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#Writer things
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꒰ঌ Couple prompts ໒꒱
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☆ just married ☆
"honey, I need to do the groceries, be right back." "did you mean to say that we need to do the groceries? you gave up your personal space when you married me."
whenever somebody tries to flirt with them they flash their wedding ring
staring at each other/coexistening together for hours and not being bored
always needing physical (not sexual) contact (example: never letting go of each other's hands/cuddling a lot)
waking up to each other's presence
immediately cuddling when they both wake up
napping together
cooking together (either character A cooks and character B gives them all the necessary ingredients and chops some veggies, or character A cooks and character B hugs them from behind)
traveling to interesting places
hiding cute sticky notes in their s/o's clothing/bags/lunchbox
taking pictures of each other whenever they're doing anything
saying cute nothings to each other (most of the time it's cute things that are silly and make no sense)
"do you still love me?" "baby we're married." (now they have a strong argument whenever their partner "bugs" them with this oh so common question)
breakfast in bed
good morning kisses/temple kisses
hugging each other from behind
checking each other out whenever their s/o is not looking
gentle hand/wrist kisses
forehead kisses
waking each other up for work
making each other morning coffee/tea
gentle and casual conversations on weekends during breakfast
making each other lunchboxes and putting cute sticky notes on them
dancing together in the living room
dancing together in the rain/jumping in puddles
texting each other at work
always being there for each other/constant emotional support
exercising together
not having the need to go out on dates as frequently as they used to, the idea of staying at home and cooking together or relaxing with each other with a mug of coffee/tea seems more appealing now
baking together (more often than not the kitchen turns into a warzone because they love throwing flour at each other)
cleaning each other's lips with a napkin
feeding each other
sleepy kisses/cuddles
playfully biting each other's arms
writing cute poems for each other
buying each other's favorite snacks
making lunch/dinner when they come home from work while they wait for their s/o
cooking/doing chores if their s/o is not feeling well or feeling tired
reading together/reading books to each other
learning how to play an instrument together
spending more time with each other than with friends
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@largefluff <3 <3 <3 other prompts
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the-ellia-west · 2 days
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Hey writers!
I will write 10 words in book 2 for every note this post gets by May 10th
Limit of 5 comments >:]
I'll also accept suggestions in the comments or Reblogs, Book 2 is a Kasi Book but has the beginnings of Viasaki and Kila's Arcs ,and a light bit of Marril and Shyre's
It also focuses a bit on Chrin's Arc, which unlike the twins, hasn't started in Book 1
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akwardsilince · 1 day
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Person A: "Don't be stupid."
Person B: "Like. Temporarily...?"
Person A: "I mean, permanently would be nice but I'm not going to ask much of you."
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hayatheauthor · 2 days
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Creating Fear in Your Characters: A Writers Guide
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Creating authentic emotions is vital for immersive storytelling, which is why I decided to make this series on how to write different emotions. After exploring rage, and sadness it's now time to delve into fear!
Fear is a powerful emotion that can manifest in various ways, from subtle apprehension to paralyzing terror. Here's a guide on how to write fear effectively, covering different aspects of your characters' behavior and reactions.
Facial Expressions
Fear often manifests first in facial expressions, conveying the initial shock or unease. Describe these expressions to immerse readers in your character's emotional state:
Widened Eyes and Dilated Pupils: Show the eyes widening in response to a sudden threat, with dilated pupils indicating heightened alertness.
Tense Jaw and Clenched Teeth: Mention the clenching of jaw muscles or teeth, signaling internalized stress or anxiety.
Furrowed Brow and Raised Eyebrows: Describe the furrowing of the forehead and raised eyebrows, revealing worry or confusion.
Quivering Lips or Lip Biting: Note subtle lip movements like quivering or biting, reflecting nervousness or fear.
Frozen or Stiff Facial Muscles: Highlight moments of fear-induced immobility, where facial muscles become tense and rigid.
Body Language and Gestures
Fear can also be expressed through body language and gestures, showcasing your character's instinctual responses to danger or threat:
Backing Away or Recoiling: Describe your character instinctively moving backward or recoiling from the source of fear, signaling a desire to retreat.
Raised Shoulders and Tensed Posture: Show how fear causes the shoulders to rise and the body to tense up, indicating readiness for fight or flight.
Trembling Hands or Shaking Limbs: Mention the trembling of hands or shaking of limbs, reflecting nervousness or anxiety.
Covering Vulnerable Areas: Describe your character instinctively covering vulnerable areas like their neck or torso, symbolizing a protective gesture.
