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favberrys · 3 years

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I'm bored and in a kkg brainrot mood, so i'm just gonna rant about my opinions of kakegurui ships and i will make some headcanons:

Kirasaya

Ok i had to start with them bc they're just too iconic, i think they have one of the most interesting and complex dynamics in kkg, they really got me obsessed with them, it's probably my number one kakegurui ship and the reason i started watching the show and reading the manga. Honestly yeah their relationship has some power imbalance, since sayaka is kirari's secretary, and is probably disfunctional, but contrary to what some ppl say kirasaya is not abusive, kirari never physically or emotionally abuses sayaka throughout the story. Anyway they're a 10/10, peak lesbian yearning, if they don't kiss at least one i will jump the author. Probably one of my fav ships ever, i think they're made for each other and i can't see kirasaya with anyone else, they're just so good together and their chemistry is >>>>>>

Yumary

Ok this one is kinda an unpopular opinion bc most people like yumary, but honestly i can't get invested into it, there's something in this ship that doesn't make my heart go "fuck yeah they should be gfs". Personally i don't ship yumeko with anyone bc i can't imagine her in a relationship since her main thing is being a compulsive gambler, her existence revolves around it and she forms relationships when they're useful for her gambling games. I think yumary could be friends with benefits for some time, but after a while mary would probably break it off because i don't think she can handle a sexual/romantic relationship with yumeko and after a while it would make her go nuts. A friendship between them is already messy and complicated and honestly i don't think they are compatible that way. Yes they have chemistry and there's probably some mutual attraction but to me it's a no. Also can cishet dudes stop fetishizing this ship ? My vote is 6/10, mostly bc mary doesn't seem much physically comfortable with yumeko, idk mary just seems off with her in that sense and i prefer them as gambling partners or friends.

Meariri

I honestly love this ship, especially after reading the manga, they have such an great dynamic, i think they both care about each other, they have chemistry and i think they're compatible and that their personalities compliment each other, mary is often loud and aggressive and passionate while ririka is more closed off and quiet, they're like fire and ice and this case i think the saying "opposite attract" works with them. Mary counts on ririka and i love the fact that she is so comfortable with her physically (mary is almost always the one to initiate the contact, holding her hand, touching her head, etc) and ririka gets inspired by mary to be her own person and chase her goals. Plus they're really cute together, aesthetically i find them the most attractive couple, i'll give them a solid 9/10

Itsukaede

Lmao i don't even know if this is the correct ship name for itsuki x kaede, ok i don't hate it and i think they could work as a couple, it's not my cup of tea bc m/f ships bore me, but i like their relationship, they have the kind of old married couple dynamic that always works. 6/10.

Ryomeko

I can see it happening, i don't ship it, but i don't mind it either, i'm kinda neutral about ryota x yumeko, but i think he's one of the ppl who care about yumeko the most in that academy (with also mary ofc), the ship is boring bc ryota is bland (he's a good guy don't get me wrong and he defo doesn't deserve the hate he gets) and as i said previously i don't ship yumeko with anyone. Sorry i gotta give it 5/6 out of 10

Yumedari

Ok i love midari but just like yumeko, i don't ship her with anyone bc i see her as someone who's too much unstable for relationships, but i know that canonically she loves/likes/is attracted to yumeko so i don't hate this ship, i think it's decent, the only problem is that yumeko hates midari. Still i think that since they're the most insane mfs in that school somehow this ship could work. 6/10

Yuridari

Again midari in my eyes is kinda unshippable, but this ship is not bad at all, they would have that kind of bickering married couple dynamic like itsuki and kaede, i like it but it doesn't do much for me. 7/10

Ryomary

Jsjssjsksk i looked the name of mary x ryota's ship on wiki so if it sounds weird it's bc i don't know their ship name and i have looked at the first site google gave me. This ship is hard no, mainly bc ryota is very bland and i consider mary a lesbian (i read that she is a canon lesbian but idk if it's confirmed by the author, let's say lesbian mary is just my hc) so shipping her with men feels like a hate crime to me, mary is for the girls only, 4/10.

Tsumary

They are kind of cute together right ? I think they're adorable, tsuzura is mary's first love and i think that someone like her would make mary very happy. I still haven't finished kkg twin, so my opinion on tsuzura is incompleted and it might change, i don't hate her but i find her character a little basic/boring so even though this ship is cute it doesn't make me fall in love with them. 7/10 bc probably also tsuzura had feelings for mary and they have a healthy dynamic, you can see they love each other.

Midasaya

I enjoy this crackship, i know that they both like different people but i headcanon that they were together during middle school or that midari had at least a small crush on sayaka during that time, before kirari came to hyakkaou i like to think that they explored their sexuality together so midari was probably sayaka's first kiss, her first date, etc, so they would have history together and we also see that midari knows sayaka bc her character is described through her pov during tower of doors. I find this ship pretty funny bc sayaka is always so serious and composed and midari is a ball of chaos. 7/10

Yumesaya

This is another crackship i don't mind and find hilarious, yeah i'm a huge kirasaya stan but i'm also a multishipper and sayaka deserves all the girls in the world, so the more the merrier. I like to think this ship as one sided love in which yumeko sort of pines after sayaka and i think it would be very interesting to see kirari being jeaulous that sayaka is getting yumeko's attention. We saw jeaulous/protective sayaka in kakegurui, but i would also like to see how kirari reacts when someone tries to take sayaka away from her, it would be really interesting. Obv this would create some tension between kirasaya and also between kirari and yumeko, almost a sort of love triangle dynamic. My opinion is that yumeko is just too unstable to settle down, also they both probably would get bored/lose interest in each other after the heat of the moment. 6/10

Ririsaya

Sorry but i really can't see it happening not even if i squint, but i really enjoy the ririsaya fanfictions and i think those works are pretty great even though i don't ship them very much. It would be interesting if both twins were in love with sayaka and there was some tension/coldness between them for a while bc they liked the same girl (maybe i read too many fanfictions). My headcanon is that both sayaka and ririka had a crush on each other when they first knew each other and for sayaka it was probably pretty confusing bc she already had feelings for kirari. I see them as friends, 7/10

Yumemisaori

Again idk if this is the correct name of the ship, many said that yumemi and saori are a healthier/mentally stable version of kirasaya and i agree. the dynamics are similar bc we have the secratary that is willing to do everything for her boss and the relationship is a little more balanced, i think they would be very cute together, but sadly they had very little interactions and if i could see more of them i would probably ship them even more. I like them 7/10.

Sachiko x Mary

I didn't even find a ship name for this couple, so they must be pretty unpopular, i like both characters and their antagonistic dyanamic is very interesting, but i don't ship them much bc i think mary needs/wants someone who is completely different from sachiko, who wants to make mary her pet and mary is someone who cares very much about her freedom, her indipendence and wants to make her own choices and this completely clashes with sachiko's extremely sadistic and domineering nature. I prefer them as enemies who have some sexual tension or enemies with benefits or one night stand adventure, but nothing more. 5/6 out of 10 bc the only mary ship i really love is meariri and i also like tsuzumary a bit.

Sachiko x Mikura

This is probably one of the most unhealthy relationships in kakegurui, but i kinda like it. Their dyanmic is pretty much vertical with sachiko who has all the power and makes mikuro do everything she wants and mikura who is completely obsessed and devoted to sachiko (my opinion is that she developed a sort of stockholm syndrome towards sachiko). I think that someone like sachiko could never have genuine romantic relationships bc of her extremely sadistic nature, she sees ppl like toys to break and what she enjoys the most is seeing ppl suffer, so the only compatible person with sachiko is someone extremely masochistic like mikura. Giving them a 6/7 out of 10 bc their interactions are fun/interesting and spice things up.

Rin x Ibara and Yumeko x Kirari

Hard no to both of them, i don't ship incest, yall can do what you want but personally it's a huge no for me. When i first started watching the anime at the beginning i thought yumeko and kirari had some sort of tension and could have been enemies to lovers (lmaoo i was so naive), but then i discovered they were cousins and i saw more kirasaya interactions so i got completely turned off by this ship. 3/10 to both of these ships.

Sachiko x Sakura

Now this ship is very sexy, idk why i like it but i do, yes i don't see sachiko with anyone besides mikura, but this pairing is not bad at all, even though it's a crackship. I think they would be rivals with benefits and would argue a lot and then make out/have hot sex. 7/10 (maybe it's too high but since these are just my opinions i won't be objective)

Mary x kirari

Uhm is there really someone out there who ships them ? Yeah i thought they had some sexual tension in s1 with that tea scene, but it's a no from me, i don't like it and i don't think they're compatible in any way, i can't see kirari with anyone who isn't sayaka. 4/10

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shihalyfie · 3 years

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About the Adventure: reboot, the likely reason why it exists, the question of target demographic, and whether I would recommend it or not

I think this reboot has been kind of a strange outlier in terms of Digimon anime in general, in terms of...well, just about everything. I also feel like everything surrounding it has kind of been giving us mixed signals as to what the intent and purpose behind the anime is -- well, besides “cashing in on the Adventure brand”, but looking at it more closely, that might be a bit of an oversimplification.

I’m writing this post because, having seen the entire series to the end for myself and thinking very hard about it and what it was trying to do, I decided to put down my thoughts. This is not meant to be a review of what I think was good and bad, but rather, something that I hope will be helpful to those who might be on the fence about whether they want to watch it or not, or those who don’t want to watch/finish it but are curious about what happened, or those who are curious as to why this reboot even exists in the first place, or even maybe just those who did watch it but are interested in others’ thoughts about it. I'm personally convinced that -- especially in an ever-changing franchise like Digimon -- how much you like a given work is dependent on what your personal tastes are to the very end, and thus it’s helpful to understand what kind of expectations you should go in with if you want to watch something.

With all of this said and done, if you want to go in and best enjoy this series, I think it is best to consider this anime as a distinct Digimon series of its own. The relationship to Adventure is only surface-level, and by that I mean it’s very obvious it’s doing things its own thing deliberately without worrying too much about what prior series did. Of course, I think everyone will have varying feelings about using the Adventure branding for something that really isn't Adventure at all, but we are really talking about an in-name-only affair, and something that’s unabashedly doing whatever it wants. So in other words, if you’re going in expecting Adventure, or anything that really resembles Adventure, you’re setting yourself up for disappointment. But if you’re able to approach it like yet another distinct Digimon series, and the other aspects of it fit your fancy, you’ll probably be able to enjoy it much better. And, conversely, I think it’s also important to remember that this series seems to have a writing philosophy with a fundamentally different goal from most Digimon series, and since it’s understandable for most long-time Digimon fans to have their tastes built on those prior series, it’s fine and completely understandable that this reboot may not be your cup of tea, for reasons that probably don’t actually have much to do with whether it’s an Adventure reboot or not.

There are no spoilers in the following post. (Although I use some emphatic language for the duration for it, these are mostly just my personal thoughts and how I see the series and the overall situation.)

On what exact relationship to Adventure this series has, and why it’s an “Adventure reboot”

If you ask why they did an Adventure reboot, the easiest answer to come up with is “Adventure milking, because it’s profitable”, but that’s kind of an oversimplification of what the issue is. This is especially when you take into account a key fact that official has been very well aware of since as early as 2006: most kids are too young to have seen Adventure, and therefore have no reason to care about it.

That’s the thing: Adventure milking only works so well on today’s children, and Toei and Bandai know this. This is also the reason that the franchise started going through a bit of a “split” starting in around 2012 (after Xros Wars finished airing), when the video game branch started making more active attempts to appeal to the adults’ fanbase with Re:Digitize and Adventure PSP. (Although they were technically still “kids’ games”, they were very obviously aimed at the adults’ audience as a primary “target”.) The generation that grew up with Adventure and other classic Digimon anime was getting older and older, and targeting that audience would require tailoring products more specifically to them -- ultimately culminating in 2015 and the solidification of “very obviously primarily for adults” media in the form of both games (Cyber Sleuth and Next Order) and anime (tri.). Note that Appmon ended up getting its own 3DS game, but since it was targeted at kids, it seems to have been developed by a completely different pipeline/branch from the aforementioned adults’ games, so even that had a split.

So if we want to talk about full-on nostalgia pandering, that’s already being done in the adults’ branch. In fact, Appmon development specifically said that they felt free to not really care about the adults’ audience because that was tri.’s job. Of course, the hardcore Digimon adults’ fanbase is still keeping an eye on the kids’ shows, and it’s good to not upset them -- and, besides, even if we’re all suffering under the hell of capitalism, people who work in kids’ shows still tend to be very passionate about the content and messages they’re showing the kids, so they still put an effort into making good content that adults can enjoy too. But, nevertheless, adults are still the “periphery demographic”, and a kids’ show is not a success if the kids (who have not seen and do not care about Adventure) are not watching it or buying the toys. Appmon ended up being extremely well-received by the adults’ fanbase, but that all meant nothing since the kids didn’t get into it.

Most kids are not super incredibly discerning about so-called writing quality (it’s not like they don’t at least unconsciously know when something is good, but they’re much less likely to be bothered by little things adults are often bothered by), so there’s a certain degree you have to get their attention if you want things to catch on with them. Critical reception does matter a lot more when we talk about the adults’ audience, but for the kids, the more important part is how much you’ve managed to engage them and how much fun they’re having (especially in regards to the toyline). Moreover, there’s the problem of “momentum”; Digimon’s sister shows of PreCure, Kamen Rider, and Super Sentai have sometimes had really poorly performing shows (critically or financially), but have managed to recover it in successive years to avoid getting cancelled. Digimon never managed to get to that point, with sales nearly dropping to half with Tamers and again with Frontier. So in essence, Savers, Xros Wars, and Appmon were all attempts at figuring out what was needed to just get that “kickstart” again -- but things just never lined up for it to work.

So if kids don’t really care about Adventure, why would they do Adventure nostalgia pandering? The answer is one that official has actually openly stated multiple times: they want to have parents watch it together with their children. Both Seki and Kinoshita said this in regards to watching the reaction to Kizuna, and it was also stated outright as a goal for the reboot, but, believe it or not, there’s reports of this having been stated back as early as Savers (followed by an admission that maybe 2006 was a little too early for people who grew up with Adventure to be old enough to have their own kids). So the little nostalgia references in Savers, Xros Wars, and Appmon aren't really meant to magically turn the series into Adventure as much as they’re supposed to be flags waved at the parents to get them to pay attention, so that they can introduce their kids to Digimon and watch it together with them, until the kids eventually take an interest on their own and they don’t need to rely on that kind of standby as much. (I say “as much” because of course PreCure, Rider, and Sentai all are still very indulgent in their anniversary references, but they’re not nearly as reliant on it to the point of life-and-death.)

This is also why Kizuna’s existence and release date two months prior to the reboot is a huge factor in this. The reason tri. wouldn’t have done it is that it never actually reached a properly “mainstream” audience. It’s a huge reason I keep emphasizing the fact that tri. and Kizuna are two separate things with completely different production and release formats, because tri. being a limited OVA screening released in six parts over three years means that, although it was a moderate financial success that did better than the franchise’s other niche products, in the end, it didn’t actually reach the “extremely casual” audience very well. We, as the “hardcore Internet fanbase”, all know people who watched all six parts, and the difference between tri. and Kizuna’s release formats doesn’t hit us as hard because of international distribution circumstances, but even on our end, if you talk to your casual friends who barely remember anything about Digimon except what they saw on TV twenty years ago, you will almost never find anyone who got past Part 1, maybe 2 at most. (That’s before we even get into the part where a good chunk of them got turned off at the character design stage for being too different.) Sticking with a full six-part series over three years is a commitment, and if you’re not someone with a certain level of loyalty to the franchise, you aren’t as likely to put aside the time for it!

