Qin Yi: Jamais Vu
Designer’s Reflection: Jamais Vu
Obtained: VIP 8
Rarity: SSR
Attribute: Gold/Elegant
Awakened Suit: Deja Vu
Story - transcripts from Designer’s Reflection
Chapter 1 - Prologue
Chapter 2 - Part One: Deja Vu
Chapter 3 - Part Two: Jamais Vu
Chapter 4 - Epilogue
Story - summarized
Qn Yi’s newest performance stars Qin Yi himself as a fox spirit who turns human. As the Young Scholar, he uses his spirit magic and knowledge to help a human village prosper. He heals the injured and teaches the curious.
But no one can ever see his tail or learn his secret. Otherwise, he will have to leave.
A young woman approaches his house one evening to thank him for healing her father, as well as to bring him dinner. He thanks her, not sure what to say. The woman warns him about a monster attacking the village. No one knows what the monster is or where it came from. She then leaves, even though she has a huge crush on him and wants to tell him, before anything happens to either of them.
Right as the young woman leaves, a fox spirit approaches the Young Scholar. It’s his sister, Red Fox. Their clan of fox spirits has been hunted, leaving many dead and more scattered. She is the monster attacking this village. She is still furious that the Young Scholar left their clan, and even though he had the purest of intentions, Spirit Hunters still tracked him and his clan and killed as many spirits as they could.
Red Fox wants the Young Scholar to know what it feels like to be hunted, to be hated. So, she casts fire, intending to strike the Scholar or set fire to the house. Either way, she will cause a distraction.
The young woman from before hears the commotion, and she gathers other villagers to check on the Young Scholar. He s currently fighting his sister, both of them engaged in a magical duel.
The young woman tries to check on the Scholar, but he is still in his spirit form. He tries to hide from her, but Red Fox burns down the dividers. Everyone sees him as a fox spirit. And then, they turn on him.
Once the play is over, the cast comes back out amidst thunderous applause. They hold a brief Q&A. Everyone is curious to know how Qin Yi came up with this story. He tells them that it is about a choice: to be your true self and risk being hated, or to be what others want you to be and be liked. It’s about wanting to be loved as you, regardless what you do or who you are.
Someone asks if this story was based after his own life experience. Qin Yi lies and says no.
Connections
-From a young age, Qin Yi has wanted to be loved. But he’s been abused for so long, and he’s terrified of losing the people he loves, like in the Reflection for Moonlit Night Orchid.
-Qin Yi has had to balance acting and being his true self since he was a child. In the Reflection for Nostalgic Dreams, he begins his journey to trick and deceive through acting, but also struggling to figure his own life out.
-This is another Reflection featuring a fox spirit, the other one being Loen’s Flame Fox. Except this is a stage play inspired by lore around the spirits.
Fun Facts
-Fox spirits, “húli jīng” in Chinese, are known for their shapeshifting and trickery. Most appear as women, but some turn into men.
-This is the first time that there is no specific narrator. It reads like a folk tale, with no one voice telling the whole story.
-Jamais Vu is French for “never seen.” Deja vu means “already seen.”
-This is the second VIP suit.
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Wanting To Be #077
Wanting to be loved wholeheartedly
Without the fear of being switched up on
Like seasons, wanting to be one and more
But always feeling like I'm not enough
Wanting to be known for who I am
Not just for the things that I can do
But wanting for someone to be afraid of losing me
For a change, wanting to be wanted for me
Wanting to be loved with open arms
And not just given crumbs from a table
Wanting for someone to hold me tight
And not just push me away with every fight
Wanting to be loved for my flaws and all
And not just for the perfect parts
Wanting for someone to see the real me
And not just a shadow of who I could be
Wanting to be loved with all my heart
And not just given half or a start
Wanting for someone to be my partner
And not just a one-night stand or a stranger
Wanting to be loved without any strings attached
And not just given false promises or a hug
Wanting for someone to be my everything
And not just a temporary fix or a bump in the road.
Wanting to be loved with loyalty and trust
And not just given false words or a deceit
Wanting for someone to be my rock and my guide
And not just a voice that's cold or a stride.
Wanting to be loved without any conditions
And not just given false hopes or a spell
Wanting for someone to be my partner
And not just a lover that's filled with flaw.
Wanting to be loved with understanding and care
And not just given false sympathy or a stare
Wanting for someone to be my partner
And not just a lover that's far.
Wanting to be loved without any hesitation
And not just given false affection or a distance
Wanting for someone to be my partner
And not just a lover that's lost its meaning.
Wanting to be loved wholeheartedly
Without the fear of being switched up on
Like seasons, wanting to be one and more
But always feeling like I'm not enough.
Wanting to be known for who I am
Not just for the things that I can do
But wanting for someone to be afraid of losing me
For a change, wanting to be wanted for me.
Yours Truly 🌻
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"A story doesn't need a theme in order to be good" I'm only saying this once but a theme isn't some secret coded message an author weaves into a piece so that your English teacher can talk about Death or Family. A theme is a summary of an idea in the work. If the story is "Susan went grocery shopping and saw a weird bird" then it might have themes like 'birds don't belong in grocery stores' or 'nature is interesting and worth paying attention to' or 'small things can be worth hearing about.' Those could be the themes of the work. It doesn't matter if the author intended them or not, because reading is collaborative and the text gets its meaning from the reader (this is what "death of the author" means).
Every work has themes in it, and not just the ones your teachers made you read in high school. Stories that are bad or clearly not intended to have deep messages still have themes. It is inherent in being a story. All stories have themes, even if those themes are shallow, because stories are sentences connected together for the purpose of expressing ideas, and ideas are all that themes are.
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