez apparently had been taken bribes from various sources, and confessed (freely? under torture?) “that he had indeed entered into a treasonous-sounding negotiation with the king of Spain, but he insisted that he had done so only in order to cozen the king out of his money.” Weird.

Greenblatt isn’t a historian, though, and Essex was indeed an asshole to Lopez, (and for what is worth, I feel Lopez was innocent; I just get those vibes) but so far I can find no other source that Essex actively framed Lopez. Most likely he did some sleuthing, dug up some questionable, compromising stuff, and tried to blow a hearth flame into a firestorm.

“After all, the historical record gives Queen Elizabeth a cookie for dawdling on signing Dr. Lopez’s death warrant; her doubts about his guilt even led her to mercifully allow his family to keep his property, not unlike the equally merciful Duke of Venice in Shakespeare’s play.”

Again, Lopez had powerful allies (doesn’t get much higher than Burghley), and again, re: Greenblatt: “According to court observers, Elizabeth gave Essex a tongue-lashing, ‘calling him rash and temerarious youth, to enter into a matter against the poor man, which he could not prove, and whose innocence she knew well enough.’” A cupcake, then?

“And it is of course entirely unclear whether this trial and public humiliation of an allegedly greed-driven Jew attempting to murder an upstanding Christian, rapturously reported in the press with myriad antisemitic embellishments, had anything at all to do with Shakespeare’s play about the trial and public humiliation of a greed-driven Jew attempting to murder an upstanding Christian—which Shakespeare composed shortly after Dr. Lopez decomposed. Most likely these things were completely unrelated.”

Nearly all the major Shakespeare biographies and articles I’ve read literally and explicitly talks about the possible influence of Lopez’s execution on Merchant of Venice and names it as an inspiration: Greenblatt, (he even headcanons that Shakespeare watched the execution!) Bate, Ackroyd. That’s how Horn managed to ping my BS radar something awful—because I had read about it, many times, even if it was mentioned in passing. It’s solid, legit Shakespearean academic fanon. The sarcasm is really unwarranted, and childish besides.

“It was damned hard to hear the nuance while parsing lines like “Certainly the Jew is the very devil incarnal,” or “My master’s a very Jew; give him a present, give him a halter,” or explaining what Shylock meant when he planned to “go in hate, to feed upon / The prodigal Christian.”

The first two are the fool’s, Lancelot’s, lines, I think. As for Shylock’s hatred toward Christians, while ugly, it’s entirely understandable given the Christian characters’ treatment of him pre-play and during it (Antonio spitting on Shylock’s gaberdine and then asking him to borrow money from him is called out by Shylock himself for its sheer hypocrisy). It also fits Shylock’s character as an unassimilated Jew, resenting Christian hypocrisy and racism.

“The actor began the brief soliloquy that every English-speaking Jew is apparently meant to take as a compliment: ‘I am a Jew. Hath not a Jew eyes? Hath not a Jew hands, organs, dimensions, senses, affections, passions? . . . If you prick us, do we not bleed? If you tickle us, do we not laugh? If you poison us, do we not die? And if you wrong us, shall we not revenge?’

“Wait, that’s the part where he’s more human?”

[…]“Sure,” I told my son, game-facing him back in the rearview. “He’s reminding us how he’s like everyone else. He’s a normal person with normal feelings.”

My son laughed. “You seriously fell for that?”

[…] “What do you mean?”

“Shylock’s just saying he wants revenge! Like, ‘Oh, yeah? If I’m a regular human, then I get to be eee-vil like a regular human!’ This is the evil monologue thing that every supervillain does! ‘I’ve had a rough life, and if you were me you would do the same thing, so that’s why I’m going to KILL BATMAN, mu-hahaha!’ He’s just manipulating the other guy even more!”

And then the crowd applauded, Harold Bloom cried, and the mayor gave the author’s six-year-old son a gold medal for his Brave Hot Take. Honestly, this was the most unbelievable part of the essay I’ve read. Unless this kid has been reading academic essays on MoV that posit this exact same interpretation (“Shylock was just using humanistic rhetoric to justify his ~bloodthirsty revenge!”), this one’s for a fake Internet stories anthology. Shylock may be a dour, miserable pain in the ass, but he is no Barabas, an actual anti-Semitic caricature—he has a character, and a recognizably human one, and the play bears it out that he is right in his anger.

“I reviewed the other moments scholars cite to prove Shylock’s “humanity.” There were two lines of Shylock treasuring his dead wife’s ring, unlike the play’s Christian men who give their wives’ rings away. But unlike the other men, Shylock never gets his ring back—because his daughter steals it, and becomes a Christian, and inherits what remains of his estate at the play’s triumphant end.”

Er, this is a non sequitur—that last has nothing to do with the first. The point is, Shylock doesn’t give away his ring; the fact that his daughter stole it means nothing to his treasuring it. It may be proof of the play’s marginalization of Shylock (which accurately if sadly reflects real-life systematic marginalization), but not his humanity. Shakespeare just doesn’t do backstories, even for major characters, so it is significant that he gave Shylock a wife/beloved in the first place.

“Finally, scholars point to the many times Shylock explains why he is so revolting: Christians treat him poorly, so he returns the favor. But for this to satisfy, one must accept that Jews are revolting to begin with, and that their repulsiveness simply needs to be explained.”

This makes absolutely no sense at all. If one accepts Jews are inherently revolting, then no explanation need be given for when a Jewish character acts revolting! The racist accepts the revolting Jewish characterization without qualm. The fact that the play insists on his grievance is significant.

“We listened together as Shylock went to court to extract his pound of flesh; as the heroine, chirping about the quality of mercy, forbade him to spill the Christian’s blood as he so desperately desired; as the court confiscated his property, along with his soul through forced conversion; as the play’s most cherished characters used his own words to taunt and demean him, relishing their vanquishing of the bloodthirsty Jew.”

YMMV, but to me there are no cherished characters in this play. That’s the whole point! Everyone is so mired in this dreary capitalist materialism that denigrates genuine human connection into mere transaction. Everything to these characters is money, money, money (and class), or at least tainted by it. Shylock is simply the most overt (and honest) of the lot. Love relationships, religion are impoverished; Portia and Bassanio are scarcely more suited than Portia and her other suitors. Shylock and Antonio are Jews and Christians in-name-only: They are capitalists first and foremost. Portia is a smarter, more likable Karen. Lancelot isn’t funny. Jessica is okay, but her leaving her father is framed as a asshole moment at least in one instance. Portia is probably the most lovable, but she has her asshole moments too. There are no truly awful characters, but you don’t need to demonize and dehumanize your whole cast into two-dimensional racists just to make a point.

Merchant of Venice is not the best of plays. It is one of Shakespeare’s experiments, a proto-problem play before his Jacobean era, using dark comedy and a slight bent of farce to explore and elucidate social issues, racism and discrimination, chiefly. At least it tries, anyway. Taming of the Shrew is the first proto-problem play done completely farcical, which at least makes it compelling in a slapstick-satire way; Merchant is much more sociologically astute, but also more dull and coolly distant even from its own concerns. I don’t blame anyone, much less Jewish people, for not liking the play or thinking it a masterpiece. I myself don’t, though for reasons that have nothing to do with the usual ones. I like what Shakespeare was trying to do and I think he did some things very well. It has ambition and thought. But I feel like for most of it Shakespeare was on writing autopilot while mentally looking around for something a bit meatier to adapt and develop. It’s a jogging-in-one-place play; he has a couple of those.

In sum: Author argues for complicated play’s anti-Semitism, ends up just saying the racist slurs by the flawed/asshole Christian characters made her and her son uncomfortable (feat. A distorted and even misleading account of the Lopez affair). Plus some internalized anti-Semitism to sort through, methinks.

#the merchant of venice #shakespeare #cristina metas #shakespeare meta #kind of #cristina reviews #also kind of #merchant is not even one of my liked plays but these takes are just wearying

8 notes · View notes

jbuffyangel · 3 years

Text

Something To Live For: Arrow 1x10 Review (Burned)

I’m back!

There’s a significant time difference between my 1x09 review and this review. No, I did not take a six year long holiday break. It just became too difficult to complete the Season 1 reviews the summer prior to Season 4. So, I decided to complete Season 1 and Season 2 reviews once Arrow was off air.

This means I have not watched 1x10-1x23 in eight years. I nearly forgot everything. Is L*urel still in this show?

She sure is.

“Burned” is the first real snoozer of Season 1, which kind of sets up the tradition of episode 10-15 slumps Arrow suffered nearly every season. This has less to do with Arrow and more to do with it being a twenty three episode series. There’s gonna be some filler.

This episode still holds significant meaning to me though because it contains the SOMETHING TO LIVE FOR speech. This is my favorite John Diggle speech, which is why I named my blog after it. It is also the first time Arrow declares their mission statement.

Let’s dig in...

Oliver and Diggle

The bad guy plot is the worst part of “Burned,” so let’s just cut to the chase. There was a terrible fire in Starling City years ago. The fire chief recalled his unit but one of his men, Garfield Lynns, insisted the building could be saved. The chief refused to send in any more men and as a result Lynns died. Except, this is Arrow and nobody stays dead. Lynns is alive, ticked, insane and burning firefighters, which leads to Joanna’s brother (a firefighter) getting killed.

Cool? Cool. Moving on.

Oliver is having difficulty coping with the fact the Dark Archer kicked his ass all the way back to the stone age. It was a somewhat embarrassing loss and Oliver’s body wasn’t the only thing bruised. We are gifted a very lovely training sequences of a half naked and very sweaty Oliver Queen to show he is recovered, so his hesitancy isn’t physical. It is mental.

Source: @olivergifs

Oliver is having a crisis of confidence and is avoiding suiting up like the plague.

Diggle: This guy, the other archer, he got in your head. He took something from you … he took whatever’s in your heart that lets you jump off buildings and take down bad guys.

Oliver worked for every skill he has. It was not gifted by a bolt of lightning. He does not come from an alien planet. Oliver is a weapon honed over time, which includes his superpower.

Oliver Queen does not fear dying.

That’s the “whatever” in his heart which gives him the confidence to jump off buildings. This superpower was honed after five years of fighting for survival. Oliver almost died so many times he’s built some kind of emotional immunity to it. It doesn’t freak him out like it would the rest of us.

The darker side of this superpower is Oliver doesn’t care if he lives or dies. Season 1 Oliver Queen is very fatalistic. He’s not suicidal, but he’s accepted death is the price he may have to pay in order to complete his mission. More importantly, he is drowning in guilt and believes death is the ending he deserves.

There’s rigidity in everything about Oliver – from his beliefs to even the way he moves. His posture is rod iron straight and there’s very little movement in his upper body and arms. It’s a physical manifestation of his PTSD. It’s like he’s encased in a brick wall, a tomb of suffering, which makes it difficult to breathe or move. It’s like the act of living is physically painful.

The problem is - Oliver came home and it is having an unexpected emotional impacted on him. He’s been laser focused on this mission, but bit by bit, the feelings he’s long since buried are resurfacing. Moira, Thea, Tommy, Diggle, Laurel (AND FELICITY) are chipping away at this brick wall. Oliver didn’t adopt this machine like persona because he doesn’t feel anything. It’s because he feels so much, which means even the small holes in this wall are having a profound impact on him.

