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#my toxic queer representation <3
erraticcat · 2 years
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im doing it for the bit. right? this is just for the bit.
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juneviews · 2 months
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the fucking hypocrisy that gl fans have tho, when geminifourth got announced to be in 23.5 everyone and their fcking mother was hating on them, tagging them to get out of the show and calling them ugly and shit like that, and now that there is gonna be a bl side pair everyone suddenly silent and like nothing happened, side eye.
I mean... I didn't see this unfurl so I won't comment much on it & of course no one deserves this kind of hate at all, but I'm gonna be honest... I can see where the root of it is coming. we've waited literal YEARS to get gl shows, and they're still like 1% of what bl shows are. especially since geminifourth went from unknown to huge in between the announcement of the show & its start of production, I understand milklove & gl fans who were worried they would steal their thunder when we all know pretty much ONLY male actors at gmmtv get any type of attention. the difference with the nawintinh side ship is HUGE imo tho. firstly they're not even the secondary ship, they're the third one after aylinluna so there's a lot less chance of stealing any thunder, and, as I've mentioned in my text posts on the topic, nawin being a queer plus size person getting a love storyline is literally REVOLUTIONARY. yes, the bar is low, but that's what us fat people have to beg for. you do not realize how much since nawin got his ep 3 storyline I've been thinking about him, I finally feel represented in a thai drama. so I understand people cheering this bl side ship more than the first one, and I think the situations are wildly different. however I don't think generalizing all gl fans as bullies like you did in your ask is right, I would've been happy with geminifourth as a side ship but I'm happier with juneview & euroford as side ships bc they're more pressing representation imo. the vocal minority of haters will always be the loudest, but thinking the ENTIRE 23.5 fandom bullied geminifourth & are hypocrites is a bit insane to me, as if bl fans aren't even more toxic (I would know, I've been in both fandoms lol...)
xxx
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starlight-bread-blog · 4 months
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Why Lokius Should Have Been Canon
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This is a sort of combo of two metas that didn't quite get point my across. Some parts will be copied directly, but there's a lot of original content. I will discuss the ship between Loki and Mobius, their place in the show, and the MCU at large. My focus for this meta won't be parallels or motifs, because these things border on well-written friendships. But there will be some of that.
Romance in the MCU
There are a lot of straight couples in the MCU. (Almost) Every main hero is in some heterosexual relationship, Loki included.
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(That's not all, not remotely).
But in the LGBTQ+ department... uh.. I think it was mentioned that Valkyrie had a girlfriend... uh... America Chavez had a pride pin... and Loki:
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One line. Queer experiences are never a focal point of a show/movie the same way heterosexual experiences are. And that needs to change.
Romance In the Show
Wrong, toxic, or unsuccessfu romantic love is a recurring theme in the show.
Sylki
Sylki was an icky relationship right off the bat. They are the same person. I can't find the post at the moment, but someone has pointed out in their post that them being the same person is referenced in every episode in season 1 (edit: here it is), which is when the romance took place. This made their romance uncomfortable for many viewers.
(Some consider Sylki a toxic relationship, but for this post, the topic is too large to handle with the nuance I'd like to handle it with).
When he's drunk, Loki compares love to a dagger, stating that it hurts you, but when you try to find strength in it, it's not real.
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Which is exactly what happens. Sylvie pushes Loki into a portal and they never get back together.
The Love Triangle
In 02×03, Ravonna Renslayer is infatuated with Victor Timely, but he leaves her behind and betrays her when Miss Minutes told him to. One episode later, we discover that they were indeed an item, and established the TVA together. He Who Remains deleted her memories and they never rekindle their love.
Later in the episode, is the best example of "wrong" romance in the show. Miss Minutes, the AI clock, confesses her love to Viktor Timely. He, obviously, freaks out and shuts her off. Nothing ever comes of this.
Brad and Dox
This one is small, but a big indication to romance being a theme. In 02×01, we're shown this:
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The gap in the age of the actors is uncomfortable, and a character in universe has this reaction to it. It is never mentioned again.
So what does all of this leave us with? Not much. None of this properly ties to the finale, or anything really. If I were to write the show I would cut a lot of this out, since it serves no purpose. But it does make you keep romance and its shortcomings in mind. The writers want it to be there, in the back of your head.
Loki and Mobius
Finally! I got to talk about them. The two people in question. First things first, who are they, together? They became really supportive, close friends.
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Fans even drew parallels to Chaos & Order, which is a very important theme in Loki. But I'm not here to unpack them. These things don't necessarily make them in love. So what does make them in love? I'll present you my evidence, and you ask yourself,
Would it be valid to suggest romantic implications if a man and a women are:
1) Extremely thouchy with each other.
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2) Riding on a tandem bike together.
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3) Willing to suffer a fate worst than death for another.
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4) Falling on each other after that^
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5) Literally the Interrupted Declaration of Love trope. (Ex)
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6) Being framed in a circle.
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7) Waiting & giving permission to attack.
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8) Fixing themselvs before seeing the other.
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Of course yes. Maybe you think some of these are a strech, but ultimately, people would point out romantic connotations across the board. And I'm here, pointing them out right now. Some scenes between Loki and Mobius have romantic implications.
Conclusion
Loki is a queer protagonist in the MCU, a universe that lacks representation of queer experiences. His show constantlty reminded us of romance, sometimes for seemigly no reason. In the second season, they wrote him and his best friend with romantic implications. And then, nothing. It should not have been nothing. Lokius should have been canon.
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ijustthinkhesneat · 7 months
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I am about to be so real.
I fucking hate DC comics.
Like have they given us Dick Graysons butt? Yes. Jason Todd’s thunder thighs? Yes. Damian being teeny tiny? Yes. Tim being a bi gremlin? Yes.
But you know the fuck what. I simply cannot get over their aversion to men having problems and like dealing with it in a healthy way. Why is modern Bruce literally the worst person ever?
And I don’t mean in WFA or fanfic or cute little cartoons. Why in the Batman Comic series is Bruce one of the worst people ever? Bruce “I care about kids who were hurt like me and want to try and give them a better life” Wayne has fully morphed into Bruce “Teehee I beat my children and blame them when sociopaths that I enable hurt them” Wayne.
Like literally fuck off. It’s not even just that. The whole Red Robin arc when Dick is just “wow my brother is having a really hard time. I’m gonna call him crazy, take away the thing that’s been helping him to stabilize and give it to someone who tried to kill him multiple times and is consistently verbally abusive towards him. That will be really good for him.”
Literally what the fuck. Don’t even get me started about tarantula or Damian dying or any interaction between Bruce and Jason.
Like I’m just so fucking tired of this company peddling media about how it’s normal and right to forgive people who habitually abuse you. How it normalizes unsafe and unstable relationships between men.
