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#I thought it meant they were endgame
alexinyell0w · 2 years
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sucker for Mike and Will awkward interactions. the air port scene? LOVED THAT SHIT. ATE IT UP. the scene where Will is standing behind Mike and El at the reunion? DEVORED IT. when Jonathan looked back at Will struggling to find words to tell Mike how important he is to him in the van? SURVIVED OFF OF THAT FOR WEEKS. the dinner scene?? IM EATING THE SCRAPS OFF THE TABLE.
why? souly because it's all going to lead up to some sort of awkward scene in season 5 where one of them can't handle the second hand embarrassment or both can't stand the tension and they collapse into each other's arms. I don't make the rules, however, I enforce them.
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halforcdad · 1 year
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I watched POI when it already finished airing so whenever I see someone said they watched it when it was still airing I went
Oh honey
Oh dear
Oh sweetie
You watched it live?? You watched 5x10 live?? Not knowing whats going to happen??? *Give you a hug*
I already know what was coming and still that episode left me heart broken just shattered emotionally (which is to say, also, that good writing can still make an impact even when the audience knows what's going to happen so take notes Marvel)
On another note, the 4x11 self-sacrifice lives in my head rent-free. "If you die die for something that you love" and "i'm a sociopath i dont have feelings" then she goes and kisses Root and saves them all I am on the floor bawling
the funny part is i saw bts photos from the finale that showed root and reese together and i naively thought, 'ok cool they still might die, but at least they survive until the end' and the writers really said Lol. but considering the type of show it was (and what happened to carter) and how dire things were going in s4-s5 i kinda prepared for character deaths leading up to the season. it left me numb and sad for a while, but i dont remember being extremely devastated about it. all the stuff we got with shaw dealing with it afterwards, however, that shit hurt bad. and unfortunately i love angst a lot (the writers were very good at writing sad stuff!)
my main complaint is that the death was so sudden and kinda anticlimatic (but i guess there has to be one of those to further stress how much their backs were against the wall). everyone else in the show gets a poetic death/sacrifice scene and in carter's case, at least she was killed by a significant villain in her arc and we're allowed to really feel the pain and consequences of her death, root gets taken out by a guy who started the job like two weeks ago and no time to mourn bc we're in a war Lol (and they had to rub salt in the wounds by showing us her for-sure dead body and telling us samaritan dug it up to get her implant, which while realistic, was brutal).
i feel like a lot of people talk about it as one of the worst writing decisions, but i can see why they chose to keep root's fate the same. yes, it sucked to losing a wlw character (especially when that was so close to clexa, if im not getting my times wrong), but i don't believe lgbt media should only be happy, soft stuff and that lgbt characters should be plot armor protected always. i still found a lot of meaning and emotion in the ending we got with shaw carrying on the work her team left behind with the machine and having some small piece of root to hold on to (and shaw being the only one next to fusco who never really had a lot of direct contact with the machine, getting the chance now to work closely with it and understand root more maybe that way). the show was always dealing with death/loss and grief and emphasizing how people still leave significant legacies behind and stay with us even if it's just the influence and impact they left on their surviving loved ones. i would still prefer if it had ended differently, but at least I could understand the message they were going for.
ill never stop loving 4x11 it's genuinely one of my favorite tv episodes ever. poi was very good at normalising shaw's apd and everything they did with shaw and especially what they did in the aftermath of that episode ripped me to shreds (her telling simulation root that she was her safe place and then telling real root she'd rather die than get them all killed, that made me totally normal). shaw getting the big emotional, meaningful moments in 4x11 (in the machine's simulation when she shows root one last act of kindness with 'maybe someday', the subway scene with the bomber, and of course the ending scene) was so important and well done. and root's slow-moed reactions at the end were gut-wrenching i must have rewatched that scene maybe 1000 times.
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erwinsvow · 3 months
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𝐬𝐮𝐢𝐭 𝐭𝐡𝐞 𝐦𝐨𝐨𝐝 𝐨𝐟 𝐦𝐲 𝐬𝐨𝐮𝐥
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summary: you were a pogue, and now you're a kook. just like how once you were no one's, and now you're rafe cameron's.
author's note: here it is!!! imagine like s1 rafe with the s2 hair, and basically just having a former-pogue girlfriend through out the whole season. i just think rafe would actually be such a good boyf, he just needs someone to settle him down when he gets a lil crazy. follows the sequence of s1 until about 3/4ths down, where i just started making stuff up. you might read this & think no one would act like this.. and that's fine, i know they wouldn't, but this is a self indulgent story for rafe <3 part 2 of the other seasons maybe? enjoy!!
now spinning: black beauty by lana del rey (soooooo rafe coded! he just needs a hug and some pussy!)
word count: 13.5k
warnings/tags: wheeze is a toddler for no reason. reader isn't the biggest fan of the pogues at this point in time. smut: oral (f receiving), fingering, degregation, use of daddy, rafe calls reader kid because <3, lemme know if i forgot something!
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“So that’s it? Really? Your mom is marrying a Kook and you’re moving across the island… just like that?” John B speaks to you as if you had any choice in the matter. You look at him sadly, but you’ve cried so much the last few days, it’s hard to find any more tears.  
You want to tell him, want to explain everything. The way your mom has been so lonely for years, ever since your dad passed away. The way she would pull double-shifts every week just to make sure you had the nice, trendy shoes and hot dinner every night. The way you grew up in the cut but it never felt any different than growing up in figure eight, because she took care of you.
And now it was your turn, to take care of her. Blake Richards was rich, and he wanted to take care of your mom, which meant for the first time in a long time, she would be the one being taken care of. And you owed that to her, you owed that much.
“I-I don’t really have a choice, John B. I mean, this is my mom. And she’s getting her chance to be happy. I can’t ruin it for her.”
“Yeah, I get all that but, like, does this mean you’re gonna go full-Kook on us? Because I think that would just be disturbing,” JJ says, and you crack a smile, even as you feel a tear spill down your cheek. 
“I don’t think I could ever go full-Kook.” It comes out quietly, a notch above a whisper.
“Hey, hey,” you hear John’s voice again, as he stands up to get closer to you. You feel embarrassed, the way your cheeks flush and heat up when he’s only a few inches away from you. He wipes the tear away with his thumb. “No crying, okay? Nothing has to change.”
The way he says it, you almost believe him.
“Right,” you say, still quiet. There’s a sob stuck behind your throat, and you don’t want the boys to know how upset you really are. You’ve stitched up these boys more times than you can count, set shoulders and bones and nursed bruises for them. “Nothing has to change,” you repeat, trying to convince yourself. Everything was about to change, starting with your relationship with them.
And that’s the one thing you wish could stay the same. Deep down, no matter how many times you were teased and laughed with, there was a part of you, buried away, that thought you would end up with one of these boys one day. Sweet John, funny JJ, smart Pope. Well, maybe not Pope. You’ve seen the way he stares at Kie, even when no one else notices.
But John and JJ, the possibility of being with one of them always lingered in the air. Even when they’re flirting with tourists or cracking so-called boy jokes that you just wouldn’t understand, you always thought they were your endgame.
If only you knew. 
Pope and Kiara drive up, just as you’re wiping away another tear. You’re dreading repeating everything to them, shedding more tears. 
౨ৎ
“Who is that?” Topper asks, eyeing some girl entering the club. Rafe was getting sick of Topper crying over every pretty girl he saw on the street when he was supposedly dating his sister. He hardly cared about Sarah, daddy’s favorite, but that was his family, and he wouldn’t tolerate disrespect to his family. 
“She must be fresh meat,” Kelce says, “I’ve never seen her before.”
“Tourist?” Topper questions. Rafe downs the rest of his drink. 
“Nah, man, see that guy ahead of her? That’s Blake Richards. My dad works with him, he’s a big finance guy. He’s a widower, but I guess not anymore.” 
“Step-daughter? Jesus,” Topper says. “It’s like a cheesy porno. But I wouldn’t be surprised if he married her mom to tap that, I mean-”
“Enough,” Rafe snaps. “Shouldn’t you be in a fight with my sister?” Topper blanches. 
“I mean, look at her Rafe. That is something special,” Kelce says, and then finally, Rafe lifts his head to look at you.
You look… confused. Your head is turning, taking in everything about the club, like you’d never been there before. A waiter comes up to your family with tall glasses of water, little pieces of cucumber and lemon floating around in them with ice cubes. Richards—your step-father—takes a glass and hands it to a woman who can only be your mother, with the same hair and complexion. Before he can take a glass to hand to you, you take it from the tray yourself, smiling and saying thank you. The waiter, some teenage Pogue, blushes at your affection.
When you start walking, continuing the tour, the waiter turns to look at you walk away, gawking like men do when they see something pretty. Rafe feels an overwhelming urge to punch the kid, and cover you up with his jacket. 
You’re not in anything too immodest, compared to what he’s seeing girls at the club walking around in, but it feels like it’s too much for the leering eyes that follow you. Your jean skirt comes down a little less than half-way to your thighs. Your shirt is white, with puffy sleeves and little buttons that tighten around the chest.
He sees a glimpse of cleavage, which makes his chest tighten uncomfortably, not in the way he’s used to when he sees a pretty girl. He wants to take his shirt off his back and slide it onto you, buttoning it up all the way and making sure no one else looks at you the way he’s looking at you right now.
“Rafe?” his friend calls, and he’s not sure which one. In your glancing, you turn towards Rafe and you lock eyes for a second. You must have noticed him staring. You probably think he’s crazy, but he doesn’t seem to care much at the moment. Your mother must have beckoned you, because you turn away in a second, walking towards the older couple, trailing behind them again.
“Be right back,” he says, leaving a confused Topper and Kelce behind him at the table. He cuts through the tables near the bar, entering the walkway where your family is already, but coming out of the other end. He gets there just in time to run into Richards, who’s leading the little group.
“Hi, Mr. Richards, right?” he says, holding his hand out. “Rafe Cameron.”
“Oh, Rafe, hi,” the older man replies, shaking his hand. Rafe grips hard, making sure Richards doesn’t think he has a wimpy handshake. Otherwise he’s never gonna agree to what Rafe has in mind. “I haven’t seen you in years, I mean you were half your height last time I was over at Tannyhill.”
“Crazy, right? Well I just wanted to say hi since I ran into you. How’s, uh Benny and Brax?” 
“I can’t believe you remember them, they haven’t been to Kildare in years. They’re good, yeah, Benny’s in California now, and Brax is out at law school, at Oxford.”
“Oh yeah, international law, right?”
“Yeah,” Richards says, smiling wide. “You’ve got quite a memory, son, I’ll have to tell Rafe when I see him.”
“Oh yeah, he’s around here somewhere.” Then, he makes his move. He turns his gaze to your mom first. He thinks about it briefly, but if he addresses you before her, your mom will be on guard. He knows how their minds work. “I don’t believe we’ve met before, I’m Rafe,” and he shakes your mom’s hand, but turns back to Richards for the introduction—something else in his little cheat-sheet of rules. Let dad do the talking, so he feels like he’s in control. 
“Rafe, this is my wife, Anna-”
“Nice to meet you, Rafe,” your mom smiles at him sweetly, and he smiles back. 
“-and my step-daughter.” You smile, and hold your hand out. He shakes your hand, gently, and looks at your face, because he can tell the smile is forced. He wonders why. 
“Nice to meet you.” he says, and you smile that forced way again.
“You too, Rafe.” You let go of his hand, and it’s good, because if he held on any longer, the adults would get suspicious.
“First time here?” he questions, still looking at you.
“Yes,” your mother answers, laughing, if not a little uncomfortably. “Is it that obvious?”
“Nah, it’s a lot to take in, I remember that much.” Richards smiles at him, almost beaming. He knows Rafe has been coming here since he could walk. That means the old man appreciates him trying to comfort his new family. Another step closer.
“It is,” Anna says, looking at her daughter. She has those worried eyes, the one Ward’s new wife won’t stop looking at him with. 
“Well, it’s the perfect place to be all summer. I mean, pretty much everyone our age is at the pool or the courts.” At his mention of the both of you, you look up from staring at your shoes quickly to looking right at him. He smiles. You don’t smile back. 
“Really?” Richards asks, still openly friendly.
“I mean yeah, Mister R, I remember Benny on the golf course, like, everyday. And Brax, I mean he practically taught half of us how to swim.” Richards nods and laughs, continuing small talk about his sons. Rafe sneaks another glance at you, and you look back knowingly, like you can smell his intentions from a mile away. 
“Honey?” your mom asks quietly. “Do you wanna go with Rafe?”
“What?” you reply quickly, surprised. You weren’t listening, and he tries hard not to laugh.
“Well, I can take you ‘round, introduce you to everyone. I’ll finish the tour if you and Mrs. Richards are heading up to the course?” He nods at the golf clothes your parents have on, that you are lacking. 
“I think that sounds great, right, honey?” Anna presses, and after you lock eyes with her, you nod in agreement.
“Yeah, sure,” you say quietly. Rafe smiles again.
“Great, great, yeah. Well, it was great to see you Mister R. Missus R.”
“Thank you, Rafe. Kiddo, you can ask for the car to go home when you’re ready, okay? Your mother and I are going to get dinner here.” Anna looks up confused, probably wondering how they’ll get back.
“I’ll call someone to bring the car back, honey,” he explains, and your mom smiles.
“I can also take her back,” Rafe interjects. “Tannyhill is the same direction, and I’m headed back anyways. If you wanna leave the car here.”
“Really, Rafe, that would be great, thank you.” You look even angrier than before, but the plastic smile spread over your face doesn’t faze them.
“Right, thanks, Blake. Bye mom,” you say, and then lean over to kiss her on the cheek.
You watch them walk away, chewing your cheek and turning back to Rafe with anger splashed all over your pretty features. 
“I can’t believe that worked on them,” you tell him quietly, smiling when your mom turns back to look at you before they turn the corner. Your parents were too gullible sometimes.
“Yeah, me either, kid.”
“Don’t call me that,” you reply right away. “And despite what you think, I’m not touring this place with you. I’m probably never coming back here after today.” You start walking away, in the opposite direction of your parents, when he chases behind you.
“Y’know, I don’t get you. Every girl your age lounges around here all day, and everyone else wishes they could.”
