#what does intrigue me is that if this is explored at all whether it be blatantly or sub-textually | Explore Tumblr Posts and Blogs

hayatheauthor · 11 months

Text

Forging Epic Battles: Techniques for Writing Gripping War Scenes

I want to start this post off with sort of an author's note: this is a long one! I tried to keep my detailing to a minimum but I guess this topic Is just so vast I couldn't help but pour it all out. This really is sort of an ultimate guide and I hope it helps! Also, it was requested by @xweirdo101x (if you want to request something just send me an ask)

War has long captivated readers' imaginations, evoking a sense of grandeur, sacrifice, and the clash of ideologies. As writers, we have the power to transport our readers to the frontlines, immersing them in the chaos, drama, and emotion of epic battles.

Crafting gripping war scenes requires a delicate balance of research, skillful storytelling, and an understanding of the human experience in times of conflict. In this guide, I will explore various techniques that will help you create dynamic and compelling war narratives, transporting your readers to the heart of the action and leaving them breathless.

Setting the Stage: Creating a Compelling War Setting

When it comes to writing gripping war scenes, creating a vivid and immersive setting is paramount. Whether you are crafting a historical war or inventing a fictional conflict, the setting serves as the backdrop against which your characters and their stories unfold. Here are essential steps to help you create a compelling war setting that captures readers' imaginations:

Research Historical Context or Build a Fictional World:

For historical wars, immerse yourself in research to understand the time period, social dynamics, and political climate surrounding the conflict. This knowledge will lend authenticity and depth to your narrative.

If you're building a fictional world, establish the rules, geography, and cultural aspects that shape the war. Consider the unique elements that set your world apart and make it feel real to readers.

Describe the Physical Environment and Atmosphere:

Depict the landscape, whether it's a war-torn city, a rugged battlefield, or a desolate wasteland. Pay attention to sensory details—sights, sounds, smells—to transport readers into the heart of the war.

Convey the atmosphere of the setting, capturing the tension, fear, or anticipation that hangs in the air. Is it shrouded in darkness and despair, or does a glimmer of hope persist? Use descriptive language to evoke the desired emotional response.

Incorporate Cultural and Societal Elements:

Explore how the war has affected the culture and society within your setting. Are there new traditions, rituals, or customs that have emerged in response to the conflict?

Consider the social dynamics at play—class divisions, power struggles, or the impact of war on marginalized groups. These elements add layers of complexity to your setting and provide opportunities for conflict and character development.

By carefully constructing your war setting, you transport readers into a world brimming with authenticity and intrigue. Whether it's the trenches of World War I, a futuristic intergalactic battle, or a mythical realm engulfed in strife, the setting sets the stage for compelling storytelling.

Building Conflict and Tension

In the realm of war fiction, conflict and tension are the driving forces that propel your narrative forward and keep readers captivated. From the clash of opposing ideologies to the internal struggles within characters, here are essential techniques for building conflict and tension in your war scenes:

Establish Clear Goals and Stakes for Characters:

Define the objectives and desires of your main characters within the war. What are they fighting for? What personal or collective goals are at stake?

Create conflicts of interest between characters, where their motivations and objectives may diverge, leading to tension-filled interactions and confrontations.

Introduce Opposing Forces and Ideologies:

Develop compelling adversaries that challenge your protagonists. These opposing forces may represent different sides of the conflict, ideologies, or even personal vendettas.

Explore the contrasting beliefs, values, and philosophies driving each side, heightening the ideological clash and intensifying the conflict.

Utilize Internal Conflicts within Characters:

Explore the internal struggles and moral dilemmas faced by your characters. How does the war affect their beliefs, principles, and sense of self?

Delve into the emotional turmoil and psychological toll of war, showcasing the internal battles characters face as they navigate the chaos and make difficult choices.

By effectively building conflict and tension, you create a dynamic and engaging narrative that keeps readers invested in your war story. The clash of goals, the ideological friction, and the internal struggles of your characters add layers of complexity and depth to your storytelling, drawing readers deeper into the heart of the conflict.

Developing Dynamic Characters

In the realm of war fiction, dynamic and well-developed characters are essential to breathe life into your narrative and create an emotional connection with readers. By crafting relatable protagonists and antagonists, you elevate the impact of your war story. Here are key considerations and techniques for developing dynamic characters within the context of war:

Crafting Relatable Protagonists:

Give your main characters depth and complexity by exploring their backgrounds, motivations, and personal histories. What drives them to participate in the war? What are their hopes, fears, and vulnerabilities?

Develop relatable goals and desires for your protagonists that resonate with readers. Show how the war impacts their lives and pushes them to grow, change, or make difficult decisions.

Creating Compelling Antagonists:

Craft antagonists who are more than just one-dimensional villains. Give them their own motivations, beliefs, and reasons for engaging in the war. This adds depth and complexity to their characters, creating a sense of empathy or understanding.

Explore the potential for redemption or transformation within your antagonists. Are they driven by misguided ideals, personal vendettas, or the pressures of their circumstances? Allow their development to challenge readers' perspectives.

Conveying the Psychological Impact of War:

Explore the emotional and psychological toll that war takes on your characters. Depict their fears, traumas, and inner conflicts as they grapple with the horrors and realities of the battlefield.

Show the evolution of their beliefs and perspectives as they confront the brutalities of war. Allow their experiences to shape their character arcs, highlighting the resilience, resilience, and vulnerabilities that emerge in the face of adversity.

By developing dynamic characters in your war narrative, you create a multi-dimensional and emotionally resonant story. Readers will become invested in their journeys, experiencing the triumphs, losses, and personal transformations that unfold throughout the war.

Writing Action-Packed Battle Scenes

Action-packed battle scenes are the heart of war fiction, where the intensity and stakes are at their highest. These scenes immerse readers in the chaos, danger, and adrenaline of the conflict. To craft gripping battle scenes, consider the following techniques:

Structuring Battle Sequences for Maximum Impact:

Begin with a clear sense of purpose for the battle scene. What are the objectives? What is at stake? Establish the goals and set the stage for the conflict.

Build tension gradually, starting with smaller skirmishes or encounters that escalate toward the climactic moments. Consider pacing, alternating moments of heightened action with moments of respite for emotional impact.

Balancing Fast-Paced Action and Descriptive Details:

Use concise and vivid language to convey the fast-paced nature of battle. Focus on capturing the essence of the action, highlighting key movements, and sensory details that immerse readers in the experience.

Strike a balance between brevity and providing enough detail to engage the reader's imagination. Avoid overwhelming readers with excessive description, ensuring that every word serves a purpose and contributes to the overall impact.

Using Sensory Language to Immerse Readers:

Engage multiple senses to transport readers into the battle scene. Describe the sights, sounds, smells, and tactile sensations to evoke a visceral experience.

Leverage sensory details to enhance the emotional impact of the battle, capturing the fear, adrenaline, and urgency felt by characters and evoking a similar response in readers.

Good action-packed battle scenes bring the war to life on the page, immersing readers in the heart-pounding action. Remember to focus not only on the physical aspects of combat but also on the emotional and psychological experiences of your characters.

Conveying Emotional Resonance

In war fiction, it is crucial to convey the emotional impact of the conflict on both individual characters and the larger society. By tapping into the raw emotions experienced during times of war, you can create a profound connection with your readers. Here are key techniques for conveying emotional resonance in your war narrative:

Show the Human Cost of War:

Portray the personal sacrifices, losses, and tragedies that characters endure in the face of war. Highlight the emotional toll on their relationships, families, and communities.

Explore the range of emotions experienced by characters, such as fear, grief, anger, and resilience. Through their struggles, allow readers to empathize with the profound impact of war on the human psyche.

Engage the Senses to Evoke Emotion:

Utilize sensory language to evoke emotions within readers. Describe the sights, sounds, smells, and tactile sensations associated with war to create a vivid and immersive experience.

Connect specific sensory details to the emotions they evoke. For example, the acrid stench of smoke may elicit a sense of danger or the distant cries of anguish may stir feelings of sorrow.

Develop Authentic and Complex Relationships:

Showcase the bonds formed and tested amidst the chaos of war. Explore friendships, romances, and the camaraderie among soldiers to highlight the connections that sustain characters in the face of adversity.

Depict the conflicts and tensions that arise within relationships due to the strain of war. This adds layers of emotional complexity and authenticity to your narrative.

By effectively conveying emotional resonance, you invite readers to experience the human side of war. They will connect with the characters on a deeper level and become emotionally invested in their journeys.

Navigating Moral and Ethical Dilemmas

War is often accompanied by moral and ethical dilemmas that test the values and principles of individuals and societies. As a war fiction writer, it is important to explore these complexities and shed light on the difficult choices characters face. Here are key considerations for navigating moral and ethical dilemmas in your war narrative:

Present Conflicting Perspectives:

Introduce characters with differing moral viewpoints and beliefs. Show the diversity of perspectives within the war, whether it's among the protagonists, antagonists, or the larger society.

Challenge readers to contemplate the gray areas of morality and the complexities of right and wrong by presenting conflicting viewpoints and the reasons behind them.

Highlight the Consequences of Choices:

Illustrate the consequences of characters' actions and decisions. Showcase how their choices ripple through the narrative, affecting themselves and those around them.

Explore the moral dilemmas characters face, such as choosing between duty and personal convictions, sacrificing the few for the many, or grappling with the aftermath of their actions.

Offer Reflection and Discussion:

Provide opportunities for characters to reflect on their choices, engaging in internal dialogue or discussions with others. This allows readers to contemplate the moral implications alongside the characters.

Invite readers to reflect on their own moral compass and engage in discussions surrounding the ethical dimensions raised in your war narrative.

Navigating moral and ethical dilemmas makes your war fiction go beyond the surface-level action and delve into the deeper questions of humanity. It prompts readers to question their own values, moral boundaries, and the intricate web of choices that arise in times of conflict.

Research and Authenticity in War Fiction

For war fiction to have a lasting impact, it is crucial to conduct thorough research and strive for authenticity in your narrative. By grounding your story in accurate details and historical context, you enhance its credibility and immerse readers in the world of war. Here are key considerations for incorporating research and authenticity in your war fiction:

Study Historical Events and Settings:

Research the historical events, conflicts, and time periods that serve as the backdrop for your war narrative. Gain a comprehensive understanding of the context, including the political, social, and cultural factors that influenced the war.

Dive into the specifics of battle strategies, weaponry, and tactics employed during the time period. This knowledge will help you create authentic and realistic war scenes.

Explore Personal Accounts and Memoirs:

Read personal accounts, memoirs, and interviews of individuals who have experienced war firsthand. These sources provide invaluable insights into the emotions, challenges, and nuances of the human experience during wartime.

Pay attention to the details of daily life, the physical and psychological tolls, and the individual stories of courage, sacrifice, and resilience. Incorporate these elements into your narrative to add depth and authenticity.

Consult Experts and Military Advisers:

Seek guidance from military advisers, historians, or experts in the field to ensure accuracy in depicting military operations, protocols, and terminology.

Engage in conversations or interviews with individuals who have expertise in areas relevant to your story, such as veterans, soldiers, or scholars. Their perspectives can offer valuable insights and help you portray the realities of war with authenticity.

Strive for Emotional Truth:

While research and accuracy are crucial, remember that emotional truth is equally important. Balance historical accuracy with the emotional resonance of your characters and their experiences.

Capture the human aspects of war, such as the impact on relationships, the psychological trauma, and the bonds forged in the face of adversity. Connect readers to the emotional core of your story.

By incorporating thorough research and striving for authenticity, you create a rich and immersive war narrative that resonates with readers. The combination of accurate historical details, personal accounts, and emotional depth brings your story to life.

War fiction is a genre that holds immense power to captivate readers, evoke emotions, and shed light on the complexities of human nature during times of conflict. Through the techniques and considerations I have explored in this guide, you have the tools to craft compelling war narratives that resonate with authenticity and engage your readers on a profound level.

I hope this blog on forging epic battles will help you in your writing journey. Be sure to comment any tips of your own to help your fellow authors prosper, and follow my blog for new blog updates every Monday and Thursday.

Looking For More Writing Tips And Tricks?