Fidgeting or Restlessness: Note any fidgeting or restlessness, such as tapping feet or wringing hands, as signs of inner turmoil and fear.
Vocal Cues and Dialogue
Fear can alter vocal cues and dialogue, affecting how your character speaks and communicates their emotions:
Quavering Voice or Shaky Speech: Describe the voice quivering or becoming shaky, indicating nervousness or fear.
Rapid Breathing and Gasping: Mention rapid breathing or gasping for air, showcasing the physical impact of fear on the respiratory system.
Stammering or Hesitant Speech: Note any stammering or hesitant speech patterns, reflecting the character's struggle to articulate their thoughts coherently.
Sudden Silence or Lack of Verbal Response: Show moments of sudden silence or the inability to respond verbally, highlighting the overwhelming nature of fear.
Repetitive Phrases or Vocalizations: Describe repetitive phrases or vocalizations, such as muttering prayers or chanting reassurances, as coping mechanisms in fearful situations.
Reactions and Physical Responses
Fear triggers various physical responses in your characters, showcasing the body's instinctual reactions to perceived threats:
Increased Heart Rate and Sweating: Mention the character's heart rate increasing and sweating profusely, reflecting heightened physiological arousal.
Dilated Pupils and Heightened Senses: Describe dilated pupils and heightened sensory perception, as the character's senses become more attuned to potential dangers.
Muscle Tension and Rigidity: Note muscle tension and rigidity, as the body prepares for action or defense in response to fear.
Nausea or Stomach Churning: Show how fear can lead to feelings of nausea or stomach churning, as the body's stress response impacts digestive functions.
Fight, Flight, or Freeze Response: Highlight the character's instinctual response to fear, whether it's a readiness to fight, a desire to flee, or a state of frozen immobility.
Types of Fear and Emotional Depth
Different types of fear can evoke varying emotional responses in your characters, adding depth to their portrayal and the narrative:
Startle Fear: Describe the sudden, reflexive fear triggered by unexpected events or loud noises, leading to a quick, intense reaction.
Apprehensive Fear: Show the lingering sense of unease or dread that accompanies anticipated threats or impending danger, heightening tension over time.
Terror: Depict the overwhelming, paralyzing fear that arises from extreme danger or horrifying experiences, impacting the character's ability to think or act rationally.
Phobias: Explore specific phobias that trigger irrational and intense fear responses, shaping how your character navigates their environment and interactions.
Trauma-Induced Fear: Address fear resulting from past traumas or experiences, influencing the character's behavior and emotional resilience in present situations.
Verbs and Adjectives for Writing Fear
Here's a list of verbs and adjectives to help you convey fear effectively in your writing:
Verbs: tremble, cower, gasp, quiver, shrink, freeze, recoil, sweat, pant, gulp, shudder
Adjectives: terrified, anxious, alarmed, horrified, shaken, jittery, panicked, petrified
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list-term · 4 hours
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I’ve felt kind of off about my book recently, I’ve had a lot of rejection and I’ve started to think maybe I should just quit.
But then I think: what if one day it’s real? What if one day there is an actual book in the world, with a real cover and real pages and my name written on the real spine? And what if people read it? Maybe one day there’ll be people who want to keep it perfect, who don’t even want to crack the spines, who will lament over the slightest crease to the pretty pretty cover, who’ll keep their copy on a clean, beautiful shelf so pristine and perfect, who’ll share with the pages their favourite book mark with it’s pattern or it’s quote or it’s ribbon or the thousand other things that could make it special; maybe one day there’ll be people who will fold the pages, who’ll crack the spine, who’ll panic because they accidentally dropped it in the bath, who’ll underline their favourite quotes with their favourite pencil that they always have to tell themselves to stop chewing the end of; maybe one day there’ll be people who’ll put pen against the pages, who’ll draw stars and hearts in the margins, who’ll share their every thought on every page that was worth something enough to them to write on; maybe one day there’ll be people who’ll choose the perfect coloured tabs to match the cover, who’ll create a key, who’ll deem me worthy of their favourite highlighters, who’ll be able to look at the pages of their closed copy, run their fingers over those perfect coloured tabs, and see their thoughts as they read laid out before them; maybe one day there’ll be people who’ll borrow it from libraries, who’ll wipe dust from the cover, even if it’s slightly faded with time beneath the plastic sheath who’ll write their names on a card glued neatly into the front so they are part of it forever.
What if I am lucky enough to one day see a book that is not just my soul, but the souls of readers as well?