And a huge part of this is because they just write this shit for shock value. Like what horrible thing can we run these characters through and never talk about ever again just so people will talk about it. Remember that like 3 comic long shit show of Dick getting brainwashed by the fucking Joker? Like it’s literally Dick beating the shit out of his brothers and being like I don’t know you and I don’t care and then it’s just like haha back to normal everything is great now.
I fucking hate it. It’s bad writing, it’s an irresponsible narrative about how trauma effects men and I’m just tired.
I really do like the fandom too. I think DC fans have created a lot of safe spaces for queer people, people of color and people with disabilities. But so much of what the fandom runs on is just so far from canon. I know tons of people irl who have never read a release post new 52. And I know some people who have never read a DC comic period cause they saw a glimpse of the toxic waste in there and noped out.
Like I know I’m just some guy on the internet but seriously if your canon comic material is so bad that a very large portion of you fanbase feel they can’t read it or would rather write there own story that just completely changed your characters you need to take a long look at what you are producing. Dick maybe being bi in Gotham Knights is cool. The rep for a character that has been coded as queer for a very long time is cool. But representation is in fact second to writing a good story and having good characters and DC is failing spectacularly at both right now.
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Jamie Tiergan x Erin Keenan (Jerin) 1. my beloveds okay, i was in pleasant shock when saw a "young love" plot line (i didn't know anything about TDiM when i started it so didn't expect to get lesbians) 2. Jamie and Erin already have such a wonderful dynamic to begin with, having bounced around each other before taking the leap after enough flustering and teasing. They care so deeply for each other, and one losing the other is beyond heartbreaking. Erin even admits how much she doesn't want to lose Jamie, which makes my heart scream and yell and cry and oh my god 3. They're sweet, they're cute, they're canon! Supermassive finally gave us an official queer couple that can get together and Jerin deserves some recognition for that. <3 4. I mean, its Jerin! They're relationship is so cute and interesting even if they don't get together, its so clear when they don't they still very much love and adore each other and have so much more to say. And when they ARE together they are just so cute and gentle to each other. The perfect couple <3 (also they are a very rare non-white biracial lesbian couple that aren't toxic or weird so the representation they hold is just <3) Laura Kearney x Max Brinly 1. Binky bonky 2. Laura is so protective about Max, just best gf ever 3. I think Laura's main motivation throughout the majority of the game being to break the curse on her boyfriend is SO good. The devotion here is so real. I love their silly old person pet names. Max wearing his girlfriend's clothes is also great. The scene where they reunite is SO good. This one's probably my favorite canon Supermassive ship I just completely buy that these two care about each other, want the best for each other, and enjoy each others' company.
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I wanted to throw in my opinion on the Trans MC if you want it! Option 3 would be a lot of extra writing and coding, so I get that it wouldn't be a decision made lightly and it would be added pressure to get it right and it's a sensitive topic for sure. I will say that if you chose to go this route tho, it would make a huge difference and mean a lot to us. I'm a trans athlete, and the lack of representation can be really discouraging. It's time like these where we are receiving so much hate, especially when it comes to sports, that allies could really step up and make a difference. Reading can really open people's minds! It may be difficult and uncomfortable, and take extra work, but that's our everyday tbh. We out here living on hard mode 😂 that's just my thoughts on the matter but I will respect you and read your story either way. Much love 🏳️‍⚧️♥️
Hey! Thank you so much for sending this! This gets long, forgive my wordiness.
First off, I really feel your statement to the bone, the part about how allies could step up and make a difference, and how positive rep in media, games etc. is insanely important.
So many stories, TV shows, movies have shaped my experience of being queer and POC, and while some of them have been nice just so I could see someone like myself being represented, the ones that really made an impact are of course the ones where these identities were explored in a sensitive, thoughtful way. (When I watched Saving Face for the first time at 17, about a queer Chinese American doctor, I bawled my eyes out and dont think I've been the same since).
I would absolutely love if CT:OS/my IFs could do this for trans athletes too.
I've seen/heard so many worrying statements about trans athletes (both in real life and in the media)—and it makes me so sad.
Some that really get me really riled up are: The idea that a trans athlete's accomplishments mean nothing because they "have an unfair advantage" (or putting it down to "just hormones" or whatever instead of recognizing the hardwork, skill, and dedication behind EVERY successul athlete, trans or not). Or the idea that trans athletes shouldn't get to choose to be trans if they want to be athletes. Or the idea of policing trans athletes' bodies or forcing them to undergo surgery in order for them to be "valid"...
Well, FUCK THAT. FUCK those people.
If my IF can help celebrate trans athletes, and combat/shut down the really harmful (and ignorant) rhetoric out there? I'd love to do that.
But since I am not trans myself, it feels doubly, triply important that I wade really carefully here. I'd really need to spend time making sure I like and can stand behind what I'm putting out. I don't think it'd be responsible representation, otherwise!
I'm not really a perfectionist about my writing and that's how I make progress on my IFs while working a full time job. I'm more the... "slap shit tgt, get it out there, get feedback and edit if I feel like it" kind of writer. And I don't think I'd be able to finish CT:OS / Merry Crisis any other way. But when it comes to race, gender, and sexual identity? I really. Really. Wanna get things right.
(I rewrote that Rayyan convo about being a POC athlete with Deepal so many times haha and it was already marginally less scary, since I am a POC athlete.)
I guess what I'm trying to say is, I agree it's so goddamn important to have trans stories, and rep, especially in sports, where views are often so toxic and polarized.
But I don't think I know yet whether I see my IF being more a simple "yay, trans rep" kind of space or an actual deeper exploration of what it means to be a trans athlete. I was quite prepared to add the option to be trans (+ any accompanying scenes etc.) when I have the complete CT:OS 1st draft, but I was also toying with the idea of just putting something imperfect into the game earlier.
Faced with indecision, I've opted for: procrastination. I am still waffling, but it was helpful to hear what you guys think. Thank you so much for your message.
Lots of love, keep being awesome ❤️
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kotias · 10 months
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Good Omens season 2 is a coming out fable.
Especially when you consider that all the relationships we see are queer:
- Aziraphale and Crowley
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- Maggie and Nina
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- Gabriel and Beelzebub
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- the two punks in the graveyard with the phone only having Twitter and Grindr
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- the shopkeeper and his spouse
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Both Crowley and Aziraphale got recently liberated from Hell and Heaven respectively, from any responsibility towards them, and even from hiding their relationship, because both sides know by now, and tried (and failed) to punish them for it.
