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#but the differences in how they would view and communicate that are important To Me ok
vikkirosko · 2 days
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Hi! I really love your work. Like man you have me kicking my feet like I'm 12 again.
Anyway to the point, I was wondering if I could request a Cubby Reader with insecurities and how each chatcter would handle that. (Lucifer, Vox, Asmodeus + Fizzi, Emily and any other you might want to inculde) It's my first time ever requesting something, I hope I did it right.
Thanks you so much, and again I really love your fics.
Headcanons Self-doubt
🖥 Vox x Reader 📱
You have worked for Vox for a long time and often you have worked with him, as well as with Velvette and Valentino. Despite this, you were quite insecure in yourself and because of this you had problems. Vox knew you better than the others, because you were dating, and he knew what you could really be in a comfortable company, and therefore he helped you feel more confident
Vox often rebuked his friends when they said rude things about you, covering it up with a joke. He knew that you could take their words to heart and he wouldn't be surprised if that was their goal. That's why he acted as your protector, knowing that you needed help sometimes
He saw how confident you were when you were alone. You were open and confident when you spent time together. He tried to help you behave as confidently with the others as when you were alone, but so far you haven't had much success
Vox knew that he couldn't be with you all the time, so he tried to help you become more confident and be able to defend your views. You were in Hell, which meant that you needed fortitude and self-confidence if you didn't want everyone to take advantage of your insecurity
🍎 Lucifer Morningstar x Reader 🐍
Lucifer and you met at the hotel. He saw that you were uncomfortable talking to him and he thought that the reason for this was that you were afraid of him. However, everything turned out to be wrong. From his daughter, he learned that you were quite insecure and because of this it was difficult for you to communicate with strangers. That's why you were so nervous when you talked to him
Watching you, Lucifer realized that you were a really good person. He saw how you sincerely smiled at your friends and helped them. Charlie and Vaggie cheered you up, which made your self-confidence grow. He tried to get along with you at the request of his daughter, and the more you talked, the more open and confident you became. You were changing right before his eyes and he liked to see you confident in yourself
Lucifer has started to help you become more confident. He praised your work, supported you and reminded you how wonderful you were. He wanted you to see yourself the way he saw you and realize that even if someone says bad things about you, they weren't right
The King of Hell knew well what it was like to lose self-confidence. He remembered how he felt when his dreams crumbled to dust. Lucifer didn't want you to go through this, so he tried to help you become more confident. He was sure that through the joint efforts of you and your friends, your confidence could become stronger
👁 Emily x Reader ✨️
Emily did a lot for others. She sincerely wanted to make others happy, including you. You were one of the people closest to her and she truly cherished you. You were kind, attentive and caring, but you were insecure, which caused difficulties in your life
Emily knew you had a lot of potential. You could do a lot of things and you had wonderful talents, but you doubted it. At such moments, Emily would vividly remind you that you were really wonderful and that you were talented. She was ready to shout about it to convince you of it and protect you if someone said something bad about you
Emily helped you become more confident in yourself. She came up with different exercises that you did together so that you would believe in yourself and your strength. Most of the time, these were verbal exercises, but they were also important so that you would doubt yourself less. Seeing how every day you become more confident in yourself, she couldn't help but rejoice
Emily sincerely cherished you and wanted you to be happy. She was trying to help you. Emily wanted to see how you courageously communicated with others, how you defended your opinion and were not shy about sharing your ideas. She knew that it was still a long way off, but she intended to continue to help you
🎪 Fizzarolli x Reader x Asmodeus 💕
Fizzarolli and Asmodeus knew that you were insecure. You were cozy and caring, but because of your self-doubt, you couldn't be as brave as Fizzarolli and even more so Asmodeus. That's why they tried to be there for you to remind you how wonderful you were
You and Fizz often spent time together. He was preparing for the performance and you were cheering him on. At such moments, he returned compliments to you. When Ozzie had free time, he would join you and help Fizz make you think better of yourself. Asmodeus saw that it made your life difficult, so he supported Fizz when he tried to help you become more confident in yourself
They both knew that you had many wonderful qualities, but you didn't seem to notice it. You tried to fight your self-doubt and were grateful to them for trying so hard to help you. You really appreciated it
You cherished Fizz and Ozzie and their support. They were the most important people to you and you really became more confident around them. You were ready to move mountains for them. To support and protect them, you were ready to become much more confident in yourself
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styxnbones · 11 months
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34 and 24 for Minerva, and/or 7 and 21 for Kellen :3
34. how would your character describe themselves? it doesn't have to line up with how they really are
This is,, a very interesting question for Minerva. Because the thing is, right, his experience of the malkavian bane is that he perceives three, sometimes Very Different, versions of reality simultaneously- and that extends to his perception of himself and who he is. I, in writing them, typically categorize these three versions by which Path of Enlightenment they're on, since that is one of the things that stays relatively free from bleed-through and is subsequently one of the features that Minerva himself moors his interpretation of what is going on around him to. In the reality that *everyone else* experiences, Minerva is functionally follower of the Path of Self-Focus- their mind adjusted to the kind of cognitive dissonance required to process everything they see- and in that reality he'd probably describe himself as "cute :3 don't worry abt it." In another, as a scholar on the Path of Caine, they'd call themself "a wolf in sheep's clothing," and in the world where they fell in with the Albigensians he'd say, cliche as it is, that he's a "nightmare dressed like a daydream."
24. do they have any creative hobbies? (art, writing, music, etc)
Hmmm. I think not really, no. I could see them idly doodling from time to time but It's not really a hobby or even much of a skill. It's like stickfigures and cartoon cats and shit.
7. favorite animal? why?
Kellen would insist that they love all beetles equally, but they did name their blog after dermestid beetles for a reason. Fundamentally, Kellen loves all beetles bc that's what the 'Tism latched on to. But, dermestids specifically weren't always their favourite- as a kid they actually had a big snake phase, and they still love snakes and reptiles in general a lot- but since dying they've felt a much closer connection with the decomposers of the world. It also helps that their job at the museum gave them the opportunity to actually care for a living colony, and they feel a sort of duty to the little guys to give back to them since they aren't able to fill the typical role that a corpse would in relation to them. Somewhere down the line, if they can dip their toes into Obfuscate, I think Kellen would get the Unliving Hive power so they could be a more direct host :)
21. their favorite place to be?
Anywhere in the presence of either their Collection, or their Regnant. The part they keep in their haven, or just about anywhere in the museum- but especially their own workshop, or Bernadette's office- are all places that are fundamentally Good to them.
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theambitiouswoman · 3 months
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Green Flags in Communication 💚💬
"I want to know when I hurt your feelings."
This shows they are willing to understand and acknowledge the impact of their actions.
"I don't want you to feel alone in this."
This shows empathy and indicates that the person is supportive and does not want the person to deal with issues alone.
"I've been struggling with ___”
This demonstrates vulnerability and trust, as the person is open about their struggles.
"How have you been feeling about ___? I know it's been on your mind a lot."
This shows concern for the other person's issues or worries, showing that they are listening and care about what's important to the other person.
"I feel __ when you __; are you open to trying __ next time?"
This is an example of constructive communication.
"What do you need from me when this happens with your family?"
This shows awareness and sensitivity to the persons family dynamics and a willingness to provide support.
"I appreciate when you ___.”
Expressing appreciation is vital for positive reinforcement and acknowledging the efforts and qualities of the other person.
