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#because what is better than an antagonist who wants to be a better person for his lady love?
picturejasper20 · 2 days
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So @murcielagatito recently made a post talking about the Phandom and how it is weird that the Phandom created a character like Wes to be someone who investigates who Phantom is when there are characters like Paulina and Valerie in canon that can fit that role.
I want to talk about some of the characterization/moments that Paulina has in the series since we are already familiar with Valerie and i think she fits better as friendenemy- antagonist turned ally role but that's on me.
So one thing about Paulina is that she has a huge crush on Phantom but not on Danny Fenton. In Season 1 episode ¨Lucky in Love¨ has near the ending showing that she has somewhat of an altar dedicated to Phantom in her locker.
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So we know from this that she is really into Phantom and she seems to idolize him. I wouldn't say that she is obsessed with him, more like she just really likes him.
This alone builds some potential cool interactions between Danny and Paulina because of how she sees the two halves of who Danny is so differently. For her Danny is a huge loser and Phantom is a hero/idol.
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Another very interesting is that in ¨Memory Blank¨ Paulina invites the Phantom trio to her quinceañera (15th birthday), which leaves the teens confused of why she is doing this if she doesn't like them much. Paulina then says the following:
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She explains to them that she is inviting Danny because she has noticed a connection between Phantom showing up whenever Danny is close by, so she thinks that way if Danny comes, Phantom is likely going to be there too.
This is worth of noting because not many characters in the series realize this or go to this level to being this close to figuring out that Danny is Phantom, not even Valerie with her technology used to be this precise.
These things alone can set up for potential things to work with, with Paulina finding out who Phantom is and some potential character development for her.
Now this crush thing she has was clearly inspired by Lois Lane from Superman- but it could be written to be one sided crush and her staying friends with Danny after she learns his secret. It could also be changed in a way she really looks up to Phantom and she would like to be more like him. So it doesn't have to rely on the romance stuff that much.
What i'm trying to say is that Paulina as character has more potential to fit the role ¨person who investigates Phantom¨ than instead having to... use a character that isn't even in the series. Plus, it could give some good character development she needs- considering that in the series she was mostly a static character.
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kheta · 23 hours
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Things I need in a Reverse Robins AU
-I don’t care what the order is but please let Duke and Jarro be adopted before Damian is taken in! I need Damian to be jealous of an alien starfish, my bones require it 😭
-Duke ans Damian make Jason and Dick’s lives so difficult… not as antagonist and purely because they snuck out and caused so much havock that Bruce now has a sixth sense for when his kids want to act up. They cannot even attempt stealth because Duke and Damian did it better.
-I want Duke and Damian to be those kid brothers that never got along. They used to regularly ‘spar’ (fist fight) but Dick, Cass and Jason don’t believe it because they get along so well now? Tim and Steph are obviously lying.
-A grown Dick Grayson being so mad because he went his whole life wanting to be taller than just one big brother, one! And he never gets it 🥰 (Him and Tim are the same height. He hates it w a passion) Technically he is taller than Jarro. But so is Ace and Tidus, that accounts for literally nothing.
-In contrasts to his big brother’s stealth and sneaking out shennanigans, Tim just straight up lies to Bruce when he wants to take off with YJ, vaguely saying their plans (baseball, trip to some histprical landmark, chilling on Bart’s new ride) So while Bruce blames Duke and Dami for his greys, he says that Tim is the only reason he isn’t fully grey because he’s so responsible and considerate and always tells Bruce everything. (Tim tells Bruce exactly three things, two are half-truths and one is the boldest lie in town 😇 Bruce is nonethewiser.)
-Running off of that, I want Tim to be the sneaky middle child always in chaos, but I want Dami to know this and point it out to Bruce and gst shut down (like Candace Flynn levels of bad)
-Dick is spoilt by his many older siblings. He knows and takes advantage. I’m talking like 18yo Dick Grayson showing up at 22yo Jason’s place when Jason is at College and Jason returns home to find his little brother wearing his robe, eating hia cereal and asking if he can borrow Jay’s car because Bruce is hiding his keys until Dick actually gets a drivers license, which he doesn’t need because he hardly ever drives anyway 🙄😒 Jason tells him to fuck off, kicks him for not throwing thw empty cereal box away and asks where tf he thinks he’s off to anyway??????
-I want Cass to be a bratty younger sister, but only to Jason. She’s happy to hangout and cherishes her time with all her brothers, but she terrorises Jason. Purposefully is quieter when walking near him to frighten him, steals every comfy, bright hoodie he owns, wiggles into his bed and leaves her stuff for him to pick up, clean. She happily helps with chores until Jason asks and suddenly, she did not hear him, she was ‘busy, calm down grumpy.’ I want her looking at his school work and making faces at him if he tries to help her. I want her to want nothing more than to bite Jason, but also have him be her secret favourite brother. I need them to be best friends but the sort who will sell each other out for a single corn chip.
-Dick convinces Damian to help him steal an elephant. If Damian weren’t so weak for his baby brother he’d think about how even tge manor is not large enough to comfortably house an elephant. Duke isn’t completely sure it’s a good idea, but he trusts his brother’s to be smart enough to think this through ☺️ (they have not and will not think the logistics of owning an elephant through) Tim is fully aware this is a bad plan, he’s just even worse at saying no to Dick 💀 Steph is so mad that she has to be the voice of reason among these idiots 😒
-Tim dropping out of High-school actually leads to a huge fight lol. Bc Duke and Damian have Masters and Jason is looking into Ivy Leagues and Cass adores you Tim you need to be a role model 😠 Tim moves to San Francisco and doesn’t talk to Bruce for months after that fight. He still regularly contacts his siblings though.
-Personally don’t love Jason dying in Reverse Robin AU’s, but you know if Joker killed him at 15 he’d be dead in two weeks tops. Oh you want to kill the baby brother of a trqined assassin and Tim, one bad hour away from villany, Drake-Wayne? You think Duke would stop them? Dick? You think wrong. Dick might even try to jump ahead of the line. Cass is perfectly happy to shut her eyes and pretend she cannot see her brothers planning 🫢 The Joker would die a slow and painful death. Steph and Duje would run Batman distraction. (Bruce actually has a support network and two kids younger than Jason who are grieving. He’d need to be a parent and help them with their grief. He’ll probably be shit at it, but he’d still need to try.)
-When Steph starts college she occasionally visits the manor, liberally fills her bag with spare socks, new towels and non-perishables. Alfred doesn’t mind. Bruce does, but only because he’s more than willing to buy it for her and she will kick him if he even glances at any of his credit cards or bank accounts while she is near.
- Barbara probably has a crush on Steph and Tim. Like not a serious, I want a romantic relationship crush. But like ‘Steph is so strong and pretty and she’s so smart Dick, she wants to be a Doctor that’s so cool!’ And Tim is that weird crush you can’t describe. Like Matthew Gray-Gubler. He looks sorta like a raccon and an addict, but he’s weirdly handsome and can work a computer like no one else, ‘isn’t he so smart Dick?’ Dick doesn’t know whether to be jealous or to laugh at her because. Like. Really??? That’s who you think is cute from all my amazing big brothers ans sisters?
-Dick, as youngest brother, probably has the most eclectic music taste. He listens to classical, trap music, K-Pop, scremo, RnB, showtunes. Just all genres. He doesn’t love all genres, bit he k ows enough to have a super weird road trip playlist.
-Dick also always has to deal with his friends, civvie and otherwise, having crushes on his siblings.
-Jarro barely spends holidays with the family, but he gets presents put aside for him and is the most patient, most fun big brother of the batfam. Damian still hates him, but will begrudgingly buy him gifts and invite him to family events because unfortunately, Jarro is his sibling. -Because he's never around, Jarro is the favourite older sibling, with Jason, Cass and Dick always making him projects from school. Duke, Dami and Tim see Jarro more, since they love going to see the JL or going to space and don't care that Bruce disapproves. They will either lie to Bruce or sneak out or just leave the manor 'Because I am a grown ass adult B, you can't ground me.' Steph does not like space or the JL half as much and is more busy studying/working than the other three losers. (affectionate)
-Gotham villains are in shock when, after having highly predictable vigilantes who just come in through the front/back door (Duke and Damian) they are faced with vigilantes who will in fact bazooka an entry way open (Jason and Cass)
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bl00dw1tch · 1 year
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more monkey thoughts. Dont look at me im just trying to explain/figure out More reasons why they (moreso LEMH) make me go crazy (again)
OKAY Full disclosure. this was spurred by some posts ive seen floating around and they are Objectively correct and i agree with them, but the wordage they use is what bothers me and makes me think--its about the general and growing frustration and dismay over LEMH's portrayal and like... increased Importance in LMK, at the expense of like, literally all the other characters new and old.
Again, objectively that is INCREDIBLY true and i feel it 200%!!!! Its frustrating because they just yoinked aspects of SWK's relationships with characters like DBK from the original JTTW and Shoved them on LEMH like theyre Tropes that can be shifted around without consequence--it seems fine and interesting when you first watch LMK with no context or background knowledge, but after knowing what his ACTUAL deal was in the book, looking back on LMK makes what they are doing with LEMH feel lazy and Genuinely poorly researched, rather than an intentional divergence from the original story--because as a general rule of thumb, even if the fans dont Like what you changed, you still want the things in your story to be done On Purpose, like you at least Tried to put effort into it! Its about showing the audience that you think they deserve a narrative that was crafted with Care, not just slapped together and thrown out for a quick Hype/Cash grab, yk???
