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#the fact that they agree on basically everything is the only reason the world hasn't ended yet
peupeugunn · 2 years
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magnus: alright, let's just agree to say "im sorry" on three. one, two, three...
magnus:
alec:
magnus: see, now im just disappointed in the both of us
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aroaceleovaldez · 3 months
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okay last one for the night but. honestly i really hate how the franchise has been using loyalty to Rick as a shield for so long. If Rick was involved in a project or not doesn't matter, especially not anymore.
ReadRiordan and the publishing for the franchise has been using this tactic for ages - they obscure if any writing related to the series wasn't written by Rick unless it's special circumstances. It's near impossible to find out who the ghostwriters are (Stephanie True Peters and Mary-Jane Knight). TSATS was promoted as the first time we got a non-Riordan (Rick or Haley) author working on one of the companion novels despite having seven already existing ghostwritten books in the series. The only reason Mark Oshiro was emphasized so heavily for TSATS was because they also work as a sensitivity reader for topics such as queer identity, and Rick had received backlash in the past for being a Straight Cis Old White Guy repeatedly falling into bad habits (that he hasn't broken out of) with certain characterizations that he kept doubling-down on or retconning into oblivion. The show emphasizes that Rick was involved, but the LA Times article brings into question exactly how much he was involved, and it doesn't even really matter either way. The ReadRiordan site actively avoids putting any writing credits on their articles (or art credits...) or anywhere on their site.
Practically the entire fandom unanimously agrees the musical - which had zero involvement from Rick - is the best adaptation of the series so far, including the TV show. Some of the best writing to come out of the series recently was the stuff ghostwritten by Stephanie True Peters (Camp Half-Blood Confidential, Camp Jupiter Classified, Nine from the Nine Worlds, etc). And yet when promotional stuff is posted about CHB:C, there's clearly coded language used to hide the fact that Rick himself didn't write it. Yes, that's how ghostwriters work, but at this point we should really stop pretending "Rick Riordan" isn't just a pen name for a group of authors like "Erin Hunter" and that Rick is actually writing everything in the series. I can easily look up and see which Animorphs books were ghostwritten, and who those authors were. I can find every "Erin Hunter" easily listed on official sites. And yet most people don't even know the Riordanverse franchise has ghostwriters at all.
And the franchise is still trying to use the "Tio/Uncle Rick" stuff. Author loyalty and marketing parasocial relationships isn't going to save the franchise when the author himself can't hold up his own original themes or even keep basic series bible details straight, and especially not if the editors are barely if at all doing their job. And please at least get a goddamn series bible by this point.
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I'm kinda curious about your view on vil and your thoughts on the trauma he possibly or could have inflicted on Yuu during book 5.
I have this headcannon inspired by this one shot by uniquethingtastemaker
https://www.tumblr.com/uniquethingtastemaker/720073081338626048/neige-x-reader-white-beaches-and-a-spring-morning?source=share
The headcannon: Basically Yuu (who is female for this) hides the fact that she's a girl for safety reasons (I mean not only is Yuu magic less in another world, she's also in a all boy school. Yeah that doesn't scream good idea). The only who knows are the teachers, Crowley, Grim and later Ace and Deuce when she's comfortable enough to tell them. At some point before book 5, Yuu is allowed a small vacation out of NRC for the crap she had to deal with jamil in the previous book; during her vacation goes out as herself and runs into neige. They become friends and stay in touch with one another. Yuu made Neige promise not to say anything about her actually gender as a few know in NRC.
*Also have a headcannon where Yuu is a school idol like love live and secretly helps Neige and the dwarfs write a song and dance that works for them for VDC. Yuu and Neige were already writing a song together just for fun since Yuu missed being a school idol and hasn't written a song since coming to twisted wonderland 😅
Plus it's something she has a choice in and would fun doing with a friend. During book 5, Crowley literally forced Yuu's hand by threatening their plumbing and Vil just dub them the manager without asking if it was okay with them. There's also how forceful he was being. . . .
There's no rule that has she can't and she's not even in the group.
Sorry for rambling 😅
So I've written about my thoughts on Vil before and honestly he's kind of one of my - if not my most - least favourite character(s).
I've cut this up for length:
I know that he has a lot of trauma and that he's a character that lots of people can mischaracterize and hate irrationally but he just rubs me the wrong way - and I'm saying this as a former gifted child and as someone who has witnessed people go through burn out both in Primary and Secondary school. I feel sorry for him and I understand that the pressure of perfection can be an incredible burden to bear but the way he treats others is just so grating that I can't say I like him that much.
Honestly, Book 5 is my least favourite book (then it's 3 then 4) and I have so much to say for everything; the blackmail, Vil's behaviour, Vil cursing our food without telling us, having to share a dorm with Jamil when he used Yuu and endangered them for his own gain (and then Kalim for sweeping it under the rug), Vil almost making Deuce cry, the Neige hate, Vil facing absolutely no consequences for trying to murder someone and then nearly killing everyone and destroying a building.
Yes, I agree that Epel has a mindset of toxic masculinity and yes, it should be addressed and challenged. But Vil's military dictator training and forcing him to do things that he hates (and even making him hide his accent - something that connects him to the home and family he loves) is not how you do it. I don't despise feminine things like he does, but even I would hate to live up to Vil's standards every single day (especially when Vil degrades far more times than he praises).
Something I really really hate about the twst fandom is how lots of people put down Neige or make him the butt of a joke just to make Vil better. I've seen so many jokes or fanfics or imagines where Neige gets rejected or laughed at or treated terribly just so that Vil can be seen as superior and as someone who actually really likes Neige and has Snow White as their favourite princess ever since they were in reception, I just can't stand the Neige hate. Especially when he was almost a victim of a poisoning plot - as in Vil literally tried to kill him for absolutely no reason at all (before he then tried to kill us for 'seeing an ugly side of him' which we are supposed to forgive because of course we are)
I really loved that Neige story and I actually do headcanon that Neige and Yuu are really close friends and they text each other 24/7 (and also with Prince Rielle). I did make a #JusticeForYuu post where I said that I wanted Yuu to just send the entirety of NRC (minus Ace and Deuce) to coventry and not give them the time of day so I thought it would be just delicious if Neige is the one that helps Yuu with all things fashion related since he's just as famous (if not more so) than Vil with his own line of clothing and make up and would have access to things they would need.
And I think you somehow managed to read my mind because I have this Yuu that's a theatre kid (this is not relevant at all but this fem!Yuu was also Christine Daaé in her theatre's performance of Phantom of the Opera) with the voice of an angel that's best friends with Neige and the two of them totally duet together - I did kind of toy with the idea of Neige hyping her up to sing something for VDC as a closing performance and her blowing everyone away but I digress...
You know what? I am actually against the headcanon that RSA is filled with snooty, condescending, stuck up rich kids with a holier-than-thou attitude - I'm under the firm belief that the RSA students are actual sweethearts who are kind and caring and aren't the type of people who would inflict trauma on an innocent magicless teenager. The only reason why I don't want Yuu to transfer to RSA is because they'd have to leave Ace and Deuce behind (as well as the Ramshackle ghosts) and those boys are literally everything to me so I like to think that Yuu likes to go to RSA like once a week or something to spend time with people who don't try to manipulate or mistreat them.
I do have a lot more things to say but my brain has gone to mush and I can't think of anything so here
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steveharrington · 1 year
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https://youtu.be/HZOppCkC5UM
what do you think of this?
i think some good points were made! and also some bad points were made! i will break it down sorry if this is long but i love talking about st as you all know and this guy packed a lot of discussion into 10 minutes!
good points: he's absolutely 100% right about jonathan and joyce losing their Point in the story. it's so so so obvious specifically with jonathan that he was written and conceived to serve the plotline that revolved around his family, and when he's taken out of those relationships he's basically.....nothing. i've never seen anyone point out how jonathan didn't really need the nancy/steve plotline in s1 because it only really diluted his A plot centered around will before, but it's so true. i also strongly agree with his point about the russia storyline and how taking the characters out of hawkins and trying to bring in the world at large is a big mistake. it's one reason why i felt the russia plotline in s4 specifically was so hard to watch and literally had me wanting to skip every time the scene cut to hopper/joyce/murray because like.....why should i care about this! im invested in whats happening in hawkins, in vecna, and like the california plot okay fine it's tangentially related to hawkins and it brings back brenner etc but the russia stuff just feels so far removed and pointless. also he's so right about the tone of s3 feeling off specifically with scoops troop and how they tried to make a very serious dark plotline into a slapstick comedy.
bad points: the story is not all about will. sorry i will never buy into and subscribe to the whole "it starts and ends with will" thing and that's not even me being a hater, that's just me watching season one and understanding that el is just as relevant to the story as will. the author of this video essay sets up the s1 storyline and concept for the show as a whole as if it was Only ever supposed to be about will going missing and the results of that, which completely ignores the fact that we still have an entire parallel dimension and government sanctioned child testing lab to talk about? if the story was only about will going missing, it didn't need to be about supernatural elements at all. it could've literally just been will getting lost in the woods. but will's disappearance is the entry point for our characters into the upside down, and once they're aware that it exists, it can't just be nicely tied up in a little bow at the end of s1 and everyone moves on with their lives. i will never understand the "stranger things shouldve been one season!!!!!" argument because like how on earth can you expect joyce to get her kid back from the parallel dimension that also ate another teenager, with the lab that tortured a child still operating in their town, and just be like oh okay its over? HUH? like there's no further implications to discuss, no consequences of these discoveries? will went to hellworld and hid from a monster and he's just fine now that he's back home? we're just gonna all ignore it? whew sorry anyways im really defensive over s2 and i hate the suggestion that it's like hastily cobbled together just for the sake of a sequel when really it's such a rich season full of necessary and fascinating further exploration into the UD, the effects it had on the characters, the trauma they endured, etc.
new paragraph but still talking abt the bad points. i also don't agree with the assertion that s4 ended with everything tied up nicely and all the characters having closure. in fact i really don't understand how anyone could reach that conclusion (sorry to the author of that video essay if ur out there) like how can you watch the s4 finale and think "yeah everyone's pretty much good" like hello? eddie's death traumatized dustin and im sure there'll be conflict over the decisions made that led to it, max is literally in a coma, lucas still hasn't received any sort of closure or resolution irt any of his experiences or feelings, will still feels alienated within his friend group and tied to the UD, el still views herself as a monster, nancy/steve/jonathan are an absolute mess with no resolution either relationship-wise or just like personal storyline-wise. even if you don't care about these characters, or you feel like they were never important, the show can't just drop them into oblivion and leave each of their storylines unresolved. and that's what'll happen in s5.
also saying the agent orange speech was the best aspect of the russia storyline is um.....interesting. to me its not "bringing hopper back to his emotional roots" its a very lazy rehashing of the story arc he already overcame i.e. blaming himself for sarah's death and feeling like a black hole. like we already did that. and now we're doing it again
all in all i think the general thesis of the video is very correct--s5 is not going to be very good. the writers have written themselves into a corner, many of the characters have ceased to serve any function, and the non-stop action that the duffers keep teasing is going to feel like a different show and probably not play to the strengths of the series, which is character work and dynamics. and also he's right aliens is the best sequel ever <3
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qqueenofhades · 2 years
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What do you think the odds are of Ukraine actually being accepted into NATO?
Welp. Frankly, I think that NATO will try to stall and avoid giving a definitive answer for as long as possible. (And indeed, the US national security advisor has already given an answer that basically equates to "ask at a different time and we will see," which is... disappointing but not surprising). They obviously don't want to say no, but given the prevent-defense, "don't anger Putin!!!" policy they have largely followed thus far, they're not likely to say anything markedly different than what they said the last time Ukraine asked, in 2008, and France and Germany blocked it for the same reasons. To which I say: we do all know how appeasement went after the West agreed to let Nazi Germany annex the Sudetenland in 1938, right? Anyone? Anyone? Bueller?
Anyway, what we are currently witnessing in the world with Russia is the global equivalent of what just went on in America with Trump. That is, the rules only work when people follow them. Policies and procedures for a smooth transition of power between presidencies exist, but since Trump didn't obey them, the rules alone were powerless to stop him. The post-WWII security order where you didn't just randomly invade and annex other people's countries, uh, hasn't really worked for a long time (especially if you were either the US or the USSR during the Cold War, or Bush-era America, or pretty much all of Putin-era Russia). But there has been at least a pretence of obeying it, so the fact that Putin is doing this shows that the rules alone can't and won't stop him. Russia still has a permanent seat on the UN Security Council, it is still part of the UN system that hasn't succeeded in stopping this conflict, and for all intents and purposes, Putin clearly does live in a parallel universe where all of this is normal and justified and lawful. His conflation of Russia with all of the former USSR is telling; he doesn't see Ukraine as ever having been its own country, but just a breakaway region of Russia that needs to be forcibly returned to the fold. So actual empirical facts or contradictory information doesn't matter to him at all.
This is different from previous conflicts because it involves a direct element of colonialism, sovereignty, and territory that has not been at stake since, again, 1938. The US invasion of Iraq was a terrible awful war crime clusterfuck on many levels and for many reasons. But they didn't declare Iraq to be part of America and stage fake referendums or claim it had always belonged to America, etc. Because Putin is not only invading another country but planning to act as if it permanently belongs to him, including threatening to use nuclear weapons if the Ukrainians reclaim their rightful and internationally recognized territory via counteroffensive, this is in a degree of audacity and danger that the security architecture of the post-WWII world, having failed to stop previous conflicts, REALLY has no chance to fix. Putin isn't obeying the rules, the end, so what are you going to do?
Anyway, I fully get why Ukraine made the move, especially on the same day Putin staged his Triumphant Annexation Banana Republic nonsense at the Kremlin. All the "security guarantees" in the world for Ukraine have to be functionally equivalent to this anyway, and there's no need to reinvent the wheel when the exact security guarantee that they want (NATO membership) already exists and has only been withheld for fear of provoking Putin (which uh, hasn't stopped him from literally everything he has already done). Sweden and Finland got an expedited procedure because they aren't being directly attacked, but yeah, Ukraine isn't going to move toward full NATO membership at least until the current war is over and Putin is out of power in Russia. We all fucking hope that WW3 doesn't come in between.
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lizajane2 · 1 year
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I have a lot say about the "morality" of what Joel did. Now you are more than welcome to look at it from a moral standpoint, but to apply it to a world where right and wrong is a bit obscured... I have always thought that right and wrong is a matter of perception. Because what you think might be seen as wrong is right to another.
Let's take Kathy (Kathleen) for example (there are a lot of parallels here that can also be used for season 2 spoilers), she is completely motivated to avenge her brother. From her story about how he would protect her from the storms you could get the sense they were joined at the hip since they were kids. But then outbreak happens, and they lose everything they know and everyone they love. They just have each other. In her mindset, she is doing what she believes is right, she's thinking "who gives a fuck about kids? Who gives a fuck about anyone else? The world's gone to shit and I lost the one person, the one purpose I had to survive." Her last purpose, what spurred her on was killing Henry and Sam. I 100% think she was mentally fucked up enough to opt out if she had achieved getting revenge. She had no reason after that.
As for Joel, "he took away the world's only chance for a cure," yeah, with what advanced technology could they use to mass produce a cure for a fungal infection? Early computers from the 40s had a basic central processing unit; contacting over long distances became a thing in the 50s which is around the same time Computer Sciences started to emerge... shit the internet didn't become an actual thing until the late 60s. And then it was on the rise between 1990 & 03'. It was still new and evolving but then the world went to shit. And even now here in real life we have yet to find any cure for a fungal disease despite the technological advances we've made. You're gonna sit here and tell me that a cure was possible based on a hypothesis that hasn't even been tested? No. But what the show fails to mention, is that in the game you find out that the Fireflies did find people who were immune. And they all died.