Kizuna, on the other hand, was a full-on theatrical movie with full marketing campaign that was aimed at that extremely casual mainstream audience, including a lot of people who hadn’t even heard of tri. (due to it being too niche) or hadn’t bothered to commit to watching something so long, and thus managed to “hype up” a lot of adults and get them in a Digimon mood. (Critical reception issues aside, this is also presumably a huge reason Kizuna isn’t all that reliant on tri.’s plot; Adventure and 02 both averaged at around 11% of the country watching it when it first aired, but the number of people who even saw tri. much less know what happened in it is significantly lower, so while you can appeal to a lot of people if you’re just targeting the 11%, you'll lock them out if you’re overly reliant on stuff a lot of them will have never seen in the first place.) We’re talking the kind of super-casual who sees a poster for Kizuna, goes “oh I remember Digimon!”, casually buys a ticket for the movie, likes it because it has characters they remember and the story is feelsy, and then two months later an anime that looks like the Digimon they recognize is on Fuji TV, resulting in them convincing their kid to watch it together with them because they’re in a Digimon mood now, even though the actual contents of the anime are substantially different from the original.

So, looking back at the reboot:

There’s a huge, huge, huge implication that the choice to use Adventure branding was at least partially to get Fuji TV to let them have their old timeslot back. Neither Xros Wars nor Appmon were able to be on that old timeslot, presumably because Fuji TV had serious doubts about their profitability (perhaps after seeing Savers not do very well). This isn’t something that hits as hard for us outside Japan who don’t have to feel the impact of this anyway, but it’s kind of a problem if kids don’t even get the opportunity to watch the show in the first place. While there’s been a general trend of moving to video-on-demand to the point TV ratings don’t really have as much impact as they used to, I mean...it sure beats 6:30 in the morning, goodness. (Note that a big reason PreCure, Rider, and Sentai are able to enjoy the comfortable positions they’re in is that they have a very luxurious 8:30-10 AM Sunday block on TV Asahi dedicated to them.)

Since we’re talking about “the casual mainstream”, this means that this kind of ploy only works with something where a casual person passing by can see names and faces and take an interest. This is why it has to be Adventure, not 02 or Tamers or whatnot; 02 may have had roughly similar TV ratings to Adventure and fairly close sales figures back in 2000, but the actual pop culture notability disparity in this day and age is humongous (think about the difference in pop culture awareness between Butter-Fly and Target). 02, Tamers, and all can do enough to carry “adults’ fandom” products and merch sales at DigiFes, and the adults’ branch of the franchise in general, but appealing to the average adult buying toys for the kids is a huge difference, and a big reason that, even if they’re clearly starting to acknowledge more of the non-Adventure series these days, it’s still hard to believe they’re going to go as far as rebooting anything past Adventure -- or, more accurately, hard to believe they’ll be able to get the same impact using names and faces alone.

This advertising with the Adventure brand goes beyond just the anime -- we’re talking about the toyline that has the involved character faces plastered on them, plus all of the ventures surrounding them that Bandai pretty obviously carefully timed to coincide with this. One particularly big factor is the card game, which is doing really, really well right now, to the point it’s even started gaining an audience among people who weren’t originally Digimon fans. Part of it is because the game’s design is actually very good and newcomer-friendly, but also...nearly every set since the beginning came with reboot-themed Tamer Cards, which means that, yes, those cards with the Adventure names and faces were helping lure people into taking an interest in the game. Right now, the game is doing so well and has gained such a good reputation that it probably doesn’t need that crutch anymore to keep going as long as the game remains well-maintained, but I have no doubt the initial “Adventure” branding was what helped it take off, and its success is most likely a huge pillar sustaining the franchise at the current moment.

Speaking of merch and toys, if you look closely, you might notice that Bandai decided to go much, much more aggressively into the toy market with this venture than they ever did with Savers, Xros Wars, or Appmon (Appmon was probably the most aggressive attempt out of said three). They put out a lot more merch and did a lot more collaborative events to engage the parents and children, and, presumably, the reason they were able to do this was because they were able to push into those outlets with the confidence the Adventure brand would let them be accepted (much like with Fuji TV). Like with the card game, the important part was getting their “foot in the door” so that even if it stopped being Adventure after a fashion, they’d still have all of those merchandising outlets -- after all, one of the first hints we ever got of Ghost Game’s existence was a July product listing for its products replacing the reboot’s in a gachapon set, so we actually have evidence of certain product pipelines being opened by the reboot’s precedent. (The word 後番組 literally means “the TV program that comes after”, so it’s pretty obvious this was intended for Ghost Game; in other words, the reboot’s existence helped ensure there be a “reservation” for this kind of product to be made.)

I think one important thing to keep in mind is that Toei and Bandai have as much of a stake in avoiding rehashing for their kids’ franchises as we do. Even if you look at this from a purely capitalistic perspective, because of how fast the “turnover” is for the kids’ audience, sustaining a franchise for a long time off rehashing the same thing over and over is hard, and even moreso when it involves a twenty-year-old anime that said kids don’t even know or remember. Ask around about popular long-running Japanese kids’ franchises and you’ll notice they practically rely on being able to comfortably change things up every so often, like PreCure/Rider/Sentai shuffling every year, or Yu-Gi-Oh! having a rotation of different series and concepts, or the struggles that franchises that don’t do this have to deal with. And, after all, for all people are cynical about Toei continuing to milk Adventure or any of the other older series at every opportunity, as far as the kids’ branch of the franchise goes, this is only capable of lasting to a certain extent; if they tried keeping this up too long, even the adults and kids would get bored, and there is some point it’ll be easier to try and make products directly targeted at the kids’ audience instead of having to rely on the parents to ease them into it.

So it’s completely understandable that the moment they secured a proper audience with the reboot and finished up their first series with this, they decided to take the risk with Ghost Game right after. And considering all that’s happened, this is still a risk -- they’re changing up a lot (even if not as much as Appmon), and there’s a chance that the audience they’ve gathered is going to shoot down again because they’ve changed so much and they no longer have the Adventure branding as a “crutch” to use -- but they’re taking it anyway instead of going for something at least slightly more conventional.

Which means that, yes, there’s a possibility this will all explode in their face, because the Adventure branding is that huge of a card they’re about to lose. But at the very, very least, Ghost Game is coming in with the “momentum” and advantage that Savers, Xros Wars, and Appmon all didn’t have: a brand currently in the stage of recovery, all of the merchandising and collaborative pipelines the reboot and Kizuna opened up, a fairly good timeslot, and a premise somewhat more conventional than Xros Wars and Appmon (I’m saying this as someone who likes both: their marketing definitely did not do them many favors). There are still a lot of risks it’s playing here, and it’s possible it won’t be the end of more Adventure or reboot brand usage to try to keep that momentum up even as we go into Ghost Game, but it’s the first time in a long while we’ve had something to stand on.

Okay, so that’s out of the way. But the end result is that we now have 67 episodes of an Adventure “reboot” that actually doesn’t even resemble Adventure that much at all, which seems to have achieved its goal of flagging down attention so it can finally going back to trying new things. This series exists, we can’t do anything about the fact it exists, the period where its own financial performance actually mattered is coming to an end anyway, and we, as a fanbase of adults hanging out on the Internet keeping up with the franchise as a whole, have to figure out how each of us feels about this. So what of it?

About the contents of the reboot itself

One thing I feel hasn’t been brought up as a potential topic very much (or, at least, not as much as I feel like it probably should be) is that the reboot seems to be actively aimed at a younger target audience than the original Adventure. It hasn’t been stated outright, but we actually have quite a bit of evidence pointing towards this.

Let’s take a moment and discuss what it even means to have a different target audience. When you’re a kid, even one or two years’ difference is a big deal, and while things vary from kid to kid, generally speaking, it helps to have an idea of what your “overall goal” is when targeting a certain age group, since at some point you have to approximate the interests of some thousands of children. Traditionally, Digimon has been aimed at preteens (10-11 year olds); of course, many will testify to having seen the series at a younger age than that, but the "main” intended target demographic was in this arena. (Also, keep in mind that this is an average; a show aimed at 10-11 year olds could be said to be more broadly aimed at 7-13 year olds, whereas one aimed at 7-8 year olds would be more broadly aimed at something like 5-10 year olds.) Let’s talk a bit about what distinguishes children’s shows (especially Japanese kids’ shows) between this “preteen demographic” and things aimed at a much younger audience (which I’ll call “young child demographic”, something like the 7-8 year old arena):

With children who are sufficiently young, it’s much, much more difficult to ensure that a child of that age will be able to consistently watch TV at the same hour every week instead of being subject to more variable schedules, often set by their parents, meaning that it becomes much more difficult to have a series that relies on you having seen almost every episode to know what’s going on. For somewhat older kids, they’re more likely to be able to pick and pursue their own preferences (the usual “got up early every week for this show”). This means that shows targeted at a young child demographic will be more likely to be episodic, or at least not have a complex dramatic narrative that requires following the full story, whereas shows targeted at a preteen audience are more willing to have a dramatic narrative with higher complexity. This does not mean by any shake of the imagination that a narrative is incapable of having any kind of depth or nuance -- the reboot’s timeslot predecessor GeGeGe no Kitaro got glowing reviews all over the board for being an episodic story with tons of depth -- nor that characters can’t slowly develop over the course of the show. But it does raise the bar significantly, especially because it prevents you from making episodes that require you to know what happened in previous ones.

The thing is, the original Adventure and the older Digimon series in general didn’t have to worry about this, and, beyond the fact that their narratives very obviously were not episodic, we actually have concrete evidence of the disparity: Digimon has often been said to be a franchise for “the kids who graduated from (outgrew) a certain other monster series”. Obviously, they’re referring to Pokémon -- which does have the much younger target demographic. That’s why its anime is significantly more episodic and less overall plot-oriented, and Digimon wasn’t entirely meant to be a direct competitor to it; rather, it was hoping to pick up the preteens who’d enjoyed Pokémon at a younger age but were now looking for something more catered to them. This is also why, when Yo-kai Watch came into the game in 2014, that was considered such a huge direct competitor to Pokémon, because it was aiming for that exact same demographic, complete with episodic anime. When Yo-kai Watch moved to its Shadowside branch in 2017, it was specifically because they had concerns about losing audience and wanted to appeal to the kids who had been watching the original series, but since they were preteens now, they adopted a more dramatic and emotionally complex narrative that would appeal to that audience instead. So you can actually see the shift in attempted target demographic in real time.

Adventure through Frontier were aimed at 10-11 year olds, and here’s the interesting part: those series had the protagonists hover around the age of said target audience. We actually have it on record that Frontier had a direct attempt to keep most of the kids as fifth-graders for the sake of appealing to the audience, and so that it would be relatable to them. You can also see this policy of “matching the target audience’s age” in other series at the time; Digimon’s sister series Ojamajo Doremi (also produced by Seki) centered around eight-year-olds. Nor was Seki the only one to do this; stepping outside Toei for a bit, Medabots/Medarot had its protagonist Ikki be ten years old, much like Digimon protagonists, and the narrative was similarly dramatic. The thing is, that’s not how it usually works, and that’s especially not really been how it’s worked for the majority of kids’ series since the mid-2000s. In general, and especially now, it’s usually common to have the protagonists of children’s media be slightly older than the target age group. This has a lot of reasons behind it -- partially because kids are looking to have slightly older characters as a model for what to follow in their immediate future, and partially because “the things you want to teach the kids” are often more realistically reflected if the kids on screen have the right level of independence and capacity for emotional contemplation. Case in point: while everyone agrees the Adventure through Frontier characters are quite relatable, it’s a common criticism that the level of emotional insight sometimes pushes the boundary of what’s actually believable for 10-11 year olds...

...which is presumably why, with the exception of this reboot, every Digimon TV series since, as of this writing, started shifting to middle school students. That doesn’t mean they’re aiming the series at middle school kids now, especially because real-life 13-15 year olds are usually at the stage where they pretend they’ve outgrown kids’ shows (after all, that’s why there’s a whole term for “middle school second year syndrome”), but more that the narrative that they want to tell is best reflected by kids of that age, especially when we’re talking characters meant to represent children from the real world and not near-immortal youkai like Kitaro. In fact, the Appmon staff outright said that Haru was placed in middle school because the story needed that level of independence and emotional sensitivity, which is interesting to consider in light of the fact that Appmon’s emotional drama is basically on par with that of Adventure through Frontier’s. So in other words, the kind of high-level drama endemic to Adventure through Frontier is would actually normally be more on par with what you’d expect for kids of Haru’s age.

But at this point, the franchise is at a point of desperation, and you can see that, as I said earlier, Appmon was blatantly trying to be one of those “have its cake and eat it too” series by having possibly one of the franchise’s most dramatic storylines while also having some of the most unsubtle catchphrases and bright colors it has to offer. Moreover, one thing you might notice if you look closely at Appmon: most of its episodes are self-contained. Only a very small handful of episodes are actively dependent on understanding what happened in prior episodes to understand the conflict going on in the current one -- it’s just very cleverly structured in a way you don’t really notice this as easily. So as you can see, the more desperate the franchise has gotten to get its kids’ audience back, the more it has to be able to grab the younger demographic and not lock them out as much as possible -- which means that it has to do things that the original series didn’t have to worry about at all.

Having seen the reboot myself, I can say that it checks off a lot of what you might expect if you tried to repurpose something based on Adventure (and only vaguely based on it, really) into a more episodic story that doesn’t require you to follow the whole thing, and that it has to break down its story into easy-to-follow bits. In fact, there were times where I actually felt like it gave me the vibes of an educational show that would usually be expected for this demographic, such as repeated use of slogans or fun catchphrases for young kids to join in on. That alone means that even if the “base premise” is similar to the original Adventure, this already necessitates a lot of things that have to be very different, because Adventure really cannot be called episodic no matter how you slice it.

Not only that, even though the target audience consideration has yet to be outright stated, we also have interviews on hand that made it very clear, from the very beginning, what their goals with the reboot were: they wanted the kids to be able to enjoy a story of otherworldly exploration during the pandemic, they wanted cool action sequences, and they wanted to get the adults curious about what might be different from the original. Note that last part: they actively wanted this series to be different from the original, because the differences would engage parents in spotting the differences, and the third episode practically even goes out of its way to lay that message down by taking the kids to a familiar summer camp, only to have it pass without incident and go “ha, you thought, but nope!” Moreover -- this is the key part -- “surprising” people who were coming from the original series was a deliberate goal they had from the very beginning. They’ve stated this outright -- they knew older fans were watching this! They were not remotely shy about stating that they wanted to surprise returning viewers with unexpected things! They even implied that they wanted it to be a fun experience for older watchers to see what was different and what wasn’t -- basically, it’s a new show for their kids who never saw the original Adventure, while the parents are entertained by a very different take on something that seems ostensibly familiar.

