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#so i have just a series of scenes with a Point to put together
greatstormcat · 1 day
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Club 141 AU - Part 4
Poly 141 x f!reader
Series Masterlist
This is a fictional depication of BDSM and proper vetting of new partners is essential for everyone. This is a work of fiction and liberties are being taken for the narrative. This (long awaited) part covers CNC/Consenual Not Consent. There is nothing wrong with this as long as it is in the real world context of a carefully negotiated dynamic with correct safeguards. Never let anyone push you to perform something you are not in wholehearted agreement with, and know your limits. Practice RACK: Risk Aware Consensual Kink.
TW: MDNI 18+, BDSM themes, CNC, degradation, forced blowjob, gunplay, bondage, mentions of blood, blindfold/hooding, p in v, rough sex, anal, double penetration, single safeword, no check-ins, aftercare and a hot tub
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“You want to hunt me,” you repeat back to Price. It’s not a question, it’s a statement of fact. The man has just spent several minutes explaining to you how over the last few months you’ve settled into your role as the group’s sub perfectly. They were comfortable with you, and you quickly pointed out you were just as comfortable with each of them. You’d indulged in a variety of scenes with them, both individually and in groups, and it was easy to find a flow with the group.
“We want to hunt you,” Price echoes, leaning back in his throne-like armchair, the sounds of the club a distant murmur as you sit opposite him in the private room once again. His eyes watch you sharply, making you feel as though a microscope was pointed at you while you were pinned to a glass slide. Some days you felt he could read your very thoughts with his crytalline stare.
“Only if you’re ready,” Ghost rumbles, ever the one watching for everyone’s safety. He stood, arms crossed over his broad chest and leaning his hip against the back of Price’s leather chair. His gleaming skull mask fixed firmly in place as always, shining as though he took pains to polish the thing. Never once had you seen him without it.
Swallowing thickly, you pause to think, knowing full well that if you rush to agree one of them, if not both, will put the brakes on proceedings. They care that much about you, their precious and beloved submissive.
“How would this work?” you ask, receiving the instant reward of both men relaxing from their previous tense states.
“Good girl,” Ghost mumbles softly but it carries to you and a thrill skitters down your spine in response.
“If you agree,” Price begins, putting emphasis on the first word, “I have a friend who owns a few hundred acres of private land not far from here. There’s a cabinby a lake, with a hot tub.”
“Sounds romantic,” you say with a small smile.
“I suppose it does,” he agrees, leaning forward slightly. “Kyle explained we were in the military together, yes?”
“He did, that’s why they call you Captain,” you reply.
“That’s right,” Price smiles. “We still have some equipment, and a lot of experience in tracking people who don’t want to be caught.” A light enters his eyes as he speaks, an intensity you’ve come to know well, often when he has you by the throat and is promising you all manners of pleasure and pain.
“I understand,” you say, aware he has paused to check you are taking this in. Your breathing quickens as you hang on his every word.
“We would take you to a point in the woods near there and set you free, your goal being to get back to the cabin without being captured,” Price continues, his voice noticeably deepening. Ghost shifts slightly, making an obvious adjustment to make room for the stiffening of his cock as he listens and watches your reaction.
“What happens if I am captured?” you ask, feeding him the words you know he wants to hear. The leather of the armchair creaks as he leans forward, resting his elbows on his knees so he is closer to you. Your eyes watch his lips as he speaks, a memory of the taste of cigar smoke and scotch on them makes you salivate.
“What we always did. A captured enemy gets tortured,” he whispers softly, “until they break.”
A while later you sit at the club’s bar, perched on one of the elegant stools as Johnny and Kyle work the bar and you try to work through Price’s proposition in your head. 
“Did they explain the whole thing to you?” Kyle asks as he places a cocktail on the marble top before you. You quickly take a sip to calm your jangling nerves.
“Oh yes, in lurid detail,” you answer, feigning shock and he laughs.
“Is the idea that bad?” he chuckles, his dark eyes warm with humour. “I thought you were a tough bird? Is the thought of us four stalking you through the dark so horrendous?”
You clench your thighs as he speaks, his honeyed voice dripping down your spine and pooling in your pelvis.
“No, not horrendous,” you reply, hoping he didn’t notice you shifting. One look up at him tells you he very clearly did see it, and your face warms with embarrassment.
“So it seems,” he drawls, leaning over the bar towards you. “So you gonna think it over? Give us a proper answer?”
You bite your bottom lip between your teeth for a moment, just as Johnny walks over and looks between the two of you.
“You’re nae influencing her, are ya?” he chuckles, draping his arm over Kyle’s shoulder.
“No, just making sure she understands what’s at stake here,” Kyle grins and stands up, leaning against the other man. The pair look at you, grinning wickedly like a pair of devils trying to seduce you into some sinful act, despite looking as beautiful as angels in the soft light of the club.
“You two are going to be the death of me,” you laugh, feeling your face warming.
“What a way to go, eh?” Johnny winks back at you.
On Price’s insistence you take a few days to make your decision, and take the chance to talk it through with him, making sure you understand exactly what this will entail. The more you learn, and the more you read up, the more you want to experience this with them. Once you agree, you book a few days off work and they make the arrangements to rent the cabin and drive you up there. Its a warm summer day as you pull up at the cabin beside the lake, a few small outbuildings nearby and the promised hot tub positioned beside the small building on the lake side. Dense woodland surrounds everything. It all looks wonderfully romantic and cozy, especially considering the men you are staying here with, which jars against the activity you have planned for the evening.
The sun is just beginning to set a few hours later, you wiggle your toes in your hiking boots and pull on the tops of the socks peeking over the tops of them, the cool air pricking your skin. Price had warned you not to wear anything you were fond of, explaining clothes were unlikely to survive this scene, so you’d opted for an old sports bra and second favourite knickers, plus a plain white tee-shirt and some loose gym shorts. You hoped that as plain and simple as the look was, it was still appealing. 
“You’re sure you’re ready for this?” Price asks you, and you try not to look at him but he grasps your chin and turns your face towards him, forcing eye contact. The dark fatigues he is wearing make him look larger than normal, and the look in his eye tells you exactly how he is feeling about the idea of hunting you. Fear and arousal mix in your gut already, and you haven’t even seen the others or started yet.
“Yes, I’m sure,” you say firmly, knowing anything less will be questioned. You want to do this.
“Just like we went over at the club there will be no checking in during this scene once it starts. You have one safe word and that ends everything, understood?” His voice is firm, unwavering.
“I understand,” you confirm with what you hope is equal conviction. You glance around, the other three are nowhere to be seen, but they are watching you from somewhere close by.
“Okay, you get a ten minute head start and then we come after you,” he says, taking a step back. “The cabin is that way.”
You hesitate for a moment, uncertain on what to do, but he doesn’t seem inclined to speak further. Instead he turns his back on you and walks towards the car he had brought you out here in, not looking back.
With a quiet huff you take off at a trot in the direction Price had indicated, the fading light hampered by the dense coverage from the tree canopy above and adding to the gloom. Watching where you go, you try to count the seconds to the ten minute mark, trying to gauge when the hunt will begin. Your heart beats loudly, almost drowning out the idyllic sound of birds singing in the evening air.
Any more thoughts end abruptly when the sound of a gun firing behind you tears through the air. Small birds and animals startle around you, and you freeze much like a frightened deer. However, when the sound of sharp whistles and excited yelling begins behind you, your muscles burst back into life.
They have guns, why do they have guns, you repeat to yourself over and over as you scramble forward. Panic seeping icy fingers into you, slowing you when it should be spurring you on, to get away from them. The fear thaws when it reaches that small part of your brain that understands this is a game though, it pulses red hot and whispers to you to let them catch you, to see what will happen when you fall.
You start to run out of breath just as you make it to the edge of the lake through the trees. The lights from the cabin glow warmly in the distance, and you pick up the pace feeling more confident now you can see your goal. A smile begins to creep across your face, the big, bad soldiers were clearly rusty after all these years. They hadn’t even got close to you, in fact, the head start was probably too much.
The light has faded enough now that the trunks of the trees are nothing but dark shadows under the canopy of leaves. It’s almost peaceful, no others sounds over the rustling of leaves and your own footsteps. You slow down, considering waiting for the guys to catch up so the game isn’t wasted, when a tall figure detaches from the shadows ahead of you.
A red mask covers the top part of his face, a Mohawk standing up above, and despite the obvious signs of it being Johnny, you feel terror. He’s wearing combat gear, some kind of rifle held in his hands and pointing at your feet. This isn’t your friend, your Dominant, this is a man trained to kill and you can see it in the way he carries himself as he steps forward. You spin on the spot and go to run back the way you came, but stop dead in your tracks.
The Grim Reaper is waiting for you, tall and dressed in black with a hood up around his skull face. He strides towards, an arm raised to grab you, but your body takes over and you dart to the side into the trees once more.
“Fuck fuck fuck,” you whisper to yourself as you run through the low undergrowth, clumsy and undignified. Plunging madly through the woods now, a tiny part of your mind wondering how they caught up with you without you hearing them. This makes you realise exactly what you’re up against, these are trained soldiers. You truly are fucked.
As you run, a shadow separates from a tall shrub ahead of you and sprints towards you, low and deadly. You try to turn but arms wrap around your waist, swinging you around and throwing you off balance completely. You hit the ground face down, breath knocked from your lungs just as a heavy body lands on your back. Instinctively your wail in dismay, the man on your back grabbing your throat and squeezing at the same moment, his hips grinding viciously against your backside so you feel his hard length.
“You lose,” Kyle's voice growls into your ear as a canvas sack is pulled over your head, your arms wrenched roughly behind you back and held firmly in a gloved hand. “Up.”
He drags you to your feet, cold metal presses against your neck under the edge of the hood, and there’s a sharp click. A sound you’ve heard in movies enough times to recognise it, a gun. A bubbling whine of terror creeps up your throat, and escapes into the darkness of the hood. The answering growl twists the fear and turns it into something else, something hot and sharp that spikes into your gut. Arousal.
“Walk,” he sneers, and you rely on him to guide you through the undergrowth.
You stumble blindly, disorientation adding an extra level to your confusion, as you are half march, half drag you somewhere. The change in flooring and slam of a door lets you know you are inside a building, but it's impossible to know where you are. The sound of heavy boots on a rough floor echo around you, and you are dumped unceremoniously in a chair with thin arm-rests. You flinch at the loud noise of tape being pulled from a roll, and your wrists and ankles are secured to the chair.
The hood is pulled away, bright light blinding you from a lamp shining directly in your face, but this is a short lived issue as a blindfold swiftly covers your eyes. Fingers twist in your hair and yank your head back, pulling a cry from your lips, but this is quickly muffled by the cock that is shoved into your mouth. After a second of confusion, heat floods your chest and you lean into the intrusion, mouth watering around the salty skin.
“Fuck, look at her go!” 
“Greedy bitch, she’s gagging for it. Have you not been fed, love?” one of them taunts you.
While insults and jibes are tossed at you, whoever has hold of you by the hair continues to forcefully fuck your face, their hips grinding his cock further and further into your throat until you feel the edge of you gag reflex tightening. You focus on breathing steadily through your nose, feeling drool seeping around the thick shaft and onto your chest. Before long your thin tee is sticking to you, no doubt showing your bra underneath.
“Fuck, lemme in on that.” The Scottish lilt identifies Johnny easily. It’s all the warning you get before your head is roughly grabbed and turned to the other side, a few seconds to breathe freely are given before another cock slams into your mouth as you gasp for air.
“Oh fuck, yeah that’s good,” the new comer grunts, twisting your hair to add sharp pain to the mix. You whimper, and his rhythm falters slightly at the sound buzzing your throat around the head of his dick. “Ughh…” he grunts, and he shifts his weight momentarily before the cold press of metal returns, this time against your temple. A tremble runs down your spine and ends with a clenching of your pussy, a half whimper, half moan leaves you and his hiss is audible at your reactions.
“Shit, you like that you nasty slut?” Johnny’s thrust become harsher, his grip on your head tight and almost painful as the gun presses into your skin. Drool runs around his shaft, leaking down your chin, and his huffs of breath shorten.
“Ya gonna swallow every drop,” he mutters. “Don’t waste any of what I give ya.” His breaths become moans, more and more desperate as he chases his high and before much longer he comes. You're forced to swallow or choke, and you suck down the thick strings of cum.
“Enough, get her out of the chair and strip her,” Ghost’s gravely voice orders, and quickly both gun and dick are gone, leaving you coughing and gasping. 
The tape binding you to the chair snaps, a cold blade touching your skin as it is cut and a taste of freedom hits you. Despite the blindfold you try to bolt from the chair, determined to play your part in this fully and try to escape.
“Fucking bitch! Get her down,” Price barks in anger.
“No!” you scream as you feel a heavy body tackle you down. Under the oppressive weight you kick and struggle, gasping for breath through the pressure of whichever one of them holds you down.
“Stupid cunt, you’ll get what’s coming to ya now,” Johnny’s voice hisses. Hands pull you boots and socks off, your shorts quickly following despite your wild kicks. You feel one foot connect with one of them, a triumphant smile crossing your lips at the muffled grunt this causes, but strong hands catch your ankles, pulling them wide and pinning them to the floor. Your exposed pussy pulses, wet and hot in the cold air, and the sound of a zip cuts through the air.
“She fucking kicked me, I go first,” Kyle complains, and someone huffs a short laugh in answer. Again you try to fight, kick and struggle, but each limb is pinned to the rough floor and you only scrape yourself against the wood planks. Kyle kneels between your thighs, his body covering you and then his cock spears into you, stretching you wide.
“Stop!” you whine, the wrongness of the word on your tongue making your pussy clench tighter. He doesn’t hesitate, ignoring your plea and goes right to a pounding, punishing rhythm, curling over you so his grunts and groans play out beside your ear.
“Don’t fight, it’s too late for that now,” Kyle’s voice drips into your ear, and that part of your brain that grips to the reality that this isn’t real purrs back to life, quelling the panic slightly.
“Blind fold off, I want to see her face properly,” you hear Price bark, a note of authority in his voice you’ve not heard before and the rawness of the situation hits you. They are stripped back of all their civility, almost their humanity as they work you over, and you understand the itch that this is scratching for them. The blindfold is pulled away and you blink rapidly, trying to focus on the dark shapes around you. Ghost pins your hands above your head, while Price and Johnny restrain a leg each.
Kyle fucks you mercilessly, the rough fabric of his combat trousers rubbing at your skin and adding more friction, his public bone hitting your clit. 
“Such a tight little cunt,” Kyle groans, his hands shifting and pushing up underneath your top and sports bra to squeeze your tits. The brutal swing of his hips doesn’t falter, your body tight as you pull against the hands holding you down and clenching around his thick dick.
The orgasm comes almost out of nowhere, quickly building and releasing within you and slicing through you. It makes you archly sharply off the ground, and Kyle barks hoarsely as he is dragged over the edge with you, burying his load deep inside you with unsteady thrusts.
“Thought you’d last longer than that mate,” Johnny teases as Kyle sits back, breathing heavily.
“Fuck you,” he bites back. “You shot your load quick enough.”
“Can’t blame me with a toy like this,” Johnny answers sinfully.
“Shut up you two,” Ghost interrupts, and you glance up as he releases your wrists and stands. Your legs are shaking, as much as you want to try moving again you don’t think you can. As he stands up and begins to unbuckle his belt, you groan softly. He peels off his vest and shirt, before getting down on the ground beside you, laying on his back. Price and Johnny grip your arms and pull your unresisting body over his, face down. 
Sweat slicks your skin as you are pushed down onto Ghost’s chest, and with your legs held apart he sheathes his cock inside your pussy with a single, hard thrust that has you arching your back. The rasping of breath from behind his mask tells you how much the feel of your cunt affects him, hot and pulsing around his cock already.
“Get comfortable, you’ve got more to come yet,” he chuckles darkly, and you notice he is looking over your shoulder. Think fingers press at your exposed asshole, cold liquid smearing across the puckered hold.
"No! Don't, please," you plead weakly, unable to move as Ghost hold you against his chest.
“Shut up,” you hear Price snap close behind you, just before shoving a thick digit inside your arse and working it in and out a few times. Suddenly, the intrusion is removed and you relax slightly.
Before you recover, the head of a meaty, slicked up cock presses against your asshole and pushes inside. It’s like every single nerve fibre between your neck and knees has come to life, and you let out a desperate keen at the pleasure. The fullness of almost being stretched to breaking is intense, and the choppy, rough thrusts of Price working into your backside send your mind blank. You’re no stranger to anal but having them both inside you at once is a whole new sensation.
Without any pause they both begin to pump into you, deep grunts and curses the only sound you can hear. You can’t tell if you’re being ripped apart or fucked better than you’ve ever felt in your life. All you can do is try to remember to breathe as you grip onto Ghost biceps, fingernails cutting into his skin and drawing tiny trickles of blood. Your cries build and crescendo into frenzied noises, your sensitive nerves alive and running with liquid lightning as the two men push you further and further.
The orgasm that rips through you steals your hearing and vision, your brain turns to pure nothingness for a few seconds and you forget to breathe as hot ecstasy tears through every cell of your body. Your exhausted muscles spasm, gripping and milking Price and Ghost’s cocks, pushing them over the edge so they both come, filling you with thick, sticky ropes of spend inside you. Twitching and spasming you fall limp between them, unable to move or speak.
“Right, red,” Ghost announces softly, just audible over the ringing in your ears. Price carefully pulls out of you, a whimper slipping from your lips as he does and a shock of sensitivity shooting through you. Ghost does the same but lays still, cradling you against his chest, his wide palm smoothing up and down your skin slowly. “It’s over now, you did well.”
You burrow into him, pushing your sweat streaked face against his neck with I deep exhale, his arms pulling you tightly against him and his deep voice vibrates through his chest and into you as he talks you down. Your heart rate slows down and breathing evens out, floating in a fog inside your own head.
“That was insane,” Kyle says quietly as he crouches beside you, mask removed now, and touches your shoulder. You peer at him hazily through your lashes, a hint of smile on your lips. He puts a backpack down beside you and Ghost and opens it, pulling out bottles of sports drink, a small first aid kit and finally a tightly wrapped blanket which he opens and drops over you gently.
Slowly and carefully Ghost gets you up and gets you to drink, then gets you up. Blinking, you look around and take in your surroundings finally. It’s a small garage, the one you’d seen beside the cabin earlier in the day. Once they’re happy you are okay then clean you up and walk you out of the garage, wrapped in the soft blanket.
“Are you sure you’re okay?” Price asks again, for maybe the fifth time, and you smile groggily and nod.
“I’m fine, just a bit shaky,” you tell him again, the pride and bliss burning inside of you is like nothing you’ve ever felt before. “I want to get into the hot tub, can we?”
“Right now you can have anything you want, hen,” Johnny answers without a thought and trots ahead to get the cover off the tub.
“Absolutely, anything,” Price grins, satisfied with your reply now.
It’s crowded in the hot tub with so many large bodies in it, and you get jostled around as each of them tries to be the one beside you. In the end, you find yourself sitting on someone’s lap, thick thighs and strong arms cradling you against a broad chest in the warm, bubbling water. Your head lolls against his shoulder peacefully but after a moment you blink open your eyes tiredly, the pleasant buzzing of the water massaging your aching limbs. 
You look up into Ghost’s unmasked face, and you grin.
“Hi, Ghost,” you say, feeling a little foolish afterwards, but his smile settles your nerves.
“Call me Simon,” he grins back, a scar making it slightly crooked. “You’ve more than earned it now.”
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Thank you for reading! If you want to see more from me in the future please reblog or leave a comment to show your appreciation, I also have Ko-Fi. There is no taglist, you'll need to follow for future posts.
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merchantarthurn · 4 months
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might be planning some wyll-centric fic. plan it out cos it'll make the most sense with a Proper Order but. i Need it
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bibluebutterfly · 6 months
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I’m sorry but it’s absolutely hilarious and yet adorable how the series handles Broppy’s relationship. First we get them traveling together as rivals (which was a bit more one- sided on Branch’s part) before slowing learning how to work together and to change for the other. Also it’s heavily implied Branch has an underline crush on Poppy. Then we get True Colors, and everyone thinks “okay they’re in love now”.
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Some people/audience members are on board, others not so much. BUT THEN it turns out that the “I love you” they say to each other was a PLATONIC love confession. Like “you’re my friend, and I value you.” Which is still sweet, but was unexpected. (Though it does explain why the writers decided to put another platonic love confession scene between Bridget and Poppy. Yeah, I get it now)
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So they just go through the journey as bffs who have feelings for each other but won’t say anything. And again, they learn how to work and grow together as a team and make the necessary changes to benefit the other. And then FINALLY we get the romantic love confession.
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But it doesn’t stop there, oh no. Now we get adventure #3, this time with them as a full on couple. And they are actually really cute. Actually the film doesn’t focus that much on their relationship but we see hints of how they are as a couple.
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Poppy is still all over the place but she’s much less in her own head and far more open to listening and being a good girlfriend.
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Branch on the other hand is still occasionally getting exasperated by her energy but this time also has an appreciation for it. Also he learns to open up to her a little more and she’s there to listen and accept him with open arms. (Bonus points to their flirty dynamic because wow. They were adorable here.)
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And it’s ONLY THEN (7 years after the first film) when they get their first on screen kiss.
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Anyway. In conclusion: Trolls is the slowest slow burn I have ever seen in a Dreamworks trilogy.
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bywons · 2 months
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ꔫ GO AHEAD AND CRY, LITTLE GIRL ( enhypen )
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⌕ where you cry in their arms
pairing. bf!enhypen x f!reader w.c. 1.05k tw/cw. none really genre. fluff sru's note. requested! help i don't think i did a good job with this one ( CATALOGUE?! )
¤ feedbacks and reblogs are always appreciated, PLS REBLOG if u like the fic !
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LEE HEESEUNG can feel his heart breaking at the sight, his one and only love, his pretty girl sobbing into her hands in front of him, the cause still unknown. but he doesn't waste any time and pulls you into his embrace, your soft plump cheeks strained with tears pressed to his broad and snug chest, salty tears dampening his beige sweatshirt but that's the last thing that he cares about right now. he shushes you, one hand wrapped around your waist and the other softly stroking your back, in the utmost hope that you'll eventually stop crying. cause every tear that spills out of those pretty eyes of yours, it hammers lee heeseung's heart. would press soft kisses on top of your head until you calm down, along with his hug around you closing in tighter. when you calm down, he'll wipe away all the tears and make you a comforting hot bowl of ramen <3
PARK JONGSEONG drops whatever task he's doing, no matter how trivial or significant, and
rushes to you the second he hears something as slight as a sniffle from you. and even when he's not close enough to be seen or called for, jay is one call away. has the biggest “and i crumble completely when you cry” energy. literally pulls you into his lap the second he sees the smallest drop of tears on your face. rocks both your bodies back and forth while whispering sweet nothings into your ear, his hand simultaneously working and massaging your scalp. he literally doesn't even stop for a second until your sobs have completely died down, and even then he rocks you both back and forth while whispering about your problems, while you rest in his lap with your hands and cheeks pressed against his warm chest. jay still doesn't return to his aborted work and don't you dare ask him about it, cause you're way more important.
SIM JAEYUN puts on the saddest face with the biggest pout, literally becoming a puppy face. caresses your face and cradles it between his hands, eventually wrapping his arms around your waist. gets so worried when he sees you sobbing, at one point he gets insecure of being a bad boyfriend, always thinks he did something wrong. jake would press soft feathery kisses all over your face and right when you give the smallest upward twitch of lips, he'll literally attack you with tickles! jake just wants to hear you laugh and wants joy to stick to you forever. brings layla to you too <//3 so that all three of you can cuddle together while he just rambles random things to your now sleeping figure.
PARK SUNGHOON takes a bit of time to process the scene in front of him when you break into sobs, don't get him wrong but he's just disheartened at the sight of your tear stricken cheeks and red puffy eyes. if he's still foreign to it, it would take him some time to approach you in your sobbing fit but if not he's quick to act. but eventually picks you up and makes you sit in front of him at the edge of the bed. if you don't want to talk it out then he'll pull you closer until your heads’ on his shoulders, his hands creeping up beneath your shirt to draw random doodles on your back while you calm down in his embrace <3 sunghoon definitely kisses your cheeks a lot, until you're giggling from his kisses, and then and only then is he relieved. makes sure to ask what was wrong after.
KIM SEONWOO almost cries along with you, the soft and choked sounds of your sobs and your salty damp cheeks overwhelms him. immediately wraps you in his embrace, practically burying you in it. with glossy eyes, he tries to shush you up with an accompanied series of kisses to your cheeks, forehead and lips. when you're crying away in his arms, he'll play with your hair, braiding them only to untangle them and braid them again. gives you all the comfort in the world; he even brings your favourite plushies— that he won for you at the arcade— to you and wraps you in the warm, thick duvet. he giggles at the cute scenario in front of him, before tackling you in his arms and bombarding your face with soft kisses. definitely eats mint choco with you later.
YANG JUNGWON being the reserved and calm man(leader too) he is, he would hand you a glass of water immediately when he sees streams of tears flow down your cheeks. doesn't waste a second after that, wiping away your tears from your cheeks and pulling you into his embrace, stroking your back in a soft rhythm which makes your eyes flutter close. the smell of his cologne is mellow, which drives your nerves slowly and calms you down in his embrace. jungwon hugs you tighter and presses occasional kisses to your shoulders and forehead, just to let you know he's still here, all ears to listen to whatever's wrong. lays down with you, his head resting still upon his chest, listening to the soft thumps of his heartbeat through his grey sweatshirt while he asks you what's wrong. his caresses don't stop even for a second while he lays with you, listening to your heart.
NISHIKURA RIKI ‘s heart melts when you break down like that, #2 at the “and I crumble completely when you cry” energy, don't ask me why. but our boys’ not nervous at all! he loves his girlfriend dearly and always has a trick up his sleeve whenever the smallest inconvenience comes across. rushes to you and hugs you so tight that at one point you swore you couldn't breathe. that is when riki thankfully lets you off his grip and pulls you closer, until your back is pressed to his chest. now it's time for nishimura riki to pull his trick out! girlfriend 101: when y/n's crying, show her cute cat videos. your have died down soon enough after riki holds his phone before your eyes, a random cat compilation video playing. he doesn't forget his cuddles though, literally becomes plush to you while you both stream cat videos that whole day.
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yumeka-sxf · 5 months
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In addition to Yor's epiphany scene, this scene was the other one I was most looking forward to in season 2 - a scene that, in my opinion, is one of the most Twiyor-ish scenes in the series so far 💖
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Why is it so significant? Because there was no reason for Twilight to put on any Loid Forger acting in that moment. He wasn't conversing with nor being scrutinized by anyone. So why would he give that soft smile followed by such affectionate, comforting words as "お疲れ様/otsukaresama"? (this can be translated in many ways, but generally it's something you say to thank someone for their hard work).
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The answer is because it's something he truly felt...he understood the sacrifice Yor made for Anya's happiness and genuinely appreciated it (if only he knew the sacrifice she made on the larger scale, lol). While he's a bit perturbed at first since some onlookers were snickering at him, it didn't take long for him to soften and then graciously carry his queen and princess the girls back to the ship 😭
But Twilight overall was really soft in this episode and I loved it~ From his blush upon seeing Yor to the several times he gave that same soft smile when talking with/looking at her...I think Anya was right when she called him out on the ship about missing his wife 😅
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I liked how the anime conveyed his shock when noticing her bruised face...what must have been his thought at that moment? 👀
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The scenes of the family activities translated better in animated form in my opinion. While they were each only a single panel in the manga, they lasted a few seconds each in the anime, plus the addition of the insert song helped the with the comfy, wholesome vibe~ Also the part where Yor inadvertently chucks Anya across the ocean is still hilarious.
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Loid's dorky skip at the beginning of the episode translated very well in animated form too 😅
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The ending of this chapter in the manga always felt a bit rushed to me...it quickly jumps from the aforementioned scene of them returning to the ship, to suddenly being home, reuniting with Bond and Franky, having a meal together, then Twilight meeting Sylvia, all within a few panels. Even though I wish the anime added more than just some additional scenes of the ship leaving the island, I felt it flowed much better in the anime since, just like the family activities, each scene in the ending lasted a second or two instead of being a single illustration.
But I love how this chapter/episode ends, with Yor, Anya, and Bond napping while Anya draws about her family vacation. This seems to take place the next day or maybe later the same day they got home, so makes sense they'd still be tired from the trip!
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By the way, the manga has this additional scene showing that Olka and company are safe. Weird that the anime didn't stick it in at some point.
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Also, the anime team didn't have to go so hard with this episode's key visual but they did...and I love it 😍 Might actually be my favorite of the key visuals so far!
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I was very happy to see the "surrounded by liars" panel finally animated! This is such a funny scene and a great way to fully wrap up the cruise arc.
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I also burst out laughing at Yuri's locker 🤣
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Damian is surprisingly laid back in this episode. I think the reason is because Anya's antics aren't directly involving him. He tends to go total tsundere only when she's actually talking to him, lol.
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The new scene of Yor getting the keychains for her coworkers was a nice addition! Guess it's canon that Yor and Anya didn't sleep for the entire trip back, lol. Glad they got to spend family time on the ship too! (though I wish we could have seen Yor's reaction waking up in Loid's bottom bunk bed, haha. He must have brought her to his room since he wouldn't know where her room is. Unless she woke up before he even put her in a bed, in which case she would have been super embarrassed knowing he was carrying her around in public 😆)
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Looks like next week the anime will be changing the order of things a bit and giving us the Becky home-wrecking and Fiona chapters (the latter of which seems to have some anime original content?) The Becky chapter is one of my favorite stand-alone chapters...I'm already dying of laugher thinking about it 😂
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little-mari-on-a-roof · 7 months
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Along with finally airing the season 5 finale, Tfou released a version of the two last episodes commented by the writing team!! So, as I already did with the commented version of Evolution, here's an overview of what they said!! It’s quite long given that it was two episodes and they talked a lot so I will put the parts I think are the most interesting in bold!! Obligatory disclaimer, this is my own interpretation and translation so take everything with a grain of salt!
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At the beginning, the writers recall that the first episode of the season 5 finale, Conformation, starts with Adrien and Kagami supposedly arriving in London "like rock stars". However, it is actually just an illusion made from the scanned version of them and the two teens are actually being sequestered in London. At this moment, Thomas says "talk about good parenting" in English, which I think is very funny. The team explains that they were first put in regular apartments in the previous episode but are now in rooms without windows after both of them escaped. This is also done to protect them from what will happen, as Gabriel is about to put his plan of akumatising the entire world into action.
The writers say that Gabriel had been imagining his plan ever since Animaestro when he was seen signing contracts with Tsurugi, and has been putting it in place since the second episode of season 5 (Multiplication). They say that he also tested the first part of his plan, to put nightmares in everyone's heads, in a previous episode.
The rest is under the cut!
Talking about previous episodes, they then say that as was the case with the Risk - Strike back - Evolution - Multiplication - Destruction series of episodes (aka the longest day ever), the 5 last episodes of season 5 (Collusion - Revolution - Representation - Conformation - Recreation) go together and there is a direct continuation between them. (However, one of their rules as Miraculous writers is that these episodes can also be watched and understood independently.) Therefore, season 5 both starts and ends with a series of 5 episodes (quintologies as they call them).
They note that Marinette's nightmare at the beginning is reminiscent of the episode Weredad from season 3. At this point, we can see that Marinette starts to understand who the villain is although she's not fully conscious of it yet. Thomas says that you can read it in two different ways: if you don't take the previous episode into account, she's starting to intuitively link things together but if you did see Representation, you know that she knows who Monarch really is. (They say that to highlight the fact that even though this is the 4th episode of a quintology, all episodes can be understood on their own as mentioned before.)
They then talk more about Gabriel's plan. He gives everyone nightmares on the same day and we can see the different characters suffering because of that (for example, Marinette's mom who thinks Tom is overprotective). He will then offer a solution which a sort of relaxation application directly inspired by the different yoga apps people have on their phones nowadays. This app helps them relax, but also makes people addicted since their nightmares come back as soon as they don't use it anymore. They joke about the relevance of this in today's world with people being "addicted" to their phones or people in positions of power spreading poisons and then monetising the antidote, or the corruption of capitalism selling things we don't need or causing mental illnesses to make people addicted. They ironise that nooo they couldn't possibly be referring to all of that, not in a children's show!!
During the scene that leads to Adrien wearing the Alliance ring after being reticent to it, they say that they had a conflit when writing it as they had to find a way for Adrien to not become his superhero self, cataclysm the walls and go help his lady in Paris. The end result is that Adrien is reminded of the devastating effect of his power by the nightmare and would therefore do anything to avoid hurting people, and so he wears the ring. Mélanie says that he "could become Chat Blanc" and the others add that even though he does not remember and has never lived it, Chat Blanc still has an influence on his actions.
Thomas mentions that Plagg (who he calls "Plaggo" and "Plagounet", which are sort of funny and affectionate nicknames) doesn't show up on cameras, and Sébastien jokes that there could be kwamis around them as they're talking but we just can't see them. Speaking of Plagg, Sébastien jokingly calls Fred the "queen of cheese" as she's the one writing the cheese puns and mentions that there are way more cheese jokes in season 5 than there were before, which makes him think that she is getting retributed by cheese industries in exchange for writing them. Fred then replies that she's getting paid directly in cheese.
The writers say that while the episodes are often narratively dense with science fiction elements, Plagg allows them to add humour in the scene and keep a lighter atmosphere for small children (you know, when he shows his butt to the camera while Adrien is having an existential crisis).
Anyway moving on lol, the writers then say that they had actually planned since 2014/2015 that Chat Noir would not be there to defeat Hawkmoth as they wanted a very particular power fusion to happen (aka Marinette wielding both the ladybug and black cat miraculous and becoming Bug Noire).
Fred then talks about how ever since the start of the series, they have incorporated the symbolism of fairy tales with the sleeping princess and the knight coming to save her. However, they're switching the genders in Miraculous as Adrien is the princess and Marinette the knight (while Gabriel is the evil dragon). They add that they already explained this in a previous episode (in season 4) but they're showing it again now in Marinette's nightmare.
In the scene where we can see that Tikki ate all the croissants, they joke that she did well given everything that is going to happen afterwards. They also jokingly tell the kids watching that they shouldn't do like Marinette and hide in trash cans but eating bananas and croissants is ok (trust me it's funny when they say it). They add that if Fred is the cheese queen, Mélanie is like Tikki because she loves cakes and anything sweet.
