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#are basing everything off of fanon that they think is canon
umbrellacam · 13 days
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sure would be nice. if people could debunk a dumb exaggerated/incorrect fanon without people immediately turning it 180° and happily hauling ass right into another dumb exaggerated/incorrect fanon. while gleefully crowing about how canon and correct this opposite take is.
sure would be nice 🙃
#tw salt#tw negativity#venting#I'm crying the reactionary takes are just as bad 😭😭😭#to be clear people can do whatever they want in fandom#we are here ultimately to play with Barbie dolls in whatever way makes our brain go brrrrrrrr#and that is not going to look the same for everyone and we just gotta deal with that#what drives me BONKERS is when people confidently assert their sometimes Extremely Fanon takes as Canon#when every word they type is blaring through a megaphone “I don't know what I'm talking about! :D”#“No I haven't read the relevant comics! :D”#“Everything I think I know I learned from sad woobie fanfic and batfam tiktok and out of context panels from different continuities! :D"#“I am 200% confident in this info and will spread it around as a Subject Matter Expert! :D”#I'll happily run across some funny post with more canon-based characterizations and relationships#and browse through the reblogs only to be slugged in the face by “funny! but AK-SHULLY canon would be that [COMPLETELY INCORRECT FANON] 🤓”#let me have PEACE#going back and deleting a bunch of tag snark about specific examples before hitting post#actually I'll leave just one because it's what set me off#“Dick was a hostile resentful asshole to Jason as Robin and they had a terrible relationship before Jason died!”#versus#“Dick and Robin!Jay were sooooo brothers! just the brothers of all time & the model all later batsibling relationships were based on! <333”#*me taking 4d10 psychic damage from both attacks*#Cam posts
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cybernaght · 9 months
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The fandom echo chamber: fanon, microanalysis and conspiracy brain 
As someone who has been in fandom spaces, on and off, for 20 years, I find some fascinating trends popping up in the last decade that I thought to be fandom-specific but clearly aren’t. So, I would like to do a little examination of where those things come from, how they are engaged with, and what it says about the way we consume media. This is a think piece, of sorts, with my brain being the main source. As such, we will spend some time down the memory lane of a fandom-focused millennial.
This is largely brought about by Good Omens. But it’s also not really about Good Omens at all.
Part one. Fanon.
The way we see characters in any story is always skewed by our very selves. This is a neutral statement, and it does not have a value judgement. It’s simply unavoidable. We recognise aspects of them, love aspects of them, and choose aspects of them to highlight based entirely on our own vision of the universe. 
Recognition comes into this. There is a reason so many protagonists of romance novels have a “blank slate” problem. Even when they do not, we love characters who are like us or versions of us that we would like to be. And when we say “we”, I also mean, “me”. 
(I remember very clearly this realisation hit me after a whole season of Doctor Who with writing which I hated utterly when I questioned why I still clung so incredibly hard to Clara Oswald as my favourite companion. Then I looked at myself in the mirror. Oh. Well. That would do it, wouldn’t it?)
Then, there is projection, and, again, this is a neutral statement. Projection exists, and it is completely normal and, dare I say it, valid way of engaging with — well, anything. Is the character queer? Trans? Neurodivergent? Are they in love? Do they like chocolate? Are they a cat person? Well, yes, if this is what the text says, but if the text does not say anything… You tell me. Please, do tell me. Because, in that moment of projection, they are yours. 
And then, there is fandom osmosis, and that is the most fascinating one of them all, the one that is not very easy to note while you are inside the echo chamber. It’s the way we collectively, consciously or not, make decisions on who or what the characters are, what their relationships are, and what happens to them.  
(Back when I was writing egregiously long Guardian recaps on this blog I actually asked if Shen Wei’s power being learning actually was stated anywhere in the canon of the show. Because I had no idea. I have read and reread dozen of fanfics where that is the case, and at some point through enough repetition, it became reality.)
We are all kind of making our own reality here, aren’t we? 
Back when things were happening in a much less centralised manner - in closed livejournal groups, and forums of all shapes and sizes - I don’t remember there being quite as much universally agreed upon fanon. Frankly, I don’t remember much of universally agreed upon anything. But now, everything is in one place: we have this, and we have AO3, and it’s wonderful, it really is so much easier to navigate, but it’s also one gigantic reality-shifting echo chamber, with blogs, reblogs, trends, and rituals. 
Accessibility plays its part, too. If you were, say, in Life on Mars (UK) fandom between seasons, and you wanted to post your speculation fic, you had to have had an account, and then find and gain access to one of the bigger groups (lifein1973 was my poison, but ymmv), and then, if you feel brave you may post it, but also, you may want to do so from your alt account if you wanted to keep yours separate, and then you would have to go through the whole process again. And I’m not saying that fan creations then were somehow inherently better for it than fan creations now (although Life on Mars Hiatus Era is perhaps a bad example - because some of the Speculation Fic there was breathtaking), but there is something to say about the ease of access that made the fandoms go through a big bang of sorts.
(I mean, come on, I can just come here and post this - and I am certain people will read it, and this blog is a pandemic cope baby about Chinese television for goodness sake.)
The canon transformations that happen in the fandom echo chamber truly are fascinating to witness as someone who is more or less a fandom butterfly. I get into something, float around for a bit, then get into something else and move on. I might come back eventually when the need arises, but I don’t sustain a hiatus mind-state. This means that when I float away and return, I find some very intriguing stuff.
Let’s actually look at Good Omens here. Season two aired, and I found it spectacular in its cosy and anguished way; deliberately and intelligently fanfic-y in its plot building; simple but subversive, and so very tender. (I will have to circle back to this eventually, because, truly, I love how deliberately it takes the tropes and shatters them - it’s glorious). And, to me - a person who read the book, watched the first season, hung around AO3 for a few weeks and moved on - absolutely on-point in terms of characterisation. 
So imagine my surprise when the fandom disagreed so vehemently that there are actual multi-tiered theories on how characters were not in possession of their senses. Nothing there, in my mind, ever contradicted any of the stated text, as it stood. This remained a strange little mystery until I did what I always do when I flutter close to an ongoing fandom.
I loaded AO3 and sorted the existing fic by popularity. And there it was, all there: the actual earth-shattering mutual devotion of the angel and the demon; willingness to Fall; openness and long heart-aching confession speeches. There was all of the fanon surrounding Aziraphale and Crowley, which, to me, read as out of character, and to one for whom they became the reality over the last four years, read as truth. 
Again, only neutral statements here. This is not a bad thing, and neither this is a good thing, this is just something that happens, after a while, especially when there are years for the fandom-born ideas to bounce around and stew. I can’t help but think that so much of what we see as real in spaces such as this one is a chimaera of the actual source and all the collective fan additions which had time and space to grow, change, develop, and inspire, reverberating over and over again, until the echoes fill the entirety of the space. 
Eventually, this chimaera becomes a reality. 
Part two. Microanalysis 
Here are my two suppositions on the matter:
1. Some writers really love breadcrumb storytelling. 
Russel T Davies, for instance, on his run of Doctor Who (and, if you are reading it much later - I do mean the original one), loved that technique for his seasonal arcs. What is a Bad Wolf? Who is Harold Saxon? Well, you can watch very very carefully, make a theory, and see it proven right or wrong by the end of the season. 
Naturally, mystery box writers are all about breadcrumb storytelling: your Losts and your Westworlds are all about giving you snippets to get your brain firing, almost challenging you to figure things out just ahead of the reveal. 
2. We, as humans, love breadcrumbs.
And why wouldn’t we? Breadcrumbs are delicious. They are, however, a seasoning, or a coating. They are not the meal. 
Too much metaphor?
Let’s unpack it and start from the beginning.
Pattern recognition colours every aspect of our lives, and it colours the way we view art to a great extent. I think we truly underestimate how much it’s influenced by our lived experiences.
If you are, broadly speaking, living somewhere in Western/North-Western Europe in the 14th century, and you see a painting in which there is a very very large figure surrounded by some smaller figures and holding really tiny figures, you may know absolutely nothing about who those figures are, but you know that the big figure is the Important One, and the small ones are Less Important Ones, and the tiny ones are In Their Care. You know where your reverence would lie, looking at this picture. And, I imagine, as someone living in the 14th century, you may be inspired to a sense of awe looking at this composition, because in the world you live in, this is how art works. 
If you, on the other hand, watch a piece of recorded media and see the eyes of two characters meet as the violins swell, you know what you are being told at that moment. You don’t have to have a film degree to feel a sort of way when you see a green-tinged pallet used, when cross-cuts use juxtaposing images, or notice where your focus is pulled in any given shot. This stuff - this recognition of patterns - has been trained into us by the simple fact that we live in this time, on this planet, and we have been doing so long enough to have engaged recorded media for a period of time. 
As humans, we notice things. Our brains flare up when they see something they recognise, and then we seek to find other similar details and form a bigger picture. This often happens unconsciously, but sometimes it does not. Sometimes we do it on purpose: finding breadcrumbs in stories is a little bit like solving a mystery. It allows us to stretch that brain muscle that puts two and two together. It makes us feel clever. 
So yes, we love breadcrumbs, and, frankly, quite a lot of storytelling takes advantage of this. It’s very useful for foreshadowing, creating thematic coherence, or introducing narrative parallels and complexity. It’s useful for nudging the viewer into one or the other emotional direction, or to cue them into what will happen in the next moment, or what exactly is the one important detail they should pay attention to.
Because this is something media does intentionally, and something we pick up both consciously and not, it is very hard to know when to stop. We don't really ever know when all of the breadcrumbs have been collected. It becomes very easy to get carried away. There is a very specific kind of pleasure in digging into content frame by frame, soundbite by soundbite, chasing that pleasure of finding. 
But it is almost never breadcrumbs all the way down. They are techniques to help us focus on the main event: the story. I truly believe those who make media want it to reach the widest possible audience, and that includes all of us who like to watch every single thing ever created with our Media Analysis Goggles on and those who are just here to enjoy the twists and turns of the story at the pace offered to them. And I think, sometimes in our chase to collect and understand every little clue we forget that media is not made to just cater for us.
One can call it missing a forest for the trees. But I would hate to mix my metaphors, so let’s call it missing a schnitzel for the breadcrumbs. 
Part three. The Conspiracy Brain. 
If you are there with me, in the midst of the excited frenzy, chasing after all those delicious breadcrumbs, then patterns can grow, merge together, and become all-encompassing theories. Let’s call them conspiracy theories, even though this is not what they truly are.
So, why do we believe in conspiracy theories?
One, Because We Have Been Lied To. 
All conspiracies start with distrust.
If you are in fandom spaces - especially if you are in fandom spaces which revolve around a queer fictional couple - especially-especially if you have been in such spaces for a period of time, you have most certainly been lied to at one point or another. 
We don’t even have to talk about Sherlock - and let’s not do that - but do you remember Merlin? Because I remember Merlin. Specifically, I remember the publicity surrounding the first season, with its weaponised usage of “bromance” and assertions that this whole thing is a love story of sorts, and then the daunting realisation that this was all a stunt, deliberately orchestrated to gather viewership. 
And, because we were lied to in such a deliberate manner for such an extensive period of time, I genuinely believe that it forever altered our pattern recognition habits, because what was this if not encouragement to read into things? Now we are trained to read between the lines or see little cries for help where they might not be. Because we were told, over and over again, that we should.
(Yes, I think we are all existing in these spaces coloured by the trauma of queer-bating. I am, however, looking forward to a world where I can unlearn all of that.)
Two, Cognitive Dissonance.
The chain reaction works a bit like this: the world is wrong - it can’t possibly be wrong by coincidence - this must be on purpose - someone is responsible for it.
Being Lied To is a preamble, but cognitive dissonance is where it all originates. In so many cross-fandom theories I have noticed a four-step process:
A) this is not good
B) this author could not have made a mistake 
C) this must be done on purpose
D) here is why 
(Funny thing is, I have been on the receiving end of the small conspiracy spiral, and it is a very interesting experience. Not relevant to this conversation is the fact that a lot of my job revolves around storytelling. What is relevant is that my hobbies also revolve around storytelling. And one of them is DnD. Now, imagine my genuine shock when one of the players I am currently writing a campaign for noticed a small detail that did not make a logical sense within the complexity of the world, and latched on to it as something clearly indicating some kind of a secret subplot. Their thinking process also went a bit like this: this detail is not a good piece of writing — this DM knows how to tell stories well — this is obviously there on purpose. It was not there on purpose. I created a clumsy shorthand. I erred, in that pesky manner humans tend to. And, seeing this entire thought process recited to me directly in the moment, I felt somewhere between flattered and mortified.)
This whole line of thinking, I think, exists on a knife’s edge between veneration and brutal criticism, relentlessly dissecting everything “wrong”, with a reverent “but this is deliberate” attached to it like a vice, because it is preferable to a simple conclusion that the author let you down, in one way or another. 
Three, Intentionality 
I believe that there is no right or wrong way of engaging with stories, regardless of their medium, and assuming no one gets hurt in the process. While in a strictly academic way, there is a “correct” way of reading (and reading into) media, we here are largely not academics but consumers; consumption is subjective.
However, this all changes when intentionality is ascribed. 
The one I find particularly fascinating is the intentionality of “making it bad on purpose” because, as open-minded as I intend to always be, this just does not happen.