We have the two "young adults" who just left their toxic families and can finally taste the freedom of being themselves and together. One immediately embraces it, and goes fullblown DRAMATIC GAY about it (Crowley of course), while the other is still sheltered and shy and has had the family's sayings drilled so deeply in him that even considering whatever is happening would feel an impossible step for him (Aziraphale)
And then... two other gays in a similar situation (angel x demon) appear (Gabriel and Beelzebub, making a representation for our angel of "oh my goodness, that was an option???"
But, because it's such new information, that he has literally no time to take in because The Metatron pops in right after to shut that down real quick, he can't give his own angry little snake husband what he WISHES he could give him.
I’m not good on analysing queer representation in media, but this really feels like a love story to the community and a representation of their struggles to truly find themselves.
In this season, while Gabriel and Beelzebub were the fullblown representation that our little gay immortal beings needed, Maggie and Nina are the “experienced” people of the community, helping the little sheltered boys out of their shells, practically giving Crowley an instruction manual that he tries really hard to follow.
But it doesn’t work... does it?
Because, one of the issues that one can face is: family clawing their way back into your brain, and destroying everything you’ve worked on to heal from their influence.
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The Metatron is walzing into Aziraphale’s life, offering a warm coffee and a fawning voice, while at the same time staring daggers at Crowley who is just sprawling in his favourite chair, and bringing the angel outside for The Talk.
This feels like a family member who “doesn’t understand why you’ve changed so much my dear, it must be the influence of this darn friend of yours”, but instead of saying that... he goes in more slyly, offering Aziraphale something that cannot be refused: an esteemed place in a “family” who he never truly felt a part of. But Metatron knows, he knows very well that Crowley would never accept going back to Heaven. He knows that he’s given Aziraphale too much hope to abandon that dream of being accepted by his “family”.
This series is so good, I’m being so emotional right now.
So thank you @neil-gaiman​
Given what I wrote here, I am therefore expecting Aziraphale to wear that FABULOUS coat that Gabriel found in his closet (HUMHUM YES YES GABRIEL FINDING CLOSETED GAY CLOTHES) in season 3, when he is ready for the coming out dance of the millenium.
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Crowley deserves at least that as an apology (not that he needs to forgive anything to Aziraphale, the second he sees him he’ll have forgiven everything, but he still wants that dance in a dramatic coat).
And I also expect their next kiss to literally rewrite the world after it was brought to destruction by the Second Coming.
Because if their joint “tiniest miracle we can do, so that even Heaven can’t pick up on it, we’re so stealthy” ended up conjuring a power that could raise 25 people back from the dead, I cannot be told that their real kiss, and their putting their all in a joint miracle, wouldn’t reboot the universe.
And I think that’s exactly why Metatron is trying to separate them: as angels from creation (since demons are former angels), they weren’t supposed to love one another, and angelic love could be incredibly dangerous to the “Ineffable Plan”, if it indeed has the ability to rewrite everything.
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vole-mon-amour · 1 year
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3x10, a mix of everything, part 1
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didn't expect it to happen that fast but HELL YEAH. there's nothing for Nathan to do next to Rupert. Rupert keeps switching his lovers like socks while his wife is still at home with their daughter. come on!! villain arc for Bex and Rebecca when? when is Rupert gonna get killed die and leave Bex all the money??? and then Bex and Rebecca become best friends and raise a daughter together?
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Trent being the heart of the team? do you remember how it all started and how wary everyone was of him? do you? it warms my heart, but it warms it twice bc of the clear bond we see between Colin and Trent. like, older queer with younger queer, helping each other out and bonding. their friendship does things to me tbh. it's so very important and intimate and—
in other words, representation matters.
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yaaay! also, Trent <3333 again, this warms my heart.
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sometimes I really have no idea what this season is doing. i miss them being a dramedy, not a full on sitcom. i'm enjoying this season, but sometimes it's borderline too much. it's out of nowhere and it's not necessary at all.
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besties unlocked <3 Trent is such a sunshine, I love him. the way he and Ted share a raised eyebrows look. there is something so wonderful happening between Ted and Trent from the moment they met. it's like they're connected and are being drawn to each other.
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girl talk, especially when it involves middle aged men <3 Rebecca as their leader is really something. i love it.
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I think Rebecca is being mean to the actual devil. also, why do iphone users love their matte screen cover? why not the regular one?
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Trent is so in love with Ted, my goodness. that cute smile. Ted is so freaking oblivious, I need the show to do something about it. i need Ted to learn Trent is in love with him.
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this is such a nice shot. something something, the idea of press taking pics of Nate's gf leaving. which at first I thought was kind of nice, but then she leaves with a suitcase and it looks like a breakup of some sort, so not that nice. hm. still, the shot is pretty.
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this is such a nice look & I like her hair a lot, but my GOD, how do people wear those minies? it's beyond good and evil for me. shorts i can kinda understand, but skirts? that's... yeah, no.
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there you go Jack's "me and Keeley are dating" without asking Keeley first if she wants to announce it and then Jack totally ghosting Keeley. *frustrated high pitched growl* I hate that plotline. if it's their way to push Keeley back towards Roy bc she will no longer be that busy so Roy can't come up with that excuse again, that's a very shitty thing to do. so far I don't see the bigger picture of this. they've been messing up Keeley's storyline this season just like that.
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"the board" oh, fuck you, Jack. (in Grace Le Domas' voice) fucking rich people.
Dani crushing Van Damme's chips is such a dick move, ESPECIALLY since you're trashing the airplane!! you're not the one who's gonna have to clean it up, you asshole.
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can somebody connect this parallel for me pls? it's just within my reach but it slips away.
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sooo, Beard isn't getting out of a toxic relationship? gotta say, this plotline concerns me. idk where they're going with it and WHY in the first place. Beard deserves better & Jane needs some serious therapy.
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#fired immediately
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I'm here for Rebecca standing up for herself against Rupert. I hate that asshole so much.
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I don't remember, have we seen Roy's sister before? it's so rare.
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go fuck yourself. yes, i'm quick to jump to conclusions and violence.
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Leslie is NOT having a good tea time this season. let him enjoy his tea 2k23! however, the fact that he knows every friend Rebecca has. some friendship between him and Rebecca developed along the way since s1.
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houkagokappa · 3 months
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More Yuri, More Manga
It's been a year since I embarked on my journey to read more yuri manga and it's time for a second update!
After all the yuri manga I read for my previous post, I set my eyes on josei and came to the conclusion that josei that either focuses on wlw or contains wlw relationships, is the best kind of manga there is. I read a lot of josei, and as for works that were also yuri, I read Love My Life, Indigo Blue and Free Soul by Yamaji Ebine, based on a recommendation from @theurbanfuturesoftherecentpast (thank you!!!). Yamaji Ebine has a neat minimalist style and she writes messy complex characters. All her manga had a realistic feel to them, which I enjoyed.