We then see Nathalie's nightmare in which Gabriel successfully makes his wish, and therefore manages to accomplish his evil plan which Nathalie knows about. We can see that she's looking very bad and the writers again jokingly give recommendations to the children watching, here to not use a damaged peacock miraculous.
They then talk more about Natalie's past, in which she was a treasure hunter. They say that someone should let them show the fabulous story of Nathalie, Gabriel, Émilie, Audrey and André when they were younger. Indeed, they already wrote what happened in their youth as it is the origin story without which they couldn't have written Miraculous. When Natalie looks at the picture of her in her "Lara Croft outfit", as they call it, from when they were chasing the miraculous and found the peacock and butterfly ones, they jokingly ask what they were chasing and why and say that you have to watch the rest of season 5 to know (basically, they're strongly hinting at sentiadrien).
They say that Gabriel/Hawkmoth and Tsurugi have been allies for a very long time, but it has only been revealed rather recently in the show and we can see it now in a scene where they're plotting together and rising the tension.
In the following scene, we can see all the kids ready for the "miraculisation", except Mylène who is not wearing a ring because while she is not fully anti technology, she is more wary of it and vigilant of its excesses. They then focus on Ivan, who would also like to resist like her but for whom it is too hard. They add that he has "things stressing him out" but that we will only learn about them in later seasons 👀👀.
They take a moment to appreciate the "exceptional" direction and lighting done by Wilfried in the scene where Nathalie threatens Gabriel with a crossbow. Thomas also makes a reference to Citizen Kane but I've never watched it so idk what he meant by that sorry I'm uncultured haha. The writing team says that while they are the ones writing the scenes, they need a director to make the scenes look like what they imagined, and that it's not always easy.
In the next scene, we can see Ladybug looking around in Nathalie's room to find hints about where Adrien could be and finding her tablet with all the information about the miraculous, which makes Marinette realise that Nathalie was Monarch's accomplice right before they enter in the room. They joke about how OMG THEY NEVER COULD'VE GUESSED that Adrien's father was actually Monarch the whole time. We can see Ladybug recording a message for Chat Noir where she reveals his identity, but she never ends up actually sending it.
They talk about how this scene is a huge climax as it is rare to see Ladybug in the Agreste mansion. It had already happened in season 1 during the episode Simon Says where they already played on the dramatic irony of Hawkmoth being Gabriel (which people did not know at the time). This is the second time that Ladybug is in the mansion, while Marinette has been there before a few times (including the iconic pancake moment). While they talk about Simon Says, Fred looks really smug saying that they had planned everything since the beginning.
They say that the scene during which Nathalie gives Ladybug her phone with the pictures and videos of Émilie explaining all of Miraculous's backstory is beautiful, and that if we as viewers had this phone, we would know everything about it (👀👀👀). In addition, they mention that since this is the final episode of the arc, a lot of things happen to get all the final outcomes of the different relationship between characters.
When Gabriel shows the video of Ladybug and Chat Noir kidnapping Adrien and Kagami on everyone's Alliances, the writers explain that people are so disoriented and stressed that they'll believe anything we tell them. They are therefore receptive to any controversy presented to them, just like how people nowadays will engage in numerous sterile debates on social media.
We can then see Monarch using things he obtained in previous episodes: the cataclysm dust from his deteriorating hand and the magical charm Ladybug gave him. We can see that Gabriel had been planning everything from a very long time but that because of the cataclysm he suffered from, he has no choice but to carry it out now. Coincidentally, it is this very cataclysm that allows his to have Chat Noir's quantic signature and put his plan into action. They jokingly compare what he is doing to making a dog sniff a sock, but in a cyberquantic version.
The quantic signature allows the miraculised people to find Ladybug and Chat Noir, and the team says that when they were writing the scene where they detect Ladybug in Gabriel's mansion, they were all going omg omg omg trying to figure out how they were going to get away with it. They say that while Ladybug is trapped in the villain's lair, the writers trapped themselves with the story.
They once again give a shout out to Wilfried's direction when we can see Ladybug getting attacked from all sides by the miraculised people, notably because of the camera motions. They also acknowledge SAMG's amazing animation especially in the scenes including a lot of characters.
My unculturedness shows again when they say that Marinette hiding in a cupboard under the sink is a reference to Jurassic Park. The reference I do get however is when they say that Plagg not being able to shift through the door with his ring was the plot of Mr Pigeon 72.
The action then reaches a maximum as Monarch knows that Ladybug is hiding somewhere in his house, detransformed. We now get to THE moment they had been waiting for since the beginning: when Monarch discovers that Marinette is Ladybug and she transforms into the fabulous BUG NOIRE!!! They keep talking about how cool she is and that they left the best for last: the final fight with Monarch does not happen with Ladybug, nor with Chat Noir, nor with Chat Noir and Ladybug but with BUG NOIRE!!!!!
Fred says the season has a particular taste of closure, even though there is still a next part, and warns to hold on because the latter will hurt a lot 🥲🥲.
🐞🐞🐞
Now, onto the the second episode, Re-creation !! (Yeah the first 2k words before that were on Conformation alone. I am bad at summarising. 😭)
At the beginning of the episode, when we can see Lila laughing when she sees Alec having an akuma induced nightmare on TV, the writers say that it is because she has known who Monarch is for multiple episodes now. They mention that it is because she read something on people’s lips in Evolution (episode 501) which allowed her to discover things. She also stole a case from Tsurugi so she knows who Gabriel really is.
Then, they focus on the fight we "had all been waiting for", and Mélanie mentions that her favourite lucky charm is the piano crashing on Monarch. They say that while they have spent multiple hours finding intelligent and sophisticated lucky charms for years, this one is just simple and exhilarating.
They then talk about how the resistance is fighting against the miraculised people, and how this happens all over the world (in China, Rio, New York) and includes a LOT of different characters. This explains why it takes a long time to deliver the episodes and they joke about how they’re blowing up their budget. However, despite all the superheroes fighting all over the world, it is still not enough.
Indeed, the outcome doesn’t play out in the giant arena outside, but in the KITCHEN. They joke about how they waited long enough to finally get it and that the resolve should therefore happen there, and even nickname the episode a « kitchen-two-room episode » (the joke makes more sense in french since we define homes according to their number of rooms, not just bedrooms).
They say that in the fight between Bug Noire and Monarch, both are so evolved in mastering their powers that neither of them have limits (Monarch can use as many powers as he wants at once thanks to his rings, and Bug Noire can use as many lucky charms and cataclysms as she wants). They lovingly say that our little Marinette from season one has grown a lot 🥺. She’s now super badass (they kept talking about how cool she was) and has learned so much.
They add that the scene where Bug Noire uses her handcuffs lucky charm is a reference to Kung Fu movies where characters fight while being chained to each other (once again, I’ve watched like zero movies so I’m gonna trust them on that lol). They once again mention the amazing direction and get very excited when Bug Noire slams Monarch through the wall.
During the fight scenes outside, they joke that Doorman (the USAmerican superhero whose power is to open doors) and Fang (a literal crocodile who knows Kung Fu) were essential in saving Paris. However, despite all the people fighting outside, the miraculised people remain too many and there is only one person who can save everyone from Monarch’s perfect plan.
Back in the Agreste mansion, Bug Noire is losing and her only escape is to cataclysm the floor which makes them land in the crypt (which was right under the mansion all along !!!). She then sees Emilie’s body and understand why Gabriel is doing all of this. When talking about his motive, the writers joke that if he succeeded, it would be hard to explain to Adrien why his mom, who has been dead for a year, is suddenly back and that while it would be unjust for Gabriel to trade her life for someone else’s, he doesn’t care and would just make Ladybug go away.
The team explains that in the following scenes, there is an alternance between the outside (in Paris) and inside (in the crypt) fights, with the dialogue happening inside continuing while we see what is happening outside on screen. They don’t do that often, which gives this scene all the more impact during the finale. They talk about how this kind of thing is a trademark of Miraculous: the episodes are quite dense despite their short length, thanks to the fact that the story continues when the action is taking place and the emotion continues to be conveyed. They oppose it to classical action movies where some scenes are dedicated to dialogue/story while fight scenes are just about fighting.
The writers say that from the moment Bug Noire gets her glue tube lucky charm, they are already working on the plot of season 6: when she manages to steal the butterfly miraculous from Monarch, she does not actually retrieve it because of how far away she is and it falls in the water below (cf Lila retrieving it which will be relevant in season 6).
At this moment, Gabriel loses and the resolution of the battle is not what we could’ve expected: we don’t have Ladybug winning by thrashing him, but she instead simply talks to him and even detransforms in front of him. It is not Ladybug who defeats Monarch but Marinette. This echoes to a message they have been trying to convey since the beginning : that in the end, it is not violence or strength that wins, but people talking to each other and opening up about their feelings. It is when people are not subject to their emotions, but instead try to understand them to think better and take the right decisions. And this is what Marinette is hoping for here by showing Gabriel the video of Émilie saying that she never wanted him to become evil, and instead just hoped for him to take care of Adrien (which he didn’t do lol).
In the end, Marinette and Gabriel’s main goals are the same : making Adrien happy. She takes a huge risk and detransforms to see how much he loves Adrien, or on the contrary how much he would rather bring his wife back. This is the only moment where we see Gabriel being truly emotional and understand why he has been doing all of that. Fred adds that he is a character who thinks love goes beyond good and evil, and oversteps every boundary, including moral ones. Therefore, Marinette is trying to solve a crisis of feelings by using feelings.
Back to the episode, we can see Marinette taking the biggest risk in her life and extending her hand to her nemesis, even the kwamis tell her that she’s insane. The writers joke that well, they were right, as Gabriel steals both miraculous and it does not end well (or at least not for now). Gabriel has now won as he can do what he has been wanting since the very beginning.
The team mentions that the next scene is one of the biggest reveals of the show, as we can finally see how the wish happens. We discover that the kwamis are not actually little plushies but take this appearance to avoid scaring their wielders, and the writers actually hinted to that in Dearest Family when Tikki ate all the galette des rois. One member of the team jokes that when the kwamis reveal themselves, they become a Swedish hit from the 70s : Gimmi (as a reference to Gimme ! Gimme ! Gimme ! by ABBA of course).
Moving on from the dad jokes, when Gabriel removes all of his miraculous rings, Marinette is released from the bee sting and can now witness her defeat. But the fact that Gabriel laid down his weapons shows that she has actually won, even though it is only shown and not said.
However, they say that there is still some doubt : we do not actually know what he wishes for as his words are cryptic and we only see the outcome of his wish. They do say that Émilie will not be brought back to life as Gabriel has finally mourned her death, which Adrien has already done for a long time. But Gabriel cannot live without her and decides to die with her.
In order to accomplish the wish, they explain that the world has to be destroyed and then re-created, which leads us to the aftermath of the wish a few weeks later and the pool party where everything seems to be going well. Then comes probably the most enigmatic shot of the episode with Nathalie and Amélie/Émilie. The writers say that they’re not telling us who it is but I think we can guess pretty easily based on what they said right before 😭😭. They also add that with Nathalie next to her we can guess what Gabriel’s wish was, but that it is "not what we think" and that there is a trick.
They say that with the final wish, they have arrived at the end of what they wanted to tell in this arc, which is a revolution of the minds. They said that each played their role, including the villain because he gave up on his power with which he could do anything to make his son happy. They add that the new world we are seeing shows the premise of season 6, which will have a "different taste" and in which they will talk about different things.
They say that at the end, some lies remain as Gabriel is presented as a hero. They say that Marinette gave Adrien the twin rings, in what frankly looks like a wedding proposal lol. Then they go insane because it’s time for LE BISOUUUU, and a real lovey kiss that they remember for once, not like in Oblivio, and not a desperate kiss like when Adrien left for London. However, even with all this cute romantic stuff, we can see some ominous butterflies flying around them…
In the next scene, we can see Marinette taking the miraculous that have been standardised and industrialised by Gabriel and putting them back in shape. The writers specify that this is a parabole about craftsmanship vs industrial production. The miraculous will now be adapted to every person, but we can’t see what they look like just yet! In this new world, the powers are all shared, among people who they trust and know will work for the common good. They joke that the "Avengers" shot at the end with all the heroes is something they’d been dreaming of.
In the last scene with Lila, they joke that it’s never really finished because there’s a bunch of epilogues one after the other. Thomas add that the school described at the end is how he thinks all schools should work!
And we’ve finally reached the end!! They don’t reveal anything in the scene where a weird flash appears in Lila’s room to keep the suspense, and just all scream going OMG WHAT’S HAPPENING!!!
🐞🐞🐞
I hope this was helpful to learn more about the writing team and some stories behind the episodes!! Don't hesitate to add stuff if you think I forgot something or ask questions if I wasn't completely clear :)).
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longing-for-rain · 1 month
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Katara and Mutuality in Relationships
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There are lots of conflicting opinions about which characters Katara felt attraction towards, which characters she didn’t, and how long she felt that attraction. I see in most cases, people point to quick clips of her faintly blushing or kissing another character on the cheek as evidence, but I think these kind of takes miss the nuance of the purpose attraction serves in a story.
Most importantly, I see these characters treated as if they are actually people capable of making their own decisions. It’s important to remember that these are fictional characters. They don’t make their own choices; the writers make their choices for them for the purpose of telling a story. From that standpoint, it’s more valuable to examine how a character’s story and narrative themes tie into their relationships with other characters. Animators can shove in a kiss or a blush wherever they want, but it’s harder to demonstrate through storytelling how and why two characters might feel attraction towards one another, and how a relationship between them would develop both characters and contribute to the overarching themes of the story.
In other words, when discussing which characters Katara is “attracted” to, I’m discussing which relationships and actions within the narrative build on her established story and arc. Romance is always integrated into a story for a reason, and considering that reason is important.
Unfortunately, ATLA is very much a product of its time in this way. It’s easy to see what romance adds to the arcs of the male characters—but not so much with the female characters. All three canon relationships (kataang, sukka, and maiko) follow this trend to some degree. The primary purpose of the woman in this narrative is to act as a prize for the man for performing some good deed. Once they’re together, she ceases having her own motivations and becomes an extension of the male character she’s dating. This is pretty blatant with Suki—she barely had a personality in that later seasons; she is there to be Sokka’s girlfriend. Similarly, Katara becomes a completely different character—she’s even animated differently—when the narrative pushes her into romantic scenes with Aang. Her character is flattened.
So what is Katara’s arc, and how do the romantic interactions she has throughout the series contribute to this?
Well, that could be a whole other essay itself, but to put it simply, Katara’s arc is one of a young girl devastated by grief at a young age clinging to hope that she has the power to fight and change the world for the better. Which she does as she gains power and confidence throughout the series—culminating in her defeating Azula in the finale.
But the part I want to focus on here is how Katara connects with other characters. She connects with them over shared experiences of grief and loss.
Take Haru, for instance.
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Haru: After the attack, they rounded up my father and every other earthbender, and took them away. We haven't seen them since.
Katara: So that's why you hide your earthbending.
Haru: Yeah. Problem is…the only way I can feel close to my father now is when I practice my bending. He taught me everything I know.
Katara: See this necklace? My mother gave it to me.
Haru: It’s beautiful.
Katara: I lost my mother in a Fire Nation raid. This necklace is all I have left of her.
Haru: It’s not enough, is it?
Katara: No.
This isn’t just a throwaway moment; it’s an important character moment that leads up to growth and the progression of Katara’s overall story, both in this individual episode and in the whole series.
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Katara finds her power in the connections she’s able to make with other characters. It’s a powerful driving force for her that makes her a strong character even before her bending abilities develop. Imprisoned was such an important episode to establish who Katara is and what her power is, and adds so much to her arc.
But there is one line in particular from the above exchange that also stands out: Haru says “it’s not enough, is it?” and Katara agrees. Even this early in the series, we’re establishing the fact that despite her drive and hopeful outlook, Katara feels deeply hurt, she feels a deep sense of loss that she opens up about to other characters in moments like these. But unlike Haru…Katara can’t go rescue her mother. Her mother is dead, and we see her grapple with that grief throughout the series.
Another character she reaches out to like this is Jet.
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Jet: Longshot over there? His town got burned down by the Fire Nation. And we found The Duke trying to steal our food. I don't think he ever really had a home.
Katara: What about you?
Jet: The Fire Nation killed my parents. I was only eight years old. That day changed me forever.
Katara: Sokka and I lost our mother to the Fire Nation.
Jet: I’m so sorry, Katara.
Another important note about Jet is that there are explicit romantic feelings from Katara in this episode. Again, Katara empathizes with another character through a shared sense of loss. Sadly, in this case, Jet manipulated her feelings and tricked her into helping in his plot to flood the village…but those feelings were undeniably there.
That was the tragedy in this episode, but it also gives the audience so much information about Katara as a character: what motivates her, and what she wants. Katara is established as a character who wants someone who will connect with her and empathize with her over her loss—her greatest sense of trauma. She wants to help others but also receive support in return. The reason why she was smitten with Jet, beyond just initial attraction, is because he gave her a sense of that before Katara realized his true motivations.
A lot of people make the claim that Aang is good for Katara because he also feels a sense of great loss and trauma. And while on paper that’s true…does he really demonstrate that? I just gave two examples of characters Katara connected with this way, and both responded with deep empathy to what she said. Very early on in the show—the third episode—Katara attempts to connect with Aang the same way. How does he respond?
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Katara: Aang, before we get to the temple, I want to talk to you about the airbenders.
Aang: What about 'em?
Katara: Well, I just want you to be prepared for what you might see. The Fire Nation is ruthless. They killed my mother, and they could have done the same to your people.
Aang: Just because no one has seen an airbender, doesn't mean the Fire Nation killed them all. They probably escaped!
Just compare this exchange to Haru and Jet. No effort to empathize, not even a “sorry for your loss” or anything. It’s a stark contrast, and the reason for that is because this narrative entirely centers Aang. Katara’s narrative always seems to be secondary to his when they’re together—which is exactly my point when I say this relationship has a fundamental lack of mutuality. It’s built that way from the beginning of the series. It does not add to Katara’s arc nor establish what about this dynamic would attract her.
And, look, before someone jumps down my throat about this…I’m not saying Aang is a horrible person for this response. I think it’s a sign that he’s immature and has a fundamentally different approach to problems than Katara. Katara is a character who has been forced to take on responsibilities beyond her years due to being a child of a war-torn world. Aang’s approach to problems is avoidance while Katara never had that luxury. It doesn’t mesh well.
This is all in Book 1. I honestly could have gotten on board with Kataang if the series meaningfully addressed these issues…but it didn’t. In fact, they actually got worse in some ways.
Back to Katara’s mother. We’ve established that this is a core part of Katara’s character and like in the scene with Haru, she indicates that this is an unresolved issue that pains her. But then, in Book 3, Katara actually does get a chance to confront this pain.
This would have been a powerful moment. Surely the character who is meant to be her partner, her equal, would have been there for her. Surely he would have understood and supported her, fulfilling her narrative and adding to her story.
But Aang didn’t do that. I won’t go into details because there are a million analyses out there on The Southern Raiders, but Aang’s response to Katara was the opposite of understanding. He got angry with her, insinuated that she was a monster for wanting revenge, and tried to dictate her behavior according to his own moral values. And importantly, from a narrative standpoint, he did not go with Katara. One of the most important events in her arc, and Aang didn’t support her—he actually tried stopping her. He didn’t contribute to her growth and development.
Also noteworthy:
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Katara: But I didn’t forgive him. I’ll never forgive him.
Even at the end of the episode, Aang clearly doesn’t understand at all what Katara is feeling. This line demonstrates it perfectly. He thinks she forgave him when that wasn’t the case at all…but of course, he didn’t even accompany her, so he didn’t see what actually took place. His worldview is fundamentally different from hers, and he’s consistently too rigid in his morality and immature to center Katara’s feelings.
Throughout Katara’s whole arc, her most significant character moments, Aang’s character just doesn’t come through the way Katara’s constantly does for him. Their narrative lacks mutuality. When Katara and Aang are together, she becomes an accessory to him. The ending scene is a perfect demonstration of this.
Now, to address the elephant in the room.
Which character does actually add to Katara’s narrative and support her growth as a character?
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Correct! I just talked about how important The Southern Raiders is to Katara’s character and story, how it’s a chance for her to finally address the grief she’s been carrying since Book 1. And who stood by her side throughout this pivotal moment? Right—Zuko did.
You can talk all you want about how he’s a “colonizer” while Aang’s people suffered genocide, but you’re forgetting that “show, don’t tell” is one of the most basic aspects of storytelling. The fact is, despite how it looks on paper, Zuko was the one there for Katara at her critical moments. Zuko empathized with Katara more than Aang ever did—as demonstrated in this episode. Zuko never once brought up his own cultural values. Zuko never once told Katara what to do. Zuko’s position was that Katara should be the one to decide, and that he would support any choice she made. He supported her decision to spare Yon Rha, but he would have also supported her if she decided to kill him. I actually found this episode to be a satisfying reversal to what is typically seen in TV—for once, the female character is centered while her male counterpart takes the backseat and becomes a supporting role to her narrative.
Even before this, Zuko is shown to empathize with Katara.
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Zuko: I’m sorry. That’s something we have in common.
I think what gets me about this scene is the fact that he’s still Katara’s enemy, and she was just yelling about how she hates him and his people. But despite that, Zuko still empathizes with Katara. She is fundamentally human to him, and he expresses that to her in a way that allows them to connect. Zuko stands to gain nothing from this. It’s true that Azula entered the picture and twisted things around—but in this moment, Zuko’s compassion is genuine. His instinct was to respond to her grief with empathy, just like she consistently does for other characters.
And finally, how else does Zuko add to Katara’s arc?
I don’t think there is any more perfect of an example than the finale itself—the culmination of the arcs and development of all characters.
Zuko and Katara fight together. In a heartbeat, Zuko asks Katara to fight by his side against Azula, because he trusts her strength. She’s his equal—both in his mind, and in a narrative sense.
Then, this:
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Both of their roles are so critical in this fight. They both save each other. The scene has such raw emotion to it. These characters were together at the conclusion of their respective arcs for a reason.
This is the perfect conclusion to Katara’s arc. She just played a critical role in ending the war that has caused her trauma her whole life. She just demonstrated her mastery of waterbending (another thing she’s dreamed of throughout the series) by defeating the world’s most powerful firebender during Sozin’s Comet. Even though she had help as all characters do, these are victories that belong to her and demonstrate the growth and power of her character. And to top it all off? She was able to save Zuko’s life. She didn’t have to endure the pain of feeling helpless to do anything while someone else died for her; this time, she had an active role, she changed her fate, and she prevailed. Zuko plays an important role in Katara’s story without dominating it. They perfectly represent mutuality. They add to each other’s stories. Their narratives become stronger when they’re together, without one diminishing or sidelining the other.
So, from that standpoint, that’s why I always see the attraction between Zuko and Katara and why I see it lacking between Aang and Katara. Zuko and Katara’s story doesn’t need some cheap little throwaway moments to shine. It’s integral to both characters’ stories. We are shown not told of the way these characters feel about each other. Given everything we know about Katara, her goals, her values, her past loves…absolutely everything points to Zuko being the true subject of her feelings.
Because let’s be honest. The ending I just described is so much more powerful and so much more Katara than seeing her being relegated back to a doe-eyed love interest for Aang to kiss. It hardly even made sense—Katara played no role at all at the culmination of Aang’s arc. She was relegated back to a love interest, rather than the powerful figure we saw fight alongside Zuko.
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blluespirit · 3 months
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Overall NATLA Thoughts
Okay, now that I've watched the series, I can give my thoughts.
Overall, I thought it was good!!! I had fun watching it! I'd rate it a solid 6.5/10. It's nowhere as good as the original, but it was definitely enjoyable and made some nice changes here and there that I liked. There were also some things I was also Not a fan of too.
I said in another post that it's best to treat this like an AU of the original. There will things that are great and things that are bad. That's the nature of adapting something.
Having said that, I need to get my initial thoughts off my chest... here we go.
Things I thought were good:
Sokka's characterisation - I really enjoyed him! I thought Ian did a good job! He played the funny moments well and retained the underlying seriousness/cautiousness. It wasn't perfect, but I enjoyed the changes a lot and think it was overall a solid performance.
Zuko's characterisation - Like Sokka, I do think I was most satisfied with their performances. A lot of Zuko's moments from the cartoon are sometimes... well, cartoonish and definitely wouldn't translate to live action, but I think Dallas did a nice job at balancing Zuko's desperate anger and that occasional sassiness well.
Zuko and Iroh moments were great. Had me on the floor crying. As it should have.
The bending looks a trillion times better than the movie - I understand it would not have been easy for the actors but, overall, I was very happy about it.
The scenery was stunning. It just looked so beautiful. I loved it so much.
Absolutely ADORE that they made Zuko a good calligrapher and artist. I read a fic about a million years ago where Zuko is a fantastic calligrapher and I thought it was perfect and made so much sense, and now I can say it's canon. This is perfect for me.
S U K I
The Freedom Fighters were ✨ perfect
They were so real for making Oma and Shu lesbians
Koh, Wan Shi Tong and Hei Bai looked fantastic, but I have more to say about all of them below, unfortunately.
I actually like the change they made that Katara is Aang's sole waterbending teacher.
Aang is not perfect, and needed more goofy scenes HOWEVER, I did like how they've had Aang's guilt more prominent in the story. The original didn't do a very good job with that, imo.
Zuko entering is breaking and entering era by breaking into an impenetrable Earth Kingdom prison is just perfect.
In Masks, I like how Aang and Zuko got a longer conversation - that was pretty cute.
I liked how they changed Yue a bit and got her out of the arranged marriage... how Yue saw Sokka in the Spirit World before meeting him in the real world.
Things I didn't like:
Far too much info-dumping/exposition. So much spelling things out. It was not as egregious as the movie, and I get there's a lot of information that needs to be conveyed well and quickly... but sometimes it really took me out of the show.
Why are Mai and Ty Lee here.... I was hoping the live action would give them a bit more depth (and they might as it goes forward!), but why put them in season 1 at all if they're just going to stand around???
Some odd changes - putting this as one point, but there are some bizarre changes that didn't make sense to me, as they did not benefit the story or deepen the characters. I have two main examples: a) making it so Aang didn't run away from home, and b) making it so Zuko actually fights Ozai in the Agni Kai.
Characterisation of Katara was Not Great. I don't think I got many hints of the reckless, compassionate, badass Katara until the end when she fights Pakku and rallies all the women together to fight (which happens off-screen). She was sweet and kind, but she just lacked the fire that OG Katara has.
Azula's characterisation - Azula is desperate to impress Ozai and so her character is just…. brewing with anger, frustration, desperation. I was SO excited to see the Azula we are introduced too… perpetually and irritatingly calm, calculating and ruthless. She's perfect, she's terrifying! She's literally the character of all time. But this Azula had more Zuko vibes? I don't think there's anything wrong with giving Azula more concrete motivation by wanting to impress Ozai and establishing that Ozai is abusive to both his kids, but I do think trying to do that right off the bat is a mistake.
WHY is Wan Shi Tong here. I love Wan Shi Tong, but like I said: Why Is He Here? Why could we not have his iconic, ominous as fuck introduction from The Library, and instead he's introduced in a random season 1 episode giving Aang Information(tm) about the Spirit World.
When Aang gave Koh the statue, and then he just takes it and immediately lets all the villages go, and neither of them even say anything, I actually laughed out loud. Like, I am so sorry, but what in the jesus fuck was that.
Speaking of Koh - I think Koh is better the less we know about him. Roku saying ~all Koh wants is a family like the rest of us~ just pissed me off?? I like my Koh the Face Stealer Terrifying and Unknowable, thank you.
NOTHING EVER REALLY HAPPENS WITH HEI BAI!!?? where's my precious spirit bear?? Like Aang never really does anything with him and the replacement Koh story is boring and it sucks.
Bumi.... sorry I just didn't vibe with him at all.
Things I can't decide on:
Fancy spirit knife to kill the moon spirit annoyed me a bit, but I guess they wanted to Kuruk something to work with and a little bit more interaction with Aang which I get but idk. I really flip/flop on this one.
I've been very on the fence about having Azula (and Ozai) being in the show in season 1 in general. I'm not sure if it benefited either of their characters.
Azula & Ozai's dynamic - Okay, so, I think they're trying to give Azula more depth, right? They're trying to establish what it was like for Azula to live with Ozai and that she's also (like Zuko) trying to desperately prove herself to him, but Ozai using Zuko's... achievements to do that just felt so weird. I get he's doing it to manipulate her, but that just felt so wrong when in canon it's very obvious that Ozai just didn't give a single fuck about Zuko. Ozai pits Azula against Zuko by saying he's a failure, he's a bad bender etc. Azula is born lucky, Zuko is lucky to be born - like, Ozai says that to Zuko's face. I don't know if I am communicating this point very well, but it just didn't seem right to me??
Zuko vs Zhao in the Siege of the North... I genuinely do not know how to feel about it! I didn't love it, I didn't hate it. I don't know how to feel about Zhao telling Zuko that his mission is a sham and that Azula is the prized one... It feels like it's saying the quiet part out loud? In the OG we all know that Ozai sending Zuko on that mission was an excuse to get rid of him, but we can work that out, no one actually says it. And then Iroh just fucking killing him/mortally wounding him instead of the Iconic scene where Zuko reaches out to save him despite everything Zhao has done to him, but Zhao's own pride gets in the way from letting him accept help from Zuko.
Zuko’s crew being the 41st is not necessarily a bad thing at all!!! But I do just want to say that in the original, the attack goes ahead, and presumably, those soldiers die. It’s horrible. Zuko’s sacrifice is in vain, and it was always going to be in vain because the Fire Nation as it stands would not allow Zuko's compassion to win. Ozai would not allow it. While not necessarily a bad choice (all the soldiers bowing to Zuko on the boat was so sweet I loved it!) but I think it does take away some of the horror of Zuko’s story (same as it does with making Zuko fight back in my opinion) because the whole point is that Zuko did the right thing - and he was punished for it, and those soldiers died anyway.
anyway...
Okay!! got that off my chest. I know I just had a big whine here, but I still had a lot of fun watching this show. I think some of the backlash is a bit over the top and unwarranted. It was never going to stand up to the original - and that's okay.
Enjoy it for what it is!
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lincolndjarin · 10 months
Text
Best Kept Secret ☆
A MANDALORIAN SERIES MASTERLIST
[ COMPLETED ]
✩ a bodyguard!din x princess!reader fic ✩
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series summary :
Married off to a prince on a planet that you hate? New husband doesn't know you, and doesn't want to know you? New husband gifts you a personal Mandalorian body guard as a wedding present? Mandalorian is a wiseass who won't leave you alone? Lucky you.
18+ mdni
do you like kitschy, campy romance novels? if you're reading this, I hope so.
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behind the scenes & chapter notes + other extras (spoilers) :
chapters 1-5
chapter 6-15
spotify playlists
Lysa & Elaine information
the bks screen adaption
bks q&a
bks what if's
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reader is generally not described past being picked up a few times, and having hair long enough to be put up
✩ chapters containing smut!
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chapter one : honeymoon (6.7k words)
[ Absurd.
That is the only word that comes to mind as you stare at yourself in the mirror. “His favorite color is blue.” ]
chapter two : silent treatment (7.4k words)
[ Something is wrong. You bolt up from the pile of blankets that you call a bed and your eyes dart around the closet as you furrow your brow trying to discern why you feel so much different. ]
✩ chapter three : the smitten paladin (4.6k words)
[ You’re starting to think the planet isn’t the reason you’re so hot all the time.
You had woken up this morning feeling a bit better than you thought you’d be, your stomach is full of butterflies but you're still standing and considering the night you had you’re gonna take that as a win. ]
chapter four : sarad'ika (6.8k words)
[ Sarad'ika. 
You won’t forget it this time, you can’t. So you write it in your book, just under Mando’s favorite color you write the two little words that have been keeping you up at night. ]
✩ chapter five : lunar interlude : just a man (5.0k words)
[ Absurd.
It’s absurd how much the job pays. Din’s not even sure he should take it at this point because it’s too good to be true. ]
✩ chapter six : torment (5.1k words)
[ Okay, maybe you didn’t think this through. 
You didn’t think he’d actually come in and now suddenly the door is shut and you’re alone with him. ]
✩ chapter seven : just friends (3.1k words)
[ Maker it feels like it’s been an hour and you’re both just laying here. He was just inside of you; it shouldn't be so hard to find something to talk about at this point. ]
chapter eight : solar markets (5.3k words)
[ It’s nice to wake up excited again. 
You wish you could say that it happened more often but hopefully it will from now on. It’s going to be your first time leaving the castle grounds since you got here. ]
✩ chapter nine : shuk'la rules (5.6k words)
[ You need sex.
Normally you would be satisfied for quite some time after getting off but for some reason with Mando it was different. But it’s only been two days and you need more. ]
✩ chapter ten : lunar interlude : briikase gote'tuur (4.1k words)
[ He’s grateful for the break from you, even if brief. 
That’s not to say that he doesn’t enjoy every moment he gets to be in your presence but the more time he spends with you the harder it gets to remember that this isn’t real. ]
chapter eleven : he loves me not (4.6k words)
[ Something is wrong. 
All day it’s been wrong. 
He’s different. Distant. ]
chapter twelve : pretend (4.4k words )
[ Two days.
That’s what you’re willing to give yourself. Two days to get over it. One to get it all out of your system and one to pull yourself together. ]
chapter thirteen : lunar interlude : vercopa (3.5k words)
[ He did it.
He did exactly what he knew he needed to do.
So why does he feel worse than ever? ]
chapter fourteen : condemned (4.9k words)
[ You’re having trouble sleeping. 
You have no problem falling asleep, it’s mostly staying asleep. There’s a million different things that consume your thoughts and everytime you drift into unconsciousness you find yourself jolting awake, barely able to stay asleep for more than an hour at a time. ]
chapter fifteen : two tea parties (5.4k words)
[ “What did you do to her?”
Her voice breaks through his sleepy haze as he sits up properly. 
“Excuse me?” ]
chapter sixteen : absolution (4.6k words)
[ There’s a visceral sense of dread when you wake up, for several reasons. 
The glaring obvious culprit of your discomfort would be the fact that today’s your husband's birthday. ]
chapter seventeen : the apostate’s cabin (3.5k words)
[ Just Din. 
It’s sinking in as you walk in silence, holding his hand tightly as he pulls you towards his home. ]
chapter eighteen : portrait of a man (5.4k words)
[ It’s deliciously warm when you wake. You can feel his heartbeat and you can feel the soft traces of sunlight dancing along your back. You stretch in his arms slightly but freeze up as you feel him nuzzle his chin into your hair, planting a kiss against your hairline. ]
✩ chapter nineteen : reverence (7.3k words)
[ You really want to. 
