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#ozai
kyoshi-lesbians · 3 days
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[ID: A series of GIFs showing the parallels between Azula introducing herself to King Keui in Kyoshi Warrior disguise and Ozai asking Fire Lord Azulon to make him the crown prince over Iroh. The last GIF shows Azula and Zuko peeking through curtains watching Ozai speak to Azulon.]
“I am your humble servant, here to serve you and our nation. Use me.” // "We are the Earth King's humble servants."
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comradekatara · 1 day
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might be bit of a stupid question, and you may have even discussed it before. if so, sorry for asking again.
but: do you think aang forgives ozai, or does he just show mercy? aang seems to have a clear stance on the importance of forgiveness, however, the final moments of his battle with ozai are visually paralleled with katara's attack on her mother's killer - and katara is clear on the fact the she has not (and will not) forgive him. she just shows him mercy, i suppose.
do you think this sentiment is paralleled in these two scenes? do you think aang manages to actually forgive ozai, or is he just showing mercy in order to protect the values of his culture?
to be perfectly honest, the thought of whether or not aang’s decision to spare ozai is one of forgiveness never actually crossed my mind. you’re right that the issue of mercy is tied to forgiveness in “the southern raiders,” but i always read that issue of forgiveness as far less straightforward than a question of whether or not katara will forgive yon rha, and more so whether katara can forgive herself (and by extension zuko). as aang says, “revenge is a two headed rat viper,” and the reason he’s advocating that katara find room for forgiveness within herself is not because he gives a shit whether the man who murdered her mother will die or not (he doesn’t care if others kill as long as he doesn’t have blood on his hands, as evidenced by his relationship to sokka and toph), but whether katara will be able to live with herself after the fact. and he knows her, so he knows that she won’t.
by sparing yon rha, katara forgives herself for her own guilt in having to carry the burden of knowing her mother sacrificed herself to save her, lets herself rest and simply be a human person instead of dedicating herself to the pursuit of vengeance, to revenge kya’s foul and most unnatural murder. because of course katara has that instinct, and of course katara feels her mother’s death more personally than sokka does, and of course she feels a responsibility to right the wrongs that she (however inadvertently) caused in whatever way she possibly can.
she finally has the skillset and the intel that allows her to carry out her revenge, but in that final moment before she strikes the final blow, she hesitates and drops her weapon, her artform that she has dedicated herself to honing in a way no one alive has ever needed to (with the exception of hama, and even then). it’s a uniquely powerful moment in a show filled with powerful moments (many of them involving katara) because she is choosing herself over yon rha, over zuko, over the memory of her mother.
she lets the illusion that she is the hero of an adventure tale wherein good triumphs over evil fade away and she embraces her own humanity though acknowledging the humanity of her enemies. yon rha isn’t a uniquely evil cackling villain (unlike someone like zhao or ozai), he’s a person, an awful person, but nonetheless a human being. a soldier who acted as the arm of a vast and complex, terrifying machine. and by looking into his face once more, the face that haunted her nightmares, katara is able to see herself reflected in the face of the other, and finally fully realizes a tapestry of the world that can not be so neatly woven.
that is what it means to forgive. when she forgives zuko, it is not because zuko has done anything to earn her forgiveness: unlike with “the boiling rock,” where he genuinely risks his life to selflessly help sokka at his lowest point, he is the instigator of katara’s entire journey, and even though he is attempting to do her a favor because he understands her intrinsic desire for revenge born of guilt and rage and shame, it is not a selfless act (that comes later). but through forgiving herself, allowing herself to relax her rigid worldview of right and wrong, good and evil, she recognizes that even if zuko did do genuinely reprehensible, awful things, it isn’t in her best interest to hold onto that anger, and by allowing herself to feel less personal responsibility and shame over her misplaced trust in zuko leading to aang’s death, she is able to forgive zuko, but only because she had already forgiven herself.
