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#a story of seasons
reeddotcom · 18 days
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A Stardew Valley and Harvest Moon crossover RP server!
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Hi, and welcome to Harvest Valley!
We're a brand new, all inclusive, 18+ roleplaying server that's looking to bring together our two favorite Farming universes for one relaxing writing experience. DM for an invite!
This server exists in a universe where Pelican Town and Forget me Not Valley are side-by-side, separated by a mere five-minute walk through a small mountain path. It works off of a one month, one season mechanic and either town has their own disadvantages and advantages as per that season. Canon and OC's are allowed, and every character is also encouraged to have a "role" in this server. A farmer, a miner, a forager! There's a few to pick from to get you started. Short-form roleplaying and literate to advanced/novella are all allowed, though they have their own respective areas. Again, we're 18+, run a SAFE SPACE so no bigotry will be tolerated, and are a welcoming community with the intent to keep this a calm, relaxing server. Events moving forward will simply be bazaars, carnivals, festivals, light-hearted concerts and whatnot. This is not a high-maintenance server whatsoever, though you're more than welcome to do whatever you want with your writing partner(s) in threads if both parties plot and consent. Canon characters for Stardew that are still open are: Alex, Harvey, Penny, Sebastian, Shane and many more... Canon characters for Harvest Moon still open are: Celia, Muffy, Nami, Vesta, and many more.... See you on the other side!
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aspiringhorrorauthor · 11 months
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People seemed to enjoy the last poll, so here’s on from the flip side. I’ve written a list of my favourite things you CAN find in a Harvest Moon (up to and including A New Beginning) or Story Of Seasons, you have to decide which one I made up:
Answer will be in the replies once more
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zehiiro · 7 months
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Loki becoming the God of Stories - 02x06
I'm in shock. This was STUNNING! I'll need at least 2 months to wrap my head around it, I love it so much!
[Part 2][Part 3]
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watchyourbuck · 2 months
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I don’t think yall understand how meaningful it is to have Oliver say “when you close your eyes it all feels the same” (kissing on screen). The fact that he doesn’t laugh it off, or say he had to push through it, or that it was a little weird like other actors have in the past is so incredibly important. This is him portraying a character and his sexuality, and it’s so validating to have the actor do his job the way Oliver has, in such a caring, positive way. It’s the feeling of finally belonging, of blending in when you’ve been marginalized and picked out all your life. Love is love, and a kiss is just a kiss.
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outofcontextbokumono · 8 months
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fla-t-line · 7 months
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Lonely God
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amu-says-hav-says · 10 months
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I can’t believe I went through all of Season 2 assuming Nina was the stand-in for Crowley when you actually pay attention it’s so CLEAR that she’s Aziraphale. I was tricked by her spiky, sarcastic, cynical outer shell and lulled into a false sense of security by Maggie’s bubbly optimism and wholesome goodness, because on the surface they reflect the ineffable husbands perfectly, in their personalities, their aesthetics, even many of their actions and morals. but not, and this is the real key, when it comes to their “relationship”. but those first impressions really had me damn fooled. 
I missed the blatantness of Nina’s “we’re just friends. actually we’re not friends. we barely know each other.” the same thing Aziraphale said in season 1.  the way he still struggles to quantify their friendship when Nina asks. Nina’s sarcasm when Crowley asks about rain and awnings because it worked for him (we all know it LMAO). hell, that whole convo the girls have in the rain is so AziraCrow (“I know. I’m not your type” “...You have no idea” hits so much harder the second time, help meeeee.) “Lindsay” maybe being symbolic of Heaven and Aziraphale’s toxic relationship with them and their abuse? (the handwritten text messages in red pen make me think of angry notes on paperwork, anyone else?) because Crowley has never actually cared about what Hell thinks of him, just not getting into trouble (or him or Aziraphale getting hurt). Maggie is always chasing Nina. NINA NEVER GOES IN THE RECORD STORE. Just like Crowley always goes to the bookstore, to Aziraphale, Zira NEVER WENT TO THE FLAT (apart from The Swap but that doesn’t count imo). Crowley has always chased Zira, not the other way around. Always there to rescue him, always going to him for company, always relying on their shared connection, always US. OUR SIDE. All through season one, he comes to Zira every time to work together, never trying to work alongside Hell in any way that isn’t to save their skins or Earth, while Zira hides things from Crowley because he STILL thinks Heaven is ultimately good and will do the right thing if he can just show them. fix it from the inside. 
