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#they were in fact one of my first major ships so I am...Defensive
purelyfiction · 3 months
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A Shot In the Darkest Dark
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Benedict Bridgerton x (F) Reader
Summary: An agreement of terms that are not favorable for your future leads to conversations, moments of stiff air and inconsistency, walls and held hope.
Word Count: 2,393 Words
Author’s Note: welp I bet none of y’all saw this coming now did you, i guess you could call this a prologue to irreperable? thanks to the little bird in my inbox for this!! - arranged marriage, tension and fluff, all the fun things
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You’d just wish they’d cease the deliberations already. The walls of your family home seem to rattle and shake as the booming voice of your father comes from down the hall. Not even an hour prior a letterman had come to the door with a very detailed and lengthy compromise scrawled into the ink. 
It wasn’t unknown to your mother or yourself that your father had been making questionable investments as of late. So much so that he’d begun to fault on payments he’d owed. The moment that he’d understood what the letter was detailing, he ushered you from the room, needing to discuss with your mother what he’d read. 
However, you were not one to be left out of major implications, especially one where you’re not to be in the presence of the employed deliberators. That usually never bode well for you. An ear pressed to the rather light doors allowed you to catch the quick whispers of your name, a debt and a wedding. 
Then your mother had launched onto a defense for your position, which was incredibly brave of her. They were still locked into their counter points to one another when dinner was called. Your mother, flush in the face, can barely look your father in the eye. Meanwhile, he is too busy shoveling the meal on his plate into his mouth to invite a conversation between the three of you. That doesn’t stop you from inciting one. 
“Am I to just be left out of the running? Is there secrecy amongst us?” You knew the response already, it was your attempt at jolting your father into confession.
“Your father is shipping you off to London.” Your mama, always the curt one. Silverware clatters to the table and you meet the eyes of the only man in your life in hopes for an explanation. He fumbles on his words for a few moments before he can finally manage to get out the events that were unfolding. 
“Your mother- I- we have been discussing the manner of our finances. As you know, we are facing a testing set of circumstances and… my partner was kind enough to offer a solution that does not involve a trade of currency.” This partner, however, was the son of his former partner. Your father had been evading this debt for years before the son had come across the missing funds. A conversation last week had revealed the hand that the Amberley house had been facing. The solution? A union of the second eldest son and Lord Amberley’s only child, his daughter - you.
Before you knew it, you were being shipped off to a home in London in order to prepare for a wedding that you had mere days to come to terms with. Stood in a shop with a French woman who wouldn’t dare say more than four words to you with your mother and soon-to-be mother in law in the room, you’re questioning exactly what you’re being greeted with. 
At the very least, your new husband’s mother was a rare gemstone to be found. The woman had greeted you at the shop, by name, with a host of gifts for you and your mother (which was less than anticipated, considering you were approaching with very little to offer on your end) and then began to launch into tales of her family. A very large family, in fact, with children she was immensely proud of, fiercely dedicated to and overly enamored with. It did not come to be ungenuine though, not in the manner of people attempting to piece together some falsity in hopes to cushion their luck. No, no, Violet beamed as she spoke of her eldest daughter, now a duchess, her first grandchild - how she would be certain that her next one would have a great father on their side. Seeing that their father would be your husband. 
Kind, charming, educated and brilliant, she said. Devoted to studying his passion for artistry and poetry, well versed in the society standards while also being an entertaining chap. There wasn’t a poor thing mentioned in terms of this gentleman. Even when the older women had slid out for a breath of air, the modiste mentioned how incredibly stunning the family was, including your groom. 
Over dinner that night, you’d meet your fiance. Not a soul that had spoken of him had been exaggerating. Benedict Bridgerton was exactly as he’d been acclaimed to be. He graciously made his introductions to you and soon after made you chuckle with the comment he’d made under his breath. As you waited for the dinner hour to approach, he guided you around his family’s home. 
“This home is so very far removed from what it once was. See, Daphne, Francesca and Elosie all used to share their quarters with one another when they were younger, as there were only three designated spaces in the home and well, my parents were rather the love birds, it would seem.” You could not fault yourself for the way you grinned at his stories. They continued as you approached his own quarters, littered with canvas and paint jars, the smell of turpentine overwhelmingly hitting your nostrils. 
“I’d assume that you’d like children of your own? Your mother spoke very highly of your characteristics that would aide you in fatherhood.” His chin tucks over his shoulder in your direction, facing out the three panels of glass in the middle of his room. 
“I do not believe that is… solely my decision to make, Ms. Amberley.” Feet stay planted despite their wish to step back in sheer surprise. 
“Implying that you might forgo raising your own children? You speak so highly of your nephew, not to mention your siblings-” 
“That is the furthest thing from what I am implying.” He cuts you off a moment, a swift apology leaving him for doing so. “What I am implying is such that- it is a discussion I wish to involve my wife in.” The manner in which he speaks it is solemn. Benedict’s feet come to a chair, where he settles for a moment, looking anywhere but the direction in which you stand. 
“You wished to marry for love, did you not?” Your question catches him by surprise, leaving his eyes training forward to engage with yours. 
“Well, I certainly did not anticipate my marriage to be a settlement for my father’s books. Not ever did I prepare for such a thing.” Slowly, you draw near, resting a hand on his shoulder. 
“Nor did I.” The pale color of his irises come up in your direction, moving in time with his hand which takes yours. 
“I am sorry that I have stripped you of the opportunity, Ms.” Your brows furrow as you shake your head. 
“No, do not fret with such things Mr. Bridgerton. The choices have been made, there is no value in dwelling on matters we cannot manage by our own volitions.” The way his facial expression softened at your reassurance let you know that Benedict would always be compassionate toward you. If not as your husband, as your friend. 
In three days time, the fanfare of the ceremony and following celebrations arrived just as you had in the glimmering showcase that was the carriage that the Bridgertons owned. The chapel was adorned in the most wonderful arrangements of flowers and foliage you’d ever seen. Coming from a countryside village there were countless items you’d never seen prior to today. The vivid colored flowers in your field of view being one of them, the intricate weaving pattern of your gown another, the ornate and sizeable stones on your neck being the final thing. 
Benedict had insisted that you borrow the jewels from his mother’s collection. If you were not to have the spouse you desired, he was determined to make the rest of the day match the expectations you had conjured in your mind. He had been sincere in the conversations regarding your nuptials, even more so on making you as comfortable as possible. 
The ceremony was rather quaint. It consisted of both your families, the extended and the near, a few family friends on your groom’s side. Your father did not work efficiently enough to keep very many friends. It would seem your luck would change as your last name did. 
Benedict had taken it upon himself to write his own vows, something he mentioned he had hoped to do one day in brief conversations leading up to the event. 
“My darling. I fear as though we embark on one of the most uncertain paths that the Lord provides for us in this life. For that is what He does, after all. He surrounds us with the light of the sun, the life of the botanicals that grow below us, the coursing of the rivers at our side, the family that resides behind us. He provides us with the fruits of His plans he intends for us. He provided me with the gracious woman that is you. As rushed and incredibly daunting as this may be for the two of us,” Benedict’s hand slid into yours, beginning to play with the gemstone soldered to the metal looping around your ring finger, “I pray that it is enduring. That it is kind. That it is joyous, prosperous and pleasant. That the days that result from our union be filled with contentment and merriment, from now and until our souls come to join Him.” 
They were beautiful. So meticulously crafted, and well intended as the two of you began the vow of spending the remainder of your lives with one another. 
Frequently they chase through your mind these days, walking around the home that Violet had insisted you take upon yourselves. The walls of books, the windows of light that brought you breathtaking familiarity of the countryside you’d grown to love - the dedicated quarters that Benedict had aided you in decorating to your every whim. 
The brunette had done every service to aid in your comfort with the marriage enacted. Beautiful gowns from the latest fashions, halls and gardens to lose your time into, countless hobby pools to pick from in waning afternoons, there was no shortage of effort from your husband. 
Your conversations were always well mannered, filled with little details of your past lives, stories of friends and siblings, rumors and fairytales from youth. Routines were built between the two of you, including that every three nights, Benedict would sit with you and read the words of the material you’d chosen to you. 
Tonight was one of those nights. Benedict lounges out on the chaise, jacket long gone, supple adorned vest and matching kerchief around his neck loosened from the days works. His words are joined with the chirp of evening sounds from a cracked window to aid in the circulation of the house. Your hands stay busy with a needlepoint project. The characters he speaks of are discussing the name of the child that’s been born. You implore your thoughts forward. 
“Ben?” His head shifts to look from the parchment and toward you at the use of his name. It was a name that his mother never used, nor his siblings rarely. Perhaps it was just you that had coined this shortened version of the Christian name he’d been given. “Do you suppose we should discuss children?” Blue eyes return to the page in front of him. Given the timeline since your wedding, it was not an unjustified question. You were aware that should the next time you return to London, his mother would be rushing up to you like a hunting dog, ready to drag the kill in from the woods to show off to the ton. 
“Do you wish to discuss it?” His eyes barely glaze over you before he slides a ribbon into the split of the book, covers coming together, the book leaving a hefty sigh on the table next to him upon contact. 
“I worry that it will be questioned the next time we are seen. We have not entirely been honest with one another over the subject.” There were plenty of things that hadn’t been honest in terms of your marriage the last few months. How Benedict and yourself had their own sleeping arrangements. That you saw each other maybe once or twice a day at mealtimes, save for the nights where it was explicitly discussed you’d be joining the other in leisure times. 
Benedict has grown quiet, which is a very odd state for the husband you have come to know the last weeks. This time, you set your own busywork aside, keeping your eyes toward him as he rests in contemplation. 
“I wish to have children of my own. Though, I know the process is… taxing on a woman,” the pillow under his head shifts to look your direction, eyes finally coming to meet with one another for a rare occurrence. They do not avert in quick fashion either. The admittance of a family was something you dwelled on with semi-frequent behaviors. After all, one can only do so much knitting of babe-wear before picturing the scene for themselves. You dwell in the wonder of it all as you keep each other held without touching either one of you. 
Would they look like their father? Behave like him? With the amused twinkle in their eye when a jest is made, a twist of words, stories with outlandish accents and impossible daydreams… would it be so horrible? To wake in the night with a small babe as they cry out for their mother, held in the warmth of her breast, comforted by her scent. You ached for such a life, one you were cheated of the moment the emerald slid to your hand. A very heavy hand that seems to burden you daily. 
“My wife.” Benedict’s voice comes to the room, echoing off of bound paper and golden embellishment on the walls. You tilt your head with a soft grin.
“I am sure we will come to an agreement some day, husband.” There is no need to linger on the unfortunate uncertainties between the two of you. The dark would linger where it rests, those that lived in its shadows subject to whatever hid among it. 
Even the ugliest and most ferocious truths.
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i wanna talk about the bear
THIS IS MY OPINION! THIS IS NOT ME CLAIMING THIS AS FACT OR DIRECTLY ACCUSSING ANYONE OF SHIT! IF YOUR INSTINCT IS TO INSULT ME BECAUSE OUR OPINIONS DON'T LINE UP, THEN I WOULD ADVISE THAT YOU JUST SCROLL AWAY! I AM OPEN TO DISCUSSION, NOT BULLYING.
Hi.
So.
I love The Bear. I think it's a great show with interesting characters and well done directing and cinematography. It's great.
However, that doesn't mean that I have no critiques. And there is one that I feel a need to mention on the internet.
I am very worried about how the show is portraying Claire.
When the newest season came out and I started seeing some... interesting things being said/made about Claire, I assumed it was the fans getting a little defensive. That commonly happens when a show introduces a female romantic interest. To put it simply, I didn't think that it was something being pushed by the show's creators.
I was wrong.
First of all, let's talk about Claire and what I've seen said about her.
She was introduced this season as a love interest for Carmy. Interesting plotline for this show to explore, honestly.
Once the newest season came out, I saw a scary amount of viewers either pushing for the show to simply be pitting Clarie against Syd or they were blaming Claire for Carmy's actions.
two women of similar ages can exist in connection to a male character without them needing to fight over that male character. It dismisses a lot of both Syd and Claire's characters to only see them as being romantically tied to Carmy.
Carmy is responsible for his actions. Don't let his status as a pretty white boy distract from the fact that he's really kinda shitty as a person. He's unreliable and commonly dismisses a lot of accountability. It is not Claire's fault that Carmy didn't show up when he needed to.
I truly thought that this was just the fanbase, so I wasn't going to talk about it. I don't really enjoy being part of fandom culture at all. It is not usually great for my mental health. The cost of my well-being is almost never worth whatever I get as a result of being in that world.
However, I think the creative team on The Bear played a major role in the opinion forming around Claire, even if it wasn't intentional (which I obviously can't prove either way).
And I wanna explain why I think this is happening.
Carmy name drops her a lot. Especially when discussing the restaurant and the menu, he will push her name all the time. This is often around Syd because Syd's his business partner. This helped form an association.
Claire came up with a lot of ideas for what the two of them did. This made it easier for people to claim that she was forcing him away from the restaurant but I'm going to argue (a) that she didn't know all of the details around the restaurant's opening for most of the season and (b) that it was Carmy's responsibility to say no or explain that he was busy. If he hadn't said anything at all and was simply dragged around, then that would be one thing, but I don't personally believe that's what was shown throughout the season.
The panic attack scene in the last episode. Claire is shown in tandem with Carmy's family, which is largely seen as a source for Carmy's anxiety and panic attacks before it cuts to Syd seeming to be the reason that he calms down. This was such a wild fucking thing to throw in during the last episode. I don't know what the true intention behind this scene was, but I don't think it played as well as it could have.
I don't give a singular shit about who you ship with who or what you want to happen in the next season. That's not what this post is about.
Regardless of any of that, it is not fair to make Claire into this twisted almost-villain when she simply isn't one. She was described incredibly kindly by every character that talked about her (Richie, Michael, Carmy, Sugar, Fak).
She clearly has a personality beyond Carmy, which doesn't always happen when writing a female romantic interest (a discussion that I could write a whole separate post about and tie back to The Bear).
The way her character has been treated is worrying and if she is to return for season 3, then I'm equally as worried about how the writers will treat her.
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deluweil · 19 days
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this sounds so wrong but i need a major character to get killed off this season. it’s a firefighter show and somehow no one has died, only significantly hurt. and even if somone gets significantly hurt, they usually skip the recovery part too. it’s getting so predictable. the finale for last season was honestly not my favorite. everyone was just fine in the end and they time skipped again. there’s no stakes with this show. it’s gotten to the point where everything is predictable and it’s tiring.
Hello dear Anon :)
To be honest, last season I said the same thing, the way the last episode was written was a sham. It looked like it was thrown together last minute, the important things got shoved aside for the grand call that had no emotional impact to it, so yeah, a character's death would have made more impact than some whatever the hell we got.
