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#that scene where everyones amazed and his dialogue is 'ah i was off'
bluffmotel · 10 months
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while only a minority share this view, i do find it somewhat tone deaf when people claim jay's ending is the best outcome for an abuse survivor -- either directly or indirectly implying everyone in the holt house was an abuser that jay, their sole little victim, had to get away from. for starters, none of his endings are happy ones. not even the fugitive path where he's holed up amongst nature, has a dog, and is bathed in solitude. maybe if you close your ears to what jay's saying during that scene you could see this as good for him, but his dialogue is stifled with an achingly loneliness, a sadness. this idea that he craved being alone in the wilderness is not one jay paints himself, it's only something that's said by tyler ; someone who clearly doesn't understand the younger on any level, much less grasps his desires. yes, jay wanted out, he likes nature, though no human can stew in their own space for years without this affecting them mentally. and that's not even taking into account that his entire life is over! he can't travel, he can't visit other countries or get lost in other areas of wood lands or plains, jay is infinitely stuck where he is. it's not a prison cell but it's a cage nonetheless, as the old saying goes : a golden cage is still a cage, after all. he tells zoe these beautiful sights have grown dull on him, laments about missing his family, vanessa, and is so chained by his want for connection he reaches out to a desert dream victim of all people. like, what about this muted cynicism, this barren home, seems happy? maybe he wanted this, some whimsical dream of this, before. now though? it's not what jay thought it'd be, and he lacks any power to change it. this is not some amazing ending for abuse survivors, it's still sad in a melancholy way, simply because jay is visibly unhappy with said circumstances.
but moving on to this, ah, ‘poor little victim in a lion's den’ narrative ... what? i think a lot of people fail to grasp how complex the holt household is in terms of toxicity and abuse. something that's very common nowadays due to how much people project rather than see what's in front of them. and don't get me wrong! projection is fine, you do you, we all consume and parse through media differently -- but this narrative is, by canon evidence, rather fictional. to be completely blunt, jay is not the only victim stuck in the holt house ?? the abusers have always been bear ( physical abuse, verbal degradation ) and sharon ( passive in the face of her kids' abuse, emotional manipulation ) ... and we are literally told point blank by the story itself and another character that these two favored jay immensely compared to their other children. now i'm obviously not saying that he has not faced trauma, he has! favoritism in a house like this does not shield you from the toxicity, sometimes that favor makes things worse, but he was protected to an extent, in ways tyler and dale were not. those two very clearly faced the brunt of bear's physical abuse ; for each other, for jay, and just overall caught their dad's ire more because they stood up to him. tyler takes a beating, a sight that's not at all new by his grim acceptance of this and the fact he states he's been doing this since young :
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so, this is normal for tyler. getting beaten by his dad ( which isn't even mentioning the horror story bear can tell to ash, about how he literally threatened to cut tyler's ear or finger off ) and having his mom overall turn a blind eye to it, even going as far as to dismiss this fighting as childish behavior rather than what it is. and dale? we don't see much of him and bear in general, yet the second he steps up to defend tyler, with something as measly as a shove back, bear wastes zero time in hitting him so hard he's practically out of commission for the rest of the fight. he didn't even think about it, merely swung at dale as hard as possible on instinct alone before tyler hastily stepped up to defend him. what happens when jay tries stopping the fight, though?
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both parties grab for him so they can toss him out of the way so he doesn't possibly get hurt. you can speculate bear was only doing this in order to finish his punishment on tyler, he'd deal with jay later whatever, although why not punch him like dale? why, out of all the moves on his belt, does he do the more merciful option? bear, who is nothing if not made of violence and has been molded to respect it? his fist that's raised in the air isn't for jay, since the next frame is jay shoved out of the way and him hitting tyler again ... hell, in dialogue where bear and jay are sitting on their porch, the youngest can even say bear beats on tyler and dale specifically. why not say “you beat on us”? like, the game is heavily implying that while jay is traumatized, there are some methods of abuse he simply did not face. one of them being the physical abuse prominent at home. and no, i'm not counting whatever pranks dale's pulled on jay ( like shooting him six times with a bb gun lmao ) because honestly? that's just older brother behavior, and we know that despite the morbid pranks, he still looked out for jay in the ways that counted. like protecting him from pa and to an extent tyler, something which, again, jay says himself!
back on topic a bit, the notion people seem to have of jay and his family seems overly simplified to me. people just looked at dale being his usual asshole self and went ‘abuser’, people looked at tyler's rather drastic and not usually like himself reactions to a high stress situation and went ‘abuser’, and that's a bit ridiculous to me. can't say i'm shocked! since so many people nowadays just see someone mean to their favorite character and decide woobifying said fave while demonizing their opposing force is exactly what canon intended. as dusk falls couldn't be a game more clear about it's main theme of family and the fact there's no purely good or bad people in this world, two statements that correspond directly to the holt family. are they bad for each other? probably! but that's a different discussion compared to, say, every single soul in that house violently abused poor jay and they should reap the consequences of that. dale and tyler, like their beloved younger brother, are also victims of abusive parents and a toxic home life. in turn, they both show signs of this abuse in ways that aren't entirely sympathetic or easy to swallow, especially when they've been dealing with it longer than jay and have never had their parents' favor the way he did. i see people get angry at tyler for the famous cabin scene, but nobody turns a critical eye to sharon ; who for all intents and purposes is watching this unfold without a care. she never physically stops tyler and her attempts to kill the fight are weak compared to her previously steely commands. and, honestly, the fact that tyler was that stressed about sharon getting on that bike so she can be protected, when she's the most capable out of the three of them, is way more strange than tyler's outburst -- when he's in a high stress situation, his baby brother's dead, and his life as he knows it is over. a life he didn't even have to begin with, since it was stolen due to his abusive upbringing.
whether this excuses what he did or not is entirely up to the player! i personally don't think it does, though i also understand where this is coming from and the game makes it clear this is not usual tyler behavior. throughout other people's views it's hammered into us that tyler has a cool head relatively, is the most sensible and smart out of his brothers. so, no, i do not think he was choking jay out all the time for his misplaced resentment -- i think his obvious disliking came from his stilted interactions with jay, and his lack of bond with him at all. we see in book one two times he reaches out to jay, demanding that he eats ( a minor, small thing to fret and worry about ) as well as panicking when he sees jay away from the rest of them during a shoot out. dale constantly looks out for jay as well, going as far as to take the heat from romero if they get caught and something as small as taking blame for jay's mistake in the barn scene. are his brothers more prone to violence and apathy? sure! yet they clearly love jay regardless. abusive households are not easy and see through. in fact in many cases the different levels of abuse the kids suffer does breed life altering resentment later on, envy that can damage these bonds permanently. honestly the holt family intrigues me deeply because of how well written they were as a unit, the effects of abuse and toxicity subtle and not overt in a ‘psa message’ kinda way. and these horrible relationships and ideals shared do not negate from the even more horrible fact that there is love in this messed up family, even bear clearly loves his sons, but that doesn't make it better. it almost makes it worse, seeing all the good intentions and care. knowing it doesn't excuse what they've done to each other nor does it make them better. they're a picture perfect family of an ugly wound! which is fascinating! i only wish more people saw that wonderfully shown depth rather than this bland and lukewarm take on the holts overall.
jay is a victim, he is traumatized, he deserved to one day spread his wings and put some distance between himself and his family ... but he was not the only one who deserved that ending, and he was not the only victim there. he was merely the only one with easy to parse trauma responses.
#as dusk falls#interior night#jay holt#dale holt#tyler holt#the holt family#meta post#ngl i'll make fancier tags eventually because i do not wanna clog the adf tag but this'll do#this was not supposed to be my first post yet i feel very strongly about this topic and the holts so um#here we go i guess!#cannot stress enough the literal dev of interior night has said the holts do want what's best for each other#they just have different ideas of what that best is! so it comes out wrong and warped and sometimes mean spirited#but they aren't just 2-bit abusers with signs on their heads saying : i hate jay and abuse him on the regular im a monster kill me#like do you know how much it wrecked me going through variations of the jay in prison scenes and seeing him say like#that tyler might even be happy out there as a fugitive. and that jay wants that for him? for tyler to be happy?#even jay himself comes into his wisdom which has always been there and acknowledges his love for his family#and the fact tyler and dale were miserable going on the way they were. just like he was!#the game centers around the holts and the walkers because they are two families that love each other and fumble the landing of it#jim lies to vince over something unforgivable. yet lying is all he knows. yet he did it out of a selfish love for his son#michelle cheats on vince which is awful and tries to paint it as something not important but she loves vince#is even willing to let him indulge in petty revenge ( which is missing the point ) so that they can stay together!#terrible things they're doing but it never takes away from the fact they love vince and zoe#a sentiment echoed by the holts!#idk like i know this take might get me killed but seeing morally gray games get the black and white treatment kills me#you are missing the true brilliance of adf's writing! you are missing some amazing characters!#also jay is not some unflawed creature. he literally can get so jealous over some girl that he isn't dating to the point of MAIMING a guy#he could've killed todd. he probably almost did! vanessa even says he might be more like his family than he thinks#and even if you don't choose this option it is still inside him. this paranoid jealousy and brutal violence#he can shoot vince or watch him die. he can let his dad die. he can bury someone alive. he can kill a cop and some poor ranger#dale and tyler and jay might be different characters and were shaped differently but they're still the same at their core
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zalrb · 5 months
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Something Something Walter Boys 1x01 Review.
I am already crying at the delivery of this dialogue. What have I gotten myself into?
"This is so awesome, I can't believe you pulled it off" literally people are just dancing. What exactly is amazing about this?
I know that a Gen Z somewhere can deliver dialogue without it being stilted. I know they exist.
If Jackie is SO good at this, she should be walking around and talking with her friend instead standing in one spot the entire time. Jesus Christ, be Caroline. Be Marissa.
"Oh my god, this is going to be the best night ever!" I mean, is it?
Oh, Donna, I already know you deserve better.
Btw, 9 times out of 10, I will probably call Catherine Donna because she's Donna.
Those eyes make me feel unsafe in my own home. I'm not even sure who this boy is even though he was just introduced.
They're trying to make this house seem chaotic and it's one boy on a skateboard. A contained swordfighting scene and a dog in a pool.
Jackie is cute and it's all of these ugly to mediocre white boys omg.
LIKE, THEY GAVE AN ENTRANCE FOR THIS?
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No no no no no no no, if it's not this
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I DON'T WANT IT
"Don't worry about it, New York". They couldn't come up with something better?
Why wouldn't they clear the bedroom of Donna's art supplies ?
"She has to learn how to take a bit of rough and tumble, she'll never survive here otherwise" your lives seem pretty cush, it's not like you're all working on the orchard or doing chores or doing any sort of work/labour to help out on the land when she arrives. You're swimming in a pool.
Well, she's moving her entire life here of course she has a lot of stuff?? This is supposed to indicate that she's sheltered or spoiled or something but she's literally uprooting her life. That comes with boxes.
I AM SO SORRY ABOUT ALBERT. He sprayed her with water, he didn't jump on her or anything.
Donna is actually acting and is natural and just commands the space and everyone else is stilted af.
This exposition dump is KILLING me.
"the rough and tumble"
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Ah yes, taking the obligatory apple for breakfast instead of eating a meal.
The only reason why I'm going to remember Cole's name is because his hair fills me with rage.
I'm trying hard to be sympathetic to Jackie because you know her family died and she's in a new city and in a new school but please get out of the damn car. You're moving SLOW. Have anxiety about not knowing where your classes are while you're walking to the school entrance.
"Not like them fancy Manhattan schools, huh?" I mean, even Spence looks like this
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it's a building. Relax.
everything about this person infuriates me. this looks like a HORRIBLE kiss
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also, wouldn't you go to the office to get your schedule? Do Colorado schools not have offices because they just can't keep up with New York?
"can you stand up and tell us something about yourself?" I have never experienced anything like that when a new student came to class when I was in high school. It was just a "this is xyz. take a seat." and then we moved on.
And wouldn't teachers be briefed on the fact that her family died in an accident beforehand? O for 2, Colorado.
Is that Alex? I'm not entirely sure he's human.
I'm also partially convinced Cole is actually AI.
We never actually got letter grades outside of elementary school.
This is a horrible guidance counsellor. Get her more challenging classes if she wants them. She has a goal to get into Princeton, don't just be like "that's a tough school to get into" if you want to introduce backups to her, you can be like there are lots of other great schools to add to your roster.
"My last school was very supportive of my goals" and the guidance counsellor wants to talk about how she stopped seeing her friends, which fine, you want to make sure she's coping and emotionally stable and has a well-rounded life but don't dismiss this girl's academic goals, jesus christ.
"This is a good school" then put her in some AP classes, what the HELL?
Oh, they don't have many for her year. Well.
"Princeton will understand." NO THEY WON'T. BITCH, YOU'RE A GUIDANCE COUNSELLOR?
LMAO, sorry, I think I'm having flashbacks to my own high school experience where I had to fight to be taken seriously about my average and wanting to get into top schools in Canada and with particular teachers telling me to settle.
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I had to look up how old the actor who plays Cole is because I was like, sir, you are like 27 year old man pretending to be 10 years younger and it's not working for you. You can't pull it off. (He's 25).
He's supposed to be using his pretty privilege to cut the line but he isn't pretty so I'm just confused.
And he isn't charming.
"Do you like her?" She has been there for literally a day.
So, are we just not going to talk about racism? In Colorado?
a) who runs into class like that? b) "Hey, Sky, you know that new girl who was sitting with Cole?" "Yeah, she's right beside you." That's all you needed to say. This is SO contrived. I'm DYING.
Kylie, Jackie, Skyler jesus christ. This sounds like a wattpad story.
"Jackie's landed in boy heaven" Girl, you need to get out more.
I will also remember Grace's name because I want to murder her.
Oh God no, she talks and I can't do it. Shut UP.
"Miss J Crew." "Um, it's Ralph Lauren??" could've been funny if any of these people could act.
I also like how Cole's not-girlfriend is talking about how vanilla Jackie's clothes are and she's dressed in the most basic bitch outfit.
"I'm not buying this little Orphan Annie act" ... I mean her entire family did die though, do you think she faked that?
Also, Jackie embarrassing whatsherface means nothing when it isn't in front of other people that matter to whatsherface. This should be in front of all of whatsherface's friends including Cole. This is just basic teen drama logic.
Grace opens her mouth --
me:
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I'm not sure why I didn't number these.
This is a pretty lax ranch or orchard or whatever.
Her hair is distracting
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"Any other dangerous animals I should know about?" I mean, I don't think they would have a venomous snake just roaming about.
Cole is not charismatic enough for this.
oh my god, the boy who grew up around horses knows how to take care of horses, he's SO sweet. jesus christ.
AND SHE PET THE HORSE AND CALLED THE HORSE BEAUTIFUL SO HE'S LOOKING AT HER LIKE SHE'S BEAUTIFUL BECAUSE NO OTHER GIRL IN THE HISTORY OF HIS EXISTENCE EVER PET A HORSE.
Oh thank god it's over.
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yeonbinfics · 2 years
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Color Me Blue
Color Me Blue by soobiedoo (ao3)
Rating: M
Word Count: 10111
Summary: Choi Yeonjun may not be from Daegu but his home is there. Based on Troye Sivan’s Blue (Sequel to my one-shot, Want It All)
Review:
i am actually quite shocked that this fic does not have more kudos and comments? its so good but seems like its kind of gone under the radar for most people in the community. but also most of their works i see fly under the radar. which should be illegal because omg they’re writing is superb! im not joking, they are also one of my favorite writers in the community and this is my trying to give them their flowers because boy this fic (and their other fics) are SO FUCKING GOOD!
it starts out a few years after the first fic leaves off where yeonjun is an asshole and soobin leaves him to go back to daegu. 
it gives us a flashback to the day soobin comes back heartbroken because he thinks yeonjun doesn't like him back. and the author provides us with this dialogue.
“No, it’s just, I can’t believe I’m such a fool,” Soobin tries to explain in between sobs.
“I found my someone there, Kai.”
“Then why are you crying? You can come back. I’ll help-“
“He doesn’t want me back, not like that anyway.”
gosh if i haven't mentioned that i'm a sucker for pining and unrequited love, well you know now. i ate this up like it was my last meal. ah just the thought of soobin saying that yeonjun doesn't want him back is just... especially when we as the reader are aware that there is a huge miscommunication going on. it hurts so good!
it goes on to set the scene of soobin in his family home, taehyun and beomgyu are engaged, everyone is gathered for their wedding coming up soon. and one of beomgyu’s grooms men is, yeonjun. and so they have to face each other again. soobin with his mind telling him to run away but also he wants yeonjun so bad, even if he was an asshole to him 3 years ago. 
the story progresses into a sort of love triangle, but not really? basically soobin’s family is unaware of the history yeonbin have so they try to set up yeonjun with one of soobin’s cousins. and yeonjun does not look opposed to it at all. at this point we have no inner dialogue or any insight to yeonjun’s point of view so of course we are perceiving yeonjun as the asshole the same way we all thought of him in the first part. 
except later that night, yeonjun comes to soobin’s bedroom and sleeps in his bed. like, he literally sleeps in his bed. no funny business. and he continues to sleep in soobin’s bed every single night despite having a fling going on with soobin’s cousin. 
the story over all was a beautiful development to their relationship in the first part. the way the author made sure to humanize yeonjun more, let us sympathize with him, and the way soobin is also going through his own motions of standing up for himself. one of the best examples would be this line.
“I know you still love me so why aren’t you doing something about it?! You let me sleep in your arms every night but you’re scared to commit!” Yeonjun snaps back, wanting answers to his own questions.
Soobin scoffs in disbelief, then he says, “That’s not fair, hyung. You and I both know it’s not me who’s indecisive," he pauses to catch his breath, "And yeah, I still love you. But you’re a fucking asshole for bringing that up when all you want is a dick up your ass!” He finishes, getting the angriest he's ever been.”
chef’s kiss. 
again, it is so well written and i love it when a fic really stabs you in the heart and the author did an amazing job at making sure my heart was crushed into pieces before stomping on the pieces and then putting them back together in the end. please leave kudos and comments for the author. 
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kaistarus · 3 years
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Nishinoya: I'm the star! I'm the coolest guy here it's obvious!! I got a 40% I'm a genius! My rolling thunder is bad ass, you wish you were me 😌😌😌
Nishinoya, internally: God dammit, my receive was 1 cm off, I'm the worst. I don't deserve any compliments. I gotta practice more. Everyone's wrong I'm mediocre at best. I can’t believe I’m feeling FEAR for the first time in over ten years. it’s my fault if we lose now.
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tainted-wine · 3 years
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I didn’t apply all of these descriptions but these are the main three I had in mind while writing this. How did I attract so many fans of the crusty boi? Either way, welcome to the club!
Words: 1.5k (how the hell did that happen there’s barely any sex)
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The website didn’t explain what the “LOVER” cheat does. Probably unlocks a deleted path that didn’t make it into the official game. Or maybe he just gets a head-start on his Affection progress with you at the very beginning. Or maybe it doesn’t do shit – that could be why there’s no explanation.
Well, now that he knows how to do it, it wouldn’t hurt to test it himself. Shigaraki absently scratches at the irritated skin on his neck as he boots up the game. The directions were fairly simple and easy to remember.
1. Start a brand new file.
Ugh, he despises games that hold only one save file. It’s not like a visual novel holds up much space. What if you want different files in order to experiment with different choices? It doesn’t matter in his case anyway; he 100% completed the game months ago. With no regrets, his original game was deleted and a new one began.
> What is your name?
He might as well stick with the one he used last time.
‘SHIGGY-SENPAI’
The introduction cutscene began, the protagonist going on about the new town he just moved into. Pretty by-the-books, as far as romance openings go.
2. Finish the intro. Once you meet Y/N, go to the menu. 
After skipping through a bunch of fluffy dialogue, you finally appear in all of your cute glory. Once you’re done introducing yourself, Shigaraki brings up the main menu.
3. Type in “LOVER”
Just like that? Alright then...
Right after inputting the final letter, a sparkly ping sound straight out of a magical girl anime could be heard, and that was it. Okay...it sounds like he did it correctly.
When he returned to the game, his success was much more evident. You were staring directly at the screen - almost through the screen - with a glowing expression he’s never seen. Each and every one of your reactions have been seared into his brain after so many hours of gameplay. This was new.
“You...do you really mean that, SHIGGY-SENPAI?”
What? Voice acting? Though you did say his name pretty stiffly, as expected when a computer tries to pronounce custom text, but what the hell? Why would this be hidden as a cheat?
“But it’s so soon, and I’m not very experienced...” You blushed and shyly twiddled your fingers.
Oh.
“But I already trust you, and I want you too.”
Oh.
It’s that kind of path.
A hidden adult route. Shigaraki really likes that, even though this would’ve had a much stronger impact if it happened on his original file, the one where he was fully bonded to you. Sucks that he needs a fresh file in order to fuck you.
Shit, he’s not even prepared for this. Maybe he should go grab the lotion and a couple of tissues, assuming that this special scene will make for pretty decent fap material.
But the dialogue continued automatically. You creeped closer to the screen as you gushed about your feelings for him. “I want to make love to you forever and ever!”
You were getting really close, and with a show of impressive animation, your hand reached out to touch the fourth wall...
And the screen began to distort and ripple.
What the fuck?
“I just can’t wait to feel your amazing cock.” Your fingers began to phase through the fucking computer screenWHAT THE FUCK?!
“Take me, SHIGGY-SENPAI!”
Just like that, a full-sized bitch materialized out of the game and onto his lap, nearly toppling his gamer chair.
Even in the darkness of his room, your eyes shined brightly as they studied his pale face. “You’re even more handsome up close!”
Shigaraki was still too stunned to even respond to the rare compliment. Only when you began to pull down his pants did he finally find his voice again.