You couldn’t possibly want to more than you currently do. 
It’s actually a bit mean. That he’s left you here in this state. ]
✩ chapter twenty : like real people do (8.4k words)
[ Mando and Din. 
All you can think about right now is how there must be two of them. 
You’re playing with his curls. ]
✩ chapter twenty one : te mirci't (9.0k words)
[ “It means I love you.” 
You aren’t entirely sure how long you stare at him, looking rather silly with your jaw practically on the floor. ]
✩ chapter twenty two : it’s you that i lie with (11.3k words)
[ Naboo has several trading ports. 
You could get him on a cargo ship. That would be the most inconspicuous form of transport. It would help if he was willing to ditch his armor. ]
✩ chapter twenty three : lunar markets (15.0k words)
[ Sneaking out of the castle gets easier every time you do it. 
It only takes a few minutes and you’re walking outside towards the forest trail, Din’s hand in yours, still giddy. ]
✩ chapter twenty four : lunar interlude : riduur (7.8k words)
[ He doesn’t deserve this.
How could he possibly be deserving of you? Yet somehow you make him feel as if he is. With your soft touch and the way your eyes get just a little bigger when you see him. ]
✩ chapter twenty five : wedding bells (11.7k words)
[ Four days of Leo. 
You were upset that Din was leaving you but you got over it rather quickly with the promise of his hasty return. ]
chapter twenty six : crucifixion (12.7k words)
[ “My room is too big.” 
He bursts into genuine peals of laughter and you gently smack his arm.
“Don’t laugh, it’s a serious issue! My room is enormous.” ]
chapter twenty seven : the apostate (6.0k words)
[ Silence.
That’s all there is in his brain. 
It’s hard enough as is for him to hear. It doesn’t help when he’s been beaten half to death. ]
✩ chapter twenty eight : a place for us (8.4k words)
[ You’d spent the better half of the day trying to get on top of him. 
Every time you managed to get close he’d simply set you down on the nearest surface with a kiss on the cheek and go back to doing whatever he was working on. ]
chapter twenty nine : the best kept secret (epilogue) (6.1k words)
[ The morning sun is warm against your face, you bask in it, unmoving and only half awake until you feel a tiny hand slapping your cheek. The illusion of tranquility is immediately shattered as you softly laugh. ]
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2K notes · View notes
Text
Rambling thoughts of various Yuri manga I’ve read
1. Kase-San and Yamada (Morning Glories sequel series) by Hiromi Takashima
notice how Kase’s name is first, which is representative of her being the main one to cause problems in their relationship
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If you asked me what my favorite yuri manga was like 2-3 years ago, I’d say Morning Glories and Kase San everytime. Every avid yuri fan has either read or watched Morning Glories because, at the time in 2010, it was groundbreaking, and I stand by the fact that the original series still holds up to this day. It was cute, sweet, wholesome and only had a few obligatory “we love each other but we’re giRLs😳😳😳” moments. Most of all it wasn’t a pseudo-incest-straight-male-porn-pandering-garbage-fest—also known as “Citrus”. Was it cliche at times? Yes, but they all are lol. Did they add to the dumb ass “blonde femme and dark hair masc” trope? Also yes. But it was adorable and it was my first ever yuri so it holds a special place in my heart.
And it SEEMED like it was only going to get better in Kase San and Yamada, the sequel. The girls would be heading to college and the story could theoretically focus on more mature topics while they navigate their new relationship. Keyword: theoretically. Unfortunately, instead of exploring interesting relationship dynamics and storylines, the plot of each story arc boils down to: Kase is insecure because a man breathed next to Yamada or Kase is being completely insensitive to Yamada’s feelings…again…—> ✨miscommunication drama ✨—>big over dramatic apology scene—>boring makeup sex or other romantic gesture.
Literally that’s how every single plotline goes. Kase is so goddamn dumb and insensitive to Yamada’s feelings and Yamada’s a complete doormat who can only stay mad for 0.2 seconds before getting pussy whipped like a spineless ass bitch. And for all that Yamada sacrifices for Kase; her hometown, her dreams, her apartment, what does she get in return from Kase? Oh that’s right; bare minimum romantic gestures and a neglectful partner who can’t even call her “girlfriend” in front of others:
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Like I thought we were over this shit. It’s been THREE years of them together, a whole anime production, and god knows how many irl years and we’re going back to “we love each other but we’re giRLs😳😳😳” WHY???
And then Kase later goes onto bet her entire three year relationship over the ugly bitch in the next panel, so now I’m questioning whether or not Kase even loves Yamada with the amount of bullshit she’s put her through. Which COULD be an interesting plot point, but Kase never gets any consequences for her actions and the creator genuinely thinks this is romantic and full of tension so I’m 10000% positive that this arc, just like all the others, will end with some makeup sex and we’ll be right back to step 1. Sigh.
2. Tamen De Gushi by Tan Jiu
Tamen De Gushi’s problems are interesting but it’s NOT because of the Chinese government💀
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So today’s dark haired masc and blonde femme of the day are Sun Jing and Qiu Tong, respectively. Their personalities aren’t anything to write home about, if you read ANY high school yuri romance, then you know exactly what happens in this story beat for beat. But, BUT, however derivative it is, I find their dynamic very endearing and down to earth. Idk maybe it’s just the translation, but other yuri stories often have this very inauthentic “anime” vibe to it. Which is to say the characters act very cutesy, overly dramatic, and have this stilted, caricature-esque acting of how the creator thinks teenage girls are supposed act.
However, I’m happy to report that Tamen De Gushi is a breath of fresh air in this regard. The characters and interactions they have are grounded and feel organic, which makes them feel like real people, not aliens pretending to be human. This really elevates the humor in turn, oh did I mention that Tamen De Gushi is super funny? Because Tamen De Gushi is super funny, here’s one of my favorite panels and it’s all because of Sun Jing’s goofy ahh expression:
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Like go girl give us nothing
If you’re wondering why I haven’t spoke much about the actual romantic relationship between the girls, that’s because there isn’t one💀 Which, okay, that’s not a fair assessment, they have a ton of romantic tension and they flirt a lot. It’s certainly building to a great romantic relationship, but it can’t quite get there due to legal/political reasons sadly. 😔
Edit: I received new information in regards to what happened to Tamen De Gushi. While I reached my limit for posting pictures, I want to point out that the Chinese government had nothing to do with Tamen De Gushi getting censored, rather it was a dispute between the author and the publishing company. The prior information I received was false and I prob should’ve looked it up more so sorrrry. The fact still remains though that after their big lesbian kiss towards the middle of the story and maybe a few other moments, that’s just kind of it. You’re stuck waiting for something to develop, but nothing really happens. The comic very quickly becomes a collection of slice of life segments and cute pictures that imply a relationship between the girls, but not really ;) ;).  Now things are just kind of left in purgatory for the foreseeable future and, well, that’s Tamen De Gushi y’all.
Compared to Kase San and Yamada, the characters were much better, which is not saying much, but without an actual romantic storyline, there’s just not a lot for me to comment on to be honest. It’s really pretty though, look at this art :
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3. Beauty and the Beast Girl by Neji
my personal favorite and the BEST yuri I ever read
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So next on the list is Beauty and the Beast Girl (I’m going to abbreviate to BatBG from here on) , which I already spoiled my feelings on the matter so this will basically be me gushing about this story for several paragraphs straight, enjoy.
Contrary to what the title suggests, it really has nothing to do with Beauty and the Beast’s story except in name. The main girls are Lily Blind, who is actually fucking blind 💀 and Heath the monster girl. Already I’m happy because instead of blonde femme and dark hair butch, it’s blonde femme and of-course-you-have-purple-hair-and-pronouns masc. Lol, all jokes aside, Lily, unlike her blonde femme counterparts is quite assertive and voices her opinions all the time. In fact, she’s the one who pushes Heath to be more open and communicate with her rather than the other way around. This is, in part, due to the story BatBG is trying to tell. I say BatBG is in name only to Beauty and the Beast because Lily isn’t trying to find the “beauty” within Heath or learning to love a beast or whatever, she’s fine just the way she is and her love for Heath is unconditional. Plus the only thing beastly about Heath is her appearance…which I’ll harp on later, but her behavior is in no way different from a regular human except in very rare, specific moments.
At its heart, BatBG is a story about forgiveness (the creator literally says as much) , but it’s also about the cycle of violence that results from being outcasted and deprived of love. BatBG is set in a world of humans and monsters, where the monsters are outcasted and either have to stay away from human society like Heath or assimilate themselves by hiding away their monster like traits, which is a really queer narrative on top of an already queer story. I don’t want to go into too much spoilers, but sometime before the beginning of the story, Heath in-directly hurts Lily before they ever meet. However, it’s not about Lily needing to forgive Heath, or trying to get over the pain she inflicted upon her, rather its Heath learning to forgive herself and in effect, learning to love herself as much as Lily loves her.
Another big aspect of BatBG is disabilities, Lily Blind is in fact Blind lol and while there are times she struggles with her blindness, she never views her disability as something she needs to be ashamed of and never, ever, blames Heath for it or holds it against her unlike what many, many, many, many other stories end up doing. Her blindness isn’t treated like a super power either, it’s a legitimate disability. She just accepts that it’s a part of her and goes onto say that if not for her blindness, she would’ve never met the love of her life, which I found to be an incredibly profound thing to say.
Now that I’ve gotten this far, I suppose I can add a bit of a disclaimer. So BatBG is waaaaay more explicit about the physical affection between the girls than in any of the previous stories I talked about. Heath and Lily are constantly kissing on, hugging, and almost always flirting with each other, and make no mistake, these girls do be fucking. The sex scenes are never perverted or gross, but genuinely super sweet and romantic, which makes it way hotter imo (huh imagine that🤔). And aside from being hot, it also serves a purpose! Lily’s pretty damn horny underneath all her nice girl antics and while it’s not a major part of her character, it does give a slight edge to her personality and, most importantly, balances out the dynamic between Heath and Lily. It would’ve been very easy to fall into that boring trope where Heath is aggressively horny and Lily is the submissive blind girl, but by making Lily be the one to initiate the sexual encounters, it not only compliments Heath’s more reserved nature, but breaks the stereotype that people with disabilities are pure precious being who couldn’t possibly have sex, which is ableist af btw. Many people think the existence of any sex scenes at all is superfluous, but in BatBG, it truly elevates the story, the characters, and the romance in ways that wouldn’t be nearly as satisfying without it.
Now, with as much praise I gave BatBG, there is one criticism I have, but it’s a quibble really, and it can be explained in a single image:
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There is a dissonance between the story and the art, the story says: “Heath is a big, ugly scary monster”
The art says:
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And like yes, it can be argued that Heath is simply regurgitating the things bigoted people have said to her, but at no point in the story is this ever challenged or brought up in any meaningful way. Lily is blind so she doesn’t know what the hell she looks like and the other characters aren’t any help either. It’s not a big deal or anything, it just would’ve elevated the story if Heath was actually kinda ugly/more monstrous and not incredibly beautiful because right now it’s giving skinny girl who calls herself fat all the time, and it’s like, babe, who tf are you fooling? 😭
Other than that, BatBG is incredibly profound despite its premise being so deceptively simple and I love it to pieces so …yeah! READ IT.
4. Superwomen in Love! Honey Trap and Rapid Rabbit by sometime
Well, at least there are no blondes
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So imma just abbreviate to SiL btw
Alright, let’s get started. The premise is that a villainess falls for the super hero girl and then that plotline is dropped in about 16 pages. I’m not even joking, the villainess falls for the hero, loses her job as a villain and then joins the hero all in one chapter. The REAL plot is actually about a council of evil alien-humans who want to destroy humanity because of generic super villain reason #434: the leader of the aliens is sad and misunderstood :( I’m not even going to lie, I had 0 interest in “X” (the generic ass name of the main villain) and her band of useless lesbians. They did literally nothing in the story except be a nuisance and contribute to X’s incel breakdown at the end. Their inclusion actively made SiL worse because the story has this weird tonal problem where in one breath the villains are portrayed as complete jokes and then you turn the page and now they’re shooting children like girl what💀 And these useless lesbians hog sooooo much of SiL that desperately needed to be given to Honey trap and Hayate to develop their relationship.
When the story DOES actually focus on Honey Trap and Hayate, it’s pretty good, even cute at times, there just wasn’t enough time given to them to flesh their relationship out. As it stands, Honey Trap and Hayate don’t have much of a dynamic, or personality for that matter. Honey Trap’s main gimmick is that she’s extremely horny for Hayate and delulu:
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Aside from that, she’s a great value version of Heath, but even a watered down character is better than, like, nothing. All I really know about Hayate is that she’s nice, heroic, likes wearing tacky clothes and ….that’s it. She loves Honey Trap because…………they fought together a few times so why not🤷‍♀️ I’d say at least that’s better than Tamen De Gushi, but actually it’s not because these grown ass women don’t even kiss , all we get is a love confession and their gremlin love child and that’s supposed to be satisfying I guess.
And the worst part is that SiL has the audacity to pretend the romance was something that it clearly wasn’t:
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Girl…yall were “””enemies””” for 10 panels.
Now, it’s stated they have been rivals for a while, but I guess Honey Trap forgot all of that because the moment she sees Hayate’s face, my good sis is pussy whipped for life. And that’s in spite of apparently being the evilest one out of the evil group because Honey Trap has no grudge or baggage toward Hayate. She immediately turns good with no issues and Hayate is only distrustful of Honey Trap for 1 or 2 speech bubbles and then she’s not. Anything else that happened was off screen, which means it didn’t happen. Ironically, the very next entry on this list will do a MUCH better job at an ex-villain love story, but for SiL, there’s just not much going on.
Another reading of this story is to call it a “parody” but…no, it isn’t. SiL isn’t a comedy, yes there are comedic moments that poke fun of the genre, but the rest of the story genuinely wants you to take it seriously. Except it can’t. X and her league of dimwits are boring as piss and they oscillate between Saturday morning cartoon villains and child murderers seemingly on a whim. So I can neither be endeared to them nor take them as a serious threat. Honey Trap and Hayate are there, but I lament on all the potential lost from what could’ve been an amazing relationship.
5. Yamujiburo/Kianamaiart’s Hanamusa webcomic
This one is kind of cheating, but I also don’t care let me talk about hot MILFs💀
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So the final entry on this list is a webcomic series by one of my fave artist: kianamaiart! And it’s right here on tumblr so check it out!
I stumbled upon this webcomic a few weeks ago, fell in love and now I want to talk about it. This yuri pair thankfully has no blonde femme in sight and instead features two popular Pokémon characters: Jessie from Team Rocket and Delia Ketchum, Ash Ketchum’s mom. What I love about this ship and the world Kiana creates around them is that it’s a very unconventional pairing. There’s just not many romances where a single mom falls in love with an ex gang member and the best part is, Delia being a mom is a big part of her character and she doesn’t ignore Ash in favor of her new relationship with Jessie. She has time for both and doesn’t prioritize one over the other, which many ppl fail to do even irl so good on you Delia!
Now, as for the romance it self, Jessie and Delia are a unique pair. Jessie’s overconfident, brash, drama queen personality doesn’t automatically put her in the “dominant” role and Delia’s sweet, motherly personality doesn’t automatically put her in the “submissive” role. Their dynamic in the webcomic actually plays out in the reverse, Jessie is the one who gets easily flustered and Delia’s…intense, to say the least:
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(But Tbf if Delia looked at me like that I’d be at her beck and call too💀)
This subversion of these tropes creates a fun dynamic for the couple and it’s super adorable to see how their energies bounce off each other in each new situation Kiana puts them in. I also love how both Jessie and Delia inspire each other to live out their dreams and they become better versions of themselves by being together.
And one last thing, I don’t have any smart commentary to go along with this, I just really like this drawing of Jessie:
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no thoughts, head empty
Final Thoughts
Soooo yeah, that’s the end of my dissertation on yuri comics. I know I ended up dragging a lot of popular yuri, but it wasn’t my intention to make you guys hate any of things I talked about. These were just my thoughts as an avid yuri fan, so let me know your thoughts as well, especially if you read any of the yuri I talked about. And even though I’m super picky about the type of yuri I read, I’d still love to hear any recommendations. Who knows, it might dethrone the undefeated champ that is Beauty and the Beast Girl.
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world-of-aus · 3 months
Text
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Pairing: Cowboy!Bucky x Nanny!Reader
Warnings: None.
Author's Note: I'm honestly still in my cowboy era and have also been wanting to try my hand at making a series so I bring you this little piece! I have it more less planned and hope you all will stick around and enjoy this ride with me! Happy Readings!
The iron gate is warm under his touch, the rising sun low enough in the sky that the iron railing has now begun to cool. He watches his dark-haired boy run around the ‘arena’; lasso gripped tightly in his small hands as he gives the calf chase.  
Bucky chuckles smile pulling at his lips as he calls out to his son, “champ you got to get that rope off the ground if you want to catch ‘im”. The boy all but stops in his track, feet throwin up dirt chocolate eyes locking on his, “the ropes to long daddy, I’m trying!” he pouts.  
Clambering off the rails his feet hit the dirt as he makes his way into the gated ‘arena’ closing the distance between him and his son. He gets down to eye level, pout still adorning his boy’s lips, “you, Uncle Steve, and Sam make this look so easy, I don’t get what I’m doing wrong, I'm doing exactly how I see you do it.” 
“Not doing anything wrong champ, c’mere,” he says pulling his son close. “Put your hand here, and wrap this,” he says adjusting his sons' hands, “right here, make sure it’s tight now, don’t want to lose your grip on it and risk that calf getting away from you now.”  
Grant follows his father’s directions, “alright, now that we got the rope secured let's get it above our heads.” He helps his son get the rope going, “see, you’re getting it, now, I want you to throw it right at that spot over there imagine the calf's just sitting, focus now,” He advises finger pointed to a spot just feet ahead. Bucky watches his son, tongue peeked out of his lips as he concentrates, rope still swinging. It falls quiet for a moment, then the soft thud of rope hitting dirt meets their ears. Grants grin is wide as he snaps his head back to look at his dad, “I did it daddy! I did it!” He mirrors his son’s smile pulling him in for a bone-crushing hug, lips finding the side of his chocolate locks, “knew you could bud, knew you could.” 
“I can’t wait to tell Aunt Tasha about it!” the boy’s excitement grows, “well how about we get a few more rounds of practice in, we still got some time before she gets here.” 
They’re outside in the arena practicing till the sun begins to dip into the west horizon making way for the moon and stars that have begun to decorate the still early night sky. Bucky leads him and his son from the arena, leaving the calf with his mom in the barn before they make their way to the house. Steve’s truck is parked out front, him and Natasha sitting on the porch waiting. 
Grant spots his aunt and uncle first, excitement hardly contained as he drops his dad’s hand bolting to the front porch, his aunt’s name on his lips. Bucky stops by the front of Steve’s truck watching his son, he’s in Natasha’s arms, raving about his day to them, Steve and Natasha hearing him with wonder in their eyes. 
“You’re going to be running circles around the arena in no time bud, put all of us to shame, especially your dad” Steve teases meeting his eyes. 
Bucky laughs, “The day he puts me to shame in the arena will be the greatest day of my life, means I taught him well.’ 
“While we can’t wait for the day he puts ALL OF YOU to shame, I’d like to enjoy my little man while I can, right champ?” Natasha grins hoisting the boy higher on her hip. Grant is taken with his aunt hands curling around her neck as he squeezes her there cheeks mushing together. 
There’s an ache in Bucky’s chest as he watches the scene before him, like the many restless nights he has he can’t help but to think in this moment what he could have done differently, what he could have said to make her stay. He’s her carbon copy, he hates it. She doesn’t deserve to have any piece of him, not after she just up and left without so much as a word. Bucky still recalls the urgent call from the daycare asking if anyone would be coming for Grant. He hadn’t been able to get ahold of her since that day, not that he’s tried much since Grant’s 3rd birthday. 
“Buck - hey pal everything good, you sure you still wanna meet Sam at thirsty barrel?” 
The brunette is pulled from his reverie, eyes falling on his best friend who has since approached him, he shakes his head, “yeah - yeah pal sorry just thinking.” He looks over Steve’s shoulder, Natasha and Grant waving at him, he waves back, “have fun you guys, me and little man are gonna have some fun of our own, isn’t that right!” 
“Make sure he’s in bed by 9, 10 the latest.” 
“Yeah, yeah, whatever dad, get out of here!” Natasha replies waving them off. 
Steve and Bucky chuckle making sure Natasha and Grant get inside the house before they clamber into Steve’s truck. 
“You sure you feeling up for tonight?” Steve questions him as he turns the key in the ignition. Bucky watches the house, getting a glimpse of Grant through the window, “I’m sure, my thoughts just got the best of me but I'll be fine.” Steve puts the truck into drive, “she’s not worth it Buck, the day she decided to leave, cut all contact with you, with grant that’s the day she stopped being of any importance.” 
“Yeah,” he murmurs eyes drifting out the window as Steve backs out of the ranch, “it’s just I wonder if I had done things differently if she would still be here.” 
“You gave her your all Buck; I don’t think there’s anything more you could have given her to make her stay.” 
And though Bucky knows Steve is right, his words don’t sting any less. 
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The thirsty barrel was in full swing, the bar packed to the brim. Bucky, Steve and Sam had managed to snag the last remaining booth, drinks being run to their table as they talked business. 
“So you find anyone to watch little man when we hit the road at the end of the month?” Sam questioned over his drink. 
Bucky sighed, he had forgotten, he had been so busy with Grant, with the ranch that he had forgot to look into a caretaker for his son. Another thing he would have to add to his to do list for tomorrow. He shakes his head taking a sip of his beer, “not yet, been looking around but I haven't settled on anyone yet.” 
Sam tsks, “We have two weeks before we’re needing to head out on the road Buck, and little man can’t come with us because of school.” Bucky places his drink down running a hand over his bearded scruff, “you don’t think I know that Sam, I'm trying, just haven’t had luck, can’t just trust anyone with him either, I need to know he’s going to be safe, cared for.” 
“I can ask Natasha to skip this trip Buck, I’m sure it won’t be a problem, she loves spending time with grant.”  
Bucky shakes his head at Steve, “absolutely not pal, I know how much Natasha is looking forward to seeing you ride, I can’t ask that of you or her – I'll find someone – I will.” 
A damper has been placed on Bucky’s mood despite the change in subject, and he’s quiet for most of the night tuning in here and there when Steve or Sam directs something at him. He’s there, but not really, his mind drifting to the thought of his son. If Sam or Steve notice his absence, they don’t mention it, nor do they push him to converse, they know how hard it's been for him since she left, and they try to do all they can to help him. 
They’re not at the bar long, Sam being the first one to throw in the towel, Steve seconding the notion, Bucky doesn’t argue as they pay the tab, each leaving a tip for their waitress. The trio say their goodbyes outside of the bar, Sam promising to stop by the ranch tomorrow to see grant, get some riding time in with the boy, Steve jumps in to join as well. “Can use all the practice, only got two weeks left,” he chuckles. 
Bucky and Steve see Sam off before they get inside the truck, it's quiet most of the ride home, Bucky appreciates Steve for giving him this. It’s only until they’re pulling into the ranch 30 minutes later that he does decide to speak up. 
“I’ll help you find someone for Grant,” he says putting the truck in park, eyes meeting his friends, “make sure that it’s someone we can trust, the closest to family that we can get.” 
Bucky nods, the fear of that not being possible choking him, Steve reaches a hand out laying it on his shoulder, squeezing, “I promise pal, we’ll find you someone, we’ve got two weeks.” 
Two weeks. 
Two weeks. 
Bucky’s nodding again, “I appreciate you pal, listen I'll go get Natasha for you, know you two have quite the drive, don’t want it getting late for you.” 
Steve gives him his thanks watching him get off the truck, make his way up the steps and to the front door. Bucky disappears inside, returning a few minutes later with Natasha. Steve watches the two exchange a few words before she’s pulling Bucky into a tight embrace more words shared. The two pull away and Bucky watches her as she gets into the truck safely.  
They all wave one final time at each other before Bucky heads back inside, the lights of his home flickering off one at a time. Steve waits till the last light has been turned off before he’s putting the truck back in drive, making his way out of the ranch. 
“How was he?” Natasha questions finding Steve’s hand. 
“He’s not doing good,” Steve answers, “he’s worried about leaving Grant at the end of the month.” 
“I can stay, you know I don’t mind, I can watch you ride anytime.” 
Steve looks over to her, “he already said no, you know he isn't going to go back on his word,” his eyes flick back to the road, “we just need to find someone he can trust; we need family.” 
It goes quiet in the cab of the truck for a moment, Natasha speaks up a few minutes later, “I might have someone, she’s a family friend, I could have her come meet us at the ranch tomorrow.” Steve gives her a questioning look, the redhead rolls her eyes, “Bucky doesn’t keep anything from me where Grant is involved, it’ll be perfect everyone can meet her, see how she fits in.” 
Steve agrees, and he can’t help but hope this works out, he didn’t want to see his friend hurting anymore, and he hoped with help that he might be the Bucky he was before her. 
416 notes · View notes
kittyball23 · 5 months
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Hi kittyball, did you read the trolls band together junior novelization? Does it include deleted scenes from the movie? I heard there was a scene cut with velvet and veneer buying yachts 😆 and another scene with velvet spraying veneer with troll without warning him.
Hi, I sure did! I do remember that there were scenes and/or little details that differentiated from what was seen in the actual movie, and I’d be happy to share them:
John Dory in the beginning was being a little more critical of Clay’s dance moves
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“C’mon, Clay,” John Dory said. “They’re Funderdrawers! Underwear, but seventy-six percent more fun! Now let’s see those dance moves!”
“Fine,” Clay said with a sigh. He did a quick series of dance steps, naming them while executing them perfectly. “Rusty robot into a wiggle worm, and end on caliente puppet.”
“Not bad,” John Dory said, stroking his chin. “But your robot could be rustier. And your worm wigglier.”
Clay looked annoyed. “Don’t you want my puppet caliente-er?”
“I wasn’t going to say it,” John Dory said, “but yeah. Definitely.”
‘Bro-Time’ happened in both the beginning and the end, each brother doing a hands-in-the-middle thing
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Beginning:
“If we can’t hit the Perfect Family Harmony, we aren’t perfect,” John Dory insisted. “And if we aren’t perfect, we’re NOTHING! Being nothing is definitely not an option. So just follow my lead.” He stuck his hand out, palm down. “Let’s do this!”
Each of his brothers piled their hands on top of his. Together, John Dory, Spruce, Clay, Floyd, and Baby Branch shouted, “IT’S BRO TIME!”
End:
Smiling wistfully, Floyd said, “I can’t believe we almost missed out on all this.” It had been a long time.
“We shouldn’t have let our differences break up our family,” Clay put in, joining them.
John Dory walked up. “That’s right. Because we don’t have to be perfect to be in harmony. We just have to be together.”
Branch started to point out that he had told them exactly that, but he changed his mind. “You’re right,” he said. “Good point, bro.”
Standing in a circle, the brothers each put a hand in. “On three,” Branch said. “One… two… three!”
“IT’S BRO TIME!” they all said in unison, lifting their hands.
Baby Branch was supposed to make his entrance suspended on a wire
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“And making his first live appearance, the Baby!” Glitter burst over the stage, revealing Branch suspended on a wire.
“Awwww!” the whole audience said, charmed by the adorable sight.
BroZone rolled right into their first song. Cool, calm, and collected, John Dory danced up a storm. Spruce blew another kiss, and the fans went wild. Clay added a little goofy touches to the dance steps, getting lots of laughs. Floyd shed a single tear as he sang. And Branch flipped down off his wire, sticking the landing perfectly, nailing every move and every note as the five brothers came together.
As the Family Harmony started to happen, glass broke and a lightbulb shattered
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The five brothers hit a chord and held it. Offstage, a water glass broke. KSHHH! Overhead, a light bulb shattered. SHHINK! The brothers looked at each other. It was happening! They were achieving the PERFECT FAMILY HARMONY!
Smead, Gristle’s Aunt, was supposed to be the officiate instead of Miss Maxine for Bridget and Gristle’s wedding
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Gristle’s Aunt Smead, a tall Bergen with goggles and hair that stood straight up, was in charge of leading the happy couple through their wedding vows. She leaned over and joked, “Hey, Bridget, you still have time to run for it!”
Poppy and JD went through with the whole hug, fist-bump, and wave thing she suggested when meeting him
Poppy rushed over and introduced herself to John Dory. “Oh my gosh, I was being so rude! I’ve never met anyone from Branch’s family before. I’m Poppy. Branch’s girlfriend. Should we hug? Fist-bump? Smile and wave for now and see where the night takes us?”
“All of the above!” John Dory said, hugging her, bumping her fist with his and waving and smiling.
Crimp was supposed to be shown cleaning up the chair before Velvet and Veneer made their entrance on the Mount Rageous show ‘The Bop on Top’
In a TV studio, the pop duo’s put-upon assistant Crimp swept off a chair, making sure it was immaculate before one of her bosses sat on it. Crimp resembled the head of a straw broom, with green eyes, white glasses, and a purple hair bow scrunching a bun of papery hair on top of her head. She was much shorter than Velvet and Veneer, but was still at least three times the size of the average Troll.
Ignoring their assistant, Velvet launched herself onto the chair, squashing Crimp. FWUNK! “So,” Velvet said to Kid Ritz, “what do you wanna know? I’m an open book.”
You are correct, Velvet did spray Floyd’s essence at Veneer without him expecting it lol
Grabbing the perfume bottle, she squeezed the bulb, giving herself a big spray of Troll talent. SHHFFT! Floyd groaned as the energy was sucked out of him. Velvet tested the results, opening her mouth to sing. She let loose an impressive cascade of notes. Satisfied, she smiled and aimed the bottle’s nozzle at her brother’s mouth. SSSHHFFT! “Your turn, Veneer.”
Veneer coughed. “Ack! You’re supposed to say it before you spray it, remember?”
There’s a quick moment where Floyd sympathizes with Crimp
Rolling her eyes, Velvet said, “Ugh. I’m exhausted by this drama. Do you wanna go buy a yacht?”
“Oh, good idea!” Veneer said, clapping his hands together. “Let’s buy matching yachts!” They left the dressing room without another word.
"Can I come out of the corner yet?” Crimp asked.
Floyd looked at her with pity in his big violet eyes. “Girl, you need a new job. I should be the saddest one in this room.”
A small moment where Bruce and JD hug
Seeing an opportunity, Poppy decided to give Bruce a little encouragement. “Prove it. Prove it,” she started chanting. Bruce’s kids all joined in, balling their fists and pumping their arms in time with the chant. “PROVE IT! PROVE IT!”
Bruce took up the challenge. “Oh, I’ll prove it,” he said confidently. “I’ll prove it right now.” He took a deep breath and let it out. Then he hopped up onto the stage and stood next to John Dory.
“Yes!” John Dory cheered. “Bring it in, brother!” They hugged.
More of Velvet being a jerk
A stage manager popped her head through the dressing room door. “Knock, knock, knock – it’s ‘we’re ready for you’ o’clock!”
Velvet faked a super-sweet manner. “Look at you, making your job fun. Good for you! Just give us five minutes. We’re still working on our routine. Okay, doll?” She closed the door and muttered, “Loser.” Then she picked up Floyd’s bottle, planning to take in another spray of his Troll talent before the day’s singing began.
Veneer making a reference to a meme
“Whoa, whoa, whoa!” Floyd cried, holding his hands up against the inside of the diamond bottle. “Come on, it’s just dress rehearsal. You don’t need me for a dress rehearsal!”
Ignoring his protests, Velvet grabbed the golden spray bulb between her fingers and pointed the nozzle at her mouth, ready to spritz her vocal cords. Her brother spoke up. “Wait. Maybe he’s got a point. Do we even need a dress rehearsal?”
“Obviously,” Velvet said, making a face. “That’s why we’re getting dressed.”
“I’m just saying he doesn’t look so great,” Veneer pointed out. “He has, like, sad Troll face.”
Velvet shrugged it off. “He’s fine.”
Velvet’s suggestions for how to make Floyd better
But Velvet wasn’t overly concerned about Floyd’s see-through hand and overall paleness. “Oh, he just needs some blush,” she suggested. “Or is there a mini tanning bed we can jam into the bottle with him?”
More back and forth with Velvet and Veneer
Veneer paced the dressing room floor, clutching his head. “What are we going to do? We obviously can’t even rely on the Troll to get us through this dress rehearsal, let alone the Rage Dome show!”
Looking annoyed, Velvet said, “How come I always have to come up with something?”
“Because you’re the mean one!” Veneer told her.
“I’m not mean – I’m ambitious!”
Floyd having been conscious while Velvet was shaking the bottle
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Picking up Floyd’s diamond prison, she said, “Maybe we should just try shaking the bottle.” She shook it. Floyd ricocheted around inside, banging against the hard surface.
“Ow! Ouch! Ooh, my knee! My other knee!” he cried.
Lonely People having been sung later on in the movie, after Floyd makes a ‘philosophical’ statement
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Floyd looked at his body, becoming more see-through by the minute. “Well,” he said philosophically. “I lived, I loved, I lost.”
To the accompaniment of gentle ukulele music, he sang quietly to himself. He looked and saw that it was Crimp who was playing the ukulele.
Bruce’s response to learning about Velvet and Veneer’s song
On an empty road that night, Bruce steered Rhonda, listening to Velvet and Veneer sing one of their pop hits on the radio. “My kids love these guys!” he said. “We’re a total Veneer household.”
“They’re the ones who are holding Floyd prisoner,” John Dory called from the back of the van.
Bruce looked shocked. “Wow, everyone’s getting canceled these days.”
A little more Clay and Viva friendship displayed
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Viva put an arm around Clay’s shoulder. “Yeah, I’m the face of the operation, and Mr. Clay takes care of the boring stuff!”
“Guilty!” Clay admitted. He and Viva tapped elbows and laughed. 
Branch and Poppy having a short exchange after leaving Putt Putt Village
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Heartbroken, Poppy watched as the gate closed. She leaned her scrapbook against it for Viva. Branch ran up behind her. “You were right, Branch,” Poppy said. “Family is… complicated.”
Velvet and Veneer having labeled bottles for the rest of the brothers
In Velvet and Veneer’s Rage Dome dressing room, Floyd’s diamond bottle sat on a shelf next to four empty bottles labeled Heartthrob, Fun Boy, Old One, and Baby. Floyd’s bottle was now labeled Almost Dead One.
Branch’s line about the diaper slightly differing
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They tried singing one of their old songs, but John Dory soon cut them off. “Stop! Stop! Time-out. Let’s take it from the top. Spruce, I want some smolder in those eyes. Clay, you’re being too stiff. We need some sillier robot moves. Branch, maybe a smaller diaper.”
