Tumgik
#I'm back writing unnecessarily long posts
fatesundress · 10 months
Text
⭑ made with love. draco malfoy x reader
Tumblr media Tumblr media Tumblr media
summary. it's winter, you’re sick, and draco is extremely rational a terrible, doting mess about it.
tags. fluff! so much fluff! married couple, gn!reader, lots of banter, post-hogwarts with one fleeting mention of the war, draco's anxiety is whetted by a common cold, he basically treats the reader like they hung the moon in the sky and also have the power to yank it down at any given moment. he's very grumpy. but so so in love.
note. my sweet anons!! i tried on three separate occasions to write the requests in my inbox but sometimes i need to be in the depths of hell (ovulation week) to manage smut. i'm sorry. i've made some progress i swear! but the draco hyperfixation came out of NOWHERE and unfortunately i had to indulge in it. also thank you so much for 200! :’)
word count. 1.6k
Tumblr media
You are deplorable.
With a fever temperature of 40° and explicit instructions to stay in bed, you’re discernibly not in bed when he makes it home from the apothecary, a jumbled mess of the blankets he’d swathed you in left in your place. Your slippers are absent. Your slippers — in two feet of snow. Your coat is gone too, at least; ridiculously thick and unnecessarily long, though now he’s thankful for it.
Draco paces. Then he sets the Pepperup Elixir over a flame at his desk to keep warm, pours two drops of Sleeping Draught into a mug for your tea, and paces again.
He should have insisted on binding rings for your wedding, he thinks. Something to trace you in emergencies. There’s little to do without them as you’ve evidently either taken the Floo or Apparated, and, in truth, he can’t remember the last time he’s been this nervous. In school, perhaps? During the war? You have him comparing his nerves over a bad cold to those he felt during war. The insanity of that is actually not lost on him, if that counts for anything.
But you are deplorable, and his. His almost as much as he is maddeningly, irremediably yours.
How he allowed an aliment like this to infect him goes against all evolutionary sense. It’s a fever of its own. Incurable despite knowing its cause, and probably festering worse than yours.
And then the fireplace hisses and out you stumble with soot on one cheek and frost on the other, the neck of your coat zipped up to swallow half of your face. In an arm shoved deep in your pocket, a bag swings from the puffy coat crease of your elbow, and Draco baulks. It’s a muggle grocery bag — translucent enough that he can see the square imprint of your favourite sleepy-time tea, a chocolate bar, cans of what he thinks are soup, and — a lemon? Yes. A big miserable lemon that you’ve deigned was worth almost killing yourself over.
Draco does not hear whatever excuses escape your chattering teeth as he plucks your hand from its pocket, puts the bag down, pulls off your coat while you slap at his hands and insist you can do it yourself, and only because he thinks you’d hex him to oblivion if he tried, leads you with a hand on your back to the bedroom rather than hauling you into his arms and carrying you.
“A lemon,” he says, and is aware by the severity of his tone he might as well be saying a gun, or a missile, or a milk crate of Living Death cartons. “You forayed into a snowstorm for a lemon. Do you think I’m incapable of reading a grocery list? I just Flooed —”
“I got more than a lemon,” you huff in a weak voice.
It is appalling that that’s what you take from his admonishment.
Your snow-soaked slippers are tossed aside as you tumble into bed. Draco bundles you in blankets and holds his wand out to take your vitals. You roll your eyes all the while, but once the cold wears off he’s sure you’ll be burning hotter than you were this morning.
He shakes his head. “Lemons are common stock in apothecaries, you know. The shavings are essential in Weedosoros antidotes.”
“Yes, but they’re always so dry.”
“And chocolate — they sell it at Téa’s across the street for the magizoologists. Did you know that?”
“Hmph. No Cadbury, though.”
“And I’ve already warmed the Pepperup and poured you Sleeping Draught, despite your urgency for this —” He pulls the box of tea from your grocery bag, impressed with an image of a little bear with a red nightcap, a steaming cuppa, and a plate of biscuits — “Inarguably superior muggle panacea —”
“I never claimed it was a panacea —”
“Of which we should have distributed to St. Mungo’s en masse. In fact, I should owl them now so they’re informed the Sleeping Draughts are ineffective by comparison —”
“You’re insufferable —”
“Imagine all the orphans without rest —”
“Actually ridiculous —”
“You’re ridiculous. And I hate this bear. Look at his hat. Bloody Gryffindor.”
“Do you know what the wizarding world is lacking? — If you’re concerned enough to make a donation, Mr Malfoy?”
You think it’s hilarious to call him that. He does well not to mention you are, by law, also a Malfoy, and his money is your money to donate as you please.
“What is that?”
“Soup,” you say. “Canned soup — canned with love.”
“We are lacking soup canned with love,” Draco repeats, just to be sure.
“Yes.”
“I’ll be sure to write the Minister.”
“Do.”
“Only if you stay in bed.”
“Hmmm… mmmm… well. Hm.”
“Incorrigible,” he mumbles, brushing the damp from your face before getting up to fix your tea. (He kisses your cheek for good measure, big sop that he is. You do well not to mention it.) “Don’t move or I’ll cast wards on the fireplace.”
“Oh! Cast wards on the doors, too. I might go for a walk.”
He glares at you from the archway. Your answering laugh is broken by a coughing fit, and you look reluctantly glum when he raises a told-you-so brow.
Draco mutters about how ridiculous you are through the kitchen and back, as he steeps your tea, heats your soup, unstoppers the Pepperup Elixir, pours it in an old shot glass from a trip to Italy (you have no graduated plastic cups lying around), squeezes the big stupid lemon in your tea, carries it all to your bed on a tray and realises, still muttering, that these are a lot of steps. But Draco balances the tray without an utterance of magic. It’s rather impressive. You should be sorely sorry.
You are, instead, asleep.
You’re splayed across the bed like something Baroque, limbs fascinatingly posed: half under the blankets and half stubbornly poking out despite his fervent tucking, head nuzzled into the pillow with a slight frown. If Draco were any better with a camera he’d take a picture. Instead he takes careful steps to your bedside, placing the tray on the nightstand and sitting as close as he can manage without disturbing the (once more, revolutionary) arrangement of your legs. It feels criminal to wake you. His fretful anger that you’d gone out in the cold is whittled to a humiliatingly thin and empty husk, and all that remains is mushy adoration. Damn you for that; you look ridiculous anyhow.
Draco kisses your cheek again. Your nose. Your forehead. He traces an invisible portrait of your face with his fingers, as if he’s ever drawn anything better than nasty stick figures on crumpled parchment in school. You, though, he thinks he knows well enough by memory to try.
You stir, not too far from consciousness that it’s a challenge to find it again, but far enough to be audibly vexed by his summons to the surface.
Draco means to berate you in that way he's so good at — chin pointed and scowl permanently etched — but you grumble with a sick, hoarse voice and he falters in a pathetic display. “You forgot your love-suffused muggle soup,” he whispers, one hand cupping your cheek.
“Ugh.”
“Heinous, I know. Sit up for me?”
“Magic word.”
There’s his scowl. “Alohomora.”
“Not that magic word.”
“Imperio.”
“Unforgivables, Draco Malfoy?”
“Hmm, Locomotor Wibbly?”
You sink further into the bed, pulling the uppermost blanket over your head inch by inch. 
“Please,” he says, with profound displeasure.
You sit up and smile.
Draco sighs and lays the legs of the tray out over your lap. You regard his service with sleepy content, one of your hands travelling to his face in what his heart surges to appreciate is an honest thanks after his several near-heart attacks, and then your gaze finds the medically expert Pepperup in an Italian shot glass and it falls.
You groan. “Draco…”
His name says, quite plainly, please don’t make me.
Draco has enough self-respect to at least deny you this. “Wards.”
That says, quite plainly, I was not joking about the fireplace.
You look as though you’re contemplating the severity of two horrors, but it passes fleetingly, with one curse under your breath and a sour expression as you down the shot of Pepperup like… a shot. Burning Ogden’s that scrunches your face up until you shake it away with a blagh noise. 
Come to think of it, Draco's choice of glass is much more appropriate than some medical cup.
“Better?”
You shudder. “I will be.”
“Good. Have your love soup and stupid lemons.”
And then, when he isn’t expecting it, your hot palm finds the place it left off; Draco’s healthily warm, sharp cheek, the soft fuzz of hair beside his ears before your fingers card through the longer strands and you hum like he’s your favourite thing to hold onto.
He melts, eyes fluttering shut. You’re sick, and wholeheartedly deplorable, but you’re safe, and it’ll be alright.
“Draco?”
“Mm.”
“The soup.”
He opens his eyes. “The soup?”
“You know it was canned with love.”
“I trust you wouldn’t have bought it otherwise.”
“And,” you say, thumb flush over his bottom lip as you smile a groggy, self-satisfied smile, “it was made with love, too, right?”
He rolls his eyes, and kisses you nonetheless. “You never cease to ask absurd questions.”
822 notes · View notes
n3xii · 1 year
Text
Mecury signs as writers
Tumblr media Tumblr media
I'm sure people have done posts like these before but this is just my take on it, enjoy I hope it resonates !!
Tumblr media
Aries mecury 》 wants to pioneer in a new style and wants to be the best at their style of writing. Similar to Aquarius mecury in this way because Aries wants to go by their own rules. They are adventurous writers, Aries mecuiries will use writing to explore their own ideas and creativity. I feel like this placement enjoys anything that motivates them and riles them up. They may feel competitive with other writers and strive to always imporve
Taurus mecury 》 the taurus mecury has a distinct voice in their writing that doesn't change over time. You could always tell who it was through their writing. they write to relax and unwind. They may get stuck on technicalities or struggle to express intangible ideas.
Aquarius mecury 》 this is the writer who knows the rules and how to break them. They write to inspire, provoke or even offend. Their style of writing is always changing and evolving. Aquarius mecuries will write and express ideas in unheard of ways, they may have a very mature way of communicating just about anything. Their style challenges ideas surrounding what makes a person a good writer.
Libra mecury 》 this placement can make someone an amazing writer. Libras balance and harmonize so they will likely have a sense for perfect sentence variety, language, grammar, etc. Libra mecuries know when a sentence is too long, when there's too many repetitive phrases, when there's not enough adjectives or verbs. This is a writer who also becomes a perfectionist as they want a sense of harmony in their writing. Libra mecuries write to influence people as they have a chronic awareness of their audience. They are also AMAZING editors.
Capricorn mecury 》 this is a writer who writes to make things tangible for themselves. They create lists, outlines, plots. I also feel like Capricorn mecuries would also be unnecessarily good at erotica fiction. They know how to make nonfiction engaging to read as well. Capricorn may get a reputation of being stoic and while their writing serve a professional and pratical importance
Virgo mecury 》 I feel like this writer is a mix of libra and Capricorn. But of course, having a sign in its home planet is bound to make you a great writer. They are very cirical of their own writing, always editing and going back to revise something. They write to organize, understand, and differentiate between ideas. They are also amazing editors, but their perfectionist approach makes it hard to even finalize a project. Their technical and creative skills are refined but they'd never know it because of how high their standards are. They are also great at analytical writing, such as analyzing the creative value of a piece of media or a person.
Scorpio mecury 》 don't even get me started. This sign is detailed, thorough and meticulous in their writing. If they want to write a scene they would make sure every aspect of this scene was understood, from the dialouge, setting, mood etc. Their essays are long, well researched and beautifully written. They like to focus on ideas that are underground or not well known. They write to integrate and transform the parts of themselves they don't even understand.
Cancer mecury 》 their style of writing is very personable, they know how to tap into emotions and manipulate them in order to fully engage a reader. They write well from a feminine perspective and they may be talented at Journaling. Their style of writing is also very intuitive. They go with the flow and let whatever comes out to touch pen to paper. Cancer mecuires may also have a great humor in their writing as well
Gemini mecury 》 this style of writer can adapt to whatever is required of them at the moment. They can be technical writers, creative, straightforward, influential etc. They love to express opinions and ideas, they engage all sides of a situation like a libra can, but unlike libra they allow contradicting ideas to co exist without feeling pressure to choose between them. They can mimic the voice of anyone as well, gemini writers may struggle to find their own voice for this reason. This type of writer has a dynamic approach, always adapting and using their senses to understand the world around them.
Pisces mecury》 this is the poets, imaginative and visionaries. So many poets and song writers have pieces placements. This writer doesn't adhere to rules right away, they have an awareness of what's going on subconsciously and have an ability to make that subconcious energy surface in their writing. Their style is not always easy understood. you would have to approach their writing from the heart. Their style is intuitive and unique to them.