“Well, you know what they say,” you start, smiling sweetly, though he sees through it again. “Idle hands are the devil’s workshop.”
“Really?” he shrugs. “Never heard that before.”
“Yeah, you wouldn’t have.” 
“Come on, you’re not even giving me a chance. You don’t even know me.” You laugh at that.
“Yes, I do, Rafe, you just don’t recognize me.” You continue your brisk pace, looking for the exit and getting closer. He reaches out to grab your forearm, holding you back for a second. He guides you into the corner, between the hallway where there’s no one else around.
“Yeah, that so?” Rafe is almost caging you in. He’s so close you can smell his cologne and the scotch on his lips.
“I’m from Kildare, Rafe.” You try to break free of his grip, but it proves even harder than you thought. He holds you in place without even breaking a sweat.
“No, no, no, because I know every pretty girl in Kildare. And you’ve definitely never been here before, so-”
“Really? Even the ones from the cut?” You thought that would be enough to get him to drop your arm, but he doesn’t budge.
“Huh. So that’s why you’ve never been here. Old Man Richards married a Pogue and made her daughter into a Kook? Did I get that right?”
“I’m not a Kook,” you say, squirming, because you still don’t want to be trapped by him. His cologne smells good, your mind wanders and thinks, like ocean air and sandalwood. You snap out of it at once.
“Not yet, you’re not.” 
“I’m not going to be, either. A little money isn’t going to change anything for me.”
“Yeah, yeah, kid. That’s what everyone says, ‘til it does.”
“Rafe, let go of me, I said let go-” And he does let go, quickly, and your arm falls. Faint red marks appeared when he was holding on, what can only be a bruise tomorrow. He’s marked you, and you’re not half as angry as you would have thought. 
“Come on, kid, we’re finishing this tour. I promised,” he says, and the last bit is so mocking, you can’t believe mom and Blake fell for his act. 
He takes you around the entire club, shows you the restaurants, the spa, the pool. At least a handful of girls stare at the two of you walking side by side, but Rafe doesn’t look back at anyone. You don’t know how to feel about that.
The oldest Cameron isn’t a mystery to anyone in Kildare, but you don’t know anything about him besides what the boys have told you. JJ hates him, naturally, John doesn’t let you look at him in passing, and even Pope can find a few bad things to say. But right now, he’s not doing any of those things you would have expected once he found out you and your mom are from the other side of the island. The crude jokes and gold-digger comments are nowhere to be heard.
But you can’t write him off completely yet. After all, this is Rafe Cameron.
He finishes the tour on the golf course, so you can wave to your parents on the course. You’re sipping on a lemonade through a little pink straw, and he finds it hard to look away when your cheeks hollow to draw up the liquid. Your mom and Blake wave back, and you smile—genuinely—for maybe the third time that morning. 
“They’re good together,” Rafe comments, on the walk back to the front door, where his truck is waiting. 
“Do you really think that?” you ask quietly. You’re tired, he can tell, drained from trying so hard to make sure he knows you hate him. 
“Yeah, kid, I do. He’s been a widower basically my whole life. And he married your mom, so he must really love her.”
You can’t tell if he’s just saying it to get on your good side. You hope he’s not. Through all of this, all the crying and the suffering and how much you miss your old life and your friends, if your mom doesn’t at least end up happy, it’ll all have been for nothing. You feel more tears brewing.
“Thanks, Rafe,” you end up saying quietly, as you put on the seat belt in the passenger seat of his truck. His music plays softly in the background of the drive - rap, something you've heard before but can't place - back to Blake’s house. With your window down, you stare out of it and try to pay attention to the breeze in your hair rather than the entirely overwhelming scent of Rafe, which is all-consuming in his car.
Rafe turns to look at you every few minutes. You look perfectly in place in his car, leaning against the panel with your eyes closed. That means you trust him, even though every word you say makes him think otherwise.
Your eyes flutter open when he puts the car in park, outside the door to your house. 
“Home sweet home, kid,” you hear his voice in your ear, but he sounds closer than he should be. When you turn to look, he’s leaning over you and so close to you, you feel the heat radiating from his body. 
“What’re you doing?” you ask quickly, heartbeat picking up and rocketing off. 
“M’just getting the door for you, kid.” His arm flexes, only an inch or two away from your chest, pulling the handle and swinging open the door. He leans back into his seat, smirking. “Why, what'd ya think I was gonna do?”
You let out a breath you didn’t realize you were holding in and swallow uncomfortably. Your throat feels dry and your palms are suddenly clammy.
“Nothing.” 
“Sure. Whatever you say.”
You climb out of his car, shoes hitting the ground a little too hard. He strains his neck, trying to make sure you’re okay. 
“Thanks for the ride,” you say, not meeting his eyes, closing the door behind you. 
“Anytime, kid. I’ll be seeing you around.”
You thought he would take over the second the passenger-side door was shut, but he doesn’t. He stays and watches you fix your skirt that had ridden-up on the drive, and walk into the front door, glancing behind you, just for a second, before going inside. And then you hear the roar of the engine, only after the door was closed and you were safely inside.
౨ৎ
You didn’t take it literally, that you would be seeing him again. Rafe seems like the type to play with his toys and get bored before long, but true to his word, you see him days later. And to his luck, you were feeling even worse than the first time you met him.
The morning started like any other—showering in a bathroom that’s just yours, and no one else’s, and attached to your bedroom. You can hardly remember the years when your dad was alive, but after he passed, you and your mom moved into a tiny two-bed, one-bath with your mom’s best friend. You were there for the next five years, until she got married and moved out, and it was just the two of you. But even in all the years since, you’ve never had your own bathroom until now. 
You shower as long as you want, whenever you want. Your room is in a completely different hallway than the master, where Blake and your mom sleep. You blast music at night, singing along off-tune from the bathroom, and would stay on the phone for hours with your friends. If anyone answered your calls anymore. 
It’s been three weeks since you broke the news to everyone that you were moving. Two weeks since you actually moved. One week since Rafe walked you around the country club and drove you back home, like you belonged to him. In that time, you’ve driven down to the Chateau twice, walked by Kie’s house, which is now just a few blocks away, and texted multiple times—all with no responses. At first you panic, thinking something’s happened, but then you realize this was what always happened. When you’re off on an adventure, you don’t think about who’s waiting for you back at home.
That’s what’s running through your mind when you run into Rafe again that day.
You had showered without interruption, taking your time doing your hair up just because you felt like it. There was no work to be done, no chores assigned to you anymore. Breakfast was always prepared when you went downstairs, so you took your time getting ready now. 
You missed a lot of things about your old life, but the limited time and constant rushing and anxiety were not among them. 
Your clothes were picked out with the anticipation of seeing your best friends again, your favorite overalls from the thrift store—which had been bought when you were still two sizes too small for them, and had been baggy on you until last year, but they were such a steal your mother refused to let you put them back—and a yellow shirt to match your ratty, yellow converse. They had been washed so many times they were more brown than yellow, but it didn’t matter much. 
This outfit was the old you, and it brought up feelings inside you that nothing in figure eight could change. You wore it because you wouldn’t look any different to your friends in this outfit, and for maybe a few hours, you wouldn’t be the girl in the fancy house with the country club membership anymore.
“You look nice, sweetie,” your mom says, when you head downstairs. She’s drinking her coffee at the table, your step-dad nowhere to be found. It’s eleven in the morning and she’s just woken up too, in her robe and slippers, and you smile, watching her more relaxed than you’ve seen in years.
You swing by her side of the table to give her a kiss, and steal a piece of toast from her plate. You’re relieved she doesn’t mention your clothes, not when she keeps offering to take you shopping with Blake’s money, which you keep refusing, but is getting more tempting every time you step in a puddle in these shoes.
“Thanks mom, I’m going to see the boys and Kie, I’ll be back later, don’t wait up!” and with that you’re gone, before you can discern the disapproving look in her eyes. 
Your junky old car, older than you by several years and still somehow the nicest thing you own—used to own, a voice chirps in the back of your head—is hidden around several fancy cars in the driveway. It’s intentional, you’re sure, and likely your mother’s doing. Nothing embarrassed her more than you handing out constant reminders of your old life to everyone around you.
And then you’re on the way to the Chateau, windows down and no music, since there was no way to connect your phone and the radio was busted by Pope a year ago, who claims he was trying to fix it. 
But it’s what happens when you get there that embarasses you the most—no one’s there, and no one will answer your call. You wait around for a half hour, trying to see if they come back, but they don’t. 
And that’s when it hits you. They were off on their adventures, and you weren’t just down the street anymore, which meant you weren’t invited. You get back in your car and slam the door, humiliated, tears falling down your face and probably ruining the makeup you had done, stupidly, this morning, because you wanted to look nice for them, like your old self for them. You don’t realize until later, after you were done crying, and seen Rafe again, that your friends didn’t want to bother you while you were adjusting to your new life. 
You feel betrayed, and the words that John had told you rattle through your head, because he was wrong. Everything had changed, and nothing would be the same. 
You take off, heading back home. There’s a big storm brewing and your Accord gets dramatic in the rain. It’s not until you cross the border back into figure eight that you realize two things. One, that you had just thought of your new house as home for the first time. And two, that you had never felt more alone. 
There’s not much to do about either of these feelings, besides stopping for the biggest bowl of ice cream you can reasonably carry back home, and eating it in your room, crying and watching You’ve Got Mail for the hundredth time.
So that’s what you do, pulling into the ice cream shop closest to home. Your car also doesn’t have the greatest functioning air conditioner, and you don’t need any more questionable stains in your seats, considering how many times JJ had borrowed it and returned it, promising you it’s nothing and that that spot in the back seat was always there!
In line, tapping your foot, calling your mom’s cell. Your eyes are puffy and your nose is red from crying. She’s not answering, but the unspoken rule of your little family is to always, always call when you’re getting ice cream in case the other wants something. You’ve only been gone something like two hours, and you can’t imagine what she’s doing that she can’t answer your phone. You dial Blake’s number, hoping he answers instead, and while it’s ringing you realize it’s your turn to order. You haven’t even looked at the menu yet. 
You turn to the people behind you, telling them they can go in front, but when you look up from your phone, you almost drop it. 
Of course it’s Rafe Cameron behind you. Of course. Who else would it be? Who else would keep catching you at your lowest moments? He’s with a little girl, who can’t be older than four or five, with dark hair and glasses, holding his hand patiently while staring up at you, while you stare at him and he stares back.
“Rafe, she said we can go in front,” she says, tugging on the hand she’s holding. 
“Yeah, Wheeze, I heard. Let’s go order and then thank this nice girl for letting us go ahead, right?” The little girl nods, and follows him up to order. Rafe looks back at you but then your step-dad answers, so you turn away, cheeks heating up. You don’t want him to see.
“Hi, what’s going on?” you hear his voice through the phone, sort of staticky and jumbled. 
“Hi, Blake, I just wanted to ask if you and mom wanted ice cream? I’m at the place… yeah, the one near the house.”
“Oh, yes, let me ask her, one second-” You hear him put the phone down, or cover the mic, and then, “Honey! Kiddo’s asking if you want ice cream.” 
You feel yourself soften a little bit at the nickname. And then you hear your mom and Blake talking back and forth, for what feels like ages. The girl behind the counter looks at you with a glare and you try to look back at her with an apologetic smile, but you’re a little fed-up from the emotional turmoil you’ve just endured. 
“Hi, sweetie, I’m okay, I had some at the club with lunch and twice in a day is just not a good idea-”
“Just get it, who cares? We can have it later tonight too-”
“What if the power goes out? It’ll melt, and then it’s just a waste of money-” Crap. You hadn’t thought of that.
“We have generators for that.” Blake picks up the phone again. “Hey, kiddo, get your mom her usual and make sure you use the card I gave you, okay?”
You hang up the phone, smiling, and then order. It feels weird, being oddly comforted by someone other than your mom or your friends for once. In your distraction, you don’t see Rafe and the little girl hovering near the freezer window that showcases all the ice cream they offer. When you’re reaching for the shiny black Amex, you hear him again. 
“I got it, kid,” Rafe says, pressing his matching card against the reader and pushing your wrist down and away. He does it so easily, without trying, just like he did in the country club. You look up at him stupidly, brain not registering what he just did and why he did it, and you don’t move for a moment. You don’t move until he leans down a little, close enough to smell that enticing cologne again but not nearly close enough. 
“I think the words you’re looking for are ‘thank you’. And you should probably get out of the way.” You blink back up at him, and he’s smirking again. You feel kind of stupid, the way he’s talking to you, but you also don’t mind as much as you thought you would. The girl behind the counter yells out Next! and that’s when Rafe takes you by the arm, just above where he had bruised you, and moves you away himself.
“You okay, kid?” he asks, and you feel yourself melt like ice cream left in your car for too long. You don’t know if he really means it, or if he really cares, but you do know Rafe Cameron needs to stop talking to you like he likes you, or you’re going to be in trouble.
“Fine, yeah. Thanks, uh, thanks for the ice cream.” You’re still blinking slowly, stupidly, stuck in a daze. You should really get it together around him. It’s a little pathetic if a strong grip and a couple of nice actions gets you acting like this. That’s a problem for another day right now.
“Is she okay, Rafe?” the little girl asks quietly from beside him. 
“No idea, Wheezie. Why don’t you sit and eat your ice cream?” he replies, and she sits down a few tables away, beginning to shovel chocolate ice cream with a tiny wooden spoon.
“Hey,” he says, and you begin to snap out of it. It’s raining outside now. You hear the pitter-patter of the drops on the roof. “Are you okay?”
“Yeah, yes. I am. I just had a bad morning. Sorry.” But you don’t know what you’re apologizing for.
“Well, are you gonna talk about it and shit? ‘Cause I don’t know you that well yet but you’re kinda freaking me out right now.”
“I-I…I just-”
“You, you, you just?” he mocks, and then when tears fill your pretty eyes and he sees one slip down your face, his own eyes panic briefly. “Hey, hey, I was just joking, kid-” He pulls out a colorful chair for you, and sits you down next to Wheezie, who is still eating ice cream at an alarming rate. Your ice cream is ready at the counter, and he brings it down next to you, holding his own strawberry cone in his hand. 
“Hold this for me Wheeze,” he says, not really asking, and the little girl shakes her head right away.