Anyway So THATS the thing, and thats all cool!!! My issue (and i cannot stress this enough this is Me being Silly and Obsessed with the Six Eared Macaque im a chronic blorbo haver there is no Cure) is that those posts Also tend to talk about LEMH as though... he is a boring character. As though he's just kind of "eh". Or at least thats how my Admittedly biased eyes read them--no beef! Its just gotten me to thinking and now i want to try to write out What im thinking and Why, bc thats a helpful thing to do when you're struggling to figure in your head, obvs obvs
And im of course willing to admit that Yes, in the original text, he is just kind of There! He serves his purpose (aiding in SWK's character development) and then he dies and he doesn't come back again! Hes kind of a metaphor but hes also just an annoying guy! Hes not presented as anything special! I get that that is what is Canon, and thats theres no way to really like... read anything deep into it. Bc theres literally nothing there.
But my problem is that i cannot let characters like that just Be. Especially if the premise of said character could be absolutely FASCINATING if you take it all Completely seriously and At face value--if you try to see whatever is going on for them through their eyes, their minds. Its like.... You can buy a shirt from the store as is, and some might be fine Wearing it as is--while other's might see that shirt and decide it needs a bit of hemming and perhaps some embroidery on the sleeves. Altering it does not change the fact that the original design is what it is--thats just One altered shirt that one person is wearing and perhaps lending to a friend or two, yk???
I love metaphors l. Sorry that dragged on, back to monkey--
To me? LEMH exists in a nebulous state of inevitable connection with SWK--because i like to take the "LEMH is SWK's ~dark side~" thing seriously. In my eyes, they are literally the same person, the same qi, split into two bodies.
There are stories that exist today that explore this idea, characters with this kind of relationship--and i find them incredibly compelling! Because i adore stories that play with the question of what makes a person a person. What seperates you from your maker/origins? What is your purpose in life when you are intrinsically connected to another person, at your very core? Does that mean you exist For them? Do they exist for you? How does thinking that way affect a person, mentally and emotionally? How does it affect these characters, specifically, in conjunction with their personalities and the lives theyd led up until the point they knew about this connection? Have they always known about this connection? Only one of them?
How much more drastic would it affect you if you were essentially a nobody--and the person you are connected to is a public figure? Like Sun Wukong?
Id go crazy. Id go fucking insane? Can you imagine. Its about the potential!!!!! The potential of what knowing something like that would do to someone!!! Im losing the words im apologize i need to calm down--im Not done yet.
What i am getting at here.... is that LEMH would likely work Best as a character who's metaphorical aspects are taken Very Literally--especially so if the story also decides to lean into the idea of his hearing reaching through to the past and future, in any way. He is a character that would thrive on being portrayed in a way that allows him to be a bit Meta, if that makes sense
Yes, you Could just let him be a silly monkey who decided to start shit with SWK for giggles one day--that can absolutely have its merits! But that does not satisfy me, and that is why i am so passionate about him. I want to take my little guy so so fucking seriously because i think it would be SO fucking cool. And a very useful and convenient way to explore ideas about relationships with The Self--since in my eyes, that is what his relationship would be with SWK.
AND ALL THIS STUFF ABSOLUTELY HAS ANOTHER SIDE TO IT, HOW IT ALL COULD AFFECT SWK ON HIS SIDE??? LIKE HOLY SHIT. HOLY SHIT i dont know if i want this post to be That long so i might stop here and come back later to talk abt it from SWKs side in a rb or something--
anyway point is. I thank LMK for introducing me to the Six Eared Macaque, but upon further analysis the way they did him is actually pretty garbo, and im biding my time for till someone introduces me to or Makes a version of him that takes him to his full potential. thats all thanks for coming to my TED talk, get out of my house please
#horse.txt#jttw#xiyouji#liu er mihou#six eared macaque#sun wukong#god this is missing so many smaller thoughts and ideas and shit but i have no idea where to squeeze them in.#theirs lots of stuff going on in my head but its a pain to organize#lemh needs to be a tragic angry antagonist who feels slighted by the world for being dealed the unfortunate hand he was dealt.#even if the fact that he doesn't have what he wants is still technically his fault. kind of like a petulant child but more drastic#and of course SWK having to come face to to face with all that and recon with how lemh doesn't just remind him of himself#in a way he literally IS himself--just with some parts switched around or more prominent than others#he could still kill him or not--theres lots of ways to play with that (personally im curious about the angle of it being a metaphor for sh)#(and/or repression of the self in the Bad way--at least for a short time--because that seems realistic in relation to the original meaning#of that chapter)#with sanzang trying to get him to be less violent and cruel to their adversaries because it is detrimental for his spiritual development#the fact that him Killing lemh (a part of himself) is the tipping point for him to be less murder-happy is very interesting to me#and i like to think that while it was good for him in the long run it may have had very negative and Painful immediate consequences as well#because becoming a better person by Any method is never a straightforward one and done path--backsliding and mistakes are inevitable#itd be nice to see more stuff on the side of the fandom ive been in that explores that more#especially since that was like... the whole point of jttw in the first place#so much for not making this post any longer WHOOPS
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falled-over · 8 months
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very autistic media day
#watched im a virgo and some of pushing daisies#both incredibly autistic#and with the most disparate opinions on policing possible. lmao#im a virgo was good. interesting idea pretty well played out and clearly well considered#the metaphors were very cleanly drawn in a way that didnt feel heavy handed.#it is the 4th piece of media championing a young black person living the black experience in america that does a lot of hand holding about#systemic oppression that has come and come to my attention in the past 4 or so years. 3 of them coming out in the last 2#this one beat out wendall and wilde for the title of heaviest handed#it had a scene at the end in which the main antagonist had systemic oppression explained to him and he just. quit being evil after that. ig#implying that education will lead to action because no one wants to be evil. which is a choice. maybe im misinterpreting#but i think it was better executed than that film. certainly more fun to watch#i would recommend it! and i would like to see what the creators make in the future#when i say 'black american experience' i would like 2 emphasise that i know there is no singular experience nor is it an experience exclusi#to either black people or american people. but the genre is by and about people who want to highlight that experience#the others in the genre are they cloned tyrone and sorry to bother you. obviously.#ik live named peele's 'us' in correlation with this genre before but i have to kick it out because its too much of its own thing(compliment
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I keep thinking of that reply in my Odysseus/Agamemnon post about how I regard differently Odysseus' and Agamemnon's actions, while acknowledging that at times Agamemnon is written as a sweet man and Odysseus is always straight up shitty, and how it was taken as some sort of defense for Agamemnon and as a form of pointing out the double standard; and that wasn't at all what the post was about for me, even though I can see where they were coming from. To be honest, given I didn't imagine it would spread anywhere other than my own blog, I didn't explain myself very well (or at all).
The fact is that when I talked about Odysseus not caring about hurting someone else's child to start and end a war I was indeed comparing his actions to Agamemnon's, but my words about supporting Odysseus' wrongs and cheering him in his terrible actions, while in a joking tone, weren't entirely a joke. I do think that Odysseus does some very shitty acts, and some quite terrible ones depending on the sources. That's a fact, that he does is at the core of his characterisation and it's what makes him so much fun; but not even when he is at his most cruel does he harm his family, his own son. Agamemnon, while sweet and loving at times in some texts, at his worst is willing to sacrifice Iphigenia. When readers regard with more sympathy Odysseus over Agamemnon despite both being responsible for children dying, I don't think there's a double standard in this aspect at all considering it's never his own kid Odysseus harms. And that's the key, I think.
Odysseus and Agamemnon have very different priorities, a very different view on loyalty and duty. It could be said that Agamemnon acts out of selfishness, but it could also be read in a kinder light, saying that Agamemnon is ruled by the gods first, and by his role as head of the achaeans; Agamemnon is not entirely himself. In opposition we see Odysseus acting perhaps mainly for himself and his own family and men; yes, he is a king, but he has not the role Agamemnon has. As a consequence, Agamemnon submits his family's wellbeing to the war, to the gods, while Odysseus stops the plow before hurting Telemachus but is (depending on the source) the cause of Iphigenia's sacrifice and Astyanax's death.
Both Odysseus and Agamemnon have reasons to support their actions, and both can be sympathised with; it's fiction after all. When it comes to fiction, at the end of the day which character a reader is drawn to or sympathises with is mainly an issue of personal taste, but I suppose it also implies a certain level of one's own views or preferences on morals, what makes us find certain actions more justifiable, or tasteful (perhaps that's a more accurate word), than others. Agamemnon sacrificing his daughter, no matter how sympathetic or understandable the reason, generally sits worse on people than Odysseus doing the same with someone else's kids, because they're someone else's. This different emotional reaction they provoke has place not just metanarratively, but also inside the very story; it is narratively significant, given it determines how their arrival home plays out, how their wives react to them, and thus their futures. Ultimately it determines whether they live or die.
I think both terrible acts go in line wonderfully with each characterisation, showcasing the role they hold in their world, what they value, what they care for, what they're willing to sacrifice for themselves and the others, how much of their own they're willing to give and bend. While looking at the wider picture it could perhaps be drawn that Agamemnon is the better person out of the two, but Odysseus' selfish actions are perhaps easier to empathise with, especially from a modern viewpoint. Odysseus is treacherous and prone to betrayal, but not against his own; Agamemnon follows the rules of the gods. How fitting in that context that Odysseus doesn't die at the end of his story, that he cheats the death heroes so often are fated to, almost as if cheating the narrative itself, bending the rules of the world he is ascribed to; how fitting in the context of those texts that point towards Sisyphus being his father. But that's another topic, and I've already talked a lot.