Leo mecuries》 these placements could create some of the most entertaining and popular pieces of all time. Their writing is meant to to be read aloud, or even made into a screenplay. Their voice can be dominant, dramatic and powerful. They have a dramatic way of expressing mundane things. They have a style of writing where you can't put it down or look away, you're fully engaged and feel inclined to share it with others.
Sagittarius mecury 》 Sagittarius mecruies have a way of crossing boundaries, their style appeals to people of many cultures and spiritual backgrounds. They write to free their own ideas and develop them to educate others. Their writing has great depth and meaning, like Scorpio mecuries they bring layers and complexity to ideas. They have a purpose in their writing and they want that to be accessible to everyone.
2K notes · View notes
lem0nshark-writes · 1 year
Text
"No Holding Back Anymore"
Darth Vader x Male Reader
Tumblr media
Type: smut
Word count: 2102
Warnings: smut, pre-suit Vader, reader's a bottom, inappropriate use of the Force, reader's a Jedi, choking
Summary: You and Anakin were best friends and padawans training under Obi-Wan and you were practically inseparable ever since you met. In known unfortunate turn of events Anakin turns to the dark side and afterwards goes to find you, knowing how you both have felt for a long time and, well, acting on it.
Request: for the lovely @/dead_noodel on wattpad !💕
A/N: This took an unnecessarily long time to edit I'm sorry D: writer's blocks are a binch D: enjoy this little smut ;)  also I'm about to work on and post some of my own fic ideas (before I spontaneously combust for not writing them) before moving to finishing off the remaining requests 👀
Once Anakin, now lord Vader, strode down the empty halls of his former home, eyes gleaming with fire and hatred and a long dark hood covering his head, the sound of his confident and determined steps echoing against the walls.
Before all that went down a couple of days ago the two of you were best friends, padawans trained under Obi-Wan and practically inseparable ever since you met each other. Training, eating, resting and even sleeping together on some nights. You were very close. Sometimes even too close judging by the Jedi code.
You both had feelings for eachother and it was well known to both of you, having read each other's minds in accidental slip-ups, but you've never acted on it trying to live as Jedi should. But Anakin was no longer Anakin, he was no longer a Jedi and none of their codes mattered to him anymore.
After a couple of minutes of walking he found himself in front of your bedroom's door, using the Force to unlock and creak the door open, yellow-red eyes staring ahead.
Hearing the lock and the door open caught your attention, sneaking to the open door you peaked at it to see who the unannounced intruder was.
Seeing Vader standing at the doorway you sighed in relief, "Oh Ani it's you, come on in," you smiled, word of his turning to the Dark Side having had not reached you yet, "I haven't seen you in a few days, where have you been?" you stepped closer to him, worried if something had happened, as he used the Force to close the door again, you coming to a halt when you heard him locking the door.
You didn't think much of it though, thinking he didn't want Obi-Wan or curious younglings barging in out of nowhere, so you shrugged it off and reached up pulling his hood off, his eyes glued to the floor to his side.
"Is everything alright Ani?" you asked seeing his unusually serious and stern face.
"That's not my name anymore," he looked up at you, eyes shining red and yellow, seething with such intensity and power unfamiliar to you.
Air caught in your lungs before you gasped, "…What have you done?" you reached up to cup his cheeks, wide eyes staring at his new ones.
"Don't worry about it," he took your hands in his, lowering them down from his face and holding onto them for a little while, "I've seen the truth, but lets not worry about it now, we don't have to hold back anymore," he placed his hands on your hips, pulling you closer to himself.
"Ani.." you looked up at him, heat spreading across your cheeks at his proposal.
"Shhh… I know you want it too, I've seen it, you're thinking about it now too.." he spoke softly, face just inches from yours, your lips almost touching, his eyes roaming across your face, searching your emotions.
"I-I.." you went to say something, anything to get you both to stop but you know you couldn't, you know you didn't want to stop. Before you could think any longer he crashed his lips against yours into a heated kiss, his lips feeling like fire against yours, dripping with yearning and desire.
Your wrapped your arms around his neck, bodies against each other as he wrapped his around your waist and pulled you even closer, one of his hands finding its way to your cheek, cupping it and pulling you closer to deepen the kiss.
You moaned into it. You've dreamt about this moment, imagined it so many times, and in none of those has it ever felt as good as it does right now.
He slipped his tongue in your mouth as he used the Force to rid you off your top robe, sliding it off your shoulders and tossing it on the side as he slowly moved you both towards your bed. You were already starting to get hard, head racing with all the things he could do to you.
He felt your clothed hard on rubbing against him and he smirked a little, and seconds after you could feel hand-like sensation rubbing and groping against your member, as both of Vader's hands roamed other parts of your body. He was using the Force to pleasure you and honestly that turned you on even more, making your cock twitch against his Force-touch.
You bit your lower lip as his kisses now moved to your neck, leaving soft bites and hickeys all over it, tongue tracing your soft skin, and his Force-touch moving now beyond your clothes, touching you bare now. It made you gasp and moan even more in his ear, precum already starting to leak from the tip of your hard-on.
You started to slowly buck your hips towards him, desparate for more friction on which he smirked and tightened the Force-grip on your cock.
You gasped nearly cumming then and there but as soon as he felt you nearing he'd slow down, sweetly torturing you as his tongue worked your neck and chest, and his hands touching and squeezing your ass. The extra pressure and increased speed both by him and you had you nearing your edge again fast and cumming all over the inside of your pants, some getting over him as well, ecstatic pants and moans echoing through his ears as you pressed even more against him, riding out your orgasm.
He smirked and moved slightly from you, his skilled hands undoing your waist belt as you still tried to calm your breath, cheeks still burning with heat and your legs already a tad bit shaky. Afterwards, he proceeded to remove all of your upper layers using the Force again, followed by your pants and boots, all of it so slow it was almost painful. After he was done, removing his clothes too.
You gawked at his body, having had already seen it somewhat but in this context it was a whole different story.
"I've been wanting to do this for so long.." he spoke softly as he pulled you close again, kissing your lips, now with much more love in it rather than pure lust, though the lust was still there.
"Me too," you nearly whispered, almost as if scared to admit the truth.
He smiled and kissed you again, this time with his tongue as one of his hands moved to your ass, fingers slipping in-between and slowly moving against your hole rubbing across it as his other hand stayed to cup your cheek, thumb rubbing against the corner of your lips, tongue devouring your own.
The friction against your hole had you getting hard again in no time, your new erection rubbing against his own.
He slipped his thumb into your mouth as he still kissed you before pulling away and moving to your neck again before whispering into your ear softly, "Suck baby."
You did as he said, sucking and licking against his thumb between moans caused by his other hand and his lips against your neck.
After a couple of moments he pulled his thumb out of your mouth and used the warm saliva to get his fingers wet before sliding his hand to your butt and replacing his previous fingers with his wet ones, this time pressing harder against your tight butthole getting it all wet and slick with your own saliva.
He slid his other hand to your cocks, grabbing both of them in it and rubbing them up and down slowly as he slowly started pushing one of his fingers into you, earning a loud moan of pain and pleasure from your mouth, once it was all in he started moving it in and out at a slow pace causing such sparks of pleasure rush through you like you've never felt before, not even as you touched yourself while thinking of him. Soon enough his one finger was followed by another, and then another again, before you were all stretched out good and nice and a moaning mess in his hands.
"Ready baby?" he asked, trailing kisses across your jaw, pulling his fingers out of you as you desperately tried to buck yourself further on them, him pushing you onto the bed softly and climbing onto it in-between your legs.
"Yes, yes Ani please-" you moaned out, hole empty and aching for him and any type of friction and pleasure. You felt pressure-like pain creep onto your neck, choking out your pleas in a type of pain bordering with pleasure that turned you on even more. He was using his Force to choke you.
"Call me Vader," he smirked, yellow eyes hungry with lust as he took you in sprawled underneath him, cock hard and twitching and leaking with cum, same cum spilled all over your stomach and hot wet hole closing against nothing, e/c eyes looking up with such a need he's never seen before, it made his cock twitch and harden even more if that was possible. He was mesmerized.
"Master Vader, p-please f-fuck me, p-please-" you begged, unable to hold your need for him anymore.
The title you graced him with through your hazed pleas and your words made his eyes sparkle with devouring lust as he smirked, positioning the tip of his huge throbbing cock against your dripping hole, his gloved hand grabing your cock as he came down to kiss you, slowly starting to push his length into you.
You moaned out so loudly, his thick cock filling you up to the brim like you've never imagined before, once completely inside you sending pleasure-induced tingles all over your body.
He groaned on how tight you were, squeezing against him, he tried so hard not to start fucking your brains out then and there and waited for you to adjust.
And once you gave him the signal he started off slow, both pumping into you and pumping your cock against his cum-smeared gloved hand.
You moaned out pleas and curses incomprehensibly as you wrapped your legs against his waist, pulling him even close to yourself.
He kissed you, tongue slipping into your mouth as he used the Force to once again apply gentle pressure to your soft neck.
"Ahh lord Vader please, ahh f-fuck me.. faster-ahh!!" you moaned out, half choking on the Force and half on his cock plunging deep inside you.
He smirked, loving the way his new name rolled off your tongue, "Moan for me baby," he started ramming into you faster and deeper, pressing down with his free hand onto your stomach having you feel just how deeply he's dicking you down.
You arched your back, precum dripping off the tip of your dick, down your length and onto his gloved hand, your walls squeezing against him.
You started moaning his name in his ear, as loud as you possibly could without getting heard, along with a lot of gasps and moans before spilling all over your stomach and his hand, riding out your orgasm as he still fucked into you hard, nearing his edge as well.
With a couple more strong thrusts he came spilling deep into you, slowing down through his orgasm to slow sloppy thrusts, panting and letting out quiet curses in low whisper-like voice, pulling out once he was all emptied out into you, afterwards flopping down besides you, part-way on top of you. Propping himself on his elbows he moved a couple of sweat-dampened stray hairs out of your face before kissing you deeply.
You gladly returned, holding onto his hands that creeped up to cup your face as he kissed you, kissing you again before pulling away to let you both breathe a little, having not yet calmed from all the action.
"That was-" you started, still trying to catch your breath a bit, him now laying back halfway on top of you, yellow gaze staring up at you lovingly, a fond expression on his face.
"Better than I could ever imagine, it was" he smiled, reading your thoughts and answering them.
"Yeah," you chuckled a little, smiling softly at him.
The two of you rested like that peacefully for quite some time, hand in hand and his head on your chest, listening to your heartbeat sync with his, the war and the wrath could wait, all that mattered at that moment was the two of you wrapped in each other's embrace, in love and together at last.
676 notes · View notes
mybelde · 1 year
Text
34.5: first time? 🔞 ♤
Tumblr media
warning: mature scene❗do not read if you don't like this kind of stuff or are too young | it's both of your first times so yeah
a/n: this was long overdue, i got busy but hopefully this chapter makes up for me not posting in a while [I died inside while making this, I never want to write smut scenes again 💀] i think i ended on a cliffhanger again lol
.
.
.
"Yn... should we really do this?"
"Yes..... I want you Aether."
When his lips came onto yours, you did not resist and kissed him back passionately. You pulled him closer and kissed him as hard as you could.
His lips were so soft, almost sweet against your skin. There was an electric charge against the both of you which you hadn't anticipated.
Aether breaks the kiss, and looks at you for a brief moment. His eyes were filled with lust, and it looked like he was begging you to let him continue. You nodded and gave him a small smile, and soon, his lips were on your neck, tasting you, devouring you.
You tried to force yourself to think straight, but you couldn't. This felt too good for you to stop, and you wanted more.
You reached for his buttons, and that action made him unnecessarily encouraged by it.
Aether picked you up by the waist, and hoists you against the wall, his hands cupping your backside, forcing you to wrap your legs around him.
His lips find yours again, and you felt his hands slip under your shirt.
He's breathing hard, and so were you.
His grip around you tightened, and one of his arms were trailing on your back.
Aether breaks the kiss once again to look at you, but not for long. His lips were on yours once again, this time he was more aggressive, trying to take control. One of his arms were still on your back, while the other stripped your shirt off.
"Ae...aether w-wait-" You whispered. Aether immediately stopped and puts you down. He looks into your eyes for a brief pause, nodding in agreement, his chest rising up and down.
The air between the both of you felt hot, as if oxygen was diminishing from his room.
"Sorry..."
He relaxes a bit, knowing how fast he was taking things.
"I'm not used to this.... it's my first time, but I wanted to make you feel good.."
Your eyes widened in shock as you heard those words come out from his mouth.
First time?
You couldn't believe it was his first time, it felt as if he was experienced. But you shook those thoughts away.