The physical part, obviously Oliver's damn good at, always impressive. But it was a 118 emergency, and there was very little emotion to it.
And don't get me started on the skipping the recovery parts, that the only ones we saw were Buck's and the only thing those stories did was break the 118 apart before miraculously making it better by glossing over it with a "family excuses all transgression without dealing with it or talking about it" policy and no real development on anyone's part.
Except Eddie's which is the only recovery story (which was only the ptsd not the actual injury recovery) that I loved, because it led to actual character development, Eddie of S2-3 is different than the one we got from one season to another.
All the rest are made better and more relatable by their relationship with their partners, Bathena love each other so much that they make changes for one another, Henren made an amazing recovery from Hen's betrayal in S2, she does her damnest to be better for her wife every single day of their lives which really makes them couples goals.
And Maddie made Chimney more relatable to me personally, because when he's not with her he does dumb stuff, like punching his future brother in law in the face. Which was swept under the rug too. I love Chimney, but some behaviors to me as a person are unacceptable in my eyes. Physical violence that is not in a boxing ring with a true opponent or done in self defense, is unacceptable and should be talked about, not normalized on national television.
But Madney is a beautiful pairing and I love JLH for insisting on Chimney instead of a romance with Eddie. Because really, I can't even imagine it nor could I in S2, long before I shipped buddie. Madney just works! And I can't wait for the wedding.
But fact to the matter is, we don't see the actual developments during the physical recovery itself which takes down the emotional value, we don't even see the bedside vigils in between, unless it's Buck or if Buck needs Chimney's finger print to get into his phone to find Maddie.
I want it to be clear, that I love Buck! I do, and tbh much like in Chimney's regard with Maddie, Eddie made Buck relatable to me, I didn't like him at first, I was fond of him, I didn't want him fired in S1, and I wanted to slap him silly with that lawsuit in S3, But I love him, Eddie made me love him, because we get to see him through Eddie's eyes.
I hate that while everyone else developed, Buck keeps getting slid back. I really wish the writers did him the justice he deserves by actually letting him grow into the person we keep seeing glimpses of and make it stick.
I get what you're saying, because a death, would give and emotional payout and set the tone in a hopefully more positive way, like Otis's death in S8 of Chicago fire, or Miller from Station 19 last season. (Still haven't forgiven Shonda for that).
But now, S7 feels like a reboot, so before we throw anyone to the dogs let's give them a chance to make an impact before we choose the nuclear option. 😉
A couple of days ago, I was talking with a mutual and told her that so far I am at a wait and see mode, whatever happens next, will decide whether I watch S8 or not, I'm manifesting a good season and a good conclusion to everything.
If not, well can't say we didn't give it the old college try. 😉❤️
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torturedpoetemotions · 9 months
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Hello! I've been following your blog ever since the finale of The Winchesters and really love all of the metas you've done, they're all very well made.
I have a question about your thoughts on The Leak. I saw that you had made 2 vague posts about it and how the SPN side of tumblr has been treating it, namely poorly (to speak in delicate terms). I'm currently writing a piece about why potentially this attitude is going on, and why it is so pervasive. I'm asking you since you have obviously been in this fandom far longer than I have, and would like to get a second opinion from someone who may potentially have a more comprehensive view on this issue.
However, I completely understand if you don't respond to this as this is an issue that deals heavily with spoilers. I just thought you're 2 posts about it were interesting and would've liked to hear more from you about it as someone who is a diehard heller yet doesn't agree with what's been going on.
Hi hello. I am finally answering this since Good Omens 2 is now out. I didn't want to draw yet more attention to the leak ahead of time, but the time is come so here I go.
There are a lot of overlapping things factoring into some Hellers' overall reaction to the Good Omens leak and Good Omens 2 in general, but I do not have the bandwidth nor the desire to give anyone a crash course in Heller History & Psychology. It mainly comes down to the fact that Hellers, especially those who've been with the show and ship for years, are wounded more than most of us would like to admit by years of queerbaiting, and a bit defensive as a result.
Many of us are in our late 20s, early 30s, or older and grew up without ANY positive representation at all. What little visibility queer people in media were allowed to have was steeped in themes of deviance and tragedy. And the few truly joyful depictions of us that did exist were not accessible to many of us in our communities, especially before the advent of widespread internet access. As a personal example, I only saw the film Big Eden (2000) in the last five years. I didn't know it existed before then!
Queer representation only became more normalized on television once I was well into my 20s. And even then, it was only normalized within very specific limitations. A character could be introduced as queer or have a Queer Life Script type of story. But the majority of these characters were still steeped in negative stereotypes, and it was basically unheard of for a show that didn't set out to be inclusive to suddenly make one of its main characters queer in canon.
(Tangent: I still remember the first time I saw an unexpected queerness reveal on television. Two men were staring intensely at each other in the midst of an argument and I jokingly said "now kiss" at my television screen. And then they did. And after about 5 seconds of wondering if I had magical powers, my entire brain was rewired forever (it was an episode of Cold Case).)
The point is, it was really easy for a long time for general audience members and fans who didn't like Destiel as a ship to tell us we were stupid and crazy for shipping it, because they had the entire history of film and television in North America backing them up. Not to mention the cherry-picked comments of certain actors over the years, and the behavior of moderators at conventions. And many anti-hellers took full advantage of all that, and still do, and don't acknowledge at all the role that real homophobia plays in supporting their stupid little one-sided ship wars.
All of this to say, Destiel fans have every reason to be defensive and prickly.
That being said, I think malicious spreading of the GO2 leak untagged and unwarned-for was extremely shitty. Ruining something important for someone else because we couldn't have the thing we wanted is childish and self-absorbed beyond belief. Shitting on actual, canonical queer representation because it isn't the ship and show you wanted it from is just shitty, full stop.
And for what? It's not like Warner Brothers is going to wake up one morning and say "wow those Hellers really shit on every other queer rep on offer, guess that means it would be lucrative and smart from a business standpoint to resurrect a cancelled show just to give them canon Destiel after all these years!" But then let's be honest, there's no logic behind this kind of behavior. It's just meanness, bitterness, and spite. And while I sympathize with the bitterness, the meanness and spite are inexcusable.
Finally, the veiled-to-explicit accusations that Good Omens was trying to somehow supplant or copy Destiel are unspeakably stupid.
For one thing, I can think of few things further from "trying to be like Destiel" than taking a queer interpretation of a work that was not really intended by its authors and running with it full speed ahead. Supernatural is an example of how homophobia makes a story worse by flattening its characters and wasting its potential. Good Omens the show is an example of how a willingness to embrace queer interpretations of a story can give it new life and dimension.
So if anything, that's an inversion of what happened with Destiel! Supernatural is a straight man's straightwashed fanfic of a censored version of a queer story. It was forced into the closet at every turn by a homophobic network despite the efforts of queer and queer-friendly writers to course-correct throughout its 15-year run. The sheer number of bisexuals SPN took inspiration from only to straight-wash and queerbait for as long as it did is almost as ridiculous as claiming that a show that did the opposite of that was trying to emulate it.
I also find it stupid because Good Omens the book was published fifteen years before the fifteen-year hate crime that is Supernatural ever aired a single episode. The elements of queerness that the show teased out and expanded upon existed back when Eric Kripke was still what I can only imagine was an insufferable teen proto-filmbro making some poor underpaid high school English professor take up drinking to cope with his hypermasc Americana edgelord bullshit in every essay.
Much like when SPN fans started yelling that Matt Ryan's Constantine was a ripoff of Supernatural and Castiel, this is just embarrassing. If anything, the inspiration for Destiel came from Good Omens, not the other way around.
As for any worries fans express (in their adamant denials) about the Ineffable Lovers "replacing" Destiel, I have to ask...for who? Pretty sure no diehard Heller is going to burn their Castiel handprint patch from Stands as a sacrifice to the gomens gods to prove their loyalty. And anyway, nothing is ever going to approach being the "new Destiel" without at least a dozen years of will-they/won't-they slow burn angst and enemies to allies to enemies to friends to coparents to lovers shenanigans. It's just implausible! We can't even get a show to have five whole seasons anymore nowadays.
I know Destiel is important to Hellers. I'm a Heller. It's important to ME. But we aren't doing ourselves or anyone else any favors by acting like every star-crossed queer love story that comes along is somehow copying or devaluing Destiel. That is just laughably untrue. The Ineffable Lovers will never be Destiel, sure. But who ever said they were trying to be? I thought the whole explicit canonicity bit made it pretty clear that wasn't the case.
TL;DR: Hellers including me all have terminal brainworms from being gaslit since we were impressionable teenagers by Eric Kripke and all his successors, but that's no excuse to intentionally spoil big moments or be shitty about other shows giving their audience canonical queer rep. From the bottom of my Heller heart, grow the fuck up besties.
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aspoonofsugar · 2 years
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I wish unicorn of war would just disappear from youtube that person (cant recall their gender) with the ammount of stupid points they bring up and like recently comming on a video called how rwby fails lgbt about a show thats not over yet (and the video having blake and yang a couple that techiqually isn't together yet wonder if they are still salty over clover dying (all because a writer shipped him and qrow I didn't even know that was a ship cause to me it seemed oh clover is helping qrow
Hello anon,
I am sorry, but I do not watch their videos hence I can't comment on them. That said, I would like to use your ask to share my 2 cents on the whole LGTBQ+ representation issue, not just in RWBY, but in general.
I think it is important to realize that offering representation and exploring themes linked to LGTBQ+ or gender is not the same thing. It is the same for all important social issues. A story where there is racism does not necessary set itself up to explore the issue deeply or thematically. A series with disabled characters might not be interested on truly reflecting on disability. In short, just because there is rep it does not mean the topic is going to be at the centre of a story.
That said, rep is still extremely important to normalize some phenomenons (the existence of queer people and their right to have happy relationship, what living with a disability means, etc.). The more rep there is, the best it is. Obviously there can be some rep that won't meet everyone's taste and maybe in some cases it might be offensive to some and can be criticized. However, with the exception of very rare cases, every rep is on some measure positive and deciding that it is not woke enough for your standards is literally helping no-one.
Now, RWBY has some decent rep imo. Blake and Yang are main characters and they are clearly ending up together. The series also has minor characters that are confirmed queer like Ilia, Coco, May, Sofron,Terra, Nolan and Scarlet. There is absolutely nothing bad in this.
You want more? That is a fair wish, but not all series are gonna have as much queerness as you want. That is a fact. Some authors will be more interested in representing this kind of characters and in exploring these themes. Others will not.
You don't like Bumbleby as a ship? Fine, it does not change it is 2 main girls ending up together in a Young Adult American series that debuted in 2013. Like, I am not sure, but I think Korrasami happened in 2015... imo remembering RWBY has been planned in its major bits (which I am fairly sure involves the endgame ships) not today, but 10 years ago is good food for thought.
Now, Bumbleby's execution is not perfect (I really think they should have handled Sun better), but it is not even remotely as out of the blue or as badly written as some people claim. Imo it is something clearly decided since early on:
Black the beast descends from shadows. Yellow beauty burns gold.
Even dismissing Red Like Roses, volume 2 and 3 still clealry code Blake and Yang romantically.
Yang and not Sun is the one who convinces Blake to go to the dance:
Yang: And if you feel like coming out tomorrow, I'll save you a dance.
So, symbolically she is the one who brings Blake to the ball:
Sun: Sooo, does this mean we're going... together?
Blake: Technically, though my first dance is spoken for.
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Notice that Blake and Yang wear complementary outfits (black and white, ying and yang), while Black Sun have both black clothes.
Not only that, though:
Blake: I had someone very dear to me change. It wasn't in an instant, it was gradual - little choices that began to pile up. He told me not to worry. At first they were accidents, then it was self-defense. Before long, even I began to think he was right. This is all just... very familiar. But you're not him. And you've never done anything like this before. So... I want to trust you. I will trust you. But first, I need you to look me in the eyes and tell me that he attacked you. I need you to promise me that you regret having to do what you did.
Adam: And as I set out upon this world and deliver the justice mankind so greatly deserves, I will make it my mission to destroy everything you love.
Yang: Blake! Where are you!?
Adam: Starting with her.
Yang is directly compared to Adam aka Blake's previous partner and lover and she is Adam's target the moment he is trying to hurt Blake. Like, crazy ex-boyfriend targets new love interest is a recurring trope. Not to count Yang losing her arm is juxtaposed to Pyrrha screaming Jaune's name while he is being attacked by Cinder. Arkos is clearly romantic and the 2 scenes happening frame beside frame is a way to equate the 2 relationships.
In short, structurally there is little doubt. Bumbleby is endgame and it is set up very very early on in the story. Criticizing the ship because it has yet to happen makes little sense to me. How many straight ships are confirmed at the end of a story? Why should they have the chance to crown the characters' arcs at the very end, but queer ones have to be confirmed early on to prove they are somehow good enough?
What is more, even if you somehow decide to follow this standard... so far only Bumbleby and Renora are clearly confirmed as endgame ships. Personally, I think all the major characters will end up in a ship by the end. Even if this were not the case, I am still fairly sure Renora and Bumbleby are not gonna be the only 2 ships. And yet, they are the ones who have undergone the most development and are clearly the closest to be confirmed as canon.
In short, for the standard of the series... Bumbleby is actually confirmed pretty early on imo :''')
Anyway, thank you for the ask anon and have a nice day!
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i-hate-fandom-feminism · 11 months
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I've created an entire fucking blog just to complain about this, let's go --
First off, I'd like to just state that I am a woman myself, and a feminist. I just think that the way fandom uses feminism is not only toxic but also kinda mysoginistic in itself and can get homophobic, and I haven't seen anyone call it out on a major scale, so here we go.
Disliking a female character -- specifically disliking how she acts in canon -- is not fucking sexist.
This so annoying. I first realized this when I saw someone post about how disliking Lily is sexist and specifically preferring Regulus is sexist. The things they sited from that is that Regulus is depicted as being depressed and not being very nice to his love interest. They said that if they were to write Lily the same way, there would be major backlash.
What they failed to realize is that the majority of Regulus fans write Dorcas Meadowes almost exactly as they described.
I've seen this happen a lot, particlarly within the Marauders fandom. People take a look at people not liking a female character while liking male characters, mainly Lily and go 'oh, that person is sexist! without checking to see if they're a fan of any other female characters. It's honestly tiring.
On that note, disliking a character because you ship their canon boyfriend with a guy is not sexist.
On the surface, I can understand this one -- they're exchanging male characters out for female characters and disliking the female characters involved.
