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heytherecentaurs · 6 months

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Burrow's End is an absolute masterpiece.

In the span of ten episodes Aabria and Co. weave an exciting and emotional adventure story about a family of sentient stoats. It delivers huge laughs, interesting societal criticism, remarkably emotional and well-acted scenes and concludes with a series of epilogue scenes that feel appropriate for each character, some heartfelt and subdued and others bigger than life and all the funnier for it.

Siobhan and Izzy play the perfect pair of siblings. They fight and argue but they also love each other. Jaysohn (Siobhan) looks up to Lila (Izzy) and believes she's the smartest stoat in the world (and by the end she probably is) and Lila hypes up her little brother's athletic skills. They both fully embodied these kids and I could watch them do fun stuff for more episodes. Give me a version of Saved by the Bell with them. Stoat by the Bell.

Brennan and Rashawn, playing sisters, also knock it outta the park, showing a more mature sibling dynamic. Brennan portrays Tula as the quintessential overtired single mother of excitable kids, and Rashawn as younger sister Viola straddles a very interesting line of being intimidating to outsiders but very much more naive and looking to her older sister when she starts a family.

Jasper as Thorn, a guy everyone just lets be a cult leader because he really wanted to, is fantastic. His is a difficult role as the only non-blood relative. Jasper plays Thorn with such real humanity of a guy in over his head and letting his ambition wife call the shots, but also one who agrees with her goal, really loves her and has moments of real menace. He has some very funny scenes, his big speech is perfect, and I just enjoy him.

Erika is wonderful. They play the epitome of generational trauma as many have said but as much trauma as Ava has, she is also loving and willing to learn. The fact Erika took this adversarial role is incredible. The tense dramatic scene primarily between Ava, Tula and Viola is amazing. They act their asses off and make hard choices that I imagine are difficult even for such an experienced player.

Aabria's DMing always feels fun. She doesn't get bogged down in the rules. She knows them. She plays by them. But as a master, she knows how and when to break them too. Her seasons on Dimension 20 have all had a tenseness, a particular edge to them that can give me anxiety during dramatic scenes between two characters. It always feel like one of her NPCs may say something devastating and the tension between characters reaches really thrilling heights. This is present in other seasons, but I don't think anyone does it as well as she does. The first season of hers to have battle maps, Aabria really swung for the fences and gave us some of the wildest maps to date.

Shout out to Carlos Luna's voice acting. He did an incredible job. And shout out to the whole crew who have put together one of the best seasons of D20. They keep finding ways to build on what's come before and they should be commended for it.

Dimension 20 is most successful when the concept is very streamlined. They don't do huge 100 episode campaigns capable of handling huge winding complex narrative, but short focused D&D stories, which is why many of the Side Quests have been so fantastic. They embody this philosophy most clearly, but it's apparent in the most beloved Intrepid Heroes seasons as well—John Hughes/High Fantasy, Game of Thrones/Candyland, Retrofuturism, Film Noir but in a Brain... Burrow's End fits this perfectly. It's streamlined concept paired with great storytellers and great chemistry sets it up to be a smash hit before it begins. And goddamn does it deliver.

Thanks Stupendous Stoats!

#dimension 20 #d20 #burrow's end #aabria iyengar #brennan lee mulligan #izzy roland #isabella roland #erika ishii #siobhan thompson #jasper william cartwright #rashawn scott #rashawn nadine scott #carlos luna #dropout.tv #hey there centaurs

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relaxxattack · 1 month

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you are so very homestuck knowledgeable. when you have the time and should inspiration strike, please tell all your headcanons about oliveblood trolls.

ooo what a great question! for this one i think first we'd need to break down current stereotypes about olivebloods. there's actually not much that we're given about them tbh

according to the homestuck wiki, which is based on info from both the comic and more dubiously canon things like friendsim and hiveswap, the olive caste's two singular traits seem to be "wild animal" and "romance liker". both of these, obviously, are traits pulled from our wonderful main girl nepeta, who was the singular representation of the olive caste for a long time; alongside her dancestors. which is quite cute, who doesn't love nepeta?

the thing is though that i am one of those nitpicky people who likes to say, "well, hey now, nepeta isn't actually representative of her caste at ALL." in fact, none of the beta trolls are. i honestly feel like it should be assumed that just like the beta kids, the beta trolls are weirdos, and not really the 'norm' in their society.

nepeta lives out in the wilderness very specifically away from society in a way that is remarked on as being unusual even for someone of her color; and she does not even understand what role her caste would have given her in normal society. and i mean... considering aradia tavros and sollux are LOWER than nepeta, it doesn't really make sense for them all to have nicer houses than her unless she's unusual in her situation.

^ nepeta is in fact NOT a good representation of olivebloods.

which means... no, i don't think all olive trolls are romance obsessed wilderness girls, actually, sorry, hiveswap friendsim, i have to shelve you from my alternia analysis for now.

luckily, there ARE other olivebloods in the series!

first of all, the other leijons. unfortunately, none of them are really "good" examples either. meulin is from an entirely different planet, and disciple is from an ancient history perhaps even less representative of "normal" life than nepeta is. all we really get from them is stuff we already knew from nepeta-- the wildness, the relationship interest. with an added fact that both meulins seem to be somewhat bookish.

and so who does that bring us to? the final canonical oliveblood.

that's right.

troll will smith.

troll will smith is canonically an oliveblood. not only that, but he's a famous actor, which means he is basically a "model" for society- for what it looks like once you "have it all made". i would imagine this goes even more for alternia, supposedly a very movie-geared society.

the two troll will smith features that canonically exist on alternia are Fresh Prince and Hitch. in both of these films, will smith plays a character that is self-made and clever, a regular guy who is just skilled. it should also be noted that while a "threshecutioner" is a job with a heavy blueblood populous, greenbloods can also be one, and it's common enough that a show about it wasn't cut by the alternian dictatorship.

so therefore, what traits can we pull that all of these olivebloods (and equius lol) display to us?

olive trolls are lower class, but they're capable of working up through their connections

likely due to this, olive trolls are often clever and self made. they're likely quick-witted and sharp

they're good at their jobs! most olive trolls that are seen in the comic are very good with their respective practices (be it drawing, writing, bookkeeping, or melee fighting)

it's possible that olive trolls have a good intuition, and are fairly in touch with their own instincts. this would explain why some of them seem to fare better in the wild or in fights, and also why they are stereotyped as having a natural inclination for relationships. i think this is also a good transition ground between the impressive physical psionics of the castes lower than olive, and the emotional/mental psionics of the highbloods above them.

so, there we go. these are my olive headcanons! they're not comfortably well off or anything, but they're not wild animals either-- they're hard workers and skilled at what they put their minds to. probably usually working a nine to five and doing their best in life hoping to move up with a good quadrant or promotion. at least, in my headcanon anyway- no need to take this as fact!

#homestuck #alternia #nepeta leijon #olive caste #olivebloods #hemospectrum #hsmeta #op #my meta

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geekgirles · 3 months

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I'm actually quite proud of Armand right now. Openly admitting to Amalia the reason their relationship was always strained was because he'd always been jealous of her and her relationship with their father is such a great character moment for him.

One thing season 4 is definitely delivering is some much needed depth and exploration of the Sadida Royal family. And I find myself fascinated (not only because Amalia is my favourite character and I have a soft spot for her people).

Personally, Armand is a character I have a lot of trouble having a clear stance on. I don't hate him, and it's true his motives become clear and even understandable once you give them some thought, it's just that Ankama does a wonderful job at making him both outwardly dislikable given his abrasive personality and some of his most questionable actions.

For example, season 3 Armand and season 4 Armand are almost like night and day. Maybe it is indeed that his new role as king has forced him to be more responsible and emotionally mature, but the vibes between L'assamblée and Falling Down are completely different.

In season 3 he just oozed contempt for his sister, and his actions towards her reeked of ulterior motives. The fact that Aurora has been described as manipulative (even her hairstyle is meant to hint at her true nature) and was purposely placed in between the two siblings as a visual nod to how she's keeping them apart doesn't help matters.

Which is another factor to take into account: Aurora's character and the role she plays in the siblings' deteriorating bond.

Even if so far she seems to genuinely love Armand, I really can't bring myself to trust Aurora. Not only because of all the behind-the-scenes facts I already mentioned, but because her actions are just sketchy and clearly veered to the betterment of the Osamodas rather than the Sadida.

First of all, her contempt for Amalia is genuine and she legitimately seems to be planning to send her away to keep her from interfering with her plans. After all, this is literally what she had to say about her sister-in-law:

"Ne vous en faîtes pas mon prince, nous finirons bien par redresser cette mauvaise herbe."

Translation: "Don't worry, my prince, we'll get this weed straightened out in the end."

(I haven't watched the English dub, so my apologies if the translation doesn't match the official version).

There's also the fact that, despite being the new Sadida Queen, her intentions in season 3 clearly laid in the benefit of her own kingdom, the Osamodas. Such is reflected in her choice of suitors for Amalia:

She intended for Amalia to marry Ashdur, her own cousin, thus, strengthening the Osamodas' hold over Sadida politics. In fact, it becomes quite clear Aurora's choice in suitors, only supported by Amalia implying back then her sister-in-law had already tried the same thing with her brothers, was much less about the future of the Sadida Kingdom and more about the Osamodas' sake.

After all, while arranged marriages between royal families isn't anything new, usually the sensible and even most strategic thing to do is for rulers to"spread" their children and marry them into different families around the world. That is exactly what Ferdinand of Aragon and Isabela of Castile did with their own children, they married them off to the royal families of England, Portugal, and Austria.

With that in mind, having both Sheran Sharm children marry Osamodas royalty just seems dumb, doesn't it? It all comes to show Aurora is more concerned over solidifying her power over the Sadida Kingdom than its actual well-being.