Maggie working up the courage to finally say something, to put herself out there, while Nina is utterly oblivious and then when she does realise Maggie has feelings, becoming standoffish, putting up that barrier, fighting it, denying it, ITS SO CROWLEY AND AZIRAPHALE IN THAT ORDER. the way I was fooled into thinking Nina’s trust issues are Crowley because he does have trust issues ofc he does BUT Crowley has ALWAYS TRUSTED AZIRAPHALE. has always relied on him. has always been hurt when Aziraphale doesn’t immediately reciprocate the way he expects (the holy water request, the bandstand, the “off in the stars” etc). he’s always the one putting himself forward. Aziraphale has always been the one to second guess everything, to fight their connection, their similarities, their friendship. the girls really made me think it was going to be okay when they sat Crowley down, even as my inner sirens were going haywire about Metatron interfering, they were telling Crowley he just needs to open up and it’ll all work out BUT HE’S ALREADY AT THAT POINT. he may not say it, and by gosh is that part of their damn problem, but he’s always SHOWN IT. he’s not Nina who needs time to heal and recover from her broken trust, he’s always been Maggie believing it doesn’t matter, they’ll end up together in the end anyway AND I WALKED RIGHT INTO THE TRAP THAT THIS MEANT THEY WERE GOING TO BE OKAYYYYYYYYYYY
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astrowarr · 6 months
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i haven't watched pearl's episode yet. but there's something to be said about the fact that she knew scar well enough to know that, when it was the two of them, he would have too much pride to accept a sacrifice.
she doesn't want to win, and she tells him at first before she quietly tucks that secret back into its shell after scar's indignant reaction to her first attempt at self-sacrifice. she lets scar forget about it as they kill gem, and then as scar kills pearl. at no point does she try to say here, let me give this to you. she knows scar, but she also knows the pain of an ending like that.
but she misses a few swings, doesn't she? her legs don't move as quickly to duck away from his arrows. and isn't that familiar? isn't that something like a cactus ring, with two unrelenting fists and two half-hearted ones: a fight with two unwilling participants, a fight that was over before it ever really began at the insistence of one of its patrons
pearl is all too familiar with the sting of sacrifice, but then on the other side of things... scar knows all too well the tragedy of gifted victory, doesn't he?
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fuckyeahgoodomens · 6 months
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tardisdeancas · 7 months
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what i want for Loki season 2 finale
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anyway the person Loki went back to ultimately ask what he should do was Mobius.
the person who couldn’t continue the job they’d been doing for eons because it was too painful without Loki was Mobius.
the person who stood alone in the second to last shot was Mobius.
the person who’s voice Loki heard at the end of time was Mobius.
if you don’t think that’s winning i don’t know what to tell you.
give me painful, bittersweet, star-crossed lovers over nothing at all any day.
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dreamsuvivor · 7 months
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I don’t think you all grasp the depth of the finale and the show as whole: Loki used to be a side chracter who was killed off several times and often used only as a comic relief, and now he’s one of the most important character in the whole mcu… His character arc is incredible, one of the best in the whole mcu.
And all some of you seems to care about is that your ship didn’t become canon. Are you kidding me?!
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and-corn · 2 months
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cannot even begin to describe how much i love the historical inaccuracy in bridgerton this season- they’ve just fully leaned into it. the hair, the outfits, philippa featheringtons lush tan, i can’t get enough thank you!
i LOVE a silly romance - i don’t CARE about historical accuracy, i like pretty colours and happy couples
so WHAT the napoleonic war was supposed to be going on- NOBODY CARES! :D
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ashfae · 10 months
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The thing about romance is, it makes a good story.
As soon as Neil described season 2 as "quiet, gentle, romantic" I figured we'd be in for it, because as he's the first to point out, writers are liars. And the best way to deceive is with truth.