On top of that, the head writer directly cited V-Tamer as an influence -- and if you know anything about V-Tamer, it’s really not that much of a character narrative compared to what we usually know of Digimon anime, and is mostly known for its battle tactics and action sequences (but in manga form). In other words, we have a Digimon anime series that, from day one, was deliberately made to have a writing philosophy and goal that was absolutely not intended to be like Adventure -- or any Digimon TV anime up to this point -- in any way. And that’s a huge shock for us as veterans, who have developed our tastes and expectations based on up to seven series of Digimon that were absolutely not like this at all. But for all it's worth, the circumstances surrounding its production and intent don't seem to quite line up with what the most common accusations against it are:

That it’s a rehash of Adventure: It really isn’t. It’s also blatantly apparent it has no intention of being so. The points that are in common: the character names and rough character designs, some very minimal profile details for said characters, Devimon having any particular foil position to Angemon, the use of Crests to represent personal growth, the premise of being in the Digital World and...that’s it! Once those points are aside, it’s really hard to say that the series resembles Adventure any more than Frontier or Xros Wars resembles Adventure (which are also “trapped in another world” narratives) -- actually, there are times the series resembles those two more than the original Adventure, which many have been quick to point out. The majority of things you can make any kind of comparison to basically drop off by the end of the first quarter or so, and trying to force a correlation is basically just that: you’d have to try forcing the comparison. The plot, writing style, and even the lineup of enemies shown just go in a completely different direction after that. So in the end, the base similarities can be said to be a marketing thing; if I want to criticize this series, I don’t think “lack of creativity” would actually be something I would criticize it for. (Of course, you’re still welcome to not be a huge fan of how they’re still guilty of using Adventure��s name value to market something that is not actually Adventure. We’re all gonna have mixed feelings on that one.)

That they don’t understand or remember Adventure’s appeal: Unlikely. All of the main staff has worked on character-based narratives before, which have been very well-praised while we’re at it. The producer, Sakurada Hiroyuki, was an assistant producer on the original series, and I would like to believe he probably remembers at least a thing or two about what they were doing with the original series...but, also, he’s the producer of Xros Wars, which definitely had its own individuality and style, and, moreover, was more of a character narrative that people generally tend to expect from Digimon anime. (Still a bit unconventional, and it has its own questions of personal taste, but a lot of people have also pointed out that this reboot has a lot in common with Xros Wars in terms of its writing tone and its emphasis on developing Digital World resident Digimon moreso than the human characters.) All signs point to the idea they could make a character narrative like Adventure if they really wanted to. It’s just, they don’t want to do that with this reboot, so they didn’t.

That they misinterpreted or misremembered the Adventure characters: There’s been accusations of said characters being written in a way that implies misinterpretation or lack of understanding of the original characters, but the thing is, while I definitely agree they have nowhere near the depth of the original ones, there are points that seem to be deliberate changes. (At some points, they’re actually opposites of the original, and certain things that operate as some very obscure references -- for instance, Sora complaining about having to sit in seiza -- seem to also be deliberate statements of going in a different direction.) The lack of human character depth or backstory doesn’t seem to be out of negligence, but rather that this story doesn’t want to be a character narrative to begin with -- after all, we’re used to seven series of Digimon that are, but there are many, many kids’ anime, or even stories in general, where the story is more about plot or action than it is completely unpacking all of its characters’ heads. In this case, this reboot does seem to have characters that are taking cues from or are “inspired by” the original, but, after all, it’s an alternate universe and has no obligation to adhere to the original characters’ backgrounds, so it stands to reason that it’d take liberties whenever it wanted. (Again, the head writer outright stated that he based the reboot’s Taichi more on V-Tamer Taichi than the original Adventure anime Taichi. He knows there’s a difference!) Even more intriguingly, the series actually avoids certain things that are common misconceptions or pigeonholes that would normally be done by the mainstream -- for instance, the Crest of Light (infamously one of the more abstract ones in the narrative) is fully consistent with Adventure’s definition of it as “the power of life”, and, if I dare say so myself, Koushirou’s characterization (emphasizing his relationship with “knowledge” and his natural shyness) arguably resembles the original far more than most common fan reductions of his character that overemphasize his computer skills over his personal aptitude. In other words, I think the staff does know what happened in the original Adventure -- they just actively don’t want to do what Adventure did, even if it’s ostensibly a reboot.

That it’s soulless or that there’s no passion in its creation: Well, this is subjective, and in the end I’m not a member of the staff to tell you anything for sure, but there are definitely a lot of things in this anime that don’t seem like they’d be the byproduct of uninspired creation or lack of passion. It’s just that those things are all not the kinds of things that we, as Digimon veterans, have come to develop a taste for and appreciate in Digimon anime. That is to say, there is an incredible amount of thought and detail put into representing Digimon null canon (i.e. representing special attacks and mechanics), the action sequences are shockingly well-animated in ways that put most prior Digimon anime to shame, and the series has practically been making an obvious attempt to show off as many Digimon (creatures) that haven’t traditionally gotten good franchise representation as they can. Or sometimes really obscure “meta fanservice” references that only make sense to the really, really, really, really hardcore longtime Digimon fan (for instance, having an episode centered around Takeru and Opossummon, because Takeru’s voice actress Han Megumi voiced Airu in Xros Wars). If you follow any of the animators on Twitter, they seem to be really actively proud of their work on it, and franchise creators Volcano Ota and Watanabe Kenji seem to be enjoying themselves every week...so basically, we definitely have creators passionate about having fun with this, it’s just that all of it is being channeled here, not the character writing.

So in the end, you can basically see that this series is basically the epitome of desperately pulling out all of the stops to make sure this series lands with the actual target demographic of children, dammit, and gets them into appreciating how cool these fighting monsters are and how cool it would be if they stuck with them even into a series that’s not Adventure. The Adventure branding and names to lure in the parents, the straightforward and easy-to-understand action-oriented narrative so that kids will think everything is awesome and that they’ll like it even when the story changes, and the merchandise and collab events booked everywhere so that they can all be reused for the next series too...because, remember, they failed with that during Savers, Xros Wars, and Appmon (I mean, goodness, you kind of have to admire their persistence, because a ton of other kids’ franchises failing this many times would have given up by now), so it’s a bit unsurprising that they went all the way to get the kids’ attention at the expense of a lot of things that would attract veterans, especially since the veterans already have a well-developed adults’ pipeline to cater to them. This does also mean that this series is more likely to come off as a 67-episode toy commercial than any previous Digimon series, but it’s not even really the toys as much as they’re trying to sell the entire franchise and the actual monsters in the hopes that they’ll stick with it even when the narrative changes.

Nevertheless, here we are. The series is over. Ghost Game -- which, as of this writing, is looking to be much more of a conventional Digimon narrative, complete with older cast, obviously more dramatic atmosphere, and pretty much everything surrounding its PR -- is on its way, presumably thanks to the success of this endeavor. It’s hard to gauge it; we have it on record that they also intend it to be episodic, but remember that this doesn’t necessarily prevent it from having an overall dramatic plot or nuanced drama (especially since the abovementioned Appmon and Kitaro were perfectly capable of pulling off this balance). Nevertheless, it seems to be a lot more of the conventional kind of Digimon narrative we usually expect, so, as for us, adult long-time fans of the Digimon franchise (many of whom don’t have kids anyway), what exactly should we make of this? Well, as far as “supporting the franchise” goes, you’ll get much more progress supporting Ghost Game than the reboot; I highly doubt view counts and merch sales relative to an already-finished series will do nearly as much for the franchise’s health as much as the currently airing series, and, besides, it’d probably do us all a favor to support the endeavor that’s actually new and fresh. So when it comes to a “past” series like this, it’s all just going to come down to a question of personal preference and taste: is this a series you, personally, want to watch, and would you find it entertaining?

For some of you, it’s possible that it just won’t be your cup of tea at all -- and since, like I said, the majority of us here have based our expectations and preferences on up to seven series of Digimon that were not like this, that’s also perfectly fine, and in that case I don’t actually recommend you watch this. Of course, I’ve never thought that it was ever fair to expect a Digimon fan to have seen all of the series released to date; the more series we get, the more inhumane of a demand that’ll become, and I think this franchise becoming successful enough to have so many series that most people won’t have seen it all is a good thing. (It’s actually kind of alarming that the percentage of people who have seen it all is so high, because it means the franchise has failed to get much of an audience beyond comparatively hardcore people who committed to it all the way.) But I think, especially in this case, with a series for which adult fans like us were probably lowest on the priority list due to the sheer amount of desperation going on here, it’s fine to skip it, and if you’re someone who lives by a need for character depth or emotionally riveting narrative, the fact this series is (very unabashedly and unashamedly) mostly comprised of episodic stories and action sequences means you won’t have missed much and probably won’t feel too left out of any conversations going forward. That’s before we even get into the part where it’s still completely understandable to potentially have mixed feelings or resentment about the overuse of the Adventure brand for something like this, especially if Adventure is a particularly important series to you.

But for some of you out there, it might still be something you can enjoy on its own merits. I’ve seen people who were disappointed by the limited degree of Digimon action sequences in the past or the fact that the series has gotten overly fixated on humans, and had an absolute ball with the reboot because it finally got to represent parts of the franchise they felt hadn’t been shown off as well. “Fun” is a perfectly valid reason to enjoy something. It’s also perfectly possible to be someone who can enjoy character narratives like the prior Digimon series but also enjoy something that’s more for being outlandish and fun and has cool Digital World concepts and visuals -- and, like I said, it does not let up on that latter aspect at all, so there’s actually potential for a huge feast in that regard. I think as long as you don’t expect it to be a character narrative like Adventure -- which will only set you up for disappointment, because it’s not (and made very clear since even the earliest episodes and interviews that it had no intention of being one) -- it’s very possible to enjoy it for what it is, and for what it does uniquely.

#digimon #digimon adventure:#digimon adventure reboot #digimon adventure 2020 #digimon adventure psi #shihameta

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couldyouspeakmyname · 3 years

Text

Yandere is a portmanteau of two Japanese words. The first is yanderu, which means “to be sick,” and the second is deredere, used here for “lovestruck.” A yandere is often sweet, caring, and innocent before switching into someone who displays an extreme, often violent or psychotic, level of devotion to a love interest.

(Remember, Yandere’s are toxic, and while it’s fun to write and read about in fiction, it’s not okay in real life. This is your warning)

I’m so sorry anon! Tumblr deleted my draft about the Yandere!Shishigumi ask. I re-did it and I hope it’s okay!

(Sorry for any errors I wanted to post it before tumblr ate it again ;-;)

-Maeve

Ibuki

How they act around you

Ibuki adores you. How could he not? You’re everything he’s ever wanted in a partner. He can’t let you know that though, he doesn’t want to overwhelm you or scare you off. Instead, he becomes your friend. He’s there for you whenever you need him, no matter what time of night or day. If he’s not available, he sends someone else to help you. He’s always there, spending time with you, that others hardly ever see you without him.

He’s supportive of all your goals, and wants to do whatever he can to make them happen.

Over time you’ll find that no one else is as loving and supportive as he is (he makes sure no one else can be). He wants nothing more than to see you happy, with him.

He’ll quickly becomes your shoulder to cry on, the person you rely on.

He’s your foundation.

How they act when angry

Ibuki is extremely protective of you. He doesn’t often loose his temper, but when he does it’s when someone's crossed you. You’ll find that rude, or mean, animals you’ve run into have gone away. Usually you find they’ve moved, or transferred jobs/school/ect. Ibuki makes sure you don’t know what really happened to them. He knows you’d be upset if you knew, but it’s really in your best interest.

He will go into a silent rage when someone tries to take what’s his. Usually they’re harmless strangers he can ignore, but if they try and give you their number, or pursue you further than one interaction, he looses it. Luckily for Ibuki, you don't know them well, so when they go missing you wont be grieving.

Free

How they act around you

Free adores you, and it’s one of the most obvious things in the world. He’s always hugging you, throwing an arm around your shoulders, and calls you nicknames. He never even asked you out, but everyone assumes you’re an item by how he acts. He never corrects them, and goes as far as to call you his baby when you’re out of earshot.

Free loves to tease you. Some jokes are at your expense, but nothing is too intense. He thinks you’re adorable when you get flustered, and have extreme reactions.

He never leaves you without leaving his scent on you. He hangs on you, or has his arms around you in hugs, and a big part of it his him leaving his scent as a silent warning to anyone who comes in close proximity. Animals don’t hit on those that smell like lions. He does it so often you may even become nose blind to it.

He will go to your home when you’re not there, invite himself in.

He goes through your stuff, but is sneaky about it. You wont know he’s logged onto your computer, or that he’s gone through your phone. He’s a feline, so he’s very quiet. Breaking and entering is the least of his crimes.

How they act when angry

Free is volatile on a good day, and that’s not even when it’s concerning you. He loves fighting, violence, and it’s a recipe for disaster when something happens.

Don’t fight with Free. He’s hard to fight with, but if you do Free punches holes in walls, breaks things. He would never turns his violence your direction, but anything else? Free game.

That’s not even taking into consideration what happens when other animals hit on you. The few animals that ignore the fact he’s scented you, don’t live long. As soon as they’re alone, Free destroys them. Free doesn’t kill them outright, he wants them to suffer, and by the time he’s done they’re unrecognizable.

Dolph (credit to @beqstars for the help!)

How they act around you

He spends time with you. At first it’s with a small group of the Shishigumi, then the group dwindles down until it’s just you and him. It starts happening so much, it becomes natural for it to just be Dolph and you

He starts really weaseling his way in by offering to help you around you home, with any extra work you have.

Before you realize it, Dolph is always with you. The few times he’s not, he actually is.

Dolph is a feline, and despite his size, he moves silently and in the shadows. He keeps track of you, no matter where you are, and no matter where you go. If he’s not there, one of his cohorts usually is.

Dolph is intimidating, and while you may assure people that he’s not a threat, their instincts are right. He is. All it takes is a look over your shoulder at someone, and that scares most people off.

Dolph does whatever you need him to, and is very supportive of your endeavors. It wouldn’t be above him to make competition for a job disappear, or for the animal to give it up in favor of your promotion.

Dolph would risk his life for you, without question. He’d also kill for you, without question. He’d never tell you that though.

How they act when angry

Dolph has a firm grip on his temper, so it takes a lot for him to get mad. You probably could even go out on a date, and he’d control himself (though he’d persuade that you two were no good for one another calmly).

What would make him loose his temper is if you kissed someone else, or began limiting your time with him because of affection for someone else.

Dolph’s temper is calm, cool, and lethal.

The person who you began dating may ghost you, or move suddenly. The person who kissed you? Dolph sets him up for something horrible, so you don’t grieve the loss of whoever it was. Luckily for you, in your grief, Dolph is there to comfort you. They were scum anyway. He can hold you, don’t worry.

Agata

How they act around you

Agata is friendly and sweet, if not a bit shy. He likes to be close to you, but never pushes the limit too far. He just likes being in your presence.

Due to his sweet disposition, no one ever sees him coming. Plus, Agata has a very dark mane, so when he does speak with authority, no one questions him.

Agata will use his gang connections to keep you safe and keep an eye on you

Agata is easy to talk to, and because he’s so easy to talk to, it’s easy for him to find out your secrets. It’s easy for you to let him in, and let him know your thoughts, dreams, and hopes. He supports all of them.