"Don't worry... it's might first time as well. And you're not doing anything wrong..... it's just... I want to enjoy the moment between us."
Aether pulls a soft smile, leaning forward to kiss you again.
His lips moved yours very confidently again, but this time it was more gentle than before. You gripped onto his hair, but tried not to pull it so hard. He wrapped his arms on your waist, pulling you closer to his chest.
The both of you moved from the wall to his bed, before he could make you sit down on it, you dodged and pushed him down towards the bed instead, catching him offguard.
"Yn? What-"
You hushed him, putting your finger on his lips.
You kissed him everywhere, his cheeks, his chin. The tip of his nose, and the space between his eyebrows. All across his forehead and along his jawline. Every inch of his face. Small, soft kisses that say so much more than you could.
You wanted him to know how you felt. You wanted him to know and never doubt.
And you wanted to take your time.
You removed his shirt and marvelled at the sight below you.
"He worked out for sure" you thought, as you stared at his well toned body.
"Enjoying what you see?"
His statement caught you offguard, and you felt heat rushing up towards your face.
"I didn't mean to stare okay!!"
You heard him chuckle, and you never wanted to remove that smug look on his face more than ever till now.
Your mouth moves down to his neck and he gasps. You breathe in the scent of his skin, and take in the taste of him as you run your hands down his chest, kissing your way across and down the line of his torso.
Aether keeps trying to reach for you, keeps trying to touch you, but you tell him to stop.
"Please," — he says, "I want to feel you too."
You gently push his arms back down. "Not yet... not now."
Your hands move down to his pants, and his eyes fly open.
"Yn I-"
"Close your eyes Aether."
"No." He could hardly speak.
"Fine."
You unbuttoned his pants. Unzip.
"Yn...!" Aether gasps out. "What-"
"I want to make you feel good too."
Tumblr media
<- Previous | Masterlist | Next ->
nope i'm not gonna continue this haha
Chpater 35 should be out later today or tmr
tag list - open |•| @bobaducky @belovedxiao @mangobee @kokxm1 @crueldinasty @c-sunflower01 @xiaosoneandonly @denisemyg @shinjume @bippitybennie @yae-raidenmyloves @goodnight-haley @butteredmilc @bubiblossom @hollowedtime @blurr3db3rry @redactedhimbo @scaramouche-slut @sserafimez @n3r0-1417 @obsessed4aether @xiaoyksa @flor3s-de-j4zmin3 @opchara @shirmxie @lxry-chxn @justonemoreroz @lordbugs @dazaisfavgf @hichi842 @duckyyyx @iwishitwas @angryhope @mochicurls21 @cutiekuni @meigalaxy @ioysuu @doppoluvbot @itsactuallylina @kkazuyass @supersexypapichulo @moonbunny-fl @ghosted-fr @atlatcaheart @zuzuha @lez-zuha @je-suis-argent-miel [1/2]
if your name is in red, it means its not letting me tag you from some reason :( idk why maybe my phone is acting up 😭
send an ask if you want to be added to the taglist
552 notes · View notes
monbons · 20 days
Text
an ask game for writers to procrastinate working on your WIP(s)
thanks for tagging me @bookish-bogwitch, @thewholelemon, @cutestkilla, and @noblecorgi!
1. 🦈Tell us the name of your/ one of your WIP(s): Currently, living, breathing, and eating my one and only WIP: The Eternal Life of Baz Pitch. Also, I am probably retiring after this fic because I do not think I can top it!
2. 🍄Describe your WIP/one of your WIP(s) in the format of “___ + ___ =___” Addie LaRue + SnowBaz = so much pain and angst
3. 🌍What tags or warnings will one of your WIP(s) need if you intend to share it? Period-typical homophobia, Implied/referenced DV, Blood and Injury, Death... I mean truly the works. This is SnowBaz in the darkest possible timeline.
4. 🧭An alternative title to one of your WIP(s)? At one point, I joked with @thewholelemon about naming it "Baz Pitch's 300 Year Long Grope-Fest" but for obvious reasons that title would really do a disservice to this fic (although it is sort of true).
5. ⚠️Which WIP you're most likely to finish or update next? Now that I've created a posting schedule for The Eternal Life of Baz Pitch, I want to stick to it. While I'm "done" drafting, I am still making a few big revisions to the last six chapters. I've also been re-reading the first chapters for continuity issues that may have cropped up now that I know how this ends. Either way, I can see the finish line.
6. 💾What is your document of your WIP/ a WIP called? (not the stories actual title but what you’ve saved it as) It started out as "Addie LaRue Working Draft." Once the one doc got unwieldy and long, it spun out into multiple docs titled all sorts of things - mostly chapter numbers, but I do have one not as fun as it sounds doc called "Sex Playground." (ha!)
7. 🖍Post Any sentence(s) from your WIP. “Are you so naive as to think I cannot watch you whenever it pleases me, even if you cannot see me?”
8. ♻️A scrapped idea for your current WIP. I actually have SEVERAL scenes I scrapped...like pages and pages! Largely this is because I have a whole document titled "Voice," which served as a sandbox of sorts where I could play with every possible combination of POV, tone, and style before committing to the final version you see in the story now. There's even a scene in there told first-person Niall! (Bonkers.)
I also have a whole ACTUAL scene I'd love to include as an answer to this question because it was well-written, but I cut it because it made the plot unnecessarily complicated, was frankly too close to the original plot of Addie, and would have made my ending impossible. It is also--sadly--too big a spoiler to include here, so let me give you a few sentences from "Sex Playground" that will not be making the cut:
“Stay.” Baz pushes his hand into the center of Simon’s chest, pressing him back into the mattress. “I want to look at you.” Simon gives Baz a filthy smile. He can look all he wants. 
9. 🤔What’s a story you’d love to write but haven’t even started yet? I really want to write a canon divergence where Simon successfully but somewhat accidentally reveals Baz is a vampire fifth year, so Baz and the whole Pitch family have to flee from the Mage. I already have the "everybody finds out" scene written and the scene where the Mage realizes the Pitch family is gone, so I guess I have started it. But, I also have no idea where it's going or what it's about, so I haven't really accomplished anything. If anyone has ideas or wants to be a partner-in-crime on this, give me a little shout!
10. 🤡How many WIPS are you actively working on? Literally just this one. Again, I am retiring after this fic! (Or at least taking a very well-deserved break.)
11. 🛠Is there a scene or anything in the WIP you are struggling with right now? Absolutely 100% it is writing the smut. Having never written any on-page sex means I'm figuring it out as I go. Lots of frustrated growls from me (not nearly as frustrated from Simon).
12. ❤️Not a question, just a second Kudos to send. I know many of you have already posted, but tagging anyway since you've commented/liked past WIPsdays and such, in case you're interested in the behind the scenes!
@valeffelees, @roomwithanopenfire, @noblecorgi, @cutestkilla, @iamamythologicalcreature, @you-remind-me-of-the-babe, @youarenevertooold, @drowninginships, @emeryhall, @hushed-chorus, @rimeswithpurple, @aristocratic-otter, @larkral, @artsyunderstudy, @brilla-brilla-estrellita
26 notes · View notes
whatbigotspost · 9 months
Text
On being real mean and then less mean
Long post incoming........I've been chipping away at writing this for like a month now and (unlike my usual self) I've stalled out a few times unsure of what all I want to say. But I think I've got it squared up the way I would like to. Unfortunately, I need a long context laying preamble. Sorry this will feel like an online recipe experience 😅
As the 5 of you who usually read my blocks of text will know well, I grew up in a very toxic, abusive, high-control environment. If you wanted to intentionally produce kids who would have anxiety, shame, self-loathing, aggression, be overly-competitive, angry, and equipped with little-to-no social skills, you should be parented like I was. In my nuclear family, we couldn't have had worse life lessons or role modeling when it comes to building healthy relationships, strong friendships, and harmonious existence with others. Violence was often normalized. Manipulation was encouraged. Specific conditions and rules were put on receiving love and/or affection. We weren't seen as independent humans who had their own lives and thoughts and ambitions--we were seen as extensions of my father, brought into the world to be his unquestioning cheerleaders and adoring team, to do our best to become his clones, to live out his unrealized dreams, and to combat his grievances w/ the world.
In short, it sucked.
Above all, I was taught in a very deep and real way to hate myself, not that this was explicitly acknowledged mind you, but it was the implication of everything. This self loathing was an extension of my father's own insecurities and full inability to grow the fuck up and build a life for himself that was emotionally mature, resilience, and self-caring. This mentality, if truly internalized, creates ugliness from the inside that radiates outward. I can see that so clearly now, but back then, I didn't understand it at all.
I was implicitly taught a thought process like, "the best way to 'own' someone is to shit talk them into crying" or "you can make yourself look stronger and distract from your own shortcomings by staying 1 step ahead of everyone through making THEM feel like shit about their shortcomings."
But you weren't just mean to someone to stay ahead of them, you were also mean as a way to ingratiate others to you. "Telling it like it is" even if what you said was unnecessarily cruel, was a virtue. Like, "what? I'm just saying what we're all thinking!" kind of stuff. I was taught that "teasing" is a way you show someone you love them, where "teasing" means saying all kinds of awful things that are quite hurtful. I was taught that being funny was one of the most important qualities and it didn't matter if those laughs came at the expense of others' feelings and if, over time, your comments began to destroy those around you.
It's "just teasing." It's "just joking." It was a lot of "oh come, on grow a thicker skin" over "maybe saying cruel shit for fun is bad?" It was "God, I can dish it and I can take it, why can't you?" over "maybe I want friends who support one another instead of digging at our insecurities."
Some recent nostalgia I've been wallowing in this summer reminded me of my grossest self who lived by these rules.
Those worst moments, where I was a bully and an asshole, all occurred for me at school, when I was probably around 11/12 and older. School was a very interesting place for me. When I try to paint an efficient picture of what my childhood home was like for others, I often say, my family existed in a weird liminal someplace between mainstream, mid western white suburban society and a survivalist/separatist/cult/fringe culture (like Tara Westover describes in Educated or as seen in Captain Fantastic if you're familiar w/ either of those.) We were a cult of 4 and there were many things We Did Not Do, all my dad's rules. (My grandparent's house was a safe harbor unlike my home, but that's a tangent for another time.) That said, accessing education was something my father DID trust the local government to do (as long as he could emphasize over and over how we can't trust everything they say, we could trust their lessons of math, music, English, etc.) He strategically chose a place to live where I could get the best "free" education possible in Central Indiana. My social life existed fully in a traditional school setting, where it took me all of 2 seconds to clock that other kids' lives weren't like mine, and that was compelling to me. I became a lifelong student of interpersonal relationship dynamics far before I realized I had become a lifelong student of relationships. I remember when I was in elementary school journaling about and thinking about and talking about all the friend groups and dynamics, etc. Writing stories about friend groups. Creating Barbie universes and dramas with 2 neighborhood friends. Trying to spend more and more time w/ peers instead of family.
Beyond that, I loved school because I would receive praise and love at home for A's and praise and love from my teachers for being "so good" (aka offering 100% deference to adult authority as I been told to do, even if I could question them inside.) This all means when I was very young, I did SO WELL at figuring out school...how to make friends...how to get an A+...how to get teachers to love me...how to be The Good Kid...how to reduce my value to my grades and what I produced, which is a mentality I've still only begun to unweave from within me, some 30 years later.
Anyway, point is, despite the hand I was dealt, I somehow never had trouble making friends and with a lot of my closest friends, I wasn't all that mean to in the way I describe above, at least initially. But when I did apply that behavior, god damn was it ugly. I get that now, but back then, I felt cool as fuck.
The more it (temporarily worked for me) the more I used meanness. By the time I was like 17, I literally was known as mean and wore it as a badge of honor. Lacking emotional intelligence and an overtly loving home environment, I thought it was normal? cool? idk...to "not be able to handle mushy emotional stuff." I would (LITERALLY) run if friends were telling me they loved me. It became more and more common for me to apply, "witty mean girl" quips to even my closest friends. Stuff was said about me like, "oh, if she makes fun of you, it means she really loves you." I was always saying shit to gain laughs from others that really hurt some people and I would act like that was a THEM thing like "god, they're so sensitive, poor widdle baby."
NOT GOOD. Nothing to be proud of. Signs of someone who deep down hates themselves and hopes you don't notice because of a big, bad exterior. In this era, I was someone who attracted and accepted other toxic people and was abusive toward and accepted abuse from friends who had these same issues. How I met and fell in love w/ my partner who is not at all like this during that period of time back when sometimes confounds me. His boundaries and feelings are why I started really looking inward. His patience and willingness to understand what was going on for me was immense (as I was similarly patient for things related to his baggage.) FOR YEARS we had a dynamic where I'd "make fun of" "tease" "just joke" about him too harshly in front of others and he would ask me over and over to stop. I'd get better for a while, then I'd backslide and make him feel like shit in a group setting again--but hey! everyone laughed at my ~*~*just oh so hilarious comment*~*~ and so that makes it fine right?? Obviously, not, and the older I got the more I started to FINALLY see "mean" as mean and not "telling it like it is" or being a core part of my humor.