It certainly does not happen in long-form media. Even in the bread-crumb mystery box-type long-form media. 
When television programs underdeliver, they also underperform, and then they get cancelled.
If all the elements of Westworld Season 4 that did not sit together in a completely satisfactory way were written deliberately as some sort of deconstruction for the final season to explore, then it failed because that final season will now never come.
(There will likely never be a Secret Fourth Episode.)
And look, I am not here to refute your theories. Creativity is fun, and theorising is fantastic. 
But, perhaps, when the line of thought ventures into the “bad on purpose” territory, it could be recognised for what it is: disappointment and optimism, attempting to coexist in a single space. And I relate to that, I do, and I am sorry that there is even a need for this line of thinking. It’s always so incredibly disappointing that a creator you believed to be devoid of flaws makes something that does not hit in the way you hoped it would. It’s pretty heartbreaking. 
Unfortunately, people make mistakes. We are all fallible that way. 
Four, Wildfire.
Then, when the crumbs are found, a theory is crafted, and intentionality is ascribed, all that needs to happen is for it to catch on. And hey, what better place for it than this massive hollow funnel that we exist in, where thoughts, ideas and interpretations reverberate so much they become inextricable from the source material in collective consciousness. 
Conspiracy theories create alternate realities, very much like we all do here. 
So where are we now?
I am not here to tell you what is right and what is wrong; what is true, and what is not. We are all entitled to engage with anything we wish, in whichever way we wish to do it. This is not it, at all. 
All I am saying is… listen.
Do you hear that echo? 
I do. 
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leidensygdom · 1 month
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The ways in which being asexual feels isolating
I've been pondering whether to post this or not, but I figured out I wanted to explain a bit of this experience.
So, I could go on a very long tangent on how being asexual is usually a lonely experience, and how much I've been otherized here and there- Specially in real life. How the same people that claimed to be queer (or allies) had been much weirder about my asexuality than they were about me being bi/pan or whatever.
But I think I wanna talk about how something like that bleeds in every aspect of socializing, even down to something like fandom. I stay away from fandom usually- I like to look at cool fanart and that's about it. I hate discourse, I hate drama, I hate reading people getting worked up because they're treating fanon as canon. But there's one thing I've noticed, over and over, that just sends me off my rails.
And it's how fandom tends to treat asexuality (or aromanticism). So, you get a character in some piece of media that explicitly, unequivocally, states they're either ace, aro, or both. "I do not have interest in a partner", "I don't desire to have sex nor do I enjoy the topic", whatever. And as an ace person, I do appreciate being able to see myself in media- There isn't many chases where something is established that bluntly.
Now, you decide you want to check some fanart for that. Fandoms have this tendency to make absolutely everything about shipping, even when the media they're basing it in does not revolve about that (and it's annoying, because a lot of times people aren't interested in the actual themes- It's all reduced to shipping). Suddenly, you notice people treating the aforementioned character as anything but aro or ace. It's all about shipping. "This person interacted with this other person in a way two friends would, but we gotta make this their entire personality now". Some people may instead go for "well, maybe the character is not having sex, but they're probably an absolute freak about it, studies it extensively, has encyclopedic knowledge about it-"
Now, there's of course sex-favourable aces, and that's completely valid, but it's already straying from what, canonically, the character had mentioned. Asexual or aromantic characters aren't really allowed to exist as themselves. People often see them as a blank slate to fill, to change, to fix. I could talk forever about how people react to real life aces like that. I've had people asking me incredibly invasive questions because they saw my lack of sexual attraction as something broken, something they could fix.
And I hate that! I think I'm allowed to say that I hate that! It's hard and unusual for media to cement an aro/ace character, because they're defined by the lack of interest for something, which is often hard to show. But when it does- No one seems to care. It's all shipping, it's all "well, he's gay in denial", "well, she's probably super repressed". If you took a canonically gay character and made them straight on a fanfic, you'd get angry people. Which is bound to happen when you erase representation that people identify with. But aro/ace characters are NOT even seen as queer, they're not even seen as "representation" by most people. You can erase that bit of it, put some god awful shipping on top, and people will applaud you. And it sucks!
I wish people would see being aro or ace as an identity worth respecting, not an identity that needs overwriting. It feels a bit too close to how people often treat aro/aces irl, and it sucks. It reeks of this sort of exclusionism, where "aro/aces are technically queer but it's queer lite at best, it's less interesting than being gay, and we kinda don't want them near us anyhow". Again, I've had far worse experiences about being ace than I have about not being straight.
Sorry if the post got long, but I hope this experience may at least resonate with other people who have been struggling with this, too. It has always felt just kind of lonely to be ace, and see how little people do even consider it an identity, even when it comes down to something like fandom.
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svsss-fanon-exposed · 4 months
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Exposing SVSSS Fanon: 7/∞
SHEN YUAN WAS A SOCIALLY AWKWARD, INTROVERTED SHUT-IN BY NATURE
Rating: FANON - UNSUPPORTED
The common depiction of Shen Yuan in fanworks is that he was an antisocial shut-in who never left his room, spending all day reading and commenting on webnovels, and always focused on his computer or phone screen or a book. This is frequently coupled with the depiction of Shen Yuan as chronically ill, as something caused by this illness, but it is also generally used even when such illness is not featured, likely as part of the stereotype of someone chronically online who has the time to spend on making long-winded comments on online forums and reading a 20 million word novel in a short span of time.
However, while canon does not directly state otherwise, the depiction of SY!QQ's personality conflicts with this interpretation and portrays him on multiple occasions as someone who enjoys going out into the world, exploring, and interacting with others, to the point where it is used to deliberately contrast his nature with Shen Jiu's:
At the same time, how could he not want to go out and play? Up until now, he’d been hunkered down inside Qing Jing Peak’s Bamboo House, forced to fake being an awesome master of arts and literature, meaning everything he did had to be done “blandly”: blandly speaking, blandly laughing, blandly practicing the sword, blandly being a poser—bland to the point that he often had the urge to scatter a handful of salt over his head! What a damn pain! And now when he finally got a break to take a trip down the mountain, he was still trapped in his room because of the System’s stance that “the original Shen Qingqiu liked quiet and would be unwilling to mingle.” (7S Ch. 2)
During the years that Luo Binghe is in the Abyss, Shen Qingqiu spends most of his time off the mountain:
During these three years, other than occasionally asking Liu Qingge for assistance in clearing his meridians to treat his poison, requesting medicinal prescriptions from Mu Qingfang, and briefly visiting Qing Jing Peak to arrange leveling missions for his disciples, Shen Qingqiu spent most of his time wandering about the outside world. He passed the days leisurely until an urgent notice from Yue Qingyuan arrived to suddenly summon him back to Cang Qiong Mountain. (7S Ch. 6)
For someone who is a shut-in, especially when fearing (what he thinks is) his inevitable death, it would be far more likely that Shen Qingqiu would shut himself inside the bamboo house as much as possible. Instead, he copes by going out and exploring the world.
After he wakes up in his mushroom body, instead of going off to hide away in seclusion somewhere (which would have been in line with a shut-in, antisocial personality), he instead thinks to immediately try to establish relations with the demon realm:
The first step to starting his all-new life would, of course, have to be proceedings with which Shen Qingqiu was most familiar. First, for a prop, he needed a folding fan, one with a white silk base, decorated with an ink wash painting of mountains and rivers. Shen Qingqiu snapped the fan open and waved it before his chest, sending his long hair and whiskers flying. Perhaps his image wasn’t ideal and was slightly unsuited to said prop, but that didn’t matter. With a folding fan in hand / Badass act at my command... ...this actually opened up a new line of thought. These minor demons had never dared to do more than snoop and thieve here and there. But if he could supply them with an honest channel for small goods, perhaps within this world that revolved around cultivation and monster-fighting, he could forge paths into a new frontier based on farming and amassing capital? Shen Qingqiu irresponsibly fantasized for a while, then felt that if he were to accept underlings, they needed to understand each other’s cultural practices. (7Seas Ch. 9)
He has established good relations with his martial siblings and frequently spends time with them:
Whenever the sect siblings from Cang Qiong Mountain got together, the conversation never stopped, and any little remark could get played on forever. But today, their conversation was extremely short. They usually headed off to Zui Xian Peak to have a meal together... (7Seas Ch. 32)
He even goes so far as to invite Shang Qinghua to visit Qing Jing Peak, before he is aware that SQH is a transmigrator:
“They were harvested from the tea fields of my senior disciple Ming Fan’s family,” Shen Qingqiu said affably. “As for whether they’re high-quality, won’t Shang-shidi know if he comes for tea at Qing Jing Peak?” (7Seas Ch. 26)
Instead of simply hiding away in a house while waiting for Luo Binghe to recover from his deaging, Shen Qingqiu instead goes to get a teaching job:
Shen Qingqiu soon got so bored that his bones began to itch, so he casually took up work at the largest academy in the city. (7Seas Ch. 28)
Throughout the novel, Shen Qingqiu's characterization is consistently established as someone who gets bored when he is forced to stay in one place and do nothing. Unless there is someone providing him with adequate companionship (he didn't travel as much when LBH was on Qing Jing Peak, for example), or he is indisposed in some way, Shen Qingqiu is almost always going out to explore the world and meet people.
Because of the way that he is stressed and bored when stuck inside, and how he goes out to cope with that, it's fairly easy to say that Shen Yuan/Shen Qingqiu is an extroverted person.
Now, does this completely deny the possibility that he was a shut-in in his former life? Not necessarily. It does, however, make it far more likely that he is not a shut-in by nature, and that if he did spend all day in his room, it was likely due to some other factor, such as depression.
Shen Qingqiu is characterized as an extroverted person with an attractive personality, and while his internal monologue can be at times somewhat awkward, the way he is perceived by others is not so. He expresses no desire to hide away in his room all day and becomes unhappy if he has to. He likes to go out and experience new things and meet new people.
The idea that for no other reason than his personality Shen Yuan spent all his time in his room or was antisocial in any way is not supported by canon, and in fact there is far more evidence to the alternative.
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What was Tim’s relationship with his parents like? It seems like they left him alone a lot, based on fanon - is that true?
Tim's relationship with Jack and Janet Drake is...messy. Very messy. There are a lot of misconceptions floating around about how Jack and Janet really were as parents, largely due to headcanons and fanfiction exaggerating their abuse/neglect of Tim. So, we're going to clear all of that up by analyzing how Tim's parents were as evidenced in canon.
From the very beginning of his time in comics, it's clear that Tim's parents are hella neglectful. The writers needed a Robin who would be able to do his crimefighting without the interference of parental figures, so they gave him rich absentee parents to achieve that.
Tim's parents mean well; they do genuinely love and care about Tim, considering that the first glimpse we get of them is the Drake family enjoying a trip to the circus together. At face level, they look like a typical happy family. 
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Batman #436
However, Tim's parents have a tendency to take long trips around the world for their job and leave Tim behind with the nanny. They were noted to be gone for long periods of time during Tim's Robin training, only keeping in touch with their son through halfhearted postcards promising to call soon. They also were prone to extending trips or leaving without warning, giving Tim very little input or notice when it came to whether or not he would be able to spend time with his own parents anytime soon. It got to the point where Bruce became suspicious of the Drakes’ neglect of their son.
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Detective Comics #618
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Robin #1
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Robin #11
“I guess that sums them up! Never know where they’re going to be—or when—or even how long!”
Ah, yes, this is the proper way to raise your child. 
So, it is firmly established that Tim’s parents are inattentive and neglectful. They love Tim in their own way, but not enough to be at home often and spend time with him, or to take him across the world with them. Granted, they are incredibly wealthy people with a large company, but…so is Bruce. And Jack and Janet don’t even moonlight as vigilantes, which doesn’t give them much of an excuse. 
(I do think that comics tend to use Bruce’s relationship with Tim as a juxtaposition to show just how harmful Jack and Janet’s parenting is for Tim, such as neglecting his emotional needs, not respecting his privacy, etc. Over time, this leads to even Jack having this silent rivalry with Bruce over Tim’s affection. But I’ll get to that later.)
To contrast, here is Bruce offering to take the night off to stay with Tim and comfort him after his parents have been kidnapped:
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Detective Comics #619
And Bruce has a reputation for being a questionable parental figure, which just makes Jack and Janet look even worse in comparison.
Then the Drakes are poisoned by the Obeah Man: Tim’s mother dies and his father falls into a coma. Janet’s term in comics was short, so we don’t know a lot about her personality or how she was as a parent, other than that she was not home often. When she and Jack were kidnapped, Janet seemed to express regret about her choices in life, possibly including not spending time with her son while she could.
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Detective Comics #620
Otherwise, that’s about it for Janet. There is a fever dream Tim has when he’s dying of the Clench in which he imagines his parents both alive and knowing that he’s Robin. It’s a happy scene, with Janet preparing a home-cooked meal and being warm and present, which could possibly be Tim’s subconscious wishing that this was how his life could have been, but we don’t know enough about Janet’s actual parenting to do much with that. I personally choose to interpret it as Tim’s longing for the ideal family dynamic he never got to have, with both his parents home and acting like a real family. 
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Batman Chronicles #4
Now, Jack and Tim’s relationship is rocky from start to finish. One minute they’re getting along, the next everything is a disaster, over and over until Jack’s death. 