This all leads to the greatest John Diggle speech in history! Yes, I say that knowing full well Diggle has spectacular speeches throughout the series, but this will always be my favorite because it’s such a universal theme.

We all must have something that makes life worth living. This “something” is not limited to romantic love. It can be family, or work or a cause – basically whatever makes you get out of bed every day. It doesn’t have to be just one thing either. In fact, I hope you find many things/people to live for because that means you are living a full and connected life. By that same token, if you don’t have something to live for then you’re not really living. You just exist.

Or in Oliver’s case - survive. He’s known nothing but survival for the last five years. I think he absolutely cares for Yao Fei, Shado and Slade, but that’s exactly why Oliver shut down. He did care for people and it led to nothing but heartache, betrayal and loss. So, Oliver decided to be done with all that and has worked very hard to keep his loved ones at a distance ever since returning home.

He’s been extremely successful at it in many ways because Oliver refuses to share who he really is with anyone outside of John Diggle. So, that’s why it had to be John Diggle to tell him that it was okay to feel again.

Oliver: I’ve been close to death on the island more times than I can remember and I never feared it. Because I had nothing to lose. But when that archer almost killed me, when I stared death in the face then, I thought about all the people I’ve let into my life since I’ve been back – my family, Laurel, Tommy. And that made me afraid. Afraid of what would happen to those people if they lost me. Again. And for the first time in so long I had something to lose.

Oliver may not fear death, but he does fear what his death will mean to those who love him. Like I said earlier - Oliver is not suicidal. If that was true he wouldn’t have fought so hard to survive the island, but that doesn’t mean he’s ready to live. He’s far from it. But this is the first time in a long time Oliver cared whether or not he died. And that scares him.

Diggle: Maybe you’ve got it backwards Oliver. You think the people you’ve let in have taken your edge. I think it gives you one. Maybe a stronger one even. You can stare down death with something to live for or not. SOMETHING TO LIVE FOR is better.

That’s endgame folks. Oliver’s story is about a man learning to live again. He will collect more and more people/things that he cares about as he walks this road, which means there is more to lose. Losing his life is far preferable than losing someone he loves again. Oliver can tolerate a great deal of physical pain. It’s the emotional pain that scares the crap out of him. This is why he fights tooth and nail to keep emotions at a distance. It just hurts too much.

Opening our heart to others often means opening our hearts to pain, but that’s not the only side of love. It brings happiness and contentment too. You take the good with the bad. Diggle is trying to open Oliver’s heart to the good.

Is Oliver alive? Or is he just breathing? The answers to those questions make all the difference in the world. A difference Diggle knows will make Oliver an unbeatable weapon.

Lynns: I'm not afraid to die

Oliver: I know. You're afraid to live.

COULD IT BE A PARALLEL?

Methinks yes. It’s interesting “Burned” revolves around fire. Fire is where Oliver’s story began. Lian Yu was about purification, but it was also a rebirth.

A rebirth we see expanding as Oliver opens up his heart. A fire is lit from within our hero and it’s growing beyond penance, justice and retribution to hope, passion and enlightenment. Oliver Queen is finding reasons to live again. And it will make all the difference for his survival.

L*urel L*nce

If you sense I have less patience with L*urel’s character in Seasons 1 and Season 2 than I did in Season 3 and Season 4 then you’d be right. My opinions on this character changed radically so I’m coming into Season 1 and Season 2 reviews with a Season 8 perspective on L*urel.

Tommy wants a drawer. That’s all. A drawer. Tommy Merlyn is a simple man. Doesn’t take a lot to make him happy. He even wrote a list explaining all the reasons he deserves and needs a drawer. We never see the list, but I’d imagine it looks something like this:

I AM HUMAN PERFECTION.

I did not sleep with your sister.

I am asking for a drawer rather than run screaming to the North China Sea with above referenced sister.

I make you omelets.

I make your character moderately tolerable which is a miracle in of itself.

I could continue, but you get the idea. What’s absolutely ludicrous is OLIVER gives L*UREL relationship advice.

Oliver: Well we're friends.

Me: Oliver, my son, NO YOU ARE NOT.

At least she had the common sense to scoff at Oliver’s friendly attempt to intervene on Tommy’s behalf. (Seriously, dude just stay out of it. This is wildly inappropriate.)

L*urel was ready to move in with Oliver (even though she knew he cheated on her regularly), but freaks at faithful Tommy requesting armoire access. JFC this woman is a dating disaster zone.

L*urel: I don’t take things slow remember? I close my eyes and I jump just like you.

My initial reaction to this speech is to call it nonsense.

I thought this was a case of Arrow telling rather than showing with L*urel’s character. However, upon further contemplation I have reversed my opinion.

L*urel may be a pragmatic attorney on the surface, but we have watched her run the gamut of human emotions week to week. So much so it’s difficult to get a read on the character the writers are trying to construct. (Spoiler alert: they don’t know what kind of character they are trying to construct). One week she loves Oliver. The next week she’s condemning him to hell. L*urel L*nce’s feelings definitely control her.

She has been reckless too, working outside the law, by contacting the vigilante for assistance. A relationship she resumes after telling her father in 1x09 that The Hood is a killer with no remorse. See what I’m saying about the ever changing emotional spectrum?

I’m not saying L*urel having emotions and expressing them is bad. That’s a healthier reaction than what Oliver is doing, but she has been all over the map. It’s less about who L*urel is as a character and more about the writers needing her to react a certain way to make the episode work.

Oliver likes to present himself as a cool cucumber, but he has a rather unpleasant temper too. It may seem like he’s emotionless, but that is just a façade. It’s a cover for the torrent of emotions he keeps at bay.

Laurel: I think that’s why we spooked each other. Our feelings, our fears, they control us. Not the other way around.

L*urel’s “spooking each other” statement is a big line of bull, which we’ll find out later in the season. L*urel was not spooked by Oliver. She was the furthest thing from spooked, which is why she asked him to move in with her.

Oliver wasn’t spooked either. Anytime I reflect on L*uriver I’m reminded of a scene from Sex in the City. Oliver isn’t freaked out by his feelings. He’s just not that into you, L*urel.

The process in which we get OLIVER to realize this and admit it to himself will take much longer, but I can be patient. It’s time will come.

But do I think these two characters are similar? YES. They are too similar in fact. It’s one of the main reasons they don’t work as a couple. This is exactly why Tommy and Felicity are perfect for L*urel and Oliver. They need someone steady to temper their emotions.

They need someone happy to balance out their anger. They need someone with a bright light in order to find their own.

It’s also worth noting that Tommy was ready to run into a burning building to save Oliver so GIVE HIM A DAMN DRAWER L*UREL.

Stray Thoughts

Flashbacks were kind of boring. Fyers kidnaps Yao Fei. Oliver saves his own life by accident. Meh

Thea calling Moira out was long overdue. This kid needs a parent ASAP.

Everyone's fall clothing is really adorable.

JUST UNBUTTON THE FRACKIN BUTTON OLLIE.

Merlyn kidnapped Walter right? Or Moira? I seriously don't remember. I don’t think I care either. lol

L*urel: I am not the best example of healthy grieving.

LL has a rare moment of self awareness, which is lovely.

Oliver: I heard what you said to your father. That I'm a killer with no remorse.

L*urel: Do you?

Me: You impertinent little snot.

I like Joanna much better than L*urel and I wished she stayed, but removing Joanna from the show is the first step the writers took to limit L*urel's role. The shift is upon us.

Not to be unsympathetic, but Moira is starting to rack up the dead husbands.

Thea fantasizing that Walter is cheating on Moira with a stewardess as the hopeful pitch is YIKES. Goodness this show could be dark.

Musings of the Kiddo

Kiddo: Yeah! He's actually putting his family first!

Me: Settle down. It doesn't last long.

Kiddo: I thought L*urel was gonna find out.

Me: Oh my sweet summer child.

Disclaimer: Any gifs on the blog are not mine. If you would like a gif removed from my reviews, please message me.

If you’d like to support the blog, please buy me a cup of tea!

#arrow #arrow 1x10 #arrow rewatch #oliver queen #john diggle #oliver and diggle #anti laurel lance #merlance #arrow season 1 #arrow season 1 review #arrow review #arrow reviews #arrow season 1 reviews #season 1 review #season 1 episode review #season 1 reviews #season 1 episode reviews #arrow fandom #anti lauriver

48 notes · View notes

ficsilike-reblogged · 4 years

Text

Blood in the Rivers: VII

A/N: I apologize for the wait. I hope you guys still like this little story of mine.

Pairing: Oberyn Martell x Ellaria Sand x F!Reader (Tully)

Rating: T (Maybe M??) For Blood, allusions to smut, my continued overuse of italics, poorly written, soft confessions of feelings

Word Count: 8.3k (Someone please take my computer away)

Read Chapters I-VI here! Or on Ao3!

Chapter Seven: The Price of Happiness

All of Dorne was a delight to the senses. The food was better, the wine more tart, the air itself smelled sweeter and punctuated with the scent of salt of the ocean and the heat of the sun-warmed walls. It was paradise. Never in her life had she met a family more loving and open with their affections—or their squabbles. The Sand Snakes welcomed her with open arms and quelled most of the fears that turned Y/N’s stomach.

And having the company of Sansa and Arya gave Y/N an immeasurable amount of joy. Simply knowing they were alive and well and within her reach let a small bit of weight lift from her shoulders. All of them melded together into a strange camaraderie that Y/N quickly grew accustomed to. Arya trained with Obara, Elia, and Obella—and little Dorea would sometimes sneak away from her mother and Septa to try to keep up with the older girls. And Arya was insistent that Y/N join them at least three times a week. Sansa would sup with Nymeria and Tyene and would drag Y/N along when she wasn’t occupied with Ellaria and Oberyn. They would read to little Loreza to help her sleep. Sarella was still in Oldtown but had sent a raven with a kind word, welcoming Y/N into the fold.

All of it was…perfect. So perfect that Y/N was waiting for something terrible to happen to knock her from the pedestal of the happy life she’d created at Sunspear.

“You are quiet, My Tully,” Ellaria said as they sat together on the sand of the strip of beach just outside the fortress’ walls. A handful of handmaidens waited to be called, standing in Sunspear’s forgiving shadows, with a half dozen guards. Ellaria had stolen Y/N away from Manfrey Martell’s lessons. Oberyn’s cousin was the current Castellan of Sunspear and had been teaching Y/N the proper way of keeping the household and surrounding city running smoothly, as it had for centuries.

“I am enjoying the view,” Y/N replied as she watched Ellaria tie her skirts a little high around her waist as she wanted to wade into the water. Her four daughters were all laughing and splashing a few paces away, without a care and nearly infectious with their joy.

“We agreed to not lie to each other, My Tully. Nor keep secrets.” When she was finished tying her own, Ellaria pulled Y/N to her feet and made quick work of tying her skirts, too. She grasped her hands and led her out to the lapping water.