How I REALLY know that this toxic coping mechanism I used to my benefit was a thinly veiled defense mechanism style behavior to cloud my deep deep deep self loathing is because when I'd be talking w/ my partner about his very reasonable and normal request that I not say unnecessarily cruel things about him for fun in front of others, I would be afraid of things like, "But that's part of who I am? It's my humor."
I really thought so lowly of myself that I believed that if I wasn't witty-mean, people wouldn't love me. That I wouldn't still be funny. That I wouldn't be ME unless I was being MEAN. It was so backwards and upside down because my meanness did make me harder to be around, and people were right there loving me anyway, not because of it, but despite it.
It's so sad to realize this! Looking back and describing this girl now feels in both parts foreign to me and also like looking in a mirror. I've been in 20 years of some form or another of "recovery" from this kind of childhood now, and I'm about 15 years into true healing and re-parenting myself. Almost 14 years ago, I made the biggest shift toward killing this old mentality...I moved away from my home town and the people I spent my days around to that point. I had an opportunity for a hard reset in my social life and behaviors, leaving behind old reputations that didn't serve me. And I’m still me. I’m spicy and I’m real and I’m blunt and I’m funny but I’m not cruel or mean anymore. The old me sometimes still rears her ugly head, especially when I'm tired, stress, or dysregulated. But it's less "how I am" now than ever in my life.
As I've been thinking about this whole topic for quite a few weeks now, and I tried to articulate what I did that really changed me and allowed me to shed that mean girl shell of armor I was wearing that I had so thoroughly needed to outgrow. If these things resonate with you, I do have some pieces of advice.
Speak from your personal values 100% of the time. That means defining your personal values first, not just accepting what you think is valuable you've been told by others. Once I grew the maturity to understand I needed my own life values, it was very simple to grasp that I was not in line with them. My top 5 personal life values are: love, equity, humor, loyalty, and open communication. Mean jokes don't check many of those boxes.
Become your own best friend first. My behaviors were driven by self-hatred I did not choose. When I choose how I want to feel about myself, I choose self-compassion, and I actively cultivate this mentality and practice all. the. time so that I don't backslide.
Stop "telling it like it is." This is not helpful. No one needs something obvious and cruel pointed out. This is basic "THINK" acronym stuff. It's a classic because it works. Is what you're about to say.... "true, helpful, inspiring, necessary, kind." Telling it like it is is only TRUE, it's rarely -HINK.
Never "just joke" about something someone could possibly be vulnerable about. If someone has a physical wound, you don't jab your finger into it for fun. When someone has an emotional tenderness, you similarly don't jab a mean comment into it. When in doubt, just don't joke about it.
Have actual hard conversations and "call outs" in the right times/spaces. Sometimes behavior that one friend may call "mean" is actually a very necessary hard conversation to the other person. So it's helpful to just remember that those kind of real-deal communications are rarely done effectively or productively with an audience or by using humor. Real shit deserves a real shit tone.
Push yourself to say the nicest stuff and just be fucking sincere and genuine. Tell your friends you love them. Tell your friends when you are obsessed with what they are achieving/doing/saying. Tell your friends WHAT you love about them. Make an effort for your most important relationships to have far, far more "positive bids" than negative.
Use "teasing" or "self deprecating" humor selectively and strategically. Sometimes, my partner and I DO tease each other by having open communication and actually knowing one another's boundaries, I now understand what's fine and what's not. So I can proceed w/o hurting him. But I don't know most people to that level, so I'm not going to try to tease someone else in front of others w/o that knowledge anymore. Self deprecating humor has also been a go-to for me in the past and one of the people I could be meanest to was myself. I realized I should use it sparingly with people who I don't know well, too, because I don't necessarily need to give them a cheat sheet to what my baggage is. And lastly, in general, I think that we should ALL be very very careful to spare strangers our sarcasm, deadpan comments, or whatever. Many folks are neurodiverse or otherwise don't get your sarcasm and your implications can be lost in translation. You never know what topics, with strangers, might be a hornet's nest you stumble into.
PFEW! Ok, I think that's plenty for now! If you've got similar tips or thoughts, LMK! Of course, I still fuck up my practice of not being mean all the time, but the best thing about having done this work and shared it with those around me is that my friends are much more like to say something like, "OW! Was that your dad talking for a sec?" and help me than to just go on assuming I'm an asshole. 😆
136 notes · View notes
bisexual-queenie · 6 months
Note
Could you please write more BNHA Pro Heroes as Incorrect Quotes. I need a Pt.2
OMG Im so happy that someone wanted a part 2 to one of my favorite posts that I made!! Here yall go!
(Few trigger warnings before we begin: Use if swearing, and mentions of violence an alcohol. Let me know if I missed anything!)
Ships mentioned (Vaugley and outright): Erasermic, Edgejeanist, Nightmight, and Kamui x Mount Lady
—————————————————————————
Eraserhead: You have to apologize to Takeyama.
Midnight: Fine.
Midnight: 'Unfuck you' or whatever.
All Might: You often use humor to deflect trauma.
Nighteye: Thank you!
All Might: I didn't say that was a good thing.
Nighteye: What I'm hearing is, you think I'm funny.
Present Mic: Do you remember that horrible roommate you had back in college?
Eraserhead: You mean you?
Mount Lady: Sometimes I feel like dying.
Kamui Woods: Wha-
Mount Lady: And then I remember that I won't be able to see you if I do.
Kamui Woods: *blushes*
———————————————————————
Best Jeanist: Sometimes I feel like dying.
Edgeshot: Good for you.
Miruko: Do I look nice?
Fat Gum: You look like you're about to set someone on fire.
Miruko: Perfect.
Present Mic: A fistfight CAN be romantic.
Miruko: And you know what the worst part is?
Ryukyuu: That you're having to process your pain without vodka?
Miruko: No.
Miruko: Yeah.
Midnight: If you found out you only had one day left to live, what would you do with it?
Eraserhead: Say goodbye and mend my relationships.
Present Mic: Something illegal.
Shirakumo: Accept my fate.
Tensei: I would message ten people saying that if they didn't forward the message to 10 other people, I would die tomorrow.
Eraserhead: What?
Shirakumo: That's fucking awesome. Can I change my answer?
Eraserhead: Hizashi, just GO TO THE HOSPITAL
Present Mic: Who's stab wound is this???? Is it OUR stab wound???? No! Stay out of it!
Hawks: I'm the proud owner of an IQ of 5 (and a half)!
Endeavor: Not for long.
Hawks: Please. It's all I have.
Present Mic: "Ladies and gentlemen" is unnecessarily gendered, overly formal, lengthy, and honestly I'm falling asleep already.
Present Mic: "Cowards", on the other hand, is inclusive to all genders, casual and fun. Short and to the point, exciting, and dramatic.
Nighteye: You look like a corpse that was just pulled out of the river.
Present Mic: Wrong. I look like a cool rock star who just OD'd in their own pool. Big difference.
Gang Orca: I made lightly fried fish fillets for dinner.
Edgeshot: Kuugo, It’s 1:15 am, what the fuck.
Gang Orca: Do you want the lightly fried fish fillets or not.
Edgeshot: Well, I mean yeah.
Gang Orca: So come downstairs while they’re still hot.
Best Jeanist: Wait, you just made them?
Gang Orca: Yeah, I wasn’t tired so I decided to make lightly fried fish fillets.
Edgeshot: Say lightly fried fish fillets one more time Kuugo.
Present Mic: *speaking Spanish*
Eraserhead: I know, I know.
All Might: You speak Spanish?
Eraserhead: No. I just know the phrase, 'this is all your fault' in every language Hizashi speaks.
All Might: I would never say that Mirai is a bitch and I don’t don’t like him. That’s not true…Mirai is a bitch and I like him so much!
Edgeshot: Sometimes, I don’t realize an event was traumatic until I tell it as a funny story and notice everyone is staring at me weird.
*Present Mic sneezes*
Eraserhead: Hizashi, are you sick? Here, let me wrap you in a blanket and hand-feed you some warm soup while singing you a lullaby!
*anyone else sneezes*
Eraserhead: Oh my god. Shut the hell up.
Hawks: Uptown Funk would've made it into the Shrek Soundtrack.
Miruko: That's the truest statement I've ever heard.
Fat Gum: Hey Sasaki?
Nighteye: Yeah?
Fat Gum: What's your favorite color of the alphabet? True or false?
Nighteye:
Nighteye: ...What.
Ryukyuu: So, what's it like living with Hakamada?
Edgeshot: They once referred to sand as "heterosexual glitter."
Ryukyuu: ...
Edgeshot: I love them so much.
Fat Gum: I’m sorry, I really flew off the handle back there. It was like the handle was a bald guy going really fast, and I was his toupée.
Someone interviewing the Lurkers: What are the hardest things to say?
Mount Lady: I was wrong.
Edgeshot: I need help.
Kamui Woods: Worcestershire sauce.
Eraserhead: You’re drunk.
Present Mic: Correction: drinking. Present tense. Grammar, Shouta.
Endeavor: How did none of you hear what I just said?!
Hawks: I've been zoned out for the past two and a half hours.
Best Jeanist: I got distracted halfway through.
Edgeshot: Ignoring you was a conscious decision.
Hawks: If you put a milkshake in one yard and crack open a cold one in another yard, which yard would the boys go to?
All Might: Schrödinger's boys.
Miruko: FUCK!
Present Mic: What about cracking open a cold milkshake?
Nighteye: As we all know, the milkshake brings the boys to the yard. The presence of the boys is a prerequisite for the cracking open of a cold one, but cold ones do not have any inherent boy-attracting abilities. Milkshakes, however, do.
Nighteye: All else being equal, the boys would proceed to the milkshake yard. While it is possible to announce the presence of cold ones in the hope of attracting some boys, the pull of the milkshake is much more powerful by comparison.
Hawks: ...
All Might: ...
Miruko: ...
Present Mic: ...
Nighteye: Mind you, all of this nonsense hinges on whether or not the boys are back in town.
60 notes · View notes
girlfromthecrypt · 2 months
Note
Hiiii. Hope you are doing wellllll
I'm going around asking some of my fav IF projects this question so here goes.
Hello!! Okay so ROs reaction to MC being asked out in front of them..? (crushing stage vs. relationship stage)
This turned into quite a long post. I've decided to write snippets for each of the characters' reactions. This first one is for Basil! I'll post the others separately. Enjoy! (read below)
Crushing stage: Basil’s back is turned to you. He stands off to the side sorting through his backpack, figuratively burying his nose in it— but he can hear you talking to the other man. He can hear you just fine.
“So, I was wondering what you were doing later?” the other man asks. There’s a slant in his voice, a curious, playful undertone. 
“Well, we were going to make a campfire to tell the kiddos some stories at,” you reply. “You know that.”
“Yes, yes, of course I do.” He laughs.
Basil thinks it sounds like a cat mewling through a cheesegrater. 
“I was thinking you might like to take a little walk together afterwards?” the other counselor goes on. 
Basil hoists his pack up with an unnecessarily loud grunt. “Fuck me, it’s hot today, isn’t it?” he calls out to you before walking right through between the two of you. He does not look back once, willing himself to think of anything besides that prick’s moronic laugh. Such a very annoying sound.
Relationship stage: Basil is lying sprawled out on the brown sofa in the lobby. Behind him, you are talking to one of your other colleagues from Cloverleaf. Just another man in an ill-fitting jacket whose name he couldn’t remember if he tried.
But he’s really drawing out that conversation, isn’t he?
“So, did you have plans for after work, because—”
“They do,” Basil says, loudly, pulling himself up to look over the sofa’s backrest. He throws the other man a rather mirthless smile. “Hi,” he mouths. “They do have plans. With me. I’m their boyfriend and we have plans.”
“That was a bit childish of you,” you tell him once your colleague has made a swift exit.
“But it’s true, no?” he replies, lifting his freckled nose almost haughtily. Then his eyes widen. “You’re not mad at me, are you?”
Basil is a little jealous. And petty. But he's mad about you, if that's any excuse.
27 notes · View notes
eavenne · 8 months
Text
Thoughts on JJBA Ships (1/?): GioMis
Hi guys! Since Tumblr facilitates more long-form posts, I decided to make a series covering my thoughts on my favourite JJBA ships. This will include how I like to characterise the ship, headcanons, etc. And since GioMis was the ship that made me watch JJBA in the first place, I see no better place to begin.