I explored other queer works and stumbled upon Yuri to Koe to Kaze Matoi by Renjouji Mei, which is a yuri manga focused on two asexual women and their relationship. Once again, I found the characters highly relatable and realistic. It's nice to see some asexual representation, but at the same time, I wouldn't have minded more development between them, although that might be on me and the expectations I have when I pick up a new yuri title, that unfortunately didn't fit this manga or topic. Both characters were ace, but the protagonist felt romantic attraction whereas her crush didn't. While they got a happy ending, I didn't feel fully satisfied, and would've liked if the manga had explored the partially unresolved feelings more, mostly due to personal reasons, even if the conclusion would've been the same (which it probably would've).
Back to some high school yuri, I finished Omoi no Kakera by Takemiya Jin, which I actually started reading early last year. It's another manga that's relatable to me, as it portrays characters with different sexualities, who befriend each other due to the shared experience of being young, closeted queer people. We got wlw/mlm solidarity, and characters who are more secure with their sexualities looking over those who are still trying to figure theirs out. The interactions and communities reminded me of the queer youth group I used to be part of :') In addition to that, I liked the portrayal of different kinds of attraction, and how the focus was on the life of a queer person, rather than a specific romance they experienced, since there's indeed more to being queer than some singular love story. Out of all the manga on this list, this is one of my top recommendations, and at some point I should check out Takemiya's other works. She's out as a lesbian, and you can tell she writes based on lived queer experiences.
One day when I didn't have anything else to read, I picked up Luminous=Blue by Iwami Kyoko (same author as Kyou wa Kanojo ga Inai kara). It had the same beautiful artstyle as Kyou wa Kanojo ga Inai kara, was slightly less toxic, but equally messy when it came to the relationships. Luminous=Blue is about a transfer student who loves photography. She starts taking photos of her two new classmates, who unbeknownst to her used to go out with each other, and still harbour some lingering feelings towards each other. I was a fan of the different relationship dynamics and happy with the direction the manga and the relationships took, although the last pages included a twist which felt a little out of place. It's a shame, because if it had been given more time, it could've been a very interesting and welcome development, and I'm curious if Kyou wa Kanojo ga Inai kara will go in a similar direction, since it has the prerequisites for it.
I also read Toumei na Usui Mizuiro ni by the same author, which had an interesting premise of a girl with a crush on her female childhood friend, who was dating their other, male childhood friend. Normally I like this kind of setting with love triangles that include both straight and queer relationships, but since this was only 3 chapters long, the characters and their dynamics weren't established enough for the story to feel as cohesive and satisfying as it could've. At least the art was gorgeous once again, and I enjoyed the messy relationships. The volume contained two one shots as well, which I think were kinda fun, but I cannot remember that well anymore.
Next up, I read Moonlight Flowers by Tsukumo Mutsumi, based on a personal recommendation from someone who has since escaped tumblr. It's one of the older yuri works there are, as it was written in 1989. It's only one volume long and contains two stories about women who are pressured to marry men, and end up in miserable marriages, until they decide to leave their husbands to be with the women they love. It has a strong feminist message and I've seen a lot of people praise it online, but I wasn't too fond of it. I couldn't quite connect with the characters, and because of that, I didn't particularly enjoy reading about women lacking rights, or homosexuality not being socially accepted. However, I can see how others might be able to feel inspired or empowered reading about characters who overcome the obstacles in their way. It was also quite dramatic, but I will always be in favour of that (even when it's ridiculous, like it was here).
I continued with Sakura no Sono by Yoshida Akimi, which was another recommendation from the same person. It's another old manga, first published in 1985, about the romances of four girls in a drama club of an all girls high school. I found Yoshida's style charming, but it's not among my personal favourites. Some characters looked quite similar and were hard to distinguish. It was disappointing to realise that only one chapter focused on a girl crushing on another girl, while the other romances and the majority of the manga were about straight characters/relationships. If I would've known that from the start, I could've adjusted my expectations accordingly, which is a shame, because now I'm mostly disappointed by the lack of yuri, and it's harder for me to appreciate the work as a whole. It was decent, but quite forgettable.
Then I completed Watashi no Muchi na Watashi no Michi by Momono Moto (same author as Yuunagi Marbled and Kimi Koi Limit from my previous post). I first started reading it 5 years ago, but didn't finish it due to the scanlation taking its sweet time. Now I read it from start to finish. It's about a woman in her early 20's, who's spent all her life pleasing others, and is on the path to marry a male childhood friend of hers, simply out of duty to him and her mom, before her female coworker steps in and swoops her away. The manga takes a weird turn after that, as it turns out the coworker might've had some ulterior motives getting close to our protagonist, but it's interesting, until a somewhat abrupt ending. It was nice to read about a young adult who never cared for romance until she fell in love with her coworker, and for once I didn't even mind the plot point where she was about to marry a man, since it made sense for them and he wasn't overly vilified for how he reacted to her rejection or the reveal of her relationship with another woman (not that it was great either). The art was nice and I liked all the characters. It wasn't anything groundbreaking, but it was a fun read.
Another recommendation from @theurbanfuturesoftherecentpast was Maka-Maka by Kishi Torajiro, an adult manga about the close relationship between two best friends, Jun and Nene. The manga is two volumes long with short chapters in full colour, which required some adjustment from me as I'm usually only reading manga in black and white. It didn't feel like any other yuri I've read, in a good way! My absolute favourite part was how comfortable Jun and Nene were with each other, with a strong mental connection, and frequent, casual sexual encounters. Their relationship felt real and I loved how they kept smiling throughout the sex scenes, which made for an interesting combination of wholesome and horny. I highly recommend this manga, as I'm still thinking about it months later...
Next up, I read Watashi no Sekai wo Kousei suru Chiri no You na Nani ka. by Amano Shuninta. It's about seven university students and their ever changing relationships. Once again, the protagonist was a whole mood as she complained about all her friends having boyfriends which she hated, having a very relatable crush on one of said friends, before getting to live the fantasy of ending up with her. I looooved the inclusion of a toxic lesbian (and her toxic lesbian clique) who would sleep around and toy with others, letting lesbians be flawed people too, but also having wholesome and genuinely good people in the cast, as a counterbalance and showcase of the whole spectrum of different people with different views on love and sex (especially fitting for the university age/setting). There were happy times, but also angst and heartbreak, and bittersweet love, between women who truly cared for each other, but weren't suitable for each other as they had different needs when it came to their relationship and sex life. At first it was a little challenging to keep track of seven different characters, but by the end of it I really enjoyed the various relationship dynamics and the somewhat unlikely friendships that formed between them.