It was warm and clear—a far cry from the usually-muddy waters of the rivers around Riverrun. Ellaria continued to lead her in until their bundled skirts were in danger of getting wet from the shallow waves but did not release her grip even as they slowed to a stop. She pulled Y/N a little closer and brushed a kiss against her shoulder, exposed in the Dornish style dress Nymeria’s favorite seamstress had tailored especially for her in a pretty sky blue. The ugly scars from the arrow were exposed but very few paid them any mind.

“Tell me what is burdening you.”

“You will think me foolish,” Y/N murmured.

“Never.”

Y/N sighed and squeezed at Ellaria’s hands before wrapping her arms around herself. “Everything here is so…lovely. A paradise.”

“Just as I told you all those moons ago at that wretched wedding; I knew you had the right heart to make Dorne your home.”

It was almost as if Ellaria was trying to banish whatever gloomy thought Y/N had with kisses as she stole one from Y/N’s frowning mouth and then another as she started to smile. “And I am grateful to be here, to have you in my arms now—you and Oberyn both. To be welcomed to happily by your family. But I am worried…the gods have only afforded me this happiness to rip it away from me. Surely I cannot be this happy for the rest of my days.”

“Why do you think that your happiness must have limits? The gods delight in their creations. Why should we not delight in them as well?” Ellaria smiled and looked like a goddess herself in the sunlight and surrounded by clear, sparkling water. “Your happiness does not have a limit because the gods deem it so. Only you can determine how happy you are in this life. I have chosen to take every opportunity to seize happiness, joy, whenever I can. You have brought me such joy, My Tully. I want you to have the same—but you must let yourself.” Ellaria pulled Y/N close again and pressed another kiss to her mouth. “Will you let yourself?” She asked against her lips.

“I will try,” Y/N answered with a laugh.

A sudden splash of water had her sputtering and Ellaria chuckled. “You will,” Ellaria stated, wet fingers trailing against Y/N’s cheek.

Ellaria tasted like saltwater and sunshine when Y/N kissed her again. “I love you,” Y/N said, the words bubbling out of her throat before she could even think to stop them.

“My heart has been shared between you and Oberyn since I saw you at the market. I love you, sweet girl, and I will remind you of that fact every chance you give me.”

“You travelled through the Kingswood during a battle?” Y/N could feel her throat tightening with each passing word. Word had come to Oberyn that the Lannisters knew Sandor had been seen in Dorne. Ellaria’s words about embracing joy—and the fact that Ellaria loved her—had lifted her mood for the past handful of days but the news had quickly soured her disposition. She asked plainly what had happened on the way to Dorne with Sansa and Arya and expected to hear that he had taken the most benign route possible and then be on her way. That was not the case. “I told you to take her to safety-”

“The little bird’s alive, ain’t she?” Sandor griped. “She’s fine.”

“Thank the Seven,” she retorted, face still contorted with rage. “I cannot fathom your reason for endangering her—you know the Stone Crows-”

“Aye, the Stone Crows,” he mimicked, remembering the Mountain Clan men Tyrion had brought to King’s Landing and used as reinforcements around the castle during the Battle of the Blackwater. “Stupid bunch of brats with swords. They bleed just like the rest of the Lannister’s cunt forces.” But he dropped his voice and leaned close, letting the scent of blood orange he had on his tongue waft over her. “You were right to leave her care to me. I would never let any hurt come to her. Do not doubt that again.”

Y/N scowled. “And Arya? You were just letting her run about, killing people?”

“She is a little beast. There is no taming that one. You’re lucky I got her here without gagging her.” His burnt face twisted. “I’m sure you taught her that.”

“The only thing I tried to teach Arya was how to use a bow.” Y/N grumbled and rubbed at her temples. “But, thank you for seeing them here—safely. It means a great deal to me.”

“Did you truly kill Gregor?”

The question surprised her, as did the soft tone (as soft as Sandor could be, anyway). “I did.”

“Was it quick?”

“Not as quick as I would have liked.” Y/N sighed. “I am sorry I took that from you, your revenge.”

“You did what you had to do. He deserved what he got.” He glanced at the door to Sansa’s chambers. He had been assigned, by a smug Oberyn who knew that Sandor wanted to leave, to be Sansa’s sworn sword. “The Little Bird would say the gods were kind or some other stupid shit.”

“Are you certain seeing his rotting head would not quell some of that rage? To see he is truly dead? The Silent Sisters haven’t taken it for cleaning just yet.” It was still sitting in a box in one of the fortress’ undercrofts. (Arya had poked at it with the end of a quill and Sansa had steadfastly refused to look at the decomposing lump of flesh when Y/N had told them about her own ‘adventure’ in King’s Landing.)

“No,” he said, final and direct.

“Very well. But I am sure you will lay your eyes upon it eventually. Oberyn has said he wants it dipped in gold and strung up in chains within the throne room once it is clean.” Y/N looked at Sandor, truly looked at him. “Please, be kind to Sansa. While she is learning the ways of the world at Prince Doran’s behest, she still has a gentle heart. And she is very fond of you even if you and I both know nothing will come of this childish infatuation of hers.”

Sandor’s eyes narrowed but he did not say anything.

Y/N took a small step forward, knowing she needed to say this if only to sate the small bit of fear she had in her heart. “But if I ever catch you breaking her heart or using her as your brother intended to use me, I will make sure your skull sits next to his.”

“My lady!” Daisy dashed into the hall and barely cast a glance at Sandor. “Prince Oberyn is waiting for you in his solar.”

Y/N nodded and looked one last time at Sandor and received a half-hearted glare in return before she let Daisy lead her through the gilded, warm halls even though she had traversed this path too many times to count, often in the dark of the night. She tried to shake off the foreboding feeling of the Lannisters knowing Sandor was in Dorne and the annoyance that the swordsman also put Sansa and Arya in harm’s way with minimal success. Daisy left her side with a smile as they reached the opened door and Y/N sighed as she spied him sitting at his desk intensely focused on whatever task was set in front of him. Bits of parchment were scattered about. A well of ink was precariously perched near the edge. The entire room was draped in shades of ruby red and highlights of orange that shimmered in the sunlight that streamed in from the large windows, opened to let in the salted air from the ocean below. Sumptuous cushions were piled beneath the western window and a small table with a cyvasse board was set up across the room near the door that led to his bedchamber. He almost seemed to be a work of art she was fortunate to look upon—a god at rest captured by the finest artist the world had ever known. While she had readily admitted her love to Ellaria, she could never seem to find a time to say it to Oberyn. She knew she loved him, loved him like she loved Ellaria. But it seemed inappropriate to blurt it out over a meal or in the heat of some tryst. (And Ellaria found the entire situation hilarious.)

His head snapped up as he heard her footfalls and his lips pushed up into a smile as he set down his quill and waved her over. “Come here, my moonlight.” He reached out to her with ink-smudged fingers and pulled her into his lap as she laughed.

“What are you working on?” She asked, pulling the bit of parchment he was scratching at off the desk. It looked to be a correspondence to his brother Doran—at least that is what she assumed before Oberyn took it from her grasp and flung it over his shoulder.

“Nothing of importance.” He pressed a kiss just below her ear just to hear her laugh again as his grip squeezed around her waist. “I do have something from home for you though.” He patted at her thigh to have her stand and then he strode over to the single trunk in the corner and opened it. Something blue was clutched in his hand and his smile was contagious as he turned toward her. “Come, my moonlight. Let us see if it will suit you.”

Y/N did as she was bid and walked to his side. Blue velvet unfurled from his grip and she unconsciously reached out for it and let her fingers trace over the delicately embroidered, inky black trout at the center of the cloth. Small, red Pentoshi towers lined the hem in sparkling thread. As she pulled it closer, the faded scent of evergreens and her mother’s perfume met her nose.

Oberyn carefully pulled the cloak from her grasp and then set it upon her shoulders and fastened the aged silver clasps, fashioned to look like fish scales, onto her dress. It fit perfectly. He smiled as he said, “your father said it was the cloak he had made for your mother when they were married. Her bridal cloak—now your maiden’s cloak.”

Y/N flung her arms around his neck and held him tight. “Thank you. Thank you for this.” She knew exactly what it was when he had first pulled it from the trunk. Her mother had always wrapped her in the cloak when the air turned cold within the halls of her father’s keep. It would drag behind Y/N’s little legs to the delight of her mother who would then chase after her and scoop her daughter up into her arms. The cloak would be wrapped around her tightly to escape the chill by her mother’s careful hands. It was like she could hug her mother again in a strange sort of way.

Oberyn laughed as he returned the embrace. He pulled back just enough to press his lips to hers, delving his tongue into her mouth with ease and delighting in the happy sound it coaxed from her throat. His sneaking fingers slid to grab at her ass and smiled against her mouth as he did so.

“But I have a question for you.”

“And I shall answer.”

Oberyn looked at her, dark eyes shining in the sunlight but…the smallest bit of trepidation also seemed to color his face, too.

“What is it, my prince?” Y/N asked, voice soft.

“Is this truly what you want?”

“What do you mean?”

“I realize that I have pressed this all upon you like a man half-crazed. I did not even ask if you wanted to be married—or if you would prefer a life like Ellaria—or a life outside of Dorne and free of me when this war is over. I only had the agreement drawn up after you told me of Tywin’s intentions. I could have stolen you away after your betrothal to him was made public but I knew it would cause bloodshed—and you, my moonlight, have a gentle heart.”

Y/N smiled as she looked at him, heart squeezing. Knowing he further delayed his want for vengeance because he cared for her meant more than words could say. Her thumb swept across his cheeks and she savored the warmth he exuded. “You have a gentle heart, my prince. And I am blessed by the gods to know it.”

Oberyn kissed her softly. “My own mind can be a cruel place. And Stark—Robb—had mentioned how you never spoke of marriage when you were young. It was not something you ever wished of.”

“I was blessed by parents who loved each other fiercely. And Uncle Hoster knew he could never bring a match forward that my father would approve of so he did not try. A child loved as much as I was would only demand the same love in a marriage. It was made increasingly apparent that a loveless marriage was what most women had, especially women of my station. I would not marry if I did not love them. If I was not sure that my heart was safe.”

She could almost taste the words bubbling on his tongue as he opened his mouth, “and I know that I have hurt you-”

“I want to marry you, Oberyn.” She said with a smile, feeling silly, happy tears sting her eyes with Ellaria’s words once again ringing in her head. “I want to call you my husband and I want to be your wife.” Her heart was light and singing in her chest. It was true. She knew that with every fiber of her being.

“You do?”

“I do.”

“You love me,” Oberyn breathed. And then he was smiling at her as if she had hung the sun and stars.

“I love you.” And it was so easy to say.

Oberyn’s warm hands cradled her face and he pressed his mouths to hers. This kiss was the softest he had ever given her, almost reverent. “You love me,” he whispered into her panting mouth as he pulled her ever closer. “Tell me. Tell me again.”

“I love you.”

“I love you.” The words were hummed, happy. “I will love you forever.”

And she believed him.

Y/N woke when she heard a tapping at her door.

“Y/N,” the voice whispered on the other side. “Are you awake?” The door creaked open and a small figure slipped in. Arya climbed into her bed and slipped beneath the silk sheets when Y/N waved her forward.