“Wha–ah–who the–hey!” He knows that he shouldn’t be afraid of a hottie touching his cock but ooooh shit she’s already stroking him.
“Ah, you’re so big!” You stared at his untouched manhood in awe, watching him become more erect after every pump of your soft hand.
“Fuck, am I?” He gasped.
“Mmhmm! And I bet you’re really tasty too!” You say before he’s suddenly engulfed with the very real warmth of a mouth.
Fuck fuck fuck he isn’t gonna last. He was ready to jerk off, not actually get his dick sucked. It feels more amazing than he ever imagined, your tongue working along his sensitive flesh, and those lips sucking at him so eagerly.
When his hand grabs the top of your head, he realizes too late that all five of his fingers are tangled in your hair.
You nearly fall over from how suddenly Shigaraki rolls back in his chair. You look shocked, confused, and...very much not a pile of dust.
“What’s wrong, SHIGGY-SENPAI?”
He looked at his hands, then at you, then at his hands again.
Then he takes hold of your face and shoves you back into his groin, because he can touch you, he can touch another fucking living thing without any worries about completely destroying it. Must be some crazy logic about you being data from a videogame or something. He doesn’t care, he’s so horny, feels so good having his cock so far down a hot tight throat, he just might burst...
Wait, he might have just done exactly that.
“Ah, shit,” he watches you pull back and swallow with the most satisfied grin.
“That was quick, SHIGGY-SENPAI!” You really need to stop saying his name like that. It’s fuckin’ weird. “I didn’t even get to feel you inside me.”
“Shut up,” the mixture of emotions he’s been experiencing ever since your ass crawled out of the screen like a girl in a cursed video is starting to piss him off. He’s so insulted and thankful that this fictional bitch gave him his first blowjob and made him nut in the span of sixty seconds. “Just give me a few minutes.” 
A few knocks on the room’s door startles both of you.
“Tomura, the Vanguard Action Squad is ready to move out.”
Shit!
“I’ll be out in a damn minute, Kurogiri.” Shigaraki moves to get out of his seat, only to be stopped by his new partner.
Your sparkly puppy eyes are so grossly cute, yet it has his dick twitching again already. “Are you leaving me already, SHIGGY-SENPAI?”
“Quit saying my name in all caps.”
“Okay, ˢʰᶦᵍᵍʸ⁻ˢᵉⁿᵖᵃᶦ.”
“Not like that. I can barely hear it.”
“How about SHIGGY-SENPAI?”
He slaps a hand over your mouth. “Just stop saying my name.”
A much harsher knock rocks the old door. “Hey, you ugly bastard,” That sounded like the Dabi asshole. “The hell are you doing in there? Jacking off to anime girls?”
Shigaraki scoffed. When’s the last time that burnt Stain fanboy got his dick sucked?
As much as he wants to join in on terrorizing the brats at U.A, he really wants to get laid today.
“Just go without me!” He yells through the walls. He nearly misses your muted squeak of joy.
“Eh?” Hearing Dabi’s annoyed muffled voice was pretty amusing. “You’re just gonna sit on your ass in your room while we do the work?”
The villain’s retort catches in his throat when you take his hand and begin to slowly lick at his fingers, all while pinning him with an innocent gaze.
“Your fingers are so pretty,” You whispered.
It’s so difficult to pay attention to the words being uttered outside of the room while his hands are being placed on your chest. BOOBS.
“Please trust Tomura. I’m sure he has faith in you all handling this mission on your own,” Kurogiri tries to explain. Shigaraki knows him well enough to know that he’s probably irritated as well, but there are titties in his hands so who gives a fuck.
Dabi releases an exasperated groan. “I knew this whole League of Villains thing was bullshit. Shouldn’t have bothered.”
Shigaraki slows his exploration of your breasts to shout, “If I make you the leader of the mission, will you shut up?”
“......Yes.”
“Well, I pronounce you leader of the Vanguard Action Squad. I’ll even give you a Nomu. Have fun.” The two of you are rushing to lift your shirt off for better access to your skin.
“Fuck yeah,” Dabi’s voice is still fairly close. The sooner he pisses off, the better. “I can probably pull this off better than you, anyway. Come on, psycho girl, we’re gonna go round up everyone else.”
Toga can be heard squealing excitedly as they both step away and finally give him his privacy back. You look absolutely lovestruck by the entire exchange.
“You gave up an important mission just for me? You really do love me!” 
He just rolled his eyes and lowered his head to take a hardened nipple into his mouth, enjoying your sounds of delight.
He can’t wait for the next time he faces those stupid heroes. He’ll be smarter, stronger, and can even tell them that he got his dick wet.
Oh, the collapse of hero society is going to be glorious.
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mandowh0re · 3 years
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The One Where Everybody Finds Out
Summary: The team finds out about you and Loki.
A/N: So I literally took the entire episode of The One Where Everybody Finds Out from Friends and rewrote it for the Avengers. This may have been done before with either Loki or another character, and I've definitely seen it done with other Friends episodes. This is super long because I literally used every line of dialogue in every scene (except for Ross attempting to win the apartment) and then added or changed them enough to fit the characters. Some of this may be OOC but it was the best I could do with the situation they're all in. I hope you enjoy!
Warnings: Implied smut
Word Count: 6274
Tony as Ross, Natasha as Rachel and Phoebe, Wanda as Rachel and Phoebe, Peter as Phoebe, Loki as Chandler, reader as Monica, and Thor as Joey.
Happy Reading!
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“Oh, hey you guys, look! They’re installing the new training grounds outside!”
There’s collective sounds of acknowledgement from the team as they all get up from their spots, walking over to where Wanda stood in front of the floor to ceiling windows. You can feel Loki standing a bit too close to your back, but luckily everyone is too distracted to notice.
“I’d say from the looks of it, Tony went all out.” Natasha states, looking at all the new fancy equipment that was being unloaded and installed.
“Ironically, it was actually Steve who went all out. I just paid for it.”
“Awh, I’ll miss sweating my tits off in that tiny gym.” Natasha says. You snicker.
“That’s repulsive.” Loki rolls his eyes and returns to his place on the couch.
Tony glares at Nat, “Hey, it’s not my fault that the AC is always broken.”
“Aren’t you a mechanic?” Bucky asks.
“Not an HVAC mechanic. There’s a big difference, tough guy.”
“I am excited for this new space! I will be able to call upon the lightning in training!” Thor booms.
“Yes, and kill everyone on the field.” Loki replies nonchalantly, never looking up from his book.
Thor rolls his eyes and everyone returns to their former spots. You sit back in your spot next to Loki, sitting criss cross on the couch and discreetly touching your knee to high thigh.
It’s the small touches you sneak when you think nobody is looking, that make your heart skip just a beat faster.
***
“Oh my gods, I love this setup! It's got something for everyone!” Tony is absolutely giddy with excitement, walking around the newly installed equipment that had been set up outside, “Isn’t it perfect? I never realized how little we were working with before!”
“Well that is because we really only ever trained by fighting hand to hand.” Natasha replies, inspecting part of the obstacle course.
Tony nods, putting his hands in his pockets. He watches as Peter easily climbs a wall that’s part of the course Nat is looking at.
“It’s amazing!” Wanda chirps, “Steve really outdid himself this time.”
“Speaking of Steve, he was supposed to meet us out here like ten minutes ago. I’m gonna go find him.” Tony says, pulling his phone out to try and get a hold of his boyfriend.
As the billionaire disappears into the compound, Nat walks up to Wanda.
“I never thought I’d say this, but I can’t wait to sweat my tits off out here.” She says, the comment matching the one she made a few days ago.
Wanda lets out a quiet cackle, watching as Nat walks towards some machinery across the yard that caught her eye.
Wanda walks towards the teenager and looks around, excited to have so much more to practice and train her magic with. While Loki was more than glad to train with her using his own magic, she always had to hold back with almost everyone else.
She watches as Peter jumps and climbs his way through the course, looking like he’s having the time of his life, when she sees a separate movement out of the corner of her eye. She looks up to see you and Loki standing in a window, facing each other and talking.
“Oh look! There’s Y/N and Loki. Hey!” She waves up at them, but they don’t see her.
Peter’s attention is now caught and he stops in his tracks, looking up at the same window.
“Hey!” Peter calls, waving his own hands.
Suddenly, you and Loki are stripping each other of clothes, and Peter makes a squaking sound, covering his eyes.
“Ah! Oh!” Wanda shouts, her eyes blowing wide as she sees the events unfold. She uses her magic to pull Peter back to her so she can shield his innocent eyes, “Ahh!”
“What?” Nat asks, jogging back up to the pair.
Wanda points to the window that harbored the offending scene, with the hand that isn’t currently shielding Peter’s eyes.
“Y/N and Loki! Y/N and Loki!”
Nat looks up to see what the other two are flipping out about, only to see Loki shove you up against the window, completely bare.
“Oh my god!” Nat’s voice goes up an octave.
“Oh!”
“Oh my god!”
“Y/N and Loki!” Wanda screams.
“Oh my god!”
“My eyes! My eyes!” Peter screams. Wanda turns them both away from the building.
“Peter! Wanda!” Nat steps in front of them, hands out to try and calm them.
“Oh!” Wanda yells again, screwing here eyes shut.
“Okay! It’s okay! It’s okay!” Nat tries to placate them.
Peter removes Wanda’s hand from his face, “No! They’re doing it!” He yells, turning to point at you and Loki before Nat quickly grabs his arm and turns him back to her.
“I know! I know! I know!”
“You know?” Peter yells back.
“You know?” Wanda echoes him.
“Yes! I know, and Thor knows, but Tony doesn’t know so you have to stop screaming!”
Out of nowhere, Tony walks up to the small group, “Hey, what’s going on?”
The three of them scream in surprise, Peter throwing his hands in the air and jumping, screaming the loudest.
“Hi! Hi!”
Concern etches itself on Tony’s face, “What? What?” He steps towards his kid, arms reaching out and eyes scanning for any injuries.
“Hi! Nothing!” Peter yells, jumping around Tony to make him look away from the compound. He really didn’t need to see his daughter being fucked against a window by the one person on the team he trusts least, “Oh, gods, we’re just so excited about all the new equipment!” Peter claps his hands.
Tony smiles, now realizing it’s all just Peter having a hyperactive episode, “Yeah, actually it looks really good-” He says as he turns back to look at everything, but is cut off when Wanda yells and copies Peter’s movements to pull Tony’s gaze back away from the building.
“It looks amazing!” She screams, clapping and jumping up and down next to Peter.
Nat steps around Tony too so he doesn’t have a reason to turn back around.
“Get in here! Come on!” Peter yells, motioning for his father figure to join their happy dance.
Tony smiles before letting out a happy squeal and jumping into the little group dance, all of them jumping and screaming, aside from Natasha who was smirking and biting her lip to keep from laughing.
***
“You mean whenever Y/N and Loki were like, you know, doing laundry. Or going grocery shopping, or- Oh!” Wanda gasps, “All that time Y/N spent on the phone with Margo back in her hometown?”
They sit on Wanda’s bed, coffee in hand. Peter was leaned against her headboard playing Among Us on his phone, sound blocking headphones in. He was traumatized from what he saw earlier in the day, and he didn’t feel like seeing or talking to anyone, so the girls let him hang with them while they gossiped.
Nat nods, “Uh huh. Doing it, doing it, phone doing it.”
Wanda gasps again, “Oh, I can’t believe it! I mean I think it’s great!” There’s a pause, “For him. She might be able to do better.”
There’s a knock at the door before it opens slightly to reveal Thor. He leans against the doorframe and crosses his arms.
“Hello, what are you all up to?”
“Thor! Come here!” Nat says, jumping up and pulling him into the room, closing the door behind him.
Thor moves to sit on the desk chair, which looks like a doll chair compared to him, “What?”
“Wanda and Peter just found out about Loki and Y/N.”
Thor’s brows furrow and his eyes get wide, “You mean how they’re friends and nothing more?” His eyes narrow at the ex-assassin.
Nat rolls her eyes, “No, no Thor. They know. We were outside checking out the new training grounds and we saw them doing it through the window. Actually we saw them doing it up against the window.”
Wanda joins in, “Okay, so now they know you know,” She points to Thor, “And they don’t know that Nat knows?”
The god looks like he’s thinking hard for a moment before he speaks, “... Yes. But, you know what? It doesn’t matter who knows what. Now, enough of us know, that we could just tell them we know!” He says excitedly, “Then all the lying and secrets will finally be over!”
Nat nods, and Wanda gets a smirk on her face.
“Or, we could not tell them we know, and have a little fun of our own!��� The witch giggles.
“Wait, well what do you mean?” Nat asks, turning back to face Wanda.
“Well every time that they say they’re like, doing laundry, we’ll just give them a bunch of laundry to do!”
Nat’s mouth forms an ‘O’ in understanding, “Ohh,” She claps silently, “I would enjoy that.”
Thor looks horrified, “Oh no no no. No wait wait. You know what would be even more fun? Telling them.”
Nat looks at him, but she’s already hyped up, “Nah, I wanna do Wanda’s thing.”
“I can’t take anymore-”
“Oh you don’t have to do anything. Just don’t tell them that we know!” Wanda snaps.
“No! I can’t take any more secrets!” Thor whines, running a hand down his face, “I’ve got your secrets, I’ve got their secrets, I’ve got secrets of my own, you know.”
“You don’t have any secrets.” Nat narrows her eyes.
“Oh yeah? You don’t know about Squish, my stuffed octopus.” Thor throes back before his eyes go wide.
It’s silent between all of them for a few seconds before Wanda clears her throat, “So, um,” She veers the conversation back to the situation at hand, turning back to Nat, “How are we gonna mess with them?”
Thor groans and leans back in the chair.
“Well, you could use your position, you know, as the best friend. And then I would use, you know, the strongest tool at my disposal. My sexuality.”
There’s another knock at the door.
“Come in!” Wanda calls.
The door opens to reveal Loki. Peter blushes furiously when he looks up to see the other god, and looks back to down, gluing his eyes on his phone.
“Hello, children.”
Everyone in the room replies with hellos.
“Y/N cannot find her journal. Have any of you heathens seen it?”
There’s a string of denials, nobody having seen the black leather journal you tend to carry around.
Nat turns to Wanda and winks, noticing Peter is now looking at her, and stands up to head towards Loki.
“Uh, hello?” Loki says, watching Nat approach him.
“Hey,” She says, finally stepping in front of him, “Oh wow, that jacket looks great on you.”
Loki quirks a brow and glances down at his clothing, then back to Nat, “Um, thanks?”
“Yeah, the material looks so soft,” She says as she strokes his arm, “Oh hello muscles,” She purrs, squeezing his bicep, “Have you been working out?”
Loki looks incredibly puzzled, “Yes, but need I remind you I am also a god.”
Suddenly Nat is giggling. Since when-
“Are you ill?”
She finishes giggling and looks in his eyes, “Well, if you really want to know,” She looks down at her hands, “Um- Oh I can’t tell you this.”
Loki shifts his weight onto the other foot, glancing at the other three behind her, then focusing back on her.
“While I do not enjoy discussing emotions, I can tolerate you more than most humans. If you would like to discuss something on your mind, I would not object.”
“Well actually, you’re the one person I can’t tell this to, and the one person I want to the most.”
“What the Norns is going on?” He asks, growing increasingly disturbed by this interaction.
“I think it’s just, you know, that I haven’t been with someone in so long and, you know how sometimes you’re looking for something and you just don’t even see that it’s right there in front of you dressed in a black suit…”
Loki glances down at himself again and his brows fly up for a split second as he looks back up to Nat.
“Oh no, have I said too much?” She coos, placing a hand on her chest, “Well, it’s just something to think about. I know I will.” She giggles again and walks over to where she set her mug down, bending at the waist and making an ‘oop’ sound, picking it up and then walks out of the room and past Loki, shooting him a wink.
Loki raises a brow at Thor, who has his face in his hands. Wanda is biting her lip to stop from bursting into a fit of laughter, and Peter’s cheeks are dusted pink with his eyes wide in shock.
***
“You are so cute. How did you get to be so cute?” You ask, looking down at Loki. He’s sprawled on his bed with his arm around you, tracing his fingers along your spine.
“I am not cute. I am a god. Handsome or pretty will do.”
You giggle in response, “Okay now you’re even cuter.” You tease, leaning down to kiss him.
“You know, that seems to be a popular opinion today, I must say.”
“What?”
“Well, the weirdest thing happened earlier today. I think… I believe Natasha was coming onto me.”
You chuckle, “What are you talking about?”
“I’m telling you, I think Natasha thinks I’m alluring.”
You look up at the wall and quirk a brow, then look back at him, “It’s not possible.”
“Ow?” Loki says, lifting his hands in a motion akin to ‘what the hel’.
You chuckle, “I’m sorry, it’s just… I mean Nat just thinks of you in a charming, sexless kind of way.”
“Oh well you know I… I can’t hear that enough.”
“I’m sorry, I just think you misunderstood her.”
Loki sits up, “No, I did not misunderstand. Humans are simple creatures-”
You narrow your eyes.
“Except for you, my darling,” He tries to placate, “But she was all over me. She touched my bicep for crying out loud.”
You grab his arm, and smirk, “This bicep?”
“Well it’s not flexed right now.”
You snort and fall back onto the bed in a fit of giggles.
***
You walk out of the elevator into the common room, headed to the kitchenette for some water.
“Hey, Y/N. What are you doing right now? You wanna come see a movie with us?” Nat asks, flipping through her magazine.
You stutter in your movements, hoping nobody noticed, and continue getting your water, “Uh, you know what, I was actually gonna do some laundry.”
You were out on a jog when Loki had texted you a long paragraph about what he wanted to do to you when you got back. Needless to say, you cut your jog short, turned around, and came straight back. When you turned back around to face your friends, you glanced at Loki, who was sitting on the loveseat with a book in hand. The fucker had the audacity to smirk.
Nat and Wanda look at each other, sharing a knowing look.
“Loki, you wanna do it with me?”
He closes his book and sets it down next to him, standing off of the couch, “Sure, I’ll do it with you.”
Nat smirks and stands, “Okay great! Hold on a sec.” She says before running out of the room. She returns a few minutes later with a large hamper full of laundry, “Ugh, here you go,” She sets it down behind the couch, “You don’t mind do you? That would really help me out a lot. Thanks!”
“Uh…” You look at her, not really sure how to respond.
“Oh! I have some too!” Wanda says.
You finally come out of your stupor, “Wait! Why am I doing everyone’s laundry? Do your own!”
Wanda makes a pouty face, “Because you love us and we asked nicely?”
You look at her incredulously before rolling your eyes, “Fine.”
Nat looks at her watch, “Oh! Alright, honey, we’d better go if we wanna catch that movie.”
They grab their jackets and bags, saying goodbye as they leave.
“Bye, Loki! I miss you already.” Nat says as she passes him, pinching his butt before entering the elevator with Wanda.
Once the doors slide shut, Loki looks at you, “Okay, did you see that?” He says hysterically, “With the inappropriate and the pinching?”
You nod, “Actually I did.”
“Okay so now do you believe that she’s attracted to me?”
You blink a few times, pieces of the situation coming together. Suddenly, your heart drops to your stomach.
“Oh my gods!” You look at the elevator and step around the counter towards the common room where Loki stood, “Oh my gods, she knows about us!”
“You are serious??”
“Natasha knows and she’s just trying to freak us out!” You throw your hands in the air, water bottle still clutched, “That’s the only explanation for it!”
Loki leans his head forward and raises his brows, “Okay but what about my pinchable butt and my bulging biceps?” He throws out an arm and runs his opposite hand over the lean limb before recognition settles over his face, “She knows!”
***
The door to Thor’s room flies open, startling the god, and both you and Loki enter.
“Thor.” Loki snaps, walking up to him, you hot on his tail. It looks like he had been in the middle of a nap.
“Yeah?” He says, throwing Squish behind a pillow.
You roll your eyes and Loki runs a hand down his face.
“Natasha knows about us.” Loki says, motioning between you and him.
Thor looks at you before furrowing his brows, “Well I didn’t tell them!”
“Them?” You hiss, “Who’s them?”
Thor looks guilty as he looks between the two of you, “Uhh, Natasha… And Thor.”
“Thor…” You warn.
“... And Wanda and Peter.”
You and Loki look at each other in annoyment.
Thor stands from his bed, “I would have told you, but they made me promise not to tell!”
“Odin’s beard!” Loki bites.
“I’m sorry!” Thor apologizes, and he does look sorry, “But hey! It’s over now, right? Cause you can tell them you know they know, and I can go back to knowing absolutely nothing!”
An idea pops into your mind, “Unless-”
“No, not ‘unless’! Look, this must end now!”
You ignore Thor’s small outburst, “Oh man, they think they are so slick messing with us! But see they don’t know that we know that they know. So…”
Thor looks confused as all hell by now, but realization dawns on Loki, “Ah, yes. The pranksters become the victims!”
Thor rolls his eyes, making an irritated noise, and flops back onto his bed.
***
Natasha, Wanda, and Peter are all hanging out in the common room playing Mario Kart when Natasha’s phone rings.
She pauses the game, putting the controller down and grabbing her phone, noticing the caller ID.
“It’s Loki!” She yelps, and suddenly she has both Peter’s and Wanda’s undivided attention.
They had filled Peter in on their plan, and he was more than happy to help prank you and Loki after what he had been inadvertently forced to see.
“Answer it!” Peter says, scooting closer.
“On speaker!” Wanda adds.
Natasha slides the green button and answers the call, putting it on speaker, “Hello, you.” She says in a sultry tone.
“Hello, Natasha. I have been thinking about you all day.” Loki’s voice fills the room.
Natasha almost chokes, and the other two snap their gaze to the phone, “Huh?”
“Well you know, that thing you said before. I’d be lying if I said I wasn’t intrigued.”