“How’m I gonna eat mine then?” 
“Wheezie,” Rafe says, in a voice that you haven’t heard him use before—and then you realize how stupid you sound. You’ve talked with him twice, you don’t know anything about the voices he uses or how he sounds when he’s talking to this girl who can only be his little sister. 
“Can I have some?” Wheezie propositions back, and Rafe nods. “Okay!” she says, taking a bite of the scoop with her front teeth.
“So, y’gonna tell me what’s going on or am I gonna have to guess everything?” 
“My friends, I just keep missing them, or they keep missing me, maybe. I just wanted to see them. It’s really lonely here, that’s all.” You’re staring into his eyes, his really, really blue eyes that are currently a little alarmed and concerned, and the fact that they’re that way for you is making you a little dizzy. 
“Yeah, I get that. Sorry, kid, that’s the lay of the land, right? Not a Pogue anymore, are you?” 
“I don’t know what I am.” You feel silly and embarrassed for pouring your heart out over ice cream with Rafe Cameron. He doesn’t know you, and he never will.
“Well, right now you have a choice. You can sit here and eat ice cream with us, or you can go home and cry about it alone. But if you choose the second one, Richards and Anna will see you, or hear you, and ask about it. And I’m not gonna keep asking if you don’t wanna talk. So pick one before this shi-stuff melts, okay?” 
You nod dumbly again. You’d like to turn your brain off and let Rafe decide for you. 
“I need a spoon.” He smiles, not smirks, for a second, before getting up to get you a spoon.
A few things float through your mind while you eat ice cream with the Camerons. First, Rafe remembers your mom’s name. Second, Rafe doesn’t swear in front of his kid sister. And third, and most important of all, Rafe Cameron cares about you.
“That’s a lot of ice cream,” Wheeze, or rather—as you’ve just learned—Wheezie, comments.
“I was feeling really sad,” you reply, shoving another spoonful into your mouth, watching the little girl eye your peanut and chocolate ice cream inquisitively. “You’ll understand someday.”
“Boy problems?” she asks, and you can’t help but crack a smile. Rafe looks up from his phone momentarily 
“Not really, but a good guess. This would also apply to that situation.”
“My sister’s always got boy problems.”
“Really?” you ask, and then look up Rafe. “You have another sister?”
“Yes,” he says, in between licks of strawberry ice cream. You should really look away when he does that, because your heart rate is picking up. “And she’s even more annoying than this one.”
You laugh while Wheezie frowns.
“If I’m so annoying, why do you always take me for ice cream, huh?”
“She’s got you there, Rafe,” and you resist the urge to look at him, even when you can feel his eyes on you. 
“Because you wouldn’t stop asking, dork, that’s why.” Wheezie shrugs in reply.
“I’m not gonna finish all of this. You want some, Wheezie?” you ask, offering her your spoon. She looks back at you smiling, and then at Rafe for permission, who nods.
She digs into the pile left, while you finally give into the urge to look up at her brother again. He takes another lick of his ice cream and you look away within a second. 
“Been eating that for a while, haven’t you, Rafe?”
“Yeah.” 
Somewhere in between Wheezie eating so much of the ice cream so quickly that she gets a brain freeze, and Rafe finally tossing his half-eaten cone into the trash, it’s time to go home. And as much as you hate to admit it, you don’t want to leave. The rain is coming down hard outside, a preview of the impending hurricane.
“Drive here, kid?” he asks, as your feet hesitate by the door. 
“No,” Wheezie answers, “I came here with you, dork.”
“Not talking to you, kid,” he replies, rustling the top of her hair with his hand, getting an ugh, Rafe, in response.
“Yeah. Yes, I drove here. But my car doesn’t do so good in the rain.”
“Huh?” he questions.
“It’s old, okay. Junky. The AC is broken. And the radio. Sometimes she just stops, y’know?” You gesture to your blue car parked out front, the rusty, tiny sedan two spots down from his shiny truck.
“No, I don’t know. Richards lets you drive around in that thing?”
“She.”
“It’s a car. Barely, at that.”
“She has a name, okay. HoHo. That’s her name.”
“Alright, well, you’re gonna have to ditch the hoe, because I can’t let you drive home in a hurricane in… that.” You turn to glare at him. “Her, sorry.”
That’s how you end up soaking wet in the passenger seat of Rafe’s truck, Wheezie secured in her booster seat and Rafe even wetter than you are. He drops you home and says the two of you can go pick up your car tomorrow—if it’s still there, he adds at the end, leaning over you again to open your door. You stare at him dumbly again, which has now become a bad habit, and it’s not until Wheezie says you’re getting her wet in the back that you finally climb out and close the door. You stand behind the front door with your mom’s melted ice cream in one hand, and your phone with Rafe’s contact saved in the other, wondering what exactly just happened. 
౨ৎ
The next few weeks pass through as quickly as they came. Your car—to your chagrin and your mother’s joy—does not survive the hurricane. Blake gives you a fancy, luxury car to drive around in that he just had laying around, which you don’t believe for one second. But, your mom is pleased when you actually start driving it, and you can actually listen to music from your phone and enjoy air conditioning and the most luxurious of luxuries—a backup camera. 
The night of the ice cream shop incident, Rafe texts you. You were completely ready to wallow in bed, waiting for the text from him that never comes, drowning your sorrow in more ice cream, but he does text you. First and right away. 
R: Is it wrong if I hope hoho drowns tonight?
that’s so mean. she never did anything to you.
R: She’s kinda ugly. And what was that about no ac?
so she deserves death????
R: The impound lot at the very least
if she dies, it’ll be because YOU manifested it
R: Never thought I’d believe in that manifesting shit, but here we are
did Wheezie eat dinner after how much ice cream you let her inhale?
R: No.
R: Ur fault. You gave her yours
you gave her yours too
and btw, I offered her a bite. she ate the rest. not my fault
R: She’s five, genius
R: I’ll come around noon tomorrow. Sleep tight kid
౨ৎ
Somewhere in between picking up your car—which entailed no less than stopping for lunch, even more ice cream that you can’t stand to watch him eat, and driving through town to see how bad the damage from hurricane Agatha was, and altogether three hours together ending with a wet, heated kiss in his truck with the windows fogged up—and today, you’ve been with Rafe more times than you can count. 
And you try hard to suppress the thought that it’s just because he’s available, that the availability is the reason for your attraction. And then you catch yourself trying to justify why you want to see Rafe so much, this guy that you had just been assuming was bad because your friends told you he was bad, without much in the way of an explanation. 
But Rafe is the furthest thing from bad. He’s so sweet to you it makes you delirious. He picks you up all the time, even when you tell him you’re just at home, and your car is right there. He pays for everything, he opens every door, the gentle but teasing way he is with Wheezie makes you even more head over heels.
But most important of all, he calls you first. He texts you first. He makes you feel wanted, and you definitely, definitely, want him, so you don’t think twice before saying yes to accompanying him to Midsummers. 
You actually don’t know what it really is, besides for a big party. It was always one of the worst nights at the hospital—litters of teens with alcohol poisoning and from car accidents— so your mom would be working. When you turned eighteen, your mom paid for classes to become a junior nurse, and so busy nights like the one of Midsummers usually was, you would get called in too. So before this week, you’d never spent Midsummers doing anything other than cleaning wounds and fetching suture kits.
You tell Rafe this and he looks at you strangely, another of his looks you hadn’t seen before, with furrowed brows, and you flush and apologize, regretting even opening your mouth. 
You know you’re deeper than you thought when he takes your head between his hands and kisses you—messy, with tongue and spit left glimmering over your mouth, so much so that he wipes the corner of your mouth with his thumb when he’s done. 
“Go get yourself a pretty dress, and we’ll have fun, yeah?” You nod stupidly again, the way you’re prone to doing around him. He must have realized you get a kick out being told what to do by him, what to worry about and what to focus on. 
You finally take your mom up on the offer to go shopping. Her and your step-dad are going to this thing anyways, but you can tell she wasn’t completely sure you’d go to something so Kook-y, maybe not just yet, and she doesn’t want to push it since your mood finally seems to have picked up. But then you tell her Rafe asked you to go with him, and the two of you smile and jump around the living room, laughing like kids. She’s happy for you and you’re happy that the two of you are happy at the same time.
Rafe sends you money for a dress—enough money to pay for a month’s rent at your old place. Your mom says your step-dad insists on paying. You feel like things are coming together for the first time.
You wander the stores, trying on different dresses and feeling like a scene out of a movie until you finally find the perfect blue dress. Blue for Rafe’s eyes and his suit jacket, because you’re not embarrassed to admit to him that you want to match for Midsummers. It’s patterned with little flowers, ruffles and lace moving in the wind when you twirl, and for once, you stop feeling like you need to pick a side to be on—Pogue or Kook—and you decide just to be Rafe’s for now.
The night of the party, Rafe offers to pick you up, but you tell him you’ll come with your parents. They’re both wearing shades of peach and salmon, the three of you together look like you’re headed to a baby shower, which you and your mom laugh about in the car ride there. 
You text Rafe to let him know you’re there, and tell your parents you’re going to walk around to find him. When you glance back, they’re talking with some of Blake’s friends, people he had invited to the wedding.
You see, what you can only think, is a glimpse of Pope, in his usual waiter get up, but he disappears before you can see where he was. His father is still there, though, and you make your way through the crowd to get near him.
“Hi, Mr. Heyward,” you say, smiling and unsure if he’ll recognize you. You don’t think he’s ever seen you in anything but your overalls or scrubs. 
“How can I help yo-wait, is that you, well I’ll be damned. You’re blending right in, aren’t ya?”
“Well, it took long enough.” You suddenly feel embarrassed, because he knows the old you, the one who wouldn’t be here in a million years. “Do you know where Pope is? I thought I saw him, I just wanted to say hi.”
“He just went off that way, but if you see him, tell him I still need his help over here, just like I did before he walked away—”
“Can I help with anything?” you ask quickly, but he shakes his head and tells you the direction Pope went in.
You follow it generally, trying to see where he could have gone in such a short time. But then you see all of them, and you can’t stop your feet from running over. Kie, JJ, and Pope, all standing and talking about something, but you don’t really care about interrupting. Kie’s all dressed up too, and you suddenly don’t feel so embarrassed.
“You guys,” you feel yourself gushing. “It’s been so long,” and you go in for a hug with each of them. 
“Wow, god, you look so pretty,” Kie says, and you hug her again. You don’t realize how much you missed her. 
“You too, Kie,” your smile is so wide it starts to hurt. “Isn’t this so weird, all of us here at this party? Where’s John B?” you ask, looking around. 
“So weird,” JJ says, and you notice the bruise around his right eye because he’s turning to look at Kie again. 
“JJ, what the hell happened to your face?” JJ doesn’t answer, he actually doesn’t say anything at all, which should have been your first sign that something was wrong. You look at him quizzically, before turning to Pope.
“Pope, your dad’s looking for you, I just went over to say hi-”
“Oh crap,” he says, heading back in the direction you just came from. “Sorry, be right back.”
“W-what the hell is going on?” you question Kie and JJ, searching for any answer, desperately hoping that it isn’t we don’t wanna tell you. Your phone goes off, twice, and you pick it up. The look on your face must have been beyond palpable to your friends.
R🧸ྀི: Come inside the house
R🧸ྀི: Got a surprise for you
“I-I gotta go inside,” you say, looking at the confused faces of your friends.
“What’s inside? I thought-”
“No, nothing, I don’t know, Rafe just asked me to go inside, and I haven’t even seen him yet-”
“Rafe? What, Rafe Cameron?”
“Y-yeah?”
“What are you, with him, or something?” JJ asks, and you feel your heart fall into your stomach.
“I-I yeah, maybe. I’m here with him tonight, he-” Your phone goes off again. “I’m sorry, I have to go find him, but I’ll come find you guys right after, okay?”
You leave the two of them there, looking at each other confused, looking at you like they don’t recognize you. And it stings, for a moment, until you get inside the mansion and find Rafe hanging out by the entrance, nursing a glass of scotch and eyes lighting up when they see you. 
Everything with him is like that scene from that movie. Lights go dim, you walk in slow-motion, the room goes quiet. He watches you walk up to him and his eyes take in everything—your pretty hair, your dolled up face, the way your dress moves when you walk, and most of all, that you’re here with him. He reaches his hand out to grab you by the waist to bring you in for a kiss. It’s not like the others, it’s chaste and soft and romantic. 
“Hi,” you breathe out, resting your forehead against his.
“Hi, kid. You look fantastic,” and he presses another sweet kiss to your temple. 
“We’re matching,” you say with a smile, taking in his blue suit jacket and the way you feel dizzy right now, and you feel his grip tighten around your waist. 
“Yeah, we are. Now get in line with me, we’re walking out together.” Your eyes are big like coins, because you understood that you were coming here together, but this is his family’s big night, if everything your mom and Blake told you was to be taken seriously.
You don’t have time to say anything, because Rafe’s nice parents line up ahead of you, and his two sisters behind you. Wheezie tugs on your dress and you turn to greet her and Sarah quickly, because then the doors open and you’re walking out, following Rafe’s lead, lots and lots of eyes on you, but only one pair of blue ones you really care about. 
You almost want to cry, the whole thing is so magical. You have a flute of champagne and a sip of Rafe’s scotch, and you are deliciously tipsy for the next two hours. Your parents come over to talk to you and Rafe, and you can see how happy your mom is in her eyes. You and Rafe dance until your feet hurt, and it’s only then, when he leaves your sight, that things seem to get back down to how they normally are. 
You can’t find Wheezie’s parents or Sarah anywhere. The little girl spilled ice cream on her dress and is crying quietly, fat tears rolling down her chubby cheeks. You want to get her parents, because you think they can help, but you end up taking her to the bathroom yourself. With a damp paper towel, you wipe as much as you can, and you promise to get her another ice cream if she stops crying.
“It’s just a stain, honey, don’t worry.” You toss the dirty tissue and grab another one, wiping the tears and then letting her blow her nose. “It’ll come out when you wash it. And no one will notice because it’s so dark now, right?” She nods in agreement. “Do you wanna go find your big brother?” Another sad nod. “Let’s go honey,” and you take her hand and lead her back out. 