"I didn't handle that well."
This is a sign of self-awareness and accountability, recognizing one's own mistakes and being open to learning and growth.
"I'm sorry, I was wrong to say that. I'll try to be more mindful in the future."
Shows you are able to apologize genuinely and a commitment to improving behavior.
"Tell me more about that; I'm really interested in hearing your perspective."
Indicates a genuine interest in the other person's thoughts and feelings.
"I noticed you seemed a bit off today. Is everything okay?"
It shows you are attentive to the other person's emotional state and a readiness to provide support.
"I'm here for you, no matter what you need."
Offers unconditional support, creating a sense of security in the relationship.
"I love how passionate you are about your hobbies. It's inspiring to see."
Expresses admiration for the other person's interests.
"Let's work on a solution together. What do you think would be fair?"
Focusing on collaboration rather than conflict.
"I trust your judgment on this."
Trust and respect for the other person's decision-making abilities.
"Your happiness is important to me. Let's make sure you're taking time for yourself."
Prioritizes the other person's happiness and emphasizes the importance of self care.
"It's okay to feel that way. Do you want to talk about it more?"
Validates the other person's feelings.
"I appreciate how you handled that situation. You're really good at ___."
Praises specific strengths or skills, boosting the other person's self-esteem.
"I know we disagree, but I respect your point of view."
Acknowledges differences in opinion while still maintaining respect and understanding.
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quillyfied · 1 year
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There being two movies now in the Benoit Blanc world, and both movies sharing some recognizable tropes and archetypes to build its flavor, there’s a specific type of character that I’m struck by, particularly as a white woman, in both Knives Out and Glass Onion:
The Sympathetic White Woman.
In KO it’s Meg. In GO it’s Whiskey. They both bond with the (WOC, very important to emphasize) protagonist by being less crappy to her than the rest of the cast, and both signal to the audience that they’re trustworthy as far as the protagonist goes. They tell the protagonist that they’re on her side. They try to be supportive. They’re sympathetic to the audience.
Then comes the moment when the Sympathetic White Woman’s security is threatened.
(Brief added interruption to just say: please dig through the notes and replies on this baby for some additional excellent thoughts from other people, including the very important distinction that Marta is a white Latina and not a woman of color (my mistake thank you for the corrections), and more thoughts on Whiskey’s actual/additional betrayal moments!)
For Meg, it’s her mom telling her she has to drop out of school if they don’t get the inheritance money. For Whiskey, it’s Duke dying. In both cases, the protagonist reaches out—Marta tells Meg she won’t let that happen, she’ll support Meg with whatever money she needs; Helen tries to soothe a hysteric Whiskey by telling her she doesn’t need Duke and he deserved what he got (not realizing Duke is dead, of course). It’s a slightly different moment in each movie, but the basic framework is the same: the woman of color protagonist reaches back to the Sympathetic White Woman, and notably, reaches DOWN, offering the support the Sympathetic White Woman offered earlier.
Only…the Sympathetic White Woman was never intending to be the one the protagonist had to reach down to. So she snaps. Meg tells her family about Marta’s mother and they use it to threaten her. Whiskey latches onto the belief that Helen killed Duke and tries to kill her with a spear gun in what she thinks is self-defense. The Sympathetic White Woman Heel-Turn.
Meg and Whiskey both also sort of try to make amends after their Heel-Turn moments, but…the trust is already broken. The protagonist knows better now. The Sympathetic White Woman is not to be trusted.
Why this sticks out to me personally is the very obvious callout that feminists of color have been making about white feminists for literal decades: that white feminism lacks any true support or compassion for non-white people, that it’s empty promises of support and when the chips are down, white feminism upholds whiteness over feminism in an act to protect itself. And whiteness…is a damn difficult thing to even see when you’re white and raised in an overwhelmingly white community, let alone begin to pick apart and unlearn. It’s reactionary, how Meg and Whiskey turn on Marta and Helen to protect themselves.
It would make Meg incredibly vulnerable to support Marta fully, the way she promised to back when she thought she had the resources for it, but Marta is that vulnerable every day just existing as a Latina woman in America. Whiskey’s Heel-Turn moment is a little more immediate trauma based, but when looking for someone to blame, she doesn’t hesitate to blame Andi (Helen), scrapping together the few pieces of information she has—Andi hates all of the Disruptors, Andi got screwed over by them, Andi fought with Duke just minutes before he died, Andi was in their shared room tearing it apart when Whiskey came in distraught. She’s looking for an outlet. There’s Helen red-handed and in view. Boom. Whiskey grabs the spear gun instead of talking it out with the person she admitted just hours ago to feeling sympathy for.
Growing up white and steeped in whiteness causes defensive reactions when that whiteness is brought up, or, god forbid, challenged. It’s a knee-jerk thing for people who haven’t begun to deconstruct it for themselves; even for people who have, to see just how far and deep in American society that reaches is troubling. Humbling. Enraging. The Sympathetic White Woman archetype is, to me, a warning to not let whiteness overrule sense and morals. To be smart about it. And, crucially, to check myself for condescension, especially when interacting with non-white folks in any capacity.
(Also why the presence of Benoit Blanc is so important. He is also sympathetic, he also offers his own support, but crucially, he just uses his whiteness to clear a path for the WOC protagonist to take her place and do what she needs to do. He doesn’t speak over her, he doesn’t turn on her, he just listens, and presents the truth for her to do with it what she will. Or, in one case, hands her highly volatile crystal hydrogen for when she’s really ready to tear the Murderer’s crap down.)
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mrrharper · 1 month
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More Loyal, More American, More The Same
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Coach had been annoyed a bit lately. It wasn't because of any singular thing - a lost game or some encounter. It was more of a... vibe, as his players would say. It's something that's been nagging him for a long time.
The whole atmosphere around college football has changed. Players can now earn money, meaning they now care only about getting rich instead of sacrificing everything they've got for the team. The craze abound 'toxic masculinity' has taken hold, and as a result many guys on the team have taken up interests and activities unworthy of real men - and they are extremely public about this!
Something has been lost - some immeasurable yet vital part of college football's spirit. And unfortunately Coach's team wasn't immune to this. He has seen his younger recruits display a variety of behaviors that differed from his view of how a college football rookie should function in a locker room filled with other football players.
And Coach's opinion becomes the law of the locker room. So after he saw a few of his defensive linemen participate in a film theory seminar, and his starting wide receiver posted a picture showing him attending some anti-government protest, he knew he had to act.
He decided to tackle these issues in a few ways. He began with working on his players' patriotism. Coach knew that he needed his guys to have this base layer - respect for the great nation that they were a part of - that he could build upon. He turned to one of his most trusted tools, subconscious messaging hidden in his videos and presentations.
you are an American
you are a Real Patriot
you play AMERICAN football
you fight for America
America is the greatest country on Earth
you preserve American traditions and values
During teem meetings, the players' minds began internalizing the importance of unquestionable loyalty to the US of A, the greatest place in the world. Coach spent a few weeks working on this, and when Military Appreciation Day came, for the first time in a long time, the whole team took active part in it. He even heard a few of them talk abut enlisting after college.