“Really?” She asks, completely caught off guard.
“Yes, listen, why don’t you come to my room tonight and I’ll let you feel my muscles. Or maybe more.”
Natasha’s mouth falls open, as do the others’, and she grasps for some sort of answer.
“I’ll have to get back to you on that. Okay bye.” She hits end and her hands fly to her hair.
“Oh my god!” Wanda squeaks.
“He wants you to go over and feel his muscles and more!” Peter adds.
“Are you kidding?” Natasha says, trying to wrap the situation around her head, “I cannot believe he would to that to-” She cuts off mid sentence as a thought forms in her head. She turns slowly to face Thor, who had been munching on a slice of pizza while watching the Mario Kart tournament, “Thor…” Natasha says, “Do they know that we know?”
He looks at her with a guilty expression, and it’s quiet for a second too long before he answers, “No…”
“Thor…” This time his name is spoken in a warning tone.
He nods slowly, “They know you know.”
Natasha makes a noise of frustration, “I knew it! Oh, I cannot believe those two!”
“They thought that they could mess with us? They’re trying to mess with us?” Wanda guffaws, “They don’t know that we know they know we know.”
Thor groans behind them.
“And Thor you can’t say anything!” Peter turns and tells him.
He throws his hands in the air, “Couldn’t if I wanted to!”
***
Wanda, Nat, and Peter had ended their video game and moved to the couch to talk amongst themselves. You and Loki are standing in the doorway.
“Look at them, they’re panicked!” You whisper.
“Oh, yes. They’re definitely going to crack.” Loki whispers back.
You nod, “Oh yeah.”
Nat turns to look over her shoulder at the two of you and then looks back at her partners in crime.
“Alright, alright, if he wants a date, he’s gonna get a date.” She says, tucking back a strand of hair, “Alright, I’m gonna go.” She adjusts her jacket.
“Good luck!” Peter whispers.
Wanda is giving a subtle thumbs up, “Be sexy.”
Nat rolls her eyes, “Please.” She stands and walks towards Loki with a sexy smirk, swaying her hips back and forth.
He sees her coming and he pushes you away, standing to his full height and pocketing his hands.
You and Nat exchange a fleeting look before her focus is back on Loki.
“So, Loki, I’d love to come by tonight.”
The god’s smug smirk falls for a moment, before he forces it back, “Really?”
“Oh absolutely, should we say around seven?”
Loki tilts his head up slightly, trying to keep his composure, “Yes.”
Nat nods, “Good. I’m really looking forward to you and me having sexual intercourse.” She winks and walks back to her spot on the couch.
Loki gives you a desperate look and you hold your hands up, trying to calm him down.
***
The three troublemakers plus Thor are in Nat’s room. She’s wearing a black, form fitting dress that reaches her mid thigh, with knee high leather boots. Her red hair is straightened and the top layer of her hair is pulled back into a braid in the back of her head. Her makeup is mostly natural, with a subtle green tint on her lids. A modest amount of glitter dusted her cheekbones.
Wanda claps several times, “Showtime!”
“Okay, Peter, pick out a perfume. Over on my dresser. And Thor, can you go grab me a bottle of wine and some glasses?”
Thor huffs but does as he’s asked, leaving the room to fetch the items.
Peter walks up to her with a small bottle filled with purple liquid, “I like this one!”
Nat smiles at him, “One of my favorites,” She stretches her arms out and closes her eyes, “Hit me.”
Peter sprays a cloud of the scent in front of her, and she spins through it.
Thor returns a few minutes later with a bottle of sweet red and two crystal glasses.
~Meanwhile~
You straighten out Loki’s collar and smooth out his jacket.
“Alright, you’ll be great. You just make her think that you want to have sex with her, it’ll totally freak her out.” You spray breath freshener into his mouth and he recoils, not expecting the intrusive taste.
“Okay listen, how far am I going to have to go with her?”
“Relax! She’s gonna give in way before you do!”
“How do you know??” He asks, and he briefly asks himself how he even got caught up in this mess.
“Because you’re on my team, and my team always wins.”
He scrunches his face at you, “At this?” He makes a general motion with his hands.
You roll your eyes, “Just go get some!” You grab his face and give him a quick kiss before smacking his butt, “Go!”
You run to his bathroom and hide inside, listening to the events in the room unfold.
~
Peter, Wanda, and Natasha are all outside of Loki’s room.
Wanda hands the wine and glasses to Natasha, “Okay, Nat. Now we’re gonna try to listen from right here. Okay?”
“Okay.”
“Oh wait!” Wanda reaches out and unzips the zipper on Nat’s chest, letting her breasts spill out a little more.
“Oh, good idea!” Peter says.
“Oh, hang on,” Wanda goes to try and pull it down a little more but Nat steps back.
“Don’t give away the farm!”
Wanda’s hands snap back to herself, and her and Peter hide against the wall as Nat knocks on the door.
It immediately opens, and Loki is there waiting.
“Natasha.”
“Loki.”
“Come on in.” He purrs.
“I was going to.” Nat giggles, and slides past him through the door. He follows her in and closes the door behind him. As soon as it shuts, Wanda and Peter shuffle to the door and press their ears to it.
Nat holds up the bottle in her hand, “I brought some wine. Would you like some?”
“Of course.”
Silence settles over the two as Nat sets the items on Loki’s heavy wooden dresser.
“So, here we are,” She says, pouring a glass of wine, “Nervous?”
“Me? Never. You?”
Her answer is immediate, “No. I want this to happen.” She hands him a glass.
“So do I.” He takes it.
They clink glasses and both down the alcohol like it’s water and they’d been stranded without any for days.
When they finish, they set the glasses down and Loki takes a step back, “I’m going to put on some music.”
He cuts on a song that Nat doesn’t believe she’s heard before. It’s definitely a classical song.
“Maybe I’ll dance for you.” Nat licks her lips, and starts to sway and move her body. She hopes the alcohol kicks in soon.
Loki raises a brow as she gets closer to him. He swallows harshly when she bumps her hips against him.
“You look ravishing.” He chokes out.
“Thanks,” She’s still moving herself to the music, “You know, when you say things like that, it makes me want to rip that… Suit right off.”
“Well, why don’t we move this to the bed.”
“Really?” Nat stops her dancing, the statement coming out of left field.
“Oh! Do you not want to?” Loki asks.
“No, no. I just, you know, first I want to take off all of my clothes and have you rub lotion on me.”
Loki can feel his heart sinking because he can tell that the woman isn’t going down without a fight. And for once, he doesn’t want a fight.
“Well, that would be nice.” He says instead, “I’ll go get the lotion.” He makes a bee line for his bathroom.
He opens the door and slams it behind him.
“This is getting completely out of hand. Alright? She wants me to put lotion on her!” He hisses quietly.
“She’s bluffing!” You hiss back.
Loki throws his hands up, exasperated, “Look, she’s not backing down. She did this!” He copies the hip bump that Nat had done to him earlier.
~
“He is not backing down. He went to get lotion.” Nat says.
She had gone and opened the door to talk to Wanda and Peter when Loki disappeared into the bathroom.
Wanda and Peter look at each other and Wanda wrings her hands.
Thor walks down the hallway and sees them gathered at the door.
“Oh man, aren’t you guys finished yet?” He whines, crossing his arms.
Wanda rolls her eyes, “Thor, look, just look at it this way: The sooner Natasha breaks Loki, the sooner this is all over and out in the open.”
Thor’s eyes light up, “Oh, I like that,” He looks at Nat and an idea comes to him, “Oh! Show your breasts. He’s afraid of looking at anyone else’s but Y/N’s.” He reaches out and pulls on the zipper in a quick motion, causing Natasha’s boobs to nearly fall out of the dress.
The girls gasp and Peter covers his eyes.
“Wow, you didn’t break it.” Nat says, inspecting the zipper and adjusting her breasts.
“Not my first time.” Thor says, cheekily.
~
“You go back out there,” You say, grabbing a bottle of lotion off the shelf, “And you seduce her ‘til she cracks!”
“Okay, give me a moment.” He takes the bottle from you and looks around the small space, “Did you reorganize in here?”
You shrug and push him out of the bathroom.
He stumbles slightly from the force and sees Nat closing the bedroom door.
“Oh, you’re leaving?”
She turns and looks at him, pushing her chest out, “Uh, not without you, lover.” She walks towards him, making sure to show her chest off as she sways her body, “So… These are my boobs.”
Loki glances down at them before locking his eyes on Nat’s.
“They’re very nice.”
They look at each other, exchanging forced sexual glances.
“Well, come here.” He tells her, “I’m very happy we will be having sex.”
Natasha chuckles nervously, “You should be. I’m very bendy.” She steps closer, “I’m gonna kiss you now.”
“Not if I kiss you first.”
She takes a last step forward and grabs one of his hips. He touches one of hers, then switches hands to touch the other. His heart is beating in his throat.
Natasha reaches out and grabs his other hip, jerking him forward. He tries to place a hand on her breast but can’t make himself go through with it, so he settles for her shoulder, and Nat makes a choked sound.
“Well I suppose there’s nothing left for us to do but kiss.”
Nat nods, “Here it comes. Our first kiss.”
Loki quickly glances at the door that you’re hiding behind before looking back to Nat. They’re faces get closer and closer, both desperately hoping that the other will break before their lips connect.
But neither does.
It’s awkward and barely a kiss, but after about two seconds, Loki rips himself away and pushes Nat away from him.
“Alright alright alright. Okay, you win! You win!” He yells, hands up in surrender.
“Hah!”
“I cannot have sex with you.”
“And why not?” Nat pushes.
“Because I’m in love with Y/N.” He admits, running a hand through his hair.
Nat’s heart stops and she can barely string words together, “You’re- You’re what?”
The bathroom door opens and you step out, at the same time the bedroom door swings open to reveal Wanda, Peter, and Thor.
“I love her. That’s right! I love her. I love her!” He repeats himself, pointing to you.
You feel butterflies grow in your belly and warmth blooms in your chest. You don’t care that you just lost this little game. Loki just proclaimed his love for you to a whole group of people. That’s not something he likes; letting others know his feelings.
You walk over to him, sporting a smile so wide that your cheeks hurt. He takes a step towards you and places his hands on your waist, looking into your eyes.
“I love you, Y/N.”
You let out a wet chuckle, “I love you too, Loki.”
He dips down and captures your lips in a searing kiss, pulling your body flush to his.
“I just… I thought you guys were doing it. I didn’t know you were in love!” Nat exclaims.
You turn and smile at your friend, hugging your boyfriend close. Loki chuckles and hugs you back.
“Awh, guys.” Peter says, a large smile on his face as well.
Loki smiles at the boy then looks to Nat, “And hats off to Natasha. Quite the competitor.” He reaches a hand out and the two shake hands, “And may I say your breasts are still out.”
“God.” She mumbles and quickly zips the dress back up.
“All right!” Thor booms, his face filled with joy, “So that’s it! It’s over! Everybody knows!”
“Yeah, well actually, not everybody,” You reply, “And we’d appreciate it if nobody told dad.”
Thor’s face falls and Peter grabs his arm to try and placate him.
***
Tony is watching Peter mess around on the obstacle course.
Peter lands at the end with a backflip and turns to make sure Tony is watching.
The older man holds a thumbs up, “You’re doing great, buddy!”
Movement catches his eye and he looks up to the window of your room. It takes his brain one too many seconds to realize what he’s seeing because he doesn’t want to believe it.
“No… No!” He yells, standing and taking a few steps forward.
Peter turns to look at what Tony is flipping out over and his blood runs cold, “Shit.” He whispers.
“Get off of my daughter!” Tony screams before he takes off towards the entrance to the compound and Peter takes off after him.
Tony runs down the hallway screaming.
“Loki! Loki!” He reaches your room and tries to open it, but it’s locked. He bangs on it several times, “Loki! I saw what you were doing through the window! I saw what you were doing to my daughter, now get out here!”
You and Loki jump up and quickly fix yourselves.
“Well, listen, we had a good run. What was it? Four? Five months? I mean, that’s more than most humans have in a lifetime, so goodbye, take care, goodbye then.” Loki finishes his ramblings with a chaste kiss to your lips before walking to your balcony.
You quickly catch his wrist, “What are you doing?”
“Oh I’m going on the lam.”
You roll your eyes and pull him back towards you, “Come on, Loki, come on. I can handle my dad.”
You drag him with you and open the door to reveal Tony, who is as red as Thor’s cape.
“Hey dad, what’s up?”
He looks at you and then Loki, and storms into the room towards him.
Loki takes several steps back and you run to place yourself between them.
“Dad!” You place your hands on his chest.
“What the hell are you doing!” He yells.
Suddenly almost the entire team is running up to your bedroom door where Peter was already waiting.
“Hey, what’s-what’s going on?” Natasha interjects.
“Well I think… I think… Stark knows about Y/N and I.”
“Brother,” Thor makes a throat cut motion, “He is right there.”
Loki rolls his eyes.
“You are an semi-immortal god that wiped out half of Manhattan and causes trouble everywhere he goes, and this is my daughter. Loki and my daughter, I-I cannot believe this!”
“Look Stark, we are not just fooling around. I love her. Alright? I’m in love with her.”
Tony takes a few breaths and moves his gaze to you.
You step forward and grab his hand, “I’m sorry that you had to find out this way… I’m sorry but it’s true, I love him too.” You reach your other arm back to pull Loki into your side.
He looks at you with unsure eyes, then looks up at Loki and back to you. Then out of nowhere, his demeanor completely changes.
“Loki and my daughter! I cannot believe this!” He says with a more happy tone, bringing them both into a hug, surprise etching Loki’s face. He pulls away and looks at everyone in the doorway, “You guys probably wanna get some hugs in too, huh? Big news!” He says the last part with jazz hands.
Everyone on the team who wasn’t aware files in for hugs and congrats, but the other four stay in the doorway.
Peter smiles, “Awh, no we’re okay, we’ve actually known for a while.”
The smile on Tony’s face vanishes.
“What? What? You guys knew?” He stalks closer and Peter jumps behind Natasha, “You all knew and you didn’t tell me?” His voice became raised again.
“W-Well, Tony, we were worried about you, okay? We didn’t know how you were gonna react.” Wanda explains.
Tony looks between the four of them before the weary smile appears again.
“You were worried about me?” He chuckles, “You didn’t know how I was gonna react?” He pulls all of them into a tight hug.
When he lets them go Thor speaks up, “Okay. What do you say we all, uh, clear out of here and let these two lovebirds get back down to business.”
Tony’s smile vanishes yet again and he turns to glare at the god.
“Hey, hey, hey. I’m just talking here. He is the one sleeping with your daughter.” He points to Loki.
Peter facepalms and Nat drags Thor away, Peter following suit. Peter collects Tony and nods to you and Loki. Everyone files back out of the room and the door closes once more.
After everyone left, there were a few seconds of silence before the two of you burst into hysterical fits of laughter.
***
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Press/Gallery: How Elizabeth Olsen Brought Marvel From Mainstream to Prestige
“The thing I love about being an actor is to fully work with someone and try so hard to be at every level with them, chasing whatever it is you need or want from them.”
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  GALLERY LINKS
Studio Photoshoots > 2021 > Session 008 Magazine Scans > 2021 > Backstage (August 19)
Backstage: Elizabeth Olsen grins widely over video chat when recalling many such moments on set with her co-stars. Yet, she can’t bring herself to divorce such a lofty vision of film acting from the technical multitasking it requires. The camera sees all.
“But then you move your hair, and you’re in your brain, like: OK, remember that! Because I don’t want to edit myself out of a shot. I know some actors are like, ‘Continuity, shmontinuity!’ But the good thing about continuity is, if you remember it, you’re actually providing yourself with more options for the edit.”
That need to balance being both inside the scene and outside of it, fully living it and yet constantly visualizing it on a screen, feels particularly apt in light of Olsen’s most recent project, “WandaVision.”
The mysteries at the heart of the show grow with every episode, each fast-forwarding to a different decade: Could this 1950s, black-and-white, “filmed in front of a studio audience” newlyweds bit be a grief-stricken dream? Might this ’70s spoof be a powerful spell gone awry? Could this meta take on mockumentary comedies be proof that the multiverse is finally coming to the Marvel Cinematic Universe?
The series’ structure, which branches out to include government agents intent on finding out why Westview has seemingly disappeared, calls for the entire cast to play with a mix of genres, balancing a shape-shifting tone that culminates in an epic, MCU-style conclusion. What’s key—and why the show struck a chord with audiences during its nine-episode run—is the miniseries’ commitment to grounding its initial kooky setups and its later special effects-driven spectacle in heartbreaking emotional truths. It’s no small feat, though it’s one that can often be taken for granted.
“I was thinking how hard it would have been to have shot the first ‘Lord of the Rings,’ ” Olsen muses. “Like, you’re putting all these actors [into the frame] later and at all these different levels. All the eyelines are completely unnatural. And yet the performances are fantastic! And technically, they are so hard. People forget sometimes that these things are really technically hard to shoot. And if you are moved by their performance, that took a lot of multitasking.”
As someone who has learned plenty about harnesses, wirework, fight choreography, and green screens (she’s starred in four Marvel movies, including the box office megahit “Avengers: Endgame,” after all), Olsen knows how hard it can be to wrap one’s brain around the work needed to pull off those big, splashy scenes.
“​​If you think about it, it’s, like, the biggest stakes in the entire world—every time. And that feels silly to act over and over again, especially when people are in silly costumes and the love of your life is purple and sparkly, and every time you kiss them, you have to worry about getting it on your hands. Those things are ridiculous. You feel ridiculous. So there is a part of your brain that has to shovel that away and just look into someone’s eyeballs—and sometimes, they don’t even have eyeballs!”
The ability to spend so much time with Wanda, albeit in the guise of sitcom parodies, was a welcome opportunity for Olsen. Not only did it allow the actor to really wrestle with the traumatic backstory that has long defined the character in the MCU, but having the chance to calibrate a performance that functions on so many different levels was a thrilling challenge.
“It was such an amazing work experience,” she says. “Kathryn [Hahn] uses the word ‘profound’—which is so sweet, because it is Marvel, and people, you know, don’t think of those experiences as profound when they watch them. But it really was such a special crew that [director] Matt Shakman and [creator] Jac Schaeffer created. It was a really healthy working environment.”
Related‘WandaVision’ Star Kathryn Hahn’s Secret to Building a Scene-Stealing Performance ‘WandaVision’ Star Kathryn Hahn’s Secret to Building a Scene-Stealing Performance Considering that the miniseries spans several sitcom iterations, various layers of televisual reality, and a number of character reveals that needed to feel truthful and impactful in equal measure, Shakman’s decision to work closely with his actors ahead of shooting was key.
“We truly had a gorgeous amount of time together before we started filming,” Olsen remembers. “Our goal was—which is controversial in TV land—that if you wanted to change [anything], like dialogue in a scene, you had to give those notes a week before we even got there. Because sometimes you get to set, and someone had a brilliant idea while they were sleeping, and you’re like, ‘We don’t have an hour to talk about this. We have seven pages to shoot.’ And so, we were all on the same page with one another, knowing what we were shooting ahead of time.
“Matt just treated us like a troupe of actors who were about to do some regional theater shit,” she adds with a smile.
That spirit of camaraderie was, not coincidentally, at the heart of Olsen’s breakout project, Sean Durkin’s 2011 indie sensation “Martha Marcy May Marlene.” As an introduction to the process of filmmaking to a young stage-trained actor, Durkin’s quietly devastating drama was a dream—and an invaluable learning opportunity.
“It was truly just a bunch of people who loved the script, who just were doing the work. I didn’t understand lenses, so I just did the same thing all the time. I never knew if the camera would be on me or not. There was just so much purity in that experience, and you only have that once.”
The film announced Olsen as a talent to watch: a keen-eyed performer capable of deploying a stilted physicality and clipped delivery, which she used to conjure up a wounded girl learning how to shake off her time spent in a cult in upstate New York. But Olsen admits that it took her a while to figure out how to navigate her career choices afterward. In the years following “Martha,” she felt compelled to try on everything: a horror flick here, a high-profile remake there, a period piece here, an action movie there. It wasn’t until she starred in neo-Western thriller “Wind River” (alongside fellow Marvel regular Jeremy Renner) and the dark comedy “Ingrid Goes West” (opposite a deliciously deranged Aubrey Plaza) that Olsen found her groove.
“It was at that point, when I was five years into working, where I was like, Ah, I know how I want it. I know what I need from these people—from who’s involved, from producers, from directors, from the character, from the script—in order to trust that it’s going to be a fruitful experience.”
As Olsen looks back on her first decade as a working actor, she points out how far removed she is from that young girl who broke out in “Martha Marcy May Marlene.”
“I feel like a totally different person. I don’t know if everyone who’s in their early 30s feels like their early 20s self is a totally different human. But when I think about that version of myself, it feels like a long time ago; there’s a lot learned in a decade.”
Those early years were marked by a self-effacing humility that often led Olsen to defer to others when it came to key decisions about the characters she was playing. But she now feels emboldened to not only stand up for herself and her choices but for others on her sets as well.
“[Facebook Watch series] ‘Sorry for Your Loss’ I got to produce, and I really found my voice in a collaborative leadership way. And with ‘WandaVision,’ Paul [Bettany] and I really took on that feeling, as well—especially since we were introducing new characters to Marvel and wanted [those actors] to feel protected and helped,” she says. “They could ask questions and make sure they felt like they had all the things they needed because sometimes you don’t even know what you need to ask.”
It’s a lesson she learned working with filmmaker Marc Abraham on the Hank Williams biopic “I Saw the Light,” and she’s carried it with her ever since. “I really want it to feel like we’re all in this together, as a team,” Olsen says. “That was part of ‘Sorry for Your Loss’ and it was part of ‘WandaVision,’ and I hope to continue that kind of energy because those have been some of the healthiest work experiences I’ve had.”
