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#my bad. i definitely need 2 stop letting people narrate my life for me. it makes me really not resilient.
stinkbeck · 1 year
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heartbroken in such a difficult way. like man. my parents have 2 wake up. i’m fucking old ok. i’m not a 12-year-old you can mold into having the dream job u never had. i’m really sorry u all slept through my childhood but i’m an adult now. there is no more time 2 sow your seeds.
#like i don't wanna disappoint them by telling them that i was impacted by my childhood but it's stupid 2 pretend i somehow ended up this#incredible human being. like you're stuck with me. you didn't raise another girl. u raised me. i'm really sorry. i'm a fixed thing now.#there's nothing better beneath the surface!!!!!! T_T I'M SORRY!#axtually wish i hadn’t said any of this lol..#like i don’t think this is fair at all. i don’t know what my family thinks of me + i have a lot of skills that often go overlooked so i#myself can easily forget what i’m capable of and start to believe that other people are right about their assessments of me. that’s honestly#my bad. i definitely need 2 stop letting people narrate my life for me. it makes me really not resilient.#+ i know its really hard for me when someone with a lot of power over me makes me feel like i shouldn’t be alive but i still have 2 try a#little better to remember that just because one person thinks i shouldn’t be allowed 2 live doesn’t mean that all authority figures think#that about me + definitely doesn’t mean that that one person knows anything at all about what i’m capable of. definitely wish i was better#at this. it’s just hard 2 convince yourself that you’re good at shit when you’re constantly looking for your own weaknesses + other people#point some out. like u want 2 fix them + if they’re futile you at least want to know but if someone literally doesn’t know what they’re#talking about it can really mess me up + i need 2 figure out how 2 control for that lmao
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tinyozlion · 10 months
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TinyOZlion's GW Episode Guide for People Who Aren't Gundam People: Episode 01 - “The Shooting Star She Saw”
ᕕ( ᐛ)ᕗ OH boy oh BOY! It's time for PGW's first episode analysis! Let’s get started!
First let me pop in my 20 year old VHS tapes! ...Wait, I can’t. I don’t have a VCR player anymore, huh. Well, okay, let me just pop in these 20 year old DVDs! ...Nope, I can’t, computers stopped having disc drives in them. So... I guess. Uh.
Okay. Listen. Hear me out: I’ve bought this entire series on TWO redundant formats already. I’ve bought every manga. I’ve bought posters. I’ve bought model kits, I’ve bought figurines, I’ve bought toys. 
I HAVE PAID MY DUES TO YOU, BANDAI! NO MORE!!
–80 minutes and 2 seeders later– 
Wow, so this is the Blu-Ray edition huh? Let’s check it out, how different could it bbbvvhOLY SHIT
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It’s so…… crisp.
This feels intimate. I shouldn’t be seeing the Gundams like this. They’re… they’re so… clean.  I don’t recognize any of these people without the artifacting, the scan lines, the VHS blur.
I can see all the cel jitter??
No… NO! This is wrong. This is DISRESPECTFUL.
God never intended 90’s anime to be viewed at 1080p! It wasn’t DRAWN in 1080p!
And yet… the color quality…  that seductive line definition … 
Fine, The Crispness, you win. I’ll watch my anime in high definition, but I WILL NEVER FORGET MY ROOTS!!!!!!
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...Actually fuck that, this is gorgeous and I’m never going back. If I ever have a few hundred bucks burning a hole in my pocket I guess I’ll just buy it AGAIN. To be responsible.
OKAY. Now we can start.
Note!: While this Episode Analysis is sort of 1/2 walkthrough for new viewers and 1/2 refresher + commentary for returning Wing fans, what it ISN'T intended to be is a full episode summary (for really good episode summaries, you can go here!) However, I am going to be going over this particular episode with a fine tooth comb, because episode 01 is by far the worst offender of the series. It’s got it all: bizarrely worded dialogue, mistranslations, delivering a bunch of new information to us by taking it out of the fridge and pouring it directly down the back of our shirts...  Later in the series I will be grouping episodes together to cover more ground, but this one is a doozy, so it’s getting its own solo entry. Get ready: The pacing of this first episode is BONKERS. Things are going to move very fast, and a lot of new concepts are going to be dropped in quick succession.
*Ahem*
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With high expectations human beings leave earth to begin a new life in Space Colonies. HOWEVER– (the way Optimus-Narrator says “However” lives in my brain as a permanent sound bite) the United Earth Sphere Alliance gains great military powers, and soon seizes control of one colony after another– in the name of “justice” and “peace”. The year is After Colony 195– Operation Meteor: in a move to counter the Alliance’s tyranny, rebel citizens of certain colonies scheme to bring new arsenals to the Earth, disguising them as shooting stars. HOWEVER– the Alliance headquarters catches on to this operation... 
This intro is actually very succinct, clear, and to the point– IF you already know what to expect from this genre. (In my section on the history of Gundam in Japan and North America, I talked about how Wing's opening exposition was written based on the assumption that everybody watching would already be familiar with the basics of the Gundam franchise, so all that needed to be explained for Wing was what was departing from the original.)
--The main takeaway from the exposition is that A) There are Space Colonies, B) The earth is oppressing them via its military, using big robots to terrorize the small squishy people living in the space hamster wheels; and C) during something called “Operation Meteor”, an unspecified resistance group from the colonies sent secret weapons to earth. 
Earth Big Military Bad, Space Colonies Oppressed, Space Colonies Send Five Mystery Weapons To Earth To Do Something About It.  Okay we’re all caught up. 
--Oh, what are the big robots? They haven’t been introduced yet– presumably because every single person watching this Gundam show already knows what Mobile Suits are, and knows that a Gundam is a big, special Mobile Suit, right? Unless you’re me, and nine years old, and watching it for the first time in America in the year 2000 AD. So just in case you're me from then and I'm me from now, let me clarify: the big robots are called “Mobile Suits” and this is a show about them. They aren’t Transformers, they need a person inside to make them go.
Let’s meet some of them, shall we?
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--In this really very pretty opening sequence, we are shown the five mysterious capsules shooting down to the big blue marble that is earth. Fun science note: compare these to the Apollo command modules, and other vehicles designed for reentry! 
--We cut to an Alliance surveillance satellite. The crew has picked up the Secret Colony Weapon Gashapons on their radar, but have no idea what they are. It’s probably just space debris, but just in case it’s Something Bad, they decide to let the closest available military person know about it, so someone with guns can deal with it. 
--It is indeed Something Bad, and the military person they tell about it already KNOWS it’s bad, because he’s a main character and his name is Zechs Merquise. He’s the handsome fellow wearing a strange helmet/mask.
He is immediately dismissive of the Alliance satellite crew, because to him it’s obvious that space debris wouldn’t “ride the wave course to earth”. I have tried my best to identify what a “wave course” is, to no avail. I’m assuming that here it means a standard or safe path for reentry vehicles to take. 
(EDIT: It turns out "wave riding" is a thing from Zeta Gundam! It is indeed a procedure mobile suits use to "surf" with a heat-shielded device for safe atmospheric reentry! Now we know!)
