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alena-reblobs · 8 months

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Trigun Bookclub Trimax Vol12 Part1

Vol01: Part 1 | Part 2 | Part 3 | Vol02: Part 1 | Part 2

Let's get to the start of vol12! Trigger warnings for suicide mention/ideas within the analysis. Chapters 1-3 of vol12. Geez, 9 chapters? That's gonna take 3 parts again.

Oddly enough, the later the volume the less I know what to say (though this might be a misconception, I don't think my posts are getting shorter), or hmm it's more like...the later the volume, especially now past 10...I feel like...there's so much I want to express, the pages and chapters are feeling so full of ideas, ideals, hopes, and stuff to analyze that it's hard to know where to start? EDIT from later: yeah that's a misconception I'm already starting to ramble not too far down. I think that when I just looked at the first images of Vash standing there, it felt like the end of a journey to me as the reader as well...this manga is giving me emotions I cannot quite trace.

Chapter 1:

On my first two reads I kinda rushed these parts with Chronica and Domina (to quickly get back to Vash) but it's good taking my time reading this again, because there's so much cool valuable information here! They have already encountered similiar cases of Independants running amok, or fusing, as it seems, although this might be the worst case. How is life living as an independant on earth? How are the plants treated, any differently maybe? And are they seen more as living beings? There's so many questions and stuff for speculation here. Had Knives and Vash been born on earth, who knows, they might have just lived their lives normally under humans (though probably working in some way for the facilities or smth).

His hair looks almost all black now...this is one of my fav Vash pages (there are a lot, but it's pretty high). When you look at him like that and you have lived with him through these last volumes and seen what he had to endure...my heart is full of love and my body full of pain for him.

First, he thinks back to the damage they have caused the humans. Not voluntarily, but the desasters happened. It's darkening his expression for a short moment here.

But then...he thinks back to all the people who, after his long and arduous journey, welcomed him in their midst. Their have been bad encounters as well as good ones, but he lived among them.

I'm a sucker for wrap ups like this. And, again, Vash is in this chapter the perfect example to show how Trigun doesn't need lots of text to convey the message and the emotions. These pages are so silent but you could hear their laughter and voices in Vash's head if you listened.

(I'm just spamming the whole chapter in this post but I want to have this as reference when I come back to my reviews to look smth up)

You probably read the post by @annaofaza about Vash picturing Wolfwood's grave and not his face, cause it's too painful, and there are no tomorrows anymore...and there was this other post by @anxiety-elemental-kay how Vash is just speeding up his death voluntarily after Wolfwood's death. Yeah, those posts have ruined me now, thank you. For some reason I didn't read it this way the first two times, but, I also didn't think so much about Vash's inner thoughts. Now? Now every face of Vash showing his resolution, every instance where he gets up again, it's so much more devastating. Cause these pages are a flashback to all the memories he made...and they're also a goodbye. That panel here where he opens his eye again...oh it looks so empty and old.

Isn't that such a beautiful sentence, though?

I want to write about it but there's nothing that I could add to that.

Oh Knives, my dear (genocidal) boy. There's almost nothing left of your anymore...

Chapter 2:

This explosion here reads a bit like electric impulses spreading out from the impact side. They said it's an anti-plant cannon so I imagine it's a tiny bit different than normal lasers, so that would make sense!

Aaah Knives sccary jumpscare. If this were to be animated this could be SO damn creepy and cool.

They are running over military! Stampedes in training!

Of course the humans start shooting at the arc once it's appeared above them. For real though, it really is understandable? After the 7 months of terror, and considering that they probably don't even know that Plants are alive...

There's no longer a really single "Knives" out there, so I like to imagine this is all the plants, this fused being, talking here. Or, especially the first lines sound like they could be coming more from the plants, and then the last sentence that is directed, that could be the Knives-consciousness talking.

Angel Horror Trigun! It's so...uaaaah but sooo cool looking.

Epic Knives panel! Is he talking to Domina and Chronica? Could be the only ones he means by "slaves of humans"

Chapter 3:

This is so sad, cause it looks like the humans play the role of making plants kill each other :(

On the other hand we're still getting funny little moments like these here, hehe.

Also Luida being desceptive! I love her!

Va va va va Vash to the rescue! *waving my pompoms and doing a little dance for him in the distance*

Continuation in the next post!

#trigun #trigunbookclub

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christ0pher-evans · 3 years

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Variety’s Actors on Actors

Pairing: Chris Evans x Reader Warnings: Slight Angst / Implied Smut Word Count: 2.5k

A/N: This is my first time writing a Chris Evans fanfiction. It it loosely based off of Variety’s Actors on Actors interviews with Chris Evans and Paul Rudd / Chris Evans and Scarlett Johansson. It is pure fluff, hope you guys like it!!! Please reblog and like🖤

♡

When Variety had approached you to be involved in the ‘Actors on Actors’ style interviews, you knew that it could be really fun, a great opportunity and you felt immediate excitement for who they might pair you with.

It was only a day later when they had told you that they wanted you to do the interview with Chris Evans. Normally, any time that you got to spend with Chris, physically or virtually, was fun; however you had no idea how you could possibly interview the man when you knew all there was to know about his life and career, I mean you’d only know him 16 years, and been together for the past 6 years, leading to your past first year of blissful marriage.

You had spent the last month away from Chris due to the filming of your latest movie, and was missing him so much that your heart hurt. The thought of getting to spend a full 45 minutes doing this interview with him was making you jump for joy, because usually neither of you have enough free time simultaneously to be able to spend this length of time together. It’s often a fleeting text of “I miss you”, or a 5 minute phone call between scenes.

You had spent the past week since finding out about this interview trying to come up with interesting enough questions that the fans would want answers to. You were also thankful for Variety as they had sent you a pre-made list of questions in case you got stuck.

It was finally an hour before the interview, and you hadn’t seen Chris’ face for the past two weeks so you decided to make a bit of extra effort to look nice for him.

You were sat in front of your dressing table in your apartment that had be rented out for you whilst you were filming. Make-up was spread all over the table and you could see the reflection, several outfits littered all over your bed where you had yet to make your mind up on what to wear.

45 minutes later and you had a light brown and glittery smokey eye, a subtle winged liner with a gloss over your lips and had given yourself a bouncy blow-dry. After looking through all your outfits, you had decided on one of Chris’ oversized jumpers that you stole before you left and some jeans - even though you wanted to look really nice for him, you knew how much he would appreciate seeing you in his clothes more.

You had made yourself a coffee and set yourself up at the breakfast bar for the interview. Checking everything was set up and ready for the interview, you waited patiently with butterflies in your stomach for it to start. You were bought out of your excited daze by the noise of your phone, a message from Chris popped up.. ‘Can’t wait to see your beautiful face’ Boy, did he still make you swoon after so long together.

Not long had passed before the sound of a video call was coming through on your laptop, and as you answered, a member of the Variety team was on your screen. “Hi Y/N, it’s so lovely to speak to you and thank you so much for partaking in this interview. In a couple of minutes, we will connect you straight through to Chris and you can just start chatting and asking your questions. We will record everything from our end and then edit it together to be posted online.” “That all sounds perfect to me. Thank you so much for having me and letting me do this with my husband.” You couldn’t help but grin, it never got old getting to call Chris your husband. You absentmindedly twirled your engagement and wedding rings round your finger. “Okay, we will connect you now. Have fun!”

And then there he was, bright eyed and grinning at you through the screen.

“Hi Sweetheart.” His voice made your heart flutter and your stomach do flips. "Hi Chris, how are you?” you reply sweetly.

You made some small talk for the sake of the interview, before starting to ask each other questions. “So I have a confession to make..” you paused briefly, “I could not think of any questions to ask you that I didn’t already know the answer to, so I thought I would ask questions that I think fans would want to know the answer to.”

You grin, proud of yourself and proud of the big laugh you got out of Chris because you had come up with such a good idea. “My first question is when you first got into acting, how did you navigate the work/life balance?”

Chris took a swig of beer, pondering his answer before starting. “Well when I actually booked my first bigger film that had a busy schedule, was on the film we worked on together, so previous to that I didn’t have much of a social life” he chuckled, “But when you’re filming for maybe 12 hours a day, 6 days a week, you have to quickly find a routine that works for you where you can still show up to work every day and give 110%. I also remember we used to take naps on set in between our takes all the time.” You couldn’t help but smile as you fondly remembered the first time working with Chris. “No but seriously, when you find a script that you are passionate about, and get to work with people that are truly amazing at what they do, you are happy to dedicate as much time as you need to to get that perfect take, to eventually make that perfect film.”

“Okay, well let’s talk about Defending Jacob, which for you, was a completely different style of character for you to become. How did you prepare for that role?”

“Yeah, it was definitely a new type of role to encompass, especially off the back of playing Captain America for almost a decade, even though he was considered a serious character, it’s a completely different league to enter. I remember doing a lot of work with real life district attorneys to understand the pressure and seriousness of the job role and I remember going through lines with you every damn day.”

You zone out as Chris carries on talking about Defending Jacob as you remember the nights fondly.

————————

You had just finished clearing up dinner as Chris comes bounding back into the kitchen with his script for Defending Jacob. Placing it down on the dining room table, he turned to you, wrapping his arms around your waist. “Sweetheart, pretty please can we run my lines again? I’ve been thinking about how I can add more passion into my character to really emphasise his emotions in those tough scenes.”

You absolutely couldn’t say no to him. You was so proud of how much work he was putting into this show and how perfect he wanted it to be, but you also couldn’t say no to those gorgeous blue puppy eyes.

It had been 45 minutes since you started running lines, you were now sitting on the dining room table swinging your legs back and forth and you couldn’t take your eyes off Chris pacing round the table, the anger and passion in his voice as he recalled his lines. You could feel the heat pooling towards the bottom of your stomach as he ran his hand through his hair, his chest flexing as he shouted his lines, the gruff tone of his voice only making your panties wetter. You were biting your lip gently as Chris pulled you out of your daydream.

“Y/N are you alright, are you getting bored?” You shook your head quickly.

“God no, course not babe. You’re doing great, I’m just slightly distracted.”

Just like always, Chris could read your mind and knew exactly what you were thinking. He sauntered closer to you, placing himself in front of you and sliding your legs open so he could stand between them. Placing his script down, he used one finger to tilt your chin up to look him in the eyes.

“Is there something you like baby?”

Your breath hitched in your throat as he called you baby and ran his finger across your bottom lip before ghosting a kiss on them. He leaned down towards you, one hand running down towards your panties as he kissed along your neck and up to your ear, before mumbling..”I think we can take a break”.

————————

You chuckled to yourself, remembering so vividly on how you both broke the dining room table that night.

“Oh, is something funny sweetheart?” Chris bought you out of your daydream. Clearing your throat, you mumbled an apology before changing the subject straight back to the interview.

“Okay, let me ask you a question now Y/N. I want to know how it feels to be like a superwoman as you managed to film and promote your latest movie whilst we were planning our wedding?”

You giggle lightly and smile broadly, remembering the chaos that was your life the six months leading up to your wedding.

“Honestly, Chris, that feels like a blur these days. Planning our wedding was much more work than filming and doing press tours, but somehow we made it work. Don’t make it sound like I did it so elegantly though, I was an absolute bridezilla those six months and I don’t know how you put up with me.” You smile at each other through the screen, remembering the fond memories of your engagement. “But in all honesty, it was just quite a strict schedule with minimal sleep. I loved filming and the press tour for my film was so much fun, as was planning our wedding so even though at the time, it felt like an impossible task, looking back and seeing how well the film did and how perfect our wedding day was, it makes the hard work worth every second.”

Your smile falters slightly at the thought of some of the more stressful times during that stretch, but quickly returns at the look of love in Chris’ eyes as he hangs onto your every word.

————————

You had spent the day at home trying to organise the seating plan for your wedding which was quickly approaching in 3 months, whilst Chris had been out all day filming.

Unfortunately before Chris came home, you had pulled your heels on, ready to walk out the door to your awaiting car to take you to your latest movie press panel. A sad sigh was all you managed before you hauled yourself out the door for the 2 hour interview with your cast mates.

The panel had finished at 9pm and you had jumped straight back in the car, so the driver could take you home to Chris, silently hoping you could catch him for a bit before he went to bed. You knew he would be calling it a night quite early as you had woken up to his side of the bed empty and cold that morning, meaning he had left the house before sunrise. You felt a sudden pang of sadness about how little time you’d spent with your fiancé over the past 3 months. It was no ones fault, you were both busy but it felt like you were actively avoiding one another. You shook your head as a few tears fell.