Motivated by such positive results, Coach moved to his next objective. After a bit of tampering, the speakers the players used to play music in the gym during workouts began incorporating conditioning that would align their behavior with Coach's expectations.
i am a man
i am proud to be a man
i am a strong man
i do what is masculine
my manhood needs upkeep
masculinity defines me
Alongside this, it didn't take a lot of work for coach to make sure that none of his players could sign up for any extracurricular activity through the school's registration system. Not only that, they were now barred form attending anything other than the most basic of classes.
Fortunately, the results were visible here as well. The players stopped attending seminars and lectures created by a bunch of nerds and no longer showed interest in investing much time into any sort of academic work.
The last step Coach decided to undertake was meant to address the issue of money. Players, having the ability to make deals and get income from their appearance in games, seemed to have lost the true reason for playing college football. But there was a way of dealing with that too.
The new helmets that the athletics department bought recently all include a pair of speakers for the purpose of communication between the coaches and the player. In theory this is reserved only for the QB, but there's nothing Coach can't work around.
i play AMERICAN football
i am grateful Coach allows me to play
i play football for glory and to preserve tradition
the thrill of the game is enough
i am Coach's loyal football jock
During every practice, during every workout, during every game, the player's minds were being bombarded with Coach's hypnotic message. And it was working. The guys were displaying their patriotism more often - flags hanging in their rooms, tons of pro-american posts on Instagram, they stopped attending non-mandatory classes and instead added another team session in the gym to their schedules, and Coach noted a visible drop in the number of sponsorship deals the players were making.
There might have been one side effect. As time went on the players began looking more and more similar. The same hobbies, mostly working out or shooting, the same clothes, the same views, the same drive to protect tradition. And Coach had absolutely nothing against that. Who cares if they all act the same, as long as they act exactly as he wants them to.
As Coach's loyal football jocks.
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milquetoast27 · 6 months
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The Secret of Sherlock Holmes
GRANADA FANS. If you have not heard of this play, NOW IS THE TIME TO HEAR ABOUT IT. I'd been saving it for a rainy night and it was SOO good 😭😭Please allow me to elaborate.
[heads-up, there are no video recordings of it. I listened to the audio and followed along with the script. Not ideal, but still gave me a vivid image of what was happening on-stage.]
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The nuance between screen and stage allows the actors to achieve different effects that are not possible with an on-screen adaptation. Characters do not turn to the camera and just tell you their innermost thoughts, but they can in a stageplay- and it's here that we really get to hear Brett and Hardwicke's ideas about Holmes and Watson- not much of it was unfamiliar as I'd read most of Brett's views in interviews, but it was really cool to get that confirmed in an official production that he worked on. Honestly, Brett had that feeling of "I can fix him" that I think exists in all of us Holmes fans, and totally went for it. The canon (and the Granada series) is rife with subtleties and 'show, don't tell', but it is honestly refreshing for once, to have such powerful emotion depicted dramatically and audaciously on a stage. It is all too often throughout the stories that Holmes and Watson are awfully reticent about their feelings. This play is an explosion of their private thoughts that leads to finally, thankfully, a wonderful reconciliation. I love it so much as it clearly advocates for open communication being a vital factor for a good friendship. There's a good reason for why that never happened in the canon; I think it has a lot to do with the shyness and reticence of the English, and I would not be surprised most particularly with Victorian men. But Holmes and Watson do still have their moments in the canon (e.g. 3GAR & FINA), and it's what makes them stand out so shockingly much in their time.
I appreciate that this play gives us viginettes of Holmes and Watson's life together all the way up to The Final Problem. It not only sets us up for the climax later, but also shows us specifically Brett's Holmes and Hardwicke's Watson. There were changes made from the original stories, and yet felt so wonderfully in-character and flowed really well through the actors. The play exclusively stars Brett and Hardwicke, and the purpose of redoing scenes from the canon, such as STUD, NAVA, or CHAS was to highlight the status in their relationship, for example Holmes's displeasure at Watson's marriage and subsequent loneliness- important scenes that communicate Holmes's dependence on Watson. These small glimpses also give us the much-needed humour for any balanced Holmes production! It not only communicates the warm and light moments that they shared, but also helps us get more invested in this particular pair on the stage, which is still vital, even if we're already attached to the characters.
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The implications that arise from Brett's portrayal of Holmes is fascinating. He admits that he'd have been dead within two years without Watson, without the indispensible role he played in controlling his addiction and mental state. He admits of the lonely and awful childhood he shared with his brother. The fact that Holmes comes forward and tells us this himself suggests he is very psychologically aware of himself and how his mind works. He understands why he has addictions, the reasons for his barriers and difficulty with emotional vulnerability. Assuming Holmes is very interested in the criminal psyche, but also his own due to his eccentricities, it makes so much sense that he would psychoanalyse himself to this degree, but also be frustrated with how little he is able to move from his rigid mindset. This interpretation works so wonderfully for Brett's Holmes, and I am so glad for this portrayal he has given us. When it comes to canon Holmes, however, I feel that this is more likely to be unconscious. I can never shake how much of Brett is actually within his Holmes. While his comes close to the original, I still see them as separate people. Granada's adaptation tends to play up Holmes's melancholy/depression a little too far for me, like a far-away, mythical creature that can never be understood, because we never get much of an opportunity to see what he really feels (perhaps Eligible Bachelor or Master Blackmailer might come close). But I feel that almost defeats the character. To me, Holmes is flawed and troubled, but he is simply human. The Secret of Sherlock Holmes portrays this fact wonderfully, because all of those feelings are rising to the surface.
We move further into speculation, but I think Brett's Holmes has also a fairly healthy understanding of the difference between social constructs and necessities, which take more importance in a queer/neurodivergent reading of him. He understands that his upbringing was due to an "accepted convention", and we see time and again how Holmes disregards social conventions or constructs and does his own thing. It's why he gets frustrated at others for not understanding him, but also accepts that it will never come easily to people. That's why he's very lucky for Watson (and Mrs. Hudson and Lestrade!) :)
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Holmes's darker emotions, and Watson's fierce devotion are displayed most prominently throughout. When Watson comments on Holmes's childhood, Holmes lies about it, woeing internally over how much he conceals, to even someone as close to him as Watson. He privately shares his desire to be "found out", because sharing his feelings to Watson is too difficult. His friend takes his word for it, appreciative of the times Holmes is able to speak frankly about himself. Holmes wants to be open, and Watson wants to listen, but it's Holmes's barriers preventing it. This feeling and experience is so raw and human, and something I would imagine would resonate with many people.
The latter half of the play focuses primarily on Holmes's cocaine addiction. Pastiche writers really like that sore spot, huh. Watson's perceptiveness and powers of observation are on full force in this play. Watson can tell when Holmes is high (as a medical man, most likely), and even deduced that Holmes may still be living by Mycroft's body language. But when it came to Holmes's return from the Great Hiatus...
Something that canon Watson seems to completely forget is his anger towards Holmes. In the story, he is so star-struck and relieved that he barely considers any other feeling. Hardwicke does briefly touch on this in the Granada episode with "I thought I would be as trustworthy as your brother," but it really doesn't go further than that. In The Secret of Sherlock Holmes, Hardwicke goes FULL FORCE. This is what we needed!!! It was a powerful, hair-raising performance. When Holmes has clearly not understood the harm he has done, Watson leaves. Actually slams the door. And when he returns, he makes it very clear to Holmes why he is hurt. And yet, his devotion remains, for when Holmes starts explaining his creation of Moriarty, it takes a while before Watson is fully convinced. Watson is extremely compassionate and empathetic, yes, but he's also very grounded and level-headed, and he must draw the line somewhere. It doesn't take him long to forgive Holmes, but he knows his anger has a place in that room, and allows it to be. I appreciate that it's taken just as seriously as Holmes's troubles.