This kind of crumbles when you consider this happens all the time with het ships. The first thing that comes to my mind is Twilight (you could not find a Bedward stan that likes Jacob or vice versa, don't lie) but there's most certainly more. I just think it seems very normal for a het ship and not a gay ship.
There's also a bit of a homophobic undertone to it because the people who do this are very selective about what is and isn't sexist. Percabeth fans who demonized Rachel for getting in the way of their OTP were also the same people who passionately declared that Luke was redeemed, despite the fact that her feelings for Luke were a big point of contension between Annabeth and Percy for a lot of the series.
Similarly, attacking people who ship other ships that happen to be het ships is not sexist.
I'm not saying that's okay -- in fact, I think it's very wrong and toxic but one thing it's not is sexist.
Again, it happens all the time with popular het ships, just its considered part of shipping het. You couldn't say one thing about a Twilight or Hunger Games ship without getting death threats. There are an embarrassing amount of cases of not only irl bullying but fucking violence for Percy Jackson. This wasn't brought in by gay ships, it's been there for the beginning and is still very much there for gay and het. It's kind of annoying that people are acting like only gay ships do this.
Also, if they're doing it on the premise of it being het and don't do it to other gay ships, it's probably just because they're very defensive about their headcanons of this character as gay. Like, headcanons are just heated in general, the amount of death threats exchanged between whether or not Sirius Black was abused or whether Snape vs James is a rivalry is tiring, why are you thinking that being like this about sexuality is somehow different?
This is without saying that the majority of people who read gay fanfiction are queer, and use it as a source of representation given that media will not give them that. People forget that young queer children are not surrounded by people who are like them like other minorities often are and are often instead surrounded by hatred, and so a lot of them will latch onto anything that tells them 'hey -- you're valid'. They are therefore going to be very protective of their queer characters, even if those characters are not queer in canon.
There's often this understanding that young people who read these things are teenagers. With straight teenage girls, this affects how people judge them. When Fem!Reader x [Insert Male Character] is written, it's dismissed as just a part of fandom because teenage girls are horny instead of girls being creepy, as it should be. However, people don't do the same with queer kids. People never acknowledge how desperate young children are for representation in comparison to their adult counterparts, as they're not old enough to go to gay bars so don't know any queer people They're often in bad situations where they're being told they're wrong for existing and need some way to be told being them is okay.
This kind of thing also gets more buzz because it more often affects the creators, however that's mainly due to the fact that most popular gay ships aren't canon while most het ships are, as they can afford to.
Liking majority gay male ships is not sexist.
The main reason for this is that while their may be a female character in quality shows, virtually all shows that are both good and considered to be male enough to like by society (and generally also by people who say stuff like this) centre around M/M friendships.
About sixty percent of films pass the bechedel test, and most of them just barely. For a relationship to be good enough to be a popular ship it needs a. be featured a lot in the piece of media and b. have a reasonable amount of development...take a guess how many films have FF friendships that pass that requirement. Not many.
When there are proper female characters with fleshed out relationships, the main ships of a fandom are often het or FF, such as the Percy Jackson fandom with Percabeth, or the Wednesday fandom with Wenclair.
Bonus: Fetishization Doesn't Happen (This way around) Let's define fetishization (as a form of objectification), shall we?
Thinking that everyone with that identity in real fucking life exists for the purpose of your pleasure.
So yeah, doesn't happen, women just aren't raised to think about men this way, gay or not.
So, how is this misogynistic?
The people who do what you're accusing them of being mysogynisitic for are women, and you most likely know this, and y'all are acting like a woman being misogynistic is the same as a man being misogynistic.
You wouldn't say that a gay person being homophobic is the same as a straight person being homophobic, would you? No, because a. they're probably hurting themselves just as much if not more than they're hurting you, and b. they don't have the power to really do anything.
You wouldn't say that a black person being racist is the same as a white person being racist, would you? No, because a. they're probably hurting themselves just as much if not more than they're hurting you, and b. they don't have the power to really do anything.
Why's it the same for women? Well, because women don't actually have much political power. They can go viral, sure, so they have some level of media power, however how many members of the Supreme Court are women? How many presidents? None. A misogynisitic man is dangerous because he can do stuff like get Roe vs Wade overturned or take away the rights to free divorce. A misogynistic man is dangerous because people respect him more than they do any woman.
How many mysnoginistic women have you seen that a have gone viral because of their takes of feminism? And how many have you seen be actually taken seriously by their side?
Now how many men have you seen do this?
Female misogyny just isn't as dangerous as male misogyny, and should be treated as such. This is an issue in wider feminism too, but specifically in fandom.
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televinita · 7 years
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kateschechterxthorwasmyfirstotp replied to post: If you did not watch the last episode, they kind of righted that wrong...
Eh...I read what they tried, but I deemed it Not Good Enough. That was a pretty fundamental betrayal of my deepest shipping principles and too many years apart for me to ever feel okay about them again.
#I have been trying to coherently explain it for like 20 minute and I keep getting bogged down in anger and sadness at the memories so tl;dr: no
EDIT: actually you know what, I am gonna explain it, via copy-pasting the long ass 4-part blog post I made about it the night it aired (I didn’t watch because I was behind on the season, but I hung out in the Tumblr tag and read live reactions), which incidentally was the night after we put my dog to sleep so those two Sadness Memories are wrapped around each other. I always meant to post at least part of it to Tumblr and I regret not doing that.
February 2013
Wednesday: Unedited Ranty Version LOL NOPE BYE. Literally just...not accepting this. Never watching the episode, done with future episodes, the show can just stop here. Unlike with Glee, I am above this. I don't feel it hard enough to be canon, and god, I am so much better for it. Sucks for all the fans who can't just handwave it and decide not to believe. I'm not even going to bother repeating all my Kurt/Blaine rage from last fall, because Sara and Grissom met late enough in life that they aren't in quite the same category of fairytale romance, even if they are soulmates, but -- my anger about relationships losing their magic if you break up in the middle and see other people after finally getting together? So very applicable. (Honestly, show, what happened to them having a marriage that worked for them and no one else needed to understand? Why couldn't you just leave that alone? Why did you have to pick? There was no reason to pick. No picking! /nasally Seinfeld voice.) I'm kind of sorry they already lost their spot in the Top Five All-Time OTPs Kingdom to Kurt and Blaine, because I would have really enjoyed kicking them the fuck out tonight. If I believed this were happening. Which I realized, 5 seconds after writing the above, that I am not. Goodbye, and good luck. Thursday morning (a.k.a. just kidding I’m still mad as hell and back to yell) I like how they keep talking about "implications into next year" and how the story will continue. No, it won't. You've separated them before, a fact I had forgotten about because I refused to watch 9x05 and it was clearly just a pause button on the way to spinny-camera grand reunion kissing as opposed to a real breakup, but there's no way to fix this now. There is no more to the story; you don't get to tell a story after this. Glee already proved to me that there is no way to make a worthwhile arc out of a vile bomb drop. Although I am kind of sorry that this relationship could actually have withstood cheating and it would have been easier to swallow than divorce. Maybe because it still feels like cheating. You're meant to be with someone, you can't have extracurricular people! I have some unfinished business with those first 7 episodes of season 13, and I'm not sure what to do with that -- they were great and I hate to leave them unwritten about, but if I go back there is a slim chance it will get devious like Grey's Anatomy and suck me back in underhandedly, and I'd rather spite myself than give it that opening. So I'm not totally sure if this is the end. But it sure has that really certain Bones Episode #100 level sense of THIS IS UNFORGIVABLE. GAME OVER. Thursday night Reading other people's opinions is always a dumb way to go, because instead of saying my piece and being done, now I'm riled up and feel like I need to FORCE people to understand something they just don't seem to be getting, whether they're being practical and pragmatic or writhing about it in "but they were my first real ship!" angst. (as if they are only a ship, instead of so much more) The thing is, this isn't just a dumb writing choice you can complain about. This isn't even about whether it's in character or not. It is literally. Not. An option. Some couples just aren't allowed to break up. A UST couple that takes more than 5 years to get together is one of them. And once they get married, that's absolutely it. A victory for permanent commitment and contentment. There's no divorce in good storytelling, there are no separations. That lazy nonsense is reserved for books, movies, and silly soap opera types like Grey's Anatomy. Couples like Grissom and Sara, they are foundations. Institutions. When you want to change the look of your house or test out something new, you work with the existing structure. You don't knock it down and build it back up from the floorboards. To be fair, I was always upset by the "long distance marriage" - there was no reason for it; there was never a reason Grissom couldn't be off screen right here in Vegas, teaching at a local university or simply pursuing his own research supplemented with travel when necessary. The longer it went on, the less happy I felt. But since they told us it worked, I put up with it for the joy of having Jorja Fox back on my screen. I see now that was a mistake, and the only way to keep them safe was to push them away. The point is: TPTB broke television law. I can't judge this like other shows as a good or bad direction for the characters, or wonder how it will affect Sara in the upcoming episodes, because they are untouchable. It's honestly laughable that anyone thought it was okay to even try this. Can you imagine if the second X-Files movie followed through on its misdirection and went "lol yeah Mulder and Scully haven't seen each other in 5 years"? I
[2017 edit: FYI I have not stopped being angry about the bitter irony of this comment since the revival spoilers hit.]
If you need more universal examples, that's like tuning in to find out the Brady Bunch has split back up into two separate households, or Disney is going to experiment with a new movie where Minnie elopes with Goofy.
You don't get to pretend you're setting up for a season or two-season arc. This isn't an arc. This is a slash and burn project. Let's pretend, for a minute, that this is planned as an emotionally complex journey that will force them to examine what they mean to each other and get them back together, Costa Rica style, in next year's season finale. Do you think that would be worth it? Do you think the struggle to get there will make the ultimate conclusion heartwarming, fill you with elation as you see them beat all the odds? It will not. It will be long tainted by then, a sour coda to an unfixable mess, because what you had wasn't important enough to preserve. You can't ever get back to what you were, and it's already too late. That is the best case scenario. There are no character motivations to explore. There is nothing to dig into. A death warrant was signed and went up as effectively as a brick wall in stopping the development of this relationship in its tracks. Televinita out. #breakingupwithCSI #I reject your canon and substitute my own Thursday: Post-Essay Messiness Oops. Reading my old reviews because I can't remember GSR's chronology off the top of my head, and...there is no way I'm letting anyone use this as justification for being in character, but this conversation does seem sort of relevant all over again. "Sooner or later a relationship in stasis withers. You get angry. You need more than the safety of knowing that you're not alone." "Then he should've just walked away." "Well, maybe he couldn't. Maybe he needed her to leave him." Apparently I also got kind of angry in the early part of season 9 when Sara left again, and may have threatened to break up with this show at that time? *chagrined look* But 2008 Me seems to have still accepted this as a possible, if highly undesirable, turn for the couple. What changed? And am I crazy, or is it possible to decide neither of the times Sara left were actual breakups as opposed to pause buttons? Oh, that's right. What changed is they got married. I repeat, when it comes to long-running couples on TV, wedding bands are as much a promise to the audience as they are to the people involved. You put a ring on it after proper courtship, that's a universally accepted sign for "you win: permanent freedom from being jerked around for Drama/Conflict/ratings."
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mishafletcher · 4 years
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Are you a Gold Star lesbian? (Just in case you don't know what it means, a Gold Star lesbian is a lesbian that has never had the sex with a guy and would never have any intentions of ever doing so)
So I got this ask a while ago, and I've been lowkey thinking about it ever since.
First: No. I am a queer, cranky dyke who is too old for this sort of bullshit gatekeeping. 
Second: What an unbelievable question to ask someone you don't even know! What an incomprehensibly rude thing to ask, as if you're somehow owed information about my sexual history. You're not! No one—and I can't reiterate this enough, but no one—owes you the details of their sex lives, of their trauma, or of anything about themselves that they don't feel like sharing with you.
The clickbait mills of the internet and the purity police of social media would like nothing more than to convince everyone that you owe these things to everyone. They would like you to believe that you have to prove that you're traumatized enough to identify with this character, that you can't sell this article about campus rape without relating it to your own sexual assault, that you can't talk about queer issues without offering up a comprehensive history of your own experiences, and none of those things are true. You owe people, and especially random strangers on the internet, nothing, least of all citations to somehow prove to them that you have the right to talk about your own life.
This makes some people uncomfortable, and to be clear, I think that that's good: people who feel entitled to demand this information should be uncomfortable. Refusing to justify yourself takes power away from people who would very much like to have it, people who would like to gatekeep and dictate who is permitted to speak about what topics or like what things. You don't have to justify yourself. You don't have to explain that you like this ship because this one character reminds you a bit of yourself because you were traumatized in a vaguely similar way and now— You don't have to justify your queerness by telling people about the best friend you had when you were twelve, and how you kissed, and she laughed and said it was good practice for when she would kiss boys and your stomach twisted and your mouth tasted like bile and she was the first and last girl you kissed, but— 
You don't owe anyone these pieces of yourself. They're yours, and you can share them or not, but if someone demands that you share, they're probably not someone you should trust.
Third: The idea of gold star lesbians is a profoundly bi- and trans- phobic idea, often reducing gender to genitals and the long, shared history of queer women of all identities to a stark, artificial divide where some identities are seen as purer or more valuable than others. This is bullshit on all counts.
There's a weird and largely artificial division between bisexuals and lesbians that seems to be intensifying on tumblr, and I have to say: I hate it. Bisexual women aren't failed lesbians. They're not somehow less good or less valid because they're attracted to [checks notes] people. Do you think that having sex with a man somehow changes them? What are you so worried about it for? I've checked, and having sex with a man does not, in fact, make your vagina grow teeth or tentacles. Does that make you feel better? Why is what other people are doing so threatening to you?
Discussions of gold star lesbians are often filled with tittering about hehe penises, which is unfortunate, since I know a fair few lesbians who have penises, and even more lesbians who've had sex with people, men and women alike, who have penises. I'm sorry to report that "I'm disgusted by a standard-issue human body part" is neither a personality nor anything to be proud of. I'm a dyke and I don't especially like men, but dicks are just dicks. You don't have to be interested in them, but a lot of people have them, and it doesn't make you less of a lesbian to have sex with someone who has a dick.
There's so much garbage happening in the world—maybe you haven't noticed, but things are kind of Not Great in a lot of places, and there's a whole pandemic thing that's been sort of a major buzzkill? How is this something that you're worried about? Make a tea, remind yourself that other people's genitalia and sexual history are none of your business, maybe go watch a video about a cute animal or something. 
Fourth: The idea of gold star lesbians is a shitty premise that argues that sexuality is better if it's always been clear-cut and straightforward—but it rarely is. We live in a very, very heterosexist culture. I didn’t have a word for lesbian until many years after I knew that I was one. How can you say that you are something when your mouth can’t even make the shape of it? The person you are at 24 is different to the person you are at 14, and 34, and 74. You change. You get braver. The world gets wider. You learn to see possibilities in the shadows you used to overlook. Of course people learn more about themselves as they age.