Are you an author looking for writing tips and tricks to better your manuscript? Or do you want to learn about how to get a literary agent, get published and properly market your book? Consider checking out the rest of Haya’s book blog where I post writing and marketing tools for authors every Monday and Thursday

577 notes · View notes

tachimichishrine · 4 months

Text

"broken and fixed again"

⫭◦⨝◦⫬

dazai osamu x fem! reader {hospital AU}

warnings: nsfw ; literally 1 fingering scene the rest is fluff ; mentions of suicide; not an actual au just a scenario ; fluff but it's just complaining abt your joints ; reader teases the living sh out of him bc flustered and soft dazai needs to be more mainstream ; makes him wear a nurse outfit with the power of words ; slight tw blood and pain i love seeing the silly in agony ; intended lowercase ; cursing ; so so so self indulgent i just got my second surgery in the span of 5 months dw im fine just dramatic as hell and my hospital neighbors are all gilfs

"haaaaaaah..."

dazai wasn't on any pain medications, so there was no way he was imagining that sound.

"haaaaaaaaaaahhhh..."

the day after being shot by fyodor, he wound up in the hospital due to his inability to be cured by yosano. it wasn't a big deal; he'd dealt with worse before, obviously. you don't spend as much time in the port mafia as he does and come out fully unscathed, after all.

"haaaa-"

then a slumping noise as if a body collapsed onto the ground. he was still on bed arrest, but he was growing restless being locked in the room all day with himself. the nurse who was tending to him seemed to be rather cold, but he knew that she'd turn to puddy for him shortly if he actually tried.

he groaned a little bit while getting up, fingertips grazing the paper thin clothing they were given at the spot where the bullet had pierced him. softly footsteps fell on the squeaky clean floor, and his head peaked outside his doorframe to look around for the source of the sound.

you were on the ground with a walker collapsed next to you.

pleasantly intrigued, he shot a quick glance at your facial expressions to check whether or not you were truly in agony, which you weren't. in fact, you seemed just as bored as he did. your arms spread out your sides like wings and your legs were tussled awkwardly as he guessed you were trying to keep the cheap clothing from revealing your butt-naked figure.

"oiii, psst psst," he called out, hand flattened next to his mouth as if he were whispering to you intimately in the empty hallway.

you tilted your head backwards, looking at him upside-down with what was an inarguably listless expression.

"heyyyyy," you seemed to be almost slurring your words, and he guessed you were hooked on enough meds to make a small fortune if sold on the streets. "wh-whooo... who are youuuu?"

a few steps forward and dazai was standing over you. he carefully lowered himself, his eyes scanned you again and a smirk played on his lips.

"that's quite the act," he snickered, which caused you to let out a groan.

truth is, you weren't on enough pain medication to get to that high. however, it had been a week since you were admitted, and you were losing your mind doing nothing all day. the operation went well, but there was always a high risk of infection or post-op complications and they'd insisted you stayed 10 days for observation. you tried chatting with the nurses, tried exploring the place, tried sleeping to recover faster but every solution tired out after a while.

they gave you a few tools to navigate your surroundings, one of which was the damn walker. you'd done crutches and mobility aids before, casts, splints and braces, but no one liked the walkers. they made you feel like you were a hundred years old, and your body might as well be.

so, you decided you'd collapse and see what happens, how long it takes someone to come find you, rescue you and make your day just a little less boring. you settled yourself onto the ground, threw the walker and got comfy on the floor.

the man who approached you seemed a bit concerned at first, but he appeared to see through your games annoyingly quickly and called you out on it without even pausing to indulge. you let out a puffy pout and crossed your arms. "mannn, no one here is any fun."

you caught a glimpse of bandages wrapped around nearly every one of his extremities, almost like a decoration more than anything else. you slowly turned yourself and shuffled your body so you were sitting down facing upwards to look at him.

"what're you in for?" you asked with a snicker, getting over the fact your plan hadn't worked because he seemed to be relatively normal and you sure could use a conversation right now. "armed robbery? assault and battery? tax evasion?"

"you wouldn't believe me if I told you," he mimicked your expression, piquing your intrigue with a sly grin. you couldn't help but notice he was incredibly pretty, and you quickly developed another hospital crush; you roamed the hallways enough to identify the regulars but not enough to actually speak to any of them, and having stupid crushes on just about everyone kept your mind mildly active.

"what, you got jumped by an elite ninja squadron or something?"

before he could retort, clicking of heels resonated from the end of the hallway. the pace picked up when the nurse saw two patients laying down on the floor with a toppled walker, calling for some kind of a code. you giggled mischievously even when she realized you were fine and helped you up. the man who's been with you for a few seconds also received a verbal beating while responding just like you did.

your hands went to the metal of the walker, and you rolled your eyes while deciding you'd try to come back this way and speak to him again at night when they were understaffed and no one was going to pester you. you were barely beginning your plans to escape yet again when something deep within your body that had been altered recently felt like it burst. it didn't, but the pain and the sight of the blood you were coughing violently onto the floor made you rack your brain over the long list of possible complications.

fuck.

you fell onto the ground again, but this time it was painfully real. wafting in and out of consciousness until you couldn't tell if you were fainting, having a seizure or if something else had happened. the nurse turned around too late to catch you, but quickly yelled out that code from before and instructed the man go and get help immediately.

your body felt so broken.

you were never more pissed off to see the damn white drapes, walls and the same old view out the window accompanying that damn beeping.

your finger was clamped in some device reading your heartbeat, and a bunch of sensors were hooked up all over your skin. your head was groggy, a stiff pulsation throbbing at the back like you'd given yourself a concussion.

"mmmmn..." a languid groan was all you could manage; your throat was dry and you felt like you could eat the ekg right now. you wavering in and out of a daze for a few minutes while you tried both to fight off the sleep and fight off the day.

a knock at your door roused your attention once more. your neck hurt too much to crane over and take a look, but you could definitely hear the door closing.

"oh, it's you," you said, the bandaged man making another appearance. "sorry about today. I didn't mean to fake it 'til I made it."

the laugh at your own joke hurt your chest and you tried not to cough.

"it's actually been a bit longer than you think," he mused while sitting at the foot of your bed.

you hastily cut off any word that he was thinking of saying. "don't tell me! I have 3 days left before getting discharged, and I'd rather it come earlier as a surprise than right on time."

you did not ask him why he was here, assuming he must be in the same exasperated position. instead, you asked him your question again from the other day.

"or at least your name," you added. "I gotta know to whom I owe the honour of a visit. the nurses must really like you to let you pull a stunt like this."

he chuckled, mostly to himself. "oh, you've got no idea."

despite his weird way of talking like everything was a riddle and he was a spy of some sorts, the man - whose name you learnt was dazai osamu - was not so bad. he lent you his phone (you had no idea how he had managed to get away with this kind of thing) for you to call some close friends, and listened patiently while you told him how you'd ended up in this hospital bed. he however did not explain what happened to him, nor why he had all those bandages all over himself.

he didn't say much at all, to be completely honest. you blabbered long enough for the daylight to cease seeping in from your curtains, and it was dark when you were both laying down side by side in the tiny bed looking up at the ceiling in silence.

"thanks for stopping by," you hummed, eyes closed but a slow smile on your lips. "didn't think I charmed you that much with my hospital charisma. you should see what I'm like at full power."

you didn't need to open your eyes to know he was smiling back. "anytime, darling."

another chuckle at his words and another long pause. you didn't like the soft humming of the machines around you, but it was different when you weren't alone. heavy eyelids combined with steady beeping led you to start slipping asleep when he spoke up again.

"you wanna know what landed me here?"

damn him for choosing now to tell you. you stirred uncomfortably, body smushed against his while you tried to lay down on your side to face him, but it was incredibly uncomfortable and you quickly retreated back to the hellish laying on your back. you actions spurred him to continue.

"I was shot," he admitted nonchalantly. he seemed to be examining his nails and yawning like he wanted to emphasize just how much he didn't care much for the words he said.

"so my ninja theory wasn't so far off, then," you chuckled for a lack of a better response. "what'd the bullet pierce?"

dazai would never admit that he was mildly impressed that you didn't ask about who had shot him, or why. "the doctor said I'm a 'lucky bastard', because it missed all my vitals."

you have taken note of where the wound was, and confirmed again when he said that because he must really be lucky to miss out on death and major complications if he got shot in the abdomen and it missed all the important things in there.

"your doc sounds like they wanted you to have some damage," you remarked, gaze back on his face. maybe you were particularly tired, but his eyes felt so dreamy when he smiled. you decided you'd ask him out once you got out of the hospital.

"oh, she definitely did," he agreed, "but she's an old friend and I think all my coworkers were hoping for something more serious."

"kinda sounds like you did too."

he considered what to say; his double-suicide jokes felt incredibly out of place in this environment full of people desperately trying to cling on to life. even if you seemed to pick up on the general direction of what he was implying, he shook his head and turned it towards you.

"are you implying that I'm a masochist?" said with a sly smirk.

"are you denying it?" you mimicked his tone.

he did not, in fact, deny it. you fell asleep shortly afterwards teasing him about it, and he just took it with a stupid grin on his face. your head fell limp onto the pillow, and he only began to be convinced you weren't just pretending again when your jaw slowly dropped down to slightly open your mouth ungracefully and let out a soft snore.

he could've gotten away with falling asleep beside you, but he didn't know how his nurse would feel about seeing him in bed with another woman.

two knocks at his open door signaled your presence.

"no walker," he said, showing you that he was impressed with an exaggerated nod of approval. "next thing I know, you'll be running marathons around the entire wing."

you huffed proudly, thinking about flopping onto his bed but your body wasn't quite ready to be thrown around just yet. "ahh, I wish. I've been told I need to stay an extra week because of my little incident. how's your timeline looking?"

he put up a four, indicating how many days until he abandoned you. faking a sorrowful sob, you wrapped your hands around his leg and hugged it like a child trying to get their parents to stay. "nuh uh, you're not! what happened to 'til death do us part'? was I the only one who said those vows?"

"apologies, my dear wife," he bowed apologetically, snickering. "I guess I'll just have to injure myself to come back to you~"

your frown was instantaneous and serious as you scooched up on the bed. "hey, don't joke about that kind of stuff. my old roommate was recovering from an attempt and she had it rough. I hate it when people joke about suicide just to sound funny."

oh.

dazai was lucky that all the members of the ada were too busy to come and visit him, because judging by your reaction, you would genuinely hate him if they heard kunikida call him a suicidal bastard or ranpo ask him why he's in the hospital if he wants to die. you may have been faking a crisis playfully the first time you met, but he felt a little ashamed lying in your presence with how truthful you were about your emotions. he admired it, but didn't know if he envied it too.

"anyways, I have something for you," you winked at him, then reached into the sleeve of your hospital gown and pulled out a simple flower. it was disheveled and barely alive, but some of the colour was still there and your smile was bright enough to compensate. "ta da!!"

"I thought flowers were not allowed in this hospital?" he raised a brow, a subtle pink dusting his cheeks at the action despite his typical unaffected demeanor and the fact that this gift was incredibly insignificant. his fingers held the stem delicately as you seemed proud that he liked it.

"they aren't!" you beamed with a giggle. "kai - the boy a few doors down from me - his girlfriend brought him some and that one really mean nurse threw them out. I was walking by the garbage and picked the best one for you."

he watched you shift closer when you finished speaking and laughed. "trash flowers."

"reminds me of you."

"ouch! I think I'm gonna need more pain meds from that sting!"

you called him a goof and continued to tell him about the rest of the hospital lore. he had been holding the flower for quite some time, and you asked what he was planning on doing with it. he asked you to fetch him one of those ridiculously tiny plastic cups at the drinking water stations and fill it up. the dying flower sunk into the water delicately while positioned on his bedside table.

responding to your remark that the nurses will have to throw it out if he let it out in the open, he reassured you that that won't be a problem. he still refused to reveal to you his methods, though.

day came and went; you finally asked him if he'd be interested in going out with you once you were both recovered; he did you one better and kissed you under the moonlight.

you didn't care that the walls of the hospital rooms were thin; it was good when you were collapsed and the dull thud could mean the difference between life and death.

however, it made what you were doing even riskier.