--As alluded to by the Narrator, the Alliance (or at least, this particular and very significant group of people currently associated with the Alliance) does in fact know something about Operation Meteor (or “M”). They being to close the gap on the one capsule out of five that they can catch up with. 
–And here’s our first round of confusing dialogue! Goodie!: 
Zechs: “One would do just dandy. A hired front line soldier mustn’t rush to battle.” Soft-Spoken Zechs Groupie Who Doesn’t Get A Name So I Will Call Him “Milo”:  “That’s quite the bold statement, sir.” Zechs, chuckling: “I told you. I am a True Soldier.”  
–Now, what the fuck does any of that entail. Allow me to explain:
Firstly: Zechs indicates that catching up with only one capsule is fine (or “dandy”), because Zechs suspects this encounter will lead to combat of some sort, so even if it WAS possible to catch up with more than one capsule, it would be risky to engage multiple targets of unknown abilities. “A hired soldier” would be especially unwise to do so, because they’re not fighting for anything particularly meaningful– they’re just there to do a job, and why be in a hurry to die for your salary? 
--This is our first introduction to Zech’s ethos on fighting and what it means to be a soldier, or “True Soldier”. This is also our first introduction to one of Gundam Wing’s Big Important Vocabulary Terms! Which you can find explained in detail in the Dictionary Section.
Unfortunately for us, “Soldier” and “True Soldier” will sometimes be used interchangeably, but they mean very different things. 
Zechs is a man deeply concerned with chivalry, honor, and purpose– the morality and aesthetics of combat. A “soldier” might be someone paid to fight, enlisted with no particular goals, or deployed on a mission that doesn’t involve them– but a “TRUE Soldier” is someone fighting to prove something, to advance their goals, to test their own limits in battle with a worthy opponent, to discover something about themselves in the process of fighting. 
Soldier-I’ve-Named-Milo gives him a Look™ and says “that’s bold of you sir” because Zechs is most certainly not a hired soldier-- as we'll soon learn, he's OZ's ace pilot (more on OZ later), known for his exceptionally fast reflexes and high speed MS combat, which has earned him the moniker "Lighting Count". So while he isn't actually the type to jump into things before understanding what’s going on-- unlike some other people we're about to meet in this episode-- not rushing in combat isn't really what he's famous for.
Also, he’s being kind of a prick! Calling everyone else hired guns and then doubling down by reminding them that HE is a True Soldier?? Yikes!
...Or at least, that’s how the scene reads in English.
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First-Episode-Zechs is really laying it on thick for us. And if you’ll take a quick peek behind the curtain with me: Zechs isn’t written this way past this episode. Or really, past this HALF of the episode.
But, if one is looking for an in-character explanation for this dialogue as it stands, it’s possible that First-Episode-Zechs is a glimpse into what a cocksure ace pilot raised on Treize’s idealism (more on that later) is like, right at the peak of his so-far spotless career, and in the last moments he’ll be able to afford this kind of unbridled arrogance before the world conspires to humble him. 
Honestly, that would be in keeping with the way ALL the characters are depicted in these early episodes: each naive or overconfident in their own way, not yet having been forced to challenge their ideals.
–But! this might also just be one of many localization fumbles. A fan translation of this scene indicates that what Zechs might actually be trying to say here is more like:
“No need to chase after more work than we signed up for, we’re all just grunts on the front lines together after all”
and Soldier-I’ve-Named-Milo is therefore responding to him more like:
“That’s a bit cheeky of you to say, Mr. Best-Friends-With-The-Colonel Ace Pilot The Lighting Count Merquise.” 
(...I’ve lamented this before but it’s DAMN HARD to find alternate translations of GW's script, and I'm limited by being a feeble monolingual English speaker. If you’re reading this and have more expertise than I do on this matter and want to share your insights / sources, please know that I'd sign over my soul to see them.)
–On a side note, I love how super crunchy Zechs’ voice is in this first episode. As one astute comment I read once suggested: you can tell Brian Drummond was coming down from playing Vegeta. He still had some of that ol’ Saiyan phlegm in him.
– And now for a brief interlude from our scifi high-politicking to witness some relatable familial drama!
I appreciate this contrast! The important takeaway from this scene is that Relena is the daughter of Vice Foreign Minister Darlian, an important dignitary who mediates between the Earth Sphere Alliance and the Space Colonies. They’re on their way home from one of his frequent business trips to space. 
A vague spoiler, but I find it bittersweet how Zechs is unaware that Relena is on the shuttle about to be caught in the crossfire, and by showing up, he is saving her life.
OMG IT’S HAPPENING. IT’S HERE. IT’S TIME TO TALK ABOUT THE “BATTLE SEED”:
Zechs: “So that’s their little battle seed, all ready to sprout into new battles.” Soldier-I’ve-Named-Milo: “Ha. Operation M.” 
--I get the feeling that Milo is used to Zechs-isms by now and is just like “Oh lieutenant, you kidder,” whenever he says some wild allegorical shit he just made up. 
Anyway, here’s the thing about “battle seed”– this is obviously an idiom that we've done poor service to. But in the original, it’s apparently “Battle EGG”, or perhaps, “EGG OF WAR”. Does that help? No? Well that’s all I’ve got for you. Sorry.
Soldier-I’ve-Named-Milo: “It moves just like a bird…”
Aw, Soldier-I’ve-Named-Milo, you’re so cute when you talk about the enemy death machine. Of course it moves like a bird, it hatched out of a Battle Egg! 
Soldier-I’ve-Named-Milo: “Let’s wake him up with our machine gun!” Zechs: “No. No machine gun for him– Shoot him down!” Otto: “But, Lt. Zechs…!” Zechs: “We were told the purpose of this operation was to bring in the weapon, but it’s not the weapon, (the real target) is the fighter pilot inside!”
Now, I know “don’t shoot him with the gun, shoot him DOWN with the gun” sounds stupid, but really he’s just saying “No warning shots.” 
Whatever kind of new technology they’re up against, strafing it with a machine gun would be like hitting it with spitballs. What they need to do is get the enemy craft out of the air and capture the pilot, and the carrier ship’s machine guns just aren’t going to cut it. --Which is why Zechs is about to hop out and try and fuck it up with a Mobile Suit.
Fucking things up with a Mobile Suit is what Zechses like best. 
--It is worth noting that Zechs immediately clocked the pilot as the most dangerous and valuable part of the enemy operation (because of course! Pilots are warriors, and warriors have honor, and a warrior’s honor is proof of humanity’s worth). Mind you, this is moments BEFORE they see the actual Gundam, but nevertheless, this is a significant value statement that will be important throughout the series: It’s the people that matter. It’s always the people that matter. The weapons are secondary. Even if superior technology grants someone an edge in battle, a weak person behind the controls will always betray themselves.
This is partly why Zechs doesn’t use the Aries MS that’s designed for flight, despite this being aerial combat; he goes in his preferred Leo suit, which is your bog-standard humanoid canon fodder Mobile Suit used as ground troops. This seems like a suboptimal choice, but Zechs lives by the idea that a good pilot can overcome the limitations of their machine. 
And this is put to the test literally the instant he drops. 