#Don't get me wrong. Odysseus is super shitty and this is a 'pick your poison' kind of situation#But I don't really think there's a double standard when it comes to the kids situation given that Odysseus doesn't sacrifice his own kid#I really think that's what lies at the core of this. Does that make him shittier and more selfish and a worse person? Actually yeah perhaps#But we are no kings with thousands of people depending on our decision yet cringe at the idea of hurting people close to us#It feels like betrayal. And this is where the moral preference takes the role. Which do you prefer? The one that would betray their family#for the greater good or the one who'd sell the world for their family and themselves? It's interesting because#while in fiction the first option is often the most frown upon while selfish actions for the beloved are easy to sympathise with‚#in reality these are usually worse regarded. I didn't want to go there because I already wrote so much it didn't fit in the tags#but I actually think the same thing happens with Galahad/Lancelot. Heathcliff/Edgar I'd say has a somewhat similar situation going on#There are many many examples but mainly I was thinking of Galahad and Lancelot#So this is not an 'Odysseus did nothing wrong'. This is an 'Odysseus did many things very wrong but he didn't kill his son#so while both him and Agamemnon were the cause of death of kids‚ their action are not the same so there's no double standard regarding#the particular action of sacrificing Iphigenia. In fiction that kind of betrayal makes characters often unlikeable'#I guess that action 'stains' the view under which Agamemnon's actions are seen and so his character is often seen under a darker light#He is presented a bit as an antagonistic presence opposed to Achilles who is very popular so I guess that also influences this?#Anyway I've been elated by the musical causing Odysseus art and posts but I do have noticed that he is very goodified in it and that#it has influenced how he is being regarded around here (the way it happened with The Song of Achilles as well I suppose)#And I must say I like that less. He is shitty in a fun way but not in a light way. He is very shitty#Definitely not better than Agamemnon depending on the perspective you take. I can't believe I'm 'defending' Agamemnon#He is not my thing at all I'm all for selfish actions for oneself and the loved ones through manipulation‚#lies and scams and letting the world drown if needed. In fiction Lancelot's‚ Odysseus' and Heathcliff's actions are a lot more preferible#to me than Galahad's‚ Agamemnon's and Edgar's. But yeah#I ALSO didn't want to go there because again it would have take me forever and I would run out of tags (yet here I am)#but there's also a Priam/Hector/Paris comparison in how they act and how they're regarded to be drawn here#Agamemnon/Iphigenia‚ Priam/Hector/Paris‚ Odysseus/Telemachus. And that is not even including everything with Elektra/Clytemnestra/Orestes#or Oedipus and his own family for that matter#But yes. I'll better shut up already. I'm talking a lot more than I intended#I just found that discussion super enthralling and I couldn't stop thinking about it. I still can't#I talk too much#I should probably delete this later
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teafiend · 2 months
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Let me make a detour from my usual KDrama rare pairs to fangirl scream about this pairing. This show has tropes galore to make a shipper like me go squeeing to high heavens. Love this for me and the show, truly❣️
While not wholly a rare pair as this pairing from the drama itself has a number of high quality FMVs to fangirl over - and the overwhelmingly more popular ship with viewers - and there exists a tiny amount of fics in Korean, on Ao3, the fics (in English) for this pairing is basically non-existent. A sad state of affairs, certainly, but the main female character is generally beloved, and the number of FMVs enough to tide me over for a time, so all in all, this is a very wonderful ship for me to have fun with.
Compared to some of my other rare pairs, this ship is unironically a major, major comfort! There is extremely little frustration to be had although fan content is not in abundance either. A lovely, sexy and peaceful ship 🥰🥹
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mellowwillowy · 7 months
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Yan! Boyfriend x GN Reader
—𝒀𝒂𝒏𝒕𝒐𝒃𝒆𝒓 - 𝑳𝑰𝒇𝑬 𝑷𝒓𝒐𝒋𝒆𝒄𝒕 𝑬𝒗𝒆𝒏𝒕 , NSFW
Yan! Boyfriend who you thought to be a golden retriever only to have him turn into a Doberman the moment you are away from him.
Yan! Boyfriend who is the "all 5 love language combo" for you and you only!
Act of service? Fun, especially when his head is buried into your crotch. That aside, yes he does all those sweet ass stuffs. Anything you think of, he has done it, even to the very most downbad shit you could think of.
Physical touch? PDA if you are into that, else either a hand around your thigh, squeezing them with love or shit ton of pecks.
Words of affection? 'My love looks so gorgeous as usual! What a refined beauty my love is, no wonder I can't stop falling head over heels for you!' And you were on the bed with bad hair, drooling on your pillow.
Gifting? How many gifts have you received today from him? Starting from something little to something large? The most surprising would be him coming home with a pet for you.
"Ta-daaa! You've been saying you want a pet so I think you will like this!"
Quality time? Not a problem for him. He has a lot of time for you. Hm? Work? Better not question him further about it. All that matters is that it's enough to give the two of you more than enough, even allowing the two of you to laze around. (Unlike Yan! Lawyer Husband and Yan! Antagonist who barely has any time for darling pfft-)
Yan! Boyfriend who is practically on his knees like a dog waiting for his treat when you are about to do something ✨️ r o m a n t i c a l ✨️ on him. Say who's a good boy and you could have sworn you saw his non-existent tail wagging excitedly.
"Who's a good boy hm? Who's a gooood boy??"
"Me! Blue! Blue is a good boy!"
Well, at least he is now because he wasn't when you first met him. He's changed a lot just for you, didn't want to disappoint you the next time you see him.
Yan! Boyfriend is the guy who you can really depend on for everything. Financially? Yes. Wanna beat the fuck out of someone? Call him and that person will have a taste of all the martial arts he has learned back then, not to mention he was quite the delinquent back then. Mentally? Yes. He's always there for you, either making it worse or better.
Yan! Boyfriend who likes to show you off to his friends and co-workers so much as though you are his prized possession. The hand that never leaves your waist and the dagger he shot at the people who stared at you for a bit too long are threatening enough to scare them away. Will definitely have a separate chat with them later,
"The fuck you are looking at my love for hm?"
Ignore how their nose is red and bleeding okay? If only Blue was able to do more, he would have had his fist buried into their face even more and harder like in the good ol' days. Has no choice but to be good else someone might rat to you about his behavior again.
Yan! Boyfriend who really likes to sleep on your lap, being able to feel you this close just makes him feel all giddy like a teenager in love. Would litter kisses and licks if you are not wearing anything that covers your thighs.
Yan! Boyfriend who will almost have the same taste in music as yours because he's just like that. Sucking in everything about you and ends up liking it.
Yan! Boyfriend who will vibe with you nonstop. If you are the crack type person, he will just be as crack as you, making people think whether the two of you are high in crack or not. Will always make you feel like it's okay to do anything you want without having to be embarrassed. Too shy to sing? Well, watch him scream his lungs out (Lemon and Grape chilling with ear muffs) and his hand motioning you tag along.
"BABY WON'T YOU LOOOOVEEE MEEEE"
"What do you say we gag him up with the mic?"
"Great, I'll hold him by the neck."
Yan! Boyfriend who really loves watching you sleep. No, he's not a somnophilic bastard like Yulian. He just adores seeing you resting so peacefully. (while Eleanor panicking over darling sleeping)
Yan! Boyfriend who enjoys cooking breakfast for you. You'll wake up greeted with him standing by the kitchen or sitting by the dining table waiting for you to wake up. Hm? If the food has gone cold because you woke up late, he'll just reheat it. Nothing biggie so no need to feel bad about it ^^
Yan! Boyfriend who is always keeping his mental state in check just in case it cracks open the ugly side of him again. He's embarrassed of it yet he is grateful for it because it brought the two of you to meet. Just staying next to you is enough to keep him sane so try not to stray too far from him okay? He might really snap again and the place you once called home might be nothing but ruins.
"Love you... dear."
Yan! Boyfriend who hates being away from you! If his work suddenly requires him to be somewhere away from you, he will bring you along with him! (I might make a chart of the difference for all the LIfE Pro casts)
"Almost feels like a vacation eh? Let's visit this place once I'm done with work love!"
Although he always brings you along, there are times when he'll have to leave you with Lemon or Grape, either asking them to stay with you or you stay over their place.
"Try not to dent his sport car again yeah? He was yapping at me for hours ahaha! I will ask Grape to watch over you as well, she'll do well as your nanny. Hm? Not a little kid anymore? Oh no no, better be safe than sorry. Don't want those nasty ghosts keeping you awake during the night yeah?"
Afternote:
Blue is my second favorite! Yulian has always been the first so no one sees Blue that much... he's just so sweet... although the story he shares with Eleanor tangles everything up...
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tobiasdrake · 25 days
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Which DBZ antagonist do you like the most?
Boring opinion, I know, but I gotta give it up for the Obvious Choice.
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And I'm not just saying that because I haven't had a chance to talk about him yet.
Frieza runs a real estate empire that carries out genocidal acts of gentrification, purging tracts of land of their native inhabitants so he can sell their land for profit. Commenting on this choice for his ultimate villain, Akira Toriyama stated that he made this decision because real estate speculators are the worst people there are.
Fucking based.
From the moment we meet Frieza, he is a monster. Toriyama likes this Big Guy Little Guy dynamic where the Little Guy is the one you really need to watch out for. Frieza is the Littlest Guy ever.
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He's so tiny. And yet you know exactly who the most dangerous person in this group is. Zero question.
By the end of this altercation, Frieza reveals one of his signature attacks, giving us our first glimpse of the kind of person and the kind of fighter he is. This is such an important moment for his character and I'm kinda mad that the anime had Dodoria do it instead.
Muri destroys the Scouters and blinds Frieza. I've talked before at length about the devastating impact that this move and the Namekian warriors' attack has on Frieza's campaign.
But once it's done, he has to face the music. He's not getting out of this alive.
In one last desperation play, Muri tells Cargo and Dende to run while blocking them with his body. And that's when it happens.
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This is Frieza.