After the Obeah Man incident, Tim is left grieving his mother and worrying about his paralyzed, comatose father. He continues to live with Bruce at Wayne Manor during this time, hoping for Jack to wake up. 
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Robin II: Joker’s Wild #4
Tim becomes conflicted over the fact that, with the Waynes, he feels for the first time like he’s part of a real family. Which is...very telling. But we already know how neglectful Janet and Jack were of Tim, so are we really surprised? The closest thing Tim had to a “real” family before Bruce was Mrs. Mac the housekeeper. 
Upon waking from his coma, Jack has this great epiphany that he’s going to be a better father for Tim and right all the wrongs he made in life. 
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Batman #480
“I’ll make it up to you—starting tomorrow!”
With his father in a wheelchair and needing all kinds of medical care as he recovers, Tim feels obligated to move back in with Jack and take care of him.
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Batman #480
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Batman #480
Tim writes his dad a letter venting all of his inner conflicts and harbored resentment, saying that he never felt like he was part of a family before becoming Robin and meeting the Waynes. He wishes he could tell Jack the truth instead of hiding the most important part of his life from him, which causes a rift between Tim and Jack that honestly never fully heals until War Games.
Aptly, the letter is addressed, “To the Father I Never Knew.” 
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Batman #480
As it turns out, Jack Drake is deeply insecure when it comes to his place in Tim’s life. Jack has no regrets about neglecting Tim until he learns that Tim has a new father figure in his life, AKA Bruce, the resident Dad Supreme. Jack becomes jealous of Bruce, trying to get back into Tim’s good graces because he knows that, in comparison, he’s looking like a pretty shitty father compared to Brucie Wayne, the irresponsible playboy. Ouch. 
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Batman #480
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Robin III: Cry of the Huntress #3
This all comes to a head when Jack gets angry with Tim for acting out, cutting school, getting into fights, etc. In turn, Tim gets fed up and confronts Jack about his poor parenting.
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Robin III: Cry of the Huntress #4
“Who is the son you know, Dad? You don’t know me. You never bothered.”
By the end of the miniseries, they eventually work things out and apologize to each other. Honestly, the biggest problem Tim and Jack have when it comes to their relationship is miscommunication. They both want to be a real father and son, but there are too many obstacles in their way (Tim’s Robin activities, Jack’s inability to care about his son unless it’s convenient for him, Tim’s bond with Bruce) that keep them from having the close relationship they both clearly want. 
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Robin III: Cry of the Huntress #4
Jack really does try to be a better father for Tim over the next few years, but he makes a lot of mistakes along the way. After being kidnapped (again), Jack tells Tim that he’s yet again going to try and be a more attentive father. (As if Tim hasn’t already heard this speech before lmao.)
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Robin #7
Jack tries to spend more time with Tim, but his version of spending time together is mostly just springing new plans on Tim and giving Tim little say in any of it. 
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Robin #11
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Robin #12
(It also shows how little attention Jack pays to Tim, since he doesn’t notice that his son has a literal six-pack and could probably benchpress his own weight by now.)
Jack eventually falls in love with Dana, his physical therapist, and she more or less takes up all of his attention for the time being. Tim once again falls out of the spotlight. Tim is partly relieved about this, since it means that Jack is less likely to catch on to Tim’s Robin outings with Dana as a convenient distraction.
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Robin #12
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Robin #15
Jack goes to all the trouble of making plans with Tim, only to cancel the moment something shiny and new moves into his line of sight. Great parenting, Jack. A+ work. Tim sees this as less of a problem than it is, thanks to his second identity, but any other child would be severely impacted by this “whenever I feel like it” method of parenting. Regardless, Tim and Jack’s relationship at this point is on its way to leveling out for the time being. They still don’t communicate very well, but they generally get along with each other. 
After Tim runs away from home and causes a whole incident during No Man’s Land, Jack sends Tim away to Brentwood Academy, a boarding school literally in the same city as them, as punishment for being a lil hooligan. Just say you don’t feel like dealing with Tim anymore and move on, Jack. 
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Robin #74
When Tim is at Brentwood, Jack informs Tim that he and Dana are engaged through a phone call. Tim is not even an hour away, but Jack figures why waste a day spending time with his own son to tell him the good news when you can accomplish it with a phone call, right?
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Robin #78
It isn’t long before Jack Drake goes broke due to his company losing money or however bankruptcy works, and Tim gets to leave Brentwood. Jack chooses this time to once again try to work on his relationship with Tim...
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Robin #100
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Robin #100
...and then slides right back into ignoring Tim when the loss of his fortune makes Jack too depressed to do much of anything. Not that it’s a huge loss, considering that when Jack does bother to pay attention to Tim, it doesn’t often go well. He has a reputation for getting overly aggressive when Tim acts out, and he has a habit of dragging Tim into obligations he doesn’t want to do for the sake of looking like a present parent, trying to exert control over Tim that he hasn’t quite earned.
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(It’s also interesting the way Tim starts to question Jack’s decision, then quickly stops himself and agrees to whatever it is Jack wants, as if Tim has gotten used to being allowed to think and act for himself during his time with Bruce, and now he’s remembering that things are different in the Drake household. He has to go back to Good Obedient Son mode, and if that doesn’t make you sad then I don’t know what will.)
Batman #480
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Robin #45
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Robin #92
By the time Jack finally gets out of his funk, Tim (of course) forgives him immediately, so they’re back on track again. 
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Robin #116
(It’s also worth mentioning that Jack forgot Tim’s birthday. Yeah, he was going through his own depressive spiral at the time, but still. Dick move.)
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Robin #116
Honestly, I owe a lot of the good moments in Tim and Jack’s relationship to Dana’s influence. She’s a great stepmother to Tim and she helps rein Jack in when he’s being an asshole. Her parenting style is far more caring and considerate compared to Jack’s, who tries to mold Tim into his idea of a perfect son: obedient, masculine, and quiet (whenever he feels like paying attention, that is). 
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Robin #122
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Robin #127
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Robin #45
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Robin III: Cry of the Huntress #1
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Robin 80-Page Giant (2000)
Where Dana is understanding and patient, Jack is commanding and rigid. Over time, Dana softens him enough so that Jack is more of a well-meaning dad clumsily trying his best than an abusive asshole, but still. 
Jack acknowledging that he screwed up and is trying to fix his and Tim’s relationship has been a major plot point for years up to this point, and it remains a central part of Tim’s civilian narrative for as long as Jack is alive. Jack tries to fix what’s wrong between them, and Tim is eager to have a closer relationship with his dad, even if it’s difficult to accomplish due to his Robin activities. I repeat: They both want to have a good relationship. It isn’t that Jack simply doesn’t care about Tim (which, it could be argued that he didn’t care about Tim until Janet died). They both really do try to fix what’s broken between them. It’s just that Jack can’t accept that Tim is his own person, and Tim can’t risk compromising his identity. 
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Robin #71
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For a small while, things are okay between Tim and Jack. 
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Robin #124
But pretty soon the inevitable happens: Jack snaps when he catches Tim in a lie about joining the football team to explain a black eye. Instead of confronting Tim about it, Jack decides the best course of action is to ransack Tim’s bedroom for evidence of his delinquency. 
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Robin #124 
Jack inevitably finds Tim’s Robin gear in the closet. Instead of asking Tim about it, like a sensible human, Jack’s second genius move of the day is to go all the way to Wayne Manor and point a gun at Bruce’s face, demanding he return Tim to him.
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Robin #124
(Personally, I think Jack’s reaction wouldn’t have been so violent if it weren’t for the fact that it’s Bruce, whom Jack was already jealous of for being closer to Tim than Jack ever was.)
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Robin #125
With Jack threatening to expose everyone’s identities and ruin their lives, Tim agrees to give up the Robin mantle to keep Jack quiet. 
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Robin #125
After that, things between Tim and his dad are relatively okay. Tim is happy to be having a normal life for once, and Jack is appeased now that he has Tim all to himself. 
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Teen Titans #14
Then War Games rolls around and Tim once again dons the cape and boots to help in the gang war, and he and Jack finally have an honest conversation about Tim’s Robin activities. This time Tim isn’t just giving in to make his father happy, and he’s not struggling with the question if maybe he’ll be better off as a civilian, because he already tried that and he knows now that this is the life for him. 
And for once, Jack actually listens to Tim. 
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Robin #130
They come to an understanding after that. For the first time in Tim’s whole life, he has an honest and loving relationship with his father.
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Robin #131
Of course, this is about a week before everything goes to shit and Jack is murdered by Captain Boomerang during Identity Crisis. You win some, you lose some. 
(What makes it even worse for Tim is that Jack asked him to stay in that night, but Tim chose to go out and help, so he wasn’t there when Boomerang came for Jack. Oof.)
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Identity Crisis #5
In Jack’s last moments, he tells Tim that he loves him and that being Robin is a good thing and he should never turn his back on being a hero. 
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Identity Crisis #5-6
Unsurprisingly, Tim takes the loss extremely hard. It almost rivals Tim’s reaction to Bruce’s death, probably. After all, it’s his dad. Sure, Tim and Jack had their problems, but he was still his father and he loved him. 
I also think a big part of it is that Jack was taken at a time when he and Tim were finally starting to see eye to eye. They finally had the relationship they both always wanted, and then a week later Jack gets murdered. I see it as Tim mourning the relationship he and Jack could have had, rather than the one they did. Tim never got to see what it would have been like to have a perfect relationship with his father because the second everything finally fell into place, Jack was taken away from Tim.
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Identity Crisis #7
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Robin #167 
“Sometimes it’s for Bruce. Sometimes it’s for Conner. But a lot of times, I do it for you. Because you were brave enough to understand the man I wanted to be.”
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DCU Holiday Special (2009)
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Teen Titans (2003) #34
(Tim’s guilt and grief becomes all-encompassing to the point where he invents a fake uncle just to avoid being adopted by Bruce, but that’s a story for another day.)
Sooooo yeah, that’s about it. Tim loved his parents and they loved him back in their own ways, but he never had a perfect relationship with either of them by any definition.
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doraambrose · 3 months
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I see this alot in fanon and I think jason Todd's parents are completely misunderstood.
Disclaimer: I am not a victim of parents with drug abuse nor have a I ever done drugs. I sympathize and emphasize with people who struggle with drug abuse as there are many reasons to get into it and it's very hard on your body to get clean, I will link help organizations below. This does mean that I can be a little ignorant to the struggles so if I say anything offensive or wrong, please call me out and educate me so I don't make the same mistake
Jason's family has been retconned so many times, it's hard to keep it straight. But this is my headcannon based on what I've seen:
1. I feel like a lot of people write Willis Todd to be this awful abusive scumbag who hated his kid and his wife. If you are talking about young justice or arkhamverse, this canonically true, but I think that's far from the truth in the main universe, prime or whatever it's called. In batman 411, jason is clearly distraught by Willis' death and does try to avenge him by lashing out at Two face. We also can't forget about the incident with the penguin that led to the worst Bruce and jason characterization before gotham war. And that's because of one rhato issue where jason finally reads willis' letters (a truly heartbreaking issue: rhato rebirth 23)
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I believe that Willis wasn't a bad dad. Not a good dad, but not an awful abusive one. I 100% believe he has never abused his family in this universe. And you know what, he wasn't a great person. He was a drug dealer and then a henchmen. But he CARED. He cared about his family. He tried so hard to provide for Catherine and Jason for their medical bills, food, shelter. He just had a poor upbringing and some real shit luck, trying to survive in poverty in Gotham city.
2. Catherine has been written in fanon to be a perfect caring mother who was nothing but a victim. I believe that she wasn't as good of a mother and a person as people make her out to be. And we haven't seen everything, but I believe this because she seems selfish. She seems to put herself and her drug addiction before her family, doesn't seem to even try to get clean or take care of jason or provide. Look at these panels:
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She neglected Jason. He had to go out and put his life on the line day after day when it should've been the other way around. Jason was a kid. And don't get me wrong, she probably loved jason and had good intentions, no, she definitely loved him, or else jason wouldn't canonically think as highly of her and take care of her the way he did, but she wasn't perfect and I don't think she was as good of a mother as she's made out to be.
3. Canonically, jason seems to really care for Catherine, but not Willis. I have a theory about that. For why he thinks so highly of catherine: I've never had a parent who suffered from drug abuse, but I do have a parent who suffered from a lot of mental health issues like depression, diagnosed, and I feel like bpd, though it was never diagnosed. When things were bad, they were BAD. I witnessed a lot. But when things were good, things were REALLY GOOD. I feel like when Catherine would come off the drug haze, things were like that. She probably took care of him during those times and was loving and all that. Catherine is the one parent figure Jason has to hold onto (because of all the shit with Bruce, Sheila, etc.). He forcibly removes the bad shit she's done and hangs onto the good things she's done because she really did care about him and in life, it seems harder to hate your mom than your dad (from what i have heard when i did research on this from friends). I've done that for years, and idk if I'm explaining it right, but I think that's the best way I can. For why he doesn't love willis: I think up until he read the notes, he didn't have the full picture. From his perspective, willis leaves to do crime and then eventually gets caught and left forever. I think he blamed willis for making jason become "the man of the house" and have all this extra responsibility. Willis also strikes me as the type of parent who has trouble expressing feelings, so jason probably rarely, if ever, heard "I love you" from his dad. Willis also strikes me as the person who would believe that he needs to make his son stronger in order to survive, and there are a lot of parents like that, especially parents from a low income household or a history of poverty.