TW: Child abuse, neglect (canon)
GioMis
1) Analysis
To me, this ship is about the love that blossoms between two people who are very different in many ways, but are drawn together by their strong similarities. It is an opposites attract ship, but ultimately, Giorno and Mista work so well together (platonically and romantically) because they share certain similar values.
This is basically covered in canon and is somewhat self-evident, so I won't go into it too much. Throughout Part 5, Giorno and Mista are generally both very supportive of each other, as they support each other through their weakest moments. The White Album fight is the prime example of this, as Mista is there for Giorno when he loses hope and vice versa. Mista's refusal to leave Giorno behind echoes how Giorno refused to leave Fugo behind earlier, and is very touching, reflecting how they both deeply value the lives of their comrades. Their resolves are the same, and in the White Album fight, both of them remind each other of their own resolve, echoing each other in a beautiful way.
While Giorno's ideals are more similar to Bucciarati's, and Bucciarati can be considered the 'main Jobro' of Part 5, Mista feels more like Giorno's closest friend than Bucciarati does. They are very frequently paired together and continuously protect and inspire each other, and they're even together in the ending. It's clear that Giorno and Mista were meant to be a pair (platonically at least).
2) Why I Like It
I'm generally just a huge sucker for opposites attract ships in the vein of "Reserved person x Upbeat person" so...honestly, it was inevitable, and that (plus Giorno being my favourite character) is definitely the main reason why I like this. Pretty much all of my otps follow this pattern. But I think the reason why this is my JoJo otp is that I just really like how they are paired together. They develop a strong mutual trust and respect, quickly come to rely on each other, and have each others' backs, despite being very different people. I love how they are always looking to each other despite only having known each other for a week. It just feels like a match made in heaven; two people who gravitated to each other so naturally and easily that being together just feels right. This is amplified by the ending.
3) My Characterisation / Headcanons
As a fic writer, how I characterise them kind of depends on the fic I'm writing (outside of GioMis, I have written both Dark! Manipulative! Giorno and Team as Family! Giorno). However, separate from that, I do have certain headcanons that inform the way I see the ship. So, below are my favourite ways of characterising this ship.
a. Giorno's feelings for Mista
I like to hc Giorno as falling for Mista fairly early on. He starts to crush on Mista either after the White Album arc or in his early days as Don.
The reason why I hc this is that, well...post-White Album, Giorno seems to really like touching Mista. The infamous gun pose aside, someone pointed out to me that Giorno tends to unnecessarily cradle Mista a lot. As they mentioned, the most egregious instance happened during the Diavolo fight. Trish almost died, but Giorno catches a falling Mista and just stares at him (thinking about Bucciarati)...he only checks on Trish when Mista mentions that he's glad she's safe. He doesn't even heal Mista when Mista asked, and he takes quite a while to lay Mista down, so that means he just wanted to hold him, lmfao. And perhaps he was reflecting on how Mista was thankfully still alive while Bucciarati had died...so, he was holding Mista in his arms, grateful that Mista is still breathing.
This is, of course, contrasted by how Giorno starts nervously sweating when Mista touches his shoulder when they betray the boss. I like to think that Giorno got a bit flustered by Mista's closeness, his stomach doing little flips etc, which was why he reacted that way. After all, it's a pretty random reaction otherwise (he also nervously sweats in response to Abbacchio sometimes, but Abbacchio is shouting in his face) and it seems a bit much for mere surprise. So, that's why I choose to put on shipping goggles and interpret it this way, haha!
(There's also the cover art of the last volume, where Giorno is reaching for Mista's hand...sadly, that detail was covered by the logo in the cover itself, but the art shows their hands touching).
Anyway, I hc that Giorno falls for Mista because...other than them sharing the same resolve, he's also uncomplicated, straightforward, funny, genuinely friendly and supportive. To be clear, Mista isn't unconditionally or always supportive of Giorno; he questions Giorno a couple of times during the plane arc, and not very nicely, either. He also disbelieves Giorno during the Diavolo fight. However, Mista is also Giorno's first ally besides Bucciarati, and he is the most open to Giorno's ideas among the team. When Giorno needs help with something, it's Mista he turns to (seen in the plane arc). So, it seems that among Team Bucciarati, Giorno feels most familiar with and supported by Mista (and Bucciarati, but he seems more familiar with Mista).
With the 'supportive' part of my list addressed, I'll turn to the other reasons. I think that for Giorno, who grew up having to learn how to read people in order to navigate perilous situations, someone as straightforward and uncomplicated as Mista must be pretty nice to be around. With Mista, he doesn't have to think too hard about intentions or guess at something he's hiding. Mista is just Mista. There's an honesty and frankness to him that, for Giorno, must make him easier to be around. It would also show a certain strength of character, because Mista is an eccentric person who is unashamed of his own eccentricity and has embraced it; Giorno probably tries to hide the 'weird' parts of himself, so he admires, respects and is attracted to Mista for this.
As for the 'friendly' part of the equation...well, I think that pre-canon, Giorno never really had friends. If he did, those relationships were probably mostly transactional. After all, the gangster bribed Giorno's bullies into getting along with him, which is hardly a model for healthy friendships. It's stated that Giorno felt like he was the scum of the earth, which changed after he met the gangster...but this most likely didn't extend to whether he felt people as a whole would actually like him for who he is. Giorno is implied to be rather awkward when he lacks a script friendship-wise (when Trish and Narancia are having a heart-to-heart during the Green Day arc, Giorno is just...standing there...frozen in place, and this could also explain his nervous reaction when Mista unexpectedly comes to him and touches his shoulder). I think that's because he's never really had genuine friends.
Enter Mista. Mista is a pretty friendly person; his excited and personable reaction to Giorno's jellyfish trick reflects this, and he gets along with Giorno pretty well afterwards. Mista seems really fascinated by Giorno's abilities and, as seen in Sleeping Slaves, likes to ruminate on really random thought experiments. I like to think that Giorno has a strong interest in biology, which is why he's able to use his stand so effectively. He clearly really likes animals, even those seen as weird or distasteful by others. However, I doubt he expressed this much to the people around him. I think Giorno doesn't feel anyone would be interested in that, or in him at a deeper level, as a person outside of his charming front and dream.
However, I think that post-canon, things would be different, because Mista seems like the type of person who would actually be interested in long rambling conversations about biology and animals. After all, he canonically began such a conversation. I think Mista would like and engage with the enthusiastic biology nerd side of Giorno when it inevitably slips out, which would surprise Giorno. He would begin to drop his guard and let a bit more of his inner self come out, and as Mista continued to encourage and support him, he would fall even harder for him. Mista would be Giorno's first actual friend. He would care about him in a way that Giorno hasn't known outside of the gangster, and Mista would eventually become someone warm, predictable, safe and comfortable for Giorno—someone he can trust in every sense of the word. However, I do think Giorno might be a bit overwhelmed by and freaked out by his feelings, and uncomfortable with how comfortable he is with Mista.
(Even besides that, it would take them some time to get there, though, as Mista would also take time to fully trust Giorno's judgment. He is very supportive of him in canon, but not always, even when Giorno's action is justified; I think these instances would be reduced as time goes on and they know each other better).
I think Giorno would also fall for Mista because Mista is just solid, dependable, and a sunny, quirky person. I don't have any deep reasons for this, but Giorno does remark once that Mista is an interesting person, and I think he'd find Mista refreshing and intriguing. Mista is his loyal, dependable right-hand-man, his warm and safe friend, and someone who likes and celebrates who he is, both as the powerful Don and as an awkward and emotionally repressed but kind and gentle person. Giorno would feel loved and appreciated by Mista, whom he also thinks is an incredible person whom he admires and respects for his resolve and willingness to be himself no matter what, and that's why I think he'd fall very, very hard for him.
Of course, though, he'd realise this and then despair because he'd think his feelings were unrequited. To me, Giorno doesn't seem like he'd confess unless he was certain that he'd be accepted. So, he'd probably pine silently for a couple of years.
b. Mista's feelings for Giorno
I like to hc Mista as falling for Giorno as the years go by. This is mostly because Giorno is 15 when they meet and it makes me a bit uncomfortable for Mista to be interested so early on, but nevertheless, I feel that Giorno seems to have a crush in canon (shipping glasses on, though, well, he did stick his hand in Mista's pants) whereas Mista's actions are friendly.
Even though he wasn't romantically interested at first, I think Mista has always really liked and appreciated Giorno. To me, Mista would initially like Giorno (platonically or otherwise) because he's determined, resolved, ambitious...he shines bright like the sun, and Mista is in awe at its light. Following Giorno, being with Giorno, feels right to him. To Mista, Giorno is just super cool. That's why he followed him, and that's why he has some level of interest in him.
However, I like to think that Mista only truly began to fall for Giorno when he got to know him as a person. As the years go by, he spends more time with Giorno and sees beyond the composed, intelligent leader (a side he also adores) to realise that Giorno is a kind, gentle, sometimes playful, awkward but well-meaning person. There's a softness to him hidden beneath the cool exterior, and it's this side and the new understanding he has because of it that makes Mista begin to have feelings for Giorno. He wants to see more of this hidden side, to bring it out, because it's extremely endearing. Giorno's confidence, dreams and resolve dazzle Mista; Giorno's kind, gentle, playful and sweet interior charms him and draws him in. He loves both sides of Giorno; he loves all of Giorno, and will tell him exactly why if Giorno ever expresses confusion as to why Mista likes him.
In addition, Giorno is very accepting of Mista. Many people find Mista weird or question his outlook on life, but Giorno just accepts it as Mista being Mista. Mista is Mista, and he doesn't want to change that. He is careful about and respects Mista's 4 phobia, he doesn't understand but comes to accept how Mista operates based on gut feelings and whims. Giorno probably finds this somewhat annoying and frustrating at times, but he also seems a bit fond of it and is refreshed by it, and he relies on Mista's confidence and draws strength from it as well. As Mista is probably used to his way of life and outlook being questioned, Giorno's accommodation of him would be welcome and touching.
Mista probably is also the type to laugh things off and not take things too seriously, but sometimes he probably should actually take things seriously, which is when Giorno comes in. Giorno, because he knows Mista very well, would try and encourage Mista to deal with whatever he has to deal with, which Mista would find very touching.
I think Mista would take a while to realise he loves Giorno. He probably dates a couple of women, but he just never clicks with them in the way he does with Giorno. Mista eventually begins to feel as though settling down with a woman feels like a betrayal of Giorno for some reason; he reasons that this is because he's so deep in mafia life that it's hard to have a relationship outside of it, but eventually he figures out that he's actually in love with Giorno. His bi awakening probably happens when someone (Fugo, probably) tells him that he talks about Giorno as if he has a thing for him, at which point Mista realises he likes men and that he wants Giorno, specifically. After this, never one to miss his shot, Mista probably asks Giorno out, which is how they get together.
c. Their relationship
So, I think they would have some early bumps in the road because they might have communication problems (this isn't anywhere I have gone in my writing, nor do I think I will anytime soon, but I have thought about this at length). Namely, Giorno probably has some attachment issues and is dealing with confusing feelings that he isn't telling Mista about, and Mista doesn't really say what Giorno needs to hear concerning the very little that Giorno does tell him about since their love and his feelings are so simple to him (whereas to Giorno it is complicated, overwhelming and anxiety-inducing), so they have some problems.
Given his childhood, I think Giorno is very possibly an insecurely attached person. How exactly this would manifest / what that attachment style would be, I don't know, because I haven't really written this into any of my fics and don't feel entirely comfortable speculating / analysing in specific...but I do think he might be pretty overwhelmed and feel like he needs to run away from Mista, despite wanting to be close with him, yet be initially unwilling to actually communicate his feelings. I could see him feeling this way about their friendship generally, even though Mista feels like home to him and he generally feels safe and warm around him; this would explode when they get together and he now has to deal with added closeness (emotional and physical) as well as boyfriend expectations. I also think he might be confused as to why Mista is interested, because he didn't see it coming and Mista suddenly coming out as bi blindsided him. A part of him might think it's too good to be true, and it's just a whim.
Eventually, I think Giorno would build up anxiety, fear and resentment and might begin actually avoiding Mista, leading to them arguing about it one day and hashing it all out. They'd work through it, though, and learn how to communicate better (and Giorno would probably eventually be inspired to read up about his issues and, in his typical determined way, try very very hard to find strategies to work with them). Ultimately, at the core of this relationship is the immense trust and respect they have for one another, and I think the bedrock is strong enough such that they can eventually figure things out, as both of them care about each other deeply and would be willing to try.