“Or some clothes not from the toddler section,” Branch grumbled.
Clay’s line about his CPA position replaced with this:
Bruce got right in his brother’s face. “This isn’t going to work if you keep being the same old John Dory.”
“Yeah,” Clay agreed. “We’ve all changed. Bruce settled down. Branch is slightly taller with zero glasses. And I’m not the guy who shoots milk out his nose and smiles through the burn!”
“Yup,” Poppy said to herself, remembering past milk blasts through her nose. “Been there.”
Crimp also confronting Velvet and Veneer when Poppy and Branch do on the red carpet
“You’re stealing BroZone’s talent because you have none of your own, you big PHONIES!” Poppy said, pointing her own accusing finger at them.
Crimp popped up out of the van. “They’re MEAN!” she shouted. “And I was their assistant, so I KNOW!”
The fans, listening to this exchange, started whispering to each other. Could what the little Trolls and the papery mop with glasses were saying possibly be true?
An extra line JD said when the talent was being sucked out of the four brothers
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Velvet lowered herself back down through the sunroof and punched a button on the car’s dashboard. The roof folded back, clearing the way for a metal arm to rise out of the car, holding an entire round stage. Velvet and Veneer both hit the buttons on their shoulder pads and inhaled big whiffs of Troll talent. The four brothers winced in pain.
“Floyd, why didn’t you warn us about how uncomfortable that is?” John Dory asked.
Slightly different lines when Poppy, Branch, and Viva arrived at the yacht
When she saw Branch, Poppy, and Viva on the deck of the boat, Velvet wasn’t dismayed. On the contrary, she was delighted! “More Trolls!” she exclaimed happily. “This will last us a lifetime!”
Velvet trying to sing after she and Veneer came out of the river that they had fallen into, and Crimp calling the two out again
The yacht came to a stop, wedged diagonally across a narrow passage in the river. Velvet climbed out of the water, turned the camera on herself, and tried to sing.
She sounded awful.
The crowd gasped. “Hey, what happened to your voice?” a fan shouted.
Veneer decided it was time to come clean. “Okay, fine,” he said. “Listen up, Mount Rageous. We are FRAUDS! And we’ve been literally torturing little Trolls!”
The fans were horrified. One yelled, “My illusion of celebrity has been shattered!”
Crimp stepped in front of the pop duo. “It’s true,” she confirmed. And they’re mean. Not ambitious, but just plain MEAN!”
Veneer having put the handcuffs on Velvet instead of Crimp
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“Oh, give it up, sis,” Veneer told her. He faced the cameras. “We just wanted to be famous. Honestly, my sister wanted to be famous, and truly, I was too afraid to stand up to her.”
Disgusted by her brother’s admission, Velvet said, “It’s like I don’t even know who you are.”
“Yeah, you do,” Veneer said firmly. “And you asked me to change anyway. Which isn’t okay, family or not.” He snapped a pair of handcuffs onto her slender wrists. She held them up, asking, “Veneer, what have you done?” Then she admired the shiny cuffs, saying, “Oooh, are these real silver?”
And the ending scene, in which Kismet is not mentioned, and Branch and Poppy have one last exchange
Over the loudspeaker, Crimp announced, “Ladies and gentlemen, you know ‘em, you love ‘em – give it up for the Trolls Kingdom’s very own… BROZONE!” She opened the curtains revealing the five brothers in sparkling new costumes. The crowd went wild!
In the front row, Poppy cheered along with them. Branch offered her his hand. “Poppy,” he said. “I have a small proposal. Will you – “
“Join the band?” she interrupted, bursting with excitement. “Of COURSE, I will! I thought you’d never ask!”
“You know me too well,” Branch said, grinning. “Now get up here and sing with us!”
“AAAAHH!” she squealed, leaping onto the stage. She extended a hand to her sister in the front row. “Viva! Viva, get up here! We’re in the band!”
“This is my dream life!” Viva cried, joining her and whipping out a pair of castanets.
The seven Trolls joyfully sang and danced together, and the audience absolutely loved it. The concert turned into an epic dance party. Fireworks exploded, lighting up the night sky.
Poppy turned to Branch. “I love you, Branch!”
“And I love you, Poppy!” Branch told her.
“Would it be weird if I fainted?” Poppy said. “Oh, I’m gonna faint right now.”
And she did. But Branch caught her. He would always be there to catch her when she fell, and she would do the same for him, no matter what.
Those were a majority of the main differences I could find in the junior novel. I think most of it stayed true to the movie, but some little details I would’ve liked to have made the final cut (the Cliva friendship stuff, the extra Broppy exchange and, while I understand the purpose of NSYNC’s cameo, I think the movie would’ve worked just fine without it)
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egcdeath · 1 year
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pairing: joel miller x reader
summary: the five times you realized that you loved joel, and the first time one of you says it. 
word count: 9.1k
warnings: canon divergent, no apocalypse, 5+1 fic, hurt/comfort, a certain someone gets punched, brief mention of postpartum depression & abandonment, really brief mention of physical abuse in 3, fluff, domestic fluff, angst with a happy ending, found family
author’s note: happy very early valentine’s day! this is part three of the soccer parents au, you can read spectator sport (p1) and clean sheet (p2) here!
this fic would not be possible if it were not for the help of @freakinfairykind, who sent me the idea for scene 3 and listened to my thought vomit whenever i hit a roadblock! you can thank them for the brilliance that is what occurs in that scene :)! enjoy!
part four / series masterlist
Zero
After Nathan, you were sure that you would never fall in love again. Love was supposed to be beautiful and soft—a random bouquet of flowers, having a whole conversation with just your eyes, sweet messages sent to you when you expected it least and needed it most, and foot massages after a long day. For you, love had been nothing of the sort—settling for mediocrity, spitting out venomous words during arguments, and biting back tears on forgotten anniversaries. 
Love wasn’t kind or patient, or rainbows and flowers. Love was a storm cloud that followed you around when you were around him, pouring sadness and anger on you and striking you with lightning bolts of resentment. 
Maybe some people just simply weren’t meant for love. Maybe you were one of them.
One
After years of trying to hold together a failing marriage and hide the myriad of painful feelings you were going through for the sake of your daughter, bottling up your feelings had become your preferred coping mechanism to everyday stressors. 
For the most part, it worked for you. Sure, some days were harder than others, and the smallest confrontation or blip in the day would send you spiraling; but more often than not, you were able to compartmentalize whatever was bothering you and save it for a rainy day.
That was part of what worked so well about the relationship you had with Joel during the soccer season—you had the opportunity to unscrew the lid of the shaken bottle of your feelings just a little bit, taking some of the edge off by yelling about completely inconsequential things. But now, you don't have that outlet. And today was one of those days that you desperately needed it. 
Nathan had come by to pick up Chloe just a bit ago, and it was very obvious that she hadn’t exactly wanted to spend her weekend with him. Some of her friends were going to the mall and having a sleepover, and because Nathan wasn’t particularly fond of their parents, he’d very openly told her no. She begged and pleaded to stay with you (mainly so she could go hang out with her friends), which of course broke your heart a little bit, but also led to a pretty dramatic outburst from your daughter to Nathan when he’d picked her up.
“You’re raising a spoiled little brat,” he hissed at you, pointing an accusatory finger once Chloe was in the car. 
“At least I’m raising her. You only show up when it’s convenient for you,” you shot back. If Nathan wanted to stoop low, you could fall to his level. “Put your finger down. She’s watching us.”
“A little argument won’t hurt her,” he scoffed. “See? You’re proving my point: you spoil her too much.”
“Because years of watching her parents bicker wasn’t traumatic enough? Get in the fucking car, Nathan.”
He huffed, looking back at the car, then over at you. “Fine. But before I go, I’d appreciate it if you stopped talking poorly about me in front of her. Clearly she’s listening to you and acting out because of it.”
“Have you considered that you’re just a shit father and maybe that’s why she doesn’t like you?” you were already making your way back inside, feeling the avalanche of emotions beginning to stir inside of you, and a little frightened of what might come out next. 
“You’re still such a bitch. Every day I praise every deity that’s out there that I left your sorry ass.”
You were viciously fighting the urge to get the last word in, knowing that whatever would come out next wouldn’t be good, and you certainly didn’t want Chloe seeing you like that. You left him with a sarcastic thumbs up, then slammed your front door, taking deep breaths to attempt to calm yourself down.
You crumbled down in front of the door, still maintaining slow and deep breaths. It was no big deal. Nathan just says stuff like that to stir the pot. You just needed to find something to take your mind off of everything. Your mind went to the scarf you’d been working on crocheting, something you could mindlessly do for a little while while you cooled off. 
The scarf was going well. You were calmly crocheting the evening away when you checked your phone to find a few apologetic messages from your coworkers. Feeling confused, you went on to check your email, only to find that the promotion you’d spent the last few months of your life slaving away for had been given to someone else—someone who had worked half as hard as you, and even took credit for a few of your projects. 
Your hands shook as you set down your phone and attempted to pick back up the crochet hook. You were fine, right? Sometimes these things just happen. Sometimes you sacrifice hours of your free time, hours of time you’ll never get back with your child, or significant other, hours you’ll never get back of sleep, hours of-
You cut your mind off, tossing aside the scarf and taking a deep breath. You were gonna be okay. This just meant you could take your foot off the gas going forward, since your work, effort, and time clearly was not being valued. Maybe you would just sit at your desk and play games, then slap your name on projects and presentations like Naomi. Maybe you’d just-
Your phone began to vibrate on your bed and your immediate reaction was to silence it, but upon checking the contact name, you became slightly more inclined to answer. 
“Hey! I almost thought you weren’t gonna pick up,” the man on the other end chuckled. 
“Is everything okay?” you asked, although you weren’t sure you’d be able to handle anything else today. With how your day was going, Joel was probably calling you to break up.
“Better than okay. We finished up early, and Sarah’s already at her friend’s. You in the mood for some company?”
No, not particularly. In fact, if Joel came over, you’d probably end up going off on him over something you don’t really mean, successfully putting an end to the best thing you’ve had in a while. 
“Uh,” your voice cracked, and a rogue tear slipped down your face. You didn’t even know that you were on the brink of tears. “I’m sorry,” you uttered, digging the heels of your hands into your eyes. 
“Sorry for what? You don’t have to feel bad for not wanting me over,” he said genuinely, not picking up on your emotional state over the phone. 
“No, I do want you over,” you whimpered. “I just… I don’t want to lose you, too.”
“What? I promise you I’m not going anywhere. Well, I’m going home now, but I can also come to your place if you want me to.”
“Please,” you grit out. 
“You okay?” he asked, finally catching on to the fact that something was very off with you. 
“I don’t know,” you confessed. 
“Do you want me to stay on the phone with you?”
“No.”
“You sure you want me to come over?”
“Yeah,” you sniffled, desperately trying to fend off your tears.
“Okay, sweetheart. I’ll see you soon, alright?”
“Bye,” you hung up, burrowing yourself under layers of blankets and curling up onto your side. Maybe this tidal wave of emotions would pass by the time Joel got to your place. You closed your eyes as you took deep, shaky breaths, wiping away stray tears every now and then as they fell. You could pull yourself together. 
You kept telling yourself this as you dragged yourself out of bed to answer the door, but the moment you saw Joel with a box of chocolates and a bouquet of flowers, you completely lost it. He immediately tossed the items down and pulled you into a tight embrace, not exactly knowing what was wrong, but instinctually wanting to comfort you regardless. 
You didn’t even really know what it was either. Sure, you were pissed that you’d lost the promotion, and even more upset that Nathan had called your daughter a name while insulting your parenting skills, but it was far more than that. It was every little thing from the past two months that had upset you in some capacity that you had decided to push as far down as possible. 
You sobbed until your throat was raw and your eyes grew sore from crying so much. The whole time Joel wordlessly held you, rubbing soothing circles into your back and swaying you back and forth just the slightest bit. You almost felt like your tears would never stop, and the more you willed yourself to pull it together, the harder it was to do so. 
Finally, you pulled away, head hanging with humiliation by the emotions abruptly pouring out of you. You truly felt like a live wire. You should’ve just told Joel not to come over. 
“Want me to run you a bath?” he asked softly, tilting your chin up so he could look at you, and rubbing a thumb over your cheek. “Or is there anything I can do to make you feel better?”
“A bath is good,” you said quietly, averting your gaze. You almost felt like a toddler in the midst of a tantrum. The shame of being a grown woman who couldn’t even control her emotions was overwhelming, but Joel didn’t seem to mind much at all. He simply led you up to your bathroom and quietly filled the tub for you, checking it every now and then to make sure it wasn’t too hot. Once the tub was filled up, he helped you undress, then held your hand as you stepped into the tub. 
“Would you like me to stay?” Joel asked as you settled into the tub. 
“Not really,” you admitted. 
“Okay. Just yell for me if you need anything. I’ll be downstairs.”
Somehow, the bath was everything you needed. It was just warm enough to relax your rather tense muscles, and just quiet enough to allow you to actually process your thoughts. You sat and soaked in the bath for a while, just inhaling the scent of lavender, and trying your best to let go of the feelings that you’d been holding onto for so long. 
Eventually, you felt ready to talk about things, and called out Joel’s name, who after a moment, showed up in your bathroom and sat down on a towel next to the tub. 
“How are you feeling?” he asked, reaching for your pruny hand. 
“Better,” you answered as you laced your fingers with his.  
“Well, I’m here when you feel ready to talk about it. And if you don’t feel ready to talk about it, that’s okay too.” 
“Okay,” you said quietly. “I’m sorry,” you apologized, the apology being more of a force of habit. 
“You don’t need to be sorry,” Joel  assured, “we all feel our feelings sometimes,” he pushed away a bit of hair that had fallen into your face. 
“I’m sorry you had to see me like this, I guess,” you continued. It had been a while since you’d shown any negative emotions in front of anyone, let alone a significant other. In fact, the last time you’d been sad in front of a significant other, you’d been laughed at and mocked. You’d been conditioned to see your own vulnerability as weakness, as a character flaw you needed to apologize for.
“Like what? Naked?” he teased, trying to at least make you smile when you’d clearly been feeling so down. “You know I don’t mind that at all. Seriously, though. There’s nothing wrong with being upset, and there’s nothing wrong with being upset in front of the people you care about.”
A tear slipped down your cheek. It had been so long since anyone had made you feel like you weren’t a burden for having a rough day. Joel gently brushed away your tears with his thumb, and kissed your forehead. 
“Thank you,” you muttered, feeling all sorts of feelings, particularly one feeling you couldn’t quite describe that had been lying dormant for years of your life. 
You eventually got out of the tub once the water had become too cold and you had become
somewhat of a human prune, and you found yourself curled up in bed with Joel, wearing a flannel that he’d left behind the last time he was over. 
“Feeling any better?” he asked once again, gently rubbing your back as a trashy reality TV show played quietly in the background. 
“Yeah,” you mumbled as you looked up at the ceiling, “it’s been a rough few months.” 
“Months?” Joel asked, scooting closer to you. “What’s been happening?”
“Too much to get into,” you sighed. “I guess it just all came out now.”
Joel turned down the volume of the TV, and turned his body so that he could face you properly. “If you want to talk, we have the time. I may or may not have drank a coffee on my way over here, so I’ll be completely alert for the next few hours.”
He gently grabbed your hand and squeezed it, a little reminder that he was here for you. 
“Today’s just been… bad. When Nathan picked Chloe up, she was upset so he called her a spoiled brat and said that it was my fault that she was one. Obviously I do a lot for her, and I know that I’m a good mom, but sometimes the way he talks about her scares me a little. I don’t want her to have self-esteem issues because her dad likes to name-call. I mean, she’s probably gonna have enough issues from our shitty relationship and messy divorce. That really upset me, but that definitely wasn’t the last straw or anything.”
Joel silently sat and listened, holding your hand and listening attentively.
“I lost the promotion, Joel. You know, the one I’ve been working absurd hours for? But it’s not just that, it’s just… there are months of emotions I haven’t had a chance to process. I guess it just all came out now after that.”
“I’m so sorry,” he said softly. “Nathan is an asshole. He shouldn’t be saying that kind of thing about his child just to make you feel bad. And your boss is stupid for not giving you that position when you’ve clearly earned it. Everything you’ve felt today is valid, but so is everything else that you’ve been holding in for the past… however long. It’s okay to feel your feelings in the moment instead of waiting for them to boil over.”
“I guess, it’s just… I don’t know. I’ve had to be strong for so long. I don’t know if I know how to not wait for my emotions to boil over.”
“Well, you don’t have to be so strong anymore. You’re not alone,” he assured you. “If you ever need me to watch Chloe because you need to go out to the middle of nowhere and scream, or just need someone to talk your feelings out with, I am more than happy to do so. Okay?”
“Okay,” you agreed, setting your head on Joel’s chest. 
You were getting that weird, dormant feeling in you once again. There was an odd warmth in your chest and butterflies in your stomach, that felt strange and familiar, but most of all, exciting. You had no idea what was going on, or what that feeling was, but you did know that you didn’t want it to stop anytime soon.
And honestly, it didn’t seem like it would. 
Two
Walking into Joel’s home to the sound of soft guitar chords made you feel a bit like you had woken up in a dream, or died and gone to heaven. It wasn’t often that you’d heard him play guitar. Sing? Sure! He loved to sing along to a song he liked on the radio, or do karaoke with you and the kids. But playing guitar was something that he seemed to like to keep to himself.
Joel had picked Chloe up from school, as you had an important work event that you’d anticipated going quite late, and as you’d predicted, it was nearly midnight by the time you got to Joel’s place. It was rare for you to see those two alone, without yours or Sarah’s presence, but you’d assumed the latter had gone to bed due to how late it was and the fact that they had school in the morning.
So hearing Joel play for your daughter felt… weird. But a good weird. Like he trusted her enough to be doing something that he often kept under wraps, even for you.
“I love this song!” you heard your daughter exclaim from the living room. You rounded a corner, not quite ready to appear yet, but curious enough to eavesdrop on the scene.
Joel chuckled at her reaction, “should we sing it together?”
“Maybe, I’m not very good, though.”
“I doubt that,�� Joel said, continuing to play the introduction to the song on a loop. 
“I… fine, I’ll sing.”
The two of them began to sing along to the song, and you could’ve sworn that your heart did an actual flip as you listened. There was something very sweet about the whole scene, of Joel playing a song your daughter loved, of him assuring her that she was good enough, and singing something together. 
You should’ve felt bad for listening in on the scene, for invading on a moment that was clearly meant to be private, but you just couldn’t bring yourself to feel that way when your heart was so filled with… something that you couldn’t quite place.
The song came to a soft conclusion, and you figured there was no better time to finally step out from behind the wall than then. 
“You guys sounded so good!” you stated as you entered the room.
“Oh hi,” Joel greeted a little awkwardly, looking down at his guitar as if he’d been caught red handed. 
“Mom!” Chloe exclaimed, coming over to you and hugging you. “I missed you.”
“We were just killing time while we waited for you to get home. How was work?”
“Eh,” you shrugged, sitting down across from Joel as Chloe curled up next to you. “It was work.”
“Mom, did you know that Joel sings and plays guitar? He’s really good!”
“Really? I didn’t know that,” you acted surprised for your child, but looked mischievously at your partner. It wasn’t often that you had the chance to get Joel to play you something, and you refused to let the opportunity slip away from you. “Can you play me something?”
“He can!” Chloe accepted the offer before Joel could begin to protest. God, was this child your mini-you. “Go ahead, Joel.”
He looked to you as if he needed some sort of excuse to not do it, or encouragement to play (more likely than not, he was looking for an out), but you simply shrugged, far too enthused at the idea of him playing guitar for you. 
Just as the man sighed and began to put his fingers to the string, Sarah came down the stairs and plopped herself right next to you. 
“You guys are loud,” she stated, rubbing the sleep out of her eyes. 
“Sorry for waking you up,” you apologized. “You were just about to miss your dad’s concert!”
“Oh good,” Sarah giggled, getting all comfortable next to you as she pulled a blanket over her lap. 
“I feel like this is a premeditated attack,” Joel held onto his guitar. 
“It’s definitely not. We just want you to share your gift with the world!”
“Alright, fine. Only because I like you guys so much.”
The three of you cheered from the couch as Joel began to play again, the soft acoustic notes of a love song you’d heard a few times before. As Joel played and sang, he looked straight at you, and you couldn’t help but feel like the lyrics were coming straight from his heart to you. 
That warm, fuzzy feeling in your chest that you’d become more and more familiar with over the course of your relationship began to reappear as you sat there, the moment a snapshot of the perfect domestic bliss that had become your home life. As you sat with your two favorite children in the world, and your favorite man, you realized that you’d never felt more content in your life. 
Three
When you agreed to come to a bar with Joel, you hadn’t expected it to be a quaint little hole-in-the-wall with great live music. 
The atmosphere was lively, the drinks were dangerously sweet, and best of all, it was cute watching Joel in his element. Part of you wondered if he ever saw himself up on the stage, playing for a little audience. Although, he was so bashful and shy playing in front of you and the girls that you wondered if he would like it at all. 
You finished off your first drink rather quickly, but you were feeling up for another, and prepared to head back to the bar. “Do you want another drink?” you asked Joel over the loud music. 
“I’m alright. Thank you, though,” he kissed your cheek, then looked back up at the stage, directing all of his focus there once more. 
You made your way back to the bar, where you ordered another fruity drink for yourself and patiently waited for it to be made, humming along to the cover being sung on stage. 
Being able to find out more about what Joel liked to spend his time doing was (unsurprisingly) quite nice. While he was vulnerable with his emotions, he was often a little more closed off when it came to sharing his hobbies and interests. You wondered how many of these live shows and open mics he was familiar with, how many local artists he was friends with. Would he ever feel comfortable enough around you to share those things with you? Well, you certainly hoped so. 
You looked around with a small smile on your face at the thought of learning more about your partner’s interests. Had he ever been the one up on stage? Maybe before Sarah was born and he was launched straight into the time consuming world of fatherhood. Although, he surely would’ve shared that with you by now.
You were drawn out of thought when eyes landed on a head of hair that looked a little too familiar for your liking.  
No.
There was no way.
This bar was definitely not his scene. In fact, if you’d suggested this bar, he would’ve laughed in your face and called you a hipster, before dragging you out to some stuffy restaurant where he’d complain about the portion size of both his meal and the bill. 
Your mind was just playing a mean trick on you. You’d had a somewhat stressful week, and sometimes drinking made you the slightest bit paranoid. Besides, it was just someone’s hair. Literally anyone could have that hair color, or hair cut, and although the world was small, it wasn’t that small. 
Just as you began to fall headfirst into your nerves, the bartender handed you your drink, and you walked back to Joel, head still in the clouds. 
You couldn’t shake that off feeling, even as Joel danced around with you and stole a sip of your drink, both actions bringing a smile to your face, but not quite quelling the growing discomfort in your stomach. 
You just needed to go clear your mind and freshen up. At least, that’s what you told yourself before telling Joel to keep your drink safe and power walking to the bathroom.
You stood at the sink, splashing your face with water as cold as the faucets would go. Nathan was not here. You needed to just relax, and enjoy the fun date that Joel had planned. You couldn’t keep letting this man ruin your experiences, even when he wasn’t present.
“You okay, hun?” a voice asked you while your head was bowed over the sink. When you looked up, your eyes nearly popped out of your head, as if you were some ridiculous cartoon character. 
Well. Your brain must’ve really been fucking with you today. Or the Universe just really hated you. 
Claire, Nathan’s new girlfriend, was asking you if you were alright in the bathroom of a bar that your new boyfriend had suggested. 
You were completely unsure of whether she knew who you were or not, although she seemed tipsy enough not to care. 
“Oh, I’m fine,” you smiled awkwardly at her. “But, uh, my mascara’s a little smudged. Any chance you have a makeup wipe?”
“Yeah!” she said, digging into her purse to check for the item. 
You’d never met Claire before, but as far as first impressions went, this one wasn’t too bad. She offered you the wipe, then stood next to you as you dabbed at your under eye. 
“You meet anyone fun tonight?” she asked, beginning to touch up her own makeup. 
“No, I’m actually here with my partner. He really likes the music,” you said casually, dabbing at the same spot so you could at least attempt to maintain your composure in an otherwise dramatically ironic and tense situation. 
“Oh no. Was he the one making you cry?”
“Cry? No! I was sweating. We were dancing,” suddenly, a slightly perverse question crossed your mind. “Does your partner make you cry a lot?”
“How do you even know I have one?” she giggled, sounding less accusatory and more confused. 
“I don’t I just-“
“No, not really,” she shrugged as she reapplied her lip liner. “He mostly just buys me shit and spoils me. What would I have to cry about? He’s a really good guy.”
Oh, you remembered that phase. Well, phases. The time after he’d slapped you during an argument immediately came to mind. Nathan could probably teach a seminar on love bombing, then making you feel guilty for having any negative feelings because of all the money he’d spent on you. 
“That’s good,” you nodded, tossing the used wipe in the trash and making your way to the door. “Thanks for checking in on me and helping me. Have a good night.”
“Hey, do I know you from somewhere?” she asked as your hand hit the door.
“No,” you replied promptly, maybe slamming the door behind you a little too hard. 
This was a lot to process, and a lot to take in. Despite having a fun time with Joel, you really just wanted to go home. Finding your way back out to him, you silently accepted back your drink and stood besides him stiffly. 
“You okay?” he asked, gently grabbing your arm. 
“Fine, just… just.. I have an upset stomach,” you explained. You were never a good liar, the concern in Joel’s eyes told you that you hadn’t suddenly become one. 
“I’m sorry, sweetie,” he said, rubbing your forearm gently. “Let’s go home, okay?”
You certainly didn’t protest as he began to lead you out of the bar, and you let out a sigh of relief at being able to leave before running into anyone else you knew.
Although, life was never that simple, was it?
As you approached the door, a familiar voice called out your name, sending a chill up your spine. Joel’s head whipped around from where it was coming from, and scowled when he saw who the voice belonged to. Ignoring him, the two of you continued your departure, a newfound urgency in both of your steps.
Once you were outside, you felt yourself puff out a sigh of relief. You’d managed to get out of the bar with only a brief conversation with Claire, and no direct interaction with Nathan. Now, if you could only get home, curl up with Joel on the couch, and tell him the absurd story of how you’d bumped into your ex’s new girlfriend in the bathroom. 
But the universe clearly wasn’t letting you off the hook just yet.
“Hey!” Nathan called as he stepped out of the bar, Claire trailing just a few paces behind him. “You’re such a fuckin’ bitch. Can’t even say hi to the father of your child.”
You were almost alarmed by the speed in which Joel marched over to your ex and reprimanded him. Not even wasting a moment, Joel shoved him back—a warning of sorts, with your knowledge that he was certainly holding himself back. 
“Leave her the fuck alone,” he barked. It was like no tone you’d ever heard him use before, not when he was upset with anyone, and not even when he was yelling at a referee for a bad call.  
“And who the fuck are you?” your ex shot back. 
“Does it really matter?” Joel pressed, not backing down despite the slightly shorter man getting in his face. “You’re not gonna go around trying to degrade women.”
“Oh yeah? You gonna stop me, Mr. Nice guy?” Nathan pushed Joel, but your partner barely budged. 
“You fuckin’ cuck,” Nathan muttered. “Why do you even care about this whore?”
Nathan took a second to think about it, glancing between the two of you before a light seemed to go off in his little brain. 
“Oh, I know. You’re that guy from the soccer games. You two together now?" His condescension was almost jarring to hear, and part of you worried about what your clearly inebriated ex might say or do next. “I see you’re still the community cumrag,” he directed at you. 
You hardly had a moment to process what was just said before Joel was swinging, clearly seeing red as he threw a hefty right hook at your ex, leaving a nasty crunching sound as he fell to the ground. 
“Don’t talk about her, or any other fucking woman like that ever again,” he squatted down to his level, and grabbed both of his cheeks. “Leave her the fuck alone, you understand me? Or next time you’re gonna wish it was just your nose.”
Nathan cradled his bloody nose and whimpered and Joel walked back to you, the fury on his face melting into something apologetic as you looked at him with wide eyes.
“I’m sorry,” he began, cautiously approaching you as if he was something to be afraid of. “I shouldn’t have done that. I overstepped-“
“Joel. Don’t apologize. Do you know how much that asshole deserved it? You did everyone a favor tonight, but especially me.” 
You had never had someone defend you so literally before. Sure, your friends had argued with Nathan a few times on your behalf, but punching Nathan in the face had truly raised your expectations for anyone who claimed to be doing anything to help you. You don’t think you’d have felt this alive or cherished in years. 
“Now let’s get you home and ice those knuckles.”
Four
You were usually a big fan of rainy days. The sound of rain pattering against the window or on the roof of your car, and the smell of petrichor on the pavement were sensations you wished you could experience all the time. But today, you weren’t quite so pleased to see the rain. 
You’d taken the day off to spend it with Joel, who had specifically asked for you to take some time off to be with him. You couldn’t blame him, as you’d been slightly neglecting him after things picked up once again at work. You’d had a whole outdoorsy day planned, with a morning hike, a visit to a conservatory, and a picnic at one of your favorite local parks. Unfortunately, none of those activities could be done comfortably in the pouring rain. 
Instead, you opted to come back to your place after you dropped your kids off at school, and have a domestic little day-in.
After putting some homemade cinnamon rolls into the oven, the two of you found yourselves on your couch, comfortably sitting together and reading your own books while the smell of warm cinnamon filled your house. 
Occasionally, you glanced out your window, the scene of rain granting you a sense of serenity. At one point, you noticed Joel’s gaze out the window as well, and you couldn’t help but comment on it. 
“Don’t you just love the rain?” you asked, setting your book down on your coffee table. It was more of an excuse to break the silence than an actual comment, but you said it regardless.
“It’s nice,” he agreed, his tone oddly somber for a comment on the rain. 
“You okay, big guy?” you asked before moving closer to Joel. 
“I’m alright,” he smiled, but it didn’t quite meet his eyes. There wasn’t any real concrete evidence that something was off, but something inside you told you that something definitely was off. 
“You sure?” you asked, squeezing his bicep. 
“Yeah, it’s just,” he paused, looking down at his book as if he was about to go right back to reading instead of telling you the issue. After a moment of hesitation, he spoke once more, “it’s the anniversary of Diane leaving.”
Oh. So that’s why he’d asked to be with you today.
You’d never heard Joel say her name before. Sure, you’d seen her name written under a polaroid or two, but you’d never heard Joel reference her ever. Now that you thought about it, you didn’t really know what their deal was. Amicable exes? Divorcees? Was Joel a widower? You felt awful that you’d gone this far into a relationship and still didn’t know anything about his last significant one. 
“I’m sorry,” you said quietly, not completely sure how to react. You mainly wanted to get a gauge on Joel’s reaction–just how upset was he? Did he want to talk about it? Or just get the importance of the day out in the open?
“It’s just… Today feels like that day in a lot of ways.”
You nodded slowly, still not exactly sure of how to approach the situation. You thought back to all of the times he’d been there to support you when you were having a rough day, and ended up asking aloud, “is there anything I can do to make you feel better?” 
“Maybe just listening, if that’s okay. It helps to talk about it,” he paused. “The rolls smell done. I’ll go get them,” with that, he was off to the kitchen, barely giving you time to react, or even protest his departure.
He clearly wanted to talk, but just wasn’t completely ready to do so at that moment. You could listen. You could be the best damn listener on the planet if that was what Joel needed from you. No matter what he revealed to you today, you were determined to make Joel feel comfortable, and know that whatever he was going through, he wasn’t alone—just as he’d shown you in the past.
By the time he came back to the living room, Joel offered you a plate with an iced cinnamon roll and acted like everything was normal. He sat back down next to you, stole a bite from your plate, then buried his nose right back into his novel.
You respected his right to process his emotions in any way he saw fit. All you could do was be a good partner, and offer whatever he needed from you to feel better, like he’d done for you so many times before. 
While you were fine with spending your day cuddled up on the sofa and reading, you were also aware that there were a good amount of house chores that were calling your name. Upon mentioning these tasks, Joel insisted on helping out, which was how you two landed in the laundry room, laughing at something stupid that had happened to you this week. 
While you loaded light clothes into your washer, Joel suddenly caught you off guard with a question that was a far cry from the banter you’d just been having only moments before. 
“Is it… are you okay with me talking about it?”
By it you could only assume he meant the giant elephant of a woman in the room. 
“Of course,” you turned to him, offering sympathetic eyes. 
“She left just a few months after Sarah was born,” Joel busied himself by pouring out laundry detergent and fabric softeners. “I just woke up one morning to an empty bed and a note in the kitchen saying she was leaving, she wasn’t coming back, and not to look for her.”
You were taken aback by the cruelty of such an abrupt ending, especially with such a young infant. You couldn’t imagine being put in those circumstances so unexpectedly. 
Joel casually poured the respective liquids into their proper places in the machine, then turned it on. “It was a day just like this. The nursery had a nice, big window that we put a rocking chair in front of. Sarah liked looking at the stars when she was younger, it always helped to calm her down. I remember holding her in that chair and bawling my eyes out while she cried too, and with all the rain against the window… it felt like the Earth was crying right along with us.”
You weren’t sure what to say or how to react, but it seemed like Joel was prepared to move right on, quickly changing the subject as he led you out of the laundry room. 
Baking cinnamon rolls had left a lot of dishes in the sink, but luckily for you, you had an extra set of hands to help you out. Joel was on rinsing duty, and you were on loading.
You quickly found your rhythm, as you often did with partnered tasks. You worked quietly while loading the dishes, letting the music from your speaker fill up the silence, but it was obvious Joel was lost in thought.
Eventually, he quietly began to speak again, “I kept trying to make sense of her leaving. I knew that postpartum depression hit her really hard, and that she was barely sleeping at night because of how often Sarah was crying. Sarah was a really sensitive, fussy baby. She’d told me how she’d felt a few times, and I always kinda thought things would just pass. Every new parent hits that roadbump where they just can’t see themselves doing this thing forever, right? Then, she just left. I thought maybe she just needed a few days away, and that she’d be back. But days went by, then weeks, then it had been a month, and it was still just Sarah and I.”
“Did she ever come back around?” you asked, setting down the last dish into the sink, then closing the machine.
“Never heard from her again.”
You closed the distance between you and the man, wrapping him in as tight of a hug that you could manage. 
“I’m so sorry,” you muttered into his shirt as he melted into your embrace. “I can’t even imagine how painful and stressful that was.”