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The only reason either Holmes or Watson are able to communicate so finely with each other- even through shouting and crying- is because of their emotional awareness. It's what makes their relationship work, because they are both aware of how much they mean to each other. When they move past the difficulty of sharing such feelings, their bond grows stronger.
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veone · 1 year
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GSHADE 3.5.0 Cracked Tutorial Feb.2023
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‼️Update:3/2023‼️ Due to gshade somehow being online again! You can still install the program with this tutorial but to avoid the update to version 4.2 notification keeping you from proceeding-Download the program from mediafire and then turn your pc to airplane mode and continue the process below! Note that when you turn your internet back on that your going to get the notification still ignore it. That what I’m doing.
Alright with the recent events regarding the development team of GShade figuratively going under and the current version of this program available being far from perfect. It would be lovely to back to a version of GShade that doesn't have malware, the changes that disabled the depth of field effects, and the removal of some older shaders. So here's a tutorial on how to install 3.5.0 of GShade. It's the version that we as a collective switched to all those months back, when GShade popped off in the community. Also the version I used to take this picture and got from @toskasimz who sent me the files. She's the reason why I have my pretty pictures back. It took a long time to get my preset to look like this and the modern versions of Gshade and Reshade don't have the shaders for this anymore. The suggested skill level for this is basic knowledge of how to install Reshade/Gshade and knowledge of where to find the game Bin file and Program Files on your pc.
Note: This version is before the code that shut down your PC, if you manipulated the code of the program, was introduced. Use at your own risk. I personally have no issue with using it. I'm using my laptop I do school work on and I have no money to buy a new one so that's my assessment on how safe it is.
To start download this media fire file. It's a Rar file. Unzip it.
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In the unzipped version of this file, you should have a folder that's highlighted below called GShade.
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Inside that file are two folders. Program Files-G-Shade and TS4 Bin Folder. These folder names correspond with where the contents of these will go on your pc.
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Alright inside the folders you should have the following content in the Program Files-G-Shade
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Inside the TS4 Bin Folder, you should have the following contents inside it.
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Place the GShade folder from the Program Files-G-Shade into your computer's Program(x86) file. This may have a different name based on your computer.
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Next Place the contents of the TS4 Bin Folder which should be the G-Shade configuration file and the folder of GShade-Shaders into your Bin folder. (note I have gshade installed already so you won't have the extra files before installation.)
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Now go back to the Program(x86) file on your PC and go into the G-shade folder.
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Double Click to run the program.
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This is where you gonna need to pull your Reshade/Gshade knowledge. You just install the program as normal to the game. I will say I don't know if this will work with other games.
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Alright, this is what you should be left with after installing G-Shade. Everything transferred to the Program Files with the exception of this folder. Leave it be and go to the Program Files file on your pc.
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Once in the Program Files folder double click the GShade Control Panel.
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You should get the following screen Go to the Installations tab. Delete this file path. This is a very important step. It's not gonna work if you don't reinstall the program. Delete it and click Add New.
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Install the program as viewed above. Click Next and set up your screenshot folder.
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Click No on viewing the guild. You should have a control panel on your desktop. You can go in a convert you reshade presets if needed.
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Alright if everything was done correctly open your game. It'll take a moment to load and when it does you greeted with the following screen on start-up.
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Ignore the yellow text on the top. It says that your effects are disabled because it's not online. It works I could be misinterpreting what "effect" means but my shader work so I'm not complaining.
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And there you go. Installed, and works perfectly. Don't update it. I don't know what it'll do. I have not tried. I will upload an edited version of my preset later this week or tonight. I have to tweak the color of the fog and make a decent post. Enjoy! I am open to helping under this post and in dms!
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ftmtftm · 3 months
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I've been scrolling through your blog, and I saw your post about discussing the racialized nature of gender. As someone who has several transmasc POC friends, and someone who's a nonbinary POC themself, I wanted to give my 2 cents.
It's important to understand that "woman" in the "man vs woman" gender binary is a colonialist, white supremacist construct, especially in Western countries where you are the numerical minority. My trans friends aren't on T, they haven't gotten top surgery, we are all quite young. But they all have numerous stories about being addressed as "sir" which brings them euphoria but as one person said, while we were making fun of the amount of white people in our club, "Due to my race and skin color, I get masculinized."
And again I'd like to emphasize, that since we're young, none of us really have medically transitioned due to financial and familial barriers. Their hair is long, our binders we definitely have notable chests, and even if they dress masculine, it's notable that no one in our communities would ever gender us properly. It's often white people calling them "sir." Again, I think this reflects how gender performances in mainstream queer communities are deeply White. Like, trans boys talk about having haircuts, but only one of my friends has that wavier, more manageable hair that will help them pass. When you've got curly/kinky hair, the standards are different. For a white person, what's the difference between a "girl" Afro and a boy "Afro"? White cis people have a harder time identifying us, and literally talk to any black girl, and they'll tell you about being mocked, dehumanized, and called "manly".
I don't have much else to say. These are just my personal experiences. But if you want to be an ally to POC in the queer community, this is why it's so fucking important to bring in colonialism/imperialism/white supremacy into discussions of queer liberation. My biggest gripe with ignorant white queers is when they ignore their white privilege, and act like "cishets" (AKA the patriarchal system regulating sexuality and gender) is the only enemy. Because cishet POC deal with plenty of shit with being infantilized, masculinized, feminized, seen as brutish & dangerous, the list goes on. Doberbutts had a post saying, "Believe me, your family's going to care more about me being black than my queerness." towards his white partners. Acknowledging and creating a framework that centers these intersections of queerness and race into your beliefs is true allyship. This is why if you're not anti-imperialist, anti-capitalist, ACAB...I do not think you care for queer liberation. None of us are free until all of us are free.
Please don't view this post as an attack. But this is my perspective, and I thought you'd be receptive to me sharing my lived experiences.
Oh I absolutely don't view this ask as an attack, and I really appreciate you bringing these things up because you're right! Like, just very plainly: You are right and your and your friends lived experiences are extremely important to the conversation on the racialized aspects of gender.
It gets me thinking about where Misogynoir and the social White Fear of Black manhood intersect for Black trans men in particular. Because Black women and Women of Color in general are masculinized by White gender standards and the ways in which Black trans masculine people are gendered in alignment with their identity is absolutely not always done with gender affirming intent. In fact, it's often actually done with racist intent or is fueled by racist bias when it's coming from White people or even from non-Black POC.
That's kind of restating things you've said but differently, it's just such a topic worth highlighting explicitly since it's extremely relevant to the conversation that's been happening about Male Privilege here the last few days.
I do think I know exactly what @doberbutts post you're talking about and yeah. It's just truth. It's something Black queer people have been talking about for ages in both theory and in pop culture (my mind immediately goes to Kevin Abstract and "American Boyfriend") where Black queer/trans identity is both materially different from (neutral) and is treated differently from (negative) White queer/trans identity in multitudes of ways and those differences are worth sharing and exploring and talking about.
Genuinely, thank you for sharing! I try really hard not to lead these kinds of conversations outside of explicitly referencing back to non-White theorists because I don't particularly feel like it's my place to do so, but I will always provide a platform for them because they're extremely important conversations to be had.