"fuck... fuuuck, osamu take... mmn take it easy," you murmured against his lips, thighs parted as his fingers reached deep enough to get you shaking.

he was laying on his side, supporting his weight on his forearm while he buried his other hand into you with slow, calculated movements. neither of you were fully recovered and as much as you wanted to slam him against something and grind on him until he was a babbling mess, you weren't in a state to try just yet.

instead, dazai was spending his last night in the hospital making your thighs twitch and chest heave. things progressed fast after the first kiss, especially since the two of you had nothing to do all day but speak to the other. he occasionally got calls on his phone where he had to excuse himself to take it, but other than that you didn't have much else on your minds except each other.

he took you on a date to the cafeteria and offered you a fine dining experience (junk food he beat out of the vending machines) complete with the most exquisite wine pairing (a pack of juice boxes).

you took him on the next, sneaking into rooms where you most definitely weren't supposed to be wandering and broke into the nurse's lounge. you both stole uniforms and changed, although you had to admit he pulled off the dress rather well. you got him to throw on the tightest size he could fit into, and he did a little catwalk in his formfitting outfit. none of the staff caught you making out in the supply closet.

and the third day was simply another moment of lounging in each other's rooms and talking about nothing. he accidentally dozed off and woke up an hour later to your fingers tenderly running through his hair. he gave you the side eye, receiving a kiss on his temple as a response. dazai retaliated with a kiss of his own, and suddenly you were carefully trying to lay down on him to kiss him deeper, better, but your groans were of pain and not pleasure and he offered to swap positions.

and fuck, was this man talented. you were happy just looking at him and muttering about how pretty you thought he was, but he was a lot more sensitive to your little teases and fingers exploring the outline of his body than he let on, and he had pushed up the bottom of your gown to get in between your thighs.

"nnng... ahh, do that again," you rasped out as his thumb rubbed your clit with slowly, languid motions. "is this your... mmmnnn... your way of feeling guilty for leaving me haaah... here all by myself?"

"sorry," he quipped, albeit not looking sorry at all with that lazy grin as he looked at you through low lashes. "I haven't even left yet and you miss me."

your hips buckled painfully as a jolt surged through your body and made you muffle a moan into the side of his neck. "hey, I said take it easy. can't have me extending my stay just 'cause you fucked me good."

he promised he'd do his best, but only thrust into you with harsher movements once he saw you purse your lips to keep from whimpering. you called him a little shit, but that just seemed to make him even more smug.

a nurse heard you cry out, rushing to check up on you; they didn't see dazai hidden on the other side of your hospital bed while you explained that you just had a nightmare and woke up suddenly, promising to keep it down. they just sighed, walking out with a frustrated shake of their head as dazai popped back up and giggled along with you. you leaned your head over the edge of the bed, holding his face in your hands so you could kiss him again.

"miss, please wake up. it's time for your medication, and you have a visitor."

you weren't sleeping. how could you, when it was your first night not crawling into dazai's bed to talk yourself to sleep? he was finally recovered enough to leave, and all you could do was ask him for his number so you could call him once you were out. 3 more days wasn't quite bad, but it was already piled on top of the countless ones that had passed. boredom was even more bitter once you'd tasted the sweetness of a friend.

reluctantly, pills dropped into your hand were thrown into your mouth and swallowed dry under the watchful gaze of the nurse. he didn't seem to particularly like you, but you supposed he had a right to when you kept breaking all the rules they had.

"what do I have to do to be next?" a smug voice resonated from the doorframe, lanky frame leaning against the wood as he watched you swallow.

you felt well enough to get up and give him a hug, but he beat you to it and leaned down to kiss your forehead. he sat on the edge of the bed and stroked your hair out of your face with the kind of shallow loving nature he seemed to have on by default. it took a few hours together for that to wear off and for his actions to begin feeling genuine again, but you never commented about it. you supposed everyone did that to a certain extent and you were just a little hyperaware of his giveaways.

"I didn't think you'd come back this soon," you admitted, trying to scooch on the bed so he could sit next to you as you used to. he seemed however to shake his head a little.

"I can't stay long, dear, duty calls," he said, but the look you gave him showed that you didn't believe that one bit. it didn't take much for him to give in and curl up by your side, clinging onto your body with a childish expression on his features. "this persuasive with nothing but your eyes, did I ever tell you how incredibly talented you are?"

"you did not, in fact. please do it more often," you chuckled, ruffling his hair and kissing him on the crown of his head twice before pulling him into your chest, his nose nuzzling in your neck right under your ear. you swept your hand across your body to hold him, but your iv was still in and it nearly got tangled in your limbs as well. "if you've gotta go, then why are you here, osamu?"

he gasped dramatically, turning towards the entrance. "nurse, nurse please get me something to fix my broken heart! my sweetheart doesn't want me here! on my surprise visit!"

the nurse seemed like he really was about to come in, but much more likely to be in order to remove your problematic visitor than hand him a first aid kit and fix his "broken heart". you shushed him, laughing hysterically as he got all of his melodramatic needs out of the way, asking you if you've considered giving him your house in your will, asking how long you wanted him to mourn you. refreshing, he was refreshing. a breath of fresh air after all these stuffy hours spent in the hospital.

"do you really need to go?" you asked, cradling his cheek with your palm and rubbing slow circles with your thumb. "have you just come to remind me what I can't have, osamu? how cruel of you. you may have been the one shot but I'm pretty sure you just twisted the knife in my back."

he enjoyed your playful banter, but this time a more serious look was on his face. you tilted your head to the side, watching him curiously, trying to analyze his movements and figure out why he was acting weird when suddenly, he grabbed the trashcan from next to him and coughed into it.

"oh my god— osamu, hey, oh fuck, that's blood..." you swore to yourself, calling out loudly for the nurse as well as pressing the emergency button you had on your bedside while you got to his side and held him softly, unsure what to do. he always seemed so above all of this, the treatment, the pain, the entire hospital even, that it felt shocking to watch him cough up more and more blood into the can, rasping without a single witty comment in between.

you combed your fingers through his hair, pulling all of it out of his face as if you'd both been hungover college girls waking from a rough night. the blood seemed to be easing up, but he was wincing and holding his hand to the spot where he said that he'd gotten shot.

"osamu, baby, try to breathe for me. in through your nose, as slow as you can manage. help is on its way, they're going to find out what happened and you're going to be okay, alright? you can't die, we spent all this time discussing my funeral plans and not yours, so I'm not ready," you joked, partly out of habit but mostly because you wanted him feeling reassured as you held him and waited for someone to come in and fix everything.

he seemed to try to say something, but you clicked your tongue and wiped the mixture of saliva and blood from the corner of his lips with your finger. "don't try to say anything. store every asshole remark you want to make in your head and tell it to me later, once everything has passed. 'cause it's going to pass, osamu, it always does. you're going to be fine."

you glanced down at his shirt, noticing the widening pool of crimson in his chest, and hoped that you were right.

you were discharged, but feeling more sick than ever. pacing back and forth in the waiting room, you resisted the urge to go to the receptionist and ask her about his condition again, only to be told that a, you aren't immediate family and therefore can't be informed, and b, she didn't have any information about his anyways.

dazai had been taken into surgery to fix what sounded like ruptured stitches (he was pushing himself too much and they burst, according to what you understood) and you refused to leave without knowing how he was doing.

the wait was long, agonizing and you contemplated faking a relapse of your illness just to get inside and see for yourself, but quickly convinced yourself that you're not that desperate. yet. a doctor walked out, spoke briefly to the receptionist who pointed at you with a look full of attitude. you sighed out of relief, figuring this meant you were finally getting an update.

"so, the doctor told me that your surgery went well and you'd be alright in a few days if you actually followed their words this time," you finished recounting, holding dazai's hand and pressing soft kisses to his knuckles in between sentences. "then you, my sleeping beauty, took two lovely hours just to wake up. I slept a little while waiting, so if you find some drool on your sheets... technically, that's your fault."

drowsy, half-conscious but still able to weakly chuckle at your words. his fingers twitched a little in your grasp, so you just continued to hold him tenderly while he let out drawn-out gasps as he adjusted to being awake.

"try to focus on my voice," you offered, knowing all too well the experience of waking up and wanting to slither out of your body. "don't think about the pain, don't try to convince yourself that you're stronger than it. just listen to me, okay?"

he whispered a soft "okay" to let you know that he was going to try, and you smiled against the back of his hand.

"tonight, I'm going to stay here with you," you begun reciting, almost like a fairy tale that should've started with once upon a time. "I'll sneak into the cafeteria, talk to my guy to get you the good stuff, y'know the green jell-o that everyone is jealous of? tomorrow, I'll put you on a wheelchair and we can go terrorize the nurses again. the day after, we can just stay in bed and I'll kiss you all better so that the following day, I can give you a ride home and we can finally get the hell out of this boring place."

his grip on your hand slightly tightened, and you watched his face flush a soft pink. you checked his temperature, wondering if he was spiking a fever already, but realized it was the rosiness of a blush. you giggled at him and his flusteredness, holding him near and continuing with more tales of ridiculously detailed date plans.

he fell asleep again once you'd gotten to your plans on day 43, but you kept going until you got told visiting hours were over and you had to leave. you kissed his sweaty forehead and swore you saw him smile faintly as you walked out.

you did everything you told him you'd do.

you got him the treats he wanted, noticing how he was especially shy around you when you started bringing him the little trinkets. you bought him real flowers, too, making sure you hid them as well as possible from the hospital staff, but you were already professionals at this point.

after his incident, you learned about a softer side to dazai, one that led him to blushing and losing his words when you complimented him instead of responding with his own. you would surprise him with a spontaneous fashion show featuring the hospital's limited assortment of clothing options, or wearing the nurse's uniform again as you pretended to be helping him take his meds and reminding him to take it easy.

and he did. dazai finally listened, allowing you to pamper him and actually voicing when his pain was getting bad. he mentioned briefly, on a single occasion, that his past job involved a lot of physical pain, but you sensed that you shouldn't bring it up any further. you just let him fall asleep, over and over again, in your arms and never rushed him. the best thing was that you could pretend at work that you were still gone on medical leave, so no one bothered you while you stayed with him.

"does it bother you that I'm always around?" you asked softly on one occasion, helping him to and from the bathroom after spending nearly 30 straight minutes joking about piss kinks. "I don't mean to be too much, constantly by your side. I know some people get kinda annoyed when you care too much, too soon."

dazai, walking with his arm over your shoulder so you could support some of his weight as he made his way back to the bed, seemed to have his legs give out suddenly. your reflexes were fast, and you swooped down to catch him, his body arched backwards as you looked down at him like you had been dancing the tango.

the sneaky bastard smiled at you.

"you're cute when you worry," he said simply, and you briefly considered dropping him out of spite. instead, you kissed him and slowly brought him onto the bed. even more cautiously, you sat down on his lap, little to no weight actually being placed on him as you supported yourself on your parted knees. "hm? what's this? what happened to being worried about being too much?"

you ignored his taunt and sat there for a few minutes, just holding him, kissing him and whispering everything that went through your mind. "surely you aren't complaining, are you, sweetheart? yeah, I didn't think so."

it was harder for him to sit still than it was to endure the pain; he slowly got weaned off the medication, but at the same time he was strictly forbidden from going out, using his phone or seeing many people.

on the day of his discharge, you begged him to let you drive him home. he said that it wasn't your responsibility, that he would manage, but the man he was calling sounded like he wanted dazai to rot away in the hospital for the rest of his life.

"all of that because you don't do your paperwork?" you asked with a chuckle, sitting by his side with his belonging in a bag on your lap, waiting for him to finish his call with his friend from work, if you could call that friendship. "really, I told you that I don't mind. let me drive you home, I'm sure this kuni... kunikida guy will appreciate it. what exactly is your problem with that?"

"I like to maximize my time spent annoying kunikida," he explained sensibly with a grin, groaning slightly as he got up and sat back down on the wheelchair. you placed the bag on his lap and began wheeling him towards the exit while he continued. "it's been too long since I've been a pain in his ass, sooooo..."

"is that an excuse 'cause you don't want me seeing your place?"

he gasped loudly, gathering the attention of all that you passed by. "dear, I swear that I'm a good liar. how do you see through me so quickly?!"

"the same way you see through me, I suppose," you laughed softly. "and if you don't feel ready to have me so much as see your home, I don't mind, I'm a patient woman. get it? patient. it's a hospital joke."

your understanding of nearly every curveball he threw at you was too much, and quite frankly he couldn't handle it. every time he tried to push you away, gain some distance because you were getting too comfortable with him emotionally, too close to the parts of him that he didn't keep guarded, you somehow managed to take a step back without hating him or demanding more. he'd always been the type to let women fall for him, that's true, but you weren't asking for anything in return and he just didn't get it.

that was the reason dazai couldn't let you take him home, not because he was ashamed of where he lived but because your relationship was confined within the walls of this hospital and he was afraid of what would happen if you continued outside of them.

it was also the reason he found himself crying once you finally brought him to the front entrance of the hospital, about to check one more time with him that he refused to get a ride with you when you noticed his tears. panicked, you looked at his chest for signs of blood, his face for signs of fever or pain, anything physical.