Which is why I'm still going to keep my guard up regarding her character until the season ends. After all, we still have 9 more episodes where everything can go up in flames.

But going back to Armand, even though he is in love with his wife, his treatment of Amalia in L'assamblée is leagues better than it was in season 3. Unlike most of his appearances and his interactions with his sister, where he kept treating her like a child who didn't know any better (what she just so happened to accuse him of when presented with Ashtur, as a matter of fact), here not only does he finally open up to his sister about his insecurities and his reasoning for his behaviour towards her, but he offers her support in the wake of their father's passing and even invites her to attend the assembly with him.

He is entrusting her with responsibilities befitting a queen, not a child.

Their relationship is finally healing.

As I said earlier, despite the undeniable depth behind his character, it's difficult to really side with Armand in plenty of occasions. Not only because of his difficult personality and flaws, but because it is so much easier to sympathise with Amalia.

And I'm not talking exclusively about the fact that, as one of the main characters, we've been by her side throughout everything, witnessing her true selfless, responsible, and brave self, but the fact that her position within her own family certainly tugs at our heartstrings.

Amalia is the youngest sibling, the princess. For all the sheltering and privileges that can get her, it also became her gilded cage. And for the most part, not even her family was a safe haven.

Queen Sheran Sharm died when Amalia was probably still a kid, whereas Armand was most likely already a teenager. As King Oakheart revealed back when he explained to Amalia it had been Armand who insisted they let her go, the queen's death shook their entire family, making the king and prince unintentionally turn their backs on Amalia during a time she needed as much affection as possible. And so, her royal duties became stifling, her royal upbringing unbearable. Thus is the reason for her wanderlust.

And then we have Armand's reason for not always being fair to her: jealousy. He resented her for being Oakheart's favourite, despite constantly going off to adventures while he remained in the kingdom by his side. Now, as I said, this was a great character moment for Armand, one that also belies his character development. However, it doesn't change the fact that, while easier to relate and sympathise with him, we still sympathise with Amalia more or have been doing so for far longer because we knew the effect this had had on her.

We all have been someone's scapegoat to their frustrations with a third person, we have all been treated unfairly by someone who, for whatever reason, couldn't solve their own issues with the person they had problems with in the first place and took it out on us. This is the crux of Armand and Amalia's strained relationship: for years, Armand took his frustrations and insecurities out on Amalia instead of having an honest conversation with their father.

That's why it's easier to sympathise with Amalia, because we know that, deep down, for all her flaws, she was never at fault for how their relationship turned out. Because we can understand her frustration and pain when, even with their dying father, Armand still chose to listen to his wife over her and try to marry her off instead of being there for each other when they both needed most. As Amalia called him out for before leaving with Yugo, he still chose politics over family. Everything involving Armand and Aurora is about politics.

But now that they are at least beginning to rebuild their relationship, I sincerely hope things get better for them. Unless their original intentions back in 2017 have changed, I seriously fear Ankama will still use Aurora to complicate things further between these two.

Please, Ankama, I'm literally begging you. They're all the family they each have left, don't let their relationship be ruined forever.

#wakfu #wakfu spoilers #wakfu season 4 #wakfu season 4 spoilers #un nouveau monde #a new world #l'assamblée #the assembly #wakfu analysis #wakfu season 3 #falling down #amalia sheran sharm #armand sheran sharm #king oakheart sheran sharm #aurora #wakfu aurora #ankama #osamodas #sadida

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reloha · 9 months

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Jacobi and McKellen as grand marshals of New York City's 2015 pride march.

All Good Omens (show) fans will know Derek Jacobi as the Metatron. His brief role on Doctor Who is also getting a lot of mention in recent posts, but I'm not going to talk about any of that.

Like his Vicious co-star Ian McKellen, Jacobi has had a long and illustrious career in theatre, television, and film. McKellen and Jacobi met when they were at Cambridge.

I'm not a huge fan of the Daily Mail, but this article, an interview with the two actors, is quite interesting. I'll just quote this part:

Jacobi says he came out to his mother when he was at university. ‘She said, “All young men, go through this phase, don’t worry.” I remember saying, “Don’t tell Dad.”’ He doesn’t know to this day if she did. ‘I think she did, but I don’t know. But they were wonderful, my parents, not much was said but they kind of knew, they got it.’

McKellen hasn’t heard his friend talk of this before. ‘That’s the first time I’ve heard that,’ he says, genuinely moved. ‘I never came out to my family. Biggest regret of my life.’ It turns out he didn’t even come out to Derek at university, even though it’s always been reported that he had something of a crush on him.

‘Yes, I did fancy Derek, but I didn’t act on it, God, no. It was illegal, remember. I do get on my high horse about it, because it was so difficult. There were no gay clubs you could go to. No gay bars, no gay newspaper, nothing. What there was was a bit sleazy, I suspect. One of the reasons I became an actor was that you could meet gay people. Even then everything was difficult. When you went to America they asked, “Are you now, or have you ever been, homosexual?” I lied on the form. It was a different world.’

I want to talk about Vicious for a bit, the ITV britcom in which Derek Jacobi and Ian McKellen play an aging gay couple, (respectively) a homemaker, Stuart Bixby, and an actor, Freddie Thornhill, for fourteen episodes.

Freddie (McKellen) tells Stuart (Jacobi) about a part he's hoping to get.

I had to add these for the Broadchurch reference.

It's a law that British actors of a certain age play this part.

I couldn't find one with Michael Sheen and the skull, but here he is in the role.

McKellen did the part again at 81 in an age-blind production.

Jacobi's big breakout was the titular role in I, Claudius on the BBC in 1976.

In the '90s, Jacobi played amateur sleuth and 12th century monk, Brother Cadfael on the ITV series.

I had watched some of Vicious before, but, spurred on by Jacobi's reappearance on Good Omens, looked for it again and watched both seasons a couple of weeks ago. Because I love a good fancast and Jacobi and Sheen (at least as Aziraphale) remind me a little of each other, I couldn't help but think that Jacobi and McKellen in their youth could have played a version of Aziraphale and Crowley. (There have been a couple of posts noting this about Jacobi, and that he might have been up for the part if it had been done soon after the book came out.)

Jacobi, left, and McKellen, right (obviously).

I also think that Tennant and Sheen could have pulled off playing Freddie and Stuart in a flashback.

An even younger version of Freddie and Stuart does appear in the series, however, played by Luke Treadaway and Samuel Barnett.

Also good casting! They do a great job playing McKellen and Jacobi playing Freddie and Stuart.

Shoutout to this post by @ember-knights, that suggested Good Omens fans should check out Vicious for a glimpse of what life in the South Downs cottage might be. And also to other posts mentioning Vicious and Good Omens in the same breath, as well as comparing Sheen and Tennant to Jacobi and McKellen (which I probably reblogged but can't find right now).

Cast of Vicious: Frances de la Tour, Iwan Rheon, Philip Voss, Ian McKellen, Derek Jacobi, Marcia Warren (Wikipedia). (Yes, the upstairs neighbor (Rheon) does go on to play Ramsay Bolton on Game of Thrones. He's a sweetheart in this, though.)

Now, I don't think Crowley and Aziraphale are the same as Freddie and Stuart, by any means. Freddie and Stuart say quite cruel things to each other. The characters become deeper in the second season; it’s a little sweeter than the first. I enjoy the bitterness of the first season too, though. It is funny, and Good Omens fans may enjoy watching it if only to see Derek Jacobi (who plays the Metatron) in a comedy role and a role that's sympathetic, especially if they are not familiar with his large and impressive body of work.

I don't think Aziraphale and Crowley's life in the bookshop as a couple, not just a group of two, or life on the South Downs, would be exactly like this, but there are somehow some similarities that I don't even know how to begin to pinpoint or explicate.

Crowley and Aziraphale’s affection is always so palpable and that’s not always clear with Freddie and Stuart. Crowley and Aziraphale are so loving that, even when they're bickering, it's joyful, even when they're arguing, even when they're coming apart (temporarily) at the seams, their love is undeniable. I don’t even think their breakup was toxic; although they were desperate at that point and hurt each other badly, it wasn't what they wanted. Sometimes it's that way.

And, lest I'm putting you off Vicious here, the Ineffable Husbands are a high bar as love stories go, but you will get to see some love and affection between Freddie and Stuart too, and I'd really love to see these actors work together more. (I am happy with how the show ends up, by the way.)

Toodle-loo! Hope everything is tickety-boo with you.

#Good Omens spoilers #Good Omens #Good Omens viewpoints #Derek Jacobi #Ian McKellen #Vicious #Derek Jacobi appreciation post #***Good Omens #tickety boo

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comradekatara · 4 months

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i don’t go into it explicitly in my essay so i may as well cite my armamentarium of examples here. please note that some of these examples will be pretty uncharitable towards zuko, but i figure that zuko’s actions receive enough (overly) charitable interpretations that he can stand to be criticized harshly from time to time.

when he said to aang “nice try avatar, but these little girls won’t save you,” he was being overtly infantilizing and dismissive to extremely capable girls his age in a way that emphasized their gender to diminish their capabilities. this is quite overtly misogynistic.

the way he treats katara in “the waterbending scroll” is pretty fucked up. i know that a lot of people find the way he seductively circles katara after tying her to a tree, threatening, and bribing her to be hot and even romantic, but in this scene, he is explicitly imitating ozai (we see him employ this same tactic of circling ominously with zuko in “the awakening”) to scare katara into submission. this is not only sexist in the sense that he is attempting sensuality to threaten a young girl (only a few years younger than him, but still, not great), but also just creepy and horrifying and bad in general.