“What is wrong, Arya?” Y/N asked, pulling the younger girl close and trying to keep her eyes open. Dinner with Oberyn and Ellaria had lasted well into the night and was filled with sweet wine and spiced foods and heated kisses that seemed to eat time. The realization that they all loved each other left them drunk on each other’s presence and the wine certainly did not help. Her throat was sore from overuse and she could still feel phantom fingers between her thighs. She must have only been asleep for an hour before Arya knocked.

“Bad dream.”

Y/N hummed and pushed her fingers through Arya’s hair. If she was being honest, Y/N was almost surprised it took Arya this long to crawl into her bed. Sansa had done it at least a dozen times since Y/N had arrived at Sunspear. But Arya, genuinely, kept her hurt close to her chest so Y/N did not blame her for taking the time she needed.

“I keep seeing the Freys toss Mother’s body into the river.”

Y/N instinctively tightened her hold. She had not realized Arya had witnessed the Red Wedding. Sandor must have taken her to The Twins in hopes of reuniting Arya with Robb and Catelyn—a bloodbath greeted them instead.

“I see it over and over when I close my eyes. I want them dead. All of them. Every single Frey needs to be dead-”

“They will be. I’ll make sure of it.” Y/N pressed a kiss to Arya’s forehead. Despite her exhaustion, she meant her promise. All of them would meet The Stranger for their crimes. The joy Ellaria spoke of, that Y/N was quick adopting, seemed to have stretched to vengeance. There would be joy to see their enemies bleed. There would be joy to see them dead. “Even if I have to do it myself.”

“The Boltons, too,” Arya said, voice starting to tighten with unshed tears.

“Oh, yes. We’ll rip them out. Root and stem.” The traitorous Northern house would see a gruesome end, too. No matter if they were holding Winterfell or not.

Arya let herself cry then, curling farther into Y/N’s hold and Y/N rubbed her back with soft hums, letting the young girl finally express her grief. But, eventually, Arya’s sobs quieted to even breaths. She had fallen asleep on Y/N’s chest just as another knock came at the door. Sansa slipped into her room and Y/N found herself between the Stark sisters as the moonlight shone through the balcony opening. “A bad dream?” Y/N whispered as Sansa snuggled into the overstuffed pillow beside her.

Sansa shook her head. “I am happier than I have been in a long time. And I owe it all to you.” She reached out to grasp one of Y/N’s hands as it still rubbed at Arya’s back.

But Y/N shook her head. “You survived because you are strong, little one.”

“It is because of you that Arya is here, that we are alive. We are safe. Together.”

Y/N squeezed her hand. “You and your sister both have been through great and terrible trials. You must be there for each other.”

Sansa pressed closer and tightened her grip on Y/N’s hand. “Can you sing to us? Like you did when we were children?”

Y/N wanted to say that she and Arya were still children—just grown too quick by the terrors of the world. “What would you like to hear, little one?”

“Jenny’s Song. You sang that the night before you left Winterfell.”

“That is a sad song. Are you certain?”

Sansa nodded.

“High in the halls of the kings who are gone, Jenny would dance with her ghosts…”

Daisy flittered about her chambers, gathering a handful of dresses and chemises and folding them neatly into a pair of saddlebags. Prince Doran had sent Y/N a raven and requested that she, Oberyn, and Ellaria travel to the Water Gardens so he could make her acquaintance. “Truthfully, I have written Oberyn several times inquiring when I would meet you but he has taken it upon himself to hoard your time. If you are agreeable, I would have you visit the Water Gardens and would host a feast in your honor. Lords and ladies are already arriving so I hope to see you soon.” He signed the missive with a flourish.

When Y/N asked Oberyn about ignoring his brother’s requests to visit the Water Gardens he smirked and kissed her. “It is not a crime to want you all to myself.”

Y/N chided him with a smile and said she’d already sent a raven back to Doran stating that they would be there the following night. The palace Doran called home was only three leagues away along a pleasant, coastal road. Oberyn knew it well as he usually visited his brother once every fortnight. (“But I have been preoccupied, my moonlight!”)

“I can pack my own bags, Daisy,” Y/N said, noticing a strange rigidity to her friend’s posture as she went about her unnecessary task. She tugged at Daisy’s skirts like a child, slowing her from her quick pace. “Something is troubling you.” And then poor Daisy nearly collapsed in tears and Y/N hurried to wrap the other woman in her arms, shushing her sobs. When her cries quieted, Y/N held Daisy’s wet face between her hands. “Tell me. Let me help you.”

Daisy sniffled. “Daemon wants to marry me.”

“But that is happy news?” Y/N asked, genuinely confused. Daisy and Daemon seemed more in love than ever since coming to Dorne.

“Father will never allow it.” More tears trickled from Daisy’s eyes.

Seeing her dear friend so distraught pulled a heated type of anger from her chest and Y/N curled her hands tighter around Daisy’s face, making sure she listened. “Your father didn’t say anything when we were trapped during the Battle of Blackwater. He did not send a raven to see how you fared. He did not inquire after you after I moved you to Dorne out of a selfish desire to keep you by my side, to keep you safe. Tell me: do you want to marry Daemon?”

“I do,” she hiccupped. “More than anything. He even sent a raven to his lord father for his approval.”

“And he gave it readily, did he not?” she asked, already knowing the answer and watched as Daisy nodded. “Then you have no barrier. If Lord Allyrion requires a dowry, I will pay it. I will pay for the entire wedding if it means you smile again.” If Y/N was allowed to be happy then surely Daisy was, too. Her good, sweet Daisy.

“But Father-”

“Your father can come to Sunspear and speak to me if he thinks to stand in the way of your happiness.”

Daisy sniffled again and pushed out a shaking breath. “I would never ask you to-”

“You didn’t ask, Daisy. But I am telling you that I will not allow your father to keep you from being happy.” She leaned forward and pressed a kiss to Daisy’s forehead and felt a bit of tension leave her shoulders. “You and Daemon are traveling with us to the Water Gardens. We can celebrate your betrothal alongside mine.”

Daisy’s smile was watery but sincere and she suddenly lunged forward to wrap her arms around Y/N in a tight hug. And Y/N was simply happy to see Daisy relieved of her turmoil—at least for a moment. And she meant what she said; she would fight Daisy’s father for her to marry Daemon. And she knew she would win.

The Stark sisters and the Sand Snakes met them at the gates of Sunspear and wished them a pleasant journey. “Please give Prince Doran my regards,” Sansa said before they departed. Y/N knew she missed Doran’s company and teachings, he had sent her away from the Water Gardens to Sunspear when he’d been given word that Y/N was coming to Dorne. And while Sansa liked not having to sneak through the halls to avoid Myrcella, Y/N knew she adored Doran and everything he taught her.

The ride was enjoyable and short and Y/N took the opportunity to let her mare run through the shallow waters. The horse was a gift from Oberyn, a traditional Dornish betrothal gift. Sand Steeds were a point of pride for the Dornish; could run for a night, a day, and another night without tiring or floundering. Most were treated as dotingly as children. The horse was as dark as night with a burnt orange mane and tail—Y/N had named her Qēlos, the High Valyrian word for star. She was the most beautiful horse that Y/N had ever seen and the smoothest ride she’d ever experienced.

But soon the palace of the Water Gardens crested on the horizon, rising from the sand with white and yellow stone and brining the scent of blood orange groves. Lush greenery spilled over the walls as did the sound of trickling water. The golden gates were opened by a pair of hooded guards who bowed as they passed. Servants lined the courtyard to welcome them and handle their horses and bags, each of them bowing in turn as well. Y/N barely had time to admire the beautiful, arching architecture of the palace before Oberyn and Ellaria both grabbed at her hands and all but pulled her inside. She craned her neck and looked everywhere she could as she was pulled this way and that, down a hall, around a corner, further into the shadowed halls by her eager betrothed and paramour. The entire palace seemed to hum with life. Chambers and apartments were filled with visiting lords and ladies. Servants were slipping by, arms filled with dresses or linens or food. Music whispered from around some other corner.

They eventually slowed in front of a beautiful white door banded with bronze and two guards nodded at Oberyn before pushing it open. The solar was filled with more white marble and fluttering white curtains that overlooked the manicured gardens and a handful of pools and fountains. The furniture was a warm, golden wood and every surface had a bowl of some sort of berry or wine or golden trinket or statue. A man in a wheeled chair was sitting behind the perfectly organized desk and looked up from his work with a smile as he heard the door open. His face was kind and greying black hair was cropped to his shoulders. Robes of orange hugged his thin shoulders and sparkled with golden thread.

“Doran, this is-”

Doran waved a hand and dismissed Oberyn’s introduction. “Lady Tully. We meet at long last.”

Y/N quickly curtseyed and placed her hand in his when he reached for her, smiling when he pressed a quick kiss to her knuckles. “It is wonderful to meet you, Prince Doran.”

He patted her hand and then wheeled himself around the desk. “You are early. I would have met you at the gates.”

“We never keep your time tables, brother.”

Doran chuckled affectionately. “I know. But you are all here now. I will make the proper introductions at the feast tomorrow. I want you to enjoy my home before the wedding.”

“You will come to Sunspear, won’t you?” Ellaria asked with a smile.

Doran nodded. “I will be there next month for the festivities. I would not miss my only brother’s wedding. I would have preferred to have it earlier,” there was a pointed look at Oberyn who only smiled, unperturbed, “but I understand that Oberyn wanted you to be ‘settled’ in Sunspear before making you a Martell.”

Y/N smiled at Oberyn without thinking. It had been Oberyn’s idea to hold off on the wedding and she was grateful. Having the stretch of time, letting her heart settle, before her life changed again in another way was a quiet kindness that she would always hold dear.

“Did little Loreza enjoy the book I sent for her nameday?” Doran asked.

“She did,” Ellaria answered, “insisted on having Sansa read it every night.”

“Sansa sends her love,” Y/N quickly added.

“She is a fine lady. I was lucky to have her here despite the unfortunate circumstances.” It was said so earnestly that Y/N couldn’t help another smile splitting her face.

A quick knock at the door revealed Daisy, escorted by a beaming Daemon, carrying a familiar wooden box. They both curtseyed or bowed in turn before carefully setting the box on the edge of Doran’s desk and then excusing themselves, Daisy winking as she went and letting Daemon curl his hand around hers right before the door shut in its frame again.

An anticipatory silence stretched through the room as they all looked at the box. It was simple. No embellishments or special cuts of wood. It was just a box. But Doran reached out and dragged a finger across it like it was made of something precious.

“I shall like to speak with Lady Tully for a moment,” he said quietly without taking his eyes off the box.

“Of course,” Oberyn said before pressing a kiss to Y/N’s cheek. “We shall just be at the pools,” he added, mostly for Y/N’s benefit so she could know where to find them.

Ellaria also kissed her cheek before following Oberyn out, providing some comfort, and soon Y/N was left alone with the ruling Prince of Dorne.

Doran rolled back around his desk and gestured for Y/N to take a seat in the ornately carved chair across from him and she quickly settled onto the white linen cushion. She was equal parts nervous and hopeful as Doran gave her a soft look she couldn’t quite decipher. “I will admit that I had my reservations when your raven first arrived. Fostering your little wolf was not a part of my plan but it was a welcome surprise. Lady Sansa is quite the student. She would have made quite the formidable Princess of Dorne.”