You two end up talking so much that he just falls into being someone you can’t picture going without. He’s always there when you need him, even when you don’t call him. He just seems to know.

Is it okay if he holds your hand now?

He’s going to do whatever he has to in order to make sure you’re happy. No matter the cost.

How they act when angry

Agata doesn’t get easily angry, but when he does, he becomes a totally different lion

Agata is so much stronger than he lets on, or that anyone knows. He can and will smash skulls when someone looks at you wrong.

He wont let anyone hurt you. It doesn’t matter if they’re putting you at risk physically, emotionally, or financially. Hell, it doesn’t matter if they just cut you off in traffic, Agata can’t let anyone put his special someone at risk.

Agata wont do it when you’re around, instead he stalks the animal he’s after, and waits until they’re alone.

It’s very messy, but he has the Shishigumi to help clean up after him.

Agata hopes you understands how much you mean to him

Miguel

How they act around you

Miguel is very quiet, and doesn’t talk without purpose. He just kind of creeps into your life. You think maybe you met him when you went on a walk?

On a bad day, he shows up and cooks you dinner. You don’t question the fact you don’t remember telling him where you lived, you’re feeling bad and he’s there to make you feel better.

He always responds to texts messages, calls, and emails. He never makes you wait very long for a response.

Miguel will support you, no matter your cause

He looks at you like you’re the only person in the world when you talk. You’re the center of his universe, even if he has a hard time expressing it.

No one tries anything with your big, burley, shadow.

Miguel is big, but he’s light on his feet. Miguel has a tendency of following you, even when you don’t realize it.

He will often sneak into your home, especially when you’ve been busy. He picks up. Nothing obvious, but he dusts, just generally wipes things down.

He does it more at night than in the day. The day most animals don’t try anything, but the worst kinds of animals come out at night.

How they act when angry

Miguel is a silent killer. He takes out anyone he deems a threat quickly and effectively.

That being said, he doesn’t kill for you as often as some others may.

He doesn’t need anyone to get suspicious. He tends to just...discourage anyone from messing with you.

They’ll find that their cars are wrecked, their homes have been vandalized. He sends a lot of signs that they need to back. off.

If they visit the black market? Nothing stands against the Shishigumi, and Miguel isn’t above using his position to intimidate anyone who stands in your way.

When someone hits on you? Miguel is usually in the background, and one look from an angry Miguel sends whoever it is running. If they ignore him? They’re gone. It’s a good thing he knows where sharks are.

Sabu

How they act around you

Sabu is very quiet, but he may talk more around you (which still isn’t much)

Sabu is the kind of guy that you’re probably not sure how you two ended up friends, but you are.

Sabu is relaxed around you, and he allows himself to let his guard down.

Sabu knows his desires and need to be around you isn’t healthy, but he can’t help it. He only feels normal when he’s around you. You’re his soul mate, he knows it.

Sabu just kind of...knows how you feel, even when you can’t put it into words. He’s always around and willing to be your shoulder to cry on if you get upset.

He also will do any repairs to your car or vehicle. He’s also there to fix anything that breaks in your home.

He’s better at expressing himself in text messages than actually talking.

The fact you’re okay with who he is, and how quiet he is makes you so special to him.

He’d do anything to make sure you’re happy and secure. Anything.

How they act when angry

Sabu rarely looses his temper. He’s one of the few yandere who are self aware. So he has a mental checklist that allows him to pull himself back from the edge.

The rare times Sabu can’t control himself is when someone starts coming after you romantically. How can they make you happy? How could they?

Sabu has done everything he can to make you happy, would they do that for you?

They just go missing without a trace. No one knows where they went, or what happened to them. It’s a big city, after all.

If it’s someone you know well, Sabu will stage a flawless accident. No one will question it, and he’s there to hold you when you get upset.

Jinma

How they act around you

Jinma is a little bit odd on the best of days. He initially is a little stiff and awkward, but he relaxes quickly around you as soon as you start talking to him

He likes to talk with you, pick your brain, and hear you talk back. He could spend just...hours talking to you.

Jinma is supportive of you, especially if you have nay urge to pursue academics. He’ll study with you and help you figure things out.

Jinma spends a lot of free time with you, any time he can have.

He likes to learn about your hobbies, and wants to try them out with you, even if they’re bad. If you have a hyper fixation? He’s going to learn everything about it, and listen to what you have to say.

Jinma tends to plan his life around your schedule, which he knows by heart. You’ll find you happen to “bump” into him while you shop or do errands.

How they act when angry

Jinma doesn’t get angry very often. When he does? He doesn’t just kill the person, he destroys their life from the inside out

Jinma can easily navigate the black Market, the ‘normal’ part of society is no different. Black mail, threats of violence...nothing it too low in order to make you happy.

Jinma only really kills when someone moves in on you. It doesn’t matter if it’s a toxic friend, a rude boss/coworker, Rex forbid someone trying to take you away! Jinma makes quick work of them. He doesn’t even have to do it himself, he uses his connections.

Dope

How they act around you

Dope talks his way into your life. he just reads your body language. he waits until you’re vulnerable, then swoops in with something to make you smile.

Dope is very easy to get along with. His ability to do negotiations in the Black Market means regular people and society are a cakewalk to navigate

It’s so easy for you to talk to Dope, you probably don’t realize you’ve given as much personal information as you have.

Dope Is very supportive of you, and does whatever he can to help you reach goals and milestones.

If you’re a student or need help with a work project, Dope will spend hours with you helping you out. He is very patient, understanding, and will keep you from getting upset or frustrated.

Due to the fact he’s so good at reading others, you wont realize that he’s manipulating you and the animals around you to get you alone more.

He loves to touch your shoulder, hold your hands, keep you close. He’s distracting you enough that you probably wont notice until ten minutes later that your hand is in his.

Dope will go through your personal things when you’re not around. He memorizes your passwords, looks in your emails, texts, and messenger accounts. He’s just making sure no one is moving in on you, and that you’re safe.

How they act when angry

. Dope rarely gets angry, and actually avoids violence if he can. He’d much rather use his words to manipulate others in order to get what he wants

It’s also not above him to use his silver tongue to make someone else life miserable

Dope will use his connections to the Shishigumi to intimidate those that he deems a threat.

While Dope would rather avoid violence, he’s not above it. If someone gets too close to you, he’ll get rid of them.

Dope is fond of knives.

Hino

How they act around you

Hino comes into your life like Prince Charming.

He probably just comes up and introduces himself to you.

Hino is in a very delicate situation, where he has to use his looks for his job, and he tells you about it in a way that will gain your sympathy (he wont tell you his exact job, and just allows you to assume)

While he knows his looks are appealing and the way to get your attention, it’s actually very important that you know him. So he shares his secrets with you when you’re alone, and you do the same. How could you say no to that face?

Hino is instantly hooked.

After a few months he tells you about his insomnia, and that his roommates are noisy. He asks if he can stay with you every now and again so he can nap on your couch. Saying yes, Hino quickly becomes a semi-permanent resident of your home. He’s there when you get off, and greets you with his soft purring voice and a gentle smile.

Due to the fact he stays with you so often, he’s always there when someone else is. He makes himself a fixture in your life you can’t remove.

How they act when angry

Hino is actually easily jealous. He’s not as volatile as many of the other yandere’s, but he has his moments.

He trusts you, and has confidence in his own looks and abilities, so he doesn’t mind if the odd animal idiot hits on you. He knows you wont go after them, not when you have him.

If someone hurts you though, or if someone hits on you and makes you smile the smile that should be reserved only for him it’s game over

Hino will loose his temper.

While Hino looks lovely, his body isn’t just for show. He’s actually sizeable and fast. The animals who crossed you and put his relationship with you at risk are going to pay with their lives.

It’s actually one of the few times Hino allows himself to get really messy

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lord-of-christmas-lights · 3 years

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I swear I have normal Narnia headcanons. However, none of them are featured in this post.

So! If you've been following my series of posts about my Inhuman Narnia AU and the couple of oneshots I posted on ao3 under ASkyOfKai, you've probably noticed that in this little universe I've created, Narnia is sort of...sentient. And I've just realized that I've only actually gone into depth about this on Discord with my friends who are probably very tired of hearing about it. So I'm making y'all suffer through it instead. Welcome to Inhuman Narnia 101, please take your seats because this is going to take a while.

Warning for religious themes, theological discussion, and some dark fantasy/inhuman/body horror concepts that involve blood and physical changes.

BEFORE I SAY ANYTHING: Please keep in mind that an AU is meant to be an alternate universe that may not follow canon information. If anything in this post contradicts canon on the creation of Narnia (it undoubtedly will), pay it no mind, this is an AU. It doesn't have to follow canon.

First off, a little explanation of the Inhuman Narnia AU in general. Basically I came up with this AU after seeing some other people on tumblr post about the Pevensies being not quite human after their time in Narnia. Just eerie, cryptid, a bit of dark fantasy kinda stuff. And I was like, "I'm in love, sign me up, I have ideas." I did not sit down and develop this all at once. The worldbuilding I've done for it has come slowly over the past few weeks through posts, fanfics, and discord rambles. The idea of Narnia being a sentient earth deity of sorts is a recent one and there is already so much to it. (Also I call her Narnia because it's convenient, she has other names but I haven't bothered to like, actually make any up so Narnia is what she's called.)

The most important thing to note starting off is that Narnia is not supposed to be a replacement for Aslan, nor is she necessarily "the hero to his villain". Aslan and I have an interesting relationship, as he is literally God/Jesus/The Holy Spirit/etc and I no longer really identify as Christian. While there are times that Aslan definitely takes a more antagonistic route in my writings, I don't actually see him as a bad guy, nor as a good guy. As God, he literally removed from our concepts of good and evil (in my opinion). The same goes for Narnia being an earth deity. I am a Christian-raised pagan, and I definitely subscribe to the idea that gods and deities are not subject to humanity and our rules. Narnia is not a good goddess, she is not a bad goddess, she simply is a goddess. Plain and simple. The dichotomy that exists between Narnia and Aslan in my writing is generally that of opposing deities, but this isn't a hard and fast rule. There were and still are times when they're friends, working towards the same goals. There are times when Narnia's power is stronger than Aslan's and times when Aslan's power is stronger than hers. There is no simple 1:1 comparison between them.

So, getting into motivations and why Narnia as a deity even exists. Essentially, I asked the question, "How do the Pevensies become inhuman?" and voila earth deity Narnia was born. Now, the basic in-universe mythology I've worked out is that Narnia and Aslan are two deities from separate dimensions that came together to create a new world, the world of Narnia. Aslan is the one who oversees things, he's the one who comes up with the ideas, and he's a little less attached to the world as a whole because he's a Creator, not an earth deity. Narnia is, however, and she literally makes up the world, she sort of runs the entire thing on a physical level, and she is much more attached to it. So she's always kinda taken on this role of making the things in her world the way she wants them. For the most part, she and Aslan designed everything together and they're both happy with it blah blah blah. Well, Aslan then decides to bring a few humans from this other world he's created to Narnia. And she affects them a bit (I've got headcanons about Digory and Polly that I haven't posted anywhere yet but I might soon), but it isn't until Aslan brings the Pevensies over that she really gets to experiment. See, there are other deities in the world that kinda rule over the various lands on a surface level (patron gods for Telmar, the Archenlands, etc, they just have less power than Narnia and Aslan) so she has a little less power over the people in those places, but the country of Narnia is both her land and her so when the Pevensies become the Kings and Queens and live there for 15 years, she's very connected to them. And it's through this connection that she starts to affect them. Honestly, I'm not sure if Narnia even knows what she's doing when she starts stripping away their humanity. I think it's that she can feel they're not from her world and she doesn't like that. She wants them to be a part of her, she wants them to belong in her world just the same as everyone else. (Side note—I know Telmar and some other lands in canon are based on people finding portals and coming through and I'd like to say that she does affect them a bit, takes away a bit of their humanity, but it's not to the same extent as the Kings and Queens of her lands).

"So Kai," you might say, "You keep empathizing that she is literally the land and the land is her. What the hell do you mean by that?" Well, essentially, she is...the...land. Basically if you've read Percy Jackson Heroes of Olympus, there's this idea that Gaia and Tartarus are both physically their domains and able to take on a smaller, human shaped physical form because they're gods and not restricted by human ideas of only having one body. Narnia is the same. Her physical form is both the entire world and whatever smaller shape she might appear in to people. However, we have to acknowledge that their world is differently structurally from ours. There's magic, there's talking animals, and in my Inhuman AU, there is a literal Heart of Narnia at the center. Like a physical, beating, human-shaped heart. Except it's a lot bigger than a regular human heart. Also it's golden. And many many many miles underground. So anyways this is where she's centered. It's basically where her soul is. Probably under Cair Paravel because I just came up with that idea and I love it. And radiating out from it are veins of magic and blood, and these stretch all across the world. Now here is where we get into blood magic and some of those fun terrifying concepts I've come up with.

Narnia has her own blood, of course, but also whenever one of her Kings or Queens bleeds in battle, she kinda pulls it down through the earth into her own heart and veins. It doesn't really do anything to her or them in particular, it's just a fun side effect of them having a patron pagan god. Yes this includes Caspian after he becomes King. Also Peter's blood turns golden because he's the High King, and then later Caspian's does too because I just really like imagery of Ben Barnes bleeding gold. (Side note—when Peter returns to England, his blood goes back to red, but it does remain a brighter red than blood generally is).

Diverting for half a second here. Now, in both my regular Narnia writings and my Inhuman AU, Lucy is very very connected to magic. In my regular Narnia fanfic, she studies with the druids, who are sort of like BBC Merlin's druids. They're just like, chill dudes who run around in camps doing magic and making prophecies and shit. However, in the Inhuman AU, they are a lot darker. One of my favorite ideas with the Inhuman druids and Lucy is that they are so connected to Narnia's magic and her Heart that their hands become stained with blood. Is it their blood, is it Narnia's blood, is it someone else's blood? Idk, don't ask questions. But yea, their hands are permanently stained reddish-brown to almost black. In my regular Narnia stuff, I still like the idea of Lucy's hands being stained and go with just earth magic, dirt stuff for the reason why. But yea no, in the Inhuman AU her hands are stained with blood because of blood magic.

So getting a bit more into how Narnia affects the Pevensies now because I love talking about this lol. She doesn't consciously chose how to change them, though she does call them her creations. Generally the way her magic affects them is by connecting them to to the land in some way and bringing out certain traits they have. So for Peter it's his eyes flickering between regular blue and the amber of a lion's, feathers appearing on his back that grow into wings, having a strength greater than that of a giant's. His blood is golden and on clear nights, the Aurora Borealis in the sky is reflected across his skin. For Susan, her skin glints like glass in the sun and she can briefly glimpse the future. Her wounds are sewn shut with golden rays of light, her eyes are cracked but clear, and she seems to glow faintly in the night, a bit of the sun's radiance shining through her. Edmund has a bit of a star's power lodged in his throat, and can manipulate words, uses them to influence people and their actions. His skin is frostbitten in places, a side effect of ruling the Woods where the White Witch once held so much power, and in some spots his bones shine under the ice that spreads across his skin. Lucy has the stained skin from her stronger connection to magic, and when she speaks words from the Old Language (the one Aslan and Narnia used to shape the world itself), her voice echoes and rasps. Her teeth are too sharp, her smile too wide, and when she disappears underwater, she can stay for hours without surfacing. I want to get into Eustace and Caspian now too but this post is already extremely long and I've still got a bit to cover, so we're just sticking with the Pevensies for now. So yea, Narnia doesn't pick what she does to the Pevensies, she just connects herself to them and through that connection, they change. The magic that she is made of, that Narnia the world operates on, that's what changes them. However, as I stated already, she does call them her creations and feels extremely responsible for them.