Season 2 is romantic. The trappings of romance are everywhere. Crowley tries to set up Nina and Maggie by trapping them under an awning during a rainstorm, a classic cinematic bonding technique. Aziraphale's chosen method comes from his beloved books: the ball, the dancing, appearing as a pair in public, hands held as you twirl gracefully with your heart thrilled and racing. If they can set up a sensational kiss that will unlock the happy ever after. They've lived on earth, they've studied the tropes, they know how romance works.
The problem is a story is only a story.
Nina and Maggie had the classic romantic setup completely by accident before Aziraphale and Crowley ever began trying to interfere with them. They get locked in Nina's coffeeshop. They can't escape or communicate with anyone else, they end up talking by candlelight because there's no electricity, Nina offers wine. Maggie mentions how she'd hoped for a chance to talk to Nina, and now here they are. It's every bit as much a standard as what Aziraphale and Crowley attempt to arrange. Blanket scenarios galore exist because of that starting point. We love that story. And there's nothing wrong with that.
But it's still only a story, it's not enough. Because once that moment of connection is over, however lovely it was, all the rest of the world comes flooding back in in the form of dozens of angry text messages. Nina's messy entrapping relationship hasn't magically gone away just because she and Maggie shared a romantic encounter.
And it's so tempting think oh well, that's easy. We'll just give them more romantic encounters and eventually those will overwhelm the rest of the baggage. Must do, because it'll make them fall in love, and once they realize they're in love that trumps all other considerations, right? So it'll be fine. Love Conquers All.
Neil also mentioned Pride and Prejudice.
Darcy knows he's in love early on and makes a disasterous proposal that shows that he has no understanding of Elizabeth's perspective, possibly hasn't even thought about it. They've been meeting in forest lanes for walks, conversing, had tete-a-tetes in the sitting room, danced at a ball. And while his turn of phrase isn't as flattering as he thinks, he's still offering her everything he thinks she wants and needs: affection, security, his good name, wealth, an escape from the embarrassments of her situation, the world. How can there be anything to object to? Why would anyone ever refuse so much of value?
Elizabeth quite rightly cuts him to pieces. He lashes back with a few hard truths of his own and they separate. During that separation, he thinks and he learns. He takes to heart the criticisms she offered, re-examines his assumptions, opens his eyes. Thinks about her perspective and how sometimes the only difference between pride and arrogance is where you're standing. He does the work. When they meet again he tries to demonstrate that he's learned--not in order to court her again (yet), but because the only real apology he can offer, the only one that would have weight, is to show that he's grown, he listened to her. He changed.
Elizabeth of course has her own journey, accepting that many of her own conclusions about Darcy were erroneous because they were formed without her having the full picture to hand, and once she's done that she has to apply it to her own situation as well. She loves her family, but they do place her at a disadvantage on a number of levels, leading eventually to full-out disaster as her younger sister carelessly ruins all of their reputations. It's hard to admit, it's mortifying, but Darcy was offering her a great deal she needs. His offer did have worth for all that she dismissed it as an insult. And as she learns to value his own character more highly, and then as she sees that he did listen to her even though she insulted him so thoroughly...well, she grows too. And when they do eventually come together it's not because of courting and balls. There's a big romantic gesture in his rescue of her sister but even that isn't why they'll get their happy ever after. It was just the catalyst for the conversation. They win because they've learned how to understand each other and how to communicate for the future. How they can strengthen and support each other, how to balance their strengths and weaknesses. The films leave them at the wedding, but the book shows a bit of their marriage too, and during it they keep learning from each other. Their relationship is held up as a superior love story for good reasons.
The end of season one was romantic too. Crowley stopped time rather than face a world where Aziraphale would never speak to him again, Aziraphale walked into hell to protect Crowley, they dined at the Ritz and toasted the world. But then they stopped. Sure they spent time together, talked, enjoyed each other's company. But if they were talking about important things would Crowley still be living in his car? They had a bit of respite but all that real world baggage that exists outside of the romantic moment hasn't been faced, none of it. Four or five years sounds like a long while but for beings who are quite literally older than the earth? That's just an intermission.