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gffa · 5 days
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Here's why I enjoyed this scene so much: there is so much mutual respect going on here. There's teasing that is good-natured and makes people laugh, there's consideration and compliments being made, but most of all, everyone is listening to each other. They might rebut a point here or there, they discuss it a bit, but they're honestly and genuinely listening. This scene also comes with the context that, even though it's Qui-Gon who issues a "challenge" (and ultimately the scene where Qui-Gon explicitly admits that he did it to prod the Jedi Council members into taking a vacation), it's the Council themselves who come up with the idea to go to Kwen and have an outreach celebration on a personal level. This scene comes with the context of how an earlier scene had a callback to mentioning that Qui-Gon was asked to join the Council, a plot point from Master and Apprentice where they directly said they wanted him for his different point of view on things. But mostly it's a scene where both the members of the Council and Qui-Gon very clearly respect and like each other. The Qui-Gon of this book, the Council of this book, point out that they are thinking about others, just on a bigger scale, and that that's important. That that is helping the galaxy be better, lighter, more balanced. That this isn't about the Council not caring, it's about the Council being so busy saving entire planets that they don't have time to do something smaller scale for themselves. And that it's not about a lack of care or that Qui-Gon cares more, just the direction of that care. I can vibe with a Jedi who had gotten caught up in helping people on a galactic scale (that it's better to help a thousand people than just one person, if you can) because that's what this is. Not a lack of care, just a gentle reminder to get back to one-on-one helping, not because it's somehow "better" for the galaxy, but because both are good. Honestly, I've always been on the hill of, "one of the Jedi's biggest problems is that they believed their actions would speak for themselves and thus had absolutely terrible PR because they thought people would look into the truth of the situation" and I think that's one facet of what's going on here, it's about PR and getting the stories of their good work out, more than it is saying that the Jedi weren't doing good work. Of course they were, but this was a nudge towards spreading the word of that. This scene felt honestly good faith addressing that to me. It took care with understanding why each side's motivations were valid and important, along with making it clear that this was coming from a place of community and love, that Qui-Gon respects his Jedi family and they respect him. So I was totally down with this. (Star Wars: The Living Force | John Jackson Miller)
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number1villainstan · 2 months
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I just saw Dune Part 2 (2024) with some friends so here are some Thoughts i guess
I feel like on the whole these movies are trying to either downplay or cut out a lot of the misogyny/sexism in the book, although Herbert's view of gender roles is so pervasive in the book that it's hard to change without completely changing the worldbuilding (the Bene Gesserit especially) and/or certain characters and getting second-order effects that weaken or change the main plot. But they did a good job at least making it much less in-your-face and offensive than in the book. One of Chani's lines is about how "men and women are equal" in the Fremen, and while I don't really think that's supported by how the movie depicts Fremen I can see and respect where they're coming from
It's still a very male-dominated movie, but it's honestly pretty faithful to the book, and like--what are you gonna do? It's Dune. You can't exactly just genderbend Paul and get the same story, at least not when the Bene Gesserit are still what they are
wait now i'm thinking about an AU where the Kwisatz Haderach turns out to be a trans man. ideally you'd get both the canon critiques of white savior mythos/the Messiah trope and a deconstruction of the sexism and strict gender roles of the society of the Dune universe. also ideally you'd get a whole bunch of other queer characters in the same AU. you could also do an AU where the Kwisatz Haderach/a potential Kwisatz Haderach turns out to be a trans woman, or even nonbinary, but i feel like those would make for very different stories cuz AGAB/ASAB seems to matter like A Lot in the Dune universe
the movies did manage to completely get rid of the homophobic parts of the Harkonnens' characterization though. i did like that
although it was still using disability/deformity as shorthand for Ugly Evil Guy which :/
but enough about the Problematic Elements(TM) let's talk about the actual story
Chani was a lot more politically and generally assertive in the movie than I remember her being in the book, although it's been A While and she was also very much a Main Character who had thoughts and opinions and importance outside of the male characters she was affiliated with (as much as anyone can escape the political black hole that is Muad'dib but) AND! she actively advocated for Fremen self-governance in the beginning! although she didn't keep it up cuz she got sucked into the Paul black hole. this may have happened in the book it has been like two years since i read the first book and it was very disjointed reading cuz College(TM). I also liked the ending part, where it was implied that Chani was leaving, on her own, because she was angry with Paul, which implies More Character Development. (Also they didn't seem to do the Fremen polygamy/concubines thing in the movie, which was a good call, i feel like that part of the book was maybe informed by anti-Arab racism)
Jessica was incredible, of course. Love me a good ruthless woman. Her main character trait/motivation was definitely Paul's Mother but her main personality trait seems to be incredible ruthlessness. there is no madonna/whore complex to be found here no sir
(i may be wrong about that part but eh)
And of course the Harkonnen Blood reveal. the story definitely sets up Atreides as The Good Guys (fair, just, merciful, looking out for and caring about the people under their rule) and the Harkonnens as The Bad Guys (cruel, unjust, power-hungry and traitorous), which makes the reveal that Jessica and Paul have Harkonnen blood an incredible symbol of Paul's corruption arc. He goes from "I must do anything possible to avoid the holy war" (the Atreides way) to "CONQUER ARRAKIS AND ELIMINATE ANYONE WHO STANDS IN MY WAY" (the Harkonnen way) over the course of...technically years, in the book, although that wasn't super well communicated in the movie I feel--in the movie it was only months, cuz Alia hadn't been born yet by the end. And right before we see the worst of it we end up learning that Jessica, his mother, was a daughter of Baron Harkonnen. Jesus fuck.
there's definitely some Not Great elements about using ancestors/blood to determine morality but still
princess irulan was introduced! as an independent character and actor in her own right oh my god! although she still falls prey to the sexism infusing the original material
the dune books (at least the first two) are in this weird state where there are very strict and specific roles/walks of life that female characters are allowed in (domestic/family life and religion) and men dominate Everything Else and nobody every questions that, not to mention the whole thing about how apparently even the very female religion/psychic field is supposed to be dominated eventually by This One Man who can do it better than all the women, and yet all of the female characters are well-developed and feel like people. ykno aside from the complete lack of protest in being shoved into a sexist role
anyways irulan got more development than i remember from the books, i loved that, and that we got her POV too. these movies are really working to uplift and spotlight the female perspectives that were often somewhat sidelined in the books and i love that
also stilgar's (blind?) faith REALLY came through which i liked
overall, yeah, the movie was great. it's very faithful to the spirit of Dune while addressing some of its flaws/datedness--it understands what its message is and what it's saying, and the way it's constructed really hammers home the critiques of imperialism and racism the original was built on
I think this is gonna end up a trilogy, based on only the first book, and it very much seems like the third (and final?) movie is going to specifically focus on the war against the Great Houses after the Emperor falls, which iirc was kinda glossed over in the book/between Dune and Dune: Messiah. I can't wait to see what they do with it
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theambitiouswoman · 8 months
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deep conversation questions for relationships?
What does being close mean to you, and how do you show it in our relationship?
What big dreams do you have, and how do you see us fitting into each other's futures?
What does trust mean to you, and what things help us trust each other?
Tell me about a time in your past that really shaped who you are now.
How do we deal with arguments or fights, and how can we talk better when things are hard?