Wrapping back around up to the beginning, this is the biggest source of conflict between her and Aslan as of the canon timeline. I like to believe that the lamppost incident was an accident, that Aslan didn't actually mean to send them back at the end of LWW and it was pure coincidence, wrong place wrong time stuff. That being said, it did happen and Narnia really didn't like it happening. The Pevensies did return to their (mostly) human selves in this AU in England, so when they came back in Prince Caspian, she felt disconnected from them again. She reacted to this by digging into them even harder on a spiritual level and essentially speedran them back to being inhuman throughout the timeline of PC, which generally takes place over a few months in my mind. I don't remember how long it was in the book, it's been quite a while since I read them, but it's only like a week in the movie and like eff that, overthrowing a kingdom takes a bit longer in my opinion. Now there are a few divergences here. 1. They all stay at the end of PC and yea that's it, they go back to being Kings and Queens and it's like a second Golden Age but with Caspian there as well. 2. Susan and Peter stay, Lucy and Edmund go back and it's a repeat of the human/inhumanity cycle for them + Eustace in VOTDT and then they stay. 3. Everything happens exactly as it does in canon and it's a constant cycle of humanity/inhumanity with the character's various trips and finally ends at The Last Battle. I like all versions and I tend to leave things a little open to the reader on what exactly happens, or I would if I could actually finish some of my drafts and post them. As you can imagine, Narnia likes 1 the best and 3 the least. She really wants her Kings and Queens to stay and rule her lands and like be awesome and stuff. However, Aslan prefers 3 the best and 1 the least. So again, neither of them is really good nor evil, they just have differing opinions on how the world should be run and what the Pevensie's fates should be. I do tend to side with Narnia, I really like exploring these concepts of inhumanity, but I also really like the concept of a cycle. That's very common in mythology.

So anyways, that's a bit of an overview on earth deity Narnia and her role in my Inhuman AU. If you made it this far, congratulations, and I give you explicit permission to use any of my ideas in your own writing/fanart/whatever, as long as you tag either my tumblr or my ao3 (lord-of-christmas-lights and ASkyOfKai) because I need more Narnia+Inhumanity content in my life. Thanks for reading all this and I'll probably be back very soon with elaboration on Eustace and Caspian's inhumanity!

- Kai

#inhuman/dark fantasy narnia #the chronicles of narnia #peter pevensie #susan pevensie #edmund pevensie #lucy pevensie #aslan #digory kirke #eustace scrubb #caspian x #narnia headcanons #rambles of a hyperfixating kai

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buzzykrueger · 3 years

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When Gon’s anger becomes a protective mechanism for Killua

IMPORTANT: The text is long, plus, I do not support Gon hate. He’s a human being and a kid, so don’t worry, none of my analysis will put him as a monster.

You know the theory that one of the reasons Gon shuts Killua out from Pitou’s fight, besides proving himself and erasing his guilt, is also to keep Killua safe? I didn’t understand at first, but I kinda agree with that now.

Remember the “YES I AM AN IDIOT” iconic scene, Greed Island arc?

Let’s talk about that and link it all.

They’ve spent half of the chapter 158 arguing because Gon kept insisting on meeting this “Chrollo Lucilfer” person inside the game, while Killua was trying to be logical, saying that this person wouldn’t clarify their reasons only by asking them. Killua eventually gives in, and after Gon uses the card, they travel to met not Chrollo, but Hisoka, who asks if they went all that way just to ask him a question (implying how dumb it was).

Gon says that’s pretty much their reason and Killua kept teasing Gon on his dumb choice.

But after some ping-pong teasing between them, the reason Gon was being stubborn is, actually, a concern that lights up on his mind with memories of his journey to rescue Killua from Kukuroo Mountain. Even blushing, Gon says that he was reminded of Gotoh’s words and was worried that both of them were being deceived.

Gotoh’s words were, exactly:

Be careful. And protect Killua.

This also adds to the character analysis - one that is very on point - that Gon being outgoing doesn’t mean he puts depth to analyzing his feelings. He speaks his mind, the problem is not to talk per se - but to put effort into understand his intentions behind those actions. He could say he was worried about them, but he doesn’t, because he speaks first and doesn’t think through what he feels. He’s yes outgoing, but impulsive, and very immersive into acting first, think later - or even thinking only when questioned, because it didn’t even crossed his mind. That’s why we see him talking but yet... it’s hard to know what is happening inside him aside from Killua’s common inner monologues. But maybe protecting Killua it’s so natural that he doesn’t even bother to explain. To think that he keeps Gotoh’s words and even mentions it after all this time, such a nice and gentle touch of how much he respects his bond with Killua.

Now, let’s get back to the CAA events. Specifically chapter 222.

A very shocked and distressed Gon was learning through Kite's attacks, but not to defend himself or parry. His painful attempts were all leading to dodge the punches and faints, so he could give puppet Kite a hug, and an apology.

Yes, he said terrible things to Killua - and of course wanting to protect him wasn’t the only reason. But he knew from the moment they first met Pitou, that they were dangerous. He wanted to deal with that alone, because it was “his mess”, so he shouldn’t endanger his most beloved one.

We know that this is a turning point for Gon’s development in this arc, because it is the moment where his resolve becomes tainted with all the guilt he is facing. It’s when he starts to lose himself, and Killua knows that, probably, nothing he says or do will convince Gon otherwise.

But what contrasts with the well-known harsh words towards his best friend, is that he never meant to exclude Killua from the whole situation. That's why he says "OUR fault".

Then, right after, he addresses Killua directly. Visibly starting to lose himself, he takes the responsibility to prove he's strong to fix it, but I think that due to his communication pattern, he might also mean that he’s want to fix it without endangering who he wanted to fight by his side under normal circumstances.

It’s an act that can hold both guilt and protection. He addresses only that one person in the room because he needs Killua to know that this isn't a normal situation, and that's why he can't bring him to this fight. It isn’t normal because someone dear to him got hurt really bad. It isn’t normal because his best friend, someone who would not think before putting his life at risk for Gon, shouldn’t endanger himself to the point he could face the same destiny, specially because this is Gon’s way to show he cares. Again, Gon just speaks his mind without much thought, with his intentions between the lines. His effort to put his feelings into words mixed with the suffering he is handling are, on his mind, overwhelming enough - but still he cared to speak directly to Killua. Could this be, again, another demonstration of not-so-well-thought feelings spoken with the first words that come to his mouth?

Wouldn’t make sense, after all of those demonstrations of Gon’s behavior when someone is endangered and he desperately wants to take control of the situation because he thinks this is the best way to protect them and to be useful, and with that, deserving of their company?

As Gon's communication is both simple (in words) and complex (behind the words), since he doesn't think through his feelings and he’s a stubborn child, it makes hard for others to catch his intentions, specially if they're already struggling to understand that they are not a burden. Because Killua’s mindset on making friends also includes the need to feel useful, just like Gon’s, but expressed through different means - and by being casted away fro Gon’s decision and later saving the boy in order to push him forward once again to his goal (alone this time), Killua thinks Gon has cut ties with him. as he couldn’t play a helpful role within Gon’s life anymore. So, this is how he reaches the rejective conclusion.

But the connection that I'm trying to make is that even thought Gon’s words were awful as the boy himself recognized, I truly believe Gon still wouldn't want Killua to fight even if he knew how his friend felt. But not because he rejected Killua or meant to cut ties with his “no longer useful” best friend.

Because Gon has stated already: Killua doesn’t have to earn his friendship.

Those harsh words during the Palace Invasion were an attempt to regain control of the situation, prove his worth in the middle of a mental chaos that he wasn’t ready to face. But still, what if he kept reminding himself that he must protect his best friend in the entire world and just couldn’t find a better way to say it? Because he knows Killua is capable of self-sacrificing, Gon tried to stop him before, and Pitou is terribly strong. If it’s hard for him to translate his feelings when he is calm and collected, the extreme condition he found himself dragged in would’ve just made this communication face more obstacles. Fighting his own pain - another thing he couldn’t translate for the sake of his own mental health - led to the words to come out like they were: heartbreaking.

So, I’m not saying that it was solely to protect Killua, but I think that makes sense for Gon’s character. And again, I don’t think he would agree that Killua would fight what he thinks it’s his battle alone. But, with his mind cleared and the right questions, he would've given Killua an answer. He would say that this is not about taking Killua out of the special place Gon has put him, but about Gon taking the the responsibility based on what he thinks it’s best for everyone. His feelings, either protective or hurtful, are only explained when he’s asked, because action speaks volume for him and he needs this trigger question to make him translate his intentions.

Just like in the Hunter Exam, he only tells Kurapika about how he felt with Hisoka because he questioned.

And in the Yorknew Arc, Gon didn’t let Killua hurt himself and was really trying to understand how the other boy felt. Gon doesn't communicate well but not because he rejects his feelings, and still, he cares about others’ feelings too. He was just literally out of his mind. So yeah, I think he cared for Killua safety, and if after all this time he made a connection between his stubborn acts and Gotoh’s words, it’s because - on his mind - these words and thoughts never leave his head. He’s constantly worrying about Killua, in his own way. But he couldn't explain something that he didn't put a second thought even for himself to understand. And it's not the first time, he acts very similar in these mentioned situations.

What all these stubborn oriented situations that I’ve mentioned, except for the one regarding Hisoka, have in common? He wanted to protect Killua.

He was undeniably wrong in saying those words to Killua, but it’s something acknowledged by himself already. He IS, by his nature, a protective kid, and under normal circumstances, Killua would be allowed to fight by his side because it has to be him. If it’s not going to be him, it won’t be anyone else. He can’t risk to lose him for something that he feels overly responsible. His words were rooted in pain, but the moment he addresses Killua that he would fight alone - a moment recollected by the latter in the hospital scene - shows respect for the one he has just lost, Kite, and the one he doesn’t want to lose.

Killua is the one who never left him, never discredited him and is irreplaceable. Killua is the first thing that comes up to his mind when thinking about meeting Ging. Who would have thought that Gon’s mind would reach so far into memories and hold so deeply someone’s words like Gotoh’s?

He was selfish. But it’s a childish selfishness, built on such empty expectations about himself that he ends up forcing on others what he believes that is the right thing to do, in order to keep others safe, no matter how bad he hurts his body... because when it comes to protect those he care, he loses respect on his self-care due to this low self-esteem of his. So, he didn’t ask Killua to “please, let me fight alone”, because he’s decided to not drag Killua into a fight he knows he might lose, and then Killua couldn’t be protected.

And makes sense, again, that Killua couldn’t read between these lines, because he also blames himself for everything that happened, and thinks his feelings and desires would only keep in Gon’s way - that’s why those words hit him so deeply, but the thing that hurts him the most was the sole fact that Gon fought alone. He can’t help but compare to the dodgeball, and like Gon, Killua has his own unhealthy patterns: since he only knows love through pain, when he’s prevented from getting hurt against his will, he fails to understand it as an act of love.

The bond they’ve established while playing Greed Island was expressed through dozens of symbolisms already well discussed among the fandom (Killua’s badge, the rainbow diamond, the famous line during the dodgeball game). And I don’t doubt that their encounter with Pitou held traces of the same protective pattern, but messed up by Gon’s internal struggle.

For the times Gon showed concern before, we can mention more expressive moments like the whole Zoldyck arc, when they were escaping from the Troupe, when Tzeseguerra said he’d endangered Killua or even when Killua got caught by some spell, etc, or we can even analyze his body language. Like here:

Before the date, Gon is indirectly protecting Killua in here, through his body language (Killua entered the room first, but Gon puts himself between them):

And after the date, while being punished for hurting her feelings, Gon screams at Palm when she tried to stab Killua, probably implying that he was observing and only interveins when she tries to hurt anyone other than himself - because he is, again, being stubborn and taking all the blame and control in order to redeem his actions and prove his capacity to fix things. I think it’s possible that Gon talked to her about Killua off curtains, or at least made an agreement about not involving Killua in her madness, but it it’s open to interpretation.

So, yeah, I can’t help but link everything to his pattern. He responds to the fear of losing those he loves with the same impactful devotion that is given to him, but it is so impactful that fails vocabulary and second thoughts. He knows Killua will be the first to risk his life if something happens or to prevent Gon from getting hurt during his tasks. Killua tends to sacrifice a lot and never complains while doing it, so I think it’s pretty much plausible that even when he can’t express himself at all, he’s worrying about Killua in the corner of his mind. Sometimes, just before our eyes.

Anyways, I love re-reading Greed Island arc and linking to their development through CAA because pretty much anything they do, they’re doing together, and they were bonding so beautifully. Their relationship was never so well-detailed before, but mostly for us, when they didn’t get much time to put in the balance how rushed their training was, and how fast they got attached to the point they can’t even stop thinking about each other while distant.

They look at each other like this:

They inspire this kind of reaction from others:

And there’s this one... nothing big, I just love it hahahaha

They’re in love each others’ top priority. It’s not impossible that Gon took Killua’s safety into matter, but his mind and words failed him, as he himself acknowledges that the only explanation to say those things to Killua is that “he doesn’t know what he was thinking”. Because, under normal circumstances, just like about letting Killua fight by his side, he would NEVER hurt Killua’s feelings. He IS protective. He didn’t have to rescue Killua from his own home - since Killua left for himself - but he still does it, instead of sticking to his main journey. And did not budge until Killua was safe by his side.

It’s a badly worded protection, because he doesn’t even know self-protection and puts action before everything. To figure a better way out of this pattern, he will now have plenty of time to find new ways to protect Killua and himself from the flaws of their dynamic. Their emotional attachment didn’t grow as fast as their fighting skills, but it doesn’t mean Gon is a monster, was malicious towards Killua or wanted to break his heart. I don’t even think he would reject Killua, but would explain the reason behind his decision in a reassuring way.

And finally, it’s so symbolic how Gotoh died and got replaced by a Kiriko - the same creature that translates Gon’s perceptiveness and how the boys are close. This way, they are still linked by Gotoh’s words through someone that mimics Gotoh’s appearance and also understands their relationship like the long gone butler. His words will never die.

And not to mention... how shoujo and romantic it is that Gon remembers the promise he made to Gotoh before he takes Killua with him? It is almost like a marriage proposal. That he didn’t forget, not even after all this time.

Do I think he would’ve change his mind on letting Killua fight? Not at all, and Killua couldn’t change his mind even if he begged, at least not without some patient mental work. This is Gon’s mindset on protecting someone. But like that time in Greed Island, under normal circumstances, Gon would’ve ease Killua’s worries directly or indirectly after some talking. And of course, it is not his job to guess Killua’s feelings, communication must be a two-way path. Killua waited for too long, and at that point, Gon was too lost in his grief and wasn’t able to measure his words. But I truly believe that, deep inside his mind, those words and that promise were still there, waiting to resonate if necessary.