As a welcome distraction on the way home, you had opted to start looking at flower arrangements for the bridesmaids bouquets, but you could feel yourself drifting in and out of consciousness, feeling so tired and drained from months of final filming and wedding planning.

It was just after 10:15pm as you stepped out the car, thanking the driver before heading up the path to your house. You could see the lights were off, bar the hallway light that Chris had left on for your arrival home. You sighed sadly as you stepped in the door to the quiet abyss. You removed your heels, not wanting to make any unnecessary noise, knowing that Chris was up just as early tomorrow.

Walking through to the kitchen, you could see Chris had left you some pizza takeout on the side but you didn’t have the energy to eat, just wanting to curl up in bed.

Heading straight into the ensuite to your bedroom, you quietly took off your make-up and cleansed your face to hide your tear-stained cheeks. Creeping back into the bedroom, you stood looking in the mirror of your dresser as you put on one of Chris’ t-shirts; you looked defeated and utterly glum. As you stood there for a moment longer, trying to collect your emotions and bottle them away, you heard Chris stir.

“Babe, come to bed.”

You felt your shoulders relax at the rough sound of his sleepy voice. Quickly wiping under your eyes once more, you turned round to see him holding the duvet up so you could crawl under and into his waiting arms.

Immediately relaxing into the mattress, goosebumps arose on your skin as Chris trailed his fingers up your side to pull you into him. You let yet another tear fall from your eye at the fact that this was the first time you’d actually seen him today, frustrated that work and wedding planning was taking up all your time. This didn’t go unnoticed by Chris as he caught the lone tear with his finger, wiping it away.

“I just want our wedding to be perfect and my movie to do well without having to sacrifice all my time with you” you whimpered, hiding your face in Chris’ chest.

“Sweetheart, I’m marrying you, it will all be perfect. Get some sleep, I love you.” Chris gave you a kiss on your forehead before falling straight to sleep, you dozing off straight after him, with heart full of love.

————————

The interview was coming to an end and you couldn’t help but feel overwhelmed with happiness of getting to spend so much time talking to Chris but also dread of not knowing when you would get to see his face again before you finally got to go back home in a months time.

“Okay sweetheart, I have one last question and it is one that Variety suggested for both of us to answer. What is the best part about being married to someone in the same profession as you?” You smile at Chris through the screen, trying to think of only one thing to pick.

“Well, it is difficult to pick one, because there are so many great reasons but also it is really hard being married to someone in the same profession as you. I always try to be honest with our fans and in interviews, so I don’t want to sugarcoat it. We have to go long periods of time not getting to see each other and always having such high pressured schedules doesn’t allow a lot of time for married life.” You sigh at the look of sadness that has washed over both your faces. “However I count my lucky stars every day for having such a supportive and understanding husband like you.” You notice Chris blush at your answer before nodding along with you, agreeing with what you’ve said.

“I have to agree with you sweetheart. There is definitely some poetic justice in the fact that we met on set, both doing the job we love so fondly and here we are, 16 years later, married and getting to celebrate our achievements every single day together.”

You have to told back the tears as the interview finishes and Chris disappears from your screen. Even though you have demanding jobs, you could not feel luckier to be married to a man like Chris and you couldn’t wait to go back home to him.

#chris evans #chris evans x reader #chris evans one shot #chris evans smut #fanfiction #angst #marvel #pov

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todomitoukei · 3 years

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English vs. Japanese Shouto - A 298 Comparison

Welcome back to another comparison between the Japanese version and the official English translation. This chapter has caused a lot of confusion as soon as the spoilers came out, particularly in regards to the last line in Shouto’s monologue. Does he want to kill Dabi? Is he going to fight him?

Aside from the confusion, this chapter is important for both Shouto’s character, as well as his and Dabi’s storyline, moving forward.

The scene starts with a panel of Shouto in his hospital bed, surrounded by his classmates who by now are also aware of the situation. As we find out at the end of the chapter, Shouto’s throat is burned, so he currently can’t talk. Regardless, he has a lot to say or rather a lot to reflect on, starting with an obvious fact:

“His flames are stronger than dad’s.”

An obvious fact and a simple sentence. But what about the original?

「あいつの炎は親父よりも強かった。」

「あいつ ; aitsu 」-> he; that guy

「の ; no 」-> possessive particle; similar to an apostrophe

「炎 ; honou 」-> flame

「は ; ha 」-> topic marker particle

「親父 ; oyaji 」-> dad

「よりも ; yori mo 」-> in comparison to; more than

「強かった ; tsuyokatta 」-> was strong

= “His flames were stronger than dad’s.”

The difference here is the tense. While the original text has Shouto say that the flames “were” stronger, the English translation has him say they “are” stronger. It’s not really an important difference, but I think the past tense was him reflecting on the one fact he knew about Touya before all this. The first time we, the readers, heard about Touya in chapter 202 -

was during Shouto’s early training days, where Endeavor brought up Touya and the fact that “his fire was greater” - so this is a fact Shouto was raised with, someone he was essentially compared to. Touya set the bar high, but Endeavor expected Shouto to raise the bar even higher.

“I couldn’t win with firepower alone. So strong… Those flames full of hate.”

While Shouto had so far only been told about Touya’s strength, this is the first time he got to actually experience this himself. Now, Touya’s flames being stronger isn’t just something Endeavor said, but something Shouto knows.

「火力で勝てなかった強い。。。憎しみの炎だった。」

「火力 ; karyoku」-> firepower

「で ; de 」-> with

「勝てなかった ; katenakatta 」-> couldn’t win

「強い ; tsuyoi 」-> strong

「憎しみ ; nikushimi 」-> hatred

「の ; no 」-> possessive particle; similar to an apostrophe

「炎 ; honou 」-> flame

「だった ; datta 」-> was

= “I couldn’t win with firepower. Strong… it was a flame of strong hatred.”

Again, not a big difference, especially since the English translation made sure to split the text the same way as the original, but tsuyoi (strong) is an adjective that attaches to the noun, nikushimi (hatred). Sure, his flames are strong, but more importantly, his hatred is strong and that is the bigger problem here.

Not only does Dabi have a stronger flame, but his hatred grants him even more power as he’s not held back by any rational thought or feeling. Like a forest fire, you can’t just extinguish it. Instead, it keeps spreading and growing larger and larger.

“And he’s… been watching us all this time.”

Next, we get the flashback to the first time Shouto met Dabi back in the summer arc. Maybe Dabi’s “How sad, poor little Shouto Todoroki” didn’t mean that much to Shouto - who might have just assumed that Dabi knew his name from the sports festival - but now he understands that this had been planned for a long time. Touya “died” around ten years ago and during all that time, Dabi had been thinking about this moment.

「あいつはずっと見てたんだ。」

「あいつ ; aitsu 」-> he; that guy

「は ; ha 」-> topic marker particle

「ずっと ; zutto 」-> continuously; the whole time

「見てた ; miteta 」-> was watching

「んだ ; nda 」-> explanatory particle

= “He was watching the whole time.”

Again, not much of a difference except for the tense. Another thing that this is implying is that Dabi is incredibly patient. Instead of just being filled with rage and letting it out all, he waited in the shadows for years, even when being so close to Shouto he chose to keep his composure, even though he could’ve just killed him right then and there if he had wanted to.

Something that got lost in translation is the nuance of the nda at the end of the sentence, which can have multiple meanings. Here, it expresses reason and discovery, as Shouto understands his first encounter with Dabi now. Sort of like saying “Oh, so that’s why he knew my name. That’s what he has been up to the entire time.”

“All… to bring down dad. Wrecking his own body along the way… and not giving a damn whose lives get ruined in the process.”

「親父を貶めるためだけにその身を滅ぼしながらあらゆる人の人生を巻き込んで。」

「親父 ; oyaji 」-> dad

「を ; o 」-> direct object marker

「貶める ; otoshimeru 」-> to look down upon; to cause to fall

「ため ; tame 」-> purpose

「だけに ; dake ni 」-> being the case; precisely

「その ; sono 」-> that

「身 ; mi 」-> body; oneself

「を ; o 」-> direct object marker

「滅ぼしながら ; horoboshi nagara 」-> while destroying

「あらゆる人 ; ara yuru hito 」-> all kinds of people

「の ; no 」-> possessive particle; similar to an apostrophe

「人生 ; jinsei 」-> human life

「を ; o 」-> direct object marker

「巻き込んで ; makikonde 」-> involving; dragging into

= “For the purpose of causing dad’s downfall, he destroyed his body at the same time and dragged other lives into it.”

I find the additional “not giving a damn” in the official translation interesting (= I hate it)… since he literally doesn’t say that, but sure let’s just add this to make it seem like Shouto is judging Dabi here when he is not doing that at all. This is merely an observation, stating the fact that his older brother’s mind was so clouded by hatred that he involved other people’s lives in their family business. This isn’t to say that Shouto doesn’t see this as wrong, but it’s not the point and not something he is focusing on. He’s connecting the dots, making sense of the situation, and understanding the reasons that led to Dabi’s crimes rather than just stating the obvious of “this is wrong.”

On to one of my favorite lines this chapter: “He’s basically... me.”

「あいつは俺だ。」

「あいつ ; aitsu 」-> he; that guy

「は ; ha 」-> topic marker particle

「俺 ; ore 」-> I

「だ ; da 」-> be

= “That guy is me.”

So, I’m not sure why the “basically” was added in the official English translation since Shouto doesn’t say it like that. He just says “Touya = me.” It’s a fact. Obviously, Shouto isn’t actually Touya, but the “basically” isn’t needed unless you suddenly think that maybe Shouto hass two separate bodies at once somehow. This might be nitpicking, and there have definitely been bigger changes before, but to me the “basically” distances the two, even though the sentence is supposed to show that they are the same. Yes, one is on the hero side and the other on the villain side. Of course there are differences. But again, it’s not about the crimes Dabi has committed or how these two brothers differ. It’s about what’s going on in their minds, what feelings control their every action. They come from the same place, physically and mentally. The way they reacted to their pain is the same, with the big difference being what Shouto points out next:

“I was also burning with rage… up until that day.”

That day, as the panel shows, being the sports festival, the day Shouto began to see clearly. But Dabi didn’t have a moment like that (yet) and so he continues going down that path, while Shouto managed to leave that mindset.

「あの日までの俺がこの身を焼いたんだ。」

「あの ; ano 」-> that

「日 ; hi 」-> day

「まで ; made 」-> until

「の ; no 」-> nominalizes the preceding phrase

「俺 ; ore 」-> I

「が ; ga 」-> subject marker particle

「この ; kono 」-> this

「身 ; mi 」-> body; oneself

「を ; o 」-> direct object marker

「焼いた ; yaita 」-> was burning

「んだ ; nda 」-> explanatory particle

= “Until that day, I burned this body.”

As mentioned earlier, the nda is an explanatory particle. Here, it again expresses discovery. Shouto draws a conclusion here: Just like he used to burn his body, Dabi is still doing the same to his.

Again, his focus is not on Dabi, the villain, but Touya, his older brother, and someone just like Shouto. While other people might just see a mentally unstable criminal, Shouto sees how self-destructive Dabi is. And because Shouto hadn’t realized how clouded his mind was, he understands that Dabi most likely doesn’t quite realize this either. Dabi ignores his own pain, all in order to destroy Endeavor. A cry for help that others aren’t capable of comprehending.

“Dad can’t do it…”

「親父じゃやれねェ。。。」

「親父 ; oyaji 」-> dad

「じゃ ; jya 」-> casual particle

「やれねェ ; yarenee 」-> can’t do

= “Dad can’t do it.”

[EDIT because this part originally had a different explanation: As pointed out by this anon here, the jya in this case is a casual particle to mark the topic/subject, and the nee part is the casual form of nai, which negates the verb. The translation is the same but the explanation is different!]

And now, for the last line:

“I have to be the one… to handle… my brother Touya.”

Handle him…

「燈矢兄は俺がやらなきゃ。」

「燈矢 ; touya 」-> Touya

「兄 ; nii 」-> suffix for older brother

「は ; ha 」-> topic marker particle

「俺 ; ore 」-> I

「が ; ga 」-> subject marker particle

「やらなきゃ ; yaranakya 」-> must do it

= “I am the one that has to take care of Touya-Nii.”