You’re not entirely sure what you missed in the last fifteen minutes. Everyone’s gone quiet, staring at what you hope is a trick of your eyes—all of your friends running from the party, hooting and hollering. Kiara’s parents look hopelessly upset, Mr. Heyward downright disappointed, and your mom scanning the crowd, trying to see where you are, until she spots you and Wheezie.
Her and Mrs. Cameron come running over, and you instinctively flinch, thinking the giant headpiece she’s wearing will poke you. You hand off Wheezie and turn to look at your friends, and you think, for a second, they’re waiting for you. They are, you realize slowly, waiting for you.
And you almost take off right then and there, until you feel Rafe’s warm hand on your shoulder, and you look up to see him bleeding.
At that moment, you turn right back around and head inside to the nearest room, sitting Rafe down on the bed and scrambling to find something to clean his wound with, and something cold to help the swelling, and in your panic, you don’t realize you’re rambling.
“I mean, what the hell was all of that? I turn around for two seconds and everyone’s running from the party like there’s a fire, and destroying things and throwing punches, I mean, I get they hate the whole Kook thing, but it was never like this before, even when I didn’t know you yet, and I-” you drop the frozen bag of peas onto the floor in your sudden realization. “I just let them leave. They waited for me. I didn’t go with them.” Your eyes fill with years. That’s a betrayal, not all the stupid stuff you thought was happening before tonight. They waited for you, and you turned right back around to go inside with Rafe.
“Hey, hey hey,” Rafe says quietly, taking your head in his hands again. “Hey, it’s gonna be okay.”
“You’re bleeding, Rafe,” you say, voice trembling. Your tears are ruining your makeup. 
“I’m gonna be fine. You know why?” he asks, and you feel more tears rush down. “Hey, hey, no crying.” Rafe wipes away the tears with his hand, then he brings his hands to your back and rubs soothingly. “You know why, kid?” “Why?” it comes out a whisper.
“Because you chose me. We’re gonna be fine, okay?” 
The way he says it you believe him. 
You spend the next two days at Tannyhill with Rafe, wearing nothing but his t-shirts and doing nothing but rolling around in bed. It’s been a month, maybe a little bit more, and you haven’t even had the talk yet—the sex talk. There’s no doubt in your mind that he’s not ready for it, but you’re not ready for it, not yet. You’re working on it. He doesn’t make it easy for you, either. You’ve spent hours now, making out in his lap, grinding against each other until you make a mess all over his shorts and his hair is sticking up in every direction, and working your way up to telling him what you want. 
You’re almost there. You’re waiting for the perfect time. Which was almost right now.
“You like that? Shit-” he breathes into your ear, pressing a kiss to the tender skin of your neck right underneath. It makes you moan again, louder, until he clamps a hand—the one not three fingers deep inside your leaking pussy—over your mouth, barricading the noise from leaving. “Gotta be quiet, kid, you want the whole house hearin’ what a little slut you are?” 
His blue eyes, lustful and blown, stare into your own. You shake your head softly underneath the tight grip of his palm. You’re always obedient with him, but he really likes you like this. 
“Yeah? You gonna do whatever daddy tells you? Just so I keep my fingers in this tight pussy?” You nod compliantly, head falling back on to the pillow. His fingers are thick, and the cool of his ring rubs against your clit in the best way, in ways you didn’t even realize it could feel.
He keeps fucking three fingers in and out of you, moans muffled by his hand but not completely silenced. You must be making a mess, because it’s what he keeps talking about, rambling about your messy cunt, greedy and sucking him in, and how you’ve been cumming for him like a little princess for the last two days, but it’s never enough for you. 
It’s when he removes his hand and kisses you hard instead, tongue deep inside you mouth, the metal of his chain dangling on your chin, and you feel the similarly cool metal of his ring on you, you finish again, exploding around your boyfriend’s fingers and moaning into his mouth. He hears you, repeating his name over and over again, not Rafe, but rather daddy, and he swallows your chants into his mouth. When you calm down, he makes a show of licking his fingers off while locking eyes, and then you get flustered and bury your head into his neck. 
He laughs, because it’s so cute, but only for a minute. Then you two shower together and he makes another show, but this time out of you, kneeling on the floor of his tub while he paints your face with his cum, making sure to cover the necklace you’ve been wearing recently too, the silver, loopy little R hanging between your collarbone. 
Then you get dressed—a little pink dress that’s been his favorite recently, with buttons down the front and a pretty bow where your tits sit— and the two of you have lunch with his family like nothing ever happened.
Rafe drops you back at home later that day, gives you a kiss where he grabs the back of your head to bring you in, and then waves bye to your parents as he unlatches the door for you, in his usual way. 
౨ৎ
A week later, he does the same thing. Drops you off, drives away once you’re inside, and you’re starstruck walking back, so much so, you don’t realize there’s someone waiting for you.
It’s Kie, and Rafe’s sister, Sarah. You’re a little confused since you thought the two of them didn’t get
along,  but they look like they’re fine now.
“Hey, listen, we need you to help us. Can you come down to the Chateau later tonight, after sunset?” Kie asks, and you must look as confused as you feel, because Sarah speaks right away, before you can get a word out.
“You cannot tell my brother. Promise us you won’t.”
“Why are you asking me that? Why can’t I tell him?” Sarah and Kie exchange a look, and it’s clear to you that you are missing several pieces of the puzzle. “Guys! Come on, you-you can’t expect me to just be on board with lying to my boyfriend and showing up to help you guys without knowing what it even is, right? What’s going on?”
“We will explain everything, just please promise us that you’ll come,” Kie implores and you nod hesitantly. 
“And you won’t tell Rafe?” Sarah asks again.
“Come on. Pogues for life, right?” Kie says, and you get a flashback to your life two months
ago—doing anything for your friends and dreaming of how you’d end up with one of the boys someday. It all seems like a million years ago.
“Yes, yeah, yeah, I’ll be there. I won’t tell him.”
You guess that God was on your side today. 
R🧸ྀི: Hey kid. Busy with my dad today. Dinner tomorrow okay?
sounds perfect!! don’t work too hard! i'm gonna watch a movie with my mom and blake and stay in tn
R🧸ྀི: You got mail again?
you know me so well
R🧸ྀི: Have fun princess.
You set down your phone on your dresser, feeling like you could throw up your dinner. It’s just starting to get dark outside, and you’ve just lied to Rafe for the first time since you’ve met him. It feels terrible, like something’s gnawing inside you, begging you to come clean and confess, or not to go out at all. You think about it for a moment, maybe if he knows you’re with some of your old friends, it won’t be like a real lie.
Then you remember your old friends are the ones who punched him. You tell your mom you’re going to Rafe’s, and then you get in your fancy car that Rafe helped you christen the other day—in the backseat, specifically—and drive to your old life.
You park next to the Twinkie and get out, stepping into a slush of mud. Your shoes are new, and were clean, and you cringe internally at how much you started caring about these things. You don’t want Rafe to see you with dirty shoes.
The boys and Kie are sitting on the logs near the fire pit. Sarah is sitting right next to John B, looking at him how you look at Rafe, and then you realize the magnitude of just how much you’ve missed.
“Hey,” Kie says, looking up first, smiling. “You came.”
“Yeah.” You’re at a loss for words. Everyone looks the same. Everything feels so different.
A part of you wants to sink down between Pope and JJ, crack a beer, and laugh at jokes you think you would still understand. Another part wants to get into the fancy car and drive to Tannyhill. You opt for neither, standing a few yards away and letting the light from the fire cast its hazy glow over you and all your old friends.
“Did you tell him?” Sarah asks. She means it well, not in a rude way, but that’s how you feel. 
“No, no, I didn’t. He, he thinks I’m at home. With my mom and Blake.”
“Alright,” JJ says, tossing his empty beer can. “Let’s get this show on the road.”
“Listen,” John B says, getting up and sounding too sincere for your liking. “We all appreciate you coming. Because we need a favor from you, and it might not be easy.”
“I mean, I think it’s gonna be pretty easy. Unless Rafe is like, really, really crazy, like even crazier than we already know he is-” JJ says, but stops when Kie and Pope shake their heads. “What? She knows, she’s the one dating him.”
“Know what? I don’t even know what you want from me-”
“We need a distraction. For Rafe, okay?” John B starts.
“An hour, okay, that’s all we need, right guys?” Sarah asks, looking back at everyone. They nod, trying to convince you, except Jayj.
“Well, like, maybe a couple of hours. If he’s up to that, y’know, I don’t wanna assume shit ‘bout stamina and all that-”
“JJ,” Pope says, shoving the blond’s arm. “You’re not helping.”
“What?” you breathe out, even more confused than before. You start to get what they’re asking, you just don’t want to admit it.
“We need to distract Rafe, for an hour, or like two hours, and we figured you’re our best bet.” John B says, and you look at them with your mouth falling open a little.
“You want me to…sleep with my boyfriend, to distract him, so you guys can do something that you won’t tell me about?”
“Kind of, yeah. Pretty much.”
“And is, is this thing going to hurt him in the long run? Is he going to be upset? When he finds out what happened?”
“My Kook feelings radar is a little off, right now, but who knows, I mean hell, he might not ever find out,” JJ says, and you want to sit down, because your knees feel weak, but the ground is muddy and the logs are occupied. “If we do our job right, he won’t know for a long, long time, right guys?” A chorus of right, right rings around the fire. 
“And you’re not gonna tell me what this is about at all?” 
“Well, it might not be a good idea. Because, you’re dating him, and listen, we just need like an hour, and he never has to know you were a part of this, okay? I will never tell him, none of us will,” Sarah says, and you do believe her. But you can’t believe that they’re asking you to do this.
“And if he finds out, and he breaks up with me, then what?” 
“Yeah, I, uh, knew this was a bad idea. She’s not gonna do it, guys, so let’s just reformulate-”
“Oh, you knew I was gonna say no, JJ? Lying to my boyfriend? For the people who hurt him?”
“He hurt us too, y’know,” Pope says, and you feel your heart begin to race. 
“No, I don’t know, because no one tells me anything! No one answers their phone and no one’s here when I drive down. Kie, you live two streets away from me now. The first time I saw you all month was at Midsummers and then, today. Asking me to come here to lie to Rafe, to sleep with him to distract him.”
“No, no, we shouldn’t have asked you, because I knew you would say no, I told them-” and you can’t believe the words coming from your friend's mouth. “Look at you, you went total Kook on us.” 
And then you feel like they’re taking it all in. The R around your neck, the jewelry that sparkles in the light of the fire, all yellow citrine, for Rafe’s birth month. The pink dress that’s his favorite—you put it on this morning in case you ended up back at Tannyhill tonight. And worst of all, his white button up hanging from your shoulders, smelling like ocean and sandalwood and Rafe Cameron. 
“It’s like you belong to him now.” You feel a tear sliding down, but you wipe it away. 
“Maybe that’s because he was actually there for me, when I needed it. And I get it, maybe I should have tried harder. But you guys should have too.”
The group of you stand there in silence for a moment. Your phone goes off. You know it’s Rafe. They know it is too. It starts with Kie, and then a course of apologies from everyone. John B wipes away your tears like nothing has changed. JJ scratches his head, and then hugs you tighter than he ever has before. Pope tells you how much he’s missed you, how he had to start bandaging wounds in your absence. 
“I’ll distract him. An hour, that’s all you get. I’m not sleeping with him because you guys want me to, okay? So if he leaves, he leaves.” 
You take off for Tannyhill, leaving your old life behind and risking your new one all at once.
౨ৎ
Rafe’s phone goes off again, and he lets out a short, tight breath. 
Princess: are you still busy at home? i need you
Princess: please rafey
“I’ll be back,” he tells Ward, and before he can even respond, he’s out of the room, calling you. The line rings twice, and then you answer.
“Rafey?” you sound quiet, like you’ve been crying.
“Hey, hey kid. What’s going on? I told you I was working tonight,” and then he runs a hand through his hair, because he knows he’s fucked, if you’re crying and you need him, then he’s going.
“I know, Rafe, I just really need you, I had a really bad night-” “Woah, wait, I thought you were just with your parents?”
“I was, it just got really bad, I-I’m outside Tannyhill because I had to leave, and then I got lost and I was scared so I just came straight here.”
“Lost? Jeez, kid, it’s, like, down the street.”
“But I didn’t wanna bother you, ‘cause you were busy-” and then he hears a hiccup, and then a sob.
“Okay, okay, stay there, I’m gonna come get you,” and he hangs up the call. He darts outside, spotting your navy car and you inside, still in the same clothes from this morning, just wearing his shirt over it, like a jacket. He gets close and you climb out of the car yourself, jumping into his arms and burying your face into his neck, like you always do when you get like this. He can feel the way your body shakes under his arms, the wetness of your tears on his black polo.
“Okay, it’s okay now, come on, let’s go inside.” You make it up the stairs to his bedroom, when Rafe guides you inside and pulls his blinds, so no one peeks inside. 
He sits you up on the edge of his bed, squatting before you, hands in yours, arms resting on your knees. 
“You gonna tell me what happened?” You shake your head, another tear falling. You wish you could say you were pretending, but the tears find their own way when you think about the encounter you just had. You’re lying when you tell him it’s between you and your parents, but his reaction makes you regret it instantly. “Did they say somethin’ to you? Did they try something? I’ll go over there and sort it all out, okay, kid, don’t worry about a thing.” He stands up, running another hand through his messy hair, letting it fall in the moppy way it always does, over his forehead. “Stay here, okay, princess, I’ll be back.”
Then you realize he’s gonna go over there and talk to your perfectly happy, clueless parents, so you stand up and turn him back around.
“No, no, Rafe, don’t leave,” and then you melt into a hug, taking in everything about it. Rafe rests his chin on the top of your head, his arms tight around your back. He smells so good, and the way he’s taking care of you makes you realize a couple things. “Will you just…make me forget?”
Your boyfriend looks down at you, and you don’t shy away from his gaze like you often, when you get flustered. 
“Make you forget?” he questions. 
“I just don’t wanna think about anything else,” you start, undoing the bow of your dress, more cleavage revealing itself. “I just wanna think about you,” and then your fingers undo the buttons trailing down the front of your dress. It falls off your shoulders, and you stand before him, naked, certainly not for the first time but what feels like the most intimate it’s ever been. 