–The unfortunate aspect of this scene happening in Episode 01 is that the viewer will have no context yet for exactly how absolutely, impossibly, ludicrously impressive this stunt is. Zechs not only isn’t dead after this, but he manages to fuck up a Gundam using a Leo, which is testament to exactly how much of badass this guy is. 
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Oh hey speaking of which check it out, it’s a Gundam. 
–Two of Zech’s backup squad are instantly blown away in one shot from the Wing Gundam. This is barely commented on, and I think that’s one of the bigger mistakes of this episode.  Those two guys aren’t named, and Zechs’ only remark is that it's "not too shabby" / "unbelievable". Considering how much the death of his subordinates weighs on him later, this seems remarkably flippant. 
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Soldier-I’ve-Named-Milo: “Are you alright?” Zechs: “Yeah. Sorry to worry you. I did everything I could.” 
See? That’s the kind of rapport Zechs and his subordinates usually have; they keep it professional, but the people who work with Zechs respect him immensely, and as their officer he tries to do right by them. 
Zechs: “There’s no bright future for soldiers scurrying for their reward.” 
This is a fancy-pants way of expressing disdain for the Alliance sailors who weren’t involved in the fight, but were more than happy to claim the spoils. In the fan translation of this episode he literally says “tell them the treasure sunk at these coordinates”. To him, these are just pirates after loot, not True Soldiers. 
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We just talked about Zechs for a long time. Now let’s talk about Heero Yuy.
Unfortunately for our first Gundam pilot, he took a long, precarious, silent shuttle ride all the way to earth only to be discovered immediately by the Alliance military. He fails to shoot down the civilian carrier that's seen him, and then he fails to shoot down the OZ mobile suit carrier ("Wait" I hear you say, "OZ mobile suit carrier? What's OZ? Aren't Zechs & co. from the Alliance?" Aha! Sharp-eared listener, you miss nothing! Have no fear, we will discuss OZ shortly).
Heero barely has time to dry out the wings of his Wing Gundam before he’s blindsided by OZ’s ace pilot and crashing his infinitely valuable Mobile Suit into the ocean. He makes it out alive by the skin of his teeth.
Not a great first day on the job for our boy Heero! Bad luck meeting Zechs Merquise first thing upon entering earth’s orbit. 
But a surprise encounter with OZ's top pilot notwithstanding, this... probably could have gone better, right? Why would our first introduced Gundam pilot be so cavalier about crashing and burning the second he makes it to his destination? Why would he recklessly reveal his Gundam and pick a fight on a stealth mission? And what’s with this giddy energy he’s got after making a fresh kill? Heero isn't exactly a cheerful guy; he only seems to laugh when he's exhilarated about having gotten away with something. This is one of those times, and it is his very most unhinged cackle. Finally, he gets to DO something. Feels good. Feels right. 
...It’s almost like this boy has zero sense of self preservation and no investment in his future; shooting down enemies for him is a game with no stakes.
–For the returning Wing viewer: if you're familiar the gist of Operation Meteor, remember that it would have been slated to happen directly before the series started; that’s when all the Gundam pilots (at the urging of their Doctors) independently decided to steal their Gundams and ignore the original premise.  So Heero just recently made off like a bandit with the Wing Gundam. He stole that motherfucker right out the display case. His primary objective at the moment isn't primarily to take down OZ and the Alliance (though that's obviously the long-term goal), it's to make sure the Barton Foundation DOESN’T get the Gundam. So really, getting shot down immediately upon arriving on earth isn't the worst thing that could happen. Heero smiles when he finally sees the earth because it means maybe this will be over soon. Mission accomplished. Now all he has to do is die! :)
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Relena Darlain’s father is a very important, very busy man who never has any time to spare for his daughter, even on her birthday, and in this telenovela of her own life, she’s going to graciously pretend like this doesn’t bother her and make her strong, independent, teenage girl way home on foot, narrating her predicament out loud along the way. She’s the main character, after all, the center of the world. Her troubles are the only troubles that are real.  
*Record scratch*
 Lying there on the beach is someone who is actually in trouble. She’s the only one here. She HAS to help. 
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–Alright, okay. I see what you did there, Wing.
--The gentleman in Napoleonic cosplay is Treize Khushrenada. He is a Major General (for now) in the Alliance military (for now), and his eyebrows are so big because they are full of secrets.
He and Zechs are best buddies forever and ever, they have matching charm bracelets, and they can finish each other's sandwiches. Whenever these two are on screen together I am going to have to decipher every. single. word. because Treize and Zechs are ALREADY cryptic bastards, and when they're together they talk in friend-speak where only half of what they're communicating actually gets said.
Just this once, as a treat, they are having a fairly intelligible conversation. First one's free.
...But really Treize, taking a call DURING the performance? Bad form old chap, bad form. 
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SIDE NOTE: Based on the teeny tiny figures, this could maybe be Petrushka? And I desperately want this to be Petrushka because:   
It means Treize has good taste 
Petrushkranada 
–To put this conversation in perspective: Gundanium is a very sophisticated type of semi-metallic ceramic-like compound that can only be refined correctly in outer space. Think of it as something you’d have to spend all your faculty funding on to buy a gram of for your science department. Suddenly, someone rolls up with a six-story building made out of the stuff. “You’ve got to be fucking kidding me” is the only appropriate response.
Treize: "Something like this never would have happened if you and I had been in OZ 15 years ago; that much is for certain."
--If I may humbly direct your attention to my Policy of Ignoring Stupid Shit, this one of the many reasons why we are going to glance at Zechs and Treize's canonical ages, do the math, realize that 15 years ago, Treize and Zechs would have been 9 and 4 years old respectively, and then we are going to gently slide those numbers into the garbage and crank them both up to a respectable adult age in our minds.
--OH RIGHT! OZ!! Remember, we were going to talk about OZ? Well, Treize is going to tell us about it here in a minute, I'm going to tell you about it now, because we need to know what OZ is in brief before we can make sense of this exchange:
OZ is a secret paramilitary organization hiding inside the official Earth Sphere Alliance military. As an organization, it's responsible for a great deal of clandestine political skullduggery and foul play that has left the Colonies and Earth in a state of easily-manipulated perpetual turmoil. OZ has been around for a while-- that's because its even MORE clandestine and sinister parent organization is even older. In its current incarnation, OZ is hiding out inside the elite mobile suit division called the "Specials", which Treize commands. In addition to being the Special's commander, he personally trained many of its top members when he was serving as an instructor at the Lake Victoria Military Academy. Zechs, and a number of other important characters we'll meet, all graduated from this academy under Treize's tutelage, and now serve him as elite mobile suit pilots in the Specials. Which is OZ. Which is the even more shadowy and sinister organization beneath that. It's a turducken of villainy.
What makes the Specials / OZ noteworthy in the ranks of the Alliance is that they are given free reign to act on their own initiative in combat. They don't answer to the Alliance military, they answer to Treize. This pisses a significant number of significant people off.
Treize pisses a significant number of significant people off. He's under the age of 65, which makes him an infant in the ranks of the brass. He's got elusive, powerful aristocratic backing that makes him untouchable. His followers are fanatically, and I mean FANATICALLY loyal to him. And he has the absolute chutzpah to be really good at everything he does. GOD he's the worst. His eyebrows are insured for $10,000.