“well aren’t you a big girl now?” is what he says to katara once she can finally hold her own against him in a fight. katara is only a few years younger than him, but he treats her like an incapable child, and uses that patronizing infantilisation to taunt her like he did with the kyoshi warriors. (and in fact, he continues to do so in book 3, but more on that later.)

zuko shouts “girls are crazy!” after azula manipulates him into falling into the fountain. i think this example is pretty negligible all things considered, seeing as a couple of girls did just deviously orchestrate a plot to humiliate him for kicks, but it’s at least equivalent to sokka saying “leave it to a girl to screw things up” to katara in terms of making unfair generalizations about an entire gender in the quest to insult your annoying little sister. but pretty much every sibling says something like this as a kid, so it’s pretty innocuous to me in the scheme of things.

on his date with jin, zuko remarks “you have quite an appetite for a girl.” this is obviously sexist, but it also makes me sad for what it reflects about the eating habits of every single woman he grew up around (compounded by the fact that they’re nobility and thus must adhere to strict gender roles as informed by class). i wonder if seeing jin eat was the first time he ever saw a girl actually enjoy her food.

zuko’s treatment of mai throughout all of book 3 is highly misogynistic. he expects her to coddle, comfort, and support him unconditionally while he never once considers her feelings, desires, or thoughts. i don’t even think zuko knows that mai is a human being (with a rich inner world of her own). at the beach, he behaves in a way that is controlling, jealous, volatile, and borderline abusive. he insults her, calling her dull and unfeeling; he polices the people she talks to; he feels entitled to her unconditional affection even when he treats her terribly. even when he gives her the conch shell, he asks “what? don’t girls like stuff like this?” which is incredibly patronizing and presumptuous. he demands that she act as his perfect mommygirlfriend, takes out all his frustrations and inner turmoil on her, is entirely thoughtless and inconsiderate when it comes to considering her feelings beyond giving her the most shallow, superficial gifts (and for a prince, giving someone cheap desserts and/or beach trash is not exactly a grand romantic gesture), and can’t even bring himself to break up with her face to face. mai does an incredible job of supporting zuko as best she can despite being incredibly unhappy herself and frustrated by his behavior, and somehow she is still framed by the fandom as being a bad girlfriend to zuko, when in fact the reverse is true.

zuko is also incredibly patronizing, dismissive, and downright cruel to ty lee. he basically calls her shallow, stupid, oblivious, and myopic, when of course this only betrays his own obtuse inability to read others, as ty lee is quite possibly the most perceptive, intuitive, socially clever, skilled, and brilliant character in the show. like many other characters in the show, including azula, zuko falls for ty lee’s bubbly ditz persona, and assumes that her hyperfeminine affect signifies her shallowness and stupidity. this undervaluing of femininity is of course not unique to zuko, and even the most feminist women are prone to make assumptions about people who present themselves in the way ty lee does (even katara says that ty lee doesn’t seem like a threat), which is of course also why ty lee deliberately presents herself in this way. she knows that she will be underestimated, which is all the more imperative to achieving her primary goal: survival. however, just because ty lee encourages this perception of her doesn’t mean that zuko is let off the hook for falling for it, or for being cruel to her.

while i don’t fault zuko for this as much as i do his treatment of mai, katara, or ty lee, his lack of generosity towards azula is a problem. obviously there are extenuating factors informing why he views azula as a rival. their fractured relationship is a tragic product of ozai’s abuse, and neither zuko nor azula is entirely at fault for how they view and treat the other. but zuko never makes any attempt to understand his sister or why she behaves the way she does, and never shows her the affection or concern azula shows him (in rare but nonetheless important moments), even after she has clearly undergone a nervous breakdown before their final agni kai. i know that zuko would view azula with hostility and suspicion no matter what, and a lot of it is of course deserved, but i cannot help but wonder whether his misogyny serves to reinforce his assumption of her that she is a manipulative, hysterical, dishonest harpy whose sole purpose in life is to make him miserable. lol

zuko constantly dismisses suki throughout “the boiling rock.” when sokka first points her out, zuko frowns at the notion that sokka is suddenly going to give a girl the attention he has, up until this point, been the only one receiving. of course suki does monopolize sokka’s attention, suddenly making zuko the third wheel where he was formerly a partner, but it’s hardly suki’s fault for being sokka’s girlfriend. he only barely apologizes for burning down suki’s village (which is probably the worst thing he ever did in the entire show, btw), and basically ignores her existence throughout the rest of the episode. in “the southern raiders” he refuses to read the room and barges into sokka’s tent despite sokka and suki clearly having a romantic evening planned. suki is perfectly nice and friendly to zuko despite having absolutely no reason to forgive the guy who burned down her village, but zuko is nonetheless dismissive of her as if she isn’t even there. which is rude, but also, kind of funny, so take this one with a grain of salt because it honestly makes me laugh??

ultimately, the way zuko treats katara, not only in book 1, but up until they become friends at the end of “the southern raiders,” is genuinely egregious. despite having that incredibly meaningful moment in the catacombs together, zuko doesn’t register it as significant in the way katara does, and cannot comprehend why katara would feel particularly, personally betrayed by him compared to the rest of the group. at the beginning of the episode, zuko pushes suki out of the way from falling rocks (dismissively) and then jumps directly onto katara and rolls her away from the rocks (patronizingly) as if she is some kind of baby whose legs don’t work. when katara is rightfully pissed off that a guy she hates has pressed himself directly on top of her and won’t get off, he scoffs and says “I’ll take that as a thank you” as if she is simply a truculent, ungrateful child. he later completely invalidates katara’s feelings, following her after she leaves the group, and yells at her for her audacity (because she is still not best friends with the guy who betrayed her trust and facilitated the near murder of her best friend), and barely seems to understand the source of her rage, assuming that she is displacing her anger towards her mother’s killer onto him instead of simply acknowledging the ways in which he has tangibly harmed her. he interrupts sokka during one of the only truly happy moments in his entire miserable life to ask him to rehash the most tragic, horrific day in his whole horrifically tragic life, and in this moment he reveals that he somehow does not even know katara’s name. until sokka refers to katara by name, zuko only refers to her as “your sister” (and at no point refers to her by name throughout the show until later in this scene), dismissing katara while simultaneously begging for her approval, which he admits he doesn’t even know why he craves, as if he doesn’t even respect her as a person but simply wants her approval because her totally valid anger towards him is just a pesky irritant he wants removed. he then imposes his own desire for revenge onto katara, not even realizing that his passionate fury is a product of his own personal feelings being displaced onto katara’s parallel situation (both their mothers were killed in their place as a sacrifice), and simply assumes that katara would benefit from going on a dangerous revenge quest with him. it is only once zuko realizes the sheer extent of katara’s power and empathizes intimately with her complex feelings of rage, grief, and guilt regarding her own mother that zuko comes to respect katara deeply, and from then on out their friendship is one of mutual respect, understanding, and a deep, prevailing love. but until the antepenultimate episode of the entire show (assuming that the four parter finale counts as just one episode), zuko constantly infantilizes, patronizes, dismisses, belittles, ignores, and trivializes katara.

“zuko has no frame of reference for sexism” his uncle literally sexually harassed (and possibly even assaulted depending on how you define it) a female employee on the job (june in “bato of the water tribe,” if you’re wondering). yes zuko is rightfully appalled by that, but mostly because his uncle is displaying desire for a far younger, hotter woman, and zuko finds all displays of iroh’s desire disgusting. to say he’s in no way familiar with patriarchal logic and the mistreatment of women in society is just plain absurd, when not only do we see him mistreat women, but we also witness him witness other men mistreat women—in particular, a man whom he admires and strives to emulate in all aspects of his life.

and finally, while this point is fairly obvious, the question “how is zuko sexist?” is just patently ridiculous for the simple fact that he was raised in an extremely patriarchal society and internalized rigid roles and hierarchies of class, race, and gender. so like, even if we didn’t have manifold examples of him behaving misogynistically in various ways across the show, he’d nonetheless be sexist because of course he is. like, real talk, what do you guys think sexism even is if not being informed by patriarchy and its assumptions? answer quickly

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mommyownsmee · 4 months

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how can i be a better domme to my partner? i have no experience and am nervous about trying to domme. they're into praise and degradation too and im not good at that

Being a good Domme starts in your own mind. You can‘t be a good Domme unless you understand the psychology of submission and why your Sub wants to be submissive and why you have the need to be dominant.

First you have to find out what you like and what you don‘t like. What do you want and what are your no-go‘s?

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You always have to remind yourself that BDSM and every session is for both of you. A part of your role as a Domme is to nurture your Sub into someone who is comfortable with her sexuality, and being able to enjoy everything that she wants to do and feel without feeling guilty about it.

Some Subs are completely at ease with sex, their bodies and their fantasies. Others have issues with all or some of those topics. As a good Domme you must understand and accept this and not push their boundaries.

There is a Domme code I once did read and I still think it’s perfect to remember in every situation: „Leave your Sub better than you found her.“

Of course you’re not her therapist, but you can do your part to make her feel great about sex and BDSM.

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Whenever a Sub comes to you as a Domme, you have to be able to quickly gauge where she lies on the submissive spectrum. This means you need to find out: What does she need in the first place, what does she want, etc.

I know this sounds complicated for someone without any experience, but you‘ll learn it after some time.

Just listen to your girl. She will tell you what she needs and wants. Your job is to fulfill those needs. Don't assume your own way is right. Often it is not. Always talk to your Submissive, never only do what you want.

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As I began to be a Domme myself, l've been learning how to present myself strong and dominant. This taught me that showing them that you can be strong and brutal is way more powerful as a turn on than being actively brutal with them.