"osamu, is everythi— nmmf!"

he'd never kissed you like that before, grabbing your face while you crouched down to look at him and just feel you, all of you, on his tongue. desperate and needy, like he'd never touched you before or like you were some kind of lifesaving drug (which you must've been: he hadn't thought about suicide in weeks, hadn't joked about it, hadn't asked someone to a double-suicide. the prospect felt so foreign, ridiculous when he thought about never seeing you again). in the middle of the lobby, you were practically making out all of a sudden which was why you had to pull away temporarily and look at him, confused.

you didn't ask him why he did that. you just laughed (he loved the sound of your laugh) and called him impatient. yet somehow, both of your gazes met and there seemed to be some kind of mutual understanding of the feelings involved. you were so genuine about your emotions that he both psychologically and physically broke.

he was silent as you wheeled him to your car, helped him in and told him to wait as you returned the wheelchair. he sat down, looking at the mess, the faint chaotic smell that somehow matched you perfectly and relaxed into the passenger seat. when you came back, asking him for his address, he opened his mouth meekly to ask if he could stay with you for a few days since he knew he would slack off on the meds and eat junk food if he was living alone again. he almost looked embarrassed as he asked it, looking down at his hands instead of at you.

he wasn't wearing his bandages. in truth, they'd been cut off since he had that emergency surgery, but he never put them back on. dazai told himself that it was because he liked to feel your skin on his, but deep down he knew that it was much more than that.

too quickly. dazai osamu fell in love too quickly and he didn't know how to make it slow down.

"osaaaaaaamuuuuuu!" you called out, trying to wake him up at 6 in the morning. "time for your medicationnnnnn!"

he pretended to snore, and you pretended not to notice his tricks.

you stood there, hand on your hip, sweaty as you were just back from your morning exercise. trying to keep your health in the kind of shape that you wouldn't have to go back to the hospital was nice, but the early mornings took a while to get used to. luckily, it helped that you had your snoring boyfriend as a natural alarm clock.

"oh, he's sleeping? that sure is a shame," you dramatically pouted, setting the small cup with the pills down on the bedside in fake dejection and loudly walking over to your bathroom. "I guess I'll just have to shower all alone..."

on command, the covers were thrown in the air, osamu yelling "I'm awake!" and swallowing the pills dry in a panicked frenzy.

it works every time.

he giggled, holding your hand once he got up in order to make sure you weren't joking and truly drag you to the bathroom. you barely managed to murmur a "good morning" before he was all over you, slowing down only when you told him to take it easy with a laugh.

you'd both met each other when you were broken, but right now you've never felt so whole.

#dazai osamu #bsd dazai #dazai x reader #bungou stray dogs dazai #dazai osamu x reader #dazai bsd x reader #dazai x reader bsd #dazai bsd #bsd x reader #bungou stray dogs x reader #bungou stray dogs #down bad tm #im unwell for them

147 notes · View notes

bengiyo · 11 months

Text

We Must All Get Louder and Gayer About La Pluie Immediately

I understand that this show only airs on iQIYI and that most of us canceled that after KinnPorsche and/or Love in the Air, but I’m gonna need y’all to re-up those subscriptions and get on this train right now. This and Step By Step have been some of the most intriguing romance explorations we’ve had in the realm of Thai BL in a long time, and you are missing out on this incredibly breakdown of the soulmate and fast romance tropes that I’ve ever experienced.

I’ve seen some consternation about whether this show is honoring or defying conventions within romance and BL, and I don’t think that’s the most enjoyable way to engage with a piece of media in a mature genre. I think it’s more useful to ask questions like:

How is this show using those conventions?

What do these conventions fit?

What new things have we learned about ourselves or the genre as a result?

We’ve been unpacking the soulmate idea from the very beginning (@lurkingshan). The show upended our expectations about that from the opening scenes by showing us a romantic man who doubts in his own romantic destiny because his parents divorced. The show has then gone on to state quite plainly that it believes that the hearing loss connection is entirely coincidental, and that what people do in their relationships with other people is what matters the most.

We are sitting in the audience, and so we know that this is a romance. We fully understand that Tai and Patts will more than likely be together at the end of this story. What that knowledge and expectation allows the show to poke at the development of relationships in dramas. The characters are in a slow burn romance, but everyone in their lives doesn’t think they should be! That’s been incredibly fascinating because we so often see BL characters rushed into a relationship with each other that we are always surprised when they aren’t (Bad Buddy, My School President, Bed Friend). It’s been incredibly enjoyable for me to see a romance refuse to rush their characters into commitment with each other.

My good friend @lurkingshan wrote about this subversion of tropes and expectations this morning as they pertain to Lomfon. She makes the point that we expected Lomfon to be a bigger factor going into episode 7 than he was, and that’s also I think part of the point. He’s not a threat to the core romance, but he does have a role to play in this story. For me, I think he’s here to reinforce that skepticism and doubt are critical to making any sort of relationship or belief system function. Your ability to handle new challenges and things that confuse you are critical to being able to maintain a commitment. It doesn’t work if it’s forced.

As for misunderstandings, this show also continues to be intentional about this. As far back as episode 4, Dream chided Patts for not making things clear with Nara. Patts listened but hoped that his non-answer would be enough for Nara. Likewise, Bow has warned Tai twice about Lomfon’s clear desire for him, and how by not making things clear Tai may also face difficulties.

This comes to a head this week with Nara. I agree with @ginnymoonbeam that Nara’s return lets the narrative blow up Tai’s uncertainties he’s left bubbling since the beginning. I personally love Nara’s reintroduction here because Tai is romantic and because he genuinely seemed to like Nara. He liked that she still knew how to take care of her ex. He liked the determination she showed to travel all the way to Chiang Mai to pursue him. He was rooting for her! Even if he misunderstands the kiss, it’s not really about the kiss. It’s about the fact that someone he admires cares for Patts, and he likely worries that he’s the reason they didn’t work out. He’s also still questioning if the mutual attraction between himself and Patts can be trusted.

Moving on to the intimacy, I wrote last week about the way this show has made it clear that these are two men interested in each other. Following up on that this week, we entered an incredible liminal space in their relationship. Patts signaled earlier in the episode when they first got to their room that he is hoping to pick up where they left off with their last intimate moment. Both went into this bed fully aware of the sexual tension between them.

Tai is the one who opens the door this time by first offering the massage and then initiating the kiss. Things heat up between them, with Tai again on top to remain in control of the situation, something @shouldiusemyname points out here. Tai once again asks Patts to stop when he moves to escalate the encounter, but Tai shows Patts that he is interested in him. He offers to help him out by performing the act that Patts was most certainly going to do last week. This is incredibly fascinating for me, because I have always asserted that bottoms are the ones in most control of an encounter. I do not read Tai choosing to take care of Patts as him giving up control in any way. In fact, it’s a way for him to further maintain it. He reassures Patts that he is happy to be here and lets them release the tension of the moment.

Also, I just absolutely lose it over the lip flick.

gif by @pharawee

Once again, I cannot overstate how radical it is for me to see a show saying that the one performing the act is the one in control of the encounter, and has the character who’s feeling unsure use that as a way to explore their own feelings. Tai needed to know that he likes making Patts happy. Please list the other BLs that have done this with sex in the notes. It’s not very often we get this!

Also, look at this man. This is not the face of a man who is being coerced. This is the afterglow of two people navigating their intimate relationship (@ginnymoonbeam).

He’s literally rubbing his hand because as they spoon because he’s so relieved.

I also just absolutely love Patts. I love that he keeps leaving notes for Saengtai to make sure he knows where they are.

Look at him walking around the next morning. He seems pleased...like a man can seem pleased.

We just never get this kind of stuff in genre. This is a classic romance of the Nora Roberts variety that’s allowing us to show two men navigating their romance and intimacy on their terms while also showing that even fated mates must be good partners to each other. This is a story that loves romance and loves the conventions of the drama. It is approaching each thread with clear-eyed conviction, and we as queer viewers deserve this.

So, I’m going to need you all to get louder, weirder, and gayer about this show. We gotta get more people on this one. We can’t let this show be forgotten because it’s not on YouTube.

Once again, thank you for coming to my post.

tagging @wen-kexing-apologist and @kyr-kun-chan for all the conversation we’ve had about this show.

#la pluie #la pluie the series #la pluie meta #thai bl #bl series #lgbtq+#lgbt tv

275 notes · View notes

saintchaser · 10 months

Text

since people are asking for them, here are my unpopular marauders opinions

(note, and i mean this in the most serious way: please, for the love of god, if you don't agree, just scroll. there is no reason to cause drama over some unpopular opinions of some random tumblr user just because you don't agree with me.)

remus is my least favorite character. don't get me wrong, i love him to bits, he's just the least intriguing to me. he's the character we've been given most of; not only that, i find sirius and james' character, as well as peter's (and his betrayal), as far more interesting

i don't really like jegulus for the same reason as remus; the dynamic is interesting, there is a lot to work with there, including the death eater and order member dynamic, but i just find some ships as more interesting

most of the characters are written as super one-dimensional and therefore i do not like most fandom characterizations which is a crucial point, to me, in whether i read the fic. i like fics in which the characters are written as real people, with human emotions and flaws, and not some qualities thrown together

some wolfstar shippers are pretty much the most annoying people in fandom (coming from a wolfstar shipper). shipping the only consistent ship in this fandom does not make you inherently better than everyone else, and just because someone else splits wolfstar for other ships dynamics does not mean anything

the black sisters and the evans sisters, if written well, can be more interesting than the black brothers and i don't think we talk enough about them (i also find the black brothers are really interesting, and i need more fics in which the intensity of these dynamics are explored)

i dislike the main characterization of regulus in fandom, being a huge fan of morally grey regulus. however, each with their own characterization, and i'm no one to judge next. i find him to be a very interesting character, however, and i like fics that dive deeper into his character

people who ship jegulus and hate lily for no reason need to chill; furthermore, people who hate mary and lily for "getting in the way" of their mlm ships are... i'm not going to comment on this, but you probably know what i mean

"stan bambi" comments on snape videos are really annoying because the very same way we don't like (and sometimes get aggressive) over snape lovers attacking the characters we like, why are we doing that to other people?

i need more peter-centered fics, and i do not like him only being a sidekick or ignored. also, mary is also a very interesting character, and i don't think we credit her enough for it

dorlene > wolfstar

the girls are far more interesting than people make them out to be and i NEED an atyd-like fic (long canon compliant etc) from their povs. it's not a want, it's a need, and i might just write it myself, because i think that a fic like that has a lot of potential

dorcas is morally grey and i need more fics in which that is a thing

this might be my most unpopular opinion but i prefer lily to regulus; i find them both to be very interesting characters, but i find myself more drawn to lily

pretty privilege is REAL in this fandom. bet that if peter and snape were conventionally attractive, they would be as loved as evan, barty, and regulus

i do not see sirius as transfem but why do people have to be so pressed about this hc. lif you don't see it, shut up, move on with your day, and let people who see it do their thing; this fandom is TOO pressed about other people's hcs

i kind of dislike fanon james because they strip him of all humanity and emotions, and make him a ray of walking sunshine with no issues (hence my essay on it, which you can read here)

james would choose sirius over regulus any day

267 notes · View notes

dropofsoup · 3 months

Text

The "aros/aces can still do" etc etc! conversation is generating a lot of back and forth recently, and I never seen much productivity from it. Some people help make it a more nuanced conversation (thank you!) but I always see us returning back to where we started. Can we move away from this argument? Instead, I want to propose exploring how activities may look different for an aro or ace individual in a platonic, romantic or other type of relationship.

Little anecdote from me: sometimes I think, "maybe I'd enjoy a romantic relationship." But this thought is followed by another: that my partner, especially if allo, would need to be open to the relationship looking very different from what society expects. It feels like too much work. Helping someone unlearn allonormativity while balancing each other's needs and opinions? Hard! Relationship desire at zero. (I promise there's other reasons I don't want a relationship haha)

So I'm keenly aware that what I'd want from companionship isn't the same as other people. Even if I did date, even if I did "conform" to society's expectations of having a "special someone", that relationship will still not be allonormative.

The conversation doesn't have to be so polarized. Yes, aros and aces can still date, kiss, and all those arguments. But relationships with people, with these activities, are going to look different. Being aro or ace or both is like navigating the world through a different lens, and I would love to see this be explored more in fandom spaces.

So what I want from this discourse is not as black and white as whether a character can or cannot do something. It's exploring how doing or not doing something is like for a character who is aro or ace. And honestly, isn't it intriguing?? If a character doesn't feel romantic attraction, what brings certain characters together? What makes up the chemistry if sex is not involved? What does a relationship without touching/kissing/etc look like? Is it a romantic relationship, a QPR (or other or nothing)? Thinking beyond love makes relationships much more interesting!