So this is the line that caused confusion and panic, due to the yaranakya part. As you can see by the meaning of the word, similar to how “must do it” can have multiple meanings in English, the same logic applies to the Japanese word. It’s also important to note that the word here consists of the two parts yaru (to do) and nakya (must do). Nakya not only expresses that you have to do something, but, in this case, also shows determination. Shouto really has to do it and will do it. But do what exactly? Again, the problem with yaru is that its meaning depends on context, but sometimes context itself isn’t super helpful. One of the definitions of yaru is “to kill” and that might be what some people think it means here? But context tells us that this makes zero sense. Why show how much he understands his brother only to turn around and decide “well, I got help but he hasn’t so I’m just gonna have to kill him, I guess” - no.

More importantly, right before this line, he says “dad can’t do it” - what can’t he do? If we were talking about killing him, then why would Shouto be able to do it and not Endeavor? Of course, there are the... funny people who suggested that only Shouto can fight/kill his brother because unlike him, Endeavor has an emotional attachment to Dabi (I’m just not gonna comment on this). Anyway, to answer the question of what Endeavor can’t do but Shouto can, we have to look at what Shouto said before that, which is talking about him also having burned his body until the sports festival. This is the key moment where Shouto’s and Dabi’s similarities end and only because someone was reaching out to Shouto. So obviously, in order to have Dabi stop being self-destructive and fueled by hatred, someone needs to reach out to Dabi. And that’s the thing that Endeavor can’t do. After all, Endeavor is the root cause of this, which in turn brings this scene to a full circle since right before Shouto’s monologue began, we got this flashback to what Starservant said in chapter 244:

“That one is the root cause,” accompanied by a panel showing Endeavor.

For reference, here’s the Japanese counterpart:

「其奴こそが元凶じゃ！！」

「其奴 ; soyatsu 」-> that guy

「こそ ; koso 」-> for sure (emphasizes preceding word)

「が ; ga 」-> subject marker particle

「元凶 ; genkyou 」-> culprit; main source

「じゃ ; jya 」-> sentence ender often used for old people in fiction

= “That guy is definitely the main source!”

Shouto remembering this is just stating an obvious fact that he hadn’t fully understood before: Dabi’s existence is Endeavor’s fault. His actions drove Touya to become Dabi, someone whose sole purpose for existing is to destroy Endeavor. So Endeavor couldn’t possibly save him. No matter what Endeavor would say or do, it would be meaningless. But Shouto is different because Shouto was Dabi. The big obstacle Shouto has to figure out how to overcome is making his big brother understand this, too. Regardless, Shouto is the only one that can reach out to him and the only one that fully understands him.

Another important to point out with this line, and many others have already talked about this, is that Shouto now refers to Dabi as Touya-Nii, whereas on the battlefield a few days prior, Shouto only called him Touya, without the “nii”. He is now actively acknowledging that this is, in fact, his big brother. He isn’t Dabi, the villain. And he isn’t just Touya, either - some abstract idea; someone Shouto has heard of but never met or talked to (not confirmed, but likely). This is now his big bro, just like Natsuo is, and just like Fuyumi is his big sister. They’re family.

Overall, this chapter was actually pretty accurate in terms of translation; though granted, Shouto isn’t a villain so the bias isn’t there… but anyway, this marks a very important turning point in the story and gives us a rough idea of what’s in store for Shouto from here on out.

He recognizes where Dabi is coming from. He doesn’t just see him as a villain, but rather someone who has been so full of hatred - for good reasons - that he ended up dragging innocent people into this. The focus, though, is entirely on that one fact: “That guy is me.”

Shouto understands that he could have turned out the same way, he understands hurting his own body just to spite his father.

The key concern with this chapter was that Shouto said that he’s going to kill Touya. I have no idea who started this rumor, but as mentioned, there is a possible confusion regarding yaru, which has multiple meanings. But although he doesn’t explicitly say “I will save him” it’s obvious from everything else he says during this chapter. If he recognizes that they’re the same, his conclusion won’t be “I have to kill him.” Especially when taking into consideration the fact that Shouto also pointed out that he couldn’t win against Dabi with his fire. And no, that doesn’t mean he can beat him with his ice or that that’s what he intends on doing. It’s not clear what he will be doing exactly, but that is partially due to the fact that Shouto is currently not in a state where he could possibly figure out the answer, either.

But he has a goal: saving Touya-Nii - not so much from Endeavor, but from Dabi.

Next week’s chapter will hopefully focus on the Todofam conversation about to take place and will maybe give us some more hints as to what to expect. So far, though, it’s very obvious that Shouto will try to reach out to Dabi and save him, much like he was also saved from his hatred during the sports festival. He might not have a relationship with Touya the way he has started to build one with Natsuo and Fuyumi, but they have a much deeper connection because they are the same person.

#298 #translation #shouto #dabi #todoroki #touya #bnha #meta

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mcwriting · 3 years

Text

A Science Project for the Ages

Big thanks to this anon for this request! Sorry it's taking me longer to fulfill my requests from when I was in quarantine but I'm trying to get those done soon!

This is a slight continuation of lab partners but can definitely be read alone :)

Ship: SoftNerd!Tom Holland x Reader

Word Count: 1883

Warnings: one blink-and-you'll-miss it bad word

⚛︎

There was a loud buzz as your phone vibrated against the wood table in the science library.

You quickly picked it up, trying not to disturb the few other students around as you looked down at the screen.

Tom.

Though you were together now, he very rarely called at this time. He knew you always studied here before dinner time and respected that.

You grabbed your notebook and bag and shuffled into the hall to answer.

"Tom? Is everything okay?"

"Hey, um. So sorry to bother you, but you've finished your science expo project, right?"

You furrowed your brows as you slid down the wall to sit and stuff your notebook back in your bag. You knew this conversation was going in a weird direction already. You could hear a faint beeping in the background.

"Uh, yeah..?"

"Right, and what was that project over again?"

"I did an analysis on light absorption of different common solutions and then compared them to the color they turned when I lit them on fire. I thought we already talked about this the other day..?"

"Yes, yeah, sorry. So one more question before I tell you what's up. Do you happen to know how to bake?" Tom asked quietly.

Suddenly you remembered what all his project was on.

He was doing a food chemistry project, explaining certain phenomenons that happen when you bake. He had hoped giving people baked goods would make them like his project more.

"I- Tom I told you I would help you but you said it would be fine," you said flatly."

"Well..... Now it's not fine, and Alex isn't here to help me. He went to his girlfriend's."

Tom's roommate. He was usually pretty patient with Tom's clumsiness, but sometimes he just had to get out and enjoy a day off, too. Tom understood, but now the burden fell on you.

"Fine, I'll be there in a little bit. Text me if you need me to bring anything."

⚛︎

You walked in to the smell of burnt. It was overwhelming and you choked as you rushed to the window to air out the apartment.

"Hey, sorry about the smell," Tom said nonchalantly from the kitchen.

You turned to see the situation at hand, which was definitely... a situation.

It was like something out of a movie. Messy bowls and utensils littered the sink. There was cake batter splattered across the counters. Finally, the culprit still sat in a muffin tin on the bar: a dozen very black cupcakes.

You sighed.

"Forgot to set the timer?"

"Yep."

"And let me guess. This was your first experience with baking?"

"That's exactly right."

"Of course," you muttered, but then clapped your hands together enthusiastically. "Well, then. Let's try and fix this, shall we?"

You leaned up and pressed a quick kiss to Tom's cheek, then brushed past him to grab the tray.

"First on the agenda, we are going to take off the papers and chuck these off the balcony to let out some frustrations, alright?"

You were lucky in that Tom's apartment was on the top floor, and his balcony faced a wooded area. The only thing he could hit was a tree and the food would eventually biodegrade into the soil.

You both tossed them, competing to see who could throw the farthest. It let Tom blow off some steam, and also gave more time to ventilate the place before you went back in.

After the last cupcake (if you could call it that) was tossed, you got started on cleaning everything up. He had used a lot of bowls for one boxed cake mix, but you didn't ask.

It took a while to make sure things were sufficiently clean, but finally everything was ready to make a new batch.

"Oh one other thing before we start. Have you ever made a meringue?" Tom asked as he preheated the oven, which you carefully supervised to make sure it was right.

"I mean, I've made some before. Why?"

"Well part of my project was talking about how egg proteins bind. They sound pretty easy. Just eggs and sugar, right?"

Your hand covered your eyes in disappointed surprise.

"What? No. Tom, meringues are like, notoriously one of the hardest things to get right. They land just before macarons, and meringue is one of the main parts of a macaron!"

"What are you talking about? How can something with two ingredients be that hard to make?" he tried to argue, but you weren't about to let him trick you into making something so difficult.

"Did none of your research explain how moisture, temperature changes, utensils used, and method of cooking affect the outcome."

"...Uh... no."

"Were you planning on using the Swiss, Italian, or French technique?"

".....I didn't know there was more than one."

"Well then you might go do a quick search to add to your presentation while I cover the cupcakes."

While he did that, you made up the batter and got the cupcakes in the oven (set at the right temperature for the right time), then got started making some frosting.

"Hey, y/n. Did you know you aren't supposed to make meringues in a plastic bowl?"

"Yep. Plastic can retain lipids which prevent proper binding. Same reason you can't whip the yolk."

"That's what this says! How did you know that?"

You shrugged.

"I like to bake. By the way, you better credit me as your pastry chef on the presentation."

"Will do."

He made some edits on the page and found a recipe claiming to be the easiest method, so you caved and agreed to help him make them when the cupcakes were done.

As you measured sugar and got the whisk attachment ready, you looked over and admired Tom as he meticulously separated the eggs.

You couldn't help but fall head over heels for him all over again seeing how he did each step carefully, all his focus on each little egg.

Sure, he was a little clumsy sometimes, but he was precious and cared about whatever he did.

It took what seemed like hours to get the egg whites whipped properly (and lots of arguing with Tom about what "stiff peaks" meant), but finally you had them in a piping bag and on a pan to bake.

You couldn't help but wait by the oven in anxious anticipation for the meringues to come out, even though they'd be in there for a while.

Tom sat right next to you on the (surprisingly) clean kitchen floor as you stared at the oven.

"Babe?" he asked softly, leaning into you.

You hummed a response, taking the opportunity to rest your head on his shoulder.

"Thank you for coming and helping me. I know you value your library time."

You smiled and sat back up, looking Tom in the eyes.

"You know, I wasn't really studying anyways. I was watching youtube videos with my headphones in because I didn't want to go home yet."

Tom had a mischievous grin and furrowed brow.

"So you just go there as an excuse to get away from me?!"

You laughed and knocked into him slightly.

"No! I just got done with my homework and wanted to hang around campus for a while... and I had a feeling you'd call eventually."

Tom gasped.

"You didn't trust me!?"

"Now that I can answer truthfully..." you started, causing him to pout. "I'm not saying I didn't trust you at all, it's just that I had never once heard of you baking and figured I would prepare myself accordingly."

"Does this mean that Alex knew too?"

"I can't speak on his behalf, but I'm glad it was just us anyways. I like getting to spend time with you like this." You paused to peck him on the lips. "Want me to read over your project? I know those spelling errors can slip by sometimes."

Tom grinned, wordlessly getting up and offering you a hand.

⚛︎

The expo was in full swing and you nervously stood on the other side of the room as your project to watch people walk by and observe your findings.

You had already given your presentation to the judging panel and now the expo was open to the public, so you tried to avoid stressing too much as you talked with some friends.

Suddenly a pair of warm arms came around your stomach and Tom's scent enveloped you.

"Hey baby, how ya feelin'?" he asked, resting his chin on your shoulder as your thumbs rubbed over his hands instinctively.

"You know me. A little nervous." You flipped in his arms to face him. "And what about you? The judges like our sweet treats?"

"They sure seemed too. Dr. Grand liked the meringues so much she asked for another."

You smiled.

"Well either way, I'm proud of us both."

"Thanks again for helping, I couldn't have done this without you. I made sure to emphasize how difficult meringue making is during my presentation thanks to you."

Finally your friends had enough of the cutesy bullshit and convinced you and Tom to rejoin the conversation, both of you with arms around each other as you conversed.

Time passed and eventually they gave prizes to the best projects of the expo. You knew you wouldn't win anything, there were some far better projects out there that included heavy research.

"And in first place, 'Science around us: the chemistry of baking' by Mr. Tom Holland! Congratulations! If all of our winners could come pick up their ribbons and get a photo for the newsletter, that would be great."

Tom stayed casually next to you, so you had to shake him and get his attention.

"Did you hear that Tom? You won!"

Tom blinked a few times, then gasped.

"I won!? I mean, we won!!?"

You rolled your eyes and pushed him forward.

"Go on, get your blue ribbon, baker boy."