--When Treize is lamenting that he and Zechs weren't in OZ fifteen years ago, he is referring to a very, very important sequence of events that began around AC 180 (give or take, if you're following my advice about stretching the timeline); events that brought the Earth and the Colonies within an arm's reach of unification and peace, only to be catastrophically and violently ripped apart, to the detriment of both.
(This is a very important date for Zechs, in particular. It's a very important date for the Gundams as well.)
Treize is making the point that if he and Zechs had been in charge back in the day, well, all this revolutionary sentiment wouldn't be necessary. We would have handled that mess far more sensibly, wouldn't we, Bestie?
-- Zechs has already absorbed this subtext and skips ahead to say "Gundams are on earth." Emphasizing that yes, shit really is popping off. The thing we heard scary bedtime stories about is real and it's happening and we get to be the ones to deal with it. Exciting times we're living in.
Treize: "I'm sure you're aware, but this is an important period. Do not do anything to anger the Alliance." Zechs, smirking: "I fully understand."
The Gundams aren't the only scary thing under the Alliance's bed. Lots of volatile elements are about to collide, all at once, very soon. Treize is just giving Zechs a wink and a nudge-- hey, I know you already know that big things are afoot, I trust you not to rock the boat too early.
--Oh! For the record, OZ stands for Organization of the Zodiac. You may have noticed that the two standard Mobile Suits we've been introduced to so far were called "Aries" and "Leo". OZ is inseparable from the history of Mobile Suit development, and all of its MS are therefore constellation-themed. ...But it's also just straight up a reference to "The Wizard of OZ", because OZ's signature mascot is--
--A LIIIIOOON!!!
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...Yes! Thank you Tinylion, now we know why you're here. Back in your teapot now, sweetie. There you go.
--It's a lion, and the insignia for the OZ space corps is the Tin Man. The series lead scriptwriter Sumisawa loves him a book & film reference, you will find them all over Wing.
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–Gosh, Treize is so SASSY in this episode. Look at this delinquent, showing up late for War Class because he was at a concert and on the phone with his boyfriend. Here he is giving lip to his supervisors, answering questions with totally undisguised disdain. He can’t keep getting away with it. He’s a naughty, naughty boy. Someone should teach him a lesson.
–God yes, General Septem. Fuck yes. The best worst voice acting in the show. Iconic. Immortal. Powerful. Showstopping. Brave. Go off, Nappa. 
-VALUABLE KHAMBET RESAWRSEZ
–Treize is sitting at the war table like a fox in a chicken coop, biding his time and thinking: “I don’t owe these complacent, arrogant fools answers for anything. They haven’t left their desks in decades. They’ve never seen the cost of human life first hand. In the depths of their ignorance they think they’re the ones who can steer the course of the future. Hilarious. Thank god for Me.”
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MEANWHILE: Relena is still on the beach trying to figure out what to do with this sick feral cat she found.
The TNR crew finally shows up with a kitty crate but the cat wakes up and tries to chew its own head off in self-defense. Having failed to die, it bites everyone, hijacks their car, and gets the fuck out of Dodge. 
“Ma’am have you had all your shots?”
Relena is not listening. Relena is introducing herself to the Heero-shaped dust cloud that’s still lingering in the air, because what the fuck else are you gonna do. 
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Oh hey look it’s more Gundams!
The Gashapons of War have touched down in different parts of the world and set to work wreaking havoc immediately.
Unbeknownst to the Alliance or OZ, any appearance of coordination between the Gundams is an accident– none of them have any idea there are other Gundams besides their own. 
They’re all in the same position as Heero: they refused the original premise of Operation Meteor and now they’re on borrowed time fighting whatever enemies come up on their radar. Each of them thinks they’re in this alone (except for Quatre, who has groupies). 
However, just because the pilots aren’t coordinated doesn’t mean the mysterious people giving them orders are. But we'll learn more about that later.
--- Let's meet the rest of the Gundam boys!
–Duo: LEEEEROOOOY JENKINS we only get old memes in the colonies –Trowa: New phone, new name, new Gundam, who may I ask is calling –Wufei: Stealth missions are for casuals who can’t fight their way out of impossible odds. Skill issue.  –Quatre: I am literally begging you to not fuck around so I don’t have to make you find out.
Speaking of Quatre: Hey! If this were a different series with a mature audience rating, this scene would be unmentionably gruesome! 
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-Awww, Soldier-I’ve-Named-Milo is bad at math! He’s just like me for real. Anyway, there are (4 + 1 = 5)....Five. Five Gundams total.
-Zechs correctly makes the assessment that the game has just changed, and it’s about to get extremely serious very quickly. 
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___
And now, the moment we’ve all been waiting for: 
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Spicy feral kitten arrives at Relena’s school. Relena is more confused than ever, but now this is officially a Mystery. She likes mysteries. She likes Mystery Boy. He’s the perfect foil for her, the main character, in this YA novel that she is the protagonist of. 
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Feral Mystery Boy suddenly makes it 100% publicly clear that he has no interest in playing nice, or in playing at all. Mystery Boy leans in real close, and says a thing that you might hear from, say, a guy in a black suit you accidentally witnessed murdering someone in a back alley, who then followed you to school.
The telenovela of Relena’s life is hitting its mid-season dark plot-twist, and 
She.
Is
Loving. 
It.
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Tune in next week for Episodes 2 - 3! 
~TinyOzLion, out.
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emerald-notes · 11 months
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Jack In The Box, album by J-Hope
Notes: It’s time to express some of my thoughts regarding every member’s solo albums and singles. I’ve been putting it off for months. Let’s do it without further delay, starting with the first member to have released his solo album.
1. Intro: 9/10
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“It flapped its delicate wings as it danced around Pandora, lightly brushing against her shoulder.”
Basically it’s the story of Pandora in Greek Mythology and the origin of hope in the mortal world. If you haven’t heard it yet, this post is a sign for you to look it up (also check out Ted Ed’s video ‘The myth of Pandora’s box’ for more details). The narration of the story (J-Hope’s intro) is smooth and short. It sounds pleasing to the ears. And it is definitely a unique idea for his album’s intro. I believe what Hoseok’s been trying to tell is that what he is to the Armys is what hope is to all the people on earth.
2. Pandora’s Box: 10/10
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“J to the Hope, Jung to the Huimang, Jack in the box”
Only Hoseok can make a fine connection between a myth, a toy and his whole personality and also make total sense. It’s probably my first time listening to a song that is a retelling of a myth. And Hoseok did an amazing job here. The lyrics made my jaw drop, like literally. I said it once and I’ll say it a hundred times, BTS is one of the few artists who knows what poetry truly is. And this song is one of the many living proofs.
3. More: 8.5/10
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“My work makes me breathe. So I want more”
The first released song with the music video shook me a great deal like it did to many Armys I’m sure. The sunshine of the group in such a grim-emo kinda look was absolutely out of the blue. Nevertheless, this vibe suits him right. Comparing their passion for making art with an awful addiction is a thing BTS did in their early works too. I can see that theme portrayed from Hoseok’s perspective so well.