Specifically, this is Frieza's Death Beam. It's never actually given a name, but is generally referred to as Death Beam. We've seen a move like this only once before.
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The Dodonpa, signature technique of Tsuru-senryu, first introduced by the assassin Taopaipai, was built for extreme lethality. This is not a technique for fighting; It's a technique for killing.
What makes Frieza's Death Beam stand out from the Dodonpa, however, is its accuracy and its speed. He threads the needle around Muri to hit Cargo before anyone even has a chance to react.
We see its accuracy and speed again six days later, when it finally catches up to the other child fleeing from him here.
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The panelwork here calling attention to everyone's reactions as Frieza's ki bullet shoots past them, as his shot threads the needle between all obstacles in his path to strike his target far behind them. Dende is dead before anyone can even process that Frieza fired.
This is the difference between the two techniques. The Dodonpa is a gun. The Death Beam is a sniper rifle. Faced with the physical hurdle of bodies impeding his path, Frieza point-clicked Cargo and Dende to death.
He later executes Vegeta this same way.
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Done with you.
All of this context for Frieza's sniping shot serves to set up the stunning subversion when Goku arrives to fight.
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Frieza's never seen this before. Goku shouldn't even be able to see the shots coming until they've perforated his lungs. That's how Death Beam works. It's this moment that lays it out: Frieza's about to be tested like he's never been tested before.
Speaking of cool techniques, I've always been partial to this move from his Third Form.
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The anime gives Frieza little ki bullets coming out of his fingers but I want to note that we never see a physical projectile when he's doing this. Frieza jams his fingers back and forth in the air while something pulverizes Piccolo.
I've always imagined he's poking the air so fast that it's hitting Piccolo with pressurized air currents. Similar to Goku's Mazoku air current punch from the 23rd Tenkaichi Budokai.
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But that's just me.
In any case, Frieza's got some fun moves. He's something of a hobbyist martial artist. Which is to say, Frieza has an interest in martial arts. In addition to his Death Beam, Frieza's concocted a litany of other interesting techniques.
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He even invented the Kienzan, independently of Krillin.
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Though he can remote operate his Kienzan so it's strictly better than Krillin's. Frieza, in his spare time, has come up with a bunch of cool moves. Too bad he has no idea how to use them.
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Frieza's greatest weakness is his inexperience. He practices martial arts the way a business CEO who bought a log splitter so he can cut some wood and feel woodsy practices agriculture. Frieza has never had a proper chance to truly experience martial arts, because he was born too powerful.
The only partner who's ever even dirtied his skin was his dad.
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And even that isn't much. Frieza's too strong. He wants to pursue martial arts. He wants to hone his technique. But when you win every fight by blinking too hard in the opponent's direction, what even is there to practice?
Frieza created a transformation to seal away his immeasurable ki because he was born with so much ki flowing from him that he can't even contain it. At his peak, Frieza's ki bleeds out of him. He simply can't contain it.
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Goku wonders aloud why Frieza took so long, even after the fight turned against him, to go to 100%. Frieza's been all "Oh I'm only using 10% power this is my 50% you made me go to 75%" and Goku's like, "Okay. My dude. What's this about, for real?
This, incidentally, is not a great translation. What Goku's saying here is supposed to be basically, "Perhaps when you use your full power, your body can't handle it."
He is correct.
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Frieza's Full Power has a lot in common with Super Saiyan 3. His theoretical maximum ability is wildly different from the reality of what he's capable of, because he bleeds ki like it's going out of style.
So, while other characters wound up earning transformations that make them more powerful, Frieza created a transformation to seal away some of his incomprehensible ki.
Then he created a couple more because even though he could now control his strength and even manipulate the amount of ki he's releasing at a time, he was still too powerful for anyone to ever compete with and needed even more ki sealed away.
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Again, not a fantastic translation from the people who brought us "bottom-tier boy", as Frieza's statement here could be interpreted as saying that he gets taken by a berserker rage or something.
What he's saying is more like, "My power is so great that I can't properly contain it."
Point is, Frieza transformed to lock down his ki and seal parts of it away, so he could control the rest better. Then he kept going, locking away more and more and more of his ki. And even at his most nerfed, he's still five times more powerful than the Second Strongest Guy in the Universe.
Frieza has never in his life had the opportunity to be pushed. That's what makes Goku so enthralling to him.
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Frieza plays with Goku because he's genuinely having the time of his life. This guy can fight him in his Final Form. Nobody can fight him in his Final Form. He's so happy, he straight-up forgets that he's trying to complete a genocide against Goku's entire race.
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He said that five minutes ago. Gohan's hidden power freaked Frieza the fuck out. Saiyans are too strong now. They've gotten too strong. Frieza cannot permit them to keep existing because they're getting strong. Every last Saiyan, every last one, must die. Every single one. Scorched earth, no survivors.
But then he meets a Saiyan martial artist who's a technical master and pushes him more than he ever thought possible and suddenly:
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He goes from "Saiyans are TOO STRONG and they all must die because they might threaten me" to "OH MY GOD I'M HAVING SO MUCH FUN CAN I KEEP YOU!?"
It's this desire for a true rival, this opportunity to satisfy his amateur's curiosity about martial arts, that ultimately unravels him. Frieza has one ruthless and pragmatic option for ending this fight once it starts to be too much for him. He can technically stop the fight any time he wants.
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But he can't bring himself to do it. He wants to fight. He wants to compete. Frieza's been on the outside looking in at martial arts for his entire life and even when his greatest fears are fulfilled and the Super Saiyan is in front of him, he wants to try.
So when he does attempt to pull his Lethal Ragequit, he pulls back at the last second. He can't bring himself to do it. Goku initially assesses that Frieza held back out of fear of hurting himself.
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But later, as Frieza begins unlocking the final chains on his ki, Goku changes his assessment. Noting that if Frieza really held back simply out of a mistake, he could have shot the planet again at any point to finish the job. He's been letting this play out because he can't bring himself to end the greatest fight of his life that way.
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This fight is still happening because Frieza wants to compete. I mean, he wants to win, of course, but he wants to win as a martial artist. He's never truly gotten to be a martial artist before.
He is not the guy winning the gold medal at the Tenkaichi Budokai. He has never been that guy. He's the guy who buys up the land the Tenkaichi Budokai is held on and then bulldozes all the people off of it. But in his heart of hearts, he wants to be that guy. That guy is so cool. Frieza wants to play too.
In a sense, by hosting the Cell Games, Cell got to live Frieza's greatest fantasy.
This is who Frieza is. He's the cruel and wicked heir to Genocide Realtors Inc., who is in love with the idea of being Tenshinhan - A desire that exists at odds with - and undermines - his pragmatic business sense, so to speak.
He is the most vile character in the history of Dragon Ball. The worst kind of person. He is also an overeager child whose wealth and privilege prevents him from ever truly enjoying his hobbies, to an extent that he'd be almost pitiable but for all the genocides.
And he is Dragon Ball's greatest villain.
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cy-cyborg · 3 months
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Disability Tropes: The disabling change of heart
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When a character in a story becomes disabled, they'll sometimes experience a trope that I like to call "the disabling change of heart". This is when the character goes through a massive change in their outlook, their personality, their goals or even roll in the story, specifically because they became (or are about to become) physically disabled. Sometimes, this will be in relatively small ways: the happy-go-lucky comedic relief character might become bitter, angry and jaded after getting into an accident that caused a spinal injury, or the severally depressed and nihilistic character might suddenly start acting more cheerful and hopeful, stating that loosing their leg has "put things into perspective and showed them what really matters". In other cases though, the impact is much larger, the heroic character you've been hearing about looses an arm thanks to the main character's actions, causing them to become consumed with anger and self-loathing which they take out on everyone else, eventually becoming an antagonist as they seek revenge for what the main character did to them. The morally grey or even villainous character is injured by their own scheme, giving themselves a permanent disability in the process, which prompts a change of heart and leads them to turn their lives around and become better people, maybe even deciding to team up with the heroes.
Now, having a character go through a personality and goal change due to a major life event, such as becoming physically disabled, isn't inherently bad. A lot of writers are told to tie major shifts in your character's development to major life events, because realistically, something like becoming newly disabled will at least impact how you view the world around you. I very frequently talk about how if I didn't loose my legs, I would have become a vastly different person, but the issues with this trope depends on how it's used and the reasons behind these developments, and whether or not the change suits the character in question.
Before we get into things, I would like to specify that in this post, I'm only going to be talking about how this trope is used with physical disabilities and other easily visible forms of disability. It does show up with characters who develop disabilities under the mentally ill and neurodivergent umbrellas, and is actually a bit more common than what I'm talking about today, but the specific ways its utilised are so different that it's more or less a separate trope, and one that deserves much more attention than I could give it here as this is already going to be a pretty long post. So for today, I'm keeping to it's use with physical and visible disabilities, and we'll talk about how this trope is used with neurodivergence and mental illness another day.
The main thing you need to be mindful of is ensuring that you, as an author, are not including your ingrained biases about disability into the reasoning behind the change. Let's look at one of the examples from before, an evil character who, after loosing their arm (because it's almost always loosing an arm for some reason) becomes a villain and wants revenge against the main character. In a story like this example, the character who became an amputee often views this new disability as something that has ruined their life. It's something that has caused them to suffer, and they want to make the main character (or whoever has "wronged" them) suffer like they did. Stories like this example portray disability as something that is not just horrible, but life-destroying, especially with villains who become all-consumed by the misery this disability has brought them. Many stories that utilise this version of the trope also often perpetuate the idea that if you become disabled, you'll have to give up all the things you love and your goals, even when this wouldn't necessarily be true for the character in question.