Y/N cocked her head to side at that, wondering what he meant, but he pressed on.

“And now you have brought me a wonderful gift.” He opened the box, sliding the wooden cover off with ease and then reached inside. The oversized skull had been dipped in gold only a few days prior and glittered in the bright sunlight as Doran held it aloft. “To know he is dead has brought my soul a small reprieve of the ache it has felt for decades.” The sound of the skull hitting the desk as he set it down was low and heavy. His fingers spanned over the cap and his nails bit into the gold. “Oberyn has always been the viper in the grass—ready and willing to strike at a moment’s notice. A willful little brother who seemed to outshine the sun whenever he was happy and burn anyone who tempted his wrath.” Doran fixed her with his dark gaze. “But I am sure you have seen that firsthand.”

“I have,” Y/N answered.

Doran nodded and did not move his hand from the dead man’s head. “You are like him, aren’t you? A burning rage just simmering beneath your skin. But you are able to hold your wrath and ruin back to play the game.” He hummed and Y/N tried not to fidget in her chair like a child. Doran was more perceptive than almost everyone she had ever met and she was waffling between being impressed and being innerved. “If you can kill a beast like this and still be gentle, you will be a fine Martell.” His fingers finally lifted from the skull to reach out toward her again and Y/N readily placed her hand in his and smiled as he squeezed her hand. “Whatever you need, simply ask. I will make sure you receive it.”

The feast was a decadent affair. Filled with food and wine and music to delight every sense. And the assembled crowd had roared when Doran introduced her as, “Lady Y/N Tully—Slayer of the Mountain!” Oberyn kept a hand over her leg, dragging his fingers against her thigh and growing more and more bold as the night continued on until he was all but cupping her through the flowing blue silk of her skirts. Ellaria pressed berries against Y/N’s smiling mouth as she laughed, knowing exactly what Oberyn was doing.

The sticky night air had her pulling off the thin cloak she had about her shoulders, letting the golden Myrish lace pool around her waist. A few of the guests let their eyes linger on the scars on her exposed chest and back—or the thin bit of scarring across her cheek and then asked if she’d be willing to tell her story. Stating “I was shot by a fool” was infinitely less riveting than “I was able to evade The Mountain’s blade” but both stories gained her a bit of fanfare regardless. The golden skull was displayed in front of her on the table like a shining beacon of how she, a lady, brought a small bit of vengeance on behalf of the ruling family of Dorne.

“The Dornishmen burn to avenge Elia and her children.” It was something Manfrey had told her during her studies, face solemn and sad. And Y/N watched almost every person revere the gold-dipped skull in a sort of wicked appreciation before they were formally introduced.

The only person who seemed unnerved by it was Princess Myrcella, tucked into the arm of Prince Trystane. She was too polite to wrinkle her nose at the display of carnage and vengeance but pointedly did not look at it even as Trystane marveled at how large the skull was.

“Dorne suits you, Princess,” Y/N said to Myrcella knowing the young Princess was just as much out of her element as Y/N had been in King’s Landing.

“You as well it would seem,” Myrcella said with a small smile. “I hope to speak with you about…about your duties here. Prince Doran has said you’re very capable.”

Y/N nodded with a smile of her own. “I shall answer any question you may have, Princess.”

Trystane, heir to the throne of Dorne, was definitely his father’s son but seemed to have inherited a bit of a flirtatious streak from his uncle as he managed to snag a berry from Ellaria’s bowl while getting Y/N to agree to a dance. He winked as he walked away with a furiously blushing Myrcella still on his arm and Oberyn laughing into the night air.

“Careful, my prince, it seems Trystane is trying to steal our Tully,” Ellaria mused with a sly smile.

Oberyn leaned close to press a kiss against Y/N’s throat and smirked when she shivered. “Is it true, my moonlight?”

“Oh, yes. You’ve found me out. It was all a ruse to marry a too-young prince and have the Riverlands invade Dorne.” She gasped as Oberyn pinched at her inner thigh, pleasant ripples shooting up her leg and coiling in her stomach.

“Careful. Careful.”

The mischief that sparkled in his eyes made Y/N smile and she placed her hand over his and squeezed, for herself more than him she supposed, and she grasped Ellaria’s hand, too. “The gods could not take me from you both. I promise you that.”

But then Harmen Uller then swept her into a dance, not necessarily waiting for her to accept his hand before pulling her out of her seat, and drew a hearty laugh from her throat as they nearly bowled over other dancing couples. Ellaria then stole her for a dance of her own and then Trystane proved himself to be a graceful dancer, too.

It was all so…perfect.

Y/N pressed a kiss to Ellaria’s cheek as Oberyn danced with little Lady Coryanne Uller, Ellaria’s niece. She was a girl not but five and already named the heir to Hellholt after her father.

“I just need a moment to catch my breath, my love.”

“Do not be too long. I do believe Lord Allyrion is waiting his turn for a dance,” Ellaria said with a chuckle.

Y/N smiled and promised she would be back soon and then started toward one of the side doors of the grand hall, passing Doran as she did and squeezing his shoulder as she went. A servant opened the door with a soft smile and a small bow, letting her out into one of the halls. She slipped through and heaved a sigh when the door closed behind her. The music was muted and the air cooler against her heated skin.

A soft noise caught her attention in the quiet of the hall and her curiosity led her to peek around the corner to see Daemon and Daisy wrapped around each other. Again. Y/N stifled a laugh and turned away, continuing down the hall in the opposite direction. A handful of guards were stationed along the wall, each of them acknowledging her presence in one way or another as she found her way out onto a portico overlooking the still water pools. The blood orange trees swayed in the cool night breeze and brought the scent of citrus to her nose. She leaned against a carved column with a hum, resting for just a few breaths.

“My lady.”

Y/N stood straight and looked out into the night.

A short figure emerged from the shadows, dressed in a hooded cloak and walking with a limp. They reached up to pull off the hood and-

“Tyrion?” The name was pushed out of her in a rush.

The Lannister cautiously moved closer to her on the pink marble of the pools’ terrace. “My lady, I have come to warn you-”

“Warn me? Your family would be insane to think they could come to Dorne and leave unscathed.” Tyrion pursed his lips—it was then that she noticed how bruised his face had become. Molted purple and blue skin covered half his cheek and arced over his eye. “What did she do to you?”

“Cersei has never been fond of me,” that was all he said. “I am sailing for Essos. But I needed you to understand—they know.”

“Know what? Now is not the time for riddles-”

“They know that Dorne has sided against the Crown.” His bruised face flushed with a vibrant blush she could see even in the dim light. “They are coming. And Cersei and my father are determined to hurt you.”

“They won’t make it through the Bone Way. If the Targaryens and their dragons could not conquer Dorne, a tired army from the Westerlands cannot.”

“My lady, please, listen to me. They are not coming with an army—not yet. I told you—they want to hurt you.”

“Let us help you. Oberyn can-”

“My lady?” Daisy’s voice echoed in the hall and reverberated out into the night air. “My lady?”

Y/N turned. “A moment, Daisy!” But when she turned back, Tyrion was gone.

Daisy stepped out onto the portico with a frown, lips swollen from her rendezvous with Daemon. She glanced out into the dark, looking for what Y/N had been seeing. “What is it, my lady? You look like you’ve seen a ghost.”

Y/N cast one last glance out into the dark terrace and saw nothing. Tyrion was gone. “It must have been the wine.” She needed to speak to Doran. Now. But she refused to spoil Daisy’s happy night. News of her betrothal to Daemon had been met with joy and cheers just before the feast had begun and Y/N wanted to let her friend have as much happiness as she could.

“Prince Oberyn is looking for you.”

She nodded and let Daisy lead her back to doors of the grand hall before shooing her way. “Go. I know Daemon is waiting for you in the shadows.” The happy and embarrassed blush that bloomed on her cheeks made Y/N laugh before she skittered away, back into the arms of her love.

Y/N sucked in a deep breath and smoothed her skirts. It would do no good to run in screaming that the Lannisters were coming. She had the most tenuous grasp on belonging here, in Dorne.

“Are you well, princess?” One of the servants asked, hand on the door and ready to let her in. He was young, she could tell. Probably no older than Arya.

“Not a princess just yet,” she said with a smile and trying to ignore how her heart was in her throat. “But I thank you, yes. I am still acclimating to the heat, I am afraid.” It was an easy explanation.

“Shall I fetch you some water?”

Her smile grew. “No, no thank you. What is your name?”

“Gyles, princess,” he said with a tip of his head, dark hair shorn short.

She chuckled. He seemed insistent on the honorific. “It is a pleasure to meet you, Gyles.” She turned to the other servant, not wanting to be rude. “And you? What shall I call you?”

“Ilyn, my lady.” There was a sickly sweetness to his tone and his smile a bit too wide for his face.

Something about him turned her stomach within an instant but she smiled regardless, the perfect lady. “Pleased to meet you, Ilyn.” She turned to Gyles and nodded, letting him push open the door. Y/N slipped in and quickly moved to find Doran but was swept up into a familiar embrace.

“You mustn’t slip away without a word, my moonlight. You are the guest of honor.”

She turned in Oberyn’s grasp and felt a small bit of relief at the sight of his smiling face. “My prince, I must speak to you and your brother.”

His smile faded. “What has happened?”

She shook her head, letting her hands slide across the golden brocade of his robes to grab at the leather of his belt as if that would keep her mind from spinning. “I cannot tell you here. Please, my prince, please.”

Oberyn’s lips drew into a thin line and he nodded once before grabbing her hand and leading her toward Doran.

She did not sleep.

Ellaria had to pull Y/N from Doran’s solar and put her to bed like a child when she had started to sway on her feet. But all of them, every single one of them, were so sure that the Lannisters could not touch them.

But Y/N could feel a terrible, creeping sensation engulfing her entire body. She wanted them to be right. She wanted the Lannisters to be too weak or foolhardy to actually hurt the Martells. But something in her stomach told her to be wary.

So, she sat on the edge of her featherbed and looked out the open window and into the night sky. Watched the water lap in the pools while the air smelled of the lush gardens. She hadn’t readied for bed aside from kicking off her golden sandals, staying in the blue silk dress Oberyn and Ellaria had insisted she wear tonight. They liked her in blue. “We will have all the time in the world to dress you in our colors, My Tully. For now, we shall see you in blue.”

The din of the feast eventually faded as guests retired to their chambers or fell asleep in their seats in the grand hall, bellies full of good food and drink. None of them knowing of the threat of the lions. As the dark sky started to turn pink with dawn, she heard it.

Someone was whistling.

And she knew the tune.

And who are you, the proud lord said, that I must bow so low? Only a cat of a different coat, that’s all the truth I know.

She slipped off her bed and over to the door, taking care to open it slowly to avoid the creak of the hinges.

In a coat of gold or a coat of red, a lion still has claws, and mine are long and sharp, my lord, as long and sharp as yours.

She stepped out into the hallway and listened. There was nothing. Nothing except for the whistle.

