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#obviously don't read this if you don't want to see any spoilers
phantomoftheorpheum · 2 years
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expelling my irritation with ST 4 because I need to get it out of my brain (so basically, if you loved the season, probably don’t read this because it will make you mad) - also spoilers for s4, obviously
- first of all, there is absolutely no excuse for this season being nearly 13 hours long in 9 episodes. it could easily have been 8 or 9 hour long episodes and possibly even shorter than that.
- nothing happens in 4x08. nothing. yes, obviously characters do things and have conversations, but really think about where all the characters are when the episode starts and where they all are when it ends, because nothing can justify that taking an hour and 25 minutes (which is longer than some actual feature films); it’s genuinely an hour+ of filler and like maybe 15 minutes of actual content.
- i’ve said it before, but i’ll say it again- the writers have no clue what they are supposed to do with Will as a character because he was not conceived of to play a role as a character, he was conceived of as a plot device and to incite other characters to act. it’s not inherently a bad thing for a character to be a plot device initially, and I don’t even think this is bad at all with how it’s handled in season 1, but if they continue to be a part of your show long term and are presented to the audience as a main character, then it’s important to figure out how to make them something more than a plot device and they have never figured that out for Will.
- listen, it’s not like i specifically want any of the characters i love to die, but this is season 4 and they have had zero guts about killing their main cast. will they do it in season 5? maybe because it’s the last season and they don’t have to worry about people quitting the show. once you figure that out (which if you didn’t figure it out when they revealed Hopper to be alive, then i don’t know what you were watching), it means that the stakes feel unbelievably low, considering  what’s supposedly happening. sure, people will die in s4, but it sure as hell isn’t going to be core cast we’ve been following for years.
- which leads me to- HOPPER SHOULD HAVE STAYED DEAD. The Russia plot line is so unbelievably unnecessary. i’m not going to get into the real world ethical issues i’ve seen people discussing about the filming locations and such because i’ve only seen little bits of it and haven’t looked into what is happening enough to feel like I should platform my opinion, but putting all that aside, this has to be one of the most unnecessarily drawn out plotlines I have ever seen on tv. plus, it makes rewatching season 3 fall emotionally flat at the end because you know Hopper isn’t dead! Hopper’s death & his letter to El were two of the best and emotionally resonant things they had going for them in season 3 and having him alive cuts the legs out from under some of their best work!
- this is a perfect place to add: WE SPEND WAY TOO MUCH TIME ON TOO MANY PLOTLINES THAT DON’T WARRANT IT. Russia, as previously stated, Mike & Will & Jonathan & Argyle (and Suzie), The Basketball jock douche, even some parts of El’s storyline. they. did. not. need. that. much. screen. time. this season would have worked so much better if it had stayed focused on the Vecna plotline as the center (likely needing to incorporate the far flung characters into the actual plot somehow) and anything else that is not in the central Hawkins plot takes minimal screen time.
- alright, i’m not gonna talk about specific ships. as previously stated, there are no ships I’m emotionally attached to in this show, and there are a couple that I genuinely don’t like... but i have to ask- is anyone happy/fully satisfied with how the ship content has played out this season??? because... I feel like no matter what you ship (or dislike), it wasn’t good for you. (I guess with the possible exception of people who ship mike & el or joyce & hopper and 100% don’t care about anything else?) 
- all the retconning of earlier events is annoying because it’s so clear they didn’t plan it out that way and are just trying to make things fit, even if that makes their earlier seasons seem weaker or make less sense. it’s so incredibly forced and i hate how easy it is to tell exactly what they’re doing. 
- why do they have so many (mostly unnecessary) monologues in this season??? please, please stop this. they are exhausting when they aren’t needed. 
- speaking of, did it irritate the hell out of anyone else how often we get scenes where everything stops so the characters can all stand around and lay out all the info we need to know, spoon feeding the story to the audience because they can’t seem to figure out how to have it make sense any other way. you shouldn’t have to do this practically every episode. there are plenty shows with way more complicated plots that don’t spend even a quarter of this much time doing this (e.g. Dark) 
- why does no one have a sense of urgency this season??? like there have been so many instances of characters in supposedly “high stakes” situations where they should absolutely be entirely focused on surviving, just like stopping to have a heartfelt conversation or moment with another character at the worst possible time, but instead of that having any consequences, it’s just ignored by the show.
- what it comes down to, imo, is that this show lost sight of what is was and what made it good in the first place. it was lost in season 3, but it’s even more lost now. they’re so caught up in having “cool” scenes and drowning us in nostalgia in their visuals and music and references, that they’ve forgotten that the simplest of things often hit the hardest.
- there’s a bunch of crap that just doesn’t make sense. it just doesn’t. and they might try to address some of those things in season 5 (or they might never), but a lot of them are just things that they clearly didn’t have an answer to when they were writing and now are trying to think up things to “explain” it.
- i’m sure there’s more i could say, but I’m tired and i am baffled by people thinking this is a well made season of television. there’s no accounting for taste, that’s subjective, but i can’t believe people think the writing and editing, as  technical crafts, are anything short of dreadful this time around. 
- i’m not a monster so i’ll leave this on my positive notes- i like the idea of Vecna (not so much his backstory, but the supernatural being itself) and the powers he has, Sadie Sink has been wonderful this season and has imo the best scene in the season, i do really enjoy most of the cast, there are glimmers of good it’s just that they don’t last very long.
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cluescorner · 25 days
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There's no feeling stranger than knowing that something is bad but liking it anyways. Not in a 'it's so bad it's good' way. Because that implies that it has become good. I'm talking like this thing is just kinda bad in the normal ways things are bad, but i like it anyways.
#honestly I'm talking about Batgirls rn#because like...it has its moments but I wouldn't call it good. it even has some of my own personal pet peeves#specifically the overabundance of narration boxes that aren't from a character and rather the author is speaking to us.#if I wanted an overabundance Authors Notes I would read fucking early 2000s fanfics#and Babsgirl existing but I've made peace with the fact that we'll only get an Oracle story in a Black Label or similar thing at this point#I love the art and it has among my favorite designs for both Spoiler and Black Bat#don't get me STARTED on the covers holy fuck. the 90s rewind in particular lives in my head rent free because ajlkdfjdsalk;fjdlsa;kf#it also has both moments of REALLY FUCKING BAD characterization and REALLY FUCKING GOOD characterization#Cass being like 'ok but do we HAVE to save Seer?' horrible! demonstrates an egregious misunderstanding of her. what the hell?#Steph being abnormally good at solving the Riddler's puzzles and knowing basically every cipher because of Arthur? then getting incredibly#upset at even the MENTION of him to the point that she gets fucking stabbed by the RIDDLER of all people?#wow thanks for actually addressing a very interesting part of Steph's character that is often left by the wayside. good job.#issue 14 is amazing and it makes me want to implode every time I read it. like I actually recommend it without any caveats attached#it is straight up good. it's the high-point of Batgirls and it's not even close imo.#and wow! there is almost no dialogue and NO NARRATION BOXES??#it's almost like the whole appeal of comics is telling incredible stories through art or something. and that when you have good art#and good art direction you should just fucking let it speak for itself or something#and that maybe using what words you DO have to let your CHARACTERS speak in a way they normally wouldn't is a good idea#even if the in universe reason is that Steph is basically leaving this note as a 'I am either dead or close to it' type of thing#like holy fuck how did they do that?? AND SO LATE IN THE GAME THAT NOBODY FUCKING TALKS ABOUT IT??#and obviously there is a conversation to be had about 'was Batgirls queerbaiting' but honestly since it was cancelled IDK#I could see a universe where given time it could have made a natural shift to a love story between Steph and Cass#I'm not upset about it but I get why other people might be. there are some panels that like...come on.#and as always I am most fascinated by missed potential. because Batgirls showed that it COULD be good with Issue 14#and arguably other of the better issues. the art was incredible and as the issues went on it felt like the kinks were getting ironed out#plus getting a series focused on 3 of my favorite characters was a dream come true for me. ESPECIALLY because we rarely get good#stuff for Cass and Steph.
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ghostgirl101 · 5 months
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Oliver Quick Being Obsessed With You Would Include...
A/N: Watched this recently and got too many ideas because it's what I do 😀 if you've got any requests for the Saltburn crew then drop them in my inbox and I'll get round to them. Have fun reading- just know that there are obviously spoilers for the Saltburn movie here, so if you haven't watched it, zip to the cinema and come back 😎 or don't.
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☓• It's hard to know where to start with Oliver... all I can say is that once you're in his sights, you're never getting out of them. Big never. Even if he has to wait years to get what he wants, he'll wait, and he will get it. And of course, the it we're talking about here is lucky you. So lucky you 🙃
☓• Say goodbye to your close friends and possibly your family if they're taking up too much of your time or happen to see through his harmless, quiet, normal act to something a lot darker and obsessive tainting his pure blue eyes every time they latch onto you. No one's managed to get in his way yet, and it stays that way.
☓• The first unknowing encounter with Oliver must have been somewhere around Oxford Uni, where you all go to and study. Maybe in the library, outside talking to friends - doing practically anything and making it look amazing and beautiful and something to be wanted above anything. He watches you a lot, a lot a lot, before you bump into each other, because the meeting has to be perfectly natural and it's his only chance to start things off on the right foot.
☓• Coincidences happen a lot and no one can be called out on them, because nothing seems to be wrong yet. You'll end up spending the majority of your time with him, maybe even without realising, whilst he finds out ways to know more about you and get closer to you. Oliver's not so good when it comes to talking about himself, telling you with one of his awkward but earnest half-smiles that he's not half as interesting, and so the conversation ends up steering back to you. From family life to friends, growing up, hobbies, favourite colour, tell him anything and everything. Because he won't forget a single thing.
☓• He's easy with where you want to go to hang out too, so long as he's there. You could just be talking with your friends in the nearby pub or at a party where the invite was extended to him as he's with you, or studying together at the library. Ignore the weird looks from Michael.
☓• But what Oliver prefers above all that is just being together and alone, maybe in your dorm room, or just out somewhere at a park or at the bridge, sitting and talking, opening yourself up more and more to him. This boy is an incredible listener. If your voice trails off when you become self-conscious of how much you're rambling, all you'll get in response is Oliver blinking out of his trance and giving you a calm smile and a shrug. "No, it's fine, I don't mind. Carry on."
☓• Number one supporter, naturally. Oliver tries to be the best friend and more, so hard, with you. He'll be anything you want and need him to be without you even having to mention it. Whatever club or team you're on, he'll give you a little wave and small grin from the sidelines... take a few pictures when you're not looking. For safekeeping.
☓• It can get more than a little frustrating for him when you're distracted by your other 'friends' at Oxford, even if it's something as small as looking over essay answers and revision notes with Farleigh. There's always a back-and-forth thing happening between those two, and so when Farleigh starts becoming friendly with you and outrightly mocking with Oliver, to you, all that will happen is Oliver giving him an unblinking, blank look that looks a touch too cold and repressive, before he ignores him. And that's all you'll ever know about it.
☓• If you happen to stick up for Oliver when someone brings up how different and odd he is, a bit awkward to talk to and a cheapskate or whatever, he'll never get over it. You stuck up for him. That just proves that he was right about you, from the second his dark gaze latched onto your unknowing self just a few weeks ago. He was right. You're... perfect.
☓• There's so much good about Oliver, that if you ever hear anything different, it's hard to actually believe it. It's just Farleigh causing trouble, or gossip that has gotten out of hand again, not actual hints of something deeper bubbling beneath the surface. Oliver would never watch you outside your dorm room at night, what are they on about? And when Oliver hears of them too, or gets the worries out of you when he instantly notices that something's up, he'll act as effortlessly, convincingly confused as you are. If there's the slightest bit of proof in the accusation, he'll cover it up with a flawless explanation that swerves away from him and onto someone else within a second, while still seeming without grudges towards anyone. "You shouldn't listen to them, they're just trying to get in your head. Or maybe they want you for themself or something. I mean, I can understand that. Completely."
☓• You will eventually notice just how clingy Oliver can get when he seems to be everywhere around you, and you might be looking for a moment to yourself. If you gently bring it up, he'll reluctantly go on the promise that you'll text him back, which gives him time to change tactics. He will go as far as saying someone in his family died, or as small as admitting that the isolation from everyone who is so different to him in this place makes him feel a bit broken up. Maybe he should leave? And you, being you, encourage him to stay on and hang out with you and your friends, and boom, his back in.
☓• It's so easy for Oliver to subtly manipulate his surroundings and its people. Everyone, except for you. With you, the manipulation comes in seemingly natural events, nothing too forward. Because what he likes the most is you coming to him with whatever, problems, thoughts, feelings. Then he's done his job, and everything else that will build up a beautiful, beautiful relationship, will slip into place for him.
☓• Again, everything has to be perfect, and it will be. Maybe your first kiss with him is on your birthday, or out somewhere nice as a treat with some other rich friends. Or it's just you two having a movie marathon or pulling an all-nighter. Every time, he'll inch closer with little sweet, honest lines spoken in a calm, low tone, his eyes locked with yours and scarcely blinking. "Do you know how loveable you are?" "I think that your smile is something to live for." "I never want to be without you."
☓• Oliver will edge closer and closer, holding hands, brushing your hair back from your face when you're reading with a tender touch, meeting your eye and not letting go until you smile in bashful amusement and look away. He'll meet you outside all your classes and bring you your favourite drinks and study notes that he got from his work, so that you never fail an exam. Oliver's a lifesaver, one of your closest friends, someone who's always there for you to be whatever you need whenever you need. A great comforter, supporter, study buddy, moral support, you name it. He created and adapted himself to be boyfriend material especially for you, and so it happens, and he's won, like he knew he did the second he saw you. Now he can be as clingy and overly affectionate and outwardly obsessive as he wants, all day, all night, tirelessly. And don't think he won't.
☓• Straight-up, he's a starer. And I mean starer when you think you're alone in your room, starer when you were with a fling or someone you might have been interested in before... before Oliver worked his magic behind the scenes. Now it's a lot easier to, when you're in a relationship, because he can pass off his staring as something romantic, which it kind of is, without the dangerous obsessiveness lacing it. You'll look up from your phone or wake up in the night to see Oliver's eyes on you in wonder and something else you can't quite place, before you smile and ask him what it is. It's always the same answer with the same soft, adoring smirk that manages to make your cheeks flush with colour and smile back. It's not 'nothing.' It's always, just, "You."
☓• Once he's got things how he wanted them, if anything tries to ruin it, they will have literal hell to pay. He did not come this far for nothing. It's an agonising process of waiting and being patient so he wouldn't scare you off, getting gradually and naturally closer to this point. So whether it's Farleigh telling his tales or playing off his tricks, or someone else pointing out the unobvious obvious, good luck to them, because one of his special coincidences will fall right onto their heads.
☓• And if, by a twisted turn of events, you walk into one of Oliver's schemes, and see flecks of his true, darker self and violent, delusional side unearthed from his usually calm and easy way, he'll beg you with racking tears and heaving breaths and literal vomit to stay. He'll do anything, just as he has been doing anything, for you. What he's saying and doing is suddenly terrifying, and whether or not you want to accept him as freely is your choice, but if not, Oliver won't go away. He'll wait some more if you manage to escape his grasp this time. See you in a few years as an adult, maybe. When you're vulnerable in different ways and water's gone under the bridge. He'll slip right back into your life like he was always meant to be there, with his earnest, devoting praise and comfort and support, and that's Oliver Quick's life come back together yet again, with you lost at its centre. Trapped.
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awearywritersworld · 6 months
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there can be no covenants between men and lions
ryomen sukuna x reader summary: sukuna would rather contemplate your murder than come to terms with his feelings for you, but you call him out on his bullshit. w/c: 3k tags/warnings: enemies to lovers. angst to fluff. aged up!yuuji. heavy kissing. features yuuji x reader and he is, of course, best boy. cursing. sukuna decides he wants to kill you (so obviously there are mentions of murder and such) but cant even stand the sight of you upset, what a goof. i'd once again like to think sukuna's not too ooc in this but im still more than likely delusional. not canon compliant. fem!reader. no use of y/n. no manga spoilers. a/n: i was so touched by all of the love that part one received, i wanted to try my hand at part two. i hope i've done it justice! just as part one references homer's the odyssey, this references homer's the illiad because sukuna is very hot and well read. achilles, the protagonist of the novel, is discussed. i'm definitely open to writing a part three, because this one is much heavier on the angst and i miss soft sukuna from part one. series masterlist // masterlist
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you and yuuji rarely argue, but when you do, it's often over his aversion toward seriousness, even when a situation calls for it. though you really should have kept your mouth shut, because in this moment, you'd give anything to see his typical carefree expression.
his eyes are regarding you intently, taking in your flustered appearance with knitted brows.
"yuuji..." you trail off, wracking your brain for an explanation of your current predicament.
despite the fact he regained control of his body only moments ago, one of his hands is curled around the back of your neck, while the other is resting on your hip.
"baby, what happened?" he presses, the tone of his voice entirely unreadable.
"s-sukuna," is all you can manage to choke out.
his eyes darken immediately, his jaw tensing in a way that intimidates you. "he hurt you."
you really can't tell if it's a question or a statement, and your response comes a little too quickly. "no! that's not... no."
the next few seconds tick by in a slow sort of agony, heat creeping up your cheeks.
he notices for the first time that his head is eerily quiet. no snide remarks, no scathing commentary. just his own thoughts as he pieces together the situation.
his gaze drops to the angry, red marks littering your neck and you watch in helpless horror as understanding passes his features.
"oh."
the word hangs in the air as you await his reaction, fully anticipating disgust and betrayal. you're positive it's only a matter of time before he throws you out of the apartment and tells you to never come back.
what you don't expect, however, is the way his shoulders relax as the tension leaves his face.
he straightens himself, arms falling to his sides, but he doesn't put any distance between your bodies.
"how long have you...?" he's not quite sure how to phrase the question.
"a few months. this was the first time anything... um... happened. we usually just talk."
he tilts his head to the side, so you clarify. "after you've fallen asleep."
mulling over the information, he hums in response, looking thoughtful for a few more seconds. then, his usual demeanor is back and he grabs your hand. "wanna get dinner? i'm starving!"
he tugs you a few feet toward the door before you come to your senses. "woah, woah. wait a second, yu."
when he looks back at you expectantly, you find that his face holds not one hint of bitterness or judgement. "aren't you angry?"
you're amazed to find that he's the one looking sheepish.
"how could i be? it's not exactly easy to be with me when i have a thousand year old curse rattling around in my body, but you stay anyway," he expresses, making your heart soften. "i just want you to be safe, so i'll take whatever relationship the two of have now over him being a threat to you."
as your hands reach up to cradle his face and your eyes sparkle with adoration, you briefly wonder how you ever found such a sweet man. he places a quick kiss to your lips, the smile on his face easy going as ever. "sooooo, i'm thinking takoyaki or maybe udon—"
"we can get whatever you want," you glance at the spatters of blood across his chest left there from the mission, no doubt from sukuna's careless slaughter. "as long as you go wash up first."
"right!" he agrees quickly, bounding off to the bathroom.
you stand alone in the middle of your living room, left with the ghost of both yuuji and sukuna's lips against yours and a sense of bewildered excitement.
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back in his prison, however, sukuna is furious with himself. he should have let you die that day he kept you from being run over. better yet, he should have killed you with his own hands before the brat won back control of his body.
he is a terrible being that delights in carnage, a fact that's well known even centuries later. so why, when he could have done anything in the world, did he go to you? you even asked that same question before you—
he rejects the memory of you pressing your lips to his disdainfully.
your foolishness and your naivete are revolting. your softness and your pliancy are nauseating.
he shouldn't have been anywhere near you, if not to rip your obnoxious heart from your chest like he'd always planned. it was a situation he'd dreamt about and now it's slipped through his fingers, even though those same fingers had graced your fragile little neck.
you were nothing more than a clueless mouse in the jaws of a snake, and though the pains of hunger have been tearing at its stomach for years now, the serpent let itself starve.
sukuna retreats to his domain, fingers prodding at his temples irritably. he allows himself to wallow for a few hours, shutting out both you and the brat.
then, steeling his resolve, he begins to watch and wait like the predator he knows himself to be.
lulled into a false sense of security regarding your safety, it's clear that yuuji has let his guard down. just barely so, but enough that sukuna can see a few weaknesses in his chains. ironic seeing that, now more than ever, the king of curses wants you dead.
it goes without saying that he promptly ceases his nightly interactions with you. it's beneath him, wasting his time with a human. he knows that now.
but while he may not speak to you, he cannot refrain from stealing glances as the days stretch on. you're usually reading, completely oblivious to his watchful eye. he convinces himself it's simply to keep tabs on you, as he's deemed you his foremost enemy.
he's not sure how much time has passed when you begin calling out for him in hushed whispers after yuuji falls asleep, the hurt and confusion in your voice plain to him. it's irksome, and evidently, you're incapable of taking a hint.
his silence becomes more painful with each turn of the moon. you're a bit mortified to find that you genuinely miss him, so you just want answers. did he finally realize that you're nothing special, not worth bothering with?
eventually, growing restless, you all but beg him. "sukuna, please. talk to me. what happened? what'd i do wrong?" his chest tightens with what he believes is vexation. "you can't just make me like you and then disappear. you can't kiss me like that and then—"
"you insolent, maddening little creature!" his eye flies open just in time to see you gasp, your body jerking away from him. "shut up already! can't you see i want nothing to do with you? don't you tire of being pathetic?"
you don't dignify him with a response, swallowing thickly and turning away from him.
finally, he thinks, some fucking quiet. though if he's gotten what he wanted, why does his chest still ache?
he stares at the back of your form until the sun rises.