Let's say your character was a knight, and the main character cut off their arm in a training accident. obviously you can't be a knight with only one arm because you can't fight anymore, so they left their order. Now this character has become a villain and has found power that "makes up" for their disability, perhaps magic or some other force that doesn't exist in the real world, and are back to get revenge on the character for ruining their lives. Here's the thing though, the loss of a limb, or at least, the loss of an arm specifically, often isn't the career ender people think it is, even back then. In fact, there are many historical records of real amputees continuing to serve as knights and other similar military roles after loosing an arm or at the very least, continuing to fight in other ways. One such example was Götz of the Iron Hand, a mercenary knight who lost his arm to a cannon. Götz had fought as part of the Roman empire's military in 1498, but shortly after left to form his own mercenary company. He lost his hand in 1504 and continued his career as a mercenary with the help of an iron prosthetic capable of holding his sword and the reigns of his horse, among many other things such as writing, for another 40 years. Götz wasn't unique in this though, several suits of armour from the same time period have been found with integrated prosthetic hands, though the names of their owners are unknown. There was also Oruç Reis (aka Aruj Barbarossa), A privateer admiral who served the Ottoman Empire in and around the Mediterranean who lost his left hand - earning him one of many nicknames: Silver-Hand, thanks to the colour of his prosthetic. Oruç, like Götz, continued his career for several more years until he was eventually killed in 1518.
My point in bringing this up, is to highlight how important it is to double check that the reason your character's whole motivation for turning to villainy, isn't just based on your ideas about what a disabled person can or can not do. Actually double check it, research it, especially if it's important for your plot.
Even in the cases where the disability in question actually would stop someone from being able to do something, the incorrect assumptions can still occur and cause issues in different ways. For example, a character in a more modern setting who looses their arm due to an accident the main character was responsible for while serving in the military would be discharged, ruining the character's plan to become a general some day. This absolutely would be devastating for a character like that, and they realistically could struggle to adjust, both in terms of getting used to their disability and finding new goals for their life. They may well feel anger at the main character, however, if you are portraying just living with a disability, in the case of this example, living with an amputation as inherently "suffering" for no other reason than they are disabled, it is still perpetuating those really negative ideas about disability. I've said this a few times in other posts, but villains who are evil or even just antagonists purely because they're disabled or are trying to avoid becoming disabled is a trope all its own and one that is best avoided if you yourself aren't disabled, as even outside of spreading these negative ideas about life with a disability, it's just an overdone and overused trope.
But what about when this trope goes in the other direction? when you have an antagonistic or even just morally grey character who becomes disabled and this is the catalyst that turns them into a good guy?
For the longest time, I knew I usually disliked this version of the trope too, but I couldn't put my finger on why. With disability being the reason someone became a villain, the underlying reason it's there is often able to be boiled down to "I, the writer, think being disabled would be terrible and life like that is inherently suffering, so this character is angry about it," which is obviously an issue (the "inherently suffering" bit, not the anger). However, when a character becomes good due to becoming disabled, the reasoning is usually more along the lines of, "this is a big change in a character's life that has caused them to reconsider and revaluate things" (or at least, that's what I thought). This isn't bad, nor is it necessarily unrealistic. Hell, as I already said, I do consider my disability to be a catalyst that made me into who I am today. I also know plenty of people who, after becoming disabled later in life, did have a big change in how they viewed themselves and the world, and who consider themselves better people since becoming disabled. It's far, far from a universal experience, mind you, but it does happen. So why did this version of the trope still not sit right with me?
Well, I think there's a few reasons for it. The first being that there's a tendency for non-disabled people to think real disabled people are just incapable of evil deeds, both in the sense that they aren't physically capable of doing them (which is bad and not even always true for the reasons we already discussed), but also in the sense that there's this idea that disabled people are, for some reason, inherently more "good" and "innocent" - As if breaking your back or loosing a limb causes all evil and impure thoughts to be purged from the body. This is a result of many folks viewing disabled people as child-like, and thus attributing child-like traits (such as innocence) to them, even subconsciously. This is an incredibly common issue and something disability rights organisations are constantly pushing back against, as this mentality can cause a lot of unnecessary barriers for us. With how often I and many other disabled people are subjected to infantilization, I would be honestly shocked if it wasn't at least partially responsible for people thinking becoming disabled is a good reason to kick off a redemption arc.
This infantilization isn't unique to physically disabled people by the way, in fact it's way, way, more commonly directed at people with intellectual and developmental disabilities - or at least, people are more open about it, but as I already mentioned, how that is reflected in tropes like The Disabling Change of Heart is vastly different and deserves a post of it's own.
That's mostly just speculation on my part though, since that infantilising mindset does show up a lot in media, but not usually as part of this trope specifically.
However, it's not the only reason I wasn't a fan of it. When the disabling change of heart is used to fuel redemption arcs, I think, once again, that the disability itself being credited with causing the change directly is another factor. When this happens, it's usually because "it put things into perspective for me and showed me what really mattered."
This sounds better than our previous example on the surface, but stories that use this logic are often still portraying disability as an inherently bad and tragic thing, something so bad, in fact, that it makes all the other (legitimate) issues they thought were massive before seem so small by comparison. This is a type of inspiration porn: content made to make non-disabled people feel inspired or just better about their own situation. It's the mentality of "well my life is bad, but it could be worse, at least I'm not disabled like that!"
In a fictional story, this might look like an athlete character who dreamed of making it big so they could be famous and get out of poverty. They were a dick to anyone who got in their way but only because they were worried about not being able to make rent if they don't constantly win. One day though, they overworked themselves and got into a car accident on the way home because they were too tired, and now they're in a wheelchair and can no longer walk, which is (supposedly) absolutely tragic and way worse than anything else they were already going through. But they end up becoming a better person because it has put things into perspective for them. Yeah they were struggling to make ends meet, but at least they weren't disabled! Now that they are, they know they shouldn't have cared so much, because money doesn't matter when compared to not being able to walk, right?
As well as portraying disability in a negative light, these kinds of stories dismiss and diminish the other struggles or challenges the character is experiencing, placing the status of "not disabled" above all else.
There's also the fact that, when a lot of real people say their disabilities had positive impacts on their lives, they don't usually mean the disability itself is directly responsible for the change. There's exceptions of course but for myself personally, and most of the people I know who say they are better people because of/since becoming disabled, the disability has been more of a neutral catalyst than the actual cause of positive change. Meaning, it opened the door to allow those changes to happen, but it wasn't the direct cause. For me personally, becoming physically disabled at a young age didn't make me a nice person like people expect, I was still a little judgemental asshole for a lot of my childhood. However, because I was disabled, I had to travel a lot, initially because I needed medical treatment that my local hospital wasn't equip to provide, and later, because I started competing in disability sports. because of both of those things, I met people I never would have otherwise who made me reconsider what I'd been taught on a wide range of subjects, and made me question where those beliefs had come from in the first place. When I say my disability played a part in who I became, it wasn't because my disability itself change me, but it helped me meet people who were positive influences on me and my life. but when creatives make characters who experience arcs like this, they ignore this, again, defaulting to the "this was a bad thing that just put all my other problems into perspective" reasoning.
Some iterations of this trope also use disability as a kind of "karmic punishment" where the disability is portrayed as a rightfully deserved punishment for an evil character's deeds - usually something relating to the disability they acquired but not always. An example might look like an evil tyrant who punishes the rebels they captured by cutting off their hands. Eventually, this catches up with him, maybe the friend or a child of one of the rebels is able to capture the tyrant and cuts his hands off as payback so that he gets a taste of his own medicine, a taste of the suffering he imposed on others. Now facing at least one of the same realities of the people he subjugated, he realises the error of his ways. With some pressure from the main characters, he has a change of heart and surrenders himself, steps down to let someone else take his place, or perhaps he decides to start changing policies to be more in-line with these new morals until some other character usurps him, becoming an even bigger threat than the previous former tyrant.
Once again, stories that use a disability like this are still portraying the disability as an overall inherently bad thing, but there's the added layer at play in this example. The thing is, there are a lot of people in real-life who actually believe disability is a punishment from God. I remember one time when I was over in the US, an older lady came and sat down on the seat beside me on the bus and started asking me about my disability and specifically, how I became disabled. This isn't an unusual interaction, it happens fairly regularly whenever I use public transport, but on this particular day, the conversation suddenly shifted when I told her I became disabled when I was very young. This woman, despite the bus-driver's best efforts to get her to stop, ended up lecturing me for an hour and a half (during which time I couldn't move due to how my wheelchair was held in place) about how my disability was punishment from God for my parent's sins. She then tried to convince me to attend her church, claiming they would be able to heal me. And the thing is, this isn't an uncommon experience.
A lot of disabled people are targeted by cults using this same method: they'll convince people their disabilities are a punishment, make them believe they deserved it, that they just weren't good enough, but don't worry, if you repent and come to our specific church we can heal you. There was even a case in Australia recently that uncovered a cult called Universal Medicine, who taught that disabled people were reincarnations of evil people, and that being disabled in this life was their punishment, as well as that parents who have disabled children were being punished for other sinful behaviours. They were found to be operating a disability care service named Fabic that was being paid for by the NDIS, a subsection of the Australian government funded healthcare system that specifically aids disabled Australians by paying for and subsidising treatments, technologies (such as mobility aids) and other services relating to their disability. Fabic was found to be stealing excessive amounts of funding from their disabled clients under the guise of therapies and carer services, but was not actually helping their clients at all. Whether it's just taking advantage of them to get their money, or actually using this logic as a justification to mistreat them, this mentality of "disability is a punishment" actually gets real disabled people hurt or worse, and so seeing it come up in media, even if there is no ill-intent, can be very distressing and uncomfortable for disabled audiences.