Also, many of us, especially those of us who grew up in smaller towns, or who are over the age of, say, 25, grew up in times and places where our sexuality was literally criminal.
Shortly after I graduated high school, a gay man in my state was sentenced to six months in jail. Why? Well, he’d hit on someone, and it was a misdemeanor to "solicit homosexual or lesbian activity", which included expressing romantic or sexual interest in someone who didn’t reciprocate. You might think, then, that I am in fact quite old, but you would be mistaken. The conviction was in 1999; it was overturned in 2002.
I grew up knowing this: the wrong thing said to the wrong person would be sufficient reason to charge me with a crime.
In the United States, the Defense of Marriage Act was passed in 1996, clarifying that according to the federal government, marriage could only ever be between one man and one woman. It also promised that even if a state were to legalize same-sex unions, other states wouldn't have to recognize them if they didn't want to. And wow, they super did not want to, because between 1998 and 2012, a whopping thirty states had approved some sort of amendment banning same-sex marriage.
Every queer person who's older than about 25 watched this, knowing that this was aimed at people like them. Knowing that these votes were cast by their friends and their families and their teachers and their employers. 
Some states were worse than others. Ohio passed their bill in 2004 with 62% approval. Mississippi passed theirs the same year with 86% approval. Imagine sitting in a classroom, or at work, or in a church, or at a family dinner, and knowing that statistically, at least two out of every three people in that room felt you shouldn't be allowed to marry someone you loved.
Matthew Shepard was tortured to death in October of 1998. For being gay, for (maybe) hitting on one of the men who had planned to merely rob him. Instead, he was tortured and left to die, tied to a barbed wire fence. His murderers were both sentenced to two consecutive life terms in prison. This was controversial, because a nonzero number of people felt that Shepard had brought it upon himself.
Many of us sat at dinner tables and listened to this discussion, one that told us, over and over, that we were fundamentally wrong, fundamentally undeserving of love or sympathy or of life itself.
This is a tiny, tiny sliver of history—a staggeringly incomplete overview of what happened in the US over about ten years. Even if this tiny sliver is all that there were, looking at this, how could you blame someone for wanting to try being not Like This? How can you fault someone who had sex, maybe even had a bunch of sex, hoping desperately that maybe they could be normal enough to be loved if they just tried harder? How can you say that someone who found themself an uninteresting but inoffensive boyfriend and went on dates and had sex and said that it was fine is somehow less valuable or less queer or less of a lesbian for doing so? For many people, even now, passing as straight, as problematic as that term is, is a survival skill. How dare you imply that the things that someone did to protect themself make them worth less? They survived, and that's worth literally everything.
Fifth, finally: What is a gold star, anyhow? You've capitalized it, like it's Weighty and Important, but it's not. Gold stars were what your most generous grade school teacher put on spelling tests that you did really well on. But ultimately, gold stars are just shiny scraps of paper. They don't have any inherent value: I can buy a thousand of them for five bucks and have them at my door tomorrow. They have only the meaning that we give them, only the importance that we give them. We’re not children desperately scrabbling for a teacher’s approval anymore, though. We understand that good and bad are more of a spectrum than a binary, and that a gold star is a simplification. We understand that no number of gold stars will make us feel like we’re special enough or good enough or important enough, or fix the broken places we can still feel inside ourselves. Only we can do that.
The stars are only shiny scraps of paper. They offer us nothing; we don’t need them. I hope that someday, you see that, too. 
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mirkwoodshewolf · 3 years
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Panther Princess; T’Challa x child reader
*Author’s note*
Well this was a LONG time in the making, not only cause of motivation and time schedule wise but I wanted to make sure I GOT THIS FIC RIGHT since this is my first time writing for T'Challa since Chadwick's death last year (MAY HE RIP OUR KING!!!). Hope you guys enjoy this, and I’ve decided that after a few Wattpad requests I’ll open requests up here on Tumblr but there will be some MAJOR adjustments to what fandoms I’ll do. For now just be patient with me and eventually I will open requests here on Tumblr, I just don’t want to be overwhelmed.
Warnings: Malnourishment. abuse, terrorists involved (no action but just the word), some fluff.
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Taglist:
@plethora-of-things
@waddles03
@psychosupernatural
@ixchel-9275
@soy-guey
@queen-paladin
@jd-johndeacon-or-jackdaniels
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It was in the dead of night when T’Challa received word about some smugglers were traveling with some stolen Vibranium, and word has it that they were working for Klaue.  Even though he had been dead, Klaue’s business was still running and forging deals with terrorists groups and anti-government parties.
Him and Okoye were flying over towards the drop-off point where the dealers were gonna be exchanging their latest steal of Vibranium.
“The dealers that Klaus’ second Lt. Rosko Lannister is selling the Vibranium to come from an Iranian terrorist group.”
“As usual we will let them make their business transaction before taking any further action. After dealing with the terrorist group and Lannister is ours, he will be put under the same crimes as we would’ve given Klaue.” T’Challa told Okoye.  She nodded as the jet continued to fly towards their destination.
It was just before sunset when at an old, abandoned warehouse Rosko Lannister and some of Klaue’s old men waited for their clients to arrive.  Soon enough driving in the black SUV’s and Honda trucks, the Iranian terrorist group came out of their cars.  Most of them were soldiers holding their AK-47’s close to their chest while out of the head van, 3 men dressed in full 3 piece suits exited the car.
They looked exactly alike for these three men were actually brothers.  Two of them were twins and the other was a year younger than his older twin brothers. Hasim, Sami, and Achmed Israeli were the three leaders of the biggest terrorist group in the world.  There was even record shown that they made deals with HYDRA back in the day.  Mostly smuggled weapons and potential serums for super soldiers.
After the fall back in 2014 when both SHIELD and HYDRA were exposed, the brothers decided to go underground and disappear under the radar.  The US and European governments have been trying to find them ever since but they are too clever and can easily cover their tracks both physically and wirelessly.
“The Israeli brothers. I can’t tell you how honored I am to be doing business with you.” Rosko praised.
“We didn’t come for praises. We came for the Vibranium. Do you have it?” the oldest twin brother Sami demanded.
“Getting down to business. That was one thing my former associate Klaue always appreciated. God rest his soul.” Rosko kissed his finger before raising them upward. “Nah I’m just kidding he was an arsehole, I’m actually glad he’s dead.” He changed his tune.
“The Vibranium. Do you have it or not!?” demanded the younger twin Hasim.
“Patience Hasim. Let the white man talk.” Sami eased his brother.  Rosko turned to one of his guys and nodded.  His left hand man let out a whistle and soon two men come carrying in a large box that was filled with the stolen Vibranium that Klaue had stowed away for himself.
The men set it down before the brothers and Achmed opened the case up to reveal the Vibranium they were looking for.  A small smirk came across Sami’s face and he said.
“Excellent. The most powerful material in the universe.”
“It did come at personal cost from Klaue, better him than me. It’s worth billions. Hope you also kept your end of the deal. This transaction is only fair if both parties agree.” Hasim smirked cunningly and turned to his general.
He nodded and exclaimed in Muslim and before Rosko even knew it. Every single one of his men was shot dead by the Israeli brother’s soldiers, leaving only him alive.
Every gun was now turned on him and Rosko had no choice but to raise his hands slowly.
“True. But when dealing with terrorists you should’ve also realized that there is a price to pay. Especially if you’ve been followed.” Sami said. At this point Rosko was confused.
“What-what-what are you talking about?”
“I’ve been in this game for a long time Mr. Lannister, I’ve seen everything and heard it all. Superheroes, aliens, psychotic androids, even real life wizards. So don’t think for a second that your actions hasn’t risen suspicion to the one who rules the very place where you got this Vibranium from.” Sami closed the case and patted it before his brother Achmed took it and had it put in the truck.
“King T’Challa has no idea of this Vibranium that was stashed away. He’s recovered the traces of Vibranium that Klaue kept public. There’s no way he could know about this.”
“Clearly Klaue had a better game face than you Mr. Lannister. For he wouldn’t have revealed such an important fact to me.” At that moment Rosko knew he had been played by the brothers.  Before he knew it, a bullet went straight into his head and he died right there.
“Surround the area. We don’t leave till the King is dead.” Ordered Achmed to his security team.  The soldiers exclaimed Arabic commands as they surrounded the warehouse with their guns outward and ready to fire.
One guard in particular heard something move behind him and he quickly turned and fired three shots but didn’t hit anything but some old crates.  His paranoia was getting the best of him and that’s what gave him away.  He was suddenly grabbed by the back of his robes and lifted up and beaten till he collapsed to the floor unconscious.
2 more guards heard what was going on and went to check on their fallen soldier when a flash of a figure ran behind them. They quickly turned and fired their guns when suddenly T’Challa came down behind them, quickly disarmed them and knocked them unconscious.
As more of the brother’s security came in and they open fired on T’Challa, he merely walked towards the security before sprinting forward and disarming the rest of them.  His claws tearing their guns apart, and using his quick ‘cat-like’ agility, he managed to take down the entire fleet.
“Israeli brothers!” he cried out.  It was then Sami came out and T’Challa revealed his face to the eldest brother.
“King T’Challa. I must say it is an honor to be in your presence.” Sami mocked.
“Did you really believe we would be unaware of this trade?”
“On the contrary, I expected this all along. It was that witless white monkey Rosko who didn’t expect to see you. But never fear, he’s out of both of our hands.” Sami said nonchalantly as he looked down at his nails.  
“If you surrender the stolen Vibranium to me, we can resolve this peacefully. But refuse, and you’ll face justice of Wakanda in Rosko Lannister’s stand. You and your brothers.”
“See my brothers and I made a pact. If we can’t escape the system, we’d be—how you say, judge jury and executioner to ourselves. And rather than rot in a cell separated, we shall join together in a blaze of glory. And we’re not afraid to take you with us, suffering the same fate as your own father did.” Sami raised his arms out like he was flying and waiting for a fiery explosion to happen.
But nothing came.
He opened his eyes to reveal that nothing had happened.  It was then coming into the open space were Ayo and Okoye who had Sami’s younger brothers. Both men were bruised and battered up pretty badly.  The two Dora Milaje members dropped his brothers down at his feet like trash and T’Challa said.
“I told you. This could’ve been resolved peacefully. But you forced our hand, especially when you had planned to blow up the place with all of us inside.” Sami growled but nonetheless raised his hands in surrender.
As the Dora Milaje were detaining the three brothers, T’Challa retrieved the stolen Vibranium when he heard something nearby.  It sounded like chains, they had defeated all of the security, Rosko and his men were all shot by the Israeli brother’s defense, and the brothers were all detained so who else was here?
“My King?” Okoye asked.
“Stay here Okoye, I want to check something out.” He told his general of the Dora Milaje.
“My king, it could be another threat we do not yet know about. Let me come with you.”
“I’m not defenseless Okoye. Now you and Ayo just put the men on the ship and let me handle this. It could be some animal or the chains fell down off of something.” Okoye nodded to her king and soon T’Challa headed deeper into the warehouse.
As he explored every bit of it, he soon noticed that there appeared to be a hidden door within the walls that was very faintly cracked open.  He opened the door and could hear the sound of the chains getting louder and louder.
It was almost like they were—pacing? They kept a constant rhythm as they would move about, in a circle pattern or something close to it.  T’Challa slowly walked towards the direction of the chains and soon found what appeared to be a cage.  A glass cage but it was inside that surprised the Wakandan King.
Inside the glass was a child.  She appeared to be around the ages of 8-11 years old. Her hair was extremely long and madded like a lion’s mane.  She looked malnourished so much so that you could almost see her bones.  But for being malnourished, how could she have the energy to pace so frantically like she was now?  He also noticed that there around her neck, wrists and ankles were chains keeping her inside.
T’Challa slowly walked out of the shadows and into the light where the child would be able to see him.  She stopped her pacing and just stared at him curiously. T’Challa disengaged his full Black Panther suit so that he was in his normal clothes.
“I am not here to hurt you.” He gently told the child.  The child slightly tilted their head like a lost puppy.  “My name is T’Challa, what’s yours?” T’Challa slowly and slowly got closer and closer to her cage as he spoke in that soft voice of his.  When she didn’t answer him he assured you, “You don’t have to tell me if you don’t want to. I just want to be sure you’re okay.”
Suddenly in the blink of an eye, her (e/c) soon turned to a deep cat eye yellow.  Her body shifted into a fairly young but still decent size panther and she lashed out at the cage, knocking T’Challa off his feet in slight fear.  The child now standing before him as a full panther clawed and roared at the cage furiously.
“My King!” Ayo’s voice spoke in Xhosa and soon her and Okoye came in and when they saw the panther, they lifted up their spears in defense.
“Stand down!” T’Challa commanded them.
“But my king—this animal is feral. It was going to kill you.” Okoye reasoned with him but T’Challa told her.
“She is a human child. She shifted into this panther before my eyes. Look.” Soon enough the panther shrunk down and soon turned back into the young girl who was still pacing back and forth in her cage.
“What sorcery is this?” asked Ayo.
“Not magic. Science. Look closer at her arms.” T’Challa said.  At the section of the arm on the other side of the elbow, they noticed dozens of needle injection scars.
“This child was experimented on.” Okoye said grimly with a horrified expression.
“What do we do my King?” asked Ayo.  T’Challa looked at the child who was growling and trying to act scary even though she was no longer a panther anymore.
“We take her to Shuri. Maybe she can shed more light on the matter. Get her to the ship. But approach her cautiously. Don’t make any sudden movements.” Ayo and Okoye bowed their heads to their king and walked towards the cage.
The girl would hit her skeletal body up against the cage trying to rattle it and actually roared out a panther’s real roar, her teeth slowly growing into the large infamous canines of a real big cat. Okoye and Ayo then placed a hover bead on each end of the cage and soon the cage levitated just a few feet off the ground.
The little girl roared and began clawing at the glass but it hardly did anything as she was now being guided towards the ship.
When they reached Wakanda after dealing with the brothers, Shuri in her lab was going over the girl’s intel scan that she made of the girl from her cage with her kimoyo beads.
“So what is it you can find Shuri?” T’Challa said as he entered his sister’s lab.
“This may come as a surprise to you brother. But—she has no birth record at all. I’ve contacted some of my people in various places around the world to see if there has been any missing child and all of them have said no. My theory is that she may have been created from a test tube to look like this.”
“Any idea who could’ve made her?”
“The same organization that made the White Wolf into the Winter Soldier.”
“Hydra.” T’Challa said gravely.  Shuri nodded.