Don’t believe you have to shout to make your Sub do something for you. I almost never raise my voice. A raised voice indicates annoyance, aggression and loss of control – everything that is the opposite of being a calm and in control Domme. Often a quieter voice is far more effective. As an example, suppose your Sub answers back. An eyebrow raise and an “Excuse me?” said quietly whilst maintaining eye contact with her works wonders.

You don't have to be brutal and treat your girl aggressively to be a Domme. Being a Dominant is not about aggression, manipulation or abuse.

You won’t always get your own way. In fact, being the Domme in the relationship often equals more work, because you now have to look after two people (yourself and your Sub). As much as she is there to serve and attend to your needs, you must attend to hers and not take advantage of her eagerness to please without giving her back anything in return.

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Some more tips:

Whether you are a beginner or professional Dom, you are never going to get it right all the time. Make light of your mistakes and your Sub will too.

There’s no need to be heavy and intense all the time. You don’t have to approach this with the solemnity of a politician delivering bad news. If your personality is naturally jovial and light-hearted then incorporate that into your play. Laugh and have fun with your sub.

Being a good Domme does not mean you have to enjoy all aspects of BDSM. I don’t like inflicting pain, for example, and I’m not that into leather. Does that make me a bad Domme? No. Don’t try and do everything. Learn what you and your partner enjoy and stick to that.

Everything you do should be consensual. Never force someone to do something they do not want to do or is going to cause long term physical or emotional harm. Remember the principle of Safe, Sane and Consensual (SSC) at all times.

Not owning up to mistakes. If you make a mistake, admit it and apologise if necessary. There’s a real strength in being able to admit your flaws.

It’s wrong to demand submission too soon. Some Dominants expect their partner or date to be submissive right from the off. This isn’t how it works. You must earn her submission. A Sub must respect and trust you before she is willing to submit to you. Don’t be the dumbass who starts ordering someone around on a first date.

Expecting submission outside the bedroom. Not all submissives (or dominants) enjoys submitting in everyday life, and you shouldn’t expect them to. Some subs want to be treated roughly during sex, but return to an equal power status afterwards. Some want an unequal power dynamic 24 hours a day.

If you aren’t clear in communicating your desires, or make your rules too complicated, or haven’t written them down, you can’t expect your Sub to follow them. Consider writing a BDSM contract for clarity.

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Execute your dominance slowly but progressively, learning where her and your boundaries are. Don‘t overstep them ever.

When you both have set your boundaries, respect them, but (of course depending on the situation/person/kind if boundary) play with balancing just on the edge. You could end up pushing their boundaries and either make her and you feel bad or make you both enjoy it in the end. You definitely have to talk to your Sub before doing anything.

Definitely talk after every session in great extent. No matter if it was a session over 5 minutes or 5 hours. Have your Sub tell you every detail they liked and didn't like, what they thought you could do better, etc.

In the same way, tell them how you felt.

Trust your Sub. She is a grown woman and more than capable of telling you if she believes you are taking advantage of her or if you‘re doing everything right.

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Find a mentor, someone who knows a lot about BDSM and is in the scene for a long time already and ask them all your questions. Ask them for help if you need.

Try to talk to many Dommes before you settle for one. Get a wide spectrum of answers, verify those answers against one another and as you find a trustworthy mentor, listen to how the answers from other places differs from theirs.

Experienced kink folk are the ones that have already screwed up and carry the scars from it. Learn from their scars instead of making that same mistake yourself.

Become a member of the community. Find out who is good and what makes them good. Who is bad at it and what makes them bad.

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Your Sub should know it's your first time domming. If you mess up, it's entirely okay to laugh about it. No shame, you're learning. You will feel more confident if you can laugh about it.

If you are not having fun, don't be afraid to say „Ok, this isn't working“ or „I'd prefer if we do this and this and this instead right now, want to change the plan?“.

Never change plans without bringing up a solution and ask that if your Sub has a complaint, that she comes with a solution following her complaint. This is so you aren't left feeling like all the responsibilities are on you.

This helps not break the Sub from their state of mind, it makes you dominant and handle the scene. It also leaves a space for the Sub to negotiate these new terms without breaking characters.

If no one is having fun, you both aren't doing it right and are probably just not compatible. Be honest, speak your mind, trust your partner as much as they trust you.

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Not everything you read online will suit you. Don’t think you have to do something just because another Domme is doing it.

For example, if you don’t like spanking, don’t do it. It doesn’t make you less of a Domme.

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Since it's your first time, make sure your Sub knows that you might need aftercare as a Domme too, but that you might not know what you need yet. Some people like to cuddle in silence, some like to talk about it all and others like me needs a shower right after sex. Don't be ashamed of not knowing what you want, but make sure you can voice it out as you go.

I recommand for you both to take the bdsmtest.org before you start domming. It will help you find out more about yourself and your Sub.

Afterwards, you should read a lot about the kinks that were shown you as the most compatible.

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A Mommy Domme exhibit caregiving tendencies and enjoy the softer, more tender qualities of caring for someone else. They are often paired with Littles and provide a motherly type figure or role model to guide their Sub. Mommy Dommes and little girl dynamics are often referred to as MDLG (Mommy Domme Little Girl) or CLG (Caregiver Little Girl).

A sadist Domme enjoys inflicting pain on her submissive, who is referred to as a masochist (or a „pain slut“, if she is not offended by that language). The sadist Domme will be interested in bondage, spanking, flogging and perhaps even inflicting pain during sexual activity. A sadist Domme may also enjoy humiliating or degrading her submissive through words, during sex, or when punishing her.

A Lady Domme is paired with a slave or service-orientated submissive. In this style of Domme and Sub dynamic the Lady treats her Submissive as property, and they engage in sexual and non-sexual play. For example, the Submissive might be responsible for maintaining the household, cooking dinner, or being a sexual plaything for the Lady Domme to enjoy. They might engage in slave training where the Submissive learns what the Lady Domme enjoys and how to perform her duties.

An owner Domme may refer to ownership for a submissive slave, but may also refer to owning a Submissive who enjoys acting like a pet. During pet play the Domme would serve the Sub food from a bowl on the floor, wear a collar and sleep in a cage.

A Caregiver/romantic Domme enjoys nurturing her Sub. She helps her achieve her goals and may be involved in making choices in her life such as what clothes she wears and what she eats.

A financial Domme controls the money of her submissive.

A rigger Domme enjoys rope either for the appeal of seeing her Sub tied up and restrained or simply for the beautiful ropework.

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The thing that changes degrading from an act of bullying to a source of pleasure is context and consent. Sex and real life are not the same. The difference between what you are comfortable with in the bedroom versus in a real life or public scenario entirely depends on consent and the element of choice.

The understanding that consent is key to incorporating degrading should not be taken lightly. In order for everyone involved to feel safe and find pleasure from degradation, there needs to be regular talks about limits, boundaries, and what you want to gain from the scene. In the heat of the moment, it can be easy for a degradation scene to be taken too far, even with one simple comment or act.

Due to this, it is essential to have advanced planning before attempting any act of degradation. Safewords should also be established, allowing anyone in the scene to give the warning to slow down or stop the scene completely if needed. All parties need to express what they are and are not comfortable with doing or saying. Someone may express that they want to have certain parts of their bodies insulted, but the other person involved may not be comfortable saying these insulting terms. That is absolutely okay but should be discussed prior to the scene. Everyone involved is allowed to have boundaries, and they need to be respected.

The intention behind degrading is to bring intense feelings of humiliation or embarrassment, and because of the emotions that can stem from this, aftercare is a must. Aftercare provides reassurance and affirmation, creating a feeling of safety and respect that was not present during the degrading scene.

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On the complete opposite spectrum to degradation, some Subs find arousal from praise. There is nothing some Submissives love more than positive reinforcement. Whilst praise can be verbal, there can be physical elements incorporated. A pat on her head or a kiss on her forehead can be just as good as a verbal affirmation. When giving out compliments, make sure to be sincere in your praises. Half-hearted compliments will be noticed, and your goal of making your Sub feel appreciated will not be reached.

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Some Submissives are into both degrading and praise, which is totally alright. The thing is: You need to talk with your Sub beforehand about her boundaries and what exactly she wants to hear and what not. Are there words that trigger bad feelings in your Sub? Are there things that do the opposite?

To use praise and degradation in one sentence, combine a praise with an „insult“. For excample it could be: „You‘re my pretty slut.“ or „Your cunt is already molded into the shape of my strap, and you look so perfect- fucked out like this, baby.“

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tyrantisterror · 4 months

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A Dozen Or So Great Vampire Ladies

Ok, so, on a mostly unrelated post the topic of good vampire ladies came up, and @bisexualdaikaiju suggested/challenged me to do a top 10 vampire women list. As a self-professed lover of vampire women, it felt like a challenge I couldn't back down from. But it is kind of challenging, for two kind of contradictory reasons.

First, while there are MANY female vampires in fiction, most of them feel like afterthoughts, getting far less characterization than their male counterparts, who more often than not are the star villains of the show. When these supporting lady vampires do get something to do, it's generally the same role: make their human lovers sad when they rise from the dead as a monster that has to be killed, an emotional beat that is often undercut by a lot of these vampire women not getting much characterization to endear them to us before they died. Everyone wants to have the Lucy Westerna plot beat from Dracula but they don't want to do the work that Bram did to make Lucy lovable. The lady vamps who get to step out of Lucy's shadow are rare - but that just makes them all the more wonderful.

The second problem is that, since this is an obsession of mine that few seem to share (there are lots of vampire fans, but man do the boy vamps get to hog the spotlight among them), I've done a lot of scattered thinking about it and I just know I'm bound to forget at least one excellent lady vampire character that should be here. And whittling it down to ten, and trying to rank them? That's too hard! My thoughts are too mercurial to do that reliably in a way I don't forget!