4. Stop: 6.5/10
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“The only belief that rules over me, ‘There are no bad people in the world’”
The struggle of freeing yourself of the innate nature of being judgmental is portrayed in this masterpiece. Shoutout to Hoseok for speaking about the truth of today's world and people’s values and ethics while still keeping an open mind, making sure not to judge anyone harshly. The lyrics definitely deserve praise. But personally I think it is not a song that I can listen to more than once.
5. = (Equal Sign): 7/10
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“Same, the breaths we breathe. Same, the dreams we dream of”
Yes! Sing it, J-hope. Who’s going to give us hope at times of despair if it isn’t you? The change is indeed soon to begin. We’re all in this together. Let’s make a better world without prejudice and hate. BTS, as well as us, the Armys; we believe in ‘Love’.
6. Music Box: Reflection: 10/10
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This one is actually brilliant. At first I played it on repeat many times a day. I even set it as my alarm ringtone and it is still there. I know, we shouldn’t be doing that because it makes us hate the music afterwards. But I still couldn’t grow to dislike it. This music has a whole aesthetic to it that makes me imagine myself in a music video everytime I play it.
7. What If...: 8.5/10
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“What if I have nothing?”
This one shows what Hoseok has been trying to portray through the whole album pretty directly. You can see him questioning his own personality. Is he really all sunshine and rainbows inside out? I mean, is that even possible for a human? You can hear his passion pouring out in the voice. Chef’s kiss to the bravery of finally speaking out; louder for the people on the back.
8. Safety Zone: 8/10
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“In my 20’s, I’m living an endless life”
It hurts when you look up a song and you find the lyrics so sad. The life of an idol is never really easy. People need to keep in mind that these idols are humans too. Give them some break for God’s sake. They talk about their struggles through their songs and yet we fail to see it. I really hope Hoseok finds peace and happiness that he deserves.
9. Future: 6.5/10
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“Walking in the future, a step of hope”
The fact that Hoseok worries about his future too shows how much he is like us. After all, at the end of the day, we’re all human. Let’s keep our courage and step forward.
10. Arson: 10/10
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“Do I put out the fire or burn even brighter?”
Just think about the poetic effect of the last line of the last song. Even though I liked most of the songs from this album, Arson takes the trophy. The music, the lyrics, the mv, everything is just fine as fine can be. J-Hope never disappoints us with his unique ideas. I’m in love…
Notes: The album is a masterpiece and it deserves all the attention it got and more. Apart from the fact that the music and the beats are all kinda dope, we need to focus on its lyricism too. This album feels like a cry for help. We need to acknowledge Hoseok's struggle as an idol and try to sympathize. Let's try to become the best version of ourselves as fans and let our idols live a normal life while supporting them unconditionally.
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Devi Vishwakumar and Ben Gross. Literally two of the dorkiest dorks to ever be dorks. They're rivals that have been competing for the top of their class since kindergarten.
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Basically Devi (whose life is narrated by John McEnroe) is the main character of Never Have I Ever. She's just kind of a Weird Girl. Ngl kind of the Weird Girl gremlin that lives inside of all of us. But she has, like a) PTSD because her dad had a heart attack and died while she was playing at her orchestra concert, and b) a very bad temper. She's ANGRY. All the time. Her feelings are just too big for her and she cannot control her words or actions. (She does learn to eventually with therapy. Bur Ben says she "definitely has an undiagnosed mood disorder" and is very, very correct.)
Anyway, BEN! Ben is my blorbo. My lil dorky dude. He carries his backpack all Weird and talks incessantly about his celebrity encounters. But he has really bad cPTSD because his parents deadass do not interact with him at all. He hasn't had dinner with them in like 2 years. It's a plot point. We see them and his mom is, like, the most manipulative woman in existence. Just terrible. This post kid has the single most insecure attachment style of anyone ever to exist.
Anyway, for a while, Devi and Ben make each other WORSE. They descend into madness. Like, Devi has no idea how to have a relationship and two times Ben with a popular jock. Ben gets a string of random girlfriends so he doesn't have to be alone and Devi flies off the handle. One of the girlfriends also treats her SUPER badly which does not help. Ben's also so conflict avoidance that he ghosts her after they have sex for 3 months. It is a SHIT SHOW.
But eventually they Iron it out. They deeply understand each other, and there's never been a lack of love between them. Just Bad Mental Health all around. Devi clearly isn't going to cheat again, and Ben's definitely working on being more secure in how he attaches to people. They have a really sweet endgame where he flies from NYC to LA to confess his love to her in a grand gesture, and they ride off into the sunset on a scooter in the same way that Devi's parents did in a flashback. It's wonderful.
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thank you thank you for this I’m feeling like I’ve experienced the show now and it is great and so so just. Relatable and all the feels and I’m so so glad they do get their happy ending!! Academic rivals for years is such a recipe for something that could be a guilty pleasure for me, but like, in a pain-pleasure way. I need to stop relating things to any remotely similar experience!! (But let’s be real, I won’t). Something about just that deep understanding of each other in the face of a world that So Doesn’t just gets me I’m glad you were able to share it in such an accessible way, and hopefully one day I might have the joy of being able to watch it for myself (or even experience something like it that’s kinda the dream hey)
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hello-nichya-here · 3 years
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How NOT to write romance - How I Met Your Mother edition
Warning: long-ass post and lots of bitterness over a TV show that ended nearly eight years ago.
Basics for story-telling
If the romance you want to write is dysfunctional, fucking embrace it and have fun with the concept instead of pretending the bad shit the characters do is okay because “it’s true love”
Acknowledgde that your main character has flaws instead of acting like he is a saint who can do no wrong for no reason other than “he is the main character. Definitively don’t make him do, of his own free will, the exact exact same things the supposedly “selfish and cruel” womanizer does and then excuse it as him having “succumbed to/been tricked by a bad influece” like he’s child who doesn’t know any better instead of being a grown ass adult.
Don’t make your characters be annoying, entitled fuckers who think they have the right to judge others for wanting different things out of a relationship/not wanting a relationship at all. Don’t act like monogamy, double dates with other couples, marriage and children are something EVERYONE secretly wants deep down.
Don’t demonize the “evil” character of the group and act like the “heroes” being appalled by the shit he does is anything other than hypocricy. There’s literally nothing forcing them to be friends with him, so they’re obviously not as horrified at bad shit he does as they say they are, otherwise they would have ditched him a long time ago.
Don’t have the “heartless womanizer”,  who we later find out is the ex-husband of the girl the lead wanted for himself, be shown to us exclusively through the eyes of the an unreliable narrator who had motivation to make him see worse than he is likely to be (get his kids to want him to get the girl instead of the “douchebag”). Also, don’t make his schemes to trick women into sleeping with them so completely absurd and ridiculous that the audience is pretty sure that 70% of the women he banged were completely aware he just wanted a quick fuck and went along with it anyway because they wanted some dick (and because the character is played by Neil Patric Harris, who is incapable of not being charismatic)
Fucking let you characters (especially the supposed hero we’re supposed to think is the best boyfriend ever) grow instead of making them constantly repeat the same mistakes
Lily and Marshall
Don’t make one of the characters hide something very important from their partner, and then have the audacity to be mad at them for “just not understanding” as if they were given any reason to understand what the problem even is
Don’t act like someone being heartbroken that their partner lied to them and practically made a plan to “escape” being married to them means they’re not being “supportive” of said partners dream - you should especially not do that after we were shown that they took a job they didn’t like just to make sure they’d have a secure future that would allow said partner to follow their dream.