And so he spoke, and so he spoke, that lord of Castamere, but now the rains weep o’er his hall, with no one there to hear.

Y/N followed the sound across the fortress, hearing it grow louder with every step. Her heart roared in her ears. Her knees knocked together like a newborn foal. She was not brave.

She was scared.

Yes now the rains weep o’er his hall, and not a soul to hear.

A figure slipped around the corner and she pumped her shaking legs, willing herself to go faster, to please go faster as she followed and Y/N realized with a terrible sense of dread that the only door in that hallway led to Prince Doran’s personal chambers.

A scream rang out.

Y/N pushed open the door in time to see Ilyn standing over Doran, bloody knife in hand. Trystane was huddled behind his father, sitting in a pool of blood. Doran was clutching at a gushing wound across the top of his chest, eyes hard and defiant.

Before she could even think to do something rational, Y/N ran at Ilyn and tackled him to the ground. The marble was unforgiving to her legs but she barely felt it as she struggled with the man over the knife, climbing over him in an attempt to gain the upper-hand, to keep him subdued. Her hand closed over the blade as he shoved it toward her throat and she felt it cut through her palm, tearing skin and muscle from the bone. She hadn’t even realized she was screaming until Ilyn slammed his other fist into her throat and rendered her silent for just a moment. The blow shoved her backward and off him just enough for the would-be assassin to scramble up to his feet and dart back out into the hall.

Y/N scrambled over to the Dornish princes, trying to see if they needed help but Doran waved her on, pressing a fist against his wound. “Go!” He said through gritted teeth. “Get him.”

And Y/N did as she was told. By now, the halls were filling with people—some wondering why people were screaming and others seeming to know exactly what happened.

“Stop him!” She screamed, pointing her bloody hand at the fleeing Ilyn as she continued to give chase. “Stop him!”

Ilyn heard her scream and sneered at her over his shoulder just as he made it to the entry hall.

She wouldn’t catch him. She knew it. He was too fast but she could run until her legs gave out. “Stop him! Stop him!” She continued to scream, praying someone would.

Just as Ilyn stepped into the growing sunlight, he stumbled. A choking, gurgling sound escaped him and Y/N ran to see what had stopped him. It was Oberyn—the head of his spear buried deep in Ilyn’s stomach.

Oberyn’s mouth was moving, she could see it. He was coaxing something from Ilyn even as blood dripped from his mouth and spattered against the marble floor. But all she could hear was the thump-thump-thump of her heart and the blood pumping through her veins.

Y/N jumped as Daisy grasped at her uninjured hand. The poor girl held up her hands with a shaking smile, like she was trying to help a feral cat. “My lady, I need to tend to your hand.” The words were muffled.

Y/N let Daisy lead her back into the great hall where the remnants of the feast had not yet been cleared away and slumped into the chair deemed hers the night before. She barely winced when Daisy started to clean her angry wound. She barely noticed when the maesters came in to help.

What she did notice, however, was a box placed atop her forgotten dinner plate. Her name was written on a bit of parchment in a familiar scrawl.

Her fingers shook as she reached out for it.

“Don’t, my lady,” Daisy hissed. “You don’t know what’s inside!”

But Y/N unlatched it and pushed open the lid. Her scream choked the air from her lungs.

Sitting inside the box, on a golden cushion, was the head of her father.

A/N: Welp. Please let me know what you think. :)

Beautiful people who asked to be tagged: @roxypeanut @lostinwonderland314 @fandomreblogsnoshame @arianawills @nyrnerosmartell @5hundreddaysofsummer @honestlystop @huliabitch @youhavemyfantasticbeasts @karmezii @thesadvampire @sarcasmisakindofmagic

#Oberyn Martell x Reader #Oberyn Martell Imagine #Oberyn Martell x Ellaria Sand x Reader #Oberyn Martell x Ellaria Sand #Game of Thrones Imagine #asoiaf #game of thrones

254 notes · View notes

beware-of-you-98 · 4 years

Text

henry’s dragon (jj x emily)

there’s a lot of reptile talk and i’m only slightly sorry about it

It's not that they hadn't been expecting the question; after all, a pet had been on his most recent wish-list to Santa Claus. It wasn't that they didn't think Henry was irresponsible: he got fantastic grades in school, kept up with his sports and helped out enough around the house. He was even the one that took up most of the chores when it came to Sergio (he insisted). Really, there was no doubt in their minds that their son wouldn't take responsibility in taking care of another animal.

But it was too soon, and neither Emily or JJ wanted to start a habit of buying an animal on such short notice without instilling some kind of boundaries.

First and foremost, since everyone at the house had busy schedules, the new pet couldn't be something that require attention 24/7.

No mammals or birds—nothing that would be affected by significant spending some time alone.

Since the boys time was split between two houses, the animal had to be something that either JJ or Emily could easily take care of in Henry's absence.

No spiders or bugs and it had to fit in an enclosure that they capped off at 50 gallons—hey, they had to draw the line somewhere.

After months and months of researching, Henry finally decided between either a corn snake (only if it was on frozen thawed mice), a crested gecko, or a leopard gecko. Last week for his eleventh birthday, JJ and Emily had surprised him with a twenty gallon tank that would house either animal of his choice quite comfortably for a while and several necessities like a heating pad and a basking light and bulb.

To top everything off, Spencer and Penelope had surprised the boy with tickets to a reptile show that was taking place the following weekend so he could go and pick out his new pet.

(Whatever Henry decided to get, he could also get the appropriate hides, water bowls and supplements with the money his grandparents had given him.

Emily and JJ collectively agreed to pay for the animal as an additional birthday gift.)

They had both been immediately thrown out of their element when they walked into the convention center lobby and found people crowded around the hundreds upon hundreds of tables full of different animals.

"Look, momma, a dinosaur!"

Emily peers up briefly to follow the direction Michael is pointing in with a fond grin, an amused chuckle escaping her mouth as her gaze lands on the clear acrylic tank with a colorful lizard basking under a heat lamp. The blue sharpie on the tank advertises the species in quick-scrawled handwriting: "Uromastyx". Right below the name lists the price in smaller, more legible numbers: "$225".

She hums, giving Michael's ankles a gentle squeeze as she adjusts her hold to keep him from toppling off her shoulders or over her head. The lizard's face can really only be described as dinosaur like, face round and snout short and stubby with tiny black eyes that reflect the light from the bulb above. The animal's scales are mostly bright blue and green, bright yellow and orange spots stamped down the spine, visually leading to a long tail covered in stubbed spikes.

"It does look like a dinosaur, doesn't it?" she agrees with another chuckle, turning her head and resting her hand on Henry's shoulder when he comes bounding up to join them at the table, JJ not too far behind. "What do you think, Hen? You want to adopt a dinosaur?"

Henry pushes his glasses up his nose, eyes lighting up in excitement as he catches a glimpse of the lizard. "An ornate Uromastyx, cool!" he exclaims before turning back towards his mothers. "Did you know they have basking spots of up to 135°?"

A brief pause as he thinks, head tilting up to look at the ceiling. He scrunches his nose and giggles when JJ playfully sticks her tongue out at him.

"And they're mostly herbivores!" he adds as soon as he remembers.

JJ gives his shoulder a loving squeeze before glancing over at the tank. "It is a pretty lizard," she admits.

"It's too expensive," Henry shrugs, not too affected by the fact he probably would be leaving without the Uromastyx. "And I didn't research them enough. Besides, he would out grow the tank I have at home and I don't have the right things for him," he reasons.

A young woman working the booth shoots the family a polite smile before walking over. "Hey, there! Can I help you guys with anything?"

"No, thank you," Henry declines politely. "We're just looking!"

"Interested in Uros?" the woman asks Henry in attempts at conversation.

"They're neat!" he nods enthusiastically. "But not really for beginners."

The woman smiles, looking impressed. "From what I overheard, someone did their research." She glances up at Emily and JJ, politely offering her hand. "I'm Courtney," she introduces herself.

"Jennifer," JJ replies, shaking Courtney's hand with her practiced "liaison" smile, grazing her free hand in Henry's hair as she briefly introduces him, "Henry," before resting it on Emily's side. "My wife, Emily, and Michael."

"Hi," is Michael's shy greeting, lifting his hand before resting his chin on top of Emily's head as the brunette shakes Courtney's hand.

"Pleasure meeting you. First time here?" Courtney guesses with a knowing smile.

"Uh-huh!" Henry nods.

"Neither of us never been to one of these before," JJ explains. "We're not really sure where we're going."

Courtney nods in understanding, reaching under the table and pulling out a small stack of maps with the vendors and tables located on it. "This should help you guys out!"

Emily takes one of the maps, flipping i over and scanning the schedule on the back before giving the woman a grateful smile. "Thank you!"

"Not a problem at all," Courtney assures. "These can get a bit overwhelming the first time around. What are you guys looking for?"

"Geckos!" Henry supplies. "Or corn snakes."

"You'll find plenty of those around here," Courtney smiles at him before leaning in towards the family and muttering softly, "Between you and me, don't buy from that guy." She points to a vendor on the map.

"Bad rap?" JJ assumes.

"Sells sick, over priced animals," Courtney confirms just as softly. "Best vendors for geckos usually sell here..." She points to another space on the map. "And this group right here," She uses her pointer finger to gesture to a few vendors a few tables down. "Sell snakes that only eat frozen thawed, if that's something you're looking for."

JJ lets out a small sigh of relief. "Thank you so much."

Courtney shakes her head and holds up her palms with a warm smile. "Hey, not a problem at all. Just wanted to give you guys a heads up." She hands Henry one of the business cards and a sticker from the table. "You get some more experience with reptiles and ever want to get a Uromastyx, you know where to find us."

"Thank you!"

"You folks enjoy the show!" Courtney waves them away, giving them all warm smiles before heading off down the table to greet another person at the table.

"This place is awesome!" Henry exclaims, spreading out his arms to gesture around the room, eyes shining with glee.

JJ tears her gaze away from a massive Burmese python spotted like a cow, smiling down at the child and nodding in agreement. "It's something else."

"I'll say," Emily murmurs, turning the map in her hands with a small frown, bringing it closer to her face to make sure she's reading correctly. "Hey, Hen, what are "hots"?" She peers down at him, stopping briefly when they come across a table covered in plastic containers sealed shut with red electrical tape. One look at a container holding a white diamond back rattlesnake and she lets out a silent "oh" in realization. "These must be hots."

"Whoa!" Henry gasps in wonder, but stays back where he is. "Cool!"

JJ rests a hand on his shoulder, peering over him at the hundreds of venomous reptiles displayed on the table. A part of her is honestly surprised with how easily someone could come here and purchase some of the deadliest animals on earth. She personally doesn't see the appeal, but hey, to each their own.

"Am I crazy..." Emily leans in towards JJ's face and murmurs. "Or are some of these things kind of adorable?" she continues, discreetly pointing to a container labeled "gaboon viber".

The snake itself is gorgeous, short, stocky body curled over in a "C" shape. Bright orange, yellow and brown diamonds line down the serpent's back. The eyes are positioned almost directly on top of its head, one looking towards the right and the other facing the complete opposite direction. The goofy eyes, along with the chubby cheeks (most likely swollen with the venom glands) and a small horn at the tip of its nose make the snake look like a funny cartoon character.