He excitedly rushed up to the table where his prize awaited (tripping a few times, but you ignored that) and bounced on the balls of his feet as someone pinned the ribbon to his shirt.

You could see the sheer delight on his face as the winners took a group photo, and he practically skipped back to meet you.

You and your friends gave him congratulations as he happily looked down at the blue piece pinned to him.

He then unpinned it and tried to hand it to you.

"Now, don't congratulate me, y/n gets all the credit for making everything."

"No, no. It was your idea and you did the research. You deserve that more than anyone else. And plus, you were right. Baked goods did give you an edge over the competition."

"Well I say it was a science project for the ages!" he exclaimed, holding up the ribbon. You and your friends cheered to that.

"How 'bout we go celebrate your win over lunch, hm? The cupcake I had isn't holding me over and I'm starving."

"Sounds perfect, darling. Lead the way."

You happily headed off towards the nearest place on campus, completely oblivious to the fact that Tom had pinned his blue ribbon to your backpack.

He quickly made up time and slipped a hand into yours.

If nothing else, he was the boyfriend of the ages.

⚛︎

A/N: thanks to the anon who sent the request for this! I really enjoyed writing it! I think I could've improved some things but overall I'm pretty satisfied with it, and I hope you are too!

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#a science project for the ages #tom holland #tom holland story #tom holland fanfic #tom holland fanfiction #tom holland one shot #tom holland x you #tom holland x reader #tom holland x y/n #tom holland imagine

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theravenclawlover · 3 years

Text

Welcome to the Industry of Porn

Paring: Avengers X Female!Reader

Warnings: +18, heavy smut, drinking, slight angst in later chapters, fluff if you squint, and my English as usual.

Word Count: 3,451.

Summary: AU where the Avengers are Pornstars. It’s pretty self-explanatory.

Chapter: 4.

Chapter Title: A new kind of family

A/N: I finally graduated yall! So long college life! Sorry, this part took so long to post, but I had finals and graduation, and now I have to look for a job lmao. Nothing scandalous on this part, and won't until maybe the next one. which won't be you but two of my favorite characters. If you want to be tagged for this work or others please let me know by either commenting or sending me an ask.

The month after the glorious evening you and Cassie had in Las Vegas, life became full of surprises. If you were being completely honest with yourself, you hadn't expected to keep in touch with anyone you met at the party, but it seemed you had made a good impression because you were now friends with Bucky and Steve. Well, more like texting buddies as that was the only way the four—Cassie was also in the group chat Bucky had insisted on making as he found it annoying to send the same funny videos three times—could keep contact. It had started with funny videos Bucky would text you, and then Steve would send important news he found on the internet. You, of course, were confused but didn't say anything until Cassie had brought it up as she commented about a topic Steve had sent the both of you. You found it funny, really, almost ironic that you had seen those two fuck for porn and now they were trying to come up with a catchy nickname that they could bug you with. Again, ironic.

But that wasn't the only thing that had been a surprise, you had been seeing more of Tony as well. You knew that Stark was friends with the Russo's but something they had failed to mention during the party was that they were the directors behind most of the high-ranking adult movies the Avengers had. You had found out about it one week and a half after the party when you were shooting three different shorts for the Russo's, and Tony had paid a visit along with Jason. Cassie and you were confused to see both men there and had asked Joe after the day was over why they were there. He had opted to grin and say, 'he has new projects, and has been talking with Jason and us about 'em'. That had been enough for the both of you until he kept coming to every other shoot you had.

One morning, after having shot the first couple of scenes of the day, Jason knocked on the door of the room Cassie was waiting for you to finish taking a quick shower.

"Hey, what's up?" said Cassie as she opened the door to let the man in.

"Morning, I was looking for Y/n? is she still in the shower?" he asked as he looked around the bare room of the rented house where the scenes were being shot.

"Yup, she got some of it on her hair," said Cassie as she scrunched her nose. Jason huffed a laugh.

"I guess I would spend as much time in the shower if I had sperm all over my hair," he added as he took a seat on the bed, "I hope you don't mind if I wait here with ya?"

"Nah, it's fine." Cassie sat next to him as they heard your voice carry as you sang one of your favorite songs.

"So, why do you need to talk to Y/n?"

"I'm sure you and Y/n have seen Stark and I come in a couple of times," she nodded her head, "well, a couple of months ago he had to cut some people from his company and team, and he's been looking for new people and you and Y/n seem to have made an impression on him. And trust me, he rarely comes out to scout people, he has Maria Hill and Nick Fury for that."

"Wait, so you're saying that Stark wants Y/n?"

"Who wants me?" you asked as you opened the door of the bathroom, a bathrobe covering you as you used a towel to dry your hair.

"I was about to tell Cassie how Stark has personally made the time to speak with me, Joe, and Anthony so he can make a contract for you and Cassie," said Jason as he got up from the bed to face both of you and Cassie.

"What?!" you and Cassie shrieked at the same time.

"Stark has been talking to Joe and Anthony because you—" he pointed at you, "—are under contract with them, and he's been talking to me about you Cassie because he wanted to see the pictures you took of Y/n. He wants you to be part of his photography and video department."

It was silent.

Cassie sat still on the bed as she gaped at the man while you had stopped your movements with the towel still drying your wet hair. It seemed like a whole five minutes before you or Cassie moved or said anything.

"Are you pulling our legs?" you asked as you approached Cassie and sat next to her.

"I know, it sounds crazy, the man himself has been at our necks trying to make sure nothing can stop him from hiring you both," he said with a smile.

"Fuck," exclaimed Cassie as she finally looked at you. You looked at her with the same wide eyes.

"Yes."

"Excuse me?" said Jason as he looked at you. You had whispered your answer.

"Tell Stark we're in, we'll sign."

Jason smiled wider as he took his phone out of his pocket to call Tony.

Tony Stark had set up a meeting the next morning as soon as Jason had said the words 'they're in' to him. And so, the next morning, you and Cassie drove to the once 'Stark Enterprises' building which was now called 'Avengers Tower' which was the name Bucky had said the building was called. The building was tall, with numerous amount of floors that you both could only guess what they were for. Down on the first floor was only a front desk with a young woman.

"Good morning, how can I help you?" said the woman with an Irish accent.

"Morning, we're here for a meeting with Tony Stark," said Cassie with a smile. The woman asked for your last name as well as Cassie's before she let you take the elevator indicating to press 93 to arrive at Tony's office floor.

"I still can't believe we're here to sign a deal with Tony Stark so we both can work here. Like, my brain can process it still," you said as you shifted on your spot as your anxiety rose.

"You can't process it? Imagine me! I'm not even graduated and I'm about to have a job that is willing to take me even before I receive my damn diploma. Stark seems to be in a hurry if you ask me," said Cassie as she glanced at the changing numbers on the panel.

"I know, I mean Jason did tell you that he had lost some people, so maybe he's one of those people that can't be at peace if things are not to their liking, kinda like you," you said as you chuckled at the last part. As you conversed with Cassie, your nerves calmed. The doors opened announcing your arrival on the last floor of the building.

The floor was as spacious as the first floor, but this time the floor was part lobby—which was ridiculously fancy—and part Stark's office. The doors to his office were open, so he raised his head when you and Cassie came out of the elevator.

"The ladies of the hour," he said as he stood from his chair and walked around his desk as he approached you both while you two walked into his office. Which was fancy as well, full of weird tech gadgets.

"I'm glad the two of you decided to make a deal with me," he said as he signaled to the chairs in front of his desk.

You both took your seats as Tony walked over a small cabinet that to no one's surprised ended up being a wine cabinet.

"I know it's early, but would you two like a glass of wine? It's not every day I hire people," he said as he took out a wine bottle.

"Sure, why not," you said, and Cassie nodded. Soon, you three were sitting down and with a glass of wine in hand.

"Alright, so I know a lot about you Y/n which is why I know I want you to work for me. But you, Cassie, I don't know much about you aside from your work with photography. Do you know anything else aside from photography?"

Cassie cleared her throat as she felt all eyes on her.

"I know video editing, but my main focus has always been photography. I did take two semesters where I focused on digital design, but that was before I decided to just double major on photography and creative writing," she said.

"Creative writing?" he asked as he sipped his wine.

"Yeah, but that was because of the number of writing courses I had to take as GEN-ED courses and was recommended to just double major so I wouldn't have random credits," she said while she shrugged.

"So, you're good at writing?"

"Not as good as Miss almost-a-journalism-major over here," she said as she pointed at you, which made you groan. She knew how it annoyed you to be reminded of your failed attempts to make it through college.

You expected Tony to laugh along with Cassie who let out a chuckle at your reaction, but Tony looked at you with raised eyebrows but before you could ask anything, he smiled and pulled out two contracts along with two fountain pens.

"Well, I guess that's good to know because the position I want you to have involves a little of everything of what you do," he sat back on his chair, "I want you to be head of the department. The last person was fired because it turned out I was trusting the wrong kind of people, so this time I wanted something fresh to erase the mark they left and teach new things to those who stayed here. Your job, if you take it, will involve taking pictures of my starts when they work. I will have to work on the schedule that way you know who you'll be working with, sometimes you'll have another person with you because there are never too many pictures when they're good. You will also be asked to keep up with the video vlogs some of my starts have, you just gotta make sure they're submitting good things. You will have a team for that, you want a good video done, they'll do it, but you can always do it yourself if you want. And lastly, every year two of my departments come together for the yearly special issue but that is still months away, so no need to worry about it right now. So, Cassie, can I trust that you will be able to do this?"

You and Cassie were speechless at the number of things she would have to do. Your job was easy: act, fuck, and repeat. Hers? There's a reason why you dropped out of college, and she didn't. She could do it.

"I'll admit, it is scary the number of things I would be doing, but Mr. Stark, I can assure you that I will give my one-thousand-percent for this opportunity. I will not break that trust, sir."

She understood that it was serious, therefore you did try to hold a chuckle at how formal she sounded with him contrary to what she had sounded back at the party.

Tony took a minute to analyze Cassie's face before he gave a chuckle and grinned.

"Cassie, you have me convinced that I am making the right choice by adding you to my team," he pushed the contracts toward you both, one for you and one for Cassie, "Now, you Y/n, I already know I want you here and if I'm being honest, I have some people that were quick to tell me that you are one of the few that actually take this job seriously. It's hard to find that professionalism these days. So, here are the contracts. I know this was super last minute, so you can get comfortable outside and read them over. If you have any questions or want to go over any section of the contract, just walk right in."

With that, you both grabbed the contract. Cassie made herself comfortable on the big couch, she held a groan as the comfy couch could make her fall asleep within seconds, you opted for the lone sofa.

Neither of you could believe it was really happening, you were minutes away from signing with the brand that introduced you to this world, and Cassie was also minutes away from signing with the same brand she never thought she would be working for, and she was sure no other job would offer her an important position like the one Tony was trusting her with. It was all too surreal, yet it felt right. It felt like this was the right path and life had finally been kind enough to shed some light toward it.

While you were almost done with the contract, the last couple of pages talked about one of the offers/benefits if you worked for the company: living accommodations. You read over it carefully as it seemed like it was too good to be true. The building was not only the headquarters, but it also housed all the stars and the majority of the staff that work at the company. It was not mandatory, but each of the house-floors offered up to ten rooms, one full kitchen, one spacious common area, and each bedroom offered a personal full bathroom, and a spacious room with a queen-sized bed—which could be changed if you opted to buy a different one—and you could decorate the room however you wanted. Everything was paid for, there was no rent, but you would be in charge of your own groceries, necessities, and room furniture. The pay was good, the deal was great, the decision was made.

You showed Cassie what you had finished reading, and she had to read it from her contract to believe it. It was no surprise when she said that she would have to rent her apartment to the other college students because there was no way in hell she was going to pass out on living here along with you. Besides, the drive to the university was long from here.

Soon after that you both took a deep breath and signed the contract. Now, Tony needed to sign, and it would be a sealed deal.

You both, with grins on your face, walked in and Tony, upon seeing you both, clapped his hands and grabbed the contracts you both had set on the desk for him. He scanned it over and smiled when he saw that you both had signed for the living arrangements as well. He looked up with a bright smile.

"Well, only one thing left to do," he grabbed his pen and signed where he needed it. "Welcome to the family, you two are officially Avengers."

Before Tony could get up and serve some drinks to celebrate, the elevator announced the arrival of a new person. You all turned your heads to see Pepper walk toward where all of you were.

"Did they sign?" said Pepper as soon as she saw both of you, a smile plastered on her face.

Tony stepped around his desk and walked toward her.