Joel who lost his daughter wasn't about to sit there and let the Firefly's extract Ellie's brain for a hypothetical. Now I completely agree that his decisions were 100% selfish. He was operating solely on the fact of not wanting to experience the pain of losing another daughter. NO parent would allow a doctor to operate on a 14 year old child for a so-called cure that is solely based on belief... okay, yeah that makes sense. I don't think he was wrong for saving Ellie not one bit. I think he was wrong for lying, I think he was wrong for taking her choice away. But he's never gonna regret saving her because ultimately Joel believes he did the right thing; and first and foremost, he's a father. That need to protect, to keep safe, to make sure that she is gonna live and have a life that she wants, is always gonna be there. I think he did the right thing saving Ellie, not lying to her.
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fabdante · 1 month
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Speaking of mixing organic and mechanical stuff for demons:
I kinda love how the vats that the Virility drink are mixed up in are (I'm assuming alive, but for their sake I hope not AWARE) demons that are being force fed the "main ingredient" from Poison, presumably after said "ingredient" has gone through some mixing of its own. Its so delightfully fucked up and disgusting.
It also makes me think that Mundus HAD to use demons to refine Poison's... "ingredient" down into something the humans could drink without instantly dying, because a purely mechanical substitute for the process either wasn't possible and/or didn't exist yet. (There's also the possibility that the Virility refining process is Like That because Mundus is just that much of a dick... which is entirely possible, but also a lot less fun.)
Like, I feel like if Mundus could've found a mechanical substitute for Poison's "ingredient" or refining the Virility making process that was purely mechanical, he'd of done so by now, y'know? So much more efficient. Instead of having a bunch of demons hooked up to machnices and having Poison hanging around doing basically nothing but, uh, working all day, they could be off doing other things to help Mundus enslave and harvest the humans!
And Mundus could probably make even more Virility, too, if he didn't need to rely on (the only??? The only REMAINING??? Vergil and Mundus both act like once they kill Poison, that's it for Mundus' production of Virility forever, so like??? It's never really clear) a Succubus to cough up the main ingredient. But he doesn't, so that makes me think that- for whatever reason, despite having millennia to rule over and experiment on the humans- Mundus just straight up CAN'T, even with all his resources.
Idk, I just like that there's some stuff that can't be accomplished by demons/demonic power, even by a demon lord. Makes the worldbuilding feel more balanced/tasty.
Yeah I agree a lot!!
For as much as Mundus is cruel, he's also practical. Like, he's known about Dante for a while (like, literally since he killed Eva) for example but hasn't really extended his resources to deal with him until he finds him to be a threat (one has to wonder if this is additionally tied to the fact reboot Mundus seems to be considering his legacy more and everything given his incoming soon to be born heir and what not, something he seems to care a great deal about). So if he could, I would imagine he would have automated the process of Virility more, you know? He's a practical guy, if he can spare the resources he will spare the resources but he isn't here, implying they are needed for this process.
Like it's definitely one of those things that I think the design team was kinda like 'you know what'd be gross???' but it then, as a result, poses some interesting world building and development on the part of the demon world and Mundus as we see them in the reboot.
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mgsapphire · 3 years
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Ethics and morality... and how they're not the same...
Weird title, and I don't even know if I'll properly approach this one with all the topics I wish to this discuss in today's The Devil Judge essay, because a lot of things peaked my interest, I was debating on doing a separate post for each subject, but I'll do them all in here:
Starting simple
I know we're only 4 episodes in, but I want to break down the things that I often look for in a new show:
Cinematography
Soundtrack
Character building
Plot devices
Social commentary (sometimes)
Of course, these are things most people would consider basics, but I find that a lot of TV shows don't have enough balance in them. Also, cinematography and soundtrack are pretty up there for me because when a plot gets slow, or something like that, I stay for those two (biggest example: King Eternal Monarch).
The soundtrack in The Devil Judge is amazing and the cinematography can be a character of its own. They really get me hooked and are used as tools to properly tell a story. And I'll get into that further down this post.
The onlooker will never understand the actor
Experience is your best friend not only applies to job hunting, but it's true in the real world too. You can't truly weigh in on something unless you've experienced it yourself, you can give it your judgment and everything, but when bad things happen to someone, you'll never truly understand their pain. Am I bringing up because of the difference of mind in Judge Kang and Judge Kim's opinions? On how the public treated the minister's son? No. I'm talking about a very specific scene, where the cinematography told me to think that way and not the dialogue (it's that easy for my mind to be swayed). In episode 3, when the rich are about to dine right after the foundation's commercial for a better future, we see this aerial shot:
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What's interesting about this? The seclusion and the enclosed feeling it conveys as a counterpart to the poverty shots we were just shown. Yet, these are the people making ads for a better future, what do they know?
They live comfortably behind concrete walls with no windows to see what goes on apart from the bubble they live in. This idea is further enforced at the party in episode 4, where they're not even a part of the donations, and watch and mock from afar as spectators. Yet, these people call the shots. They even call it commenting, as if they were watching the pain of others on TV.
The intriguing personality and the duality it encites
Now, this was a costume and wardrobe decision, but it was also very well thought of:
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Judge Kim wears white and Judge Kang wears black. One is morally perceived by viewers of the show as morally good and the other is perceived as morally dubious at best. However, besides the costume and wardrobe thought put into this, we also have to think about the delivery of this scene and how it may further affect my detailing of this section. Judge Kang brings down the coats, and hangs over the coat to Judge Kim, he's the one who is making that annotation: You're pure, I'm tainted. This can have one of two interpretations:
Either Judge Kang believes Judge Kim to be pure and innocent due to his status as a rookie in the field
Or he believes Judge Kim to be morally white and himself morally black as he's looking at his brother's face and not at Judge Kim's heart.
Because most of the back story we're unveiling is through Judge Kim's perception, there's also an inherit bias we're having as well, because in Judge Kim narrative, he believes he's doing what's right and believes Judge Kang to be evil. In being served information about Judge Kang through Judge Kim's eyes, our bias is inherently skewed.
Another thing is that, when they put on the coat, they're standing in front of the other, as if the producers of this series are telling us they're two sides of the same coin.
The duality is made in more deceitful ways, which include:
A difference of classes that implies one has suffered while the other has not.
A difference of experience that implies one is more tainted while the other is pure.
A difference of age that implies one is a sly fox while the other one is is bunny about to be eaten.
A difference of temper that makes one erratic and the other logical.
Power dynamics
This one, in this one I could make a whole thesis based on just a couple of scenes in the drama. And you know I have to mention it: director Jung being the puppeteer.
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It may not be as unexpected at first, nevertheless it brings forward a lot of things I've wished to touch upon for quite some time now. A woman being a puppeteer of an old man in the portrayed dystopia that The Devil Judge is painting makes much more sense than more common demonstrations of these dynamics where it's either a:
A man of power being controlled by a bigger man of power.
A man of power being controlled by a seemingly man of a lower status.
A woman being controlled by a man of power.
Although, there's nothing wrong with those power dynamics, and if they were to be used, a message could also be conveyed, this one in particular works as a megaphone.
A subversion of power in such a way can be interpreted as a true indication of the weak overcoming the powerful. Why? It is not that woman are naturally weaker than men, but that in society, patriarchy has been a big factor in taking voice away from women in order to give it to men.
In order for Director Jung to achieve her purposes, it's smarter for her to do it under the pretense that an old rich man in power is the one calling the shots.
This is better exemplified by her stance when the old man tries to excuse his behavior, and what her moral compass is. I'm not saying I agree with her unethical conduct, but that her morality is directly impacted by the perception of the public of her as a weak woman:
Just because a dog bites a human does the person get dirty?
This is telling on how she perceives the actions of the old man in gropping the waitress. She didn't do anything wrong, even if you touched her, you are the dirty one.
While she's evil, it's a refreshing and deep evil.
The public's opinion and how there's actually logic in the show's portrayal
The public opinion can make or break a person, even if it's not on a public trial like this. While "cancel culture" barely works in today's society, a person's reputation is forever tainted. The show does tell that, but it also exhibits the scary downside of it, by showing how easily it was to make people accept flaggelation as a fitting punishment.
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There are many experiments that have tried to test the effect of societal pressure on an individual's decision and the effect of the authority's enforcement of power in the outcome of these decisions. Furthermore, theories based on analysis of human behavior not necessarily relying on experiments can also help break this down. What do I mean? Here's a small attempt at explaining:
Milgram Experiment on Authority: which measured the individual willingness to carry out actions that go against their conscience due to an authority's approval.
Argument from Authority; The idea that people are more likely to use an authority's opinion on something as an argument for their reason. This is often seen in science, where trusted authorities have done the research and offer it to the public. In here, authority bias also plays a role, as we often believe, at first, that an authority must be right.
Moral disengagement: basically speaking, because this is evil or bad, I'm not part of it and I most probably am not actively participating in it. One may disengage by moral justification, which means that before engaging in something that has been previously perceived as immoral, I'm changing my stance on it based on what I tell myself to be logical arguments. This particular form of moral disengagement is very effective in changing the public opinion. I'll be touching on another form further down this post.
Other factors played a part, but these ones in particular came to mind when public flagelation as a form of corporeal punishment was wildly accepted. First, an authority is the one telling them it's correct, to go ahead. Secondly, another authority (the minister) had previously shown approval to such unusual punishment. Thirdly, they are not the ones to be engaging directly in the act, and even if they were, it would be acceptable because an authority has told them so. They may even believe the punishment to be a necessary evil for the greater good.
In fact, the minister's son was actually correct when pleading his case, they were accepting it because it wouldn't affect them directly.
Regarding the cinematographic descent of the public opinion regarding the situation can better be exemplified by the old man we've seen through the episodes.
Does suffering justify misdeeds?
Today I came along the difference between excuse and reason. You may give a reason for your behavior, but it doesn't excuse it.
Not because I've suffered through shit, means I have to make you suffer too.
I may explain myself, but it's on the other side to excuse me.
Why I hate the unreliable narrator and why I love it so much
This story has been told mostly through the eyes of Judge Kim and what he hears and sees regarding Judge Kang, if anything, the narrative is very close to that of the narrative we've seen in The Great Gatsby. An enigmatic man is being narrated to us from the eye of a man who hasn't known him for a long time.
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How is that an unreliable narrator? The narrator has their own set of bias and moral standards which function as lenses through which they see the world.
Another way of putting it would be the way teenage romances are often written in a first person narrative where either of the two teenagers is the narrator, so the author can sell to us something as simple as offering a pack of gum as the most romantic act on earth. We're perceiving interactions through rose tainted glasses.
In this case, we're seeing the interactions through Judge Kim's eyes who doesn't trust Judge Kang from the get go due to his own preset bias.
The narrative becomes even more unreliable as we're not exactly sure if what Judge Kang disclosed himself is a fact.
The reason why I love this narrative is because it leaves a lot of space to make simple plot twists to a narrative and make them seem grand, and can elongate a story without making it obvious.
The reason why I hate it is because sometimes, in tv shows mostly, we as viewers can see the other side of the story and grow increasingly frustrated with the main character's prejudice and misunderstandings (I'm looking at you my beloved Beyond Evil).
Also, because I have to wait for a long time before I actually have a clear picture of it.
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Random BNHA Headcanons
(This is my first time doing this 😭)
Summary: A bunch of random BNHA headcanons. So, basically the title. The only reason I’m adding a read more is because I want it to be easier to navigate my page, lol
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Bakugo is oddly nice when he first wakes up, but he's not exactly a morning person. He's less "I hate the world, why am I awake???" And more like "I'm extremely comfortable and the only thing that can ruin my mood is becoming less comfortable." He likes hovering between awake and asleep, y'know? Which is why if he's sleepy, his guard drops. When leaving the dorms, if he hasn't fully woken up, he goes from "outta my way, shitty-hair," to "mornin' Eijirou," and by the time he's actually aware of what he said, Kiri's already freaking out. If he's in bed all day for any reason other than being sick, he's probably soft for at least a few hours.
Kaminari's the type to wake up at 2 AM with an idea, go to jot it down, and then realize that he wrote a ten chapter book and now he's late for class. He'll probably put it into a google doc or something, so he can continue to add onto it throughout the day. I also feel like he probably will also randomly get a question and then spend hours researching it and any surrounding topics, before rambling to Kiri about "bro, if I went to the beach, I could make a bunch of glass! Probably! Maybe!" And then have to try and convince his friends that he can just make windows if anyone needs them.
Sero had added moves to his skill set, and practiced particular actions, with the sole intention of mimicking Spiderman. When Kirishima questions him on it, he compares Spiderman to Crimson Riot. They have a conversation that's essentially fanboying, both of them saying "we are not bringing All Might into this," and then more fanboying.
Jirou has an extremely eclectic music taste. If you can name a song, she probably knows it. She can memorize full melodies and all the lyrics within two or three listens, because she's just that good. Some people call her the human Shazam, because if you play the first five seconds of a song she likes, she'll immediately know what it is. She's also called out artists if they made a clear rip-off of a much better song. Her music taste is all over the place, which therefore makes it superior. However. This does not stop her from listening to the same six songs on repeat for a week. The six change a lot, though.
Koda has trouble with bugs, especially big ones. They scare him. But he has pretty much no issues with tigers, lions, horses, or even wolves. He loves animals, he really does. If you just showed up at his doorstep and shoved a bear cub in his arms, he wouldn't really question it, because he'd be happy to have a cute animal to play with.
Todoroki believes himself to be the opposite of moody. His definition of moody is switching emotions for no reason. He, personally, doesn't feel any emotion until something happens that day, be it a thought or an event, and his emotions stay fixed like that until something else happens. He could be having a great day, and then suddenly, it's a horrible day, and he can't figure out how people just "get over it." He does, however, find that unless something REALLY bad or REALLY good happens, his brain does a little emotional reset when he goes to sleep. Like, go to sleep feeling down, wake up feeling kinda meh.
Kirishima has considered re-dying his hair. Come on, hot pink is so manly! How could he not consider it? But he eventually resigns himself, because red just is his color now. Also, I feel like once, before dorms, he was really out of it, so he went to class with his hair down, and this was the first time anyone had seen him like that, and everyone was just confused as hell. Especially Bakugo. "Your hair's less shitty today. What the fuck."
Uraraka takes part in stupid bets all the time. Partially for the fun, and partially for the profit. She once floated Bakugo to the ceiling for 26 minutes before she had to put him down, because Kiri said that if she survived, he'd give her a dollar per minute. She ended up having to go to the recovery girl's office, but at least she got her money.
Mina is one of the few people who can understand and keep up with Deku's mumbling. This is not because she specifically tries to, (like Uraraka) or because she's known him long enough, (like Bakugo.) She's just used to gossipping with Hagakure at 4 AM, and therefore can understand high-speed low-volume speech. She's called him out on things before, but only when she's interested. She completely tunes out things about All Might and heroes and whatnot, but if he ever has anything to say about his classmates, specifically about Uraraka, Todoroki, and Bakugo, (because she, Hagakure, and Denki placed bets,) she hears every word.
Iida secretly loves to break the rules. He acts strict in front of anyone who he respects, or wants respect from, but after he thinks everyone's asleep, he relaxes, doing things that he considers rule-breaking without any remorse. Denki heard someone walking around outside while on one of his late-night internet searches. After finally willing himself to break away from an article about pandas, he popped his head out of the door to find Iida sneaking around. After some silent observation, Denki realized that not only did Iida just get back from breaking curfew, but he casually stole Hot Cheetos from Bakugo's room on the way back to his dorm. He said nothing the next day, at least not directly, but he sorta shoved Sero and Iida in the same room so that they could be bad influences on each other.
Despite it being a major part of her quirk, Hagakure almost never feels invisible. She has a lot of friends to talk to, she can wear cool outfits to stand out, and she is always talking. The only time she's not talking is during stealth training, and when she's using said stealth training to spy on people.