So with all this being said, is the disabling change of heart a trope you should avoid in all it's forms and versions? No, but it does need to be handled with extreme care. I do think it should be avoided as a reason for a character becoming evil for the most part. If that really can't be avoided in your story though, at the very least, ensure that you foreshadow the change. Your happy little ray of sunshine, embodiment of sweetness and innocence type character probably isn't going to turn murderous and want revenge for an accident for example. A character who is likely to be driven to that kind of extreme of wanting revenge for their disability, so much so that they become a villain, probably already had at least a few traits that would predispose them to that line of thinking already, before becoming disabled. As for when it goes in the other direction, and you have a character becoming a good guy, avoid using the reasoning that "the disability put things into perspective for me". Instead, if you must use this version of the trope, use the character's new disability as the reason they encountered other people and situations that challenged their views, things they wouldn't have encountered otherwise. No matter the reason though, be very careful to avoid inspiration porn, and as always, try to find a sensitivity reader to give your story a once-over, just to make sure something didn't slip under your radar.
[Thumbnail ID: An illustrated image showing the same elf character twice. The picture of her on the left shows her laughing evilly, two tiny horns protruding through her brown hair. She is wearing a black dress and red shoes. On the right shows her in a yellow dress, sitting in a bright pink wheelchair with her head held eye and her eyes closed. The horns have been replaced with a glowing halo. In the centre is text that reads: "Disability Tropes: The disabling change of heart." /End ID]
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em-dash-press · 11 months
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The 5 Most Essential Turning Points in a Character’s Arc
You spend so much time creating a character because you want them to feel real. You want to connect with them and use them to create an experience for your readers. Their character arc is how that happens.
Don’t miss out on these essential turning points that make an arc feel not only whole, but complete.
1. The Inciting Incident
Your inciting incident gets your plot moving. It isn’t going to be the first sentence of your story (also called your hook), although it could be if you crafted your first sentence for that purpose.
An inciting incident is a plot event that guides your character in a new direction. It’s the successful prison break, the meeting of instant rivals, or the moment your protagonist wins the lottery in your first chapter.
Without the inciting incident, your protagonist’s life would carry on as usual. They wouldn’t start the arc that makes them an interesting person for the reader to stick with throughout your story.
2. Introducing the Protagonist’s Main Flaw
Every protagonist needs a primary flaw. Ideally, they’ll have more than one. People aren’t perfect and they rarely get close enough to only have one negative characteristic. Protagonists need that same level of humanity for readers to connect with them.
There are many potential flaws you could consider, but the primarily flaw must be the foundation for your character’s arc. It might even be the catalyst for the story’s peak.
Imagine a hero archetype. They’re great and well-intended, but they have a problem with boasting. Their arc features scenes where they learn to overcome their need to brag about themselves, but they get drunk and boast in a bar right before the story’s peak. The antagonist’s best friend hears this because they’re at the same bar, so they report the hero’s comment to the main villain. It thwarts the hero’s efforts and makes the climax more dramatic.
Other potential flaws to consider:
Arrogance
Pride
Fear
Anxiety
Carelessness
Dishonesty
Immaturity
3. Their First Failure
Everyone will fail at a goal eventually. Your protagonist should too. Their first failure could be big or small, but it helps define them. They either choose to continue pursuing that goal, they change their goal, or their worldview shatters.
Readers like watching a protagonist reshape their identity when they lose sight of what they wnat. They also like watching characters double down and pursue something harder. Failure is a necessary catalyst for making this happen during a character’s arc.
4. Their Rock Bottom
Most stories have a protagonist that hits their rock bottom. It could be when their antagonist defeats them or lose what matters most. There are numerous ways to write a rock-bottom moment. Yours will depend on what your character wants and what your story’s theme is.
If you forget to include a rock-bottom moment, the reader might feel like the protagonist never faced any real stakes. They had nothing to lose so their arc feels less realistic.
Rock bottoms don’t always mean earth-shattering consequences either. It might be the moment when your protagonist feels hopeless while taking an exam or recognizes that they just don’t know what to do. Either way, they’ll come to grips with losing something (hope, direction, or otherwise) and the reader will connect with that.
5. What the Protagonist Accepts
Protagonists have to accept the end of their arc. They return home from their hero’s journey to live in a life they accept as better than before. They find peace with their new fate due to their new community they found or skills they aquired.
Your protagonist may also accept a call to action. They return home from their journey only to find out that their antagonist inspired a new villain and the protagonist has to find the strength to overcome a new adversary. This typically leads into a second installment or sequel.
Accepting the end of their arc helps close the story for the reader. A protagonist who decides their arc wasn’t worth it makes the reader disgruntled with the story overall. There has to be a resolution, which means accepting whatever the protagonist’s life ended up as—or the next goal/challenge they’ll chase.
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Hopefully these points make character arcs feel more manageable for you. Defining each point might feel like naming your instincts, but it makes character creation and plotting easier.
Want more creative writing tips and tricks? I have plenty of other fun stuff on my website, including posts like Traits Every Protagonist Needs and Tips for Writing Subplots.
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ashipiko · 1 month
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DANCE WITH ME YOU LI-IA-IAR ♡
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OVERBLOT ASHI??? ANYBODY??? the ANGST that this baby can store!!! SHEESH!!!!!!! <3 I only have one post dedicated to her and liar dance lyric analysis (the post is kinda outdated in gen) BUT…… I also have an overblot monologue as a treat 🫶 I wanted to better explain her angst and so!!! BABAM!!! enjoy
ASHI’S MONOLOGUE:
Sometimes I wonder why I ended up here.
A place named “Twisted Wonderland”, and at a school named “Night Raven College”.
At first, I figured that I was the odd one out— Y’know, the Ramshackle prefect and everything. The magicless girl at the magical all boys school? Nuts, ain’t it?
I’m known for a lot of things. Things that are different from the others. The fact that I stand out is part of the Ashi charm, something I’m known for.
But… Over time I found myself sorta feeling in place here.
Because as much as I try to believe it, I can’t safely say that I’m better than anyone else here.
I’m a fake. I make conversation and lots of friends, but for what? A backup in case something goes wrong? A sense of protection for my reputation? In what case are any of those friendships something I truly want? In what case are any of these strings more than just a tool instead of a thread made of my real feelings?
Behind this, I’m no different from any other student here. Even through my individuality, my cheerfulness, my endearing oddness… I’m still a horrible person. Using people to get what I want, toying with people and their feelings in order to gain power and gain a spot the top. All to become untouchable. It’s screwed. It’s not right.
My insides are ugly. The truth of me is something I want to keep tucked away deeply, because I don’t want people to see this part of me. A brash, annoying, selfish version of me, everything people hate to see. I don’t want this side of me to be seen because people will run away— people I don’t care much about, sures, but people I love, too. I don’t want to drive them away. So I keep quiet and give them a shallow show.
I give them a source of entertainment that’s controlled by the real me, every calculated movement translating into a marionette-like response. The only show I allow you to see is one that’s so carefully crafted by the chaotic clown backstage. The one that is shunned away from the light, the strings being the only hint of the puppet’s phony existence to the foolish audience.
But suddenly, I feel as if being here has started to let this side of me come crawling back into the spotlight.
It scares me.
It scares me to be vulnerable, let all of my faults lay out on the table like playing cards. To take the risk without the protection, to gamble everything I’ve built up away just like that. But you…
You.
You make me feel safe. You make me feel as if I don’t need to hide anything. I can give you the key to my heart and you would have no malicious intent. You wouldn’t cut out the parts people don’t like. You would enjoy the performance in full, every bit of it.
You make me believe that I’m nothing special, and yet something so valuable at the same time.
It’s silly. You’re silly. And yet that’s something that’s helped me.
It’s helped me realize that that truly is just how people are.
We aren’t villains. We aren’t antagonists. We aren’t monsters.
We are nothing but people, with faults and feelings that should be valued.
I am more than just a jester, a sake of entertainment.
I’m a person who is entirely worthy of love. All of me.
It reminds me that I must’ve came here for a reason.
Because this is where I belong.
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so-this-is-hell · 5 months
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Ok I watched the leaked episodes
Let’s start with the positives! I love positives!
- Alex Brightman put his whole Alexussy into this shit oh my god, Pentious and Adam actually sound really good. Adam singing is also really really good. Alex can sing in character and carry things well and I’m glad now he’s part of the project. Because at least it’ll be bearable if I see the other episodes.
-Vox is actually weirdly really compelling? Like I actually ended up enjoying the vibe he’s got and his own voice grew on me, I know it’s not what people wanted but it works well.
-Nifty’s voice is pretty ok, so is Charlie’s. They’re some of the better voices of the cast, Alastor’s performance was uh. It wasn’t bad so there’s that!
-the opening exposition was needed but also a bit hamfisted- wait shit the positives- uh, I love the direction it went? Art wise?
-the songs are pretty good, they get you from point A to point B, and at least wasn’t Poison levels of cringe in writing.
-Charlie actually helping Pentious in episode 2 try to repent and be a better person actually feels nice, like a crumb of what the show should of be-
Ok let’s get to the point.
-the episodes clearly are trying to shove as much of the plot as humanly possible, to the point that you get whiplash.
-Angel Dust, Vaggie, Valentino, Husk all have voices that either do not fit, crack from the pressure to perform, or are trying so hard to mimic the previous voice that it’s actually worrying. The Angel dust one in particular I’ll get to when I get to the point.
-The plot starts with the main antagonist, literally telling Charlie that her plan is pointless and she should give up. There’s no actual “I want” song to counter this, unless you count the song where Adam mocks her for trying and tells her the exterminations will happen twice a year now.