"No, they're definitely cute," JJ easily agrees, finding another snake in a clear container with black electrical tape. The lid labels the snake inside as a "plains hognose". This snake has the same chubby cheeks as the viper and a little upturned snout, with eyes JJ can really only describe as "puppy like". "In a weird way."

"Moms, can I get a cobra?"

Glaring playfully at Henry, who points to a white monocled cobra with a shit eating grin on his face, JJ smirks, "You most certainly can not get a cobra!"

Emily reaches over and ruffles Henry's hair when he pouts in exaggeration. "Sorry, babe, your mom's the boss." She drops her voice a few octaves, smile light and teasing as she faux whispers, "Between me and you boys, I would have totally been okay with a cobra as long as you cleaned up after it."

JJ gently whacks Emily's side with the back of her hand, grinning when the brunette grabs her hand and links their fingers together. "Don't conspire with the kids to get venomous reptiles behind my back," she chides playfully.

"Busted, boys. No cobras," Emily sighs dramatically, her own smile wide when Michael giggles from above at her. "What a shame, too. I was going to name him Mr Sparkles."

"Mr Sparkles?!" Michael repeats incredulously between giggles.

"Yep, Mr Sparkles," Emily confirms firmly, grinning as they walk down the table and inspect more of the animals. "I was going to buy him a little leather jacket studded in rhinestones and everything."

"You're so weird!" Henry laughs, shaking his head before leaning into Emily, resting against her arm as they move.

"Proudly!" She grins, heart feeling so incredibly full with Henry leaning on her, Michael above on her shoulder and with JJ at her side. It felt right, so simple and so domestic to be like this. It's as if this was where she was meant to be all along. She feels even more content when JJ leans up and presses a soft kiss to her cheek as if to silently confess her own happiness.

It's perfect.

The family steadily makes their way down the rows and row of vendors, stopping every so often when specific animals catch their eye. There's a small vendor selling small exotic mammals that they spend a while at because the woman running the booth has a sugar glider on her shoulder. Michael and JJ are completely transfixed on the small animal, even more so when it decides to hop on top of JJ's head. She squeaks in surprise, while Emily and the boys laugh, the brunette quickly whipping out her phone to record a video to send to the team group chat later.

They stop at another vendor selling sulcata tortoises a few minutes later, the vendors allowing the boys to feed the giants a few leaves of romaine lettuce (another video recorded, but this time for Penelope because Emily and JJ know she would want to see as much of this as possible next girl's night).

It's nice to see how interactive some of the vendors are with the boys. Some allow them to pet certain display animals and talk to them about each one. Michael yelps in surprise when he pets a large tegu because the lizard flicks its tongue out lazily at the boy. Henry is a bit wary of a scaleless bearded dragon and corn snake, wrinkling his nose when he tentatively touches the animal with the vendor's approval.

("It looks like a ball sack," Emily whispers to JJ, eyeing the animal with as much distain as Henry. "It probably feels like one, too." Her own nose wrinkles at the thought, but a smile forms on her face when her wife laughs at her. "What? It's true! Probably!"

“Touch it and find out,” JJ challenges, laughing again when Emily shudders at the thought.

“Yeah, no thanks. I’ll pass.”)

They take plenty of pictures and videos of the boys, mostly standing back and letting the boys enjoy themselves. Though, the boys do convince their moms to participate in petting or holding certain animals. It doesn't take JJ much convincing to hold a tiny banana ball python (she thinks it's really pretty) and a pied ball python whose body consists of huge white spots (she refuses to believe it's real because what?!?) that just fit in her palm. Emily gets suckered into holding a massive carpet python with Henry, tensing only slightly when the snake flicks its tongue in her face.

Henry keeps an eye out for his perfect pet, regarding some of the corn snakes and crested geckos at some vendors with some interest, but moves on otherwise. It's not until they get to a table with a vendor selling leopard geckos that he really pays attention.

Henry looks at the animals in the tupperware containers, each shallow cylindrical container slotted perfectly in a custom black foam board. It made a lot of the animals' colors pop, especially the bright yellow, orange and white geckos in the middle of the board. The women note how Henry's gaze keeps going back to the row with several of these white and yellow geckos, obviously having peeked his interest the most. The last gecko in the row is a stunning bright orange, the tail thick and animal alert. The green marker on top of the lid lists the gecko as a "sub-adult tangerine 25% het temper $75" with the symbol off to the side listing it as a male.

Emily kneels down beside him, peeking between Henry and the gecko. “What are you thinking?”

“He’s pretty,” Henry says in awe. “His tail is thick and he looks really healthy.”

“You guys need any help?” the young man running the booth asks, coming up towards them from behind the table.

“Can I ask a few things about him?” Henry asks, carefully pointing out the orange gecko.

The young man replies with a warm smile, nodding. “Sure, go ahead.”

Emily holds her palms up in a peaceful gesture, letting Henry take the reigns. She stands up behind him, reaching out and grasping JJ’s hand when she comes up to her side with Michael on her opposite hip. “What’s happening? Did he find one?”

Emily smiles fondly at Henry, who’s asking simple, yet crucial, questions about the gecko with the vendor. “Yeah, I think so,” she replies quietly to her wife. “He really likes the orange one.”

The conversation seems to flow naturally between Henry and the vendor, the man periodically peering up at the women to engage them in the conversation about the animal, too. He asks Henry a few questions, nodding in approval when he replies with the information he learned while researching leopard geckos. “That guy right there is one of the friendliest geckos we’ve produced,” the guy adds, nodding to the orange gecko. “Really handleable and calm.”

With that confirmation, Henry turns his hopeful gaze up to his moms, silent question in his eyes.

“You guys can buy him and we’ll hold him back here if you need to pick up some more things or want to look around more so you’re not carrying him around all day,” the vendor assures.

JJ rests her hand on Henry’s shoulder. “This guy, huh?” she asks softly to confirm his choice, small smile on her face.

“I really like him,” Henry confirms with a nod.

“That settles it then,” Emily grins, slipping her wallet from her back pocket and handing over the cash for the animal, sealing the deal.

Henry beams as the man takes the cash, carefully sliding the gecko from the foam board and setting the container behind the table. Henry throws his arms excitedly around both women. “Thanks, moms! You guys are the best!”

Emily smooths her hand through his hair lovingly, smiling warmly as JJ bends and plants a kiss on his forehead.

“You guys can come back here and get him when you’re ready,” the vendor confirms for them, picking up a business card and handing it off to Henry. “If you guys have any more questions or if anything pops up, give us a call and we’ll help out, okay?”

“Thank you!” Henry says genuinely, clutching the card tightly with a grin before turning and tugging on his moms towards the back of the hall.

“Thank you so much,” JJ repeats towards the vendor, smiling warmly at him before allowing Henry to tug her towards the vendors selling supplies.

“See you soon!” the man calls out, waving to them before tending to another customer.

They look around at some more vendors, Henry stopping at a few to buy what he still needs for his new gecko along the way. Michael’s back down on the ground, following his older brother with the same enthusiasm. The two chatter amongst themselves excitedly. JJ and Emily fall in step behind them, watching on with fond smiles that never seem to leave their face even as they leave the convention hall with a new addition to the family in tow.

Emily looks back in the rear view mirror at the boys, smiling to herself as they lean their heads together to look at the gecko in the container secured on Henry’s lap. She turns when JJ leans over and presses a kiss to her shoulder, linking their free hands together in the space between the front seats, a comfortable silence falling between them. The drive home is filled with the excited chatter of their boys from the backseat, the distinct scent of the fast food they had quickly picked up for an easy dinner swarming the car.

It’s oddly comfortable in a way, Emily thinks to herself as the sun starts to set over the horizon. She’s never felt more at peace than she is right now, listening to the boys chatter in the background and feeling the warmth her wife provides as she leans her head on her shoulder.

It’s dark out by the time they get home, just ten minutes until the boys’ bedtime.

Henry and Michael immediately bound up to Henry’s room, the older boy setting the container down gently. He puts the small coleny of dubia roaches into a critter keeper with the food and gel water cubes before setting them off the side. Then, he begins to put the finishing touches to the tank, adding the hides and a small, shallow dish that he fills with calcium powder. Emily trails behind, helping out any way she could and taking the bottle of water JJ hands off to her from behind to cap off the water bowl.

The two women take a seat on Henry’s bed, watching the boys as Henry carefully lifts the container and sets it in the tank. He opens the lid and removes it from the tank, snapping the lid back in place. “We gotta let him come out on his own and get used to it before we pick him up,” he softly tells his younger brother, taking a step back from the tank and joining his moms on the bed. He climbs up between them, smushing himself at their sides and leaning against them. Emily hoists Michael up on her lap, planting a kiss on his head as they all watch the gecko slowly climb out of the container and begin to explore his new environment.

JJ plants a kiss on Henry’s head, reaching over and laying a hand comfortingly on Michael’s back as he leans tiredly against Emily. “What do you think?”

“I love him already,” Henry admits quietly, eyes following his new pet as he explores his tank.

“What are you gonna name him?” Emily wonders, rubbing Michael’s back soothingly to convince him to go to sleep.

“Mr Sparkles,” the toddler tiredly mumbles, cracking a smile at his own joke.

Henry giggles, sounding just as tired as his brother. He lets out a yawn, letting his head lean against JJ’s side. He brings up his hand, moving his glasses out of the way to rub his eye with the back of his hand. “Smaug,” he decides sleepily. “His name is Smaug.”

JJ reaches down, carefully removing his glasses and setting them on his desk before running her fingers soothingly through his hair. “I think that’s a perfect name,” she murmurs.

Her eyes flicker back to the tank, watching the gecko until she feels Henry’s full weight leaning into her. She turns to Emily, who silently confirms with a nod that both boys are asleep. She shifts Michael in her arms, pressing a kiss to his cheek and cradling the bak of his head as she stands. JJ slowly moves herself from the bed, managing to grab Henry in her arms to move him up towards his pillows. She flicks off his bedside lamp, blinking in surprise when the basking light to the gecko’s tank also goes dark before remembering that it’s on a timer. She leans down, pressing a soft kiss to Henry’s forehead and murmuring an “I love you” on his skin before moving for Emily to do the same.

They shuffle out to Michael’s room, JJ carefully and quietly shutting Henry’s door behind her. The routine is the same with Michael, laying him down in his bed, giving him a kiss goodnight and murmuring quiet “I love you”s on his skin before sneaking out and closing the door behind them.

JJ leans up, pressing a tired, soft kiss on Emily’s lips in the middle of the hallway, hoping to convey even the smallest amount of affection she holds for her wife with the simple gesture. Emily gently cups her face between her palms, melting into the gesture as she always does. “I love you,” she hums quietly on the blonde’s lips, smiling wide when she feels JJ smile against her.

“I love you. So much.”