Tsu's little "ribbit" thing is actually just for fun. It feels right to do it, so she does it. Nothing wrong with that. However, pretty much everyone else assumed it was a part of her quirk. It took an insane amount of convincing to get that idea out of their heads. Deku was proud to be one of the few who never actually associated it with her quirk. He could prove it if he wanted to, actually, but that would require showing someone his notebook, which would open a whole other can of worms.
Oh yeah, speaking of Deku's notebook, he has multiple. Six to be exact. One is on his fellow classmates, one is on most pros, one is on the LOV, one is specifically on All Might, one is on his own quirk development, and the last one is a narrative of what's happening in his life, which is why he's constantly thinking as if he's telling a story. He mentally narrates everything that happens in his life, although he sometimes wonders if he's dramatizing things because of that. His internal monologue is constantly running its mouth, and sometimes he ends up speaking over it.
Tokoyami really likes plague doctors. He just does. He wants a plague doctor mask so he can walk around with less judgement, or maybe more, who knows? He just loved the concept. He claims that they're just really cool, which most people agree with, but he's never told any of them that he likes them because he saw a plague doctor mask for the first time at the age of six, and immediately thought bird man.
Sato likes baking, but he can't cook normally to save his life. Well, he can, but he can't. He hasn't burned water, and he knows how to do the very basics, but he can't function without a recipe, not to mention the fact that he's googled how to saute mushrooms three times and still doesn't get it. Baking comes pretty naturally. Exact measurements, precise times and temperatures. Cooking does not. Eyeballing ingredient amounts, guessing if the flame is high enough, trying to figure out how often 'stir occasionally' is. He actually once asked Bakugo if he had advice, to which he responded, "Why the hell are you asking me?!"
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Neon Silhouettes
Hello! I’m very happy to finally post this because ive been working on this for a month! This is serving as an entry to @ackermans-freedom-inc discord challenge. Behold it’s long!
Word Count: 10.538k, i’m not even sorry
Pairing: Eren/ Reader
Tags: a n g s t, vigilante!au
Warnings: blood, violence, major character death (? its open to interpretation) 
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In contrast to yours, Eren's breath is hot and tainted on the nape of your neck when you push him away from your form in an attempt to get more oxygen running through your system. The hazy high of your orgasm is mighty, similar to a fairytale like dream and makes all air around you run thin with each passing second. You're not sure if you're paying much attention to it, though, because your breath seems to be completely restored before you even think about catching up with it.
Eren makes a loud thud as he plops himself into the matress with his utmost enthusiastic moves. You can tell by his reactions that he enjoyed this intercourse even more than he'll ever admit -not that he's shy to ever do so- and that he seeks a way to relax himself from his own high. For that very reason, his hands are rather quick to pull you on his panting chest, just to provide some comfort for himself but in the process your silent plea to get a breather is long forgotten. You feel you head being smashed onto his smooth skin and you relax under the touch, thinking that you could cease this moment to fall into serenity as well.
With your heart still beating through your ribs though, you contemplate on whether or not falling into serenity now is a logical idea at all. Anxiety has planned seeds in your stomach ever since a few hours prior to your solo patrol in this area of Trost, merely at the thought of bumping into Eren. You had been practicing the words your comrades had assigned you to consider one too many times, and yet, the moment you laid eyes on Eren's helmet covered face your nervousness had worked wonders on turning them into thin air. It had happened so fast that you wondered if this was an actual new power you could posses.
Nevertheless, the anxiety is back now and it's growing its bindweeds in the pits of your stomach. A chapped piece of your lip is stuck under your front teeth, ready to be ripped off as your fingers are mimicking a walk, up and down on Eren's chest. You're not sure if you can talk and consequentially, the thin piece of flesh is ripped away from your lips forcefully, allowing the thin, iron like taste of blood to conquer your senses.
And in the moment it's all you can focus on.
It's always like this when it comes to Eren and yours passionate rendezvous; your mind is drenched of any thought other than him, your heart ceases to pulse inside your body and your legs feel like the most trashy, inexpensive jello -yes the one you ought to find at random 7/11s in the middle of nowhere after a long night of patrol when you're so hungry that your stomach feels likes its going to burst throughout your mouth canal. And yes, you've tried to restrain yourself from feeling this way, but it's not easy, especially when Eren's hand comes to tangle its way through your hair, scratching softly at your roots.
Clicking your tongue in your mouth though, you can't help but let your mind wander just for you to realise it's been so long since you've had said trashy jello dessert. It's not like you exactly miss it -no, you wouldn't say you did, its taste was atrocious- but it's nostalgic to think about your debut days as a younger superhero. Especially when you think about that it was due to that that you met Eren.
The thought that feasts on your brain though is nothing more than a projection of everyone's nostalgia of Eren, not only yours. The only reason he's laying underneath you with his right hand bent under his head and catching his heavy breaths as his chest basically pulsates and squirms under your form is because you've chosen to dance in that dark sewer of a world that is the reality of anti heros. Everyone who knows about you and Eren -mostly Levi and Mikasa- have pushed you over the edge of trying to shake him off of his criminal killing rampage, but you know him better than anyone. Thus, in reality, you don't know about whether you should utter that little speech that's at the tip of your tongue.
You nervously chew onto that tiny piece of flesh you've ripped from your lip for over a minute before you dare to try and think about what to do with it. Swallowing seems like a good option, the thought of spitting it like a bitten off nail unsettles you to a certain extent, plus you're not sure if bitten flesh activates Eren's titan senses. You never truly know what triggers people with titan powers and you're not about to risk it. Ironically, that's exactly how you're feeling when it comes to your thoughts but after you feel the teeny bundle of flesh go down your throat your mouth washes the taste of iron away and parts to your brain's command.
"Eren?" You breath out, your eyes despairately trying to fixate on anything other than his form.
Eren's finger is harsh and calloused to the touch as it mellowy grazes the soft skin on the underside of your wrist. Your eyes are finally fixed to the circling movements and though you want to give in the the long for sleep your eyelids suddenly ache for, your mind, much allured by how serene everything feels, pushes you to protest against it. There's nothing you can do about your fast mouth though; resenting it hasn't ever seemed like the way to go through with it.
"Yeah, baby?" Eren half moans to your direction.
You notice how he shifts his form comfortably from underneath you, obviously in search of the perfect sleeping position. Naturally this should have kept you back from speaking further; well this and the fact that he isn't exactly expecting what you're about to say, but nonetheless you swallow hard and bite on the inside of your cheek before you open your mouth to speak once again.
"Can we talk about it, lovey?" You hesitate with the nickname, yet when you utter it you know you dont regret its sappy nature.
"About it?"
"You know," you trail off "About the Titans case."
"What is there to talk about? We'll sort the case out one and for all, we've agreed on it."
Well of course, for both you and Eren, and probably every other person in this world, this case is something that should permanently close. It only seems fair, all those years that you've spent being hunted by those monsters are starting to put an overwhelming amount of weight into modern superheros and anti-heros alike. Everyone basically had the same goal concerning this case, yet people are still split as to how it should be closed.
Eren says it's fitting for The Titans to pay for their sins with more blood than they have managed to spill; they're a top crime syndicate that focuses on abducting humans and mutating them into bloodlusting monsters, just for the purposes of creating their own sick and twisted army of mindless pawns. Eren, having fallen an indirect victim of their brutality stands by his beliefs and won't let a titan standing on their feet when he encounters one.
But he wasn't always like this. Not exactly
Back in the day when he worked as Levi's sidekick, he wouldn't brutalize them to the point where they'd bleed to death, but he would make sure they weren't going ever be healed again, not even if they were ever given an antidote. His falling out with Levi and your team of superheroes though, followed by the brutal murder of his mother had withered Eren's psyche with tormentous force.
You furrow your brows as your mind travels back to those dark memories, dipping into necessary pieces of information that need to be composed in some way for you to reply to him. Ironically, it was when Eren turned his back on your team that you found some major leads as to who run the Titans and possibly even why.
"We'll sort the case," you say "but I don't think you should be murdering them."
Eren takes the hand that acts as a comforter over your harshly and pinches the bridge of his nose as he exhales in disapproval. You know, his face must be scrunched in misery right now, brows puckered over his nose and eyes firmly closed shut. You can listen to his heart and in turn you feel the buzzing his pulse makes as it speeds up a tad.
"We've talked about this. You do you. And I do me."
For a moment you contemplate on whether you want to use your psychic superpowers on him. To think that you can change his mindset is an enchanting thought; in fact right now, it's so alluring that you feel the familiar awakening of your powers rush through your veins. It feels like cotton candy colored poison -that's probably the best way you can describe it according to other psychic's. Your powers, as naive and endearing they may seem can easily flip the cards on you at any given moment of weakness; it's like your natural instincts awaken with a mind of their own to protect and help their host. But it's merely unethical and dictating to force such change on your beloved as much as it is to do so on the next person.
Your mouth puckers to the right as you let your brain roam over every single possible outcome that this conversation can have, yet you never even flinch on Eren's chest, sternly refusing to let your body react to his words. One wrong reaction and Eren's hotheadedness will bite you in the ass.
"Dont be like that, (y/n)." Eren says
You have to admit he's catching you off guard when his hand comes to move your chin to point at his direction. It's his checkmate move and he knows it, blinking his real eyes into yours, he frees his brows from their gathering, leaving small red lines as reminders of his temper behind. You on the other hand, with your short hitched breaths and that constipated look on your face though you can't help but predict his next sarcastic plea.
"Don't look at me like that."
You cough that little angry, hot huff of air that's trapped inside your lungs for oh so long before you plough your elbows under your face to support your form in order to face him. You never detach yourself from him and you don't plan on doing so, this is probably the only way to make him feel that you take into consideration all his boiling bad blood.
"You know damn well why I'm looking at you like that."
"I do." He shrugs casually and then proceeds to shut his eyes in despair "but you're not here to question my means." Eren sighs in defeat as the words come out of him and proceeds to wrap his arm around you again.
However you pucker your eyebrows further, bringing them impossibly closer to your eyes as you boil the words you seek to speak in the back of your throat "I'm not questioning them. I'm resenting them. I'm not even playing the goody superhero on you, but really why are you doing this?"
You never fail to notice how Eren bites the inside of his cheek or how he clenches his grip on you almost like a silent warning at to what territory you're opting to walk into, but you ignore it, sighing all the way through your mouth hoping that the little oxygen you can fill your lungs with is enough to get you through this.
"Everyone misses you. Don't you care about that?"
Does he? Eren wants to believe that whatever he's doing he's doing it because all of you are excessively significant to him. I all honesty he is fuming over the fact that you don't see how this is the only inevitable option. He hates for his alter ego to be called a mass murderer in the news every other day just as much as he hates the fact that people choose to see a redeemable side to human flesh eating mutants.
"If I don't do what I do, history is going to repeat it self." He spits, harshly enough that he's sure you won't reply just yet. "You and this pretentious superhero facade are not going to be here to live it down with me though."
He watches as your face contorts in surprise as his words fall, your mouth snapping open in order to utter your quick fetched reply but he cuts you off with an even harsher tone this time.
"I'm clearing the world from all this alright? There are many people that do so as well-"
"Who? Flotch and Yelena?" You cut him off, but still he brushes it off.
With a shift in your movements you're on your back, your arms moving mechanically to grab onto the covers to bring them onto your bare chest. Eren can read the action all too well and he hates it, he hates it enough that he runs his hands painfully through his hair, despairate to get them away from the burning skin on his neck. Anxiety has worked wonders on his body, he figures.
"You, Levi, Mikasa, Jean, Connie! Want me to throw more names in your face? Me and my team finish off what you guys chicken out to do." Eren's voice is calm yet his tone is drenched in poison, that mellow sound he makes when he re opens his mouth is what's pushing you over the edge, making your blood boil inside your body. It causes you to wrap your fingers tightly onto the blanket that covers your chest, your fists turning white as you clench on it with full force. As if it can help you concentrate all of your anger on the spot.
Naturally, it can't.
"We're not chickening out Eren, we focus on containing all evil, not annihilating it. To think you can do that-"
"I can-" Eren cuts you off, though you won't let him continue until you get your point across.
"You must be really dumb to carry that mindset. What happens after you annihilate the titans, will you do the same for any other similar crime syndicate? Or are your motives personal only when it comes to this one?"
Eren bites on the sides of his tongue with a piercing force and swallows hard on the bitterweet spit that forms due to the action. He forcefully tosses his head to both left and right to shake away any unwanted thought out of his mind but it hurriedly proves to be fruitless. As much as he has liked to think that you can get past that fight on your morals one day, it's obvious to him that it's a fundamental dynamic between the two of you. It's a concrete wall that's none of you can or are willing to try to go through. And he doesn't like that, not one bit.
"Don't try to boss me into your beliefs." His eyes widen as he speaks, voice tainted in a growling anger that he can feel cooking inside his chest.
"I'm not bossing you Eren, stop acting like this."
"Why are you so fucking hang up on this now out of all times?" He spits more so that questions.
"We're so close to catching Zeke and your team is close to doing so as well, I'm just worried." You admit, shyly loosening the clenched cover from your fist in fear of ripping it. "I want us to be a normal couple after this. I care about you."
Your mind is fogged with animalistic rage, yet you still manage to swallow it down, past that lump in the back of your throat that tik dangerously on your clock and threatens to burst. It's only when you try to show the nature of your thoughts and intentions that you watch Eren's face finally contort in rage that's much similar to yours. You fall back for a brief moment, allowing him to take advantage of the silence in the room to answer back to you.
"When I catch Zeke I'm not sparing him."
Eren lets the breath that's trapped in the depths of his chest out before it manages to suffocate him. Thinking about Zeke and how he's standing opposite to him makes him feel sick to the stomach, but he has accepted that it's only just his luck that his half brother happens to be working for the titans. Accepting that Zeke wants to collect all nine original titans for the syndicate to use as they wish has been a hard task to do so, he can admit to that much but he's swore to never let his connection to the man hold him back from putting an end to this misery.
"Eren don't be so stubborn." You plea, brows impossibly covering your eyes as your voice reeks of rage.
"I'm not, quit playing the rightful hero and maybe we can have this conversation when you'll be able to see things from my side."
He can see that you're drowning in your own words, fighting to find the right syllabuses to utter, but he refuses to give you any time, his own rage is ticking like a bomb, he can feel his stomach growling in the familiar numbness anger casts upon his organs and he knows he can't hold back.
"Do what you gotta do, but I'm ending them, I'll fight your team too if I have to get to what needs to be done."
"Oh yeah?" You let out an amused, angry chuckle before continuing "You'll fight me?"
"Gladly!" Eren spits, his eyes wide as his eyebrows twitch in determination.
"Don't say things you can't take back. Don't be an asshole."
"Last time I checked the definition of an asshole was someone who won't support their partner in their decisions, whether they agree with them or not."
You glance towards Eren's drawer, fuming to the point you struggle to control your powers. Your breath is refusing to regulate even if you beg for it to work the way you want it to, causing you to try and think of the most possibly rational plan to get your self out of this situation. You can't stand looking at Eren for the time being, any glance at his side is making you fume to the point your insides coil making you think you're going to start emitting smoke.
"Fuck! Fuck! You won't even try to understand me, I don't even know what I'm doing with you."
You have a small drawer filled with your clothes at Eren's place and he has one in yours. Convently, you've persuaded him to keep a superpower restraining collar in case either of you ever go out of control, which seems to be the case for you now. Eren's last words are poisoning you, burning their way inside your veins. Thus reaching the collar becomes your ultimate goal in the moment; you resent the extend in which your own powers can reach and you refuse to cause more drama by hurting Eren without intending to.
Your ears fall deaf to what Eren is fuming about, its necessary to try and keep ignoring him if you want to focus on completing this simple task. Your head is spinning, lost in the dark colored vertigo you've entered in your effort to focus on your goal. Pushing past it is vital in any case you want to prevent anything from happening. With the sudden swing of your wrist the drawer bursts open with force, the small amount of clothes inside are shot to the ceiling.