If Olsen sounds particularly zealous about the importance of a comfortable, working set, it is because she’s well aware that therein lies an integral part of the work and the process. As an actor, she wants to feel protected and nurtured by those around her, whether she’s reacting to a telling, quiet line of dialogue about grief or donning her iconic Scarlet Witch outfit during a magic-filled mid-air action sequence.
“Sometimes you’re going to be foolish, you know? And [you need to] feel brave to be foolish. Sometimes people feel embarrassed on set and snap. But if you’re in a place where people feel like they’re allowed to be an idiot,” she says, “you’re going to feel better about being an idiot.”
This story originally appeared in the Aug. 19 issue of Backstage Magazine. Subscribe here.
Press/Gallery: How Elizabeth Olsen Brought Marvel From Mainstream to Prestige was originally published on Elizabeth Olsen Source • Your source for everything Elizabeth Olsen
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Rushing off set
Pairing: Henry x reader
Warnings: language, a lot of fluff
Words: 1783
Summary: Henry is in the middle of filming the Witcher when he gets the call that his girlfriend is in labor. He rushes off set, completely forgetting that he is in full Geralt wig and costume...
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Marcie, Henry‘s PA on the set of The Witcher, was watching the dialogue scene around the camp fire behind camera, holding his coat for when the director yelled cut. They were shooting outside in the nearby forest. It was dark and cold, not unusual for fall in England.
When Marcie shifted her weight from one leg to the other, she also transferred the coat from one arm to the other and that’s when she felt the vibration at her leg. It must be Henry’s phone. She opened the zipper and pulled out the actor’s phone. Normally, she wouldn’t do this but Henry gave her the permission as his little girl was due any minute now.
When Marcie activated the front screen, the phone almost fell out of her hands. 21 missed calls, 15 messages. And that minute seemed to be right now. A new message just popped up on the screen.
WHERE THE HELL ARE YOU?!?!?! MY WATER BROKE. ON MY WAY TO THE HOSPITAL!!!
“Oh fuck”, she mumbled to herself. Marcie took a step forward, but then stopped herself. She knew she should tell him right away, but she was also so new to set that she didn’t dare to interrupt a scene. With restless feet, Marcie waited in her spot for the director to finally yell cut. It was probably just 5 minutes, but it felt like 5 hours to her.
“CUT! Thank you”, the director finally called out and Marcie rushed over to Henry, who was sitting on a log at the camp fire. She basically threw his phone at him and held the coat up for him to get in. “Y/N’s water broke. She’s on the way to the hospital”, she immediately said. It took Henry a second to understand what his PA just told him. “Shit, fuck, okay”, he said as he jumped to his feet, but then didn’t move an inch. “GO!”, Marcie yelled at him.
Henry finally rushed off set, people turning their heads as they watched him leave. Marcie ran after him. “The baby’s coming. The baby’s coming”, she told everyone she passed to explain Henry’s sudden exit. Amid the applause of the people crowding the set, Henry headed towards his car. Only on the far edge of his conscience, he noticed people congratulating him and patting his back.
Marcie had trouble keeping up with him. She only arrived at his car when he closed the door behind him and started the engine. “Good luck, Henry. Congrats!”, she shouted at the car driving off the parking lot.
When she turned around to walk back to set, she suddenly stopped and her eyes went big. Henry was still in his full Geralt get-up. Leather armor, wig and everything. “That’s gonna be interesting”, she mumbled to herself when she continued walking.
 “Hello, I’m looking for my girlfriend. She’s having our baby, probably right now”, Henry said to the nurse at the receptionist’s desk. She only looked at him with big eyes, her mouth falling open but not a word coming out.
“Henry!”, he heard the voice of his brother Nick. He was coming at him with fast steps. “Vicki and I brought her in…hahahaha”, Nick started laughing. Henry didn’t think there was anything funny about his girlfriend giving birth and he might be missing it because his brother rather laughed in the middle of a hospital than showing him the way to Y/N’s room.
“Oh, she’s gonna love that”, Nick said and with that led the way to your room. Henry could hear you before he could see you.
“You’re doing so good, Y/N, keep breathing. Deep breaths”, Vicki coached you through another contraction. They were coming every minute now and getting heavier by the second.
“He’s here! I found him down in the lobby”, Nick exclaimed as he entered the room, Henry right at his heels. Vicki turned around and suppressed a laugh as she spotted Henry in his Geralt wig and outfit. She let go of your hand and made way for the daddy-to-be.
“I’m here, baby. I’m here”, Henry said and rushed to your side, grabbing your now empty hand. Just as the contraction washed away, already bracing yourself for the next one, you finally looked over at your boyfriend. “Oh, you gotta be kidding me!”, you breathed out. Your forehead was sweaty, little strands of your hair sticking to your skin.
“I rushed right off set when I got the news. I’m sorry I wasn’t here earlier”, Henry explained and kissed the back of your hand apologizingly.
“Please tell me you have your other clothes in the car?”, Nick asked his little brother before you were able to. “No, I forgot it in my trailer”, Henry said after recollecting his memory. “My bag”, you just nodded as you felt another contraction coming. You packed a pair of sweatpants and a shirt for Henry as you feared this might happen. Vicki got your bag out of the little closet and pulled out said clothes shortly after.
The CTG started beeping a little hectically as the next contraction started. You squeezed Henry’s hand hard to relief some of the pain. You were taking deep breaths and releasing it in short, quick breaths just like you had learned in your classes. Henry was doing it with you, but besides that there wasn’t anything he could do. He never felt more useless.
“Ah, the White Wolf has joined us. Finally”, your doctor said as she came through the door. In previous appointments, you have established that your OB/GYN was a fan of the show, but, thank god, was not fangirling over Henry.
“Y/N, I’m going to check on your dilation real quick. The rest of you have to leave for a minute, okay?”, she told everybody. Henry went into the little bathroom adjoined to your hospital room to change his clothes and Nick accompanied him to help him out of his costume. Vicki stayed with you to hold your hand.
When Henry and Nick came back out, the doctor was gone. “She said, Y/N’s at 9 centimeters so it’s gonna be any minute now”, Vicki updated the men and Henry took his place by your side again.
Just then, a bunch of nurses and your doctor came back in and it started getting hectic. Vicki and Nick left the room, but told you they would wait outside.
Henry was now dressed in his sweatpants and shirt, but still had the wig on. Out of the corner of your eyes, you noticed a fake scar on his arm. But you had other things to worry about.
The doctor sat down on a little chair right in front of the bed and had you scooting down a bit. “Alright, with the next contraction, I need you to push with everything you’ve got, Y/N”, your doctor told you. A nurse lifted and bent your legs, showing Henry how to hold it to help you as best as he could. Then she walked around the bed to the other side and held your other leg.
You gripped the handle bars of the bed and braced yourself. The CTG in the corner started beeping hectically, but you didn’t need that reminder. “Now. Push, Y/N, push”, the doctor said. You bent forward, putting your chin on your chest and pushed with everything you got. Henry put his hand on your upper back, helping you to push forward while his other hand still held your leg.
It took a few good pushes before your little girl was finally out. The doctor put her on your chest while a nurse cleaned her face. She was crying at the top of her lunges and it was the best sound you had ever heard. You cried out of relief, looking down at the little baby on your chest.
Henry kissed you and you found him crying as well. All you two had ever wanted in life had just come true.
“Would daddy do us the honors?”, the doctor asked and held up a pair of medical scissors for Henry to cut the umbilical cord. With shaking hands, Henry made the cut and quickly handed off the pair of scissors, already fearing he could hurt his baby girl in any way.
“What will the little girl’s name be?”, the nurse asked as she was filling out the birth certificate. “Amanda”, Henry said for you as you were still busy crying.
“Alright, Helen will take Amanda to her first check-up”, the doctor explained as a nurse came over, wrapped a blanket around your baby and took her off your chest. “Daddy, you can go with your little lady. Mama and I still have a few things to do here”, the doctor continued. You already missed your daughter but you knew she was in good hands.
 After the check-up, nurse Helen led Henry back into your room. There was nothing left from the little chaos that had just happened a few minutes before. You were resting in your bed, barely able to keep your eyes open, even though you felt like you could finally beat Henry at arm wrestling.
Helen sat Henry down in a chair next to your bed, asking him to take his shirt off. He would now have his first skin-to-skin with his baby girl. With quick and trained fingers, the nurse gently wrapped your baby out of the blanket and put her on Henry’s chest, showing him how to hold her best. Then, she wrapped the blanket back around the two of them.
And then the three of you were alone for the first time. You looked over at your boyfriend holding your daughter at his chest. You felt your eyes tearing up. You had never seen something more beautiful. Even thought he was wearing the Geralt wig and the fake scars.
“We did it, baby”, you mumbled with a big smile. Henry looked up at you, tears in the corners of his eyes. “You did it. You were amazing, baby”, he said and looked down at the sleeping girl in his arms. He didn’t dare to move an inch ever again.
Only a little while later, Nick and Vicki came into the room, congratulating you on becoming parents and meeting their new niece. Nick took a picture of Henry with his little girl which Henry later posted on his Instagram with the caption, “Geralt met our little girl before me. The past hours where the most life-changing I had ever experienced. As you can see, I rushed off set to not miss the birth of our little girl. Mother and child are healthy and absolutely perfect. Let the new chapter of our lives begin, @Y/I/N”
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dangermousie · 3 years
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2020 End of Year Post - kdrama edition
You can find my 2020 cdrama post here: dangermousie.tumblr.com/post/638449659546845184/2020-end-of-year-post-cdrama-edition
This is only going to cover kdramas that aired in 2020; if it originally aired another year, it’s not on this list.
It’s been a pretty lackluster kdrama year. There are probably only 5 kdramas I truly loved and only three of them I was really obsessed over. Better luck in 2021!
DRAMAS WATCHED
(In order of liking from least to most as opposed to pure quality; I am including if I’ve seen enough to make up my mind; yes I realize that’s inaccurate, but that’s my list)
42 Born Again - so bad, so incoherent, so insane, I have no idea why the leads signed up for it (and unlike some of the other watchers, I think it was awful from the very start.) There is literally nothing about this drama that makes sense.
41 Love with Flaws - a bunch of people who should be tried under the Geneva Convention.
40 Sweet Munchies - Jung Il Woo proves his inability to pick a functional script.
39 Meow the Secret Boy - if you ever wanted to bang a cat, this drama is for you. Not being a furry, however...
38 Do Do Sol Sol La Sol - I lost braincells just typing out this title.
37 When I Was the Most Beautiful - the only way it’s not the dumbest, most pointless melo of 2020 is because Born Again considerately came out the same year.
36 Woman of 9.9 Billion - if you want to watch an artsy French movie about miserable people, but only badly made, boy do I have a drama for you.
35 Lies after Lies - screams after screams.
34 Backstreet Rookie - people were up in arms about various problematic plots. I am a survivor of many plots much more problematic but even I couldn’t survive how utterly boring and annoying this drama was and how utterly irritating the leads were. This has taken Ji Chang Wook off my top favorites into “should I even check his latest Lovestruck in the City? Probably not” territory almost single-handedly (Melt Me helped, to be fair.)
33 Men Are Men - boring is boring.
32 Dinner Mate - two beautiful boring people eat out a lot.
31 Was It Love - no it wasn’t.
30 Alice - Joo Won in the shower can make up for a multitude of sins but not plot nonsense of such magnitude. When you find yourself thinking it would be better if he hooked up with the alternate universe version of his mother because at least then something entertaining would happen, you know it’s bad.
29 More than Friends - started out OK, then made me hate basically everyone and kept going.
28 Start-Up - honestly, it’s probably more decent than its place here, but the toxic and batshit fandom for it (the worst this year) made me feel like breaking out in hives any time it’s even mentioned.
27 The Spies who Loved Me - how to take a good cast and waste it.
26 Private Lives - it was good but it never took off with its concept and spent more time on the incoherent plot than the OTP which was its one strength. It’s a decent drama but coming after Heartless City and My Beautiful Bride from the same writer, it’s a disappointment.
25 Record of Youth - as high as it is due to Park Bo Gum hard carrying this entire awful drama on his shoulders and doing it so well I finished it. Alas, while he is in one drama (and that drama is great), the rest of the characters and the entirety of the script are a pointless useless mess.
24 Do You Like Brahms - excellent first third, mediocre middle, and terrible last third. I don’t know what musical term applies to this? Diminuendo, I think.
23 I’ll Go to You When the Weather is Nice - nice and mellow but nothing much happens.
22 Forest - mainly for Park Hae Jin’s excellent and frequently naked bod.
21 The Ballot - I didn’t love it as much as everyone did but it was well-made.
20 Hyena - more romance and less weird law stuff would make it better.
19 365 Repeat the Year - surprisingly solid.
18 The Game Towards Zero - see 365.
17 When My Love Blooms - very old fashioned, very lovely.
16 Chocolate - also very old fashioned and very lovely but also with Yoon Kye Sang performing medical procedures bleeding and shirtless. MMM.
15 (tie) Secret Royal Inspector - a fun if run of the mill sageuk.
15 Find Me In Your Memory - best melo this year.
14 Mystic Pop Up Bar - surprisingly good even though I wasn’t planning to check it out.
13 Where Your Eyes Linger - came out of nowhere but was tender and hopeful and lovely.
12 Itaewon Class - Park Seo Joon hard carries a drama that is already excellent. Love it.
11 Psychopath Diary - Yoon Shi Yoon is such a treat in a hilarious, cynical, dark comedy.
10 Kairos - more like ouroboros.
9 Queen Love and War - in a year where sageuks are very rare, this was solid and surprisingly moving and shippy.
8 The King Eternal Monarch - people didn’t like it but I did. It’s no masterpiece and both the leads and the writers have better dramas, but it was a lovely romantic fairy tale for me.
7 Mr. Queen - sharp, hilarious, and some of my favorite actors.
6 Psycho But It’s OK - healing, sharp cinematography and even sharper chemistry.
5 Crash Landing on You - the last ep pissed me off so much this drama is dead to me but I loved it so much until then I can’t place it lower in good conscience.
4 Train - who knew I would go this hard for an OCN drama or that OCN would do romance so well? But this time-travel mystery romance is just incredible and I shipped the OTP and rooted for the characters and loved every last bit of it.
3 Run On - this is the drama Record of Youth wanted to be but failed. Smart and lived in, you feel like you are peeking at real people, but also even four episodes in, I am so invested in the main characters separately and together, and care for them so much, it’s a little frightening.
1 (tie) Tale of the Nine Tailed - my perfect fantasy romance. I liked it better than Goblin, yeah I said it.
1 Flower of Evil - all the tropes I love in one incredible package. I would rewatch episodes waiting for new ones trying to puzzle the story and to stay withdrawal but it works just as well on rewatch. Lee Jun Ki brings his trademark tortured intensity and for once, both his leading lady and his script back him up and are worthy of that. It’s perfect.
FAVORITE DRAMA
It’s a tie between Tale of the Nine Tailed and Flower of Evil but if I had to pick just one, FoE, because it had me seriously obsessed and guessing about the protagonist and gave me the narrative tropes I love so much and an OTP that statisfied all my hurt/comfort kinks and then some.
WORST DRAMA
Born Again - honestly, this is so bonkers it almost becomes good but alas...
FAVORITE MALE CHARACTER
Do Hyun Soo/Baek Hee Sung, Flower of Evil - he is so messed up, so on edge, so traumatized. Yet capable of so much warmth and caring even as he himself doesn’t realize his humanity. FoE is basically a story of a man pushed and punished by the world for his entire life who, because of one woman, finds a safe place and peace and slowly comes to life without realizing it, and watching his desperation to keep this small bit of normalcy is so heartbreaking and exciting all at once. Plus, you start the drama thinking he’s a psychopathic serial killer and end it (if you are me) thinking he must be protected at all costs and if anyone even looks at him wrong they must suffer, and that’s quite a change!
FAVORITE FEMALE CHARACTER
Nam Ji Ah, Tale of the Nine Tailed - she is so funny and tough and smart and loving and amazing that I will totally buy that a literal demi-god will do anything and everything for her and love her for literal eternity.
NEEDS TO BE MURDERED
Dad in Record of Youth - yes in a year with serial killers and supernatural demons, I picked a normal character from a mediocre drama. It’s his everyday awfulness to his family that hits so hard and I am sad he never got his comeuppance.
FAVORITE SHIP
Ji Ah x Yeon - a fearless reporter and an immortal demi-god who’s been hoping for his human beloved to reincarnate. A really rare set-up where the OTP is equally ride or die, so compatible and completely BAMF. I got why he waited for her for that long and then fell in love with her all over again. Perfection.
Runner up: Flower of Evil - he is so messed up he literally does not believe he is capable of love or empathy, but he falls in love with her anyway and so utterly she permeates his entire life. She is tough as nails and only believes what she sees and is the sole person who believes in him against the world. She loves him but he needs her. She needs him but he loves her. They are amazing.
FAVORITE SECONDARY OTP
Seo Dan x Gu Seung Jun, Crash Landing on You, North Korean x Conman were so good I shipped them harder than the main OTP and the end of that storyline pissed me off so much I dumped the drama and didn’t finish it for months (and it’s still dead to me.)
NOTP
Record of Youth - it started out and they didn’t have much chemistry but the dialogues were interesting and I thought the chemistry would grow. It didn’t and deteriorated, their dialogues became boring and relationship had zero development (about as much as the supposed female lead.) I think we were supposed to feel bad they broke up and they were going for a bittersweet open ending, instead I found myself happy about the break up of two incompatible, chemistry-less people and hoping for the love of God they never get back together.
FAVORITE SCENE
Yeon and the bridge of knives, Tale of the Nine Tailed - Yeon choosing to undergo the creeptastic bridge of knives for a chance to save Ji Ah, who at that point he is not aware is the reincarnation of his Joseon love because, as he says, he doesn’t care if she is or isn’t, it just would be more horrible to have her die than to undergo the horrific torture he is undergoing, and then the sequence with his catching her, her weeping over him and the fact that she is the original Joseon girl revealed and all the bandaging and his watching her sleep and all that loveliness, is everything for yours truly.
Runner up: Hyun Soo having that break-down at the cliff at the end of ep 15 of Flower of Evil as Ji Won desperately tries to convince him she is alive and he finally stumbles to her.
Runner runner up (it’s my list, I will do what I want): Do Won preparing to blow his brains out to give a chance to Seo Kyung to live in Train.
BIGGEST CRUSH
Seon-Gyeom, Run On. Yeah, I know. Im Siwan is tiny, delicate featured and has a runner’s build, none of which are things that normally appeal to me. But his character is so odd, so honest, so unflinching in pursuing what he thinks is right, so incapable of self-pity despite plenty of reasons for it, and so ridiculously attractive when he smiles, I don’t even care.
BEST SCENE STEALER CHARACTER
Kim Bum, TotNT - I started out being annoyed by him and ended up looking forward to his scenes and being distraught by his ending.
NEEDS A SEQUEL
Honestly, none. I was fine with all the endings. I wouldn’t mind seeing post-end life of Tale of the Nine Tailed characters or the OTP settling into their literal new world in Train, but I am good.
TROPE THAT NEEDS TO DIE
Time jump that solves all the problems off screen or alternatively years pass and everyone is frozen - something that kdramas need to learn and need to learn badly. See Record of Youth, Brahms and Start Up.
FAVORITE TROPE WE’VE SEEN A LOT OF
Men who are ride or die for their OTP - this was a great year for this - the male leads of four of my five dramas were beyond anything on that scale (only exception is Run On because it’s still too early to tell there.) Yes PLEASE.
BIGGEST DISAPPOINTMENT
This was a banner year for that what with Start Up, Do You Like Brahms, Record of Youth, and Private Lives all starting out well and nosediving off the cliff but winner is Crash Landing on You. I loved it so much for bulk of its run but the last episode pissed me off so much I deleted all my files and called it a day.
BIGGEST GOOD SURPRISE
Flower of Evil - I had no expectations of this drama and wasn’t even planning on watching it despite liking both the lead actors because yet another “look at evil serial killer be evil” drama with no romance was not my thing. Luckily someone convinced me there might be some romance and I peeked curiously. Honestly, their promo campaign was the most misleading and dumbest thing ever.
Runner up Psycho but it’s OK - I have never liked Kim Soo Hyun in anything before and the drama premise seemed WTF but it was shockingly good and KSH totally blew me away.
Hardest Working Lead
Yoon Shi Yoon - he starred in two (!!!) dramas in 2020 playing three characters and not only were both these dramas awesome in a lackluster year, but if it wasn’t for the fact that I knew it was the same actor and the fact that the characters shared a face, I would have never believed that they were played by the same actor. So good!
2020 DRAMAS I HAVEN’T SEEN THAT I MOST WANT TO WATCH
None. Covid Year gave me PLENTY of time
BEST NON-2020 DRAMA I’VE WATCHED IN 2020
My Beautiful Bride and Deserving of the Name - I was obsessed with both of them and honestly, they were much better than the bulk of 2020 kdramas I watched.
MOST ANTICIPATED IN 2021
The Moon That Rises in the Day, Hong Chun Gi, Joseon Exorcist, Island,  Frightening Cohabitation, Snowdrop.
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franniebanana · 3 years
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CQL Rewatch - Ep 22
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It feels so good to see these two together, talking about old times, and most importantly, not arguing. It's as if this was the conversation that was meant to happen back in Yiling, but it didn't because emotions were too high. I guess it's true that absence makes the heart grow fonder. Wei Wuxian has time to think about and come to the understanding that Lan Wangji isn't fighting him, but instead showing concern. And Lan Wangji gets to hear Wei Wuxian's side of the story, about what he did those three months in the Burial Grounds. It's so refreshing to have this release after so much tension had built up, where the two of them are just open and honest with each other. And you can see how Wei Wuxian's relationship with Lan Wangji is different from his relationship to everyone else. While we get to see him being vulnerable with Jiang Yanli, he won't tell her everything; we see him connecting with Jiang Cheng again, but as is his temperament, Jiang Cheng is often flippant and dismissive, and only really cares that Wei Wuxian is back within the Jiang Clan fold. Lan Wangji really cannot be satisfied until he knows what's been going on; he wants to be reassured that Wei Wuxian is okay in both mind and body, he wants to know that he's not gone to the dark side per se.