In conclusion, both parents were FAR from perfect parents, but they're not as evil or as innocent as people write them in fanon. They're just...people. fanon likes to write comic people as black or white, innocent or abusive, but in reality, It's a gray area. Willis had his flaws, I hc him as one of those old fashioned kind of dads who wants his son to be tough and strong and isn't good with sharing his feelings, but does truly care about his family and NEVER was abusive. Catherine was a mother who definitely cared about her family, but wasn't an innocent victim and had her own flaws.
Anyway, thank you for coming to my Ted talk
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goldenromione · 2 months
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I'm going to go on a little rant here but this "let people have fun" mentality isn't as healthy as some of you like to advertise. There is a real problem with changing everything about canon. And, contrary to belief, it's not for petty reasons.
It's not because you've made Sirius shorter or dumber than Remus. It's not because you've made James gay. It's not even for the atrocities you've committed - and continue to commit - against Lily and Tonks. (Though I admit this factors into my own vendetta).
It's because you are actively, and unabashedly, turning off a whole group of people from reading the series themselves. We now have a whole lot of "fans" that aren't actually fans, and it's a problem.
Regardless of your opinions on JKR, media literacy is important. People should be able to read and form their own opinions before being told what to think. Scaring fans away from canon because you've convinced them that fanon is somehow better is bad.
And when these "fans" come on here to share opinions that they've based off of the misinformation they've been fed, they will be wholly unprepared to handle any kind of backlash they may face.
And because they can't argue their case, they will start to associate disagreement with hostility. They will go on the defensive - use the excuse of "well that's just my opinion" - and thus the cycle continues. No room for healthy debate. No room for conversation.
TLDR; "Let people have fun" completely shuts down the chances of any kind of productive discussion. It's ruining fandom.
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esamastation · 6 months
Text
Part thirty-one of Shizuroth, aka, the SOLDIER General's Self Saving Shizun.
Ao3 link.
Previous parts: one, two, three, four, five, six, seven, eight, nine, ten, eleven, twelve, thirteen, fourteen, fifteen, sixteen, seventeen, eighteen, nineteen, twenty, twenty-one, twenty-two, twenty-three, twenty-four, twenty-five, twenty-six, twenty-seven, twenty-eight, twenty-nine, thirty
-
They've landed in Wutai after a frankly miserable plane ride in a windowless, seat-less troop carrier - which, why even call it a troop carrier when it's clearly not designed to be carrying people? The thing is filled with boxes and stuff, there was barely enough room to move!
Guess that's what happens with last minute takeoffs - you get what you get.
The first few minutes onboard were fine and kinda novel - being on a plane at all was kind of a mind trip, because, heh, plane, Airplane Shooting Towards the Sky, eat your heart out! But then it became just hours upon hours of boredom in a rattling tube of metal. Sword flying is clearly a superior mode of transport.
"We will have your things delivered to wherever you're going to be staying," Reno says, waving them off the plane, hiis attention fixed on one of the bigger boxes. "Rude, come give me a hand with this…"
"We should -" Rude starts to say, looking at the SOLDIERs.
"Yeah, yeah, now come give me a hand with this."
Angeal gives them an awkward, slightly relieved smile and then claps Sephiroth on the shoulder. "We better get out of the way," he says, and together they exit the plane.
Sephiroth had been bracing himself for a warfront, Angeal had even told him what to expect, but he… didn't actually know what that entailed.
Shinra troops had taken over a small town at the foot of Tamblin Mountain sometime in the past and are now using it as their forward base. That's where they land - in a dirt runway cut into the forest, just by the town. And it's…
It reminds him of old movies, the mixture of vaguely mixed Asian style buildings, with these modern canvas tents pitched in between them and on the roads. There are trucks that totally aren't jeeps that have worn grooves into soft  streets, unprepared for such traffic, making everything messy and muddy. They've erected fences all over the place, sectioning parts off, and there are  floodlights everywhere. There's also  robots patrolling the place. 
In the distance, on the rolling hills somewhere to the west, there are rice paddies and behind them mountains. All around them there's a lush wall of green that looks almost like a rainforest. It actually might be rainforest! It would fit the allegory!
The mental, ethnic vertigo is so strong for a moment that Sephiroth doesn't know which way to turn to look. He doesn't know what to think. Mostly he just feels kinda… unnerved.
Angeal returns to his side before he even realises he'd gone somewhere. "I talked to the Colonel. Come on," Angeal says, clapping him on the shoulder. "They've set up a place for us. We'll… debrief there."
"... Hn," Sephiroth answers, and follows him.
There's a lot of Shinra troops milling about, infantry mostly, but some SOLDIER Seconds and Thirds too. They all stop to stare. Some of them look excited, but most just look tired and dirty and worn.
Sephiroth wonders if the Colonel is in charge of them. Actually, it might be that they're now in charge of everyone here! They're SOLDIERs First Class. Isn't that the highest rank? He can't remember if Sephiroth being a General was fanon or canon, but hasn't he been involved with the war since the beginning?
Would he have to give orders now, orders to march, to fight… to kill?
Angeal shows him to a house that was clearly someone's home before Shinra took the place over. It's a single room with tatami floors and rice paper walls, and the military bunks clash with the aesthetic horribly. Their pillows are clearly seat cushions.
There's a fancy looking kimono stand that's being used to hang bags and ammo satchels.
"What happened to the people who lived here?" Sephiroth can't help but ask, staring at the stand and wondering where the kimono had gone.
"They abandoned the town ahead of the troops," Angeal says.
Sephiroth looks at him and then at the room. Did they really, or is that a nicer thought than they were all executed? "... Right," he says and picks up the seat cushions from the bunk, piling them up in the corner - wondering if there was a table here, and what happened to it.
"Are you alright?" Angeal asks.
Probably not! "What's our mission here?" Sephiroth asks, picking up bags and satchels from the stand and carrying them outside.
"... We have a day to acclimate. After that, there's a number of things that need to be accomplished," Angeal says, subdued, and takes out his phone. "We can start slow - there's no major engagements being planned just now, no one will mind."
"Mn, and what does starting slow mean?" Sephiroth asks, as he picks up stuff around the hut and gets rid of it.
"Well, there's a number of monster extermination requests around here - Wutai wildlife is high-level, and it's rumoured that they're being intentionally bred by Wutai people. They've been attacking patrols."
Sephiroth gets rid of most of the random crap in the hut and then considers the bunk beds. They're ugly and probably unpleasant, but… they have to sleep somewhere. 
It takes just one swing of Masamune to improve the situation immensely.
"Um," Angeal says as Sephiroth finishes separating the beds and moves one of them to the other side of the hut. "... Why?"
"I am not sleeping in a bunk bed," Sephiroth says simply and looks around. "... Do you think they have folding screens around here?"
 Angeal arches his brows. "I don't know for sure. I suppose we could ask around? I think there's a storage house where they've put the collected, um," he clears his throat. "Things that will be sent to Midgar eventually. Maybe we can requisition some of it."
Things to be sent to Midgar…  that's nice. That's a nice way to say the spoils of war, huh. 
Sephiroth looks away. It's the way of war, he knows that, nothing unusual about it. It happened in PIDW too - cut out all the smut and stupidity, and all Binghe did was plunder and loot and pillage. When he wasn't being handed tributes, anyway. It's just par for the course! Right? Right…
"You…" Angeal starts and then sighs and puts the phone away. "How about I'll go get a screen for you, if there's any available. Do you want anything else?" He sounds very indulgent and understanding.
"Two screens. And a table," Sephiroth says without facing him, feeling like a sullen little kid being placated. "... Thank you. Can you ask someone to get rid of the - stuff outside?"
"I'll take care of it," Angeal promises. "You just… take a moment to make yourself comfortable, okay? There's no rush."
Aka, pull yourself together, man, you're looking really pitiful right now. Thanks, Angeal-bro.
Sephiroth's waits until Angeal is gone before sinking down to sit on one of the beds, putting his head in his hands.
Though they'd not seen much from the plane, what with it not having windows and all, he can see it in his mind's eye now. Burned villages smoking in the jungle, scorched fields, muddy paddies ruined. He'd never cared much for any kind of war stuff, but he'd seen his share of first person shooters and letsplays.
It all feels very real all of a sudden.
And he's supposed to be the Big Bad here! The Demon of Wutai! Who knows how many people he's already killed in this war! And sure, it is a war, and that's what happens, and yeah, he has killed before as Shen Qingqiu, but -!
Going to war on behalf of the America-allegory of the situation? The invader, the hostile occupier, the - the evil planet-sucking dystopian megacorporation?!
Dragging his hands down his face, Sephiroth sighs and looks up.
There are calligraphy scrolls hung up on each side of the door. One reads Integrity and the other Honour. Sephiroth stares at them miserably for a long moment.
Yeah.
He's so going to end up defecting here, isn't he? Four days, four days in this world, and he's doing to fuck up the whole plot, right here and now. It must be some kind of record! But where the fuck will be even defect to? The Demon of Wutai, hello?! The locals probably want his head on a spike!
"I am so fucked," he mutters wretchedly and hangs his head.
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ben-drowned-me · 4 months
Note
hi! could you write some general hc for Jeff and Toby? Also could you talk about more about your canon plsss?
✧.* gen jeff and toby headcanons
-aaa of course !! i love jeff and toby so much
for my canon, I like to think that i just kind of make the characters more real. For most of their original canon stories, or for the fanon versions of them, their characters are made to be just killing machines with a little bit of angst and the story of whatever caused it. I base them off my favourite versions of their stories (or combine), but i give them flaws and little quirks that make them into an actual character rather than a person. I also try to write in how they are all traumatized people because thats usually brushed off. I wouldn't mind going into more detail if you'd like :3
jeff the killer
 incredibly close with liu before everything went down, now he just feels guilty being around him
hardcore metal and punk fan. Screeching Weasel, Benighted, To The Grave. stuff like that
Has night terrors. Rooms with Ben because he's the only one who can calm him down when he awakes. 
Soft spot for animals (usually prefers cats but doesn't say anything to Smile)
Grew up in a very strict catholic family
Is the self-proclaimed "white boy" of the mansion but is hispanic
Pushes his emotions away until something really triggers him
When he finally gets triggered, it does not end well
Full breakdowns. Rage, Depression. He goes through all of it in the span of like 2 days. 
Everyone gives him space except Ben
No mirrors in his room. Avoids ones outside
phantom pain from the burns 
he looks absolutely atrocious. Probably the worst of all the creeps but to be fair he went through severe body trauma
For a grown man, he's on the skinner side 
still really fucking strong though
Can't sleep without noise. One of the reasons he rooms with Ben so much bc hes loud
Messy room. Does not clean, does not know where anything is
only really uses the top of his face to show emotion because he's scared of re-opening his mouth scars
He would spend hundreds of dollars at bath and body works but all the scents he picks up would clash so badly
the kind of guy to say no when someone asks for something but then get 3 of it
listens to british rap unironically
toby rogers
mentioned before, but hates waffles. Any classic breakfast food he dislikes but those are the worst
a collector. His room is filled with small little trinkets he's picked up. Has a rock or button collection
Probably the worst of the creeps emotionally
Was raised in a pretty toxic environment.. Never learned how to manage his emotions. Has too many of them and they change too often so he kind of just. explodes
Usually extreme rage or goes nonverbal
is autistic idc
very ! bad ! ptsd
nervous around male authoritative figures
initially refused to eat at the dinner table since it was a requirement of his fathers, but is getting better at it
soft spot for kids, will let sally dress him up and do his makeup
religious guilt though he was never religious
finds EJ to be very good company, he enjoys the atmosphere
speaking of EJ, he taught Toby a lot of medical care since he's not always available
sleeps on the floor pretty often
kind of an asshole sometimes
master of sarcasm tbh
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vetinarivimesy · 1 year
Text
Kenobi-centric fic recs
Everything here will heavily feature Obi-Wan Kenobi in some fashion, and will vary wildly by ship, tone, and fic-type though I'll do my best to give little blurbs/not-too-spoilery summaries.
The fics range from gen to explicit, in some cases pre-date tagging ettiquette, and, no, no I have not re-read them all (ye gods have you seen the word counts).
In a few cases I'm basing my summaries on very hazy memory and I have a noted bad habit of skimming straight past explicit porn when I don't want to read it, then forgetting its there entirely - so caveat lector!
These are mostly fics that I currently mentally catalogue as Wonderful Obvious Obi-Wan Kenobi Goodness fics rather than expecting to dig up any obscure hidden gems. The list would probably look very different on a different day. It's far from comprehensive, and the categories are loose at best. But here it is!
I've been contemplating putting something like this together for a while but been a bit nervous of sticking my head up above the metaphorical parapet. As, follows my fave character around without caring overmuch about the ship trash, I've got quite a list of Star Wars fics inhaled/rediscovered.
(Wee bit too used to coming into very dead fandoms long after everyone's left, put the chairs up on the tables, the metaphorical lights have been turned off... and the not so metaphorical bills have stopped being paid. More than once I've stumbled into a wonderful old fandom fic archive only for it to vanish into, Only What Was Saved on the Internet Archive Remains status. Even when the archive isn't actually an ex-archive, many don't actually allow for interaction. Apologies to the authors I've never worked up the courage to comment on, this is an explanation not an excuse!)