The metallic collar shines under the light as it stands proudly in the air as clothes continue to practically spill to any direction. Your stretched fingers make a half turn, as if signing the way to you to the object, your thumb shoting as far back as it can physically can go while your pinky stands inches away from the edge of your palm and your wrist. Your heart is hammering inside your chest for the remaining seconds it takes for the object to come to you and though, even if it's coming to you at full force and speed any passing moment feels like an eon.
You almost manage to sigh in relief as the metal touches tour throat but the action is cut short the moment your breath suddenly hitches reflexively. The collar fails to wrap around your throat and click in place, rather than that its resting in Eren's palm. The veins in his arm are twitching much expectly; he's using all of his force to hold the collar back, fighting your control over the object with his inhuman strength, still you won't let go of your hold either, not caring as to what is going to happen to the object, it won't last for long with all this strength force upon it, you're sure of that.
"If you want to me to respect you enough to fight with you, you won't enslave yourself with none of these fucking shits. Handle your powers on your own."
Your eyes are twitching, your forehead finally giving in to an endless amount of sweaty droplets. There's a throb mirrored by your pulse in the edge of your neck and you throw your head back in defeat before you even manage to think about it. The collar crumbles and smashes in Eren's palm under his grip, the metal cracking slightly as his skin twitches and burns in protest.
"I want us to be free of this, you think if get my hands dirty if it wasn't supposed to end in a way that I expected and calculated meticulously?"
Despite the fact that Eren is spitting those facts, you manage to distinguish the true intention of his choice of words, pushing past his harsh tone. It's unfair that you chose to anger him to such extend, you're angry as well but you come to realise that it's only because you are both afraid. Eren is afraid if losing you and his friends to the hands of another titan and you're afraid to lose Eren in the hands of his bloodlust. The collision between good or bad is only what you try to mask your fears with; what you see as bad and evil, Eren does so as well. Your perspective only changes as to how you view the means to reach the rightful good.
War can't exist without peace and peace can't exist without war.
You think back to what you told him earlier and in a snap you realise that for the time being, that's just about as normal as the two of you can get. An anti hero with his hands clenching a crushed power restraining collar, because he detests anything that strips people off their freedom and their given right to it, and a concerned superhero with her head thrown back in deafeat, giving up on trying to get a so called noble point across. In a way, both you and Eren have chosen this when you decided to take a shared path despite the fundamental differences on your beliefs.
And for a moment you think you're going to get past it. All couple have fights, all couples gets enraged with each other at least once in their span of time but they always manage to bounce back and stand on their feet next to each other. You're not exactly sure if Eren is standing right next to you or if he's opposed to you both literally and mentally but you relax back in the comforter thinking that you'll get an answer in a moment.
Eren's breaths are finally starting to regulate and he can't help but take notice of you slipping inside the comforter, your head hitting the pillow with a muffled thud. His long bangs are sprawled over his face, some fine chocolate hairs tingling the sensitive skin on his nose, some of their edges tickling at his fleshy lips. His mind is blurry, so blurry that he refuses to acknowledge the hand that is still clinging onto the collar, his posture is finally fixed on the bed before he decides to slide down in a movement so that he can lay right next to you.
"I'm sorry." He speaks first, his left hand forming into a fist as it lands on his forehead, pressing with its back on the throbbing veins and nerves that beg to release some of the tention they have gathered.
"I shouldn't have brought it up, it's my fault."
"Seems like we can't meet halfway when it comes to this." He hazes.
“No” 
Sighing, you sink further into the matress, raising your hand to mimic Eren’s actions to cover your face with the back of your hand. You chirp a little sound of misery as you do so, finding hard to swallow down through the knot that has formed in your throat.
"Is this it?" You ask, your voice barely louder than a whisper "Is this how it's going to be for us?"
"If you think I'm going to give up on my beliefs for you then I have some bad news."
Eren turns his head to you, sternly fixing his teal eyes in yours while his jaw is clenching, his bottom lip trembling and worrying as he chews on his words. A hitched sigh exits your nose as your eyes start burning I'm their attempt to hold back tears, the corners of your lips curving downwards causing your button lip to pucker sourly. You keep on staring at Eren and he keeps staring back at you, both of your chests heaving with short chopped breaths. You don't dare touch each other, not right now when you can't hold back your emotions, but you can definitely see how hurt he looks just as much as he can do the same for you.
"Well I can't turn my back on mine either." You choke, not daring to part your mouth enough for the words to exit correctly.
"Maybe you should just-" Eren opens his mouth, twitching out the words before he manages to mumble them "go."
The tears that threaten to spill from the corners of your eyes are finally flowing, running in burning hot streaks past your nose before landing cold onto your ear. You hate it, you hate the moist sensation on your cornch and you hate that Eren's eyes never fail to notice every single tiny droplet that fall from your lips.
His constipated expression won't scatter away from his face, rather than that it only hardens as he tried to hold back and onto those tiny pools in the corners of is eyes.
He wants to speak, you know because he keeps opening his mouth to do so, but the only sounds he emits are deep growls of pain. He doesn't know how to feel about them, you've seen him cry numerous times, yet this heartbreak seems so inevitably painful to endure on his own. It's another love he has to bid goodbye because of those godamn titans and it's even more painful that he knows that by annihilating them, he'll never be able to claim you as his anymore.
He'd rather clear the world for you to live peaceful and free though.
...
The sound of your fists colliding with the back leather of a boxing sack fills the air, bouncing in between the gray marble colored walls of the headquarters. The room you're in is soundproof, causing the sound to linger in the air as you pant, holding your sour spit in your mouth as you throw another punch and kick to the sack. Sweat drips from your forehead and onto the mat beneath you yet you make no movement in trying to wipe it off, you simply let it drip while picking up your foot in order to flip it onto the dummy.
"Easy there now"
When Jean's hand comes to rest on your shoulder giving you a little comforting squeeze, you jump on your spot, startled much by the sudden action. For a moment you avoid turning your head to face him; despite the amount of mellow warmth and comfort his touch provides you with, you don't feel like you can regulate that rush of adrenaline that pumps through your veins.
Your fists, numb by the raw force you've used to launch punches to the boxing sack before you are now inevitably frozen, hugging the dummy with enough strength to make it fall in place. As the sound of the metallic chain clashing fills the air your nostrils snort hot huffs of air, your eyes squinting shut as your brows remain furrowed to forbid any drop of sweat from running down to your face. Jean inspects your constipated expression as he moves around, taking small steps as he approaches you from this new position, finally coming to face you with an understanding smile.
"I noticed you're pushing your self a lot lately." He says, his hand coming to squeeze on your shoulder once again. He presses his lips into a thin line, the action making his straight nose scrunch slightly.
"It's fine." You snark "I could use some excessive combat training to be honest. Mikasa said you and her can help someday."
"Okay then! Let's spare now." Jean says enthusiastically and his hands come to his sides, his fists clenched as a smug expression appears on his face "Ditch the dummy."
Nonetheless you snicker in response. Bringing your finger to your temple, you awkwardly scratch on the tender skin at the tail of your eyebrow. Next, your hands come to your loose ponytail, giving a little tag at the elastic loop that's used to hold them in place, pulling it down to the ends of your hair.
"Sorry, not in the mood." You bite, but Jean is irritatingly not ready to give up on you just yet.
"Weren't you just splitting your knuckles, punching that sack? Like, a few seconds ago? Drop the emo attitude and show me what you got."
Kissing your teeth you bow down, aiming to go for the towel you've neatly folded on your foamy work out mat, taking it carefully in your hands in order to bring it to your sweat dripping face. While crossing his hands to his chest, Jean throws you his signature expression of disapproval -yes, the one he liked to throw at Eren while calling him a suicidal bastard and yes, if Mikasa, not just anyone, asked him he'd admit to having missed the particular interaction with your now ex boyfriend. The male sighs, parting his mouth open, ready to utter what he thinks will help you.
"If it helps, I've been saying Eren is a dick from the very start, I'm sorry you had to be convinced of the fact in such way."
Its your turn to throw him a disapproving look now.
Jean, similarly to the next person, knows how much you hate talking about /that/ fateful night with Eren. The wound is still fresh -whether or not it took place a few weeks ago, the pain of being ripped away from your lover over your ideals isn't a wound that's easy to close and additionally it's rather hard when you know nothing can come of an attempt to reconcile. But Jean can't just silently stand to watch you destroy your self and your relationships with people who care about you.
Each passing day you trade your words for mumbles and grunts, your signs of affection into powerful punches aimed either at that old black dummy you were hugging a few seconds or at a vast amount of metas during nighttime patrols. Knowing you and how you handle such outrages, Jean is sure that at this point you've smashed your fists against each and every single one of these gray marble colored walls, only holding back your self as to not smash Armin's tech corner. But before he gets a chance to shake his head in the slightest only to get ready to mouth his comfort speech to you, the automatic glass doors to the room open.
Turning his head around, Jean is met with Connie and Armin as they enter the room, both of them sparing him their most confused look upon inspecting the scene unraveling before them. Jean shrugs his shoulders, throwing his hands up in defeat, his eyes traveling quickly between you and his friends, signaling them you're proving to be difficult to deal with once again.
As the door behind him closes with a woosh Connie sucks on the inside of his cheek, trapping the tender gum between his teeth, his lips puckering slightly as he looks at you, his otherwise playful eyes now squinted in worry.
"What?" You speak, pressing your lips together and pushing them to the side of your face. Reluctantly, you cock a brow to Connie's direction.
"Me?" With his thumb to exaggerate the word, Connie points to himself and the proceeds to take a few steps towards Jean. Finally, he bends his hand, resting his fist over his hip, throwing his weight onto one leg. "You're the one with the constipated expression."
"Give me a break everyone" you shrug, shaking your head in defeat.
"Sasha said you pushed yourself too far last night during patrol."
"Yeah, so what?" You ask, batting your eyes to the male trio. You're probably as unamused as they are at this point.
You notice how Armin is the one to let out a sigh next, his blonde hair swaying by the force of air that exits his mouth. He's angrily clapping his foot to the ground while clenching his fists to his sides, his baby blue eyes fixated on you. You bring the top of your finger to your head, scratching the skin just below your ear, your foot awkwardly rocking back and forth. It's almost as if no one in the room can avoid the the upcoming conversation right now.
All Armin sees is that your lip is split, bruised much like your eyebrow and a part of your jaw. There's a lot of dried blood on each tiny wound, but the amount is enough to make up for the lack of proper patching and the sight is heartbreaking to the point it makes the blond's blood boil. If Armin could find it in himself to utter a word he would be able to name a good amount of reasons as to why he was enraged with you. One of them being the fact that you've been brutalizing yourself in the streets every night and another one that you've been definitely pushing yourself even more during training, aiming to shut yourself off of your team completely.
"Armin, if you have something to say, then just shoot it."
The way you poke at him is reluctant and nervous in nature. Your jaws clutch together, your shivering teeth making tiny chattering sounds. Armin parts his lips, placing a hand on the gray colored wall behind him, hanging his head down in nervousness. In all reality, he shouldn’t speak his mind, he knows that very well, his personal empathetic feelings for Eren don’t exactly have a reason to have an impact in this situation. Furthermore he’s simply the intel guy, the only member of the team in the team that doesn’t participate in any heroic or vigilantic activity. To interfere with your nightime business would probably harm him more than anyone in the end. As your friend he had to take a stance on what you were going through.
“We’ve all been hurt by Eren.” That’s all that Armin manages to say before putting his feet to work, matching silently to his computer corner, “But, that’s why we are a team. We’re supposed to hold each other when things go wrong. And you need us as much as we need you.”
Rubbing your eyes with your pointer fingers, you let out a deep sigh. When you look up Connie and Jean are half smiling at you, their thumbs pointing upwards and for a fragment of a second, you manage to crack a small smile. You feel your eyes burning slightly, their fleshy corners stinging, but you refuse to let yoyr tears flow now, despite being moved by your friends’ word and noble intentions you keep your emotional breakdown to yourself. You only hope the males are convinced by your small smile.
“Armin has the intel on Zeke’s cargo shipment!” Connie says and immediately his ribs are crushed by Jean’s elbow. “What?”
“Stupiid. We’re not supposed to stress her!”
“It’s fine guys, this is our job.”
Connie links his arm with yours, your sweaty skin littering his long sleeve shirt but he pays the action absolutely no mind, not as much as you at least, and then he proceeds to stick his tongue out to Jean. Jean twitches his eyebrow at him, seemingly irritated by his friend’s smug expression and picks up his feet, marching as fast as you do, trying to catch up. The playful atmosphere is lifting you up, you can definately feel your previous mood lighten by each passing second.
“Speak Armin!” Connie playfully dictates squeishing your elbow in the process.
Armin lets out a laugh, fixing his glasses on the bridge of his nose, his eyes glimmering under the bright blue light of the numerous screens.
“Fine, look,” he says clicking on a tab on the middle screen’s task manager The tab pops up, shining a bright white light thats making your eyes squint. Armin then clicks on some folders and signs at you to wait until the images load. When in turn they pop up, they reveal numerous hsots of the titans new hideaway. Some photos are showing Zeke and his gang standing before it, then entering it. You even catch a glimpse of Pieck, the flash of raven hair is much more evident now that shes standing between her blonde team members.
“Do we have the adress?” Jean asks and you can’t help but notice that the look in his eyes is darkening in an a mere instant.
“It’s in alleyway near the port. Although the front is standing proudly on a very well lit place in 6th Avenue.” You nod steadily, sliding your hand upwards to give a comforting touch to Connie’s fingers that are still linked to the inside of your elbow. “Levi gave me the intel to investigate, he came across them the other day and then he searched for security cameras, you know the drill.”
Jean raises his voice authoritatively and sternly as he points to some photos, informing Armin that he needs to investiagte the area around them and prompts you an Connie to do the same as well. He says that it’s necessary to know the area you’ll be oparating on in the following days. You simply nod, extending yor hand to Armin’s direction to point in which pictures you want him to send you and he does as you say not even giving it a second thought.
“Please don’t send them to Eren.”
You pretend to be shocked, but in reality you're not. You understand where Armin is coming from when he mouths the statement, but you assure him that you won't try to communicate with Eren for any reason. You're in no place to put yourself through such thing, not now, not until your job is done.
...
Pushing on his feet, Eren rushes all of his power to his heels, sending his self in the air. He takes a spin mid air, opening his arms wide on either of his sides after he grabs one the guns that rest on the cases that are tied to his breeches. He manages to grab a new line of bullets moments before he lands and he proceeds to shove it to the butt of the gun, the action sending the loud sound of metal colliding filling the air.
As expectedly, he lands on his feet. The annoying rush of his whole body weight on his heels doesn't bother him anymore, he's grown so used to it that it's become a routine. He throws a quickly glance behind him, making sure Flotch and Yelena are right behind him, running silently on their own pace, jumping from building to building.
"Yelena!" Eren shouts "I'm leaving Pieck and Porco to you. Go for the kill the moment you see an opening. And Flotch" he turns his head to the redhead, his voice reeked in authority even though it was muffled by his metallic helmet "Don't let any hero follow my tracks. No casualties. We're proving a point."
Flotch nods rapidly without uttering another word and spares a look to Yelena before they take turns to opposite directions. Eren continues to run straight ahead, his heavy combat boots clashing with various rooftops as he stomps on each one of them with force.
He immediately stops on his tracks as he catches a glimpse of blond hair in an alley. Peaking his head from the edge of a rooftop, he clicks on the side of his helmet, pushing the button that allowed the goggle feature in his helmet to activate.
Zooming in he sees you, your hands clad in an x above your head as you try to avoid the metallic rock like weapons Zeke is throwing at you with full force. Your left foot is thrown back, fully extended while your right leg is bent, your position providing stability as you try to push past and through Zeke's attack.