As a mother, you couldn’t imagine abandoning your child; the tiny human being you spent nine months carrying, and would spend a lifetime loving. But as a human, you understood the stress of being the parent of a newborn. Waking up every few hours because your baby is crying and you’ve tried everything to get her to stop but she just… won’t. Paired with postpartum depression, which you were no stranger to, you could understand the circumstances that led Diane to feeling like she had no other option but to leave. But that didn’t, in any way, make it the right thing to do. 
As you held Joel, a sound you hadn’t ever heard from him escaped his lips, wracking his body. A guttural cry that had clearly been trapped deep inside of him for the longest time had suddenly escaped as he recalled an event that had clearly changed his life. 
You stood in the kitchen holding him for what felt like forever, when he finally pulled away, wiping his face a little bit. 
“Thank you,” was all that he managed to get out.
You laid next to him in bed after a rather emotionally loaded session of lovemaking, trying to catch your breath as the two of you recovered from the underlying emotional and physical aftermath of your fornication. As Joel spooned you, a question lingered on your mind. 
“Do you still love her?” you asked, keeping your eyes forward on the wall. You wanted to say you were sure he had moved on, but these types of situations were rather nuanced. There were just some bonds that regardless of time or circumstances, people continued to hold on to. 
“No,” he answered clearly. “I don’t hate her, either. I guess I just understand her. But that doesn’t make what she put me or Sarah through any better.” 
You slipped your hand down to where his were currently laying on your stomach, and you set one on top of his. 
“I’m not jealous, I’m just curious. Do you ever miss her?” 
“I used to,” he sighed, the close breath blowing some hairs on your neck. “I don’t anymore.”
Eventually, your laundry was dry, meaning you two needed to get out of bed and get to folding. 
“She has a new family, now,” he said out of the blue, as he folded up a pair of your pajama pants. “Husband, kids, dog, the full nine yards. Tommy found her Facebook a few years ago, but I still haven’t looked. I don’t really know why.”
You didn’t really know why either, but you knew exactly the feeling he was experiencing. Seeing your ex who you’d invested so much into and had a child with move on with someone was a particularly gut wrenching feeling. You could only imagine how much worse it was in Joel’s scenario, where Diane had abandoned him and their child, yet had a child and built another family elsewhere. 
“Does Sarah know?” you asked, putting a blouse onto a hanger. 
“Bits and pieces. She kinda just accepted that her mom’s not in the picture, but doesn’t know why she left or anything about her mom’s new family,” Joel finished up with his basket, then began to help you with yours. “Maybe when she’s older. Old enough to understand that it isn’t her fault and that these things just… happen sometimes.”
“I guess,” you frowned as you grabbed your last article of clothing and hung it up. “It shouldn’t have happened, though. Neither of you deserved to be abandoned.”
“It was gonna happen one way or another,” Joel shrugged, putting your baskets away. “Our relationship had been on the rocks even before Diane became pregnant. If it wasn’t then, it would be later. I’m just glad it happened early enough that Sarah doesn’t remember. You in the mood for a coffee?”
His words gave you a bit of whiplash, but you accepted the offer of a warm drink regardless. 
You sat at your table, stirring your drink as Joel sat down across from you. 
“Good, right?” he asked. “I think I’ve officially nailed the way you like your coffee.”
“It’s pretty good,” you admitted, taking a sip from a mug that Chloe had decorated in her school’s art class. 
“I’ll take that as a compliment.”
“Good. It is one,” you hummed. 
It was clear that his mood was slightly improving the more that he talked about his experience. You wondered just how much of this information he’d shared with anyone else before you, as he told the story as if he were confessing something for the first time ever. 
“I’ve never told anyone this much about it,” he confessed. “I’m glad that of all the people I could’ve told, it ended up being you.”
“Joel, I,” the words popped into your head, but died on your tongue. “I care about you so much. I know this can’t be easy to talk about, so thank you for sharing this with me,” you squeezed his hands across the table. 
“Thank you for being so supportive. I also care about you a lot. So much that it scares me. Especially knowing that you could lose everything in a literal night,” he admitted. 
“Oh Joel,” you said softly. “I’m also scared. I’m always so scared that I’ll lose you and Sarah and this little blended family we’ve made. But if that’s the price I pay for… caring about you so much, I’m okay with being afraid.”
Joel looked at you like he had something to say, but instead sat there quietly for a moment, processing your words. “Do you want to watch an episode of The Bachelorette?” 
“Is that even a question? C’mon,” you stood up.
The two of you cuddled up on the couch once again, this time with a much lighter feeling in the room, partially due to what Joel had confessed to you, and partially due to the absolutely ridiculous content playing on your television.
“I’m sad that I had to go through what I had to go through, but I’m glad that it led me to you,” Joel said out of the blue, resting his forehead against yours.
You were glad that he found you too.
Five
It wasn’t every day that the forces of the universe seemed to be on your side, but for some reason, today was one of those days. 
When you’d been called into your boss’ office that morning, a pit formed in your stomach. You’d figured that the day you were going to be laid off was coming, especially following the whole promotion fiasco. As you walked into her office, you fully intended to be walking out without a job. 
Except, that wasn’t what happened. You had been promoted, and promoted into a position even higher than the one you’d previously been gunning after. 
Once you found out, you had to fight the urge to skip out of your boss’s office, singing and dancing with joy. Instead, you fought that urge by closing the door to your office, and calling Joel. 
“Hey honey, what’s up?” he answered casually. 
“Joel, they promoted me! And it’s an even better position than what I was trying to get before!” you squealed. 
Joel cheered from over the phone, making you somehow smile even harder. “Congratulations! I’m so proud of you. I can’t think of anyone who deserves this more than you.”
“Oh my god, stop it,” you giggled, putting your hands up to your warm cheeks. 
“No, I’m serious,” Joel countered. “I know a lot of hard workers, and none of them work as hard as you. You’ve sacrificed so much to get here and it’s finally paid off.”
“Thank you, Joel,” you had more to say, but you decided to keep it to yourself. Mainly, how did you get so lucky to end up with a man like him? 
“Are you busy tonight?” he asked. 
“I’m just dropping Chloe off at my mom’s, then I should be free for the evening. Why?”
“Why don’t you come over to my place so we can celebrate? You picked the right time to get a promotion. Sarah’s going to her uncle’s for the weekend.”
“Sounds good to me,” you hummed. “I’ll text you when I’m heading over.”
“Alright. Again, congratulations! So proud.”
You hung up and attempted to get back to work, but you were far too excited to focus for too long. You somehow made it to the end of the work day and to Joel’s house without spontaneously combusting from joy.
When you walked in, you were immediately met with the smells of one of your favorite candles, mixed with the mouthwatering scent of fragrant coming from the kitchen. 
“Joel, I’m home!” you announced, making your way to the kitchen only to find it very dressed up. The lights were dimmed, a crisp white table cloth rested on the table, and a gorgeous arrangement of flowers sat in a vase in the middle of the table, right next to a rather nice looking bottle of champagne. 
Joel was finishing up plating something spectacular as you came in. “Please, have a seat,” he directed. You didn’t need to be told twice. 
With the arrangement of the table, you almost felt like you were sitting at a fancy little restaurant, but better, knowing all the effort Joel had put into making the table look this way.  He brought over two plates, set one over at his seat and one in front of you, before leaning down and kissing you gently. 
“Congratulations. I am so, so, so proud of you,” he said after finally pulling away, reaching for the bottle of champagne on the table.
“If anyone in the world deserves good things,” he turned away from you so that he could safely pop the bottle. “It’s you. I’m glad you’re finally getting the recognition that you deserve.”
With the bottle opened, he poured you out a glass, then poured himself some. You lifted up your glass and Joel mirrored you.
“Cheers,” you said with a grin, tapping your glasses together, then taking a sip. Once you finished drinking, Joel leaned in for one more kiss before he situated himself back into his chair. 
“I think you deserve a promotion from best boyfriend in the world to best boyfriend in the universe,” you softly laughed, looking down at your plate. 
“Do I? I think anyone would celebrate the person they…” he paused for just a split second, and you probably wouldn’t have noticed it if you weren’t paying such close attention. “The person they’re sharing their life with if they made a big accomplishment like this.”
“Honey, you’d be very surprised. I can think of at least one person who would view this promotion as a bad thing.”
“Well, don’t think about them right now. This is an amazing thing, and we’re celebrating you today. Not an insecure man with a Napoleon complex and a small penis.”
You laughed out loud, nearly choking on a bubbly sip of champagne. 
“You’re right,” you picked up your fork and knife, reading to dig into the amazing looking meal in front of you. “Thank you for this, Joel. You always make me feel so appreciated and cherished. You’re truly one of a kind.”
He shook his head bashfully at the compliment, eating right along with you. It was almost cute how he never seemed to accept compliments, but certainly deserved them more than basically any other person that you knew. 
“You always show me how much you care about me. It’s only fair that I do the same.”
“You’re so romantic,” you sighed. “How can I guarantee that I can keep you around forever?”
“Just keep being you, I guess. That’s all I’ve really ever wanted.”
How did you get so lucky? How did you manage to hit the jackpot on men with Joel, almost let it slip through your fingers not once, but twice, and still managed to end up with one of your favorite people in the world? 
However it ended up happening, you certainly weren’t mad at it, and as you sat together, you hoped for things never to change. 
Plus One
Given that you practically lived at each other’s homes now, you often spent your mornings together getting ready to take on the day. It was cute how you both had your own little routines and were able to coexist in a tiny little space. 
Today, you stood in Joel’s bathroom, washing your face as the mirror across from you began to become progressively more foggy from the heat of Joel’s shower. 
“My hair is gonna be so frizzy,” you muttered to yourself as you rubbed moisturizer into your skin. 
“Hey, you’re the one who wanted to come in here with me,” Joel shot back from the shower, turning the water off. 
“Whatever,” you grumbled, getting back to work on your face as Joel dried himself off and wrapped a towel around his waist. 
“You’re so cute when you’re grumpy in the morning,” he commented as he approached you, standing next to you at the sink. 
“I am not grumpy,” you argued, then paused once Joel gave you a very disbelieving expression. “Fine. I can get a little irritable in the morning. Especially when someone’s boiling hot showers make my hair get all frizzy.”
“I wonder who that someone is?” Joel looked around the room in faux confusion. 
“Ugh, shut up. You are such a dad,” you fought back laughter, but you couldn’t really help the smile that appeared on your lips. 
“Shutting up,” Joel acknowledged, grabbing his razor and some shaving cream to touch up some of his facial hair. You began to brush your teeth, focusing on yourself in the mirror to make sure that you were making your dentist proud. 
Your eyes eventually migrated and were meeting Joel’s in the mirror. You flashed him a big, foamy grin, and he immediately broke into hysterics, setting the razor down so he didn’t cut himself while laughing so hard. 
“Really?” he asked between laughs. “While I’m shaving?”
“Sorry,” you shrugged with a self-satisfied smirk. 
“You are such a dork,” Joel sighed as he calmed himself down, leaning against the counter as he began to work on shaving his face once more. “Ugh, I love you,” the words seemed to come out of his mouth involuntarily, if the horrified look on his face told you anything. 
It seemed like the whole house stopped after Joel said it, the dripping from the showerhead ceasing, the faint buzz of the air conditioner nowhere to be found, and the noises of your children downstairs coming to a halt.
You were shocked at the admission, and Joel seemed to be shocked that he’d said anything. 
Now that he’d mentioned it, you really did love Joel. You loved how he supported you, and how he treated your daughter like she was his own. You loved that he wasn’t afraid to fight for what he believed in, especially when that included socking your ex in the face. You loved his ability to be vulnerable with you, and the way that he seemed to always know what to say at the right time. You loved knowing that no matter how shitty of a day you’d had, Joel would always be there, ready to order your favorite foods and spoon you while decompressing with the worst, most trashy reality TV you could find. 
You’d spent all this time thinking that you’d never experience romantic love again, that romantic love was tumultuous and exhausting, when you’d been in love with Joel the whole time. 
You were one of those people who were meant to love and be loved. Joel had proven that much to you. 
“I love you too,” you confessed, toothpaste still obstructing your mouth.
Maybe love wasn't so bad after all.
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Text
He Hung Up
Pairing: Tara Carpenter x Reader
Summary: “Ooh,” you said excited, jumping up from the couch. You reached out making a grabby hand already. “Give me the phone, I’m great at pissing people off.”
Warnings: Violent Threats
Word Count: 3k
Main Masterlist | Series Masterlist
Part 2 | Part 3 | Part 4
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You and your friends trudged up the many many steps to the Carpenter sister’s apartment. You were at a party with your girlfriend and her friends when a drunk frat guy decided to get a little handsy. Luckily for you or more like lucky for him Sam showed up. Sam tasing him was generous because if you had gotten your hands on him for what he was about to do with Tara you would have beaten the shit out of him.
Sam also showing up meant Tara had been caught. Meaning you were now all in trouble for going to the party. Chad and his roommate Ethan took up the rear, while Mindy and her girlfriend Anika, held hands giggling and walking as close together as they could get as if they were in their own little world. You were in front of them while your girlfriend and her sister led the way, arguing, like usual.
You had been holding Tara’s hand, but she really liked gesturing wildly when she got into it with Sam, so she eventually dropped your hand. You tried intervening a few times but after Sam stopped, turning her furious glare onto you, you quickly shut your mouth and dropped your eyes to the ground. Sam wasn’t the biggest fan of you already and as much as you wanted to stick up for your girlfriend, even though you agreed with her sister to an extent, you didn’t want to add any more reasons for Sam to hate you. You knew Tara didn’t care about Sam’s opinions when it came to you, but you still wanted the older Carpenter to like you, at this point you were grasping at anything to win you points.
When you got to the apartment you all piled in, you and Anika dropping onto the couch, Ethan shuffling himself into a chair off to the side. Sam quickly locked the several locks on the door before moving into the kitchen with the other three. You could hear the core four as Chad had stupidly nicknamed them all whisper arguing about the night’s events. Quinn slipped out of her room after hearing the commotion you all must have been making and plopped herself down in the other chair.
Your eyes had drifted to the TV that Anika had turned on though she kept the volume muted. You weren’t paying attention until you noticed it wasn’t just a normal boring news report.
“Hey guys,” you shouted getting the others’ attention. “You need to see this.” You reached for the remote, turning up the volume as the others re-entered the room.
Everyone was silent as the story played. Some college students were killed and a Ghostface mask was left at the scene.
“Oh, hey it’s those weird guys from class,” you commented when the news threw up a picture of the two students who were killed. “That one,” you pointed to the picture that had the name Jason under it, “is the creepy one that always stares at you.” You turned to give Tara a I told you so look.
“He didn’t stare at me,” Tara weakly defended.
“He paid more attention to you than to the class.”
“How would you know?” Tara raised a brow. “Unless you weren’t paying attention either.”
“I’m your girlfriend,” you put a hand to your heart. “When I stare at you it’s adorable.”
Tara didn’t say anything more, she just playfully rolled her eyes.
Tara had turned her attention back to the TV, but you couldn’t take your eyes off her. The class you shared with the weird Jason kid was where you first met Tara. She sat next to you and despite it being the first day you were completely unprepared, you had asked her to borrow a pen then ten seconds later asked for a sheet of paper.
After that first class you slowly started trying to talk to her during quiet moments of class or if you were lucky and she got there early enough before class. You could listen to her all day discuss the deeper meaning of her ‘elevated’ horror movies.
You were sitting in the very spot you were now on her couch a few months ago. You had come over to Tara’s place to work on a paper for class, she was hesitant because her sister didn’t like unknown guests, but she said since her sister would be at therapy it would be fine. And you were fine, quietly working on your paper, stealing subtle glances at Tara.
You had been crushing on her hard since you first saw her but didn’t have the courage to do anything about it. With her history you weren’t sure she wanted anything more than friendship. During one of your subtle glances though you caught Tara openly staring at you. You dropped your pen, turning with the intention to ask if everything was okay when she leaned forward, grabbing you by the back of the head and pulling you into a kiss.
You instantly reciprocated the kiss, turning your body to fully face her. You brought up both of your hands, running them through her hair. You could feel her smile into the kiss as she pulled you closer, deepening the kiss even more.
You broke away, lightly laughing when you needed air. You shyly looked at Tara, despite the fact that you had just been making you, you saw her wearing the same smile as you.
“Sorry,” she said. “I waited so long, and it didn’t seem like you were ever going to make a move.”
You silently laughed, nodding before pulling her in for another kiss. You repositioned so you were kneeling on the couch, Tara doing the same. She started to slip your jacket off, neither of you breaking the kiss. You were both so caught up you didn’t hear the door open. You didn’t break apart until someone angrily cleared their throat, followed by a loud door slam.
You both jumped apart. You pulled your jacket back on, clearing your throat as if you hadn’t just been caught doing what you were about to do. You glanced towards the door to see Tara’s sister fuming.
“Sam,” Tara said, trying to sound casual. “You’re home early. How was therapy?”
You didn’t move, you didn’t say anything, you couldn’t take your eyes off of Sam. You had just been making out with Tara and now her sister was home and blocking your only path out. She hadn’t acknowledged her sister in any way, she just continued to glare at you.
“Get out,” is the only thing Sam said.
You quickly shot to your feet, throwing your stuff into your bag, and swinging the strap over one shoulder, not bothering to zip the bag up. You turned to Tara, smiled, and gave a thumbs up, then quickly scurried out of the apartment as Sam stepped out of the way, opening the door for you. You didn’t turn back but you could feel Sam’s burning gaze in the back of your skull. She hadn’t stopped glaring at you to this day.
You were brought back to the present when you heard Tara gasp and saw her eyes widen. You turned back to the TV and saw it.
“Holy shit,” you said, leaning forward to make sure you were seeing correctly. “That’s our film studies professor.”
The news reporter continued, saying how your professor was found stabbed to death in an alley. Then went on to say that the knife used was found in Jason’s apartment with his prints on it.
“Damn, I guess class is cancelled next week,” you said. You turned to say something else, but Tara was giving you a deadpanned look while Sam was once again glaring at you. You really needed to learn to shut up sometimes.
“We’re leaving, pack your stuff,” Sam announced, breaking her silence for the first time.
“Wait, what?” Tara asked. “We don’t even know if this has anything to do with us. It’s Halloween, there are thousands of people dressed up.” Tara tried to find any excuse to not leave. She turned back to you with a worried look. “Quinn!” she quickly turned to her roommate. “Call your dad, see what he knows.”
Quinn nodded, pulling out her phone. Before Quinn could start the call though another phone rang. Everyone in the room froze. All heads turned to Sam as she fished out her phone from her back pocket.
Tara moved closer to her sister, looking down at the phone. They both just stared at it in Sam’s hand as it continued to ring, no one moving to answer it.
“Ooh,” you said excited, jumping up from the couch. You reached out making a grabby hand already. “Give me the phone, I’m great at pissing people off.”
“That’s for damn sure,” Sam mumbled. You pouted but took the phone. She didn’t hand it to you, but she made no move to stop you.
“Hello?” you asked, a smile playing at your lips.
There was heavy breathing on the other end before, “You’re not Samantha.”
“No, sorry, she can’t come to the phone right now. May I take a message?”
“Put Samantha on the phone. I want to play a game with her.”
“Really?” you scrunched up your nose, looking towards Sam. “Have you met her? She’s not much fun.” Sam glared at you. “However, I’m much more fun. I love playing games, especially with her sister.” You winked at Tara who switched to glaring at you as well. You smiled, trying to keep in your laugh.
“Give Samantha the phone or my knife will find a home in your heart.”
“Sorry, my heart is already taken.” You winked at Tara again. She stopped glaring at you but only to roll her eyes at your antics.
“Don’t worry I’ll make sure to carve it out and deliver it her.”
“Well, I have always said the best presents come from the heart.”
“Stupid girl, do you have any idea who you’re talking to?”
“Let’s see, late night phone call, death threats, ominous creepy sounding voice,” you mumbled off. You tilted your head as if you were thinking really hard about who could possibly be on the phone.
“You really have a death wish, don’t you child?”
“Wait wait wait,” you said excitedly. “Wait, am I talking to the one and only Ghostface?” You paused, furrowing your brow as your eyes left the group of friends and drifted up to the ceiling in thought. “Well technically there’s usually two of you and technically you’re like the,” you started silently counting, using your fingers to keep track, “the tenth one? Whatever, anyway, it’s an honor.”
“I will gut you,” Ghostface growled out.
“Yeah, yeah, yeah, sure. Can I make a request about my death?” You turned to your friends who were watching you with curious looks, waiting to see what you’d do next. “Just make sure I suffer. I don’t want to go out easy.” You started pacing, your friends now going from curious to concerned. Even Sam seemed concerned, it brought a small smile to your face, maybe this was how you won her over.
“My knife will carve out your insides.”
“Oh my god,” you whispered shyly. “Who told you I was into knife play?”
You turned back to your friends when you heard a cough only to see Chad choking on his water. Mindy was smacking her brother on the back to help him out. He seemed to be trying to keep the water in his mouth through the coughing, but he was clearly failing as the water finally sprayed out of his mouth. You rolled your eyes as Chad doubled over in a coughing fit. Sam and Tara ignored him as they continued to watch you.
“Has anyone ever told you how irritating you are?” Ghostface asked. He was using a voice changer, but you could swear he sounded tired.
“I’m an acquired taste,” you said. You shot your girlfriend a glare as you caught her nodding in agreement. She stopped when she caught your glaring, smiling innocently and mouthing ‘love you’. “Now for my death,” you continued, getting back to the important stuff. “Remember, slow and painful. I’m not just some side character.” You spun around pointing your finger even though you weren’t facing Ghostface. Though when you thought about it, he was probably watching you. “I’m not just some character that’s written off with a quick death. No, I’m the memorable bitch. I might not be the main but I’m the death you remember, you feel me?”
There was a long silence as you waited for his response. Your friends all leaned closer waiting for what would happen next even though they could only hear your side of the conversation. You furrowed your eyebrows when it had been over twenty seconds of silence.
“Hello? Hello?” you asked, pulling the phone away from your ear to look at the screen. “Hmm,” you hummed, tilting your head at the blank screen. “He hung up.”
You sighed, shaking your head as you turned back to your friends. You held out your hand, handing the phone back to Sam as you saw the shocked expressions of your friends. Everyone was staring at you wide eyed and mouths agape.
“So, does this mean I won or that I’m gonna die even more horribly than originally planned?” You asked. You raised your eyebrows waiting for a response as they continued to stare at you.
“You got Ghostface to hang up on you,” Mindy said in disbelief.
You shrugged. “I just have a way with some people.”
“Okay, I think it’s time we called it a night,” Sam said, pushing off from the dining table she had been leaning against.
“Can Y/N stay the night?” Tara asked, coming to stand by you.
You smiled as Tara wrapped her arms around your mid-section. You quickly put an arm around her, you would never turn down a hug and potential cuddles. You looked up at Sam with a smile. Sam shot you a tired glare, but you kept the smile on.
“Tara,” Sam groaned. “One phone call doesn’t mean I like her.”
You lost your smile, pouting at the older Carpenter. You had thought you did pretty good with the phone call. You had actually kind of enjoyed it, minus all the death threats you got.
“But she’s in danger now,” Tara argued. “If we send her back to her dorm alone then Ghostface can attack her and after that phone call he’s going to kill her horribly and painfully.”
“Wait what?” You asked, you head going back and forth between your girlfriend and her sister.
Sam tilted her head, raising her eyebrows slightly. Her head bounced around as she seemed to debate Tara’s words. You swallowed, gripping Tara a little tighter as you pulled her closer to you. You knew Sam wasn’t the biggest fan of you, but you didn’t think when it came down to your life that it was actually up for debate.
“Sam!” Tara snapped when it seemed like Sam had started to lean more towards sending you on your way.
Sam sighed, rolling her eyes. She had a small smile on her face, a smile she tended to only reserve for Tara when she was messing with her. “Alright, fine,” Sam said. “She can stay the night.” Sam lost her smile as she turned her attention back to you. She slowly made her way closer, glaring at you without blinking. “No funny business,” she pointed her finger threateningly at you. “Or I will throw you out.”
You nodded your head rapidly, letting out a small sigh of relief. Sam smiled sweetly as she turned away from you to face the others, but you could still see the lingering threat in her eyes. You shifted, tightening your grip on Tara again. She looked up at you smiling and despite just being threatened by her sister you couldn’t help but smile back. You were excited to be able to cuddle your girlfriend all night without the worries of waking up early to sneak out.
“Do you guys want to stay as well?” Sam asked the rest of the group.
“Nah, we’re good,” Chad said.
Sam nodded and walked them to the door. Chad and Ethan left, followed by Mindy and Anika who were wrapped up in a hug. Sam instantly got to locking the various locks on the door. Quinn pushed off her chair and went to her room with only a wave as a goodnight.
“Wait,” you said, causing Sam and Tara to look at you. “How much danger am I actually in?”
Sam rolled her eyes. “I’m going to bed,” is all she said. She walked past you and Tara and made her way to her room. “Goodnight!” she called out, giving a final wave of her hand before you heard the room to her door close.
“But seriously, am I next?” you shrieked, leaning back to look Tara in the eye.
Tara bobbed her head back and forth, opening her mouth to say, “Well-”
“Oh god!”
“Baby don’t worry,” Tara placed a hand on your chest in an attempt to comfort you. “I’ll protect you. For now,” she moved out of your embrace, moving her hand down until she could intertwine it with yours. “Let’s enjoy this rare occasion of you not having to sneak out and go cuddle.”
You succeeded in your goal to piss off Ghostface it seemed. Your life was in even more danger than it was before by just dating Tara, Sam willingly allowing you to stay the night at the apartment confirmed that. Though you were reasonably terrified of your potentially upcoming death you couldn’t focus on that. The girl you were crazy about was standing before you and asking you to cuddle. You wordlessly nodded, allowing her to drag you to her room. You would never deny her after all.
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ginnsbaker · 7 months
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In Silent Screams (2/3)
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Several weeks into her affair with Vision, the voice inside Wanda's head urging her to end things diminishes to faint murmurs, eventually fading away entirely.
Chapter word count: 8k+ Pairing: Wanda Maximoff x Fem!Reader, Wanda Maximoff x Vision Warnings: Smut (F/M), Cheating, Angst, Gaslighting, Manipulation, Dubious Consent, Toxic Relationships
Notes: M rating this time. It gets spicier because what's between them is just pure lust. There will be a full smut scene that is a bit triggering given the context of how it happens, why it happens. I will mark it in red so you can skip it. Again, you will probably hate Wanda here more than the previous part, be warned.
Series Masterlist | Main Masterlist
-
Part II
Comfort starts to creep in, wrapping around Wanda like a cozy blanket.
Several weeks into her affair with Vision, the voice inside Wanda's head urging her to end things diminishes to faint murmurs, eventually fading away entirely. And as she allows herself to indulge in the newness of his body and all the ways he is different and not what she’s used to, it becomes even more pleasurable (and addicting) for her when they come together. 
Wanda starts to think that maybe being with Vision like this doesn't take away from the love she has for you. It's almost as if she's compartmentalized herself—her relationship with you remains sacred, undisturbed by the dalliances that occupy her days. Vision has become a separate chapter, a deviation from the norm, but he's not taking the place of what she's built with you over time. Every night, regardless of how late it gets or how entangled she becomes in her meetings with Vision, she finds herself retracing her steps back to you. Her days begin with your face, and they end with your arms around her. There's a routine in that, a certainty she clings to.
Being with Vision helps her forget she's even in Westview. She's less haunted by the child she couldn't have with you, by the job she left behind for your sake. She dwells less on missing you, on feeling like she's become a secondary character in your life as you work tirelessly to provide for her. And isn't that what marriage truly is? More than the vows and the rings, it's about choosing the same person every day. It's about finding ways not to hold grudges, to keep the bond strong, to maintain a balance, right?
Her friendship with Vision, devoid of the usual societal filters, feels pure. They share, they debate, they laugh. But as the sun sets, Wanda always knows where she belongs. 
To you. 
-
“You’re kidding.”
Vision glances back at her over his shoulder, flashing a playful grin. They're in a park just outside of town, a result of those spontaneous drives they occasionally take. They've found a quiet corner, a place where they can be with each other, away from the rules of their complicated lives. Him being her student makes everything that much more delicate.
“Why would I joke about something like that?” he says, looking pleased with himself.
Wanda puts down the essay she’s reviewing and leans back on the picnic blanket, shielding her eyes from the sun. “You seriously want to buy art from the gallery?”
He shrugs, “I like what they showcase. Plus, I thought... well, it might be a good opportunity for you to earn a commission.”
It’s a weak argument and they both know it. She smirks, “Trying to impress someone?”
Vision pauses, taking a deep breath, serious as he says, “Maybe.”
Wanda sighs, feeling a knot tighten in her stomach. “Vision, we need to be careful.”
“Careful? Wanda, we're miles away from Westview. I'd say we're being pretty meticulous about this.” He smirks, pointing to the tall trees that shield them from any possible onlookers. “With all these trees and not a bird in sight, we could even fuck right here in the open if we wanted to.”
Wanda fixes him with a sharp gaze, one that immediately conveys her disapproval. Immediately, the smirk fades from his lips, replaced by  a realization that he might have gone too far with his teasing. He reads the message in her eyes loud and clear. Not only is his suggestion off the table, but he also senses that he may have jeopardized his luck in the coming days.
“I… I’m sorry,” he murmurs, going back to his sketchpad. They don’t speak to each other for a while. Wanda is deeply engrossed in the essays she has to review, already behind the deadline she set for herself, while Vision gives her space to cool down from his mistake. Their arguments are always brief but intense, and lately, they haven't been leading to sex as often as Vision would prefer.
“I’ve been meaning to ask,” Vision starts, “How is it, being with Y/N? Being married, I mean.”
Wanda stiffens at the mention of your name. She's never discussed you with Vision, and a surge of panic begins to rise within her. She hides her reaction by neatly rearranging the papers alphabetically in front of her. 
“I told you she’s off limits,” she answers a moment later.
Vision feigns surprise, tilting his head slightly. “Ah, my apologies. I meant no disrespect,” he says, his voice carefully neutral.
Wanda purses her lips, her posture tensing further. “Just... let's not go there.”
Vision nods, though he can't help but steal a quick glance at the wedding ring on her finger. It taunts him everytime he sees it, reminding him of the life she shares with someone else—a life he often finds himself yearning to be a part of. He's been daydreaming about a different reality, where Wanda is by his side not on borrowed time, where he is the one she turns to at the end of a long day.
He's persuaded her to share her thoughts with him, to spread her legs for him; how much more challenging could it be to win her heart next? He'll take it one day at a time if he has to. Patience is something he doesn't mind exercising.
Cleverly masking his intentions behind a facade of casual curiosity, Vision continues, “Hypothetically speaking, if you were to give insights on marriage, just in general...What are your thoughts?” He leans back, making the conversation seem casual, though every word is carefully calculated.
She glances at him, slightly suspicious but not fully alarmed. “Why the sudden interest?”
“Oh, you know," Vision waves his hand dismissively. “It's just something that's been on my mind lately. As a concept, I mean.”
Wanda narrows her eyes slightly, studying him. She knows Vision well enough to understand that behind his seemingly innocent inquiries, there's often an ulterior motive. But she also knows that he's persistent, and sometimes, the best way to deal with him is to play along, to a point.
“It’s…” Wanda finds herself grappling for an answer. She hadn’t expected that the answer would be much more complex now given recent events. She used to look at it in an idealized way, where marriage is what happens at the end of an epic love story, the banner over the path that the two main characters continue their journey on; the natural conclusion when people say 'happily ever after'.
Perhaps she's been wrong to view it that way all along. Perhaps marriage is just a tool to peel back the facade meticulously crafted during dating, for nothing remains hidden in marriage. To enforce a commitment that's always existed. To harness the rights it bestows between two individuals. To—
Wanda can list countless facets of marriage, and yet it wouldn’t change the way she feels about you, with or without it. She can change—she has, and marriage can vanish from the world, her love for you would persist unscathed. While every fiber of her being might be judged for her actions, she believes her love can’t be tainted. She’s sure of it. And so, essentially, marriage is—
“...it’s an indemnity.”
It’s not at all what he assumed she’d say. “An indemnity? That's an... interesting choice of word.”
Wanda nods, pushing a stray hair behind her ear with a thoughtful look. “Right. It's like our safety net, not just from what's out there but from our own doubts too. It's us saying to ourselves—and to anyone watching—that no matter how tough things get, we're in it together.  It's a promise that even in the darkest times, we'll stand by each other.”
Vision absorbs her words, trying to see the cracks, the spaces where he could insert doubt or lay the groundwork for his plans. “But don’t you think,” he ventures cautiously, “that sometimes, that very protection, that indemnity, becomes the chain that binds? Don’t you ever feel... trapped?”
Wanda takes a deep breath, sensing the subtext of his question. He has a knack for drawing out the very things she's trying so hard to keep from him. In the end, she still ends up talking about you. If he's truly eager to hear what she has to say about you, then Wanda doesn’t care if he won’t like what he hears.
“I know what you’re trying to do here,” Wanda says with a wry smile. “To assume she's the one trapping me would be a gross misunderstanding.”
He laughs for a long moment. It's loud and over the top, and somewhere in the midst of it, it begins to feel like an insult. Wanda lifts her chin, unfazed by his antics.
After a few moments, Vision's laughter subsides, replaced by a somber look. “I apologize,” he says, even as Wanda goes back to her readings. “I didn’t mean to make light of your feelings. It's just... sometimes I feel like you're still lying to yourself, Wanda.”
Wanda's eyes narrow, her stance firm, but she doesn't rise to the bait immediately.  “How am I lying?”
There it is—his opening.
“Yes. Sometimes, I wonder if you're using these philosophical explanations as a way to protect yourself from confronting something deeper. Something you might not want to face,” he says.
She chuckles, but it's devoid of any real amusement. “And what might that be?”
“That maybe,” Vision says, crawling closer to her until they're just a breath away. “Maybe being with her isn't everything you once believed it to be.”
A retort forms on Wanda's lips, ready to be unleashed. But as she looks into Vision's eyes, she notices something genuine and disarming in them. 
“All I’m saying is that you don’t need to defend yourself around me,” he murmurs, his voice gentle, fingers lightly grazing her cheek. “You don't need to explain yourself. Not about this, not about anything.”
His lips find the curve of her neck, placing a chaste kiss there, sending a shiver down her spine, making her sigh softly. 
“You can enjoy that,” he whispers against her skin, voice husky. His lips move upward, caressing her cheek before they meet hers. His hand slides to her waist, pulling her closer, until she’s on his lap, straddling him. Her skirt rides up her thighs, allowing him easy access to her dampening underwear.