"Yes, Pepper, they are officially part of the team," said Tony with a grin as he looked proud about landing a deal with you both.

"Those are great news because I already made a reservation at the new forties-themed restaurant down a couple of streets," she said as she looked happy about her actions, and she typed on her phone, and two dings were heard. You and Cassie pulled out your phones to see that Pepper had sent the address to the place.

"Nothing fancy, it's just going to be a small dinner, I'll have Jarvis pick you up at seven at your place—"she clasped her hands together and smiled, "—this is so exciting!"

By six-forty-five, the man named Jarvis—a man with a British accent and looks that had Cassie practically drooling—knocked on your door to take you both to the restaurant Pepper had made the reservations at.

The drive was quiet and quick, and soon enough you had arrived. Pepper stood outside as she waited for the car to park in front of her. Cassie opened her door before anyone could do it for her because she had an inkling that a minute too long and she would have Jarvis or Pepper open it for you and her.

She greeted both of you and guided you in as you three thanked Jarvis. The ambiance of the restaurant was beautiful and captivating that you couldn't but gape at the place. It wasn't fancy but it definitely gave that presence. Tony was waiting as he conversed with some of the people that had already arrived. You didn't recognize the people at first but soon your mind showed you where you knew them from. Some of them were definitely future co-stars while others were definitely people Cassie was going to work with as you had never seen them before.

He walked toward you when he spotted you, Cassie, and Pepper. He got up from his chair as he walked next to Pepper.

"Glad you're here, ladies," he said as he looked at the people who were now getting up from their chairs, "these are Y/n and Cassie."

A man named Bruce shook both of your hands with a shy smile, he said that he worked for the tech and art department. He was the one who helped create the sets for the movies as well as for the short films. Then another man introduced himself as Nick Fury who was the man in charge of casting—he was director—and then his second in command introduced herself as Maria Hill. Next came a woman who you knew as Captain Marvel, but her name was Carol. You couldn't help but blush at how pretty she was and not to mention the fact that you had a big crush on her. Lastly, Quicksilver and the Scarlet Witch introduced themselves as Pietro and Wanda. They were nice, and you couldn't help but feel that Pietro was being extra nice to you and Cassie.

The conversations started flowing as soon as Tony had said for everybody to take a seat as he announced that the others were soon to arrive. And within ten minutes everyone that had been invited came, which to you and Cassie was definitely not a small number of people to make Pepper's "small dinner" feel like one.

When everybody was seated, and Pepper had told Tony that no one else was arriving, he had the waiter serve a glass of champagne to everyone. Once the waiters had gone and served everyone, Tony stood from his chair and called for everyone's attention.

"Thank you, all of you, for canceling plans last minute as Pepper decided to do this impromptu dinner, but at the same time, this is a dinner that is important for all of us. As some of you know, a couple of months ago we hit a rough patch, some people got fired, and it left us in a hard spot. We had enemies amongst us, and they had been selling our ideas to those channels. I didn't know what to do, and I didn't want to hire anyone else that would cause more damage to this company, so I went out of my way and scouted people. It turned out, there's not a lot of people that impress me, but some weeks ago I had the pleasure of meeting two lovely ladies who managed to get me hooked—" he motioned with his hand to you and Cassie, "—Miss Y/n and Miss Cassie here, just today, signed their contracts and will be working with us pretty soon. Y/n will be joining my precious collection of starts while Cassie will be joining the post-production team as well with the photography department which she will hold the role of head of the department. I'm not big on adding new people to my company but I refuse to pass out on people I know will succeed here, so I want all of you to help them make themselves feel at home as they will be housed with us. So, if you could raise your glasses, I want to welcome you officially and warmly, Y/n Y/l/n and Cassie Ayers, to this one big dysfunctional family!"

Along with laughs and cheers, Cassie and you could hear the quick 'welcome' some people directed at the both of you. You two thanked Tony as he motioned his glass toward the both of you before gulping it down.

You both looked at each other before looking around at the people who tried to introduced themselves and or wanted to congratulate you both on being part of the company.

It all felt great, it felt right, and you were ready to live a life you felt good about.

Welcome to the Industry Taglist:

@ginger-haired-queen

@arianabrashierstuff

@stylessugarhigh

@hanaamara

@fckdeusername

@mimilie98

@duskangxls

Permanent Taglist:

@cnco-ravenclaw-46

@musiclover812

@teapartydreams

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saintartemis · 3 years

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Hello ! How are you ? Since your description says 'ask me about museums' I am allowing myself to do just that: I was wondering if there are jobs in museums that don't require to be in contact with the public too much ? Every time our teachers talk to us about our options (full disclosure: im an undergraduate in art history but im considering continuing either in professional museology studies or in research in art history depending on where I'll be accepted) they mention being a guide or doing conferences or doing tours with kids etc. I would much rather be the person who writes all the text people have to read during exhibitions or the press kit etc., I know how to do deal with people just fine but my writings skills are my biggest strength (might not show here, english isn't my first language haha). But tbh I don't actually know how work is split up in museums ? and idk if the writers aren't actually academics external to museums.... I haven't had a chance to intern in one to find out yet unfortunately. I just picked up a book about museum jobs to find the answer to that but I thought it'd be good to ask a real person like you too, I hope that's okay :-)

Hi Anon! It’s more than okay. I love it when I get questions and don’t worry, your english is perfectly fine!

There are many different jobs in a museum, but quite a few do require interaction with the public. Though to what extent you interact with the public can vary a lot depending on how big the museum is and the perimeters of the job.

If you work in a big museum, everyone usually has a set role they do. So, if you are in collections, you’re likely to only do stuff with collections. If you work in a smaller museum, like I currently do, then you do a little bit of everything. While my main job is interacting with the public and leading tours, I also write educational blogs, assist the curator and director and other jobs as needed.

A few job that I can think of off the top of my head without getting too bogged down in the details are:

· A collection manager or a curator, will primarily be concerned with the care of the collection, preservation, research and exhibition.

· Registrars work with collection managers and curators regarding acquisitions, accessioning and deaccessioning collection(s), managing loans between museums, insurance, and a lot of documentation and research.

· Art conservators, work directly with object mitigating damage and repairing objects and artifacts while doing minimally changes.

· Administrative positions can be in finance, development and communication/marketing and social media.

· Exhibition and Operations. Exhibits are the one who build the exhibit cases, models, displays, print out the text panels etc. Operations make sure all the gears run smooth, A/C works, the roof isn’t leaking, the security system works up, the chairs are out for events, doors are locked at the end of the day, may or may not include front of house people.

That’s great that you enjoy writing and consider it a strength! A lot of museum jobs require writing whether it is catalog description, reports or social media blogs.

Writing text for exhibitions is usually a collaborative effort between the education team and the curator or collections manager. At the first museum I worked at, it was the job of the Head of the Education Dept. and the Curator of the collection the object/artifact came from.

At my last museum and at now my current institution, the text panels are written up only by the curator, but with input from other staff members, usually in the editing phase. Sometimes outside academics are brought in depending on the exhibit. Once everyone agrees that what’s being written is good to go, it’s sent to exhibitions or the print shop.

If you don’t want to work in education, which can mean a lot more than just working with kids or giving tours, you might want to look into being a collections manager or curator.

Press kit write ups are usually done by the communications/marketing department which can also include Social media too. Depending on the museum this can mean being in front of cameras or talking in front of people at times. These departments have become really important over the course of the pandemic because a lot of museums couldn’t do their in-person programing, so trying to keep our public engaged with us over social media became even more important.

Development, is fundraising and convincing rich donors to part with their millions, but it also means grant writing. Asking various foundations to give your museum their grants for educational programs, collections projects, building new wings or storage areas or funding an intern or three. It is very important and not everyone is good at it, which means you need to be a really good writer.That might be an area that you might be interested in exploring.

But again, this can all vary depending on the size of the museum you work at!

I’m guessing your profs probably bring up leading tours as a means of getting your foot in the door, and giving tours is part of our educational mission as museums, so they are very important, though by no means for everyone. And that’s perfectly okay! Just do your best to maintain those skills because even if it’s not your main job, it can come in handy. At my current museum, even the director and curator occasionally lead tours!

Academic conferences, even if you aren’t presenting, are very important because topics important to the field get discussed, you can get ideas to try at your museum, and it’s a good way to network! Not to mention fun! I made more progress networking at the bar after hours then at all the official networking functions. At my grad program, we were highly encouraged(read: told) to do a poster for the poster session of our regional museum conference and it was a great experience.

I hope this was helpful! Feel free to reach out if you have more questions!

Thanks Anon!

#museums #museum life #museum science #museum #museum studies #museology #museum worker #museum curator #artemis speaks #artemis answers #Anon

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beneaththetangles · 3 years

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Reader’s Corner: Carole & Tuesday, Rascal Does Not Dream of Siscon Idol, and The Rampage of Haruhi Suzumiya

Rascal Does Not Dream of Siscon Idol (Rascal, Vol. 4)

My most consistent complaint about the Rascal series, which I otherwise find charming, is that the stories are too full of contrivances. with plots points and character actions often making little sense. Though these developments are often small, such as an explanation that the sisters at the center of this volume aren’t apologizing to each other after a fight because neither would accept such apologies, when that hardly seems true, the way they impact character development and the plot by changing both for the sake of reaching certain resolutions and mile markers in the text, rather than letting the characters and their situations play out naturally, is frequent and significant. The same issue continues, though thankfully at a lesser extent, with Siscon, the fourth volume of the Rascal series, which introduces Mai’s half-sister, Nodoka, an idol in her own right but one far less famous than her actress sister. Both are impacted by Adolescent Syndrome in this volume, switching bodies and being forced to act as one another in different realms and levels of show business. The dialogue between Sakuta and Nadoka is almost as delightful as between him and Mai, and features frequently throughout the text in this fun and warm read which continues the series’ delightful balance between playful adolescence and development of authentic relationships between characters, in whom I’m now fully invested. ~ Twwk

Rascal Does Not Dream of Siscon Idol is published by Yen Press.*

Yokohama Station SF

Not every robot overlord is like Skynet, intent on killing all humanity, with android enforcers that are nigh impossible to kill. Sometimes, the enforcers are turnstiles that not only keep the ticketless out of the station but eject rules violaters to unoccupied spaces to meet their deaths by starvation, and sometimes the master computer is just railroad infrastructure consuming the entire island of Honshu via slow, automated urban renewal. This unique and immensely absorbing post-apocalyptic novel begins long after the “Winter War” devastated Earth, and Yokohama Station, a concrete and metal structure growing seemingly without end, has covered almost all of Honshu and threatens the neighboring islands. Hiroto, lives on a sliver of land just outside the behemoth structure on a tiny beach community until an “Insider,” ejected from within the station, gives him a chance to explore the vast unit for five days, also charging him with finding a resistance leader, while he brings in a personal quest of his own. From the description, you may sense both Terminator and Ready Player One vibes, though its more similar in tone and eventually story to the latter, though cutting out that work’s affection for nerd culture and replacing it with efficient writing. Yokohama Station SF features a clever and well-crafted but familiar world, interesting artificial intelligence units—always a plus for me—and believable science fiction, having been written by an actual scientist, Yuba Isukari. Yokohama Station SF is his first novel, and as a compelling piece of sci-fi with anime sensibilities, it is a significant achievement. Paraphrasing another overlord of a sci-fi franchise, I shall be watching Mr. Isukari’s career with great interest. ~ Twwk

Yokohama Station SF is published by Yen Press.*

Love of Kill, Vol. 1

The quiet, beautiful Chateau Dankworth is a bounty hunter, working for an organization that contracts with mafia families to eliminate targets. Ryan-Ha Song is also an assassin, but an especially notorious one, skilled and feared for his prowess. When these two become entangled, it’s not in a deathmatch—it’s because the enigmatic Song wants to date Chateau! Volume one of Love of Kill features plenty of action and establishes the deadly world in which the protagonists work, but otherwise gives very little information about the two. Structurally and thematically, the opening volume is engaging, functioning through leaps back and forth in time and filled with grisly episodes of violence. It’s quite jarring, most particularly when the volume mixes in a romantic interlude between the leads that feels as awkward to readers as it does to Chateau, and for the same reason: Song appears to be entirely psychotic. That also makes it hard to root for the killer, while younger assassin displays so little personality that she’s also difficult to care for. With such coldness, it’s hard to imagine why this manga, which in its initial version was published through the Japanese art site, Pixiv, necessitated a fuller release. Perhaps future volumes will reveal that answer, but for now, the tale of Pixiv to published is the most engaging part of this manga. ~ Twwk