Through the distracting commotion, Zeke manages to get close enough to you and Eren watches as he lifts his left leg up, getting ready to clash it onto your head. Eren knows, Zeke's force can easily knock you out for several minutes; if he can break through walls with raw fists, Eren can't even phantom what the full capacity of his brute attack can do to your head.
Eren hisses to himself as he stands on his knees, clenching his fists to himself. Quickly enough the skin under his gloves hardens, forming an iron like material over his knuckles. He briefly makes sure they'd hard enough for the attack he has calculated in his mind by rubbing over his knuckles tenderly.
He inhales a good amount of air, his chest filling to the max as he tried on concentrating on his breathing. Regulating his heartbeat is important but he doesn't have enough time, Zeke is in the midst of throwing another wave of metallic rocks in your way. Suddenly Eren stands on his feet for a brief moment before proceeding to take a jump into the alleyway.
The next thing he knows is that his hardened fist lands exactly where he wanted to on Zeke's face, breaking his nose, the bone crashing and shattering making a horrid popping noise that echoes through the cobblestone walls.
His foot sets to find a way to your stomach, pushing a warning kick but with enough force to send you flying in the air, only for a short period of time though. Grunting, you land in a rooftop, clutching onto your pained stomach, coughing up a few breaths that were stuck in your chest upon impact.
Eren makes a fatal mistake; he turns his head to check up on you, momentarily letting down his guard as some form of guilt runs through him. The blond only manages to grasp onto that tiny fragment of his distraction.
Zeke is out of breath as he runs at his full capacity, counting down the seconds to make it to the end of the alley to escape Eren. Eren is fast, faster than the last time Zeke encountered him and slightly more buff, the blond can make out his muscles twitching in rage as he puts his weight onto the tips of his feet, running restlessly behind him. Eren grabs the spare gun that rests on his right thigh with one hand, the shiny spikes that decorate each side of the gun that could possibly land on him at any given moment dazzling him.
Deciding he can't avoid Eren for too long -hes practically right behind him at the very moment- Zeke turns on his feet and sets his right foot behind his left one, tightening his fists as he feels strength rush through his body.
Eren jumps onto him first delivering the first blow, careful not to take the fist that is aimed to him. He bucks down for a split second, avoiding Zeke's second blow and jumps, splitting his feet so that his left leg collides with Zeke's jaw. The blonde leaves a grunt of pain through his mouth, falling back in haze.
With a mid air spin, Eren lands a few meters away from Zeke. He wastes no time in allowing Zeke to catch his breath; he jumps, knee first to deliver a second kick, thought this time it fails to cause the damage he wants. Zeke catches him by the knee the moment he runs into him, gripping with animalistic force, managing to clash the iron kneecap Eren wears for protection.
Zeke lets out a scream as he lands his fist fiercely on Eren's helmet, successfully breaking a hole in it, the kevlar enhanced plastic helmet making a huge shattering sound, its pieces falling anywhere to the concrete ground bellow, some other smaller ones digging their way into Eren's skin.
The act enrages Eren; he backs away bringing his glived fist to wipe on what he figures is blood that's running from his lip. He watches as Zeke takes the chance to turn on his tracks to leave but he resents the act, he bucks slightly to his knees and proceeds to run full speed in his direction, his ultimate goal setting on tackling his brother.
"You're not getting away." Eren spits angrily.
"You've been practicing on your heroic puns haven't you little brother?" Zeke doesn't turn his head back to face Eren, the end of the alley is only a few meters away now, and he'd like to think that he can make it.
The elbow that crushes onto his face and send him in a momentary haze though does definitely belong to Eren. One because despite the vertigo that engulfs him, he can still hear Eren's iron clad footsteps and two because his body never hits the ground when the elbow detaches from his face.
"Where are you running off to Beast?"
Looking up with half lid eyes Zeke smiles a crooked line with his lips, nodding his head to greet you. You huff through your nose with determination, tightening the fist of your hand, causing Zeke to feel squished by the invisible grip you have on him. He squirms in place kicking his feet and expanding his palm.
"Are you here to save me from your lover boy?" Zeke bites at you loudly and your eyes quickly follow Eren's running form, noticing how his helmet is cracked open. Even if it angers you to see him, you try not to let it show right now. It would only take a tiny slips up for Zeke to manage and take the opportunity to outsmart you and challenge you into a physical battle.
"You're not getting away this time, nice try." You shout, freezing his feet with the slightest move of your hand.
Unexpectedly, Eren jumps, gripping Zeke's foot and hanging from it, tagging at the limb with all force. The eye that isn't masked by his helmet is definitely fixed onto you, worrying its glimmer into your soul. You despairately try to brush it off.
Shaking your head you look around to find anything in which you can move Zeke to help Eren land onto. The ground doesn't seem like a good option, Zeke is smart enough to know you can't last long if you have to let go of the mental grip you're forcing on him. You panic as you figure out that he soon will realise your grip on him is able to wobble enough for him to beat your control over him.
"Hand him over (y/n)." Eren screams in your direction, batting his eye to your direction.
You notice Zeke squirming into your grasp as horrified expression proceeds his face. His eyebrows point upwards causing strong rolls of skin to appear on his forehead, his lips curl down in worry and his eyes widen to their max.
"Can't do that!" You turn to Zeke, shooting him a reassuring look, letting him know you wouldn't allow his assassination before your very eyes.
You only understand how foolish you've been to do so when you watch Zeke take a deep breath. Initially you assume he wants to fill his lungs with oxygen due to your harsh grip and you slowly process in your mind the possibilities of what can happen if you chose to loosen your hold on him. It's only when Zeke lets out an eardrum piercing screech that you curse under your breath feeling your mental grip growing weak. Zeke throws you a sorry smile, startling you enough to take a wrong footing on the brick rooftop you're standing on.
You feel your powers flicker even more, to the point it reminds you of a dying flame but you refuse to believe you've reached the end of your potential use of your own meta ability. You pay no attention to Eren and his momentarily twitching as you try to focus on catching your breath. All it should take is a moment, all you need is a moment to calm down your pounding heart and then-
Bam! Bam! Bam!
You sense Zeke slipping away from you unexpectedly and your mouth falls agape, your hands rushing to your ears, despairate to offer protection and and comfort to the buzzing pain you're feeling. Glancing around you notice Eren swirling his gun in his thigh case, smoke emitting from the small opening of the gun, the smell of gunpowder tingling in your nostrils. Even if you're hazy you immediately understand what has happened; Eren's bullets, following Zeke's coordinate scream sent warning shots to his comrades, letting them know of his exact location and if you could guess correctly, giving them information on his situation.
"AH!" Zeke screams in agony, averting your gaze to the commotion that starts to go down on the concrete ground as the Yeager bothers land forcefully on it. Eren's gun is smashed to his brother's head, the iron spikes splitting his cheek open upon impact.
"No!" Your eyes widen as you scream, your body moving to take a quick leap down the side of the rooftop, send bricks to stray into the air as you slide down onto them.
Eren's fists are bouncing quickly onto Zeke's head and torso, taking turns to avoid being overworked. Your eyebrow is twitching automatically, your head is practically on fire, your veins popping and flowing with hit throbs and painful sudden rashes of blood. Eren won't react to your screams, you assume his own adrenaline is covering up the sound of your voice for him.
You land right on top of Eren, sending him in collision with Zeke, crashing his jaw onto his brothers chest. The males let out pained mutters, cursing under their breaths as you push your body weight harder onto them.
"Eren don't do this."
You take Eren's torso into your arms, using as much strength as you can manage to press his back into your chest. You ignore the way your heart painfully spreads up, similarly to the way a schoolgirl's at the sight of her crush, you resist the urge to rest your head on Eren's shoulder from the back like you would have done had the circumstances been any different. You only squeal as you try to transfer all your strength to your hands, your feet giving in and your chest heaving as you try to pull Eren even further into you.
"Get off of me." Eren screams thrashing his hands around with enough strength to shoo your grip on him away.
"No!" You chatter, squinting him even more. "You're not killing your own brother."
"Fucking hell, let me go."
Your hand mechanically searches for Eren's thigh even though your vision is still blurry. You're practically ravaging him with one hand for a few seconds, despairately clinging onto whatever resembled the touch of a gun.
"I'm not going to let you do this." You say, pressing him further into you, your heart basically hammering in its skeleton binds.
If Eren believes the guy with gun is always right in a fight, you have to point a gun at him to prove his own point to him. Right?
You clad your arms under his arpits, securing your grip onto the top of his shoulder as you manage to flick him off, balancing his weight onto both your knees. With a jump, you land on your wobbly feet, your iron clad heels making loud thuds as you jolt your body slightly to Eren's direction. Your wrist flicks, signing to Zeke's hands and consecuentially they come together, seemingly tied up by invisible imaginary bounds.
A harden expression masks your face as you point the edge of the gun to Eren, pushing it mere inches away from his face, the cold metal flushing with the outside parts of his helmet.
"Take it off, slowly." You order, your stern eyes never bowing the the puppy like eyes Eren is pointing at you. "I'm the guy with the gun, if you're smart you do as I say." You turn your face to the right, now pointing directly to Zeke. "You too Beast."
Under any other circumstance you would have felt your heart melt at the sight to your left; bellow his helmet Eren is battered, bruised and he's glistering with swear and grease -you assume it's from the creaks of his head cover- this sight should be enough for you to throw the gun away from your hand, or destroy it with your powers.
Eren hisses as his hands move to click on the securing buttons of his helmet, the lightweight iron thrashing into more pieces as it comes undone, the damage it had undergone seemingly unredeemable. You sighed internally, Eren has more than a dozen of them back at his place, so replacing this one wont be an issue, fortunatelly. Your hard eyes never leave him, his own turqouise orbs fixating on you the moment his helmet is put to the ground. His hands shoot up in defeat, his palms extended as he stares at you with an annoyed expression.
“Fine? Got what you wanted?”
“Eren!” you utter, stomping your foot to the ground.
You don’t realise at first -yet it doesn’t slip Eren- but the gun is quaking in your hand. With your trembling hand mere inches before him, it’s hard not to notice in the end, but he spares you of the embarassment for a second, he focuses on how to get himself out of this situation first.
“Sorry, babe.” Eren smiles at you, using his feet to flip himself off of the ground, pushing his weight onto his torse for his feet to levitate off the ground. Shook and thrown off by his sudden act, the gun in your hand slips and you squeal, yur grip on Zeke unfocusing as your powers dictate Eren to come to an halt midair. His body thrashes down to the ground, grunts of agony coming out of his chest.
It happens before you even have a chance to blink; your powers are weakened, Eren screams an ear piercing screech and Zeke starts running towards your direction. Multiple bangs echo through the air and you don’t even have a chance to look up to pinpoint where their source lays, your neck is looped on the inside of an elbow but at this point all you can see is black and white as your ears ring dangerously.
“Zeke! Let her go!” Eren screams, his eyes pacing between Zeke and the new additions to the scene, Flotch and Yelena. They both point their guns to Zeke’s direction, panting and Eren is panting as well, his mouth running miles ahead of his brain. He knows he’s in a sticky situation, left unarmed hen Zeke has managed to grab the gun you dropped, shot on the left bicept, but it’s nothing compared to you
Thick crimson fell in gushes from your head, sipping slightly to the cavity at the edge of your mouth, rushing down the painful path to your neck. Your costume seeped in it, the cloth furiously sipping like a hungry vampire as more blood run over it. Eren didn't dare move his hands, only his real orbs paced between his team members, remaining wide open, despairate to light up in any frail solution he could think of.
"If I let her go, you'll let me take my leave."
Eren's brain throbbed, the coiling cavities swelling and shrinking. He examined the possibilities and went over his options like a madman, there were a few ways in which he could entrust Zeke's extermination to Yelena and Flotch, he could even manage to grab you in the midst of it and bring you to safety. The bullet Zeke has shot towards you hadn't planted its way into your head, it had only scratched over the surface, he should be able to stop the bleeding if he could manage to bring you to safety.
If he was completely honest, he could have numerous opportunies to kill Zeke, he couldn't bring you back though in any case you died.
"Fine." He said, throwing his hands up in defeat. "Get it your way."
"No funny games brother."
With a piercing look thrown at Yelena, Eren leaped a step towards Zeke. The blonde and the redhead lowered their guns pointing their cranes to the cobblestone ground. Eren's iron enhanced footsteps filled the teeny alleyway but they came to an halt as soon as they began. Zeke brought a hand to his nose, pinching the tip slightly despite the fact that his glasses had been shattered to pieces his digits still went for his habitual action of fixing them on his diaphragm.
When Zeke's footing dug into the ground, the material screeching from the intense friction Eren widened his eyes. With your head in his palm he rushed into the wall, blood drenched (h/c) tresses sticking onto his tan skin. With a huge thud he smashed your head against the wall, a roar blurting its way out of the depths of his chest. Then, his feet made the best out of their existence, running as fast as they could, if these were his last moments, at least he caused some mayhem and pain to live up to his reputation.
Eren didn't even have a chance to jump into the commotion in time yet he leaped on your side with your name falling out of his lips in the form of a scream. With no need to be commanded to Yelena and Flotch raised their guns at Zeke, shooting while launching on his direction, leaving Eren and your unconscious body behind.
...
"There's no hope for us right?"
You were dying.
Sprawled over a gray cement built rooftop that paid homage to Trost's biggest neon sign you were taking your last few breaths. And Eren was the only one to blame.
You laid rested on his lap, his hand frozen over the roots of your hair as he felt how tangled they felt with all the dried blood on them. Electric blue neon light fell over his shoulders in the mellowest way, creating a halo over his body, his messy hair and all of its stray strands sticking out as the contrasted the light.
"I'm sorry I brought you here at a moment like this. But since you always said you wanted us to hang out here"
Eren paused to sniffle the little goo at the tip of his nose. A burning sensation in his chest chocked him, it crushed his lungs under an iron grip, the splash of blood and flesh echoing inside his torso. His stomach fell and repositioned itself, his gut churned, his eyes solidified pain in the form of hot, salty tears.
"I couldn't think of anything else."
There wasn't any hope for you. Your skull was cracked open beyond saving, your forehead was jabbed and crushed, your eye bloody and scarlet where bright white should have been. Your nose was broken and crooked. It was only a matter of sorrowful moments before life left your body but Eren couldn't bring himself to help you into descenting faster into the light.
"You probably can't even listen to me. But I love you, always did, always will. I never meant what I said that night. About not knowing why I was with you."
Tears ran down his face, his chest quacking in endless sobs that he tried to muffle. But he couldn't help it, despite having grown into a silent nonchalant adult, he still couldn't push past the hurt if losing someone that close to him. Whatever facade he had ever tried to put on himself was crumbling down in seconds before you, right in this very moment.
"Levi's on his way to take you to a hospital." He announced, yet he doubted you could listen. His hands wiped furiously at his stinging and painful tears. The drops of blood that entered his eyes made him hiss even further.
A bloody palm came to cup under your jaw, and Eren hissed as he felt the bone going stiff. He refused to believe it, he refused to believe your mouth had locked, he refused to believe it was happening. For all that matters he didn't want this to be your last shared moment.
From afar he could see Levi and his former friends approaching, the sound of sirens complimenting the background as the neon sign started buzzing and flickering behind him. When Levi finally stepped his foot to your direction he spoke no word, much like the rest of the team, except for Mikasa who shot him a comforting glare and a pat on the forearm.
Eren watches as Levi checked for your pulse and took you over his back, your body laying numb over his own. He spoke no words as he watched the man pull away and roam between buildings before disappearing. As the neon sign behind him made a chirpy, electronic voice and spurt a few sparks of quickly dissolving fire three more hands came to rest on his shoulders. Jean, Connie and Sasha had all silently tried to seek for a way to comfort him, confiding into mimicking Mikasa. 