What ways do you like to feel loved, and how can we make sure we show love in the ways we each like?
How do we respect each other's personal space and rules in our relationship?
Do you think we can grow and change while we're together, and how can we help each other get better?
How can we make both of our needs important in our relationship, even if they're different?
How can we be a couple but still keep our own selves and interests?
What things worry you about us, and how can we make those worries better together?
Tell me about a time when you felt really understood and supported by me. What made it nice?
What's your thinking about forgiving each other, and how do we get through tough times?
Why is talking openly and truthfully important to us, and how can we make a space where both of us feel okay to share?
How do we figure out what's important for us together and make choices we both like?
What things do you think make a good relationship last?
Can you tell me about a time when you felt proud of us? What made it special?
How can you keep friends and connections while being in a relationship with me?
What do you think about making memories and experiences as a couple?
If you could change something about how we talk or act together, what would it be, and how can we do better?
It's really important to be sure that the person you're in a relationship with thinks about things the same way you do. When your thoughts and beliefs match, it helps you understand each other better and get along well. This makes it easier to handle problems and make choices together because you're on the same page. Your goals, your work ethic, your problem solving skills.
Growth mindset, resilience, emotional intelligence, self awareness, how they forgive, the outlook they have on life, their level of responsibility, how they handle tough times, how they communicate, take care of themselves, their views. How they solve problems, their level of independence, how they communicate, how they support you. All of these things are important because relationships are about the potential of building a life together and independently. You can not overlook these things just because you love someone because you can not force a relationship to work.
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super-ace · 1 year
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Ace book recommendation alert!
I’ve just finished both of these wonderful ace books and I wanted to share my thoughts! I’m not going to do a comparison because they’re both very different. I’m gonna start with Sounds Fake But Okay because I binged all their podcast episodes when I first knew I was ace and I’ve been looking forward to this book for a long time.
Sounds Fake But Okay
I enjoyed this book a lot. It’s basically the aspec point of view on a lot of important topics in life, using anecdotes and surveys to bring together a varied perspective on what it’s like to be aspec. I personally love getting other ace’s views on things because our community is so broad and covers so many differences and it’s great. It was really cool to get the aromantic perspective too. This was a really easy read and I would recommend for anyone who already knows they’re ace. They make it clear that it’s not an Ace 101 books but you can still definitely read it if you’re unsure where you fit in the community.
I Am Ace
This is the ‘asexuality for beginners’ book I wish I had when I was questioning. It’s written in such an organised and logical way that it would have definitely helped to untangle the mess that was my brain when I was trying to figure out if I was asexual. It’s the FAQs of the ace world whilst also offering advice, positivity and affirmations. If you are wondering if you are asexual or are new to the community then this book is for you. As someone who already knows they’re ace, I didn’t particularly learn anything new but it just made me so happy that a baby ace could pick this up and have all the information they need in one place. It also has a bit at the back for recommendations of resources such as other books to read, people to follow on social media and websites to check out. I’d say as well this book is brilliant to recommend to your allo friends to save you giving a Ted Talk every time you come out. You can just be like ‘here you go, here is all the information you need and then come back to me after and we’ll talk about how I fit into all this’
Have you read either of these books yet? What did you think?
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nothorses · 1 year
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I noticed that you reposted something that is along the lines of proship
I agree with leaving media alone but I think its incredibly disgusting when people ship, for example siblings, because what it feels to me is that they have an incest fetish or something
I know just because someone writes about murder doesnt mean they support it, and I believe that. but usually when people write about murder it's in a negative context, obviously showing how it is so incomprehensible to outsiders about how someone could do that, or showing how we need to get these people help.
trying to apply this to, for example, incest, if someone ships an incestuous relationship then it seems like it would be in a good context, and it seems like they support it should it be in real life. that's how I view this all. (itd be different if they shipped siblings as a strange headcanon and talking about how it's bad... this reasoning I can understand the most to the point where I can let myself ignore it)
how am I supposed to learn to not care? especially when they are really outward about it?
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okay.
I do not participate in shipping discourse because I do not participate in shipping. I'm not really In Fandom anymore like, generally. I don't... care.
Because of this I had literally no idea what you were referring to in this ask. I had to scroll. So far back. To get to this post, which also doesn't refer to shipping discourse.
I also have not talked about incest here, and the post in question doesn't talk about incest.
It's about murder. And gore. Which you say here is fine.
Literally why did you send me this ask.
And like... there's a fair chance this is just bait, and there's also enough of a chance that you're genuinely asking that, like, fuck it. I'm gonna get shit no matter what I do, so I may as well try to do a little good.
You use the words "feels" and "seems" a lot in this ask. And I'm really glad you did, actually, because I think it's honest; you're operating on your feelings and assumptions, and that's really important to keep in mind.
And your feelings on this are valid! It's normal to be uncomfortable with certain content, and it's normal to not want to see or engage in it. You don't need to feel any differently about those things. You don't have to consume incestuous content, you don't have to be okay with it, and you don't have to be around it.
But ask yourself: you assume that other people engaging in this content means they support it in real life, but what if they don't? What if you're wrong?
Maybe they're saying it's wrong in a way you're just not picking up on, or that you don't recognize. Maybe they aren't saying it's wrong; maybe it's in the context. Maybe it's in a genre trope in a genre you're not familiar with. Maybe it's irony or satire that you aren't picking up on. Maybe they aren't saying it at all, but that's still what they think, and they just chose not to put it in that content for... who knows what reason. Maybe they're literally just bad at writing.
What then?
Sometimes you're going to feel or assume that something is going on, and you're just gonna be wrong. And you could ask who's fault that is- did you fail to pick up on something you should have been able to, or did they fail to communicate it well enough?- but like, what are you going to do with that information?
Sometimes people are not very good at literary analysis, and sometimes people are not very good at writing, and that's just part of learning. Do we tell everyone not to attempt to talk about certain topics unless they're "good enough" to do it "right"? How do we know when someone's "good enough", and how do they get to that point without practice? Do we just ban those topics altogether? What topics do we ban- where's the line? How do we enforce it? How do we prevent that from being weaponized against marginalized people?
Anon, you asked me how you can "not care" about these things existing. And I think that's a valid question; you feel there is injustice, and you want to stop it. That can be a very noble impulse, and it can be harnessed for a lot of good.
But it can also be really, really toxic- not just to the people you hurt because you act on assumptions and impulses that are incorrect, but to yourself. You can't control everything. You can't control how other people feel, whether or how they engage in certain topics, or what they do or say. You just can't. And trying, or wanting to try, or thinking you should try- it's going to drive you nuts.
So here's how not to care:
Remind yourself that you might be wrong. Take a moment to think about all the things you don't know for certain, and the things you would need to know to be absolutely, 100% sure that you're right.
Consider how important this is to you. How close is this person to you? How important is this issue? What would it feel like to let this go- would it continue to impact you? Do you have other options? (removing yourself from the situation, blocking tags/posts/people, etc.)
Consider what you can do, and what you should do. Think about the tools at your disposal, the power you have in this situation, and how likely this person is to listen to you. Think about whether those tools are ethical. Again, what if you're wrong? Is there any reason you might regret your actions?
If you still feel like it's worth addressing, start by asking questions. Make sure you really know what's going on, and if (and when) the situation changes with new information, walk through this process again. Repeat back what you believe is happening until they confirm that you're right, decide again whether this is worth it, and then proceed.