Wanda shifts nervously. “Vision, we're in public,” she whispers sharply, but doesn’t make any move to get away from him.
His lips twitch into a confident smirk. “I know.” His fingers daringly slide beneath the hem of her skirt, edging towards her panties. “Don't worry,” he assures her, “I just wanted to see if your body tells the truth, even if your words might not.”
Her breath catches as his fingers find the growing wetness there. “See?” he murmurs, his mouth twisting into a boyish grin. “Your body doesn't lie.”
She enjoys it. To be brutally honest, without the haunting thought of your reaction if you were to find out, she concedes she savors their meetings. She’s attracted to him and it’s consuming her every thought. 
Wanda blushes furiously, coupled with the fear of being discovered like this, she’s surrendered to this wicked game. He doesn’t worship her like you do. He doesn’t try to make her feel like nothing is her fault the way you do. Why weren’t you disappointed that she couldn’t get pregnant? Couldn’t contribute to your household like equals? Why didn’t you agonize over the financial repercussions of her relentless quest to start a family with you?
Why won’t you ever, ever hate her?
It's twisted that she even thinks of you as she tilts her hips upwards, urging Vision to touch her just right.
Without warning, Vision plunges his long middle finger inside her, causing Wanda to gasp and grip onto him. The intimate intrusion is brief, and she barely has time to process the sensation when he withdraws, pushing her off his lap and onto the soft grass beside him. He holds his glistening finger up to the light, then brings it to his lips, never breaking eye contact with her. She watches, entranced, as he deliberately savors her taste.
Wanda’s chest rises and falls rapidly, every nerve in her body alive and buzzing. She feels exposed, laid bare both by his actions and by the force of her own arousal. There's a delicious humiliation in it, a thrill of being seen and wanted so openly.
But before she can get a chance to speak, Vision reaches into his pocket, producing an envelope thick with cash and hands it to her. She doesn't need to count it to know it's a significant amount.
“What the fuck is this?” Wanda asks, looking down at the cash in her hands.
He laughs again. He enjoys riling her up. Makes this all the more charged and exciting.
“It's for the painting from your old gallery,” Vision explains calmly. “Going back to that, yes, I want to purchase it. And that’s just 50% of my intended offer.”
Wanda reflects on all the support you've offered her, the financial aid you generously extended without ever demanding explanations. A portion of the money in the envelope—her future commission— could be a start, a way to repay some of the debts she owes you, even if it doesn't cover everything.
Not that you’ve ever asked her to pay you back. You’ve never once hinted at any imbalance in financial obligations in your relationship.
“I shouldn't take this,” she mumbles, yet her fingers clutch the envelope a little tighter.
“I want to,” he insists. “Although, I want a special request.”
Wanda's eyebrow arches in skepticism. “Which is?”
“A handwritten dedication from you, when the painting is delivered,” he replies.
She averts her gaze. “I’ll think about it.”
Vision nods. “Keep the money while you do.”
-
Wanda starts leaving the house early too, going to her lover’s apartment before they go to the university together.
Vision sits comfortably on the plush couch, engrossed in his video game, his fingers swiftly moving over the controller. Wanda enters, shrugging off her light jacket, her simple, functional underwear visible from the thin material of her dress.
“You know, Wanda,” he begins casually, “Have you ever considered just... being in your natural state here?”
“What do you mean?” Wanda asks, helping herself to some tea.
“Your body is a work of art,” he replies, pausing the game now and turning to face her fully. “And as someone who appreciates art...” His gaze travels to her current choice of undergarments and back up to her eyes, leaving his sentence hanging.
“Are you suggesting I walk around here naked?”
He grins cheekily. “The thought did cross my mind.”
Wanda's cheeks flush. “That’s not happening.”
“Alright, maybe not that,” he relents with a mock sigh. “But perhaps wear something more... refined? Exquisite?” His emphasis on 'exquisite' draws a clear line between what she currently wears and what he's suggesting. 
She's always prided herself on being confident, knowing her worth. But Vision’s playful, yet sharp suggestion chips away at her armor just a bit. For a split second, she wonders if this is how he truly sees her. If her choice of underwear, something so personal and intimate, is a reflection of her self-worth in his eyes. It's crazy to let his comment get to her; she's aware of that. But she can't help but think of you, of the intimate times you both share, the mornings she finds herself waking up beside you, and the nights you take off her clothes.
Do you notice? She wonders. Do you think the same?
It's all these tiny moments, insignificant on their own, but together they build a narrative in her mind. A story where maybe you don't desire her as you once did. That thought affects her more than Vision's words. The insecurity, an old nemesis she thought she had left far behind, resurfaces.
Wanda forces a nonchalant smile. “Why don't you mind your own business, and focus on your own wardrobe choices?” she retorts, but there's a lack of her usual sharpness in her tone.
He snickers, going back to his game. She hopes you don't see her the way he does. 
-
She buys a new set of lingerie—for you.
-
Wanda decides she’ll do it by the end of the week. Determined to finalize the sale, she picks up the phone while dinner simmers on the stove. With you still out, Sparky remains her only companion, and a pang of guilt strikes her for having neglected him lately.
She dials the gallery. After a few rings, the familiar voice perkily answers. “Hello?”
“Agatha, it's Wanda,” she says. “About the painting I texted you earlier. My buyer is all in.”
“There's already a bid on it,” Agatha interrupts, “with a deposit ready to go. But if you can secure the painting by tomorrow at the latest, it’s yours to sell.”
“Thanks. I'll make it happen.”
Only after hanging up does she understand that she'll need your help to ensure everything goes smoothly. The next morning, she broaches the subject, and, thankfully, doesn’t have to jump through many hoops to convince you. She loathes bending the truth about the gallery's closing hours, but she's pressed to secure the painting promptly.
Of course, you're there for her again. You even go as far as to offer her lunch, but she has to decline; she genuinely has an appointment with the dean. She reluctantly agrees to dinner, already having said yes to Vision to visit the Museum of Modern Art, where he's also set to give her the remaining 50% for the painting.
“We can have dinner,” Wanda proposes tentatively. “Maybe drive to the city for some steaks and a dive bar after?” It’s tiring to drive back and forth like Manhattan isn’t at least one and a half hours away without traffic, but she wants to spend time with you, and thank you for your effort.
“I'll pick you up at seven,” you say. “It's a date.”
She's excited, but deep down she's aware of the tight schedule. It would be nothing short of a miracle if Vision gets her back to Westview on time.
-
Wanda cancels dinner at the last minute. She's relieved that you're amenable and just texts to ask her what time she’ll be home.
-
When she gets her hands on the painting, it takes her a long time to think of a dedication message. Truthfully, writing heartfelt letters has never been her strong suit; she struggles to articulate her feelings. But as she contemplates her feelings for Vision, she draws a blank.  She considers simply thanking him for engaging her in conversations she hasn't had with anyone in so long, conveniently omitting their other indulgences. At the same time, she doesn’t want to leave a piece of herself behind, not even something as trivial as a personal dedication.
So she settles on a quote:
‘To Vision, the only secret people keep is immortality.’  - W
On a particular plane, it speaks to her. It's a phrase that mirrors the fundamental human longing for significance and a sense of purpose—something she has unknowingly let slip along the way.
-
Surprisingly, Vision appears content with the note. Wanda doesn't bother to inquire about his thoughts on it. He doesn't make a spectacle of his appreciation for the painting either, and it becomes apparent that he's indulging in a fantasy from some porno, where an older woman brings him something before he takes her to bed.
The sex is always intoxicating in its own messy way, now that she’s ready to admit she’s not after perfection whenever she comes to him. She doesn’t go to him because there’s something wrong with you. It might be because something is wrong with her, but there isn’t really any room to psychoanalyze her own mental state when she’s being taken from behind, facing a full length mirror. As pleasure builds, her eyes roll back, she briefly toys with the idea that she might be harboring deeper feelings for him. 
Then, out of the blue, a red flash catches her eye, but with two quick blinks, it vanishes.
“What’s that?” Wanda whispers, momentarily distracted before a moan escapes her lips.
“What?” he mutters distractedly, pulling her hair, when her head starts to droop. 
But before Wanda can form a coherent thought, he adjusts, lifting one of her legs and shifting his angle. With a few deliberate thrusts, she's spiraling into an overwhelming climax. And as pleasure washes over her, any lingering thoughts of deeper feelings for him evaporates along with the haze of lust.
Later, she would brush aside the memory of that brief red flash as she stealthily slipped into your shared home, careful not to disturb Sparky, who slept soundly. With a day off scheduled for tomorrow, she had completely lost track of time, fooling around a couple more times with a college kid.
-
“D-Did I hurt you?”
Right this second, Wanda feels like she'd welcome the ground opening up to take her or a random bullet finding its mark in her heart. Anything, if it would end her anguish. 
She watches your face crumple with guilt and hurt, and she can't believe she's caused you to feel this way when you’re just aching for her. 
Without missing a beat, Wanda draws you into an embrace, feeling your heart race against her chest. “No, you didn’t. I shouldn’t have made you feel that way,” she whispers. The mere thought of you second-guessing your intentions with her shatters her heart.
You lean into her completely, feeling like a child in her arms. “I’ve been missing you so much lately, and I thought... I thought we were on the same page.”
Wanda insists it's not your fault. None of this is your fault. She desires closeness with you, but she hadn't expected it to make her feel so uneasy beneath her skin, especially considering she had been touched by another less than 24 hours ago. She has to remind herself that you aren't aware. But she knows, and it plagues her mind, why you’d want to touch her.
Your reply, soaked in typical selflessness, is, “I know. I’m sorry.” 
Your apology, the earnestness in your tone is starting to make her feel dizzy. The fact that you feel this way, that she has led you to question your privilege—something she has always granted you—to touch her, is agonizing.
“Stop saying you're sorry,” Wanda snaps, her words sharper than she intends, fervently hoping that you understand her outburst isn't aimed at you. “You do everything right. It's me. I've missed you too, more than you can possibly imagine.”
When you softly say, “I love you,” it's filled with so much emotion that it brings tears to Wanda's eyes. It takes her too long to respond with an “I love you, too,” because there’s many more she wants to say. And she can’t say it without revealing the one thing that she fears will drive you away. 
She can only hope that you believe her because she means it more than anything.
-
Wanda can't pinpoint exactly when she developed the habit of locking the bathroom door. It likely started around the time Vision would text her, innocently asking about her lectures. Then, one day, she received a short video clip of him pleasuring himself and moaning her name. She promptly deleted the clip, but from that point on, she learned to check her messages at home only when she was about to step into the shower.
-
Natasha visits and something inside Wanda unfurls itself. She becomes hyper-aware of her activities with Vision, how she conducts them and where. Before relocating to New Jersey, you mentioned that Natasha had taken an open-ended break from her job, suggesting she might be ready to leave her old life behind. Still, she’s uneasy when she learns about it too late, and Natasha’s already outside, waiting to be let into the house.
You're still in your office attire, donning a pristine suit that would have captured her attention for the entire evening, if not for the fact that she's on the verge of breaking down at the mere thought of you discovering her affair with Vision.
“Why didn't you tell me she was coming?” she snaps, gesturing at the dinner table set for two and the disorderly state of their living room. Her eyes dart to a stack of her students' reaction papers lying exposed on the coffee table, and the unkempt pillows. To you, it might seem trivial, but to Wanda, every small detail could give away something she'd rather keep private.
“You could've at least warned me,” she continues, her tone reflecting more than just her concerns about dinner and the state of the living room, but you fail to catch it. You try to help, reaching out to straighten the living room, but she's too frazzled. Seeing the frustrated look on your face, she can't help but feel cornered. She hastily scatters the pillows about, her movement nothing short of hysterical. 
Sensing that things might take a worse turn than they should, you make the decision to be the one to step back.
“If it's too much trouble for you, we can just grab dinner elsewhere,” you suggest, struggling not to lose your own patience. 
She can't help but throw you a sharp look, feeling as though your words only made things worse. The mere idea of you and Natasha, alone, maybe sharing stories or opinions about her, feels threatening. But there’s nothing she can do but hope you will veer away from talking about her, that you won’t confide in Natasha how you haven’t had sex in months.
“Fine,” she snaps and quickly retreats up the stairs. “Send my regards to Natasha,” she throws over her shoulder, the guest bedroom door shutting loudly behind her.
She sighs heavily, pressing her back to the door, heart racing. From the window, she sees you walk back to the car, your frustration evident in every step. Natasha looks at you with that questioning glance Wanda knows all too well. She watches as you speak before handing Natasha the car keys.
She gazes up at the ceiling, determined to hold back the tears that are on the verge of spilling. She doesn't want to push you away, but her fear of Natasha, and what might be revealed, leaves her feeling trapped.
-
Out of frustration, she calls Vision, and they meet in his car, about two blocks from their house.
In the cramped confines of the backseat, Vision is quick to slide into her, the condom barely in place before he's thrusting with a fervor.
She peaks once, but not from him being inside her. She's too tense, too tightly wound for that. So Vision, realizing this, drops to his knees to truly bring her over the edge.
-
Later, Wanda lies on her side, every muscle tense, acutely aware of the presence beside her, all the while pretending to be deep in sleep.
“She used to crash at our place almost every week,” you murmur into the stillness.
A hint of irritation passes through Wanda, though she can't really tell why. “What?” she asks, her voice low and weary.
“Natasha,” you specify. “I didn't think to mention it because it was just our norm. She'd drop by unannounced all the time.”
You want to have a conversation about it, to work through this issue. She knows how you’ve been trying to give her space, thinking she hasn’t adjusted yet to life in Westview. You’re always thinking about her. Always putting her needs first above yours.
And Wanda can see how it’s worn you down, how you're starting to doubt your own logical reasoning, and how you're piecing together facts to present your case, hoping for her to be more receptive and listen. She despises the fact that she's putting you through all of this, merely because she's determined to prevent her different worlds from colliding.
She can sense you searching her face, looking for answers, trying to understand the wall she’s erected between you too. It’s so tall now, casting a shadow over both of you. 
“Wands?”
“Baby?” you try again. It seems like it's all you ever do these days. “Please?” 
Wanda resists the urge to turn toward you and pull you into her arms. She knows that if she does, the tears will flow uncontrollably, and she understands that you won't let her keep her troubles to herself. She composes herself, letting out a shuddering sigh.
“We're fine, Y/N. Let's just go to sleep.”
You give into her wishes, because you will always give her what she wants.  She extends her hand, delicately interlocking your fingers with hers. It's the smallest gesture she can manage. She pretends not to hear you, feel you shake, as you cry on your own.
-
She'd planned to watch the movie alone, in the middle of the day. So, when Vision discreetly takes the seat next to her, Wanda stiffens. A few others are scattered in the front rows of the dark theater, chatting softly as they munch on popcorn.
Without turning to face him, she whispers accusingly, “Are you stalking me?”
“I was in the neighborhood and thought I'd catch a movie. Pure coincidence.”
“You hate cinemas,” she counters.
He chuckles softly. “Maybe I'm learning to appreciate them.”
​​She’s about to retort when she feels a gentle touch on her hip. Wanda's muscles tense under his soft fingers as they start tracing the curve of her waist, moving slowly downwards, caressing her thigh. Her breath hitches, and she turns sharply to face him.
“What are you doing?”
Vision just smirks, leaning back in his seat. “Thought you might want to spice up the afternoon.”
Wanda rolls her eyes. “I'm not in the mood, Vision. Hands off.”
His laugh is a bit too loud, drawing “shhhs” and glares from the front row. Seeing him unmoved by the stares, Wanda huffs and stands up, making it clear she's moving seats. As she shimmies past him, Vision's hand snakes out, gripping her wrist. “Stay,” he murmurs, eyes serious. “I promise to behave.”
She hesitates, looking at him skeptically. Finally, with a sigh, she slides back into her seat. For the most part, Vision keeps his promise. They sit in silence, engrossed in the movie, but Wanda can't help but notice Vision's restlessness. Twice, he excuses himself, claiming he needs the restroom. She can't help but wonder what he's really up to, but she refrains from asking. Whatever it is, she's not sure she wants to know.
Later, when they step out of the theater, they're greeted by the aftermath of a rainstorm. Puddles dot the pavement, making it tricky for Wanda in her heels. Vision holds out his hand, and she takes it, especially when she almost trips trying to leap over a particularly large puddle. 
For some reason, she suddenly feels like she's being watched. From the corner of her eye, she spots the black SUV, parked in the same spot as when she arrived at the cinema. But before she can give it more thought, Vision pulls her towards a bookstore, quickly diverting her attention. She brushes off the odd sensation, attributing it to anxiety since the theater she picked is quite far from town.
-
Wanda stares, open mouthed and shocked, as Vision shows her his final project for her course.
It's a charcoal drawing on canvas featuring a nude woman, with only her mouth visible, reclining on a bench. Wanda doesn't need a second glance to realize that the woman in the painting is her. From the curve of her jaw to the birthmark on her left hip and down to the fold of her knees, the resemblance is remarkable. 
There's no way she can allow him to submit this.
His audacity to draw her in such an intimate manner without her consent leaves her momentarily speechless. She briefly wonders what other liberties he’s taken without her permission.
“What the hell is this?” Wanda questions in barely contained rage.
Vision smirks, arrogance dripping from every word. “It's you, obviously. Pretty accurate, don't you think?”
She clenches her fists, anger rising. “You had absolutely no right. This is beyond inappropriate. What were you thinking?”
Leaning against the table, he shrugs nonchalantly. “I was thinking about how hot you were and I wanted to immortalize it.”
She frowns, crossing her arms defensively. “This was private, between us. How could you think it's okay to make it public?”
“I thought you liked when I took control,” he says, stepping closer, his voice dripping with insinuation.
Wanda feels like throwing up. “This isn't a game,” she snaps. “You can't just use our personal moments as fodder for your projects!”
“You never seemed to mind before.”
Wanda replies sharply, “There's a difference between us being together in private and you broadcasting it to the world.”
He squares his shoulders, firming up his stance. “Maybe I wanted them to see.”
“To see what exactly?” Wanda yells, but the fear in her voice is unmistakable. 
“How good we are together,” he says. “Maybe I’m tired of hiding, Wanda. Ever thought of that?”
Wanda's mind races, a thousand thoughts crashing into one another. She's always been able to control the narrative, always had the situation in her grip. But now, Vision's defiance, his blatant challenge, terrifies her. The realization that Vision could, and possibly would, spill their secret terrifies her more than she thought possible. For the first time, she's faced with the real possibility of losing everything she holds dear. Of losing you.
“So, what's it going to be, Professor?” Vision challenges, towering over her in a display of intimidation. “Should I submit this, or maybe...” his voice drops to a whisper, “show it to your wife?”
She grits her teeth, trying to gain some semblance of control. “Destroy it. Now.”
Vision grins, leaning in closer until their faces are inches apart. “Make me.”
“Vis—”
Vision's lips crush down on hers in a fierce, demanding kiss. His hand clamps around the back of her neck, holding her in place as he ravishes her mouth. It’s fervent, consuming, and fueled by a hunger she hasn't felt from him before. Her brain screams at her to resist, to push him away, to regain control of this spiraling situation. She shoves at his chest, her nails digging in, but he doesn't budge. Instead, he deepens the kiss, his tongue demanding entry, which she denies him.
In her mounting frustration, she raises her hand and slaps him hard across the face. Vision barely flinches, his gaze never leaving hers. His determination only fans the flames of her anger further, but beneath it all simmers an irrefutable want. Without a word, Vision's hands descend to her waist, deftly unbuttoning and pushing down her pants and off her legs. She makes quick work of his belt, discarding them recklessly to the side.
As he inches closer, his breath hot on her ear, Vision murmurs, “Say it, Wanda… say 'I want you to fuck me’.”
She can feel the solid length of him pressing against her, and despite her anger, the way he slowly gyrates his hips makes her weak. She draws a shaky breath, the words stuck in her throat. It’s wrong, and he shouldn’t have this much power on her. 
He moves in, his lips trailing down her neck, as his hands find their way around her waist, pulling her in even closer. “Say it,” he murmurs again.
“I want you to... fuck me,” she finally breathes out, her voice breaking into a whiny plea that she would never have believed she could utter, especially under these circumstances. 
His response is immediate. Before she can fully register what's happening, he has her lifted, her back pressed against the wall, her legs wrapped around his waist. With a sharp thrust, he's inside her, filling her completely. While Vision usually found his release before she did, this time was different. She notices he's holding back, which confuses her. Why would he? Especially now. Wanda, lost in the sensation of him inside her, is curious but also a little apprehensive. 
She soon realizes why. His fingers find her clit, rubbing it in a rough, almost painful manner that sends shockwaves of pleasure through her. “Come on,” he urges, almost impatiently, his voice strained.
She feels herself spiraling, the coil inside her tightening. His cock angles and adjusts, targeting her sweet spot, making her clench around him. The slickness between them grows, and his fingers work in tandem with his thrusts, pressing, rubbing, coaxing her closer and closer.
“I'm gonna... I'm coming,” she warns, feeling the walls of her pussy fluttering.
And then she feels it—the unmistakable warmth, the pulsing. Her eyes widen in realization as Vision buries himself deeper, releasing inside her. 
“No!” Wanda screams silently, the sounds failing to escape her throat as the knowledge that he's come unprotected pushes her further into her own climax. Her instinct is to flee, to pull away from him, but Vision's grip is ironclad. He feels her panic and responds with more pressure on her clit, manipulating the nub with determined fingers. Each stroke sends her further into ecstasy, locking her in place as his other arm wraps around her waist, preventing any escape.
“Stay,” he murmurs into her ear, his voice filled with a possessiveness that she's never heard before. As he continues to spurt inside her, their hips still weakly grinding against one another, the reality of the situation dawns on her. He didn't use protection. He could—he could get her—
Terror claws at Wanda's insides. Was this all premeditated? Had he planned to trap her like this? She struggles to pull away, but Vision holds her even tighter, keeping her pressed against him as the last of his release fills her. He languidly rests his forehead against Wanda's shoulder, taking a moment to revel in the afterglow. When he finally dares to look at her, he expects to see anger or fury or maybe even forgiveness. Instead, he's met with wide, bloodshot eyes swimming with tears that violently spill over, tracing the contours of her cheeks.
His smugness dissipates and his brow furrows in confusion. “Wanda?”
She chokes on her tears, desperately trying to speak. “Did you—did you do this on purpose?” Using every ounce of strength she can summon, she pushes him away, stumbling slightly as her legs threaten to give out. Hastily, she starts grabbing her clothes.
Vision, looking lost for once, reaches out, but she recoils away from his touch.
“Don’t you fucking touch me!”
“Wanda, please. Let's talk about this.”
As Wanda attempts to regain her balance, she can feel the telltale wetness slide down her inner thighs. The physical evidence of their tryst, the proof of Vision's seed making its way out of her, sends a sharp pang of revulsion through her. Her hand moves instinctively, trying to wipe away the residue, a feeble attempt to erase the aftermath—or perhaps the entirety of their history. Her vision blurs as tears continue to stream down her face, her breathing jagged. Vision, looking both remorseful and lost, reaches out in an attempt to console her, but she flinches at the barest contact of his fingertips.
“Please, at least let me drive you to—”
“To where?” she spits out, her voice mocking. “Home? To my...? I can't—not now.”
Vision's eyes widen, and suddenly he looks much younger.
“Wanda,” he starts, voice shaky and eyes beginning to tear up, “I'm so sorry. I didn't mean... I didn't think… I-It’ll never happen again.”
But the pitiable sight of him, looking scared and unsure, only adds fuel to the fire. “You think a simple 'sorry' is enough?”
The door is her escape, and she's quick to reach it. As she’s about to leave, he whimpers, almost begging, “Please don't go. I... I'm sorry.”
But she's done. With one final, withering glance, she exits, leaving the door to swing shut behind her. 
-
While Wanda waits for her period to come, she can't focus on anything else. She feels disoriented during the day, and it keeps her awake at night. 
In her world, everything's spiraling into a fragmented mess, like a vintage vinyl record that's been smashed to bits. 
She tosses out reading assignments like candy at a twisted parade, tells the kids to scribble down essays. For them, it's almost like a holiday. For Wanda, it's a desperate lifeline. By the window, she stands. Watching. Waiting. But not really seeing anything. Vision's eyes, burning into her, but she never meets his gaze. She hasn't been responding to his texts or calls, discarding them immediately without even opening them. The classroom exit strategy is always the same: blend in with the herd, avoid the predator. She doesn't give him even the slightest opportunity to get her alone.
Home should be her fortress. Instead, it's like quicksand. Sparky, always eager for her attention, brings toys to her feet, his tail wagging in hopeful anticipation. But her patience is thin, and she finds herself shooing him outside, much to the dog's confusion. She's been bringing home takeout repeatedly, and the repetition isn't lost on you. While you never openly complain, she notices when you start to take the reins, cooking dinner, a quiet acknowledgment of her current state.
She waits and waits—a ghost haunting a lover, a home, a school, a town, waiting for salvation.
-
She’s more than a week late for her period when she (terrifyingly) decides to buy a pregnancy test kit. Wanda clutches her coat tighter around herself, hesitating for a moment before pushing the door open. Inside, she avoids making eye contact, moving purposefully towards the aisle she's dreading. As her fingers wrap around a pregnancy test kit, her heart hammers in her chest. With the box safely tucked inside her bag, she hurries back home, sneaking glances over her shoulder, feeling as though the world knows her secret.
When she arrives home, she pretends as if she had simply stopped by the grocery store. She musters a smile as she begins to prepare dinner, maintaining a light and cheerful conversation with you. You savor her food as if it were your last meal, showering her with compliments like a discerning food critic, which brings a slight chuckle from Wanda. You peck her lips when you’re finished, thanking her for it. For a while, it seems like everything is back to normal, and that nothing will shatter the illusion that she’s still living her happily-ever-after with you.
She waits, counting the minutes, ensuring you're deep in sleep before she tiptoes into the bathroom. She reads the instructions multiple times, her eyes scanning over each word as if hoping they'd change. It's as though she hasn’t been through this ritual numerous times before, back when her deepest desire was to bear your child. The irony isn't lost on her: in just a few months, she's transitioned from yearning for a baby to fervently hoping she isn't pregnant.
Finally gathering enough courage, she rips the packaging. Just get it over with, Wanda muses. The minutes that follow feel like hours. The silence is suffocating, the potential consequences bearing down on her. She jumps at the slightest noise, every creak of the floorboards or rustle of sheets convincing her that you've woken up.
The alarm on her phone finally goes off, signaling that it's time. With bated breath, she looks down at the test, her world teetering on the brink of change.
-
She’s hidden the pregnancy test deep in the trash bin, concealed under tissues and other refuse. It’s the middle of the night, and she ensured it is further out of sight by taking the trash outside.
As the initial relief floods through her, it is swiftly replaced by a profound sense of shame. She sits curled up on the couch, hugging her knees, desperately wishing to escape from herself and her crimes. She realizes, with a piercing clarity, that she can't compartmentalize or keep secrets when it comes to you, because you're not just a part of her life—you are her life. The mere thought of you finding out fills her with a terror so profound, she's left gasping for breath. She'd rather face any consequence, even death, than watch the love fade from your eyes, replaced by hurt, anger, and betrayal.
She loves you, but Wanda doesn’t—she doesn’t know what to do, how to move forward. 
But in the midst of her life falling apart, an unexpected sentiment finds its way to the forefront: hope. 
A fragile, quivering kind of hope. Wanda's lips twitch, trembling as they pull into a weak smile. Maybe the universe is giving her a second chance. Maybe her not being pregnant is a sign, a way out. It's as if fate is holding out a lifeline, imploring her to take it and mend the fractures in her life. With renewed determination, she silently promises herself that she'll devote every bit of her being to you. She knows she can't change the past, but she believes, fervently, in the possibility of a future where she remains true, where she will never stray again.
Still, the weight of her deeds anchors her to the couch, each sob a violent reminder that she's the villain in her own story. And that’s how you find her, in the dark living room, crying and blaming a nonexistent movie for being in such a mess.
“Wanda?”
She looks up and every cell in her body threatens to crumble. “Hey, baby,” she murmurs, her fingers brushing away the tears.
“Have you been crying?”
“Just a movie,” she lies still, “You know how emotional they make me.”
You smile, your eyes full of that nurturing love. “My big crybaby.” Wanda can't believe a pregnancy scare was what it took to finally wake her up.
Looking into your eyes, a surge of need overtakes her. She longs to claim you, to solidify her stake, and leave no doubt in your mind about where her heart truly lies. She wants to show you just how much she loves you, to make up for all the times she has strayed. 
She doesn't hesitate. Before she fully processes her actions, she's on top of you, her weight pinning you down, her eyes blazing with an intensity that threatens to consume. “Take off your shorts,” her voice trembles. Your obedient response sends a thrill through her, but she's barely registered the progress you've made before she's swiping a teasing finger, tasting the essence that's uniquely yours. She watches, entranced, as a shiver runs through you, your voice shaky with desire. 
“Patience, baby.” 
She barely shakes her head, lips parted. “Don't have any.”
And then she's tasting you, each slow, deliberate stroke of her tongue designed to drive both of you mad. Your body responds fervently, and she can sense your need building, mirroring her own desperate longing. “Please, Wanda, more…” Your whisper is a plea she can't resist. Her lips part to take in more of you, savoring the intoxicating flavor that she had missed so much. 
“I've missed you so much, Y/N,” she says, deliriously lost in your pleasure. “I've missed making you feel good. Missed feeling this way with you…” She doesn't quite realize the hints she's dropping, but she doesn't care. This moment is real, and she wants it to be as honest as it can be.
Lifting your legs, Wanda applies gentle pressure, pushing them back until they're almost touching the couch cushions on either side of your head. The sight of you, so openly displayed for Wanda, sends a rush of heat and desire through her core. She can feel the power she has, not just from the position but from the trust placed in her to have you in such a vulnerable state. It feels so good, being this close to you. How could she have ever desired anything else when she had this all along?
Wanda pauses for a moment, mouth watering, her eyes hungrily tracing the sight before her. She senses a slight shift, seeing your eyes flit away, perhaps overwhelmed. But Wanda can't allow that retreat. Gently cradling your face, she guides those eyes she loves back, sealing their return home to her with a tender, grounding kiss.
“I love you,” she breathes against your lips.
You smile up at her. “I love you. More than you could ever know.”
Wanda shuts her eyes, letting your reassurance wash over her. Nothing lasts forever, but perhaps this could be an exception.
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confused-pyramid · 3 months
Text
You're the Only One Who Knows to Slow it Down | s5
pairing: aaron hotchner x childhood bsf!reader
summary: Hotch and his childhood best friend working together at the BAU: a slow burn across the seasons.
word count: 16.2k
warnings: canon!typical violence, mentions of abuse, major character death, gun violence, drinking, specific episodes mentioned in this part are 5x01, 5x02, 5x06, 5x09, 5x10, and 5x21
a/n: This season was really hard to write at points (I think we all know which eps I'm talking about lol) but I'm looking forward to brighter days ahead:') Also we get some more tangible tension so yay! Title is from Look After You by The Fray
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"We're not working a case," Derek states matter-of-factly when you arrive at the crime scene. You were woken up early the next morning after getting back from Canada, and on less than four hours of sleep, your brain is struggling to function.
"Why call us to a crime scene?" you ask, walking up to the front door of the house with the rest of the team.
He shrugs. "I was hoping you knew."
You look around, trying to find Aaron, but he's nowhere in sight. He had promised to put in the team request for a few days of leave, but you presume the call came in before he got a chance to do so.
The local police let you survey the scene, explaining that a Dr. Barton got a threatening letter that someone would be murdered everyday that he didn't give up his own son. Once you're done inspecting the body, you turn to JJ, lowering your voice. "Where's Hotch?"
"He's not answering his cell," she says, her lips thinning. "I assume it's on vibrate."
You nod. "I'll try him again."
You step away from the group and click his number in your speed dial, listening to the rings until it reaches his voicemail. It's unlike him to keep his phone on silent, but you know the previous night was tough on everyone. "Hey, it's me." You tell him the address you're heading to for the case, before turning towards the car and lowering your voice. "I know you're probably just asleep, but I don't know...I have that weird feeling again that you know I get...so please just call me back." You take a deep breath, hoping you're being overdramatic, and that you'll see him pull up in a few minutes. "See you soon."
When you get to Dr. Barton's house, he still hasn't called you back. You sit with the doctor, Prentiss, and Reid in his living room, going through his recent patient files, while Morgan, JJ, and Rossi head to the school to find his son.
"Something set this guy off," Emily explains as you start poring over the records. "Odds are it's in your files."
You manage to get through about a dozen before Dr. Barton stands up with a sigh. "My son is leaving school in five hours. There's no way we can get through all of these patients in time."
You check your phone again, mostly to see the time, but you also note that there aren't any new calls or messages. "He's right. We need more eyes on this. I can get Hotch and be back in a half hour."
"Keep us updated," Emily says, nodding at you. Concern flashes across her eyes for a millisecond, and you're sure it reflects the look in yours.
The drive to his apartment doesn't take long, and you stalk down the hall, all the way to the end, until you find his door. There's no answer the first time you knock, so you reach for the spare key he gave you, but before you can use it, you realize the door is already unlocked.
Your heart drops into your stomach and you pull your gun out, using it to push open the door carefully. "Aaron? Aaron, it's me."
When the door is ajar, the sight before you almost makes you drop your gun. There's a large bullet hole in the far wall, along with a patch of drying blood and bits of broken glass on the floor. His phone is on the ground as well, and his gun and holster are lying on his dining table.
You crouch down on your heels, trying to calm your breathing, as you take in your surroundings. You need to think logically about this, or you'll be no help at all.
A few things come to you as your mind clears.
His car is still outside.
No blood splatter around the bullet hole.
No drag marks.
You dig your hand around your back pocket and pull out your phone, dialing Garcia as fast as you can. "Overtime shift, Penelope speaking."
Her chipper voice usually calms you down, but right now you need to cut to the chase. "Garcia, it's me. Something's happened to Hotch. You need to get an APB out on him."
Her breath stutters. "What do you mean, something?"
"There's blood on the floor," you whisper, willing your voice not to crack as your throat thickens with tears. "There's also a bullet hole in the wall, probably a .44."
"I'll send the whole team," she says before you cut her off.
"No, don't call the team. They need to finish the case we were assigned. Just tell Emily, since she's expecting me back, but send every other agent in the vicinity."
"On it."
The line clicks off and you release your breath, before standing up again. While you wait for the crime scene techs, you poke around his things in the main area, trying to see if anything has been taken or moved. The only thing you notice before they arrive is that a page has been ripped from his address book.
"Agent L/N?" a voice calls from the doorway.
You lift your hand. "Yeah, in here."