Keep writing my loves, keep writing 🖤
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while-top-need · 3 days
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natt-writes · 1 day
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~5 Writing tips that actually help~
(These tips are meant for fiction books, especially fantasy. so if you’re writing nonfiction a decent amount of these won’t apply to you. Sorry!)
Find your writing voice.
one of the biggest issues I find in things written by beginners is a lack of emotional connection with the narration. Sure the story can be great, but without personality, without looks into the characters minds, without little quips here and there, it really isn’t all that interesting. Something that really helped me to realize this was a book called the tragical tale of birdie bloom. It’s a kids book but it honestly has such a good narrator (and storyline tbh) that you can look past the little kiddy-ness. I recommend you check the book out if you’re looking for some inspiration. I will be making a post about how to develop your writing and character voices soon so if you want some extra help with that, stay tuned!
2. Get to know your characters.
I know that you all probably already know this, but characters are one of, if not the most important part of a book. Readers don’t want to read about a flat, boring character who just feels like a vessel for the horrifying amount of trauma you add to your story. They want to read about people that feel real, people with flaws and feelings and hobbies and backstories. When I wanted to develop my characters I started going through the drafts, the plot outlines, everything and seeing what the characters did, said, felt. Then I took their basic backstory and started lining things up. Like if a character decided to get into a fight with another character, I would see what had happened to them that might have caused this. Maybe they had been abused as a child and thought that any disagreement meant they had to fight for their life. Maybe this person reminded them of a former enemy. After you start to figure out what connects the characters to the big plot points, you can then start to develop subtle things. You could start writing something, realize this situation would have triggered a character, and then drop subtle hints towards them feeling uncomfortable. Go nuts with it, after all you can never over-analyze a character.
3. Describe things uniquely.
Descriptions are what help us to understand what’s going on in a scene. They can tell us about the tasty drink a character is enjoying, the slick dress that someone is wearing or the way a characters muscles tense when a certain someone enters the room. But sometimes descriptions a fall a bit flat and that can ruin the experience for the reader. Something I always try to remember is to try and come up with new words describe something, for example; “her eyes were a beautiful shade of brown.” Is a very basic and over used description, instead you could try; “her eyes sparkled as she sat across from me, gleaming a rich chocolate shade as the light from the candles reflected off of them”. This is a much stronger sentence as it gives both environment hits and a description of the eyes, all while staying away from overused terms. I often see this theme in stories written by beginners, things being described in a very straight forward manner. And of course this is ok once in a while, especially if this isn’t a very important topic, but it still sounds better when you branch away from that basic sentence structure. I always like to use descriptive sentences to push things forward. Here is another example; “she was wearing a fluffy green dress with lots of lace. She walked over to the door and opened it.” Vs “the lacy trim of her green dress dragged on the floor as she walked towards the door. She smiled wide as she held it open, inviting her guests into the building.” Making strong sentences is very important, so please toy around with different words, structures, etc, until the sentence fits the type of book you’re trying to write.
4. Make trauma realistic.
Yes, even if you’re writing a fantasy book, characters experiences have to be realistic. Something that always gets on my nerves is when writers come up with a good idea for some trauma, so they just give to a character, even when it doesn’t suit them at all. if you are going to give a character trauma you need to explain it, set it up so it actually fits into their character arc, then have the character actually be affected by it. They can’t just randomly be like “I got shot by a dude.” And that’s it if there is no way that character could have gotten shot given their life experiences. Also if you want a character to be relatively unaffected after an extremely traumatic event you have to plan it out so that they have a specific and consistent trauma response that makes them not react shortly after an event like that. Characters are supposed to be like people, and no two people react to trauma the same way, so you do have some leeway if necessary, but people also don’t just stay the same after something horrible happens, they are affected by it and that has to be accurately portrayed. This does get easier the more you get to know the characters though, as soon you will know how they react to things and how to plan trauma that suits them.
5. Make a plot outline.
I cannot stress this enough, make a plot outline. Making a plot outline literally saved my book, and they are really easy to make! I recommend you download a spreadsheet app like XL spreadsheets or Apple numbers but you could even use google docs if you want. You want to put in all the chapters and then give each chapter at least six spots to write scenes. Add a spot for adding the main event of the chapter/a summery of what you have to write. This will help you to understand what you have to write for that chapter and how it fits into the next chapter. After that you start to fill all the scene boxes in with your plot information. Having a plot outline is great as it can be super vague and messy, but still hold all your ideas. It also helps to prevent unnecessary rewrites later, as you can just edit the plot outline before you start writing the first draft. You can even make a plot outline after you’ve started writing your book. That’s what I did and I promise, it still is very helpful. (Example of a plot outline below.)