[i've never posted on tumblr before so.. here's to putting my thoughts on the internet, cheers]

#aromantic #asexual #aro #ace #aroace #aromantic asexual #aroace characters #btw shipping aroace characters currently have very little nuance or anything to do with how the character is aroace #thats probably the main issue aspecs have with shipping aroace characters #also we are definitely still lacking sex repulsed romance repulsed and nonpartnering rep #you're aroace? you can still have relationships right? sure but if the relationship was allonormative i would throw up

56 notes · View notes

collegetennisoriginstory · 4 months

Note

Interesting question re: the f! versus m! versions of the LIs. This is just personal taste, I don't think any of them are more or less loveable based on gender!, but I do think f!Rayyan is more attractive to me than her male counterpart, while for G & Sam it's the opposite - I exclusively romance their male counterparts. Tobin is the same for me in both versions, but I still prefer f!Tobin simply because I prefer playing as a woman hehe. For context, I am a bisexual woman leaning more towards women, buuut I'm really into gnc women and I guess G and Sam both just feel like they fall outside a category I am attracted to :'o f!G feels more femme fatale as a woman, and f!Sam is very cute.

This is supremely intriguing, thank you so much for answering!! I absolutely live for interactions like this!

My answer became a goddamn ESSAY (holy shit I'm sorry) but I'd definitely love to hear more of you guy's thoughts on this, cause this is super interesting to me!

For G, I totally agree. I feel the pivotal traits that shape them (cynicism, stoicism about life and what life throws at them, adapting to circumstance, instead of stubbornly sticking to 'what they want', their parents' divorce, being caught between worlds and used to living in multiple places at once—Canadian-French from their mom and French-French from their dad, their intense commitment to their belief that things don't last, and you can't expect them to) feel more... attractive to me in a woman than a man (because lord knows we have enough flaky non-committal men in this world), but I think that's probably a subjective opinion.

For Tobin, I think it's inevitable that their softness/gentleness AND their queerness is influenced by their gender, and I love that idea, and I hope to explore more of that later on. For M!Tobin, I feel like they've always had to deal with the fact that they're a little "too" soft for what the world expects from them (a black american in the ultimately super-machismo world of sports), and they've always at least "fit in" with the rest of their team because of their athletic prowess AND how much attention they get from the ladies. Now, exploring their sexuality, having to come to terms with the fact that they are attracted to men as well (and what to do with that information)... I think it adds an extra layer of vulnerability.

As for F!Tobin, I think there's similar tensions—but in different ways. E.g. maybe they're the way they are, so gentle and considerate and kind because, in some ways, they're compensating (subconsciously or consciously) with the stereotype that black women athletes are "too powerful", "too fierce", and they've only ever wanted to be accepted, respected, loved, hence they've always been softer than they have to be, kinder than they have to be, more considerate etc. etc. But then they met MC, and perhaps they're learning to put that all away, and just... be. Without fear of being "too much"—with MC reassuring them that they're OK just the way they are, and that their strength and courage does not need to be tempered for anyone else's benefit.

And finally, for Rayyan, again, I absolutely agree—there's something about F!Rayyan and how, coming from a conservative immigrant Muslim family (e.g. there was that scene with a brief mention of how their dad never even thought they should be serious about turning pro, becoming a professional athlete especially because she's a girl), she's probably had to fight for absolutely everything she's wanted in this world, and that's why she's so steely on the outside, why she's so unapologetic about pursuing the things she wants because god knows the amount of sacrifice she's already put in. There's still that dimension in M!Rayyan, being an immigrant, threading that line between wanting to do their family proud, wanting to pursue their own dreams, ambition—so much ambition—but also fierce loyalty, and uncompromising, unyielding courage.

Sam feels the most... unchanged whether or not I imagine them as female or male, the experiences that made them the way they are (and how they interact with MC) are the same (e.g. being in love with your best friend, being extremely open about experimenting with literally any type of human romantically except the ONE person they actually love and trust with all their heart, scattered loveable goofball tennis nerd that they are).

#college tennis: origin story #ct:os #if #interactive fiction #asks #rayyan #tobin #sam #g #gender

65 notes · View notes

longtallglasses · 27 days

Text

it’s very interesting to me amongst the different fandoms i’ve been a part of in regards to their attitudes toward nsfw fanworks bc with the marauders those teens are always wildin’ - smoking, drinking, sleeping together - if they’re not i would even say it would be out of character for them? wolfstar is messy and horny and so in love, even if in a lot of fics they won’t admit it to each other. in atyd everyone is shagging up a storm, the girls, the boys, it’s still juvenile of course the way they discuss it and go about it. very little communication, feelings are hurt, they don’t know what they’re doing all the time. and it makes sense, they’re teenagers!

i have never once heard of discussion around it being ‘wrong’ to write them this way. that it’s ‘objectifying’ and if you’re thinking about it you must be weird or unnecessarily sexualizing characters. sexualizing characters? they’re already sexualized wdym? they have a sexuality, everyone has a sexuality, whatever the author/artist wants to give them, whether that’s a sex crazed maniac or the most sex repulsed asexual, they Have a Sexuality! even before the exact moment they turn 18, they have a sexuality. it’s just another facet to explore character through, to understand them more fully, and also sometimes for the author to help understand themselves.

i’m sorry age doesn’t matter when it comes to fictional characters. it just doesn’t. they’re not real you can’t hurt them. if someone wants to write through trauma, something ‘wrong’ and ‘problematic’ let them use fictional people. it may seem gross and you don’t have to read it, but its existence does not mean promotion of harmful behavior. it can mean so many different things to that author but it doesn’t equate to that.

i say this bc i myself have written some horrid things. i’ve never posted them, was not in a place where i wanted to, i wrote it all in a period of my life where i was seriously hurting, and writing fucked up horrific things stopped me from hurting Myself. i’ve read some ‘problematic’ fics that made me feel better, hurt me in a good way, reading comments of people who related and appreciated what was being explored.

most people who write about fucked up shit, SA, or some form of trauma porn or whatever it is have probably gone through something similar in their life. the people who read it and seek it out are usually drawn to it for a reason but we don’t need to know why. there is also just curiosity. and being curious doesn’t make you a bad person, it doesn’t mean you ‘like’ it. you may like the power dynamics at play, you may be intrigued by desires different than your own, you may… ANYTHING what you enjoy to read or write speaks to nothing regarding who you are in your day to day life. your morals, your beliefs, or what you want sexually or otherwise. i say this to a younger me, there’s nothing wrong with you!

with all that being said… there is also porn that is just porn. and that’s perfectly fine and good too. people have always written porn about whatever and whoever they want and they always will. if you don’t want it, scroll pass. you won’t be given a gold star for announcing you think it’s gross or wrong, you just look silly. i’m not saying that you must like it too, but attacking the moral character of those who do partake, shows an immaturity and lack of tack when it comes to these subjects. go out in the world and you will discover just how ‘abnormal’ and ‘depraved’ sexual desire can manifest itself as.

as someone who grew up a Very sexually confused person. not knowing i was queer or on the ace spectrum exploring sexuality through fiction was like my saving grace. and those books and those fics that made me feel seen, made me go huh! woah! ooooh my god that’s me! or made me go … wait why do i kinda like that? more often than not they were written by adults. bc they had made it through to the other side so to speak. and as An Adult now i find the traditional adolescent experience very intriguing as i did not have that growing up. the sexual experiences i’ve had now have shown me so starkly that that feeling which accompanies a new experience never really goes away. people are fumbling well into their 20s and 30s. reading the plight of a young person discovering who they are sexually i don’t think will ever not be relatable or make someone reflect. that includes the sweet and innocent as well as the ‘gross’/depraved horniness. it is not necessarily enjoyed on a basis of attraction to these characters, it is enjoyed on a basis of ‘i know this feeling’ or ‘i also do and have yearned for this kind of intimacy’. and if who you are isn’t represented in those stories, oh well damn, looks like i have to write it now. that’s how we have Are you there God, it’s me Margaret and the edge of 17 (the ‘98 and ‘16 iterations), all these stories written by Adults! that make us all sigh in relief and laugh and cry and aaahhh

fiction is fiction, idek what anti-ship means, let people be freaks in peace, fandom spaces are created to have fun in, let’s pls have Fun!!! explore and write and draw and fantasize whatever your heart desires bc there can be no right or wrong, it is just discovery.

if you feel kinship with characters and it feels natural to extend yourself to them, to take them and make them your own, amazing, gorgeous, beautiful. play dress up with them in all the ways you can, do whatever You Want!!

#i really surprised myself w how much i wanted to say here but #i started writing and just couldn’t stop #byler #marauders #spicy byler #fandom #fandom discourse #fandom discussion #fanfiction #byler fanfic #marauders fanfiction #stranger things #speaking my truth #bc i can’t believe what i see sometimes #gritting my teeth as i post this #i just feel like this message needs to be reiterated #i know there are a lot of young people in this fandom and i find this censored attitude so harmful #longtallglasses

35 notes · View notes

cha-melodius · 8 months

Note

Firstprince, and look don’t ask me why this is what my brain came up with but: meetcute at the STI clinic

(OMG, I love your brain so much. This made me cackle and immediately start writing it. Thanks so much, hope you enjoy!)

chamel's fandom fest info | read all the fics

Getting Clinical

(firstprince, 2k, T; read it below or on AO3)

Alex has to admit that the very last thing that he expected to get upon coming out to his mother was an appointment made in his name at an LGBTQ+ focused sexual health clinic near his apartment. Really, he should have known better, given the PowerPoints that resulted from said coming out, but still. He’s a grown-ass man with a career. He lives on his own in a city in which she does not live. He can take care of himself.

He still goes to the appointment when he gets back to New York. It’s already made, after all, and it’s been a while since he was tested. Since he’s had any sexual partners, in point of fact; he’s been more or less a hermit for the past couple of years, throwing himself into his work and only letting Nora and June drag him out on rare occasion. The whole bisexual revelation had been a slow thing, born of the unexpected feelings evoked in him when one of the senior partners at his law firm came out as gay, in combination with finding himself staring a little too long at the shirtless male leads when he’d put on The Mummy or Indiana Jones on in the background while working late nights at home. He hasn’t actually acted on any of this newfound knowledge save for flirting a bit with the barista at the coffee shop in his building.

He’s gonna, though. He’s determined to get out there and meet someone. A number of someones, maybe—why not have some fun while he’s discovering a bit more about himself? Explore what’s out there. So it makes sense to just go when he gets the email from his mom with a screenshot of the appointment confirmation.

“I wonder if anyone’s done a comparative study of these lubes,” Nora says, too loudly, from where she sits beside him inspecting a selection of samples that she’s collected from a display in the waiting room. More than one person waiting nearby looks over at them, and Alex sinks a little deeper into his chair.

“Ugh, why are you here again?”

“For the moral support,” she chirps with too much glee. “Not like I have any need to be tested right now. Although, June and I did meet this very intriguing guy—”

“All right, enough of that,” he interrupts sharply before she can say any more about her and his sister’s sex life. He already knows far too much about it as it is. “No one asked you to come.”

Nora tips her head at him. “Not in so many words, no. But if I had to listen to one more minute of you hemming and hawing about whether you could make the appointment or whether this was the ‘right place for you’”—she adds the air quotes, annoyingly—“I was gonna start breaking things.” Something softens in her expression, then. “You do belong in these spaces, you know.”

“I know,” he mutters, staring down into his lap. He’s even getting better at believing it.

At that, Nora returns to her lube investigation, and Alex rage-reads some twitter threads until someone steps up to the empty chair next to him and says in a mellifluous British accent, “Pardon me, is this seat taken?”

The waiting room is not that crowded, so Alex doesn’t know why this guy needs to sit directly next to him. He’s in the middle of trying to figure out a polite way to convey this when he finally looks up and right into what he’s pretty sure are the bluest pair of eyes on the planet. Jesus fuck, this man might be the most attractive person he’s ever laid eyes on in person. He doesn’t actually seem like he could be real, but he’s here, looking hopefully at Alex like he wants to be next to him, which is, let’s just say, intriguing—

“It’s only— there’s an outlet on the wall here, and my phone is dying,” Blue Eyes says with an apologetic smile.

Right. So, not particularly interested in sitting next to Alex, then. And that’s definitely not a hollow feeling of disappointment settling into his stomach.

“Yeah, no problem, man,” Alex says, trying to school his expression into something appropriate for conversing with strangers. “It’s all yours.”