Sometimes it's more effective to just vent to someone else, or to make a post about the issue generally without confronting that person- especially considering your assumptions might be wrong! Maybe it's worth it to talk about what you thought was happening, but you don't know that what you thought was happening is what was actually happening. You can still talk about it, just, y'know, without making it an attack on someone else.
And again, I don't give a shit about fandom discourse. This is important to me because these are themes that crop up in regular-ass media all the time, and disagreements that crop up in regular-ass relationships with friends and family and loved ones. I think it's important that people have the skills to navigate disagreements, unintentional harm, and perceived slights in healthy, productive ways.
You can't live your whole life demanding that everyone agree with you on everything, or blaming other people for everything you misinterpret or assume incorrectly. You cannot assume that everything that hurts you was designed to hurt you. You can recognize that these are assumptions and feelings, and that's great! And I hope you're being honest when you say that you want to learn to let things go.
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genderkoolaid · 8 months
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Hi!
I (24 nb) am having a serious issue with girls my age being quite misandric and using radfem rhetoric in their speech.
The issue is I understand their fear and mistrust of men in patriarchy and with many of them having horror stories to share about bad heterosexual relationships. But i am deeply uncomfortable with misandry and i don't know how to effectively point out that no it's not good feminism to hate on men.
Do you have any resources you could recommend me to build a good argument? I want to be prepared for this kind of discussion because it keeps happening more and more frequently.
I know it's not the main topic you cover on your blog but as it is closely related to transandrophobia I was hoping you (or your followers) could still give me some advice.
I wish you a wonderful day
My advice would be to start with talking about the negative impact of misandry on women first (although don't use the word misandry, at least at first). Starting off with "it hurts men" in any regard will likely not go over well, but if you first bring up the issue in relation to a group they already really care about, they'll be more likely to listen. Also, I would reaffirm that having trauma or bad associations with men isn't the problem, they aren't obligated to associate with men in ways that make them uncomfortable or exhausted, and that they have a right to feel their emotions, be angry, be annoyed, etc. Affirm that your concern is with how their actions and attitudes could be causing real harm to others, and that anger being valid does not mean you don't need to take responsibility for how you choose to act.
Some potential talking points:
When women are perceived as manly or masculine, they tend to get viewed with the worst traits of masculinity: butches and trans women are seen as aggressive, violent predators who prey on sweet, feminine straight/cis women. The patriarchy doesn't just hurt women through their femininity, but through their (real or perceived masculinity as well.
Even inside queer spaces, butches are expected to fulfill toxic masculinity: they are expected to be sexually dominant tops, not be emotionally or physically "weak," not do feminine things, etc. Butches can get ridiculed by others, even partners, for not fulfilling these things. Things like balding and small penises, that are traditionally seen as failures of masculinity in the patriarchy, are also made fun of in queer spaces; it seems like queer spaces have issues with how they deal with (real or perceived) masculinity.
When spaces make jokes about hating men, put a lot of emphasis on gatekeeping men, etc., it makes it a lot harder for trans women and nonbinary people assigned male feel safe. Some trans women & genderqueers might not realize their gender because they are kept out of spaces that could've helped them realize because of how queer & feminist spaces act regarding men. Butch trans women and genderqueers often face heightened scrutiny because of their masculinity, from both inside and outside their communities. (Also, send them this article.)
^ As a result of all of that, maybe we need to be more careful with how we think and talk about masculinity. It seems like we are reusing a lot of negative patriarchal stereotypes about men & masculinity in ways which hurt marginalized people the most.
From there, you can bring up marginalized men: you can talk about how trans men, multigender/nonbinary men, men of color, Jewish men, fat men, disabled men, etc. are negatively affected by negative patriarchal stereotypes about men & masculinity- I emphasis that because its how I would go about referring to "misandry" or "antimasculism" without actually using a word. Since misandry (and anything that sounds similar) is such a trigger word for many, its important to set the foundation that there is a big difference between the MRA concept of misandry, and the transunitist concept of misandry. Transunitist misandry focuses on how sexism & genderism* is used to target marginalized groups (specifically trans* people). Transunitist misandry does not say that misogyny doesn't exist, or that men are oppressed in the exact same way women are; its saying that the patriarchy (as a part of kyriarchy) uses gender and sex to harm not just marginalized women, but marginalized men too.
My goal with this would be to introduce and try to convince them of the idea that Misandry Is Harmful Maybe, and then once they realize how its harmful, bring up the idea that this kind of stuff needs to be named. Once they generally agree with these ideas, I think it will be much easier to help them understand why misandry is bad even beyond marginalized men: because the patriarchy relies on harmful ideas and expectations for men, even as (dominant/non-marginalized) men have a different place and more rewards; because liberationist feminism must be concerned with universal liberation, and that means it must be concerned with everyone's wellbeing and liberation; because we cannot disnantle the master's house with the master's tools, and letting any patriarchal thinking in poisons the well of your feminist praxis; because it just makes you a meaner and shittier person. In my experience people who think in the ways you described are resistant (not necessarily for bad reasons) to any kind of criticism towards sexism/genderism towards men, so my tactic would be starting with areas (like women) that they are concerned with not hurting and show how misandry hurts that group. Connecting the harm of this way of thinking to something they care about is going to make them more open to seeing it as an issue in general.
*I use "sexism" to describe the system of oppression based on physical sex, and "genderism" to describe the system of oppression based on gender identity/presentation/roles.
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elysiansparadise · 11 months
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Are there any placements you wish you had in your birth chart?
I'm very happy with my chart, but yes, there are placements that I would love to have.
Placements I wish I had
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🤍Virgo Moon. I think this is because of the love I feel towards these people, I genuinely consider them very admirable people and considerate of those around them. Empathetic, rational, highly intelligent and a trustworthy personality, they are often not given credit for that stunning creativity and I don't see them being mentioned for having the most beautiful eyes I've ever seen. Their self-sufficient and independent personality that is very aware of the needs, emotions and essence of others seems incredible to me, they have that remarkable balance. Many are introspective and are not afraid to analyze the depths of their emotions and it is something that not many usually do.
🤍Libra Mercury. Minutes have passed and you won't even know how but you will be there, listening or reading what they communicate, because they have the quality of catching and captivating through communication. Convincing, astute and above all highly intelligent communicators. Since I mentioned their intellect, in addition to seeing a situation from many different perspectives, they understand ideas quite quickly, in addition to this, these people love the idea of ​​continuing to learn about... any subject in general, they have a wide variety of interests.
🤍Uranus in the 5th house. Their personality is enigmatic, sassy, ​​multifaceted and full of charisma. They know how to grab your attention, but more importantly, they know how to keep it. They have an impressive stage presence and everyone I've met has a skill that stands out considerably from the rest. They are highly creative, very witty and socially charming, even if they call themselves introverts, they make memorable first impressions. They are passionate and unique lovers, I would dare to say that they are even difficult to forget.
🤍Venus in the 6th house. Beyond being charming, kind and self-conscious people, I have noticed that they have a unique quality that they don't realize, that of giving beauty touches to anything. Impeccable taste in fashion, aesthetics and an incredible eye for details and any organizational issue. They do things with their heart, they put their soul into projects, hobbies or causes that they consider important. Their souls are gentle and beautiful, knowing them will bring you many surprises, and each one will be better than the last. They are great as a friend and as a couple, they always seek the well-being of those they love and are capable of giving their best in their relationships. As a personal comment, the dates with them are incredible, they seek to do things that both enjoy and find a balance in their relationships.