There’s a pretty lingerie set hidden in the back of your closet, what you had actually put aside for this moment, but you had no time to run home and get it, so you opted for the next best thing, taking your bra and panties off in the car ride here, shoving them into your purse, and hoping that Rafe was as tempted as you were.
“Just about me?” he questions, and you take his hand into yours, leaning in to press a soft kiss against his lips.
“Just you, Rafe. I’m ready, Rafey, I want you to fuck me,” and it seems like that’s all it takes. Rafe crushes his lips against yours, kissing you how he always does, tongue in your mouth and spit everywhere. He holds you by the back of your head and your hands run through his hair. You want him closer, even closer than he already is, than he possibly could be.
His hands leave your head and go down to your ass, grabbing both cheeks roughly and wrapping your legs around his waist. He drops you on his bed, head hitting the pillow, and you pull away for a second, to catch your breath. Rafe doesn’t let it happen, gripping your cheeks between his hand and bringing you back in for another kiss. You’re naked, and he’s still completely dressed, but you don’t miss the obvious way his hardened dick presses against your bare cunt.
You can’t breathe, and all your senses are overpowered by Rafe, but you also don’t really care. You keep kissing, moaning into each other’s mouths and gripping hair and skin that’s sure to leave a bruise tomorrow, until you feel him finally pull away for a second. You catch your breath, open-mouthed and heaving, eyes locked.
“‘M only gonna ask this once, kid,” he breathes, leaving another hot kiss on your neck, which makes you spread your legs further open with instinct. “Y’sure you want this? ‘Cause there’s no going back.”
You nod in that way you always have with him, telling him everything with no words at all. 
“That’s my girl,” he breathes against your neck, and you feel him bite down into the soft skin of the flesh there. You yell out, but it turns into a moan when Rafe licks his tongue over the wound. “That’s just so you can remember this night, okay baby?” You look back up at him, wet eyes, swollen lips, and flushed, sweaty skin. 
“Thank you, daddy.” He smiles, because you’re in for it now.
“You’re welcome, kid. Shit,” he breathes out, “I knew you’d like it, little freak.” He starts with more hot kisses, all the way down your neck, down your sternum, and stopping to press a kiss to each side of your ribs, before continuing down to your stomach. You whine from your position below him, one huge hand holding your hip in place and the other tracing the pattern of the kisses down, until he finally reaches where you want him to be.
“Gotta be quiet, kid, everyone’s home. You gonna let them all hear how much of a whore you are for me? Huh?” he mocks, and you shake your head fervently. “Good girl. You’re being so good, you’re gonna get a treat, okay?” You nod stupidly.
His breath catches for a second, when he gets down to your glistening cunt. He looks up at you from his position there, your chest heaving, tits bouncing with how much you’re squirming, how much you want him to do something. He moves his hands, one resting on your breast, pinching the nipple with his finger, and the other running a line down your pussy. Your whole body twitches up when he runs the metal of his ring over your clit, because he knows you really like it. 
“Rafe, please,” you cry, sounding stupid and fucked out, even though he hasn’t started yet. “Please, please,” and your hips jerk up. He pushes them down. 
“Be patient, kid. Gotta admire this virgin pussy for the last time before I ruin it, ‘kay?” You feel your walls tighten at his words, and you hope he missed the way everything just clenched, but it’s Rafe, and he didn’t miss a thing. “Like that, huh? You like being my little slut?”
You shake your head, trying to deny it, but the damage is done.
Rafe dives in, and you let out a moan that you didn’t realize you were capable of producing. You clamp your own hand over your mouth, because you know he’ll stop if you get too loud. His tongue licks you up and down, and true to what you had always thought, he does know what he’s doing.
The hand pinching your nipples doesn’t relent, and the weight of his arm holds you down when you buck up as he pushes two fingers inside you, scissoring them to stretch your walls out. It hurts, in the best way, and before you know it, he’s added a third.
His mouth stays focused on your clit, and your legs tremble, even though it’s barely been a few minutes. It’s all of it, all at once. Being naked in Rafe’s bed, his hand groping your tits, the way he holds you down without trying, the smell of his cologne and his skin and his sweat, making you lightheaded.
His fingers push in and out, and when he hits that sweet spot inside you, the one your own fingers have never been able to reach but somehow, Rafe’s have become well acquainted with, you can’t help the noises you make.
You repeat his name over and over again, and you think you’ve felt the height of this pleasure, that nothing could surpass this feeling, until your stomach tightens in an entirely new way. Your fucked out brain gets it together for a minute, to feel the overwhelming, ecstatic pressure of Rafe’s tongue on your clit, spelling out his own name. Your stomach tightens, unbearably so, that coil winding up, but before he even finishes the F, it snaps all at once. 
You let out a scream—which you think is so stupid of you. But it feels so good, there was no way around it. Rafe reacts instantly, grabbing your hand that’s pulling his hair and using it to snap over your mouth, all while he rides you through it. 
His nose presses against your clit while he slides his fingers out, your pussy walls clamping around nothing, missing him already. He laps up the mess you just made with his tongue, the noise being so overwhelming, you want to scream again. 
You use your other hand to yank his hair, pulling him up to look at you, because you know you want to see this. Rafe, your Rafe, your boyfriend, with blown, wide eyes and the entire lower half of his face glistening with your juices, with the mess you just made, and then you collapse back down onto the bed. 
Your breathing is heavy. You aren’t sure it’ll ever go back to normal.
Rafe pulls his shirt off by grabbing it from the back, yanking it over his head. Your hand floats up to
touch his chest, to make sure he’s still real and not just a vivid sex dream, but he slaps it out of the way.
“What did I say, hm?” he asks, leaning over you. His face is just an inch too far to kiss. Your limbs feel numb, and you can’t pull him down yourself. You want to cry, because you want to kiss him so badly. “I said you had to be quiet, or everyone’s gonna know what a little whore you are.”
“I tried, daddy, I did-”
“I don’t think you tried at all, kid.”
“No, I did, I swear-”
“You’re lucky that I-” and before he finishes his sentence, you pull him down into another kiss. He tastes like you and scotch, and the combination is so intoxicating, you can’t pull away. “Hey, hey,” he breathes. “I’m not going anywhere, okay?” and the soothing way he says it, you believe him.
“I’m lucky that you what?” you ask, unbuckling his belt and snaking it off the loops.
“That I love you, and I’m not gonna punish you tonight for not listening to me.” You drop the belt over your stomach, the melt part hitting with a little clink. You look back up at him, your eyes wide, you imagine, your cheeks flushed. 
“You love me?” you ask, quietly. You can barely hear yourself over the thud of your heart pounding in your chest.
“I do,” Rafe replies, running his hand to smooth over your hair, which you’re sure is a mess now. “Enough that I’m gonna fuck you now, but I had to say it first, because I’m gonna fuck you until you break.”
You’re speechless, watching Rafe unbutton his pants and kick them off, boxers going with them. He strokes himself once, twice, and you’re still staring up at his face, even though normally you would get distracted. 
He looks up again. 
“You ready, kid?” 
“I love you, Rafey,” you say, twisting your hands around to the back of his neck, pushing him into yet another kiss. You can’t pull away, even if you want to, you want him so close that you forget everything else in the world for now. While you’re kissing, he lines himself up with your leaking pussy, which has probably ruined these sheets, and pushes in the tip.
You pull back from the kiss, just to moan, but Rafe silences you with his mouth again. He pushes in more, and more, until you’re sure he’s bottomed out. Your cunt is so, so stretched, you can’t fathom this is what you’ve been missing out on, and it feels so good, like nothing has ever felt before, not his fingers, not his tongue, not any other part of him. 
“That’s halfway, kid, you doin’ okay?” and your eyes jolt up to his in a second.
“H-half?” you breathe out. “I can’t, I can’t take any more, s’not gonna fit Rafe, not gonna fit-”
“Hey,” he repeats, which always has that calming effect on you. “You let me worry about that, okay? Just relax this pussy f’me, okay?” and the way he says it, you do, because you have no other choice. He pushes in again, fast, hard, and then pulls all the way out. You’re too scared to look anywhere but his eyes, so you stay locked in on them, until he pushes all the way in again, and your eyes clasp shut.
“Oh, oh my god, Rafe-” And you don’t care who hears you this time. He pulls out again, just his lip still inside you.
“Look, princess, look down,” he urges, and you follow his instructions, because you always do. “Look where we’re connected, yeah?” He fucks in and out of you, slowly but then faster, and you do look, entranced at the way your pussy sucks him in, the way your cum is coating his dick, at the brutal pace he’s set. 
You look until you can’t anymore, leaning back against the pillow and watching Rafe above you, his face twisted in pleasure, eyebrows furrowed, mouth panting. He buries his face into your neck, and you grip the top of his shoulders, nails digging in, because you just need to hold onto something.
He told the truth, you think, in your fucked out, blissful state, that he was going to fuck you like he hated you, battering into your sore pussy over and over again. 
You repeat his name—daddy, not Rafe—until he shuts you up with a kiss, and he watches the strings of spit connecting your mouths when he pulls away.
“Just needed this dick, didn’ya princess? Just needed daddy to think for ya?” You moan in reply. “You got it then, kid, because m’never gonna stop fucking you. Y’never gonna think about anything else again.”
And then he finally does you in, because he presses down, right below your stomach, while he slams in, and you feel something inside you break, like a flood breaking through a dam. It washes out to every part of you, from your ears to your fingers to your toes. White hot pleasure runs its course through your body, cunt tightening and shaking, eyes rolling back, your spine arching forward. Through all of it, Rafe pins you down, and fucks you through it. And finally, deliriously, you open your fucked-out eyes, looking up at him.
“I love you, daddy,” and he cums before he can even pull out, messy rivulets shooting inside you, leaking out onto his expensive sheets. He moans into your neck, and his entire body slumps forward, and you giggle under the weight.
A few minutes pass by.
“Rafey, you’re gonna crush me,” you say quietly, sing-songy. You’re so happy, you’ve forgotten everything else that’s happened.
Rafe presses a kiss to your forehead and rolls off, slumping next to you. Your head lands on his chest not a second later, his arm around your shoulder and another kiss to your hair.
“Feel better, kid?” 
“So much better, Rafey.” 
You don’t know when you fall asleep, only that you woke up to the sound of your phone going on. You pick it up, trying to turn down the light so Rafe doesn’t wake up too. There’s one message.
JJ: I thought you said you weren’t gonna sleep with him?
౨ৎ
1K notes · View notes
ssahotchnerr · 5 months
Note
Ok I just got this image in my head of working out at the FBI gym to unwind after a particularly bad case, and Aaron had the same idea and so you're just there getting distracted because you can't help but stare at him and maybe he finally notices and he's amused - I would die (a happy death)
distractions
you and me both <3 cw; gn!, bau!reader, mutual pining, suggestiveness, your basic cm case descriptions, aaron being hot per usual
your first priority after the jet touched down - the bau's gym.
the case had been unsettling; a not-so-happy ending. sure, you had gotten the guy, but not before he had taken out his most recent victim. he had known it was only a matter of time until he was caught, he had known police had shut down the surrounding area, and managed to complete his endgame before being apprehended.
it happened, sucked when it did. and rather than going straight home, a distraction was in order; to move your body instead of laying in the dark internalizing what could have been done differently.
at the late hour, you expected the gym to be empty, and you had been correct, until aaron walked in about ten minutes after you did.
he seemed just as surprised to see you as you did him, silently nodding a hello at you, heading for the treadmills.
you had been on a yoga mat, stretching and warming up your muscles before doing anything strenuous. but at the sight of him, your impending workout plans were far gone.
you were used to seeing aaron in his usual suit, you'd seen him in casual clothes a few times due to team outings, but nothing could have prepared you for the skin-tight black shirt he was sporting. it was clinging in the all right places - his torso, biceps, and yup - you could've sworn he did have the faintest of abs.
you've always been attracted to him, but this. your mouth had immediately gone dry, your body felt warm despite your lack of movement, and no pure thoughts were in your mind in any capacity.
you tried your hardest to not look, but you couldn't tear your eyes away. how could you not? first reason being, it was him. and then the longer he ran, the sweat caused his shirt to stick to his skin more if it were possible, his chest rose up and down the heavier he breathed. as he jogged his calves flexed, and god were his thighs sexy. his shorts were on the longer side, mid-thigh to be exact, leaving more to the imagination than you would have preferred. but the slightly, newly exposed skin was still, well, new.
so you stayed put, choosing to just admire the view before you. but hopefully to not be too obvious, you performed sit ups; lingering upright to grant yourself the visual before laying back down.
well, at least this is one way to forget about the case.
give or take another five minutes, aaron adjusted the treadmill's settings, slowing to a stop.
"that's it?" you teased, a soft laugh leaving you as you straightened your legs out, reaching for your toes.
as if you were the one to speak, barely moving an inch.
"yeah," he took a swig of his water bottle, panting as he caught his breath. "it's a bit hard to focus with you here."
caught.
"oh my god," your face burned with embarrassment, scrambling to your feet. "i didn't mean to- i mean, you just looked so..."
aaron laughed handsomely, approaching you as your words trailed off. "i meant i don't want to trip over my feet. especially not with you here. it wouldn't look very good for me, i don't think."
oh? "oh."
"but go on." aaron teased, his lips pulling into a smirk as his eyes met yours, dropping for a moment. he was studying you this time around - the light sweat coating your skin, and not very subtly staring at your lips. his breath picked up again, his gaze returning to yours. you also realized, he was dangerously close. "i looked...?"
you swallowed, blinking up at him and managing a soft, "what?"
"i saw you staring. now c'mon, don't start something you can't finish, sweetheart."
1K notes · View notes
faiirybread · 7 months
Text
drama drama ︴ln4
🗣️ in which.. you get a text message clearly not meant for you, but maybe one day?
pt2!
yourusername posted a story!
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yourusername posted a story!
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f1wags just posted!
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BREAKING: Lando and Penelope breaking up? The pair was seen having a heated argument outside his apartment complex. Penelope left the building holding boxes, indicating that she is moving out. What are your thoughts?
liked by user1, user2, and 154k others
user1 theres no way.. i fr thought they were endgame
user2 NOO MOM AND DAD
user3 this is so weird they were all lovey dovey a few days ago
user4 how did he fumble that hard??
landonorris just posted!