Blue Eyes thanks him and takes the seat as he reaches into his bag to pull out a phone cord. The thing is, the outlet is kind of under the chairs and between the two of them, which necessitates some twisting and bending as he tries to blindly reach for it. That definitely doesn’t seem to be working, though, so Alex ends up twisting in his chair too to try to see if he can help.

“A little lower, I think—”

“Oh, thank you, I just can’t quite feel—”

“Fuck, you’re too far now— look, you need to shift to the right, yeah, there—”

“Ah, there it goes,” Blue Eyes murmurs with a pleased hum that brings to mind a very different setting than the one they’re currently in.

This seems to occur to Blue Eyes at the same time as it does Alex, which is approximately when they both look up and realize that their faces have ended up quite close together. Blue Eyes’ cheeks are rapidly turning a lurid pink; Alex quickly replays their previous exchange in his head and yeah, fuck. Suggestive doesn’t seem to begin to cover it. Slowly, Blue Eyes straightens, his posture stiff and eyes fixed on the floor in front of him.

“Er, thank you,” he coughs.

“Don’t mention it,” Alex mumbles in response.

A strained silence settles over them that’s somehow heavier than your usual odd-encounter-with-a-stranger awkwardness. At some point during this encounter, Nora had disappeared to god knows where, so Alex doesn’t even have her company to fall back on. He scrolls on his phone without actually reading anything on it, half hoping one of them will be called into the doctor and half dreading it. Next to him, Blue Eyes is typing furiously with his thumbs.

Alex shouldn’t interrupt him. Just… mind his own business. That would be the reasonable thing to do.

Oh well.

“So, come here often?” he tries to joke, only to realize too late the implications behind asking such a question in a sexual health clinic. He grimaces, hard. “Fuck, I didn’t mean— you don’t have to answer that. I was just— trying to make it not awkward.”

To his relief, Blue Eyes just looks amused. “And made it exceedingly awkward instead?” he replies with a tiny smirk tilting his perfect mouth. There’s a mole right next to the corner of it that Alex would very much like to bite. “I do visit regularly, in fact,” he continues after a moment. “I consider my and my partners’ sexual health to be very important.”

Fuck, that just makes him hotter, which shouldn’t be physically possible. “Lucky person,” Alex hears himself say. “Your partner.”

“Oh, I, uh,” Blue Eyes stammers slightly. “I’m not dating anyone. Currently, that is. I’m just getting out of a relationship, actually.”

“Sorry,” Alex winces.

“Don’t be,” he replies lightly, a flickering smile on his lips. “I’m well shot of him. Anyway, it’s been long enough. Thought I should get back out there.”

“Oh,” Alex says. That’s a good sign, right? Alex could just ask him out. They could have fun if nothing else. That’s all he’s looking for right now. And he’s good at picking people—women, anyway—up. Or was, historically. He just needs to… say something charming. “Well, good luck, then.”

Not that.

He’s really, really hoping he’s not misreading the look of resignation that flickers across Blue Eyes’ face. Before Alex can figure out how to make his big mouth say something useful, though, Blue Eyes’ gaze flickers up behind him. “Ah, your partner’s returned.”

Alex glances back long enough to see Nora flopping down into the chair next to him with more lube samples. “Oh, she’s not my—”

“Alex?” a nurse calls from the other side of the waiting room, leaving him little other choice but to get up and follow her. Blue Eyes shoots him a tight smile and a tiny nod of acknowledgement that they’re probably never going to see each other again before Alex turns and starts walking away.

He’s halfway through the door to the exam rooms when he glances back to see Blue Eyes still watching him, which is frankly more than he can take.

“Sorry, just— forgot something,” he says to the nurse before all but sprinting back to his chair. He plucks Blue Eyes’ phone right out of his slack grip, opens a new contact page, and types in his number. Then, as if he’s in some kind of fever dream, he actually says, “Let me know when you get your results,” and winks.

Alex hurries off again before the nurse can call after him, leaving one extremely stunned Brit in his wake.

~~~~

A week later, Alex’s test results from the clinic show up in his inbox. He’s clean, of course, no surprises there, but the visit itself had been worthwhile—he’d found himself talking to the doctor about aspects related to his health and wellness that went beyond what he might encounter now that he’d be branching out, so to speak—so all in all, not a waste of time.

His phone stays silent, though.

Of course it was always a long shot. That doesn’t change the bitter taste of disappointment on his tongue that not even his endless cups of coffee can cover up. He gets the results on a Friday and lets himself be dragged out to a club on Saturday night to ‘celebrate’, though he ends up politely rebuffing the advances of everyone who hits on him. Nora gives him a look after the third one—a tall, gorgeous brunet with a jaw chiseled out of marble and blue eyes that do give him a half a second of pause—but he shrugs her off.

On Monday morning, he’s in the middle of a conference with a partner and a client when his phone buzzes in his pocket. He assumes it’s Nora or June, so he nearly drops the damned thing on the floor when he finally gets out and swipes open to see a screenshot of an email that looks suspiciously familiar. There’s one key difference, though: under ‘name’ at the top, the text says Henry Fox-Mountchristen.

The screenshot has been sent without comment or followup, just a dry, clinical report, and somehow it’s still one of the sexiest texts he’s ever gotten. Fuck, he’s at work.

Which is exactly what he sends back to Henry. (Henry, he thinks, mulling over the name. It suits him. Alex would very much like to taste it, pressed into his skin.)

Apologies, but you did ask to be informed.

Am I to assume this was an academic interest, or…?

nothing academic about what i want to do to you, sweetheart

Right, then. Jolly good. Are you free this weekend?

Alex wants to say he’s free tonight, actually, so they can put those results to good use, but halfway through writing his reply, he stops. Yes, he wants Henry in his bed, but he also doesn’t want Henry to think he’s only interested in sex. Which is exactly the opposite of what he told himself he was going to do when he started exploring his bisexuality. He shouldn’t be looking for a relationship, and there’s no guarantee Henry is interested in one either. Maybe he’s just busy until then.

Alex thinks another moment, then sends back: what did you have in mind?

~~~~~

(Henry takes him on a date date, all romantic candlelit dinner with a single red rose and a walk in Central Park afterward with their fingers tangled together. And when he finally leans in to kiss Alex, it’s soft and sweet and Alex feels it down to his fucking toes. So, like. That’s a whole thing.

Turns out that they do make good use of their test results that night, thoroughly. And again, the next morning in the shower. And again and again, until they each get a reminder email from the clinic that it’s time for a regular screening.

Which they each promptly delete.)

#firstprince #rwrb #red white and royal blue #rwrb fic #rwrb fanfic #firstprince fic #firstprince fanfic #alex claremont diaz #henry fox mountchristen windsor #chamel's fandom fest #my fic

102 notes · View notes

drawnfamiliarfaces · 16 days

Note

Do you know how to fix the "Shloomp. There It Is" episode? This can be done MIS style by putting Chase Young in Nomicon's place. After all, Chase Young was able to obtain the evil essence Omi of the Yin-Yang World. Why doesn't he do the same to Randy for a chance to get to the First Ninja? This idea addresses many important issues. Firstly, a dubious lesson from Nomicon (he put the guys in danger in the original plot development), and secondly, the very existence of NomiRandy. Where did he come from? Thirdly, this will limit Randy’s activities, which means he will not be able to get out of the Yin-Yang world on his own and get into someone else’s body. Poof! I forbid rc9gn characters from moving into other people’s bodies so easily!Randy's fall to the side of darkness will infuriate the First Ninja, which fits perfectly with the concept of his relationship with Chase Young. In addition, it will be a kind of bitter reminder: “Look, I took from you the one who at one time took from me the best chance to win you over to my side.” The First Ninja was at his most vulnerable mentally when he was going through a crisis, and only the appearance of Randy made him perk up. The First Ninja will not be able to come to terms with the fact that Randy has become evil (and even more arrogant).NomiRandy may be more than just arrogant. He may represent the vengeful part of Randy. He will probably say something that will plunge the First Ninja into long thoughts, because he will not be able to deny what he said, since it is a part of Randy, and not just his opposite. NomiRandy is everything that the First Ninja never wanted to accept in Randy himself, so this will be some kind of test for him? Very high quality test. Another plus in the karma of this idea.NomiRandy is not stupid, but he is a brutal teenager who doesn't need anyone. Because of this value system, he will not be able to become a part of society, because when he grows up with his peers, his brutality will lose its meaning. Deep down, Randy wants to show others his rebellious nature, what he can really be, but he will have to understand that being NomiRandy all the time is depriving himself of a future. Then this thirst will stop snowballing. A good lesson for any teenager, including Ninjas.So this idea is great, it has conflict, meaning and a "little" Chase Young/First Ninja feud of course. Chase Young is going to give morals for once (especially for the First Ninja), even if that wasn't his intention in the first place, because damn it, Chase Young was never JUST evil. He is many hundreds of years old, he is wise enough so that he does not have to prove it to others. That's why in this scenario I put him in the place of Nomicon, who was supposed to teach the Ninja. He could have locked Randy's moral self in the Yin-Yang world, not just to annoy the First Ninja and force him to accept his terms, but because "I may take YOUR place in the eyes of YOUR students, but the outcome will be the same as the outcome of the one that NomiRandy has taken Randy's place" (that is, a crossed out future for the whole world), or "we can feud not only physically" (Chase Young is a manipulator; he can not only give dubious advice to Randy, but also really important lessons for both him, same for the First Ninja; a kind of care, similar to medicine: whether you like it or not, sooner or later you will need it, but by taking it, you are slowly destroying yourself, because it contains a small dose of poison, and Chase Young will give for his own purposes you just enough to destroy you). What happened will also hit the value system of the First Ninja, which he chose in the afterlife. Chase Young has never been susceptible to petty mischief. In a ship with someone like the First Ninja, this should be emphasized more often.

What other episodes would you like to fix in this way?

Oh, wow, this is a very intriguing and very detailed idea that is certainly worth exploring!

There is a lot to process, and I've been thinking about it for...like a week, and I'm not sure if I got everything, so if I misunderstood anything I apologize (my brain no work so good sometimes lol sorry), but I wanted to offer you my opinion if you want it!

In general I prefer to leave canon alone and just loosely refer to events that happen in cartoon, especially RC9GN, so I never thought of rewriting/fixing an episode (I mean they are sort of 'rewritten' in my head with better lore and just cooler but like nothing definite). With MIS I tend to concentrate primarly on Finja and Chase first, and the kids are sort of in the background for me. I only had like two? three? ideas that are episode & Randy/Monks related and those are mostly in Xiaolin Showdown, and one of them is in Favorite Warrior AU, lol. And even those are not rewrites/fixers but crossover fusion - the events happen almost exactly the same but just with more characters involved. So I can't say I have many idea for rewrites/fixers in RC9GN that would involve MIS.

But what I do like, is using canon to suppliment idea for 'after' cartoon canon, so after reading your idea, I wanted to offer you a slightly different take: let the canon episode happen, but then use it to build an even more serious situation with Chase, like you described and it would hit everyone involved even harder.

Let me explain my reasoning more (this might get a bit long, be warned!):

Let's start with canon first - In my opinion 'Shloomp There it is' episode is fine by itself, however dumb it might seem at first.

I kind of agree with you on the first point, about it being a dubious way to teach a lesson, but to be absolutely fair - it was a very dubious and silly problem originally, that Randy created by being a little bit of an idiot himself. So as in theme with the show, the problem and solution kind of fit each other.

Secondly, NomiRandy. I also agree about your point of Where did he come from and where the heck did he go? Well I have (most likely unpopular) opinions about that.

Personally I believe that NomiRandy is not an actual evil representation Ninjanomicon somehow created from Randy himself, but rather it is a caricature of him that Nomicon created by itself. It's an absolutely fake doppleganger that only looks like Randy on the surface - with many of his negative and opposite traits amplified to a comical degree, but not really an evil entity made of Randy's deepest dark desires. It's nothing more but a papermache puppet Ninjanomicon used to teach a lesson and later discarded, and thats why we never see him again, because he wasn't real in any shape or form so after returning to Nomicon he doesn't exist anymore.

(I am very much aware that my headcanons about NomiRandy are probably in minority, because this fandom absolutely adores NomiRandy, lol)

So, NomiRandy was a relatively mild threat used as a mild solution to fix a problem created by Randy being a bit of an idiot.

Your third point, about Randy being limited in his activities, is where I have to disagree with you a bit more. Because what's the point of teaching the lesson if a big part of Randy is not there to learn it? I mean, in canon version Randy actually witnessed NomiRandy act as an asshole which helped him realize that he himself was acting foolishly. And him having to fight himself but in Howard's body was actually pretty interesting concept of Randy having to actually physically confront his failings and bad traits head on.