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And this moment is so pivotal here. Now that they've finally talked and gotten everything out that they've both been ruminating on over the past however long (idk timelines lol), Wei Wuxian is in a place where he can say he'll accept Lan Wangji's help. Wei Wuxian doesn't agree to it begrudgingly, but I think it's a hopeless agreement. Unless you know about his lack of a Golden Core, his response seems odd--maybe you think he's tired, maybe you think he's just doing it to appease Lan Wangji, but is being dishonest. With the knowledge of the transfer, you can see that he is agreeing to appease Lan Wangji, but not in a lazy or dishonest way: he knows that he can never learn the sword again, but he allows Lan Wangji to at least help him with his temperament. I don't think it's him agreeing to get Lan Wangji off his back, I think instead he's letting Lan Wangji know how important he is to Wei Wuxian--he's special.
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After Wei Wuxian agrees to letting Lan Wangji help, he walks away smiling. He doesn't let Lan Wangji see it either. I feel that he's indescribably happy that with so many changes in his life, he has his relationship with Lan Wangji back--he has his best friend, he has someone who he can trust. And remember, he's not concerned about his temperament being overwhelmed--Wei Wuxian has always considered himself a prodigy, so while this is challenging, he believes that what he learned from the Gusu Lan Clan is enough. Lan Wangji, on the other hand, is still very concerned, and he devotes all of his free time to figuring out ways to help Wei Wuxian, to steady his mind and temperament.
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So, while I'm watching this filler, I'm imagining a terrible scenario they could have done. When you're adapting a book or a play or really anything, it's not uncommon to add scenes, right? CQL has plenty of added scenes for context and padding, plus shit they just made up. Okay, so this would fall into the latter category. Imagine if they had had Lan Wangji get turned into a puppet/Urukai, and then there's some big, dramatic way that Wei Wuxian has to save him and turn him back, and it only brings them closer together as brothers in arms/whatever bs they were trying to sell us without making it romantic. Sounds like a terrible idea, right? Aren't you glad the writers had enough integrity and respect for the novel that they didn't do that? I complain about things that were added or changed as well, but if they had given me an actual explicit acknowledgment of wangxian love, I would have been happy. Of course, censorship is a bitch, so that's a no go. The point of this is that it could have been a lot worse.
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Oh, god. Soup drama. Thank you to that person who posted the soup drama in Lan Wangji's POV. You are amazing, and that post always makes me cackle.
Ah, but this is canon to the novel if I remember correctly. It's totally valid and is actually kind of sad for Yanli, but I still think it's hilarious the way Wei Wuxian just takes off like a shot without knowing what's going on. The thing is, Jiang Yanli is just embarrassed about the whole thing and wants to leave, but of course Wei Wuxian wants revenge. He still harbors no love for Jin Zixuan, and any chance he gets to put the peacock in his place, he'll take.
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Yanli is tugging on him with both hands, and Wei Wuxian doesn't move. He is just standing there, glaring at Jin Zixuan. There are two people in the world who Wei Wuxian will defend forever: Jiang Yanli and Lan Wangji--and Jin Zixuan has just offended one of them. Wei Wuxian is beyond pissed. And now couple that with how he was trapped in a sunless graveyard for three months, has been doing nothing but fighting since he's been out, and is using his spiritual power in a dangerous and unstable method. His mood, my friends, is not great right now.
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I love how Lan Wangji looks inside the tent, and then proceeds to immediately nope out of there. I blame that soup drama post for everything that I see now, because it really does look like he's just thinking, "Ugh, soup drama again." But in all seriousness, I think this is just Lan Wangji feeling awkward again. I think he came out of genuine concern for Jiang Yanli, because remember Wei Wuxian took off without even hearing what was going on, but when he sees that it's clearly a matter between her and Jin Zixuan, he leaves. This isn't his business, and it also involves romance, because of course he remembers how they were betrothed until the fight broke out in Cloud Recesses. Regardless of how Lan Wangji carries himself and how he's so respected as a cultivator, he's still a young man, who still feels awkward about the idea of love and doesn't really want to be around any of it--lovers' quarrels and whatnot.
The other thing is, they don't pan over to Lan Wangji for no reason. Perhaps he's still remembering the conversation he had with Wei Wuxian and Jiang Cheng back in Yiling: this is a Jiang Clan affair. And this time, he's choosing to bow out when he realizes it isn't his business. However, he doesn't want to go far, because he knows how dangerous Wei Wuxian really is, especially if he loses his cool.
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Honestly, Jin Zixuan is such a dick here. Every time I think he's made progress, he takes a step backward. Jiang Yanli is the sweetest person, and is just giving him soup every day to provide him with some comfort. We're to understand that she is a good cook and her soup is The Best, so she wants to do something nice for him, perhaps bring him the comfort of home in the place that is farthest from home, and he practically throws it back in her face. It's a total misunderstanding, but my heart breaks for her. And after this moment, Jin Zixuan starts to try harder. I think he finally sees who she is, what kind of person she is, and understands how genuine and loving she has always been. He finally opens his eyes and gets to know her as a person, not as the girl he's engaged to, not as the girl he was engaged to, not as the girl his parents want him to marry--but as the girl who he's interested in.
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Not a lot to talk about this episode. I swear, half of it is just fighting. But let's take a moment to appreciate Wei Wuxian and Lan Wangji fighting together. I am a sucker for this sort of thing, so I love seeing Lan Wangji swoop in and knock a baddie's sword out of the way to protect Wei Wuxian. It feels good seeing that and seeing them on the same side, fighting together.
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Wei Wuxian tried it their way. He tried to fight without using Chenqing, but the fight was impossible. As stated before, the puppets are unkillable, so there was no way to win just by fighting them, and obviously what Nie Mingjue was doing wasn't helping. The only way to survive at this point was to try and control the puppets into working against Wen Ruohan. There's a shot of Lan Wangji before this, where he looks concerned, but I think he even knows that they had no other choice.
This was a short one, sorry! But really, I'm not going to babble about nothing. So much fighting and not a lot of dialogue or other things really happened. We're just getting through major plot points right now to be honest.
Other episodes: 1 | 2 | 3 | 4 | 5 | 6 | 7 | 8 | 9 | 10 | 11 | 12 | 13 | 14 | 15 | 16 | 17 | 18 | 19 | 20 | 21 | Or just check out the #CQL Rewatch hashtag
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ot3-watch · 3 years
Text
Episode 1: The Nigerian Job Rewatch
Nate is so far beyond done at this point it’s hilarious. “I want to hire you” “FUCK OFF MAN I’M BUSY DRINKING MYSELF TO AN EARLY GRAVE”
“I need you to steal them back…” WTF DID YOU THINK WAS GOING TO HAPPEN VICTOR? WHAT, DID YOU THINK THE BEST INSURANCE INVESTIGATOR WASN’T GOING TO FIGURE OUT YOU WERE GOING TO DOUBLE CROSS HIM? He’s so stupid I can’t. 
“Parker is insane.” No. She just has a little trouble. Don’t DO THIS to her Nate.
“They work alone,” not for looong.
And… there it is! IYS. The most overused villains and this coming from a doctor who fan who sat through the daleks coming back EVERY SINGLE SEASON after being destroyed
Why do they all sound so weird? Like the dialogue does NOT sound normal
How tf did Eliot win in that scene tho? We see how long it takes him to fight later on like I just do not get it. ANd the tea isn’t even scathed? How? Everyone talks about The Big Bang Job’s shootout scene as being super unrealistic, but honestly, it barely registers compared to this one.
“You’re precisely why I work alone.” Yeah, because you’re at risk of falling in love otherwise Mr. Heart Eyes.
I’m remembering how much I did NOT like Parker in the beginning and I don’t like that. I love Parker but early Parker was eh.
PARKER YOU CAN’T JUST THROW THE GLASS. THAT’S EVIDENCE PARKER. YOU COULD KILL SOMEONE PARKER. SOMEONE’S GOING TO KNOW PARKER. 
You expect me to believe that Parker is a world class thief who wouldn’t think to count the haircuts? They keep making everyone else look dumber to make Nate look smarter which makes NO SENSE because honestly, it makes it hard to believe that the other three survived on their own without Nate to guide them. WHICH THEY DID! AND THEY WERE THE BEST IN THE WORLD AT WHAT THEY DID. WTF
“That’s what I do.” AKA THE MOMENT ALEC HARDISON BECOMES AN ELIOT STAN
JENNY 8675309????
 “I know you children don’t play well with others” He’s already a dad i can’t.
If they knew about this plan and had the materials to pull it off, why did no one think of it? 
ALSO HOW TF DO THEY GET THE MAKE UP ON SO QUICKLY IT DOESN'T MAKE SENSE
How did the burn scam even work? Like i get it, make him uncomfortable so he won’t ask questions but like… they thought no one was in the building? The elevators were shut down? Why did he not question it? How stupid????
The black king/white knight metaphor was honestly the worst part of the first episode like it bothers me so much and I cannot effectively come close to explaining why
Where does Nate live? Why is his place so fancy? HE’S UNEMPLOYED RIGHT NOW AND BANKRUPTED HIMSELF TRYING TO HELP SAM. “It’s a hotel,” my sister says. IN WHAT WORLD DOES THAT LOOK LIKE A HOTEL ROOM? ANd that doesn’t explain how he affords a hotel room that nice.
….Why didn’t Eliot just disarm Hardison? We know he can. I don’t get it.
If you knew the place was gonna blow, why didn’t you run Nate? WHY ARE YOU LIKE THIS NATE
Eliot’s already putting himself in danger to help Hardison up. YOUR HONOR THEY’RE IN LOVE. THEY’VE KNOWN EACH OTHER LESS THAN 24 HOURS AND THEY’RE IN LOVE.
“Do you trust me?” NO. NO NATE. NO I FUCKING DON’T.
I feel like passing that phone through the grate should not have worked.
YEAH HARDISON. MUG IT FOR THE CAMERA
Eliot’s accent I LOVE HIM “Can you hold, son?” FOREVER FOR YOU.
How are the state police so fucking stupid i can’t
They literally… they just dumb everyone down to make Nate look smarter and it SUCKS
Ah, the first Hardison safe house. 
“You won’t get within 100 yards” HE’S ELIOT FUCKING SPENCER I BET YOU ANYTHING HE CAN
“He didn’t pay us… I take that personally.” I-- Parker if you’re dead you can’t make more money. Parker? It’s important to me that you know this, Parker.
The websites they’re looking at are so obviously fake. 
Nate? Nate it’s just a picture. DUbenich can’t hear you, Nate.
“He used my son” I cannot explain how much overexposure has made me NOT CARE ABOUT FUCKING SAM
“What the hecks a Sophie” That, Eliot. That’s a Sophie. 
Honestly? My favorite character introduction in this episode. 
WHY DO THEY ALL TALK SO WEIRD IN THIS EPISODE? THEIR VOICES ARE SO OFF WHAT THE FUCK?
“I’m a citizen now. Honest.” YEAH FUCKING RIGHT IN WHAT WORLD
Eliot with the snacks, he’s always bringing food to his fam it’s amazing
“That’s an odd thing for you to know” “That’s an odd place for you to be” ...why am i reading a sexy sort of tension in there???
And Nate’s SMILING at it
Ok but how does Nate know about plane schematics? 
Sophie’s accent… none of them are that accurate but this one felt especially weird
Eliot playing the IT tech is everything
Also the reference to the IT Crowd by Parker is *chef’s kiss*
HE’S SO CUTE THOUGH
I’m just a simp for Eliot Spencer okay?
“I know you’re manipulating me, Anna.” Yeah but you’re still gonna fall for it, aren’t you? You stupid, stupid man.
Eliot’s so sweet though. He’s just trying to make friends. 
Like really though, he’s so standoffish and stoic, but the second he has the chance, he tries to bond and he’s so gregarious. Like, it makes so much sense that he has so many friends all over he place. 
“Eliot, we’re not friends,” STOP BEING AN ASSHOLE NATE. I HATE YOU NATE. HE’S JUST TRYING TO BE YOUR FRIEND NATE. 
Hardison gliding by in the wheelie chair… he’s such a goof and a mood and i love him.
...Hardison… Hardison you can hack anything… Hardison why didn’t you put them in the building directory? IT’S A DIGITAL DIRECTORY YOU COULD HAVE DONE IT THIS WAS SO UNNECESSARY
Nate, EVERYONE CAN SEE YOU!! hoW DOES HE NOT GET ARRESTED???
THERE”S A COP CAR RIGHT THERE HOW THE FUCK DID THAT WORK
...is there anyone Sophie doesn’t have sexual chemistry with in this episode? Like, seriously, i think it’s just Hardison. She and Nate are obvious, and she and Eliot have that moment, and then… did they not put them in the directory just to have Parker and Sophie make heart eyes at each other for a few seconds?
HOW DID ANYONE WATCH THIS SHOW AND EVER THINK SOPHIE AND PARKER WERE STRAIGHT THO
Dubenich sounds like Wallace Shawn and looks like Stephen Moffat and I HATE HIM. Wallace Shawn is great, and i love him but DUBENICH CAN DIE
This looks like such a boring party why would anyone want to be there. THERE’S DAY DRINKING FOR GOODNESS SAKE EWWW WHY (okay maybe i just hate alcohol. I hate it more in professional settings.)
“Sir, I can take your underpants.” OKAY HIGGINS. WEIRD FLEX BUT OKAY.
Parker and Hardison look so smug walking out of the building i love it. 
...why don’t you want the money Nate? YOU COULD GET A LOT MORE MONEY NATE. TAKE THE GODDAMNED MONEY NATE
And today on “I Will Never Understand the Way the Stock Market Works…” Like i get the basic idea but like… how do you make money if it’s gonna fall that much? HOw.. how does this work?
NO THAT IS NOT AN INVITATION TO EXPLAIN ECONOMICS TO ME I DO NOT CARE ABOUT THE STOCK MARKET
“Somebody kiss this man so I don’t have to” you will. One day, Eliot, you will. 
So, fun fact. Supposedly, their score was $32,761,349.05 each. Which doesn’t really seem like a lot of money to me? Like, at least definitely not enough for Nate to do with it what he does? Like, maybe I just have a really difficult time fathoming that much money? Like, don’t get me wrong, I’d love just a taste of that but like, also? It really seems like not so much? … And further on “This blogger does not understand budgeting.”
ELIOT JUST ADMIT YOU WANT PART OF A TEAM
WHY DOES SOPHIE SOUND SO WEIRD??? WHAT THE FUCK
Okay, also, i have a question. These people, at the end, this is their first client, right? So why does it look like they haven’t seen each other since they took down Dubenich in the homecoming job? WHAT?
The SUITS THO
OKAY FINAL THOUGHTS: 6/10. Not the best Leverage episode, and certainly not the best character episode. There were a LOT of kinks to work out. Things got sorted too well. And I REALLY HATE NATE THIS EARLY ON. I’ve also never loved the “this guy is an asshole but he’s smarter than everyone else and really good at what he does so it’s fine” trope that you see in so many shows like Leverage. And they really really dumb people down early on to make him seem smarter. But like… there’s a reason I kept watching, you know? Also... I remember why it took me a while to warm up to Parker and Sophie. LIke, they’re badass but I still took a while and I remember why. 
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feralnumberfive · 3 years
Text
The Rewatch Academy: Episode 1 of Season 1
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"We Only See Each Other At Weddings and Funerals”
I am in no way a good analyst so my little analysis and speculations probably sound a bit goofy or pretty wild and probably mean nothing at all. Everything I put into this post about each episode is purely what I noticed or thought, whether it's funny or serious. I will be making jokes, so please just leave it at that (in no way am I trying to make fun of an actor and or character!) I am also in no way saying I noticed this stuff first. This is just what I noticed while rewatching these episodes
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1x01 | 1x02 | 1x03 | 1x04 |
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☂️ In the Pilot script, it has a woman giving birth to a baby boy in Poland in 1984 (potentially Five or maybe even Luther??) 
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☂️ “Picture Book” is an absolute bop and no one can tell me otherwise
☂️ What if someone saw this parade of carriages and noticed that there were seven? Later Reginald announces that he adopted 6 kids, so I wonder if anyone saw the carriages earlier and heard Reginald's announcement and became confused
☂️ The concert hall in the Pilot script is in New York, which I assume is safe to assume in NYC. The script also mentions later that Diego drops the monocle in the Hudson River
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☂️ The Pilot script originally had Allison in LA, and Klaus in Amsterdam (which he was supposed to be levitating in that scene)
☂️ Diego was originally supposed to be pretty brutal and violent
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☂️ I am a huge POTO fan so having a medley of the songs from the musical is so awesome to hear. The first time I watched this episode and heard the violin starting to play, I was like “Huh, this really sounds like POTO” and then I realized it was! It gave me chills and still does to this day overtime I watch this scene
☂️ The dark and mysterious tones of POTO really matches the vibes of TUA well. It’s just so good, especially as a way to introduce Vanya. The first song Vanya plays is “Phantom of the Opera” which is a nice symbolism when introducing the Hargreeves Siblings. The song itself is Christine discovering who her true Angel of Music is, a strange masked man that everyone knows well but they truly don’t know who he really is, like with the Umbrellas and their separate personalities and struggles as actual human beings and not just as the superheroes the public knows them as. It also plays while showing Diego, who is a mysterious masked figure at that point. 
☂️ “Angel of Music” is basically Christine asking her angel to guide her, which is ironic that it plays while Klaus is getting out of a place that guides him down the right path, knowing that he’s immediately going to go do drugs again and to go down the “wrong” path
☂️ I wonder if the voice in Luther’s spacesuit as he receives his message is an automated voice or his robot named “Ben” like in the comics. I doubt it’s the latter, but who knows
☂️ Okay, here’s another POTO thing. Diego picks up his knife and wipes the blood off of it and tells the family “Your family is safe now” right as the start of “Think of Me” plays. The first lyrics of the song are “Think of me, think of me fondly” which can be seen as Diego wants the family to truly view him as a hero that saved them
☂️ Aaaand here’s another! Again, while “Think of Me” is playing, one of the parts in the song where Raoul sings “Long ago, it seems so long ago, how young and innocent we were” plays while the paparazzi begins questioning Allison about her father and siblings
☂️ Okay okay, last POTO thing. I especially love that "Music of the Night" plays when Klaus wakes up in the ambulance at night. It's so awesome! Especially since the song is basically about giving into your darkest desires, which Klaus clearly did
 ☂️ Goddamn is the music in the show amazing, and I’m not just talking about all of the fun lyrical songs! Jeff Russo you get a thumbs up from me
☂️ Ta-da! Here’s some portraits that are shown of the siblings with Reginald when they were young that are shown in the show
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☂️ Even the first person Vanya sees when she arrives home doesn’t greet her/welcome her back 
☂️ Emmy and Elliot really played that awkward hug and greeting between Allison and Vanya well. You can feel the awkward tension (hey sisters)
☂️ According to the pilot script, Diego wears his mask practically all the time like in the comics
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☂️ Luther was literally supposed to have a gorilla body in the pilot script
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☂️ “Oh, YoU gOt BiG, lUtHeR”
☂️ Godddd the song playing while Vanya looks at the books on the shelf in including her own is 👌
☂️ Ah, there’s a book called “Lunar Living”
☂️ It might just be me, but it seems like the light shining onto Five’s portrait is ever so slightly askew
☂️ Vanya leaving the lights on and sandwiches for Five reminds me of someone leaving food outside for a stray cat
☂️ Five was originally supposed to be gone for over 22 years in the pilot script
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☂️ I wonder at what point in each of the siblings’ lives did they realize, or at least they thought, their brother wouldn’t be coming home 
☂️ Babies 
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☂️ There’s so many ape and monkey pictures and diagrams around Reginald’s office. Foreshadowing for Luther?
☂️ I love Klaus’s theme. It’s heard in almost every episode https://www.youtube.com/watch?v=EJa9H8SY4wQ&list=OLAK5uy_k2NJivpu0PIwxrOmPVrqN4umBZaahOGWI&index=6
☂️ Why does Reginald have two pictures of himself featuring aircraft? In one of them he’s outside a private jet and the other is him inside a cockpit
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☂️ I must say that the dialogue in the pilot script definitely closely mirrors the dialogue of the comics 
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☂️ “Told me I should be careful who to trust” 👀
☂️ Something behind Elliot is moving
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☂️ I was hoping for this to be a gazelle of some sort above Five’s portrait, but It’s an Gemsbok. However, the Gemsbok is an antelope and all gazelles are antelopes
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☂️ “The Walker” playing during the bank robbery scene is 👌👌
☂️ Luther is ready to throw hands
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☂️ These robbers really decided to rob a bank at 10:05 am?