Obi-Wan's apprenticeship fics:
Commander Kenobi - norcumi (complete, 9646 words)
Obi-Wan gets de-aged in the midst of battle. Cody gets to find out what teenaged Obi-Wan was like. Given Obi-Wan thinks he's fresh out of Melida-Daan, nothing like whatever Cody might have been expecting.
A Town Called Stagnation - deniigiq (complete, 33,000 words)
Qui-Gon and Obi-Wan take a trip to Stewjon, to let Obi-Wan get in touch with his roots post the horrorshow of his early apprenticeship. Smalltown thinking and the trauma of recent events clash horribly for everyone involved.
Another brilliant author who's whole fic-output is well worth checking out. Their wry utterly charming character voices never fail to amuse, even when the POV character is one I'm currently in an... actually I wouldn't mind some bashing of this guy kinda mood. I draw amusement and sympathy for Qui-Gon's character in every single one of their immediately post-Melida Daan fics for context here, with my knowledge of that event thoroughly warped and contaminated by the current popular fanon take on the matter too.
Though more Cody-centric, and thus Clone Wars era, than anything parallelogram (Complete, 33,000 words) and they're neutral (complete, 9900 words) by the same author are also wonderful.
poisoned chalice - qigiined (Complete, 9900 words)
Another author with the wit and deftness of characterisation to make immediately-post-Melida-Daan Qui-Gon's POV both amusing and sympathetic. They've also got quite a few other gems!
Qui-Gon's very wry POV as he tries to navigate raising a very traumatised child, and appeasing his various lineage members.
through hardships to the stars - kivaember (WIP, 148,000 words)
Canon divergence where Obi-Wan's apprenticeship snafu on Melida-Daan went just that much worse than those Legends-were-never-technically-canon novels would have it.
As a result Obi-Wan and a very young Jango Fett end up on the run from a terrifying darksider, whilst Jaster Mereel and Feemor despearately try to catch up with the pair.
Little Lights Stories - ms_nawilla (WIP, 628,000 words)
Qui-Gon neglected too much of Obi-Wan's training, so Obi-Wan isn't immediately knighted post-Naboo despite saving Qui-Gon's life and defeating the Sith.
Anakin goes to the creche, Qui-Gon's in utter denial, and Obi-Wan begins the rocky process of finding his own feet post-Naboo, getting through the thorny process of working out who you are as your own person after living under someone else's oppressive shadow for far too long.
Super detailed epic detailing all sorts of wonderful possible jedi-culture headcanons, illuminated manuscripts! beer! force-manipulation games! communal caring! crystallography! sex ed! old-people's homes! the engineers! clerical branch! outreach via art! dance instruction! reincarnation! politics! spies! terrible james bond esque spy films to hide that the spies were really real! lightsaber classes! non-jedi temple residents! U and L leaning prejudice! Alderaan!
Just what would happen if Qui-Gon Jinn were exactly the sort of irresponsible unpleasant adult who should never ever be given a child a lot of fandom suspects he is. His implied treatment of Obi-Wan here can be fairly harrowing, for all that its emotional neglect rather than anything graphic.
The jedi are never depicted as anything less than trying their best, unfortunately no matter how thorough the system tries to be, sometimes people do just fall through the cracks. As was v.nearly the case for Obi-Wan in this verse.
Mostly character driven, though the hints of the greater plot bubbling away underneath all of this glorious worldbuilding and character growth are both ominous and intriguing. The pairing is a hell of a spoiler, but also one that could potentially be a bit of a squick, I don't want to spoil the slowburn of this thing but I do want to give fair warning. Does tumblr offer spoiler tags?
Preventing Order 66 fics:
When Duty is Done - thosenearandfarwars (WIP, 257,000 words)
Wonderful long-form piece - technically a WIP but all installments so far are complete - a what happens next post-Palp's getting his comeuppance, messily. Features Codywan, grief, internalised ableism, jedi order reforming in a very nuanced 'we were this close to the brink' and lost so many people to the war sense *not* the sneaky 'jedi-positive but actually bashing' sense.
Hell I wholeheartedly reccie just about everything this author's ever done tbh!
(This Too Was a Gift (Complete, 69,000 words) is also utterly wonderfully done, and a complete fic in a similar vein, albeit much more focused on the ramifications for individual characters than the ensemble cast of thousands that is Star Wars.)
I Got My Head Checked - frostbitebakery (Complete, 79,000 words)
Codywan Sith!Obi-Wan AU. Cody falls for the hot Sith in the next cell...
Light of the Mists- Snowy Egret Chimes of Kyber, Songs of Kyber, and Anthem of Kyber (Complete, 166,000 words)
This one technically also fits the Obi-Wan's apprenticeship category too. Bit of an epic of, what would happen if Obi-Wan never made it to Bandomeer, and instead trained under a force sect with rather different ideas about how things worked than the modern jedi order?
Supreme Chancellor Obi-Wan Kenobi - stonefreeak (WIP, 113,000 words)
Wonderful crackfic premise done mostly seriously. (WIP)
By an extremely obscure bit of Senate Legalise, Obi-Wan finds himself thrust into the role of Supreme Chancellor. Palpatine is furious.
How A Romance Novel Saved The Galaxy - Ariana Deralte (WIP, 184,000 words)
The galaxy takes a left turn when a popular novel takes the world by storm, and the Jedi and Mandalorians mutually discover their two cultures aren't so different after all...
sanguine - glimmerglanger (complete, 158,000 words)
In which Obi-Wan being a vampire, with all the nasty prejudices that come with being a non-human in the GFFA, somehow saves the galaxy.
Just Go Kill Palpatine - nevertheless_turtle (WIP, 6662 words though this is likely an underestimate due to formatting of a wonderful epistolary/OutsiderPOV social-media-centric chapter)
Just as the title says. Obi-Wan goes and attempts to do just that. Wonderful and hilarious.
The More I Live the More I See this Life is Not About Me - K_R_Closson
Another de-aged Obi-Wan fic. In which post-Melida-Daan suspicious of everyone and everything Kenobi somehow fixes things. Everyone around Obi-Wan is suitably horrified by the news of just what his apprenticeship under Qui-Gon entailed.
Not Quite Sure How to Catergorise these...
This category is the equivalent of the draw marked 'misc.' sorry! Mostly a mix of action/adventure stuff and fics I suspect will turn into, and they prevented order 66 fix-its, but maybe not, with some other truly misc. things thrown in.
backdrop - esama (Complete, 2300 words)
Short and sweet self-contained little tale. Very succinct, but what the author does with those words...
Gunslinger's Paean - Idiot's Array + Homeworld Elegy - Ashcroft_Writes (WIP, 299,000 words)
Epic, what if Obi-Wan post-Rako Hardeen paired up with Cad Bane action adventure tale. Mistrust. Violence. Gunslinging. Espionage. Murder attempts galore!
We Brothers, We Sisters, We Vod'e Few - infinitecompositions(WIP, 322,000 words)
Hell of a fic. WIP. What if canon were to take just a step to the left... Post-Naboo Obi-Wan finds himself recruited for the Shadows branch of the jedi order...
Another epic, cough, can you tell what style I like yet? Uh, starts off as a bit of a dark action adventure romp, rapidly morphs into a detailed dissection of spy-craft, espionage, and galactic politics - but becomes no less tense for it.
Kneading - Threebea O (WIP, 79,000 words)
Manages the miraculous trick of being canon, whilst seeming to be a fluffy bakery AU for a significant chunk of the first few chapters.
Jango/Obi - Jango falls for a local baker whilst hanging out in small town with Boba. Increasingly important to the fate of the galaxy shenanigans inevitably ensue when aforementioned baker turns out to be Obi-Wan Kenobi undercover.
Be Your Love - glimmerglanger (complete, explicit, 9000 words)
I tend not to go for 'real world' AUs but this author's work is so very excellent that I'm reccieing this one - hell I think most of their work is well worth a look through, and every fic-genre they've attempted has proven very fun indeed.
Heed the tags. Explicit Codywan BDSM stuff contained within.
Wizard of the Jundland Wastes - phoenixyfriend (complete, 3200 words)
Obi-Wan on Tatooine, outsiderPOV.
One of many wonderful Star Wars fics this author has written. If this one doesn't catch your fancy, one of their many delightful utterly bizarre premise taken to logical conclusion fics probably will.
Father of the Year (Not) - phoenixyfriend (complete, 2430 words)
Obi-Wan and Jango find out they're each other's soulmates. Mostly they're furious.
Wonderful very pointed skewering of all the usual soulmate and Jango is actually a decent dude tendencies in fic-writing.
Time Travel fics:
I thought I fought this war alone - stonefreeak (Complete, 3783 words)
Wonderful short and sweet Obi-Wan time travelling to his padawan days fix-it.
this is unexpected - MarbleGlove (Complete, 4461 words)
Very succinct and perfect with it time travel what if. Old Ben Kenobi goes back in time and immediately ruins Palpatine's day.
This author tends to be delightful no matter the fandom.
The Sun Swings East - kj_feybarn (Complete, 33,000 words)
Brilliantly done timeloop story of woe and hope. As much about recovery as the initial plot-driven despair. Mind the tags, Obi-Wan is understandably severely depressed throughout much of this fic.
The Making of Mavericks - AppoApples (complete, 146,000 words)
It was extremely difficult to choose just the one time travel fic from this author. Their output is wonderfully varied, don't like their particular take on the Jedi Order and/or the Mandalorians in this fic? Pick another, and odds are they'll have explored the concept from precisely the opposite angle.
This author has a wonderful exploratory sense of, okay okay, so how do we fix this thing/how do we make it worse?
In this case, Obi-Wan, Ahsoka, Cody, and Rex time travel to the past. This creates broad sweeping changes to the timeline, not always for the better.
The Desert Storm (complete, 1,144,599 words) & Rise and Fall series (WIP, 396,000 words) - Blue_Sunshine (WIP)
Wonderful epic-length time-travel fic. Highly recommended. Technically a WIP, but what there is already is well worth the time.
Ben Kenobi, now Nasaade, in utter furious despair finds himself back in time, pre, well, everything. He decides to take matters into his own hands and change things.
Gorgeous character-work, where by the end of the piece the characters are all in very different places than where they started out. And you utterly believe the growth (positive and negative) that got them there.
Draws from both legends and canon in a bit of a hodgepodge approach - despite drawing from a few of the more leaning towards the jedi were the bad guys sources in legends, impressively manages to tread a nuanced stance on, okay so what if the jedi and mandalorians did decide to start reforming in the face of this grave existential threat that's been brought to their attention?
Wonderful utterly enviable pacing - I know this one's extremely long. But at no point do you ever feel/notice the length when reading this thing.
It Was Another Time and I Another Man - Pell_Binterhol (WIP, 196,000 words)
Multiple Kenobis time travelling. Absolute chaos for absolutely everyone else; fellow time travellers, fellow Kenobis, and plotting Sith alike.
the massive machinery of hope - Killbothtwins (Complete, 150,000 words)
Obi-Wan travels back to his padawan days and annoys everyone else into helping him save the day. Wonderful sense of wry humour throughout this fic.
Living Memory - elsa3beth (WIP, 363,000 words)
Epic very detailed wonderful fic detailing just what General Kenobi would do if he had to fight the war again.
Deals with just what could happen if Anakin had ever had to face his fellow jedi with even a few of his flaws laid bare, and the fallout.
Meanwhile, Obi-Wan, just barely managing to hold himself together, fresh out of the middle of his exile to Tatooine, is desperately playing four-dimensional chess against Palpatine and trying to use the awful structure of the Republic's Army to save both the Jedi and the Clones.
The 212th Attack Battalion's Guide to Saving the Galaxy by Accident - antigrav_vector & quarra (WIP, 783,000 words)
Long, character driven fic that's an incredibly fun take on just what might happen if Obi-Wan and a bunch of Ghost Company stumbled into Jaster Mereel's True Mandalorians and get themselves adopted. Heed the tags wrt pairings!
All the complications that come from being an adult stuck as an apparent child ensue. From being squicked out about being a kid again, to having other people being concerned that a kid is behaving like an adult, to just... time travel complications, kidnapping, force esoterica, and fighting a small war.
Plenty of Jedi thoughtfully staring at this strange miniature jedi master, lots of Mandalorians being both stunned and horrified by these tiny soldiers, and Dooku/Sifo-Dyas being a surprisingly lovely central pairing.
Not Qui-Gon friendly in the least, and in this verse you can't help but feel he very much deserves it.
Suicidal Misunderstandings - nevertheless_turtle (WIP, 67,000 words)
Obi-Wan spends much of this fic convinced he's hallucinating and on a bad spice-trip. The trigger warning is very much in the name here.
That said, wonderful, often hilarious time travelling Obi-Wan fic, as the jedi desperately try to work out 1) what's wrong with Obi-Wan, and 2) how to stop Palpatine.
Re-Entry (Complete, 568,000 words) and Re-Entry Journey of the Whills (WIP, 889,000 words) - flamethrower
Fair warning, might turn into a deadlink fairly soon. The author's stuff is in the process of being transferred to another archive. Not a big deal (though fandom being a collective arse is, ffs), as with many older fics this one has moved home fairly often! (Squidgeworld.)