They come inside and get to work immediately, so you step out, just in time for Garcia to call you back. "Y/N, I checked local hospitals for his name, and I didn't find anything at first, but then one of them told me something really strange."
"Garcia," you whisper through gritted teeth. You love her, but she needs to hurry up before you explode. "What was it?"
"Someone dropped off a John Doe at St. Sebastian hospital, and that someone's name was FBI Agent Derek Morgan."
Your vision turns black for a moment. He's back. Foyet's back.
You're rushing to your car before she has a chance to hang up.
***
He's still under anesthesia when you arrive at the hospital. He was stabbed nine times. That's what the nurse told you when you flashed your credentials and asked for any information she could give you.
Now, you're standing in his doorway, trying to build up the nerve to approach his sleeping form. Even with all of the bandages covering his arms and abdomen, he somehow looks peaceful. It's been so long since you've seen his brow unfurrowed, his forehead smooth, without the tension that invades his daily life.
After a few minutes, you take a step inside, then another, and suddenly you're right beside him, reaching out to clutch his hand over the bedsheet.
His skin is cold, and you wrap both hands around his to warm it up, if even by just a little. He's usually a furnace, generating his own heat even when it's freezing out, but whenever he gets hurt, his hands turn to ice.
After a minute, your phone buzzes in your pocket and you let him go to answer it. It's just Emily telling you that she's at the hospital with the rest of the team, and you walk out into the hall to talk to them.
Rossi is the first to reach you. He squeezes you into a hug before getting back to business. "You sure it was Foyet?"
"He had Morgan's credentials," you nod, rubbing a hand over the back of your neck. Derek glances at you then, and you press your lips together with a nod.
"Did they catch him on the security cam?"
"You could see him dropping Hotch off," you explain, trying to keep your voice steady, "but the camera's only on the entrance, so I have no idea what direction he went once he left the hospital."
Emily shakes her head. "It doesn't make sense for him to have brought Hotch to the E.R."
The nurse from earlier approaches you then, pulling your attention. "Agents, he's waking up."
You shuffle inside and take his hand again as everyone walks in.
His voice is soft when he opens his eyes. "Where am I?"
"In the hospital," Emily whispers, taking care to be mindful of her volume.
He shuts his eyes for a beat. "How did I get here?"
"Foyet drove you." Rossi doesn't frown often, but the lines of his face are clearer than ever. "Can you remember what happened?"
Hotch shakes his head, closing his eyes. "What did he take? The Reaper always takes something from his victims."
"There was an address page missing from your day planner," you whisper, finally finding your voice. "In the B's."
His eyes snap open and he tries to lift his head from the pillow, but he can only wince. "Where are my clothes?"
Emily hands him a plastic bag filled with his belongings, and he ruffles through them, until he finds his wallet. When he opens it, a photograph is stuffed inside, covered in blood spatter. Haley and Jack.
Your breath catches, and he seems to realize what it means at the same moment you do. "Haley's maiden name is Brooks. I always listed her in the B's in my personal information in case it fell into the wrong hands."
You squeeze his hand involuntarily, and he exhales sharply. "He knows where they live."
***
When the rest of the team rushes off to his old house, you stay with him at the hospital. You get a call soon from JJ that Haley and Jack are just fine, and you are finally able to breathe easy for the first time all day.
"They're okay," you tell him when you hang up the phone. "That was JJ. She said Haley was home and Jack's at a playdate, but Morgan is going to pick him up right now."
He nods slowly, his body relaxing into the bed. "Good. That's good."
"It is," you say, eyeing his movements. It's still enormously difficult to look at him like this, but you won't be able to move forward if you don't know the truth. "Aaron, what happened? What did he do?"
"I don't remember all of it," he says slowly, clearly taking his time with each word. There's no rush, and he knows it. Even if it takes him hours to get it all out, you'll still be here. "I remember him being there when I got home, after I dropped you off. He fired off a shot into the wall, and then I tried to tackle him, but..."
He trails off, and you squeeze his hand tighter, as though trying to tether him to the present moment. After a few shallow breaths, he continues. "I tried to tackle him, and I got him on the ground, but then he overpowered me." You can almost see it in your mind. The picture he's painting as he weaves over the details with startling clarity. "The first one hurt the most."
The first stab. Your eyes close for a beat, like you're trying to hide from his words. The first of nine.
"I don't remember much after that." You can tell he's leaving things out, but you also don't know if you'll be able to handle it if he does tell you everything.
"That's okay," you whisper as his eyes droop down. "You should rest."
He nods slowly as the exhaustion takes over and his grip loosens around your hand as he falls asleep.
You wait by his side for about a half hour, until you spot a familiar face (with a new haircut) dawdling in the hallway.
You stand up in a fervor. "Oh, thank god."
You rush over to Haley and pull her into a hug, which she returns just as forcefully. "JJ called us when she found you, but it's still really good to see your face."
"It's good to see you too," she says with an exhale before letting you go. You look down and see Jack standing next to her, his mouth downturned as his fingers twiddle at his sides. "Do you mind staying with him while I go talk to Aaron?"
You turn around and see that he's blinking his eyes open again. "Not at all." You take Jack's hand with a smile and lead him down the hall.
"I'm sorry if the big men scared you," you tell him once you find a few seats in the waiting area. "I know it was all very sudden."
To your surprise, his face breaks out into a big grin. "Uncle Derek let me turn on the siren!"
"Wow!" you smile, feeling warm laughter echo around your chest. "That sounds super fun."
He nods ecstatically, before leaning his head over to look back up the hall. "Can I see Daddy now?"
Your smile falls as fast as it appeared and you take his hand again, pressing his fingers between yours. "Soon, baby, soon."
***
He wakes up to the sound of faint talking. He can vaguely see you hugging someone, and he blinks a few times to clear his vision as you disappear down the hall.
"How do you feel?" Haley asks as she walks into his hospital room. She doesn't come further than the foot of the bed, but he's just glad to see her here, in one piece.
He clears his throat quietly. "I'm gonna be okay." She doesn't look convinced, but he doesn't want to focus on him right now. "Did they explain to you what's happening?"
She nods slowly, looking at him for another moment. "They said the Marshal's service is taking us straight from here and putting us into protective custody."
She looks upset, and it takes him back to the lowest moments of their relationship. "Haley, I'm sorry."
She looks down and the familiar urge to comfort her returns, even while lying in a hospital bed. "Do you know where they're gonna take us?"
"No, I don't." He tries to catch her eye but she won't look at him. "And that's the point. I can't know where you're going. If you have any contact with anyone, then he could track you."
She finally looks at him then, and her sadness is tinged with exasperation. "Jack has school. He has friends. I have a job now."
He doesn't know what else to say but: "I know. I'm sorry." He hopes he's conveying what he means, but it doesn't feel like enough. "We will catch him, and you'll come back, and I promise that I will spend the rest of my life making this up to you."
She nods minutely, and he takes the small comfort. "Are you sure that we're in danger?"
"Yes." There's little else he's been more sure of.
"And what about you?" she asks, her voice small. "Are you gonna be safe?"
He doesn't want to worry her, but he also doesn't want to lie. "He wants to see me suffer. Knowing that my son is out there and that I can't see him is better than killing me."
Her brow pinches and she pushes her short hair back from her forehead. "Jack wants to come in."
He tries to argue at first, not because he doesn't want to see him, but because it will only make it harder to let him go again, but eventually she convinces him to accede.
She leaves to go get him, and he leans back on the pillows, trying not to let himself sink inside.
~
Haley finds you in the waiting area, with Jack sitting on your lap, in the middle of a game of I Spy.
"Is he ready for him?" you whisper when you see her approach. She nods and you lift Jack off your lap and set him on his feet. "Off you go, buddy. Time to see Daddy."
"Yay!" he cheers before racing down the hall, you and Haley right behind him. She steers him into the correct room, and he jumps onto the bed before either of you can stop him.
There's a quiet chorus of 'be careful's before he grunts, "Don't worry. It's okay. The doctors made sure that I'm completely fine." He turns to the small boy with a smile you haven't seen in days. "Did Mommy tell you that you two are gonna take a trip?"
Jack nods once, moving his chin up and down dramatically. "Yeah."
"So I'm not gonna see you for a while."
Jack frowns. "Why?" The word sounds so small out of his mouth, and your heart cracks in your chest.
"Well, think about it like when Daddy goes away for work. Only this time you and Mommy get to go someplace."
Jack ponders this for a few seconds, before crawling up again and wrapping his arms around his dad's neck. "Are you okay?"
"I'm very proud of you." It's a father's answer. The kind of response that doesn't tell the truth, but hides the pain with love. "Every single day. I'll see you soon, okay?"
"Okay."
Haley says another goodbye and grabs Jack's hand before leading him out of the room. She gives you another hug, squeezing extra tight for the last second. "It's not his fault."
"Of course it isn't," you whisper, letting her pull back.
"No," she whispers, closing her eyes. "I mean, don't let him blame himself for this."
He's one of the most stoic people you know, but he can also be so transparent sometimes. "I won't. I'll be here."
"He needs you," she says with a sad smile. "He's always needed you, but he especially needs you now."
She doesn't let you respond before she's tugging Jack down the hall. You watch as she exits the side door of the wing, and only turn back when you can't see her anymore. She's one of your longest friends, and you won't be able to see her or her son for god knows how long.
When you step back into the room, you stand at the foot of his bed, trying to gauge what he needs from you, but then you see his expression. Tears prick the corners of his eyes and his mouth twists as you rush forward and grab his hand, squeezing it between yours with the grip of someone holding onto a life preserver.
"They'll be okay," you whisper, trying to keep your own tears back. "We'll get through this."
He nods, his eyes still shining. You move to sit in the chair beside him, but he tugs you back, pulling you closer. You understand the desperate look in his eyes, the need for connection and comfort from someone you care about that you've seen in yourself on so many occasions.
Slipping your shoes off, you tuck the sheet into his side and carefully climb onto the little hospital bed, taking care to avoid any of the wires and tubes. Once you're sure you're not pulling on anything, you curl up beside him and wrap yourself around his arm. His skin is warmer than it was earlier, and you take solace in the fact that he's going to be okay. Maybe not now, but he will be.
Your breaths synchronize with his and you listen to the beeping of the heart monitor as your own heart rate calms down. There's a feeling tugging at your spine, filling you up and threatening to spill over, but you shove it down, knowing it will be too much right now. You don't have the words to describe the emotions circulating through your brain, so you stick with what you know. "I love you." It's quiet, barely a whisper, but you know he can hear you. "Thank you for staying alive."
"You're welcome," he whispers back, his voice barely audible over the monitor. "I love you too."
***
You leave the hospital the next morning with a plan. He's still asleep when you wake up, so you get up carefully and thank the nurses one more time before heading out.
You make two stops on the way to his apartment, and this time, you use your spare key to unlock the front door. The crime scene crew cleaned the blood off the floor, and you told Rossi to get them to spackle the hole in the wall, for at least a temporary fix, but there's still an air about the place. It was just starting to feel like his home, and now it's soiled, once again.
You shut the door behind you and drop your bags to the ground, surveying the place one last time for any damage or mess you missed earlier. When everything seems fine, you get to work.
An hour later, you slump back against the wall and toss the packet of instructions to the ground. In front of you is a freshly installed security system, with a door proximity sensor and keypad for when he leaves the house in a hurry.
You can already hear the arguments coming, but you don't care anymore. You won't be able to sleep knowing he's in here, all alone, without anything to keep Foyet from coming back and finishing the job.
For someone who has as little of a technical background as you do, you're impressed with how quickly you were able to get the system running, and you test it a couple of times, turning it on and off and checking the doors, before you finally pull his door closed and lock it behind you.
***
The doctors don't release him until the end of the week, but once he's able to walk again, he calls you to get him from the hospital. By the time he signs his discharge papers and makes the phone call, you're already almost there, and as much as he hates putting you out on a weekend, he can't help the satisfaction that rumbles through him.
The drive to his apartment is mostly silent, with him just trying to stay still as you take the turns carefully, and drive five under the speed limit. When you arrive, you hold the bag of salves and ointments for him as you take his arm, helping him down the hall and to his front door.
He moves to grab his key, but you stop him with a forceful "Wait!"
"I can unlock my own door," he grumbles, but you just shake your head, taking the key from him and turning it slowly in the lock. The moment it swings open, a loud beeping fills the air, and you rush forward to type something into the keypad by his door. Wait...keypad? "When did tha-"
"Before you argue," you jump in, clearly anticipating his disgruntlement, "it's for me, okay."
He raises an eyebrow and you glare at him, but there's no effort behind it. "I mean, it's obviously for you, but still...it's for my peace of mind too."
You're rambling makes him crack a smile for the first time in days, and he nods slowly. "Okay."
Your mouth snaps shut and you look at him with a meek smile. "Okay."
You help him get settled on the couch, and he waits there as you scrounge up some food from the kitchen. He's not sure he has anything perishable, but you manage to put together a comforting bowl of pasta with jarred tomato sauce that makes him feel a little more at home.
As the evening turns to night, he catches himself glancing at his watch more often than not, and eventually you catch on too.
"Is it time?" you ask, your voice gentle.
After a breath, he nods, and you reach across the coffee table to grab his bag of supplies from the doctor. You lay the salve and extra gauze on the table, and wait for him to make the next move, a decision he accepts gratefully.
He's been injured before. He knows how painful it is to sanitize a wound, and especially one as deep and grotesque as his. He just needs a few moments to accept the fact that he's...scared.
"I can do it," he says once he's ready, before reaching for the salve. The simple motion makes him wince and you jump in right away, grabbing it for him and undoing the top.
"Let me," you whisper, your words somewhere between a statement and a question. "Please."
He can already feel his stitches pulling, just from the simple act of swiveling his body to face you, so he gives in with a quick nod.
He doesn't look at you as he undoes the buttons of his shirt. He's not embarrassed - you've never pitied him, even at his lowest moments - but he needs the semblance of privacy as he exposes his injuries to the open air.
The air feels cold as he pulls his undershirt over his head, and you get to work immediately, peeling back the old layer of gauze as slowly as you can. The sections directly over his wounds stick slightly, and he grits his teeth against the pain as you gently tug them free, making sure to avoid pulling his stitches.
"Do you want a break?" you ask once the gauze has been fully removed. He shakes his head, needing this to be over as soon as possible, but when he meets your eyes, he sees them welling up with tears.
He glances down at his bare torso, his eyes darting over the jagged scars ranging from his stomach to his collarbone. Your breath stutters as you take it in with him, and he looks at you. "He made sure we'd match."
He sees you rapidly blinking away the tears that rush forward, and he wants to comfort you somehow, but he doesn't know what to do. You help him lean back on the armrest, so you can apply the salve around each of his injuries, and as your fingers press into his skin, he can't help but be reminded of his childhood. The pressure of your hands as you wrapped him with bandages, the warmth of your breath when you leaned in to inspect your work.
It's usually a sad memory when he thinks back to his childhood, but with you, it was always good. He watches as you slowly tape the new layer of gauze around his abdomen, and even as tears slide down your cheeks, the way you look at him doesn't change.
"All done," you whisper after pressing on the final pieces of tape. "How do you feel?"
Anxious. Terrified. Lonely. Guilty. "Good. Thank you."
***
"Hey, it's Emily."
"What's up, Em?" you say, your phone pressed between your ear and shoulder as you hop around, trying to get your shoes on before work.
"How was your weekend?"
You pause. "Fine?" The question isn't out of the ordinary, you're just not sure why she called to ask you that when she's going to be seeing you in person in about twenty minutes. "How was yours?"
"Oh, you know." She sounds distracted, and you feel a smile pull at your lips as you realize she's avoiding something.
"Em...is there a reason you called? You know, given that we're both on our way to the same place."
She clears her throat, and you hear the indecision in her voice, even over the phone. "I know this is kind of a weird question, but would you mind if I picked up Hotch for work this morning. I left late last night, so JJ was able to brief me early, and I figured he could use a headstart."
You stop your movements, straightening up and lifting your hand to your cell. It's not at all what you were expecting her to say, but that's not all you're confused about. "Yeah, of course. You don't have to ask me first, though. We're all teammates."
She makes an little noise that you don't recognize. "Yeah...but you two are different."
You don't know what to say to that, so you just wait for her to keep going. Emily was never very good at uncomfortable silences, so after a few moments, she's back. "Anyway...I'll grab Hotch and see you in 30?"
You try to hide your grin, even though no one can see you. "Sounds like it."
"Bye."
The phone clicks off, and you tuck it back into your pocket, still smiling. You're already in a better mood than normal, because after 34 days of medical leave, Aaron comes back to work today.
You finish clasping your shoe and head out the door, more relaxed this time. With Emily picking up Aaron, you're not in a rush anymore. You take the drive at a leisurely pace, and when you arrive at the office, you run into Spencer by the front of the building.
"Wait up!" you call out, jogging over to him before he gets in the elevator. "Let me get that." You slide the strap of his book bag off his shoulder and sling it onto yours. He nods in thanks and tucks his crutch under his arm as he presses the button for your floor.
"I thought I'd be used to the crutches by now, but I keep tripping over everything." You scrunch your brow with amusement as he frowns down at his leg. "The doctors say it's healing well, though."
The elevator doors open and you step in front of him to get the door across the hall. "Does it hurt?"
He shrugs. "It really only hurts when I think about it, which is pretty much all the time."
The statement isn't exactly comical, but his deadpan tone makes you snort as you hold the door, and he smiles as he passes by you. You follow him to Garcia's lair, and she perks up upon seeing the both of you.
"My babies," she grins, pulling out a chair for Spencer. "Sit, sit."
You let out a laugh as you place his bag on the floor next to him. "I'm older than you."
"Who's counting?" she throws back, typing something furiously into her computer. She turns around a moment later, just in time to swat Spencer's hand away from the tin of cookies sitting on her table. "No, no, no."
"What?" he complains, gaping at her.
She swats him again, before pulling the tin away from him. "Get away, you. These are for Hotch."
"Butterscotch?" you ask, glancing down at the box. His preference for butterscotch cookies was something you used to tease him about when you were kids. Butterscotch Hotch.
Penelope nods and lifts the edge of the lid, implicitly offering you a cookie. When you take one, Spencer throws his hands up into the air. "Why does she get one? I get shot in the leg and I still don't get any cookies."
You laugh and break off half of your cookie, which he takes from you the moment it's in your palm. He stuffs the entire thing into his mouth, not bothering to swallow it before he pipes up again. "You know he's gonna hate the attention."
"It's cookies," Garcia pouts, "not cake."
Spencer shrugs. "He's probably gonna pretend like nothing happened, anyway."
"Well, it doesn't mean we have to."
You don't know how to weigh in to this discussion, mostly because you know more about how he's feeling than they do, but also because the idea of speculating on his recovery without him here feels like a betrayal.
"What do you think?"
You look up and realize that Spencer was directing this question to you. Swallowing down the last bit of your cookie, you cough once to clear your throat. "I think he's been through a lot, but sometimes coming back to work is the best way to take your mind off of things. Foyet was in his home. I don't think staring at the same walls that used to have bullet holes in them is exactly healthy either."
Spencer and Penelope both stare at you for a moment, before nodding and looking down. They remind you of two children who have just been reprimanded, and you smile to soften the sentiment. "I love you guys for caring about this, but we just have to trust that he's okay."
"Yeah," Penelope nods, reaching forward to squeeze your hand. "Are you okay? This can't have been easy for you, either."
"I'm fine," you say too quickly. "Nothing happened to me." It's not a lie, exactly. You weren't the one who was stabbed. Nine times. "I've just been keeping him company after work, and helping with some of his post-hospital care checklist."
"He's lucky to have you," Penelope says softly, to which Spencer nods.
"He was great too after I got shot," you add, feeling oddly defensive of your friendship. "He stayed with me for a long time when my dad was gone."
She smiles at you sadly, before holding the tin out for you. "Want another cookie?"
You let out a weak laugh as Spencer chuffs behind you, and you shake your head. "No thanks."
"Do you think he'll like them?" Her voice sounds earnest, and you nod, knowing what it's like to want so desperately to understand someone who's as closed off as he seems at times.
"Spence, Y/N, there you guys are."
You turn around to see JJ, her face lined with tension. "Are you ready for us?"
She nods. "Grab your go bag."
***
He's been erratic all day. When he snapped at Garcia earlier for missing the antipsychotics link, you wanted to throttle him, especially when you remembered the cookies she had waiting for him in her office.
The thought that maybe Spencer was right keeps flashing through your mind as you watch him get frustrated with everyone, including himself. When you all arrive at the Darrin Call's father's house, where he and a young boy he kidnapped are waiting, Aaron instructs Emily to speak with the lieutenant on scene to figure out what you're dealing with.
"The kid's in there," you hear him say, "We've got this. Tactical teams are covering the exits. Call needs a distraction. He's focused on the old man."
Emily glances back at the house as she ties her hair back. "For now. But we're gonna have to figure out the safest way to get that kid out."
"I've got a team in the back and one on the way. We're going to infiltrate."
"You do that and someone else dies."
The man just shrugs. "Either Call or a child murderer...flip a coin."
"It doesn't have to end like that." You can see how hard she's trying to make the lieutenant understand, but sometimes the locals just don't listen. "We get a confession out of Jarvis and he goes away, and Call gets his answers. No one else has to die."
There's movement behind you and you turn around at the last second as Aaron stalks past you and towards the house.
"Hotch," you call out, but he doesn't look back. "Aaron. Aaron!"
He's almost at the front door, and your feet start moving without you realizing it. You make it within a few feet of the front gate before two pairs of arms seize you from behind, halting your momentum.
"Let him go," Dave whispers as he and Derek release you. "We have to trust him."
"He's not thinking straight," you grit out, unable to tear your eyes away from the closed door as you step forward again. He wasn't wearing his vest, and you can't remember if you saw his gun in his holster. You close your eyes, wracking your brain. Think, goddamnit.
Derek grabs you again as you try to make a break for it, anticipating your movements before you even know what you're doing. "Rossi's right. We have to trust him. We can't help him if we rush inside now."
"We can't help him out here either!" Your voice sounds frenzied in your ears, but he doesn't loosen his grip, even as you try to shove him off of you.
"You know we're right." He looks at you sternly, and your resolve diminishes as reason starts to set in. "Going inside will only make it worse."
Emily comes up from behind you and takes your arm, leading you back to the street in front of the house. You back up, but you don't turn around, ready to rush in the moment anything changes.
"What's he doing?" she asks Derek, her voice quiet, like she doesn't want you to hear.
"Stalling," he says simply. "He's got nothing to lose."
Your breath catches and you lift your hand to your chest, clutching the top of your vest like it's a lifeline. You want to scream at them, scream that he has everything to lose. He has a son, and an ex-wife who loves him, and he has you.
"You got the shot?"
"Negative."
He suddenly appears in the front of the door, but you can tell he's angling his body to block the visual of the shot. What is he doing?
The door opens for a split second, and the little boy runs down the porch and into the arms of one of the SWAT members. It shuts as fast as it opened up, and you only manage to see his face for a moment before he disappears into the house again.
For a minute, there's only silence, until the air is pierced with the sound of three gunshots, one after the other. Your body visibly flinches and you throw yourself forward and over the gate, pulling out your gun at the last moment as you breach the front door.
When you storm into the living room, Aaron is putting cuffs on Darrin. The father is dead in his recliner at the center of the room.
"What happened?" Dave asks from behind you.
He purses his lips. "I couldn't stop him." It's then that he finally looks up at you, but all you can do is glare. You don't know if you've ever been angrier in your life, and definitely not at him.
His brow dips with a mix of confusion and remorse, but you just stuff your gun back in its holster, spin around, and stalk out of the house. The fresh air outside feels like a welcome respite from the emotions swirling around inside of you, and you turn your face to the sky as your brain fires off millions of questions at once.
When did he get so reckless?
Is this all because of Foyet? The need to feel like he's getting something done, with his family on lockdown?
He comes out of the house then, and you're practically shaking from the relief that he is okay, but the anger isn't fading. You can feel it flooding your veins with each breath you take.
He hands Call off and approaches you slowly, stopping in front of you with a look you don't recognize.
"This is the job," he says simply, his voice almost cold. "You know what you signed up for."
"I know what I signed up for?" Your face twists with disbelief and you look at him with contempt. "Fuck you, Hotch." His face drops slightly and it only feeds your fight. You know him better than anyone else in this world, and that also means you know exactly how far you can push him until he cracks.
"This is what we do." His voice is tight, and you see your anger reflected in his eyes. "You knew that when you joined the team."
Emily and Dave exit the house, and you can feel their eyes flickering over to you, but you can't bring yourself to care right now.
"No," you grit out, shaking your head. "You don't get to be angry with me. You don't get to say that to me."
He looks at you for a beat before his face falls and you see all the fight leave him. He sighs, his brow pinching. "You're right."
You can practically see the war going on inside his head. The battle between fear and action, where there are no winners.
You nod as you look down at the ground, and he reaches forward to take your hand. He squeezes it tightly, before lifting it to his chest. "Y/N." I love you, I'm sorry.
You nod. "I know." I'm sorry too.
***
You've been looking at the text JJ sent you for the better part of an hour. Something's going on. Strauss was in Hotch's office and it looked bad.
You're reminded of his suspension and the two long weeks you worked here without him, and you internally resolve that it won't be happening again if you have any say at all.
The next morning, you're one of the last people to arrive, and you walk into a conversation that Spencer is having with Emily at his desk.
"You're not gonna believe this," he says, turning to you and lifting his hands dramatically. "Some moron just posted a blog called 'What would Carl Sagan do?' and it's completely illogical."
"L/N, what did I miss?"
You spin around to see Derek strutting into the bullpen, his phone held up in his hand.
"What do you mean?" you ask with a frown.
He looks at you expectantly, and you start to feel like you're on the outside of something you should know. "All the emails from Hotch..."
You yank your phone from your pocket and refresh your email. "I don't have any new ones."
"Me neither," Reid chimes in from next to you.
Derek doesn't wait another moment before he's barreling past you and up the stairs to Aaron's office.
"What was that about?" Spencer asks, a confused look on his face.
"I don't know," you say honestly, "but I think we're gonna find out soon."
~
"You wanted to see me?"
He nods and you step into his office, shutting the door behind you. Ever since his private conversation with Derek this morning, you've been obnoxiously curious about what's been going on with the team, but you also know when not to overstep your boundaries.
"Take a seat." He beckons to the couch on the far wall, and he sits down across from you when you plop down. "We have to talk about something."
"If you say Strauss suspended you again-" He cuts you off with a lift of his hand. You look at him sheepishly and nod. "You were saying..."
"This is going to sound odd, but just hear me out." You're starting to get worried, but he doesn't look anxious, so that's a start. You nod, and he continues. "The bureau thinks that my ability to lead this team has been compromised. They've been questioning me since Foyet's attack, and they're not entirely wrong."
You want to refute this, but you've also been questioning some of his actions as of late. Nevertheless, that doesn't mean that you won't have his back if it comes down to it. "They can't fire you. The whole team will fight back if they even try."
He looks at you with something that resembles concern. Concern? "They won't fire me...because I'm stepping down."
"What?" you burst out, unable to help your volume. "What are you talking about?"
"I'm resigning as unit chief at the end of the week, but I'm not leaving this team."
You think you have an idea of where this is going, but his eyes are still tracking your movements, like they do when he's worried about how you'll react. You don't know how it could get much worse than this, but then you realize he hasn't told you who will be replacing him.
"I told Morgan to take my place until we catch Foyet."
There it is. You don't expect it to sting as much as it does. "Oh."
Your voice sounds small to your own ears, and you clear your throat to keep the emotion out. This isn't a personal decision, it's professional. If Strauss was telling you this now, it probably wouldn't faze you. So why does it hurt coming from him?
"Strauss wasn't happy with your decision to not take the New York position," he explains, his eyes finding yours. "You know I think you deserve more leadership roles. It was her that suggested Morgan for it, and I couldn't argue when she was already so unsure about letting me promote internally."
"I get it," you nod. Your tone a bit sharper than expected, even though you understand where the decision came from. Derek deserves this position too. "I do, I promise."
He raises his eyebrows with a check in, and after a moment, you finally nod. It's okay. We're good.
"I'll see you in the morning?"
You dip your chin. "Good night."
***
"I can't believe Hotch is stepping down."
Penelope, Emily, Spencer, and JJ are all unabashedly watching Derek as he briefs Strauss on the case he chose for today. You've been trying not to look, but every few minutes, something snags your attention.
"Morgan said it's business as usual," Emily adds, her brow furrowed as she watches them converse.
Penelope doesn't seem eased. "So we're just supposed to move forward without any discussion?"
Spencer shrugs. "After Foyet, I think we'd have to be ready for anything."
Derek finishes speaking with Strauss then, and you stand up as he asks Emily to call Rossi for the briefing. He looks official with his ironed button-down, and you can't help but wonder if he's trying to emulate Aaron.
You flash him a cheeky smile as he walks towards the conference room, but he just brushes past you. 
~
Derek steps into his new role effectively, and you even notice him provide extra feedback to everyone throughout the case. Hotch has a bit of a difficult time stepping down at first, but you know it comes from habit, not distrust.
When you're back at the office later that night, you look up to see that he is still in his office, furiously jotting something down, even though his responsibilities have been greatly diminished. You don't know why you expected the demotion to make him want to cut back a bit.
Derek is the only person still in the bullpen when you take a seat again. You finished up the last of your paperwork, so you start to pack up your stuff, but then your interaction from earlier crosses your mind again.
Latching your bag closed, you stand up and perch on the edge of Derek's desk. "Hey, boss, how's the responsibility feel?"
"Fine," he mutters, his tone snippier than you've ever heard it.
"A lot more paperwork than you were expecting, huh?"
He doesn't look at you, so you reach forward to tap the back of his hand. "Derek, come on, what's going on with you?"
You brace for him to snap at you again, but then he just sighs, setting his pen down. "You're not angry with me, right?"
"What?" You don't know where this is coming from, seeing as how he's been the one who's been avoiding you all day. "Why would I be mad at you?"
"Why?" he repeats, his face twisted with disbelief. "I basically stole this position out from under you."
You shake your head forcefully, putting your hand over his on the desk. "Not even close, hon. Anything on my end was bureau politics, but that's just one side of it. You deserve this just as much as I would have. You've even been at the BAU longer than I have."
He's silent for a moment, before he turns his hand under yours and clasps it gently. You give his hand a squeeze before bringing your other one up to his cheek. "You're doing a great job. You were an amazing leader out there today. Hotch picked you well."
Derek leans into your hand for a beat, before letting out another sigh. "Thanks."
"Seriously, Derek," you say with a smile. "This might have been one of his best professional decisions yet."
That makes him laugh, before shaking his head. "Nah, his best decision was bringing you to this team."
Your chest fills with warmth and you lean forward to pull him into a hug. His arms are strong as they wrap around you, and you settle into the hug, turning away from the office light upstairs and trying to ignore the fact that Aaron hasn't looked up from his desk since you started talking.
***
"Agent Hotchner, before you go, there's one final thing I'd like to share with you."
Karl Arnold, the Fox, has been taunting each of you throughout the whole day, and right when you finally thought you were done, he drew you right back in. You follow Hotch and Prentiss back into the interrogation room.
"So you think you found my admirer."
"No," Aaron says simply. "We found the killer."
Arnold grins. "With my help, of course."
"Your admirer is exactly like everyone who contacts you..." Emily sneers, "lost."
Arnold turns to her, and the look in his eyes makes your skin crawl. "My love, your guy is far from lost."
Hotch shakes his head, turning to the door. "We're done."
"So is he." All three of you spin back around, much to his amusement. "'Look at what I have done.' It's quite brilliant, you know?"
"We will find whoever sent you that."
"No, Agent Hotchner, I rather think he's already found you."
Aaron immediately starts flipping through the file on the table, shoving pictures and papers aside as he searches for something. Something about Arnold's tone sends your mind reeling and you grab the journal in front of you and start flipping through it as well.
"What's going on?" Emily asks, coming up behind you.
Arnold just laughs. "He's torturing him."
"Who?"
He ignores her. "It's great to see you squirm, Agent Hotchner."
You reach one of the bookmarked pages, and the symbol that greets you almost makes you drop the journal. "Aaron..."
His eyes snap to your hands as his skin turns white. "Foyet."
The three of you rush out of the interrogation room, accompanied by the disturbing sound of Arnold's laughter echoing behind you.
Just before the door shuts behind you, you hear his final words. "He knew you'd come."
***
The whole team spends days with only one goal in mind: find and capture Foyet. JJ works with you and Garcia to track prescription medications that he would be on given his self-inflicted injuries, and Spencer, Emily, and Aaron put together a geographic profile using the letters from the Fox and the proximity of nearby pharmacies. Derek's role as acting unit chief keeps him busy all on its own, but he manages to keep the team on track as he turns any new cases that come in to other teams.
When JJ returns from a local pharmacy with the discovery that many prescription meds have over-the-counter alternatives, the focus shifts. Garcia narrows down the list, and brings back a list of names that is way too long to feasibly question.
"153 names," you huff, leaning over her shoulder as she scrolls down the list.
Emily frowns. "Well, he's not gonna use his own name."
"What kind of aliases should we be looking for?"
You all consider this, before Derek chimes in. "He could have easily stolen someone's identity."
Hotch shuts that idea down immediately. "No, he's a narcissist in love with his own mythology. He'd use a name connected with the case."
"A victim, maybe," you guess, "or a cop?"
Garcia doesn't find anything on the initial search, but thankfully Spencer suggests another approach. "Guys, Foyet likes things to have meaning to him. The eye of providence, the addresses in blood he wrote on the bus that led us back to him. Maybe he's doing the same thing with the alias."
Emily frowns. "Like an anagram or something?"
Spencer walks over to the white board and writes out George Foyet, before fiddling around with the spellings of possible anagrams. You walk up behind him and follow his movements along the board. "You see something, Spence?"
He shakes his head. "Not yet."
"Spencer," you interrupt as the realization comes to you, "he named himself The Reaper."
He pauses for a beat, before switching over to scrawling out possible anagrams for The Reaper instead. After a moment, he's done. "Peter Rhea."
Penelope is already searching. "There's a Peter Rhea in Arlington."
Rossi nods, a satisfied look on his face. "We found him."
***
Garcia sends out the address of an apartment in his name, and you drive over with Hotch, who doesn't say a word the whole way over. You keep glancing at him, trying to be discreet, but the tension in his posture doesn't fade, even after the breakthrough.