I also read Sweet Guilty Love Bites by Amano Shuninta, which consisted of three short stories about four cabaret girls. The first story was about one of the cabaret girls taking in a random woman she came across, which I didn't care for that much. The second story was about a single mother who unknown to her, hooked up with her child's kindergarten teacher. First she freaked out, thinking she'd be judged for her profession, but the kindergarten teacher was chill and only looking to date her. It was very sweet to see them take care of the child together. I also loved the third story about two cabaret girls who were best friends and roommates, with one of them being very vocal about her love towards women and other cabaret girls, which is a trait I always appreciate. Seeing her pining for her friend/roommate/coworker was great, and precisely the kind of stuff I love! Amano has a lot more in her library and after enjoying these two manga, I think the rest are worth checking out as well. I especially like how her characters are allowed to be horny, but there’s more to her manga than just sex.
Then I picked up Kimi to Shiranai Natsu ni Naru by Keyyan, thanks to the premise which sounded relatable. It’s about two women who are at the end of their university studies and looking for work in Tokyo, facing rejection after rejection. They’ve had enough of it and decide to run away from all the expectations and responsibilities to a small island. First of all, what a mood. Second, I really liked the art, especially the character expressions, and how well their excitement was conveyed. The island setting was also A+, and I loved the portrayal of young adults who were in an established relationship, with no uncertainty or drama about the same-sex relationship itself. They were devoted to each other, and the reason both of them wanted to work hard, so they could provide for one another. Besides that, my feelings towards this manga went back and forth quite a lot. First I enjoyed the escapism, but then I had to take a break because it became too idealised with conveniences you can't count on in real life. Once I picked it back up again, I realised that the story actually does stick to reality, when the characters start to worry about money and finding permanent work on the island. While I was happy with that development, it backfired as I was reading this while I was away from home myself, and anxious about my own future in regards to my education and employment, so reading about their struggles felt a bit too real and stressful. Unfortunately, it seems like the series got axed, because the ending was sudden and can be interpreted in two opposing ways, one depressing, one hopeful, and neither fits the story I can only assume the series wanted to tell. It's still a manga worth reading, but maybe in the right mindset.
Although I try to stay away from ongoing works, Dore ga Koi ka ga Wakaranai by Oku Tamamushi seemed fun, so I couldn't help but check it out. It’s about a girl who is unable to confess to her high school crush of 3 years, and starts university determined to find a girlfriend. And oh boy does she find potential girlfriends! She instantly meets and falls for five different women, who also become enamoured with her. What follows is a bunch of flirting, some deliberate, some accidental. The catch is, she doesn't know which one to pursue seriously. The tone is lighthearted and comedic, and the series is best described by the tagline to one of the chapters as "an endless conveyor belt of yuri encounters". I like all the girls, the girls and their embarrassed or flustered expressions are very cute, and instead of the setting falling apart with five people never confessing or trying to seriously pursue the main girl, some do, while others have believable reasons to hold back. The pace is quick enough for any interruptions or miscommunications to not feel aggravating, with several encounters each chapter. I'm curious to see how the manga will continue and potentially end, with some ships seeming more likely than others, since there has been some actual development! I'll also throw it out there, that this manga is a good example of why dark haired girl/light haired girl is an established pairing, since the main pursuer at the moment has light hair and bangs like the protagonist, and it can be a little difficult to tell them apart from some panels or angles.
Another ongoing work I began reading because it ticked the right boxes for me was Sukeban to Tenkousei by Fujichika. As the name suggests, it’s about the somewhat unlikely relationship between a delinquent girl and a sweet transfer student. The manga is set in the Showa era in the 80s and has very charming art. I thought it would be pretty lighthearted and fun, opposites attract type of story, but then one of the characters saw how romantic love was defined as feelings towards the opposite sex, heartbroken by the fact there wasn't a name for her feelings, and I was in tears thinking of anyone who's ever felt that pain. Otherwise, it's mostly a comedy and a fun, easy read, with not that many chapters out yet.
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Finally, reaching the anniversary of my year long yuri journey, I finished reading the manga adaptation of Murasakiiro no Qualia, by Ueo Hisamitsu and Tsunashima Shirou. It's a sci-fi series with psychological and mystery elements, about Yukari, a girl with purple eyes who sees humans as robots, and Gaku, the protagonist who befriends her. There are a lot of twists and turns to the story, and it gets gory and dark, as Yukari uses her abilities to help the police solve murder cases and later gets involved with a secret organisation. It's also very philosophical and a bit difficult/slow to read at times, when characters get surprisingly deep into quantum mechanics. I liked the narration a lot, because there's a lot of repetition and Gaku, who's telling the story, jumps back and forth on the timeline, giving the reader more context and insights each time. I was also a huge fan of the character development she went through, starting to exhibit truly unhinged behavior to a level that's hard to find elsewhere, but also oddly reminiscent of Madoka Magica? The ending was satisfying, and it was cool to see it circle back to the beginning. I didn't know anything about this manga beforehand and after a curious start, it kept getting better and better. I originally found out about it in the tags of a tumblr post complaining about variety in yuri, so this is me giving back to the community and passing on the recommendation.
...That was a lot more yuri to add to the library, and there are still so many different works I look forward to reading! I don't know if I'll continue documenting my journey, as I'm probably going to slow down on the yuri a bit, but who knows if the bug bites me again and I won't read anything else for months on end! Again, thank you for reading through all this, I hope you're inspired to read some yuri yourself, and if you have any recommendations I'm always happy to hear them!
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ninadove · 5 months
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feligami and chlolila!!!!!
Great choices, Noctie. You know me well.
Chlolila ✅
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1. What made you ship it?
Let’s be honest. This is not a ship you get into because it’s cute, or because you hope for a happy ending. And I’m not exactly known for my appreciation of Toxic Yet Fascinating Dynamics ™.
THAT BEING SAID — they are a great plot device. Just like I don’t enjoy whatever Gabeminath had going on, but recognise how it pushed the story forward. So I am likely to write Chlolila in the future (When? Who fucking knows. Certainly not me), as part of a bigger project, purely because the narrative potential is through the roof.
2. What are your favorite things about the ship?
See above! ☝️
3. Is there an unpopular opinion you have on your ship?
Despite everything I stated above — I can totally see how they could have been written as an evil, yet healthy duo. More on that here.
Now that this is done. Let’s move on to serious business, shall we.
Feligami ✅✅✅✅✅✅✅✅✅✅
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1. What made you ship it?
This iconic exchange from the Diamonds’ Dance, which I stumbled upon with exactly zero (0) context a little over a year ago.
Listen. I was so prepared to be annoyed. I, too, was an aro Felix truther. I, like many others, was a Marigami enjoyer before anything else.