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I'm my own target audience
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How to come up with a story based on vibes that (probably) doesn't suck aka how to come up with a plot
First, identify the vibes. Maybe you already know. If so, great! If not, well that's what I'm here for. What are books/movies/shows that have what you're trying to achieve? A song or an image? Come up with a list of as many things.
YAY now you know what vibes you want.  
Then you are going to make a list about the things (or your favorites if you have too many).  Look at themes, characters, genres, settings, style, etc.  If you have no idea where to start, pull up their wikipedia pages and read them.  Anything similar WRITE IT DOWN (you will forget, don’t lie).
Take that list and find your favorite/most common things.  These will be what gives you your vibe.  
Take this list and invent a little guy who lives in this list.  YAY now you have a character.  What does this guy want?
It wants to live.
Now look at me.  No.  Look at me in the eyes.  Stare into my soul.  
You’re gonna let him live.  
Use your vibe list to create a little world.  Do you mostly like horror/mystery?  BAM this guy lives in a horror/mystery.   Do you mostly like historical fiction? BAM this guy lives in the past.  Do you like dystopian things? BAM this guy lives in a dystopian world.  Do this with whatever genre you want.
Now what does this guy in this world want most?
And how are you going to do everything in your power to stop him?
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Yourself > Writing.
༺𖤐๋࣭ ⭑🕸🦇🕸๋࣭ ⭑๋࣭ 𖤐༻
Writing is great. We love writing, but you come first! Stop staying up all night to write. Stop forcing yourself to write. Stop forgetting to eat because you were in the zone.I have yet to find a practical way to write from the grave, so just stay out of it!
Take care of yourself, and reward yourself for your hard work!
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margaret-the-duck · 13 hours
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the-ellia-west · 1 day
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Here, Have a Sneak-peek
I love how Marril's Intro perfectly conveys his personality
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Marril brushed the tips of his gloved fingers over the paper, grabbed the upper corner, and folded the crease open. The Assassin scanned it once more and scoffed as he crumpled it. A foolish attempt at tricking him. 
Keresan’s name had never been whispered in the alleys of the black market, nor printed on a card. With that level of obscurity,  he couldn’t be the noble he claimed to be. Marril had been suspicious from the moment he’d laid eyes upon the chaotic handwriting. But the address made it obvious as a butterfly trying to hide among rocks that this was a trick. Abandoned for years, every criminal and noble in the city gossiped superstitions about the old place over tea and whispers. 
A scowl darkened his face at the mere thought of a client as he blew a strand of long raven hair from his face. Hundreds of lectures about morals, monsters, and murder from people who thought money was an adequate exchange for a man’s life. But everyone who’d summoned him always needed him for something. His blade-bearing hands had seen their fair share of blood, but no matter how well those nobles scrubbed their skin clean, he could always see the streaks of scarlet between their elegant fingers.
Marril fixed his lips into a false smile as he stepped up to the door, muttering to himself under his breath. “Vatsú maravi fala kún ge pé'delzhua kún'a. Time to eat fish from a bloody fisherman I suppose.” He knocked.
The old, cracked door creaked open, revealing a man with pale lips and a waxy smile a few feet beyond the threshold. He examined the Assassin with sharp scrutiny before he spoke. “Honrul said he’d get me the best. That’s you I assume?” 
Marril squinted at the man, eyeing his hands where a strange translucent skin stretched up to the bottom of the nails. The man hid his strange hand behind his back. Slitted pupils in his clear ocean eyes watched the Caliskian closely as his lips twisted into a snarl, showing the teeth of a carnivore. “Don’t you know it’s rude to stare?”
The Assassin narrowed his eyes. 
“Insolent. Answer me.” 
Marril raised his head and looked down on the man. He swore at him in his native language. “Your comfort is not what I was hired for.”
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akwardsilince · 2 days
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Person A: "Are you not angry?"
Person B: "Oh, I'm livid."
Person A: "But you don't... look like you are?"
Person B: "That's because I have a good temper. Take notes."
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Prompt #36
"You have a weird taste in men."
"I have the best taste in men."
@largefluff this one is for you xD <3
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words-on-pa-per · 1 day
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“Why? You know it’s going to hurt.”
“Because it feels so good now. It’ll hurt a tenfold later, but I would sacrifice the world just to keep a fraction of what I feel now.”
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