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sukuna is no simpleton. he can be patient when he is sure of a reward, but he's thrilled that the perfect opportunity arises just two days after your encounter.
yuuji is exhausted. gojo kept him out all last night, despite the grueling mission he had today, and when he all but stumbles through your apartment door, the moon is already high in the sky.
you never mention the change in your relationship with sukuna to yuuji. even though he was so understanding, you still feel a touch awkward discussing it further. and maybe in the back of your mind, you're holding out hope that it might go back to the way it was.
sukuna watches through yuuji's eyes when you greet him, your expression half concern and half 'i told you so'. nights out with gojo usually lead to this very situation.
he showers while you finish cooking dinner and once you both eat, he helps you clean up despite his exhaustion. after whispering his thanks and pressing a kiss to your temple, he retires to bed.
you promise you'll join him soon, but sukuna knows it probably isn't true. following his outburst, you've taken to staying in the living room until you're ready to sleep.
yuuji's out before his head hits the pillow and nearly two hours later, you're still not in bed. sukuna's eager, but waits until he's sure the brat's deep in his slumber before he tries to take over. it's relatively easy, and he pushes down yuuji's unconscious mind as far as he can before rising to his feet.
this is finally it. he stretches his limbs lazily, a dangerous smirk settling on his lips. the floor creaks with each step he takes, but he pays no mind to stealth. you're no match for him.
tonight, you'll be his first victim of many and the thought of making up for his past misjudgement has him giddy with excitement.
but the sight that greets him upon exiting the bedroom— you curled into yourself on the couch, your shoulders shaking with quiet sobs— it stops him in his tracks.
he wants to move, more than anything, so what the fuck is wrong with him? is the brat taking over already?
and why is that uncomfortable sensation making it's home in the center of his chest once more?
when you notice his presence, your face shifts to him and reveals your wide, teary eyes. it's clear you're surprised by his appearance, but you quickly bury your face in your knees.
you just want him to leave you alone. you hate him for what he said, for what he did. he forced his way into your life, made you care about him, and then he just vanished. he's cruel and you feel like an idiot because you should have known that from the beginning. or maybe you did and he just made you forget.
"go away. i.. i don't want to see you."
he's disbelieving, for a brief moment, that here you are giving him orders while he stands in the doorway with the intention of taking your life.
he moves toward you, invading your space in a way that is meant to be intimidating, but when you look up at him, every emotion ranging from sadness to rejection to indignation is etched into your features. though the terror he hoped to inspire is noticeably absent.
"i said go away!" you swiftly stand up, your hands meeting squarely with his chest as you push him with every ounce of power you have.
you may as well have shoved a brick wall, as he doesn't move even a fraction of an inch. he seizes one of your wrists anyway.
"what is it you think you're doing, exactly?" he spits.
"let go of me!" you beat against his chest with the hand he left free until his fingers wrap around that wrist too.
"enough."
he's certain there isn't a being that has attacked him (if he can even call that an attack) and lived to speak of it, not once in an entire millennia.
so just end the insolent brat and be done with it, he urges himself.
but he can't and he doesn't understand why, so he just stares down at you.
"what the fuck do you want?" you mean for it to come out forcefully and full of spite, but your voice cracks before you can finish.
an excellent question, indeed. what does he want?
he doesn't answer you and it's so goddamn frustrating that you begin to cry again, rambling to fill the discomforting silence. "you've already told me i'm pitiful and annoying. it's clear you think my company is insufferable, that i'm undesirable—"
that ache in his chest is unbearable now. it claws at his ribcage and shreds the flesh of his heart. it makes his stomach twist uncomfortably and rings shrilly in his ears. he can't even hear you anymore, but he can still see the tears sliding down your cheeks and the way you gasp between words.
the truth of the matter crashes down on him and the devastating weight of it is so crushing it squeezes the air from his lungs.
that feeling in his chest isn't annoyance or repugnance. its anguish— the kind that rattles his bones and leaves him sick with regret.
it's because you're in pain, and worse yet, he is the cause of it.
sukuna pushes you back against the wall before you can comprehend what's happening. his hands find either side of your face and you're alarmed to find that he looks... frightened.
"what are you doing to me?" he pleads for an explanation, because he sure as hell doesn't have one.
how can one little human hold such power over him? it's unnatural. it defies all logic and reason.
you stare at him, open mouthed. his face is so close that his breath fans across your skin and it makes you feel dizzy.
"what are you talking about?" you finally ask.
"you should be dead right now," he frets, despair seeping into every word. "it should be easy."
it dawns on you that you should probably feel afraid, but you just don't. his touch is firm, but careful. and there's no malice to be found behind his eyes. "you're not making any sense."
he thinks back on the time you've spent together, trying to figure out how the hell he ended up here— him at your mercy, rather than you at his. he remembers the first time he made you laugh and considers that it may have been the beginning of his unraveling. for the following two weeks, you both discussed homer at length as you made your way through his poetry.
"there can be no covenants between men and lions. wolves and lambs can never be of one mind, but hate each other through and through." you blink at him, recognizing at once that he's quoting the illiad. his voice is low and unsteady in a way that suggests desperation. it makes you shiver. "therefore there can be no understanding between you and me, nor may there be any covenants between us, till one or other shall fall."
your eyes narrow as you begin to understand his his internal struggle, though you're unsure if he's attempting to reason with you or with himself.
"you quote achilles, and rightfully so i suppose, given your common qualities— exasperating pride and a penchant for meaningless violence." he looks relieved, like your seeming agreement eases his mind. it's short lived. "but you forget his passion."
his gaze shifts away from you, his hands withdrawing from your face.
"his passion?" he repeats as if it's the most incredulous thing he's ever heard.
"by the end of the story, is he not acquainted with regret, sympathy, and respect? he doesn't remain blind to the error of his ways forever."
"only a foolish human could make such fanciful deductions," he chides through gritted teeth, still refusing to meet your eye.
you actually laugh at him. "perhaps you shouldn't call upon achilles to make your point after all. at least he grows out of his utterly childish view of the world."
"how dare you?" he demands, his features growing wild as one hand finds your throat (his touch not nearly harsh enough to cause you any discomfort), the other colliding with the wall beside your head. his display doesn't fool you though. "you witless, wretched brat! you're nothing more than a blip in a universe you cannot even begin to understand. you sicken me."
you throw achilles' words in his face just as easily as he did to you. "hateful to me as the gates of hades is that man who hides one thing in his heart and speaks another."
his gaze hardens, and for a split second, you think you may have been mistaken in your fearlessness, but then his fingers thread themselves through your hair and he pulls your lips to his.
it's rough and commanding, and he tells himself it's only to get you to shut up. to wipe that expression of smug pity from your face.
it's not because, despite the fact you know how awful he is, you're convinced there's something salvageable in him too. nor is it because you tyrannize his every passing thought. and it's certainly not because the feeling of you pressed against him brings him more satisfaction than ripping the hearts from the chests of a hundred men.
ultimately, his denial is overshadowed by his desire. your touch is nothing short of needy as you tug at his shirt, an attempt to bring him even closer, and god does he hope that means you feel just as desperate as he does. he deserves at least a little consolation.
as his hands roam every valley and curve of your body, he deems it unfair that a being whose very existence spells hell on earth should be so taken with such a devastatingly divine creature.
"i've wanted you so terribly," he mumbles against your mouth before he can stop himself.
"then fuck you for making us both wait," you breath out.
his fingers dig into the flesh of your hips in response and his lips shift to your neck. "watch that pretty little mouth of yours, brat."
he nips at the spot just below your ear hard enough that it makes you gasp, doubtless a punishment for your impudence. you recover quickly though, wasting no time with your flippant reply. "or what? you'll go back to plotting my murder?"
he pulls away from you abruptly, sighing deeply and pinching the bridge of his nose. "you truly have zero sense of self preservation, don't you?"
"guess so," you shrug, smiling at him bashfully. "can we watch a movie? i'll even let you pick."
you ask as if it's the most normal request in the world. as if he isn't a thousand year old curse that would be off turning the city to ash were he not here with you instead.
he rolls his eyes, scoffing at the ridiculousness of it all. "fine."
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room-surprise · 4 months
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How Old Is Thistle?
(EDIT: I've made a follow-up post to this one that goes deeper into the math and additional evidence that the 5:1 ratio is correct. You can read it here!)
I've seen people debating this and a lot of folks insisting that Thistle is a child, and since Thistle just debuted in the anime, I wanted to do a full write-up to help myself and others figure this out.
We don't know how old any of the Merini family members are exactly, so the best we can do is guess based on the information we have, but after carefully studying the manga, I think Thistle is at least a teenager, but much more likely a young adult, and definitely not a prepubescent child.
Here's what we know:
EDIT: Depending on what translation you read of some of the extra materials, Freinag implies that Thistle is the same age as some of his advisors.
Here's a detailed translation of this panel from my friend Fumi:
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Elves age 5 times slower than tall-men.
16 year old tall-men in Dungeon Meshi's medieval time period are adults, they commonly join the military, get married, have children, etc.
An 80 year old elf is an adult. Pattadol is 82 and she's a lieutenant in a military unit. It's her first job and she's obviously a rookie, but Captain Flamela tells Pattadol to accomplish her mission or die trying.
Many fully adult elves look like what we might consider children or young teens, because they're short, petite, and have androgynous features.
An average elven adult is around 150-155cm tall (5 ft), meaning some are shorter than that, and some are taller. Thistle is 130 cm, which is short, but not unheard of.
Fleki is 130 (26) years old and she's 140 cm tall (4'7")
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Otta is 137 (27) years old and she's 130 cm (4'5") tall, the same height as Thistle!
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They are both women, but there's probably plenty of elven men in their height range.
Just so we can compare Thistle to some adult elven men, Mithrun and his brother are probably adults (or close to it) in the panel on the left.
Mithrun (in this image) is somewhere between 75 and 144 (probably in his 80's), and his brother is older than him (so he could be in his late 80s or 90s). As you can see, they don't look that different from Thistle, Otta or Fleki.
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So, how old is Thistle?
(Spoilers below the cut)
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Thistle was brought to the royal court as a child (found on the street, stolen or purchased, we don't know how they got him). At the absolute youngest I'd guess Thistle is 25 years old here (so about 5 years old for a tall-man.) He can already play the flute, and possibly the lute, and most children that aren't prodigies can't handle playing an instrument (physically or mentally) until they're around 5.
EDIT: We now know that Thistle is the same age as Freinag, the king that takes him in! So Thistle must be at least 25 years old in this comic, though realistically he could be anywhere from 25 to 40 based on how Kui drew Freinag.
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He lived in the court for an unknown amount of time, Freinag hasn't changed much but Thistle appears to have aged a little, so let's say it's been 5 years and Thistle is 30 (6) when Delgal is born. More than 5 years could have passed, but I'm trying to keep the numbers low.
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Delgal gets married and has a child. Delgal should be at least 15 at this point, but since he has a full mustache before his wedding, I think he's in his 20's, since teenagers tend to not be the best at growing robust facial hair.
(He has a full beard by the time Eodio's a young child.)
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Thistle puts the kingdom inside the dungeon around this point, however, people are still aging: Delgal's grandson Yaad is born, and Eodio is clearly a young adult here, probably in his 20's. Therefore, there is NO REASON to assume Thistle stopped aging. "The dungeon lords don't age" is a common fan headcanon I've seen people spreading, but it has no clear canon basis.
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Yaad ages until he looks about 13-15 years old, and at this point all of the people of the kingdom and Thistle appear to stop aging, and 1,000 years pass.
So, the youngest Thistle could possibly be, if he was 30 (6) when Delgal was born, if Delgal was 15 when he had Eodio, and Eodio was 15 when he had Yaad, and Yaad is 13 years old...
Is 73 years old, which would make Thistle about 14.6 years old by tall-man standards.
HOWEVER, I think it's VERY unlikely that all the characters are that young.
I think it's clear from Kui's drawings that Delgal and Eodio are not 15 years old when they become fathers, and that Freinag is at least 25 when he takes in Thistle.
If we assume Thistle was 30 when Delgal was born, and Delgal and Eodio were both at least 20 when they had children, even if Yaad is only 13 years old, that makes Thistle at least 83 years old (16.6), and makes him older than Pattadol, who is an adult at 82.
However, I think it's entirely possible that Thistle was anywhere from 40-50 when Delgal was born, and Delgal could have been anywhere from 20 to 30 when he had Eodio, and Eodio could have been anywhere from 20-25 when he had Yaad. If you use the maximum ages, and assume Yaad is 15, then Thistle could be as old as 120 (24).
I think a reasonable middle ground is assuming Thistle was 30 (6) when Delgal was born, Delgal had Eodio at 25, Eodio had Yaad at 20, and Yaad is 15... Which would make Thistle 90 (18) years old.
This of course says nothing about Thistle's emotional maturity or sanity, he's obviously stunted in some ways, but the point I want to make here is:
Thistle's age could be anywhere from 14.6 to 24 at the most extreme, but more realistically he's somewhere between 16.6 and 18.
And that's not even counting the thousand years that he's lived since then!
And that's all I've got to say about that 🙏🙏🙏🙏
(EDIT: Follow-up post with additional evidence here.) EDIT 2: I've seen a lot of people talking about the page Kui drew talking about elven earmuffs. It's considered just barely okay for Pattadol to wear them, but it's ok for Thistle to wear them... In which case I'd say Thistle could be any age younger than 83. That's handy as it knocks out some of the older ages!
So in that case Thistle's age is between 73 years old and 82, which makes him developmentally between 14.6 and 16.4!
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yumeka-sxf · 5 months
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Spy x Family CODE: White - FULL MOVIE SUMMARY [SPOILERS]
Now that I've finally read through the entire novelization of CODE: White, I'm ready to share a full summary of everything that happens - basically spoil the whole movie for those interested 😅
But before I get to the summary, a few notes:
I didn't translate every line from the novelization as that would have taken way too long. I go into more detail for scenes I was particularly interested in (like Twiyor scenes), or scenes that were easy to translate. But I still made sure to mention everything that's important to the story. If I gloss over some parts more than others, it's either because they were difficult to translate, or I didn't think they were that important. But even so, the "summary" still ended up being way longer than I anticipated!
I have not seen the movie myself yet, so everything in the summary below is based on the novelization only (of which there were two versions released, with slight differences between them). Obviously the novelization is an accurate adaptation, but there is a chance that a few things are different between the novelization and the actual movie, and/or the novelization may have left out some dialogue or minor scenes.
And lastly, it goes without saying but BEWARE OF MAJOR SPOILERS BELOW! Not only that, but please be considerate of where you share these spoilers. Remember to properly tag this post if you reblog it and think twice before you share any of this information on other social media. Most people don't want to be spoiled to this degree!
Again MAJOR SPOILERS BELOW!
The movie starts with an introduction to the characters – we see Twilight carrying out a mission where he has to disguise himself as someone's wife. Meanwhile, Yor is doing an assassination mission. They both come home at the same time and are greeted by Anya. Bond has a vision of Anya and Loid getting sick from Yor's cooking, so Anya suggests that Loid cook instead.
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At Eden, Henderson tells the students about the cooking contest and how the principal will be the judge. Loid is on the roof, reading Henderson's lips. A falcon flies overhead and drops him a note with an F cipher. He goes to meet with Sylvia at one of the WISE hideouts. She informs him that she has another big mission for him, but when he objects that he couldn't take on something so big in the midst of Operation Strix, she hands him a photo of a man and child. She explains that the man is Major Depple of the Army Intelligence Department who has a lot of important people backing him, and since they hadn't made enough progress with Operation Strix, the higher-ups decided to pass it onto him.
As Loid leaves, he bumps into Fiona. Her hat gets blown away with the wind and he reaches to catch it, just as Yor and her coworkers are across the street. From where Yor sees them, it looks like Loid is kissing "the mysterious woman." Loid and Fiona have a fake conversation – he compliments her hat, she says it was made overseas, etc – while they're actually doing their secret "spy talk" (like they did when she first visited him at home). He tells her what's happening with Operation Strix, and she tells him that she had tried to warn him that it shouldn't have been left up to ordinary citizens who don't know anything, and that she should take on the wife role. Meanwhile, Camilla and co. tell Yor about the three signs of cheating: one, an increase in travelling; two, a change in clothing taste (to match the taste of his new lover); and three, suddenly giving gifts (because he feels guilty).
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Later that evening, Yor is still feeling anxious about Loid's possible "lover." When Anya gets home, she tells them about the cooking competition. Loid recalls from his data that the principal's favorite is the melemele pastry. If Anya could get a stella from the competition, that could help get him back into Operation Strix. He says that he read in the school newspaper that the melemele in Frejis is supposedly the best, so they should go there and try it for themselves via a family vacation over the weekend. Yor thinks back to the "increase in travelling" sign of cheating that Camilla told her about. Loid tells her that only families are allowed at the Frejis restaurant they're headed to, so she decides to go, though she's still conflicted about whether this is actually a sign of cheating or not.
They have some family time on the train to Frejis, though Loid still makes Anya study. They play cards and get food (Anya has a corn dog, Yor has a sandwich, Loid has a hamburger). After coming back from the bathroom, Anya notices a key by one of the sinks. Bond is with her, and through him she sees a vision of the future – in the vision, she goes to car 8 and opens a trunk with the key while overhearing two men mention that it's a key to a treasure of the Republic.
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Back in the train car, Loid brings up Anya's terrible handwriting while Yor mentions that they had practiced handwriting the other day. Loid says that Yor's motherly side is really coming out, which causes Yor to get flustered and makes her think that it's not her skills as a mother he could be dissatisfied with but perhaps her skills as a wife. She gets even more flustered when she notices a couple across the way kissing and starts nervously moving her lips, to which Loid asks if something's wrong. She stammers that her lipstick didn't warm up and is itchy, then says she's going to look for Anya since she's taking a long time.
Meanwhile, Anya and Bond find the luggage compartment and locate the trunk from Bond's vision. When Anya goes to grab it, Bond tries to stop her. At first she thinks that she shouldn't just do whatever she wants with other people's stuff, but then she remembers that the men in the vision said it was a treasure of the Republic, a treasure that could possibly help achieve world peace. She opens the trunk and is disappointed to find just a chocolate in it. But when she hears the two men, Domitri and Luca, open the door, she gets startled and accidently knocks the chocolate out of the trunk. It bounces off of Bond's nose, and when she tries to grab it, it falls into her mouth. She hides when Luca and Domitri come in to look for the trunk.
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They describe the ship sticker on it, and when they find that it's been opened and the chocolate stolen, they say they're going to kill whoever took it so the secret won't get out. When Anya accidently makes a noise, the men take notice. Domitri takes a flower out of his pocket and points it towards the dim light in the car, saying that his "flower fortune telling" will tell him who's hiding. They then notice Anya escaping into car 7 and give chase. They lock her in car 6, but when she starts screaming for Papa and Mama, Yor breaks open the locked door. She asks Anya who the two men are and Anya says that they're chocolate thieves who were being mean to her. Yor beats them up (after telling Anya to cover her eyes) just as the train arrives at Frejis station (Anya seems to feel bad that she sicced Yor on them when she was the actual chocolate thief). When they get off the train, Loid says that they should start heading to their destination (as Yor starts building a snowman). After they get their luggage and leave, Luca and Domitri emerge from the car they were in and say they need to contact the colonel.
The shop that has the melemele is called "Restaurant Rubble and Bonds." Since pets aren't allowed in the restaurant, they leave Bond outside when they go inside to eat. After ordering food along with the melemele, the waitress tells them that they're getting the last melemele. Bond watches them from the window, but then a waitress comes over and feeds him the special pet plate, which he happily eats. As the Forgers are eating, Loid tells Anya that she shouldn't eat with her hands, and that using a knife and fork are proper manners. Yor watches and notices the turtleneck sweater Loid is wearing, which makes her realize it's something that he never wears. She then thinks of Camilla's second sign of cheating, a change in clothing taste. The chef comes over and tells them how the war in Frejis was mostly fought in the sky, and the aircraft displayed at the front of the station belonged to a two-man team famous for shooting down planes during the war.
There's a brief scene where Yuri overhears his coworkers at the SSS talking about Frejis, and he of course wants to go since he knows Yor is there now. But the boss won't let him, so he makes a bit of a scene.
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Back at the restaurant, the chef continues to talk about the war and how he lost everything at that time. His decision behind making a restaurant catering to families was so people could experience the homemade food that he remembered his mom used to make. Loid can't help but relate the chef's backstory to his own. The melemele is finally ready and brought to the table.
Just as Anya is about to dig in, Colonel Snidel and some other soldiers enter the restaurant. The waitress and chef try to tell them that only families are allowed, but Snidel says that the military have authority in this area, even when it comes to food, and could close down the restaurant if they wanted to. They order the melemele, and when they're told that there isn't any left, one of the soldiers takes the melemele from Anya. Loid politely tells the soldiers that his daughter was really looking forward to eating it and if they could possibly order a different dessert. Snidel asks if they're tourists that came here to eat the melemele. Loid replies that they travel around trying delicious food. Snidel challenges Loid to a competition – if Loid wins, he'll give them back the melemele. The competition involves trying the three cakes that were placed on the table and correctly naming every type of sugar in them. Even though Loid correctly names them, Snidel also mentions the exact number of grams, making his answers the most accurate. Everyone's bummed that Loid lost, but he says that they could try coming back again. However, the chef tells them that they won't have more until Monday, which is when the Forgers have to be back in Berlint for the cooking competition. Yor asks the chef that if they provide their own ingredients, would he make it for them, and he agrees.