Wonderful absolute epic time travelling Obi-Wan Kenobi fic. Even if you're not a fan of the central Qui/Obi pairing it's written from a very believable perspective, of you can see precisely how these two adults got there, and an extremely enjoyable read with it.
Starts off as a fairly character-driven piece, as the plot slowly builds into something extremely ominous indeed, though once the plot momentum gets going ye gods it gets going.
Another case of technically a series that's a WIP, but every individual story that's up is complete and a satisfying individual whole.
Filled with all the things I love in a Star Wars fic, Obi-Wan getting to be awesome, force esoterica, Obi-Wan getting to be a little shit, plotty plot, the jedi getting to be nuanced and awesome, canon and fanon star wars lore all over the place, and plenty of action adventure and gorgeous character work.
I don't want to go into too much spoilery detail here, but suffice it to say this one is a classic in the fandom for a reason, and deservedly so.
Warning that the dark stuff in this fic can get dark, the level of whump Obi-Wan endures goes all the way up to extremely creepy Palpatine-torture on par with the Ventress/Sith-mask/Alpha-17 situation. It's never gratuitous with it, but in places this fic is explicit, at turns in both the fun porny way and the whump sense.
Star Wars crossovers and fusions:
Alas this section will be shorter than I'd like it to be - unlike a lot of other sci-fi fandoms Star Wars fandom seems to shy away from crossover fic by and large. There's both less of it, and what there is seems to get a hell of a lot less interaction than it would in a different fandom. Not guilt-tripping, again, I am very very guilty of failing to interact myself, just a weird, 'huh, where are all the crossovers?' thing I've noticed.
Rouge Handed - nevertheless_turtle (complete, 2190 words)
As the name hopefully implies this one's kinda sorta a Moulin Rouge crossover. Ish. In that it's firmly set wholly in the GFFA.
Delightful little crackfic.
The weeping stone - Gabriel4Sam (complete, 6965 words)
A wonderful crossover with The Mummy that somehow manages to thread the needle, hitting the humorous tone of those films perfectly whilst simultaneously making you feel very sad indeed for Obi-Wan.
A Star to Steer By - dogmatix, norcumi (first fic in the series is complete, second a WIP, 109,000 words)
Absolutely wonderful Stargate crossover/fusion - it somehow manages to be both a crossover and a fusion at once.
Largely told from Jack's POV, the Jedi are symbionts, with all the misunderstandings that would imply, given the SGC are much more used to dealing with malevolent parasitic Goa'uld than benevolent symbiosis.
Lost Jedi - Augusta Pembroke (complete)
A Velvet Goldmine crossover fic. Curt Wild meets Qui-Gon Jinn, and things get complicated. Qui/Curt with implied unfulfilled Qui/Obi feelings.
All the unhealthy messy relationship stuff the Velvet Goldmine tag and the age of the fic implies is probably present and correct here.
Qui-Gon ends trapped on the wrong side of the galaxy, he finds Curt who's force sensitive, and trains him to help him get back home to Obi-Wan... Things get messy.
Snow and Cinder - MrsHamill (explicit, complete, 16,000 words)
The pre-requisite wonderfully done Highlander/Methos crossover fic. Obi-Wan hangs out with the ROG for a while post-Naboo in a bid to get over a falling out with Qui-Gon Jinn and work through his own messy feelings on the matter. The main pairing is Qui/Obi as many older Master&Apprentice archive era fics are.
All you really need to know about Methos is he's very old, and very cynical. He's literally seen and done it all.
This one doesn't fall into the all too easy to fall into trap of having Methos, understandably an extremely old and cunning immortal being so much better at anything and everything than everyone else around him that it stops being fun and starts bashing the other-verse in the crossover, for which I'm extremely grateful. It's a difficult balance to tread and this author manages it wonderfully. (I say this from first-hand, I have tried and failed to airdrop this character into other sci-fi fandoms you'd think he'd work well in, fic-author perspective rather than as a crit of anyone else's work!)
Look at the publishing dates please.
A few of these fics pre-date Attack of the Clones. They were written in the 90s.
If I find out someone's been bashing an author for outdated terminology or characterisation or for not using the current 2022 language, or a character the fic pre-dates in a fic they've not looked at for over twenty years, or how they wrote the central pairing in the era when the punchline to every single joke in Hollywood was 'haha they're gay!' I... Well... I won't be writing another one of these rec lists. Which isn't much of a threat I realise, but please, be civil.
I could probably easily fill a couple more of these lists tbh, and get more specific with it genre-wise... But as a general, here's a few fics I remember fondly often. I can feel myself getting neurotically 'this has to be perfect' at this thing, so, this'll do for now.
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mypimpademia · 9 months
Text
— Realistic Random Headcanons
Ft. Bakugo and Izuku
Synopsis: Random headcanons (general and romantic) for Bakugo and Izuku that I feel like make more sense based on their canon characters
TW: Swearing, topics of mental health (depression and anxiety nothing super dark though)
Note: Credit to @4kh for helping me with these :) btw these are just my personal interpretations of the characters and what I think makes sense following their canons instead of fanon (I also use their fanon personas a lot but again these are what I feel like would actually make more sense!)
— BAKUGO
⇶ Realistically, I feel like Katsuki would be aroace
⇶ At first, it comes off as him simply being too goal driven and motivated to make space in his life for romance
⇶ But truthfully, all his life he simply never related to how his peers would trip over their feet because of a crush
⇶ Sure, he found people pretty or handsome, but he could never find it in him to become even the slightest bit romantically invested
⇶ He tried to, just to feel what others around him felt for even a moment, but It never worked
⇶ At first, he chopped it up to simply not finding the right person. But as he got older and as he went through high school still never having any sort of attraction to anyone, he accepted that romantic attraction was simply something he wasn’t into
⇶ Struggles with depression and anxiety
⇶ It all started when he got to UA. Constantly having your life under threat, feeling like you ended the career of your idol, not feeling good enough, and more, take a toll on you.
⇶ Katsuki’s depression is not at all visible, you have to really know him to tell. He puts on a tough guy act and does what he needs to do, but he feels like a zombie
⇶ He’d much rather rot away in bed most days than even think about training, but he knows it’ll do him no good
⇶ Since he grew up with people always telling him how strong he is, he tries to gaslight himself into thinking he’s not depressed. He knows he is, but as long as he’s going about life like all is good and well, he’s not (to him at least)
⇶ His anxiety stems from getting kidnapped and having his life personally threatened on multiple occasions from such a young age
⇶ He’s always looking over his shoulder, afraid that someone is going to come out and make an attempt on his life
⇶ Katsuki would talk about it to someone, but he’s scared that getting too close to people would also put their lives in danger, and the thought of letting people know that he’s secretly weak physically pains him
⇶ As he gets older, he realizes how fucked up it all was that those things were happening to not just him, but his classmates as well. And yet, they were still expected to go back to class and act as of all was well after almost being killed not even 24 hours prior
⇶ Holds a lot of resentment towards Nezu and other higher ups, he wishes they would have at least put them through therapy after everything.
⇶ However, he doesn’t have any bad blood with Aizawa or All Might or any of his teachers over it because he understands that certain things were out of even their power, and that if they could’ve they would’ve. Some of them gave their lives protecting students, they shouldn’t be at blame
⇶ It’s not secret that Katsuki has an aggressive nature, but he is a very caring and compassionate person, and he tries to make an effort to show it even if it come off a bit harsh
⇶ Calls his friends dumb, extras, and says he hates them, but thankfully, many of them know that he doesn’t really mean it
⇶ And if they don’t know, they will eventually because his actions speak much louder than his words
⇶ Katsuki remembers birthdays, special events, always comes through when invited to things, gives thoughtful gifts, and more
⇶ He takes on all love languages (accept words of affirmation, that’ll take him some time) when giving affection towards others
⇶ The love language that takes all for him is physical touch
⇶ But unfortunately, he’s very adverse to being touched because of trauma, and only makes physical contact with family and close friends
⇶ When he does give an occasional hug, he makes it last and you’ll know it’s special (he gives really good hugs too)
⇶ It seems far fetched, but Katsuki actually doesn’t like to yell
⇶ Yes, he yells a lot, a majority of the time in fact
⇶ But it’s always over really dumb or unnecessary things, and that’s the entire point.
⇶ When Katsuki is serious about something, or genuinely angry, he hardly even raises his voice
⇶ He’s smarter than that, and knows it’ll only aggravate the situation
⇶ Very self aware, and because of that, he knows he can have a temper! Always takes a moment to himself when something upsets him, and then comes back later to talk about it properly so he can avoid blowing up at the other person
⇶ This is especially the case if it’s someone close to him, Katsuki would hate to damage a good relationship over something that can be resolved
⇶ If the other person keeps pressuring him as he’s trying to take time for himself, then yes, he will raise his voice. But it’s more firm than anything, and he does it to get them to give him space
⇶ If they keep pushing, or he just very in the heat of the moment, he will start yelling
⇶ Katsuki doesn’t like to go to bed angry either
⇶ Always make sure that his issue with someone else is resolved as quickly as possible, because if it’s not, it most likely never will be
⇶ If he’s in the wrong, he’ll acknowledges it and apologizes… in his own way
⇶ Normally, his apologies consist of him being overly attentive towards the person over the next few days until he feels like they aren’t upset with him anymore and he no longer feels guilty
⇶ On the surface level, Katsuki is your average arrogant, ambitious, hot head, but there’s a lot more to his simple facade
— MIDORIYA
⇶ Such a lover boy and hopeless romantic when it comes to relationships
⇶ Everyone knows he gets crushes easily, but a lot of them are just for the sake of slicing up his life, he doesn’t actually want a relationship with that person
⇶ Admires a lot of people from afar because of this, and he’ll gush over people he’s never even spoken a word to
⇶ It sounds corny, but he really doesn’t care about anything physically, he looks for personality
⇶ Sees no point in being attracted to someone just because they have a pretty face if their personality is awful
⇶ Likes people who kind of act like him, sweet, caring, motivated, a bit outgoing. and has similar interests
⇶ If you don’t act like him, he gravitates towards people who may contrast his personality too
⇶ You still have to be nice or at least have basic decency, but if you’re more reserved, and prefer to keep to yourself instead of being around people, he‘lil still like you
⇶ When Izuku is in a relationship, he’s a very good boyfriend
⇶ He’s attentive, always knowing what you need and what you like. He doesn’t forget dates, birthdays, or other important things
⇶ But he’ll need that energy in return or else he’ll lose interest in the relationship
⇶ Izuku has struggled with both depression and anxiety his entire life
⇶ He was always an anxious kid, and at first, Inko chopped it up to him just being a bit shy or having mood swings
⇶ But eventually, he was diagnosed with anxiety at a very very young age
⇶ It’s manageable, most days, thankfully, because his determination to do better for himself outweighs it
⇶ But his bad days are bad, to the point where they’re so debilitating that he can’t do anything but lay in bed all day in an attempt to be calm and not trigger an anxiety attack
⇶ Took medication for it at some point, but got really bad side effects from it and now chooses to just deal with it on his own
⇶ Izuku was diagnosed with depression a few years after he was diagnosed with anxiety
⇶ It developed shortly after his quirk didn’t develop, and he was being relentlessly bullied at school for being quirkless, and then coming home to see hero’s like All Might do great things while he was literally and figuratively powerless
⇶ His depression only got worse as he grew up and was still getting bullied for being quirkless
⇶ Somehow, Izuku doesn’t resent Bakugo or any of his bullies, and really doesn’t even think of them much as he gets older
⇶ For Bakugo, he doesn’t necessarily forgive him, but he learns to put it in the past for as long as Bakugo can acknowledge that what he did was wrong and can’t be taken back
⇶ As for his other bullies, he believes they’ll get whatever they deserve. He thinks they’re assholes, sure, but they were dumb kids at the time so he puts that behind him too
⇶ During the summer he spent training with All Might to inherit One For All, his mental health got better than he ever thought it would
⇶ Inko had no clue what was happening that entire time, but she could see a different light in her sons eyes and seeing him happy made her cry every night for the entire summer
⇶ Unfortunately, his mental health once again tanked when he was at UA due to all the villain attacks and the way his life was constantly being threatened more than anyone else’s
⇶ He was so exhausted all the time, and would have one or more anxiety attacks on a daily basis
⇶ Izuku is fairly emotional as is, even around others, but he keeps his deeper issues private and takes a moment to himself when even feels like he’s imploding
⇶ Wants to talk about it with someone, he really does, but he doesn’t even know where he’d begin and he doesn’t want to dump all that on anyone
⇶ Inko did put him through therapy as a kid, but he was in and out of it for various reasons, but the main one was money
⇶ Therapy is expensive, and Inko is a single mother. She put him through therapy when she could but there were times were she just couldn’t make it happen as badly as she wanted to get her son help
⇶ Once he got to UA and was very obviously doing much worse, she offered to start paying for therapy again and he completely refused
⇶ He’s always felt bad that she had to spend so much money trying to figure things out with him. Why he had no quirk, his depression, his anxiety, and therapy, he didn’t want her doing all that for him even though she felt obliged has his mother
⇶ At that point, Izuku felt like the responsibility landed on the school to make sure their students were being properly taken care of, mentally and physically, with everything they were going through during their time there
⇶ Doesn’t resent anyone for not doing anything, but he definitely wishes it was handled much better for the sake of everyone
⇶ But if you’re his s/o he will lean on you for support. He won’t tell you everything, because he doesn’t want to put all of that weight on you, but he will vent a little and cry to you
⇶ You can use him as a shoulder to lean on as well of course, and don’t think that you can’t come to him just because he’s dealing with his own things. If anything, it makes him feel better that you trust him enough to support you when you’re vulnerable
⇶ Izuku is a giver.