Love of Kill is published by Yen Press.*

Eniale & Dewiela, Vol. 2

This second volume of this very silly series continues within the same framework of gags from volume one. In one story, Eniale causes havoc to the world by using supernatural noises to create sonar in an attempt to find Dewiela’s earring, which she’s lost. This humorous storyline and other chapters also provide a view into the interesting cosmos of this version of the world. While Eniale and Dewiela represent the Lord and Satan, respectively, from a Christian framework, this world setting has other deities and belief structures both existing and being true concurrently. Eniale and Dewiela are trying to reap souls for their respective afterlife locales, while local deities they encounter are pushing back, saying that the local souls belong to them. The duo face especially harsh pusbback by local deities when they enter Japan. The most interesting story comes from the tale of a Catholic priest who, according to Heaven, may become an angel one day to battle during Armageddon. However, something changed in his life and Eniale is sent to investigate. This bittersweet tale ends, as usual, on a gag, reflecting how fun this series is overall, even if it’s theology is just wildly inconsistent. ~ MDMRN

Eniale & Dewiela Vol. 2 is published by Yen Press.*

Carole & Tuesday Vol. 2

Volume two of Carole & Tuesday has the titular girls experiencing new challenges on their way to recognition and success in the music business, but it opens with a focus on a third girl. Angela, a child prodigy famous for modeling, wants to try something different and to become a singer. The manga shares some of her backstory and how she teams up with Tao, a man of mystery who creates popular songs using A.I. He riles up Angela throughout the manga, pushing her (rudely) to try harder. Meanwhile, Carole and Tuesday are try to get DJ Ertegun to listen to their song, which he refuses. Later, they struggle to find harmony on a new song, and take a little break outside on their own, considering their journey up to that point. When they return to their apartment, their slovenly manager, Gus, convinces them to enter the Mars Brightest competition. It’s like American Idol, but on Mars! Angela also enters in the test that will show how skilled these three girls really are as singers. I’ve seen the anime so I knew what to expect, but the manga still entertained me, particularly with its fantastic artwork. The panels pop out and feature intricate detail, connecting more with the characters through the facial expressions, dialogue, and the challenges they face. ~ Samuru

Carole & Tuesday Vol. 2 is published by Yen Press.

The Rampage of Haruhi Suzumiya (Haruhi Suzumiya, Vol. 5)

Having watched the episodes, but never having read the novel from which they were adapted, I expected the “Endless Eight” story to be much like the anime version: repetitive, dull, and overly long. It is in fact none of these things, taking up just 1/4 of The Rampage of Haruhi Suzumiya, the fifth light novel in the Haruhi Suzumiya series. While I still admire KyoAni’s decision to spend eight episodes on almost identical material to reflect the time loop aspect of the story (this despite the disastrous reaction it received), the much shorter chapter in Rampage doesn’t need the repetition to convey the peril and anxiety of the situation. It’s an excellent story, joining the funnier material in “The Day of Sagittarius” and “Snowy Mountain Syndrome,” the longest story in the series so far, which initially feels like material already covered but in a winter setting, though it later reveals itself to be a story that not only reminds us of how Nagaru Tanigawa excels as a science fiction writer, introducing further elements of the genre into his work, but also one that conveys serious heart. The last story provides another one of Haruhi’s sincere explanations of her behavior to Kyon and heavily features character development of Nagato, as subtle as it is, which is equal parts uplifting and mysterious. ~ Twwk

The Rampage of Haruhi Suzumiya is published by Yen Press.*

Maison Ikkoku Collector’s Edition, Vol. 3

Some forty years after it was first published, these chapters from volume three of Maison Ikkokku Collector’s Edition show precisely why this romantic comedy is so beloved, displaying the full retinue of humor and charm that are pervasive throughout the series. This volume continues to demonstrate Rumiko Takahashi’s talent at using misunderstandings to develop strong comedic content, which then gives way to reveal her character’s personalities and hearts. With Godai now knowing Kyoko quite well, but still miserably immature in his outlook on romance, he struggles to “make the leap” into a relationship with her, but each chapter shows that despite the obstacles that get in their way—some significant and others more figmental—the two are more and more making connections between their hearts. And as laugh out loud funny as many of the panels are, it’s these moments of caring, which increasingly find their way into the lives of Godai, Kyoko, and the rest of the Maison Ikkoku residents, that make the series memorable, driving it closer and closer toward fulfillment while keeping us just far enough away to crank the angst up to 11. ~ Twwk

Maison Ikkoku Collector’s Edition is published by Viz.*

The World’s Finest Assassin Gets Reincarnated in Another World as an Aristocrat, Vol. 1

The world’s best assassin has run out of time—or has he? On the verge of retirement, he is tricked and killed during his last mission. But upon his death, the assassin appears before a goddess (what a surprise!) who needs him to do her a favor: Kill the hero of the world she’s in charge of before the hero causes trouble in the future for her and the world he is in. She chose the assassin because of his skill and allows him to be reborn whilst choosing his own skills. Much like Rudeus in Mushoku Tensei, this protagonist is reborn literally, as a baby, but retains his previous memories. As he grows up among a wealthy family of assassins in a world of magic and knights, he trains to become better and to prepare to face the hero. Along the way, he meets a girl named Dai who becomes his magic teacher and Tarte, whom he rescues from poverty (she eventually becomes his assistant/servant of sorts). Although it’s rather rushed and features fanservice moments I felt were unnecessary, I enjoyed volume one. It’s a good selection for fans of isekai, though not without some flaws. ~ Samuru

The World’s Finest Assassin Gets Reincarnated in Another World as an Aristocrat Vol 1. is published by Yen Press.

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Reader’s Corner is our way of embracing the wonderful world of manga, light novels, and visual novels, creative works intimately related to anime but with a magic all their own. Each week, our writers provide their thoughts on the works their reading—both those recently released as we keep you informed of newly published works and older titles that you might find as magical (or in some cases, reprehensible) as we do.

*Thank you to Yen Press and Viz Media for providing review copies.

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sailorspazz · 3 years

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10 Dance Vol. 6 Special Edition overview

Volume 6 of the 10 Dance manga was released in Japan on March 18th, 2021. As with volumes 4 and 5, there are both regular and special editions available. In this post, I will provide an overview of the release, including observations on changes that were made to the chapters compared to how they were printed in the magazine, plus summaries and select scans of content from the special edition booklet.

It is often the case that when chapters come out in the manga magazines, they aren't always fully polished, and since I became highly familiar with this run of chapters from the summaries I made, several things immediately jumped out at me as I went through the book. First of all, though chapter 29 was split into two parts and released in subsequent months in the magazine, these two halves were combined into one chapter, with no indication they had ever been separate. I assume that they were always intended to be one chapter, but since the full chapter was not completed before the deadline (and it was a month when 10 Dance was being given the cover image, so not possible to delay its release), it was simply split over two months instead.

For visual changes, the most common alteration was scenes that originally had little or no screentone having it added in:

There were also some instances of either slight panel redraws, or complete replacements with new panels. None of these were from particularly important scenes, so it could just be Inouesatoh or someone on her team didn't like the look of the original panels and wanted to change them. The following example has a bit of both, with Suzuki in the upper left corner being replaced, and his eyes being redrawn in the lower panel:

Personally, the most amusing addition I noticed was when Max was thinking about throwing a party. Originally, we didn't see what he was envisioning, but in the volume, an addition has been made in the background: the New Year's piece Inouesatoh drew with sexy men dressed as cows, except now they're bunnies!

As for dialogue, it appeared to be almost the same in both versions throughout. Some minor exceptions include a spot I found where the dialogue was put in a different order, swapping Sugiki’s lines between this panel and his first line on the following page (in addition to another altered panel example):

As well as in this shot of Suzuki describing how they tug at the thread that connects them through their dance. Whereas before it put the word “dance” next to the part about tugging on the thread to specify what was meant by that, it was deleted in the volume. And while it was originally described as “affirming that we’re connected”, this was also tweaked a bit to be, “affirming our connection”.

There were a couple instances of character names being different from when they appeared earlier in the story. In this volume, two characters who were last mentioned back in volume 2 (Lucas Calvo, one of the champions at the table in Blackpool, and Deeks, who Ernie said hated Sugiki because he "stole" his girlfriend), either from typos or intentional changes, weren't the same as before. Lucas' last name was written with a 'g' sound (ガルボ) instead of a 'c' (カルボ), and this change carried over to the volume. On the other hand, Deeks' (ディクス) name got transposed as Disc (ディスク) in the magazine, but was fixed in the volume.

There was a typo that unfortunately made it through to the volume (but could perhaps be fixed in future printings). In chapter 34, when Norman is testing Suzuki's skills, he flashes back to Sugiki taking the national title from him several years earlier. The text in this scene, written in English, incorrectly states that Suzuki won the championship, rather than Sugiki.

The volume also includes the usual additions that are not present in the magazine, such as the under the cover flap comic, and Inouesatoh’s notes about each chapter.

The cover flap comic (which looks very much like a sketch, compared to previous ones that have had more complete art), features the Shinyas during a practice session earlier on in the series in December, where Suzuki complains that Sugiki’s Latin just isn’t sexy. Sugiki suggests that he can practice being sexy by wiggling his butt around to write a message in the air. Suzuki worries that if he starts writing out “love” or something, he’ll have to run away and escape. Sugiki gets started, and Suzuki calls out each letter that he can make out from his elegant butt bouncing. After figuring out he’s written “M-E-R-R-Y”, Suzuki guesses that he’s writing “Merry Christmas”. Sugiki gets mad that he said it aloud before he finished writing his message, and says he’s going to leave. Suzuki says, “Wait, I love you,” as narrative text says that this somehow turned into a love story in one panel.

And here are some tidbits I found interesting/amusing from the chapter notes:

She thinks readers who are fans of pecs will like Saichi.

She’s not sure if readers will love Max or hate him, but she personally likes him (sorry Sensei, I kinda hate him lol)

As of chapter 32, a portion of the art is now done digitally.

The epic “last dance” scene from 33 was something that she had planned since the beginning of the series, and it ended up being 8 times the cost for a typical chapter.

Special edition booklet:

The special edition comes with a 48 page hardcover booklet that includes a variety of different extras, divided into 8 sections called “heats”.

Heat 1 is a newly drawn, 12 page parody manga. Back in September 2020, Inouesatoh put out a request on Twitter for fans to send in their suggestions for an erotic side story. Putting the characters in a high school setting was the most requested scenario, so she chose this idea as the basis for the story. The title is “And All That Jazz” (the premise makes this somewhat confusing to summarize, so keep in mind that I’ll mostly be describing their actions based on the soul rather than the body, but will use quotation marks if it’s about other characters and who they think they’re addressing. It’ll all make sense, I promise...I think :P)

(The title page actually depicts the ending of the story, so I’ll come back to it later). It starts with Suzuki narrating his introduction, saying that he’s a transfer student to the Standard Academy. He really doesn’t get along with a guy named Sugiki, but for some reason, the two have now switched bodies with each other. Sugiki opens his shirt and inspects his new physique in front of other students, as Suzuki yells out asking what the hell he’s doing to his body. They look at themselves wearing each other’s expressions, Sugiki seeming surprised his mouth can gape open like that, and Suzuki wondering what happened to his body’s facial expression muscles. The bell rings and Sugiki heads off to class, as Suzuki is baffled that he can act so calm about this.

Sugiki perfectly reads a passage aloud in English class, something everyone (including the teacher, who looks like Norman) find unusual coming from “Suzuki”, as they wonder where his usual hearts are. Suzuki makes the decision to enjoy living as Sugiki for a bit, and is shown getting flirty with several girls. He notes that the more serious personality in his regular body is also strangely popular, though with a very different crowd.

A student named Alberko (Alberto in a girl’s uniform) shows up and says that “Sugiki” was supposed to have lunch with her(?) today. Suzuki says that he thought Alberko was going out with Dorou (a masculine alteration to Dolores’ name). Ernie and Suzuki watch as his harem falls apart with Alberko running amok. Ernie comments that both “Sugiki” and that transfer student have been acting weird all week, and he asks if something happened. Suzuki internally reflects back to one week earlier, when he was relaxing in bed in the infirmary. Sugiki comes in and accuses him of skipping class, and Suzuki tells him to mind his own business. He thought this would turn into one of their usual fights, but he can’t believe that actually happened instead...