And as @gallyl added so perfectly: Killua is alive and well, grieving on the hospital’s bench, trying to get a grip of everything he just experienced. Decided to give Gon a second chance, he’s now able to understand this message of love Gon has left for him: there’s so much he can do in life, that Gon simply doesn’t want him to die because Killua’s whole life was surrounded by death - and Killua’s greatest wish was to live like a normal kid. And this speaks louder to Gon than having Killua to himself in death. A love that is not selfish, and does not envy. Killua’s life is validated, and in return, he saves Gon and his sister, the ones he loves the most, and validate back their right to exist, to grow, to try again. Unconditional love. At first, he’s hurt and demands an apology. But it’s Alluka who reminds him of how love must be free to give and to receive - he should let his heart open for whenever Gon is ready to reach him again.

But now, the apology will matter.

And this is absurdly romantic. Not every sacrifice ends up in dying together to prove a relationship. They’ve made promises similar to marital vows, and not everything happened like they wanted, but they made clear to us that they’re not done with each other - as they refuse to say goodbye, and keep grammatical constructions like “for a while”, indicating a break, an interlude.

Their song is still playing, and their promises still exist as their split was never mentioned as something definitive, because preventing the other one to get physically hurt on your behalf and taking some time to think before you take the risk to accidentally emotionally hurt them too are both ways to show protection. Ways that they’re learning now, two boys who think they should get hurt to love and be loved.

#hxh #greed island #character analysis #meta #gon freecss #killua #killugon #chimera ant arc

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aro-is-gay-af · 3 years

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Why do I think Resume will end up with Volturi - an attempt to explain Bella/Renesmee relationship

As within the fandom nobody likes Renee (no wonder why) I'd like to make an attempt at explaining to y'all what's like to have a parent like her (because I've got the same problem) and why this is going to cause problem over the years between Bella and Renesmee. This post will include such things as explaining:

why being in a relationship like this is so tiresome

what kind of effect has it on Bella

why Bella is just the same towards Renesmee as her mother was to her

why Bella and Renessme dynamics as mother/daughter aren't as fantastic

why is it so probable that Renesmee will eventually join the Volturi and what may be her reasons to do so.

1. Someone, who's never been in the kind of relationship that Bella and Renee have, is not going to catch up quickly with the point that I'm making in this post. Why? Because it's hard to imagine yourself being in an abusive or neglectful relationship with a person, who is a close relative of yours. You never want to acknowledge that something is wrong and instead, you're trying to find excuses for the person's abusive behavior. Fandom agrees on the fact, that Renee is, at best, neglectful of Bella, while at worst, she's downright abusive. I agree with both statements and in a moment you'll know why. You also need to know that everything I'll write here is from my experience from being in such a relationship hence it doesn't mean everyone will have the same experiences as myself. Now, why is such a relationship so tiresome and you struggle to find your true self in it? In my case, very similarly to Bella, I became responsible for things I shouldn't be responsible for at a very young age. I didn't have the time to actually be a kid because I needed to handle "adult responsibilities". When you have adults' responsibilities you lose something beyond reclaim. You'll never go back to your childhood and be a child once again. I was forced, not only to handle myself, but also my brother and mother, and our household. I didn't have time to do most things that kids do cause I was taking care of my brother, or my mother, or doing chores, or anything that was supposed to be done by adults, except it wasn't. While all of this made me extremely responsible, it also made me anxious, bitter towards my parents and I suffered from depression for a long time. I read somewhere that Bella is exaggerating and it's normal to help your parents within the house, to have responsibilities. The problem here is that Renee is Bella's responsibility in the same way my mother and brother were mine. You cannot give this up because you're too responsible but it also eats you from the insides. Also, if I remember correctly, Bella says somewhere in the book that she doesn't mind this because that's how things are for a long time. That's exactly what I'm talking about! When such responsibilities are forced on you at a very young age, you accept it and think it is natural. It isn't. Adult are adults, and kids should be kids, not kids forced into adulthood.

2. + 3. When you don't have time to be a child and you're forced into the adult world, there's always going to be some consequences that you cannot foresee prior. To Bella it ended actually sadly - we can see in the book, as well as in the movie, that Renesmee is almost as an accessory to Bella. Sure, Bella dies for her, but what else? Renesmee is described as mature and serious, she doesn't want to do things that kids usually do. Why? Smeyer made her this way, yeah, but apart from that, it's because Bella cannot handle a kid. The idea of full family appeared to her because she never had it herself. And while she admits that she doesn't even want children in Eclipse, suddenly in Breaking Dawn we see her change her mind completely. All she ever wanted was a) Edward and b) to be a vampire. So when she has these two goals achieved, why would she even bother with Renesmee? So Resume is mature enough and growing up quickly to relieve Bella from the burden of maternity.

4. Also, I'm not saying that Bella doesn't love Renesmee. Of course she does. Renesmee, also, loves her dearly. It's the same dynamics as between my and my mother, and between Bella and Renee. Bella loves Renne but needs to take care of her and be the responsible adult™. It also tires her, as she needs to think about how to handle the business in the most effective (and cheapest) way.

I think we can establish by now that love has nothing to do with this. So, because of her childhood and the poor illustrations of how relationships should work, Bella is exactly the same towards Renesmee as Renee (and partially Charlie) was to her. She thinks Renesmee is able to handle herself fine - she's constantly throwing at us proves that Renesmee is mature enough to do almost everything adults do. It's bullshit, of course, but Bella isn't aware of that. It's how she was brought up (or it's rather the lack of bringing her up by responsible adult) and she thinks it's the best way to fulfill parental duties.

As I said earlier, Bella is all smiles because she's got what she wanted - Edward and immortality. Yeah, it's great she has a daughter too, but like... hello, it's Edward and her and they have forever so why to bother with a child. It'll somehow work itself out. I will not ponder here on Edward being a father and how I see his relationship with Renesmee, however, I don't think it's pretty healthy either. Also, I need to add here, that Renesmee at least, has others (I mean other Cullens) who have probably more patience and time to actually raise a child. I think, and it's only a headcanon so take it easy, that Renesmee has excellent relationship with Rosalie. Rose will not treat her as adult - she'll prolong Renesmee's childhood as much as she's able to. She has time, patience, will and all love for her, so I think they're pretty close, and it would be a good, as well as a healthy relationship.

5. The older Renesmee will get, the more she'll be able to understand. Maybe the Cullens (and I hope it would turn out this way) would spare her this "being a premature adult" thing but her relationship with Bella will never be as close as she'd probably wish to. Sometimes, love isn't enough to keep up with the relationship and the shit that's going on around you constantly. One day, Renesmee will go to high school, then to university and then? Who the hell knows. She won't necessarily be with Bella. Sure, she'll be always her daughter, but she's not her property. At some point, Renesmee'll be mature enough to decide whether she wants to stay with her family, or travel, or join another coven. What I think, is that Bella won't be happy about it at all. Right now she has her fairy tale. She sacrificed nothing. She's living the life of her dreams with a man of her utmost desire. She has a child, even though vampires aren't suppose to have ones. What will happen if there will be a crack in her tale? Long, nasty cracks, throughout the wall. This is when I get to the point that Bella has no fucking clue what mess she got herself into (but that's for another post).

6. Holy Grail now. Lord, I'm always making this so long, this was supposed to be brief. Okay. So why do I think Renesmee will end up with the Volturi? A few reasons off the top of my head:

※ at some point Jacob will die and Charlie will die, and she'll now what's grief and how hard it is to go on. Yeah, yeah, I know that Jacob is also immortal right now, but he'll probably be killed while protecting Renesmee or Bella. I always think of their relationship as brother/sister because I cannot stand the imprinting shit Smeyer gave us. Also, I think I don't need to explain Charlie here. Renesmee will be devastated by both of these deaths and she'll have to come to terms with herself eventually. I guarantee you that she'll not be the same after that.

※ relationship with her parents. I briefly explained what I had on my mind when it comes to Bella. Renesmee loves her mother but that doesn't mean they'll have healthy and exemplary relationship. Sure, they can work on that, they have eternity but I think that at one point Renesmee will be fed up with the way how her mother is in love with eternity itself. Her relationship with Edward, as I said, is for another post, however I think with time it can get pretty hard. Could you live with the thought that your own father didn't want you? That he regretted that you exist at all? I don't think so. (Yeah, I'm simplifying, but I need to, so don't hate me for this).

※ Cullen coven can break or partially break. @therealvinelle talked about it here a little bit but that's also what I have in mind. Cullens are fairly young coven, with pretty unknown dynamics as we don't get to know them that much through saga (thanks Smeyer for not dwelling on it further). It isn't said anywhere that they'll last next century, not to think about more time passing.

※ she'll be fed up with constantly living with the humans. Imagine you need to constantly move, go to school/college and abide the rules that you didn't agree on in the first place. At first its great, Renesmee has time and reasources to flourish but she can also do that without anoyone else.

※ she has rampant hunger for knowledge. Where to find more books and more knowledge than in Volterra? Simple as it is.

※ she may not find vegetarian diet... sustainable for her. Remember how she was delighted when she drank first Bella's blood and than human blood in general? I think she can go on for some time on vegetarian diet plus/or human diet (if she was to attend i.e. med school which of course I think she would) but after some time, maybe a century, maybe less and maybe more, she'll eventually come to terms that she enjoyed drinking human blood. That's it. She's half vampire by descent. I don't think she'll be able to resist that much , also because everyone taught her from day one she could have what she asked for in a blink of an eye (remember Esme's spoons?).

AND most important (at least for me)

※ her worldview will completely change after a few/a lot of tragical experiences. Sorry, that's just common knowledge. Life is brutal, people are vicious and ruthless. She'll probably work or go somewhere, where she can see what humans are capable of (both in good and bad ways) and what one can do to achieve their goal. I think she'll go to Volturi to simply find comfort there. They've been alive for three thousand years. They can teach her things Cullen's aren't even aware of. Besides, I think it would be a great political move. We all know Aro wanted to know her so bad. If he would, she'll probably be able to influence him to some extent and spare her loved ones if it'd go that far. That's it! Of course, it's fucking long as hell. Sorry for that. Comment if you wish. I cannot wait if you think the same, similar or if you disagree completely! But no hate, please. Professionals have standards™.

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nikadoesanart · 3 years

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Will Jouno assist Fukuchi?

In ch 92, Fukuchi shows Bram to Jouno (though I'd say introduce would be a better way to describe it cause Jouno's blind but minor inconsequential details) and reveals that he is the mastermind behind the Agency being framed and asks Jouno to help him. Personally, I think that Jouno is just a bit more likely to form some kind of alliance with Fukuchi but not necessarily a full-on partnership, much less to the point where it'd be considered working more with Fukuchi as Kamui of the DOA than helping Fukuchi as Fukuchi himself or as the commander of the HD.

Also, I am using @buraihatranslations translation of ch 92, so that's where my exact phrasing for quotations and page counts are coming from. You can read the full translation here.

The main context of our focus

“I’m the mastermind. Jouno, wouldn’t you like to assist me?” (p 19)

For starters, I don’t think Fukuchi is being a reckless idiot for saying this. Considering that he's literally Kamui, he obviously must’ve considered this as a calculated but worthwhile risk to take. As I’ve previously mentioned in my ch 89.5 cover art analysis, Jouno is the most on the fence of the HD in terms of supporting Fukuchi vs believing in the Agency’s innocence. In fact, as we learned in 92, he simply doesn’t care and can therefore be considered a (nearly) neutral party. Jouno is also basically a living breathing lie detector, so he can tell apart the likes of jokes and lies from the truth very easily. Jouno also cares primarily about being able to hear his victim’s suffering, regardless of who’s right or wrong or innocent or guilty (as he’s told Aya). It logically just makes the most sense for Fukuchi to try to get Jouno on his side out of all the HD because :

Teruko is a simp for Fukuchi but she still cares about civilians and being able to take pride in her job as an officer (Sky Casino)

Tachihara has already clearly established his doubts in the ADA being guilty in front of all of the HD (ch 89) and told Fukuchi that he sees himself as more Mafia than HD now (ch 89.5)

Tecchou has a very strong sense of justice and cares about fairness, so asking him to quite literally join the side of the terrorists would never work out and would essentially be a waste of both time and possibly personnel too

What does Jouno personally want?

As I've already briefly touched on (and presumably you already read ch 92 before this), Jouno has already stated his goals, which gives us a good sense of where he stands morally.

“I just want to hear the voice of someone’s suffering.” (p 9)

“To hurt people under the name of the law[,] corner them and hear their “sound” as they break.” (p 10)

Now that we’ve more than established that Jouno is in fact, a sadist, I do want to emphasize Jouno’s mention of the law. Not only does he enjoy making people suffer (specifically psychologically, as he’s mentioned before), but he specifically mentions that he wants to do it “under/in the name of the law”, meaning that he likely either only wants to do it in a “justifiable”/“excusable” way or that he doesn’t want or plan to be held accountable for his actions (or worse, both). Until we get a backstory reveal, there could be any number of reasons for him being this way. I think it’s fairly likely that he’s from a similar situation to Fukuchi (took part in the Great War, and the mental scarring of everything he experienced then caused him to find some sort of extreme and inhumane goal or enjoyment to cope with it all). So for example, he could have been drafted for the War because he’s an ability user (or maybe he already happened to be in some sort of training where he received recognition for his skills, ie. the military academy or part of a renowned dojo) and eventually that led him to become a sadist because coping mechanism or discovering that he’s a sadist because of some extreme circumstances (ie. having to interrogate a prisoner for the first time and realizing how much he enjoyed giving and hearing the psychological torture).

Example of Jouno's excuses and justification

“I was just asking suspects for cooperation!”

“Then do it after they sign the consent form for judicial transaction. Otherwise, it’s not justice.” (p 12)

On one hand, we have Jouno who is very quick to make excuses for his actions by using his position as an officer to justify his behavior. Despite knowingly and intentionally using extreme measures, beyond what's necessary for the situation, he's using the law and his job to try to justify it. (If you're seeing some real-world parallels here, good job!)

On the other hand, we have Tecchou who very clearly values actual justice that is fair to all parties (as we’ve seen previously with him promising the cafe owner that the ADA will get a fair trial at the very least in ch 72). In fact, I think it’d be safe to say that Tecchou is the one that values impartial justice and fairness the most out of the HD, but that's not the focus here.

Parallelisms and which other organizations would suit him and his goals

(p 15-16)

For starters, Jouno appears to be on the side that believes that the ADA is a part of/affiliated with the DOA (if I’m not reading this wrong)

Also, I’d like to highlight him saying:

“ ‘Our tastes match’, if I should say. The abusive nature. To be honest, I’m almost empathetic. If we happen to lose this battle, I wouldn’t mind reemploying to their side. Not to say that we wouldn’t possibly lose.”

Jouno has no doubt in the strength of the HD but also just wants to be on the abusively cruel side dishing out the suffering. If he’s able to use his position to excuse his actions (ie. what he said about Aya just a few pages ago), then that’s even better for him. The ADA has an ability permit and currently ⅓ of the police force is siding with them and believes in their innocence. Joining the ADA next, should the HD lose, would be the most advantageous for him, if the allegations of them being abusively cruel terrorists were true.