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summer recharge ☀️
tagged: danielriccardo, maxfewtrell, georgerussel, maxverstappen1, lilyhuh, yourusername
liked by yourusername , danielriccardo, and 1.3m others
user1 last slide is kinda..
user2 no penelope like?? im crying
user3 who is yourusername??
user5 probably his rebound or smth
danielriccardo shouldve had a bonfire
landonorris dude you wouldve burned down the beach
user6 what if yourusername is why lando and penelope broke up??
maxfewtrell worst week of my life
landonorris keep talking and ill post you and [redacted]
maxfewtrell and ill do it right back
user4 SHARE THEM MAX PLEASE
alexalbon on my deathbead from the amount of alcohol
lilyhuh you had 3 shots..
user5 WHERE IS PENELOPE???
georgerussel fun times!
maxverstappen1 youre never borrowing my boat again
yourusername so much fun!!
liked by landonorris
user7 girl who the hell are you..
user8 get out of here you fucking hoe
user9 little miss rebound
yourusername posted a story!
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lilymhe it was so much fun, we have to do this again!
yourusername yess omg!!
landonorris ‘for being a good teacher’ after you and lily mocked me all day
yourusername had to do it soz
user1 get out of here you whore
user2 PENELOPES BETTER 🗣️🗣️🗣️
pnlp21 just posted a story!
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user1 NAH FR GET HER ASS
user2 you>>>that bitch
user3 you deserve better than him!!
landonorris are you serious? leave her and i alone, youre the one who got us in this situation
871 notes · View notes
literaryavenger · 17 days
Text
Careless
Summary: Part 2 of Thoughtful.
Pairing: Bucky Barnes x Avengers!Reader
Warnings: My poor attempts at being funny. No use of Y/N. Fluff. Angst. Tony being kind of an asshole. Bucky's self-deprecating thoughts. Reader being dumb.
Word Count: 1K
A/N: I keep having no idea what this is, I have no endgame but I hope you enjoy!
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Part 1
Stark parties are a hassle. Tony always insists on the team dressing up, cocktail dresses, tuxedos and all that.
So that’s why you’re all dolled up right now, a black sparkly floor-length gown that highlights your curves perfectly with a slit that goes up your left thigh with black stilettos, your hair curled perfectly and your make-up on point thanks to Natasha and Wanda, gold hoop earrings finishing the ensemble.
The only thing that looks like it doesn’t belong on your right now are Bucky’s dog tags hanging from your neck.
Things with Bucky have been going relatively good, you’re not really dating but neither of you let a moment pass without trying to flirt with each other. You enjoy the attention he only gives you and he enjoys making you flustered.
You’ve even managed to make him blush himself a few times.
You haven’t taken his dog tags off since that morning Bucky put them on you, and that’s not gone unnoticed by the team who have had a field day teasing you about it. Just never enough to bother you and make you want to take them off.
Until now.
“Come on, they look so out of place!” Tony says while chuckling as you roll your eyes, drink in hand while you stand in the middle of the party while talking with Tony, Scott and Maria.
“Leave her alone, Stark.” Maria comes to your defense and you give her a grateful smile. All the girls think it’s adorable that you wear Bucky’s tags.
“He’s not wrong, though.” Scott chimes in. “That’s a beautiful get up, but the tags stand out, and not in a good way.”
Anyone else, you’d be creeped out, but you know Scott is in a happy relationship with Hope and he doesn’t mean anything by it. He’s more of a girlfriend at this point.
“I don’t care.” You say simply, sipping your drink. “I like them, and I’m not taking them off.”
“You haven’t taken them off in weeks.” Tony points out, a dangerous smirk starting to grow on his face. “Could it have anything to do with the particular soldier that gave them to you?”
You roll your eyes, knowing where Tony’s going with this because he’s gone there countless times now.
“It has nothing to do with Bucky, I just like them.” You say causally.
“You like him.” Tony says childishly while the other two snicker at your groan. “Maybe you even love him.”
You scoff and almost glare at Tony. “I don’t love him.”
“Then prove it.” Tony says without missing a beat. Obviously he has you exactly where he wants you. “Take them off.”
“What would that even prove?” You roll your eyes again.
“Prove to me that they don’t mean as much to you as I think they do. Take them off.” He keeps grinning at you, challenging you.
“You’re a child.” You say simply, having no intention to accept this silly challenge.
“Yes, I am.” He says and all four of you chuckle, before Tony takes it one step further. “Take them off for a week and I’ll give you ten thousand dollars.”
You give him an unimpressed look. It’s not a surprise, Tony’s known to do this kind of thing all the time. He once bet Sam twenty thousand dollars if he went streaking for at least 4 blocks around the tower.
His ‘falcon’ was on the paper the next day.
“Come on, if you’re so sure I’m wrong, why not make some money off my arrogance.” Tony says with a smirk when you narrow your eyes at him, he knows you’re considering it.
“Fine.” You say after a pause. You hesitantly take the tags off and put them on Tony’s outstretched hand. It’s only a week and it doesn’t mean anything, you tell yourself.
Unbeknownst to you, Bucky saw the whole thing from a distance. And it meant plenty to him.
He couldn’t hear what you were saying even with his enhanced hearing because you were far away and the party noise was almost deafening, but Bucky saw you clearly as you took off his tags and gave them to Tony.
To Tony.
Did they not mean as much to you as they did to him? Was this whole thing just a joke to you? Was he making a fool out of himself thinking you liked him as much as he liked you? Maybe you just liked the attention. Maybe you were fucking with him, having fun at his expense because he convinced himself you like him, because how could he even think someone like you actually likes him? Maybe you’ve been laughing behind his back while he’s been falling for yo-
“Hey, Sergeant Grumpy.” His thoughts are interrupted by your playful voice that just a minute ago was the single greatest sound that he wanted as the soundtrack of his existence for the rest of his life.
But right now, it’s making his nostrils flare with barely contained anger while he almost glares at you.
You think nothing of it, convincing yourself that maybe the party is making him anxious like it usually does. After all, Bucky doesn’t do good with strangers.
Or maybe Sam has been getting on his nerves more than usual tonight. Whatever it is, you want to make him feel better.
So you wrap your hand around the tie of his suit and pull him towards you a little, copying the move he’s now done countless times with his dog tags around your neck.
“You wanna hear something funny?” You ask playfully, wanting to tell him about the bet you just made with Tony and thinking Bucky will get a kick out of it and it’ll take his mind off of whatever has him in a bad mood.
But you get no chance to say anything more since he takes your hand away from his tie.
“Leave me alone.” He says with a harsh tone you’ve never heard him use towards anyone, let alone you. “Forever.”
That said, he walks off and out of the room in the direction of his quarters without giving you a second glance, leaving you to look after him, too dumbfounded as your mind tries to play catch-up.
What the hell just happened?
Requested Taglist: @marvelcasey05 @ordelixx @alltoounwellread @capswife @sapphirebarnes @rio-reid-whoreee @theunknownmarveluser @alltoowellread @a-very-fictional-girl @geeky-politics-46 @winters1917 @yujyujj @blackhawkfanatic @hot-cheeto5739
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mimsynims · 7 months
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Fool For Love
part 1
~~~
Author’s Note: I have barely been writing anything (I usually write for the Good Omens fandom) since I started playing BG3, but then a few days ago I felt compelled to start on *something* for this fandom that has completely taken over my mind. I usually post on AO3 but for some reason I wanted to post a first teaser-chapter here on Tumblr.
So here it is, my first (unbeta’d) venture into the BG3 fandom. I have no idea where this is going except that the endgame is a happy ending for Tav and Astarion.
~~~
Astarion x reader/Tav
Tags: (Mild?) angst, pining, pining while fucking
Summary: You thought knew what you were doing when you let Astarion into your bed. He doesn’t have feelings for you, and vice versa. Only… Now you do.
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You watch him laugh as Shadowheart leans closer to whisper something in his ear, and the unwarranted jealousy that has your chest aching leaves a sour taste in your mouth. He may be sharing your bed now and then, but you have no right to him. For all you know, he might be spending his other nights with each and everyone in your camp. And that is his prerogative; pretty words aside, Astarion has never promised you anything other than fantastic sex.
A bitter smile tugs at the corner of your mouth. You are sure he thinks he has you wrapped around his finger. That he has convinced you that this means more to him than it actually does. The sigh leaves your lips before you can stop it, but it doesn’t really matter, because none of the others hear you, too busy listening to Gale regaling another story about his ex.
Annoyed with yourself you rise, an excuse prepared on your tongue in case anyone questions your departure from the merriment. The lie remains unspoken and you’re relieved when you can slink into the shadows unnoticed. Relieved, but also perhaps a bit sad. It’s funny, you’ve spent most of your life aiming for anonymity, to stay under the radar. The unexpected friendships you’ve made since the kidnapping has unravelled all of that. Have made you aware of the dark and empty space in your heart you’ve successfully ignored until now.
Except it isn’t empty anymore.
It happened gradually, and without your permission. A dashing pale rogue stealing your affection when you weren’t looking. Because yes, while you know that his only reason for talking his way into your bed was manipulation, he has unintentionally shown you glints of his real self during your time together. He’s a complicated mess, just like yourself, and you love him. Love everything about him, even though it hurts.
So maybe he has you wrapped around his finger after all, because if you had any sense, you would end this thing between you. You should, but you are a selfish being. One day Astarion will realise that he doesn’t need to use sex to feel safe with you, but until that day comes, you will greedily accept every scrap of attention he gives you.
“Pathetic.”
“Talking to yourself, darling? Or have you made another furry friend when I wasn’t looking?” Astarion gracefully — why is that even when he’s pleasantly drunk, the elf manages to appear graceful? — sits down next to you in the grass. “You already have three of them in the camp, surely that’s enough?”
“Three?” You try to gather your thoughts, but it’s difficult when he is this close to you. “Scratch, the owlbear cub, and…?”
“Halsin, of course.”
“Of course,” you repeat dumbly. True, the druid was in his bear form when you first met, but something in Astarion’s demeanour makes you suspect that that isn’t what he meant. Images of Astarion undressing Halsin floods your mind. Halsin is a handsome and powerful man, so it would make sense for Astarion to seduce him too. Just like he had with you.
“Why are we sitting here, by the way?” Astarion shifts to lean on one hand, his face tilted back to take in the full moon. “Wanted a more romantic setting than your tent this time, darling?”
Oh. So you are the chosen one for the night. You were certain it would be Shadowheart, considering.
“Are you alright, Tav?”
For a moment you let yourself believe that the hesitation you hear in his voice is founded on genuine concern. That he truly cares beyond the deep-seated need for self-preservation ingrained in him. But the illusion can only last so long. You know enough of his history not to hold his actions against him, but right now you’re not in a headspace to pretend that everything is fine. And yet, you try.
“Of course I am.” You hold back a flinch when you hear the acid lacing your words like a toxin. It gives too much away, so you do the only thing you can think of. Your hands are already grabbing fabric before you have finished your thought, pulling him closer before he has time to examine your statement too closely. Before he can figure out your lie.
The night air is cool against your skin, a stark contrast to the hot mouth claiming yours. You might regret it tomorrow, but right now, this is exactly what you need. In Astarion’s arms, you can forget everything but him and what he gives you. Around other people he can seem petty and cruel, but when he’s with you like this… this is different.
Or least that’s what you tell yourself. You cling to the illusion that this is special, and you succeed — until you feel yourself leaning your head to the side, offering your neck.
Astarion doesn’t ask it of you, he never does. It’s always you that wordlessly gives him what you believe is what he truly wants.
And this time it reminds you that deep down, this is just a transactional act for Astarion. Nothing else. He doesn’t care about you, not really.
After you’re both sated, you drift off to sleep without meaning to. It has been a taxing day, both physically and mentally, and the last thing you see is Astarion looking down at you with an indiscernible expression in his red eyes. Almost as if you’re a puzzle he can’t figure out. Except that doesn’t make any sense, because to you it feels like he saw right through you the first time you met.
Some time later, you’re vaguely aware of strong arms lifting you from the damp grass. You must’ve made some noise, because you feel a warm breath against your ear.
“Hush, my darling, you don’t want the others to wake up.”
Exhaustion drags you back under, and when you next wake up, you’re in your tent. Alone.
~~~
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quarterdollar · 1 month
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SEVERELY obsessed with the character insight here. so obsessed that i typed a long-ass post of analysis, in which i support the argument that volo really isn’t a complete sociopath, he’s just a big emotional short-sighted hypocrite.
as we know, volo’s endgame goal is to subjugate arceus and recreate the world from scratch, implicitly so that whatever pain and heartbreak he’s experienced/witnessed no longer exists. this is of course an intentional parallel to cyrus’s desire to create a world without spirit in response to the emotional pain he experienced in his childhood. while we do not have a concrete explanation on what exactly the painful events volo experienced were like we do with cyrus, he talks about them enough that it’s clear that they impacted him significantly. that is to say i think he’s expressing his thoughts and feelings sincerely when he brings the topic up, he isn’t lying or trying to misdirect you in any way in regards to that.
i bring this up because a big portion of cyrus’s character that to this day flies over many fans’ heads is that he is defined by ironies and hypocrisies. he wishes for a world devoid of any emotions specifically because he is dominated by them—he confesses as much during his rant in the distortion world:
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cyrus also famously has a crobat on his team, which evolves through high friendship, despite his steadfast belief that spirit—of which friendship is undoubtedly a part—is an ugly, vague, incomplete thing. in addition to this, usum all but explicitly confirms that the journal of a child who befriended a rotom was written by him. so, in conclusion, cyrus has a heart and is easily swayed by good emotions as well as bad.
so now we come to volo’s new dialogues in pokemon masters. i think that they have made it clearer that like cyrus’s emotional actions, his obsessions with history & preserving memories through photographs are meant to be genuine hypocrisy on his part, rather than intentional obfuscation of intent. think about it—a man who’s dominated by curiosity & love for history also claims to want to remake the world so utterly that all of that history is rendered completely destroyed. yet even in the depths of his post-defeat breakdown he still maintains that defining curiosity of his:
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and now i ask, what is curiosity, if not an expression of love for the world around you? despite claiming to want to destroy the current world and all evidence of its existence, volo also still wants to know absolutely everything about it, past and present. it’s inherently contradictory. and this brings me to the recurring themes in his pokemas dialogue: how he not only appreciates photographs as a way to create a tangible record of history, but as a way “to capture and isolate the best moments”. those happy moments worth holding onto and looking back on in the future. see also the photograph of him and togepi in the original game, never commented on, taken for no apparent reason other than the fun of it—or more specifically, as these dialogues suggest, to isolate that moment in time in a tangible form. that is an act of love and of sentiment.
so, what’s the conclusion i’m getting at here? well, because of the ambiguity of his character in the base game. i’ve seen that volo is often interpreted as being a manipulative sociopath motivated solely by his desire for control. everything he does before the postgame is entirely a lie, absolutely none of the facade was genuine, etc. and don’t get me wrong, he is a control freak with a god complex! he does railroad the player into doing what he wants! he is not honest and he is not a good person. but, i think there is very much an intentional irony to him the same way there is with cyrus, in that his road to hell was paved with good intentions. he has the capacity for genuine kindness and i personally believe that his descent into villainy was spurred entirely by an earnest appreciation for the world around him and a desire to eliminate suffering.
as a closing statement, i want to bring up a quote from volo himself regarding calaba of the pearl clan:
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i don’t think it’s that volo feels nothing for his pokemon or for the people around him—rather, i think he simply loves the world very, very much.