⇶ He gives, gives, gives, and gives without thinking about himself
⇶ Loves to give his friends little gifts, always coming back from the store with their favorite snack because he saw it on the shelf or a trinket that reminded him of them
⇶ Because he pays so much attention to detail, his gifts are always good
⇶ Insanely good at birthday gifts, if you ever don’t know what to get someone he’s the one you need to call
⇶ He will never get you a gift you don’t like, and if he somehow does, he’ll immediately replace it with w something you do like
⇶ Won’t even get the metal of your jewelry wrong, who do you think he is?
⇶ If you’re his s/o, you’ll be spoiled to death
⇶ He always pays for everything and never even lets you worry about how much it is
⇶ If you ever find out the price of something he bought you, and proceed to ask why he spent so much money on you, he’ll get upset and ask why you don’t want him spending money on you especially if it’s by choice
⇶ Gift giving and acts of service are his main love languages, so he gets very offended if you question him. It’s like asking if he even loves you, and he loves you to death.
⇶ On the other hand, Izuku gets very uncomfortable when people spend any amount of money on him or do things for him
⇶ Doesn’t even like to get birthday gifts or have people throw him parties, because he knows that means people will be spending money on him
⇶ It comes from growing up with a single mother who made just enough for them to live a decent life, he’ll always appreciate the gesture, but it will never not make him uncomfortable.
⇶ This is especially the case if you’re dating him. His birthday and holidays are the only time you’re allowed to spend your money on him, and even then you can’t spend an excessive amount
⇶ Izuku WILL get angry if you do, he won’t yell at you or anything, but he’ll huff about how you shouldn’t waste your money on him for the rest of the day
⇶ Izuku is a sweet boy, really. But as bubbly as he is even he needs someone to depend on, and in turn he’ll give you his all
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thestobingirlie · 11 months
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Somewhat tangentially related to that other ask but I wish fandom would just acknowledge that Eddie is also bully in his own right and just because he's antagonist towards jocks doesn't mean they deserve it by virtue of being jocks (no matter how much fandom likes to pretend it's warranted because Eddie is bullied himself- this is nowhere near canon and I'd go so far as to say it goes against canon if we're basing it off of Eddie's own behavior) and beyond all that; like the other asker and yourself said Eddie isn't just antagonizing jocks! He openly scorns band kids, geeks and pretty much everyone that isn't his specific brand of nerd which is not about academics so much as nerdy interest like fantasy and "non-conformist" music.
I put that in quotations because Eddie is actually probably the one that buys into the whole high school hierarchy spiel more than any other character on the show; by setting himself up as such an anti-establishment non conformist (all within the high school setting mind you we see nothing to make me believe his ideals go beyond that setting and it makes sense to me considering he's a Peter Pan archetype stuck in a state of arrested development- but I digress) because he sets himself up in such a way that his entire persona is built off of the abject refusal to adhere to societal expectations he's by and large helping to perpetuate them. He's cosplaying this attitude more than living by it because the societal norms still very much dictate how he views himself and how he approaches others.
Ironically Steve is the real deal in this regard by shucking what others expect from him and living his own life the way he wants it divorced from the excepted norms he used to let dictate him as late as mid s3 while changing the things he didn't like about himself behaviorally while still retaining his core personality and interests without the need to revise himself fully.
But because he doesn't have an alt style or interests that go against the mainstream, fandom refuses to see him in this light. He also doesn't let his new friends change his own interests nor expect them to change theirs for him.
I guess this rant makes me sound like I don't like Eddie but I do! I think fandom Eddie is entirely separate from canon Eddie however, to the point where his only recognizable qualities are his interests and aesthetic. Fandom really seems to martyr him in that regard and fully drink his kool-aid which is hilarious because it's largely performative with no substance lmao (even the "woe is me hunt the freak huh 🥺" falls flat narratively when a whole ass dead girl was found in his home).
I think the duplicitous nature of his personality and his hypocrisy (while still fully being a good guy! If you ignore the whole uh selling hard core drugs to a 17/18 year old girl who clearly never did them before thing) I think it's this dual nature and slightly shady actions while still having a caring heart and good intentions is what makes him a good character and we don't get to see that hardly ever with the way a laaaarge portion of fandom worships at his freak alter.
god, beautifully written. i agree with every single point. honestly, you anons just know how to word exactly what i’m feeling.
yes! eddie pretends like he rejects societal ideals, but he just reinforces them to the next generation. he’s built his life on being the freak, he plays it up to get attention, and to rile up his classmates. i honestly think eddie won’t know who he is post high school. which is, like you said, ironically the way the fandom tries to portray steve. but we see that he’s much more secure in himself and his life than eddie. does he have everything figured out? of course not, he’s 18!! but he knows a hell of a lot more than eddie.
but because he isn’t a nerdy outcast, the fandom would have us believe that he actually hates his life and who he is, and secretly doesn’t want to be a jock. fanon steve is honestly way more like canon eddie than i think the fandom wants to admit.
(and yeah, chrissy is found dead in his home. people aren’t just witch hunting eddie for no reason lmao)
all this is what makes canon eddie an actual interesting character!!! and the fact he (and steve) are entirely stripped of these characteristics is one of the reasons that i just can’t vibe with the fandoms rendition of steddie.
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voiddaisy · 13 days
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Rank the Batfam members based on how well you think you'd get along irl
This is so fun! Okay, so my idea of canon versus fanon is kind of messed up, but I'm going to do my best to go solely off of what I know is canon. I also went a little overboard and did some character study shit because when I tell you I love the bat family, I love the bat family.
(1) Duke Thomas. From what I know about canon, we are really alike. He has a strong moral compass, wants to help people, and can be super goofy and silly. He doesn't really take things super seriously, cares a lot about his family, and is not afraid to lie to Bruce, which I am a supporter of. I think overall we would get along the best just because we are so alike. He also just seems so chill and fun to be around, and I've made a post about this before, but he is so nonjudgmental when it comes to his friends and family, so nonchalant, and literally just the cutie patootie ever, so for sure him.
(2) Stephanie Brown. I love Steph and no one can take that away from me. She reminds me a lot of one of my sisters; She is very witty and humorous, and she is determined, stubborn, and compassionate. She tries to have a positive outlook on everything, despite everything she has been through. I think we would get along well because she is kind of my opposite in a lot of ways. She is outgoing, confrontational, and rebellious, but still vulnerable, caring, and selfless. We would kind of just be a slay duo in my opinion.
(3) Dick Grayson. If I didn't relate so much to Duke, I would definitely say I am the most like Dick. He is a perfectionist, very sarcastic, caring, and literally rocks "eldest daughter syndrome," which... same. He is also such an emotional person, and most of his emotions come out in anger because he doesn't know how to regulate them, which I can relate to. He has that personality that is so easy to banter with but also gets vulnerable, which we see a lot in the comics when it comes to his brothers. I just think our personalities would blend really easily together.
(4) Barbara Gordon. Barbara is literally that bitch. She is super intelligent, determined, hard-working, and responsible while also being empathetic, funny, independent, and wise. She takes so many of the bat kids under her wing as a mentor and tries to build them up to be better people (literally fixing what Bruce messes up). She is super funny and cool, is clearly intelligent without having to flex on it, and cares so deeply for people. If I had an older sister, I'd want her to be just like Babs, because this woman is literally gold. She isn't higher on this list just because I just connect with the other characters more, but she is still just such a good character and I love her so much.
(5) Cassandra Cain. I think I would get along well with Cass because she is a very complex person. She is silent, stoic, determined, responsible, deeply empathetic, and has self-esteem issues. I share a lot of these traits with her, but I'm more... outgoing than she is? So it would be like a bad bitch and her baddie friend situation where I am a yapper and advocate for us both when I normally wouldn't be. She'd encourage my more outgoing side to come out because of how stoic and quiet she can be. She is also like the better version of Bruce Wayne (sorry Bruce), where she still has that intense sense of justice and a strong moral compass, but because she cares so deeply about her friends and family, she puts them first, whereas Bruce kind of... struggles with that lmfao. That is just my interpretation of her, though!
(6) Jason Todd. I actually didn't plan on putting him this high on the list, but after I started typing it out, I was like... oh. I would get along with him better than I thought. Okay, so what annoys me about him is mainly his sense of justice, rebellious nature, complex moral code, and anger. However, these are all issues that stem from his insane trauma and aren't like natural-born traits of his. When he was Robin, he was very playful, witty, kind, and sweet, as a lot of people mention. Despite how he changed after the Lazurus Pit, we still see these personality traits slip through sometimes. He cares a lot about the street kids and does his best to mentor them. In the Gotham Knights cames (which apparently aren't canon but I don't care), he can be very vulnerable and kind to his brothers instead of... beating Tim half to death. Jason is a very emotional character with loyal and protective instincts, and he desires redemption so deeply that he doesn't care how it is acquired. His complexity is what makes me drawn to him, I think. To recognize him as a person who is deeply traumatized and needs positive reinforcement in his life is easy; To give that positive reinforcement is harder. But I think I could offer that to him (and I have the "I can fix him" mentality. Would I be able to fix him? No. Could I be a good friend to him? Maybe). My major qualms with him would be his skewed sense of justice and his moral code; Everything else is like typical emo behavior haha.
(7) Tim Drake. I did not expect Tim to be so low on this list, but I guess it's more of a little brother-type situation. Tim is very intelligent, analytical, determined, empathetic, and compassionate. He shares a lot of traits with Dick, where he is a natural kind of leader and has a deep resourcefulness to him. He can be very self-critical and lacks a need to take care of himself, but he is a team player and can be very responsible. He is also just kind of like... the funniest bat brother to me. It's his sarcasm and the way he picks on people, I think. While he is a good character, I just think I would get frustrated with his stubbornness very quickly. He also just has that little brother attitude that gets on my nerves. But I do think that I would be like a big sister figure to him if that makes sense? Like "you love to hate them" type of shit.
(8) Damian Wayne. Okay, to preface; Damian is just a deeply traumatized kid, so my reservations are literally just about that. I have what you would call a chronic need to fix people, and Damian would just be so easy for me to try to fix, even if I knew I couldn't. He has a skewed sense of justice, like Jason does, but is easier to convince not to kill people. He is stoic, cold, can be emotionless at times, and does not want people to take care of him. I saw some panel yesterday about Dick trying to comfort him after Bruce dies, and Damian is so choked up and doesn't want to speak about it, despite Dick being his older brother. Damian has literally been trained since birth to focus on his mission, his feelings be damned, and I would have such a hard time with that. I would just get so emotional over him and want to take care of him, and he would hate that. I just think that he wouldn't like me very much. I love Damian as a character and I love how complex he is, but he would not love me lmfao.
(9) Bruce Wayne. I knew Bruce was going to be last because there is a special place in my heart reserved for my beef with parents who fuck up their kids. Even though Bruce tries to be a good father to his kids, he is just so shit at it sometimes, and it makes me so mad. In my real life, any time my parents fuck with one of my sisters, I get so irrationally angry and want to fist-fight them. If I was around Bruce and his traumatized children, I would want to throw hands with him every time I saw him. I know that deep down, Bruce is a really good man who just wants to help people, but the way he treats his children literally just boils my blood. I would get along with him if he either didn't have children or had some deep-rooted therapy to fix his emotional constipation. I mean... we would get along fine I'm sure, I would just always have that rage, you know?
This was way longer than I intended it to be, but I have been doing so much character study lately about these people and wanted to share my opinion on each of them in a broader way. If I messed up their character in relation to DC canon... oh well. Also, I know Jason Todd is a little bitch, but he is my little bitch, so it's fine.
Thank you for the ask <3 this was so fun!!