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The Forgers go to the Frejis marketplace to get the ingredients from the list that the chef provided. Having already memorized the list, Loid moves at super speed to every shop and quickly finds most of the ingredients. When he goes looking for the orange syrup, a man from a cosmetic shop asks if he'll buy one of the many lipsticks there for his wife. He picks one out, mentioning how back on the train Yor had said that her lipstick wasn't working out and if this one is a nice color. She's embarrassed at first, but then agrees that it's a nice color and accepts…but then she's reminded of Camilla's last sign of cheating: suddenly giving a gift (meanwhile Loid is just thinking how putting on the happy couple appearance is part of the mission). With all three signs of cheating having taken place, Yor says that she's going to the bathroom and dejectedly walks away. Loid wonders if she's just tired from the trip and if she'll be okay. Anya then calls Loid over to a shooting game booth that has the orange syrup as one of the prizes. After attempting the game and failing, Anya reads the booth owner's mind and realizes it's rigged. Loid gets suspicious as well and is able to masterfully shoot down the orange syrup while also exposing the owner's scam.
Loid is ready to look for the last ingredient, but then Anya runs off to ride the mini train. Yor rejoins them, having put on the lipstick while she was in the bathroom. Loid says it suits her and asks if she'd like to get a drink somewhere. They go to a café booth where Loid orders coffee. But Yor, thinking how she needs to confirm the whole cheating thing with Loid and can't open up without the help of alcohol, orders several cups of heated wine. She finally gets drunk enough to ask Loid if he has a lover.
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From the train, Anya looks over to see Yor grab Loid's scarf and pull him to the ground. Anya freaks out about "Papa and Mama flirting." They're both on the ground now, with Yor hovering over Loid before she finally passes out. She wakes up on a bench, where Loid asks if she's okay. She apologizes for what she did, but thinks that Loid will definitely want a divorce after what happened. When Anya reads her mind, she thinks of what Becky told her about divorces and how they cause families to fall apart. She then hears the ferris wheel attendant calling for people to ride, saying that it'll be a happy, "flirty" experience. Anya tells Loid and Yor that she wants to ride the ferris wheel, but then ushers them onto the gondola without joining them, much to their surprise. She tells them to get "flirty," to Loid's dismay. Yor tells Bond to look after Anya.
Yor realizes that she must look really bleak right now and it's making Anya worry. Loid asks if she's okay and she again apologizes for her behavior earlier. Loid replies that she's been acting weird for a while, causing Yor to finally admit that she saw him with his "lover"…someone with a large hat. Tears start welling in her eyes, so she covers her face with her hands to hide them. Realizing that the person she's referring to was Fiona, Loid explains that she wasn't a lover, just someone who needed directions to the art museum. Feeling embarrassed about her mistake, Yor looks away from Loid and out the window. She sees Anya and Bond below, the former waving happily at her. Yor waves back before mentioning if Loid could want a divorce, to which he light-heartily replies "no way." Yor says that she's lacking in a lot of ways, not just as a mother but as Loid's wife. Loid then takes her hands in his, looks straight into her eyes and reminds her of the promise he made via their marriage proposal.
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He says the marriage vows again before stating that he has no intention of breaking his promise. As Loid gets closer to her, Yor's face reddens and her heart races until she finally breaks – she smacks Loid on the cheek, sending him flying out of the gondola (which had reached the ground). But he adjusts himself in midair and lands gracefully on his feet. Yor grabs their belongings from the gondola and hurries out. Upon seeing Loid's swollen cheek, Anya panics that Papa and Mama were fighting and the Forger family is over. Loid and Yor object to this, with Loid saying that they weren't fighting. Anya then says that they were flirting, but they object to that as well, faces red with embarrassment. Anya just grins at them.
The clock tower bell chimes, signaling 5 o' clock. When Loid muses that it got so late already, Yor apologizes that it was due to her passing out from drinking too much. Loid asks if she and Anya will go back to the hotel while he gets the remaining ingredient, cherry liquor. He thinks to himself how it's something rare that would not likely be sold at a store, so he'd have to get it through illegal means, which means that Yor and Anya can't accompany him.
Snidel gets out of his military vehicle in front of a flying battleship. He's greeted by several soldiers who tell him that route negotiations with the Arbo Republic have ended and adjustments to Type F have been completed. Snidel suddenly shoots and kills one of the operations leaders, claiming he's a traitor who leaked military information to WISE. Luca and Domitri then arrive and inform him that the microfilm was eaten.
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Meanwhile, Sylvia meets with a bunch of WISE agents at their Berlint hideout. She tells them that they lost contact with their Frejis agent, suspecting that Snidel has taken action. She says that if the microfilm reaches the Arbo Republic, it could lead to an all-out war between the East and West. She doesn't think their agent had gotten the microfilm, but she knows Twilight is currently in Frejis, so he may be their only hope. She orders a couple of the male agents to meet with Twilight at Frejis and get the microfilm. However, Fiona interrupts and requests that Sylvia leave the mission to her instead. Sylvia objects, but Fiona is already leaving the room and on her way, thinking over and over to herself "A mission with senpai, a mission with senpai, a mission with senpai…"
Back at Frejis, Loid looks everywhere for the cherry liquor – he sneaks into a moonshine factory and even the wine cellar of a wealthy man, but still can't find it. He calls Franky at his tabacco shop in Berlint, inadvertently interrupting Franky's flirting with a pretty girl. He asks Franky if he can get the cherry liquor and that he needs it by tomorrow morning. Franky says he'll try but it would take him half a day to even get to Frejis, but Loid had already hung up.
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At the hotel, Yor unpacks while Anya admires the hotel amenities ("Hotel TV!" "Hotel toilet!" "Hotel bed!") She then takes her toys out of her bag – among them are crayons, a sketchbook, a rubber duckie, and a toy gun. She pretends to shoot Bond with the gun, then points the gun at Yor and asks if she's the "boss." At first Yor is uneasy about partaking in Anya's game, but then she gives in and pretends to be the boss who wants the treasure. This makes Anya even more fired up and she says "Let's battle, polite lady boss!" The three of them continue playing.
Loid returns to the hotel and finds Anya's drawings of the ferris wheel and shooting game booth on the table. Anya's sleeping on the sofa while Yor puts a blanket over her. Loid says that he's going out again because he found the liquor at a neighboring town. Since it's a bit far, he's taking a car that he's borrowing from the hotel. Anya wakes up and calls Loid a liar since he said he would be back soon but came back so late. He apologizes, but then she reads his mind as he thinks about the fact that if Anya doesn't get a stella soon, Operation Strix and their family will be over. Anya says she wants to come along with Loid, but when he turns her down, she sadly goes back to the bedroom with Bond. When Loid starts to leave, asking Yor to take care of Anya, Yor asks him how many seats there are in the car he borrowed. He answers five. She then asks if they can all go together, since it's a family trip.
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In the bedroom, Anya hugs Bond while thinking about the sad state of the family. Bond suddenly has a vison of the cherry liquor behind the cash register of a store at the plaza. At first Anya wants to tell Loid about it, but then she thinks that her secret would be revealed if she did (Loid would say "How did you know that? You can read minds? And Bond can see the future?") After realizing she can't tell him about it, she looks towards the window...
Meanwhile, Yor tells Loid how happy it made Yuri to be with her all day for special occasions like birthdays and family outings, and that it's the same with Anya. Loid thinks back to how happy Anya was when they were doing things together on the trip, such as playing trump, playing in the snow, and eating at the restaurant. He picks up the toy gun on the table and thinks back to how grateful Anya was for being able to play "spy" at the old castle. As he returns the gun to the table, Yor tells him how Anya was looking forward to so many things on this family trip, like eating sweets and playing together. She says she understands Anya's feelings since she's made Yuri feel lonely before. She tells Loid that Anya was really looking forward to being with him and how lonely it is to be separated from your family. She asks again if they could all go together to get the liquor at the next town, even though it's passed Anya's bedtime. When he starts thinking of the possible harm of bringing Anya with him, he pushes those thoughts aside and agrees with Yor.
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Suddenly, room service knocks at the door. When Yor says that she didn't order any, Loid looks through the peep hole and sees Fiona disguised as a maid. He then says that he forgot to order a large bathrobe and steps outside. In the hotel corridor, he asks Fiona why she's here. She repeats "room service" while actually saying "it's a mission" in spy talk. Loid says that she can talk normally since it's just the two of them, and asks if she could be quick since he's also on a mission. She starts blabbering internally about how she's alone with him – LOVE!
Back in the room, Yor hears a noise from the bedroom, and when she goes to look, the window is open and both Anya and Bond are gone. Meanwhile, Fiona explains the mission about the microfilm to Loid. When she mentions Colonel Snidel, Loid thinks back to his encounter with Snidel and the military back at the restaurant. Yor suddenly comes out of the room and tells Loid that Anya ran away through the window. She had left a note behind, but when Loid goes to read it, the handwriting is extremely messy – he can make out the word "sorry" (misspelled).
Anya and Bond arrive at the shop in the plaza from Bond's vision. She buys the bottle of liquor and happily walks with Bond back to the hotel, thinking that now the Forger family will be okay. At the same time, the military is looking for girls that match Anya's description, using a picture that Luca drew of her. Bond starts barking when he notices Luca and Domitri pull up in a car behind Anya. Anya and Bond try to run away, but Luca pulls Anya into the car. Bond bites Luca's arm but gets pushed away. As they drive off with Anya in the car, they run over a can in the road that hits Bond in the head. Bond howls sadly as he watches the car disappear. Back at the battleship, Snidel says that it will depart as soon as they get the microfilm.
Loid and Yor run through town calling for Anya. They find Bond collapsed on the side of the road. Loid asks if he's okay and if Anya was with him. Bond barks and tries to gesture about what happened, but Loid and Yor can't understand him. However, Loid notices something in Bond's mouth – Luca's armband that he had bitten off. Loid recognizes it and is in disbelief that Anya got caught up in the military.
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Then Fiona, still disguised as the hotel maid, pulls up in a car nearby and calls to Loid saying that he dropped something. In "spy talk" however, she says that he should prioritize getting the microfilm over Operation Strix. Loid thinks for a minute, then says loudly (so Yor can hear) "Ma'am, I would like to ask a favor…"
Meanwhile, Anya is brought before Snidel. Upon seeing him, she shouts that he's the guy who ate her dessert. He says that more important than the melemele, she ate their chocolate. She then states that he's the boss of those thieves. Luca and Domitri reprimand her for not using polite speech in front of the colonel. Snidel asks if she's been to the toilet since. Anya reads his mind as he thinks about how they hid the microfilm in the chocolate, and it's better to wait until she poops it out before killing her. Anya then realizes that the chocolate she ate on the train had the "treasure" inside, and if she poops, she'll be killed. Anya then nervously says that she's so cute that poop has never come out of her body, but then admits that she's lying upon seeing Snidel's cold gaze. Snidel instructs Luca and Domitri to take Anya with them and inform him if she poops. Anya begins holding her butt and starts shaking in fear. Domitri asks if she has to go, but she says she's just cold. She knows she mustn't poop or she'll be killed, but the more she thinks about it, the more she has to go!
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Back at the Frejis plaza in front of the station, Loid boards the old fighter plane that was parked there. He's able to operate the communication device and listen in on signals from Snidel's flying battleship. He manages to catch some of Luca and Domitri's conversation with Anya, including them saying that she's in this mess because she ate the microfilm. Upon realizing that Anya ate the microfilm, he breaks into a cold sweat, but quickly regains his composure as he gets off the plane and meets with Yor, who was waiting worriedly outside. He tells her that he thinks Anya is with the military, since he heard from the radio signals that they seem to have taken custody of a girl around five years old. Yor asks why Anya would be with the military. Loid knows that he didn't have any time to come up with an explanation, so he cuts the power cable on the plane and climbs back into the cockpit. As the propellers begin spinning, he asks Yor to stand back and tells her that he'll return soon. Yor thinks back to the two men who attacked Anya on the train and realizes that they might have been from the military, but she can't tell Loid about that or he'd know that she beat them up. She recalls what she said to Loid earlier: that they should all go together because it's a family trip. As the plane leaves, Yor jumps onto it and forces open the door at the bottom. Loid continues to pilot the plane into the Frejis sky, unaware that Yor is also on board.
Back at the WISE hideout, Sylvia thinks to herself that "the fate of the world depends on getting that microfilm…we're counting on you, Twilight."
Back at the battleship, Anya is trying hard to resist the urge to go to the bathroom. She moves her body back and forth to try and hold off the urge, which only makes Luca ask if she has to go. She says no and that she's just doing a dance she learned at school.
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Meanwhile, Fiona infiltrates the Frejis air traffic control so she can communicate with Loid on the plane. She tells him the location of Snidel's battleship. Loid compliments her on being able to get the information so quickly, causing her to say that she's ready to be his lifelong partner anytime and asks again if he'd let her have the wife role for Operation Strix…but the communication line had already been cut.
Back at the battleship, Anya is still doing her "dance" to resist the urge to poop, but she's practically at her limit (Luca and Domitri had also prepared a duck-shaped potty for her). She's sweating, tearing up, and her stomach is rumbling. When she feels her consciousness wavering, a bright light suddenly fills her eyes. She finds herself standing in a beautiful meadow filled with colorful flowers and poop shaped clouds overhead. She hears a voice and looks up to see a divine-looking old man surrounded by light. He has a poop shaped crown and he's holding a staff with a poop shaped top. He tells her that he's the god of poop.
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He says, "You've fought well, warrior Anya. You've tried your best to protect world peace but...enough is enough." He puts his hand on her shoulder. She can feel his compassion flowing through his palms. "Relax your butt and rest, warrior Anya. Let's go to the peaceful garden of the toilet!" Anya tries to fly through the sky like the poop god, but ends up falling into the ocean. However, she's saved by waves of toilet paper that lift her towards a temple lined with statues of the poop god. A toilet is enshrined in front of the statues. The poop god gives a shout, and the toilet paper carrying Anya turns into a giant duck potty. The poop god waves his staff and the duck speeds out of the water, heading towards the bathroom above the alter. The lid of the toilet opens with another shout from the poop god and the duck moves faster. Finally the duck bursts into a ball of light and Anya falls, laughing, into the shining toilet.
Back in reality, Anya finds herself on a bed in a room on the battleship. After hearing her mutter to herself about "what's the god of poop?" Luca excitedly asks if she's ready to poop and puts the duck potty on the bed. As soon as Anya looks at the duck, she comes to her sense and says, "no, I'm good." While Anya stays with Domitri, Luca reports to Snidel that Anya still hasn't pooped yet. Snidel tells him to cut open her stomach. Luca is taken aback by this and tries to protest, but after Snidel presses him, he reluctantly agrees to do it.
Meanwhile, Domitri is trying an exorcism ritual to get Anya to poop – he makes her lay on the bed with a banana, corn, and a pineapple along with coffee beans between them, all the while singing a song about "yellow three." When Luca returns, he asks Domitri what he's doing. Domitri replies that according to his coffee fortune telling, "yellow three" is lucky. Luca then tells him Snidel's orders and asks if Domitri would do it. Since neither of them want to, they decide via rock-paper-scissors, and Domitri wins. Anya reads Luca's mind about how he's going to cut open her stomach while Domitri holds her down. She starts shaking and thinks of Papa and Mama.
Meanwhile, Loid flies the plane close to the battleship and contacts them on the radio. He says that his plane is in a state of emergency due to a fuel system failure and would like to request an emergency landing on the battleship. When one of the soldiers tells Snidel that an unknown aircraft is requesting permission to board, Snidel demands that they shoot it down. Loid steers the plane out of the way of the sudden hail of bullets while Yor, still hiding in the back, hangs on as the plane starts shaking violently.
Back on the battleship, Domitri holds Anya while she screams for Papa and Mama. Luca approaches with a knife.
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Back outside, Loid desperately steers the plane to avoid the gunfire from the battleship, including homing missiles. In the back compartment, Yor isn't able to see what's going on, so she thinks to herself that Loid's driving is…rough. Loid manages to dodge the missiles, but one of them explodes next to him, causing the fragments to fall on the plane and damage the left wing. He knows that crashing is inevitable, so he steers the plane towards the battleship. The impact of the plane crashing into the battleship shakes the room where Domitri, Luca, and Anya are in. They all lose their footing and fall, causing Domitri to let go of Anya. She then runs away and through the hallway while they give chase.
Loid jumps out of the cockpit with his bag of spy tools and onto the battleship as the plane crashes. He thinks to himself that he first needs to confirm where Anya is and heads through a narrow passageway. Meanwhile Yor makes her way out of the back part of the plane only to be greeted by a huge gust of wind. She's surprised to be on the outer part of a battleship. She peeks inside the cockpit to look for Loid, but he's not there. She remembers that Loid said Anya was with the military, so she must be on the battleship somewhere. The opening to the bottom of the battleship is too narrow, so she decides to go via the top, breaking into a fast sprint.
The soldiers find the plane wreckage and Snidel gives orders to search for survivors. When one of the soldiers tells him that there's a woman running along the outer part of the battleship, he thinks he's joking. But then he looks at the monitors and sees Yor for himself. He commands that they kill her, since she decided to come aboard using that plane, that makes her an enemy. The turrets at the top of the ship begin firing at Yor, but she swiftly dodges them. One of the soldiers readies a grenade, but she takes off her coat and throws it at him, causing him to lose his balance and fall backwards. When the soldier falls through the deck onto the catwalk, the grenade falls from his hand. Yor gets away just as the grenade explodes, causing the area around the hatch where the soldiers were firing to burst into flames. The soldier watching from the monitor shouts "Explosion on deck 3A!" When she encounters the soldiers, Yor politely says that she came to pick up her husband and daughter, but the soldiers were already unconscious from the explosion. She heads further into the ship. The fire continues to spread through the battleship. Snidel commands the soldiers to go put out the fire, and when asked what to do about the woman, he says to send out Type F.
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Meanwhile, Anya is still running away from Luca and Domitri (while still holding her butt). She manages to elude them by slipping into a room without them noticing. She listens by the door, and when she hears that they went off to look for her elsewhere, she breathes a sigh of relief. As she turns around, she notices a toilet in the back of the room. Tears start welling in her eyes…after a long and painful battle, she finally won.
Loid hides in a small room while soldiers are running through the corridors. He wonders to himself what the explosion was and if the plane crash could have possibly damaged the ship's hull. He peeks through a gap in the door and notices an officer who appears to be a captain based on the number of stars on his badge.
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After giving orders to the soldiers, the captain walks towards the door. Loid pulls him in, knocks him out, and gags him. He then steps out of the room, now disguised as the captain, wearing his clothes and donning a mask with his face.
The sound of sirens are blaring through the battleship. Yor notices the soldiers desperately trying to put out the fire and apologizes to them. She again says that she came to get her husband and daughter and asks if there's anyone who knows where they are. One of the soldiers looks up and shouts "It's that woman!" The soldiers begin firing at her, but she jumps out of the way, grabs a nearby fire extinguisher and throws it at them, knocking them down like bowling pins. She's confused as to why they're shooting at her, then thinks that they could be part of the bad guy group that attacked Anya on the train. She picks up two knives that the now unconscious soldiers dropped. She then thinks of Anya being in trouble, without anyone protecting her, and her face becomes clouded with anxiety as she tightly grips the knife in her hand.
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Meanwhile, Anya happily bursts out of the bathroom with a refreshed look on her face, toilet paper rolling down her feet…only to bump right into Luca and Domitri. Domitri stands proudly with toilet paper around his feet, boasting about his toilet paper fortune telling. Anya's face goes pale. Snidel is informed by one of the soldiers that the child has been secured, and he commands that they bring her to him.
As she continues looking for Loid and Anya, Yor arrives at the entrance to the air cell and pries open the heavy door. She's met with a blast of hot air. The fire has spread all over the spacious room. As she goes further in, she feels a murderous intent behind her. As soon as she starts to look over her shoulder, gatling guns begin firing at her. She jumps out of the way as bullets are showered on her. She goes further down in the air cell just as a gigantic figure appears, slowly moving towards her with heavy footsteps. She politely asks who he is, but Type F doesn't answer. He reaches towards her but Yor kicks him to the ground, only to have more bullets fired at her that she subsequently dodges. She pulls out the knife and pounces on him, managing to knock off his helmet. She asks him to stop attacking but instead he presses his forehead against the knife, making a very inhuman metallic sound, breaking the knife. The arms of his cloak, that had been engulfed in flames, burn off to reveal that he wasn't holding gatling guns, but his arms themselves are guns. The rest of his cloak burns off, revealing a body made entirely of weapons. After he calls Yor an "intruder," she readies the other knife, realizing she has no choice but to fight him.
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Meanwhile Loid, still disguised as the captain, gives orders to the soldiers to help them put out the fire. When one of the soldiers asks where the hostage is, Loid questions him and he explains that she's a child about five years old and that officer Domitri took her to the bridge.
At the bridge, Anya is tied and gagged in front of Snidel. Snidel is upset that they missed getting her poop, but Luca says that it could still be in the sewage tanks. Snidel says that it could also still be in her body, which makes Anya even more afraid. Snidel tells them to keep her in the room downstairs and he'll "take care of her" once all the chaos on the battleship is over, while also ominously adding that he brought an extra big knife to enjoy kebobs. He then orders them to go into the sewage tanks and find the microfilm or else he'll cut them like kebobs too.