Nina's relationship ends, leaving her with a tangled mess; Maggie realises the sweet dream of love she's been longing for isn't as important as the real Nina. They talk. They plan. Nina will sort through her life, get closure, figure out what went wrong with Lindsay and what she wants from a relationship, learn how to ask for respect instead of just bending under her partner's demands. Maggie will support Nina the way Nina needs, which sometimes means helping her get oat milk for the shop and sometimes means giving her processing space. They're on the same page; they're going to do the work. That's why most likely they'll succeed. To quote one of my favourite fanfics: it's not happily ever after, but it's a chance. It's all going to be okay. (The Profane Comedy by Mussimm, who absolutely nailed this theme)
The romance is nice, it's lovely. We need it to keep ourselves going. To give ourselves the dreams that help us get through the days and nights. But it's not the relationship. It's not enough on its own. The wedding can be the grandest most beautiful ceremony ever with doves flying and sweeping music and bells ringing, but that doesn't guarantee the marriage will last.
Crowley and Aziraphale have had their romantic gestures, oodles of them. One wing raised to protect the other from falling stars, another from rain. Shared ground, shared interests, hands offered in friendship and held on a bus. They've tried to get to the same page, they really have. They just aren't there yet. The biggest most important things still haven't been talked about, and season 2 showed there are even more of those big important things than we'd realised.
The show paints Maggie as Aziraphale's foil and Nina as Crowley's, even to the point of Nina casually calling Maggie 'angel'. But Aziraphale's baggage is Nina's. The toxic relationship has to be processed and understood and closed, and it hasn't been, despite season one. Lindsay never really liked Nina very much, for all that they tried to keep her trapped; Heaven never really liked Aziraphale very much for all that he believed in it. They both let themselves be used. But Lindsay left Nina and went to their sister's, whereas now the head of Heaven has reached out to Aziraphale and said here, we can fix this, you can fix this, don't you want to fix this? Others are already writing about that and maybe I'll add to it later, not sure. And Crowley, like Maggie, has had a sweet dream that he has to set aside. Maybe he'll be able to pick it up again eventually, maybe not. But sometimes you offer support by buying oat milk or rescuing your beloved from the legions of hell, and sometimes you do it by standing back while they sort through their shit.
Quiet, gentle, romantic. It was.
But that's only part of the story. Now they have to do the work. They thought they had, but they were wrong, because there's so much they just hadn't touched yet and tried to cover over with relief and sleight of hand and alcohol and forgiveness. The apology dance doesn't mean much without showing that you listened and learned. They've faced so much trauma already and that should have been enough, we wanted it to be enough and so did they and it's such a blow for it to turn out that there's still more to do, that the baggage hasn't just gone away and can't be hidden under blankets or soothed with cocoa. The texts are still coming in and demanding answers.
But it'll be okay. It will. It's still a chance. And one that in the long run makes them better, builds something real that lasts.
The best stories, the ones that last longest and become classics, are the ones that don't end with the kiss under the awning or the blanket scenario or the wedding. They're the ones that heal us while the characters heal themselves. It's hard to accept that there's still more to do. Harder to imagine how it can possibly work out. And yes, bloody frustrating to wait and see.
And we'll get through that interim by telling even more stories. Because the story is never just a story. It's how we get through the work, it's what we tell ourselves so we can do the damn work. Stories are what we cling to and how we remind ourselves we're human and connect. A book is a person you can carry with you. We're not alone, none of us, stories connect us because we love them and see ourselves in them, which means we see each other.
Aziraphale's back up in Heaven to deal with his unfinished baggage; Crowley left his behind long ago and it's clearly going to come back and bite him in the arse however much he tries to go his own way. And they can't help each other with that. Not yet.
But they'll get there. So will we.
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fabuloustrash05 · 27 days
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"When I was a young man, I fell in love with a woman-"
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"Oh, hey, is it that late?"
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"Sit."
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This is such a funny father and son moment between these two, and I love it way too much.
Not only with Raph trying to get out of hearing a story from his dad that he's not interesting in/in the mood to hear, but also immediately wanting out the second he realizes it's about his dad's love life.
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