#criminals minds #emily prentiss #jennifer jareau #jemily #jj x emily #emily x jj #momily!!!!!#jemily fluff 🥺#jemily family fluff #i nerded out about reptiles and i’m only slightly sorry about it #i actually don’t care for Uromastyx oops #i only know how to take care of maybe 5 reptiles tops #leopard geckos are one of those reptiles #ngl i miss having one #anyway i can’t write endings #enjoy x #am i out of my writing funk??? i don’t think so bc i kinda hate it #lol #enjoy it anyway

56 notes · View notes

mattiander · 4 years

Text

Jiang Cheng / Nie Mingjue fakedating

modern au where jiang cheng needs a date to a wedding he doesn’t even want to go to and nie mingjue is a sucker for his little brother. i don’t even know.

In hindsight, Jiang Cheng would blame everything on Nie Huisang because of course, who else would he blame this on?

It wasn’t his fault that he’s still trying desperately for his parents approval, it’s not his fault that when his father talks approvingly about how Wei Wuxian is coming back from his travels and is bringing Lan Wangji, and then his mother turns on him and pointedly asks him about who he’s bringing to Jin Zixun’s wedding that Jiang Cheng states quickly ‘I have a boyfriend too. He’s coming.’ Because of course, he loves Wei Wuxian like his own brother but he doesn’t want to forever remain under his shadow.

And when his mother actually smiles at him, he doesn’t want to take back the lie.

So two weeks before Jin Zixun’s wedding, he’s sitting at his desk at work thinking Shit. And because misery loves company, he goes drinking with Nie Huisang who visibly brightens at this idea, and offers to get him a fake boyfriend.

And Jiang Cheng, drunk and miserable and wishing that he had maybe been open to the idea of romance at some point in his life, agrees. What else does he have to lose?

When Nie Huisang texts him two days later with a barrage of texts, exclamation marks and emojis about ‘i have someone for you to take!!!! call me! when do you finish work???? can you meet us after????’ Jiang Cheng almost has a panic attack out of sheer embarrassment.

When he goes to the restaurant and sees Nie Huisang sitting at a booth with Nie Mingjue next to him, face blank and bored, Jiang Cheng almost has another panic attack out of pure humiliation. He wants to turn right back around and hide in his home until all of this goes away but - Nie Huisang has already seen him and is waving at him.

Jiang Cheng has a lot of flaws but cowardice has never been one of them, so he walks up and slides into the chair with as much grace as he can manage. (It’s not enough).

Nie Huisang doesn’t even give him a chance to speak before he’s speaking a mile a minute, locking his arm around Nie Mingjue’s. “-and I know da-ge was going to the wedding anyway, so it’s not like you need a extra invite for him and he was going to be so bored because Xichen-ge can’t make it and I thought this is perfect! Isn’t it perfect, da-ge?”

Jiang Cheng can barely even get himself to look at Nie Mingjue but he hears him make a non-commital grunt.

“Isn’t this great? Of course, we have to come up with a story of how you guys started dating and why you hid it but this is so fun!”

Nie Huisang’s in one of his excited moods where nobody can get a word in edgewise. Jiang Cheng fiddles with the glass, his hands, anything to keep himself from looking at Nie Mingjue.

“- and let me just go to the bathroom, I’ll be right back. Da-ge, order for me, please!” Nie Huisang says before bustling out of the booth

“Why are you even helping me?” Jiang Cheng asks because he has to know - people don’t just help him or make his life easier without some other hidden reason.

Nie Mingjue just shrugs, “I owed A-Sang a favour. I also just don’t want to be there so decent company helps.”

Which - it makes sense. It makes sense but Jiang Cheng has to tamper down the little thrill that tries to unfurl itself at the idea that he’s not bad company. He may not be great company but at least he’s not scraping rock bottom in Nie Mingjue’s eyes.

(So, he may still not be over his apparent schoolboy crush on Nie Huisang’s cool older brother. He was 15 when he had a spiritual awakening when he was at their house after school and Nie Mingjue had walked past him without a shirt and that - that had been an interesting revelation.

Being Nie Huisang’s friend means that Jiang Cheng’s life has circled around Nie Mingjue’s - they had sat next to each other at Nie Huisang’s graduation, ignoring Wei Wuxian loudly whooping next to them. When Nie Huisang had drunk called Jiang Cheng at 3am crying and asking to be picked up and Jiang Cheng went to the bar, it was mere seconds after Nie Mingjue, who nodded at Jiang Cheng and muttered ‘thanks and sorry’ while hauling his brother to the car. When Jiang Cheng moved and it turned out that Nie Mingjue went to the gym near his house and had offered to spot him, he had accepted and very carefully not looked too long at Nie Mingjue’s arms and broad shoulders and thighs.

So. He may not be over that crush yet.

He figures he’s always been stupidly loyal about things, why would this be any different?)

“You know you don’t have to do this? It was just a stupid statement - it’s not like anyone’s going to hold me to it,” Jiang Cheng offers. He knows he’s not the most social or charming and he can barely handle himself, let alone asking someone like Nie Mingjue to tolerate that.

Nie Mingjue just snorts. “I know your mother. She’s going to hold you to that.”

Which...is true. Shit.

“It’s fine. A-Sang owes me a favour from this. I might convince him to actually get a real job after all of this,” Nie Mingjue states, and then something like a grin curves at the edges of his mouth. “Really - I’d rather talk to you than have to put up with anymore of those Jin assholes. I’m only going because I’m expected to”

Which makes sense but before Jiang Cheng can think of anything witty or funny or remotely decent to say, Nie Huisang’s back and taking a seat.

“We have to come up with a story, so how about this-”

And that’s how Jiang Cheng is standing at his parent’s door with Nie Mingjue just behind him. It’s a family dinner, mere days before the wedding and his mother had insisted that she bring his mystery boyfriend around, to get to know him. It’s his parents and A-Jie and her husband and it should be fine, easy, they’ve rehearsed this story with Nie Huisang and how they should address each other but -

He cannot knock on the door because they’ll know. No matter what he’s done, whenever his parents look at him, he feels guilt and shame and the deep sense of lacking well up in him and they’ll look at him and they’ll know that he’s lying and he’s so useless he can’t even get a single person outside his family who will willingly spend more than 10 minutes in his presence and then there’ll be the comparisons to Wei Wuxian and his perfect fucking boyfriend and A-Jie and her fucking peacock and -

“Breathe,” says Nie Mingjue’s voice behind him, soft and deep. Jiang Cheng wasn’t aware he was so close and that is distracting enough to stop him from his train of thoughts (also distracting enough that he forgets to breathe for a second but he puts that aside to deal with it at a later time.)

“They’re going to figure it out,” he says quietly, staring at the doorbell.

“Not if we do what we said we were going to, A-Cheng,” Nie Mingjue says and then he rings the doorbell.

Jiang Cheng takes several quick breaths and digs his nails into his palms. He’s not a coward.

When A-Jie opens the door and she almost softens and smiles brightly at both him and Nie Mingjue, he thinks it might be okay. It could be okay.

“Nie Mingjue, I didn’t expect to see you here,” she says, her voice soft and gentle. “I hadn’t - Jiang Cheng is always so private about his happiness that I had no idea!”

And that’s A-Jie down, which is good. He can do this.

They follow her to the dining room where his parents are talking to Jin Zixuan and the conversation screeches to a grinding halt when they spot Nie Mingjue. The peacock looks like he’s choked on his own tongue and that gives Jiang Cheng at least a little bit of joy.

“Nie Mingjue?” his father says. “What are you doing here?”

“Jiang Cheng wanted me to meet his family formally - I apologise for the time it took for me to do this,” Nie Mingjue says, half-bowing gracefully. Jiang Cheng would like to look at him but his eyes are focused upon his parents, who seem to have been frozen in shock.

“A-Cheng?” his father says, mildly, after a beat too long. “We hadn’t known. You’re welcome to our home, please sit.”

Jiang Cheng’s hands are not shaking. He sits heavily on the closest chair, only half-aware of Nie Mingjue sitting beside him.

And - it’s fine. His parents are polite and A-Jie is always so kind and friendly and even the peacock tries his best to hold a conversation. Nie Mingjue is more than fine, he speaks confidently and even gets his father to laugh at a story.

It’s all fine, until his mother tilts his head and says, “How did you - this - how did this happen?”

And they have practiced and Jiang Cheng may not be naturally talented but he’s good with practice so he speaks up - “We were at a dinner party Nie Huisang was hosting and started talking and - well. We like each other.”

His face flushes as he says it. He deliberately doesn’t look at Nie Mingjue or his parents, and instead looks at A-Jie. She smiles at him sweetly.

“That’s hardly the details,” his father says. “There must be more to it? I know our A-Cheng isn’t very good in those situations.”

Which is correct. He’s not but he doesn’t appreciate his father saying it out loud in company. And it’s not like he’s any worse than others, like Jin Zixuan or even Lan Wangji. His ears heat with the embarrassment and he’s ready to speak, eyes still fixed on A-Jie when-

“I’ve liked A-Cheng for a while. It was very nice of him to give me a chance,” Nie Mingjue says. “I think things happened at the right time for us.”

“Surely, you don’t think you’re suited to each other?” his father says and - oh. It had been going too well, of course he should have expected this.

“You’re very different from each other,” his father continues. “Do you think this will last?”

Oh.

Jiang Cheng swallows down the humiliation and the hollow feeling in his gut, finally looking at his father. He opens his mouth but once again, Nie Mingjue is answering for him. “As much as anyone knows they will last. I like A-Cheng a lot - is that not enough for now?” Nie Mingjue even reaches and squeezes Jiang Cheng’s hand under the table.

(Jiang Cheng is not going to combust. He’s not.)

His father blanches and Jin Zixuan, who occasionally has moments where Jiang Cheng can understand why A-Jie tolerates him, asks how they plan on getting to the wedding.

Nie Mingjue keeps his hand on Jiang Cheng’s for a few moments longer before he lets go.

“I,” Nie Mingjue says softly when they’re in the elevator, “do not like your parents.”

Jiang Cheng snorts. “They’re fine, they’re just. Expressive. About their opinions.”

“Don’t defend them. Who even talks like that?”

While the idea of Nie Mingjue defending his honor stirs up something small in him that he can't name, he can’t let this go further. Logically, he knows his parents haven’t necessarily been what he’s needed growing up but he’s an adult now, with a job and his own apartment and a life outside of his parent’s expectations and requirements. He’s doing fine. He will be fine. “They’re my parents. They want what’s best for me.”

Nie Mingjue glowers at him, his voice low and mutinous. “Wrong is wrong, Jiang Wanyin.”

Annoyance flares in his gut. “Don’t.”

Nie Mingjue actually rolls his eyes. “At least the actual wedding weekend will be easier. And there’ll be alcohol.”

Jiang Cheng is used to his parent’s disapproval and disappointment. He’s not ready for Nie Mingjue’s on top of that, especially not when he’s been so nice and not even made fun of him once for this stupid lie that is his life. He feels bad and he hyper focuses on his guilt, as he always does. “You don’t - you know you don’t have to do this, still? We can just pretend we broke up now -”

“I am not a quitter.”

And that is the end of that conversation. They’re silent for the rest of the elevator ride.

---

i’m just a big fan of jiang cheng.

#jiang cheng #nie mingjue #mingcheng #mdzs #maybe one day i'll sit down and actually properly write a fic again instead of this word vomit

66 notes · View notes