After leaving Anya in the room, Luca and Domitri grumble about how they're in such a mess because of some greedy kid, and Luca groans that he's still sore from being bitten by the stupid dog. Suddenly Loid, still disguised as the captain, gets the jump on them and knocks them out. He wonders why Anya isn't here since this should be the only bridge on the ship. He enters the room where Snidel is and says that he's going to report on the status of the firefighting operations, but Snidel dismisses him, saying that he's busy now.
In the room below, Anya can read Loid's mind but she can't move or talk due to being tied up and gagged. She realizes that she's tied to a telephone pipe that leads to the room above, so she slams her head against the pipe to get Loid's attention. Just as Loid is deciding to back off so as not to make Snidel suspicious, he hears the banging in the pipe and notices a hatch right below it. He realizes that Anya must be under there, so he pulls off one of the buttons on his uniform and pretends he's going to pick it up when it rolls near the hatch. However, Snidel says "wait, captain" and asks him when he began to smell like...a city. Snidel then immediately shoots at Loid, who manages to dodge, but the bullet grazes the face mask that he's wearing. Snidel continues to fire at Loid, who hides behind a console in the room. Snidel asks if he's the traveler from Rubble and Bonds and says that he shouldn't underestimate the nose of a gourmet like himself. Realizing he's been found out, Loid tears off the captain's mask. Snidel and the other soldiers begin exchanging gunfire with Loid.
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Back in the air cell, Type F continues to shoot at Yor, his gatling gun arm having now turned into a grenade launcher. She narrowly dodges his attacks and grabs a fire extinguisher set (with an axe) from the wall. They end up crashing down through the floor, with Yor slamming the axe onto his chest as hard as she can. However, this only reveals a firearm magazine in his chest hatch. The magazine sends bullets into the gatling gun. He aims at Yor again but she jumps away in time. As they stare each other down in the flame filled room, she wonders what she can do against an enemy who can't be damaged by knives or axes.
Meanwhile, Loid continues to exchange gunfire with Snidel and his soldiers. Snidel opens an attaché case with a gas mask and grenade that he calls "Type G." Anya reads Snidel's mind about the grenade being a poison gas grenade that he's been developing and wants to test out. She starts panicking, trying desperately to break free from her binds so she can warn Loid about the poison gas. An image of Loid covered in wounds as he tries to save her flashes in her mind as she thinks "It's Anya's turn to save you!"
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Snidel pulls out the pin from the Type G and throws it over to the console where Loid is hiding…just as Anya breaks free. As the rope suddenly breaks, she falls and rolls across the floor, hitting her head against a console in the back of the room. A green light illuminates on the console. Suddenly, the windows in the bridge open and gas starts getting blown all over, much to the confusion of Snidel and the soldiers. Loid uses this opportunity to make a move.
As the gas eventually leaves the room through the open windows, Snidel's men are shocked at what they see through the dissipating gas – their leader Snidel wrestling with…another Snidel! One Snidel tells them to shoot the imposter while the other says that he's the real one. Loid (disguised as Snidel) thinks to himself that since Snidel is the only one with a good nose, he just has to fool the others. Snidel brandishes his knife and threatens to tear off Loid's "imposter skin" and turn it into pork scratching. But Loid gets the upper hand and manages to grab Snidel and cause him to lose his balance, saying that his "imposter" skin isn't so flimsy that it could be cut off by the likes of Snidel. He wraps his left arm around Snidel's neck and tightens his grip, causing Snidel to drop the knife in his hand.
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The soldiers are still confused about which is the real one as Snidel's body falls to the floor. Loid says "Do you think I'd lose to a fake," fooling the soldiers into thinking he's the real one. He tells them that they're to head to the Arbo Republic as soon as possible and that they're abandoning the ship. He commands them to use the land route instead. Carrying the body of the real Snidel, the soldiers leave with shouts of "all personnel abandon ship!" When he's finally alone, Loid takes off his Snidel disguise.
Meanwhile, Type F's right arm is overheating but he tells Yor it's no use waiting until he runs out of bullets. Even though his chest plate was torn off earlier, all Yor has left is a broken knife…until she feels around in her pocket and pulls out the lipstick that Loid had bought her. She lowers the knife and tells Type F "this is your last warning, please stand aside. I only came here to get my husband and daughter." But Type F just says that they should all perish together along with the future of the East and West. He then readies another round of bullets. Yor dodges and makes a wide circle around him, dragging the lipstick along the floor. She slashes at his chest with the knife, causing the knife to break. As he jeers that a knife won't work on him, he looks confused for the first time when he notices a line drawn around him with the lipstick, leading up to his chest. She says that she heard that lipstick is half oil. He tries to shoot at her again but it's too late…the flames along the railing run down the lines of lipstick, igniting the weapons embedded in his body, causing him to explode. After confirming that he's been destroyed, Yor continues on her way.
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Back on the bridge, Loid opens the hatch to the door where Anya is and jumps down. She's overjoyed to see him as he asks if she's okay. She clings to him and buries her face in his chest. Just then, something falls out of her pochette – the cherry liquor. She tells him it's what Papa was looking for and he realizes that's why she ran away from the hotel. Upon realizing this, he can't help but smile, and Anya smiles too when she reads the thoughts he won't say. Just then they hear a loud explosion. Loid holds onto Anya as the ship shakes from the explosion. "Anyway, we better get out of here" he says.
Meanwhile, Yor opens the hatch at the top of the air cell and makes her way to the outer part of the airship where she sees Loid and Anya. They're both surprised to see her. "Mama!" Anya says as she runs to Yor, who gently hugs her while asking if they're both alright.
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Loid asks the same of Yor while also asking why she's here. After hesitating a bit, she admits that she came on Loid's plane and that since it was an "outing," that they should have gone together. She then asks if the people on the airship are actually the military. Loid pauses since he can't tell her the real explanation, but then Anya speaks up about how she ate their important chocolate on the train and that's why they were after her. Loid thinks to himself about how they must have hid the microfilm in the chocolate, but he can't tell that to Yor. So he says that chocolate theft is rampant in cold regions because people believe it will keep them warm...they'd even steal from a military ship. Yor believes him and comments that there's a lot of scary people in the world. They both scold Anya for what she did: Loid asks what the heck she was doing eating that by accident (while in his mind he's glad that she's safe) and Yor says that she shouldn't do whatever she wants with something that belongs to someone else. Anya guiltily says "sorry" and they both can't help but smile at her. They hear more explosions and Loid says that they need to get off the ship. Anya points towards the window and they realize that the ship is heading right towards the city of Frejis. Loid begins operating the device on the console. Yor asks if he knows how to operate it and he says that he knows how from when he did it as part time work when he was a student. Yor is impressed, but Anya knows he's lying.
Down in Frejis, people notice the large, burning battleship descending towards the town and begin running all over in a panic. On the battleship bridge, the ceiling blows off, causing an extremely strong wind to blow. Loid realizes that the propulsion system and lifting platforms are dead, and wonders if it's even possible to make a safe landing or even change course. Behind him, Yor and Anya are holding onto each other while the latter shouts "You can do it, Papa!" Loid says not to worry since the rudder is still intact. However, when he grips it, he can hardly get it to move and the ship is still losing altitude. Debris from the broken ceiling rains down on his head, causing him to lose his balance. Just then, he feels something on his right hand…Yor's hand. And on his left hand, Anya's. "Please let me help, too" says Yor, "Anya too!" says Anya. Working together, the three of them are able to move the rudder little by little.
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The Frejis clock tower looms before them but they're able to steer the ship so that it narrowly avoids colliding and only grazes the side of the clock tower. The ship continues to lose altitude, heading towards the surface of a large frozen lake. Yor hugs Anya close to protect her as the ship shakes violent from the impact of the landing. The battered ship glides along the surface of the water at high speed, whipping up a cloud of steam. The frozen water crashes onto the ship, putting out the fire. On a hill not too far away from Frejis, Bond and Fiona stand near Fiona's car and watch with bated breath as the battleship crashes into the lake. "Senpai…" "Borf, borf, borf!"
Back at the ship, the Forges escape from the collapsed bridge and onto the roof. They look in wonder at the pretty scene before them of the glittering ice particles shining against the city lights like diamond dust. Suddenly, water that had collected on the deck roof pours onto them like a waterfall, leaving them soaked. They're perplexed for a moment before Anya bursts out laughing with a "waku waku splash!" Then Yor also laughs. As he watches the two of them laughing, Loid smiles softly.
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Suddenly Anya sneezes and Loid notices something in her mouth. Loid realizes it's the microfilm, smaller than a fingernail. He wonders if it had somehow gotten stuck in her teeth. When Yor asks what it is, he clutches the microfilm in his hand and replies with a smile, "it's a return ticket."
The next morning at Berlint, Yuri listens to the news at his desk at the SSS: "The flying battleship that landed in Lake Frejis last night appears to have been an accident during a training flight. The committee has announced that it has already begun interviewing the manufacturer and the military." He remembers that Frejis is where Yor said she was taking a trip to and he wonders if she's okay. His lieutenant then opens the door and requests some documents. Yuri asks why the SSS has to be the ones to clean up this incident, and the lieutenant replies that if the people found out that the military was behind it, that would be troublesome. After the lieutenant leaves, Yuri muses to himself how it seems that WISE intervened in the incident though there's no solid information. He wonders how they could have possibly done it, then thinks "it must have been him…Twilight."
At the WISE hideout, Sylvia reads the newspaper headline which states that there were no survivors of the battleship incident. She compliments Loid, saying that even though the SSS put out the fire so to speak, he managed to not leave a trace of the Forgers' involvement. Loid replies that yes, the Forgers were just enjoying a normal family vacation. He takes out a wine bottle from his bag. Sylvia peels off the label, revealing the microfilm. She then tells him that he's back in charge of Operation Strix, much to Loid's surprise. She hands him a photo of Depple at night with a strange woman and says that his affair was exposed and he was disowned by the father of his wife. Loid smiles slightly when he notices that the woman with Depple in the photo is a WISE agent – in other words, he had fallen into their trap.
Afterwards, Loid meets up with Yor, Anya, and Bond at the park by a fountain. Yor asks how his patient was and he replies that it wasn't a big deal considering they called him out of nowhere. Anya asks Loid why there's no fish in the water and he flatly replies because it's a fountain. She then calls to Yor, taking her hand and leading her to the fountain. As Loid watches them happily talk about something, and Bond following along and enjoying himself, Loid lets out a sigh, but his expression is surprisingly soft. He thinks that even though he's able to continue Operation Strix, he can't let his guard down and needs to keep focusing on acquiring stellas. Anya reads his mind and is overjoyed that the Forger family isn't finished. Loid says that they should go home now since Anya has to "train" to make the melemele for the cooking competition tomorrow. Even though they weren't able to eat a real melemele, they at least have the ingredients for one. Anya asks to hold Loid and Yor's hand as she happily chants that she's going to make a yummy pastry. When Yor says that she'll help too, Loid and Anya politely turn her down. They then head home together.
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At the Eden classroom, the students are preparing their cooking ingredients. Becky says that she's going to make an orange layer cake that she learned from training with her pastry chef. She asks Anya what she's going to make. When Anya replies "melemele," Damian overhears and comments that it's an old pastry. Anya tells him that if she makes something good, she wants him to have it too. Damian's face reddens as he shouts that he'd never eat anything she makes. With a shocked face, she asks if he really hates it that much. This makes Damian's face redden even more as he shouts that he'd vomit if he ate her food. He runs off with Ewen and Emile following. Becky comments that he's the worst while Anya thinks that the friendship scheme is a failure. Just then, Anya and Becky turn towards the direction of an explosion sound.
Later that day, Anya shows Loid and Yor a note from school saying that the school kitchen broke down so the competition was postponed and the judge was changed to the vice principal due to scheduling conflicts. Anya laments that since it's not the principal, the melemele won't work. Loid thinks for a moment and says that he remembers reading in the school newspaper that the vice principal is crazy about the berry pudding from the southern region. He asks if they should go, and both Yor and Anya agree. Loid opens a map and points out the southern region. He says it's warm there so they shouldn't need a lot of luggage. Anya is excited about going to the ocean and wonders what playing cards she should bring while Loid thinks it would be a good opportunity for her to learn how to swim. Upon hearing all the talking, Bond comes over from where he was sleeping and gives a happy "Borf!"
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Meanwhile at Frejis station, Franky trembles in the cold and shouts "Hey Loid, I bought the cherry liquor!!!"
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Afterword: Congratulations if you've read this far! When I first started this project, I honestly didn't think I would write this much for a "summary" 😅 I thought it would just be a few paragraphs tops. But as I translated, I was like "oh, this is interesting, I should write it down!" And I just kept going with that and didn't want to stop! Some may wonder why I would want to spoil myself to this degree, but for me, reading about the movie (in a language I'm not fluent in) is still no replacement for actually seeing it for myself - the novelization doesn't convey every line of dialogue, character action/expression, voices, etc. But now that I know what to expect, I can get myself hyped for the scenes I'm looking forward to seeing while also not getting my hopes up for something I won't see. I don't care to do this for most things, but I'm the opposite when it comes to my hyperfixations like SxF! I'm also not going to give my thoughts on the movie until I see it for myself. But I will say that based on the novelization, even though I thought a few things could be better, overall I think it will be a ton of fun and can't wait to see everything in full animated glory!
Again, please remember to be cautious about where you share spoilers and to properly tag posts on social media. And if you end up sharing large portions of this summary elsewhere, a shoutout to my blog would be nice...I spent many hours working on this!
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longwuzhere · 11 months
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Some cool Easter eggs I caught watching My Adventures with Superman that I want to show to people so they can be in on it with comic book readers pt2
Episode 1 of My Adventures with Superman Easter Eggs and references is here
Episode 3 of My Adventures with Superman Easter Eggs and references is here
Episode 4 of My Adventures with Superman Easter Eggs and references is here
Episode 5 of My Adventures with Superman Easter Eggs and references is here
Episode 6 of My Adventures with Superman Easter Eggs and references is here
Episode 7 of My Adventures with Superman Easter Eggs and references is here and here
Episode 8 of My Adventures with Superman Easter Eggs and references is here
Episode 9 of My Adventure with Superman Easter Eggs and references is here
Episode 10 of My Adventures with Superman Easter Eggs and references is here
(SPOILERS obviously):
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An obvious one, but a classic, the "up in the sky! It's a bird! It's a plane! It's Superman!" line reference. This one never gets old.
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Jimmy next name drops Flamebird. in the comics Nightwing and Flamebird were Kryptonian superheroes adopting their names from a species of Kryptonian birds. This is where Dick Grayson gets his Nightwing identity from. The page here is from Who's Who: The Definitive Directory of the DC Universe #17 (1986) drawn by Curt Swan and Karl Kesel.
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At the climatic battle of part 2 of Adventures of a Normal Man, we see Leslie Willis become blue and look more like her traditional Livewire look. Her first appearance was in Superman the Animated Series, season 2 episode 5 "Livewire" where she was voiced by Lori Petty, a.k.a. Tank Girl. In the show Leslie was a shock jock radio DJ slinging hot takes live on air knocking down Superman a peg or two
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Obviously MAwS took Leslie in a whole different direction, design choice, and occupation change, but I am excited to see what happens next for her.
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Before we see Clark battle Leslie we see this guy. White hair, wears orange and black, its Slade Wilson a.k.a. Deathstroke. This fool here in like 20 to 25 years will have his life spiral out of control and get his ass kicked by a bunch of colorfully dressed teenagers.
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Deathstroke makes his first appearance in New Teen Titans #2 (1980) (W: Marv Wolfman and George Perez, P: George Perez, I: Romeo Tanghal, C: Adrienne Roy, L: Ben Oda) where he is hired by H.I.V.E. to kill the Teen Titans. In the comics he's a major piece of shit, but a damn good assassin.
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After the fight we see Supes clean up and he picks up a billboard that reads Amazotech.
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This is a good reference to Professor Anthony Ivo, a mad scientist of the DC Universe who built the Amazo robot who could adapt and replicate any power that the Justice League has and weaknesses. Both Ivo and the Amazo robot make their first appearances here in Brave and the Bold #30 (1960) with the cover art done by Mike Sekowsky and Murphy Anderson.
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At the end of the episode Slade name drops Task Force X better known as the Suicide Squad. The name "Suicide Squad" is from the Brave and the Bold #25 where it was the name of Rick Flag's unit in the military. The Suicide Squad pop culture knows first debuted in Legends #3 (1987) as seen below (W: John Ostrander and Len Wein, P: John Byrne, I: Karl Kesel, C: Tom Ziuko, L: Steve Haynie).
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The team at this time was composed of Rick Flag, Bronze Tiger, Captain Boomerang, Deadshot, Enchantress, and Blockbuster. The team members have changed out with each new Task Force X/Suicide Squad iteration.
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Behind Slade, here is Amanda Waller, the most fearsome woman in the DC universe. She's ruthless, politically powerful, and will not hesitate to blow up anyone in the Suicide Squad if they screw up. She makes her first appearance in Legends #1 (1987) same comic series in the previous picture. Very excited to see where My Adventures with Superman goes with this cuz you don't see Superman interact with Deathstroke or Suicide Squad all the often.
Link to Episode 1 of My Adventures of Superman Easter Eggs and references is here
Link to Episode 3 of My Adventures with Superman Easter Eggs and references is here
Link to Episode 4 of My Adventures with Superman Easter Eggs and references is here
Link to Episode 5 of My Adventures with Superman Easter Eggs and references is here
Link to Episode 6 of My Adventures with Superman Easter Eggs and references is here
Link to Episode 7 of My Adventures with Superman Easter Eggs and references is here and here
Link to Episode 8 of My Adventures with Superman Easter Eggs and references is here
Link to Episode 9 of My Adventures with Superman Easter Eggs and references is here
Link to Episode 10 of My Adventures with Superman Easter Eggs and references is here
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pinktom · 5 months
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i was smeared on twitter! xD
This morning, I was delighted with a series of fascinating screenshots.
I'm being smeared on Twitter! By someone I don't know, who hasn't even read Lover's Spit, because I do not want to spoil aspects of my own fic.
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And it didn't stop there, friends!
Obviously you can tell by the "18 Likes" there were at least 19 people outing themselves as haters. 😔
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Let's be clear: if you're twiggered 👉👈 by seeing Tom Riddle bottom, block me and move on
Not because I'm out here publishing smut left and right (I'm not even a smut writer), but because there is absolutely no way you could possibly enjoy my content if you're a fixed shipper.
Is it about who tops and who bottoms? I don't know. Really, at least half of the time, I prefer top!Tom. My enjoyment of a fic is not contingent on whether one character or the other gets dicked down. Of my top favorite fanfics that I can think of offhand, Tom doesn't even bottom in any of them.
That said—I am drawn to stories where Tom Riddle is in a central role, and nobody fixated on bottom!Harry could ever possibly deliver. So yeah please go ahead and block me. ಠ_ಠ
Also, the accusation that I "want engagement" is goofy
If I was driven by engagement, the fic would be straightforwardly on the Top Tom tag, feature a lot of smut, and probably have twice as many hits.
I don't write for engagement; of the 6 fics I have published, 2 are rated G and only half of them even have ship tags at all.
And regarding Lover's Spit specifically, it would absolutely spoil the story if I went on Tumblr rambling about how they're going to fuck. I have more respect for the lovely people who read the story as it is than random potential readers who feel they cannot engage with a story on the off chance their t/b preferences aren't met after 150K of non-smut content.
Yes, fixed shipping preferences can be sexist and homophobic
If your preferences are informed by your belief that Tom Riddle is "too powerful" to ever bottom (!!!) and "submit" to Harry, you're embarrassing and regressive.
You're tacitly admitting that women—that people without penises—are fixed in a state of submission; and you're also insinuating the same of gay men who prefer to bottom.
Sex is a lot of things - not just a power exchange. Sex, as I see it, is about intimacy, vulnerability, and expressing love. That is how I write it, and why I do not want to share "spoilers" about how sex will play out in my fic.
Ultimately this slander is just the product of entitlement
Though Lover's Spit has a lovely, inspiring, and engaged bevy of readers, it is by no means a popular fic. It's a wee little niche fic.
I can see no reason why someone would bother publicly slandering me except that they're just deeply entitled and butt-hurt that I'm not complying to their whims, even though I am a teensy weensy small-time fic writer with no following whatsoever. It's so batshit.
If fixed shipping matters to you, block writers who don't tag. Simple as that.
Anything you'd like to add my dear @k3uuu?
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justporo · 6 months
Note
I just read your headcanons about Astarion, they are so good!! And since he is the hardest for me to understand I'd love to read your headcanons/input about: Him trying to manipulate Tav into liking him, but she simply doesn't get it and thinks he is just after her body and blood (of course she never says that unless he would challenge her)
Alright, I had this sitting in my inbox for a while mostly because I had to give it a good think, my dear. And I'm really digging the idea that Tav is just super oblivious to his manipulation tactics, so have some
Headcanons about Astarion trying to manipulate a completely oblivious Tav
Astarion starts out flirting with Tav just the same he's always done with everyone: trying to pick up on a few things to work it into his routine (even if it is stupid)
"So, darling... knives, eh? I bet you're even sharper than your weapons, my dear." (spoiler alert: obviously this is not the case...)
Or maybe it is just, that you see through his games immediately and were prepared to help him from the start
He really, REALLY puts his back into it but his tactics just won't work with you, you don't seem to pick up on any of the flirting
In turn though, you really don't need to be manipulated, you just offer help "You know, Astarion, if you need some of my blood you can just tell me, it doesn't bother me."