Don’t have the character who was obviously in the wrong need to be convinced to get their shit together and apologize to their ex.
If a character forgave the ex who wronged them and even got back together with them, don’t have them constantly hold their past mistakes over their head like it that problem has not already been solved - you especially not make them do that on what was supposed to be their wedding day. They can either forgive their partner or not, they can’t keep going back and forth.
Don’t have them constantly hide important shit from each other (having a huge financial debt, getting a job, etc)
DO NOT have the character who fucked up years prior suddenly be willing to do the same shit again for the EXACT same reason (”I think our relationship is in the way of my dreams and I’m now completely isolated because I refuse to talk things out with you”) and then expect the audience to sympathize with them.
Ted and Robin 
Unless you’re writing a Disney/Disney-esque romance, don’t have your lead just look at someone across the room, decide they’re “The one”, imagine their life together and full on say “I’m love with you” AND “I love you” on the first goddamn date.
Don’t have the lead stalk his love interest, and throw three parties in a row just to have an excuse to get close to her now that she made it clear she is not interested in having a relationship with him.
Don’t have the “hero” lie about having broken up with his girlfriend so the girl he wants to be with will sleep with him, and then have him blame his actions on time. “Nothing good happens after 2 a.m.” Grow a pair of balls, Ted!
If one of the characters says “You’re going too fast on the whole ‘love’ thing. Can’t we just go on a few dates and see what happens instead of already starting to plan our lives together?” and the others throws a fit, that is called “being incompatible” and “damn, this dude doesn’t respect boundaries”, not “Wow, she’s so afraid of commitment”
If you want the audience to believe the main character’s feelings are not one-sided, don’t make the fact that said feelings ARE unrequited a running joke, and don’t have the girl only accept giving him a chance after having to deal with the fucker whining “But I love you” for months and/or after going through bad break ups. Also, if you have to retcon half the fucking show to “proove” that “she DOES love him”, that pairing fucking sucks.
Don’t compare the couple you want the audience to root for to the main character’s divorced, dysfunctional parents, and don’t have flashbacks showing that the lead had no clue what his girlfriend actually liked in bed AND that she literally covered up his face so she could pretend she was fucking someone else.
DON’T MAKE HER GET RID OF HER DOGS, YOU FUCKING MONSTER!
If your lead character is still jealous/possessive of his ex, thinks he still has a chance even after she told him to his face that she didn’t love him, and acts like she and her fiance (who he says is his friend) being happy is somehow them being selfish and cruel, your lead character is a loser AND an asshole.
Don’t throw away the entire premise of the show (Ted finding the REAL love of his life) just to force a bad pairing down the audience’s throat
Ted Mosby in general
Don’t have your “romantic, sensitive hero” break up with a girl on her birthday through an answering machine, come back into her life without warning years later because he’s afraid he’ll die alone, and find out that she never heard the message but was actually told about it by her friends and family who were at her apartment preparing a surprise party for her. You should especially not make his first reaction to this new be being mad that he was not invited to the party, and for the love of God, don’t make him break up with her on her birthday AGAIN.
Don’t have the “hero” cheat on his girlfriend and excuse it with bullshit like “Nothing good happens 2 a.m.” and “But I genuinely love Robin so it’s okay that I’m lying to both of them”. Do not, I repeat, do NOT have him blame it on his girlfriend being distant when she didn’t pick up the phone one night and then called back the second she was free to do so, while he was enjoying the gifts she sent him and LIED to her about having sent her some as well.
Don’t fucking make an entire episode with the premise of him turning a no into a yes - and telling that story to his children like it’s romantic.
Don’t have his fiance, who he knows has a rocky relationship with the father of her daughter, tell him she is uncomfortable with him inviting his ex to their wedding and then have him decide “This means I should invite her ex as well”. Also don’t expect me to feel bad for him when she runs off with said ex.
Don’t have him spend YEARS waiting for one of the hundreds of girls he thinks is “the one” to be single and even ask her neighbour to spy on her and let him know when/if she breaks up with her boyfriend - again, for YEARS.
Don’t have the lead say he’s gonna tell their kids about his love story with their DECEASED mother, only for it to secretly be an excuse for him to go “By the way, I’m still in love with aunt Robin despite her having rejected me for 25 years, can I go screw her?”
Don’t act like making the characters reverse back into who they were at the beginning at the story means they’re gonna make things work this time when the whole point of their break up in the beginning on the story was the fact that they’re just not right for each other.
Robin and Kevin
A therapist who was supposed to help their patient move on after a bad break up that messed them up, dating said patient is a major red flag. It is also a bad sign that, when she cheats on him and wants to break up, he realized what she was doing to used his job as “evidence” that he knew better and that she should NOT tell her partner how she felt/what she actually wanted.
Do NOT have said therapist date yet ANOTHER patient that asked him help to move on from a bad break up. Seriously, Kevin was a creep, stop acting like he was some angel who “deserved better than Robin.”
BONUS: How NOT to break up a couple - Barney and Robin edition
Don’t act like their relationship falling appart after their friends kept meddling, and even kept them locked in a room against their will until they labeled their relationship as something they aproved of, is somehow “proof” that they’re not good for each other.
Don’t retcon their relationship to force a break up (seriously, Barney was super supportive of Robin long before he even fell in love with her, but I’m supposed to believe he’d be a bad boyfriend who is never there for her? And he loved advantures and always said “challenge accepted”, but was suddenly miserable travelling the world with her and couldn’t deal with not having wi-fi at the hotel? Fuck off)
Don’t spend an entire season focusing on their wedding, have them get married and then divorce THE NEXT FUCKING EPISODE! Why do you hate your audience? Even people who don’t want them together can see this a terrible idea.
And most important of all, when people question what the fuck were you thinking, don’t have a meltdown on twitter and say that people who think Barney can change are responsible for Donald Trump being elected, you fucking weirdo, go see a therapist (that isn’t like Kevin)
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tokyokookmin · 3 years
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I really loved your explanation regarding vmin it was retable. kanmom51 anon, Im using a little of your ask for @tokyokookmin to explain and narrate a lil about JIMIN shes a JM biased too so I felt that it would be appropriate to ask her.
"Because it’s no secret that JM doesn’t get any praise from the company, the choreographer, and all."
"When it comes to the members it’s a different topic. They hype Jimin up. We have J-Hope constantly praising JM. Jk completely in awe with JM dance. Jin thanking him for helping him rehearse."
"So for me Bighit for some reason doesn’t do anything for JM, no credit in his work, no acknowledgement, nothing."
I felt that every single word that this anon has said is pure truth and this remark deserves much more attention. We all know what's currently going on with JM, the situation is really bad and its getting worse, toxic solo stans are bashing him and they are comparing him to other members from every perspective + even the hate that he's getting bcuz of him "annoying jk" in that memories 2020.
I need you to explain on how a wonderful person JM is. Your impact makes a huge difference on people mindset. tysm keshhh.