-Pentious at least wasn’t a creep like i was fearing in the script, but he comes off too pathetic? Like I know he was pathetic and that’s the point but why the fuck does he want to be equal to the Vees now? Didn’t he want to rule over hell himself? I know the instagram had him crop himself into pictures with the Vees but remember those aren’t canon!
-I realized I was able to hop in because I had Wikipedia level knowledge of these characters to the point they click in my head (and enough to where Alastor, Charlie, Vaggie and Husk all felt a little off but that’s neither here nor there). But god I cannot imagine being a new person trying to jump into this show, this is bad. None of the characters get actually introduced outside of Charlie, the show references the pilot which isn’t part of the show so new audiences have no idea what they’re talking about, and the staff gets actually introduced in episode 2. EPISODE 2, TO PENTIOUS!? GIRLIE POP HAVE HIM COME EPISODE 1 THEN?
-Animation that’s either too floaty, too janky, too stiff or straight up traced. Which I don’t blame the animators for, Mammon was busy buying 10,000 dollars worth of peacocks to bother paying them more than a dollar per frame. There’s no charm here.
-Where did the fucking cat key come from? No I’m serious. Where did it come from? It just kinda exists now.
-Alastor’s commercial is just straight up MEAN and he’s often more mean than chaotic, which I know is ironic since he wasn’t a good person and I wasn’t expecting him to be but it’s to a point where it’s not even fun mean. He literally called Charlie’s endeavor “Daddy issues”. It felt like he was just there to slap Charlie in the face.
-Angel Dust rant is gonna be so long that I saved it for last.
I have to put it under the read more because of talk of SA! Fun!
Ok.
I’m saying this as someone who loved him from the pilot and was willing to excuse his behavior as “flaws he can work on” since Addict and everything else proved that there was more under the surface and he was a character that could change and grow and-
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Angel dust, the rape victim… the guy running away from his abuser…
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The Angel dust who has traumatic episodes so fucking graphic that he flashes back to them when he’s performing.
Saying “yeah no, fucking sexually exploit me! It turns me on!”
Viv, I know you’re not reading this but I mean this genuinely.
Fuck you.
As someone who’s family has experienced sexual abuse, as someone who’s family still has CPTSD because men in power decide to exploit them… how fuckin dare you make a character enjoy their own exploitation.
This isn’t me kink shaming a sexual character! He can be sexual and like sex! It’s never been the problem and hell it could of been liberation to have sex he deserves.
But no.
Let’s make the SA victim into the sexual harassment character, let’s make the SA victim the Stolas of the show where he wears down his love interest so thin that they have to give up.
Let’s make the SA victim still work under his shitty abuser, and make that into a joke as the abuser mentions wanting to rape everyone in the hotel.
Don’t pay to watch this show, I mean it.
Pirate it.
Hell don’t even watch it, find something better to watch. I’ve been binging anime as of late and I still like captain lazerhawk.
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oshiawaseni · 1 year
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Remember when Kacchan complained about Izuku obviously skulking around with All Might and how they need to be less conspicuous about their connection with each other? When you think about it, no one cared that much what the heck Izuku was up to… except for Kacchan himself. And in hindsight, that interaction is just so freaking cute. Just because this guy is always hyper aware of Izuku and the people surrounding him and absolutely concerned with his business, he thinks others will be too.
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Take Season 2 for example at the sport festival… How did he even come to eavesdrop on Todoroki in the first place? By following and being invested in what Izuku was doing with him because Kacchan got so jealous about Todoroki declaring war on his shitnerd 😩 he couldn’t stand the idea of them going off alone somewhere together.
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Stop the cap. You were there because you followed Izuku, Katsuki. 
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Kacchan’s always overly concerned about Izuku and on top of that, he was jealous of Shouto taking his rival nerd from him. So when he got curious seeing them go off somewhere alone, he followed them and eavesdropped.
And another time he eavesdropped on Izuku in Heroes Rising.
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He’s so focused on whatever Izuku’s doing or saying, he tunnel visions like hell. Here he forgot about his icey and it melted off the stick. 
Not only does he always give Izuku his undivided attention, he definitely wants it returned.
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Izuku’s always looked at his back, right? Whether that was walking behind him in the woods, or being seated behind him in class... I think at some point Katsuki came to crave his gaze on him and secretly loved his praise too and that feeling was exposed in the joint training arc with his “Keep your eyes on me, Deku” 😂
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Oh Katsuki don’t lie ❤️
You knew he’d be watching you like this with his big and shiny doe eyes didn’t you ;)
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Turns out you’re allowed to be obsessed with Kacchan, Izuku. He was just being a hypocritical tsundere whenever he said stuff like this:
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Remember when there were a bunch of Kacchan apologists that victim blamed Izuku for sticking around when he was told to leave him alone? What if I told you Katsuki never truly wanted Izuku to leave? Because if he did leave, then who would Kacchan stalk? 😂
Honestly!!! Kacchan’s Izuku complex and how he projected it onto him like Deku is the only one who’s obsessed, is one of my biggest sources of amusement with this ship. Heh. 🤭 They are true equal partners in a lot of ways…
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Between all the “Did I do better than Deku?”, 
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the eavesdropping
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and every single time Katsuki targeted him, if you’re able to describe all of this as nothing other than PURE UNADULTERATED OBSESSION...?
DING DING DING. You’re damn right it is!
Then you flip the hate around because it turns out he was wrong to hate that person in the first place after all, and what does Katsuki’s obsession start to look like? Maybe a little something like this.
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They’re obsessed with each other and always have been and this is perfectly fine. It used to be very antagonistic attention on Katsuki’s end but his attention has since become all soft and gentle because now..? Now he’s just in love. ❤️ And that’s the tea~ ☕️
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barblaz-arts · 3 months
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HELLOOO!! Im in LOVE with all your Chaggie (and Wenclair obv-) art!! I was wondering if youd be up to share your thoughts on the other hazbin characters? Simply cuz Im very curious and youve been a favourite content creator of mine for a while whose opinions and takes on different things i value A LOT! So id love to hear your thoughts on the rest of the main cast(and more if youre up to it hahha)!
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@phantoswordsman15
The main cast huh
Hmmmmm I dont particularly hate them, but I have some opinions that people might not like and I'm aware there's a lot of uh sensitive people in this fandom, so I never said them unprompted
But since you asked!
Alastor
Let's start with the infamous Alastor. I think he's a very entertaining character! His horde of simps annoy tf outta me when they're being misogynistic and homophobic towards Chaggie and Vaggie, but I quite liked him when I make myself forget certain parts of the fandom. He's funny and conniving and intriguing. The fact that he apparently sold his soul is super interesting to me. I'm on board with the people theorizing that he sold his soul to Lilith. I bet he's cozying up with Charlie so that he can use it to break his contract somehow. Feel like he also used the deal with (presumably) Lilith so that he could be strong enough to be the overlord he became.
With that being said, I'm really surprised with the direction they took with him. You'd think that with him being a favorite of the showrunner and the fandom, he would probably be portrayed as the coolest mf in hell. But I really like that it isn't really the case within the show. Certain denizens dont even know him and older overlords like Zestial seems to scare him and Carmilla just dgaf about him. Hell, Alastor's loss to Adam was a lil embarrassing ngl. Like. I know he's one of the oldest human souls and that's why he's powerful but... It's Adam.
Something about him that I noticed is that he seems to be more bark than bite. In particular in his duet with Lucifer, initially Lucifer had the upper hand because he's objectively more powerful, humiliating Alastor with his angel magic, but what Alastor used to his advantage was his words and charisma, as can be expected of a radio host. He's always taunting his enemies, but does it actually make him stronger than them? He "won" that duet with Vox but Valentino said Alastor only"almost beat" him when they had an actual fight. He ruffled Lucifer's feathers but at the end of the day Lucifer is still leagues more powerful than him. He talked big when he was fighting Adam but he almost died and had a breakdown over it.
He's really a lot less "cool" than I expected the show would have him be portrayed as. Kinda pathetic honestly, how he's so insecure and angry whenever he isn't the strongest guy in the room. And i actually really like that! He reminds me a lot of Rumplestilstkin from Once Upon a Time.
Something I kinda hesitate to say tho is... I dont want him redeemed. I dont want him to actually care about the hotel crew and change his ways. I like him as the fucked up man he is and really want to see how fucked up he can be, just so that if he ends up being the huge antagonist, his downfall would be all the more satisfying. Like yunno that moment when Light/Kira was finally defeated? I wanna feel that again.
Angel Dust
I love him! We found his dialogue a lil annoying at first in ep 1 but the writers did a lot better in ep 2. He's a neat guy. His character gives interesting implications for me as to what makes a person a sinner in this show. While you have people like Alastor who obviously ended up where they did because a cannibal murderer, I get the feeling Angel ended up in hell because he was abusing his own body, which is a sad thing to think. If I remember right from my own catholic upbringing, abusing the body is considered a sin because your body is a temple. To think that Angel could be in hell for poisoning himself, not for harming others, is just sad man. I look forward to seeing more of his journey.
I'm not touching on how his SA was tackled btw. While I'm a victim of sexual assault myself, what i experienced was far from what Angel does on a REGULAR basis,so I don't feel like i have any personal or professional right to say anything about it. Not every victim's case is universal anyways. All I can say is, his line about purposefully damaging himself so he could be broken enough to no longer be Valentino's "favorite toy" hit me harder than I ever expected this show to.
Husk
Confession: I... I dont feel all that attached to Husk at all, I am so sorry Husk stans 😭
Okok that feels so mean to say I'm so sorry. I actually hesitated to say anything because I dont want to hurt people's feelings. But since you guys are asking and I dont like not being genuine, I'm telling the truth.