when aang shows ozai mercy, however, the issue of forgiveness isn’t even really the right term for it. he’s not forgiving ozai nor himself, here, but rather powerfully asserting that mercy is not a weakness, but a deliberate choice, and one that is born of incredible strength of character, at that. he’s forgiving his people for “not fighting back,” he’s forgiving his culture for adhering to these pacifist values, and yes, he’s forgiving himself for not being the avatar that everyone expects him to be. he’s prioritizing his people and his humanity and his grief over what the entire human world wanted from him.
and crucially, before the lion turtle showed him his truest path, aang was going to kill ozai. he was resigned to this being his destiny. unlike katara, who fully planned on killing yon rha and only decided to spare him once she saw his face, aang didn’t want to kill ozai from the very beginning, and had to be forced into killing him, rather than being talked down. sokka tells katara not to kill yon rha as gently as he possibly can (and nonetheless immediately gets shut down for it), but then he almost bullies aang for not wanting to kill. sokka considers killing a tool that should be exercised with logical intent, katara considers killing an act that makes a statement, and aang considers killing a taboo that should never be violated. of course, aang’s stance on killing is a very culturally-specific one, which yangchen also adheres to as best she can, but also understands its limits when in the position of avatar. but aang cannot afford to simply be the avatar, because he must bear the burden of his entire people’s legacy.
so at no point does forgiveness for ozai come into play, because aang has no reason to consider forgiving ozai. his decision to take down the firelord is a tactical one, rather than born purely out of a desire for revenge. but he does mirror katara’s decision to spare yon rha in sparing ozai’s life simply because, in both cases, they prioritize themselves and the preservation of their own humanity over submitting to the logic of the men who have destroyed their lives.
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waterfire1848 · 19 hours
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AU - Kya teaches at the elementary school where Katara, Sokka, Azula and Zuko attend and, one day when she’s leaving late with Katara and Sokka, she notices Azula and Zuko are still waiting for their parents. Since they don’t live far, Kya decides to drive them home but when they get to Azula and Zuko’s house there are cops all over the place and an ambulance.
Kya, desperately trying to preserve these kid’s innocence: Who wants ice cream for dinner?
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zuko-always-lies · 8 hours
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Do people really think that Ozai would have cared about Zuko being violent and aggressive toward Azula? Or vice-versa? What about his parenting and worldview makes people think he would care about one of his children being a violent asshole toward the other? Especially since they're Fire Nation royalty, and Fire Nation royalty are supposed to be violent assholes. Better that Zuko try to light Azula on fire than he be a coward who refuses to fight.
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so my friend had the most insane take today
edit: to anyone who wants to further pick my beautiful companion’s brain, please refer to i still worship the flame by @sketchbonked on ao3, a zukka retelling of atla if zuko joined team avatar from the very beginning.
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longing-for-rain · 1 month
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Sometimes I think about exactly how powerful Zuko’s story as an abuse victim is and I just have to stop and tear up for a minute.
Just let it sink in that at 13 years old, Zuko’s father mutilated him in front of an audience and told him he was worthless and unwelcome until he completed an impossible mission. Nobody stepped in to help him. Most onlookers thought he deserved it, and even Iroh was too afraid of Ozai to challenge him in Zuko’s defense.
Zuko went on for years believing Ozai was right, and didn’t recognize what happened to him as abuse. He thought his banishment and suffering were his own fault because something was wrong with him, and that it was his duty to change to become worthy again.
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Then this scene? Absolutely incredible.
Zuko’s whole journey leads up to this confrontation, where he not only recognizes that he holds no responsibility for the abuse inflicted on him; he confronts his abuser and tells him he was wrong to treat him that way, that he doesn’t owe his abuser anything.
And not only that, Zuko also tells Ozai that he sees how he’s hurting the rest of the world the same way he hurt him, and vows to stop him. That’s literally so powerful, especially watching this as someone who once felt as broken and alone as Zuko once did. His story is everything to me.