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xabura · 2 months
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I never understood why the Avatar Extras said "Kataang wins!" at the end if Kataang was always meant to be the "obvious endgame" and Zutara supposedly "wasn't even a contender". I thought it was a joke making fun of the fandom, but now that I have learned that Zutara was pushed by many of the ATLA writers (despite Bryke denying it was even considered for years), I think it was referring to the ship war that was going on in the writer's room.
"Kataang wins!" was originally a line that came from the script notes written by Bryke for the final episode, Elizabeth Welch directly references Zutara in her script notes for The Southern Raiders, John O'Bryan said that he supported Zutara but "lost that fight", and M. Night Shyamalan said that Bryke hadn't decided on who Katara would end up with even as Book 3 was being produced.
This would also help to explain why Guru Pathik said Aang needed to let go of Katara which was happening at the same time Zuko and Katara were bonding. Zuko was supposed to join at the end of Book 2 but after they decided against that, they totally dropped that arc of Aang needing to let go of Katara in Book 3. They had Aang resolve his issues with a rock. The lion turtle was silly but the rock was just ridiculous.
The writing in this part of ATLA was always so strange to me. It seemed like it was being pulled around in different directions. If it was because the writers were having an argument over how the story should play out then the strange writing choices make so much more sense now.
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0daylighthours0 · 2 months
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A Deep Dive into Milkvan and Byler's Development: If Milkvan Was Endgame All Along, Why Was it Written Like This???
SO. I've been rewatching st with my mother, who's never seen it before. And she was a fan of milkvan throughout seasons 1 and 2. Viewing those seasons again I could see why, they're cute. However, come season 3 and INSTANT distaste. And, listen, my mother is not the consciously shipping gal. She simply routes for main character pairings as writers intend, doesn't read between the lines, doesn't nothing. And she does NOT know my own opinions on the pairing. In other words, completely unbiased, uninternet drama influenced eyes. We've now reached season 3 and, after getting through a chunk of it, I asked her,
"so what do you think of Mike and El?"
and she expressed to me that they seem to be, quote:
"not very good together."
She said El's character doesn't suit the way she's acting now (in the first few episodes, concerning Mike), that Mike is more likeable and interesting when he's away from her. She doesn't like the way they ditched the party, and when it comes to their 'making out' the scenes are seen by her from Hopper's perspective (in other words, distasteful). She claimed that they'd be much better characters as friends.
And ya know what, she's right. And I mean like - duh, that's what we've been saying all this time, I'm not stating anything new here. But guys, wouldn't it be strange if the central couple of the show, pivotal that it is liked by audiences and is rooted for by them as they are THE pair, would be so dislikable like this? So uninteresting, so cliche.
I mean, okay, let's do a little mental experiment I like to do to test if I'm not just acting delulu. Let's play a game. In this game, milkvan ARE meant to be endgame. They are in love, they were all along, and they're here to draw in viewers and appease all El stans. Now, seasons 1 and 2 their relationship is honestly fine. Surface level, yeah, people will watch and appreciate them. They perfectly blend in with all the other neat pairings of the seasons, and have their own unique character traits to stand out as a main couple.
Just pretending our mate Will doesn't exist, we now get into season 3. Now, writers have nothing to lose here. If you've finished season 2, you probably like milkvan already. The issue is that they're already together now, so what's the conflict going to be? The arc? And every central couple needs that conflict to stay juicy.
Just take a look:
Jancy: quarrels, struggle to understand one another
Jopper: not yet together, one sided? will they won't they
Lumax: ...
Lumax? Lumax. Huh, guess they were simply together. Some loveable bickering, maintained a friendly dynamic while clearly in closer proximity. Well then, writers can do the same for milkvan right? Well, yes easily. But one might argue that since they are supposed to be THE pairing they need more going on between them than that. So what'll it be? Well, it seems that writers thought,
"hey, why not break them up?"
ok so.. that's a bit risky. I mean you want people to like this ship, if you break them up then that threats: 1. there being a disliking to one or both characters, 2. coming off generic if done incorrectly, 3. the break up might make no sense considering how in love they came off as just a season ago. But hey.. it could work, if done right. Some kind of misunderstanding, similar to Jancy. Maybe an argument leading to a sudden parting. I mean, yeah, Yeah! I can see that. Perhaps Mike is being too overprotective whilst El's trying to sacrifice herself for something, so she NEEDS to separate herself from him attempting to hurt him less. Or, I dunno, something akin. What's crucial is that us, AS THE AUDIENCE, still know them to be deeply in love. I mean, we have to still want them to be together. And we've seen couple trouble before. Just take a look at Lumax season 4 - did you or did you not want the best for both of them as a pair? You most likely did. See, it's doable. So did people like milkvan season 3 the same way, even after a separation plot? No.
Okay well, there are obviously those who'll always love milkvan no matter but, see, season 3 tainted it. "We need to write them like this cause it's more realistic to teenager behavior" my ars. You can make it messy without making it icky. Not only did it sour their unique dynamic, it flabbergastingly stomped on Mike as a character.
Honestly, I feel Mike has always been a mild struggle to write. Season 1 his motivations were 'find Will' (who still doesn't exist in our mind game yet shh) and 'protect El'. This worked well for him. Afterwards though, El and Will became more separate plots to him. But as a main character it remained integral that he be closely linked to them somehow. This sets him apart from Lucas and Dustin, who can easily be given any arc any season as their plots have the flexibility of a side quest nature. Since what Mike does is meant to matter more - with there probably being a better way of phrasing that but you know what I mean - it's harder knowing what he'll do when El and Will (who we'll GET to sh.) are their own separate people. And Mike is just a boy, he doesn't have super powers and he isn't a cop, which leaves there even less for him to do which is of significance. Season 2 writers decided upon having him support Will's arc, making himself of enough relevance by being able to take credit for some Will development in the story, and the plots that surrounded that, and then Mike was thrown a little bone by being the one to come up with the idea of burning those vines in the finale.
Truthfully, you don't really remember Mike's deeds much when reminiscing the series. It isn't like Dustin who's bond with Dart sticks to everyone, or Nancy and Jonathan responsible for kicking out Hawkins Lab. This is due to them, again, being able to traverse all sorts of adventures without limits. But my guy Mike can't do dat. Sadly, this kind of leads to him coming of as a little.. well... insignificant. And I know I know, the Mike truthers are gonna come at my throat. And hey! I love him too. I only want the best for my boy.
This makes season 3 a unique case cause it seems that, for the plot they decided they wanted, writers actually had to almost entirely change his character. I mean mate s2 Mike and s3 Mike are two different peoples, don't even. And I don't believe that the Duffers had their story and character turnouts completely drawn out from the very start at all. If I was to guess, I'd assume they have vague ideas of little plots they plan to include in future, but there is definitely a lot that has come unpredicted or changed throughout st's runtime. And one of those phenomenons are Michael Wheeler. So they decided to make this guy a di-
So they decided to make him more douchy, more movie typical teenage guy. It's not as if he wholly sucked, he didn't, but he didn't really do much. Whined about his girlfriend, separated the party. I mean what even was his arc? (UnLESS–)
You see, if milkvan is written to be loved, then season 3 was strike one. All of its charm was stripped away. It seems they had some cute scenes after their reconciliation, but it's not enough. It's just sort of
"oh, ok, so they're happy with eachother now. yayy."
and Stranger Things should want to be anything but boring. Sure they often enjoy indulging in tropes, but they always do something different with them. Something standoutish. And from this point on milkvan just got dull. Either writers ran out of ideas or lost interest, honestly (still with our mind game of telling ourselves they're meant to be).
But it's okay. Look, so season 3 was a bit rocky, maybe lost a couple of fans for the guys, but it is salvageable. Easily, easily. Looks like we want a plot of Mike struggling to tell El he loves her. Great! Much to work with.
So let's get into it. Season 4! Choices were... made. And, okay, now we can't go any further without bringing in our boy Will.
Mike is intrinsically tied to Will and El and has been from the start. Maybe Will was more of an accident. Maybe s1 Will was just a plot device for Mike, then s2 Will was a plot device again and Mike needed to be there as the main boy character. Come season 3 and it seems their relationship still matters. Will was sidelined - hard - so most of Mike's moments revolved around El. But as his bond with Mike is the only that's been properly built up, that's the only friend we'll get him interacting with in a way that matters. So the Mike and Will tie continues!
But that does not have to be the case for season 4. Now the writers have a chance.
They made Will gay.
Ok so.. ok so yeah that's fine. Yeah! I mean they didn't have to do that, might put them in hot water with the bylers since milkvan is their golden beauty but.. you know what no no that's okay. He's been hinted at being queer since episode 1, why not make it canon! Cool that works. Explore that, especially since we now have Vecna who can easily target Will for this. Give him a boyfriend! Or a guy crush. He's at a new school now? That's cool. Maybe we can explore some new male character Will's taken interest in. Hey maybe he meets someone who interests him which rises to surface his whole sexuality plot and-
he's in love with Mike.
Ok. No. No. What are you doing? What do you mean?? You didn't have to do that. Strike- strike EFING TWO mates! Strike. 👏 efing. 👏 2!
This was part 1. I am tired and gots to get my ars in bed. But ohohoh, do not worry. I am just getting started.
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bubbles-for-all-of-us · 2 months
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hi I loved you're never again fic with az it's so good we definitely need a part two protective az is endgame!
Part I
Never again
“You should sit down”, you motioned for the side of the bed. Azriel had been passing back and forth for hours. “This is not your fault”, you reached out for him but he only shook his head. “I should have known, should have seen the signs”, Azriel grumbled, brushing some of the messy strands of hair away.
“My love”, you called out, hatting seeing him so overwhelmed with all of it. “You need to know that I never, not even once, entered it once we met”, he breathed out, moving closer to you. “Azriel…”, you sighed. “No, I never. I told her. I told her that whatever that was going on was over. Done. No more”, he said firmly. Pleading with his eyes for forgiveness. “I’m not accusing you of anything”, you muttered softly, reaching for his palms. “I just need you to know”, “And I believe you”, you lifted his hands closer to your lips, kissing the scared skin softly.
“I need to go fetch Madja”, he huffed, standing up. “No, you do not”, you pulled him closer to you, halting his steps. “But your legs”, Azriel argued firmly. “They are well and whatever is left of the scratch will heal in no time”, you reassured him. Hoping to chase some of the panic away. Azriel let out a deep sigh.
“I never thought the first dinner would turn into such disaster”, he shook his head. You knew how much this meant to him. How much he had wanted to show you off. To finally sit with his family not feeling as if something was missing. To finally let go of the past and enjoy the present. “I don’t agree. I had a wonderful time with everyone”, you smiled at him softly. “You were… She…”, Azriel muttered out, the overwhelming feeling rising within him once more. “Why don’t you move in with me for a bit”, you cut into his thoughts, “Come stay in winter and we can invite your family over”, you suggested, “Everything would have time to die down a little”. The last thing you wanted was for him to fall into a guilt-ridden mess. You knew how protective Azriel could be. “I want to make sure that she knows”, he said firmly, “And I want to make sure that she won’t get to see you”, you cut in, “Not now at least. What if she targets you next”, your voice died down at the very end. Azriel tilted his head to the side his eyes growing soft. “My love, she will never harm”, he reached out cupping your face, “I will never let her get close to both of us”. “That’s exactly what scares me. I want you free from the burden that she is”, you whispered. Azriel was silent for a moment before he nodded slowly, “I’ll inform Rhys tomorrow and we will move”, he said tenderly, leaning in to brush his lips over your temple.
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justthinkinboutbooks · 2 months
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A common argument I see against Elriel is that “I didn’t see any of their interactions as romantic” or something in that vain.
And I think it brings up an interesting argument about author intention and reader interpretation.
Just because you interpreted the text differently than what the author intended doesn’t make your interpretation correct.
Elriel is a good example of this and they don’t even need to be endgame in order for it to be true.
Even if you didn’t personally read Elain and Azriel’s interactions to be romantic or building towards something doesn’t mean that’s not what they were intended to be.
Spending time in the garden together, rescue, Truth-Teller, the potatoes, the headache powder, “something charged” between them, Nesta saying it was his secret to tell, never hers, was all meant to show us that something is growing between Elain and Az that we aren’t privy to.
And then the bonus chapter was meant to confirm it.
If all those interactions weren’t meant to mean something beyond friendship, the scene in the BC wouldn’t have happened.
To me, their feelings in that scene came as no shock because I thought SJM’s intentions had been pretty clear for a while.
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5ummit · 1 year
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Stucky used to be my comfort ship.
I used to think Steve and Bucky cared for each other so deeply and tragically that their love – even if only viewed as platonic – could not be denied by anyone. Not after Steve spent THREE whole movies, the entire Cap trilogy, proving how much Bucky meant to him over and over and over. Steve was willing to fight for him and die for him in every single movie. I used to think that even if Marvel gave Steve another love interest, even if he died in Endgame, it wouldn’t change or negate how devoted they were to each other. That they would still be friends “til the end of the line.”