 Eren knew he wouldn't ever have the chance to see you illuminated by the cobalt neon light again.
Taglist: @levisbrat25 @nobody-knows-anymore @callmepromise @melancholicmonologue @ladyofpandemonium @alrightberries
Super special thanks to my baby @sasageyowrites and my dear @aichiin (if you don’t check out her art i will be mad!)
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tiphprince · 3 years
Note
I have many thoughts and feelings about snape leaving Hogwarts. (I would write it but one I am well lazy and I have this weird internal conflict but yes anyways) I will be signing of as 🤺 (this is so long I am so sorry)
So for scene + background purposes : both the mud blood incident and the werewolf prank happens at the 5th year and I guess eileen leaves him. And snape is in this absolute bedroom depression because rn he can't stand himself, there is no scope and like he knows what possibilities lies in both sides but rn he's craving for fimilarity and the only person who he hates that he's connected to is his father right. They both have this anger that eileen leaves them in spinners end and one of them is free. So he does something he hasn't done ever since he met Lilly : he takes a chance and applies to ilvermony he knows he won't get in he's so sure (until he gets proven wrong). And when he gets that letter that says ACCEPTANCE he somehow empathizes with the women who first introduces magic and the same women who ran away from this horrid place and figures that eileen is a clever witch and she's probably okay of not she'd be back or they would find out that she's dead.
He knows that he's meant to be alone (he does the paper work for a transfer alone, he packs alone and he celebrates alone on his departure by allowing himself to feel something when he buys himself a small plum cake) and he feels incredibly small when he enters the ministry where he meets the headmistress but he's hopeful.
And ilvermony is big and it's grand and it's so much more accepting. On his first day he meets a brown eyed girl who's made him feel absolute concern and exasperation in 14 minutes of meeting her (why do you think that England is a sad place he asks her and she simply looks at him dumbly saying your two weather's are rain and heatstroke, and he can't help but agree with her) but he can't help but feel light. There is no Potter, no black no werewolf and maybe his life is worth something. And he's less alone (he doesn't ever say it out loud because he's scared after all he is someone who's great at ruining friendships) because he makes friends some who understand the guilt and the shame and the anger he is carrying while others (and some really good adults) just know that it's not fair that you should treat your own life like this and now he's able to speak about his regrets his guilt to those closest to him 'what you did was wrong but I also think it's wrong that you have been told that holding on to the guilt is the only way you can forgive yourself, I think you have hurt yourself enough' she says to him and there is an absolute pin drop silence until severus takes all the courage to say i think I need help.
Flash forward it's 2 years later in Hogwarts and a ripple effect occurs.
Regulus black feels at first a great deal of anger towards snape because he managed to escape this. Narcissa and lucius understand but they will never admit it. But snape left their snape this tiny greasy kid from coke worth felt his life was worth more or if not he believed in enough spite to take some direct action. That spite is what drove them to stay effectively neutral and hint on supporting dumbledore despite a war that there in the horizon. James and Lilly are together, the loss of friendship leads to a kinship which lead to a romance while Sirius and Remus are okay but they aren't. And Peter well he's shifty ( some days if not most days they all find it liberating to pretend that snape doesn't exist)
And now they all in this campaign to promote unity are in advanced muggle studies class, regulus black is the only slytherin and its painfully obvious on what's to come. And charity Burbage who is this cheery hufflepuff decides to do her video essay on schools but she has this pen pal who is in ilvermony and who's willing to help to show off her school and the people she loves (do you fucking see where I am going with this?????)
And BAM it's this heartfelt Supercut of her favorite places and the people she loves and meets there are snippets of their endearing conversations. And everything is okay until severus snape the boy who left at 15 is smiling at the one recording the video and is sitting casually at a sofa 'hey sev what do you gotta say about Americans' your tea sucks, and to think you would learn from the Boston tea party incident. And the rest of the video shows more people but it's severus who makes the video so much better and so much worse. Because she records his laughter, his joy but it's them who have this weird gut feeling and Lilly cant help but hold James hand tightly and James can't stop staring at the same boy he hurt.
And Lilly comes into this horrible but truthful realization that she's feeling what her ex best friend feels (the disbelief when she can't understand why can't she see him like this, the same way snape felt when he couldn't understand what Lilly saw in James) because there is so much betrayal she feels when he watches him smile at other people and can't understand why couldn't the snape that they are seeing in this video be the one who went at Hogwarts with them??? and James has to see this version of snape he hasn't seen before and thinks maybe they could be friends. And Lilly at that moment doesn't want to answer the question : he's happier because he's away from this place, the same place you love. Would you ask him to leave earlier knowing he could be happy like this?
The video is over and its regulus black who looks so pensive and has this look of hope that maybe goods thing can happen says in a too quite class because everyone knows : I haven't seen him smile like that at all. The bell rings and they just go on and walk a little bit more heavier because all they can think of Severus snape, the boy who escaped and the one who isn't coming back .
🤺🤺🤺🤺
Okay so... this was a completely unsolicited surprise in my inbox the other day, but damn if I didn’t love every single part of it!
I HAVE SO MANY THOUGHTS ABOUT OUR BOY SAYING FUCK IT AND LEAVING HOGWARTS
For the the other characters it doesn’t change that much, Lily still ends up with James, the Marauders are sad that their favorite target is gone but they get over it quickly, the other Slytherins don’t give a fuck about the poor and dirty halfblood, and the teachers... well, they’re as useless as usual.
But our baby! It’s awful for him at first, the fact that he suddenly finds himself so far away, and so alone, from everything he’d ever known, even the bad. Because at least he knew what to expect at Hogwarts and at home, it was all about the evil you know, and adventure is definitely not his thing.
I’ve always been in love with the “was gone for several years, and came back a changed man” (must be the Naruto fan in me), it’s a bit like anon’s video here, a way to show everyone what they missed, the huge mistake they made in hurting this kid who just wanted to be left alone
I want to see the Marauders praising this dude from America before learning that it’s Snape because he doesn’t look anything like what he used to (meaning he actually looks like a functioning human being).
I want to see Lily, high and mighty with her perfect husband and her son on the way, frown when she recognizes her former best friend laughing and smiling with another girl, looking happier than he’d ever been with her.
I want to see Slughorn in shock when the best potions master of his generation is revealed to be the weird ass teen he’d dismissed on the first day because he didn’t have a powerful family name.
Basically, I want every character who ever underestimated Snape, who ever hurt him, to, if not regret their actions, then at least realize that there was something more to him even back then, that if only he’d been given a chance he could have become that amazing person right here in the UK and not halfway around the world.
Also, I want Snape to not forgive them. Maybe he has to work with them for one reason or another, and he acts just civil enough to not outright provoke and insult them, but he’ll never forgive and he’ll never forget.
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acciocriativity · 3 years
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Helpless||Harry Potter
Pairing: George Weasley x Reader
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Summary: You are one of the students of the Beauxbatons commission and like the others you are determined to win the Triwizard Tournament but instead of the Goblet of Fire, you ended this season at Hogwarts with something better . 
Word Count: 2,0 k  
N / A: This story is based on the Helpless of the musical Hamilton and if you want, I recommend listening to the song along with the lyrics.
Part II 
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Ooh, I do, I do, I do, I do (hey, hey, hey, hey, hey, hey)
Hey! Ooh, I do, I do, I do, I do (Hey, hey, hey, hey, hey, hey, hey, hey)
 I have come to be known for some characteristics over the years. For most of my colleagues, determination and patience, but for my family and especially my sister, I was always going to be a hopeless romantic. 
But then we heard about the Tournament and I would have to concentrate fully if my name came out of the Goblet of Fire, so I decided to leave this side of me in France. But that change did not last more than a few hours. 
Boy, you got me helpless
Look into your eyes, and the sky's the limit
 We were all sitting at the Ravenclaw table while the director finished announcing the Triwizard Tournament formalities and I couldn't be paying any less attention. From the moment I entered that room, a pair of bright brown eyes caught my eye. I couldn't help noticing the incredible amount of redheads on one table, but only one of them left me with a different feeling that I didn't know until now. 
Of course, I didn't spend much time looking. My goal here is very specific, I would not have time for distractions as my name could be called up tomorrow. 
- Of course, to travel to a swamp on the other side of the world, you're going to have to give up putting your name in the cup, right? - my sister asked in an irritated tone of voice and I had no idea why or what she was saying.
- Oh sure, I think it's a great idea, sis - I replied with a smile as I looked back at the director, but he was no longer standing - has he finished? Has he talked about the Yule Ball too?? - I asked, looking back at the older one. 
- Yes, why are you acting like this? Eat a little, I think the trip didn't do you much good - she replied with a worried tone, leaving the anger aside. 
I agreed to a nod and concentrated on the French food that had been kindly prepared for our arrival, but my eyes kept looking back at the table where he was one last time. 
I'm helpless
Down for the count, and I'm drownin 'in' on
 The next day, during the morning there was a circle of students around the Goblet of Fire but as soon as we arrived, they made room and then each one of us put the paper with our name in there. I chose to be the last in line, because I was in no hurry and for a single reason. He was there again. 
The same eyes, but now I could see more closely and without having to worry because it was not in my direction that they were. The boy was having a lively conversation with some other students and his own twin. 
After my turn passed, I walked over to where a friend was standing because I also wanted to see the rest of the competition, that's not exactly what happened. 
I admit it was a funny scene to see the two of them being thrown two meters out of that circle but at the same time, I was a little worried. 
I have never been the type to try and grab the spotlight
We were at a revel with some rebels on a hot night
 After a few months, we were finally at that ball that promised to be one of the best events of the year and perhaps the decade at Hogwarts. A lot of things changed in the meantime, the first was that I wouldn’t be the champion but I was vehemently rooting for Fleur, the second thing is that a minor had entered the competition and that turned this castle upside down and finally, I had managed to get close to that redhead. To be fair, me and Alexia. We both agreed that only an idiot would voluntarily sign up as a minor, this caught the attention of Harry Potter's friends and himself. 
In fact I learned his name, it's George, it's easy to tell when I can see his face. From the back, I don't have much of a guarantee and it's hard to see them standing still somewhere, so it's even more difficult for me that way. 
Laughin 'at my sister as she's dazzling the room
Then you walked in and my heart went, "Boom!"
 I had been invited by some boys before accepting to come with a student from Durmstrang, I confess that I hoped to be invited by George but I preferred not to risk waiting. 
I looked for my sister with my eyes and it was not difficult to find her, she was dancing with her own partner in the middle of the dance floor, impossible not to notice. They were even a beautiful couple, but I knew she was interested in someone else, I just didn't know who. Just as I hadn't told her about my feelings yet. 
My attention changed completely when I saw the door to the Great Hall open and the unaccompanied Weasley twins came in. My heart stopped for a second and I could feel it beat faster, some questions crossed my mind. I hadn't seen them before, did they come alone? Hope had returned. 
Tryin 'to catch your eye from the side of the ballroom
Everybody's dancin' and the band's top volume
 The slow song was over but I only noticed it when I saw the girl in front of me and then I smiled, trying not to lose sight of George but didn't go like that, since I was on the other side of the dance floor. 
- You were having fun out there, weren’t you?? - I asked with a smile, giving up looking over her shoulder, so I just focused on her face. 
- Yes, and where is your partner? You should be having fun too - she replied leaning against the wall beside me. 
- He said he was going to talk to his friends but so far he hasn't returned - I couldn't hide my indifference, because I never had to hide anything with her.  
Grind to the rhythm as we wine and dine
Grab my sister and whisper: Yo, this one's mine
- I know he wasn't your first choice, so who is it? I’m willing to know - his gaze left me and scanned the party full of people, looking for who could be right for me. 
- I wanted to make sure he was interested in me before I told you. It's George, from the first moment we arrived here for the first time - I didn't try to hide my smile or my passionate look when I finally found the redhead again. 
My sister made her way across the room to you (ooh)
And I got nervous thinking
"What's she gonna do?" (Ooh)
 In a moment, she was beside me with an expression I didn't recognize and a second later the brunette was walking towards the other side of the dancefloor. 
- Alexia, what are you going to do… - I didn't even try to speak out loud, because the music was incredibly loud for anyone but me to hear. 
To my horror, she walked towards the Weasleys and I
paralyzed. One of my sister's characteristics comes down to doing basically everything for me, I already knew that nothing bad could be in her intentions but that didn't relieve my nervousness. 
She grabs you by the arm
I'm thinkin ', "I'm through" (ooh)
Then you look back at me
And suddenly I'm helpless
 I couldn't look away even though I looked crazy to those outside, so the two stepped aside a few meters and I could hear my heartbeat increasing by the second. 
Would I like to be able to hear them? Certainly, but before I could think better about it. He looked directly at me. 
Oh, look at those eyes (look into your eyes)
And the sky's the limit
I'm helpless (I know)
Down for the count and I'm drownin '
Helpless (I am so into you)
 Few things in life have left me so nervous as that moment when George Weasley was walking towards me, with that smile on his face, the kind of smile I hadn't seen yet but perfectly matched his features. 
She accompanied him halfway and winked at me before returning to the dancefloor. I didn't know what to expect but I would thank her forever, if that was what my hopeless heart was telling me. 
Look into your eyes (I am so into you)
And the sky's the limit
I'm helpless
I know I'm down for the count
And I'm drownin 'in' in
 The night ended perfectly and I almost felt like it was fate, because his partner ended up dancing with my partner. So they didn't even care for a second about being "abandoned", not that I was going to let this opportunity just slip through my fingers. 
He was cute and kind, we danced and talked a little bit alone before going back to our friends. 
But this time it was different because we were never so close to each other, I couldn't help but notice his arm around my shoulder, making me stay even closer to him. 
That was my signal, the signal that this night meant something more to him too. 
One week later
I'm writin 'a letter nightly
Now my life gets better, every letter that you write me
 A week later, I had come to Paris with Ale to spend the Christmas holiday with our parents, but it didn't mean that we would lose contact. At that point it was past midnight when I was replying the letter I just received. 
The owl that brought it was barely able to flap its wings when it arrived here and as it was freezing outside, I left it in the cage with mine to rest. She drank some water and practically passed out, poor thing. 
- As I was saying, he really cares about you. Who wouldn't want someone like that? - she said after reading the letter I received. 
- You will find one of these soon, there is a whole group of boys waiting for the chance of their lives to show you that - I replied with a smile while thinking of the right words to answer, everything had to be extremely perfect.  
Laughin 'at my sister 'cause she wants to form a harem
I'm just sayin ', if you really loved me, you would share him
Ha!
- Yes, but still, it is not enough - she replied pouting but then smiled as if an idea had crossed her mind - we shared everything, why not that too? - She completed folding the letter and I just laughed. 
- That's the only thing we can't share in this life and you're too jealous to share someone - I replied laughing even more at the expression she made. 
- I'm going to sleep, just don't take too long to answer this letter, ok? Tomorrow we will all go out together, in case your little head has forgotten - she gave me one last hug before leaving, but I noticed that the light in her room was on for a while longer.
 Many other things happened afterwards, but my hand is hurting and my ink is running out, so I'll leave the rest for later, ok? I promise don't keep you waiting to know what's happens next. See you tomorrow, dear diary. 
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Harry Potter Masterlist
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manda-kat · 3 years
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Long Post Ahead
So I've got this story that I don't do much with, but I play with from time to time that I made way back when I was a wee lass watching Darkwing Duck. It was about a rooster who fought crime. I have since developed his tale for myself beyond being a Darkwing ripoff (or at least not such a shameless one) and am very pleased with him and his world. The whole thing is very self-indulgent. ANYWAY, there are these villains that I've been thinking about and I kind of want to talk about, so HERE'S THE POST!!!
They kind of act as the token Joker-clone. They are a pair of twins called Puzzler and Prankster. They're chicken/duck hybrids, but Puzzler just looks like a duck and Prankster just looks like a rooster. They're also twins, with Prankster being the eldest by thirteen minutes.