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seawitchkaraoke · 2 years
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Ozai is so pathetic, like that “take his bending away haha he’s harmless now” trick would never have worked on Zuko, if you took his bending away he’d just grab his swords and come at you twice as hard, Azula doesn’t have swords or anything but she’s pretty good at hand to hand and amazing at talking her way out of problems, Iroh bust himself out of prison with no bending at all, meanwhile Ozai? Gets his bending taken away and then just collapses, doesn’t even try anymore, then just sits in prison and tries to get into Zuko’s head some more, he could have trained up and tried to break out too! But no! Bet he can’t break steel bars with his bare hands. Bet he can’t kick a steel lever in two. Bet he can’t even do a flip.
Also we never really see him do any really impressive firebending apart from when he has magic comet power, I guesss he shoots some lightning at Zuko, but that’s it and Azula is still better at the lightning thing. Azula has blue flames. Zuko can do firebreakdancing and bend with his swords. Does Ozai, who is not 14 years old, have blue flames? No he doesn’t.
He didn’t even do his coup himself, Ursa had to kill Azulon for him! Could have just challenged Iroh to an Agni Kai for the throne but he didn’t bc he knew he’d lose.
And then he only ruled for like 6 years! He lost a war that had been going on for 100 years bc of a bunch of kids.
Loserlord indeed
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late-draft · 12 days
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Actually, the second drawing dealt me emotional damage now that I look at it
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kingtchalla92 · 3 months
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When Zuko speaks out of turn
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firenaition · 5 months
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god i love fallible characters, but specifically zuko in the catacombs. choosing his sister over his uncle just to get to sleep in his childhood bed again. earning katara's kindness and empathy and stripping it all away in minutes because he ached for the familiar. fighting on the wrong side of history just to see his father smile with pride. knowing he could have done the right thing, but what is being good when you could be terrible but loved.
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the-bluespirit · 5 months
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First Look at Avatar: The Last Airbender Live-Action Series [x]
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lily-s-world · 1 month
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Me: Wow, the Netflix ATLA was better than what I expected. Indeed, it felt too rushed, probably because they were asked to do only 8 episodes like everything in the platform; but they were still able to capture the feeling of the original, and it was an enjoyable show. Not to mention the effects, those were so well done, especially Zuko fire kicks, I loved those.
Me: *checks internet opinions*
Me: Oh... I'm supposed to hate this adaptation.
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floatyflowers · 2 months
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The second wife| Dark! Ozai x Wife! Reader x Platonic Dark! Zuko and Azula
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Ozai murdered your husband and your baby to take you as a second wife.
Of course, he has done it secretly so he doesn't appear like the villain in your eyes.
You were the handmaiden and younger sister of his first wife, and the one he wished to marry in the first place.
So, when Ursa runs away, he marries you against your will.
Even though the marriage was forced, right after your husband and child's death, yet you held no ill intention towards your nephew and niece.
Zuko is quick to accept you as you are his aunt whom he trusts.
While Azula didn't know how to act around you, thinking that you viewed her in the same way her mother did, a monster.
But you made sure to include her in everything along with Zuko.
The healthy relationship you had with Ursa is the same one you wish for Zuko and Azula to have, one full of love and respect.
But Azula always tried to push Zuko out of some activities, she claimed 'it is a girl's thing'
"Mother should only brush my hair because I'm a girl"
Meanwhile, Zuko clings to you, telling you everything he knows, or sought knowledge about it.
Meanwhile, you hate Ozai, he is just unlike...your first husband.
Ozai is beyond redemption in your eyes.
And many days, you avoid him.
However, one day, you and Ozai were fighting about political matters and Zuko intervened to defend you.
"Stop yelling at mother, she has done nothing wrong!"
You only placed your hands on Zuko's shoulders, fearing that Ozai might hurt him.
But the glaring competition between the son and the father only ended in Ozai leaving.
Unfortunately, Ozai did not let that slide when Zuko cut in one of the political meetings.
He challenged him to an agni kai.