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I hate........how sexualizing teenage superheroes is the norm in the superheroes fandom at large.Forgive me for traumadumping ig but i have really strong feelings on this as an autistic adult with a special interest in superheroes at large themselves and itself as a genre
My first hero spin was Big Hero 6.By the time it came out,i was 13 so i was allowed internet access no problem and naturally i went looking all over for content of literally everything about it but my favorite character was Hiro so he was what i searched for the most and he was LUDICRIOUSLY objectified and fetishized for his wasian heritage and when the series came out,he got an official love interest named Karmi who's 16 to his 14 and she got tons of hate from Hiro x Gogo and Hiro x Honey shippers despite them not only being college aged to his again,FOURTEEN years but we got explicit ages for them in season 2 when the Nerd Gang minus him gratuated from SFIT so they're canonically TWENTY ONE(i feel it's an important sidenote that Karmi's brownskin with a hooked nose and her VA is indonesian/chinese mixed so her heritage is obvious and as to how it contributed to her reception vs easian Gogo and blonde light-eyed Honey)
My second one was Bnha and there's been tons of discussion about the base's problem with the UA students and Himiko and i thank everyone who's posted about it deeply but my specific one is that my otp of the series was and will always be Shouto and Momo aka Todomomo even if i'm not nearly as into Bnha as i used to be because they were the first ship i actively made content for and it lasted years and that combined with me headcanoning them as bi4bi,t4t and autistic4autistic helped my egg crack and realize my own autism big time so their relathionship eternally has a big place in my heart
This means i've witnessed grown ass people saying Shouto almost touched Momo's boobs in that cap where he stopped her during their Aizawa fight(and his hand didn't even land on her chest)as a running thing and same for him acting as a macho man who rules over her body so she can't wear what she wants or exist near other men,including BAKUGOU who Momo HATES IN-TEXT,or have conflict with him because he'll just 'put her in her place as his woman' and Momo who's thee 'silk hiding steel' character and has adultification trauma that triggers her anxiety as the plot of the Todomomo starter 'Yaoyorozu Rising' with Shouto helping her with words of affirmation,healthy communication and good boundries on both sides that became the foundation of their dynamic throught the whole franchise,manga and extras,is reduced down the 'the class mom to Iida's class dad' as if she's ever even looked in his general direction and when she's rightfully earned her place as Shouto's best friend alongside Izuku himself and that is INSANELY imppressive taking into account her limited screentime.All i wanted was them being goth bf x pastel gf and getting to heal their inner child together and what i got was a nsfw Todomomo week on twitter and a certain artist drawing Momo/Dabi as an 'April Fool's' joke MULTIPLE YEARS in a row because he's also a Todoroki so it's also Todomomo lololol and i also did her with Natsuo and Fuyumi,i'm so funny!The only good thing to come out of that i started spite headcanoning Momo and Dabi as found siblings and platonic soulmates and realized i was actually on point
Then i watched Batman:Under The Red Hood when i was 19 and Jason became a character i selfship with romantically so i did the logical thing and started reading comics,starting with his.Did you know it's canon that while he dosen't exactly hunt them down specifically,he hates pedophiles and incesters so he once targeted a teacher because he was csa'ing one of his student's and expressed disgust at the thought of kissing any of his brothers based off them being brothers?You wouldn't know either of these things off fanon alone,you'd think he was creepy older guy who seeks out younger people on purpose when he dosen't seek anybody out period and that's his canon relathionships coping mechanism and it's also canon he couldn't talk to girls and pushed a guy off a roof for running a sex ring as Robin.As ROBIN,a fucking 11-15 year old Jason had that much of a moral backbone and willingness to take action in it yet everyone thinks he'd date a CHILD,even HIS OWN UNDERAGED SIBLINGS,with taking advantage of them as the appeal
I absolutely loved Into The Spiderverse as an afrolatino like Miles who was a troubled kid like he is too and i thought Gwen was super good too and Peter B's another character i selfship with romantically so naturally i was hyped for Across and the first thing the fandom did when the trailer dropped?Make a hyperpopular meme where that sweet,soft,wholesome scene where Gwen gets cheeky and looks through Miles' sketchbook and sees he's so in love with her he dedicated it's entierty to her just existing as herself into him seeing her as nothing but a sexual object with degrading features she does not have and it was a sick joke on Gwen because the boy she loves just wants her for sex and not even for what she actually looks and that just makes it even worse!!!Then there's the equally pure implied thing they did of her either stealing Hobie's sweaters because he makes her feel safe after her abusive dad kicked her out for being trans or him giving them to her to borrow as affection that ALSO got twisted into Gwen being nothing but a sex object,by people who see Hobie's age interpretation not even as a minor but in his 20s unlike how actual Ghostpunks do!!!!!!!,and don't think i haven't seen the Margo shit calling her 'thicc' and turning the girls into Miles' 'harem'
And the thing that made realize this is that it's always been like this is when i went looking for Teen Titans screenshots,first Starfire and Blackfire for me and my little sister and then ones of the animated Titans in general for my little brother because he did an edit-redraw of our DC self-inserts together using one so i got excited at how good it was and decided to ask for a few more since we have friends who have DC ocs too and we're all doing a canon rewrite fixit with them but the first results were fucking incest softcore porn and TOO DAMN MUCH horny Bbrae fanart.One of the friend's in question is like another brother to me and he's 17 and he thought there was nothing wrong with Jason/The Fenton Siblings because when i said find it triggering just in general,he tried to explain that i was 'making the wrong assumption' because a lot of people age up Danny and Jazz and he'd learned that from older DPDC fans.They literally groomed him and i'm so glad i met him and helped him unlearn that shit before he could get hurt
That's not normal.NONE of that is normal to involve children even if fictional because they're meant to be exactly like REAL kids mentally and physically and you get upset at the real ones for being upset by you doing this to them and even harrass them for it and i've had to directly defend another one of my little sibling's from harrasment from 'fandom elders' because he dared to have an opinion that 'dosen't follow the rules'.I'm sick of this,i can't stand this,this needs to DIE.There's no exaggaration over ten times the adult superheroes than they're are kid ones and you fucking ship them with eachother instead just sticking to the adults for smut.Batman and Robin were seen as a couple in ye olden times by a group of gay people not because Bruce Wayne and Dick Grayson harbord secret romantic feelings for eachother since conception or intended to later on but because that specific gay people were irl pedophiles who used being gay as a defense
I don't care if i sound childish or if nobody who this is aimed at cares,i hate all of you for this.I hate you for tarnishing my special interest,i hate you for violating the history of superheroes and the creation of sidekicks and kid heroes as role models and escapism fantasies for real kids,i hate you for beyond disrespecting that superheroes as a WHOLE were created by jewish folks and that Clark Kent,the FIRST superhero,is the protector of all innocents with a deep love for children and gets especially angry when they're hurt and is a fundemental trait he has to have or he's NOT Superman or Clark Kent Kal-El or Superdad,i hate that the sexualization of underaged supers and them being abused as 'romance' by their fucking pseudo-parents is a long running punchline.I hate you with my entire heart and soul and actual comics reading knowledge
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temperamentalaquarius · 2 months
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so what do i have to offer to get a post with a scathing comparison of fanon Tim and canon Tim? 😂 this is an official request! the amount of cardboard cutout & self-insert Tim ocs i have found in the fanfics… it’s been really bothering me lately and your “bitch i might wing” posts give me life
I'm glad ur enjoying my descent, I am too ha ha!!
And boy do I agree with you. Tim is juuust white and twinky enough(but not nearly as much as fanon Tim enjoyers seem to think) on first spec for a lot of ppl to project on, so he gets...idk let's call it diluted. Short answer is that canon Tim would drop kick fanon Tim for speaking about Jack Drake the way he does.
Long rambling analysis is that fanon Tim leans into his time as Red Robin(because it's the only Tim comic they've read IF they've read it) which was more supposed to be a story of how someone behaves when they are so deep in their grief that they literally can't see which way is up than a display of how Tim normally behaves and thinks. Everything else is just kind of.. assumed filler based off of what his wiki says. As a result Tim gets written as this shy, spineless, borderline megalomaniac child who is ignored and undervalued when in 85% of canon he's the complete opposite(nu52 Tim is a blight). Where fanon Tim is a genius prodigy, canon Tim is the average smart kid with a big mouth who chose to be a hero. He had to contend with the knowledge and fear that he is not on the level of the other heroes and adapts to it by bringing antagonists to his level instead of meeting them where they are. He's interesting because he literally has to think differently but he's written as Bruce junior for some reason.
Also, unlike most of the batfam, he has(or had) strong ties to his civilian life, and had to find a way to balance them, something that is completely ignored in fanon when that was his appeal in the first fucking place. Instead, fanon warps his parents into these grotesquely neglectful charicatures to justify the truth of Red Robin when again, Red Robin was about grief through the lens of an unreliable narrator. Jack and Janet were just... parents? They were neglectful in the way that any teenage superhero's parents have to be so that they can be a superhero on the DL, and he loved them. Taking that away takes away the impact of their deaths on him, and strips away yet another element of his character. Also, I literally cannot overstate the impact that Steph had in Tim's life. Because ppl want to ship him with other male characters, their formative and thematically integral relationship gets tossed to the side along with all of the nuance that came with it.
Because I can't stop talking I also think that fanon Tim is also probably tied with Dick when it comes to suffering from the poor attempt at TMNTing of the robins- i.e. Dick is the face, Jason's the angry one, Tim's the smart one, and Damian's the fighty one while Steph&Duke don't exist because I guess there aren't any more one word traits to assign them. Tim is very smart, yes, but hes not the smartest(because obviously area of expertise is a factor) or the best detective of the Robins- and DEF not the smartest of the Batfam by any measure of intelligence- and it certainly isn't his defining feature like fandom wants ppl to think. He's got other things to him that are more interesting.
I just blacked out for 15 minutes, is this anything?
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sleepsentry · 8 months
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Hoooooooooboyyyyyyyyy...
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I've spent most of my years in the gravity falls fandom as a kid/teen.
And I kinda resent seeing adult fans turn a comforting kids show about embracing your inner kid and not being ashamed of fun, into a dramatic, petty morality obsessed, soap opera...
Like- its really uncomfortable the way most of the adult characters are depicted in fanon, it doesn't feel "more realistic" it feels like the adult fans are kind of ashamed of any interpretation that isn't "acceptably mature".
______
For example: The way Stan and Ford are turned into the worst versions of Batman.
Stan and Ford are often depicted with a subtle but important edge that isn't necessarily present in canon.
Especially in fanworks wich focuse on them instead of the broader family.
As if their softer, goofier sides are just a front for the sake of the kids rather than fundamental parts of who they are as characters.
They're not.
They're just as important as their more "serious grown up moments"
Stan and Ford aren't adult characters in an adult show, they're adult characters in a kids show and their silliness is essential.
Their approachable, softer, kinder, moments, are vital, as authority figures in a show where the intended audience is expected to relate to the children they are responsible for.
Their vulnerability and screwing up is an important aspect of the show, showing kids that adults don't know everything and it's important to question them when they make mistakes.
"Adults are often just as afraid as you are and it's OK for them to express that, it's also important that they don't make it you're responsibility to deal with" is at the core of the way Stan, Ford and most adults in the show are depicted.
It's a comforting and affirming theme to have in a show about two kids on the brink of losing that childhood wonder, or at least afraid of losing it.
As Mabel says:
"They got... stupid. Promise me we won't get stupid."
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I've seen so many adults make these characters more "adult" to appeal to them and it isn't even bad, it's just uncomfortable... it feels wrong.
Fiddleford is another adult character that I often see treated like this:
A lot of depictions of younger fidds I've seen (especially within the context of shipping him with ford) basically turn him into a conflicted love interest lady having an affair with her negligent boss in a stupid 80s movie-
I'm not getting into how fiddauthor is being used as a "safe ship" by the broader fandom and being stripped of its nature as a character dynamic and used as a tool to excuse morality based shaming and harassment by grown adults over stupid cartoon men-with cucumber shaped noses
It gives off similar vibes to certain queer peeps appealing to homophobes by throwing less "digestible" queer people under the bus and its not that serious its cartoon shipping for fucks sake
it's so uncomfortable when you remember he's a silly little hillbilly man.
His name is FIDDLEFORD.
MC. GUCKET. (•□•)
He's got depth and serious moments for days but he's also introduced screaming and jigging and slapping a sandwich out of someone's hands.
He contains multitudes withing his vegetable shaped head.
He's not Ford's frustrated underpaid secretary (as funny as that sounds)
______
Emotional depth and maturity aren't exclusively adult things.
The bloody "Goofy Movie" isn't suddenly an adult film because it has moments of quiet maturity and melancholy, along-side the expected goofyness.
That sense of quiet maturity isn't age locked in reality and I'm so tired of it feeling like it is.
It's not wrong or bad to depict more mature things with a story and characters aimed at kids.
But I think it's very disingenuous to dismiss the lighter elements in favour of the moments that "go over kids heads" they don't.
Even if the kid doesn't understand the adult joke, they can tell something is off and it's annoying how smug grown ups are about it.
I know Gravity Falls itself has that tone so I might aswell be complaining about fire burning or ice melting.
But it's taken to such extremes that it makes my inner kid feel like grown ups are twisting one of the few things I have and making it about themselves again... that's uncomfortably personal and petty I know.
But the reality is, that's been my experience for the majority of my time in this fandom.
Only in the past few years have I grown out of the "baby fan" vibe and it's going to shape my reactions to fanworks regardless.
______
For another example cartoon characters swearing isn't bad.
But it's jarring when adult behaviours (which more often than not means behaving like an ass) are superimposed onto child friendly characters, and these behaviours are taken for granted as "more realistic and natural" it's just... like no that's not true.
There are adults who don't like swearing or drinking or smoking, there are kids I knew when I was little (11 - 14) who enjoyed doing all those things for better or worse.
Seeing Teenagers complaining about 40+ year old characters being "infantilised" or "UwU-ified" as if grown ups can't be vulnerable is just saddening.
Adult female fans complaining that male characters aren't "man enough" is kinda scary to be honest, especially when those softer depictions are usually from teens and maybe even young boys/men in my case.
The problem is behaviours and perspectives are so strictly coded and enforced that even in a sub-community of a sub-community you get people enforcing arbitrary codes of conduct or depiction.
It's a kids show.
Relax.
He said to himself as much as whoever bothered to read this far.
I'm gonna go have a glass of water and some fresh air, if you've read this far I'd recommend doing so too but also, despite the tone of this wall of text, I'm not your dad.
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