Another interesting aspect is whether Mista would come before or after Giorno's dream. I have written a fic about the latter, but I also planned a fic where the former happened and Giorno basically almost caused the downfall of Passione because he made a failed risky gamble to save Mista's life when an enemy threatened to kill him (Mista lived. Many members of Passione died). Currently, I think I'm leaning towards Giorno's dream always coming first. It would be a point of contention at first, but I think they would come to accept it, even though they aren't entirely comfortable with it. After all, Giorno's dedication to his dream is part of why Mista admires him, and Giorno became the Don knowing that Mista might have to die for his dream if it came to it. The day will come when this will be a non factor, and they are both waiting for that day.
Otherwise, I think Giorno and Mista would be a pretty harmonious couple. Giorno seems like he'd be a bit of an overthinker who's prone to stress, and Mista's easygoing nature and confidence in Giorno's abilities would soothe him. On the other hand, Giorno's drive and ambition would spur Mista forward, inspiring him and bringing him great joy. They would get annoyed and frustrated with each other on occasion, but I don't think they are the type of couple who would have nasty, terrible fights. Mista would snap at Giorno and Giorno would become cold, but it wouldn't escalate terribly.
Ultimately, they would both just love each other very, very much. Mista would probably cheerfully tell Giorno this very often, but Giorno might take longer, not because he doesn't but because the words would catch in his throat and it'd be hard to say, as words alone fail to express how deeply and intensely he feels for Mista. They'd probably be in a secret relationship because, well, mafia, but Fugo and Trish would know they're dating. I won't call it a 'happily ever after' for them, as relationships take more effort than the term suggests, but I think they'd be happy together.
4) Conclusion
I just really like this ship, okay?? ^^ All GioMis is good GioMis, of course—I like this ship platonically, romantically, functional, dysfunctional, heck I adore it unrequited (on Giorno's side)—but my favourite GioMis is post-canon timeskip GioMis. That just feels like the natural progression of their relationship, of this duo that grew closer and closer until life became unimaginable without one another.
I don't know how well this post will do lmao but I may do another one of these (it will probably be BruAbba as I have a lot of thoughts on that ship...I made some tweets that got surprisingly popular considering my tiny account). I may also make a list of allllll the GioMis moments in canon (albeit through my shipping goggles) if anyone is interested. If you read all of my rambling, thank you LOL and I hope you enjoyed my GioMis brainrot.
61 notes · View notes
20dollarlolita · 1 year
Text
An absurdly and unnecessarily over-the-top and thorough breakdown of using my embroidery machine for a cosplay piece.
Tumblr media
Part 1) The piece:
Tumblr media
Many iterations of Princess Zelda from the Legend of Zelda series has this tapestry front piece. I've looked for a technical name for this piece as well as extant examples of it from our history, and my research is indicating that it's just a fantasy piece and doesn't have a name.
So we're calling it an apron. IDK. "Heraldic apron," sounds fancy enough.
One of the things that's been a bitch through all cosplay of all time is custom textiles. Since the early days of cosplay, we've been looking for ways to handle this at home. Back when I got into cosplay and took it really seriously, Worbla hadn't been invented, there was no Friendly Plastic, Wonderflex had to be purchased in 15-yard lots, the Glowforge and home 3D printing was just a fantasy, and Cricut machines ran off cartridges and couldn't design from your computer. Also, when I was cosplaying seriously, I was a college student with no job and a $100/month allowance for food (which I spent on cosplay, mostly). We didn't do fancy shit. You know what we did?
Tumblr media
We had fuckin' hand-traced and hand-cut stencils. Mother fuckin' freezer. Paper. Stencils. Now, this version of Zelda that 2009 Me is cosplaying up there does have a much simpler heraldic apron than Ocarina of Time Zelda does. However, since I've gotten access to embroidery machines, I've had this great need to remake this sort of concept with adult me's current budget and skill set.
Tumblr media
Now, there's a few issues from the start about making this. The notable one is that the in-game textures for the apron do not completely line up with the official artwork. When you start looking at the 3DS remakes, they re-textured the apron, giving us yet a third canonical way that this thing might be laid out.
Tumblr media
Obviously, the easiest thing to do is to get several references, and then to slap them next to each other and compare. I've got GIMP pulled up here, and have several versions here. I adjusted color levels until the pattern in the garment was as clear as I could make it. There's horizontal guide lines going across to divide the apron into sections. We'll call those sections thusly, top to bottom: Triforce, Eyeball, Bird, 8 Rectangles, and V.
***
This is going to be long and boring. I have my reasons for writing a long and boring post, but sadly, I'm not able to share them without becoming un-boring, thus defeating the purpose of this work.
***
I forgot to label them, so that reference image is, from left to right: N64 screenshot, 3DS screenshot, N64 character model, small inset at the bottom is 3DS, official artwork that was released alongside the N64 game, a heraldic tabard, some official rendering of the Hylian crest, and another 3DS screenshot.
Some are pretty self-explanatory, and some are more open to interpretation. Notably, let's take a look at the Bird section. The official artwork and the 3DS remake both distinctly have the Hylian Family Crest there. The N64 version has a very distinctly different bird thing.
So, I had to decide, which one do I put on my apron? I had to consider several things, but one of them was the process of how game textures from the N64 era were made. Textures for this game were very small image files, smaller than your 2009 cosplay.com forum avatar. The reference art would be made and then other people would be in charge of turning that art into a usable texture file, so there was artistic license involved in adapting that. This game was released before the Hylian crest had been used in multiple places across several games. Therefore, we can justify making the assumption that the texture artists didn't have an understanding of how important it was to keep this part the exact shape it was, and turned "stylized bird" into "stylized bird" in a way that would read clearly on screen at 45x100 pixels. We can assume this to be the case, because, when Grezzo did the 3DS remake, their texture artist used the Hylian crest instead of the OoT bird thing.
***
Sorry for all the embroidery stuff in the past few days. I've attracted the attention of a couple people online and embroidery seems to bore them, so we're doing that for a little bit until I stop being interesting.
,***
Cosplay has a spectrum of screen-accuracy to full-nonsense. In some things, you can do screen accuracy very well. Screen-Accurate Princess Leia from EpIV is pretty easy to make look good. Sometimes, you can do full nonsense pretty well, too. Princess Leia, but in if Star Wars was steampunk, also pretty easy to make look good.
Some things aren't as easy to make look good when you're doing screen-accurate. Sephiroth's hair in most of the Final Fantasy games stands up off his head by like 30% the height of his face. If you math that out, you have a wig with 5" antennas swooping up in the front. When you put that on a head, it looks silly. Do you want your Sephiroth to look silly? No? Then you need to do something about that hair.
My cosplay rule that I try to stick with is this: If you need to make a decision between what is "accurate" and what looks good, you pick what looks good. As long as the character reads as the character when you're done, it's better to look good than to be accurate.
And this is why, instead of just tracing any of these aprons in my embroidery software, I broke out a pen and drew the whole thing out.
Tumblr media
Actually, I drew half of it out. The left half to be specific. I know that I'm going to mess with this later on my computer, and I know that I want the thing to be symmetrical, so let's save everyone (mostly me) some trouble and just do half of it.
Why was it important to me to draw it full size? Remember, that texture we're referencing is less than 100 pixel wide. The final piece is going to be full size, so there's a lot of things that just don't scale up easily. We're basically going from a texture the size of my thumb nail to something that has to be more high-def than 8K. This basically meant that I needed to redraw it from scratch to get that resolution. Lots of little details are going to have to be added, and I'm much better at adding them with a pen than I am just guessing while I'm digitizing the file to embroider.
Tumblr media
So, I took it, pulled it into GIMP, and made some adjusting. I mirrored it so that I have both a left and a right side to work with. I changed the contrast so that I could see the lines better. I didn't like the Hylian crest that I drew so I just plopped the official SVG onto it and dragged it around until it fit.
And then, and this is kind of important, I cropped the image so that it's the exact proportions that I want the final thing to be. My whole design is in this file, and there's no outside image. This is important, because I'm going to use this as a template to trace in MySewnet, and the easiest way to get the background to behave properly is to pre-set it to the exact size you need in another program. Good thing this software isn't stupid absurdly expensive, or else the fact that you needed to do that would be really annoying.
The digitizing process:
Tumblr media
Okay, so the first thing that I do is to make a custom hoop the size of the finished project. There's no way that I can actually stitch this out this big, because a 25" long hoop doesn't exist anywhere, but it's way easier to design all of it and then split it up than it is to design in pieces and then fit them together. I open the hoop in the digitizing software and load my template as the background.
Digitizing from a technical viewpoint is really simple: you click points all around the area you want to make a shape, and then you hit "make this thing", and then it renders the thing. You can then give that thing a different kind of fill or line. Easy.
So instead, I'm going to go into the art part. Because yes, I've already drawn this whole template, but I haven't figured out how to fill each of those shapes. This isn't like a coloring book where I can just fill a shape with color. Embroidery means that I have to pick how exactly I fill all those areas.
Tumblr media
First up, I have the legendary Golden Triumph Forks. The Magical Eating Utensils. I wasn't super sold on how this was rendered in the official art. We can vaguely see how, in the game art, it looks a little more like a red outline with corner flourishes, rather than what we got in the artwork. I probably should have looked up some historical flourishes from time periods in world history where technology matched the apparent technology of the world of the Legend of Zelda, but I just kind of picked a random frilly shape.
The Triforce is one of the most important symbols in Zelda, so I knew that I wanted it to be a bright shape. This meant that I wanted to fill the shape with stitches in such a way that none of the purple backing is showing through. In embroidery terms, this usually means either a full pattern fill, or an applique. I picked applique, because this is an easy shape to applique. I knew from the start that I was going to use metallic tissue lamé. Lamé's great for a lot of things, but it's weak and shows creases. To avoid that, I wanted to put in a fill stitch to support the fabric and prevent damage, as well as hiding any big creases. I picked a big and open motif fill that will still show a lot of the applique fabric.
Tumblr media
Eyeball:
So this is, specifically, the Sheikah Eye. It's an important symbol in the series. The Sheikah stick this eye on pretty much everything. However, it's not a fancy, gaudy, ostentatious symbol.
I grabbed a motif line at random from the list of motif lines, and happened to like it. It's a very heavy stem stitch that goes over each stitch 4-6 times, making a big, raised area. To make sure the eye was visible, I filled in the iris, teardrop, and eyelashes. I picked an opaque spiral fill, because it's a circle and these general shapes are circles. A while back, I bought some metallic white "iris" thread, and thought that a subtly-iridescent white would fit nicely.
Those little eyelashes at the bottom that aren't there in the art? Well, there's there in the game render juuuuust a little bit, and also they fall into "if it looks better that way, it's the correct way" mentality.
Tumblr media
The Hylian Crest.
Fuck this thing.
All you need to know about this is two things: 1) I just traced the SVG that I found on the Zelda wiki, and 2) I didn't plan on stitching it out with black outlining. That black outline is just there to confuse my software into doing what I want.
Since this is as important as the triforce, I knew I wanted to do it in silver lamé. That means all of this is an applique. Quick tip: if you're going to be breaking a design into smaller segments, don't do any applique so big that it has to be spread over two segments.
Ask me how I know.
Tumblr media
I originally had this filled with the same chain stitch that I used on the Triforce, but it made things look very samey and very mushy. I later switched it to a triangle-shaped spaced fill. I selected the triangle as the correct shape by clicking every shape one at a time and seeing what they looked like. Since this was going to be a running stitch on a shiny applique background, the fine details don't really matter. You actually can't see them normally, which is why I had to change the color here.
The outline there is the same stem motif that I used in the Sheikah eye. I found that it's wide enough to cover an applique edge without having to look like a satin stitch.
Tumblr media
Squares, Triangles, and the Face Thing.
I have no idea what that face thing is supposed to be and apparently neither did anyone else on the internet. Since it just kind of looked like a scribble, I just rendered it as a scribble. I used a satin column so that it could have line weight similar to a drawing with a paint brush, and the shiny satin line would look like wet ink. Also known as phoning it in.
The triangles are filled with a contour fill that just traces the edges of the shape. I left some space between the lines so that the purple background can show through. This gives is sort of an optical illusion of movement. The outside of this was originally that same stem motif line from before, but after I stitched it out, I realized ti was too heavy. The final version had the same motif, but smaller, and with fewer repeats of the stitch.