ANYWAY, they are programmers/entrepreneurs. They created and own an app called Puzzles and Pranks that's basically like those awful YouTube channels that tell kids to hot glue everything? Yeah. They're irresponsible and try to trick kids into spending their parent's money, but they're not dangerous or evil. Until the thing happens. >:)
So they live in their mom's house, in the attic. But in the basement lives their older brother, who hates them. He is a scientist and an inventor, despite not being able to get a real job in any scientific field. His stuff is too dangerous. But he's here to prove that it isn't, so he calls up the Rooster hero to come test his new gadgets and he uses his awful brothers as test subjects to show them off.
A couple of explosions later, the twins have been traumatized, agonized and vaporized. They're crazy now and have super powers.
Prankster can summon any item into his hands, which he uses to pull pranks, like throwing a pie at someone or surprising someone with an electric buzzer in his hand. And Puzzler is a living puzzle, able to split his body into pieces and control them remotely. He can also teleport.
The HORRIFYING PART I wanted to talk about was the fact that the changes that were made to them have horribly altered their bodies in ways that make them unsustainable. If they don't find a way to cure themselves, they will die slowly and painfully. So they kidnap their brother and try forcing him to fix them, stealing any supplies he needs, but unfortunately they're foiled by the rooster hero and while he tries to get them to let him help them, they run away to try other means.
So as they appear to commit crimes, they're literally just doing it to find a cure for their condition, becoming more and more physically and mentally unstable. Until finally they agree to let him help them, where he takes them to his Smart Guy™ friend who can make a particle stabilizer (or whatever you'd use in this cartoon situation) to cure them but it might be too late. It'll probably include one of those near-death scenes where everyone's like "he's gone", but then he cracks an eye open and gives a cheesy line that calls back to something earlier in the episode.
And Puzzler is an innocent baby who doesn't really realize what's going on and it seems like it hasn't struck him yet the reality of the situation. He just acts like he's out having fun with his bro. And Prankster is overprotective big brother who trusts absolutely nobody and doesn't stick too hard to the fun and games motif if it helps him get what he wants. It seems like the only reason he agreed to the supervillain theming is to make it seem less serious for his brother.
So yeah I'm having feels for characters I literally made up when I was a kid I think and guys help I'm crying, why did I have to cause them so much pain???
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blackasmidnightcats · 4 years
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Book 1 Nostalgia
WARNING: This post will have spoilers to the SGE series
The first book in any series will always hold a special place in anyone's heart I think. There is just something beautiful, whether the writing was phenomenal or lacking, about the introduction to a new world and the characters that you're going to know. After reading further into the series, sometimes you just wanna go back to the start, where everything was a lot simpler.
SGE kinda falls into this feeling for me.
I don't think I'm ever going to get over the interactions between the characters (and we haven't even explored most of them) because, personally, Soman is incredibly good with how he does character intercations but the story and plot have a lot to improve on.
And now comparing TSY with TCY it's very glaring.
Soman really has a problem with his plot so much so than with his storyline. It's very repetitive and the storyline suffers from it.
After Book 1, every plot seemed to be the same case; Sophie is an important piece to the main villain, Agatha tries to fix everything, Tedros is getting more crap than needed, annoyingly unhealthy romantic relationships are explored, and the other characters do things.
The last of these examples are really the only things that varies. Everything else is almost always the same in one way or another.
The first book doesn't really follow that pattern. It's a introductory book and I wish Soman did the same vibe as it in QfG.
Though Book 1 wasn't perfect. My biggest main problem with it was how Soman handled Agatha's development from thinking herself a freak and realizing that she was just a beautiful as anyone else (and Tagatha, of course. They had a very unconvincing start) compared to the detailed and precise handling of Sophie's decent and eventual acceptance her wickedness.
I said it once and I'll say it again: I miss vengeful, spited Sophie. Who made the School for Good suffer because Tedros didn't keep his promise and her very impressive Talent to summon Evil creatures at will to do her bidding.
This was the Sophie that I expected more from in the later books but might never get again. With the way that the OTK cover portrays her as the Lion, whether that would be a thing or not, it's clear that Soman wants the readers to look at Sophie in a better light and not as the anti-hero that she is but I could be wrong.
In Book 1, Sophie was incredibly selfish to the point that she wouldn't do anything for others even those that she should care about (i.e. Tedros in the Trial) and in the end, she had to pay for the selfishness by seeing just how Evil she could become and be seen as the witch that she was. Her development from Pink Princess to Witch of Woods Beyond was believable; her ambitiousness combined with her selfishness was what made her gain everything through manipulation and wickedness but it couldn't be hidden for long. Once everyone, including herself, saw what lied underneath her exterior, she lost everything and because of the things that she chooses to do, she naturally hurt and attacked the people that wronged her just as Evil does.
It was caused by a failed romantic pursuit, yes, but unlike the other later romantic relations that she had, the one in Book 1 focused more on the outcome for her character development than in the relationship itself. Honestly her relationships with Rafal, and Rhian, and maybe now Japeth, idk, make absolutely no sense with the importance that the story puts on it because these relationships didn't help further Sophie's character development. It stunted her really.
Now compare this to Agatha.
I think everyone and their cats agree that we all miss witchy Agatha in book 1 and I hope we write more of her in our fanfics like that since Soman won't do it. The thing is, with Agatha, unlike Sophie, whether she is written as a straight-up hero or as a sort of anti-villain with her portrayal as the Snake in the OTK cover, it won't be that far fetched. I don't know if Soman intended this or not but it's pretty frickin impressive with how he managed to make Agatha a pretty versatile character.
Book 1 did not to good with how she went from Graveyard Girl to Fairy Tale Princess. At most, we saw her heroic characteristics but Soman didn't put much effort with making it believable and we were left to our own imaginations with how she could have believably developed and grown into herself. It should have taken more than one chapter to make us believe that Agatha suddenly grew confident with herself and her own brand of beauty and how her relationship with Tedros should have started.
But because of the fact that she's now comfortable as both being a little different and unique in her own way but is still guided by the values of Good and holds it dear to her soul as well as her loyalty to those she loves, she can do great with the best of both worlds.
Agatha hasn't stopped growing since book 1 and I think that reason for that is because Soman knows that he has to square up whenever he writes her. Whether she's developing on her own or with others, she's always learning new values and finding ways to express them in the way that she's comfortable with.
Soman does express that he loves writing in Sophie's POV the most, but it can be a double edged sword if not careful. And I think Soman hasn't been careful.
Now back to the glory of Book 1.
Book one had the most simplest plot and most fluent storyline than in any other book. Even TLEA.
I think I could recall a lot more events in Book 1 than in the more recent ones because there was a lot more events and chapters that were actually necessary to the plot.
So, to go by statistics;
TLEA has the most recorded chapters in the series as of current before the release of OTK with 35 chapters and 3 parts to divide it.
It's followed by Book 1 with 30 chapters.
Then QfG is next with 28 chapters divided into 2 parts.
And aCoT follows with 27 chapters and 2 parts as well.
Last is AWWP with 24 chapters divided into 2 parts as well.
If going by this then OTK should either have a chapter or two more or less than TLEA but not less so than Book 1 because it's going to now be the official last book of the the series.
But that is besides the point. My main problem with the books' storytelling after Book 1 is how disoriented it has become.
Let me make an example with QfG and aCoT. These books are more or less very similar with each other in the number of chapters with only one being the difference while the start of the the "Part 2" portion was a bit different with QfG's starting at chapter 21 while aCoT's started with chapter 17.
But the reception and the fluency of these two books could not be more different from each other.
To say that QfG completely destroyed the fandom is an understatement. I can't tell of aCoT managed to regain the series's former glory for long enough to not let OTK flop but let's be hopeful.
Anyways, the fluency of the storytelling with TCY was wack and QfG and aCoT completely show that.
WARNING: Spoilers about QfG and aCoT will be discussed in this section.
I could not remember almost 70% of QfG because of how much I hated the plot and looking back at the chapters, I honestly could not believe that the asshat Rhian was only introduced on Chapter 21. Everything after Chaddick's POV chapter seemed to be a blur and Rhian's b*tch ass seemed to have corrupted the whole experience.
8 chapters. He was only in QfG for 8 chapters and yet it feels almost like he's been in it for more than half. Frick. He is traumatizing.
Basically, the middle part of the book, namely chapters 7 to 20, was all about the main cast trying to frickin understand wtf was happening. Agatha and Sophie were trying to figure out the Lion and the Snake thing while Tedros was back in Camelot doing (or failing or being sabotaged with) politics and also trying to understand why tf was Excalibur having a tantrum.
Then Rhian entered and I don't know why or how Nottingham and Robin Hood got involved but he did.
And then more figuring out stuff and sabotaging Tedros and then Rhian and Excalibur and then cliffhanger.
It was all very abrupt and confusing. More confusion was added all because there were more questions asked than actual answers and a sense of depression was felt in the end because nothing was really achieved.
Imma compare this with Book 1 later but first Book 5 comparison.
Now aCoT. It was just the storyline that we needed to get back to the hype that the series had. Was it a satisfying read? Yes but was it able to heal the pain that QfG inflicted? No.
The fandom did not come back the same again.
But anyways, aCoT, personally, had a lot more scenes and events that I remembered than in any other book besides book 1 but that there was the problem with this book.
Too many things happened with this book. So much so that the fluency of the story was sacrificed to tell it.
Look at it this way, several shifts in the book happened.
This all happened in Part 1 only;
Rhian became King and his regime was sort of explained.
Agatha was introduced to the First Years and got her Army.
Sophie was in some sort of GOT-esque knock off experience as Rhian's Captive Queen.
Agatha manages to save some of her friends.
The concept of OTK was explained.
Tedros's execution was on way.
Nevermind, Agatha and her army just straight-up hijacked it.
Prof. Dovey died as a sacrifice.
Okay, now to Part 2;
Reaper is a Gnome King.
The Crystal of Time was finally explained.
They finally find out about Rhian and Japeth's origins.
The Gnomes were ambushed and I feel sorry for them.
Sophie tipped Rhian off with the location because she believed that she would end it all.
We kinda get background with why Rhian wants to be OTK????
Rhian DIES?!?!?! and now Japeth's King ☠
They sort of manage to know about wtf happened with the Lady and Japeth
Tedros and Arthur have a heart to heart and he gets the Ring of Power.
Cliffhanger
It's a lot to take in and I don't really think that Soman should have cramped it all in one book.
Some of the plot points should have been in QfG so that it wouldn't be as depressing.
The whole of Part one was a book in itself and Part 2 was one as well.
At some points of the book, I sometimes got the feeling that it was gonna be the end but it just kept going and going and now I don't really know what's left with OTK. It can be both a good thing or a horrible thing.
Let's see wtf happens. I expect more action than drama Soman.
So again with Book 1.
Book 1 was a classic and the ideas easily hooked anyone interested.
It had the same unaswered questions with QfG but why did it suceed when QfG didn't.
First, is that Book 1 had its atmosphere clear from the start of the book. It was clear that the main thing that needed to happen was that Sophie and Agatha needed to realize the actual nature of their souls. There were more technical questions that needed to be answered but the main point that needed to be addressed was addressed by the end of the book.
And also the ending was also a cliffhanger but it a much lighter note.
Sophie and Agatha realized their capabilities and understood themselves but they still chose each other in the end and that sort of gave way to a much hopeful future for the two of them. (At that time, at least)
All the while, QfG was one depressing ball of events that led to one horrible moment to the other.
It was just sad.
And so I kinda go back to Book 1 from time to time to refresh myself with why I started this series to begin with and I'm always reminded with the possibilities and the explorations about good and evil and the complex duality of differences and parallels that so many things that Sophie and Agatha sort of beautifully personify.
I love reading the very first chapter of Book 1 because it so beautifully captured Sophie and Agatha and their complex relationship that I've always wanted to read in other books.
I always loved reading Sophie's amusing thought process and the reason why she does everything that she does; she does it because she believes that she deserves more and she'll everything to get it.
I also loved how Agatha was such a character that I've always wanted to read about. She's spunky and shy and lonely and reflective and despite everyone shunning her, she could still see the good and find it in herself to help them. She was simply wonderful.
I'm thankful that I found this series and I hope that a lot more books can talk about the philosophies and concepts that this book has managed to introduce. And despite all of its set-backs and nonsense, I would still recommend this as a read but to that they should also think about what they've read and maybe talk about what they've found interesting with it.
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jd-loves-everyone · 4 years
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Who are these 9 boys?
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Kim Woojin: The 3rd year, chicken enthusiast with an angelic voice and an adorable smile.We met when we got paired up for a school trip. I was so nervous about being next to a 3rd year (that I didn’t know) that I barely looked at him for at least the first 30 minutes of the trip. His age plus his broad shoulders and tall stature, only served to intimidate me more. Oh, how wrong I was to think he’d be any bit intimidating.
In truth, his body type only added to his personality in a way that made him resemble a giant, cuddly, teddy bear.
He was gentle and polite as he tried to get me to come out of my tightly sealed shell, with lame jokes and the cutest laugh.
We even shared my earphones, which was how I found out about his utterly divine voice. After complimenting him, he blushed a pretty pink, and asked about my own hobbies and talents. After much prying, he was able to figure out that I also loved singing, but had little to no confidence at all in my own voice (especially after hearing his).
So by the end of the trip, he promised to help me show my voice to the world. And he’s unknowingly succeeded, considering that when we’re alone, he’s my whole world.
Bang Chan: The 3rd year, Student Council President and an aspiring artist, who was too afraid to take a step in the direction of his dreams, so he is now stuck in a path that he doesn’t want to follow.
He is also my neighbor, who gives me a ride to and from school everyday, I’ve learned a lot about him during these rides (and I can only guess, that so has he), like the fact he has a puppy (from the dog hair in his backseat) and that he writes music (really good music). He’s seen all of me: he’s heard me sing more than once (sorry Woojin) and I’ve even broken down in his car (and he held me through it).
I’ve already followed his advice many times, so I hope he follows mine, just once, and goes after his dreams.
Lee Minho: My first crush and the one who made me fall in love with dancing (and him too, in the process). No wonder he’s the captain of the school’s dance club. He’s just mesmerizing to watch.
Despite his very flirty nature, he’s not a player, just very friendly (maybe too friendly). And in spite of this, he still likes to fiercely declare that cats are better than people (especially his 3 cats: Dori, Soon-ie and Doong-ie). The reason why his contact name on my phone is “Crazy Cat Minho”.
Considering that when we first met (at 12 years old) we only spoke briefly, I didn’t expect him to remember me (or for him to have such a… colorful personality, considering his cold demeanor upon first meeting me), let alone want to get as close to me as he has become recently. He even invited me to his house a few times (his little brother is adorable, but he always seems to be staring oddly at me. Is there something on my face?)
I hope my longtime-brewing feelings for ‘The school’s dancing gem’ don’t change how close we’ve gotten, because I’ve really come to value him as a friend, more than just a crush.
Seo Changbin: The 2nd year “bad boy”, who’s really just a softie. Despite him being known as such for being part of the boxing club (and doing pretty good on it) and owning a motorcycle, he also works part-time at the cafe (there, I discovered that he has the cutest smile).
Even the way we met goes against the way he’s been stereotyped. He showed me (on my first, nerve-filled, day) the way to my class (which I later found out was nowhere near his own class).
I refuse to admit that my increased number of trips to the small, cozy cafe is for me to catch a glimpse of that beautiful smile, the fondness in his eyes as he talks to his little sister when she visits him at work, but it is most definitely not because of how much I’ve come to enjoy the giggle-filled conversations we have during his breaks and slower days. I instead like to blame it on my borderline addiction on coffee and hot chocolate.
I hope that, as time goes by, we can talk more. I’d love to see that wonderful smile directed at me more often. I just wish that he never invites me to one of his fights, because I don’t think I’d be able to handle seeing the wounds beneath all those band-aids he always wears.