Hey there anon!, I deeply understand your emotions. The hate that JM is going through is really bad and I have personally reported those accounts on twt etc. I even took a few snapshots of a tiktok video comment section... I will surely share them some day or another. Well then lets get started! I can't compare J-HOPE TO JM because they are my biases and both of them captivated my eyes, I just can't resist their flawless moves and they make a great dance unit... it would be incomplete without one of them + JK lol.
Most armies would say that JK is the golden maknae or he's the best overall in the team, well y'all took JM for granted, he's capable of doing so many things as well. But before that we need to talk about his dancing skills, I have made one blog about the 3J. Here's the link if you would like to know about their achievements/viral moments https://tokyokookmin.tumblr.com/post/654670945252933632/a-guide-to-the-dance-line..... this blog was mostly just me collecting info's lmao-.
1. DANCE ☝️
Well I found this incredible video from tiktok and I thought that this video would be perfect to describe his contemporary skills. Utmost respect to the creator for creating such a masterpiece!
Jimin Van Fleet Award!
Do we really need to talk about this? We all knew what impact he had given to audience with his remarkable traditional korean fan dance.He is extremely talented, after all he trained in contemporary.
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“I received many really big awards today. I sincerely appreciate it, and it was a day when I thought I would like to share it with you with better music and stage in the future. Thank you all for your support. #JIMIN# We have been unclear” #JiminWorldwideLoved 📷📷📷📷
"As emphasized by the ballet dancer, being lifted is not easy, just like in the case of Jimin in the said stage. A strong core, glutes, and chest are vital for the one being lifted." https://youtu.be/3RW91KT3bXw - another review from a japanese dancer.
He is extremely versatile and he can master any sort of genre.He excels in dancing,his moves and fluidity of his body is astonishing they way he moves every tissue in his body to perfectly to complete the cheoreo is just mind blowing, he is truly the embodiment of dancing! Believe me or not, you should pay more attention on his facial expressions... he keeps it graceful. His fingers and angle are on point.
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From MAMA 2016 Lie meets Boy meets evil to MMA 2020 black swan 🦢..I wonder what's coming up next.
2. Loving member
Jimin is the member that I connect emotionally to, he's a sentimental person but he just doesn't show it you just have to pay attention on his behaviour and actions. He consoles many of the members and he provides comfort for them. The picture I attached below sets a great example.
1. BTS MAMA 2018... It was a tough year for them. They were close to disbanding, and the members were emotionally drained. My heart sank when I saw hobi breaking down in front of the crowd, you can find tons of fancams but you should take a close look at Jimin. He handled the situation very well and I love the way he gives his subtle touch of love towards the other members.
2. Taehyung grandma death announcement
I don't think that I need to explain the about the situation. Taehyung was really sad and felt guilty as he couldn't mention his grandma name. He broke down and Jimin immediately noticed him and ran towards him and just gave him little pat/huggie.
3. The Final
Even by looking at the picture you can see the comfort. You know that GCF-TOKYO song “there for you’ which implies that Jk means he will be there for jimin but "you gotta be there for me too” which means jimin gotta be there for him too. So yeah, JM just know jungkook well and he comforts Jk pretty well.It was so cute and i wished i was a part of the audience, i would have had a panic attack looking at them being so cute,fluff,intimate ON STAGE . Too bad it’s impossible now .
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3.He's a badass [ athletic/ physical ]
Jimin has often talked about his experience in kendo,japanese fencing,Geomdo (검도, 劍道) “Way of the Sword” & hapkido. HAPKIDO: electid korean martial arts .It is a form of self-defense that employs joint locks, grappling, throwing techniques, kicks, punches, and other striking attacks.
https://youtu.be/oUcHghZQxiw - a video you may refer to.
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.4.Academic excellence
After Namjoon Jimin has the most remarkable academic achievements in bts. He was one of the top students in junior high and was THE top student in Busan arts high school from ALL the departments. Fun fact Jimin IQ is 128! He was valedictorian too.
"When he was in junior high, he was one of the top students so Jimin's dad thought of enrolling him in a foreign language school. When he decided to go to an arts school, his teachers tried to stop him and were disappointed. He was accepted as the top of his class and attended Busan High School of Arts. He was doing really good. Then he switched to K-pop dancing and decided to be a trainee in Seoul. Teachers also tried to stop him and were disappointed. Park Jimin's life is really something.
36. Our Jimin didn't spend a lot of time preparing for the arts school. He was dancing popping when he decided to go to the arts school. He then learned modern dancing for a little over a year and was accepted at Busan High School of Arts as the top of his class even though he was a dance majorπ TT TT Every member in this group could've been successful at anything. That group is our pride, BTS.
60. Wow! If there's only one dance class, it's really incredible~ It's hard to get a top student from dance department. And it was achieved by a male student and it's Park Jimin TTTT
67. That's what I know too.. I was looking into Busan Arts School before and one class for dance is probably correct. It was mostly music and art classes that I remember. So from Busan Arts School, one out of ten classes and a male student from dance department getting accepted as the top of the class...the percentage is just incredible. I know that the dance class has about 40 students? And male students could be 25:15 or 30:10. Jimin broke through this and became the top.
Namjoon and Jimin really made a huge gamble. They could've went the easier way. Truthfully, if they went their way, they both would have succeeded. But becoming an idol and not knowing what their future will be and BTS not being successful from the beginning must have been really hard for them. But now I'm glad they're successful and they can realize they've made the right choice."
cr @artimitatesjimin
I really respect and idolize him. His personality is unique and its different.He's been through alot. Being kicked from BTS for 8+ times, the members ranking his looks as the last and being called fat and ugly, that's really disturbing. He starved and went on diets just to please the audience and to have a jawline. He works his ass of and he really deserves more. He's obviously cutie,sexy,lovely,sweet guy! He prioritize his career, family and fans before anything. He has absolute heavenly vocals (+crazyyy high notes) and he is the definition of stage presence. PARK JIMIN IS THE STANDARD. Solo toxic fans are definitely going to attack on me but this is the reality.Jimin deserves more and he's such a sweet person. He performs with his whole heart and expresses it wonderfully,he goes all out and each performance comes out from his soul. He loves to perform. I MEAN FOR THE LOOKS, JIMIN IS THE FIRST FOR JUNGKOOK~.
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He once even wasn't able to attend THE GRAHAM NORTON SHOW due to his sore muscles.
He went through alot and he deserves the #1 in brand reputation, who doesn't admire his determination?
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Each member is unique in their own way. I want no hate or malice on my platform ~
Bits and pieces I collected anon! love ya ~ stay safe.
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theravennest · 3 years
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Hot Loki Take: Sylvie was Right
*Spoilers for all of Loki the series up to and including ep 6.
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Sylvie was right to kill He Who Remains and free the timeline.
I’m deadass.
He Who Remains forced reality into an endless cycle between a time of Order (he rules as dictator) & a time of simulated and controlled "Chaos" (his Conqueror variants wage war). I say this “chaos” is simulated because when you think about it, it’s chaos that He Who Remains arranges himself by manipulating Lokis.
He Who Remains is so fucking sus but for some reason people are just tripping over their own feet to believe everything he says and vilify Sylvie for killing him. 