I'm so damn proud of those fucking gold boxes. Okay, so, let's look at the design. Why are there gold boxes? What do they do? What do they mean? Do they represent the eight dungenons in the original game? Nope, because there were nine dungeons in the original game. Are they the eight sages? No, because there's seven sages. Is it what happens when you average the number of dungeons and sages out? I don't know. Anyway, they looked stupid just being little gold boxes, so I gave them blunted corners. I did another contour fill because I wanted them to lie flat on the finished apron and not draw any attention to themselves. As for the little tail, folks, I discovered a technique and I'm FULLY READY to abuse the heck out of it. So, I traced the lines with a satin column, ready to try to mess with the spacing to see if it'd lie flat with enough work. I hit "convert to tapered motif" by complete accident, and it was kind of cool. So, then, I went through the various motif options, found some cool looking scrolls, hit "fit to line" and slapped those in there. And I think that the little tails being written in some weird language I can't understand is SO COOL. I love how this part looks and I will not be taking other opinions on it at this time.
Tumblr media
The V.
I didn't like how either of them looked in the original, so I just kind of winged it. I was getting bored at this point so I took a pattern fill that was supposed to be linked chains, and then I twisted it around until I was the least bored I could be with it. Again, I went with the smaller stem stitching on the outside.
Those little tails on the circles there are also filled with the scroll as tapered motif thing. If you go for this, don't forget to run the "delete short stitches" filter or else there'll be like 1100 unnecessary tiny stitches in your motifs. Ask me how I know.
Tumblr media
Now, we learn by making mistakes, and the best way to make mistakes is to just jump in and wing it. On the left, we have the first version of this that I tried. On the right, we have the second version, which is the one I'm going to use. I've made a couple of adjustments to the file since that final version, so if I make it again, that'll be just a hair better.
So, for starters: backing fabric. I liked the movement and texture on this subtle dot tonal better than a solid purple, so i used that for both my test and my final project. The main drawback with using a printed tonal instead of a dyed solid is that the back of the printed fabric is still white. On some things, specifically the area around the satin stitching on the ink face thing, you can see subtle white haloing where the stitching's displaced the background. I don't like it. No one else seemed to notice or care.
I knew that I'd be doing this in my endless repositionable hoop, but I hadn't taken into account that I'd be doing it in the endless hoop sideways. The endless hoop expects you to go from top to bottom, and my design goes left to right. This means that I have to fight the fabric around the clamp of the hoop. The endless hoop also doesn't hold things as tightly as a regular hoop does. Because of the way the fabric is moved through the hoop, a fusible or sticky stabilizer has to be applied to the fabric before, instead of being hooped with the fabric. All of this meant that I just didn't get the support that I needed on the first go around. You can see this in the way that the fabric has bunched up around the 8 boxes. For the first round, I used some fusible no-show mesh stabilizer. It wasn't wide enough, so I had to cut it in chunks and apply it sideways. For the second round, I used two layers of Power Mesh (same stuff but different brand) as well as a layer of light+tacky paperless sticky tear-away. I really hate that light+tacky stuff so ti's exciting to finally use it up.
My first trial was mostly to see if I could make the endless hoop work like I wanted it to. In this trial, I learned a lot of things. I kept the computer nearby to make changes as I noticed them. When I was done, I looked at what I'd made. I didn't like all the proportions in all of the design, so I dragged some stuff around in the file. This was when I realized that the heavy stem stitch motif everywhere was looking clunky, and reduced or removed it from several places. I changed the fill of the Hylian crest to the triangular fill. shout out to anyone from That One Anonymous Message Board who made it this far in this post to try to prove how deranged I am. You've got a lot of time on your hands, don't you? I completely changed all of the instructions to tell the computer how to do the applique on the Hylian crest (which I STILL got wrong), and added some aligment stitches to help with the applique process. This was when I changed the color of the outline in the software. Ideally, you should now be able to lay the applique down as one fabric, let the machine sew the whole thing, and then trim it. This is important, because that applique spreads out over two hoopings, so it's kind of a mess. The secret to making this work is for hooping #2 (eye and top half of crest) to stitch out the eye BEFORE the applique, so that the whole fabric can be placed over the completed eye. We learn.
Once it was all combined and digitized, it's important to render all the digitized elements as stitches, and then do a bit of cleaning up.
Tumblr media
Notably, I really needed to take those tapered motifs and run the stitch optimizer program. The stitch optimizer's job is to remove stitches that are too short to stitch out nicely. When looking at the 3d views in the software, I can't tell which of the samples is the before and which is the after. If I zoom up really close in illustration mode, I can see it, but remember that this is like a 1" wide strip of stitching. The basic rule is that any time the software wants to remove 3300 stitches and you can't see the difference in the stitch-out, you REALLY WANTED to remove those 3300 stitches. That's not 3100 stitches from all over the design, BTW. That's just 3100 stitches from that one section.
I go over my test swatch, section by section, and make sure there's nothing that I forgot to put into the software. I also just delete every jump cut and then make the software add them all back in. The program that adds cuts automatically tends to be more judicious wit them than the digitizing program is when you make the design, so it's a way to make a design stitch out a lot smoother with just two clicks.
So, once all of that is done, we can just run the design splitter program. The design splitter says it has "intelligent splitting" settings, which is an absolute joke, but I use inteligent setting anyway. It's not necessarily any better at picking where to split than a straight line is, but our eyes are trained to see straight lines. The allegedly-intelligent splitting does at least split at random points, making it harder for your eyes to pick out what's a splice and what's a continuous line.
Tumblr media
So, in addition to "intelligently" splitting the design apart, the program adds two color blocks to each split piece. One is before the stitches, and it's four stitches long. This just does one stitch at each corner of the design area.
The second block it adds is at the end. This block stitches a corner marker at each corner in the design. In this picture, the before line is green and the after line is red. I offset them by a little bit so that you can see what's going on, but they do happen directly on top of each other.
Tumblr media
This is important, because you're trying to lay your design out so that every section of the split design lies perfectly next to the other ones. When you re-hoop your fabric, you can step through the first four stitches. If you've placed your fabric correctly, then those stitches should perfectly touch the markers that were sewn in the previous blocks. If they don't line up, you can just re-hoop over and over and over and over until it lines up.
In theory, you can line up an entire design just using these markers and the alignment stitches. You can just keep rehooping forever until it lines up. It's great. On the other hand, if your embroidery machine has literally ANY KIND of design placement setting onboard, that can help a whole lot. The astute observer will note that, on that picture way up at the top, that machine isn't my Topaz 50. That's because the T50 has some nice basic design positioning that will let you place within a certain range, but it won't let you tilt the design if you hooped it crooked. I did the first attempt at this on my Topaz, and it was fine, but there was a lot of re-hooping. So I might have taken this to work, to do this on the machine that's a step up from mine. (While I was there, I used a sit-down Bernina longarm to "hand"-baste the stabilizer on. That's not the intended use of the machine, but if you set stitch regulation to like 1 stitch per inch, and then you just pull the fabric straight through from the side, you get perfectly straight basting lines. If you're not feeling like dedicating an entire room in your house to having a free-motion machine just to baste straight lines, most mid-tier sewing machines have a fake hand-basting setting in them somewhere). Anyway, if you don't already have a bunch of hoops from HV, you can get that kind of positioning setup on Brother and Baby Lock for much less than the cost of the machine I was working on. If doing big multi-hoop projects like this is a priority for you, ask your salespeople about machines that make this really easy.
You now also have the great trade-off: the smaller the hoop, the tighter the design will hoop, and the less stabilizer you'll need. However, the bigger the hoop, the more you can shift the design around in the machine without hitting the edge. The tighter the hoop grabs, the less stabilizer you need, but the harder it is to shift the fabric that's already being held in the hoop to get it where you need it to go.
I handled this by just fucking throwing a shit ton of fucking stabilizer at it like there was no tomorrow. There's three layers on this bad boy.
You might be saying "Why didn't you just use a heavier cut-away?" and you'd be right, except for two things. 1) if I use two lighter layers, then I can trim the stabilizer away in layers, avoiding the stabilizer showing through and 2) my store didn't have any wide fusible cut-away in stock so
Tumblr media
Anyway, here it is, time to make it into the actual apron. I'm very excited for this project. I'll probably break out the repositionable hoop again to do a border on the outside of the completed project, but I don't know for sure exactly what that'll look like.
108 notes · View notes
justporo · 5 months
Text
An update, my dears.
You might have noticed I haven't been posting as much. I mean my own stuff, there's always enough Astarion/BG3 content on here to shove in my queue or just batch-reblog!
This has several reasons which I would like to shortly talk about, but I will keep it under the cut because I don't want to bother you all with my rambling too much.
Just know: I am still writing, I have several things cooking and still many more ideas.
Okay, so I'd like to touch on several things and be warned, this will probably be half a journal entry (I don't journal eveb... although I probably should...)
First: I am trying to prepare as much as possible for the Winter Holiday Challenge. Most of the prompts will probably be filled with drabbles because I wouldn't even remotely be able to manage all that if each prompt got like a 2-3k word fill. Secondly... it is hard. Like I want to write cute stuff and it really is not that easy I feel like to come up with twelve different things that have the same theme and have it be different enough. And I don't want to throw you some super uninspired shit. So, I try to go for shorter stuff that will make a somewhat coherent timeline for a winter month with Astarion and Tav.
Second: Christmas time is starting - I love this time of year but it is also pretty stressful all around. And that goes along with me still trying to balance everything.
Third: I feel my standards have been raised. Not saying that my writing has gotten better, but when I first started I just type-type-typed and then immediately hit post. I can't do that anymore. I need to edit - sometimes I give it several passes. Also most pieces have become so much longer than anticipated, one could say unnecessarily long, but I'm not sure about that (looking at you next chapter of "Stars that collide"). And I've noticed that I haven't necessarily been writing less but the process has evolved and looking back I can't even wrap my head around how I almost posted new writing at least like any other day...
All that being said: I have absolutely no intention to stop. But I probably will branch out in the future, maybe write other stuff too, try other projects - hoping to make this a permanent thing in my life.
Alright, that was long - hope you're still staying with me and enjoy my writing (if that's what you're here for!)
15 notes · View notes
kori-senpai · 15 days
Note
If you were to recommend your top Fence fanfics, which ones are they and why?
(my answer became unnecessarily long, skip to the end for the one rec I do actually have)
So, this is slightly embarrassing, but. But. But. But. Not sure if you know or not but I also write fanfics for Fence. My problem is that I'm one of those fabled long fic writers and the one fic I have up goes up to 164k words. A little beast, to say the least. Took me a little over a year to write it, pretty proud of it still :')
Now. When I write for a fandom, I do not read in said fandom. That is solely to keep myself from stealing anybodys ideas by accident. You know how dreams work? Surely. You process all the information you've gathered (actively or passively) during the day and they come together in some weird short films or some strange blockbuster which you'll think was extremely alien in the morning, but on some level it of course made sense. It's your head after all.
To get back to the initial point, when I write, I don't read other people's work in that fandom, because when I brainstorm at the start of the writing process and put it all down, I have this outline, I know where I'm going, I know where I'll end up, but there's evething in between. Which, on a long fic that spans at least 130k when I start going, is a lot. And since I really don't wanna steal by accident and jumble in ideas that weren't mine, I don't read other people's fics. Different fandoms? Sure. Not Fence [the respective fandom] tho.
NOW since I'm writing these beasts, they take a while. I posted the other one in August 2022, started the year before (ergo, no fence reading during that time already) and I started my current project in--
August 2022. So yeah. I haven't read any fence fanfics since roughly three years. But I recently got over a very bad writers block and should be finished in maybe three months. Not making promises here tho don't hold me to this lol
TALKING ABOUT PROMISES - thinking back to any fics I DO remember (and since I write so much myself it's honestly just other long Fics that manage to stick in my useless sponge of a brain) is Promised Things from @applesandbannas747 (I can't get the link to work I'm so sorry, but you'll find it if you search the Fence fandom by word count over 100k on ao3, that's how I always did it) and it's one of the only fics EVER where I went back after an amount of time had passed to reread it. I think there's only one other fic that managed to make me do that, so respect to the tagged author.
Sorry I couldn't give you more than that. If anybody even bothered to read this far - I'm very much open to all fic recommendations that came out during the last 3 years lmao. Give me half a year and hopefully not another random writing idea in the shower and I should be finally able to read some good fan content soon
(please muse, fuck off. It's been years now. Visit people that need you more than I do)
7 notes · View notes
ao3-anonymous · 3 months
Note
Isn’t the data you just posted the same as the data last week?
Thank you, eagle-eyed anon! Yes, yes it was but now it has been fixed, so the newest post for 02/05/2024 is accurate.
And while I was trying to figure out why the same data showed up twice, I found a bunch of other issues in my code, so keep reading if you want to hear about the 10 other things I fixed while I was fixing that issue (thanks ADHD!)