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☂️ I just love Five popping out of nowhere criss-cross applesauce 
☂️ Something that hasn’t been explained/fully shown is Five’s ability to teleport objects. He teleported the gun out of the guy’s hand and replaced it with a stapler
☂️ Five’s teleportation noise reminds me of something going really fast, like an aircraft breaking the sound barrier. It’s almost like a mini sonic boom, but not as loud
☂️ Okay so I’ve noticed this in most of the episodes, but I don’t think when Five teleports he makes an actual noise. I’ll point this out more as we continue through the episodes. At the bank scene when Five is on the counter, it appears that the first time he teleports the bank robber whips around when Five speaks. The second time the robber turns to Five simply because he doesn’t know where he went and he’s searching for the threat
☂️ “That’s one badass stApler”
☂️ When Ben asks if he has to go into the Vault, he looks at Klaus for reassurance even though Luther is the one speaking to him
☂️ Five was still pretty cocky back in his youth. They, or more like Ben, have more bad guys to take care of and he’s just chilling with his hands in his pockets and leaning back/slouching like he’s bored. His tone with the robber also proves that and the way he just happily bounds out of the bank
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☂️ Sir, why are you looking at the camera
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☂️ Luther’s little wave to the reporters when the Umbrellas come out of the bank is cute
☂️ The pilot script didn’t include a flashback of a bank robbery, but instead to the Umbrellas training when they were younger. There’s too much to screenshot to I’ll summarize it.
-Luther bench-presses over 500 lbs
-Diego has been holding his breath for about six hours and he flips Reginald off
-Klaus levitates stuff
-Allison is slacking off and when Reginald tells her to continue her training she simply rumors him that she doesn’t have to
-Ben is fighting guards and Reginald calls him “Number Six” to which Vanya, who isn’t supposed to be down there, corrects him that his name is Ben and reminds Reginald that they have names
- Five very quickly and quite brutally rips off the heads and limbs of training dummies, snaps their necks, and stabs them. He is referred to as “A ruthless little war machine.” Reginald calls him “Perfect”
☂️ The pilot script implies that Reginald had alien life mounted on the walls of his office
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☂️ There wasn’t a dance scene in the pilot script
☂️ Not to get super into detail about this, but Luther’s room is filled with a lots of models and paintings of aircraft, mainly from WWII. Almost all of them are of Allied aircraft, and more specifially Commonwealth aircraft, like the RCAF. So this could be more of a clue to the Umbrellas living in Canada
☂️ Diego giving that Wildebeest head the stink eye aways makes me laugh
☂️ Klaus is dancing with Reggie’s urn in a Waltz fashion, so maybe he’s just doing that or it’s the ballroom dancing lessons they received as children peeing through
☂️ I love Diego’s dancing skills
☂️ Fuck you Five for ruining their dance party
☂️ Honestly Five’s portal is pretty powerful. Here’s a description of it from the pilot script
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☂️ I like that when Luther tells everyone to get behind him and Diego copies him with “Yeah, get behind us” Luther lets his brother use himself as a shield instead be pulling the “I’m the leader, I’m the strongest” card
☂️ When Luther and Diego are shielding their siblings, Diego has his arm stretched out to guard Vanya
☂️ In the pilot script Five’s body is smoking when he comes out of the portal
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☂️ What if when Five fell out of the portal he got knocked out so he just laid face down on the ground unconscious aksdhfjsafhd
☂️ “So are we gonna talk about what just happened?” No bitch, let him make his sammie first
☂️ Diego and Klaus had some sort of bet on Five’s time traveling in the pilot script
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☂️ Here’s another example of Five’s teleportation possibly not making noise. When he teleports around while his siblings are questioning him, it looks like they only look at him when he appears and not when they hear a noise
☂️ Five in the pilot script is actually 62
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☂️ “What part of the future do you not understand?”
☂️ I like that Five styled his hair to the exact style it was when he was actually young, but eventually gets looser throughout the season
☂️ Five is so oddly calm when talking to Vanya in front of his portrait
☂️ “Well, there are worse things that can happen.” “You mean like what happened to Ben?” Yeah there’s also an apocalypse on the way lol
☂️ Five actually got a hug in the pilot script! 
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☂️ An ironic moment from the pilot script considering that Five is an assassin and has killed tons of people but this siblings don’t know that
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☂️ When Diego is talking about their names and numbers in the courtyard, Five sighs, which I’m sure he’s just bored/has better places to be and is annoyed, but I’d like to view it as “Shit, I don’t even have a name”
☂️ Funny tidbit from the pilot script during the funeral scene “Whatever the hell you are”
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☂️ Diego talks about how he assumed Reginald sent Luther to the moon because he couldn’t stand the sight of him, so he must be talking about Luther being like a “failed” leader or something? Like he couldn’t keep the team/his siblings together? Diego doesn’t know about his ape-like body so he’s not thinking about that.....
☂️ I love that Klaus reaches his arm out to guard Five, and that Five simply glares at him and bats his arm away
☂️ When Luther broke Ben’s statue, I can just imagine Ben yelling at Klaus “Seriously? Klaus, why didn’t you stop them?”
☂️ So I’m sure this is just a continuation error, but you can’t see Five walking away in the shot of Ben’s statue hitting the ground. Considering that he had just left, he should still be visible in the background. Again, probably a continuation error or maybe he even teleported inside
☂️ A detail I love about Luther is that his fingernails are dark due to the gorilla DNA
☂️ The bank robbery scene in the pilot script is after the funeral. Not much was changed for the actual first episode, just a few different scenes. Also the Umbrellas were described as gods
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☂️ Vanya drawing the tattoo on her wrist hurts my heart
☂️ “Together, you will stand against the reign of evil” gives me chills 
☂️ “This is your home and always will be” is great foreshadowing to S3, and hurts my heart when I think about how it is in fact no longer their home
☂️ When I first watched this episode and saw Pogo watching Vanya I knew something was pretty sus
☂️ Just some gold dialogue from the pilot script during the scene of Five, Allison, and Klaus in the kid area and Five is complaining about coffee (but in the pilot script everyone but Vanya is there)
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☂️ “An entire square block. Forty-two bedrooms, 19 bathrooms” goddamn the Academy is HUGE. Also 42 is just one away from being 43 👀
☂️ “I know how to do everything.” Yeah, like survive an apocalypse and professionally kill people :]
☂️ I’ve pointed this out before, but the license plate on the car that Five takes to Griddy’s says HERMES, which is the license plate of his car in the comics
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☂️ The exit sign in the background is only half lit up to where it says EX and if my memory serves me correctly that’s the door Vanya and Leonard enter the Academy through in episode 6
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☂️ Diego telling Klaus to lean back is like “Ugh I don’t want him with me, but safety first”
☂️ I love that they added his feral chimpanzee smile from the pilot script into he show
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☂️ “You won’t be going home.” Cocky smartass strikes again. Not to mention he smiles when he says that. He also says this to the men before he kills them in the pilot script
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☂️ Before I even knew about TUA, I had heard of the “Istanbul (Not Constantinople)” scene and looked it up. I remember thinking “Wow, that kid is scary.” Now I think “Wow, that old man is scary.”
☂️ I love the little salute he does before he blinks away, and the way his basically just plays with these men like a cat playing with its prey. He knows he’s going to kill them, but he wants to have fun doing so
☂️ Five had some fancy moves in the pilot script
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☂️ Five teleporting his tie around the man’s neck is another example of him teleporting an object. Can we see more of this actually happen in S3 please?? I also love the fact that he takes it off the man’s body and puts it back on
☂️ The way he calmly, or tiredly, snaps the man’s neck is chilling to see from a child’s body. This was also included in the pilot script *chanting* Feral Five, Feral Five, Feral Fi-
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☂️ It’s honestly such a cool and iconic scene on the show. It truly shows that Five is fully capable of handling himself, and is/was great at his job
☂️ Having the city at night in the background of Diego dropping the monocle is really pretty
☂️ I really like the way they revealed Ben. Having watched both season and now watching this scene again is a bit awkward when Ben doesn’t talk. He’s probably just tired of Klaus 
☂️ “The world ends in eight days, and I have no idea how to stop it.” This line combined with the music and the previous scene of Five in the apocalypse is powerful and chilling and I love it
☂️ I love that they have The Umbrella Academy theme playing during the credits in both seasons
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Feel free to comment or reblog with things you have noticed too!
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amphtaminedreams · 3 years
Text
Farewell to Spooky Season, AHS Style: Lookbook no.12
Hi to anyone reading,
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Happy belated Halloween!
I capitalise it because if I'm gonna recognise any day as sacred, it’s the spookiest one of the year! Halloween 2020 obviously hasn’t been as exciting as usual, parties and club nights being banned has meant there’s been far less opportunities to dress up, but I still managed to get out for the night before they announced the upcoming second lockdown and do a couple of spooky movie nights (and carve a pumpkin!)!
I originally intended for this lookbook to be last minute halloween costume inspo but I was lazy and didn’t manage to get it out on time-a lot of these looks minus the makeup and maybe an accessory or two could work on any day or night out so I thought I’d go ahead and post it now anyway. Celebrating the fashion moments of American Horror Story is something I’ve wanted to do for a while; it’s probably not the first show you’d think of for sartorial inspiration but Mr. Ryan Murphy has fucking fantastic taste in stylists and the first five seasons of AHS in particular, which I’ll be focussing on in this post, have given us SO many amazing looks. The man may be guilty of many things-subjecting us to the character of Will Schuester, trying to turn Richard Ramirez into a thirst trap, embarrassing everyone who raved about how good Scream Queens was when he wrote season 2-but costume related laziness is not one of them. We see more consistency in a Ryan Murphy character’s wardrobe than we do in their story arcs and I respect that because honestly, as much as I love joining in when it comes to ripping into his ability to cohesively bring an AHS season to a close when it airs, I’d probably be the same; if you put Lady Gaga in front of me and told me to write her lines I’d probably end up getting overly invested in what her character was going to be wearing in the scene too. 
So! Enough Ryan Murphy bashing from me! I’ll get on with it! Starting with 3 season 1 inspired looks:
Murder House: Elizabeth Short, Tate Langdon and Violet Harmon
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-striped jumper from caitlinlark on Depop, kick flare jeans from ellagray-
When it comes to reflecting on season 1 of American Horror Story, all I can say do is thank the internet overlords that Tumblr has moved on from the romanticising school shooters and wearing normal people scare me tops phase to instead collectively taking the piss out of the “GO AWAY, TATE!”, “YOU’RE ALL THAT I WANTTT! YOU’RE ALL THAT I HAVEEE!” exchange. 
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In terms of fashion *moments*, whilst season 1 doesn’t stand out as much as the seasons that come after, Violet and Tate’s wardrobes did give birth to a bit of a 90s grunge renaissance with their oversized knits and faded jeans and layering of textures. It did also give us good costumes in the form of Alexandra Breckenridge’s Moira O’Hara and Mena Suvari’s portrayal of the Black Dahlia, Elizabeth Short; unfortunately, I didn’t have a slutty maid costume lying around so I did the best I could at giving the outfit Elizabeth wears when she makes that fateful visit to the Murder House a modern, more party appropriate update.
In terms of season rankings, Murder House isn’t my favourite. It starts off really great but lulls a bit towards the end and I could never get behind Violet and Tate as a couple because you know, one of them is a school shooter who sexually assaults the other’s mum, and that’s a hurdle that I think most couples might struggle to get over irl. That being said, it was the season that started it all and showcased some of the most innovative writing and directing on TV, and it opened up a spot for horror on primetime television which as far as I know was kind of unheard of before then. Back when I first watched it, I had no idea what to expect not only because I’d never seen horror in a serial format but also because it seemed to be able to get away with the kind of storylines you’d expect network executives to fire people over. It introduced us to Jessica Lange and Sarah Paulson and Evan Peters and Denis O’Hare who would go on to make the show what it is today and more importantly, through Jessica’s glorious portrayal of Constance Langdon, provide us with an endlessly versatile meme format for this trying time.
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Asylum: ‘60s Lana Winters, ‘70s Lana Winters, and Sister Mary Eunice McKee
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-afghan coat from louisemarcella on Depop, red AA skater dress from julietramage, pink gingham co-ord from zshamim-
I think we can all agree: Asylum would’ve been a perfect series of television if it wasn’t for the completely unnecessary alien storyline. Like, I get that they fit in with the whole good vs. evil theme as a kind of non-biblical alternative to the idea of a higher, all-powerful being but there was already so much going on that it just wasn’t needed. Aside from that, I think the general consensus amongst watchers of the show is that Asylum has the best writing of any season and I think I’d tend to agree. It’s not my favourite because it’s too depressing to rewatch but if we’re talking the first time round, this is the series that had me hooked. Lana Winters?
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Iconic. 
Sister Mary Eunice? Iconic. The Name Game? Iconic. Remember when you couldn’t go a day on Facebook without seeing that one photo of Naomi Grossman as Pepper used as the go to “what I really look like” photo in one of those “expectation vs. reality” style posts on your newsfeed? Those were simpler times.
Because this season was mostly situated within the hospital, we didn’t get that many proper outfits but when we did, they were stunning; if I had to state my absolute favourite AHS character of the entire show I’d probably go with Lana Winters and the part her wardrobe played in her characterisation would 100% play a part in that. The late 60s/early 70s was such a wonderful period for fashion and through her character we get to see both of those explored a little. Of course there’s also *that* Sister Mary Eunice scene with the red slip dress and suspenders too which yes, could be a perfect halloween costume, but I also strongly believe should be a perfectly acceptable outfit for any day of the year. 
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Coven: Misty Day, Madison Montgomery, and Zoe Benson
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-chiffon dress from rags_to_riches on Depop, pinstripe corset from hanpiercey, and tennis skirt from mollie_morton-
I hate to be a basic bitch but I have to say it: Coven is my favourite season of American Horror Story. Once you get over the complete waste of Evan Peters’ acting capabilities that resulted from the *choice* to have him play Kyle, the unnecessary rehash of the Evan/Taissa pairing from season 1 in what I can only assume was an attempt to capitalise on the popularity of the questionable Tate/Violet relationship, and the subsequent sacrifice of any interesting character arc we could’ve foreseen for Zoe Benson beyond her obsessing over a resurrected, non-verbal frat boy, it’s a perfect season. A supreme (heh) balance of horror, humour, and character drama, as well as the stunning aesthetics and forever quotable dialogue, make it my go-to season if I’m ever considering a rewatch. And if you disagree, let me jog your memory with the most mainstream (not to get all “normal people scare me” and suggest AHS is not a mainstream show, I literally just mean in the sense that even those who have never watched the show will have seen this)  reaction GIF set any FX show has even spawned:
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Buzzfeed employees had a field day, Emma Roberts enthusiasts (I mean me) finally saw her cemented as the pop culture icon Scream Queens has since showed us she deserves to be (because not enough people have seen Unfabulous, Nancy Drew or Scream 4) and the gays everywhere rejoiced at the year’s worth of meme fodder they’d been provided with. It was Madison Montgomery’s world and we were truly just living in it.
And the fashion! I mean, Stevie Nicks meets 21st century teenage witches! Come on! 
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Freakshow: Dandy Mott, Maggie Esmerelda and Elsa Mars
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-olive green satin skirt from morganogle on Depop, headscarf from tonijordan, platform sandals from elliefewt, PVC skirt from bethpin_, corset top from sadieflinter, beret from house_of_erotique, flame detail platform boots from mad_rags_vintage-
When people talk about the declining quality of AHS, they usually point to Freakshow as the beginning of the end, but I have to completely disagree. I wasn’t a fan the first time round but on rewatch it’s probably the most emotional season of them all; no, there aren’t as many “horrifying” moments as in other seasons and Elsa is probably Jessica’s worst performance (which is still an incredible one by anybody else’s standards), however it makes up for it with the most sympathetic bunch of characters yet, and on the flip side, also one of the most amusingly depraved with Finn Wittrock’s Dandy Mott. Fans usually argue that the season went downhill once *SPOILER* Twisty the Clown was killed off but for me, he really primarily served as the catalyst for the far more interesting devolution of Dandy, who, imo, is the show’s strongest villain to date, rivalled only by Bloody Face. Then there was the episode Orphans too which made me cry buckets, the sole AHS episode to do so. 
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We got a lot of great fashion content in this season too: the theatrical opulence of Elsa Mars’ wardrobe, “Maggie”’s nomadic fortune teller costumes, and all those twee suits we saw Finn Wittrock in. Highly underrated if you ask me. It seems an odd choice for me to use Elsa’s Dominatrix look as an inspiration for one of my looks here when we have that Life on Mars performance outfit and all the extravagant robes Jessica got to waltz around in for reference buuuut I didn’t really have anything to do the vibrancy of either of those justice so I went with the black leather option which is much more me. Am I saying I moonlight as a dominatrix? Maybe. Lol, no. I wish. It’s not for lack of trying. WHERE ARE ALL THE GENUINE TWITTER PAYPIGS AT!? Your girl wants to insult creepy men and get some new clothes out of it xoxo
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Hotel: Hypodermic Sally, Liz Taylor, and The Countess
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-silk white bralet from xlibby_maix on Depop-
Hotel is another season that I liked a lottttt more upon rewatch, once I knew I was okay to tune out the (completely predictable and utterly nonsensical) Ten Commandments Killer storyline that so much of the season initially seems to hinge on. I love Chloë Sevigny but the fact that her and Wes Bentley’s wooden John and Alex Lowe are positioned as the protagonists at the expense of the far more interesting Liz Taylor, James March and Hypodermic Sally really does a disservice to what is an otherwise great season upon initial viewing.
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The visuals this season are magnificent and I think if I had to pick one character’s wardrobe to steal from the entire cast of AHS characters, it would be The Countess (a toss up between her and Misty Day tbh, so I kinda just settle for low-key channelling both). No fucking idea where I'd wear any of her clothes to but I’d make it work. Liz Taylor and Hypodermic Sally have some amazing looks too-there’s just honestly so much to choose from; that being said, this post wouldn’t be complete without a specific ode to the vampire goddess Elizabeth Bathory, who is everything I want to be in life minus the murderous qualities:
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Everything. EVER-Y-THING. LOOK AT HER!
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Lady Gaga is really a fucking goddess isn’t she. And people were claiming before they’d even seen it that she couldn’t act? A patriarchal society doesn’t like women that can do it all. Just saying. 
Anyways!
That’s it for now! I hope you enjoyed the post if you did read til the end! Sorry I couldn’t get this out before Halloween, I was typing and Picmonkey-ing madly from 2 in the afternoon on the 31st but I taking fucking forever to get ready and had to abandon all hope of getting it out on the day by 4PM. I’ve got so much content planned and it sucks because a couple of them are lookbooks which now feel completely redundant given we’re heading into a second lockdown, but maybe I should just do it anyway? The grunge inspired moodboard I just did seemed to get a good reception too so I’ve got some more of them planned. 
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As always, hope everyone is keeping well, and feel free to inbox me with any suggestions, queries or even just to say hi if you need someone to talk to! I check here quite a lot so I should see it. Lots of love to everyone in this time!
Lauren x
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mochikeiji · 4 years
Text
You Found Me
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↠ Pairing: Akaashi Keiji x Reader
↠ Warning: none, fluffy for my boy akaamshi uwu Writer!Reader, Aged Up characters.
↬ Word Count: 2.4k
Summary: He was just a fictional character, how can you be foolish enough to believe he were to be reincarnated and to be born in the same world as you live in? Will it even be possible for him to notice you in billions of people and far places?
⇢ Day 1: Reincarnation
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You loved him.
More than words can describe.
"Love." can never be enough to portray the amount of adoration you had for this man. Nothing.
He doesn't know you.
He was just a character; written by people who held the most artistic perspectives into capturing a character's personality. They made him seem so real, so easy to love and to be succumbed into his entire being.
But he wasn't real.
Nor is he aware of the millions of eyes and fans from reality admiring him for simply being ethereal in his world of ink and colorful dialogues made by his author.
Nor will he be aware of the amount of love you were pouring out to his inexistence. To reciprocate the feelings, let alone acknowledge you from a crowd filled with much more dedicated people to him.
Yet every night you prayed; longed that one day there will be someone to be reborn as he is. A man to be born with that natural charismatic aura. The blunt, yet soft hearted soul of a person, the dedication he has shown in the show with his desr senior. Everything.
He was the embodiment of everything you wanted, needed.
Perfection at the most flawed world.
"Nobody compares to you, Keiji."
Day dreaming for what seemed like an everyday routine for you, you clicked on the next tab of your laptop away from the world of fictional sight— where mostly your safe haven is. Where you get to imagine a world with him and pondered back into your field of writing.
How long has it been since you've been off your draft? Was it 2 hours ago? Had you been submerged again with the same story you've memorized over the times you've read it? Well, no one can't help it. It was your coping mechanism, your escape from the cruel reality. Though the stories are imprinted in your mind and everyday dreams, you admired the fact how they were well written by different varieties of writers that came to admire his character and brought him to life. How they managed to make him and every character from the show come to life. It was as if all the scenarios you've wanted was all there, all granted. Except for one.
Where he was truly existing in the same world as you do.
"Well done, sweetie, you've lost another promised motivation to write." groaning with your head leaned back on your pillow, you closed your eyes for a short break. By instinct, the stories scenarios began playing inside your head.
All the fluffy ones that made your body feel somewhat lighter from the ghost, feathered kisses as you recalled the lines of your favorite ones. The ones where they would further describe how he would hold you in his arms like a fragile being, link his hands with yours, giving you his warm kisses as he presses you close to his chest.
The angst ones where he would be there to comfort you immediately, wiping away your tears as he helps you out of your struggles and battles in life. Letting him be your resting place and safety.
And lastly the explicit ones where you could only go so far to imagine the lewd things as the words from the screen pages come up to the surface and bound your body at his presence.
What a paradise, you would call.
Yet what a tragic for someone who longs for a person like that to be real.
Eyes opening after the self pitied thoughts, your sudden decision to go out in the cold, rainy afternoon came by. For a shy person you are, you never really liked the idea of squeezing in a crowd or to be seen, but as you eventually grew up, you begin to like places that felt like a second home to you. Be it a cafe or a bookshop, or just an area with a few people and closed walls where you were free to be in dazed once more.
Shutting you laptop closed and placing it back on your desk, you picked out some of your most comfortable clothing; mostly jogging pants and an adorable sweater. Having to be in highschool and growing out the habit of wearing long sleeved shirts even though it was hot was amusing to many. Though, today was exemptional.