And that makes him very suspicious of you because no one has ever reacted like this, this is not how this thing works! "I bet our sweet little leader very much has an agenda of their own, if you ask me." "And what would that be, Astarion? Go for world domination while the worm slowly devours my brain? Is it so hard to believe that people maybe just want to do the right thing." "Yes actually, oh valiant, noble leader, it is hard to believe - at least for me!" And you see the pain in his eyes as he says that
So the flirty behaviour turns into mean sass very quickly, he snaps at you at every given opportunity - because why would anyone just offer help to a vampire? Nobody could be this good, right? And then also: why did it take so long for him to meet someone like you?
But when you keep offering help and just support him, he breaks at some point; first because he has no other option it seems but later on he allows himself to believe if only just a little and he dares to have just a tiny fraction of hope
Later on when he confesses he was trying to manipulate you and fell for his own trap, you just wrap him in your arms and softly tell him, that he doesn't have to worry about stuff like this anymore; "I just want you to be happy and safe, Astarion, that's all."
And he might not fully or even partially believe you in this moment, but a seed of hope and love is surely firmly planted
So basically, just slam him with support until the sassy little vampire falls in the pit he dug himself, hehe.
Tag list: @spacebarbarianweird @sunfire-ancunin @tragedybunny @dependsonthedream @tallymonster @magazzne @micropoe10 @aoirohi @my-bunny-prince @lumienyx @fayeriess @azukiel
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deadnametrading · 22 days
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I've been reading people's interpretations of this scene, and while I agree with the substance of the take that "Laios is quite isolated and his party often don't understand him", it's not the reading I get from this scene in either the manga or the anime.
So let's review the board, spoilers for episode 18 of the anime, obviously
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Senshi's Laios: very cute, a reflection of his standards of masculinity. Possibly influenced by him being older, by Dwarven ageing, and the fact Laios is clean shaven. He projects similar notions on Chilchuck, and other biases onto Marcille. I feel this can mostly be chalked up to how brief his time with the party currently has been (1-2 weeks).
Chilchuck's Laios: Dangerous, unreasonable, unhinged, and coloured by his long time experience of Laios.
At this point in the story Chil's perception of Laios has changed rapidly due to both the reveal of his monster obsession (back in episode 1, previously suppressed) and the confrontation with Shuro, among other things. As seen in episode 13, he think's Laios is going to suicidally chase Falin to his death. He also thinks his monster obsession is a sign of a disturbed mind (not a suprise given his own experiences of the dungeon).
Marcille's Laios: Quite the opposite of Senshi, Laios' masculinity is exaggerated, which does reflect her Elf beauty standards (male and female Elves are often similarly feminine ).
Specifically for Marcille, she was told Laios looked a lot like Falin, and before meeting him, her opinion of him was really low (see the Falin makeup extras and her retelling the story of being alone after Laios left home, to Marcille).
Now, I've hated people in my lifetime, there's an inclination to be more critical of them than you would other people. Marcille didn't like the comparisons between the two siblings, and so fixated on their differences.
For review, here is there first meeting:
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Marcille came for a fight, clearly her letters didn't tell Falin the whole story. She HATED Laios in this scene. Everything in the three years after was clawing back from this mess.
Look at Laios, not a button a stubble, and neither person got any short or taller in the intervening years. When she gets irate over people saying Falin and Laios look similar, it's because of that mental image broadcasted by the Shapeshifter. That's how she sees him in her mind, the man who took Falin away from her, who made Falin unhappy, and who others have the gall to compare to her dearest friend Falin.
Conclusion: Laios and Falin, their emotional and social alienation, and how they each influence others like Marcille and Kabru; these things are central to the story, and to Laios as a protagonist. The last thing I want it people thinking I'm dismissing that.
But at this point in the story, focusing on that narrative, it's proverbially putting the cart in front of the horse. Structurally, this encounter is a review of party stability moving forward. The previous battle with Chimera Falin put everyone on edge, made them uncertain of their future, and distrustful of Laios.
Laios came out of his fight with Shuro (Toshiro) appearing unobservant to people's appearances and feelings. Marcille and Chilchuck recognise Kabru and Laios didn't. They're suspicious of his abilities. Laios, in turn, knows he has the chance to win them back, knows he fucked up with Shuro (Toshiro) and ruined their friendship.
This encounter is about Laios' shortcomings, reflective of his neurodivergence, the doubts of his party, and how Laios uses his strengths to compensate, and even solve problems his party members can't. Ultimately, this chapter is saying, Laios is different, but he is not lesser, and in a battle against monsters he excels.
The others can point out differences in clothing and speech easily, but those were the tools the shape shifter easily used against them. Laios succeeds precisely because he's focusing on the things others don't pick up on.
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queers-gambit · 2 months
Text
Alpine
prompt: in an effort to help your boyfriend with his trauma, you rescue a furry feline together - a white cat named, Alpine - who rescues you both in return.
pairing: Bucky Barnes x female!Widow!reader
fandom masterlist: Marvel
word count: 6.9k+
note: been seeing a lot of Alpine recently and got inspired.
second note: no, it's not comic / canon compliant so just have fun. author did some research but there's not a LOT written / known about Alpine, so, again, just have fun!
warnings: post Endgame, pre tfaws; cursing, Lord's name in vain, small angst, mostly hurt and comfort, Nick Fury calling reader a bitch playfully, Bucky's trauma responses, small spoilers, Dr. Raynor / therapy.
other works with Widow!reader and Bucky NOT necessary to read
read here: Damage Done
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"Are you angry with me?"
"No."
"Disappointed? Annoyed? Frustrated?"
"No, doll."
"Then why won't you talk to me!?"
"Nothing to say."
You wiped a hand down your face, lifting it only to pinch the bridge of your nose. Your head shook to shake away your thoughts, sniffling emotion, sighing when you dropped your hand to slap against your thigh. "I'm really trying here, Bucky, I swear to you, I am. But I can't help if you don't talk to me," you softened your voice, beginning to understand this was a losing battle.
"I never said I needed help."
"You never have to ask me for help, Bucky, I just give it because I want to! Because I love you! That's part of being in a relationship!"
"Maybe I don't want it!" Your boyfriend snapped, rounding on you with unfiltered emotion in his eyes. The horrors swam in his baby blues, vivid memories he was unable to escape haunting him, terrorizing him; creating a shell of a man who could no longer hide his avid pain. "Did you ever think about that? Ever consider that I don't want your help because I don't need it?"
"Everyone needs help sometimes, Buck."
"No, not everyone - I'm not one of your pet projects, you don't get to treat me like a broken thing that needs fixed! I certainly don't need your pity - not yours."
"I don't pity you! Fuck's sake, Bucky, I love you and want to see you heal. I know you better than anyone - "
"You don't," he sneered, cutting you off. "You don't know me, not really, not as well as Steve - "
"Oh, for fuck's sake, Steve isn't here! He's not coming back!" You snapped, instantly regretting it when Bucky's eyes coated with glassy emotion he fought vehemently to keep down. "I-I'm sorry, that was - that was really mean of me and totally out of line," you apologized, both sighing deeply. "All right, look, let's just talk this out, please."
"There's nothing to say."
Your hip cocked, arms crossing, "She called me, you know."
"Who?"
"Dr. Raynor."
"Fuck's sake," he growled. "Why would she do that?"
"Maybe because today's session was, apparently, supposed to be a couples session. She thought I was refusing, called to say I was impeding on your progress and if I want to help you, I'd have to show up to your appointments. Which is really funny because you never told me about today, so I had no idea what the hell she was talking about - but that didn't stop her from tearing me a new asshole!"
He frowned, avoiding your eyes. "I didn't need a couples session. Not today, I just - I wanted today to focus on other shit."
"And I can respect that, but you're not doing yourself any favors by hiding shit from me. To get the best results from therapy, you have to actually do the work, and not just do what Dr. Raynor says, but actually listen to her advice - "
"I don't need you on my back about this, Raynor does that enough for you both," Bucky growled. "I do the fucking work - I'm the one in that room, I'm the one applying silly little rules to my life - "
"Obviously not if you didn't even tell me Raynor requested my attendance! You should've told me, and then you should've said you weren't ready! I would've respected that, but I can't do a Goddamn thing if you don't talk to me!"
His jaw flexed as he clenched his teeth, skin twitching and distinct muscles tightening. "Like I said, there's nothing to talk about," he practically spat, shaking his head at you before grabbing his sneakers from the closet.
You didn't mean to sound harsh, but demanded, "Where are you going? We're in the middle of a conversation."
"No, we're not, 'cause I'm ending it," he scoffed, sitting on the corner of your shared mattress, exchanged his shoes. "And I'm going for a run, need to clear my head."
You shook your head before leaving the bedroom, "Absolutely unbelievable."
Bucky left your shared apartment a few minutes later, somewhere you've only lived five months - the time it's been since Tony Stark, Iron Man, snapped the other half of living beings back into existence. He lost his life in return, the ultimate sacrifice, but he managed to reverse the damage Thanos created five years prior. Five months of living in this apartment without a lick of warmth, personal touch, or real sentiment; it being dreary, dark, and mostly empty. Hell, Bucky didn't even feel comfortable in bed, so he camped in the barren living room, giving visual to the way your relationship was beginning to fray, unravel, crack.
He didn't want anything personal in your apartment - thinking it was ridiculous to settle down after all you two have endured, witnessed, and fought for. You agreed to keep things at the bare minimum, only stocking what was necessary, knowing this was part of his healing process and didn't want to drum-up further anxiety. It made everything impersonal, boring, bland, and down right depressing - but it was a small accommodation you could provide your lover.
You hated the distance. Hated how alone Bucky felt after Steve. Hated how reclusive he became, the anger he projected. Hated how no matter what you did, you weren't enough - not this time. For years, you've loved him despite his flaws, his brainwashing, his trauma responses, but whatever he was enduring now was something you weren't equipped to handle. Didn't mean you weren't willing to try, but Bucky was the one pushing you away; thinking his demons were his sole responsibility, never letting you be the pillar that helped support him. God, you hated the distance.
You left the apartment, too. Nick Fury had employed you for creative, solo, high profile missions; wanting to utilize your Widow training, especially now that Natasha Romanoff was deceased. And you wanna know what? Bucky hadn't even asked about her, never tried to offer comfort, only quietly attending the funeral service you hosted with the remaining Avengers to give her a proper sendoff - despite there being no body. Bucky knew you and Nat were as thick as thieves, family without blood, two lost souls who leaned on each other in trying times; bonded by trauma, encouraged by resounding bravery, disciplined by strength. The fact that your boyfriend never even checked in with you after Nat's passing obviously hurt your feelings but you remained silent.
Again, to avoid generating more anxiety for Bucky.
You met the one-eyed man at a local, bustling coffee shop, finding the sight of the hardened, burly man eating a scone amusing. "Got you one of these," he nudged a dessert plate to your side of the table when you sat down with your desired coffee, "know you like 'em."
"Blueberries are my favorite," you half-smirked, regarding the moist muffin and sighing sadly. "All right, sir, what's on the docket?"
He stared at you for a moment, chewing thoughtfully before leaning back in his chair. "The fuck's going on with you?" He asked.
"What do you mean?"
"You look different today."
"Mh," you nodded, joking, "got a hair cut."
"No, it's your aura. Something bothering you, kid?"
"You do realize I'm a fully grown adult, right?"
Nick shrugged, "I don't see age."
"You don't - nobody sees age, Nick, Jesus."
He took a sip of his green tea. "There's still something bothering you. Not sure if you should go on this mission if you're wound tight."
"I'm just dealing with shit at home."
"Oh, right, the cyborg. How is the hundred year old psycho?"
"You you want me to stab out your other eye? 'Cause I fucking will," you threatened with a fork clenched in your grasp, perking your brows up your forehead. "Say that shit again, see what the fuck I do, Nick, I absolutely dare you."
He chuckled, hands held in defense, "Sorry, sorry, that was uncalled for. What's wrong with Sergeant Barnes?"
You shrugged, "It's complicated."
"Bitch, aliens opening a wormhole in space and time to invade Earth is complicated - relationships aren't. Try me."
After an amused chuckle, you told him, "He's struggling right now. You know? After everything, it's been a lot for him and now that things are relatively back to normal, he's having a hard time trying to assimilate himself back into the populace. You know, learning to live in this day and age - a man out of time, outside his comfort zone, forced to adjust himself after living as a weapon of mass destruction for so long. Add in the fact that his best friend passed, marking another forceful adjustment he's unprepared for..."
"Hm," Nick nodded, "heard he's got a full pardon."
"He does."
"Which has a contingency he's gotta go to therapy, right? Part of rejoining society?"
You nodded, "Right, again."
"So he's in therapy and still struggling?"
"It's not like there's an on-off switch, Nick, therapy takes time and dedication. I just don't think he feels at peace, calm, in control - like he deserves any of this; the pardon especially. Think the stress, fear, and confusion is eating at him."
"Well, he's got you."
"I'm not his mother."
"No, you're his girlfriend, and it's a girlfriend's responsibility to support him, ain't it? Help him through this?"
"I can only do so much, Nick," you scoffed, "I'm just one person and he's a stubborn jackass - he just pushes me away. I'm sure I don't help the situation by accepting your contracts."
Fury considered your words for a long moment, then asked, "You said he's lonely?"
"Wouldn't you? Given his situation? He won't say, but I know losing Steve caused a part of him die."
Nick shrugged, "So get him a dog."
You never wouldn't guessed those words could ever pass Nick Fury's lips, head cocking, eyes narrowing, arms crossed over your chest. "I'm sorry, do what now?"
"It's obvious, ain't it? Dude needs company when you're gone, a sense of purpose, to feel like there was something - or someone - depending on him. Might help whatever limbo he's lingering in."
"A dog?"
"A dog. He can take it for walks or whatever."
You considered his recommendation, asking again, "A dog?"
"Do we need to get your hearing checked again? You lose the last functionality of your ears? Yes, a dog."
"I don't know..."
"It's just a suggestion, might promote his peace, help him process grief and guilt. Telling you, a dog would do him good. Now," he took another sip of tea, "onto business."
"You give me whiplash," you chuckled. "What's this job?"
"Simple and easy," he pulled up a tablet from the chair beside him, tapping it three times and handing it to you.
"None of your jobs are simple or easy, Nicky-Nick."
"I told you, don't call me that. Look, I just need you in London to investigate a string of potential terrorist activity. Just some recon, you won't be gone more than a few days - if you behave and stay on task."
You scanned the document, "When do I ever do that?" He chuckled briefly, you wondering, "Flagsmashers? Jesus, what a name. C'mon, you can't be serious. These guys are just radicals - you know, trying to vouch for those displaced after the Blip. It's actually kinda endearing, I mean, they're trying to give a microphone to those without a voice."
"They're escalating - too quickly," Fury informed. "They haven't raised any international flags yet, but something ain't right about them. I just need you as eyes and ears, maybe report if you think they're worth the worry."
Little did you know, in only about a month, you would join forces with Bucky and Sam Wilson - The Falcon - to dismantle the organization.
"When do I leave?"
"Tuesday would be ideal. But I can push it to Friday if you wanna go get that dog."
Your laughter was endearing, handing the tablet back over.
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Bucky liked holding hands, though, he often wouldn't ever voice it. It made him feel tethered, anchored to reality; instilling a sense of pride to have such a gorgeous lady - such as yourself - at his side. However, the part he liked most, was being reminded he wasn't alone; even when on crowded, overpopulated streets, he didn't have to be afraid because with his hand in yours, he looked just like everyone else. You protected him even without intending to or without even knowing what you were doing.
"I'm sorry about yesterday," he sighed, people on the street sidestepping and avoiding running into you two. "I was upset, stressed out, you know how I get after seeing Raynor."
"It's okay, baby," you assured, ever the patient, loyal, and supportive girlfriend he needed. "I'm not holding it against you, but just promise me, when you're ready, you'll tell me."
He nodded, "I will - I mean, I promise." You hummed and pet his bicep with your other hand, giving his arm a hug. "Now are you gonna tell me where we're going?"
"I told you, it's a surprise."
He was ready to reply when a small commotion echoed from the alley you were passing, Bucky coming to a jarring halt that yanked on your arm, swinging you around. You were ready to ask what was happening when you clocked one of Bucky's "friends", an older man named Yori Nakajima, arguing with one of his neighbors.
"Hey, hey, Yori," Bucky intervened, you watching from the mouth of the alley, "woah, hey, what's going on?"
You couldn't hear whatever Yori was saying, but Bucky turned to the other man and growled something at him that made the neighbor scurry off. He glared at you, lip curled in a sneer, disappearing amongst patrons of the crowded sidewalk. You frowned and approached Yori and Bucky, your boyfriend still trying to calm his friend - well, 'friend' was a very generous term. See, Yori was the father of a young man that died by the hand of the Winter Soldier, being a name on Bucky's list he needed to make amends with.
However, when you took your place beside Bucky, Yori was waving you both off and shuffling down the alley, towards one of his apartment building's doors. "What was that all about?" You asked softly, taking note of the disgruntled expression your boyfriend usually wore these days.
"Just," he sighed, shaking his head, "Yori's upset with some of his neighbors - thinks they're encroaching on being disrespectful."
"When doesn't he?" Bucky sighed, you wondering softly, "You think you're ever gonna feel ready to tell him?"
"I'm working on it," he sighed sadly. "All right, c'mon - "
You both paused with furrowed brows when there came a series of shrill meows from under a couple of soggy, cardboard boxes beside a dumpster. "Did you hear that?" You asked.
"Uh-huh."
Another elongated meow was heard, Bucky curiously approach the discarded trash coated in sewage sludge. He slowly squatted, you approaching his shoulder when another meow cried out. Now, normally, you'd never investigate animal noises out of fear they were feral and carrying disease, but something just felt sad about what you heard - apparently, to Bucky, too. Gingerly, he reached out and lifted a piece of dripping cardboard, seeing a bundle moving under the next piece. He moved that one, too.
"Oh, my God!" You cooed when a tiny kitten was revealed. White fur was stained with dirt, sludge, and other nasty juices; nose pink, eyes a piercing, clear blue with brownish tear stains rimming them. The kitten mewed in greeting, pacing a tight circle before trying to back up in the brick wall; hunching its back and hissing slightly when you lowered yourself into a squat beside Bucky. "Baby, it's all alone, should we help?" You pouted.
"I don't think it wants our help, doll," he sighed. "It looks scared of us. Bet the mother's around somewhere, be a shame to move it if she's coming back."
"It looks too skinny, maybe it's alone?"
"Or maybe it's not," Buck countered. "C'mon, sugar, we can't take it."
After a bit of back and forth, you finally relented and had to walk away. You frowned for at least two blocks, but upon your halt at a crosswalk, you were greeted by another shrieking meow. Whipping around, you and Buck both looked down to discover the wee little kitten had followed you and was practically yelling for your attention. You grinned.
"Well, now we really have to help it," you told Bucky.
"How?"
"We take it to a shelter," you answered, shrugging, "good thing I know where one is."
"What's it doing?" Bucky asked nervously, the kitten dancing around your legs; brushing up against you both, meowing the whole time.
"I think she wants you to pick her up," you smirked.
He sighed and stooped to scoop the little creature in hand, regarding it carefully; weighing it, checking paws and other vulnerable spots. Bucky muttered, "All right, yeah, fine, let's take him to a shelter. Little beast needs some food it feels like, definitely a flea bath and some fresh water."
"You big softie."
"Lead the way to the shelter, princess, c'mon," he ignored your jab, tucking the kitten into his chest protectively. "He feels fragile," Bucky worried, "maybe you should carry him, I might crush him."
"You've got the little babe, Buck," you assured, "you're not gonna hurt him - I mean, if it's even a him."
"By the attitude, could be a girl," he joked, making your heart lighten. He'd been in such a funk that you missed his teasing, soft words; the little jokes he cracked, his smile - God, you missed seeing his smile. During your time on the run after DC, while seeking refuge in Bucharest for a couple years, you grew accustomed to seeing his radiant smile; remembering how easily he offered it when just the two of you. For a moment, you considered how your relationship was no longer just you and Bucky - but his trauma, too.
Arriving at the shelter, it was like an assault on the senses. Dogs were heard barking from the kennels, the pungent smell of urine and wood chips smacking you in the face, and a sort of humidity lingering in the air - a sharp contrast to the crisp outside.
"Hi," you greeted the receptionist, offering a kind smile.
"Hi, there. How can I help you two?" The man with long hair asked.
"Well, uh, two things," you explained, "one: we'd like to tour your kennels, we're interested in adopting a dog - "
"We are?" Bucky gaped.
" - and two: we found this little fella in an alley," you pointed to the kitten curled protectively against Bucky's warmth. "We wanted to make sure he was okay, maybe leave him here for adoption?"
"Oh," Man Bun blinked, regarding both Bucky and the kitten, "wow, uh, yeah, that's really nice of you guys, rescuing the little guy. You know, since everyone came back few months ago, there's be an influx of strays. A lot of people gave up their animals when their loved ones came back."
"Well, that's super fucked up," your eyes rolled.
"Tell me about it," he sighed. "Look, I'd love to help you guys out, so, tell you what. I can let you back in the kennels - no problem! Help match you to your new companion, but, uh... I don't think I can help you with the cat. You see, we, uh, we've had to start euthanizing the overflow animals or the ones who don't get adopted in a timeframe. We're at our max capacity, so... If you wanna leave him here, uh, I can't promise he'll have a place."
"You'd put him down?" Bucky growled.
"It's not what we want to do," Man Bun swiftly explained, "but it's just necessary - we don't have the room or resources to take him."