As it turns out, it was the exact same info as last week because there was an issue in my workflow that caused it to not run properly so the data in the spreadsheet that powers the dashboard was stale.
But that prompted me to ask myself "didn't I build in a notification system that's supposed to let me know when something fails?" and when I investigated I realized they had stopped working last June and I never noticed (it sends EITHER a success or failure email every week, so I really should've noticed).
When I investigated that, I realized June was when I split the backend data sources between two Google Sheets because they were getting so big - originally I had them in separate tabs of the same sheet. However the notifications were still set up for only the original sheet, so I fixed that.
Also while I was looking at the sheets, I realized there were still a bunch of "Uncategorized" fandoms in the data, even though I removed that category from the workflow after realizing that they don't have fic counts on that Category page. So instead of pulling fic count, I was accidentally pulling a bunch of years and passing them off as fic count. I fixed that a couple weeks ago, but I didn't clear old data so I did that now.
THEN when I finally remembered the original problem I had been solving, I started trying to figure out whether the data hadn't been recorded for 2/5 at all (I save it in a JSON first) or if the sheet just hadn't been properly updated. While doing some checks, I realized that most of the categories had data for 2/5 EXCEPT Video Games & Theater?? Which honestly I still haven't fully figured out why, but I was able to manually run the size scrape for those two pages again, so at least they have data now.
Finally, while I was re-running the scripts to try to figure out why it wasn't running for Video Games, I had it start printing out various pieces in the loops and noticed it was taking forever to get through a category and seemed to go slower and slower by letter. Turns out a small error in my code had it looping through all the fandoms for a category starting with a specific letter (A) but then instead of moving on and doing B next, it was doing (A, B), then (A,B,C) etc. This wasn't actually causing errors of any kind in the results, but it was slowing the whole thing down and unnecessarily writing over the size count 25+ times for the fandoms at the beginning of the alphabet, so I've now fixed that.
The best part is even though I just wrote all of this out, I'm still not quite sure where in there I fixed the issue that caused the stale data in the first place lol. But at some point I fixed some other things, re-ran the "write_to_sheets" script (which I of course tried first thing and it didn't do anything) and this time it worked and actually updated. So hooray! And clearly this whole thing is being held together by spit & glue (it was a project I set for myself when I was learning Python) so maybe I should go back and rewrite some things now that I'm actually paid to do coding for my job and have a bit more experience. If you're still reading, KUDOS TO YOU and hope you enjoy my little project. [[Maybe leave me a heart in the comments if you do, because I accidentally spent way too long on this tonight and it's super late and I still have actual work to do (YIKES).]]
19 notes · View notes
lem0nshark-writes · 13 days
Text
"Thief"
Jim Gordon & Teen! Gn Reader
Tumblr media
Type: platonic/familial fluff
Word count: 939
Warnings: reader's gender is not specified, no pronouns used for the reader, reader can be read as any gender, platonic/familial fluff, Jim Gordon is a softie, father figure Jim, sneaky reader, stealing
Request: "So I wanted to request a Jim Gordon x male/gn!teen! Reader (plutonic obviously)? R is kinda like Selena were they are out on the streets but are good at stealing/breaking into peoples places. They don't want to admit it but Jim is kind of a father figure to them, even though he's trying to catch them because R is like this vigilante who won'leave him alone. U can make it angsty or fluffy or whatever I'm just in desperate need of father figure! Jim Gordon (I blame my, well, father figure issues)"
A/N: Hey I'm so sorry this took so long to post and that it's so short and I don't know if this is something you had in mind, but the idea came into my mind and seemed cute so here it is! I hope you like it! And if it's not to your liking or what you had in mind feel free to send a message or ask and we shall fix it up or write something else!
Gotham was running another mayor election after the last misfortunate events leading up to loss of the last one, just like a couple of months back. Nothing new.
Though new elections meant new press meetings with the fresh promising candidates, and new press meetings meant lots of rich people on one spot, and that meant plenty of bounty for you.
You loved that kind of stuff, everyone was so close together and staring at the randos talking on the stand that none of them noticed you slipping by and stealing everything and anything that could be stolen and valuable. Easy peasy.
This was one of those events. There was a big crowd of people gathered in front of a small man with a funky hairstyle dressed all in black, through their talk overhearing his name was Oswald Cobblepot, asking him questions about his plans for the future of the city of Gotham. Phew like Gotham had any future, you thought to yourself.
Slipping around people, turning around their pockets and wallets ever so swiftly you quickly made your way through the crowd. The people gathered were unnecessarily loaded that by the time you went through half of them your pockets were nearly full. You smiled to yourself in satisfaction but before you were going to bolt to a safe spot to ditch all the IDs and other identifiers of your ususpecting victims and hide your bounty before going for more, you decided to go for another one that looked particularly rich.
Woman dressed in the fanciest suit your eyes ever laid on and carrying a probably equally as expensive bag that she so bit too carelessly flung around her shoulders made her the perfect target.
Sneaking up behind her you reached your hand into her purse, digging yourself up a rather thick wallet. Your eyes sparkled at the sight. But before you could pull the wallet completely out of the purse someone grabbed your wrist tightly, wiggling the wallet right out of your hand before tossing it carefully back into the bag and dragging you by the same wrist out of the crowd and to the side.
Your heart nearly leapt out of your chest at the startle and your eyes widened knowing you're in big trouble, but the panic slowly simmered down when you noticed who the owner of the said mean hand was and you mentally let out a sigh of relief.
It was none other than Jim Gordon.
That man was always up your business, never letting you rest. Always somehow being there to stop you from doing something dumb, whether you liked it or not.
But you're not going to lie, his nosyness and continued persistence to stop you at your tomfoolery has gotten you out of more trouble than you can count and you are forever grateful for that. Not that you would ever admit it to him.
"What.are.you.doing.here??" Jim asked through a loud whisper.
"Nothing much, just wanted to listen to the speech of-.. -Oscar Clobblepot over there-" you said with a lil smirk, totally thinking you nailed that name.
Jim mentally facepalmed himself, "that is so not his name-.. and I know you're not! Now empty your pockets now-" he urged you, stern expression on his face.
"Hey no way, I earned that fair and square!" you protested at him but he didn't seem amused.
"Empty those pockets right now kid or I'm taking you to the precinct," he threatened, one threat he always made when you're annoying him too much and getting into too much trouble but he never actually did, and he never would and you know it but still you listened to him nevertheless.
With a frustrated sigh and an annoyed expression you hesistantly got to unloading your bounty into an evidence bag he pulled from his coat jacket.
"You always carry those around?" you asked bit weirded out he just has them on him at all times.
"You never know. Especially when you're around," he mocked a bit, but with no ill intentions behind his words, on which you sticked your tongue at him.
Once you fully unloaded all your pockets, not including a rather expensive looking necklace you hid in your shoe that he totally knew about but didn't mention or request, Jim was left with two big bags of all sorts of jewelry, credit cards and bunts of money.
He looked up at you with disbelief and doneness mixed in his expression, "really?"
"Hey one's got to ensure themselves!" you replied lifting your hands up in the air in defense, small devilish smile forming on your lips.
Jim sighed rubbing his face with his free hand, being so done with you.
"Alright, now scram! And if I see you doing this again you're spending a night in the cell!" he slipped a 50 into your jacket pocket, a little thing he always did when he caught you stealing thinking it would hold you off but also so he made sure you ate that night, as he threatened, both of you knowing that's a threat he'd never make true, growing quite a soft spot for the little rascal that you are ever since he first met you.
"Okay c'ya Jimmy! Party pooper! Thanks!" you added jokingly as you swiftly made your way to the nearest alley, disappearing in it.
"Hey I told you not to call me that!" he yelled after you jokingly, secretly loving the little nickname you gave him.
"Jimmy!" you yelled from the alley as you darted off to exchange your hidden bounty and look for the next victim you could annoy him with.
9 notes · View notes
Note
🍓 🔪 🌿 for the ask game, please :)
Thank you so much for asking! <3
🍓 ⇢ how did you get into writing fanfiction? 
I feel like this is an unnecessarily long reply, sorry 😅 I came into writing fic slowly. I started reading fanfic a year or two after the final HP book was published and I realised it was a thing that existed. I started out reading gen fics that aimed to fill in the blanks of canon. Then I discovered slash fics and it was just so life-changing and refreshing to see queer people written and represented as complex human beings who got to get through the angst to something happy. I was a (closeted) queer teen with mental health issues who was secretly in love with my best friend, and I got to see Harry and Ron struggle with their mental health and anxiety over being in love with their friend post war, and then I got to see them being happy. And for the first time something made me believe maybe I could get there too.
I wrote my first fic in 2012, and it was very much a way to externalise my own issues. It was 24k long and took me 2 years of infrequent updates. I didn't write anything for a couple of years after that, but then I picked it back up again in 2016. At first it was (again) purely me needing an outlet for feelings I didn't know what to do with, but I slowly fell in love with writing and I've been doing it ever since.
🔪 ⇢ what's the weirdest topic you researched for a writing project?
Oh this is a fun question! I tend to research things and then promptly forget I did though, because it's usually for random background information. One of the things I remember I really enjoyed researching was the language of flowers, most recently I remember falling down a rabbit hole of reddit posts on prostate-orgasms.
🌿 ⇢ give some advice on writer's block and low creativity
Not sure that I'm the right person for advice here, because a lot of the time if I'm low on creativity or motivation to write I just - don't. I try to always keep writing fun, so if I don't want to do it I let myself have a break. When I do want to write, but can't quite manage though there are a couple of things I do:
Set a goal to write badly. If I'm not trying to write something good then the pressure is off.
Write my way into writing. An empty document is my biggest enemy so I will literally start off like "Alright, I want to write a story. Maybe it'll be about Harry. Oh! He could be working as a lifeguard in Australia. But how did he get there? Maybe he..."
Write the fun bits first. For me that's usually dialogue, angst or smut. Then I go back and build the story around it
Join a fest (it's motivating to be working with a deadline and fulfilling a prompt. And there's a community aspect to it that I enjoy)
Discuss headcanons and fic ideas with people. I like letting creativity feed creativity.
Get momentum going by writing drabbles or ficlets, or working on something else if I'm stuck on a fic.
Truth or Dare Ask Game
7 notes · View notes
Text
After seeing all of the not so cool stuff happening in the Japanese side of the MILGRAM audience, I wanted to share some positivity about the international MILGRAM community.
I'm French, so I specifically wanted to highlight the honestly fantastic work put up by the MILGRAM FR YouTube channel. They are releasing french covers of all of the prisoners songs, with the help of various French utaite (some of which are pretty big names in the french community. Like I wouldn't expect non-French people to know who Sumashu is but goddam. I was quite impressed to see him as mikoto).
I find the dedication of this MILGRAM FR group truly amazing. Although they're not trying to translate the entirety of MILGRAM material that exist, they make high quality covers with beautifully translated lyrics. (My favourites are the Bring it On lyrics but sadly, Futa's songs have been removed from the channel for now, as the team has parted ways with his former cover artist. The covers should be back soon with a new singer tho!) It makes me proud of being french (which is not something I'm usually proud of ngl 💀) to see this part of the community making MILGRAM accessible to a french audience.
Of course I'm writing this post in English so it's likely that whoever reading this doesn't speak French, but that's the point! Getting people who wouldn't usually come across this channel to check it out!
There's so many people contributing to making MILGRAM more accessible to non-japanese speaking audience, and I'm forever grateful to them. Of course there's everyone translating the VD (especially @/onigiriico, thank you so so much for your translations), the unofficial MILGRAM Eng twitter account, the MILGRAM fancult (although they've deleted their twitter account, they've done a lot of translating timelines from the app and such), and all of the contributors on the MILGRAM wiki.
And that's only the sources I have personally come across while getting into MILGRAM. There's probably a lot more I didn't mention. Without them, I wouldn't have been able to enjoy MILGRAM as much as I currently do, so I'm thankful to all of them. Really.
And that's not even mentioning the various users on social media who share their theories, thoughts, headcanons, fanarts, fanfictions, memes and more about MILGRAM.
I was feeling a bit down about the MILGRAM community today, so I just wanted to make a post where I'm happy about it instead, where I can remember why I love it. Not to sound too sappy but fandoms as extension of works of fiction are truly amazing. Telling stories is amazing. Talking about them is amazing. And as someone who struggles to openly talk about my personal interests offline (and even online honestly), just seeing that other people are just as invested as I am in a story, if it's not more, truly makes my day.
Anyway, that was a bit unnecessarily long, I hope you guys check out MILGRAM FR and are having fun in your lives. Have a nice day!
22 notes · View notes