You contemplated whether or not you would tie yor hair into a bun or leave it down, like that one character you read in your favorite show, he didn't like his field of vision to be wide. It brought a small amount of relief someone felt the same as you did, so you decided to just put it in a lower bun with your fringes hidig the sides of your face.
Grabbing you small bag and an umbrella, you walked out from your dorm. Your roommate had been stranded in her university from the sudden pouring, ordering her a coffee after coming back from the shop may be a good welcoming gift for her. She was the only person you managed to get close to at the time of your adulthood. It's only fair you have gotten attached and wanted to show her how much you love and appreciate her.
Thank goodness it was only pouring. If the rain happened to be coming with thunder and lightning, you would've gotten out and hid underneath your blankets. It isn't all the time you get to enjoy the droplets from the sky without the God of Thunder stomping down in anger.
The streets were absolutely stunning during the dark or gloomy weather, the lights from each building and shop were lighted up, combining with the rain and its pattering, it felt so serene to you than it did to others. The odd musk from the rain filling nostrils as your eyes cast upon the cemented streets that had colorful lights illuminating them, made you feel at ease and somehow your mind was starting to stir up multiple writing prompts and ideas that made you excited and happy.
The whole world disappearing before you as you were at the best day you claimed. The musk of the rain mixing up with the cinnamon and coffee like scent as you opened the door from the nearby cafe from your dorm welcomes you. Smiling shyly, you moved to the side a bit and removed your glasses to cleanse it as it got fogged up from the cool air before placing it back on your face and walked towards the cashier.
It was a miracle that the infamous coffee and sweets cafe of yours wasn't crowded today, managing to order quickly and waited on the other side of the counter. Your usual frappucino and a chocolate cake for your cravings.
"Ah, you're here again?"
The lovely male behind the counter chirped at the newly arrived customer. He was the nicest crew you knew in this cafe, you loved how he makes you feel at ease.
"Yeah, I got caught up in my papers and it went pouring all of a sudden."
"Always a workaholic aren't we, Kei?"
Kei? Cute name.
Kinda reminds you of that tall, player in the show you watched, Tsukishima.
"Wait there for a second, we're preparing two orders."
In instinct of the male's voice, you scooted away from the receiving counter a little for the next person to be standing next to you. You really didn't like sitting to waot for your order, who knows? You might trip and cause an embarrassing accident.
His scent however, was filling in your nostrils. Combining with the soft, delicious treats, he smelled like someone you would love to hug for days and feel safe. He smelled like home.
Was that weird? Yes.
Suddenly, this scene had made a perfect prompt pop in your head, you had to fish out your phone from your bag to write it down on your notes. It had been too long since you've written a good story. You missed your passion in writing, a good opportunity will never be passed as this.
"Do you write as well?"
Squeaking a bit with your palms already forming a sweat from nervousness and the cold air, you turned your head to your left side of the male costumer, who had an amused smile at his face from your reaction.
You wete never one to come and talk to a random stranger as a kid and teenager. But even as an adult, you felt inferior of them. But taking a few seconds to regain your breathing and judging by your surroundings, nothing seemed to be harmful to reply, right?
"A-ah, yeah, but it's not that good or a job, y'know?....Just a hobby."
Stuttering out and muttering the last part, inside your head you were screaming, had you lost your people skills too? Soft chuckling can be heard from him, he gives you a small smile, not noticing how he scooted closer to you since he couldn't quite hear your voice from afar.
"I think it's incredible how a person can put their imaginations into words and share it so freely to everyone across the world."
Heart beating fast.
He hits it home. He was definitely speaking the language of a writer, and you find yourself standing straighter and smiling a bit wider. There wasn't much people that shared your interest, your relatives and friends were always into musical and artistic drawings, or the domestic kind of jobs and talents. You were the only one who loved writing so much and pursued secretly. Meeting someone who shared the same thought and words as you cannot be forgotten.
You had to know him.
"Thank you..I take it you write as well?"
Score, you manage out a normal reply without being awkward.
"An editor to be exact, it's not as fun as it sounds. I was aiming for literature but it seems life wanted me to have a little detour."
Nothing was boring. In fact, it was making you more happy to hear how much you had in common with him. Not able to hold back the next words, you blurted out,
"I think it's amazing you're still part of the writing community. Be it any position I know you must have such potential in your work."
You catch his eyes just staring at yours behind his glasses. Biting your lip in habit gor when you feel nervous, you clamps your hands together and immediately stammered an apology for invading his personal life.
He laughs, but not too loudly.  The longer you reviewed his features and everything, the more he was starting to look like someone you've been day dreaming.
No, fate cannot be this powerful.
But he seemed so much like him that you wanted so badly to point your fingers to all the matched characteristics he was performing. From his outfit, hair, glasses, and his feature but more realistic, different. His eyes weren't the same gun metal ones as you remember from that character, but he radiates so much of his aura.
"Here are your orders, Kei, ma'am."
Ah damn, you didn't catch his name.
The both of you thanked the kind male before walking away from the counter. Scanning your surroundings quickly for a good spot to sit, you saw the free spot by the window where the rain was pattering and went there. It was like having a television show for free. Seeting your tray down the small coffee table, you stabbed in the straw to your beverage and mixed it up a bit before taking a sip, feeling empty and sad from not getting to know who that person was or to befriend him.
He was nice, gentle, something you would in a man before befriending them. You wanted to know more about his works and his ways of writing, maybe show you his ideas on literature writing. But mostly, you were intrigued from his entire existence.
You wanted to know more about him that it made your stomach twist in guilt and regret from the opportunity slipping away.
"May I sit here?"
And it slipped right back to you.
Biting the straw in your mouth as he smiled at you holding his tray of waffle and steaming coffee, awaiting for your permission before you nod out of daze and watched as he takes a seat in front of you.
Cliche was the first word that came up in your mind. You never would've thought that the scenario of a cute boy in glasses and a sweater hugging his body would want to be seated in a cafe with you.
And you loved cliche scenarios, even dreamed of having your own story-like life.
"The cafe is pretty empty, and you looked like you could use some company."
"I didn't take it that you enjoyed company so I sat far away.."
"You're right, I'm not. I wonder why now."
Was this his way of flirting? If it was, you're buying it. You loved how his voice was smooth and calm. The stoic look on his face earlier replaced by a pleased one with a small smile while taking a sip of his coffee.
"Maybe because I look lonely and you felt bad?"
"I simply wanted to enjoy my treat while chatting with someone who knows my interest rather than myself. Besides,"
He places down his cup on the tray before leaning his head a bit and smiling,
"It's not bad to get out of my shell now, right?"
His face stayed up close as yours was heating with your body getting ligther. He looked like him, he acts like him when he was all grown up. You didn't want to believe in the source of reincarnation and their mysterious, yet hopeful glimmer, but you knew. You knew and you would bet everything that this person was the perfect resemblance to the Akaashi Keiji.
"You never told me your name."
It came out like a whisper from your lips, the rain outside pouring harder as night fall came. He remains the same, smiling like a cheeky person, now fully interested in a person like you, a random stranger whom he just caught writing a romance prompt about a man she met in a cafe.
The detour his life had turned around for him to take, and yours to be fulfilled.
All the possibilities or unexplainable books, movies, theories. The characters, the events, all now making you dizzy at the idea of it all being true at a specific time and place. All of it was too good to be true. Too much that it made your eyes a bit teary to have finally encounter the person who has raised you high and kept you moving. The person who could never compare to the other people, be it fiction or reality.
"My name is, Keiji."
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the-hot-zone · 4 years
Text
@agentcalliope THE REVIEW GOT TOO LONG FOR AO3′S REVIEW BOX AND WOULDN’T LET ME POST IT SO HERE IT IS. I’M SORRY IT’S SO LONG BUT I REALLY LIKE YOUR FIC SDKSDK
I mean firstly, the only thing I can say after reading this is, wow. Wow. Holy shit, wow. They way everything builds--the capitalization, the punctuation, the epithets, the prose--to demonstrate on both a subconscious and conscious level how Azula develops. The reader is comprehending these words, but also they’re registering the way you use spacing, punctuation, and capitalization, forcing the reader to slow down/stop/keep reading at certain parts, which creates a flow that a) sounds like Azula b) portrays her mental state and c) shows her development. It’s like a crescendo of writing conventions that never stops moving, and god I just. I’m fangirling a lil bit over your writing. There’s not a wasted line, space, italicization, quotation mark, period, comma, or word in this fic. Everything serves a purpose, and the way it builds--just. Wow. I can see the work you put into editing and revising this, and I want you to know that you’ve communicated your point extremely well. I’m moved. As a reader, I’m in tears. As a writer, I’m floored (and I’m taking notes.) God, okay, time to get specific.
The stylization. This is one of my fav writing styles--the blend of poetry and narration--that I don’t get to see a whole lot, and it’s hard to pull off. I really feel like you’ve used that style to its full potential; in your hands, it feels like that style was made to tell Azula’s story. I really, really like this, so I hope you don’t mind if I talk about why? Which means analyzing; analyzing is my love language, and I love your fic, truly.
In the beginning of the fic, she is “the girl;” she is “a princess,” not “Azula.” This shows how, with her defeat, Azula has lost herself completely (”someone is screaming who is screaming”). Ozai built her for a role she no longer has, so she has lost her identity, her sense of self. So, when she accepts the identity of monster, that is something she must unlearn through Iroh and for herself.
The first time the reader reads Azula’s name (as “azula), it’s isolated by a line break and positioned right after a long, run-on thought from Azula (”he doesn’t look quite...”) and before “the boy says.” This shows how Azula’s name, her identity, is separate from a) her inner monologue and thus her sense of self and b) how she perceives the world around her (outside of dialogue). And this further illustrates the importance of dialogue in this fic; dialogue is the connection from her inner monologue to how she perceives the world. Thus, later in the fic, when Iroh speaks the first line of quotation-mark-surrounded dialogue, it shows how he gets through to her. AH THE WAY YOU BUILD EVERYTHING UP.  Also, her description of Ozai in this scene as “the person she knows to love” has so much meaning. It’s like a lesson she’s learned, a fact she’s been taught: to love Ozai. The way you inject so much meaning into line breaks, and the layers of depth you add to single lines. Immaculate. I can really describe it as masterful.
Azula finally refers to herself as “azula” once Zuko says “I will never give up on you” Not only that, however, but the first time she refers to him as “zuko” instead of “the boy” is also when he says “I will never give up on you.” Also, that same piece of dialogue contains “uncle never gave up on me,” which shows how Uncle’s patience connects both Azula and Zuko in their respective healing journeys. Which, oh my god, I love Uncle’s role in Azula’s healing in this fic. His remorse for leaving her with Ozai is so tangible and painful to read. I love how you portray his characters; he comes off the page as Uncle Iroh; his characterization is so strong.
But the scene after Azula finally refers to herself as “azula,” Suki comes in. For one, “zuko and katara beat you or did you forget?” is written with a question mark, showing the significant of that line and how it affects Azula, shown in “azula screams.” Azula connects the person who is screaming with herself; she is still fracturing due to her loss. (Because her loss of the Agni Kai is symbolic of like, her failing everything Ozai built her up to be: the opposite of Zuko.)
The scene where Aang comes is where punctuation in Azula’s inner monologue first appears:  “the avatar’s gray eyes are soft and full of sympathy and it makes her angry.” I feel like this is her echoing Ozai’s sentiments, especially with “a princess is not pathetic.” Patheticness was something Azula had always associated with Zuko, so these lines sound a lot like Ozai to me. But “not made to be pitied” is next, without any punctuation. This is because pity is a new emotion for her to face, and she does not associate it with “a princess,” seen in the later lines “now the girl sees not pity but weakness” What’s important here is that Azula is “a girl” again. Aang’s pity is the antithesis to Ozai; peace where he sees bloodshed and war, and it blindsides her. Bro I just, the way you communicate Ozai’s presence so subtly yet so strongly... the talent.
Also: “it makes me feel sad for you the avatar answers“ Stop making me cry!!! THAT LINE WAS HEARTBREAKING. The snippets of Aang in this fic were lovely to read.
iirc, the first full line we get, capitalized, with punctuation, is when Toph is talking to Azula: “I just wanted to tell you that I know what it's like to have Expectations to have parents that expect certain things of you. It sucks. but you suck too. no wonder everyone hates you.”
THE LAYERS OF MEANING:
a) Expectations is capitalized, showing the significance of expectations to Azula; her mind latches onto it. (I love the significance of expectations throughout this fic and how the play into Azula’s sense of identity and healing jdkfkfAHH like with the TEA.)
b) This is where Azula’s “new” sense of self as “monster” begins to develop. “but you suck too. no wonder everyone hates you.” Both are short and with periods, showing the weight of Toph’s words.
When Katara sees Azula, iirc, we get the longest string of sentences with periods so far. Periods are becoming more common, showing how Azula’s identity is beginning to come together, but it’s an identity as monster: “your own brother. you’re disgusting. you’re a monster.” The repetitiveness and switch between your and you’re is almost like a rhythm, pounding “you’re a monster” into Azula’s head. After Katara leaves, we get the first full sentence Azula says: “I’ve never pretended to be anything else.”
Azula sees herself as a monster; she’s seeing the weight of her past actions.
When Iroh arrives, we get the longest string of sentences WITH capitalization in this point of the fic (I think): “It’s sweet. You have always loved sweet tea, my niece. A fascinating contrast.” And a new identity is introduced: my niece.
When Azula asks for Uncle after the nightmare, we get the first time a name is capitalized in the fic: Uncle. Not even Ozai has “father” capitalized. This shows Iroh’s significance in her healing journey. Not only that, but Uncle is the one that comes to her, not Ozai. This contrast between Ozai’s absence and Uncle’s presence is what begins to allow Azula to heal--and what ultimately helps her truly stay on the path of healing. I love how you build up the notion of Ozai not being there for Azula, not coming to get her. The way it culminates in the end feels like such strong, real development because of your build-up.
Once Uncle begins to visit regularly, your writing becomes more abundant with “proper” sentences. This is one of my fav examples of this:
“Uncle continues to bring her sweet tea. He talks to her. He sits next to her as she leans against the wall and speaks many tales of spirits and beautiful women. azula almost looks forward to his visits. Almost.”
Every sentence except the one that begins with “azula’ is capitalized. She’s not there yet, with her identity, but Uncle is there. And when Azula says “but I am a monster,” the fic gets its first line of quotation-enclosed dialogue:
“Oh, my dear. My beautiful niece. I don’t believe that.”
And then, right after that, we get “Princess Azula.” This is the first time Azula is capitalized, and Uncle says it. But Azula is the one perceiving the dialogue; she is accepting “Princess Azula.” Sure enough, right after that, we get this:
“Azula narrows her eyes suspiciously.”
The first time Azula refers to herself in her inner monologue as Azula. FINALLY. FUCK. This is one of the most satisfying developments in this fic, when Azula finally sees herself as “Azula,” even if she’s not all the way there yet. Your build-up makes this moment feel amazing.
Another thing I loved was how Azula is obsessed with getting the tea perfect; the tea is a reflection of herself; “She will make his jasmine tea, and she will make it precisely the way it is expected to be.”
HIS jasmine tea. Not HER jasmine tea. This shows that she’s trying to fit a mold she thinks Iroh has for her; she will make the tea as it is expected to be; SHE will be exactly as she is expected to be.
But when she fails, Iroh simply says “Let’s try it again.” When Azula fails to be “perfect,” pain and fear isn’t waiting for her. Iroh is. So when Iroh says,
“I am just an old man looking forward to trying his niece’s cup of tea, which she has worked hard on.”
This is so important. It is HIS NIECE’S (Azula’s) cup of tea, which SHE has worked hard on. In other words, it is Azula’s healed identity that she has worked hard on, and it is “one of the best teas I’ve ever had the pleasure of experiencing in my life.” Just. The symbolism. Fuck. So good. 
Then, in the next scene, she tells Zuko to tell Aang she’s sorry. This brings back Sokka’s earlier words, “you won't ever apologize for what you’ve done or bear responsibility for your actions and we both know it.” BUT AZULA IS UNLEARNING, and that is tangible development, babey. In a way, Sokka was right, because the “you” he was talking to wasn’t the Azula that’s now wanting to apologize to Aang. Azula as “Azula” didn’t exist then; now she does. I can’t this fucking fic I am STUNNED. The way you introduce and maintain concepts to develop Azula’s journey... It’s amazing AH
“Azula cradles her own cup in her hands and breathes in the steam, letting it cling to her face.“ Bro I just wanted to say that this line gave me brilliant imagery. You perfectly described how it feels to hold a mug of something warm and breathe it in, like ahhh the sensory imagery was so VIVID.
“Zuko tears off a piece of bread, and places it on her palm. She looks down at it, her hand without crackling cackling blue fire. The only blue is the water, beautiful and clear.” Thinking bout the contrast, and how the color blue used to separate her from the world; now it joins her to it (turtleducks.) YOUR LAYERS. Another contrast I love was the one between “red drapes that used to block out the sun when it rises every morning” and “basking in Agni’s light.” This reminds me of the Sun Warriors and Zuko learning the true meaning of fire, as something full of life and light, not something that only burns. That was my favorite contrast throughout the fic, and the most meaningful to me. 
Azula saying “Why not?” to Sokka was everything I need in life.
“Azula brings herself out of the palace, and back into the prison.“ Ozai is her prison. The wording. THE WORDING SAYS SO MUCH. The way she comes to Ozai--but. He never came for her. Uncle did. She has new experiences and a new sense of self; she’s not the Azula she was, and she’s not the Azula Ozai is expecting. So when you write
“Because he has made Azula into Azula, and he has done it well.”
and she walks away, it’s a defiance of everything she’s been, everything she was forced to be. Azula made Azula into Azula, and she understands this.
“This is not what she was made for.” is a recognition that Ozai forced her into a role that was never for kindness, for love, for acceptance, for change. As she learns and unlearns, unmakes her identity as a monster, she’s understanding that Ozai never intended for Azula to be her own Azula. And this means she sees the world through her own eyes, not Ozai’s:
“his eyes not wounded and sad but fierce and soft and she knows what he’s saying isn’t a lie.”
JUST. The way you built this fic. You saw more than words as your tools, and I am honestly in awe of the way you used writing conventions. This fic is so strong because you literally made everything about Azula; Azula is this fic. THE ARTISTRY. I really, really hope you’re proud of the story you’ve built. Thank you for writing.
(ALSO TOPH WAS EVERYTHING I NEEDED AND MORE.)
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teaplease1717 · 4 years
Text
Fireworks
Title: Fireworks
Relationship: Todoroki Shouto x Yaoyorozu Momo
Chapters: 1 of 3
Rating: G+
Link: https://archiveofourown.org/works/26685007/chapters/65087851
A little late, but happy second year writing anniversary to me! Wahoo! Thank you everyone who has supported me over the last year. It sure has been crazy, but seriously all your love, kudos, and comments have kept me going. THANK YOU!
This is a small 3 part story that was originally going to be a one shot, but got really long. And since I hate long chapters decided to break it up into 3 parts. All the parts are done but won't be posted until they've been beta read.
Shout out to all my betas for this work: FlourChildWrites, Emberstork, Crazyelf2018 and C's Melody ! (thanks also to Taq too for calming me down when I was a spaz, and Revaliciousness for doing a final read)
And, staying on the topic of betas, HUGE shout outs to my betas for the entire year: C’s Melody and FlourChildWrites. They’ve been helping kick Ashes of Love and War into shape and seriously I could not have done it without them. Any beautiful imagery is thanks to FlourChildWrites pushing me to be more descriptive. And, although as readers you probably can’t see it, C’s Melody has helped with the story flow and advised where scenes didn’t hit. Both have pushed me to be a better writer and I’ve learned so much from them, so thank you!
To celebrate my anniversary, I’m throwing everything I’ve learned into this piece. Last year, my big takeaway was how to keep a scene in one character’s pov and I got better at adding movement to bring a scene to life. This year, I think my biggest improvements have been learning when to use commas vs periods in dialogue and how to make sentences shorter and to the point.
Other notes, this piece was heavily inspired by Kaguya-sama: Love is War. I watched both seasons of Kaguya-sama and fell absolutely in love. I’m not usually into those kinds of romantic comedy stories but this show killed me. So now you all have to put up with my TodoMomo version of the fireworks episode.
XXXXXX
“I’ve got it!” Ashido’s chair screeched back, and she slammed her hands down onto the dorm’s dining table, causing Momo to start. Hagakure’s fingers paused in Momo’s hair as Ashido looked excitedly between the class 2-A girls. “We should go to the Sumidagawa festival!”
It had been a month since the last of the cherry blossoms had fallen, and the brisk chill of spring had given way to the cloying heat of summer. With the changing seasons and their fast-approaching summer break, an infectious excitement had taken root in class 2-A.
Unlike their first year, when they had been shipped off to the mountains to train, the summer of the class’ second year was looking to be far more tame. No training camps. No extra classes. Besides their mandatory part-time internships for the holidays, U.A. was leaving the students to enjoy their second-year summer in relative peace. And no one appeared more excited about this than Ashido Mina, who had called an ‘emergency’ girls meeting to discuss possible options.
“Sumidagawa?” Momo repeated slowly. She could feel Hagakure’s fingers scrape lightly against her scalp as she resumed braiding her hair. Momo looked down and pressed the knuckle of her index finger to her chin, trying to remember where she had heard the name before. She had only been to a festival once before — during first year, with Todoroki Shouto.
Momo felt her heart stutter in the manner she was growing accustomed to when thinking about her seatmate. Recently, her mind had grown prone to fixating and overanalyzing Todoroki Shouto’s words and actions. And, in particular, one of her favorite moments to focus on was their time together exploring and watching fireworks at the Ennichi festival.