Hwang Hyunjin: The school’s certified pretty boy (and the most popular one). He sits next to me in most classes, so I got to know him for not just his looks, but his intelligence as well, and during dance club, I got to know his humorous side and the passion he holds for dance. I also found that he is a lot shier than most would expect him to be.
There are just a few problems with my growing interest for him: 1- his crazy fangirls (who drive me crazy for only appreciating his visuals), 2- my childhood friend, Jisung, hates him (and it seems to be mutual) which makes for some interesting classes, considering I sit between them and 3- my, infinitely more talented, best friend, Maia, has a crush on him (at least she did last time we talked about it, which we don’t do often, for obvious reasons, so maybe it’s passed?)
Despite all of this, I can’t help but feel attracted to the boy with the purest giggle and an eye-smile brighter than the sun itself.
Han Jisung: My childhood friend, we’ve basically been joined at the hip since we met. Despite this, even he doesn’t know some of my deepest secrets. I didn’t tell him about most boys in this ‘list’, but every time I spoke about any of them, he acted like an overprotective brother, talking about how they didn’t deserve me and things like that. I don't even want to imagine what he would have said or done if I told him about my interest in Hyunjin, considering they're basically mortal enemies.
He’s the one Maia keeps pushing me to reveal my feelings to (because apparently, he'd be the most likely to return them. Something I don't agree with). Although she'd also like our boyfriends to be able to at least look at each other without rolling their eyes.
And I can see why she does this, I mean, he's handsome, adorable, thoughtful, reliable and knows me like very few people do. But, as cliché as it sounds, I don't want to ruin our friendship because it really means a lot to me.I sometimes wonder if simply by being his friend, I'm only hurting myself more.
Both his sisters treat me like family and I see them as the sisters I never had, during broadcast club (which we have together) I not only get to listen to his soft voice for long periods of time, I also get to experience how truly thoughtful and attentive he is everyone around him as he solves all the problems sent in by students with a gentleness I sometimes wished was directed at me more often.
Lee Felix: The 2nd year, australian transfer student, with the cutest freckles. I never thought I had a thing for accents, but Felix proved that, in fact, I do, and don't get me started on his voice, deep enough to make basically anyone swoon, it has nothing to do with his cute face (and even cuter personality). Before meeting Felix, I had no doubts that Hyunjin was the most handsome boy in school, but now I'm questioning that fact. There’s just something about him, everything fits so perfectly.
I still remember how lost he looked on his first day. With barely any decent English speakers other than myself and a few others, I inevitably became his korean tutor and quite close to him. With his talent for dancing I doubt he'll have problems getting a job, but I hope I can help him become fluent in time for the exams.
Kim Seungmin: My mother’s best friend's son (confusing, I know). The 1st year from the photography club, who asked me to go with him when he went abroad to continue his studies in college (at the time I said I’d think about it but I know it wouldn't be possible).
We met at his mom's birthday party, where we kept each other company throughout the (screeching-filled) event, as the other kids were much younger than the both of us.
In that one afternoon (that dragged on to night), I found out a lot about him, like the fact that his dream is to become a world-known photographer, or the fact that he is incredibly shy (I had to start the conversation even after about 5 minutes of sitting in awkward silence) and because of this, he doesn't smile much, only giving me small, polite and tight smiles in the beginning of our conversation. I was only able to get a real smile out of him when I glanced at one of the pictures on the wall, complimenting him on it. He immediately got this light in his eyes, even if he (at first) tried to act bashful. After I praised his vision, his smile turned wide, broad and genuine as he went on and on about his passion.
On that night, I also found out something about myself, the fact that I'd do anything to keep that beautiful smile on his face, even if it took him away from me.
Yang Jeongin: My new, 1st year, neighbor and Seungmin’s best friend.We actually met once Seungmin told me how desperately in need of help he was in English. So, despite my already busy schedule, I offered to help him. And, after discovering that he had recently moved into the house across from mine, we walked home together (after cancelling my plans with Chan).
The boy was friendly from the start, lively, energetic, and all around an actual ball of sunshine.
With so much love to give and so little confidence in things like his wonderful voice, I suspect he hasn't received a lot of love back. I wish I could be the one to give it to him. I guess I should take Woojin’s advice and get him to come out of his shell too.But with how often he seems to blush around me, I doubt he has enough experience with girls to know what a crush even feels like and I'd hate to confuse him with my own feelings.
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Of betrayals and backstabbings | The Dragonpit edition
Yeah the title really doesn't make a lot of sense, but I liked how it sounded 🤷🏻 I kind of wanted to explore the whole Jon betraying Dany thing again, and why the Dragonpit scene conclusively ended any doubts I might have had regarding that.
I've been staunchly against the concept of Jon betraying Dany and I've addressed it multiple times already. Betraying Dany doesn't fit in Jon's character sketch. There a million already existing problems which everyone has to deal with, and Jon playing Dany is not one of them. Of course, then we have the classic case of Ygritte brought up. If Jon could betray her for the Night's Watch, why can't he betray Dany for his family? What antis conveniently forget every time they bring this up is that Ygritte (and the wildlings) were coming to destroy the Night's Watch (and a ton of innocent people while at it). So Jon betrayed her because he had no other option. Dany is coming with her armies and dragons to save Jon's home, save the North...so why, why would Jon betray her? What would he have to gain by this?
Consider this. When Sansa and Arya played Littlefinger, that was awesome! We not only supported it, but we were thrilled af when it happened! But what about when Littlefinger had betrayed Ned Stark, and that was after telling him he shouldn't have trusted him? I mean, he had warned him earlier hadn't he? So the betrayal wasn't out of the blue, right? It was something we should have been expecting, wasn't it? But did we support that? Did we agree with or sympathise with Littlefinger?
And okay, when Jon betrayed Ygritte, who did you agree with more? Did you feel bad for Ygritte but also felt that Jon had done the right thing? Could you see Jon's struggle between love and duty and acknowledge that the right choice wasn't as easy to make?
Why were our reactions different to all those situations? Short answer - motive. Our reaction to betrayals are based on the motive, and how well it is portrayed in the narrative. 'A woman murdered a man' evokes a different reaction than 'a woman executed a man who had led to the death of her own father'. Throw in the fact that he was still trying to get her to kill her sister, and we not only agree with the woman in question here, we are positively cheering her on! Because that's the difference motive makes - it justifies actions otherwise considered wrong, and we have numerous examples of it in Game of Thrones. My personal favorite, of course, is Jaime and the Kingslayer story because it perfectly highlights the difference between us knowing the reason, or judging the action as it stands.
So what could be Jon's motives for playing Dany?
We have the obvious, to protect his family and Winterfell from the unstable witch (that is supposedly Dany on tumblr).
But that's the thing again antis. Dany has never once, not once threatened or even implied in extremely vague terms anything that could be constituted to be a threat to Winterfell or the Starks. In all their interactions, whenever she wanted Jon to bend the knee, she never even went in the general area of threatening his family if he refused to. The issue of family wasn't brought up at all in that sense, so the idea that she would harm his family now, after having clearly developed feelings for him, has only sprung from the minds of the Jonsa Fandom who very much want it to be true because it justifies their POV and their ship. Because the assumption that Dany would want to destroy Winterfell, destroy the Starks and Jon realized this and is appeasing her by catering to her romantic feelings would work extremely well if, if it had been implied anywhere at least once, even if vaguely. But it hasn't been portrayed, and by itself fails to suffice as the motive setting up Jon conning Dany.
Jon will never betray Northern independence for love, and is only faking it to protect the North from Dany's ire.
Considering that the North was already protected from Dany's ire before Jon pledged himself to her, I don't even know where this comes from. Dany promised to fight the White Walkers without asking anything in return (an action which squarely put her in the 'good guy' category), Jon playing her to accomplish something which had already been accomplished is not only senseless, paranoic and unnecessary, but it also would then put him firmly in the douchebag category. Dany let him keep the North, only for him to offer it to her twice, and then ultimately turn right around and say lol, kidding?? Really Jonsa peeps? That makes sense to any of you? Why is it so hard to accept that Jon judged her worthy of his allegiance? But of course, that wouldn't work for the antis and this mess is far more appealing.
About the Northern independence though, I've already mentioned it before, but I'll say it again. The whole 'King in the North' concept arose because the Starks would not accept the Lannisters as their king, not after what they had done. Supporting the Baratheons would have been treasonous and dishonourable, and would have embroiled them in a civil war they had no interest in being part of. The main reason however, was that the Northern Lords had grown disillusioned with the Southern kings who did not care about the Northern issues at all and only paid attention to the North when it was in their own interests. Now, with Daenerys pledging herself to defeat the White Walkers, the entire dynamic of the game had changed, the Southern ruler in point, was not a Lannister or a Baratheons, but a Targaryen, who was coming to save the North instead of abandoning them to their plight and, contrary to popular belief, could in fact be trusted. The North Remembers, and it is this that Jon hopes the North will remember once the Walkers have been defeated, that Daenerys is not her father. So, in short, Jon is not playing Dany for Northern independence because it's frankly ridiculous and the alternative (he feels she's a worthy ruler) makes much more sense in this case.
Jon is playing Dany for Sansa's sake, either because he took her advice about not making mistakes seriously or he's deeply in love with her.
This is a very shipper reason, as canonically there has been no love shown from either of them, but I would have still accepted this reason if they hadn't already made it crystal clear that Jon and Sansa don't agree politically. They both have different views regarding politics, and while Jon does ask her for her opinions, he does what he believes he should do anyway. Also, while Sansa has a more grounded worldview which takes into account people's feelings and motivations - rewarding those true to you for their loyalty (Karstarks and Umbers), taking Cersei more seriously, not abandoning the North and literally everything else, Jon's are more idealistic and based on his strong moral code of 'honor' - not taking the castles away from the Karstarks and Umbers, choosing to believe in Tyrion, putting his own life on the line to save his people (by going to Dragonstone). Jon has been consistently portrayed, all throughout this season, as valuing honor above everything - a very strong Ned Stark trait tbh - and not taking Sansa's advice as seriously as he should (which is what she notices as well, and it upsets her). So with this set-up, believing that he is actually playing Dany because of what Sansa has told him is, quite frankly, a stretch, because there is no narrative indication which would make us believe that. This would also explain Sansa's reaction to learning he had bent the knee, she's resigned to it because she knows that though Jon loves and respects her, he still does what he thinks is the right thing to do. Also, Sansa doesn't berate him for doing what he did in the way she would have had she believed he had been repeating Ned's and Robb's mistakes - - > she doesn't believe he's making those mistakes ie bending the knee to Dany is not disastrous (as the antis would have you believe). Sansa is upset because Jon clearly didn't consider asking Sansa's opinion about a very important political decision, and she's upset because she knows that the Northern Lords will not accept this easily, but she doesn't react as if it's the worst thing in the world ever, nor does she act thoughtful, which would have indicated that all is not as it seems. In short, Sansa's reaction is very much expected under the circumstances, which are that Jon doesn't take her as seriously as he should. And given this, it seems unlikely to imagine that he's in cahoots with Sansa and they're taking down the Dragon Queen together (together! 😂)
Every reason for Jon playing Dany would have worked if the narrative had given some sort of suggestion about a possible motive, some indication of Jon treating Sansa's advice seriously, or made Jon give up the North before she pledged to fight the Walkers. And the nail in the coffin for the 'undercover lover' theory was the Dragonpit scene. Nothing would have cast stronger doubts on whether Jon truly loves Dany or not, than him accepting the truce. Despite it being the smart political move, it would have also raised a tiny red flag regarding Jon's true intentions, in my mind at least. Jon basically had nothing to lose by accepting the truce, nothing except for his honor. And that made him refuse! It wasn't just him making a public proclamation that he loves Dany (although it sorta was 😂), it was him being faced with a choice to sacrifice his honor, his word, to get what he wanted, it was him being asked to choose whether he truly was his father's son, it was him being expected by the one who knew the truth to do the dishonourable thing for the greater good. He could have lied and supported Dany later, he could simply have walked away from the battles to come because they didn't directly concern him and his people and let Dany fend for herself. But would it have been the honorable thing to do? Smarter, yes. Wiser, yes. More beneficial to his own people, yes. But honorable? After taking Dany's help to defeat the White Walkers, which let's be honest, are a far greater threat to the North than anywhere else, after taking her armies and dragons to save his home and then turning his back on her when Cersei came at her with fresh forces would have been as far from honor as possible. If Jon has indeed been playing Dany all along, then he should have accepted Cersei's offer - which would not only have placated the Northern Lords later, but would also have served as a potential hint of him playing Dany. But in keeping with the characteristic theme of this season, Jon chooses honor over the alternative more politically savvy choice. He upset everybody, even Dany, with this choice when he could have gone with the easier one, which would have ensured everyone - those at the Dragonpit as well as the Northern lords - would have been happy with the outcome. Everyone would have gotten what they wanted, and the subsequent - if any - reveal of Jon having played Dany all along would have made much more sense to the audience.
But Jon did not make the easy choice. The deliberate inclusion of this scene was only to portray that even when the choice is tough, Jon would choose honor. This is his character, his identity. Also, the callbacks to Ned Stark, aside from foreshadowing that when the time comes to choose, Jon would most likely choose his Stark heritage, remind us that Ned Stark valued honor above all, and the only times he sacrificed it was over love - love for his sister and love for his daughters, which caused him to abandon his honor for their survival. So for Ned Stark's son to betray a woman who trusts, loves, respects and admires him, a woman who's had the same struggles in life as he himself has, a woman who is willing to set aside her own personal goals to help him destroy the threat to his home, for him to betray a woman who has already given him everything he wanted, is actually a betrayal of Ned Stark's legacy and everything he stood for. By going so far as to blatantly lie in Ned Stark's name, Jon would have, in one stroke, destroyed everything that Ned Stark inculcated and symbolised, given what we already know about him having no motive at all for the undercover lover angle. So the callback to Ned was very necessary in highlighting that Jon is truly Ned's son, and throwing away his honor without an ironclad reason is not his character. It's simply not.
Also, this scene was very important because it very starkly set up the contrast between Jon (and even Dany) and Cersei. Remember how all of us were totally skeptical about believing Cersei at all in the first place? Even after the convincing reason of her wanting to protect her to-be-born child, it still was hard to believe that she would actually help them. And why was that?
'When enough people make false promises words stop meaning anything. Then there are no more answers, only better and better lies.'
As the audience, we now know not to trust Cersei. Even when she's being completely sincere, it's hard to trust her because her words have long since stopped meaning anything to us, she's not someone who's promises we'll ever trust, because as Jon said, they are only better and more elaborate lies. And lies won't help us in this fight. So Jon not lying is very important to show us this difference, of how we basically trust Jon's promises and how cautious we are when it comes to Cersei. And as if that's not enough, Cersei's scene with Jaime lays it all completely out, when Jaime is do adamant about sticking to his promise and is struggling to understand how Cersei could have lied to them.
Cersei: I'll say whatever I need to say to ensure the survival of our house
To Cersei, the priority is only her house, her family, to the point that she can't even acknowledge the enormity of the Northern threat. She's focused on ensuring her family's survival, everyone else be damned. And that is categorically shown as an evil thing. Saying whatever is needed to be said, making false promises, basically everything that the Jonsa fans expect from Jon is clearly and emphatically shown to be evil, to be wrong. The whole purpose of the Dragonpit scene is to bring out this contrast between Jon and Cersei - Cersei doesn't care about futile things such as honor and promises when the question is about her own family's survival, Jon however not only cares about the realm, as a whole, but he also highly values honor and takes his promises seriously. We even have Jaime Lannister (my cute nugget 💖) walk away from Cersei, whom he loves above and beyond all, because of his honor. If, after all this, Jon is shown to not have any honor at all, then...
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