After school, Sugiki asks Suzuki if they can go home together today. As they’re walking, Suzuki asks if Sugiki realizes what it was that made them switch places, and Sugiki says he does. Suzuki says that in that case, they know how they need to fix it, and they should go over to his house. Sugiki asks for clarification of whose house exactly he means by that.

As they start to get undressed, Suzuki says that he always thought his mom and sisters were annoying, but after a week apart he really misses them. Sugiki promises that he’ll make sure he can see them soon. Suzuki claims that he’ll be the one making Sugiki come, and Sugiki asks how he can talk like that when he was the one who looked like he was about to cry when Sugiki first touched him in the infirmary.

Sugiki peeks into Suzuki’s pants and wonders if he won’t get hard unless he touches him. Suzuki thinks it’d be weirder if he could get hard while looking at his own face, and wonders if Sugiki has AI in his crotch or something (Sugiki contends that it’s not his body). They fool around with each other until they finish, and Suzuki wonders why they didn’t change back yet. Sugiki suggests that maybe it needs to be just like the last time to count as a complete set, when they went at it until they fell off the bed, so both agree that they need to go for one more round. This then ties back to the title page, where they’ve finally managed to get back into their old bodies, but have now sprouted cat ears and tails.

Heat 2 of the booklet is 8 pages long, and contains short comics and illustrations that were not previously included in the volume releases. The comics include “How to 10 Dance”, a one-page comic with the Shinyas demonstrating the tango. Their privates end up touching, and Sugiki seems highly amused, gleefully asking Suzuki how it feels. Suzuki says that he was the one who got all bent out of shape over that back in volume 1, and tells him to lay off the sadist mode since they’re not dancing Latin right now. The second comic is “2nd Step”, and shows a glimpse of how the Shinyas were with each other after Suzuki gave the go-ahead for kissing. In fact, Sugiki ends up kissing him so much that Suzuki’s lips get sore and swollen. Sugiki then tries to kiss his neck as an alternative, but Suzuki’s not having it. The third comic depicts Suzuki’s first time in a public bath, where he realizes that Japanese people aren’t fully shaved everywhere like he is. Some of the old guys talk to him and slap their balls with their towels, and Suzuki, seeming a bit confused, gives his own balls a slap, too. After the comics are a selection of illustrations that were never used in the volumes, including this one from a Real 10 Dance event in 2018:

Heat 3 is 18 pages, and contains a variety of colored versions of both chapter covers and scenes from the manga, a couple of which I’ll share below:

Heat 4 includes 3 pages of insight from the professional dancers who consult for the manga, in which they explain the moves shown in specific panels.

Heat 5 is a single page look at Inouesatoh’s work space.

Heat 6 is 3 pages worth of advertisements that have been used to promote the series, including things like ads that were posted in subway stations:

Heat 7 is a single page look at the storyboard for chapter 1 of the manga.

Heat 8 is a single page showing the covers for foreign editions of the manga (Taiwanese, Korean, North American, and French).

Finally, there’s one last page with a thank you message from Inouesatoh, including an absolutely precious illustration of the Shinyas in happier times.

And that’s that! This really is an incredible release, and I’d definitely recommend picking up the special edition if you can. CD Japan offers direct international shipping, and I’ve also seen that Kinokuniya lists it as “available to order” currently (though they don’t appear to have stock on hand, so might take longer).

#10 dance #10dance

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stranger-who-writes-fiction · 3 years

Text

Ya know what these self-indulgent Supergirl: Woman of Tomorrow posts need? Self-indulgent banner art, that’s what.

Spoilers for issue #4!

Let’s start this off right with CREATOR CREDITS. Issue 4 of Supergirl: Woman of Tomorrow is titled “Restraint, Endurance, and Passion.” Written by Tom King, Art by Bilquis Evely, Colors by Matheus Lopes, Letters by Clayton Cowles, and Edited by Brittany Holzherr. (w/ Assist. Editor: Bixie Mathieu & Senior Editor Mike Cotton)

THE STORY:

Right, so this? This issue? Best one yet.

Also the bleakest of the bunch thus far; even though we don’t always see the brutality of the space pirates that Kara and Ruthye are following, there’s...the suggestion of it. The aftermath. And how Kara responds to it.

Okay, getting a little ahead of myself. BASIC PLOT SUMMARY: Ruthye and Kara continue their pursuit of Krem, who has taken up with Barbond’s Brigands.

The Brigands basically just. Murder and terrorize people, for profit.

Each planet they visit brings new horrors, as well as people who need Supergirl’s help.

And help she does.

KARA-CTERIZATION:

I yell a lot about the art on this book, and have, in fact, openly admitted that I’m primarily here for Evely and Lopes.

Well, that wily son-of-a-gun King went and wrote some of the best ‘Super’ stuff I’ve ever read and dang it, dang it, now I gotta yell about the words too. XD

Specifically, I wanna yell (in a good way!) about some words that occur towards the very end of the book.

Kara and Ruthye have Seen Some Things; things like genocide and mass grave sites and horrible violence, and upon reaching a planet where peaceful monks were slaughtered, Kara’s had enough, and needs to leave because if she screams, she’ll destroy what little is left of the monks’ monastery.

Here’s the text in full, because my gosh. It’s so good:

“What I write next I write based on my observations in those long-ago days at the side of the greatest warrior in the history of this august reality we all call home. It is important to note that my assertions do not rely on anything Supergirl said. It was not a subject we ever discussed or even approached, but nonetheless I believe it to be as true as the turning of worlds. You see, what is not well understood about the daughter of Krypton is that her power was not one of action but one of restraint, endurance, and passion. She did not choose to fire a beam from her eyes, or have breath of ice, or run faster than a speeding bullet. Or any of her other well-documented miracles. No, she held back her heat vision to look you in the face. She warmed her breath to converse with you. She slowed herself to walk by your side. Ever moment of every day, she suppressed the forces churning inside of her. All of the energy of a dead world that strained against her many barriers, eternally demanded to be released. I believe this effort hurt her. I believe she lived her life in pain. But I reiterate again, for I think it important enough to repeat--These beliefs are based on my time at her side, watching her as she moved through strife and sorrow. If you were to have asked her, I have little doubt she would have claimed that such as assertion was absurd. She would say she felt fine and well and then she’d as you if you needed any help.”

A long chunk of words, I know (this comic is DENSE!) but like. This is it. This is one of the defining attributes of the Supers--all that raw power at their disposal and they choose to help people, to be kind, to suppress that power for the benefit and safety of others.

HNNNNNNNG.

Hope, Help, and Compassion for All.

Whole lotta folks claimed at the outset of this book that King did not understand Kara, that he was a bad fit. And that may be so, I suppose--there’s a whole other discussion about like. The violence and swearing and ‘does that belong in a Supergirl book?’ But the characterization? Getting that Kara and Clark are just good people?

King gets it. He got it in Superman: Up in the Sky and he gets it here, in Woman of Tomorrow.

Other things King gets! Kara is stubborn! Kara is passionate! Kara is going to fix things, even if the effort of doing so hurts her, physically, emotionally, and mentally!

(Fuuuuuuun fact for the crowd saying that Woman of Tomorrow is vastly superior to the CW show: TV Kara is ALSO all of those things! King isn’t pulling this stuff out of thin air. It’s almost like...gosh. I don’t know! Both the show and Tom King are pulling from the character’s comic history, or something!!!! HOW NOVEL.)

Like, seriously. There’s a lot of overlap. Stop pitting Karas against each other!

Anyways!

I promised art, so here is art!

Oh, right, forgot to mention, Kara literally THROWS HERSELF INTO THE SUN to express her grief and anger, so as to not cause that unnecessary destruction. She gives new meaning to the phrase: Set yourself on fire to keep someone else warm.

More art yelling: GOTTDAMN, the way Evely draws Kara just colliding with the surface of the sun and then the way Kara’s hair like...becomes the flames...

I am FEELING FEELINGS. HOW DARE.

Also, props to King and Cowles; King for deciding to have that initial scream, Cowles for the way the letters burst forth from the point of impact on the sun, and then back to King who decided that it would just be...devastating silent screaming from Kara, for the remainder of the scene.

Back to the characterization, I just wanted to highlight something I mentioned...earlier on, I think? In these posts? But haven’t brought up recently, and that is how this book has not once brought up Zor-El, and I think Superman only got a quick mention in issue 2.

Honestly, I think that’s gotta be some kind of record.

It’s so refreshing. Not because I think there should never be mentions of Clark, or anything--I love that boy--but because so much of modern Supergirl comic drama is mined from the same like, angsting over her place compared to Clark, or her crazy sometimes-a-supervillain dad.

There is no Clark and Kara drama here, no manufactured friction, because it’s just. A cool Supergirl story!

Gonna keep going, but let’s do it with some more...

AAAAAAAAAAAAAAAAAAAARRRRRRRRRTTTTTTTTT!!!!

Once again, Mat Lopes is all over the dang place with his palettes, it’s marvelous.

Each new planet gives Evely the opportunity to go hog wild on the worldbuilding and design, and similarly! Each new locale is an opportunity for Lopes to set the tone with colors. Like, here, towards the beginning of the book, we’ve got a planet bathed in this warm, pale yellow/orange light.

(Quick note: “Sure, yeah, I get it. We all have our duties. And it’s mine as a neighbor to do what I can to help you with yours. Please.” A+ Kara content. We love to see it. And then locating the remains of the alien’s daughter, so that they can go visit the grave site and have some emotional closure???? It’s just. So. Touching.)

Anyways, back to colors.

Like!!!! LOOK AT THAT JUMP. From the soft, almost pastoral feel of the delicate oranges and yellows to HARD GREEN, PINK, AND PURPLE. (Difficult colors to pull off in print, I might add.)

(This is also an interesting scene, character-wise, because I think it helps re-contextualize some earlier stuff with Kara. Like, I’m mostly thinking that incident on the bus, where she was swearing at the passengers as the space dragon was about to destroy them. Here, we see Kara kind of...goad this alien woman into releasing her pent up emotions by yelling at her/getting her to fight, and you can clearly see at the end of it that Kara did not mean the things she said, because check this out:

She goes and gives her a hug once the woman is able to finally cry.

It’s not ‘Kara is being mean, Kara is swearing at her’, it’s, ‘Kara has an unorthodox solution to a problem, and she’s gonna FIX that problem, NO MATTER WHAT.’

Circling back to the bus thing--again, that could be an instance of ‘unorthodox approach to a weird situation that Kara is going to handle because lives are at stake.’)

But also, DIG THAT KIRBY KRACKLE, BAY-BEEEEE!

And a little Strange Adventures easter egg! The Pykkts!

(I think those guys are unique to the Black Label series, rather than deep Adam Strange lore, but don’t quote me on that.)

Moving on to YET ANOTHER PALETTE, one I’ve dubbed, ‘Treasure Planet Purple/Grey’

Love Ruthye’s snoozing against the door, waiting for Kara.

Also, just as striking as the colors of the environment, are the colors used on Kara.

If you compare this page with the previous one, Kara’s eyes are a paler shade of blue, and the red-rimmed look on her eyes here is not as intense as the red-rimmed look we saw back in issue one, when she was confronting Krem.

All of which to say! There’s a pale, haunted quality to both the linework and the colors. Like. We know Kara has Seen Some Things. But she’s shoving all that stuff down to protect Ruthye, to save Krypto, and to stop these monsters, and you get all of that WITH COLORS AND LINES ON A PAGE.

I love it, I love it so much.

OTHER BOOKS WISH THEY HAD THIS LEVEL OF CHARACTER ACTING, I TELL YA! THEY WISH THEY HAD THIS BEAUTIFUL ALCHEMY OF INKER, COLORIST, AND WRITER WORKING IN SUCH TIGHT TANDEM!

Ahem. XD

Alright, last bit of art, lest I just. Post the whole issue in here. (Which I’m honestly always tempted to do but Strong Feelings about Piracy hold me back.)

JUST HECKIN’ LOOK AT THAT BLUE, MAN. JUST LOOK AT IT. S’BEAUTIFUL.

And more stunning character acting from Evely. Like. Bottom middle panel. The expression, the tilt of her head and the shadows on her eyes...

*insert silent flailing here*

Oh, also, KRYPTO LIIIIIIIIIIIIIIIIIIIIIIVESSSS (for now).

I’m never right about these things, so I’m glad the one time I’ve correctly read a thing is when it involves Krypto not, ya know. Being dead. XD

Also absolutely love that Kara’s instinct is to send Ruthye home to protect her--once more leaning into that whole, ‘I’m going to protect you, even at great cost to myself’, though of course we know that she can’t send her home, not here, not now, just halfway through our journey.