Little did I know what awaited me in Endgame was a fate worse than death.
Steve left and in doing so rewrote everything we thought we knew about him and his relationship with Bucky. About who Steve is as a character entirely. It wasn’t just that he abandoned his supposed best friend, who he had been chasing and obsessing over for years. Who was there for him and looked after him ever since they were children. If Steve had left the Bucky he used to know in the 1940s for some love interest and a life without him, it would still be pretty out of character, but I would eventually get over it. 1940s!Bucky was confident, happy, and had family and friends who cared about him. Endgame!Bucky is not that Bucky.
Endgame!Bucky is broken and lost and just now learning how to be a person again. Endgame!Bucky has no friends and no family. Endgame!Bucky just spent the last 70 years of his life going from one fight to another, being brainwashed and tortured and manipulated and abused. Endgame!Bucky is clinging by a thread to the one and only thing he knows and values in this world: Steve.
This is the Bucky that Steve chose to leave.
If Steve was any kind of friend at all – if Steve was truly a hero and the morally upstanding person he’s portrayed as, a person worthy of wielding Mjolnir – he would know these things about Bucky, his best friend since childhood, and at the very least, would refuse to leave his side until Bucky had some sort of support network and seemed well-adjusted enough to handle it. But he doesn’t. Even in their farewell scene when Bucky (looking like a kicked puppy) says to him “I’m gonna miss you” Steve won’t even echo the sentiment. He just says “it’s gonna be okay,” as if he’s aware of the pain Bucky must be in and essentially tells him, “don’t worry, you’ll get over it.” And I’m not even going to get into the terrible way Steve treated his other best friend, Sam, by keeping him completely in the dark about his plans for absolutely no reason and abandoning him as well.
Marvel didn’t just make Steve act out of character in Endgame in an effort to no-homo him and create a ~surprise twist~. They didn’t just make him a bit selfish and a bad friend. They straight up made him a villain, and I will never ever forgive them for it.
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robynrocksforbrains · 11 months
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I love you ×9
Ok so I am probably not the first person to notice this or point it out since I've only been a byler for like six months... BUT I did maybe go a little crazy about this. So I'm gonna talk about it.
So a few days ago I was thinking about the mlvn endgame argument "well Mike said 'I love you' nine times". And like, first of all, saying "I love you" doesn't undo a year's worth of deliberate lying and miscommunication. That's not how relationships work. Their issues are still very much real and very much not going anywhere because they're not even TRYING to do anything about them. But also... I was thinking: why nine times? Why that number specifically? Was it just random? Is there maybe anything to indicate that nine is significant? Is there maybe a scene in the first episode of s4 that tells us how we should react to the monologue?
So, the DND basketball montage. Great stuff. Amazing foreshadowing. Everyone loved it.
I got to thinking about it. Decided I needed to know what Mike's roll was. I kinda spiraled about it on twitter because I could not see it clearly and I couldn't tell if it was an eight or nine. Desperate times called for desperate measures so I recorded my tablet with my phone and found the perfect frame.
IT'S A NINE
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CLEAR AS DAY! IT'S A NINE! GREATEST DAY OF MY LIFE!!
Anyway, I don't know how DND works. I don't know why this roll evoked the reaction it did from the party - most significantly, Mike's very disgruntled reaction (I don't mean The Party™ I just mean literally the party that is playing this campaign) I genuinely don't know what the fuck is going on in this game. But what I do know is they wanted us to associate this roll with failure. That's why it corresponds with a missed basket in the basketball game. That's why Eddie gets this ooo that sucks for you guys look on his face. That's why we hear a chorus of "nooo" from the party. That's why Mike says "no no no" and looks extremely upset. I don't know anything about DND, but I can read context clues.
So I'm not going to try to understand what's going on in the game, I'm just gonna go off what I think they wanted us to subconsciously pick up on.
So they show us all of this. They associate Mike with the number nine in the first episode and then that number shows up AGAIN in the last episode.
The monologue cannot be associated with anything but failure. Whether that be mlvns failing relationship, or their very real failure to save Max (at least before El revived her), and their failure to save Hawkins. The monologue does not stand apart from that. It is completely interwoven with these failures. If you have average media literacy, you know that. Even before I was aware of just how important byler is to this entire story, before I was aware that they've been setting up byler endgame since day one, you would never catch me thinking that the monologue was supposed to be received positively by the audience. You would never catch me saying mlvns love saved the world. (Although that's because I genuinely forgot about mlvn a few weeks after I watched s4). I think I received the monologue in the way it was intended to be received. I didn't fully understand it, or why they would execute it the way they did, but I still received it in the way I believe it was intended to be.
So I know the general agreement among bylers is that the monologue kinda sealed the deal for mlvn bones. Like I'm not saying anything new really. But I genuinely do think that Mike's roll in episode one, the reactions to it, and the missed shot it corresponds with were meant to foreshadow the monologue and how they wanted the audience to receive it.
This is fiction, everything means something. Everything is thought of. The timer (and maybe scores, I genuinely can't remember) in the basketball game had significance. Other rolls in the DND game had significance. Why would that be any different for Mike? Especially when his roll was a nine and that number shows up for him again when he says "I love you" nine times. And both of these things are associated with failure.
Not that we need any other reason to interpret the monologue as a less than good thing. It's just the way that it is, it's pretty easy to figure out how they wanted us to take it. But they still did give us a hint. I think it's really cool.
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explodo-smash · 5 months
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Are you one of the people expecting bkdk to be canon? I just learned that there are people that sincerely believe Hori would have Deku and Bkg have an explicit confession of love. That he's going to be the first popular mangaka to have a endgame gay ship. I am in so many mlm ships of shounen but I've never had the delusion that the author would make them canon despite the evidences otherwise. Like I thought it's fine to ship mlm as long as we stayed in our lane and never harassed the author.
After speaking together, we do believe based on the evidence in the series that BakuDeku being canon is not an even vaguely unreasonable conclusion to reach. We think the story is written in a way you can reach that conclusion easily, so much that even casual viewers who aren’t shippers are questioning the nature/potential conclusion of their relationship.
One of the most consistent and convincing lines of evidence for us has been Katsuki taking on roles/positions traditionally reserved for female heroines/love interests (if you’ve seen anyone call him “narratively androgynous,” this is what they’re referring to). In the context of Jump magazine, we have a number of shonen heroines and love interests to compare Katsuki to. The similarities are so striking that many notable people (including the VAs for the anime) have taken to calling him the heroine of the series.
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However, we do think things like homophobia (whether it’s the writer or the audience/consumerbase at large– in this case we’re primarily referring to the audience), the safety of everyone involved, and timing are all unpredictable factors people have to take into consideration when writing/reading a story of this magnitude. Needless to say, if Horikoshi is indeed planning an endgame for bakudeku, he’d also have to take these factors into consideration.
Horikoshi has a record of being pretty in-tune with his fanbase. He definitely keeps some eye on bnha’s reception–for example, he mentioned a while back that both the people who love Katsuki and the people who hate him will have something to look forward to in this finale (we can now see what he meant lol). He’s very likely aware of the people who love bakudeku and the people who loathe it. 
Taking into account that he tends to be very intentional with his writing choices, he’s written this story in a way that not only centered bakudeku’s relationship over others (notably Izuku + Ochako’s, the character he’d presumably end up with if things were going predictably?), but also went the extra mile to distinguish their relationship as unique, closer than all their other relationships, the “biggest pillar of the story” (x, x). He didn’t have to do all of this. This extra push is what’s giving bakudeku that undeniable chance at an endgame right now, because it’s come to a point where no one can ignore the implications of scenes like this:
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On the flip side, we don’t think people’s hesitation is unreasonable. It’s scary! If bakudeku were to fall flat of all this buildup/our expectations, it wouldn’t be the first time the romantic implications between a pair of boys in a story like this was ignored. Hell it wouldn’t be the first time a popular pair in general, (gay or not) got ignored in favor of what the author just felt like doing, regardless of what any previous developments in the story or interviews or official artwork would have us believe. There’s enough written evidence that canon bakudeku wouldn’t be surprising, but there’s also (at the time of writing this response) still room for things to go another direction, for all of this to be recontextualized and passed as something else. 
As per social norms/patterns of behavior, this would be disappointing as hell but not surprising. Especially for people who have been let down before, we completely understand the need/impulse to distance oneself from the idea/hope that bakudeku may become canon.
In all honesty, if it turns out bakudeku isn’t canon or left open-ended (say, an ending where they’re partners of some kind/the closest to one another without that explicit romantic confirmation), we would be frustrated/heartbroken. Not because we feel like Horikoshi shouldn’t do what he wants, he should. But because there’s been a clear effort to bring LGBTQ+ readers into the fold, and tell and portray our experiences in MHA. Horikoshi has done a beautiful, incredible job of writing various LGBTQ+ and marginalized experiences as a metaphor in his stories. Toga is a prime example. This is something that readers around the world have noticed, and it’s something MHA is special for (see this data x, and the further context/commentary on it given here x). 
We think it’s intentional. This story and the relationships in it have invoked experiences close and personal to many of us. Things are in a state right now where we wouldn’t just feel baited, we feel like readers would have a right to feel unsatisfied.
That being said, feeling unsatisfied doesn’t equate to feeling empowered to harass or bother others. Especially not Horikoshi himself, and also including other readers who had differing expectations. This is really the case across the board. We should all be able to control our anticipation/expectations without becoming assholes. 
It’s not just the shippers, by the way. People who work on the series or work closely with Horikoshi have rooted for bakudeku to go beyond. Izuku and Katsuki have already done what a good chunk of the readerbase thought impossible and became friends. People see their writing, their potential, and they want more. The voice actors (x, x sorry for the crunchy pic it's all i've got atm), academics (x), musicians (x, x) , editors (x) and more have all kind of rallied around Bakugou and Deku’s bond, with a particular sensitivity towards the deeply and uniquely intimate nature of it + how it evokes romance.
We’d like to see MHA exist free of the burdens previous popular shounen series have had placed on them. But that’s a conversation for the ending. As far as the fanbase goes, I think it’s super important people practice humility and caution when speaking to others. We have NO way of knowing what will happen. People who have been traumatized by situations like this in the past have a right to be anxious, people in general are allowed to withhold judgment until we have all the information we need. However, we don’t think having hope or confidence that this narrative might lead us to a canon bakudeku is unwarranted or delusional.
At the end of the day one thing is true, and this was something we had to fight to “prove” much longer than we had to prove Bakudeku had romantic potential - it’s that Kacchan and Izuku’s lives are going to be forever intertwined in this new era of their world that births from the finale. 
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They’re forever intertwined in a way that’s not replicable for any other character in the series, and that’s amazing all on its own. We’ll just have to wait and see how far they take it! Thanks for reading if you got this far, and Happy Holidays!
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If Mike really loved El romantically, they wouldn’t have dragged out a weird plot of not being able to say ILY for two seasons. One season? Sure. I can let Season 3 slide somewhat if one discounts all the queer longing that takes place and the odd finale kiss. You could interpret S3 as an awkward kid building up the courage to say the L word.
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But two seasons? Nah. If the first interpretation were true, things would’ve been resolved when El confesses that she loves him back at the end of S3. But things were not resolved? And the show goes out of its way to emphasize that Mike isn’t even writing “I love you” in his letters? And they have a big, explosive fight about it… and he still can’t say it? Nah Michael, I diagnose you with homosexuality.
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“But saying I love you is scary and a big deal and yada yada…” Okay sure. Saying ILY is a big deal. But middle school kids still say it pretty casually. And they certainly at least write it. It’s not uncommon for a kid to drop the “L” bomb to someone they’ve only been dating for a short period of time, only to break up the next day. Things are fluid and chaotic and unpredictable and messy. In Romeo and Juliet, Romeo thought he was in love with Rosaline until seeing Juliet, and he immediately changed his mind.
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But even if we just assume it’s harder for Mike to say ILY to El because Mlvn is serious and more meaningful than a fleeting crush, that still doesn’t let Mike off the hook. If Mlvn really is as soulmate-coded as Mlievens believe, when have you ever heard of a soulmate-coded relationship in media where the writers went out of their way to show that saying ILY was like pulling teeth? Imagine if there was a whole section of Titanic where Jack struggled with saying ILY to Rose? Imagine Leia got into a fight with Han because he couldn’t write “love” in his romantic letters, and Han was all like, “I care for you so much, Leia.”Imagine Katara pulled out the receipts, and Aang was like, “Okay, okay. Katara, you’re being ridiculous. Like what is this?”
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That would be absurd. And you’d either demand an explanation or stop rooting for them. It’s not that ILY isn’t often a big deal in stories. It’s that when it’s emphasized in a weird way and dragged out for two seasons, you have to side-eye it. It’s one thing when the big ILY is the logical and natural culmination of an arc, whether at the end of a season or the end of a series. That makes sense. It’s another thing entirely when someone is literally begging you to say it, and you still can’t say it. And then when you finally do say it, it’s in the penultimate season, and it’s extremely anticlimactic. And everyone has to emphasize how you said it 9 times to cope/compensate.
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If Mlvn was meant to be endgame, and Mike really loved El romantically, they would’ve just… shown Mike and El being in love with each other. There wouldn’t be any doubt. None of the other couples, other than Stancy, have ever gone through this weird kind of ritual where words are emphasized over actions. No one doubts that Lumax, Jopper, and Duzie are in love with each other. Jancy is a little more complicated cause they were separated throughout S4 and doubts were raised, but even so, it’s nowhere near the odd situation with Milkvan. Jancy, Lumax, Jopper, and Duzie have all shown they love each other through their actions. They don’t rely on big gestures or words to prove it. In fact, Lucas even specifically says to Max, “I don’t want a letter.”
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All I’m saying is, if Mlvn is treated with a considerable lack of seriousness post Season 2, if the show keeps them in a weird Groundhog Day plot of constant fights and lies and not being on the same page, and if it takes a third party with vested romantic interest in the situation for Mike to finally monologue a measly ILY to his girlfriend, then maybe there’s a reason for this? 🤔
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