“I hacked into their old files and it only confirms my theory. Seems like they wanted to create their own Cat-god or something.”
“Any records on what her powers are? She can shift into a panther but can she also shift into anything else?”
“I’m still digging through the files, there’s a lot of files that came to creating her. It’ll take time brother.” T’Challa nodded in understandment.
“Keep me updated.”
“Yes brother.” T’Challa walked away but he turned back towards the young girl and saw that she had briefly stopped her pacing to look at him once again.
A week later after finding the child, Shuri managed to dig up that HYDRA’s plan for the Child was for her to become their Agent Battle Cat.  The ability to shift into a panther.  She also has enhanced agility, speed, and strength.
However when HYDRA fell back in 2014, they were forced to abandon the project and she had been left alone in that warehouse ever since.  Thinking about the enhancing experiments she must’ve been forced to endure or whatever genes they gave her, it allowed her to survive even being chained up in a cage for years on end until she felt like she needed to give up.
While being kept under his sister’s supervision, T’Challa also made it apparent to try and communicate with the Child, just to see if she could either understand or (in a rare case) speak in any language.  The first time he had tried to talk to her well—let’s just say she ended up with broken nails and chipped teeth after trying to take a bite of T’Challa’s forearm when he activated his suit to protect his arm from her attack.
He had finally finished his royal civic duties for the day when he decided to try and talk to the Child again.
“You sure it’s a good idea brother? You did cause her to lose her nails and chipped some of her teeth.”
“I learned my lesson last time. But you weren’t there before that happened. She had actually dropped her guard and almost looked like she wanted to communicate with me. I think I’m getting through to her.”
“Okay brother. But if she attacks you again, I doubt that’ll sit well with Mother as well as Okoye and Ayo.”
“I will handle mama and the Dora Milaje. For now see to it that no one disturbs us.” Shuri nodded and told her workers to go home for now, leaving T’Challa and the Child alone.
T’Challa slowly approached her cage to see her lying down on her side licking her broken nails.  Some of them had broken off by the top, while the rest had the entire nail broken leaving a bloody mess in it’s wake.  She was currently licking her blood stained fingertips when she caught T’Challa’s scent.
She growled and hissed angrily at him, her canine fangs extended out and her eyes shifted into the cold, yellow panther eyes.
“Steady, steady. I’m not here to hurt you.” T’Challa sat down a few feet away from the cage and continued, “I am sorry for what happened to you. I was only protecting myself from getting hurt. It was my fault for overstepping my boundaries.” Her hissing ceased and she closed her mouth hiding her fangs but she would occasionally growl lowly, her tail coming out and twitching anxiously.
They sat there in silence for a couple of minutes when T’Challa said to her.
“You know, I’ve been thinking of a name for you. You know something to call you. I’m betting the men who created you never really gave you a real human name. What do you think about—Ariana?” the Child hissed. T’Challa chuckled, “Didn’t think so. Shuri said you might like it but now I can prove to her that I was right. Now for the real options, what about…….Nala?” the child tilted her head confused.  “No? What about…..Diana?” she looked down and went back to licking her fingertips. “That won’t really help them heal. Sure it’ll clot the blood but it’s not that good for saliva to heal a wound like that.”
She looked up at T’Challa and growled lowly.
“I’m just trying to help. We have the medicine that’ll help you. I won’t lie it might sting for a brief second but it’ll help. Will you trust me with healing you, please?” the child looked between him and her fingers before slowly extending her arms out and she briefly nodded.
T’Challa then got some antiseptic and band-aids. He opened up a small section of the cage, just enough for her arms to come out.
“Thank you for your trust.” He then began to doctor her fingertips.  She let out some painful roars on the stubbed fingertips that no longer had a nail anymore but at least this time she didn’t try to attack him like last time.  He soothed her with calming phrases like ‘it’s okay. It’s won’t last long.’ And ‘Just relax, it’s almost over.’ After bandaging up her left pinkie finger he told her, “There, I’m done (Y/n).”
At hearing that name, she looked up at T’Challa curiously.  Her tail perked up and the tip curled inward.  T’Challa looked at her to see her tail fall limp to the cage floor. “(Y/n)?” her tail lifted up again and her head tilted curiously.  “So you like that name eh?” She looked at T’Challa and her nose twitched as she was trying to sniff him through the glass.
Taking a risk, he slowly reached his hand into the cage once more like before.  However this time he kept his hand in a downward position, so that his hand formed the shape of another cat’s nose.  The Child slowly crept towards his hand and gave it a sniff, when she saw that he wasn’t moving his hand, she rubbed her head against his hand for a brief second before nuzzling underneath his palm so that it sat on top of her head.
He gently began scratching her scalp which caused her to let out soft comforting purrs.  T’Challa smiled warmly and continued to gently give the child—well (Y/n) some more scritches and pets.
“Don’t you worry (Y/n). I promise I won’t allow anyone else to harm you in any shape or form.”
The next couple of months after getting her body weight back to normal and healing any other wounds she had maintained, T’Challa allowed (Y/n) to venture outside the palace with him.  Thinking the city itself was too much for her right now, he decided to take her out to the Border tribe so that she could see the outside world for the first time in her life.
Needless to say she was overwhelmed but she was happy to feel the grass beneath her feet, see the beautiful landscape, and hear all the sounds of the outside world from the animal calls to some of the Border tribe members talking with each other.
“Seems she’s getting along well.” Okoye observed (Y/n) who was cautiously watching the rhinos from their pins.
“Slowly but surely she is. Walking on two feet is still a bit of a challenge but she’ll get there eventually.” T’Challa told her.
“At least she’s learned to not attack you.”
“It was one time Okoye, be nice.”
“As your General it is my duty—”
“I understand your duty General. But you must also know that there will be times you can’t protect me. And this attack was very minor compared to the fights I’ve been in before.” It was then T’Challa saw (Y/n) now focusing her attention on some birds that had just landed a few feet away from the rhino pins.  Her panther instincts kicked in as she got into pouncing position, her pupils were fully blown and her shoulder blades flexed over one another as her butt raised higher and higher in the air.
Finally she raced forward and the birds immediately took off flying.  She leaped well over 7ft in the air and managed to capture a bird in her claws and delivered a fatal bite.  She then raced over to T’Challa and presented him the dead bird.
She placed it on the ground before his feet and backed away before tilting her head with a happy smile on her face.
“Seems she has a gift for you my King.” Okoye said. T’Challa grimaced at the gift but he quickly smiled down at her and knelt down in front of her.
“I appreciate the gift (Y/n). But—we cannot keep this bird kept within a cage. Like how I freed you, we must also allow this bird to move onto the next life.” He dug into the earth for a small shallow grave, just big enough for the bird and he placed the bird into the makeshift grave.  He buried it under the earth and he sent a brief prayer to Bast in Wakandan. “Right, now let’s head back to the palace. I have a meeting with M’Baku about reforging our alliance and allowing the Jabari tribe into the council.”
Okoye and T’Challa walked ahead when they heard something behind them.  At first they thought it was one of the goats but it sounded to hoarse to be one of them. They slowly turned around and saw (Y/n) with a hand over the grave of the bird and she was saying.
“Ba……Ba.”
“Is she……?” Okoye started.
“Ba.” (Y/n) was trying to talk!  She was trying to say the Cat goddess Bast’s name.  She managed to get out the first constant and vowel but she couldn’t figure out how to do her S and T.
“Her first time talking. She’s trying to say Bast’s name.” T’Challa knelt down and he asked her, “(Y/n), are you trying to give a prayer to Bast?”
“Ba!” she exclaimed again.  T’Challa was overjoyed on the inside that the girl he had decided to take under his wing and raise was finally trying to talk.  Many of the tutors he and Shuri had growing up had given up saying that she was incapable of speaking because all she did was just hiss and growl as well as throw things at them before laughing like a deranged hyena.
“Here I’ll help you say her name.” he adjusted himself so that he sat down and he placed his hand right next to hers and he said slowly so that she could see how his lips did it. “Say Bast.”
“Ba.”
“Bast.”
“Ba.” T’Challa shook his head.
“Watch me carefully. Bast.” He enunciated the t at the end.  (Y/n) growled lowly before taking a deep inhale and finally exclaiming.
“BAST!”
“Yes. Yes that’s it! You did it (Y/n) great job!” at seeing T’Challa’s excitement, (Y/n) began to repeat Bast’s name gleefully as she pranced around.
“A little cocky there isn’t she?” Okoye muttered.
“Let her have this moment Okoye. Besides probably hunting and killing, this is her first real big achievement. A normal milestone.”
“I suppose so.” She agreed.  Even though she might not have wanted to admit it, she thought it was adorable how little (Y/n) was finally able to speak a human language and become so happy with herself that she would prance around like a yearling antelope.
Over the next couple of years, (Y/n) continued to not only advance in her human speaking skills, but she now began to show signs of aging.  She went from that small child to now almost a young adult woman in just 2 years since finding her.  Seemed with the animal enhancement, it also increased her human aging with each time she grew stronger and tougher.
T’Challa continued to raise her as his own and pretty soon all of Wakanda looked at her as their young Princess.  Shuri loved hanging out with (Y/n) and teaching her everything there was to know about science and technology.  She even took her as an apprentice in her lab.  Okoye eventually came around and soon saw (Y/n) as a member of the royal family and took it upon herself to train her like a Dora Milaje so that she could defend herself without the need of her animal powers.
For she was the Panther Princess.
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delimeful · 3 years
Text
you cant go back (3)
warnings: panic, miscommunication, trafficking, non-consensual drug use, suicidal thoughts, food, mentions of torture, cliffhanger, these tags make it sound worse than it is tbh  
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When Virgil first opened his eyes, jerked out of sleep by sharp instinctual alarm, he’d thought for a moment that he was still dreaming.
It was the same face, after all, even with how frighteningly close it was, even with a vastly different expression painted across it. He’d been confused, almost relieved-- had they gotten away after all?-- and then he’d realized just what the Deathworlder had in their arms.
He’d lunged and come up short, forced to watch as the Human kept their arms locked around Patch even as the creature made unhappy little noises he’d never heard from it before. 
It was so small compared to the Human, easily tucked under an arm and managed regardless of protests. Did they have no respect for the deadly grace of the other creatures on this planet?
They’d circled him from a distance, ignoring his warning twitches and outright hisses as thoroughly as they ignored Patch, and all he could do was watch, locked in place, hoping that Human prey drive wasn’t as high as all the rumors said.
And then the Human had left, taking Patch with them, and Virgil had been left to watch their fading heat signature and pray to Seryl that whatever the Human did would be quick. For both of them.
It wasn’t that easy, of course. The Human wanted something from him, badly.
He thought he had a fair idea of what-- or rather, who-- it was.
After all, he’d seen a near-perfect mirror of them, sitting bound and muzzled in their transfer ship’s holding cell where a Human absolutely shouldn’t be. Leond and her Second had been unnaturally gleeful for rotations before Virgil finally found out about the ‘successful pickup’, namely through stumbling across it by doing the routine security and safety checks that he didn’t trust the rest of these idiots to do themselves.
They’d cut him off before he could get to a comm to tell Janus, cornered him in the tight cell block hall, and offered him a deal: his silence for a cut of the immense earnings they would make from renting out a Human to any and all fighting rings.
He remembered the way the Human’s gaze had flickered between him and the others curiously as he argued, the way they’d struggled to bare their teeth derisively at Leond, even through the bars of their muzzle and the haze of whatever they’d been drugged with. It was one of the last things he’d seen before he’d ‘made a fuss’ big enough that his own crew had tranq’d him and ditched him on-planet to die.
“You’re right,” Leond had said, face smooth in the way that meant smug satisfaction for her species. “We haven’t fulfilled our half of the exchange, have we? We took an alien from that planet, so it’s only fair that we leave one behind.”
His limbs had been defensively raised since the beginning of the argument, but Virgil had fought side by side with these people before. They knew how to guard his blind spots, which meant that they knew his blind spots.
The Human had tried to speak through the muzzle, just before he’d heard the discharge sound of a tranq gun too close to dodge. He thought it might have been an attempted warning.
It hadn’t changed anything. He’d been the only one on that ship who’d opposed the Human’s abduction, and as a reward, he was going to be slowly interrogated to death by one of their clutchmates. The level of cruel irony was like something from one of Jan’s stupid operas.
Virgil felt another shudder of exhaustion. Stars, he hoped Janus would get out of there once he realized what they’d brought back. His best friend knew better than to fuck with Humans, and the crew clearly wasn’t going to listen to any interplanetary ethics lectures, so the best thing he could do was skip town. Better to rebuild than fall with the nest.
He hadn’t slept after the Human had left, flipping to his heat sensor vision and watching all night for their return, unable to relax after one of the most unpleasant awakenings of his life. And if it meant he didn’t dream about what could have happened to Patches, all the better.
The next day had come, and the Human returned, wielding that dull stick and asking more angry questions that Virgil couldn’t understand, let alone respond to.
The thing was, given enough time and exposure, he actually would be able to understand the specifics of what was wanted from him.
Like most long-term interstellar travelers, he had a Lator implant, and the more the Human talked at him, the more linguistic patterns and trends would be picked up and catalogued, making it much easier for him to put the pieces together.
Unfortunately, time wasn’t something he had an excess of.
Janus would have figured out at least the basics by now; in addition to being better with words, he’d gotten a more recent, effective upgrade to the implant’s software. Virgil had turned the offer down for himself, knowing that they needed to save money where they could, and figuring that he didn’t really need it. His job was to defend Janus. His First could handle the talking part of their missions on his own with ease, the chatterbox that he was.
It had seemed obvious at the time. A lot of good that logic was doing him now.
The Human said something at him, flashing his bone-white teeth as he spoke. Humans didn’t have guard plates over their mouths at all, and so every time this one turned to him, he felt as though they were either acting sickeningly overfamiliar or that they might lunge forward and try to bite him at any moment. He’d carefully kept his own plates locked, not willing to expose any teeth and have it mistaken for a challenge.
The Human was waiting expectantly. Virgil took a deep breath and replied, the same as he had every time he could, though he doubted Humans had access to translator implants.
“I am not here to harm anyone. I was abandoned here against my will. I can’t understand what you’re saying,” he recited in Guard-tongue, keeping the sentences brief and repetitive for easy translation pattern recognition.
The Human wasn’t extending him the same courtesy, his own sentences long-winded and full of unfamiliar concepts that kept tripping up the Lator programming. References, probably.
There was one Human word that he’d figured out fairly early on: Brother.
Clutchmate, family, the lookalike that was probably long gone by now.
He was almost glad that he couldn’t speak coherently. As it was, he didn’t have to be the one to break the news.