ERRRRRRGH, so mad we’re not getting twelve issues of this! CURSE YOU, POOR SUPERGIRL TRADE SALES! CURSE YOOOOOOU!

That said, King’s pacing? Has been phenomenal. I feel like Strange Adventures and even Mr. Miracle kinda...I’m not gonna say dragged, that’s not quite right. But it is more build up, I guess. Takes a while to get to the payoff.

Here, I think King is pushing things steadily along as he doesn’t have the benefit of an additional four issues, so he has to get to the point, so to speak. Keeps everything moving.

SOME FINAL, MISC. STUFF:

I’ve sort of glossed over the darker stuff from this issue, and I just wanna note that like. This is a book that features a bad guy getting stoned (in the death sentence way, not the drug way) on panel. Like. I can’t recommend this to children.

I can’t even really recommend it to some other Supergirl fans, because I know that the King elements will be too off-putting.

It never feels like the book is going too far, though. At least in like an...exploitative way? If that makes sense?

The violence is handled with discretion, I guess is what I’m trying to convey. This could very easily tip over into like, gross shock factor territory, if not handled well, but I think the creative team pulls it off.

...Still wouldn’t hand this book to kids, though. XD

As mentioned, we’re halfway through this series! Can’t wait to see where it goes--every time I think I have this book figured out, it surprises me. So, like. Bring on the Dinosaur planet! With no sunlight! I wanna see how Lopes handles THAT. XD

(But Oh, OooooOOooh, we gotta wait until NOVEMBER.)

(Hhhnnnnng!)

(Then again, maybe that’s good; we’ve got the TV show in the meantime, and then once it ends we can pick right up with new Supergirl content just a few weeks later.)

(...Aw. Made myself a little sad, thinking about the TV show coming to an end.)

So as not to end on that sad note, here once again is tiny, smushed Kara:

Give ‘em the ol razzle dazzle.

#stranger speaks #supergirl: woman of tomorrow #supergirl: woman of tomorrow spoilers #dc comics #comics talk #comics opinions #comics thoughts #long post #are those the right tags? I can never remember #gif

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fatoujallovv · 4 years

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so here’s my disclaimer: I hardly know what I'm doing. This is my glued together homemade giffing method that I’ve created over months of just random experimentation and bits and pieces from all kinds of tutorials. there are probably better or more correct ways to do a lot of these things! this also isn’t a completely universal tutorial, some of the specifics are geared towards giffing skam, specifically skam france.

I gif in photoshop cc 2020 on a macbook. Some things like keyboard shortcuts and little things about the photoshop interface will probably vary if you are on a pc/ other version of photoshop!

this is very long and very unprofessional, but I hope there is something in here that someone will find helpful!

we’ll be going from this:

to this:

up to date as of October 25, 2020

downloading clips

selecting what part you’re going to gif

cropping

my action for resizing, converting to a smart object, and sharpening

coloring

exporting and setting the delay

tldr tips

1. downloading clips

4k video downloader (which you can get for mac or pc here) is great for things posted to youtube, especially from skam france because all the clips are on their youtube with no weird geoblocks or anything! it’s really easy, you just have to open the clip in youtube, copy the link, and go into the program and hit paste link. I like to put on smart mode first and set the destination folder so all my clips go into the place I want.

There is a 30 video per day download limit, so if you’re thinking you really want to gif lots of stuff from the show, and want a big chunk or a full season it’s definitely worth hunting for a mega or google drive with full episodes to download because it’s just less hassle! I might come back to this post later and compile a list of all of those, but for now if you type “[remake] no subs google drive” or “[remake] no subs mega” into a google search, you’ll probably find something! the all of skam website has no subs for several remakes, but not all!

If you don’t have enough space on your computer to be keeping full seasons, I know there are methods to get screencaps without having to download (generally for giffing movies and regular tv I think this is a common method), but I’ve never done it so I’ll redirect you to this tutorial that explains it! you should probably just go there for the whole thing tbh it’s much more coherent than this, but I digress.

2. selecting the piece of the video you want to gif

now that you’ve got your episode or clip you’ll want to just open it in photoshop! if you go the screen capping route the way to do that is a bit wonky, so you can keep following the tutorial I linked above and join back in here at coloring if you like!

if the timeline at the bottom doesn’t pop up automatically you can go to window > timeline and turn it on! now you can use the scrubber bar thing to find the moment you want to gif!

The advantage of this over screen capping is you can scrub with more precision. the arrows circled in blue below let you jump only one frame, where in screen capping I'm pretty sure you can only go by ten second or one minute intervals.

I usually drag the scrubber as close as I can to the start of the shot/moment I want to use, fiddle with the arrows circled in blue below to jump forward or back one frame at a time until I'm at the first frame I want. I move the left grey handle to the scrubber and then I hit the play button and let the whole shot/moment play. Pause and repeat the shuffling with the arrows until you’ve landed on the last frame you want to use and move the other grey handle.

the moment you want to use should be between your handles (it’ll look like what I have circled in red), and if you hit play, you should see the thing you want to gif playing on loop above the timeline. the speed will probably be weird, but we’ll deal with that at the end.

now I recommend doing command or control + s to save your gif as a psd (photoshop document). this is a working, editable file which means if photoshop crashes you can open your file right back up and keep working as long as you’re hitting command or control + s at regular intervals as you work. later we’ll go through exporting in gif format that can actually be uploaded to tumblr.

3. cropping

next I crop out any logos or black space at the top and bottom. Just click on the crop tool on the lefthand side of the screen, drag the edges and hit enter when you’re done. you can of course crop out more than just that, but regardless of what you crop out, now is the time to do it.

you can set an aspect ratio for your crop at the top of the screen if you’d like to be positive that all the gifs in your set will be the same:

4. my trusty action: resizing, converting to a smart object, and sharpening with one click

Now is when I use an action I made that does all the resizing, converts to a smart object, and sharpens. I’ll take you through the steps so you can conceptually get what’s going on, but I highly recommend using the actions window to record your process as you follow along so you have this action as well. It easily shaves at least 5-10 minutes off of the whole process, and these steps will be the same every time.

here’s how you make an action: go to window > action and open the action panel. click the plus symbol to start recording a new action:

in the window that pops up, give it a name and hit record:

now just continue with the steps below, and it will save them!

first you flatten frames to clips (I think it says flatten to layers on older versions of photoshop). this is in the menu at the top right corner of your timeline:

next you convert to frame animation by clicking on the symbol in the bottom left, circled in red:

if there is more than one thing in the frame animation, delete the extra one. you don’t need to keep the last one but it won’t let you remove it until there are other frames in there. also go into your layers and delete video group 1 and its contents. don’t ask me why these steps are necessary, I don’t really know, but I’ve noticed it sometimes gets wonky if you don’t do this:

now you want to make frames from layers and delete that first frame that was there before:

then we return to the timeline:

use command + option + a (control + alt + a for pc I'm pretty sure) to select all layers and then right click within your layers window and select convert to smart object. It’s important to convert to smart object after you go back to the timeline, or the gif won’t move:

next I resize. gifs for tumblr should be 540 pixels wide. for recording your action you should just go into image > image size and only change the width to 540 in case you ever have gifs cropped to different aspect ratios. don’t touch the height, let constrain proportions figure it out!

now, here’s what our base gif looks like, no sharpening, no coloring:

now to sharpen. go to filter > sharpen > smart sharpen. this is up to personal preference, but my go to settings are:

this is what we have after sharpening:

now is when you can stop recording your action.

just press the stop button in the action window:

this action is pretty much universal and after I select the moment the gif will be and crop however I want, I use it on every gif I make! so although this initial setup is tedious, now you’ll never have to do these steps again, and the process is magically much quicker.

5. it’s time to jump into coloring!

I typically start with exposure and sometimes some brightness/contrast. with really dark gifs like this, you kind of have to make it worse before you make it better. I did this:

now the gif looks like this:

we have some static and some ugly bits, and this is where selective color comes in to fix it! boost blacks like this:

and now your gif looks like this:

the skin tone is looking a little sickly and weird, so I go into the yellows and reds in my selective color layer to fix it! I also messed with the greens here because I didn't want color in the background (that part is totally optional and just up to your preference):

now we have this:

to really take the color 100% out of the background, I did one more separate selective color layer for cyan (again, I just felt like it but this is optional!):

and now the finished gif:

there’s lots of fun extra things you can add like text and tints and overlays and all that I won’t get into, but feel free to reach out for help on those types of things!

this gif was certainly not the most complicated to color. some ridonkulously dark clips (*cough cough* vendredi 20h27 *cough cough*) take tons and tons more effort than this and a lot of the time you’ll want to use color balance layers and vibrance layers and all of that to mess with your coloring.

with all of this coloring business, I really just learned by doing. I don’t know all the technical purposes of each type of adjustment layer, and I tend to stay away from curves just because I find them confusing and annoying. The bottom line is that you should always experiment and find out whatever coloring works for you and run with it! I’m sure every gif maker you talk to does things at least a little differently!

I highly recommend taking the time to go through all the types of adjustment layers and just move the sliders around to see what they do! That’s honestly one of the best ways to learn and decide what you like!

6. now to export and adjust the delay!

the keyboard shortcut for exporting on mac is command + option + shift + s, control + alt + shift + s for pc, otherwise you can go to file > export > save for web

my settings are here:

the settings only need to be configured once! otherwise just hit save and follow the pop ups to choose where to save and what name you want to give your gif. Since you saved as a psd way back, that will be the name it’s automatically given, but call it whatever you want!

then I adjust my delay by opening the gif I just exported (not the psd, the .gif file) and using one of my delay actions. I’ve made an action for each delay between 0.05 (real time) and 0.08 (really slow mo for certain super short shots, typically for more ~artsy~ sets).

all my action does is select all frames:

adjust the delay (which will differ based on whether you want them slowed down and by how much):

for reference, this is a 0.05 delay:

and this is a 0.08 delay

now you just export the same way you did before!

remember if you’re recording this as an action, you don’t want to touch the file name, just say yes when it asks if you want to replace the file. if you always save your gifs to the same place, your action will now enable you to override any gif with the incorrect delay with the correct one with one click!

7. tldr: the main tips

for downloading 4k video downloader works well for non geoblocked youtube videos, the all of skam website is another place you can look to download with no subs, here’s the screen capping method if you don’t want to download

The main way I combat dark lighting is to bump exposure to the right, gamma correction to the left, and then enhance black in a selective color layer. The amount of these three adjustments will vary gif to gif. I know lots of people use curves, but I find them really confusing for some reason, so this is my method! As my graphics teacher likes to say: there are always at least 3 different ways to reach the same result!

there’s a little bit of additional coloring on this one, but here’s another before and after example so you can get an idea of how those steps get you a better lit result without making the lighter parts super over exposed:

besides those three steps, you have free rein to use the other selective color channels, as well as color balance, vibrance, hue/saturation, etc. to restore color that was lost or to change the colors altogether! mess around with it and have fun experimenting!

7a. bonus coloring tip:

sometimes you can make use of selective color to completely alter an isolated color in your gif. You can get very adventurous with this, but here's a simple example of changing blue tones to teal (I got away with these gifs being longer because they were in rows of two in the set I posted them in. I'm too lazy to trim frames so I can put them here at 540 px without going over the 10mb limit so just ignore the quality ok):

7b. actions, actions, actions!

if you find yourself doing a certain thing over and over, always record it as an action. the amount of time they will save you is honestly really impressive.

You can duplicate actions, so, for example, if you have different sharpening preferences for different shows or scenes, you can duplicate your gif process action and go into the steps, double click smart sharpen, and alter it however you want!

This could also be good to do for the different widths for tumblr if you ever do sets with rows of two or three! Duplicate actions is also how I made my actions that set delay at 0.05, 0.06, 0.07, and 0.08!

when in doubt, always make an action! it’s worth minimizing the tedious bits of the process as much as possible so you can focus on the fun part of seeing your awesome gifs come to life! any little task you find yourself doing often, make an action!

and for now that’s all I have. if any of this made no sense, if you want to suggest a correction or addition I could make, if you’re ever curious how I did something on any gifs I post, or if you have any other sort of questions, feel free to send me an ask or a dm! if I can’t answer your questions I’ll be happy to try to direct you to someone who can or a tutorial to help! again, I'm no expert, not even close, but I hope at least one person will find one thing in this mess that helps.

#this got . so long omg #mystuff #mytutorial #gif tutorial #tutorial #resources #fellow gif making peeps feel free to correct me or give input on how to improve or add to this tutorial!

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