In my opinion, his actual next best organization to join, based on his interests and goals so far as well as his own methods, would be the PM. They have an ability permit too and he’d have just as many chances to be either on the front lines and/or work with the interrogation team. With what his goals has revealed about his moral code, he’s just more cut out for the nature and surface level goals of the PM than the ADA. In fact, Dazai has already admitted to the two of them being alike (which we as the readers can deduce is for their methods in manipulation and interrogation) and Dazai has previously mentioned that he’d sometimes have to come in and help Kouyou’s interrogation team with the job (ch 19). Jouno joining the PM could be a very easy transition, should he stop caring about doing things “under the name of the law” (p 10). However, there is a loophole with the PM being a part of the tripartite tactic, of which the whole goal is to protect Yokohama. Both we as the readers and the members of the ADA know that despite their methods, the PM does in fact care about upholding the overall peace and safety of Yokohama. The reason why he jokes about joining the ADA and makes no mention of the PM (at least in my opinion), is because before all of this, to the public eye, the ADA was one of the “good guys” that were upholding the law whereas the PM is quite literally the mafia. (I touch on this part too in my ch 89.5 cover art analysis.)

Back to answering Fukuchi's question now

I feel like Jouno is ever so slightly more likely to form some kind of alliance with Fukuchi as Kamui but not straight up joining the DOA/allying with the DOA as a whole because again, Jouno is very much sadistic but he also specifically tells Aya (a possible hostage and a confirmed supporter of the ADA) that he specifically wants to “to hurt people under the name of the law” (p 10). Fully siding with the DOA and Kamui would mean that he’d no longer be working under the protection of the law, by any extent, unless Fukuchi were to create some kind of excuse as the commander of the HD (ie. Jouno was under the control of the vampirism). He might work with Fukuchi but I don’t think he’d work with or for Kamui. Either way, I think that overall it’s a very close tie.

In short:

If he says yes then he’d risk not having the law to protect him any longer, which is a part of what he clearly wants to have. The only way around this is some sort of agreement where Fukuchi will create a believable excuse for Jouno helping or he does it in a very indirect way that won't be noticed by others or can easily be played off as some sort of coincidence.

If he says no, he’d likely have to go up against Fukuchi and Bram and risk getting turned as well. I doubt he’d be killed since that would raise too many questions with Tecchou and Teruko, and thanks to Tachihara’s fight, I’d say it’s all been explicitly stated that still being alive is a part of the requirements to be turned into a vampire. When Tachihara tried to off himself as a last resort, specifically to stop Fukuchi and Bram from turning him into a vampire, Fukuchi personally prevented that from happening (ch 90).

Jouno has established that he just wants to hear the sound of people suffering (which Fukuchi would probably have learned of or figured out by now, considering that he’s the commanding officer here), which can be achieved from quite literally any side. However, his condition to this is doing it "under the name of the law", so being on a side that has the law’s protection and works on the front lines is where he’d be closest to achieving this with minimal risk (so realistically the HD or ADA). I doubt Jouno would have any interest in joining the Special Division because I doubt he’d get to do much interrogating or front-line work there, in addition to him having less of an excuse for his cruel methods, and I've already gone over why he'd rather join the ADA than the PM.

#bsd #bungou stray dogs #bsd analysis #bsd spoilers #bsd theories #bsd jouno #bsd 92 #bsd chapter 92

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pineconesarecrunchy · 3 years

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Pillow

Edelgard x F!Bylteh

(Byleth tries to help Edelgard sleep better at night, but things take a turn.)

Note: This is post time skip, minor spoilers for that!

...

Another day goes by means another busy day full of planning. Ever since your return, Edelgard has been excited to catch you up with everything, but being an empress has its own demanding duties. Edelgard has matured so much since your first encounter. Seeing her directing and giving orders makes you feel her power just by standing near her and being in her presence alone. Her stern and serious attitude remains as she keeps up a strong front defending her ideologies and carrying out missions in order to fulfill her end term goal. Her determination is astonishing and the front that she puts up has not changed at all over the five years. Two things haven't changed within those years, her soft spot for you and her persistent nightmares...

Edelgard's nightmares have gotten progressively worse since the last time you had discussed the sensitive topic with her before the five years of your absence. You notice recently that with each passing day that it has begun to take a toll on her. You wonder if proposing to stay by her side as she sleeps will help ease her fears.

It's a dark now, almost around midnight, and there are not many people roaming the monastery at this time except for you. You walk up to Edelgard's room door and give it a soft knock.

"El..." Only silence replies. She usually is awake at this hour, what could she possibly be doing? You slightly push the door open to see the room is...empty? You begin to give yourself to a self guided tour of her room. Her bed is neatly made but sitting atop of the duvet is an armored bear stuffed teddy you gave her when you first began your days at the monastery. She kept it. That thought brings a smile to your face as you walk over to her windowsill aligned with badges and medals. To the right of it is her desk, sitting on it are a stack or various papers. The one on top is a drawing of someone who looks...awfully familiar. It's not something Ignatz could conjure that is for sure, but is certainly a portrait of you. You open the desk drawer to see an uncovered box of hair pins and ribbons that she used to wear back in the day. You take one of the ribbons and bring it to your nose. It smells just like her and feels as if she's in the room.

"Professor?" You drop the ribbon and slam the drawer close almost immediately.

"E-Edelgard! You...startled me." You mumble as you examine the figure standing in the door frame. Edelgard looks disheveled and sweaty. Her white hair is up in a messy bun, but some strands have fallen and cling tightly to her face. Her nightgown clings to her damp chest and you realize how sheer her gown is and look away abruptly. "Sorry for intruding."

"Snooping are we. I never took you for a peeping-Tom, Professor."

"Byleth."

"...Byleth." She takes a step inside. "Is there something you need from me? It's awfully late."

"I just wanted to see how you were."

"Why?" She asks carefully, sounding like she already knows what you are eluding to.

"The past few days you have seemed more distracted and disorientated than usual, and I think your nightmares are the culprit. Your current state right now—"

"I am... I am not in the best appearance right now to be disagreeing with you." She says nervously. "I guess there is no use in hiding it from you. It's like you can almost read my mind." She chuckles.

"Perhaps I can."

"Then what am I thinking right now?" She seems like she genuinely wants you to guess. Her expression is curious, her thin eyebrows raised with a small smirk.

"Edelgard, you are avoiding the topic at hand. Please tell me what is troubling your dreams."

"Okay." She sighs and walks over to her bed and sits on it. she pats the empty space next to her beckoning you to join her. You walk over to her side and once you sit down she rests her hear on your shoulder. She entangles her arm with yours and grasps your hand. Your shoulder begins to feel hot form her extremely warm body. Edelgard's sweat seeps into your shoulder making your arm feel slightly damp, but you do not mind. You are fulfilling your promise you made to her all those years ago.

To be there by her side.

"My nightmares have been getting progressively worse."

"What do you think is the cause of them? Is it the next upcoming battle?"

"Yes. I...My dreams are vivid. The next battle I, I am a bit worried."

"You will be victorious; I am sure."

"That is not of my concern."

"Is it the enemy?"

"That is what I am worried about."

"Do you know who is the main target?"

"I have to fight family."

"Oh..."

"Yes."

"Dimitri?"

"Yes."

"You dream fearing fighting him?"

"I dream of being the cause to his demise. I dream of him being the cause of my demise." She squeezes your hand even harder. "I even have moments where I envision both of us living our final seconds looking into the eyes of someone we had loved and grown up with. I wish I did not have to fight him."

"You will cross that bridge when we get there."

"But, that bridge is soon."

"That battle isn't soon, it's not until about three moons or so away!"

"That is very soon for me. I — I cannot, I know it is business matters and it is inevitable, but I am so scared, Byleth. Being the reason of suffering to the one you care deeply for... It is unfair! It is so unfair!" She turns away to choke in her sobs. "Why did we have to be on opposite sides. If he had come to his senses, I wouldn't have to fight him, why is this so dastardly unfair!" She throws herself into your chest and cries, grasping onto your arms.

Edelgard's breathing is staggered and heavy. She shudders and trembles with every inhale and exhale. You can only imagine this is how she has been for every battle she has fought in the five years without your presence. You rub her back with one hand and pat the back of her head with the other. With every second passing, the clothes around your chest gets wetter with her tears. Suddenly she pushes you away and stands up.

"I should not be doing this." She says sniffling and rubbing the tear crust from her eyes and cheeks. "This, is unprofessional."

"No it is not."

"I, Edelgard von Hresvelg, Emperor, should not be crying over something so trivial as to fighting an enemy—" She sounds like she is getting upset with herself for being vulnerable. She shouldn't be.

"I would be upset too if I was in your place about to fight my brother."

"I am not upset!"

"You are being open about your worries to me, there is nothing trivial about that."

"This is so embarrassing." She groans.

"Being worried is nothing to be embarrassed or humiliated about, it is human nature."

"It is not what an emperor should do. I have to set an example and be fearless and—Why did you even come here?"

"Edelgard, I love you."

"What?"

"I love you and care about you."

"So you come here to listen to my anxieties and then confess your love to me when I am the most vulnerable—"

"I love and care for all of the people here. I simply noticed you were acting different and came to see if I could help in anyway and even stay by your side as you sleep for comfort. But, my intentions are clearly being mistaken and so I will see myself out." You head for the door. "Goodnight, Lady Hresvelg."

"Wait!" You stop midway in the door frame.

"What?" "I will take up your proposition."

"Excuse me?"

"To sleep by my side... It sounds...nice.... Hold on, come here." You turn around to see her pull out a stool from underneath her dresser. "Let me change out of this gown first." You go and sit on the stool. Edelgard goes over to her wardrobe and starts rummaging through.

"Should I turn around?" you inquire.

"Why? We have seen each other in the bathhouse before."

"Have we?" You cannot recall ever seeing Edelgard in the bathhouse before. You tend to go late at night of early in the mornings where there are no occupants. Has Edelgard seen you before, but not approached you? Edelgard...who would've thought you were one to act like that... "What were you doing this late at night?"

"I had woken up after imagining Dimitri's blood staining my gloves and axe handle; so I went for a walk."

"A fast walk I presume? You were sweating quite a lot."

"It was more of a ...run."

"Where to?"

"Just around the monastery, the bridge outside the cathedral looks stunning this time. What were you doing?"

"Looking for you."

"...Oh...What about before then?"

"I was scurrying around doing minor quests for people. Gardening, collecting items for people, returning lost items; the usual stuff."

"How helpful." You hear a final snap of her gown. "You may turn around now." The new night gown she wears is cream colored and reflects her pale skin. It is just as sheer... no even more sheer and see through than her first gown. Her messy bun is redone and her gaze rests upon her bed. She walks over to it and plops down. Propping her left arm up to rest her head upon and look at you.

"Are you going to watch me as you sleep?" You inquire.

"No." She mumbles and turns to lay on her back, starring at her ceiling.

You sit in silence for a bit. "Would you like me to blow out the candles?" You inquire.

"Yes, please." You walk around the room blowing out the candles around the room before returning back to the stool. The moonlight is now the only source of light in the room and it shines brightly through the large windows. A few more minutes past.

Then a few more.

Edelgard's face leaves a blank soft emotionless expression. Her skin looks so soft, if you were to touch it, it would probably be so smooth and smell of fresh carnations, her favorite flower. Edelgard groans.

"Is there something the matter?" You ask.

"Could you..." She pauses. The silence is deafening. "Could you get in with me?"

"Sleep with you?"

"...Yes. If it's not too much trouble." Why would it be too much trouble? That is the main reason you came here.

"But, I'm still in my outing clothes."

"It does not matter, you can borrow one of my night gowns if you so please." You hesitate. Accepting would be completely out of line for the Emperor and you as her aid. If anything it would feel awkward because a few hours ago she was yelling at you for misunderstanding your intentions. You really should not accept.

"Sure." To your reply, Edelgard quickly gets out of bed and rummages through her wardrobe again.

"This would look nice on you." She says holding up a royal blue nightgown. Royal blue is a pricey color of clothing. "Don't think about the color's wealth. Just try it on."

"It's like you're reading my mind, Lady Edelgard."

"Oh how the tables have turned and please, it's El."

"Thank you, El." you say and she smiles. You take the gown out of her hands. The two of you stand awkwardly there.

"I should... I will be waiting in bed."

"Okay."

"You can change here." She gestures to the unfolded room divider next to her wardrobe. You did not even notice its presence the first time. Maybe that's where she had changed when you were looking away.

You stand behind it and change while hearing her rustle the sheets and return to bed. You feel as if her eyes are scanning you through the paper frames in the divider, but how could you tell except for only the feeling of it. She could be watching but she could not...just like at the bathhouse. When you finish Edelgard is laying in bed facing away from you, you clear your throat to let her know you're done. She turns around.

"Byleth, it looks stunning on you."

"Thank you. Um, where should I put my clothes?"

"In the drawer next to the wardrobe, second drawer." You open the second drawer and place your neatly folded outing clothes in the empty space next to Edelgard's. The clothes there are of a deep crimson, each are neatly folded. You see a divider between the clothes and a small rectangular box. Glancing over your shoulder to see Edelgard isn't looking, you peek in the box. Then immediately close it once you see a glimpse of the assortment of lace—

"Is there an empty space there?" she asks groggily.

"Yes! Yes, I, I am coming." You say closing the drawer and joining Edelgard in bed.

You lay on your backside looking at the ceiling while her back is towards you. You were right, she does smell of carnations. She turns to face you and you cannot help but glance at her for a moment before looking away again. You feel her slender arm wrap around your waist and another one of her arms wrap around yours; pulling you closer to her. She places her head on your chest like it's a pillow. You can feel her breathe more slower than before now that she's calm. This feels nice.

What are you thinking? How this moment makes you feel is irrelevant. You are here to support Edelgard and help ease her nightmares. Only that and —She begins to softly snore.

How adorable...

...

The next few days Edelgard has been asking you to join her in her slumber to help ease her nightmares. This time you bring your own nightgown, but she insists you should wear one of hers as a thanks. You never give in though. She let you save the blue nightgown from your first night with her, but you never wear it. You keep it hung up in the front of your wardrobe as it smells of her carnation scent. Edelgard seems that she has returned to her diligent self. Working hard and focussed on the tasks at hand. You have not spoken about if her nightmares have changed. Sometimes she would start to sweat in the middle of the night and her breathing would increase rapidly. You would just hold her and tell her everything is alright and you're here for her until Edelgard ceases and calms down. She never uses the pillows in her room anymore, just your chest is a good enough pillow for her.

You can't help but wonder if the frequency of her nightmares are the same or if she's using that as an excuse to spend time with you...

Each passing day spent with Edelgard is a day closer to the reality of her nightmares...

...

SO I — Accidentally deleted the first half so it may not be as descriptive and well done as the rest because I was re writing it and not writing on the spur of the moment. But AAA my first Edelgard/Byleth fic! May/may not make this into a series lol who knows.