ALL OF THAT GOT THROWN OUT THE WINDOW SO FAST WHEN I SAW THESE 20 SECONDS OF INTERACTION.
Everything is there already!!! The instant recognition of someone who has been messed up by life in the same way you were (child abuse, queerness, neurodivergence, you know the drill)! The challenging of each other’s worldview! The softness of her hand in his! Disobedience as an act of devotion!
And upon watching the episode — is there anything more beautiful than this evil genius/desperate kid abandoning the masterplan he dedicated his entire life to, the scheme he threw away all moral considerations for, just to make this pretty and deeply hurt girl he just met happy?
2. What are your favorite things about the ship?
Every. Single. Aspect.
What can I say that I haven’t said before.
They are incredible representation (AH!!!!! See what I did there?) for basically every marginalised group ever.
They are incredibly soft, even though they were created to be perfectly emotionless (Kagami) or perversely cruel (Felix). Not only is their relationship forbidden, their capacity to love itself is an infraction to the blueprints crafted by their parents.
The ease with which they switch moral alignments for each other, which is majorly overlooked on Kagami’s part. More on that in another post on another day.
Felix willingly following her guidance in Representation is the ultimate proof that he has achieved freedom; devotion is meaningless if it is not freely given.
THEY HOLD HANDS SO MUCH. WHEN THEIR AMOKS ARE FUCKING RINGS. IF THAT ISN’T THE ULTIMATE SHOW OF VULNERABILITY AND TRUST I DON’T KNOW WHAT IS.
And much more. I am slightly drunk right now, so I’m probably forgetting a lot.
3. Is there an unpopular opinion you have on your ship?
Shipping Feligami is controversial in itself, somehow. Let me tell you, many people out there have weird grudges against 14-year-old characters, and absolutely zero reading comprehension. DO NOT READ THE COMMENTS ON BUGGACHAT’S LATEST CHAPTER, Sunny. You would be shocked by how many advocate for violence against our boy.
Other than that, as you said yourself — childfree Feligami for the win. There is no way these queer (!) abuse survivors (!!) who defy any and all societal norms (!!!) would have kids. I rest my case.
Thank you for the ask, Sunny! 🖤☀️
Ask game here.
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neurosiscocktail · 7 months
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Finale Spoilers ahead-
Processing a lot of emotions about the season finale, and I unfortunately just didn’t like a lot of aspects about it. A lot of which is about Izzy’s death, but some of it is about Ed and Stede, and some of it is about the lack of resolution.
Izzy’s death really felt like the “we ‘redeemed’ the antagonist and now we don’t know what to do with his character so we give him a gut wrenching death” troupe. That may not have been the intent, because the writers of this show are great, and because they’re great I really expected someone to say “hey does this feel like we’re writing a troupe that hasn’t been meaningful since 1980” and no one did.
I really don’t feel like Izzy’s death was necessary or even necessarily meaningful. That being said, I’m not really that upset that he died beyond he was my favorite character and that is a bummer and a half. It has more to do with the situation-
1) why do muppet rules apply to everyone but Izzy? Like, yeah the “he’s the only real human in a show full of muppets” joke is funny, but Ed got bludgeoned with a cannonball and he is completely fine. Several members of the crew have survived and recovered from cartoonish injuries, but a gunshot wound takes out Izzy?
2) There was plenty of time in that scene for Izzy to get out of the way. Or take out the prince with him. I don’t really like the take that he didn’t because he was resigned or wanted to die. I feel like it takes away from the episodes we just had of him finding his place in the crew. Maybe that’s what the writers were going for, but it doesn’t sit right with me.
3) his death speech didn’t add much for me. There’s a saying that funerals are for the living, not the dead and in media I think death speeches often reflect that. They’re not usually about the person dying, but instead it’s about giving something to the protagonist. I don’t really think it did that. It felt like Izzy continued to take accountability for both his and Ed’s actions, which doesn’t actually help Ed grow from what happened. The speech pulled at my heart strings and I think I’m a lot of ways that had more to do with Con and Taika being phenomenal actors than it did with the writing itself.
4) his death speech kind of was rendered meaningless and doesn’t really add anything to the story. He uses his dying words to tell Ed that he can move on because he has a new family that loves him and then Ed and Stede stay on shore totally alone, so either Ed didn’t hear him, or what he said doesn’t have any relevance to protagonist decision and again, not my favorite writing choice.
5) Some people have brought up a very good point that if you stick with a popular interpretation of season 1, that Izzy was a representation of Ed’s old life and that the first season was about Ed needing to choose between the relative safety of Izzy- brutal, emotionally devastating Blackbeard or the unknown that is Stede- the chance for love, trying something new, etc, then it makes sense that Izzy had to die for that to happen. For Ed to really move on. However, and don’t get me wrong, I love my toxic codependent pirates, burying Izzy on land and then living on that land doesn’t really feel like letting go to me. It feels like an extension of their codependency
6) budget cuts meant less episodes. Which is a bummer and not the writers fault. However, it kind of felt like instead of cutting things they wanted to include, they tried to speed run a 10 episode season into 8 and the pacing felt very off.
7) I am including what I personally disliked here. Everything above was sort of issues I had with narration and writing, and this point is just kind of complaining about stuff I personally don’t like in writing. I am so tired of watching shows where they kill off queer characters who have a difficult time with self acceptance and opening themself up to love. I see it so often and find it exhausting. The death was painful and on purpose to be painful. His arc didn’t have to end with him dying. No one else’s , except arguably Buttons, did. And that doesn’t mean he NEEDED to live either, but it felt less like “this is what is best for Izzy’s arc” and more like “this will hurt the audience immensely and we want the finale to pack a big emotional punch” and to me that’s just… not a good enough reason. I know a lot of people don’t feel that way, and arguably the point of writing is to make your audience feel something, but it felt like it was there specifically to garner an emotional response, rather than any real necessity to the story. And I think I feel more strongly about it because again, whether intentional or not, I hate the killing your redeemed antagonists troupe. I guess they did succeed in making me feel something, so if the writers view that as the point of writing, they did what they meant to do and that’s a well written ending. To me, while Izzy’s death didn’t make a bad story out of his arc, I would argue it prevented it from being a great one and that’s kind of a bummer. I also think I unintentionally set the bar higher for the OFMD writers because they have shown better, and that may not be fair.
All that being said, I overall really enjoyed this season, and will watch season 3 if they get a third season. My opinions might change on my third, fourth, or fifth watch when I’m not feeling a lot of emotions about it. I think everyone should be kind to each other, the writers, and the actors in the show. I think sometimes we forget that when something like a season finale is polarizing.