Almost, because the Human was stubbornly finding new and creative ways to freak him the hell out with each visit.
First, they’d figured out fairly quickly that he was slowly starving.
Virgil had flooded his plates right to pitch on their first meeting, and hadn’t been calm enough to stop the defensive reaction since, which had quickly drained what little hydration stores he’d had left. Between the drying out of his plates and the fact that he’d gotten too worked up and blacked out for a moment during an interrogation, his fading health wasn’t exactly subtle.
He’d panicked, because any enemy knowing his weakness was generally pretty fucking bad, let alone an enemy with personal motive and ability to twist that weakness like a knife in the spine.
The Human had verbally freaked out (a regular occurrence) and vanished for a while, before returning to the barn with an entire array of items (not a regular occurrence). They’d set the items out on flat fiber ‘plates’ and then slid them into range with that stupid stick.
Virgil had stabbed a few of them on principle before realizing that this was food, aided by the Human rolling his eyes pointedly-- a derisive gesture, he’d gathered-- and eating something from a plate of their own.
At that point, Virgil had been willing to risk poison. The way he saw it, he either died, or he ate something, and either way it meant stopping the slow, aching pain eating away at the pit of his stomach.
He’d even been willing to tolerate the Human staring at him, since apparently they didn’t have the manners to not watch a stranger eat. Or that wasn’t a thing on this planet. It didn’t really matter.
After a significant amount of time spent using his auxiliary limbs to delicately maneuver Human produce and meats into inspection range, he settled for what smelled the least concerning, avoiding any that smelled or looked too bright to be safe.
(The scrunched-up look the Human had given him after he’d crunched an egg in his throat had been hard to interpret, though.)
Anything he could safely ingest, he’d eaten. After the Human left, he’d even attempted the indignity of trying to lift the bowl of water in range with wobbly limbs, though he’d almost immediately spilled the majority of it all over himself. It didn’t matter, he could pull any and all hydration from what he’d eaten, though he didn’t dare get used to it.
This wasn’t his first time above the nest, and he hadn’t fooled himself into believing that this shocking show of generosity would last. The Human had only done it to make sure that their hostage wouldn’t keel over.
Starvation and dehydration were more-than-effective methods of hands-off torture, after all, and the Human really only needed to give him enough to keep him alive.
The impending mistreatment shouldn’t have shaken him as much as it did. He had the advantage of the Human’s ignorance on how much Chelcerae ate, and his own resilience, developed from years of scraping by on the barest of rations. He was lucky, really, to be one of the species with a water-storing organ.
Still, he spent the night wondering if it was worth it to keep fighting. There was no escape, so wouldn’t it be better to go out on his own terms, before anything truly horrendous could happen to him?
Probably. The real question was: would he have the fortitude to turn down food all the way to a slow and painful death-via-starvation?
He wasn’t sure, and he continued to be resentful of the fact that he even had to make such a choice all the way up until the next day, when the Human walked in with a plate covered in everything he’d eaten yesterday and slid it over to him, simple as anything.
“What?” the Human snapped after a moment of Virgil watching them for any indication of what to do, and he’d hurriedly flickered his heat sensor eyes in hopes of placating any offense. The Human had grumbled indistinctly, but didn’t attempt to remove the plate or even threaten to do so.
The next day was the same. Though the Human continued to try and interrogate and occasionally intimidate him, the food and drink was provided without stipulation or hesitation. It was… strange.
Virgil refused to read into it. Perhaps Humans just had meals so frequently that skipping a single day would be as barbaric as weeks of starvation for Chelcerae. Maybe once the Human had enough of his noncompliance, they were going to feast on his flesh and didn’t want a stringy meal. It was impossible to know.
The generous feeding schedule was nothing, though, compared to some of the other questionable tendencies the Human had.
They traversed the grounds in and around the barn with little wariness, apparently quite confident in their ability to defend themself on the Deathworld they’d grown up on. They brushed insects and plant matter alike off their person with little care for poisons or bites.
Their body language seemed to consist of every threat display in the wayfarer guidebook, and worse, only a quarter of these threat displays seemed intentional. Virgil was constantly tense, attempting to figure out which were intended to cow him, and how to keep his own body language from worsening the damage. Any signal of terrified compliance, even the obvious tremor of his auxiliary limbs, only seemed to prompt wariness and confusion from the Human.
They’d found his helmet and immediately put it on, which had made his fuzz prickle with hope for a moment, before remembering that the reserve battery of the headset was well and truly dead. No emergency translators for the Human, and no upturns in luck for Virgil.
Maybe it was better. Even if the Human could talk to him, he would seem just as guilty for their brother’s disappearance in their eyes. It wasn’t even an accusation he could reasonably defend against; if things had gone differently, if he’d made smarter choices, maybe he could have gotten the captured Human free.
Janus would have managed it. He’d always been a quicker mind than Virgil.
It’d been three days since the Human had found him, and Virgil had barely managed to parse a handful of imperatives and nouns from someone who was basically just yelling the same things at him over and over.
“You can’t ---- the ---- ---------, you ----- --------! I ---- what I ---- and --- ----- to it!” the Human yelled, essentially proving his point. Virgil resisted the urge to let his chin drop down to his collar in exhausted resignation.
It was difficult to focus past the old pains from the fight with Leond, and the new pains from being strapped upright for days on end. Even if he could bring himself to pay closer attention, it wouldn’t make it easier to parse words he had no context for. Lator technology worked best when both parties were exchanging words, or at the very least, when there was more than one native speaker prattling on at you!
The Human inhaled to continue and then froze, prompting Virgil to slink his shoulders up slightly, something that had worked to show his non-aggression once or twice before. The Human wasn’t focused on him, though, whirling around to face the barn doors with their body rigid.
Because he’d never been good at uncertainty, Virgil flicked his heat-sensor eyes open just as another Human-sized mass reached the doors, moving in a predator’s stalk.
Well, he thought as the door creaked open, I’m screwed.
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supertunanana · 3 years
Text
I’ve debated writing this for a while, because who wants to read my inane thoughts on the matter? What are my opinions really worth in the grand scheme of things? I’m not so self important to think this will be of any value. But, I’m an extroverted thinker, so this might help my brain finally shut up, and that’s worth something to me. 
The hypocrisy surrounding Jikook. 
Are they a couple? Maybe. I legitimately don’t know. I don’t default into thinking they’re straight. I don’t default into thinking they’re gay. Every member is a blob, sexually, until they define themselves one way or another. Because honestly, I don’t care. That’s between them and their potential paramours. There’s nothing wrong with either option, heck there’s nothing wrong with both or none. Live a life, man... good luck! 
And I have no problems with shipping, to the extent it is done in a sane way and fans do not impose their ships onto the actual people. What I mean is, if you think Tae and JK look good together and you want to read stories or draw art of them as a couple and you want to explore their dynamic, you do you. However, it crosses a line when fans get mad when real people or real situations do not adhere to their fantasy. When they contradict footage and quotes and the feelings of those involved because it doesn’t fit into their little shipping box, that’s when it’s a problem. Be realistic. Have distinct lines between fantasy and reality, between what you might like and what is actually happening. 
It is this reason, that I think shipping generally innocuous and indicative of the shipper more than the celebrity, that I also don’t think the celebrities in question need to be defended against shipping. Because  if it is distinctly fantasy, then unless they express an opinion on the matter, most celebrities don’t really seem to know about it or care. It’s harmless. That defense, those hackles raised, again say more about the fans than the celebrities. When Xiao Zhan’s (XZ) fans got pissed off that some fanfic writer was portraying him as trans, XZ never weighed in on it. It wasn’t until those fans, in DEFENSE of their idol reported the writer and those of their ilk to the censors in China and got AO3 blocked on Chinese internet, that’s when XZ stepped in. And not to thank his fans for defending him, but to apologize to all the innocent Chinese fanfic writers who lost their work and their sanctuary because a handful of his fans had gotten the site banned. Again, the problem here was fans imposing their own beliefs on the celebrity, in this case thinking he would be upset by this and thus needed to be defended. They ended up causing more harm than good.
So the crux of this, what’s been kicking about in my brain, was the need for the fandom to “defend” JK from “shippers” the day after “hickey gate” and why these things only ever seem to focus on Jikook moments.
First off, “hickey gate” stemmed from footage that was a full, editorial choice to be shared on the part of Hybe and BTS. It was behind the scenes, closed set, pandemic lockdown footage edited together and released as official content, not some concert fancam or paparazzo on the street catching a private moment. They chose to leave in both Jimin and Jungkook on TWO occasions addressing the bruise/bite/hickey on JK’s neck, with the source being attributed to Jimin both times. Thus, people discussing this after the fact is a natural biproduct of it being shared. Is it even “shipping” when we are given the footage and the explanation? Is it not just a strange fact? This isn’t someone superimposing a fantasy onto them. This is the boys flat out saying Jimin bit JK and left a mark on his neck. I get debate over whether it was a bite or a hickey might lend itself more to “shipping”, with the latter being more shippy, but seriously, just looking at it would make anyone to question whether the BRUISE was more a hickey than a bite mark. What it says about the nature of their relationship is a whole other animal, but the fact is, it happened. And people are going to have THOUGHTS and FEELINGS about this. And that’s obviously something Hybe/BTS were ok with to share it in the first place (seriously, we would have never known, we DIDN’T even have a whiff of this until they put the whole thing on the DVD, so they were obviously OK with this leading to speculation, because how can a member saying they BIT another on the neck not?). All the content we are given of the boys snuggling, biting, ear sucking, tenderly addressing each other, etc.. is mostly a choice. And that choice will lead to questions and debates, and they’re obviously ok with it. It’s not wrong for people to be like, “huh” when they do questionable things and choose to give us said content about the questionable things. 
But, there always seems to be this backlash when it’s Jikook. We have to “defend” JK, a fully grown man, who brought up the bite himself on camera from people talking about the bite as he himself said it was given to him. No backlash to people saying Jimin claimed doing it to cover up JK’s secret girlfriend (uhhh, when homosexuality is a no-go in SK, that seems a weird choice, but sure, ok.... like just cut it from the footage and slap some make up on like they do during the concert, since none of us noticed it then, and move on if you want to cover it up). But that’s allowed supposition despite having NO EVIDENCE to support it. And what we are TOLD actually happened is not ok and “shipping”?!? 
Worse, when days later some innocuous “TAE AND JK WERE STANDING NEXT TO EACH OTHER OMG! THEY’RE IN LOVE” trends, where is the “save JK from shipping” rhetoric? That is CLEARLY shipping. I’m not saying Jikook shippers don’t do this, too, they do. And I laugh and shake my head at every little thing being dissected and offered as “proof”, but there always seems to be this backlash when it’s Jikook. ESPECIALLY when it’s undeniably... different. Neck biting. Ear sucking. “with JK at 4 a.m.” when they found out Dynamite got number one. Golden Closet Tokyo. These things are facts. Again, they’re... weird facts that do lead me to raise an eyebrow a lot, but they are facts and they were shared by the members as facts. I don’t think it’s necessarily shipping to think weird facts are weird and may lead to conclusions that don’t adhere to the THEY ARE ALL INHERENTLY STRAIGHT manifesto so many fans seem to have (and I think “straight until proven otherwise” is a shitty perspective anyone could have in any walk of life and again speaks to inherent or unconscious heteronormative perceptions in society - hurray -_-). 
But even the dumb shippy stuff that ALL other combos have, is always an ISSUE when done by Jikook. Their bond or interactions are downplayed by major accounts. They’re an outlier. Some shippers even try to make it out like they hate each other (whaaa? HOW?!?!).  Any odd interaction that really is just odd is deemed “shipping” and cast off into the no-no void, where it’s WRONG if you side-eye it. And I know WHY. I know it’s because they ARE different and they do do stuff people just don’t want to look too closely at because it makes them uncomfortable, so it’s easier to just deem it all “other” and “crazy supposition” and get rid of it. But it’s frustrating when it’s legit and it’s stuff they’re choosing to show and give us. It’s frustrating to be told you’re not allowed to go “huh, weird” because now you’re just a crazy shipper. 
And again, I’m NOT saying Jimin and JK are in a relationship, because again, IDK, but I’m also not saying they're NOT either. I’m going to keep side eyeing the fuck out of some of the stuff they do and just enjoy that they are 100% each other’s person in the interim. And if that makes me a crazy shipper, then I guess that’s what I am. 
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faerielleart · 3 years
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After 138, do you believe Levihan is canon?
hi anon! thank you for the question c:
to give you a really brief, straight to the point answer: yes.
i’m kinda over having to walk on eggshells because there are sensitive mfs in this fandom who get offended if you insinuate even for a second that levi and hanji love each other non-platonically just as i am kinda over having to hear the usual ramblings about how their friendship would supposedly get ruined, because somehow falling in love with your best friend is the worst thing in the world when it comes to these two characters in particular as people do not in any way keep the same energy for any other aot ship that is rooted in friendship, so yes, i will say that i absolutely consider levihan canon. in the romantic sense. romantic love is not inferior to platonic love and vice versa. i believe they are two best friends who happen to be in love with each other romantically, tried to confess in their own weird ways that were almost impossible to understand but that at the end of the day their confessions were understood by each other and that’s all that matters.
we got two characters who are canonically best friends, despite the sheer and frankly absurd number of people who are in straight denial at this very simple fact; we got a highly romantic-coded scene in 126, with hanji confessing of wanting to live with levi and if i have to be honest it’s much harder to assume such a sentence in this specific context could be taken as platonic rather than romantic because i certainly don’t go around waiting for my best friends to fall asleep before voicing my secret desires of running away and living with them and then blushing about it once i realized they were actually listening the whole time. the interpretation that hanji wanted to “live with themself” or blushed because “they were embarrassed at being caught in a moment of weakness because they were tired and voicing their tiredness” doesn’t make sense either, considering that in the uprising we got nearly the same dialogue with hanji telling levi they want to run away and levi giving them a pep talk, and there was no blushing involved. also, hanji would have no reason to blush around levi or feel embarrassment with him, they have way too much history together, are way too comfortable around each other and have seen each other at their worst too many times. we got an emotional farewell in 132 from levi, which gave us a weird reaction from hanji as if they had the sudden realization of their life in that precise moment and had to get away as quick as possible because of that realization. in the same chapter, there is a dialogue from levi which grammatically implies requited love from someone else who is not titans. you can’t really argue against grammar and yet there are some people who pull a muscle reaching to invalidate even grammar. plus, the fact that the kanji was modified in the published volume and exchanged for a kanji which is pronounced the same, has the same meaning but a much much deeper connotation of love. then, all the parallels with EM.