"Do you know of any no-kill shelters? Maybe one that has room?" You asked, feeling Bucky's disgust rolling off him in waves.
"Not in the area," Man Bun frowned. "Honestly? I think the closest no-kill shelter's in Maryland. Maybe Virginia?"
"Jesus," you frowned, looking at Bucky.
"Look, my best advice?" Man Bun offered, "Take the little tike home, clean him up, and call around to other shelters to see if they have space. But if you intend to adopt a dog, maybe bringing back a kitten isn't the best timing. If you give him up to us, he'll probably be sent directly to overflow..."
"We'll take him home," Bucky instantly decided, shocking you.
"We will?" You asked softly, lips curling in a small smile.
"Why not?" He sighed.
"I would've thought you'd be more of a dog person..."
"I'm not an animal person, but we're not leaving this little guy here just for him to be euthanized. We can handle him for a few days, you know, until we find a shelter with room."
"I think that's a great idea," you grinned.
"But was this your plan? For us to adopt a dog?"
"Well, yeah..."
"Why?"
You shrugged, "Just thought a dog would be nice company when I'm outta town for work. You know, could go on walks or runs together, you'd have someone looking out for you, maybe a dog would help with your stress levels?"
He eyed you for a moment, sighing, "I appreciate that, doll. Maybe another time, though? At least let us find somewhere or someone to take this guy."
The kitten gave a prolonged squeak - seemingly agreeing. "All right, noisy, we hear you," you chuckled, giving the kitten's head a scratch. You asked Man Bun, "Do you guys have the means to check him over, you know, before we go home? Make sure he's not injured or something?"
"Yeah," he nodded, "let me go get one of the technicians."
After the tech's exam, you were given the paperwork from that day's visit, the name, number, and address of a recommended vet, and before you knew it, found yourselves at the local pet store. You would've been ashamed by the absurd amount of money you spent, but Bucky rationalized the need because you weren't sure how long your new companion would stay with you. So, you ransacked the store, buying a sizable litter box, 50 pounds of actual litter, a bag of kibble, case of wet food, several different treats, a balm for the baby's feet, too many toys and stimulation activities, a carrying case in the event of transporting the kitten, and a tiny collar - if you decided to keep the little noise machine.
The sight of Bucky with the little fuzz ball warmed your heart. He still seemed hesitant and stiff, as if afraid to hurt the kitten, but he wasn't so tense anymore. However, he handed the pet over for you to hold while he carried the supplies back home; biceps bulging to support the weight. In that moment, walking familiar streets with his arms full of cat supplies, he questioned how he got here - to feel all domestic and out-of-place. He was Bucky Barnes - a Sargent in the Army, prolific hitman, something of an Avenger now. He didn't adopt cats and buy toys!
However, watching you talk to the kitten softly, he smiled - something small at first that grew like a germinating seed to split his face. You seemed so... Bright, excited, rejuvenated, even. He knew the past five months since the Blip had been rough on you, what with losing Natasha, fighting Thanos and his army of aliens, then ricocheting into 'normal life' only to deal with his emotional baggage. Watching you walk down the street with a fuzzy white ball of energy, pointing out different things, cooing and narrating the city to the kitten as if he could understand was refreshing after seemingly seeing nothing but a frown on your lips recently.
To Bucky, as long as you were happy, he was happy - and it seemed you were very content with your new little buddy. So, he was happy with your new little buddy and figured a dose of domestic life wasn't the end of the world. In fact, he actually felt... Intrigued by the newest addition to your little family.
When you returned home, it was to an empty apartment. Bucky dropped the supplies in the living room, hands to his hips, looking around, "Well, uh... At least there's room to run around, right?"
You nodded, "And no risk of ruined furniture."
"Yeah," he sighed, watching you set the kitten down. "All right, pip squeak. C'mon, lemme give you the tour - pay attention. So, in here," he moved around the wall, kitten following and listening intently, labeling, "this is the kitchen, this is where you'll get your meals - and no, you're not allowed on the counters." He pointed a warning finger, "Don't let me catch you up there or there's gonna be hell to pay. I don't wanna find your hair in my morning bagel."
"Buck, you don't eat breakfast."
"Fine, then I don't wanna hear my girl found hair in her bagel."
The kitten mewed loudly, trotting to keep up as Bucky walked around the barren apartment - giving a literal tour. You unpacked the supplies, setting up a raised food bowl beside a full water bowl. You left the treats in an empty cupboard, the litter box ready to use in the bathroom, and tossed some toys around the open, empty living room floor. You meandered, stashing other supplies, hearing the scampering thuds of excited little feet.
When your head popped out of the kitchen, you grinned at what you saw. Bucky was sat on the floor, flicking a feathered stick over the hardwood floors for the kitten to race around and try to catch. The longer you watched, the more defenseless Bucky seemed, and dare you say it, he looked calm - maybe even happy. His eyes were locked on the animal's antics as if he didn't want to miss a single movement he made; small smile making him look younger and brighter.
You made a mental note to thank Nick Fury for his suggestion. Sure, he actually said to get a dog, but this kitten seemed to have the same effect.
"Hey, baby?" You called, hanging up your phone after calling the recommended vet. "So, uh... Listen, you know how I have to go outta town on Friday?"
"Yeah?" He glanced up, letting the kitten wrestle his booted foot.
"So, I managed to get a vet appointment but it's for Friday. Is that okay? Or do you want me to reschedule for when I'm back so we can go together?"
"Oh, uh, no, that's all right, sugar, keep the Friday slot. I can take him, it's not a big deal."
"You sure? I hate having to saddle you with this responsibility."
"I'm sure," he nodded, "I can take him, it's okay."
For the rest of the week, you had a front row viewing of an incredible bond being formed. The kitten liked you, you two had many moments together, but it was obvious the little guy adored Bucky. He was stuck to your boyfriend like Velcro, following him everywhere, shrieking for attention when Bucky was preoccupied, liked being held when he cooked, even tried to get in the shower with Bucky. They played together, Bucky's laugh warming the entire apartment; positively obsessed with one another, the little guy even sleeping between you and Bucky.
It was as if you both forgot to look for the kitten a permanent home, the lack of furniture providing wide space for play and entertainment. Bucky even got one of those cat trees, couple individual scratching posts, and a laser pointer that drove your furry friend up the wall. There was some unspoken rule about naming animals - where if you named them, they were yours officially. So, one evening over dinner, you proposed a few names, Bucky giving his opinion; but then you began to consider "theme" names. Because your little buddy was white, you mused over names like Noelle or Snow, but finally settled on Alpine after narrowly beating out Aspen.
The day you flew to London, you warned both Bucky and kitten to behave themselves. Later that night, while you were sat in a tinted SUV for surveillance, your phone rang with Bucky's contact. "Hey, baby, how's it going?" You answered, refocusing through your advanced camera lens to snap necessary photos.
"Good, yeah. Uh, how's London?"
"Pretty dreary, it's been raining all day. Hey, how was the vet appointment?"
'Oh, yeah, no, it was, uh, yeah, it was good. Gave Alpine a buncha shots, microchipped her, started her on antibiotics - "
"Did you say, 'her'?"
"Yeah, that was the other thing - turns out, Alpine's a girl."
You chuckled, "Well, I'll be damned. How're you feelin', Buck?"
"I'm... Okay."
"I'm sorry I'm not there," you sighed. "Nightmares again?"
"Yeah."
"Sleeping in the living room?"
"You know it."
"TV on?"
"Reminds me I'm not where I dreamt I am."
"Well, I'll be home in a few days."
"What's this mission?"
"Just a little recon, I'm only to observe. Nicky told me to keep an eye on some suspicious activity."
"Don't tell me you're sitting in a white van?"
"No, sir, it's a Rolls Royce this time," you chuckled.
True to your word, you were home by Tuesday night. The transatlantic flight was long and tedious; a storm creating steady turbulence, making it absolutely impossible to get any shut eye. When you landed, you made a beeline to the Starbucks and got the largest coffee possible with an added 2 shots of espresso before exiting the bustling airport. Outside, waiting at the curb, Nick Fury himself stood before a sleek and shiny car that probably cost more than a 4-year education at an American university.
He smirked, "Welcome back, kid."
"Nice of you to pick me up, Nicky-Nick."
"Don't call me that."
"Don't call me 'kid'."
"Get in the Goddamn car, I'm not having this argument again."
After storing your luggage, Nick drove you back home while listening to your mission report. You didn't think the Flagsmashers were extreme enough to warrant intervention, but all Nick heard was that now was the time to strike before there came the need, before a chance for escalation could occur. You left the tablet full of notes, observations, photos, and data with the one-eyed man, and before you fully departed the car, paused to lean in the open window.
"Hey, uh, I've been meaning to thank you."
"What for?" Nick asked, face hardened in a permanent look of disagreement. You never took it personally - Nick Fury having professional Resting Bitch Face (RBF).
"Your advice about getting Bucky a dog."
"No shit," he chuckled, "you actually got him a dog?"
"Uh, well, no..."
"What'd you get?" Nick asked in suspicion, watching your lips roll between your teeth to restrain your smile. "Ah, hell no! You didn't! A cat? A fucking cat?"
"I know you don't like them - "
"Bitch! One scratched out my eye!"
"But our cat didn't."
"Doesn't matter - fuck all them felines."
You laughed and slapped the metal door, "Well, thank you anyway for the idea of a companion animal. Bucky's a lot calmer it seems."
Nick Fury sighed, waving you off like a pesky insect. "I'll call you when I got another job. Have fun with the little demon."
"You talkin' about Bucky or Alpine?"
"The cat - wait, Alpine? The fuck kinda name is that?"
"You know, Alpine... Like the Alps?"
His head shook, "I know what fuckin' alpine is."
"Why don't you head off - looks like you're gonna give yourself a stroke. Didn't realize getting a kitten would stress you out this bad."
"Get out my Goddamn window and I can leave."
You grinned and dropped a wink, again, patting the car and stepping back onto the sidewalk. Nick peeled off, leaving you alone to shoulder your duffel bag and head inside your apartment building. When you got to your desired location, the door opened without the usual creak, Bucky obviously WD-40'ing the hinges. "Hello?" You called softly, hanging your keys on the little peg in the foyer, toeing out of your shoes, glancing around the empty apartment.
Ready to call out again, you actually almost choked on air when you inhaled but stopped abruptly. You pouted your bottom lip at the sight of Bucky sound asleep in his nest on the floor, TV's lighting flashing and creating shadows, giving clear sight of Alpine curled in a tight ball on Buck's chest. His flesh hand was raised to rest on his chest, keeping Alpine cuddled to his warmth.
Quickly, you pulled your phone from your back pocket, snapping an adorable picture of your boyfriend before silently tiptoeing away to dispose of your duffel and purse. You sent the photo to Bucky's phone, positive you were keeping the kitten. After a long, hot shower that washed the travel from your body, you changed into loungewear, pulled your hair back, then reentered the living room where you knelt at Bucky's side. In-sync, your presence made both Alpine and Bucky flinch awake - your boyfriend jerking away from your warmth as the kitten hopped off his chest.
You winced, "Oh, shit, I'm so sorry, baby, I didn't mean to wake you."
His head shook, "No, it's all right, doll, I wasn't sleeping."
"You were, don't deny it," you grinned, settling on the mound of blankets.
Bucky chuckled gently, "I tried to stay up for you. C'mere," his arm opened in invitation, smirking gently. You settled down and turned into his side, his arm now coiled around your form, constricting to pull you closer so his lips could plant on your forehead. "How was London? Your mission?"
"Easy peasy," you sighed, "nothing too strenuous or stressful. The most 'complicated' part of the whole thing was using a different car each day to avoid suspicion."
"Hmm... Who was the target?"
"Some radical group," you sighed, head resting on his pectoral. "How was it? Just you and Alpine?"
"It was pretty good, nothing to complain about. She's nice company."
As if understanding she was the topic of conversation, Alpine mewed several times in a row as she walked up the seam of your body pressed to Bucky's. She turned in two circles before settling down between you; your grin authentic as a manicured fingernail extended to scratch her head.
"Actually, sweetheart, I've been thinking..."
"Hmm? About what?" You mumbled, eyes drooping with each passing second.
"About how we should keep her - Alpine, we should keep Alpine."
"You're just figuring that out now?" You teased, sluggishly lifting your head to smirk at him. "I knew she was ours the moment you picked her up. It'll be nice having her around, don't you think? I know she's not a dog you can take on walks but with Alpine, you don't have to be alone."
He nodded, "I like that idea. She's a good cat."
"Check your phone in the morning."
"Why?"
"Mmmh, I sent you a picture, you'll see - but it's just confirmation that Alpines part of us now, part of our crew."
"Our family," Bucky agreed softly. He watched you resettle on his chest, spending the following couple hours in the glow of the TV, watching you and Alpine. Bucky's heart warmed to a degree he's never known, making the comparison of himself to Jim Carrey's, the Grinch - a movie you made him watch. Eventually, exhaustion outweighed his domestic thoughts; falling asleep with you safe in his arms and Alpine curled up between you.
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"Well, this certainly is a surprise... I was beginning to think James made you up."
"Oh, please, nobody could make me up - I'm too complex, nobody's got that kinda imagination," you smirked, legs crossed, seated beside Bucky on a sofa; both facing his therapist.
"I'm glad you could finally join us - I've been asking James to bring you for a while now," Dr. Raynor's eyes darted between you and Bucky, making you feel as if she was seeing right into your soul. However, her tone was accusatory, as if scolding Bucky.
So, you swiftly defended, "Well, I'm happy to be here. Bucky's one of my top priorities, I'd do anything for him - including attending any of these silly mandated sessions. Which are bullshit, by the way, because he's not the Winter Soldier anymore so why is Bucky being crucified? Why is this being pinned on him when he technically didn't do anything? The Winter Soldier did."
"Well, healing often takes time and dedication, and must be done in a series of steps. That's how you see real progress. These sessions are a condition of his pardon - "
"I can't believe your government would even enforce these silly little rules considering Bucky's assistance. He fought against Thanos, he fought on our side, and by all means, helped restore what was lost. I just find it pretty dehumanizing to force him to jump through hoops. I mean, for Christ's sake, half the universe was snapped away, you'd think after that, there wouldn't be need for pardons or contingencies - or for holding onto grudges."
"This is simply how we keep order in a post-Blip society. Everything changed in those five years, it's necessary to keep balance amongst all worldly citizens."
You scoffed lightly, "Ever consider these sessions might be doing more harm than good?"
Raynor frowned, "Despite the Winter Soldier being decommissioned, James still has trauma to process and skeletons to clear out of the closet. Yes, the Winter Soldier is gone, but the man remains - and James needs to focus on healing that part of himself. Whatever he did as the Winter Soldier wasn't Bucky's doing, but he still remembers all he did, which creates a heavy toll on the mind. That's part of the reason these sessions are mandated - because the assassin might be gone, but the residual effects still linger."
You hummed, "Well, let's get into it, Doc."
"You know... I've heard a lot about you. James paints you in a very bright light, says your bark and bite are equally as vicious."
"Hm," you nodded, brows perked, "yet I don't know shit about you."
"Perfectly natural. Typically, most people don't gossip about their therapists. It's nice that you could join us for this session."
"Nice to be invited."
She clicked her pen and settled her pad securely on her lap, just staring at you and Bucky for a long moment. You were ready to snap at her when she opened her mouth, "So, I hear you adopted a cat?"
"We did," you confirmed.
"Alpine," Bucky supplied, body rigid with tension and nerves.
"Right... Alpine," Raynor nodded, leaning her elbow to an arm of her padded chair. "How did this cat come into your possession?"
"We rescued her from a dumpster," Bucky answered stiffly.
"Really?" Raynor perked both brows.
"She was under some pieces of cardboard, screamin' her li'l head off," You chuckled. "Though, I think it's safe to say she chose us, adopted us as caregivers."
"How's that?"
"She wouldn't let us pick her up and we were afraid to take her in case her mama was lingering around. Turns out, she followed us. We were at a crosswalk when she caught up, demanding we pick her up and take her home."
"Is that so?"
"I'd like to think so," you nodded. "We were already on our way to the shelter, so, we took her with us, got her checked out."
"Why were you heading to the shelter to begin with?"
"Oh, uh, to adopt a dog. I had a colleague recommend an emotional support animal - or a companionship animal - to help Bucky feel less alone."
Raynor made a note of something. "You work often?" She asked.
"Often enough that I feel guilty for leaving. Figured getting a dog would instill a sense of dependence, you know, help Bucky feel like there was someone depending on him. Help usher in comfort and stability, help keep him calm, focused, distracted. But Alpine does the same thing - no dog necessary, apparently."
Raynor nodded, her wrinkles dimpling as she frowned and wrote down another note. When her eyes lifted, so did her lips; a smirk on display as she praised, "I actually think that's a wonderful idea. You know, there's been a lot of research about soldiers with PTSD benefitting from an emotional support animal. You're right, they promote peace, stability, distraction - gives patrons a tangible purpose, taking care of another life not their own."
"For sure, again, anything to help," you agreed, holding Bucky's gloved hand he kept covered by leather - only worn in public.
"Although, I wonder, why get a pet? I ask because James speaks highly of you, credits you for keeping him stable and on-track. Do you feel as if she's not enough, James? Is that why you kept Alpine?"
"No," he answered instantly, "she's my best girl and will always be enough. Watch your mouth, Doc."
"But sometimes extra help is nice," you tacked on, tightening your hand in Bucky's. "But for what it's worth, Dr. Raynor, Bucky keeps me sane. I keep him balanced. We keep each other safe. Alpine's just an added bonus, a quiet menace to help quell the business of our brains."
Raynor smirked, "I must say, you surprise me, Miss."
"I'm no stranger to mental health. But as I said before, I just want to help." You looked up at Bucky, finsihing softly, "He deserves peace in this lifetime - and if a little ball of fur can help, sign me up..."
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requesting rules and masterlist
Marvel masterlist
204 notes · View notes
justauthoring · 2 months
Text
quite like this.
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request: Haii uhm for the ff7 requests ! I don’t know if you have played rebirth but since there are the golden saucer dates, i was maybe thinking you could do a reader x cloud having a date? Maybe the two have feelings for each other but they are completely oblivious that the feeling is mutual, and they both think their feelings aren’t reciprocated. Maybe the others know about this and so they make it as if to leave them alone during their time there, and you know it all goes from there? Obviously if you don’t like the request that’s alright! by: anonymous.
a/n: eeeeeeee second ff7 imagine :))) i planned to write for zack next tbh but i couldn't pass up this request. it's so cute!
tw: obviously spoilers for rebirth! don't read if you haven't gotten to chapter 12 of the game
pairing: cloud strife x f!reader
It was the most colour you’d ever seen in your life.
And everyone looked so happy.
You could barely contain the excitement bursting through your chest, eyes wandering across with the brightest smile plastered across your lips. You’re blissfully unaware of the pair of eyes watching you, lost in your own thoughts as your feet shuffle beneath you, antsy.
But not sure what you’re antsy for. Or what you want to do.
“Me and Aerith are gonna go look at the chocobo racing.”
Blinking, you’re pulled from your thoughts at the sound of Tifa. When you turn to look at her, she’s already looking at you, a warm smile on her lips as she gestures behind her to Aerith. 
You glance in the direction of the Chocobo racing and think that it could be fun. You’re overwhelmed with the amount of options at the Gold Saucer and you were happy as long as you were with your friends so you step towards them, lips parting to say you’ll join the two girls but then Aerith is grabbing Tifa’s wrist and the two girls are turning around before you even have the chance.
“We’ll see you later!”
Hand held out in front of you, you frown.
“I’m off too!” Yuffie calls in the next second, already shuffling backwards as she sends you a wink and a slap on Barret’s shoulder.
“Oh, but Yuffie–”
“I’m gonna try to get some rest,” Barret calls out gruffly, nudging Cloud who is standing beside you and sends you a nod. “I’ll be at the hotel.”
You blink, lips curved downwards and move to step towards him but he’s already turned his back to you.
“Me and the laddie are gonna look at the battle arena,” Cait calls out, perched on Red’s back as he tips his head at you. You meet his eyes before drifting down to Red’s who is staring up at you in return. “Red showed some interest, you see!”
“Thought I could take some notes,” Red nods at your questioning look. “We’ll see ya.”
And with a speed only Red seems to manage, the two are off before you can offer to join them.
Once they disappear from your sight, you slump back, a huff leaving your lips as you glance around, suddenly realizing that everyone except for Cloud had left, none of them giving you a single chance to ask if you could join them. Realistically, you’d expected to join Tifa and Aerith, but you would’ve had fun with any of your friends.
Well, you guessed Cloud was still here, but you’d imagined he wouldn’t necessarily want to go sightseeing with you; even if that reality hurt your heart in a way you didn’t want to acknowledge.
Sighing, you turn to look at Cloud only to be surprised when his eyes are already on you.
“Did you have plans to?” Cloud asks, voice soft as he raises a brow in question.
Frowning, you shrug, turning away from Cloud to glance around you. “Not sure. Everyone ran off before I could ask to join them.”
“Well.”
And when Cloud doesn’t say anything else, you turn to him in curiosity, wondering if something was wrong, only to be surprised when you see he’d taken a step forward and his arm was held out towards you for you to grab. You blink, once, twice, eyes flickering from his outstretched arm back to his eyes that continue to stare at you in question, silently inviting you in a way you never would’ve expected.
“You want to?” You ask softly in return, feeling your cheeks warm as you lower your gaze, suddenly feeling a whole lot more bashful than you had seconds before. It was one thing to constantly feel Cloud’s presence beside you, a dominating aura that never left you in the way you loved.