There is also something to say about the fact that the only ones involved into body swap were people who were in the Nomicon at first , so one could argue that the body/mind swap was controlled by Ninjanomicon, that it used to make a point for Randy. (But that would be a thought for another time, lol.)

So, as you can see, in my opinion the episode is relatively fine by itself, and if we replace Ninjanomicon with Chase - the total tone shift will change all of it drastically. Not to mention the lesson itself will change, becoming more serious and with actual consequences - all of it would be something completely different.

And while it absolutely could work and the idea of this rewrite by itself is incredibly intriguing, I think it would work better as a continuation, as more dire development for after the end of the series.

You might ask why the end of the series? Well primarily because of my own headcanon that Chase in general tends to stay out of Norrisville Ninja business out of respect to First and also because they change so fast, (I mean what are 4 years to immortal??) he rarely gets to pay attention to them, let alone get interested in them and their usefullness to his agenda with First. But if something big happens, like I dunno, Randy defeating Ghoulian and unmaking the Sorcerer himself it would make Chase pay attention to Randy and realize how useful he can be.

The other important reason, is because of episode 'Winner Takes Ball' where we catch the tiniest glimpse of the actual evil side of Randy that appeared thanks to influence of Chaos Ball. He is power hungry, he is so sure of himself, he is cocky, he is merciless and ruthless and most importantly he still loves being THE Ninja. There is no annoyed apathy and uncaringness that NomiRandy displayed, this Evil Randy would have been just as hyper as normal Randy, enjoying his newfound powers just as much, but also would be unburdened with morals of using those powers.

Because, you see, I think Actual Evil version of Randy is in many ways would be a lot like an Evil version of Omi. Evil Omi was hyper pumped, thriving on newfound power, in this new freedom from morals, ruthless and doing what he wanted, rather than what is right. And what he wanted is to fight, to show everyone how talented he was, that he was the best warrior there ever was.

And what does Randy want? Constantly throughout the show Randy expresses his delight at being the Ninja (unlike some protagonists that find themselves suddenly thrust into a hero role, Randy takes to it instantly, there is literally ZERO hesitation from this boy), he loves it and most importantly he wants to be this strong, powerful, capable and amazing.

But that is also one of the most important Ninjanomicon continues to impart on the Ninjas - not to be this prideful and arrogant, and chase after power with such disregard to everything else.

So, now picture it like this:

Chase learns about Randy and what he has done, and how talented and powerful this new ninja is. At some point he discovers about NomiRandy and what happened, and it gives him an idea.

Chase Reverse Chi-s Randy, and this Evil Randy is still Randy in many ways, and it would absolutely devastate First to see him like this - power-hungry and ruthless, disregarding everything that Ninjanomicon taught him to prevent exactly this fall to Darkness and Evil, and the worst part is he has been taken under Chase's wing not only to nurture and encourage this new evil seedling - but to taunt First and Ninjanomicon, because - isn't it what you once wanted to teach him by creating NomiRandy? About his dark self that should be kept in check and balanced in a good warrior, good ninja? But your lesson was deeply flawed and now look at me, I will do a so much better job than you ever attempted, and I will show this young Ninja, that it's not only the bad side that needs to be balanced but the good side as well.

Which would play into what you said earlier - NomiRandy, or in this case just Evil Randy - will be so power-hungry and thirsty for fighting, he will disregard many things, like the fact that existing like that is impossible - even such urges must be tampered in order to actually live a fullfilling (if evil) life. And who is better to show and teach it to him than Chase Young, who (most likely) spent centuries in the beginning of his immortal life so hungry for battle, he served as an attack dog for Hannibal Roy Bean. But with time Chase has found balance in his new evil existence, and that helped him to overcome Roy Bean and rise to new heights.

That comparison about how Roy Bean controlled Chase, can also can influence how Randy views Ninjanomicon (and by extension First), and how tightly it tries to hold reigns of Ninjas it teaches. I mean, Randy sometimes resented the lessons and rules Ninjanomicon gives, we've seen it a few times, but Evil Randy will feel all of that frustration and annoyance even more, like a rebelious teenager that saw how controlling the authoriive figure in their life is and it will poison his relationship with Ninjanomicon.

And First? Well, Evil Randy could also bring up how Randy, a supposedly not-good enough for your high-and-mighty Ninja Rules and Forbidden Powers managed to do what the original oh-so-powerful Ninja could not - finally defeat the Sorcerer. About how a teenager that you dumped your mask on, your responsibility, and kept holding back with all your stupid rules and limitations - did what you couldn't in 800 years. And what can First even answer to that? Because its all true, no matter how poisoned Evil Randy's view may be, the bare facts are all true.

So, First can only watch, helpless and angry and so so sad, how Chase takes under his wing the one who saved the world from Sorcerer (not even once, but twice) and twists that raw power and energy that served for good into something that will serve evil. ( And the worst part, is that it all happened because of First - because of Chase's initial interest in First. All in an attempt to get to him.)

And well, like you said, there could be two endings - where Evil Randy is here to stay (aka Very Bad Ending lol), or where Good Randy makes it out of Ying-Yang world and reunites with his Evil self again.

But even then, the damage will be done. Because Chase's lessons could still continue. I mentioned earlier about lessons in balance, and how in good warrior, not only his dark side should be kept in check, but his good side also. In a way, I think Good Randy will lack a very important part to being a Ninja - and its the ruthlessness that Evil Randy brandishes like a blunt weapon, but with Chase it could be sharpened into a precise tool, and if Good and Evil reunite, the lesson will be still carried over.

And not only that will be carried over, but all the words and feelings that Evil Randy experienced -Randy will remember, and that can forever change and/or damage his relationship with Ninjanomicon and First. And Chase? Well, Randy will also remember that Chase was not just an Evil Jerk that split him in half - he actually tried to help and teach his Evil self to control himself better, so the seedling of mentor&mentee relationship will still be there.

After all of this, I have to admit, unlike you, I have a harder time imagining how exactly the situtation will help Chase sway/manipulate First to his side. I mean, this way Chase might probably sway Randy to his side, especially if he somehow orchestrates the return of Good Randy and says that all of this was just a lesson to help Randy be a better warrior, because he just couldn't watch all this talent wither away under Ninjanomicon's dubious tutelage.

But when it comes to First, If anything, I think it will actually backfire horribly. First is already constantly unstable in his regards to Chase, but something like this will only solidify his belief in Chase being a manipulator that could never be trusted, because its one thing to try and manipulate First to his side, but its another to involve his kid successor. First might even lose whatever respect he had for the immortal, because he would view manipulation of children as beneath him (of course I think Chase will argue, that those young warriors are hardly children).

I think I mentioned it before in some ask, but I personally believe that if Chase will try to get to Randy it will just send First into apocleptic levels of anger, and destroy any slim chances Chase had, and will literally set him back to zero in his progress with First, lol.

But that's just my personal view, you probably have some really good ideas about that! ;D

On another note, a tiny thing I got to disagree with a little - is about Chase being above 'petty mischief'. I can agree about Chase not being particularly petty, but mischief? In my opinion, this immortal lizard is very much into mischief, albeit a more strategic type of mischief. xD This is the man who continuously taunted pre-teens while trying to manipulate one of them to his side, and also continuously made poor Jack's life hell.

Though admittiedly, I like to think that being around First Ninja brings out more of Chase's mischevious side (opposite to his cruel and uncaring sides) - partially because First Ninja doesn't always reacts the way Chase expects him to. And sometimes Ninja catches Chase before he gets into a scheme and that sometimes leaves Chase himself wrong-footed. And partially because, Chase grew to enjoy testing Ninja's patience a little too much, after the got to know each other better.

But you are right about the fact that in this ship it should empathized more how much of a threat and manipulator Chase could be, the problem is i can't write this type of characters like at all, lol, to my great dissapointment i just don't know how to do it well. xD So that version of Chase just kind of exists half-baked in my mind, and meanwhile in my art and fics he just turns into a mischevious asshole with all his schemes in background, haha.

Anyway, I tried really hard to adress everything you mentioned and offer some insights and ideas, but i still feel like i might have missed something, so - sorry about that! I know its probably not the answer you quite expected, but I do hope it was sufficient, and if not - that at least it was entertainin to read! ;3

#que?#ninja showdown #long post #sorry it took so long but i like to make sure my answers are coherent before i just hit send xD you have no idea how incomprehensible #my first draft of this was lol i promise ill get to your other asks soon! it might take some time tho lol sorry #also thank you for the asks! ;3 i do love to read your insights. they are very interesting ;)#gosh after reading this ask for like a week to compose my answer i am now cravin a fic where Chase does Reverse Chi Randy to mess with Firs

27 notes · View notes

floralcyanidee · 8 months

Text

ʜᴀᴠɪɴɢ ᴀɴ ᴀʟᴛ ᴘᴀʀᴛɴᴇʀ - ᴊᴏɴᴀᴛʜᴀɴ ᴄʀᴀɴᴇ

Jonathan Crane x GN/AFAB!Reader Headcanons

Headcanons about Jonathan Crane and his life with an alt (emo/ goth) partner.

warnings: mentions of taxidermy, mentions of witchcraft, mentions of religion, mentions of animal remains, theft, innuendo, mature themes, mentions of body modifications

word count: 696

author's note: as ya'll know I'm a slut for Jonathan so I decided to do some headcanons about him with an alt partner (I'm alt soo it was warranted) I based these headcanons on universal and well known characteristics of alt peeps as well some based on me and my friends. i hope everyone enjoys! (:

main masterlist | cillian murphy masterlist | add yourself to the taglist here

＊ Jonathan is obviously a criminal, so nothing is stopping him from stealing. this includes him stealing things from inbound patients at Arkham Asylum. He often finds things that remind him of you and will give them to you. You know where they come from, obviously, because you know who Jonathan is, but you find it endearing and romantic that he thinks of you.

＊ You and Jonathan live on the outskirts of the city, where there’s plenty of woodland to explore. Jonathan enjoys it because it gives him peace from work and being a villain, you enjoy it because there are oodles of animal bones and plants to scavenge.

＊ Keeping that in mind, you often use the plants or bones or even still-fresh remains you find for your spells/ rituals/ altars/ taxidermy/ crafts. Sometimes, Jonathan will also find things when he’s out exploring or getting away from things. Every now and then, he’ll try different plants for new toxins, so he’s out scouring the woods. He’s always thinking of you, of course, so whenever Jonathan comes across a cool-looking plant or the skull of an animal, he snatches it up immediately.

＊ He admires your belief system. Whether it’s Witchcraft, Hellenism, etc., he appreciates the art and dedication you put into it. Jonathan sees it as equivalent to science in a way- creating spells and mixtures and getting something new from it. Sometimes, he asks for your help with his experiments simply because of your knowledge of apothecaries and spells.

＊ Black is your color. Jonathan knows this and doesn’t mind that you’re clad in all black whenever he has to make an appearance in Gotham. You get plenty of stares, sure, but he doesn’t care about that. Jonathan doesn’t really care about anything except his experiments and you.

＊ Jonathan finds your body mods (tattoos, piercings, etc.) intriguing. When you first met, he had a ton of questions about them. Did they hurt? What do they mean? He loves the different jewelry you wear as well.

＊ Your obsession with horror is one of Jonathan’s favorite things about you. He finds it adorable that you can quote numerous horror movies and even recite lines as they’re being said. When Halloween comes around, it’s always a treat (non pun intended.) You love cosplaying various horror characters from movies, shows, and video games. Jonathan adores it and sometimes plays along.

＊ Speaking of Halloween, one year, he dressed as a priest, and you dressed as an undead nun. This year, you’re becoming a crow, and he’s dressing as you guessed it- a scarecrow. You’re already planning next year’s costumes.

＊ You’ll drag Jonathan to concerts and cons all the time. At first, he was hesitant to go to them, but the more you’ve taken him, the more he’s grown interested. Your favorite bands are now his favorite bands. He’s found himself humming the heaviest of songs you introduced him to. You used to beg him to dress for the cons, but now you don’t have to. Jonathan already has ideas for the next con, even.

＊ You and Jonathan surprisingly have a lot in common. You had rough childhoods, you have a genuine disdain for other people most of the time, cats are interesting to both of you, and you have some mental illness as well, and so does he, obviously. You also have a mutual hatred for Batman. You think he’s overrated, and Jonathan, well, why he hates him is obvious, too.