now, onto these parallels. i’ve seen people deny these parallels and really, it seems to me like we’re reading two different stories. let’s say, i’m an artist/writer and when i draw/write i try to communicate something, which is why the way i portray my subjects is never casual and always very calculated. let’s say, i want to create a scene between two lovers and i want to communicate their love in a way that’s clear to everyone, so i rely on romantic tropes like physicality and intimate eye contact to convey their feelings on the page. this is to say, from someone who is actually both an artist and a literature student, in a work of fiction it’s highly unlikely that such blatant parallels aren’t done on purpose. if it weren’t done on purpose, it would be mere, lazy recycling of panels, because let’s be honest here, the poses are the same, the context is the same, the words are the same.
and that’s really all i have to say on this topic. i’m obviously not in any way implying that you have to see LH as romantic, it is not my intention at all. we’re all allowed to have different interpretations of canon, god knows i do it all the time in all my fandoms. but i’d also like for people to start being more objective and less biased. because this bias, for some reason, is particularly strong when it comes to levi and hanji possibly loving each other romantically. people get weirdly defensive about this. but i stand by my point, i do believe LH is a romantic pair in canon and i gave my reasons for believing such a thing. i also stand by the fact that if any other ship, not necessarily involving L and H, i mean any other ship with any other character, had gotten the very same scenes in canon, there’d be a vast majority of people unanimously accepting it as canon, but since it’s LH there is a ✨strange reluctance✨ that i haven’t seen with any other pair in all my years of fandom.
we’re never getting a scene in which two awkward adults confess their undying love for each other kissing at sunset while shoujo bubbles, rose petals and sparkles dramatically surround them and a violin plays a romantic tune. it’s not in line with the manga nor the characters. however, we do have plenty of canon material and it’s good enough for me in its “ambiguity” which at the end of the day, isn’t ambiguity at all. an author puts ambiguity because they want to purposely create more than one interpretation, which is to say that it is, as a matter of fact, perfectly valid to see romantic tones, it’s not “reaching” or “being delusional” in any way because it was the intention of the author to begin with. If yams hadn’t wanted to create romantic tensions, he would have done so point blank. in creating an “ambiguity”, he is actively offering on a silver plate the implication that there is more than what the eye sees and reads at first in the panels and the speech bubbles, if you delve deeper into them. it’s a simple story-telling trick, i wouldn’t exactly call this “ambiguity” (which i’m even quite reluctant to define as such, as it’s quite “unambiguous” in its “ambiguity” that “disambiguates” itself. I’M DEEPLY SORRY FOR TWISTING YOUR BRAIN INTO A KNOT BUT I PROMISE THIS MAKES SENSE IN MY HEAD SJFJDMDJDJ) an example of “chekhov’s gun”, but if it’s there, it’s there for a reason.
again, thank you for your question 💜
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dogbearinggifts · 4 years
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What are your thoughts on tua S2? Did you feel like the characters grew? What did you like? What did you not? I’m interested in your perspective. Your analysis are super thoughtful and interesting!
Aw, thanks, Anon!
Overall, I really enjoyed S2 and thought it was a solid follow-up to S1. I do have my quibbles about it, so I think (for ease of reference and because my thoughts are a little scattered today) I’ll list some of my personal highlights (in no particular order) before getting into what I didn’t like as much.
Big spoilers ahead.
Allison. I thought they handled her storyline especially well. Of all the siblings, I think she had the most difficult obstacles placed in her way (not only is she a Black woman landing in 1961 Dallas, but she’s a Black woman landing in 1961 Dallas who can’t even speak in her own defense for a year) and they sugarcoated exactly none of it. The writers pulled no punches when showing what civil rights protesters went through, which just made their nonviolent response all the more breathtaking. Allison’s fear and anger during those scenes were palpable even as she kept them hidden. But along with that horror, we see the kindness and warmth of the Dallas Black community, the women who take her in simply because she needs their help, and her love for Ray, perhaps heretofore THE most thoughtful husband ever portrayed on screen. I loved him, and I loved him and Allison together. While I understand and respect his choice to stay in 1963, I wish they’d gotten more time together. They both deserved it.
Vanya. We got to see how much the baggage from her past affected her by glimpsing what she might be like if it were taken away. It’s an interesting philosophical question, and it was explored well, in my opinion. She finds it easier to love and be loved, and she stands up for herself more readily—but she also doesn’t hesitate to use powers she can’t quite control and threatens Five without fully realizing how dire her threat is (or how it might dredge up traumatic memories she doesn’t know exist). The moment where Ben finds her curled up, fully convinced she’s a monster, was heartbreaking. I loved watching her find happiness with Sissy, even if that was fleeting (and dear god, Sissy deserved her happy ending with Vanya, dammit, I don’t care if it would fuck up the timeline). Her patience and sweetness with Harlan were just beautiful. And the way she used the confidence she gained during her amnesia to fully come into her own not to exact revenge on her siblings, but to save them, was fucking phenomenal.
The humor. There was a lot more humor this season, and it was awesome. So many iconic scenes—Olga Foroga, Luther babysitting two homicidal Fives, Elliot awkwardly lecturing his guests on the history of Jello, “NEW TIMELINE NEW ME,” “Your vagina needs glasses,” AJ the fish gobbling up the cigarette bubbles, Five getting to say “fuck”….this season was a lot funnier than the previous one, and I think that was one of its strengths.
Klaus’ cult. It was played for laughs, which I both expected and thought was the best way to handle it. He didn’t want to start a new religion with himself at the center; he just wanted to not get thrown out of any more diners, but Destiny’s Children had other ideas. The “I too am a fraud!” scene was hilarious and tickled the question of whether or not a religion founded on false pretenses can still help those within it find meaning.
Luther. Getting him away from his dad, his siblings, and the Academy was exactly what he needed to become the pure of heart and dumb of ass genius we always knew he was, but his first major step in that direction was heartbreaking. We all knew he’d be rejected once he got to the Academy. We all knew Reginald would rip his heart out and stomp on it in his admittedly fashionable shoes. It gets Luther out on his own and forces him to become his own person apart from his dad, but that doesn’t make it any easier to watch. He got the positive character development he needed, but the catalyst was tragic.
Diego. We see, for the first time, exactly how Reginald kept him in line—not with meds or with PTSD-inducing torture, but with words. Even when he knows Diego as little more than a stranger, Reginald is able to rip off his skin and fling it in his face with a single diatribe; and even at 30, with years away from his dad, Diego is left unable to speak, feeling as if all of his accomplishments up to that point were the work of a dumb kid who thought he was smarter and more capable than he actually was.
Luther and Diego sharing a braincell. Luther has bad ideas. Diego has bad ideas. When they put their bad ideas together, they get terrible ideas. I loved watching them work together as a team, rather than being at each others’ throats for most of the season, even if I’m left hoping Olga Foroga had a pleasant and quiet day after that phone call.
Reginald. At first glance, it may look like the writers were trying to make him likable so they could parade him around as your average abusive-parent-with-a-soft-side. But it’s more nuanced than that. Abusive parents (and abusers in general) often fly under the radar because they fool outsiders into thinking they’re good people. They’re active in their communities. They give to charity. They have friends who attest to their virtue, significant others who think they’re the greatest. And that’s what we see with Reginald. We see him as the rest of the world did: an intelligent, eccentric man with a sharp sense of humor who cared deeply about scientific advancement. That’s how he evaded suspicion—because there were stories from years past of lively parties at his mansion, of what a gentleman he was to Grace and of how he did everything he could to save little Pogo. But those stories would all have come from people he considered his equals. When he’s with people he considers his inferiors—aka, the Umbrella kids—he’s openly condescending and demeaning. We get to see how he fooled the world, and it is chilling.
Elliot. He deserved better, and you can ship him with any one of the Hargreeves kids and get the cutest thing ever. 
The Swedes. They said so much while speaking very little.
Ben. He got more personality and screen time, and it was glorious. His love of his family and resentment toward Klaus practically leapt off the screen. The way he says “I’ve missed you all…so much” once they’ve all left was one of those right-in-the-feels moments; and watching him get so much of what he’s wanted for years when he possesses Klaus was beautiful.
Now, as for things I took issue with….
Ben. I understand why they ended his arc the way they did. I get that they were probably afraid the Klaus/Ben dynamic would grow stale if they didn’t change it somehow and wanted to give him a larger role in S3. His death(???) was heartbreaking and extremely well-done. But it also wasn’t foreshadowed. We never got any sense of what ghosts in the TUA ‘verse are, so the fact they can be destroyed by a ton of sound-turned-energy or by going too far into someone’s psyche or whatever happened….it’s not that it doesn’t make sense so much as there’s not enough evidence to determine whether or not it makes sense. It feels like the writers just kinda made that up so they’d have a reason to change Ben’s relationship dynamics, but if that’s the case, couldn’t they have done it another way? Couldn’t they have made it so the immense energy or psychic woo-woo or whatever gave him a power-up instead of destroying him? Vanya transferred some of her energy into Harlan and brought him back to life. Couldn’t something similar have happened with Ben? And if it tied him to Vanya as well as to Klaus, great! More fodder for angst and humor! (”Vannyyyyyyyy, stop hogging Ben!” “You got him for 17 years, Klaus, you can part with him for 20 minutes.” “Guys, don’t I get a say in this?”) I’m glad they didn’t write him out of the series entirely, but I still wish they’d kept him and all the character development he’d gotten throughout S2.
Episode 10. It looks like they tried to cram half a season’s worth of developments into 45 minutes. Twenty minutes in, I’d already said “Wait what the fuck” half a dozen times. A lot of those moments were explained later on, and I was able to make enough inferences to fill in any lingering plot holes, but…still. Too much stuff, too little time. E9 was a perfectly satisfying ending to the season. Yes, it leaves the siblings stranded in 1963, but they could’ve tied up those loose ends in the S3 premiere.
Lila. She’s an incredibly fun character, but her arc is kind of a mess. Most of that is due to E10, and I do feel that more time to let her arc breathe would’ve worked wonders, but I’m left feeling like her turn from “Handler is the best mom ever and I lurve Diego too” to “KILL DIEGO AND HIS EVIL FAMILY” to “Handler is a bad mom and Diego is right” happened too quickly.
The Commission. Okay, so, the Handler announces the entire Board has been killed, and she’s stepping in as director even though everyone appears to know she’s been demoted (and demoted pretty severely—she went from having an office bigger than some apartments to being a case management drone). There’s suspicion and lots of it. But then, La Resistance is….ten or so people in a single room? And when she calls the temps agents to her side, thousands of them show up ready and willing to fight and die? I dunno. Just seems like there should’ve been more splintering going on there. Again, I think they needed more time to tie everything up.
Aside from those complaints, I loved the season. I set aside most of a day to binge it, and I do not regret that decision at all.
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just-a-real-human · 3 years
Text
A tale of war.(Humans are space orcs)
SO! i decided to do something different, i won’t be exactly sticking to a single writing style forever, some stories will be Kr’Kn’s lectures(or maybe adventures of his? maybe), others will be more standard stories and yet others, like these, will be large scale battles with dramatic storytelling. ALSO! the comments are fixed now! so i can ACTUALLY get constructive critisism. I found two links for laser sound effect which are used in this story, OR you can imagine them yourself c: (P.S i don’t own any of the sounds)
https://youtu.be/whLbGbpt-E4 for the smaller laser effect. yes. SMALLER
https://youtu.be/o_Lv5GXYYvA for the BIG BOY. You’ll know when to use it. NOW ON WITH THE STORY
The Dr’achs attack on humanity was not exactly unexpected...but it was a surprise they’d do it so soon. They were a warfaring species, a succesfull one at that, taking homes, destroying planets by taking their recources, even bringing many species to extinction...we all assumed this would be the end of humanity, they never did have much military might. Don’t get me wrong!, their military was powerful, but there wasn’t much of it...at least that’s what we thought...oh how wrong we were.
The Dr’achs attack was swift, powerful, unexpected. The human homeworld (Earth or Terra, depends who you ask) Was utterly decimated, many cities fell, including every major capital. They killed every town, city or village they came across. The Dr’achs ordered the surrender of humanity, but their representitive, Grand Admiral Yeshua Ezekiel Alastair replied with but one simple sentence. “Psalm chapter 97″. Nobody knew what it meant, but the Dr’achs soon came to know it’s meaning first hand...
A mere three months after the devestating attack on Earth, a fleet had assembled, one of sizes inconcievable to anyone who saw it...millions, no, BILLIONS of humans had gathered around their pride and joy, their flagship, their capital...i cannot describe it’s power, it’s size...it’s might...
It was so immense we could see it pass our star clearly like an eclipse, blotting out the sun with it’s size and power...I must say, am i happy we did not attack humanity when we thought they were weak.
At the planet, many aliens had joined the fleet, be that to provide geniune support, to sate their curiosity, to record the happenings for the universe to see, or to simply see the might of the Deus ex machina. I don’t blame anyone who did, a small part of me joined the battle for that exact reason, of course i was mostly there to record the happenings, but still...that ship is incomprihensibly big, i could probably destroy a city simply by entering atmosphere above it!
At the home planet of the Dr’achs, Dr’ach’raz, Humanity gave one warning, telling the Dr’achs to surrender, giving them one chance to surrender. They naturally refused, and so, in reaction, Grand Admiral Yeshua simply smiled, saying “May the Lord have mercy on your soul, but i doubt hell will be pleasant.”
Ships flew all across the planet, engulfing it like a dyson sphere does a star, millions of ships flying to every city, village or remote bunker, having no mercy, they spared no man, woman or child. Every ship firing it’s devastating lasers at them, and at their capital, which humanity attacked last, the Dr’achs had put of an admirable defense, their turrets did most of the work, shooting down a ship every now and then, they sent thousands upon thousands in infantry, but the human ships simply fired on them with their heavy laser beams, their booming, horrible sound being a testament to their strength. Those ships tore down evey building they hit, like a hot blade through butter, cutting through ground, battering through bunkers and disintegrating infantry and  civilians alike. Military had hidden in bunkers so deep underground even their heavy lasers couldn’t break through, but that was their last mistake...
From within the bunkers, the surviving Dr’achs sat with shaking knees, regretting everything they had ever done, desperately attempting to open communications with humanity. Eventually, Alastair picked up, a thin smile on his face and raised eyebrow. “I had expected you dead, what seems to be the problem?” The Dr’achs looked at him, abject horror on his face. “Human! Turn back your ships at once! we-we surrender!” All Yeshua did...was laugh. He shook his head, still chuckling. “What makes you think we had the intention of accepting surrender? If we wanted your surrender, all we would have done is decloak our capital and show you!” The Dr’achs eyes went wide, his mouth agape as it looked at the screen showing what was happening above ground...
There it was, high above, darkening everything on the planet, was the human flagship, their new capital...The Deus ex machina, The God from the machine.