A lot of my feelings about Husk is heavily affected by the fandom anyways to be perfectly fair. Why? Because a lot of criticisms against Vaggie is easily applicable to Husk, maybe even more so, and yet I dont see even the same level of hate towards him that Vaggie received because his chemistry with Angel is so much better than Chaggie... Apparently...
I just dont see Husk as a character outside of being a plot device for Angel's development yunno? I get it, he isn't a main character like the main 4 are(Charlie, Vaggie, Alastor, and Angel), i just find it hard to well and truly like him because of the fandom's double standards. When we found out someone was gonna die in the finale, my brother and I actually thought it was gonna be him because he doesn't have a big enough role to play in the plot to be a HUGE loss, but has a significant enough connection to a main character to have an EFFECT. He very much just felt like the love interest for Angel and nothing else. Which isnt necessarily a bad thing, but is frustrating when i see sooo many people label Vaggie as such(when she isnt!) and hate her SO MUCH for it.
I wanna see more of him tho I really do. Like the man used to be an overlord. He said he wanted to find someone who could relate to "the gruesome ways in which he's damaged" but what does that even mean? Yes i know about the castration but aside from that what suffering is Alastor putting him thru when all he has to do is be a bartender rn? There must be more and I wanna see it and finally feel for him.
Nifty
I love her a lot. That's it. The character ever. Her gremlin energy reminded me so much of Peridot, it's great. Kimiko Glenn did a fantastic job as the comic relief character and I hope she gets her own song next season. Her basically being everyone's little sister was kinda adorable even tho she's probably the scariest person in that hotel next to Alastor. I hope she gets to stab Valentino next. Just kill that MOTHerfucker
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bonefall · 3 months
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.. opinions on wind runner? i feel like im one of the only ones that genuinely hates her sometimes
If you feel like the only one who genuinely hates her, I think you need to look around more. Wind Runner is a very widely disliked character, because she's often used within the story as a small antagonist who "threatens" the authority of Tall Shadow. Gray Wing dislikes her. Thunder is openly cat-racist to her. She spends several books trying to break through the moor cats' xenophobia to join a group that came to HER LAND.
Then, when Moth Flight is old enough to be a relevant character in Forest Divided, Wind Runner is turned into Yet Another mean mom the very moment Moth displays ADHD. She's contrasted to her mate Gorse Fur, who is a Soft And Good Dad, and ultimately MASSIVELY punished with the harrowing events of Moth Flight's Vision (even though, for most of that book, she's completely right.)
Ask yourself why they're especially harsh on WIND RUNNER for being mean to her child, in the arc with Tom the Fucking Wifebeater and his redemption death, plus Thunder being forced to stop being mad at his abuser Clear Sky, please.
To me, Wind Runner is an intense, ambitious woman who's demonized for it in a way that men just aren't. She's subject to several misogynistic trends within WC, plus a huge helping of xenophobia that goes absolutely unexamined. If DOTC cared at all about women, it would have treated her with the nuance she deserves.
Wind Runner is treated with nearly endless suspicion by Gray Wing through books 1 - 3, while he's bending over backwards to suck Clear Sky's toes.
Her wanting to join the group that came TO HER HOME and being a bit pushy about it earns a stronger reaction from Gray Wing than Clear Sky murdering people.
She's pressured into changing her name "to fit in," and it's still not enough. She wanted to join the group so bad she changed her name, at the request of the Mountain Cats, for a chance of being better accepted
This came after she'd already saved Jagged Peak's life when a burrow collapsed on him. She's plenty trustworthy.
She keeps doing shit to try and prove herself to this group of assholes. Remember Bumble being dragged back to her domestic abuser? Gray Wing interprets this as a power struggle, when WIND RUNNER WAS NOT EVEN PART OF THE GROUP AT THE TIME.
From Wind Runner's POV, she did something that the Moor cats wanted done. It was fucking evil. It was committing violence against another member of the out-group the cats see her as.
But who actually has the power here? Tall Shadow does.
Gray Wing said it himself that she could have come up with some excuse for Bumble to stay, and she didn't. In fact, any cat could have spoken up. No one did.
and still. STILL. Wind Runner gets nothing. Her reward is Gray Wing surmising that actually, her doing their sick dirtywork was a political move.
It's more consistent as a motivation with how Wind Runner wants to join their group. The thing she's been doing.
She only actually gets to join the group after Thunder starts publicly hurling slurs at her for suggesting they need to be ready for Clear Sky to attack them. "What do you know about peace? Last time I was here you were NOTHING BUT A ROGUE WITH A ROGUE'S NAME"
Gray Wing even starts purring when she gives birth, because her ambition goes away briefly and she "stops bossing everyone around." this is treated like a sweet thing. god forbid women retain their personalities when they have kids
She loses her first premature child to a seizure and Gray Wing starts proselytizing his religion to her. "Maybe it's a good thing your weakest child died because Jesus has them now" I want to beat him with a hammer
When her second child gets sick, Clear Sky has a bright idea that involves killing it. I refer to this as his "reverse leper colony" suggestion. He only develops a sense of humanity towards the sick when his brother's pregnant wife is in danger. Wind Runner and her kitten barely seem to clock as people to him.
It's only after her SECOND baby succumbs to a horrible, painful death that she decides the moor cats are assholes, and she goes to start her own group. It's LONG overdue. I was extremely excited to see it.
Now. Listen.
I've been treated just like Moth Flight before. I've practically heard the scolding in Book 6 Chapter 3 verbatim. I'm not downplaying anything about Wind Runner being harsh to her; being yelled at like that never fixed the problem.
What I'm saying is that this is the SAME arc that summons the hollowed-out ghost of Storm to coo that Clear Sky "never drove anyone away" with his abusive behavior and gives Tom the Wifebeater a heroic redemption death.
So why is the scolding from Wind Runner treated as unambiguously harsh? What's the difference between her and them?
Why is it that outside of this little bubble of the community, you can get buried in a flood of people crying about how "Clear Sky made Summisteaks Butt he thought it was the right thing :((( He feels bad about shoving Thunder's face in a weeping, pus-filled wound and trying to kill him :((((" but Wind Runner is mean about Moth Flight not catching a rabbit and she should be skinned alive
Why is WIND RUNNER held responsible for the death of Clear Sky's child in Moth Flight's Vision, WHEN IT WAS COMPLETELY HIS OWN FAULT??
So, why should I hate her? Because she's mean to the idiot protagonists? Because she's Yet Another Bad Mom whose actions ARE treated as Bad in the story, in the arc famous for openly weeping whenever someone's mad at their abusive dad?? When she has this whole horrific, unexamined story about how incredibly bigoted The Settlers are towards her and the extremes she goes to in order to please them?
I'm glad she's mean, actually. She should have been even meaner. I think she should have a gun
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bethanydelleman · 3 months
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I saw a post you reblogged at some point about Fanny being stuck in a time loop and it got me thinking: if the main men (both protagonists and antagonists) of the different Austen novels time travelled back to the day they first met their love interest/the start of the novel - whichever is latest so wentworth, knightley, and Edmund Bertram would travel to the day the main events of their novels start - who do you think would end up changing the least of the events and the most (intentionally or not)?
Because I feel like Knightley would change the least and Henry Tilney and the three S&S gents would come next. But like Wentworth would immediately throw the entire novel off track and like Darcy and Henry Crawford would come in close second trying to change their truly awful first impressions
(Also I just want to add that I really love your Austen takes and discussions 😊)
Thank you!
This is a fascinating idea. Here are my thoughts:
Wentworth just marches into Uppercross Cottage and proposes again. Doesn't even wait to be properly introduced to the family. He's getting Anne back NOW. (She says yes, of course)
I can imagine Darcy having a tiny little crisis as he decides if he really wants to be married to Elizabeth, maybe he could just not accompany Bingley to Netherfield and his life could go the way he planned... nah, he can't resist. Off to Netherfield he goes and he lets Bingley introduce him to Elizabeth at the assembly ball. Things progress unimpeded and by Christmas there is a double wedding and Wickham's character is known throughout Hertfordshire. He skips town and Lydia is packed off to Pemberley to benefit from some better society. (Side note: Mrs. Bennet would push Mr. Collins on Mary if she had any inclination that Darcy liked Elizabeth).
If Bingley knew everything, he'd never leave Jane. He'd return from London and marry her, no matter what Darcy or his sisters said. (I wrote that once actually)
Does Wickham count as a main? Because I don't want him having the ability to predict the future. Yikes on bikes!
Henry Crawford is very interesting, because does he actually understand where he went wrong? I'm not sure he does. Can he resist a flirtation with two very pretty sisters? That would be a fun fan fiction to write. Because if he went for Fanny right off the bat and she knew nothing else about him... he'd probably succeed with her, secret Edmund love or not. And she certainly wouldn't have a leg to stand on in refusing his proposal.
Does Edmund come back in the same timeline as Henry? That would be so agnsty! If not, he'd probably be doing whatever he could to keep Maria and Henry apart, but he's shockingly ineffective in canon, so would he even be able to change anything?
Henry Tilney would probably just try to prevent Catherine being sent home alone. He could easily come back early.
Mr. Knightley's best move would be to tell Robert Martin to propose in person. I doubt Harriet could have resisted. Then he could just sit back and watch everything else play out.
Honestly, I don't know if Frank Churchill would change a thing, other than making sure his final letter was posted to Jane. He enjoyed the subterfuge.
Poor Edward Ferrars has to travel back while engaged to Lucy? I feel like he wouldn't even want to relive the novel, there is nothing he can do anyway.
Colonel Brandon would probably change a lot. He could immediately save Eliza and challenge Willoughby. He might even spare Marianne from a lot of pain.
Reginald de Courcy (Lady Susan) would likely act as well and save Frederica earlier than in the novel.
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