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spopsalt · 5 months
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https://www.tumblr.com/zhanael/737323861598748672
This person missed the point of the criticisms SPOP has been receiving completely. I haven’t seen one person complain that the world was saved with the power of friendship bc it WASN’T. It was saved by a poorly written rushed abusive romance. In fact, the critics actually wanted to see Adora’s friendships save the day instead of her awful romance with Catra since the show is called She-Ra and the Princesses of Power, despite the princesses barely getting a role. And if there HAD to be a romance, it could’ve been with Glimmer, which would’ve made more narrative sense and sent a better message to kids.
Next, I’m not sure why OP described SPOP as a show with a “pastel color palette about friendship and love and unity” as if these things detract from the bad writing, plus these themes weren’t even handled well. I have no issue with Catra being redeemed and I liked her in seasons 3 and 4. That’s not why the show is being accused of abuse apologism and this isn’t comparable to when Sugar was accused of being a nazi apologist over the SU finale. SPOP was rushed as well (I’m not sure if it got canceled like SU) but Catra’s redemption either should’ve started sooner or the romance should’ve been ditched. SU at least had a much better writing, representation, and messages for kids. It’s funny since imo SU and SPOP are not two sides of the same coin as OP claims. If OP wants shows that are ACTUALLY comparable to SU with “pastel colors, nuanced yet positive and relatable messages about love, fun for kids,” then they should watch MLP and Amphibia instead. Also I haven’t seen one SPOP critic who’s “appalled by anything that is remotely challenging to toxic masculinity” so that’s a load of BS. As for the remaining claims, those may pertain to the SU critics for all I know, but I have yet to see any SPOP critics express such sentiments or behave in such a way. The “hate blogs” for SPOP are really just critical blogs like yours that make valid points rather than “a shit ton of bad faith misinterpretations” and aren’t “tearing [the show] to shreds,” plus the only harassment I’ve seen towards teens over a kid’s show has been from SPOP fans themselves.
This post also included a bunch of nonsense in the tags which I can no longer see since OP recently deactivated their account (in fact the only reason I’m able to share a link to the post is bc someone reblogged it), but they contained more misinterpretations of the criticisms along with slander towards the critics. I’m so sick of SPOP fans continuing to have no critical thinking skills while blindly defending the show and demonizing anyone who dares criticize it. It’s pathetic.
Thanks for the ask! Yeah, the show was saved because of a rushed abusive relationship. The thing is, I wouldn't be half as mad if it wasn't directed towards kids. I don't believe it's intentional, but kids are getting the thought that the way Catra treated Adora is ok because she loved her. Basically the "He bullies you because he likes you!" thing. Instead of actually considering if they have a valid point, they just assume that the critical blogs are just angry homophobic white straight men when a lot of the blogs are queer women like me. Also, yes a pastel color palette makes up for us having to watch a rushed toxic relationship in season 5. It's like spop stans don't realize that their perfect little show can have flaws and anyone who calls them out are homophobic racist. Also from my experience, nobody said the creator romantizes abuse, they are complaining that the show itself does whether it realizes it or not. This show is being marketed to kids and kids will believe that this is ok. That's probably my biggest gripe with the show.
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idratherbewrong · 2 months
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Finally saw Love Lies Bleeding. And wow.
So many thoughts.
I find it interesting many people loved Lou & Jackie’s relationship. At first I left a little sad it wasn’t more romantic. (But I’m squishy like that)
Then I as I drove home in silence I realized how they managed to perfectly portray a toxic/codependent relationship. . .
Dare I say something similar to what I’ve experienced. I was Lou. . . Easily ready to do what ever it took to make my partners wants/dreams happen.
Whether that was buying a pack of smokes or picking them up from a party at 3 am. Not to mention letting them live with me rent free.
I was terrible at setting boundaries and this led to us having a lot of ups and downs. It was unhealthy and yet we thought we were thriving.
So thanks Ross Glass for calling my 21 year old self out.
———
No but really as weird as this movie was I’m so glad we got something for the queers. Maybe we won’t all love it but it’s progress towards more representation. There’s all types of queer people this is just the story of two. (Also I’m gonna have to buy it, so i did in fact like it 🙈)
Ps the set deck, music and shots were immaculate.
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wallywise · 1 year
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Why byler would change the world ?
(I apologize I’m not a English-speaker, I’m learning in school but it’s a English literacy so I probably made a lot of mistake :’)
This was inspired by @lordystrange !
(Its probably not very good but I tried to offer my thoughts and thinking about it ^^
It’s a great question to begin with, but it’s pretty simple to understand
First of all, stranger things is one of the most seen show in the world, so do we know a lot of world-famous show that have gay main couple ? No, or at least I didn’t know any, If byler is endgame (it will be) a lot of person will see it, the WORLD will see it
It won’t be a silly ship that the duffers would create just to please people or to fill an agenda, no it was built since the beginning, people would have been trick into watching a gay romance since the beginning (straightbaiting my belove <3)
It’s not just a couple, it’s kids that fell in love, because queer children exist, because we exist, we’re not alone and we have the right to be seen on screen.
Because it hurt to see all those straight happy-end everywhere and just a gay character in the back, whose only personality is being gay, because we don’t want a bury your gay, because we don’t want a random boyfriend to appear in the last 2 minutes of s5. Because it’s just not what we need. The world need to see two kids falling in love, just pure love, because it’s not wrong, we’re not wrong and that’s the most important things in the world
Because we deserve to have good representation and I don’t talk about gay romance like heartstopper i talk about representation in a show that is not created for a queer public. A show that isn’t based on queerness
I want to see a world where Mike and Will love each other and it’s just as normal as Lucas and Max, it’s just love after all
Because we were insulted for thinking that mike and Will could be a cute couple in s2, because we were mocked for thinking that Will might be gay in s3, because we are again ridiculised for thinking that maybe Mike and Will, a mlm ship, could be endgame
Just imagine the impact on popculture ! Stranger things would be one of the first and biggest main couple straightbait (at least as I know :’) It would be incredible, it could be one of those series/films couple that are classic, constantly referred to, just a part of pop culture. Because right now between all these famous couple there is mainly straight couple, or at least the most famous are always straight Ross and Rachel, Leïla and Han Solo, Peter Parker and MJ, i can’t think about any endgame *very* famous gay couple
Plus they’re so adorable, they are really what the other need, Will NEED mike and mike want to be needed they’re just perfect for each other and I live just to see them happy, to see Will happy because he deserve it, because he can’t be another of those character who just suffer
Byler endgame is the right choice because it just make so much more sense, they were built since the beginning, they’re mean to be together since even before s1, the « crazy together » was planned before s1 and El was supposed to die at the end of the first season, I’m sure the duffer know exactly what they are doing, and why are they doing it
That’s why i think Byler endgame could change the world, it would probably change popculture, it would give a good exemple to futur tv show, people don’t necessarily want the main couple to be straight, the genre doesn’t change that, it doesn’t matter if it isn’t a gay romcom, a gay couple can be one of the main endgame couple !!