Above the bunker, the remaining ground troops gasped, looking up at the darkened sky. Many tried to flee, others tried to shoot it, yet others collapsed, fainted or dead from fear. None of it mattered anyways, for the many ships pulled back, returning to their God...and then everything went silent, as if all sound was pulled away, and then There was a horrible sound, Thunder was sounding all around the planet, made by all the disturbance the gravity of this massive ship was making and the dust and debris rubbing together... and suddenly a massive surface the size of a dwarf planet on the God’s belly started glowing a brilliant white-green colour, a horrible, a rising hum sounding all around, deafening all who heard it without protection. Then, the most horrifying thing i have ever observed...the gigantic laser fired, it’s brilliant white blinding me temporarily it cored through the planet like it was nothing, the sound returning in my dreams even to this very day. It blasted through the planet, going deeper and deeper, destroying the bunker like paper...but it did not stop...
It continued, not stopping untill...it hit the core. The planet started to glow from the inside out with the green hue of this massive beam,but this lasted all but a few seconds before it blasted apart. everything on that planet was dead...destintegrated, killed by the shockwave, or maybe, JUST maybe, some poor alien on the other side of the planet was alive long enough to see it’s home split...or maybe it was removed by the laser coming out the other side...
Humans were victorious, and every creature in the galaxy knew that humans were amazing at hiding their might...but not afraid to show it.
Human death count was maybe 5000, their victory was absolute, they remain a powerful force, and even a dozen of their heavy cruisers could have been sent to deal with this...but no, they wanted revenge...they NEEDED revenge, they needed to honour the dead by wiping those disgusting creatures away from the universe...and so they did, and the only ones remaining are on planets far away, praying everyday a human doesn’t come and end their existence...
Dr Kr’Kn on the destruction of Dr’ach’raz.
SO! that was a story displaying the fact that humans are not to be fucked with! i really hope you enjoyed and don’t be shy to post constructive critisism c:
Do keep in mind CONSTRUCTIVE, i want to improve, so please also tell me how to write better. Have a VERY nice day, and untill next time!
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hp-fanfic-archive · 3 years
Text
an introductory rec list (that no one asked for) to some of my favorite ships: hedric (harry/cedric) [3/10]
First fic I read for the pairing: Autumn Leaves by hazellepotter [1k,Not Rated] No words were spoken as their lips touched, and that’s when Harry realized Cedric wasn’t like porcelain. He was strong; he was stronger than Harry ever was. It was Harry who should have feared being shattered by his very touch. (warnings: major character death (it’s not tagged (they chose not to use warnings) but i thought it was worth mentioning as i tend to avoid it and i’m sure some others do too) [i stumbled onto this fic when i was going through a phase of reading a lot of rarepairs (of which hazellepotter has a lot of really good ones by the way), and it was cute (but sad).]
Fic that really sold me on the pairing: Stay Alive For Now by nunchikoi [150k,T] (WIP) Everything is the same except Cedric Diggory lives and thus, as God has decreed, Harry Potter has his bisexual awakening. [the concept of hedric has seemed cute for a long time but i saw an excerpt of this fic on tumblr and i was hooked immediately and let me tell you the fic does not disappoint: the canon divergence is excellent (works well within canon events but with realistic differences because cedric lives), the characterization is spot on, the relationship and friendship dynamics are spot on. basically, i’m obsessed with this fic and the pairing.]
Absolute favorite fic(s) for the pairing: Testor Ego Amorem Perpetuum by ABlackRaven [44k,T] "Testor Ego Amorem Perpetuum." I Swear Perpetual Love. Cedric feels drawn to protect Harry Potter. Whether this be from Dementors on a Quidditch pitch or the tasks of a life-threatening tournament, he's determined to help him. He can't help but worry about the younger boy. Eventually friendship takes root and potentially...something more? Harry feels drawn to Cedric, safe when he is near. He certainly has no shortage of dangers in his life, from an abusive home life to the growing threat of Voldemort. He cant help the guilt that he puts Cedric in danger by proximity. Eventually friendship takes root and potentially...could he hope for something more? And when the end of the third task goes horribly wrong, will either of them survive? A rewrite of Book 4 revolving around Harry and Cedric. [soulmate au but make it non-traditional. it’s so good but then again i am a sucker for friends to lovers, well written canon divergent fics, soulmate aus, hurt/comfort, and mutual pining.]
Most recent fic I’ve read for the pairing: i can't lie to you by purplefennels7 [2k,T] OOtP, Cedric Lives AU. Cedric is given Veritaserum at a Prefects’ meeting by Umbridge, and accidentally tells Harry how he feels. In his defense, Veritaserum makes people do strange, unintentional things, but sometimes it all turns out well in the end. [ah yes, umbridge being an ass, potions mishaps, misunderstandings, mutual pining, friends to lovers. it’s all pretty cute.]
Favorite AU(s) I’ve read for the pairing: Modern Muggle Roadtrip AU: moving day by rayfelle [2k,G] Harry is eighteen and he breathes in the salty tang of the sea air. His arms are covered by long sleeves and he can still hear his phone buzzing at the bottom of his backpack. He had told his parents about leaving, not his friends. [i’ll be honest, this is cute but it also encapsulates the wanderlust and the need to be anywhere but here that i feel a lot so that might be why i like it so much. it’s really well written though, so check it out even if you’re not a member of the anywhere but here club.]
Favorite Series for the pairing: Amare by ABlackRaven [169k,T,4 works] (WIP) A Hedric rewrite of Harry Potter book 4-7 (warnings for: graphic depictions of violence and minor character death) [delightfully well written series of friends to lovers with soulmates (but there’s a bit of a twist with how that works and i’m a big fan) and it’s still an ongoing series but i have read it twice.]
Longest fic I’ve read for the pairing: Stay Alive For Now by nunchikoi [150k,T] (WIP) Everything is the same except Cedric Diggory lives and thus, as God has decreed, Harry Potter has his bisexual awakening.
Fic(s) with some of my favorite tropes: The Classic Tie Swap Trope: That’s a Yes From Me by Deadly_Sirius [1k,G] Harry accidentally wears a Hufflepuff tie and Cedric accidentally wears a Gryffindor tie and maybe.. maybe the events in the Prefects’ bathroom weren’t exactly innocent.. or alone. [i love a cute little accidental relationship reveal because they accidentally wore the wrong tie and this fic is no exception. in fact, the fic is just as cute as the trope.] Temporary Amnesia + Mutual Pining: The trick to forgetting (is a bludger to the head) by Robottko [3k,G] Sometimes it takes a bludger to the face, and a little bit of amnesia to know how someone truly feels. [a little fluff and a little of one of my recently discovered favorite tropes (something about temporary amnesia coupled with mutual pining is just… so delightful).]
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The Mysterious Case of Queerbaiting
BBC Sherlock
There’s one thing about BBC Sherlock that has never made sense to me. As I’m sure many of you are aware (and something I’ve talked about before), BBC Sherlock has been accused of Queerbaiting, of intentionally setting up John and Sherlock as being attracted to each other but never following through with that or even intending to do it. And it’s one of those things that has just always baffled me; I can’t make it make sense. A lot has already been said about the way things are portrayed in the show and what the subtext behind a million different things could mean (seriously, I love that I am part of a fandom with so many perceptive and intelligent people; watching the show is only half the fun) and how none of it makes sense. Today, I would like to use my powers of deduction get to the bottom of this mystery.
The way I see it, there are 3 possible explanations.
1. The Producers of the Show Queerbaited
I have to admit, this seems unlikely given that one of them is literally a gay man. Why would a gay man knowingly and intentionally engage in something like this? Why would a gay man write a script that constantly pokes at Watson’s sexuality if the only point was to make it into a joke? To say ‘oh, no, the poor straight guy is constantly mistaken as gay. Look at how defensive he is getting, hahaha, what a funny joke’. That just makes no sense. It makes no sense for Mark Gatiss to have gone to the lengths he has gone to within the show, from whatever direction he gave the actors so that they portray an obvious chemistry between Sherlock and John to having a jealousy trope at John and Mary’s wedding except it’s Sherlock getting Jealous over John’s ex commander to this interesting thing about the best man speech to Mary saying ‘neither one of us were his first’ or ‘the man we both love’ or ‘I know what the two of you could become’ to Sherlock putting John Watson face on The Ideal Man to all the gay artwork in TBB (I could not for the life of me find this meta even though I know I saved it, and I am so distressed) to a thousand other things that the fandom has discussed over and over and over again. Who puts that much effort into queerbaiting? Especially when you would have a vested interest representation? So, it just doesn’t make sense for those directly involved with the show the be the reason.
2. Higher Ups at BBC Told Them No
This seems much more plausible to me, however I still doubt it. I can’t say I know just a whole lot about BBC, but I do know they have tended to be on the more progressive side of things, and I just really can’t see any of the higher ups just flat out refusing to allow the writers to make Johnlock canon. The first season gets a pass because I’m pretty sure that openly same sex couples weren’t allowed in media at the time (I think it was allowed in 2011, but I’m honestly not sure. I’m in the US, not the UK, so if I’ve gotten this detail wrong, please correct me). But they had 3 other seasons and another 7 years to make it happen, and I just don’t think that the higher ups at BBC would have just flatly said ‘no’. So, that leaves the last explanation.
3. Someone Other Than Those Involved With The Show Stopped Them
The majority of the Sherlock Holmes stories are in public domain. Copyright expired in 1980 in Canada and in 2000 for the UK (X). This would seem to make it a pretty cut and dry case: in the UK, you can do pretty much whatever you want with the Sherlock Holmes stories. But it’s no quite so simple. The US works a little different because copywrite law isn’t the same (isn’t he US just great?). As it stands, there are still 6 stories today that the Conan Doyle Estate still has the exclusive rights to in the US. If I understand how the copywrite law works correctly, that would have been 14 stories back in 2010. But, that shouldn’t have affected anything going on in the UK, right? Theoretically, no. The Conan Doyle Estate wouldn’t have had any legal rights to coveting the characters and the stories in the UK. However, that doesn’t mean that those involved with the show wouldn’t have been extremely apprehensive of the power that the Estate wielded, especially considering the previous decade of legal battles. Only 3 cases are listed here, but the Conan Doyle Estate is very protective of its copyright of the work (as evident by the fact that they are literally trying to sue Netflix, among others, for portraying characters in a way they supposedly weren’t portrayed until later books). There were other court cases after 2010, however. A decisive court case in 2013 declared once and for all that the stories written prior to 1923 were completely in public domain and that a license wasn’t needed to create things based on any of the stories prior to those dates (something the Estate had convinced BBC of when they first created BBC Sherlock). However, an appeal by the Estate was later made, stating “Sherlock Holmes is a ‘complex’ character, that his background and attributes had been created over time, and that to deny copyright on the whole Sherlock Holmes character would be tantamount to giving the famous detective ‘multiple personalities.’” The appeal was, thankfully, thrown out. But it’s the attempt that matters. 
Oh, and here’s a fun little tidbit, the 2 stories that have, perhaps, the strongest evidence of there being more than just friendship (this quote, this quote, and this quote (which was said after Holmes stated that, if he had hypothetically loved someone, he would kill the person that killed the person he loved)) come from the stories The Problem of Thor Bridge (the first quote) and The Adventure of the Three Garridebs (the last 2), which both belonged to the Estate in the US until after the final season of the show.
So, let’s get into the minds of BBC, for a moment. Someone has decided they want to reimage Sherlock in a new and unique way: modern day. The Holmes Estate has been fighting legal battles in America for the past decade and has won all of them, and has also issued the verdict that to make stories, you need a license. You say ‘okay’ and go along with it because you’re a big corporation that can afford to do such a thing. When the first season of the show airs, it isn’t legal to have openly gay characters, so everything has to be regulated to subtext. You outright state that being gay is okay because you want to let people know you are in full support of homosexuality, even if it isn’t legal yet. The writers and producers of the show are huge ACD fanboys and BIG fans of The Private Life of Sherlock Holmes, so, yeah, there’s some gay subtext. By the second season, hey! Homosexuality is legal! Except the 2 stories with the biggest indication of Sherlock and John’s attraction towards each other are still very much in the hands of the Estate, who has spent the past decade fighting legal battles. You may be able to pay for a license, but a lawsuit really isn’t something you’d like to go through. Whether the Estate has any legal standing to do such a thing or not, a lawsuit would be a long, messy battle. By the third season, a court case in America has decided that anything written prior to 1923 doesn’t need a license (damn, that’s 2 seasons of being successfully intimidated into a license). However, the two stories with greatest evidence still belong to the Estate, and the Estate tried to weasel their way into owning more of Sherlock than they should by arguing about his character. They probably wouldn’t take well to an openly gay Sherlock, would they? By season 4, the same problem still exists. Cut to 2020. Both of the stories with those quotes have entered public domain. But, uh oh, a month, a month before the 10th anniversary of your show, the news breaks that the Estate is filing yet another lawsuit, this time against multiple different parties, one of them being the mega corporation of Netflix (god, that’s some balls right there) that what they did broke copyright law because it portrayed characters in a way they supposedly weren’t portrayed until later stories, stories the Estate still owns (that is some balls right there). So you might feel the need to cover your ass a bit. Despite the past decade of saying that they characters you have portrayed are nothing but platonic, the fans don’t seem to buy it, and, in hindsight, there’s a lot of reasons not to. Maybe something needs to be created that subtly tells fans that they really are just looking too far into it. And, what great luck, a YouTube channel is asking you to make something for the 10th anniversary. 
Is this what happened? I don’t really know. I have nothing more than circumstantial evidence and guesswork here to go off of. I’m not privy to the private thoughts of Mark Gatiss or Steven Moffat or any of the head honchos at BBC. I don’t know what kind of executive decisions are made in the best interest of the company. All I know is that the Conan Doyle Estate is hanging on to whatever copyrights they can possibly manage, that they are willing to level lawsuits on, quite frankly, ridiculous terms, and that having a lawsuit put against you is no laughing matter and that those whose work revolves around Sherlock Holmes and creating stories about him would want to tread carefully. This explanation is, admittedly, far fetched. But it’s the only one that really makes sense. It’s the only one that would explain why a gay man and a generally progressive company would have a show that has layer upon layer upon layer saying that there is more between John and Sherlock than just friendship, as well as a rabid fanbase that they know ship it, and still not deliver, even attempt to squash such mindsets. 
There is, however, one final note I would like to end this on. I have talked before about how I think there will be another season, if the stars align and schedules allow such a thing. The best estimates of when another season might come out is 2022 or 2023, and I’m inclined to think the later year (god, that seems so far away). The year that the last story will become completely open to the public and the entirety of Sherlock Holmes will be public domain is 2023. So, maybe there is hope. 
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