🤍Mercury in the 9th house. Smart, funny, eloquent and people with extensive knowledge in their areas of interest. I love it. They are curious people by nature and once something catches their attention they dig deep. A quality to highlight in addition to all the above is their maturity and ability to understand that others think differently and instead of seeing it as a threat to their beliefs, they find what is fascinating in ideas different from their own. They defend their points of view tenaciously and can be very persuasive and skillful with their speech.
🤍Mars in Earth house. I think that in any of these houses [2nd, 6th or 10th] you have two things that I deeply admire, productivity and ambition. I really admire their ethics and the way they work, tenacious, strategic and excellent at long-term planning. They usually have a back-up plan and don't put expectations on anyone. They are demanding of themselves and are very professional in getting the work done. Qualities that I find very attractive. I add that I would like that in addition to this there was either a sextile with Saturn or an opposition.
🤍Moon-Saturn trine, sextile, quintile or biquintile. The self-control and resilience that these aspects give me fascinates me, it gives birth to a strong individual who is aware of all the difficulties they have gone through and is capable of trying to move on. When the Moon-Saturn aspects are used positively, the natives tenaciously rebuild themselves and although they look back to see those things from their past that afflict them, they know that they deserve better than that, that they are better than that and that their past does not define them. Likewise, they give a lot of peace and tranquility in their relationships, they are a great pillar for a partner, friends and family, and most importantly, they seek to understand and take care of what they most love.
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maychorian · 1 month
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Found Family Anime Recs
I recently reblogged a list of found family anime recs and was a bit surprised by how many reblogs and likes it got. I had really reblogged it just so I can find it later to watch the shows I hadn't already seen on the list, but apparently I have a lot of followers who are interested in this topic! Well, I've watched a lot of anime, so here are ten found family anime shows that I absolutely love. These are in no particular order.
Buddy Daddies
This show is similar enough to Spy X Family that you might be tempted to call it a rip-off. It's really quite different though. There's a lot less comedy (though there's still SOME comedy) and a lot more healing from past trauma. The animation is gorgeous, and the relationships really tug at my heart. It's more realistic than Spy X Family, in some ways, though it's still pretty ridiculous. The melodrama in the last couple of episodes did annoy me a bit, but it's still a very satisfying show. It's like a fanfiction I would write, which is really the highest recommendation I can give, haha, because that means it's exactly the kind of story I would like. 
2. Samurai Champloo
This show was made by much of the same team that created Cowboy Bebop, but for some reason it never got the same cult status, which is really too bad. I love Cowboy Bebop, but I love Samurai Champloo more. It's about two ronin and a teenage girl traveling through Edo-era Japan to find someone the girl is looking for. Throughout the series, the three form a very strong bond, despite all of their communication difficulties and past traumas. I've rewatched this show probably more than any other anime. It's brutal at times, but so very satisfying.
3. Natsume Yuujin-cho
Natsume lost his parents as a young child and was passed around from relative to relative, most of whom couldn't deal with him because his ability to see yokai (Japanese folk spirits) made him a freak in their eyes. As the series starts, he's finally taken in by an older couple in a rural village who actually want him, and he's finally able to start forming connections with other people and find a support system with his new caretakers, his peers, and the yokai he tries to help. It's a very sweet, sad series, much more sentimental than the first two entries on this list, but a very soothing and lovely watch when you are in need of some relaxation. Warning, though, the flashbacks to Natsume's past families can be truly gutwrenching. He was not treated well for a very long time, and it's hard to stomach.
4. Barakamon
Handa is a calligrapher who gets essentially exiled to a remote island after causing problems on purpose. He has a hard time connecting with people and is struggling with his art. Over the course of the story, he forms relationships with his neighbors, especially an adorable child with possibly the best child voice-acting I've ever heard, and slowly rediscovers his joy in creation again. It's cute and funny and beautiful, and it makes me want to live on a remote Japanese island.
5. My Roommate Is a Cat
Subaru is a young novelist who recently lost his parents, who were pretty much his only connection to humanity. While trying to recover from this massive loss, he adopts a stray cat who quickly becomes the most important creature in his life. Through the cat, he begins to form relationships with other people, as well. The show is unique in that the first half of each episode is from the human's POV and the second half is from the cat's POV. It's a very lovely and soothing show. Pets are family, too!
6. Haikyuu
Haikyuu was the show that opened my eyes to the aspect of found family in sports anime. I know a lot of tumblr enjoys Haikyuu for the shipping, but to me it's more satisfying to view it through the lens of found family. Each team is essentially their own found family, in their own unique way, and the relationships are particularly realistic and well-depicted by this mangaka. I love Tanaka being a big brother to the first years, Kuroo and Kenma's mutual protectiveness and support, all of it. 
7. Kuroko no Basuke
This is the silly basketball show, and in my opinion it's not as good as Haikyuu, but I love the relationships here as well. Especially between Kuroko and Kagami, of course. Their mutual protectiveness is just chef's kiss. But the whole Seirin team is really great. I love them so much. The teamy goodness is what makes the silliness watchable for me.
8. One Piece
What is there to say about One Piece? This is, like, the ultimate found family show. All of the pirate crews with any kind of goodness at their core are found families, but especially the Strawhats. Luffy is just going around looking at people and declaring, "Okay, you're in my family (on my crew) now." If you've never watched One Piece before, I'm going to make an unorthodox recommendation and suggest you watch the live action Netflix adaption first. It does a really good job of capturing the feel and aesthetic and just pure loveliness of this story in a much more compact and approachable way than the anime. However, if you like it, I do recommend that you watch the anime from the beginning, because there is a lot of expansion on the themes there, and the characterization is slightly different. Usopp in particular kinda got shorted in the live action, so you'll understand him a lot more if you watch his introduction arc in the anime. But honestly both versions are great. I'm on my third rewatch of the live action version already, and I will watch and rewatch the anime until I die, probably. One of my favorite stories of all time.
9. The Weakest Tamer Began a Journey to Pick Up Trash
I found this one slightly annoying in how it was obviously carefully designed to tug at my heartstrings, but it's working, so I don't have much right to complain. It's about a little kid driven out of her home who gradually gathers a found family of both monsters she tames and adult adventurers and guardsmen who take one look at this lonely child and go, "Well, guess I have a baby now." The isekai element is very lowkey, in that she basically just has a voice in her head giving her advice, and I like that it's about fighting local corruption instead of a demon army or what have you. I want more shows like this and less shows like every other generic isekai, haha.
10. Dungeon Meshi
This show is blowing up tumblr right now, so you've probably already seen it a billion times, but I'm going to make one more appeal for you to watch/read this story. It is so, so so good. And in my opinion, it is much MUCH more about family, both born and found, than it is about shipping. I could write a whole essay about Marcille and Falin's relationship that has nothing to do with romance, as I could for any other two (or three or four) characters in the main party, plus those outside. There is a LOT going on. I've been playing RPGs and LARPs for twenty years, and one reason I love the hobby so much is for the joy of creating found families with my best friends in new and different worlds, over and over again. This is the first piece of fiction I've found that really captures that particular aspect of party-based fantasy stories, the relationships that form and grow, the tight-knit bonds that keep everyone moving forward despite the monsters you must face (and consume). 
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