Something that Azula was excited about.
You tried to plead for Zuko's case.
But that made Ozai more determined.
And on that day of Agni Kai, Zuko was left defeated with a scar as a reminder.
And then banished from the first nation for not wanting to fight his father.
But you kept sending him letters from behind your husband's back.
At first, Zuko swore to capture the avatar so he can be accepted back as an heir and into the arms of his aunt, you.
But after joining the team avatar, he swore to defeat his father and save you.
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prince-geo · 5 months
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literally pleased with almost all of the new atla trailer except as per usual, Zuko's scar, idk why studios are so scared to commit to the intensity of the thing, its supposed to be shocking and obvious and textured and the first thing you see... that's the point, Zuko is supposed to struggle with feeling like it defines and brands him before finally coming to the point in his journey where he defines it.
Hollywood/big studios are known to hesitate or straight up avoid properly and honestly and unapologetically showing people with disfigurements/disabilities/facial differences etc. with the realism they deserve. Which is a shame in general for representation and humanization but ESPECIALLY in this case as its minimization actively harms it's narrative purpose as well
I promise making the scar more intense (shrivel up the ear a bit, make it intrude in his hairline, make his eye in a permanent squint due to nerve damage, for god sake REMOVE THE EYEBROW IT WAS BURNED OFF) will not make Zuko "ugly", (the actor is incapable of looking ugly and also the implication that scars make people too unappealing? yikes) but will actually do the character and his journey justice, not to mention really show Ozai's brutality, another essential narrative tool. Especially when he's bald like hello??? It should be even more stark and intense when he doesn't have hair to distract from it and cover his ear!!!
When transitioning from 2D to live action, of course some visuals are up for interpretation but that usually involved ADDING detail because the constraints of having to stay on modeling frame to frame is gone, not minimizing, removing or airbrushing. Doing Zuko's scar right to me is absolutely essential and I'm disappointed they seem just as as scared to go there as I thought they might. It doesn't have to be gory, if you've ever seen burn victims in real life or in pictures or even cosplayers/artists who are skilled in realistic burn makeup you'd know its possible to balance realism with humanity. It's possible especially with their resources to avoid the "scary Halloween makeup" route while not holding back on the brutality of the original injury.
Budget is definitely not an issue, or "scaring the kids" considering this remake is likely aiming to go a lil darker in tone than the cartoon (which was already super dark with its target audience of nickelodeon 7 year olds so no excuses) Audiences SHOULD be unsettled and upset when they see him but not because he's hard/disturbing to look at but because we are human and do not want to imagine someone doing that to a child.
It's a deliberate choice out of the all too common fear/hesitation to allow someone who is destined to eventually become a protagonist and is meant to be sympathized with to be "too ugly" while this hesitation is very rarely applied to straight up villains (again we come back to media's historic villainization of facial deformity). It's a trend that's always ticked me off in fanart too. The boy's face was melted, for gods sake. Zuko was always portrayed as an attractive boy in the cartoon (fire nation girls fawn over him) even with the intensity of his scar which is something I've always admired! People exist with scars similar to Zuko's in real life, and should not only be permitted to be represented as good guys and/or as attractive when their scars are toned down to be "palatable"
Like I said there's more that I loved than didn't love about the trailer, that can be a whole essay on it's own but I needed to get this very specific vent off my chest because it missed the mark so hard and stands out like a sore thumb in comparison to all the other visuals that hit the nail on the head to me
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zuko-always-lies · 2 days
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I really people miss how influential Ursa was over Azula. Maybe more influential over her than Ozai.
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you ever think about how Zuko had 3 years to come to terms with the fact that his father never loved him and Azula had like. two hours. like Zuko had this whole dramatic character arc where he struggled to do right and Iroh was there to support him meanwhile Ozai was like yeah here’s a hollow title shithead. gonna go burn the Earth Kingdom without you lol. if i got done dirty by my dad as bad as Azula got done i’d start shooting lightning with my hair down too.
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