So instead here's a list of, like, a dozen or so lady vampires that I think are just fucking stellar, many of which I think break the mold of what pop culture makes us expect lady vampires to be. It is not ranked - I love all these characters more or less equally, and think it's a lot more interesting to see how they take their archetype in different directions than to figure out which one is "best" of the lot.

Carmilla Karnstein

I'm going to start with the most famous literary female vampire, Mircalla Karnstein from Carmilla. I think she might be the first vampire to have an unhealthy obsession with using anagrams of her real name as aliases, though I'm sure now that I've typed that someone will find an earlier example to school me. She's also the one who popularized the idea of lady vampires being extremely sapphic, with an arguably genuine romantic affection for her female victims. She's got well-deserved clout, basically, and like Dracula has been adapted countless times and reinterpreted in some excellent ways. My favorite screen Carmilla is Ingrid Pitt's take, which captures her fierceness, passion, and tragic nature so well.

2. Amy from Fright Night

Ok, we're having one Lucy Westerna knockoff on this list, but as Lucy knockoffs go, Amy is one of the best. It actually helps that she spends 90% of her movie as a human, because we get to know and love her so much before she turns monstrous. And once she does...

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It is pants-shittingly terrifying. I will never stop raving about the vampire designs in this movie - they made their "game faces" so fucking monstrous and I feel like in a better world this would be the standard ever since, especially since they still gave the vampires pathos while making them so ghastly when they've got their feeding faces on.

3. Drusilla

Buffy the Vampire Slayer had a bunch of vampire characters, and to its credit they did a decent job of making the ladies just as distinct as the gents. Harmony and Darla could both have made this list, but my favorite was always Drusilla, who was so traumatized before she became a vampire that it kind of overwhelms the demon spirit inside her. Like, bare minimum thing to make a lady vampire more interesting than 90% of other female vampires in fiction: give her at least one personality trait, preferably an interesting one, outside of being a vampire. Drusilla's fun, and she survives the entire series after dumping her boyfriend to be a single female vampire. Good for her.

4. Ruby from Scary Godmother

Ok look I am a fake Scary Godmother fan but kudos to the artist of the books for making a lady vampire who's very clearly of the nosferatu mold and is also explicitly benign and sweet. A+ vampire lady character design. I hope it doesn't awaken anything in me.

5. Nadja

What We Do in the Shadows is excellent at finding new takes on vampires in general - it even made me actually like Psychic Vampires as a concept, a feat I thought was impossible - but goddamn do I love Nadja specifically. She's got a distinct personality as vampire ladies go, being very confident and self-assured while also being a complete fucking goober (it is a comedy, after all). She's perfectly capable of being terrifying AND hilarious, often at the same time. A vampire girl failure, in the parlance of our site. I love her.

6. Lady Dimitrescu

I know that she's apparently only in a fourth of the game, but it's still pretty great that Resident Evil 8 decided its mascot villain - its equivalent of the Tyrant, G, Nemesis, etc. - would be the hottest woman I've ever seen a milf an 8 foot tall lady vampire. She's not dainty and willowy like most lady vamps in fiction - not an ambush hunter - but rather HUGE and capable of tossing a human around like a rag doll. She's a physical powerhouse and she looks fine feminine while doing it. Despite being an unabashed blood-sucking monster, she still has enough depth and complexity to have important relationships (like a genuine love for her "giant mass of hive mind flies" daughters), and also she gets to have an awesome transformation into a fungal vampire dragon, which is rad as hell. Also goddamn, her fashion sense is immaculate.

7. Hecate from Hellboy

"Hey, she's not a vampire! She's a goddess! That doesn't count!" Fuck you, my list, my rules. Hecate posits herself as the progenitor and mother of vampires, she drinks blood, and her main form in the comic is as a sicknasty lamia version of the iron maiden used by Elizabeth fucking Bathory, if she doesn't count as a vampire, nothing should. She is the concept of a vampire amped up to maximum capacity, a major mythological figure and an awesome villain.

...also I lowkey shipped her and Hellboy when I was a teenager. They could have made it work!

8 - 12. Carmilla and her girl squad from Castlevania

I suppose I could have counted Castlevania's Carmilla as an adaptation of Miss Karnstein - they're both basted out of Styria, both sapphic, and it's clear she's meant to be an adaptation of the former, just as the Dracula of this show is meant to be a take on Bram's famous vampire. But ultimately they're VERY different characters in the grand scheme of things - Castlevania's Carmilla has none of the tenderness and vulnerability of her literary counterpart, instead being full of barely restrained fury. She is an excellent villain, complex enough to be interesting but thoroughly despicable enough to make it VERY satisfying when she bites it.

I also love her girl posse... in concept, at least. They've all got great designs and the groundwork of interesting characters, but of the the three, only Lenore, the waifish redhead, gets to do much of note. The two on the edges kind of just show up for a few scenes and then bail before the plot catches up to them, doing very little of note - though at least the big hunky one gets one of the coolest fight scenes in the whole show.

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Back to Lenore though - she gets a really nice character arc, and manages to become one of the few sympathetic vampires in the series (while still doing a lot of monstrous shit - she is not a defanged vampire by any stretch). I think her death scene is one of the most moving moments in the series finale.

13. Seras Victoria

A good female vampire has at least one non-vampire part of her personality, right? Ok, so, Seras is:

the muscle in almost every scene she is, which is to say, the one absolutely beating the shit out of people while her allies run for cover

the perky henchman/morality pet of one of history's greatest monsters

the sole ray of sunshine in cast of edgy, cigar-chomping grizzled mercnaries and antiheroes she's been pressganged into fighting alongside

the victim of some HIDEOUS trauma even before her vampirization

the protege of a wise master who gets a full hero's journey arc, taking up his mantle at the end of the series

Like, I love her. She's the secret protagonist of Hellsing. She's got layers like an onion. The scene where she killed Zora Blitz reminded me why I love anime.

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(yeah it's the TFS version fuck you)

14. Youko Shiragami

My Monster Secret is not a horror manga. It is a romantic comedy about a bunch of idiots trying to keep painfully obvious secrets hidden and succeeding only because almost everyone around them is as dumb as they are, just in very different ways. It is a manga where an entire chapter can be summarized as "all the characters race to get the last McRib, using their various supernatural abilities to try and cheat their way to the front of the pack." It is one of the funniest and most heart-warming stories I have ever read, one of my favorite romances of all time, and an excellent piece of long form story-telling.

One of the two main characters is Youko Shiragami, a vampire girl who can't let anyone know she's a vampire or else her dad will pull her out of school. She desperately wants to have a normal life with friends and, like, school shenanigans, but her fear of people uncovering her secret and hating her is so immense that she's been isolating herself from everyone, accidentally torturing herself by being close to what she wants but unable to actually have it.

At least, until Kuromine, the other main character of the story, discovers her secret while trying to ask her out on a date. He ends up promising to keep her secret, and the two of them form a real friendship that blossoms into a very sweet romance, where Youko gets to display all her incongruous personality traits that go against what you'd expect of vampires - namely, that she's kind of a ditz, with an unrefined style of speech and a complete inability to be suave and seductive. She's a sweet, flaky goofball with a big heart, who just happens to drink blood and tan really quickly in the sunlight. There is no other vampire like her, and the world is richer for her being in it.

15. Marceline, the Vampire Queen

This list isn't ranked, but if it was, I'd put Marceline at the top. I think she is not only the most unique and deeply characterized lady vampire in fiction, but ranks right up there with Dracula in how she redefines the idea of what a vampire can be. Like, look at the forms she takes!

There are DOZENS of different monstrous shapes Marceline takes during Adventure Time's 9+ seasons of television, and any one of them would be a superb and memorable vampire on its own. And she's ALL of them. Just on a design standpoint, she is a standout. I think only Dracula himself could compete.

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But she also explores what the concept of what a vampire is in ways no other vampire in fiction can, in part because of the unique nature of Adventure Time's setting. In a world where humans are an extreme minority and most people are weird monsters, a vampire isn't that odd, so we get to explore what being a vampire means divorced from the comparison to "normal" human beings. There's the expected tragedy to Marceline, of course - she's a 16 year old who has been stuck in that adolescent state for hundreds of years, and much of her character arc over the show (including the magnificent vampire-centric storyline, "Stakes") focuses on the horror of being stuck in that transitional state, not quite a child but not quite an adult. Marceline struggles to mature, to understand herself and others, and her vampirism both keeps her distant from reaching those goals but also gives her a lot of time to figure out how to approach them when the opportunity arirves. Marceline goes from one of the most immature and selfish characters in the show to perhaps the most emotionally intelligent, blossoming into a sensitive and thoughtful person she could never have been without first becoming a creature that seems so inherently opposed to ever having those traits.

And she did it all in a children's show where she was rarely if ever allowed to actually drink blood - a problem the writers got around by having her suck the red color out of things, which is right up there with the Joker Venom from BTAS in terms of genius ideas spawned by children's show censorship.

Marceline is the GOAT.

#Vampire Ladies #Youtube

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chronicchaotic · 2 months

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hello tumblr i come back from the dead to propose my newest au proposition: the two wonderful game universes of portal 2 and jazzpunk plastered together to create a masterpiece of combined media. using the characters from portal 2 and the overall story, locations, and aesthetic of jazzpunk, i am coming up with a full fledged story that i believe you guys could find interesting yourselves :)

up above are the designs ive labored over for like about a month now LMAOO with the wonderful help of my friend deciding on design choices.

in terms of general story and characters, chell represents polyblank. she is the selectively mute secret agent involved in all of nexus6's endeavors. she is strong, resilient, and is used to being the lone wolf on missions.

wheatley represents the director, however he doesnt take in the exact role that the director traditionally does in the game. wheatley serves as a guide/sidekick for chell and gives general information for each mission him and chell go on. he is clumsy, a chatterbox, and extremely anxiety driven. despite his chatty nature, he is exceptionally great at getting vital info out of others to advance him and chell on their missions.

glados represents the editor, being the main antagonist of the story (obviously). she is an intimidating CEO for a high ranking syndicate responsible for blackmail, asassinations, and information gathering. she secretly stalks chell and wheatley on their missions for unknown reasons.

atlas and p-body represent the editor's goonies. with glados as their boss, they are a go-to duo whos main jobs are typically assassinations or kidnappings. atlas is collected and serious, while p-body is much more curious and quick to jump to decisions.

anyways... thats all for today! hit that like and subscribe button for more updates on my upcoming au! depending on how much traction this post gets, i plan on posting more updates soon!