She shifted in her chair, smoothing out imaginary wrinkles from her lace night shorts.  Her fingers caught at the edge of the fabric and Momo wrapped the end around her finger.  There was no reason for her to be thinking about it this much. Todoroki showing up at the festival had been a coincidence. And his decision to escort her was an act of kindness that any hero in training would extend to a fellow classmate. So why? Why did her mind insist on returning to that night, over and over?
It must be because Todoroki had never expressed interest in spending time with her before that night. In fact, up until the sports festival, he had seemed the solitary type, uninterested in getting to know anyone in their class. The fact that he felt comfortable enough to open up to her, of all people, about his family made her chest swell with happiness.
“It’s super, super amazing!” Ashido continued excitedly, drawing Momo out of her thoughts. “And it’s not too far from here. We have to go.”
The name finally clicked, and Momo looked up at the girls surrounding the table. “Ah, I’ve seen the Sumidagawa fireworks from my room before.” She held up a finger and smiled. “It’s a historic event that can be traced back to the Kyoto famine in 1732, when fireworks were launched as part of festivals for the dead –“  
“No!” Ashido interrupted, crossing her arms into an ‘x’ above her head. “That’s not why we are going, Yaomomo!”
“Vice President, that’s not it at all,” Hagakure chastised lightly from behind her, her invisible fingers pausing their task of pleating Momo’s hair into a braid. “The festival is about fireworks, food stalls, and yukatas.”
“Exactly!” Ashido’s voice cracked as she nodded in agreement.
“They’ll have so much good food,” Uraraka echoed from across the table, cupping her cheeks. “Okonomiyaki, yaki imo, takayaki...”
“Yes! Yes! Yes!” Hagakure said, unintentionally yanking a section of Momo’s hair, making her flinch. “And they’ll have your favorite Uraraka-chan — mochi!”
“Mochi!” Uraraka’s voice grew shrill on the word. Her expression lit up as if she already tasted it.
Momo hid a giggle behind her hand.
“It would definitely be a fun summer activity, kero,” Asui added, tapping her chin and smiling. “My sister gave me a new hair clip that I’ve been meaning to wear.”
“I’m sure the guys would love to go too,” Uraraka said, pressing her fingers together, except for her pinkies which stuck up in the air.
Jirou raised an eyebrow as she looked across the table at Uraraka. “Are we inviting the guys? Or keeping it just us?” she asked, twirling her earphone jack around her finger.
“I think we should include them,” Uraraka said thoughtfully. “It would be fun to do something all together.”
Ashido leaned closer to Uraraka, a grin twisting across her lips. “So sly, Urarka-chan,” she said, elbowing her in the side. “You just want to hang out with Mi-do-ri-ya, don’t you?” she whispered in a sing-song tone. The black of her eyes glittered suggestively.
Uraraka flushed. “No! It’s nothing like that,” she said, waving her hands in front of herself frantically. Her eyes glanced around the living room quickly. It was deserted except for them. Uraraka’s shoulders relaxed and she leaned back in her chair. “I just…” she trailed off, dropping her gaze down to the table. Her expression turned whimsical. “It's just maybe our last year that we can do something like this — all together — before we graduate.”
Momo’s chest tightened.
“Ochako-chan,” Asui said; her voice was soft. She reached over to rub Uraraka’s back.
Everyone’s expressions fell as the reality of Uraraka’s words hung over them. Once they became third years, they’d be busy interning and applying to agencies; they wouldn’t have time to spend going to festivals. And, even if they did, the likelihood that they would all have the same evening off on one of Japan’s busiest days of the year was slim.
Momo bit her lip. She had enjoyed seeing the fireworks last year at Ennichi with Todoroki  —
Todoroki.
Would this be the last chance she’d get to see them with him? Momo's heart dropped.
Ashido’s expression flickered, and she straightened. “That settles it,” she said firmly, curling her left hand into a loose fist and pounding it against her right palm. Her eyes were intent. “Let’s invite everyone. We have to live this up if it’s going to be our last summer that we can all hang out together!”
Momo nodded, her spirits lifting at Ashido’s words. “I can speak to Iida-san about the planning.”
Ashido gave her a thumbs up. “Perfect!”
“And we have to dress up,” Hagakure stressed.
Ashido’s expression lit up. “Of course! If we are going to take pictures, we got to look good.”
“If we are going to dress up, I think I’ll have to go buy a new yukata,” Jirou said, a small smile pulling at her lips.
Momo felt a rush of excitement. “I know a wonderful shop that sells yukatas!” She laid her hand over her chest and smiled brightly. “Why don't we go together? And anyone else who needs one is welcome to join us, of course!”
"Oh! To be expected of our Vice President," Hagakure said. Her voice was filled with admiration.
Momo’s cheeks warmed under the praise as she watched the elastic sitting on the table float up and disappear behind her head. She felt Hagakure’s fingers thread the ends of her hair through the band and release the loose braid with a snap.
“Then that settles it. The Sumidagawa festival it is!” Ashido cried, pumping her fist into the air. “Summer here we come!”
XXXXXX
Momo took a sip of her lavender tea, then tilted her head back to stare at the vase of wisteria flowers that sat on the shelf above her vanity. It had been an hour since Ashido’s summer planning meeting had ended. She should be going to bed, but her usual bedtime ritual didn’t seem to be calming her eager thoughts.
Her stomach fluttered. She dropped her gaze back down to stare blankly at the chemistry encyclopedia that laid open in front of her.
It sounded fun — going to the festival with everyone — with him.
Her hands curled tighter around her warm cup, and she smiled to herself. Last year, Todoroki had escorted her through the Ennichi festival, but they had both been too new to the experience to do anything more than explore the stalls.
Perhaps, going back this year, she could try some of the food Uraraka had mentioned, maybe even play street games. Would Todoroki want to escort her once more? Her heartbeat increased. And what if he complimented her on her yukata again?
‘It suits you.’  
Heat spread across her face, staining her cheeks pink. Momo shook her head. Placing her cup down on her desk, her lips thinned. This was going to be a class activity. A class activity. Not — whatever it was her mind seemed to be hoping for.
Momo sighed, then straightened in her chair, and forced herself to inhale slowly through her nose.
Seriously, she was in the hero course. There was no time for these sudden and confusing teenage feelings.
Momo closed her chemistry encyclopedia and pushed it to the top of her desk. Then leaned down and pulled out the blue notebook from her school bag that she had designated for class representative activities.
If she wasn’t going to go to sleep or study, the least she could do was start thinking of possible festival activities to discuss with Iida after class tomorrow. She opened her notebook to a new page and smoothed out the paper. She picked up her pen and, in careful lettering, wrote ‘Sumidagawa’ at the top.
Leaning back in her seat, Momo tapped the end of her ballpoint pen to her lip. Besides fireworks, they’d need to make sure there were enough other events to keep everyone happy.
She tried to think back to what Todoroki and she had enjoyed last year and froze. Her throat closed as she realized, with shame, that she didn’t even know if Todoroki had enjoyed the Ennichi festival.
Her stomach twisted.
Now that she thought about it, Todoroki had never suggested anything or acted in a way that might imply that he thought of the night as special or enjoyable in any way. In fact, he had even said that he had felt out of place.
Momo took a deep breath and closed her eyes. Had she just been projecting her own thoughts onto him this entire time? Could it be…had he hated it?
A sharp wave of guilt struck her, and Momo felt her stomach drop in disappointment. All this time, she had been thinking about the Ennichi festival as such a magical night without ever considering Todoroki’s feelings.
Momo opened her eyes and set her pen down on her desk. Then she slumped forward and buried her head in her arms. She was so selfish and presumptuous.
How could she have forgotten that Todoroki had revealed that he had felt out of place? Festivals were for families, he had said. And, although he had never elaborated on it, his expression had been drawn in a way that alluded to the fact that his family wasn’t on the best of terms.
Slowly, Momo sat back up. She pulled her hands into her lap and curled them into fists. Perhaps, if they were all going as a class, Todoroki would feel differently? Maybe he would have a better time than when it was just the two of them…
Momo swallowed over a lump in her throat, and set her jaw, shoving away her insecurity as she picked up her pen. She wouldn’t let herself get down.
Last year, her attending Ennichi had been a selfish, impulse decision, one she made against her mother's wishes because Uraraka and Hagakure made it sound like an experience every person should have at least once. Momo would plan better this year.
She straightened in her chair and picked up her pen again. The key to a good event was preparation. And, if there was one thing Momo excelled at, it was planning.
‘You’re good at that sort of thing.’
Momo dropped her pen with a small squeak at the unbidden memory from Todoroki and her midterm battle against Aizawa. Her heart raced. Where had that come from?
Her fingers fidgeted as they pulled her braid over her shoulder. She drew in a deep breath and absently played with the ends of her hair as she tried to calm down.
It must be her subconscious reminding Momo to trust in herself. Just as Todoroki had believed in her and voted for her to be class president - because he thought she’d be good at it. Her heart rose in her chest.
Yes. That must be it.
She breathed deeply and released her hair. Todoroki was right. Planning was her area of expertise. She could do this.
Momo squared her shoulders and picked up her pen again. She would use these emotions — the guilt and disappointment in herself — to make sure Todoroki would have the best time this year. And not just Todoroki. If this was the last chance they all had to hang out together and see fireworks, she would just have to make sure that everyone had the best time possible.
However, even as she thought this, Momo couldn’t stop her sixteen-year-old heart from beating a little faster at the idea of once again looking up at a night sky, full of fireworks, with the boy she admired most.
And maybe this time she would know for certain that he wanted to be there just as much as she did.
XXXXXX
Shouto felt his stomach do a strange flip. She was humming.
He had never heard Yaoyorozu hum before. It was quiet, barely noticeable, and he probably would have missed it if he wasn’t sitting next to her. But it wasn’t just the humming that was different. There had been a determined gleam in Yaoyorozu’s gaze all day that had drawn his attention and made his chest tighten.
Maybe he had heartburn?
He watched her from the corner of his eye as he slowly slid his pencil case into his school bag. Yaoyorozu continued to ignore him as she scribbled determinedly in a blue notebook that he recognized as the one she used for her class representative duties. Her lips curved up into a faint smile.
“Did something happen?” he asked before he could stop himself.
Yaoyorozu paused and turned to look up at him. Her dark eyes blinked innocently. “Todoroki-san?”
The school day had ended a few minutes ago, and the other students of class 2-A had already filed out. Iida had gone to use the restroom, leaving Yaoyorozu and him alone in the classroom.
Shouto had never been the type to rush, but somehow, hearing Yaoyrozu humming had slowed his feet down more than usual. His hand tightened on his notebook as he picked it up and slid it into his school bag next to his pencil kit.
“I was just wondering if something happened? You seem happier today.”
Yaoyorozu’s expression flickered, and then lit in understanding. "Mhm. I guess I am," she said, sitting back in her chair.  She tucked her loose bangs behind her ear, then raised her head. Her dark eyes glittered as they met his. “Last night, the other girls and I were discussing a possible summer outing over the holiday break — one that we could do as a class. We were thinking of scheduling an event to go see the fireworks at the Sumidagawa festival. I’m going to meet with Iida-san now to discuss the arrangements.”
Shouto nodded. He closed his bag and pulled the strap over his shoulder as he straightened. “I see. I’m sure everyone would like that.”
"Right?!"
Shouto jumped despite himself. Yaoyorozu’s hand shot up to cover her mouth.
“Sorry.” A light bashful red dusted across her cheeks. She dropped her hand and looked down at her notebook. A small, embarrassed smile tugged at her lips. "I guess I’m more excited than I thought I’d be.”
He stared at her. Something about an excited Yaoyorozu made his chest tighten. It was like the way her whole face lit up talking about chemistry — raw, unfiltered. So different than him. After a moment, the red across her cheeks deepened, and Shouto realized he was taking too long to respond.
“It’s okay,” he said, avoiding her gaze as she looked back up at him, her eyes searching his face. Shouto cleared his throat. “I think it’s good to do something as a class.”
Yaoyorozu’s expression warmed. “I agree.” Her smile returned. “I've actually gotten really into the preparation. I want this to be a memorable event, so I’m going to do my best to plan properly so everyone has a good time."
Shouto looked down at the notebook opened on her desk. A list of activities, dates, and what looked like restaurants was listed in neat calligraphy.
He snorted. She really was good at these types of things. That's why he had voted for her as class rep after all.
Yaoyorozu was a leader; she was smart, dedicated, and had always been the type to go out of her way to think of others. Even last year, when they had gone together to the Ennichi festival, she had been more concerned with his feelings than making sure she had a good time.
Shouto swallowed and curled his left hand into a fist at his side. The memory of watching the fireworks with Yaoyorozu still felt surreal.
During the sports festival, Shouto had told Midoriya what had happened with his family, but he had a purpose when he had done that. Midoriya was a rival, and Shouto needed him to understand why he was going all out to defeat him. But with Yaoyorozu, it had been the first time he had voluntarily spoken about his family to someone who was not involved. He still didn’t quite understand what had made him decide — after fifteen years — to open up that night. He had just felt comfortable.
His heart beat faster at the memory.
That’s right. Yaoyorozu was that type of person. She was dependable and could make others feel at ease.
Shouto looked back at her. Warmth spread in his chest. She really was going to be a great hero.
Yaoyorozu’s expression flickered. "What-What is it?" She reached up and touched her cheek as if feeling for something. "Is there something on my face?"
Shouto shook his head, eyes softening. "No." He felt his lips twitch. "It's just...you're amazing, Yaoyorozu."
Her eyes widened, red returning to spread across her cheeks. “Eh?”
“Planning an event so that there is something for everyone to enjoy. I’m sure you’ll be able to do it.”
“Well…I hope you will enjoy it too,” she stuttered quickly.
His lips flicked up slightly. “I’m sure I will if you’re the one planning it,” he said.
He looked up as the classroom door slid open with a clack, and Iida walked in, smiling brightly.
Shouto’s throat felt tight. He swallowed and reached up to adjust the strap of his bag, unsure why he suddenly felt annoyed by his friend’s arrival.
He rolled his jaw, as sudden impulsive words clawed up his throat.
“I look forward to escorting you again,” he said as he turned and made his way out of the classroom. His heart raced. He cleared his throat as he discreetly activated his right side to cool his suddenly warm insides.
He would definitely need to talk to Recovery Girl if this continued.
XXXXXX
Momo read over the text message again. “How does this sound?”
“Yaomomo, it’s fine.”
She looked up from her phone. Jirou was sprawled across her king-sized bed, flipping absentmindedly through a magazine advertising the latest guitar models. “You’ve read it over a hundred times already,” Jirou added in a flat voice without looking up.
Momo’s lips thinned. Then she glanced back down at the screen, scanning the text again. She was grateful Iida had graciously agreed to let her handle the details of the planning, but now that she was drafting the invite, Momo couldn’t help but feel a bit anxious about the whole thing.
What if everyone hated the restaurant she chose? Was shopping for yukatas three weeks beforehand even enough time to find the perfect one?  However, what worried her the most, sitting like a heavy, black piece of coal in the back of her mind, was what Todoroki would think of her plan - especially after telling her he’d escort her. And what exactly had he even meant by telling her he’d escort her again?
Momo bit her lip. “But what if someone has a question…”
“Then, they can ask you.” Jirou finally looked up from the magazine and met Momo’s gaze. She quirked an eyebrow. “What’s really the matter? You’ve been fidgety all evening.”
Momo sighed. “I just want the night to be perfect. I was talking to Todoroki-san earlier- ”
“What did the Ice Prince say to you?” Jirou interrupted. The bed squeaked as Jirou sat up abruptly, and her eyes narrowed. “Do you need me to slug him?”
“No!” Momo sat back in surprise. As much as she loved Jirou, Momo was still not used to how quickly she would threaten violence against the guys of their class, especially towards her new boyfriend, Kaminari.
Jirou Kyouka and Kaminari Denki had begun dating at the beginning of the year, after what had been careful persuasion, and in Momo’s opinion, an unreasonable amount of pining between the two. It had been Momo who had finally convinced Kaminari to confess to her friend.
“Todoroki-san didn’t say anything. He was very kind. He just said that if I’m the one planning, then the event will surely be enjoyable…”
Jirou’s expression relaxed. “Oh, is that it?” She sat back down and crossed her legs. “Then why are you overthinking this?”
Momo sighed. “I-I just feel so badly.” She looked down. Her fingers fidgeted with her phone.  “Last year, Todoroki-san was so kind and escorted me to Ennichi, but I was horrible and never even thought about his feelings on being there. He probably hated it...”
“You’re not horrible, Yaomomo. And I doubt he hated it if he was with you.”
“But last year he said - !" Momo hesitated, her heart sinking at the thought that her telling Jirou about him feeling out of place could be a betrayal of his confidence. "He just...didn't look like he enjoyed himself. And I'm scared that people won't enjoy this either..."
Jirou gave her a look. “Yaomomo, you’re worrying too much. First off,” she said, holding up her finger, “Todoroki wouldn’t have stayed with you if he hated it.” She raised another finger. “Second, everyone is going to have fun, no matter what happens. It will just be great to all be together.” She dropped her hand back to her lap.
“Maybe…” Momo said, avoiding Jirou’s gaze.
“Look.” One of Jirou’s earphone jacks rose in the air and pointed at Momo. “I know you are worried about Todoroki, but he isn’t the type of guy who would do something he doesn’t want to. And the fact that he stayed with you all night — when he was still just getting out of his early-roki stage — means that he wanted to see the festival just as much as you did.”
Momo nodded slowly, and then looked away to stare down at her hands for a few seconds.
Jirou exhaled through her nose. “I know there is something else on your mind. Tell me,” she coaxed, getting on her knees and crawling to the edge of the bed to sit by Momo’s chair.
Momo bit her lip. “He...” She paused for a moment. “He also said that he was looking forward to escorting me again.” Her voice was small. She could feel heat curl around her ears as she whispered the words she had been thinking about all evening.
Jirou’s eyes widened faintly. “Oh, that’s exciting,” Jirou said, leaning forward. “And what did you say?”
She shook her head. “He walked away before I could respond…."
Jirou snorted. “Well, that’s still exciting. Congratulations on finally moving forward with the Ice Prince.”
Momo felt her face grow warmer. “Co-congratulations?” Her voice squeaked slightly at the end.
“Yaomomo.” Jirou’s lips curved up into a grin. “You don’t have to be shy. You’ve liked him since forever, haven’t you?”
“Eh?” Momo cupped her face. Her cheeks were burning. “I…I don’t know what you mean.”
Her chest felt tight.
Jirou’s smile widened; she shook her head. Then she leaned forward and poked Momo’s side. “Yaomomo, you’re too cute.”
Momo wanted to hide. Did she really like Todoroki? Well, of course, she liked Todoroki. But, like ‘like’?
Was that why she had been thinking about Todoroki more? And was that why she had been overanalyzing his words all evening?
Momo’s heart rate increased. She certainly admired him and thought him an excellent student and friend, and — okay, maybe she did like Todoroki, but only… if she was going to think about it scientifically, as much as a beaker. Well, maybe a little more than a beaker. Perhaps a flask. A tall, well-made flask ...
Momo hid her face in her hands. She was ruined. How could she have not known?
“Yaomomo, you don’t have to get so flustered. Everyone knows.” She could hear the smile in Jirou’s voice.
“Everyone?” Momo asked in disbelief. Her heart dropped into the pit of her stomach.
“Well, everyone but Todoroki...probably. But it’s okay, since he likes you too.”
Momo dropped her hands. “You’re wrong. He couldn’t possibly like me.”
Jirou smiled surreptitiously. “I don’t know about that.”
Momo shook her head. “Even if he did like me as more than friends — which he doesn’t — he has never made any suggestions."
“What about him saying he will escort you again?”
“He didn’t mean it like that,” Momo said hurriedly. “He meant going as a class.”
Didn’t he?
Momo’s heart fluttered like hummingbird wings in her chest. No. Jirou was wrong. She was planting ideas in Momo’s head.
It was one thing for Jirou to know Momo’s heart, she was her best friend after all, but it was entirely different for her to presume to know Todoroki’s.
“Hmm,” Jirou hummed, looking at her thoughtfully. “Why don’t you just ask him, then?”
“No! I can’t.” Momo leaned forward and grasped Jirou’s hand. “And please, you can’t say anything either. Not to anyone.”
Jirou’s eyes softened. “Okay, okay. I won’t say anything. I promise.” She patted Momo’s hand.
Momo felt her shoulders relax. That was right. Todoroki didn’t like her, because if he did, that would mean Jirou was right and Momo was wrong — which wouldn’t make sense. Momo was the smartest student of their grade. There was no way that she would have missed the signs that he liked her.
Would she?
XXXXXX
Notes:
Ennichi Festival – this is from the Boku no Hero drama CD. Hagakure and Uraraka see a flier for the Ennichi festival and decide to go. They end up telling Momo and asking if she wants to join them, but Momo says she will pass because her mother doesn’t approve of street festivals. Uraraka and Hagakure then leave, and Momo wonders if she made the right decision. Feeling like she is missing out, Momo makes a yukata and goes to the festival by herself, but ends up getting nervous and is loitering by the entrance when Todoroki finds her. They end up walking around together, as neither have been to a festival before. The story ends with Momo asking if Todoroki enjoys the festival and him revealing that he feels out of place because festivals seem like something fun for families. He is about to leave when the fireworks go off. You can watch the full thing on youtube under boku no hero drama cd Ennichi festival.
Earlyroki - this is a slight spoiler for later in the manga. The class uses it to refer to Todoroki’s early emo stage of the first two seasons.
Sumidagawa festival – An actual festival in Japan. The Sumidagawa Fireworks Festival is an annual fireworks festival held on the last Saturday in July. They are known for having the biggest, most spectacular fireworks display of all Japan festivals with stunning pyrotechnic displays of over 20,000 fireworks launched in 90 minutes! (per Google)
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