He was always near, and it was hard to sometimes pull your gaze away. And the two of you had talked before, you felt that you actually got along well with the boy in the scheme of things given that the truth was he wasn’t all that chatty. But you’d never been alone with you. Not like this. And not in a place like this either.
A quick glance around you told you that you weren’t crazy for assuming this place felt more intimate. There were couples everywhere, holding hands, smiling at each other, kissing, in their own worlds with all the lights and chatter and the warmth of each other.
Being in a place like this, alone, with Cloud made your heart race in a way that made it hard to focus and the worst part was that he probably didn’t even realize it.
“If you want,” he answers gently, nodding, arm still held out towards you. “You looked disappointed that everyone else ran off. But… you don’t have to hang with me if you don’t–”
Feeling guilty you’d made him think you didn’t want to hang with him, and knowing that was quite literally the far opposite of the truth, you hastily shake your head, cutting off his words. You step forward, ignoring the lurch of your heart as you wrap your arm around his own, your hand falling against his bicep. You try to ignore how strong and toned his arm feels beneath your skin, and how instantly you feel a lot hotter than you had seconds ago, keeping your gaze strictly ahead of yourself.
You pray Cloud can’t feel how fast your heart is beating.
Cloud shuffles on his feet for a moment before he glances down at you; “where do you wanna go?”
-
You ended up wandering for a good while.
Nothing particularly caught either of your eyes but you didn’t mind. If you were being truthful, it was enough to just be able to spend this time with Cloud, alone.
Even if it didn’t feel the same to him, which you’re sure it didn’t. Even if this was just a courtesy he’d done for you because he’d seen how sad and pathetic you’d looked after everyone else had run off from you. It didn’t matter. Not at that moment. It was just enough for you then that you got to be with him, close to him like this.
“Do you wanna go on?”
It takes you a second to realize Cloud is speaking but you feel him shift and watch as he points before the both of you, your eyes following the point of his finger only to fall on the Skywheel. 
“Oh,” you mumble, feeling your cheeks grow warm. “Don’t we need tickets for that?”
You glance around, trying to find the ticket booth, secretly hoping there were even tickets left before Cloud speaks up again.
“No worries,” he calls and your eyes fall on him as he holds two tickets before you. At your wide expression, he lets out a tiny smile. “Tifa handed these to me before her and Aerith ran off.”
Your eyes widen and suddenly it clicks.
Clearly, Tifa and Aerith hadn’t purposely left you like you’d worried. This had all been a plan from the beginning! A plan because you’d told them of your feelings for Cloud when the two had cornered you for the truth. Tifa was hard enough to dodge on her own like you’d grown to learn over the past few years but with the added addition of Aerith, the two were like an unstoppable force and your confession had practically been pulled out of you.
Your chest tightens with worry.
Poor Cloud. Being wrapped up in those twos’ schemes… You’d hoped he maybe did want to hang with you after all, but it was probably more likely that Aerith and Tifa had forced him to take you on the date and had left him no choice when they’d run off.
Which meant the others were probably in on it too…
Oh, you were so going to kill them.
“I’m so sorry,” you find yourself saying before you can stop yourself. Your hand falls to your forehead, pulling away from Cloud’s arm and you miss the way he frowns at the loss of your touch. Brushing back your hair, you meet his eyes. “Tifa and Aerith forced you to spend time with me tonight, didn’t they? That’s why they gave you the tickets… I’m sorry, Cloud. I know you probably would’ve preferred to do your own–”
You're cut off but his hand on your arm, holding tightly enough to pull your attention on him. He’s stepped towards you, closed the distance between the both of you, close enough that his chest presses against your own. Your eyes widen when you realize how close he actually is, feeling your breath get caught in the back of your throat as you stare back at him with parted lips.
“No,” he calls out, the words rushed. “I wanted to spend time with you! I mean, yes… Tifa and Aerith gave me the tickets but they didn’t force me to. I was actually trying to find the way to ask you but I didn’t know how and they saw that so they… Well, um, helped, I guess.”
Cloud desperately avoids your gaze, cheeks warm in a way you’ve never quite seen before and he actually seems genuinely embarrassed as the both of you stand there for a moment longer. His words are still processing in your mind, lips left parted as you feel your heart start to race all over again and the warmth floods you tenfold as his words finally click.
Cloud… Cloud wanted to spend time with you.
“Oh,” you finally manage, glancing at your feet. “Well… me too. I-I mean, I, um, wanted to spend time with you too…”
Cloud’s lips part, and then the two of you are staring at each other.
“Last call for the Skywheel!”
Both of your eyes snap to the attendant standing at the ferris wheel, and with one final look at each other, you both step forward. Cloud hands the ticket to him and then a cart pulls up a second later. You step in first, sitting down and Cloud follows a moment later, and when you expect him to take the seat opposite of you, he instead chooses to sit next to you.
The door to the cart shuts and the attendant wishes you well before you feel yourself moving, slowly going higher and higher. Hands resting at your sides, you try to ignore the nerves bubbling through you, letting your eyes drift across the fireworks dancing across the sky, taking in all the colours.
Then, at first faintly, you feel Cloud’s left hand ghost across your right one. You feel yourself freeze, but you hesitate glancing at him, letting your fingers shift slightly in return, inviting him, and a second later he obliges when you feel his fingers thread through your own. You flip your palm, letting him press his own against yours and smile when you feel him squeeze.
Finally, you let your eyes fall on him and he’s already looking at you, expression soft, not guarded in the way it usually is, and you smile, just faintly, swallowing your nerves.
“Cloud,” you find yourself whispering.
He’s leaning forward, inch by inch, hand never leaving your own. “You’re… beautiful,” he whispers in return to his name and you blink, that flutter returning.
That was the last thing you expected Cloud to say. You never knew he could be so… romantic when he wanted to. But you can tell he means the words, his sincerity floods his tone and it makes your heart burst with the warmth of the feelings you’ve desperately tried to ignore.
His lips are a breath away and all it takes is one more hesitant glance at his eyes before you close the gap and press your lips against his. Cloud doesn’t hesitate to respond, the hand holding your own holding tight as his eyes flutter shut and his free hand falls to your waist, pulling you closer.
You lean into his touch with ease, feeling his warmth envelope you in a way it never quite has before.
And then, as he leans back, and you both pull away, his forehead rests against your own, and you breathe in his scent and his presence, relishing in the way it feels to have him so close.
“I like you,” you whisper in the silence, eyes still shut. “I… really like you.”
Clouds hand twitches against your side and he nudges you with his nose. “Me too,” he mumbles, “if that wasn’t obvious.”
You let out a laugh, letting your eyes flicker open as you pull back, hands still intertwined and shoulders still touching but enough that you can see his face properly. He’s smiling, just faintly, in a very Cloud way but it still touches your heart to see you’d been able to make him smile, and the lights of the fireworks dance across his pale skin and butterflies flutter through your stomach.
It’s exactly and nothing like how you’d dreamed this moment would be.
And you love every second of it because no one has ever quite looked at you the way he does in that moment.
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thebeesareback · 2 months
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I just finished the audio book for Donna Tartt's novel The Secret History, so naturally I had to have a lil scroll to see what everyone thought on Tumblr. To add to the discourse: (spoilers, obviously)
Also trigger warning: incest, abuse, murder, alcoholism
Why is Tumblr so in love with Henry Winter?! He murders the farmer, Bunny, and possibly tries to kill Charles. He's manipulative and may well try to make Richard take the fall (har har) for Bunny's death. In the garden scene, he admits to being a psychopath/sociopath. Oh, and he's unbelievably pretentious
Also, why are there so many cute pictures of the twins hanging out? Their relationship was strained, incestuous, co-dependent, abusive. The whole uwu thing baffles me
Richard has a very obvious foot fetish and nobody is talking about it
The novel is quite funny, and I wish more people picked up on that. Most of the humour comes from Francis - the pinz nez stays ON during sex; no, Bunny's parents weren't very upset when one of their grandchildren ruined Francis' scarf, they were preoccupied by their missing son; and there's a throwaway line where the art students eat sushi with paintbrushes instead of chopsticks. I also liked when the twins panicked after Bunny's murder and decided to start repotting tulips
The farmer is referred to by name twice. Once in a newspaper, once by Bunny. Strange to think that he's the person in the squad who might actually have a conscience. Incidentally, Milo, the golden retriever who finds Bunny's body, has his name mentioned more frequently.
Richard is a smelly, badly dressed misanthrope. As is Henry, and Charles towards the end. Francis, Camilla and Hampden itself provide the (admittedly gorgeous) dark academia aesthetic, but if you want to end that dream, remember how terrible everything would have smelled. I guess the difference between appearance and reality is a pretty big theme
Julian is very creepy, obviously, but I was surprised that he wasn't more involved in the plot. He seems like exactly the sort of person to start a cult. I'd also like to know if he and Henry were in a sexual relationship, because we see them kiss once and then it's never mentioned again
Foreshadowing is done EXCELLENTLY through the book. There were a few characters who were described as ghostly at the start, and I THINK they're the ones who survive. Also, Tartt loves her pathetic fallacy (not phallusy).
Time is very strange. If you bothered to plot out all of the events, I don't think it quite makes sense. Term starts in September, say Richard joins Julian's classes in early October? That means all the picnics, the Sunday walks with Bunny, the trips to Francis' house, all happen over about five weeks, leading to the 12th November when Charles, Henry and Francis kill the farmer. Unreliable narrator, I guess
A lot of things about Richard's character make more sense when you realise the abuse he grew up experiencing and witnessing. Poor Ms Papen. Odd that Richard's parents don't visit him when he's in hospital
Funny that everyone is surprised when the twins' incest comes out. Like, they had an orgy at the start of the baccanal. Call me a prude, but I wouldn't attend an orgy with a family member
I would go for girls' night with Judy Poovey
Also, the book was published in 1992. Does anyone know when Prince Charles and Camila Parker Bowles went public with their relationship? Seems like an unbelievable coincidence otherwise
If anyone has an actual criteria for identifying alcohol abuse/alcoholism, please lmk if any of the main six characters AREN'T alcoholics. I'm pretty sure I got liver cirrhosis and lung cancer just from reading this book
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slackerlifewhere · 10 days
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In defense of Deruth
Fair warning, there will be some SPOILERS so if you haven't finished the first novel or you care about spoilers, I suggest you don't continue reading. Thanks!
I'm a reader of fanfics, manga, manhwa, manhua, and novels. I basically consume different stories whenever I'm bored (which I usually am).
But the things I've read most often involve parents, which I'm not really looking for but it's there so whatever.
I had to read stories with basically the same plot but different...ingredients but the thing I notice is that most stories involve abusive or neglectful parents. And it's weird to me. Like can't heroes or villains have good parents and they turn out the way they are because of other circumstances? Obviously, it's because authors want us to root for the character but for me, it's just lazy writing.
So imagine my annoyance when, after reading the first volume of TCF, I see several fics hating and trashing Deruth Henituse and saying he's the worst father in existence.
I get it. He's not the best father. His wife, who he loves very much, died and left him as a single father. He has responsibilities as a count and soon marries Violan who has Basen by then. They have another kid soon after, which is Lily. He seems to entrust the responsibilities of the heir to Basen after OG Cale's reputation took a nosedive. In a sense, he appears as if he doesn't care about OG Cale's feelings and reputation and looks like he's focusing on his other children.
BUT he's not the worst father either. Listen, you may hate him for whatever reason, whether you've consumed too many stories with bad parents or you see yourself in OG Cale, BUT he's an okay parent.
Let me list the top three fathers that are absolutely disgusting compared to him before I explain why I think he doesn't deserve all the hate he's getting:
1. Marquis Stan
We all know what happened to Taylor Stan and while we can blame it on Venion, it's also because of their father. Their father is basically an asshole who wants to see his children fight for the heir's position. And he doesn't care if they end up killing each other for it. It's basically like watching sports for him at this point. He's mainly the reason why Venion grew up into a twisted bastard. While yes, Venion is not innocent in any shape or form after what he did to his brother and Raon, it's obvious he became that way because of his father.
In fact, Taylor is also a victim of Marquis Stan's abhorrent parenting. He's not evil like his family but he learned to be independent and to fight back because he doesn't want to become like them. He died in the original story.
So yeah. Marquis Stan is absolutely disgusting and no one can change my mind that he's the worst existence among all the fathers in the story.
2. White Star
The only reason why he's not number 1 is because he's not a literal father but he does pose as one for DHB. If you know what he did to dragons, then I don't need to summarize it for you. For those who don't, you need to read the novel because it's going to be a long explanation. All I can say is that he's also the reason why DHB became so crazy. And honestly, I'm glad that even if Cale is very guarded at DHB, he still gave him the freedom to choose and repent later on.
3. Zed Crossman
He's the lesser evil of the two but he's kind of like Marquis Stan but tamer.
He basically has his three kids fight for the throne while ignoring or favoring one over the other. And he doesn't even try to hide that he doesn't care too much unless it involves his plans.
He basically wants to see who is more fit for the throne but he doesn't stop them from sabotaging one another.
Honestly, I put all the effort on Tasha and Obante's part that Alberu became a better person. Zed is completely useless.
---
So...is Deruth a bad father?
Before I answer that, here's the thing about OG Cale. He's a complex character who is grieving most of his life and wants to protect his siblings in his own twisted way. In order to do that, he needs to act like he's trash and push everyone away. But is that Deruth's fault? Eeeeh kinda but not really???
They both lack communication as father and son. In fact, the moment KRS, now Cale Henituse, was forcefully transmigrated into OG Cale's world, it's shown that Deruth is trying to communicate with his son.
The first few chapters show that he cares for his son in his own way when Cale sits down to join them in breakfast. He attempts to talk to Cale even though he was hesitant. He seems surprised but happy when Cale answered. Yeah, it's shitty that OG Cale's family and Ron didn't notice he got switched but in all honesty, it'll be hard for a normal person to come to the conclusion that a God was involved. If I were in their shoes, I would find it suspicious (probably thinking that something happened that changed that person's actions and personality) but I wouldn't think of transmigration or God of Death. Conspiracy theories aren't the first thing I'll think of. That's just dumb to use as an excuse for hating the Henituse family.
People, fans, want family drama but in all honesty, they're just ruining OG Cale's character in the way they do it. It's actually disrespectful to his sacrifice for his family. He made that deal with God of Death not only because he wants to see his mom but also because he wants his family to live after they all died in the war against the White Star. He lived through that war with him as the sole survivor of the whole family. That sucks. He could've stayed but he didn't want to and also because he already died in the future anyways. If he wants to help them as himself, I doubt he'll shut up about it to the God of Death, regardless if it's a literal god he's gonna argue with. Let me remind you that this guy is so stubborn, he made a trashy reputation to help his brother.
Instead of doing it himself, he chose to let KRS (who didn't know he's going to be involved in a war in another world btw) save his world and family in exchange for seeing his mother. He chose to leave not because of Deruth (not completely, at least) but because he simply wants to. And he's content with his decision, regardless of his regrets.
By the way, his mom, Jour, is also not pretty great if you think about her decision before she died (my unpopular opinion but whatever). I do think her final conversation with him and her following death traumatized him in a way that I can't help but feel angry for him. It's mainly the reason why he hates the Harris Village that Choi Han ended up in. It doesn't excuse his reaction to the village later on but it does explain why he hates the place, even if it's not their fault his mother died. So yeah, I don't like his mother (I'm not talking about her reincarnation btw. She's a kid). That's not the way to care for your son, ma'am.
Deruth is obviously trying but a relationship needs to work between two people and not just one. That's what you call a one-sided relationship, guys. It's why OG Cale and Violan are not close. Both of these characters don't try to be close, maybe not because they dislike each other but maybe because of a misunderstanding or whatever (who knows).
Cale only got close to her because he actually treats her with respect (also because...you know...he's an orphan and was abused as a kid so deep inside, he thinks Deruth and Violan are good but not the best parents). And whenever Cale gets hurt or is in a bad situation, we sometimes get their reaction. They're worried and angry for him. They want him to stay away from danger. In fact, the last few chapters are basically Deruth getting angry at Cale for endangering himself (completely understandable).
You can also argue that Deruth didn't try hard enough. Well, let me just tell you as someone who's been depressed since I was a kid that whenever my parents try to ask me what's wrong, I usually reply with "nothing" or "I'm fine." So for parents to try harder doesn't usually end up with a heart-to-heart talk unless the other wants to talk.
So yeah, I think KR novels and manhwa are basically the reason why some readers immediately jump in defense for the character they like because of possible abuse and neglect from parents. Without thinking about it properly. Like please, if you hate a character, at least try to understand them first and list down the other worst characters before you actually say that they're the worst.
Side note: The worst thing that I also notice is fans also target Basen and Lily. They include the whole Henituse family and write a fanfic about how abusive or neglectful all of them are. BASEN AND LILY ARE LITERAL KIDS. WTF ARE YOU GUYS THINKING. They didn't do anything to OG Cale??? They're just there?
Did I just create an account to rant about how stupid some fans are? Yeah, pretty much. You can hate on Deruth but don't include the kids. They're kids??? Without any involvement with OG Cale and Deruth's drama?
Reminder: I haven't read the second volume because I'm planning to read it when it's completely translated. That way, I won't have to wait too long for the next chapter.
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daisynik7 · 8 months
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Iris
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And I don't want the world to see me, ‘cause I don't think that they'd understand. When everything's made to be broken, I just want you to know who I am.
Pairing: Eren Jaeger x f!reader
Rating: Mature – MINORS DO NOT INTERACT
Word Count: ~4.5k (I went way over than I was supposed to, lol)
cw: switching POVs (2nd person reader, 3rd person Eren), canon-universe, VERY canon-divergent, consider this a what-if scenario, major AOT spoilers up to season 4, angst, hurt/comfort, fluff, smut – PIV sex (cowgirl position), fingering 
Summary: At the Battle of Fort Slava, Eren Jaeger, hell-bent on launching his ultimate attack on Marley, injures himself to pose as a wounded soldier, granting him admittance to the hospital to finalize his plans. You, an Eldian volunteer working at the hospital, start treating this new patient, nervous about his mysterious demeanor. Eventually, you learn that you have much more in common with each other than you think. 
Author’s Note: Thank you @ichinosejager13 for your second request for the y2k karaoke party! I did something totally different this time; I wrote a fic set in the canon universe. I thought it fit well with this song, so I hope you like it! While it’s set in the canon universe, it is very obviously canon divergent, so please remember I took a lot of liberties with this. I am in no way suggesting that any of this is what I wish happened in canon. I just think it was an interesting idea to write. Also, I understand that this will seem very out-of-character for Eren, but let’s just roll with it because it's all in good fun, lol. 
Like, reblogs, and/or comments are ALWAYS appreciated! Thank you for reading! MDNI banner by @/cafekitsune.
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Fort Slava, huddled in the trenches. Blade through his leg, bullet in his eye. This is the last vivid memory Eren can recall as he stands in line outside the hospital, waiting to be admitted. Some asshole Marleyan imitates explosion sounds, causing all of those around him to fall to the ground, cowering in fear. They suffer trauma from the battlefield, and even Eren, with a clear conscious now, is affected by it. A kid, another Eldian dawning the same yellow armband as he is, steps towards them, kneeling down to help them up. He even assists Eren, correcting his armband to his left arm instead of the right. Luckily, it goes unnoticed by everyone else, which is exactly what he wants. 
It's all part of his plan; the attack on Marley. It’s been in the works for months now, starting with his infiltration of the army, fighting alongside Marleyans and Eldians alike. He thought he’d have better clarity of the situation, maybe get convinced to call the whole thing off after bonding with other solders through the tragedies of violence and war. Unfortunately, it’s only made him realize how much more he needs to follow through with it. Nothing will ever change in this cruel world unless he’s the one to do it. 
There are days when he gets cold feet. He’s tempted to re-evaluate, find a way back to his home of Paradis, reunite with his friends, devise a better plan and figure it out together. But in all the futures Eren can see, his current plan is the only one that will work. The only one that will grant him the freedom he’s been chasing his entire life.  
The process is slow to get a room in the hospital. Luck remains on Eren’s side when he’s assigned a private room. It’s barren; a single-bed, just long enough to accommodate his stature, withered sheets and rusted iron on the frame. There’s a small nightstand beside it with two drawers to hide his belongings, which is essentially nothing, and atop is a small lamp, illuminating the room in a dreary glow. It’s not luxurious, but it’s enough for the time-being. Because that’s all Eren needs right now: time. 
Eventually, Zeke will find him. They’ve been contacting each other for a while now, and Eren has a firm grasp on what his older brother is trying to convince him to do with the Founder’s power. While he doesn’t agree with his idea to euthanize the entire race of Eldians, Eren needs to entertain it long enough to manipulate Zeke into letting him use his royal blood. 
It's all convoluted and fucked up, he’s aware of that. Somedays, he wishes he could escape this curse without doing anything at all. That one day, he’d be gone from this world, liberated from his Titan power, saved from this burdened life. This isn’t what he imagined while reading all those books he and Armin would marvel at as kids. This isn’t the freedom he was hoping for. 
He rests in his pathetic, yet oddly comforting bed, staring up at the ceiling, unable to fall asleep. His leg and eye are still wrapped in bandages, so a nurse should be coming soon to check on him. There’s a faint commotion out in the hallway, but Eren is too lazy and too uninterested to investigate. Soon, it subsides, and the door swings open, revealing a women around his age, wearing a nurses uniform and the yellow Eldian patch on her left arm. He recognizes the attire from battle; the army had a few nurses stationed at the fort for casualties. 