#jazzpunk #portal #portal 2 #portal 2 au #jazzpunk au #alternate universe #portal 2 fanart #jazzpunk fanart

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vapolis · 26 days

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D’s reaction to that last question is quite interesting. They’ve known Merc the least amount of time (Supposedly. Maybe they have a hidden shared past like last demo iirc). Their reaction was more personal than Orla who just took their hypothetical death as a “great, now I have to find a new one”. I have to wonder if it’s Merc’s sorta infamous reputation that has shaped their perception or something more involved for D’s reaction.

On another note I find Orla’s detachment to Merc fascinating. Similar to another anon question she’s known Jax and D for less time and I understand roles and all that but it doesn’t make sense for the distance. Jax is an employee too. D is something. Yet they seem to hold much more value to her. Is it just because of their roles? Or does she just think Merc is a bad/unimportant person?

Talking about D would probably be spoilers but Jax, would her reaction to his death be more personal than “now I have to get another body guard/business partner”?

orla doesn't think the merc is unimportant or bad, she just recognizes them for what they currently are. which is a mercenary. they do have a special ability orla has come to rely on on jobs she sends them off to, but she knows if things ended in the death of the merc, she could get a different mercenary to do similar work.

their history is complicated and will be touched on, but it also means that orla can't afford to grow too attached or to put more stake on the mercs life than she does right now. in an ideal world, orla could trust the merc to stay by her side as an asset the same way jax is, but she's not delusional enough to believe that.

the merc has the more dangerous life out of all the characters you named. jax is protected by the gang and respect he wields as part of the mirage and the club. there's no fear that he can end up dead in a ditch like the merc could and leave orla without her right hand man.

if that happened, however, she'd be shaken by it. she trusts him with her business, and he is seen as her stand-in by everyone. if someone were to get to him, she has to fear that someone could come for her as well.

dante/delilah is a different matter entirely. their relationship appears physical as of now but orla has a different fondness for her dancers due to her own history and therefore would be more rattled if something happens to them because she knows they're not like the merc. able to defend themself against people coming for their head.

she trusts the merc to do what must be done and values their abilities but knows that if the merc's life is on the line, the merc could come out on top. if she's proven false in that belief, she'll ofc mourn the loss of what the merc could do and the way they were but as of right now, it wouldn't stop her from continuing on to follow her own agenda.

#asks #c: orla #c: dante/delilah #c: jax

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eponastory · 3 months

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Ah, Sarcastic Chorus...

Let's break down the 'I'm going to fix you' argument for Katara.

First off, no one can 'fix' anyone. Going into a relationship thinking you're going to change somebody and make them different is going to make that relationship bad. It's not necessarily toxic, but bad. Why? Because it's not your job to 'fix' the other person. The only one who can do that is the other person. You can only 'fix' yourself.

A lot of relationships fail because of these expectations.

I'm going to talk about fanfiction here for a moment since I've been writing a Zutara story. Since Zutara isn't Canon (but we really wish it was) and all, I only have what does happen in Canon and what happens in fanfiction tropes I see a lot.

In the show we get these wonderful little moments where Zuko and Katara are fighting each other (book one), and it sets a nice theme of opposites attract. The motifs are there with all the color symbolism... it's nice. That does immediately set our brains to 'oh they are so going to get together'. There are a lot of nuances to that, and it's lovely.

I'm not going to lie, Katara is in that group dynamic of 'The Heart' role, and yes, it does put a little pressure on her character to care for everyone. It's my least favorite role for a character and it's a bitch to write when you want that character to be independent.

Anyway, back to Katara. She's the mother figure, the caring and nurturing one that has to help everyone else sort out their problems while she has to internalize her own. It sucks. It really does. So when we get to TSR in Book 3 and she is practically berated by everyone for not acting like herself... she gets pissed, rightfully so because she had to help everyone else with their bullshit until Zuko finally joined. This is where Zuko becomes a foil for her.

Just to be clear, a foil is basically a character that encourages change to happen within a dynamic. It can be a group or a pairing. Usually, that character had opposite goals or a different personality. Zuko started out as the antagonist, but when he joined the Gaang, he's now a foil for the entire group.

Back to what I was saying... what was I saying? Oh yes!

So Katara is rightfully pissed because she needs to deal with her trauma when everyone is suddenly 'this isn't who you are'. No, this is exactly who she is. She is very much like her element. Water is fluid, it can be calm and it can be a torrent... which is exactly the way she is written. It's always been her, she just put everyone else's problems above her own. Now that she has to deal with her problems, it's chaotic for everyone else.

And yes, she does have survivors guilt.

That is her main problem, so now she has to deal with it. And Zuko gives her that chance.

This is getting pretty long, so I'll try to wrap everything up here.

Zuko doesn't need to be 'fixed' he's already done that himself by himself. Joining the Gaang was essentially a fresh start for him (I use that term lightly) which is why he is so awkward when he goes to talk to them at the Western Air Temple (or is it Eastern? I don't remember ahhhh. Fibro brain!) And it's so cute and I just want to hug him. I digress, but it's great.

He's got a shitty past, but he is trying to change himself even further by accepting responsibility for what he did to them individually. In Katara's case, he has to work hard for her. It's lovely, and the payoff is great. I know for sure that is what I see in their relationship. He cares so much about her that he works hard to win her trust again. Why? Because she showed him compassion in CoD, and that struck a chord in him. Her strength is her compassion when he was taught by his sociopathic narcissist father that emotions like that are a weakness.

That my dear Kat*angers is why we love this ship.

It's a beautiful dynamic between them that I would have loved to see Bryke explore, but they just gave us the most vanilla bland version of a romance they could find by pulling a D&B (Game of Thrones writers) and subverting expectations. It sucks.

TLDR version.

Katara doesn't have to fix Zuko.

#dont go into a relationship thinking you can fix someone thats bad #fix yourself and it will work out fine #zuko is an awkward turtleduck #anti anti zutara #pro zutara #pro katara #zutara #anti kataang #anti bryke

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princessanonymous · 2 months

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Your platonic yandere vampire fuckin slaps, its so good i want to eat it

Since after turning, the reader is basically a NEET at this point cause I doubt Dorian would allow her to have a life. Are there like any expectations that he has on her on a day to day basis?

As in, does he expect a minimum amount of time spent together as a family (aside from dinners), having the 1700s equivalent of family game nights, does Dorian expect the reader to hug her dads at least once a day? Or does he let her rot in her room with dolls and just likes the idea of having his husband and daughter in the house?

Once again, love your work and great job , fuckin banger series you made thank you so much for the delicious food, looking forward for more

𝓨𝓸𝓾'𝓵𝓵 𝓑𝓮 𝓑𝓪𝓬𝓴 (Ask)

When Night Comes asks Platonic Yandere Vampire Story Chapter list

I'm glad to know you liked it! (*°▽°*) Thank you for asking! Sorry it took so long to answer, I just didn't know how to put it into words until today. o(TヘTo) But here it is :

┉┈◈◉◈┈┉

Surprisingly, Dorian did not expect a certain amount of time spent together. With time, he had grown to understand that forcing it would only make the girl pull away even more. He knew (Y/n) would come to him or Killian all by herself. Who else would she turn to anyway? Who else would she turn to, after all? Balls and gatherings where she could mingle with vampires of similar age and disposition were few and far between. Being in contact with mortals without feeding on them was even rarer.

No, he knew she needed them. Leaving wasn’t even an option for one who looked so young, that, she was very much aware of. She wasn’t dumb, far from it.

But every three decades or so, the youngling would forget that and simply confine herself in her own quarters. Dorian learned not to make a big deal about it. Still, she needed company no matter how much she could forget that sometimes. Naturally, he would then find her company; that was his role as his caretaker, after all. The first time, it had been a grey cat which, for the life of him, he couldn't remember the name of. Next, it was a little puppy and, ten years ago, it was a small cat with bright blue eyes named Atlas.

They all died within ten years of their arrival. His little vampire took great care of them, but their mortal existence couldn’t be extended forever. Yet, every time, she would be devastated, mourning them for a long period of time. Just like she was doing tonight, in fact. Atlas had been buried earlier in the night. The poor girl was a mess sobbing in his arms. He gently rubbed circles in her back as she cried all the tears in her body.

“Now, hush dear," he muttered with a soothing voice, “you gave it a wonderful life. I’m sure he is now thankful wherever he is.”

"Why did he have to go?" She sobbed even more.

"All mortals have to go, starshine, you know that," he reminded her softly.

The stark contrast between mortals and their kind was a truth they couldn't escape. Mortals, with their fleeting lives and fragile mortality, existed on a different plane altogether. They grew old and frail, their bodies succumbing to the relentless march of time, while vampires remained frozen in eternal youth, unchanging and immutable. Mortals came and went like whispers on the wind, leaving behind only the faintest traces of their existence, while vampires endured, their memories etched into the fabric of eternity. Dorian knew the pet would eventually die, just like the others. And yet, despite the inevitability of her passing, she still had them; her family.