#fe3h #fire emblem #fire emblem 3 houses #fire emblem x reader #fire emblem fanfiction #fire emblem three houses #fe3h edelgard #edelgard x reader #edelgard von hresvelg #edelgard fire emblem #edelgard three houses #edelgard x female byleth #edelgard x byleth #byleth x edelgard #f!byleth x edelgard #edelgard x f!byleth #my writing

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softer-ua · 3 years

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i can't be the only one who wants izuku to get fucking pissed at his situation, at all might, start questioning what the fuck is going on with OFA.

because if you're going to trust a fifteen year old with something like OFA and bind them to the life of a symbol, you do not get to withhold information. deku was not told he'd be dealing with an enemy like AFO when he got the quirk, nor was he told that basically its whole point was not fighting some vague concept of evil, but fighting a very tangible very dangerous villain. he wasn't told that up until all might, inheriting this power was guaranteed suicide, and even after all might you only have a vague chance of survival. to be offered such a life altering "gift", Izuku should have been warned of everything. from the start. and if not then then from the very moment izuku started seeing vestiges, or at least when AFO resurfaced. WHY IN GOD'S NAME WOULD YOU HIDE ANY, ANY BIT OF INFORMATION ON A QUIRK THAT IMPORTANT?????

no because, if you look at it cynically, All Might took this kid who had nothing and who looked up to him as effective god. He took this kid who he knew had no sense of no self-care or self-preservation. This extremely reckless kid who he saw putting his life at risk three times (sludge v1, hanging on to AM as he jumped, sludge v Katsuki) within 24 hours. He picked this kid who he knew would give everything (because Izuku had "nothing", and therefore nothing to lose) and "gifted" him with a ticking time bomb. Of course Izuku is willing to break himself if it means using OFA to max potential. So much of his self-worth is based on OFA. He's said time and time again he isn't sure if he deserves it, that it's a borrowed power. If you've taken this kid and given him everything practically overnight, of course he'll go to self-destructive lengths to prove himself worthy of it. Who'd want to go back to being nothing after all?

And this is a logical conclusion. Someone like Izuku, someone like All Might probably used to be in his youth and still kind of is, they're perfect to be put on this kind suicide mission. They're a perfect vessel. Sure they're heroic and brave and selfless, but most importantly they're willing to die for the cause. OFA the quirk knows this. Literally two seconds after Katsuki sacrifices himself telling Deku not to do shit alone, Deku renders said sacrifice useless by doing exactly what Katsuki warned him not to😭 And the quirk and vestiges encourage him. They don't give a shit about repercussions and Deku's chronic pain or possible arm paralysis. They just want to beat AFO. You go son you break those arms 🤠

Doesn't it all feel a little bit exploitative?

Look at it like this. A kid is born with no power. This kid wants to be great, but the world says he can't. He meets his hero, and the hero says he can't either. Then the kid acts heroic, but reckless. The hero sees an opening. This kid is good and doesn't care one bit about his well-being? Jackpot! He offers the kid a deal. Great power, an extraordinary gift at surface layer. But one with so many more hidden strings attached that hurt and break and haunt the kid, that he was never warned about or taught how to deal with. But he can always give it to someone else! Can he, really? Can he go back to being nothing? With a personality like his, well nope. And that's why you pick the overly selfless reckless ones. The ones that will feel indebted to you to a ridiculous degree.

Isn't it like dare I say... like a deal with the devil?

As we progress more and more into the lore of AFO and OFA, I can really see why Katsuki's started to view it as a cursed power. And with how wildly different from expectations (at least mine) + far more nuanced the Todofam drama has revealed itself to be compared to what it seemed upon first intro, I'm inclined to believe there's more to the OFA story than clean cut, young bro good guy vs mean big bro oppression.

TL;DR - All Might is the metaphorical devil jr who gave Izuku a passed down deal, and neither he nor broccoli boy read the fine print.

Bakugo’s ghost sent me this ask 💀

Lol but seriously, these are all excellent points and I’ve been sitting on this ask until I had time to answer it because you’re absolutely goddamn right

This shit is explotive af, and I’ve got a suspicion as to why

I don’t think Deku was a random choice, there’s a layer of fate/mystic woven into the bnha world that gets over looked.

Sir had insane fortune telling abilities that were never once wrong about anything except when it came to the 2 OFA users fates. Deku even specifically says he’ll smash any fate in his way, and I think on some level he knows he can because he has a different destiny.

The vestiges break him from Shinsos hold, meaning the can have some level of control over Dekus body. You think AM noticed every time something like that happened? AM didn’t even notice Bakugo internalizing all the blame for his retirement even after watching his mom force him to apologize for it??

“I keep forgetting that your still a child” AM, sir, this is the third time you’ve admitted out loud that you were just gonna let Bakugo suffer his own fate 💀 please stop indicting yourself and at least pretend you care about Bakugo outside his relationship to Deku jfc

Also what are the chances you get nine random holders and none of them turn out to be corrupt or at least too self serving to die for the cause??? Slimmer than the pages bnha is printed on.

There’s something pulling some strings here, and I think it’s the true power of First users quirk.

What would be the point of transferring a quirk if that’s it’s only power?

What would be the point of this quirk being essentially password locked?

What would be the point of this quirk being able to forced on to someone?

There’ wouldn’t be any.

But what if that’s not what the quirk is?

What if the quirk is actually passing something along, and that’s why it’s dna based, it’s the transfer of an integral part of them.

Something that would change a person if forced on them but would possibly eradicate someone if stolen. Something like a souls desire? That could be a dangerous thing to give to someone else especially if it’s something they didn’t want, now they suddenly have to?

Then you give this quirk a strength enhancing quirk?

Now it’s got some juice, how much stronger did it get? Can it sense others with a similar goal, can it make its host gravitate towards those people?

Is the firsts quirk purposely finding exploitable heros, like Nana AM and Deku. All people who were/are willing to give up everything for the cause. How much of the first is in there, how much sentient power does this quirk have?

We know that Nana gave up her family, her child, for the cause. AM never bothered cultivating a family and pushed away Sir and anyone else who is anti him dying, and now we’re seeing Deku do the same.

Deku who had no friends to begin with, a dad who’s out of the picture, and an already slightly strained relationship with his mom?

Is this quirk capable of learning? Does it know that having people you care about slows you down from sacrificing yourself?

Does this quirk compound with the other users goals make the drive stronger each time?

Idk but there’s a glimmer of hope that Deku isn’t doomed to be a glorified meat puppet, and it exists in the form of Kacchan.

No one else had someone so deeply rooted to them, who could fight right along side them. Bakugo is an outlier in this story, almost the exact opposite kind of hero OFA wants, his connection to Deku breaks the cycle.

Deku would never give up on Katsuki, and even if he tried Endeavor will start coughing up ice cubes before Bakugo lets him. He couldn’t leave Deku alone when he was convinced he hated him, there’s no way he’d do it now.

Dekus story will be different from the other users that’s for sure.

#get it?? cause endeavors quirk is hell fire 😀😀😀#bnha #mha #my hero academia #boku no hero #bnha bakugo katsuki #bakugou katsuki #kacchan #deku #izuku midoriya #all might #OFA #AFO #oneforall #allforone #nana shimura #softy answers #am i on to something #or have I just officially lost my mind?

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zuzuslastbraincell · 3 years

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mai & the rest of the gaang:

mai & aang: a bit awkward, at first? not on aang's end of course, he's totally unflustered and in fact quite keen to get to know zuko's girlfriend and I actually think mai doesn't know what to do with this attitude, given she spent six months or so trying to hunt him down, and that's very present in her mind. hanging out with aang is a very pleasant culture shock in how he casually diaregards half the norms she was raised to strictly follow, speaking with warm enthusiasm and genuine curiosity to all, be they dish washers or tea servers or the Fire Lord's girlfriend, disregarding barriers of social class that are so carefully upheld in the Fire Nation. It's refreshing as it is bewildering. I think mai does develop a fondness for aang - although she can find him and his antics a bit much at times - and deeply respects and cares for him if only for how valued his friendship with zuko is. she claims to tolerate his goofy antics but she enjoys them far more than she lets on (his flying marble trick does elicit a rare smile, although it only appears for 0.02 seconds before returning to the most deadpan expression). I think mai respects him most politically actually - aang grows up to be an excellent diplomat, an excellent mediator who does not lose sight of the importance of various different perspectives, especially those who are forgotten or maligned, even when in circles of power.

mai & sokka: as discussed, they have a rocky start. sokka, my darling beloved sokka, has a tendency to be a bit abrasive, if we're honest, in that his humour and his puns are a little in-your-face, he has a bit of an ego aboht being the funniest/smartest person in the room, and he can take it personally when people don't like it. mai doesn't have much time for that. mai doesn't care much for sokka's jokes if only because they're attached to this ego, but also and finds the puns a bit flat (whereas she finds aang's mischief making genuinely funny, though she tries to hide it), and sokka takes this deeply personally and tries really hard to elicit a laugh from her. this just ends up with him aggravating her more. I think mai has little time for sensitive male ego games and that's partially why her and sokka clash- she won't blunt herself for him, even if he is one of zuko's closest friends. I think sokka, to his credit, doesn't dismiss her as a 'bitch' and keeps trying - in fact, the reason he comes on so strong is because he actually really wants her to like her - and i think that's because of boiling rock, and because of that alone sokka deeply respects mai on many levels (and was extremely surprised by how all that played out, and knows from that alone that mai is a layered and complex person who contains multitudes). I think what might cause mai to warm to him is politics - sokka's a pragmatist, who is skeptical of idealism without material backing and is refreshingly realistic for one of aang's friends. he keeps the fire nation on its toes at the negotiating table but he's also the first to point out when a potential proposition - when anyone's potential proposition - has more logical holes than a piece of honeycomb. i think mai appreciates that perspective. and i think they could slowly and gradually go from personality clashing to building this begrudging friendship where mai will never openly admit that she likes him, where sokka will still grate but in a way that becomes almost familiar and comfortable because of that, and where - especially in a situation where they have to work on a project together - they're a formidable team. a difficult friendship but eventually could be a dear one.

mai & katara: another personality clash that becomes a really fascinating friendship. katara wasn't there for boiling rock and is perhaps a bit cool towards mai even understanding what she did there, and the grounds where they most often meet is politics, and they largely are at odds there too. they're interesting parallels, in terms of role - both partners of powerful world leaders, but while mai positions herself as a vital support and power behind zuko's regime, furthering that goal, katara loathes to be associated with aang simply because of their romantic relationship, and does not envision their relationship to be a political one: aang and katara stand independent, but with shared values and goals (and perhaps katara simply does not understand why mai takes the position she does regarding politics and relationships). their actual political approach wildly differs, with katara being an impassioned idealist who is the most radical out of the gaang, whereas mai is a pragmatist - much more concerned about the feasibility of the radical ideas proposed and sees herself occupying the role of a much needed skeptic who asks 'okay, but how are we going to do this?' in a group of radicals. this does lead to some fierce clashes actually - some of katara's proposals appear outlandish to mai, and katara interprets this as fire nation indoctrination and ideological conditioning limiting her perspective (and honestly neither are completely wrong - mai can be on occasion perhaps too conservative and cynical and that is often because her upbringing has limited her scope, and katara sometimes isn't fully aware of how feasible her ideas are and leaves practical concerns to others). I think despite this they have such a deep respect for each other - and that's in part why their arguments are so impassioned, because they both fundamentally know the other comes from a good place. mai saved katara's brother's life at boiling rock, and katara saved mai's partner during the final agni kai - they have both proven to each other the extent of their commitment and cared for another they care about deeply. they're the biggest idealism vs. cynicism clash but honestly over time i think the respect only grows over time despite periods of hot and cold. I'd like to think if katara ever has relationship difficulties with aang, after her gran's, it's mai whose advice she might respect the most - after all, it's mai who understands what it's like to date someone who is a world leader, and mai absolutely believes in having firm, healthy boundaries and little tolerance for sufferring for men in relationships. I think given their positions they're often in dialogue and in conversation and end up building the most unexpected but also rock solid friendship. they *would* take a bullet for each other, i am sure of it.

mai & toph: i love these two. an incredible friendship. mai takes to toph the quickest out of aang's friends. it makes sense - toph comes from a similar class and upbringing as mai, albeit has taken a different life path and expresses herself completely differently, and i think while surprised and thrown at first by toph's bluntness, mai sees that and not only respects but honestly just loves how toph is a little crass, and doesn't hold decorum as the be all and end all. I think the age difference here actually makes a difference - mai very much sees toph as a younger peer (and eventually, much like zuko, a younger sibling), and while it can be sad to see someone from a younger generation express themselves freely in a way that mai feel she can't, i think her joy at seeing that takes precedence here over any mixed feelings. mai pretends not to be amused at toph's antics (but quietly delights at them) and absolutely is the person who will get the authorities that be in the fire nation to look away from whatever misdemeanours she's committing at any given time (indeed, mai as often been a partner in crime - actually, speaking of, she's been surprised before to see katara also partake with toph, and it was an ice-breaking moment for them, probably one engineered by toph). that said, mai absolutely does not patronise toph, gives it to her straight, will also tell toph when she's going too far or pushing the limit, something toph deeply respects and values. mai can see toph's wisdom and her strong intuitive understanding of how others feel, and admires that, as well as the kindness toph shows (i would not be surprised if mai looks at toph and wants to be a little more like her). I also think mai's sardonic and biting sense of humour is best appreciated by toph out of aang's friends (sokka also finds it very funny, but sokka is also trying hard to get mai to like him, as aforementioned). mai and toph vibe together *so hard* and *so well* (something i think zuko is quietly deeply grateful for, since mai hasn't clicked as well with the rest of the gaang, but also because he views toph like a little sister too).

mai & suki: right! so this one is complicated. mai does not see suki as often as the rest of the gaang - she sees katara and aang often for political reasons, at summits and keets and so on, sokka keeps in touch often and is constantly sending letters, and toph will just turn up unannounced and will stay for several weeks to "relandscape" the fire nation gardens (so she claims) every year or so. I am sticking to show canon here but reject the comics canon - there is no way in hell suki ends up as a bodyguard for zuko, the kyoshi warriors have better things to be doing. so! while mai absolutely saved the teal at boiling rock and suki knows this, the fact that they see each other relatively little mean things are a bit... cool between them? Not quite cold, but there's a degree of awkwardness that mai works past with the others that takes longer with suki. I honestly don't know if suki knows how she should feel about mai? like ty lee not only helped at boiling rock but then went on to work with the warriors and suki very much sees someone who wants to prove herself and right those wrongs in ty lee (as well as someone who is running away but. that's another post). mai completed step 1 and 2 with boiling rock, but hasn't... done anything after that. and on paper they're cool and she knows it but... idk if she knows how to feel? it's a bit weird. a bit awkward and weird. it's possible suki holds more of a grudge than she's willing to admit (she's been most directly wronged by mai and ty lee after all) and the fact that mai has returned to the fire nation, and been, according to katara, disappointingly conservative at times, makes her question what boiling rock meant. suki is cordial and professional around mai but doesn't really know her that well and doesn't trust her as much as the others. mai doesn't particularly care either way and will take or leave friendship with suki (though mai, to be clear, does respect suki immensely as a warrior). the key factor here is ty lee, honestly. i think the two of them could have an excellent relationship if so inclined but it would apmost definitely be due to ty lee trying to prod them into getting along and hanging out and getting to know each other - because i think they're both practical minded, no-nonsense girls who are exceptionally skilled in martial arts and if nothing else they could bond theough sparring sessions, but i think they'd also just get along splendidly if they had the chance. suki just doesn't quite trust mai and mai making those personal amends isn't a priority when she's trying to stop zuko running the fire nation into the ground.

#mai #aang #sokka #katara #toph #suki #this is SO long but please appreciate it

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