(+ bonus : Toxic mileven shippers that insult us because of that since the beginning would be wrong and that my dear will go down in history !)
Thanks for reading this It was probably very messy I added stuff as soon as I had ideas and I didn't read it again because it's late I need some sleep but I just wanted to list it all a bit xD
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Jamie Tiergan x Erin Keenan (Jerin)
1. my beloveds okay, i was in pleasant shock when saw a "young love" plot line (i didn't know anything about TDiM when i started it so didn't expect to get lesbians)
2. Jamie and Erin already have such a wonderful dynamic to begin with, having bounced around each other before taking the leap after enough flustering and teasing. They care so deeply for each other, and one losing the other is beyond heartbreaking. Erin even admits how much she doesn't want to lose Jamie, which makes my heart scream and yell and cry and oh my god
3. They're sweet, they're cute, they're canon! Supermassive finally gave us an official queer couple that can get together and Jerin deserves some recognition for that. <3
4. I mean, its Jerin! They're relationship is so cute and interesting even if they don't get together, its so clear when they don't they still very much love and adore each other and have so much more to say. And when they ARE together they are just so cute and gentle to each other. The perfect couple <3 (also they are a very rare non-white biracial lesbian couple that aren't toxic or weird so the representation they hold is just <3)
Conrad x Brad Smith (Conbrad)
1. :3 i like them
2. They are adorable and Brad is so fucking cute around Conrad. Why wouldn't you ship it???
3. let's pop your cherry bradical
4. First of all, the ship name is the best. Second, omgg the dynamic of these two😩😩
nothing gayer than two bros drinking a cold one together
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not-a-cheese-thief · 1 year
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The new trailer for Ted Lasso season 3 and all the speculation that goes with it about who may or may not end up coming out (or just being queer) has me going kind of crazy. I’ve been on this hell-site for so many years on and off, I’ve seen all the queer baiting, all the desperate hoping and tricking yourself into the belief that this little thing might be a sign. I hyper-fixate on shows, especially on the queer-coded characters, and I long for good queer representation. I’ve been through all of this longing and hoping before, and I’m just getting so sick of it.
Whenever I talk to a het person about Ted Lasso and its lack of any queer characters, they either say “there’s not any yet, there’s another season still to come,” or “one of them might be gay, you don’t know.” Neither of these things are good enough. Neither sentiment makes me think “Yeah, that’ll probably be good enough.” For one thing, we’re two seasons in. If you’re two seasons into a show that is clearly conscious of some forms of diversity, but can’t manage to acknowledge the existence of queerness beyond a slur that was used in the first two minutes, and the occasional joke (usually used to make a female character seem more sexy/intriguing), then can there really be much hope for real, honest queer representation and storytelling in the third and final season?
Will they really get round to the very important question of how homophobia fits into the the toxic masculinity locker room culture that Ted first walked into, and how that affected and continues to affect the mental health of those within it? Will they really tell this (or any) story from the point of view of a queer person, and with the care and nuance it deserves? They’ve had poc characters from the start, but even their storytelling of these characters has been controversial and from many people’s perspectives, problematic. 
I know the history of queer television, I know why queer coding became a powerful way of telling only the people in the know “hey, I see you”. But we’ve moved beyond that, and in a TV show like Ted Lasso, where it so clearly aims to  tell a diverse range of stories, from an accepting and curious point of view, the lack of actual, truely represented, honest queerness is jarring. I’m sick of being presented with crumbs, with jokes that anyone who’s not queer wouldn’t even notice, and being treated like it’s a gift.
Don’t get me wrong, I love Ted Lasso, I love all my Richmond himbos and my darling Keeley. I’ll watch season 3 and I’ll obsess. I’ll keep all my little headcanons. But I just can’t stand all this trying to trick myself into believing we’ll actually get a queer storyline, especially not for a main character. I’ve been there before and it hurts. We deserve better. So I’m including a little list, for the darlings who have actually read this whole post, of my current fav shows with actual queer characters and stories, so that while we deal with all this Ted Lasso anxiety, we can also have some comfort LGBTQIA+ tv too. Please add your favourites too.
Brassic:
I have to put this first even though it’s not necessarily the gayest, because I think anyone and everyone who watches Ted Lasso should watch Brassic. Joe Gilgun co-created the show and stars as the main character Vinnie, and while his diagnosis has changed since the show’s beginning (he’s now discovered he has bpd, not bipolar) the show’s depiction of Vinnie as man living with bipolar disorder is phenomenal. As is the way it introduces and tells the stories of its queer characters; most notably Ash, a gay man from a traditional Irish traveller family, who has my heart (but actually there are very few main characters who I'm convinced are really, totally straight). 
There's a moment in the show when Vinnie encounters some ‘casual’ homophobia, and even though he’s not with anyone queer, even though he doesn’t know the person who said it, and he’s got shit he really has to get on with, he has to call it out. It’s a little moment, in a show with a lot more very gay scenes and storylines, but it’s the kind of thing that just feels so important. Brassic is chaotic and crude and probably too much for a lot of people, but it’s loving too. 
9-1-1: Lone Star:
This one might not be the same high quality television as the others; it’s a first responder drama that tends towards the soapy, but god, I love it. I love the way they write their queer characters, I love the way they write the friendships between them, and the ways that most of the characters are some kind of minority and use their shared experiences of being marginalised and discriminated against to support and be there for each other. 
It's also worth noting that Brian Michael Smith, who plays Paul, a trans man, is the first black trans man to be a series regular on American tv, and that queer actors Ronen Rubinstein and Rafael Silva, who play lovers on the show, were recently on the cover of Out magazine, and are both activists in the queer community. 
Sense8:
It’s so wonderfully, beautifully queer. It’s a scifi, made by the Wachowski sisters, that’s a kind of love letter to the LGBT+ community. I don't think any of the main characters are meant to be straight, it’s all so very, very queer. Please do watch it, just, not with your mum you know.
Our Flag Means Death:
Gay pirates. Non-binary pirates. New Zealand accents on characters that are definitely not meant to be from New Zealand. What more could you want?
Vico Ortiz, who is non-binary, apparently cried when they read the script because the writers (three of whom are also non-binary) had taken such care to create space for the non-binary character, Jim. You can honestly feel that care when watching the show.
The Last of Us:
I’m sorry. I’m not a gamer and don’t know anything about the game, but every time I yell at my gamer friend who made me watch the show for making me watch it, they just laugh knowingly and say it's only getting worse. So I’m sorry, but yeah, you should still watch it. 
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