In the quiet darkness of the night, she sought solace in the embrace of the familiar, curling up in the comforting confines of Dorian's coffin. Her tears, silent witnesses to the turmoil that churned within her, traced shimmering paths down her cheeks. He petted her hair gently as Killian placed a kiss on her forehead. And just like that, everything was as it was before. She clung to them as she should.

She would always come to them in the end. Sometimes, it just took a little push, a reminder that mortal life was fleeting — and here she was once again, returning to them with a heart heavy with sorrow and tears.

She would come and they would be there.

┉┈◈◉◈┈┉

Does he bring her pets so she can watch them die on purpose as a form of punishment whenever she pulls away for too long?

'Nooooooo, of course nooooot,' Dorian says, u know, just like a dirty filthy lying liar who lies.

#platonic yandere #yandere platonic #yandere vampire #yandere father #obsession #yandere #vampire #platonic #x reader #reader insert #child reader #yandere x reader #fanfic #stockholm syndrome #manipulation #(y/n)#female reader #animal death #toxic relationship

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jester-lover · 1 year

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I just loved your idea 'Dorm Leaders with a Girlfriend Who Wears Suits', it was so cute, beautiful and wonderful, it would be great to have a sequel. Do you think about continuing? Can I order a sequel please? Please!

Note: I totally understand if you don't want to. Continue to do a wonderful job.

Hi anon! Thank you for your ask! The suit post was my most liked post! I’m very proud of it, and I think it helped me develop my writing style. I’ve been wanting to do a part two recently, so here it is. You didn’t mention what you wanted by saying sequel, and since I personally think the dorm leaders have been already done, I’ll do my favorite group, the first years!!

The First Years with a Girlfriend who wears Suits

Warnings: fluff, stupid gender roles being destroyed, very flustered boys, insecurity (not from the reader), talks of gender roles/identity, whoever reads this is so cool, reader is so hot and confident (did I mention she’s so hot)

Ace Trapolla

Oh wow

No matter how much Ace tends to blab on and on, the moment he sees you for the first time he’s left speechless

He’s never met someone who takes up all the attention of a room in such a short time

Deuce, who’s sorta concerned at this point, pokes him and tells him to stop staring at you

But before his dark haired friend can stop him, ace runs up to you and asks for your number

Congratulations! You now have a little idiot boyfriend who would do anything you tell him to

He’s so obsessed with you his dorm members become a little concerned

Your confidence is so strong, you manage to talk him out of getting into trouble on multiple occasions

He knows your sheer presence captivates the students, so he asks you to be in your best suits for formal events

Pro tip: when you put on your uniform in the morning, ask him to help with your tie. He’ll be super flustered

You managed to make him feel shyer than he’s ever felt, butterflies in his stomach with every smile, slight glance or forehead kiss

He definitely takes you to a formal dance so that you can dip him during the romantic songs

“Y/N, I wonder how you stay so confident, I could never!”

Deuce Spade

I hope you understand that he’s willing to lay down everything for you

You definitely win over his mom, showing up with a bouquet of roses and being ever so polite

He’s so surprised someone so confident and beautiful like you would spend time with a wierdo like him

You quickly quell those feelings, he’s the only guy for you!

You help him fix himself up for special occasions, it always makes him feel special, it makes him feel worthy

Your confidence break’s open a certain floodgate in Deuce, suddenly he’s not as worried about appearing completely and utterly reformed every hour of every day

When he’s alone with you, dress shirts loose and ties loosened, he’s free to be himself

“Today has been so difficult, somehow you make it seem so easy.”

Jack Howl

A confident and strong girlfriend is perfect for Jack

Wolves mate for life, and he is so glad it’s you

You always know how to make him feel special, make him feel like the only guy in the world

His tail is wagging rn

You two tend to scare people together, him being really buff, you looking like a 1940s gangster

He opens up to you quickly, he trusts you more than anything

He definitely gets shy whenever you show up to any sporting event he’s playing in, but he plays better than he ever did

You tend to lead the relationship, often times leading him away to dates, spoiling him with presents

(He’s so househusband material)

“Hey! Don’t look at me like that, you know what you do to me…”

Epel Felmier

He wants to be with you, and he wants to be you

You have a level of courage in whatever you wear, while he’s forced to wear whatever Vil puts on him

Now, perhaps you should use your skills of persuasion to get Vil to allow him more freedom

This boy asks you so many questions

How does he appear masculine without Vil noticing?

How do you pair your ties and socks?

Why does his face get all hot every time you smile at him?

Answer him!!

He finds himself being more comfortable with himself around you, his insecurities of being less masculine go away for a brief second

He can be a man for you, and he doesn’t have to pretend

Epel is most grateful for your advice, a girl like you is hard to find

“I don’t even know where to start! We both radiate manliness right now Y/N!”

Sebek Zigvolt

He immediately deemed you sketchy the first time he saw you

Where you a threat to his Young Master?! He needs to keep a close eye on you!

You keep catching the cute mint haired boy staring at you, so you approach him and ask him why he’s staring

loudly

In front of everyone

He’s outraged! How can you make such a mockery of him? In front of Lilia nonetheless! (Cue Lilia, laughing so hard he’s doubling over)

Taking a pen out of your suit pocket, you scroll your number on his wrist, press a kiss to his cheek and walk away

Now he’s quiet, wondering what just happened

Guess he’s your boyfriend now

He definitely texts you good morning every day, asking what you wish to wear today, just so he can emotionally prepare for the fashion he’s about to see

He’ll never say in out loud, but the 70s era suits are his favorite thing you wear

Emotionally constipated crocodile boy has no clue what to do with himself

This one time he caught you without a suit jacket, your dress shirt untucked, just lounging on one of the shabby ramshackle sofas, you looked absolutely stunning, and he just stood there with his jaw open

“HUMAN! W-WHAT ARE YOU DOING JUST SITTING THERE!? YOU’RE ABOUT TO MISS MY DUEL WITH SILVER!”

A sequel was never really in the cards tbh, but i read the request and this came to me. If you ever notice how extensively I write for Sebek, it’s because he’s my favorite hehe. Dialogue is my weak point. Thank you for reading!!!❤️

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eleanor-bradstreet · 6 days

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Thoughts on Bridgerton season 3

No one asked, but putting it out there. (Written after viewing part 1.)

The Good

Polin - it’s their season after all. There is plenty of them and a lot of scenes pulled right from the book. I don’t think Colin/Newts is all that charismatic or great at acting tbh, but Pen/Nic is carrying the season. Seeing through her eyes, there is a compelling story of self-acceptance, struggle and romance. I was whooping whenever she got steamy with her man.

Debling - wonderfully acted and such an interesting addition to the ton, I love this character. He is so kind and honest, he deserves the world.

Francesca & John - Hannah Dodd is doing a wonderful job. We get to see the one and only shy Bridgerton, which is novel. Her odd chemistry with John is magical and I am already fucked up about them. I’m more invested in them than Polin 😅

Eloise - we are seeing more facets of Eloise which is wonderful. That she is willing to look deeper at peoples’ true character - including Cressida and Pen, though the reconciliation with Pen isn’t finalized yet. Cressida also makes Eloise check herself, her assumptions and privileges which is crucial for her development. She’s growing this season.

The Cowpers - redemption arc for Cressida incoming! We are learning that her bitchiness stems from a competitive nature, which she feels she must have to secure a good match thanks to pressures from her awful parents. This is interesting in its own right but please please please have Sophie also being mistreated in their household. That would be the bow on top.

Marcus Anderson - hello handsome! He is wonderfully acted and immediately has a warm spark with Violet. The mystery is built as to why Lady D is so aggravated by him. What has he done in the past that makes her wary of him?

The music - great instrumental covers of on-point pop songs and revisiting a few tried and true Bridgerton original themes.

The Bad

Kanthony - But only for part 1. I'm guessing they had to work around JB's busy shooting schedule, but it sucks they found a lame way to essentially write them out of episodes 2-4. I'm happy to see from the trailer there will be more of them in part 2.

Benedict - for fucks sake, he does nothing. Season 2 might as well not have happened. Not only is he not sad nor frustrated with Anthony about art school, he has no introspection or personal development in part 1. He’s just shoved in the background again, making sassy little comments and fucking a random lady. Where is this ‘crucial role’ the showrunner mentioned? What ‘comes to a head’ for him as Luke keeps alluding to? All of his material must happen in part 2 because there is nothing in part 1.

The fucking Featheringtons - I know the entail is a plot line set up by season 2, but getting into microscopic detail about the sex lives of the elder two Featherington sisters is not the comic relief the show thinks it is. It actually makes me nauseous. The whole ‘race to produce an heir’ could have been a single line explanation from Portia and screen time with the Featherington couples could have been spent on more Benedict.

The sex - part 2 better be mind blowing because Nicola’s claim that Polin has ‘won the steamy battle’ is unfounded based on the first four episodes. Okay we’ve got Anthony and Benedict each with a scene between the sheets kissing ladies but not a single Bridgerbum to be seen. The claims of ‘threesomes’ and ‘lesbian sex’ are extremely generous. It’s 5 seconds of Colin kissing sex workers and them peformatively kissing each other. I know we have the mirror scene coming in part 2 which threatens to blow the roof off anything Saphne and Kanthony did but thus far, I am unimpressed. It feels more buttoned up than ever.

Now, I have also watched part 2 in its entirety. Without spoiling any details, see below the cut for a general note.

Part 2 contains some MAJOR twists that I feel are going to fracture the fandom. Brace yourselves.

#bridgerton #spoilers #bridgerton spoilers #bridgerton season 3 #waffling

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actual-changeling · 4 months

Text

Welcome to:

We need to talk about Michael

The first post can be found right here, and I do recommend reading it first because otherwise you might not know what exactly I am talking about. As previously announced, we will now have a look at Michael, Uriel, and Gabriel in season two because our Archangels might not be as loyal as the Metatron thinks.