“Mr. Kruger?” she asks. 
It takes him a second to remember the alias he decided to use. He confirms it, nodding his head silently. 
She gives him a warm smile, introducing herself. “I’ll be helping you from now on.”
~~~
You started working at the hospital a few months ago. For Eldians, it’s nearly impossible to be accepted into higher education, so nursing school was never an option. With opportunities so scarce, your best bet was to apply for a volunteer position at the hospital in hopes of using that as a steppingstone for an actual paying job. You don’t expect a promotion any time soon, not even in the near future, but at least you’re spending your time helping others.
While it’s rewarding, it isn’t glamorous or pretty in the slightest bit. Because you lack the proper education, your tasks mostly include bathing, feeding, cleaning up any accidents or messes. Occasionally, if your patient is open to it, you spend time with them chatting, doing activities with them, listening to their stories. This is rare, though. Most that are admitted are Marleyans who refuse to speak to you because of your status. Some are even reluctant to have you help them in the first place. The Eldians, sadly, are usually too traumatized to open up, so you do your best to make them comfortable however you can. 
When you meet your newest patient, Eren Kruger, you don’t expect him to be any different from the rest. You are, however, surprised at how young he is; he can’t be any older than you, judging by his appearance. His records show nothing except for his name and his status as an Eldian, which isn’t unusual, so you don’t think much of it. “Mr. Kruger, I know you must be hungry,” you start. “Lunch will be arriving soon. If you need assistance, I’ll be here to help you.”
He acknowledges you with another curt nod, remaining silent. You can’t help but notice how brilliantly green his eyes are. Have you ever seen irises like his before? You let the inappropriate thought vanish quickly before you ask, “Would you like me to bathe you now or after you eat?”
At this, his brows tighten. “Bathe?” 
“Yes, Mr. Kruger. We can bathe you before or after lunch, it’s up to you – ”
“I don’t want to bathe,” he says, avoiding your gaze. 
You blink at him, unsure how to respond. “Surely you must want to be clean – ”
He interrupts you again, muttering, “How can I, when I’m like this?”
You understand his hesitation now, not needing further explanation. Sometimes, patients with missing limbs have expressed concern submerging themselves in a tub full of water, not wanting to get their bandages wet. Quickly, you clarify, “It would be a sponge bath. We can do that while you’re lying in bed, actually. And your bandages will stay intact.”
This seems to be the answer he’s looking for. His expression relaxes when he says, “After. I want to do it after I eat.”
You smile softly at him, noting it on your checkboard. “Understand. I’ll go check on your meal now. Is there anything else you need from me?”
A beat passes before he replies, “Pen and paper. For letters.”
You write it, reminding yourself to bring it when you return with his meal. “Got it.”
A few minutes later, you return with a tray of food along with a wad of paper and two pens. You set it on his nightstand beside him, waiting for him to move it. When he doesn’t, staying still, staring blankly at the foot of the bed, you clear your throat. “Mr. Kruger?”
“I’m not hungry,” he murmurs. 
“But you haven’t eaten all day. You need nourishment if you’re going to get any better.”
“And who says I want to get better?” He glares at you, startled by the intensity in his gaze. 
You swallow hard, nervous, but still resilient. “You have to eat. You owe it to yourself after what you’ve been through.”
“And how would you know what I’ve been through?” His voice is steady, a hint of venom, barely enough to sting. But you’re determined. You sit at the edge of the bed, careful not to touch him. Reaching for the tray, you set it down on your lap, sighing. “I don’t know. I have no idea what war is like out there. All I know is that it’s not great for us here. At least out there, you’re fighting together as a unit. Marleyan, Eldian, it doesn’t matter. You’re working to defeat our enemy. And who knows? If we ever win the war, maybe life will be better for us here.” You shove the tray towards him, glaring back at him. “So the least you could do is try to see it through and survive, right?”
He studies you carefully, contemplating how to respond. Glancing at the tray in front of him, he smirks, scooping a spoonful of mashed potatoes into his mouth. You ease up, tension releasing from your shoulders. 
After a few more bites, he speaks. “Who do you think the enemy is?” 
Just when you thought you were in the clear, he asks you another question. “It was the Mid-East Allies. That’s who you fought at Fort Slava.” 
“But who do you think the real enemy is?” He’s finished with his potatoes, now moving on to his meatloaf. 
“Well, I suppose it’s whoever the government says it is.” You’re unsure what kind of answer he’s searching for.
“And if they say that we’re the enemy, then what?” He points between you, leaving you confused. 
“We…?”
“Eldians. Devils.”
“No, no. The Devils are on the island. We’re…we’re not like them.”
“Are you sure?” He stuffs the rest of the meat into his mouth, chewing and swallowing it all down. “What makes you think you’re any better here than you are there?”
Your face feels hot now, and you start to stammer. “Because…because that’s what we were told. We’re on the right side. They’re on the wrong.” 
His plate is nearly clean now. He slides his fingers on the remnants, licking it off before chugging half a glass of water. “What if I told you there’s a place for people like us? A place where you wouldn’t have to walk around with an armband. A place where you were treated fairly. Would you want to go to a place like that?” 
You feel yourself drawn in by his words. The idea of it sounds impossible. Ever since you were born, you were taught to know your place in this world. That place was here in Marley, destined to be a second-class citizen. You were told that the island across the sea was full of devils like you, but because you’re here, you’re better. You can’t deny that you’ve been curious what life is like out there. All this time, you thought it must be worst, secluded on an island, hated by the rest of the world. 
But is this life any better? Secluded in your own community and still hated by the rest of the world?
You pick the tray up from his lap, muttering, “I’ll go get your sponge bath ready.”
He doesn’t add anything else, watching you silently. You walk towards the door, ready to leave. Before you do, you say, “And to answer your question: I would.”
~~~
It was supposed to be innocent banter, that’s what Eren intended. He figured he could chalk it up to the trauma speaking for him, that she wouldn’t even be remotely interested in what he had to say. He thought she’d be like all the other naïve, brainwashed Eldians, ignorantly believing everything that was told to them. He realizes soon enough that he was wrong to underestimate her.
She comes to him every day, fulfilling her volunteer duties. Their daily routine begins with breakfast, then a morning stroll in his wheelchair out in the courtyard. Sometimes they’ll play chess at one of the tables, sometimes it’s checkers. Lunchtime comes, and then it’s time for a bath, one of Eren’s favorite parts of the day. Her hands are always gentle, gliding along his skin with a damp sponge. They’ll do another stroll outside, this time on his crutches, where he practices how to walk. Dinner arrives when it’s already dark out, and occasionally, he’ll ask her to read the latest news from the paper. 
While all this happens, they talk. They talk a lot. 
As expected, she figures out that Eren is from Paradis, though he bends the truth about his true intentions for being here. She doesn’t know about his Titan powers, thinking he’s a refugee seeking sanctuary here. Surprisingly, she isn’t offended about it; in fact, she’s curious. They spend most of their time together sharing stories of their childhood. Eren describes life in Paradis, she describes life in Marley. While there are stark differences between their upbringings, there are also blatant similarities. And together, they come to the gut-wrenching conclusion: Eldians are terrorized wherever they are, whether it’s here, or across the sea. 
Eren has only sent one letter in the past two weeks, and that was to his friends back home, informing them that he is in Marley, safe and sound. He doesn’t disclose his plan to them yet. In all honestly, he’s not sure what the plan is anymore. Zeke still hasn’t found him, nor has Eren gone out of his way to be found. What Eren does know is that he enjoys spending time with the woman who helps him. So much that he’s losing grip on what he’s supposed to be doing here. He has to do something soon.
It comes to a head one night, three weeks after he was admitted to the hospital. Eren requests for another sponge bath after dinner; it was a hot day and he worked up a sweat during their afternoon walk. She helps him strip his shirt off, starting with the wet, warm sponge at his chest, massaging small circles onto his sticky skin. He watches her carefully, noticing her eyes lingering on his body more so than usual. 
He speaks softly into her ear, leaning in close. “I have something to tell you.”
She continues above his waist, hands gently scrubbing, not bothering to look at him when she responds. “What is it, Eren?”
He’s thought about this all day. The plan. “Would you like to visit Paradis?”
This time, she does look at him, confused. “What?”
Louder now, and more confident, he says, “Come to Paradis with me. See what it’s like there.”
She scoffs. “I can’t just leave.”
“Why not?”
“Because this is my home.”
“They treat you like nothing here,” he argues. “At Paradis, you’re somebody. We can be safe at Paradis.”
She stops, tossing the sponge into the bucket of water beside her, frustrated. “Safe? After everything you’ve told me? You said it yourself; you’ve been terrorized by Titans since you were a kid. Every nation in the world wants Paradis gone. How can it be safe?”
He swallows thickly, gripping her hand delicately in his. “I can’t explain everything right now, but I have a plan. We have a plan.” He recalls one of the last memories he has of Armin, his brilliant friend, suggesting a small-scale Rumbling, enough to scare the rest of the world from attacking Paradis for centuries. He dismissed it quickly then, but now, he considers it. Could this be their best option? Instead of the billions of casualties Eren had originally devised? “You just have to trust me for now. Once we’re there, I can explain everything.”
She stares at him, clearly in shock from his suggestion. He doesn’t blame her. Eren is asking her to give up everything she knows. 
“Eren,” she starts, squeezing his hand tighter. “I don’t know if I can do that.” 
He smiles at her, brushing his thumb across her knuckles delicately. “I understand. I know it’s a big ask, and I shouldn’t have expected you to say yes. I just…I just think I know what I can do for Paradis to make it safe for people like us. Somewhere we can be ourselves, where people will know us for who we are, and not for what they see on our armbands.”
“It sounds like paradise,” she says quietly.
“It does. And I think I could make it that way. I know I can.”
She sighs, retrieving the sponge again. “I want to believe you, Eren. But I don’t think I can throw away my life for something I’m unsure of.” She starts to slide his pants off, ready to wash below his waist.
“Please, just consider it. I plan to leave soon, within the next few days. I just have to send out a letter tomorrow, and I should be ready to go.”
“You’re leaving? Already?”
“I know what I have to do now. I can’t waste any more time when we can end this war now.”
She peers at him, tears welling in her eyes. “I…” 
“What is it?” He sits up, leaning in close to cup her cheek, brushing away her falling tears. 
“Will we ever see each other again?” Her voice is trembling, lips quivering. His heart sinks into his stomach, seeing her like this.
He presses his forehead to hers. “I’ll find you when this is all over. I promise you. Whatever you do, don’t go anywhere near the shore, okay?” The small-scale Rumbling should only affect the fleets, which will be in the middle of the ocean, far from the shore. Still, he can’t risk anything happening to her. Not when he isn’t there to protect her.
She nods, not asking for any further explanation. He presses a small kiss to her forehead. “I’m going to do whatever it takes to bring us peace.” 
~~~
Eren asks you to drop off a letter in the mailbox, addressed to someone named Azumabito. Apparently, she is an ally to Eldians who is stationed here in Marley, so she can arrange a ship for him to head back home. 
There are still so many questions left unanswered, though you decide not to ask them. Maybe it’s foolish to trust someone you’ve only known for a month. But Eren has given you more truth about this harsh world that anyone else the entire time you’ve been here. And he’s the only one who’s ever promised you a better life. 
Two days after you mailed the letters, you receive a response. It’s addressed to you, though you’re sure it’s meant for Eren. There’s a fancy insignia stamped to one corner of the envelope: a circle with a triangle in the center, formed by samurai swords. You keep it safe in your pocket as you head for the kitchen, ready to deliver Eren’s dinner. 
He reads it when he’s finished with his meal. You watch as he scans the letter carefully, mouthing a few words under his breath. When he reaches the end, he looks up at you, a small grin on his face. “She’s arranged a ship for tomorrow morning, before sunrise.”
You gasp, surprised at how soon his departure is. “Tomorrow?”
He nods, folding the letter and tucking it beneath his pillow. 
You let out a deep breath, unsure what else to say. Noticing your quiet demeanor, he reaches for your hand to hold it. “I know this is happening so fast. But I’ve never been more certain about what I need to do until now.” He interlocks his fingers with yours, smiling. “And you helped me with that.”
“Me? How?”
“By being you. By giving me a chance to explain myself. Even when you found out I was from Paradis, you didn’t judge me. You got to know me. It showed me that there are people, good people, on this side. That even in a ruthless place like this, there is beauty to be saved.” 
You don’t say anything, throat too heavy with emotion to respond. Blinking away your tears, you take his tray from his lap, walking quickly to the door. Before you can leave, he asks, “Can you please come back to help me shave?”
Without turning to face him, you nod, exiting his room, stifling your sobs on your way down the hallway. Your heart yearns for more time with him. For the past few weeks, being here has been an escape from your painful reality. You’re not seen as an Eldian, you aren’t considered a second-class citizen. With him, you’re just you. 
You know that you can’t keep him caged here forever. Like a bird, he’s ready to spread his wings. He’s ready to be free. While you’re heartbroken to see him leave, you’re thrilled for him to fulfill his destiny. All you can hope is that one day, you’ll be reunited in a better place than here. 
You return to his room a couple of minutes later with everything you need to give him a close shave. His facial hair has grown out quite a bit since he arrived. You lather his face with a small amount of soap, scrubbing the suds off with a warm, wet towel. He closes his eyes, indulging in your relaxing touch. After mindful preparation, you begin to shave his goatee with a straight razor, pulling his skin taut, gliding the blade carefully across his chin, cleaning it after every stroke. When you’re done with his beard, you focus your attention on his mustache, delicately moving the razor until his skin is smooth and shaven. You smile as you wipe off any remaining residue with the towel. 
With everything discarded into the bucket of water set on the nightstand, you take this time to admire his face, memorizing every detail. The flutter of his lashes, the bridge of his nose, the sharpness of his jawline, the plush of his lips. It’s only now that you realize how close to him you are. You’re kneeling beside him on the bed, noses almost touching, your fingers grazing his smooth skin. He opens his eyes to look at you, and his breath hitches at the intimacy, glancing at your mouth. 
Before you can move, he closes the short distance, kissing you on the lips. As quickly as it happens, he pulls away, blushing. “I’m sorry. I shouldn’t have done that. I should have asked first. I’m sorry – ”
You cut him off with another kiss, hungry for more. It’s his last day; in mere hours from now, he’ll be gone, and you’re not sure when you’ll see him again, if ever. It’s crossed your mind many times by now, how it would feel to be with him like this. The feeling of his lips on yours, the slide of his tongue in your mouth, the taste of his spit. You’d be lying to yourself if you said you’ve never thought about it. In fact, it’s been on your mind every night as you fall asleep, wishing you were in his arms instead of alone in your bed. 
He doesn’t pull away this time, sinking in deeper, slipping inside your mouth to swirl his tongue with yours. He’s just as sweet as you fantasized he’d be, luscious and rich in your mouth. His skin is smooth against your fingertips, tracing his jawline. One hand slides around your waist, tugging you closer to him, the other wraps around the nape of your neck, holding your head steady. You swing one leg over him, straddling his lap, hoisting the hem of your dress past your hips, revealing your panties. He moans, shifting beneath you in the bed to slip his trousers down, displaying his erection bulging in his underwear.
“Is this okay?” he huffs, catching his breath. His voice wavers, his only visible eye half-lidded with arousal, unable to keep his cool.
“Yes,” you answer, grinding yourself on him, kissing him sloppily. His grip is on your hips, guiding you to rut against his cock faster. The friction between you is enough to make you wet, your slick soaking through the fabric. 
“You’re an angel,” he whispers, dragging your bottom lip between his teeth. “I want to make you feel good.” His thumb teases the elastic of your waistband, hand slipping inside to rub your clit against his fingers. 
“Eren,” you moan, his sensual touch sending waves of pleasure through your body. He slowly slides two digits inside you, massaging your bud with his palm while he pumps his fingers into your sopping cunt. His cock is stiff beneath you, watching you ride his hand, cursing under his breath until you reach your climax, coating him in your arousal. 
You’re breathing heavily, in a daze from your orgasm. He removes his hand from you, slipping it past his underwear to jerk his cock. You reach for him, tugging his bottoms down his legs, replacing his fist with yours, stroking him eagerly. He whispers your name, bucking his hips in tandem with your movements. You’re aching for more, desperate to feel him inside you, feel him deeper. You position yourself correctly, pulling the crotch of your panties to the side to  tease the head of his cock up and down your folds. He sits up on his elbows, watching you with a nervous expression on his face. “Are you sure?” he asks.
You nod, smiling at him. “I’m sure. I want to be close to you, Eren.”
He swears, letting his head fall back into the pillows, staring up at the ceiling. You sink down on him, his dick stretching you out smoothly, still sleek from your previous orgasm. He moans, craning his neck to take in the lewd sight before him. “Oh my god,” he groans, thrusting his hips into you. 
You ride him slowly, his entire length filling you up to the brim. He plants his feet into the mattress to fuck you deeper, the metal frame creaking with every thrust. It doesn’t take long until you’re both coming together. He shoots his load inside you while you gush all over him, creating a wet mess between you that you couldn’t care less about in the euphoric state you’re in. You lift off him, rolling to his side, relaxing into the pillow with him beside you, cradling you in his arms. He gives you a smooch on the cheek, nuzzling his nose with yours. “I meant what I said earlier.”
“What?”
“You really are an angel,” he says, smiling at you.
~~~
Eren wakes up alone, and he’s almost convinced that it was all a dream until he spots the small note scribbled on paper laying his nightstand. 
It’s too hard to say goodbye, so I won’t. I trust you to keep your promise. We’ll see each other again soon.
With daybreak approaching, Eren leaves for the docks quickly with only the clothes on his back and letters in his pocket, including hers. With sunrise teasing the horizon, he makes it to the meeting place just in time. He recognizes Azumabito and greets her, explaining the situation as they board the ship. She informs him that they are waiting for several other passengers, so he makes himself comfortable by a window.  
A few minutes pass and one of the crew approaches him. “Mr. Jaeger, there is a woman trying to board, claiming they are with you. Do you know anything about this?”
He glances out the window towards the docks and to his shock, he sees an angel with a suitcase in hand, talking to Azumabito. His heart races, overjoyed as he jumps out of his seat, sprinting out of the ship to meet her. 
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skyeslittlecorner · 4 months
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Little Foras headcanon based on nothing but my silliness
After CH5, I fell in love with Hades. Especially Foras. The Kings' closest nobles act like magnets on me, what can I do. 👀 There may be light spoilers, but I won't post any screenshots in case anyone wants to read it and hasn't finished CH5 yet.
So, for me Foras is one of the youngest nobles, and this thought lives in my mind rent-free. Of course, he's an adult. But he is closer to a twenty-year-old when both Barbatos and Glasyal seem much more mature.
I recently went through the comics again to see them after what we learned about in Hades and this caught my attention.
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Poor Foras, to be pulled by the horns. You know what it means to the devil.
This is the moment Leviathan accepted Foras as his nobleman. It's obvious that Barbatos has been here for some time.
Let me remind you what we learned from the event at Avisos. Beel told Amon, when he accepted him as his noble, that some devils find their calling on their own, while others need a trigger. Amon had just come of age. This may suggest that it is younger rather than older devils who feel this calling, since such a young man was considered as somebody who need to get a trigger.
Of course, we don't know what happened earlier, but Foras doesn't look very traumatized in this comic. It's possible he found Leviathan himself.
I don't think anyone will deny the next one. He's such a fanboy.
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He resembles a teenager totally in love with his idol.
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Levi, you complained that you didn't like the undying loyalty of your nobles, so what is it, you little liar?
No explanation needed.
As I promised, there will be no screenshots here, so as not to reveal anything specific.
In CH5 we saw that Barbatos and Glasyal (especially Glasyal) can oppose Leviathan. They do it in a respectful, clever way, but they are able to suggest to him that he should consider other options, and in such a way that he will not hang them (okay, Glasyal is hanged, but tell me straight in my face that he didn't want it). Foras, on the other hand, had no hesitation. What Levi says is sacred.
And what's more, he boasts a lot that he is Leviathan's closest subject. Not like he was better than anyone. He's just happy, genuinely happy.
Another thing, his behavior towards other nobles. He complains about them all a lot. Nothing particularly bad, but he complains about little things and it reminds me of that teenage attitude "look, I'm younger and I act more mature than you". Especially when he admonished them in CH5. It was just so cute.
Plus, he's curious. Very. Too much. Foras, did you really have to taste- well, we all know what this silly man did in sub story. Yes, I know it was "to check if the white liquid was not poisonous", but come on. This sounds like a cheap excuse. He saw it being made. He is a devil. Can't he put two and two together? Please.
Additionally, his shyness and insecurities. Of course, he's as eager for sex as any devil. But although Leviathan himself envies his horns, he asks us if they are really so nice.
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Okay, at the end he was smooth as fu- Yes my princess yes I do I want gimme this beautiful horns
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Of course, as a devil from Hades, he can doubt. No one has ever said a bad word about his invisibility, but they still doubt himself.
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Shy bby i love you
Generally speaking, apart from Leviathan, we are the only people Foras comes to and he is obviously happy. In his scene when he comes to apologize to us at the very end, he is really polite. I've already compared it here to Sitri. Instead of on the lips, he kissed us on the hand. Cute. I will just add that his entire behavior towards us is charming.
Seeing all this, I feel like his attitude is a little immature, but in a good way. He wants to be serious, he tries, but sometimes enthusiasm comes out of him.
And this whole train of thoughts came to me only because I thought it would be funny if Foras was the last to appear at Levi's court and was immediately promoted to his right-hand man because of what a fanboy he is.
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