The apartment ends up being empty, but when you all go inside, there's a laptop sitting on the center table. Emily dials Garcia the moment you realize that the files on it are being remotely deleted, and when she hacks in, she comes across a series of surveillance photos that make you gasp out loud. "Oh my god, isn't that-"
"That's the US Marshall protecting my family." His face looks frozen with stress as he dials Marshall Kassmeyer's number. When the call goes to voicemail, Aaron stalks out of the apartment and to the SUVs parked out front. He doesn't wait for you to get in, before he's already driving off.
"Where is he going?" Emily calls out as she exits the building behind you.
"Kassmeyer's house," you say, almost certain that you're correct. With the knowledge that his family is most likely in immediate danger, there is nothing anyone could do to stop him from trying to save them. "I'm gonna follow him."
"Here," Rossi says, tossing his car keys to you. You accept them gratefully and speed off down the road.
~
Kassmeyer is bleeding out when you get to his house. Aaron is already inside, trying to get him to explain what happened, and when he describes how Foyet taunted him and stabbed him, you resist the urge to take Aaron's hand.
"Sam," he says suddenly, leaning over him. "I need to understand. Does he know where Jack and Haley are?"
Your heart rate skyrockets as Kassmeyer mumbles another apology. If Foyet knows where they are, you don't know if any of you will be able to get there in time.
The paramedics rush in then, and they carry Sam out to the awaiting ambulance as he refuses sedation. Aaron runs out after them and throws himself into the back of the ambulance before you can catch up.
~
Without any new leads, there's nowhere for you to go, so you wait out front in your SUV as you wrack your brain for where Foyet would have told Haley and Jack to go. You don't know how long it takes until another agent calls you from the hospital with the news that Marshall Kassmeyer died in surgery.
The news hits you like a ton of bricks. One more body you can attribute to The Reaper. "Is Agent Hotchner there?"
The voice is tinny over the line. "He took one of the SUVs and left a few minutes ago."
"Where?" You can hear how frantic your voice sounds, but you don't care. "Where did he go?"
"I'm not sure," the agent says. "He sped away before anyone could ask."
You hang up the phone and turn the car on, before pulling onto the street and calling the team line. Garcia picks up on the first ring.
"Sam died in surgery," you explain as you turn at the end of the street. "Hotch is already gone, but I'm gonna go to the hospital now in case someone has more info."
"Okay, honey," she says, patching in the rest of the team. When they answer, she repeats your statement, before she gets cut off. "Guys, Hotch is calling Foyet."
"Patch us in," Derek instructs over the line, before going silent. You mute yourself as well, before turning back to the road.
"Agent Hotchner."
Foyet's voice makes you nauseous, and you can practically hear the grin behind his words.
"If you touch her..." Aaron doesn't even finish the threat, but you can feel the rage within it.
"Be gentle, like I was with you?"
Your eyes prick with tears as you remember the scars that are now a permanent fixture on his body. The matching scars. The idea of Haley ending up the same way, or Jack-
"What the hell took you so long?" Foyet complains, his tone playful. "I was beginning to think this phone was dead or something."
Aaron doesn't answer him, and the anger is almost palpable over the line.
"Why so quiet? You usually lash out when you're frustrated."
"I'm not frustrated," he finally responds. "You're more predictable than you think."
"Am I?"
He starts to recount the tale of Foyet's life, weaving in details that you didn't know from his childhood and the pain he was causing before he was even old enough to drive. You suppose this was what all of those late nights at the office were for. You hope they were worth it.
"That's the thing, George," he continues, his voice suddenly softer. It's like he's pleading with him. "This isn't a fairy tale. You don't have to write this story. Haven't you gotten what you wanted?"
There's silence for a few moments, and you can hear your heartbeat in your skull. Eventually Foyet comes back. "You know what I've been thinking? Haley looks pretty good with dark hair."
Your heart falls into your stomach. He has her. He already has her.
"She's lost some weight. Must be all the stress you caused her."
Just when you think that might be the worst of it, he continues. "Where's the little man? Oh. There he is. Does he like Captain America because of you?"
He has them both. You can barely see the road through the anger and fear that is coursing through your veins. Another phone rings and Foyet answers it, leaving his line with Hotch on as well. "Mrs. Hotchner. I'm here. Open the gate and I'll drive in."
You can't hear her reply, before Foyet returns to the call you're listening to. "Aaron? I really gotta go."
The call disconnects, and you can't breathe. Open the gate. The gate. What gate?
Think, think, goddamnit think.
The answer hits you like a truck. "His house. They're at his old house."
Emily whispers something that sounds like "shit" and you swerve across the lanes to make a u-turn. "I'm heading there now."
Assuming Aaron was already heading back after leaving the hospital, he would reach the house before any of you. You can only hope he'll be there in time.
Your knuckles have turned white from how hard you're gripping the steering wheel, and when Garcia patches you all in for another call from Foyet, the tears are already flowing down your cheeks.
"Aaron?"
It's Haley's voice. You gasp out loud from the relief that she's still alive.
"You're okay?" She sounds so scared, but at least she's alive. That's all you can focus on right now.
Aaron answers with a defeated sigh. "I'm fine."
"But...he said that..." The realization hits her, and she lets out a small sob. "Oh, Aaron."
"He can hear us, right?"
"Yes."
His voice is softer then, wet with tears. "I am so sorry. Haley, show him no weakness, no fear."
"I know." Of course she does. She was married to a profiler for years. She knows what all of this means, but she doesn't deserve any of it. "Sam told me all about him. Is he, uh..."
"No," he says gently. "Sam is fine."
Foyet's voice is like the hiss of a snake as it joins the call. "Aaron, Aaron, Aaron. Is that why your marriage broke up, because you're a liar?" His voice is too close to the phone. You want to scream for him to get away from her, but you're not supposed to be listening, and your car isn't moving fast enough.
"He's trying to scare you, Haley." His voice is trembling, and you can hear the tightness behind each of his words.
When Foyet mentions the deal, your stomach roils with nausea. You can picture the exact look on Aaron's face as he blames himself for this entire situation, even though it's happening to him, not because of him.
"Don't react."
Haley's voice is shaking too as she whispers, "What is he talking about?"
"Tell Jack I need him working the case."
"What?" She sounds confused, and that's when you remember the signal he told you about. The words that only Jack knows that are meant to keep him safe from situations exactly like this.
"Tell Jack I need him working the case," he repeats, his voice steadier. But all of it goes away the moment Haley hands her son the phone.
"Hi, Daddy."
"Hi, buddy." His voice cracks and you feel your heart crack with it. The tears are rushing down your cheeks now, and you wipe them out of your eyes with the back of your hand as you get closer to the house. But not close enough.
Aaron tells him to work the case again, and he gives Haley a hug before rushing out of the room.
"He's so cute. He's like a little junior G-Man." Foyet chuckles, before yelling out. "I'll be right up, Jackie boy!"
Aaron ignores him, and you feel his focus return. "Is he gone?"
"Yes." Haley's voice is strong, and you release a single sigh of relief as you press the gas pedal down as hard as you can.
Aaron's voice returns and you can hear the anguish as he speaks. "You're so strong, Haley. You're stronger than I ever was."
"You'll hurry, right?" The fear in her voice breaks your heart, and you want to assure her that you're all doing everything you can, but you're still a few streets away.
"I know you didn't sign on for this."
Neither did you.
She echoes your thoughts. "Neither did you."
His voice breaks into a sob. "I'm sorry for everything."
"Promise me that you will tell him how we met and how you used to make me laugh."
"Haley..."
"He needs to know that you weren't always so serious, Aaron." Her words sound so final, and you can't imagine what Foyet is pointing at her right now, but you can only hope that Aaron gets there before it's too late. "I want him to believe in love, because it is the most important thing. But you need to show him." She sounds almost resolute, and your body floods with hope for a split second. "Promise me."
His breathing is ragged as he whispers, "I promise."
Three gunshots ring out and the wheel jerks in your hand as a painful sob wrenches from your throat. No, no, no.
~
You race out of your car the moment you pull to a stop in front of the house. There's only one other SUV outside, and you don't give yourself a moment to think as you rush inside, lifting your gun at the last second.
The front foyer is empty, but then a jagged thumping fills the air and you dart around the corner to find Aaron beating Foyet to a pulp. You can tell from where you're standing that he's already dead, but that doesn't seem to matter to him.
"Aaron!" you yell, hoping to break his reverie. His hands are covered in blood as he pounds the man's face in, and he doesn't look up until you grab him from behind and yank his arms back. "Aaron, he's dead. He's dead."
He stops moving, and for one single second, everything is still. Then his body pitches forward and he breaks down as he sobs, his hands coming up like he's begging for the pain to go away.
You clutch him as tightly as you can, like if you hold him close enough, he won't fall apart. You can hear the voices of your teammates as they enter the house, but then his head lifts and he pulls himself up, dashing down the hall. You follow after him, rushing past Morgan and Rossi, and you realize where he's going in real time as he runs into his office and kneels down beside his desk.
Please, please, not him. Just not him. He opens the cabinet and you all share a gasp of relief as Jack's little face peeks out, his skin unmarred.
"I worked the case, Daddy. Just like you said."
Aaron reaches in and picks him up, before squeezing him tightly, his little face glancing around the room in confusion.
"You did a great job, buddy." He releases him after a few moments, before handing him off to JJ to go outside and away from the carnage littering the house. You press a kiss to his forehead before she lifts him up and walks out of the room.
Emily looks at you then, concern flashing in her eyes, but you just nod, and she follows JJ, pulling the door closed behind her.
You turn back around just in time to catch Aaron as he collapses to the floor. The weight sends you both to your knees, and he crushes you to him as you hold him as tightly as you can. His sobs mix in with your own, and you try not to let your body shake from the force of your crying, because you need to be strong for him.
He buries his face into your neck, his tears mixing with the blood on his face as it soaks your shirt and vest.
"I'm so sorry," you whisper into his hair. It doesn't feel like enough, but there's nothing else to say. "I'm so sorry."
~
Derek and Emily come back with the paramedics eventually to take him outside to check for injuries, and you're about to follow after them when something catches your eye. A pair of feet invade your periphery as you glance through a doorway down the hall. Oh god.
Your knees buckle and Derek catches you before you stumble forward into her room. You fall to your knees beside her, and you vaguely hear Emily whisper something behind you before there's just silence.
Her eyes are already closed, and if you really wanted to, you could try to pretend that she was just sleeping, but there's too much blood. You reach out to push her short hair back from her forehead, so that you can see her face one last time. One last time.
A sob rips out of you and you take her hand, pressing it to your lips. The scene is suddenly too much, and you close your eyes before letting out a shaky breath. You don't know what your life is going to look like without her presence. What Aaron's life with look like, or Jack's.
You squeeze her hand again before laying it on her stomach, and Emily comes forward then to help you up. Derek holds the door open as she leads you outside, and helps you tear your vest off the moment you hit the fresh afternoon air.
You bend over, hands on your knees, gulping back fresh air and trying not to throw up. Emily pats your back as you take in deep breaths, rubbing comforting circles that help to calm down your heart rate.
When you look up, you spot Aaron sitting on the edge of an ambulance. The medics are cleaning his cuts, and one of them is holding an ice pack to his head, when you walk over to survey the damage.
He doesn't look up when you approach, instead staring at his bloody hands with a look you can't discern. You can't imagine what he must be thinking right now, but if you know him at all, you know that sometimes you don't need to talk.
You reach down and take his hands, holding them in yours with a tight grip that forces him to look at you. Neither of you says anything, but it's okay, because there is nothing left to say. There will be soon, but not right now.
***
"We'll be back in a couple of hours," Jess tells you as she slings her purse over her shoulder.
You nod at her as you pick Jack off the ground and swing him up into your arms. "Take your time. We'll be hanging out here."
Aaron beckons for Jess to walk out in front of him before he dips his chin at you. "Thank you again."
"Of course," you smile, shaking your head. They're going to make the last arrangements for the funeral, and the absolute least you can do is watch Jack while they're away.
"Can we watch cartoons?" Jack asks the moment the front door shuts behind them.
"Soon, baby," you laugh lightly, before placing him on the ground and leading him to the kitchen. "We gotta make lunch first."
You throw together two peanut butter and jelly sandwiches and bring them to the breakfast table, where Jack is obediently scribbling away at his coloring book. "Here you go, Jack-o-lantern."
He takes a massive bite before you can sit down, but over the next ten minutes, he only manages to finish about half of the sandwich. "I'm done."
"You sure?" you ask, scrunching your face into a playful frown. "I think you got at least a couple more bites in you."
He shakes his head forcefully, before dropping the sandwich onto his plate. You know he doesn't usually eat much, but he hasn't eaten since breakfast hours ago. "Come on, hon, at least another big bite."
"No!" he yells, pushing the plate away from him. Before you can stop him, he jumps off of his chair and races out of the kitchen, towards his bedroom.
You hear the door slam shut behind him, and you heave out a sigh before clearing away both of your plates and wiping down the counter. You don't fault him for anything, you just can't believe he has to go through something like this.
He's so young. Younger than you were when you lost your mom. There's some comfort in the fact that he likely won't remember this pain when he's older, but then comes the nausea. The sickening reminder that one day he'll forget about her. Haley, his mother, your best friend's wife, your friend.
You slowly make your way to his room, knocking on the door twice before calling out his name. When he doesn't answer, you twist the knob and gently open the door. "Jack?"
He doesn't say anything as you cross the room and sit on the floor in front of him. He's fiddling around with a set of colorful wooden blocks, and he only looks at you once you pick one up yourself. The edges have been worn smooth from being tossed around, and you run your fingers against them as you wait for him to speak.
"Did Mommy want to leave?"
You can practically hear your heart crack in two as the block falls from your hand. Tears spring to your eyes, but you blink them back, not wanting to scare him.
"No, baby, no," you say quickly, reaching forward to rub your thumb over his cheek. "She loved you more than anything in this world."
He still doesn't look convinced, so you rest your palms on his cheeks, trying to get him to look at you. "If it was her choice, she would have never left you."
After a moment, his lips jut out into a pout, but he nods once. "Is Daddy gonna leave too?"
The tears rush forward again. You want to tell him that Aaron would never leave him, that he may be gone most nights until after Jack is asleep, and sometimes even before he's up for breakfast, but he would never leave. But you also know that Haley didn't want to either, but sometimes the job takes more than you're willing to give. "He's not going to leave you. Not if he can help it."
That seems to calm him down for the time being, so you take his hand and lead him back to the living room. Once he's situated on the couch, you switch on his cartoons for him, turning the volume down low.
He settles into the cushion next to you, his arm resting on your thigh as he focuses on the screen in front of him, while your eyes wander down to the small tv stand. They land on a framed photo of Haley and Jess together, smiling at the camera as the sun shines down on their faces, and you lift your hand to your mouth to stifle the tears that rush forward.
When your eyes pan over to the photo of you and her, with Aaron and Jess right behind you, the tears stream down your cheeks, and you wipe them away quickly, trying to be quiet so as not to call away Jack's attention. But the cartoons are too quiet, and when a small sob escapes, Jack looks up, his brow furrowing with a look reminiscent of his father. "Are you okay?"
"I'm okay, baby," you nod, forcing a smile onto your face as you look down at him and press a kiss to his temple. "I just loved your mom very much."
***
The ground is still wet from the rain. It squelches beneath your feet as Jess clutches onto your arm, letting you lead her across the cemetery for the service.
You walk behind the pallbearers as they bring Haley to the top of the open grass and set her down carefully with a reverence that brings tears to your eyes again. You don't know if your eyes have been dry at any moment today, but the tears haven't spilled over yet. It's only a matter of time.
Aaron is ahead of everyone, looking down at the small sheet of paper in his hands, with Jack by his side. The young boy looks so small in his suit, and his eyes dart around the procession with a mix of confusion and sadness that pierces your chest.
When Aaron is ready to begin, Jessica lets go and walks up to stand on his other side, tears streaming silently down her cheeks. Your arm feels cold where she used to be, but it doesn't last long as another hand takes its place. You turn your head to see Spencer, one hand on his cane, and the other on your arm, as he holds you tightly to his side, his eyes brimming with tears as well. You don't expect that there's a dry eye in the crowd.
Aaron starts his speech with a quote, but the steadiness in his voice starts to waver the moment he says her name. "Haley was my best friend since we were in high school."
You remember how fiercely he loved her, even back then. The tenacity with which he pursued her when he realized that she was someone he wanted to spend his life with.
His voice continues as his eyes dip down. "We certainly had our struggles, but if there's one thing we agreed on unconditionally, it was our love and commitment to our son Jack." Your tears surface again, but you suck them back with a deep breath. "Haley's love for Jack was joyous and fierce. That fierceness is why she isn't here today."
Aaron looks up then, and his eyes land on the casket in front of him. "A mother's love is an unrivaled force of nature. And we can all learn much from the way Haley lived her life."
His hand flexes at his side, and you wish desperately that you were up there with him, holding his hand like he held yours when your mother died.
"I will make sure that Jack grows up knowing who his mother was and how she loved and protected him and how much I loved her."
His voice breaks and he reaches into his pocket for the scrap of paper he was looking at earlier. "I met Haley at the tryouts of our high school's production of 'The Pirates of Penzance'. I found our copy of the play and was looking through it the other night, and I came upon a passage that seemed appropriate for this moment."
The quote comes back to you as he recites it, and your mind flashes back to those adolescent afternoons when you would watch him make a fool of himself trying to impress Haley at play practice. You can't help yourself as the tears finally fall, and you feel Spencer squeeze your hand tightly, acting as the lifeline you so earnestly need.
When he finishes his speech, everyone comes forward to place white roses on her casket before it is lowered into the ground. You wait as the crowd slowly dissipates, as everyone heads to the repast, and you hold Jess's hand while Aaron picks Jack up, holding him tightly.
"Blow Mommy a kiss," he whispers, before leaning over to let Jack place a rose on the casket.
His brow furrows as he straightens again, and you watch as the familiar stoicism returns to his posture. He isn't pushing all of his emotions down, exactly. He's just tucking them away, so as to be there for his son, who needs a solid figure in his life, now more than ever.
And that's what he'll be.
***
The repast is bustling with people from all eras of Haley's life, and you sit with the team at a large table, staring at your plate of food. When Dave pulls Aaron outside to talk, you watch them leave, noting the stiffness in his shoulders as he's forced to leave Jack with Jess again. She has been nothing but grateful to see her nephew more often than usual, but nonetheless, he wears his guilt like a jagged scar across his face.
Penelope clutches your hand under the table and you give her a weak nod, unable to do more with all of the energy drained from you.
"It was a beautiful service," Emily says, her eyes big and soft as they look at you.
You nod again, before turning back to your full plate. You can't bear the thought of stomaching any food right now.
Then just when you think the day can't get any worse, Derek and JJ's phones chirp with a message at the same time. No. No.
"They can't be calling us in," Emily sighs, her lips thinning, "not tonight."
JJ shakes her head. "I'm on it." She returns from her phone call a minute later with a forlorn look. "There's no other team available."
Derek gets up with a sigh. "I'll get Rossi."
When he returns with Dave, leaving Aaron alone on the deck, you squeeze Penelope's hand before walking outside. The air is cold, and you wrap your shawl tighter around your shoulders as you approach him.
"It's okay," he says before you can open your mouth. "I'll see you when you get back."
Mind reader, you think for a split second.
He has already given you the blessing you assumed you needed when you came out here, but it still doesn't feel right. "I don't want to go."
"It's your job," he shrugs. Like it's that simple. "It's okay."
"Are you sure?" You won't be able to do your job with him here, but even less so if you're feeling guilty the whole time. "I can take time off."
"No," he says quietly, shaking his head. He looks out into the night air, and you take his hand, squeezing it between both of yours. "It'll be good for me to have some time with Jack."
You can understand that. You pull him into a hug, before dipping your chin into a nod and leaving him out there again.
***
His return to work hasn't been easy. When Strauss gave him the option to retire with full pension and benefits, it should have been an easy decision, but something was tugging at his gut, telling him that would be the wrong choice.
Now he's sitting in his office, and all of his recent life choices are swirling around him like a hurricane ready to close in. He misses Jack like he's missing a limb, and he feels terrible for how often he's been relying on Jess to take care of him, even though she readily offered her help.
His emotions are a tumbling mess, and he doesn't notice that his fingers have been tapping the edge of his desk until you enter his office.
"Coffee?" He looks up with a nod, accepting the steaming cup you hand him, before you flop down on the couch across from him. "What are you thinking about?"
He swallows back a scalding gulp that likely scorched his throat on the way down. He wants to push his emotions down and say something quippy that won't distract you for more than a few moments, but tonight he needs reassurance more than he's willing to admit. "Did I come back too early?"
He expects an immediate and bombastic denial, but you just sit there, stirring your black coffee as you tuck your legs under you. "I can't decide that for you."
It's a diplomatic answer, but he needs guidance, and he doesn't have anyone else to go to. Not that he would go to anyone else even if he did. "Do you think I'm jeopardizing the team by being here?"
This time, the answer is immediate. "Of course not. You've been doing your job effectively, and no one can say otherwise."
He pauses for a moment, ruminating over your words. He knows he's not asking the right questions. He's just delaying until he has to accept what he's feeling.
With a shaky breath, he sets his coffee down and looks at you. "Am I jeopardizing my family by being here?"
Your brows pinch. "Jack will be okay. He's young, and he'll miss you, but you're his hero, Aaron. He loves you because you keep him safe."
"But I'm never home." His voice sounds ragged to his own ears, and he's certain you can hear the pain clawing out of his throat. "How am I doing my job as a father if I'm never there?"
"Aaron," you whisper, drawing his eyes back to yours. "You're keeping him safe by catching the bad guys. He knows that. And that's what he needs." You fix him with a look that makes his back straighten. "Okay?"
After a moment, he nods. "Okay."
***
"Hi, Hales."
You sink down onto the bench in front of her headstone, before pulling the baggie of peach rings you brought from your pocket. They were the only candy you liked from your high school's vending machine, and the two of you would share them between classes during your senior year.
"I should've come sooner, but work's been really busy."
You've only visited her once since the funeral six months ago, and you wish you could've come by more, but sometimes being here is just too much. It's too stark of a reminder that she's never coming back.
You pop another peach ring in your mouth, before breaking into a grin. "Jack's growing up so fast. He's so resilient, it's amazing." He has already adjusted to living in his father's apartment full time, and he seems to like hanging out with you or Jess whenever he's stuck at work late. "I wish you could be here to see it all."
You wish for a lot of things these days. The loss seems to keep piling up, and you don't know what to do or how to feel most of the time, but time keeps passing. And with it, so does the grief.
"Aaron's starting to get better too." You don't know what you believe, but a part of you suspects she knows all of this already. "The transition back was hard on all of us, but he doesn't look as defeated all the time anymore." Your lip twitches. "He even smiles at my jokes sometimes."
You swear you hear her laughter over the rustling of the wind, but it's probably just in your head. "Anyway, I just wanted to come see you. Let you know how much we miss you."
You stand up, grabbing the bouquet from next to you, and walk over to the headstone. Without thinking, you reach into your bag of candy and drop a peach ring into the dirt. It feels juvenile, even as you're doing it, but you can't help yourself. She would find it funny. You know she would.
You tuck the rest into your pocket and walk across the grass to another row of stones. It's not a quick stroll, but it gives you enough time to take a few deep breaths before you face him again.
Jeff Adler. The letters jump out at you like flashing lights, and you blink a few times as the magnitude of your loss washes over you. So many lives, so much love and warmth gone from your life.
Bending down, you place the bouquet of carnations in front of his headstone, before kissing your fingertips and pressing them to his name.
***
"You've got to be kidding."
He just shrugs, but there's a small smile tugging at his lips. You make sure to keep your voice down as you toss your cards into the center pile and lean back against the bottom of his couch.
After putting Jack to bed, neither of you could think of anything quiet to do until Aaron pulled out a deck of cards from below the tv stand.
"I hate that you're so good at this," you grumble, watching as he deftly splits the deck and starts shuffling again. This being Go Fish.
"You're good, too," he concedes, flashing you an amused look that you don't share.
"Yeah, but you're better."
"As with most things."
You throw a card at him, but he dodges it easily. When he's finished shuffling, he deals out a card, before pausing. "We can play something else if you don't think you can beat me."
"Just deal the cards."
He lets out a low laugh and deals out another card, just as both of your cellphones chirp at the same time. You share a look before dropping the cards on the table. He stands first and gives you a hand up, which you accept.
"I'll call Jess," you whisper as he strides over to his bedroom to get his go-bag. You dial her quickly, and get the confirmation that she's coming over, before grabbing your own bag and heading out to his car.
***
"Sorry to ruin your night."
Everyone is in casual clothing when you walk into the briefing room with Aaron on your heels. JJ shoots you an apologetic look which quickly turns to surprise when Rossi walks in wearing a full tux.
"What, are you working on, wife number 4?" Derek laughs as he sets his bag down.
Dave just grumbles. "I see you people way too much."
"I hear that," you grin before taking your usual seat between Aaron and Spencer.
"Let's get started." JJ hands out the case files and clicks the screen on. "All right. Anchorage field office is asking us to investigate a series of murders in Franklin, Alaska. There's 3 people dead in less than a week."
You scan the file as fast as you can, but Spencer beats you to it. "For a town with a population of 1,476, that's fairly significant."
JJ nods. "It's their first murder investigation on record."
"Who are the victims?" Dave asks, his eyes darting back and forth between the file and the screen.
JJ looks down at her notes. "Uh, Jon Baker, a hunter. Dedaimia Swanson, a schoolteacher. Brenda Bright, the first mate on a fishing boat. There's a new victim every 2 days."
Everyone seems to be thinking the same thing, but Emily gives it a voice. "Any connections?"
"Unfortunately, in a town this small, everyone's connected."
When JJ finishes up the briefing, Aaron stands up and grabs his bag. "We'll fly out tonight. Everybody can sleep on the plane. Garcia, I need you with us."
She shoots him a confused look. "Sir?"
"I've tasked a satellite uplink and it's your job to keep us connected."
"Yes, sir."
"This town's already on the brink," he continues with a sigh, "and if this pattern continues, we've only got another day until the next murder. Let's finish this fast."
***
After barely getting any sleep on the plane ride over, and a long day in the cold, the team holes up in the lobby of a local inn, warming up around the fire.
"I'm gonna pull an all-nighter," Garcia announces when you stifle a yawn behind your fist. "I'll finish going through the town records. Should have background checks by sunrise."
"Good," Aaron nods, sitting up on the couch. "The rest of us should get some sleep, start fresh in the morning."
At his suggestion, the innkeeper steps out from behind her desk. "I've got four of the upstairs rooms available."
"Uh, 4?" Spencer squeaks, his eyes darting around the room.
"Come on," the sheriff sighs as he stands up, "that's the best we can do. Your team is double the size of my department." He glances at Aaron and they share a nod. "I'll see you in the morning."
"Good night."
The sheriff walks out of the inn and you lean back on the couch, turning your head to the side to look at Aaron. The question in your eyes is implicit. What's the plan?
"It looks like we'll have to double up," Emily answers for you, her lips stretching into a grin.
Derek speaks up immediately. "I'm not sleeping with Reid."
Penelope reaches over and grabs Derek's arm. "Dibs."
Emily and JJ stand together and head upstairs, and you glance at Aaron with a nod. "Let's find one of the double rooms before Emily snags it."
"Guess it's you and me, kid," Dave says to Spencer as you grab a key from the front desk and pick up your bag. The inn is so small that all of your rooms end up being in the same hallway. You leave the door open behind you as you step inside and toss your bag onto the nearest bed.
Aaron enters after you and locks the door, before wordlessly moving your bag to the other bed, away from the door. It takes you less than a second to realize why. His protective nature was always strong, but over the past year, it has kicked into overdrive, especially around you and Jack.
"Do you want first shower?" you ask as you unzip your bag and pull out a tee shirt and some sleep shorts.
"You take it," he says, shaking his head. The chilliness of the outside air hasn't left your bones, so you don't wait for him to change his mind before grabbing your toiletries and rushing into the bathroom.
While you're in the shower, Aaron takes his time fluffing out the comforter and pillows on his bed. The room itself isn't very spacious, but he doesn't mind sharing with you. The close quarters remind him of his youth when he would sneak into your room late at night to get away from his family. Just the sight of the lights through your bedroom window used to bring him peace. When he glances over at your side of the room, a tranquility washes over him, and he realizes that the feeling hasn't really gone away.
"Your turn," you say a little later when you emerge from the bathroom. Your skin is still slightly damp, and your cheeks are pink from the heat of the shower, and he has to tear his eyes away as he nods and steps around you.
The tiny mirror in the bathroom is still steamy when he shuts the door behind him and pulls off his shirt, and he lifts his hand to wipe it off, before pausing. His scars aren't something he likes to think about often, but after saving Jack, they took on a different image in his mind. He felt less like a victim.
He rubs his hand against the mirror to wipe off some of the condensation, and his reflection looks tense as it stares back at him. Back in the room, your presence felt warm and comfortable, but in here, with the steam fogging up the glass, and the scent of your perfume lingering in the air, something else roils in his gut.
It's a not-so-unfamiliar feeling that used to be commonplace when he was younger. It hadn't reared its head in years, but lately, it's been so much harder to push it down. When he sees how much his son loves you, how much he looks forward to finding you in his apartment when he gets back from a late meeting. It's been...hard.
He turns on the shower and steps in, letting the hot water wash away the notions tickling the edge of his brain. When he walks back into the room, you are tucked into your bed, the covers up to your chin.
"You look like a burrito," he notes with a small laugh.
You shrug, though it's barely visible from under the comforter. "I find this is the best way to keep out the Arctic chill that seems to have invaded our lodgings."
"Fair enough."
He slides into his own bed and clicks the switch on the wall to turn the lights off. He tries to sleep for a few minutes, but even though he's exhausted, it won't come.
It's dark enough that he can't see his fingers in front of his face, but the uneven sounds of your breathing let him know that you're still awake.
"You should really sleep," he whispers into the darkness.
"You first," you say after a moment, before your voice lowers. "How are you doing? How are you holding up, I mean."
"How are you doing?" he asks, knowing he's being unfair.
You don't let it slide this time. "You're deflecting."
"I know."
There's a pause before he finally concedes. "I think I'm okay. The normalcy is coming back, and Jack is doing a lot better, which helps immensely."
"Me too," you say after a beat.
He wants to let the subject go and try to sleep, but the words are pulling at his throat. "I miss her all the time."
"Me too," you repeat. You huff out a husky laugh, but there's no humor behind it. "God, me too."
There's a tinge of bitterness in your voice that he recognizes in himself, but it's not something he knows if he can explain. He remembers how a small part of you blamed Jeff after his death, but that's nothing like what he's feeling. He blames himself for everything but the act itself, knowing that if he had just gotten there quicker, or taken the deal, or taken the transfer-
His breath catches and he hears you rustle under your covers. He imagines you turning to face him, and as his eyes slowly adjust he sees that he was right.
"Do you remember that time in high school," he says suddenly, not entirely sure where he's going with this, "when I got detention."
"I'm gonna need you to be more specific."
He laughs, in spite of himself, and turns over to face you as well. You're so far away, but he can just barely make out your face from across the room. "When you broke me out."
Your laughter is sudden and it echoes around the small room as the memory hits you. "I do remember that. I told them your grandfather was in the hospital so that they would let you out. God, Mrs. Parker was so upset when she went to get you."
"I think my favorite part of the story was that both of my grandfathers died before I could walk."
You chuckle, your voice softer now. "I know."
His chest warms at the memory of the two of you running out to your car and driving to get a scoop of chocolate at your favorite ice cream shop. Even afterwards, you had driven around town for hours, without a complaint, and he hadn't mentioned the time once. It was so soon after his dad's death, and he hated going home for so many reasons. Sean hated him, and his mother was sad all of the time, and it was like you just knew.
"You were good at reading me," he whispers, almost to himself.
"Were good?" you ask with mock offense.
He snorts. "Fine, are good at reading me."
"That's more like it."
***
You drop your empty glass back on the table, feeling the burn of the liquor as you swallow it down. It's your second drink of the night, and while you usually don't indulge in more than one, you welcome the chance to let loose.
Everyone else seems to be in the same mindset, because JJ, Emily, and Penelope are in various states of drunkenness around the booth, and the men are either nursing a drink or driving.
"Let's dance," JJ shrieks, lifting her head off of Will's shoulder and pushing herself up from the booth.
"Hell yeah," Emily grins, pulling you and Penelope up with her.
JJ tries to corral the guys to join, but they all stay firmly seated. Dave and Will look content as they sip their whiskey, and Spencer doesn't budge, citing his leg hurting (a lie). After a bit of targeted shoving, Derek chuckles and gets up for one dance, following Penelope and JJ onto the dance floor.
"Aaaaaron," you slur, tugging his arm. He doesn't move even an inch, but the corner of his lip twitches when you don't give up.
"You used to dance in college," you point out with a frown.
Emily hoots as she saunters over to the floor. "This I need to see."
Aaron just shakes his head with a smile, and you eventually oblige, joining the ladies (and Derek) for a few dances. The dark atmosphere of the club has you feeling looser than you have in a long time, and after the next song, you join Dave over at the bar to get another drink.
You down half of it before you leave the counter, and by this point, JJ has coaxed Will out of his seat, while Spencer rushes off to find the bathroom. The tiredness hits you as soon as you finish the drink, and when you spot Aaron by himself at the booth, you glide back to keep him company.
He doesn't notice you at first as you walk over to him, and you can't help but register that he looks good in his undone button-down. You take another step forward and a thin glint of metal around his neck becomes visible. A jolt of heat shoots down your body and you set your glass down on a nearby table without looking as you approach him.
When you reach the edge of the bench, someone walking by bumps into you and you stumble forward. Aaron grabs onto you as you fall forward, and you end up crushed in his arms, your face just inches from his. Your thoughts cut out and you don't make a sound, your breaths coming out in quick spurts.
Neither one of you moves as you look at each other, so so close, so much closer than you've ever been, than you've ever gotten to be. The faintest impression of a thought - the thought - crosses the deepest edges of your mind as you lean in infinitesimally. He doesn't notice, and you barely register it either, but you can't help but notice how easy it would be to just close the gap and kiss him.
Kiss him?
Your brain short-circuits and you just barely manage to keep your eyes from widening. You have no idea where that came from, but then again, if you are honest with yourself, it has always been there, buried deep down beneath years of friendship and history.
The question invades your brain again, and this time, you're unable to stop it. What would it be like to kiss him?
You can't keep your breath from catching, and he pulls back immediately, tugging you to the side and depositing you on the booth beside him.
Your mouth falls open as you try to meet his eye. "Aaron-"
His head turns and he stands up, his eyes dark under the soft lighting. "I'm sorry."
Before you can get another word out, he's gone.
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