Part 2: Common Ground

I will start with the Apocalypse #2 meeting and the trial, since chronologically it happens right before season two, and we need the conclusions I will come to for later.

The plan for the apocalypse itself is something I've already talked about in a different meta post and there's even more to discuss, but to not get too off-topic, we'll leave it at "earth gets destroyed, heaven and hell go to war" for this one.

I don't know about you, but for me the trial has always felt... off, in a way, and I couldn't put my finger on why exactly—now I have a theory: The entire conversation around Gabriel saying 'no' was orchestrated, not just by himself but by him and Michael.

Armageddon is prevented and Gabriel falls in love with Beelzebub, who is unfortunately the prince of hell and thus the Enemy tm in theory. Practically, heaven and hell work closely with each other, and which angel he knows has established direct contact with dukes of hell?

Michael.

So Gabriel goes to her and together they talk to Beez to come up with a plan, because Michael wants Gabriel out of heaven just as much as he wants to leave heaven. Michael wants his job.

The solution is surprisingly simple: Find a way to make Gabriel fall, who then gets to be princess of hell and Beelzebub's sugar baby, Beelzebub gets to be with Gabriel all the time, and Michael—as duty officer and thus second in command—gets a promotion, taking the role of Supreme Archangel; they can keep working on their own plan with even more resources and influence.

Now they just need to find something grand enough to make THE Supreme Archangel falls, and nothing is better than the Great Plan, or rather, Gabriel refusing to stick to it. This is how we land in the middle of that fateful meeting.

Obviously, everything I am about to show and explain comes down to personal interpretation, but it feels pretty sound to me.

Angels can lie. Angels can lie really well, especially Archangels whose entire job description is to keep up elaborate lies and cover stories in order to keep the system running. I watched the meeting and focused on Michael, her facial expressions, and the eye contact she makes throughout.

As they are about to reach the 'everything ends, amen' part of it, Michael and Gabriel share a look:

We get a wonderful close-up of Michael right after, and to me this looks very much like a smile, a tiny rush of excitement before they begin acting on their shared plan. Then another one when he closes his eyes. It is the timing of the looks that makes me think they're purposeful and not just casual.

And apropos timing, I have re-watched the same two seconds at different speeds like fifty times now and Michael opens her eyes before Gabriel says 'nah'. BEFORE. Saraqael does not open theirs until after, but Michael opens them on his inhale, which sounds like the beginning of Amen, so she couldn't have known what he was going to say right there and then—unless she already did.

Which means she was expecting it, this was an intentional acting choice on Doon's part.

The entire conversation after does not feel like a fight, it doesn't feel like Michael is surprised by his decision. The looks they give each other SCREAM sibling banter, and I know that because I see my sister and me in them.

"I told you you could ask" with that teasing grin and Michael looking up afterwards like "God give me strength to deal with this idiot". No anger, no disappointment, no confusing, nothing. Just mild annoyance over his behaviour.

Then, when Gabriel drops his "only Archangel in the Universe" line, does Michael look angry? Furious? ANYTHING?

No. She smiles. It is all going according to plan and Gabriel is being a little shit, but she cares about him.

Once we reach the cleaning roster, there are more looks.

Like this one before we get a close-up of Gabriel, followed by a blink and you will miss it side-eye; then the lasting look Michael gives him, not annoyed but rather checking in.

Uriel sounds properly annoyed, she looks genuinely frustrated and upset with Gabriel, which makes Michael's behaviour seem even more out of line.

To summarize what we've got so far: Michael and Gabriel came up with a plan so he could go to hell and be with Beez while Michael would take over as Supreme Archangel in heaven. In order to do so, they had to find a fire-worthy offense, and saying 'no' to heaven's Great Plan and victory over everyone and everything certainly did the trick.

For now, it's all going according to plan. However, that won't last.

I am far from done talking about this, so with a big sigh—disappointed but not surprised—I will continue this in a third part, which will be all about the trial.

Part 1 - Part 2 - Part 3 - Part 4 - Part 5

#alex talks good omens #good omens meta #good omens michael #archangel michael #archangel gabriel #archangel uriel #good omens heaven #good omens #crowley #aziraphale #good omens season 2 #go2 #aziracrow #crowley x aziraphale #ineffable husbands #ineffable wives #ineffable spouses #ineffable divorce #the final fifteen

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tetsunabouquet · 4 months

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Hey! How are you? :) I have a very specific scenario lmao bear with me. I work as a Disney princess (Aurora, sleeping beauty) in my local themepark, I spend time with children, answer any questions if they have any, read them book, sing my songs. If there is a birthday party in correlation with Disney I get invited and stuff. I was wondering if you could write how gom's would react to an s/o with a job like this, their reaction with the s/o spending too much time with the assigned prince actors and stuff. This is so horribly cringe omg but I love your writing and wanna see how you demonstrate this! Thanks for reading :)

A/N: Again, than you so much for this request, I cannot express how much I loved writing this.

Akashi

-Considering he has two personalities, it obviously depends on the personality how he reacts to it. -Original Akashi actually is pleasantly surprised and quite interested. I think he really digs a s/o that is wonderful with children. -He is amazed at the way you can remain calm and cheerful even when the kids are acting like complete brats. -Honestly just seeing you on the job is enough to convince Akashi you are marriage material. Your ability to play a role, your warmth that never seems to waver despite how bad some of the kids can be sometimes, it convinces him you are the perfect wife for the Akashi household and as warm as a mother as his own was. -Which is why he actually likes watching you on the job. -He isn't envious of the actors who come and play your prince in a possessive kind of manner, but he always wonders what it would be like to play the part of Prince himself. He often likes to imagine himself playing the part, and sweeping you off your feet in front of the kids. -As for Akashi's emperor persona on the other hand, things are naturally different. -For one, this one can be quite clingy and possessive and he has threatened the life of the prince actors at least once per person. -He's not afraid to make a brat cry so honestly one should tell him to stay away. -But no one ever does, because they know Akashi won't listen. -However, this version of Akashi is the likeliest out of everyone to force your boss to pay you well, and your boss honestly worships you afterwards as your boss feels like the only reason their family is still alive is your grace.

Kise

-At first, he doesn't knows wether he should be happy you are the center of attention for once, or wether he should feel envious he's not everyone's sun at the moment. -Kise actually is wonderful with the kids and gets along great with them. You muse it must be his childish side and his ability to be friendly and charming. -Kise, as a model, does have a little understanding of what it is to be in the entertainment industry and the two of you often talk about your jobs and vision for the future together. -As a model, he isn't jealous of the prince actors either. He also has to do a shoot with female models sometimes, so he understands that its business. -Eventually, he actually gets curious and wants to try out as a prince actor himself, because he's good with kids and he honestly wants to see what its like sometimes. -He didn't last long though. His fangirls quickly got wind of it and booked him so many times for parties, that he had to quit.

Muraskibara

-Nobody was surprised about your job, after all, Murasakibara can be like a toddler himself so the fact you are trained to handle them honestly made his teammates think something along the lines of, 'So that's why she's so great with him'. -He honestly shouldn't be taken to visit you at your job because Murasakibara isn't afraid to go after the kids who steal his candy. His murderous look is enough to have any parent present fear for their kids. -Murasakibara doesn't really cares for the prince actors, but he's annoyed with how much time they and your job requires. He genuinely wants you to be around him 24/7. -However Murasakibara always tries to comfort you in his own ways when he notices you have had a rough day on the job. He can be a surprisingly good listener. -He has his own sweet but weird idea of being romantic. For one, whenever it is December he will buy Disney princess themed chocolate calendars because Aurora was on it.

Aomine

-Honestly his first reaction is some kind of flirtatious comment that should be categorized in the 'horrible pick-up line' section of flirting. You end up laughing at it and thinking he looks so cute when he gets redfaced. -Will not hold back his tongue when a brat is acting up, but if the kid bursts out in tears he gets so apologetic that you think he's only ever looked that sincere whenever he hurts you or Momoi. -He can actually be act like a friendly older brother to the good behaved kids, and you secretly think its the cutest thing ever. -Aomine gets quite jealous in regards to the prince actors. He will try to act nice enough when there are kids around, but if its just you hanging out with your co-workers, then he honestly wants to be there so he can keep an eye on the young men around you. -He's not afraid to throw punches at them if they ever dare to make a move on you. -But leave it to Momoi to have a plan to convince you Aomine is your one and only prince. You honestly could not believe him when he showed up on your doorstep in perfect cosplay, but you were enarmored with the gesture for sure.

Midorima

-Is totally flabbergasted when he learns about our job. Honestly, his reaction is the most comical. -Though he actually does expresses interest and always asks you how your day at work was. -Whilst Takao and Midorima occasionally visit you on the job, Midorima is too busy just appreciating how pretty you look to pay the prince actors some attention. As long as they are nice too you, Midorima is cool with it. -Midorima does worry they are underpaying you sometimes. -Because you have to be good with kids on the job, he actually dares to open up with you about his little sister and any fight or worries he has regarding her (he's too prideful to ask Takao for advice). -His sister adores your job more then he does, which is why he booked you and the other princesses at the park for her birthday. She was so happy seeing 'Nee-Chan' and everyone else dressed up like real princesses for her party and actually dressed up as a tiny Aurora herself to match you. Midorima honestly was melting at how cute the two of you were from a distance, where he took many and many photos.

#knb #kuroko's basketball #akashi #akashi seijuro #knb x reader #midorima #midorima shintarou #kise #kise ryouta #murasakibara #murasakibara atsushi #aomine #aomine daiki #disney princess

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