＊ Did someone say fishnets? Jonathan has bought you so many pairs of those and knee socks because he’ll literally rip them off you. He gets you a bunch of fishnets in different colors to match the lingerie sets he buys you. Jonathan thinks you look the hottest in red.

＊ Jonathan’s favorite intimate thing to do is dye your roots or paint your nails. At first, he hated doing your hair, but now he does it without a problem, plus he’ll even touch up your layers. He’s delicate when painting your nails, holding your hands softly but firmly. Jonathan is very intricate in nature, so he does them flawlessly every time.

taglist:

@sstar-ggirl @cillsmurphs @ldklollord @thecherrycocktail @dunklerkeks1611 @hllywdwhre @ecstaticforus @faelvz @ceruleanrainblues @yongi-lee @baizzhu @aporiasposts @queenshelby @amanda08319 @orijanko @naty-1001 @raineeace @nela-cutie @cutexlr @flwrs4aust @langdons-slut @shynovelist @trixie23 @cillianbabe @slut4thebroken @mypoisonedvine @burnyouwithacigarettelighter @cranesbathtowel @arieslost @nefhertari @forgottenpeakywriter @llucky-llove @october-atoner @madlittlecriminal @ynisthatyou @starbxnny @darkmoviesquotespizza @newtsniffles

#jonathan crane #jonathan crane headcanon #jonathan crane headcanons #jonathan crane x reader #dr jonathan crane #dc movies #cillian murphy #cillian murphy x reader #dc headcanons #dc headcanon #the scarecrow #dc scarecrow #jonathan crane x you #jonathan crane x y/n #cillian murphy x you #cillian murphy x y/n #floralcyanide writes

145 notes · View notes

mythorhuman · 4 months

Note

What are your favourite bonnie ships and why?

Sorry I didn't see this earlier! This is the hardest question. I ship almost all of them because Kat has a lot of chemistry with a lot of people. Many of my favorite Bonnie ships don't even have fics and if they do, then the fics are short or rare.

Let's start with the obvious favorite: Klonnie. I am literally writing a fic for them. Why? They are just the hottest cast members and I'm very interested in the power dynamics between the characters. Also, I'm just really interested in how these two could influence each other. Whether that means tapping into Bonnie's dark side or Klaus becoming a better man, there's potential for growth as individuals.

I'd also like to acknowledge Stefonnie as a ship I hold dear to my heart. I live for Paulerina's chemistry plus Stefan and Bonnie are almost mirrors of each other in a way I find intriguing. Remember when I mentioned rare pairs? I also ship Bonnie with both of Stefan's doppelgangers. Silas and Bonnie have an obvious history, but Tom and Bonnie never met. BonTom is my crack ship for Bonnie just getting the fuck out of MF.

Bonkai and Bamon are almost interchangeable to me. I like both. The potential was there from day one with Bamon. I don't buy them as platonic soulmates. They were meant to be lovers. Bonkai with witch!Kai is superior. Heretic!Kai was stupid and he died immediately which does sorta make sense in canon but is still annoying. There's a lot of unresolved sexual tension here with both ships and they deserve a chance to explore their feelings.

#lee answers #bonnie bennett #the vampire diaries #klaus mikaelson #klonnie #damon salvatore #bamon #stefan salvatore #stefonnie #kai parker #bonkai

53 notes · View notes

thewrongmoon · 2 years

Text

El's Possible Queercoding

been meaning to actually documents my findings on this for awhile, so I'm gonna go over some reasons I think its possible that El is gay, specifically just how I think she may be attracted to girls, whether you think that means lesbian, bisexual, pan, etc etc.

El's interest in femininity:

I think to further understand why El has an interest in feminine things, we have to look at how she was raised:

The children in the lab were pretty much stripped of a gender identity entirely. They all had the same haircut and hospital gowns. They all played with the same toys, most of which were puzzle games which have no societally assigned gender. It's worth noting that these short haircuts do have a masculine association (at least in modern western culture) and the kids also pretty much solely interacted with men. Really the only indication of their gender was the pronouns that they used for them.

The concept of different genders acting differently was probably completely foreign to El when she had just escaped the lab. We can see that she tries to strip in front of Mike, Lucas and Dustin and is confused when they all react negatively.

Being surrounded by all this masculinity, seeing someone feminine like Nancy for the first time (or at least the first time in years) is magical to El.

El takes a very quick interest in feminine things. Long hair, pastel colors, dresses...

What sparks more of a queer connotation is her interest in the feminine form. We see her appreciate the ballerina in Nancy's music box, which would very well just be because she thinks the dress is pretty or something, but she also singles out the figure on Mike's trophy.

Obviously I don't mean anything explicit by pointing this out, but as a lesbian I remember having a similar reaction to things like mannequins of women at a young age.

There's definitely a duality of her longing for a childhood where she's able to express her femininity that I don't want to dismiss, though. There's a shot where she stares at Nancy's childhood photos, and it's pretty clear she's wondering what her life would be like if she were raised like a normal girl. That storyline is further explored when she visits the Ives in season 2.

El was also previously not interested in Mike's nerdier hobbies, but when Max shows her comics, specifically ones with female superheroes, El is intrigued. She assumed comics were just about boys at first. We all poke fun at Mike for having a crush on Superman, but maybe we should stop to question if El had a thing for Wonder Woman?

Fashion choices - Mirroring other girls:

A classic quandary for anyone with same-sex attraction. Do I want to be them, or do I want to be with them?

We talk a lot about how Mike tries to wear and do things Eddie does (this was confirmed by the costume department), and how that totally makes it look like he has kind of a crush on him. But what about El?

In season 1 we definitely assume El wants to be Nancy. Her attempts of mirroring her are clumsy and largely influenced by Mike, Dustin and Lucas. After the wig comes off she just gives up, surrendering to her fate of never being "pretty."

In season 2, she wears mostly boys clothes provided by Hopper. The main makeover of this season is done by Kali, who turns El into her mini-me. This time we see El refer to her new look as "bitchin'" rather than "pretty."

Her new look is very punk inspired. Punk subculture has close ties with the LGBT community. As the punk scene is all about questioning/rejecting societal norms, queer people flocked to it.

In season 3, her makeover revolves around Max. While Max tells El to pick something that she likes, El still kind of chooses to resemble Max. In the beginning of s3, her hair looks like this:

But after her trip to the mall with Max, she chooses to part her hair to the right like she does.

They later have both their hair tied up:

Middle parts for both of them:

This is all to say, she mirrors Max's looks, because she likes Max. Not necessarily romantically? And there's also no way to tell if she's doing this consciously. But I feel like there's something in El's brain that just goes "pretty girl = I have to steal her look"

Which brings us to season 4:

Now, there's no makeover scene for her in this one. Disappointing, I know. But she's had a considerable glow up since season 3.

Her hair is now down past her shoulders. Now you may be wondering who her style inspiration is. And the obvious answer is Joyce, because she looks just like her.

But I would actually like to propose an alternative to her hair style inspo:

We can see that Angela pulls up the sides of her hair but still has bangs framing her face, similarly to how El styles hers.

Angela is an awful human being who bullies her, but she's also everything El wants to be: pretty, well dressed, well-liked by the people at school. This is precisely why she chooses her to lie about being friends with. She thinks Angela is cool, so Mike will think El is cool if he sees she's friends with her.

Let's move on to her fashion.

El's style is dependent entirely on layering in this season. But she has one staple in her closet, which we also see in seasons 2 and 3-- flannel.

The wardrobe department head has stated that they specifically wanted it to seem like she was wearing clothes from Will's closet.

Will has always been associated with flannel, wearing it almost exclusively in every season besides season 3. This is interesting because flannel is generally seen as masculine, and gay men are usually stereotyped as more feminine. He does wear those short shorts in s3 though so I guess it balances out idk, this is besides the point, moving on:

Flannels when worn on women are associated closely with lesbians. There is some historical basis here; back when women were first being allowed to wear pants (1940s), lesbians were some of the first to jump on it. Jeans were seen as most normal for women to wear, and flannel was usually paired with it. Flannel was warm, durable and practical. A lot of women in the work force wore it because it held up well. Usually work boots (doc martens in particular) were worn as well, which is why they are also associated with the queer community today (though it was more of a practicality thing than a fashion thing back then.)

From my research, it seems like lesbians wearing flannel became a stereotype in more popular media sometime during the 90s. This doesn't necessarily mean it didn't exist during the 80s, I honestly wish I could find more info on when exactly it became a well-known signifier of lesbians, but alas, I cannot find any good sources. Doesn't change the fact that we as an audience know of it's existence, though.

Wearing flannel definitely makes El stick out from the crowd. It was probably considered really normal in Indiana, where the temperatures are cold, but in California you really have no use for flannel in your wardrobe. The late 80s was also known for it's focus on loud colors and bold prints, which isn't at all like the muted, practical nature of flannel. You would definitely see waaay more men than women wearing it.

So El being seen almost exclusively in more masculine fashions would have probably been one of the points of bullying for her. I think her neurodivergent coding was also a factor, but that's an analysis for another time.

El's bullying: possibly homophobically charged?

So this is the furthest stretch I'm gonna make in this post. But upon noticing how often she wears flannel, I jokingly said in my head, "I wonder if they just saw her constantly wearing flannel and assumed she was a lesbian and that's why they started bullying her." And then I was like oh wait but what if actually that's what it was.

I'm assuming she was probably labeled as a tomboy for just wearing her brother's clothes. But then I began to imagine her interactions with girls like Angela which would have caused their hatred for her.

El has a habit of calling other girls "pretty." One of the first thing she seems to notice about other girls, actually. So imagine that Angela sees this girl in men's clothing, and the first thing El probably does with her is call her pretty. Would it be a stretch to assume Angela may have thought El was hitting on her?

I don't think she was, I honestly don't know if El knows how to hit on someone at all. But the perception of Angela and the school at large could have just been... "Jane is a lesbian."

We see other girls avoiding her. This would be a good reason (not morally, but logically, especially considering the time period) for them to do so.

There's also this line from Angela: (0:09-0:14)

youtube

Now, I first noticed this when editing a completely different video. And I had to rewatch this clip like 50 times to see if I was crazy or not (I still might be, lol.) But, does it not sound like Angela is.. saying "boyfriend" in quotes?

So I went back to rewatch Angela entering the roller rink, and her and her friend group seem surprised that she has a boyfriend. Now this could be just because El is unpopular and has no friends (that they know if.) But just like Ted Wheeler saying "our son with a girl?" could just be a dig at Mike being a nerd, other context makes me wanna look closer into this line.

Did they maybe think El only got a boyfriend to mask her "real" sexuality? It's definitely possible.

Paralleling El to other characters who are queer or labeled as so

This is a point I'm going to need to further expand upon on a later date. But in watching movies off the s4 inspo board, I've found a couple where the characters are meant to parallel El:

Let The Right One In-

I have a whole post on this parallel, if you want to read it.

So basically, El is Oskar in this parallel. Oskar is a character who is bullied for 2 things: being fat (this is better shown in the book the movie is based upon) and being possibly gay (this is also shown better in the book.)

Oskar does end up having a romantic relationship with a character who is gender-nonconforming. Not gonna go into that particular character's exact gender bc it's kind of debatable and their backstory is sad, but the character, in their own words, is "not a girl." Oskar himself seems to be bisexual, again, you could maybe debate this, but he is non-straight at the very least.

The character he's in a relationship with, Eli, has also had their gender identity stripped away from them, which could make another interesting parallel to El, character wise.

Welcome To The Dollhouse-

So this parallel is a bit less concrete, but the only one I could draw from it is that, once again, the main character being bullied is referenced in El's own bullying.

The main character of this film, Dawn, is bullied for two things: being "ugly" and being a lesbian. She is not actually a lesbian, but the kids bully her for being one, and girls avoid her. One goes as far to claim she was "making a pass at her" when all Dawn did was have a conversation with her.

Being paralleled to two different characters who were bullied for being gay is definitely a weird coincidence.

El's relationship with Max:

El has pretty unarguably romantic themes with Max.

It could just be the Duffers trying to break free from a trope, but in S4 Max takes up a damsel in distress role while El takes on a hero role, for like, the 4th time, please give this girl a break omg.

We see both Mike and Lucas attempt to save El/Max, but at the end of the season Max and El save each other. You could say this was with the power of platonic love, but there are some lines that really make you question if it could be something more.

Conclusion:

I feel like El being gay is a theory that has some legs to stand on! You could definitely go even further and find a lot of rainbow imagery with her, maybe some other small details. This was just my own findings.

#el hopper #eleven hopper #jane hopper #byler #elmax #long post #analysis #stranger things #eleven

483 notes · View notes