He literally tells them (and us) that his methods are deceptive and we know for a fact that he’s willing to murder trillions upon trillions of people, planets, and realities to get the outcome he wants. Yet some are still believing everything he says cuz he said maybe 4 things that were truthful, I guess, and cuz he’s cute. Some of us are so blinded by the fear/anticipation of Kang the Conqueror’s arrival, we are letting him bamboozle us.
He Who Remains perfectly and personally tailored the Ordered period of the timeline to produce this exact Sylvie and this exact Loki, had them meet/influence each other, and then had them travel to the end of time...to him.
Now Lokis by nature are agents of chaos and could suddenly swerve left, so to speak, for no reason. So let’s assume I believe that He Who Remains didn’t 100% know what they would choose once they crossed the Threshold (if the Threshold he described is even real, tbh). He also so carefully molded both of their entire lives for that moment in the Citadel. He may not have known 100% but he knew at least 90% of how they would react to everything he said and did when they were both pushed to this place/mindset.
Notice how he teed them up for the fight that ended in his death:
Manufacturing a scenario where they would meet via the TVA’s variant pursuit.
Manufacturing a scenario where they would travel to the Void and meet Alioth.
Kid Loki being in just the right place to give his sword to Loki.
Miss Minutes appearing to menacingly offer an obvious devil’s bargain.
Him slyly telling Sylvie that she can’t trust Loki, putting it into her head just before he gives them his ultimatum.
All of these thing practically gift wrapped that ending to the Loki on Sylvie fight.
Let’s elaborate.
What was even the point of Miss Minutes offering to re-insert them into the same Sacred Timeline with both getting their hearts’ desires there? 
Not more than ten minutes later He Who Remains told Loki and Sylvie to their faces that he manipulated all this for the sole purpose of making them choose between taking over as rulers of the TVA or killing him and ushering in a Multiversal War. Neither of those choices would result in re-inserting Loki and Sylvie back into the timeline.
So what is the truth? Why waste precious moments with a creepy Miss Minutes menacing them in that vestibule scene?
Notice how Miss Minutes’ words pushed Loki further onto his path of no longer wanting power or a throne but desiring to change his attitude about himself and the universe. Notice how her words conversely pushed Sylvie into balking at the idea of accepting another “fictional” life after a lifetime of being manipulated and made her double down on her mission to free the timeline and get revenge.
Sylvie has the ability to see memories but interesting how he kept her distracted by condescending to her and provoking her, just stoking the fire to make her react negatively. (Interesting how he was far more focused on Sylvie’s reactions than Loki’s, most likely because he needed her to kill him for his plans to work.)
Now I don’t want to completely shift responsibility for her choices away from Sylvie. In truth, if she had held in her vengeance for let’s say an hour and trusted Loki a bit more, they could’ve sat down to talk about things and maybe found a third solution other than starting a Multiversal War or ruling the TVA that still could’ve even allowed her to get revenge. (More on the ultimatum later.)
But I can’t blame her for losing her cool, either. He Who Remains made damn sure she would burn as hot as possible because he tailor made her life to give her the personality he wanted. And any other version of her out there who might have made a different choice would’ve already been pruned.
He Who Remains tells Loki and Sylvie straight up that he set them on their particular life paths because he needed them to be “changed by the journey” to ensure everyone in that room was in exactly the right mindset to do what was needed to “finish the quest” and presumably “slay the dragon,” aka Him. (Notice the parallels to the speaker narration just before episode 2′s fight at the Ren Fair.)
We don’t know! Sylvie never enchanted him to read his memories because she was so filled with rage and Loki was too busy trying to stop her, he didn’t think to do it either. And we’ve already established that He Who Remains trained them that way. Nothing that happened in that office was without He Who Remains’ influence and meddling.
Another nail in the coffin that convinces me that He Who Remains is a no good dirty liar is Renslayer.
If He Who Remains’ end goal was to either have the Lokis choose to rule the TVA or destroy it and thus end up with no memory of her previous TVA judge role/life, why did he send Miss Minutes to Ravonna with files that caused her to pack her bags and search for what she calls “free will,” AKA the one in charge?
I’d bet dollars to donuts that when the next season rolls around the only people who will know what’s going on and still have their memories will be Loki, Miss Minutes, Sylvie, and Ravonna. (Maybe Kang the Conqueror will know as well but I could see it going the other way too. I’m 50-50.)
He Who Remains was planning something by pushing Ravonna the way he did. Does he want her out of the TVA so she doesn’t lose her memories when everything resets? Does he want her to go find the Conqueror version of himself? I mean, at this point, practically everyone knows who she is to Kang in the comics, so let’s not pretend that’s not an option.
Another thing to think about...it’s super suspicious that he was so eager to make them believe he’s one of the “good versions” of Kang and all these others are much worse while giving absolutely no evidence of that outside of an interactive blob powerpoint, a quirky attitude, and a couple of sad, weary faces????
Who’s to say He Who Remains isn’t playing the long game and always manipulates his variants to eventually give him the chance to seize control of the multiverse?
Who’s to say he’s not one of the Kangs that wanted to conquer too? Funny how the “pure of heart” Kang is the one who still wrested control of all reality, killed off every other timeline with a weapon of mass destruction, installed a fascist time bureaucracy, and set himself up as the dictator. Sounds an awful lot like some conqueror shit to me, just saying.
Even wilder theory: what if this really is the same Kang the Conqueror but at the end of his life? We only have hhis word that he’s a variant. He Who Remains tells Loki that this fight is for the “young and hungry.” Maybe the “young and hungry” he’s referring to is not Loki and Sylvie at all but his literal younger self. Perhaps he set up this entire cycle of chaos and order so that he can perpetually live, conqueror, rule, die, and start all over again? Reincarnation, as he says...
But let’s set that wild theory aside for a moment. Let’s circle back to the Multiversal War debate and say it really is is caused by an infinite amount of his variants.
I think it’s hella sus that He Who Remains was so insistent that Loki and Sylvie only had two choices to resolve this riddle: Multiversal War or running the TVA almost exactly the way he did while maintaining only a single timeline. Those are definitely not the only two options they had. In fact, I could probably name 1-3 other options off the top of my head right now:
Keep He Who Remains alive while learning how he manipulated time and using those skills to slowly unleash the multiverse while killing every version of Kang to prevent him from existing as either conqueror or dictator.
Kill He Who Remains, take over the TVA, and slowly change it to something not horrific or even build a brand new system for governing time.
Kill or keep He Who Remains, still take over the TVA, slow rollout the Multiverse and kill or prevent every Kang along the way.
(I’m not saying these aren’t also morally questionable options, I’m just saying they are different from the two choices He Who Remains presented.)
But let’s say these options I suggested are not feasible. I just randomly came up with them ten minutes ago so it would be fair if they were picked apart logically. 
So let’s contemplate this, instead:
Why should we assume/believe that a Multiversal War is actually a bad thing again??? Why are we assuming that He Who Remains’ Sacred Timeline really saved reality from total collapse? 
Assuming he told the truth about his motives, maybe he was just...wrong about the end of reality. Maybe he saw what he thought was the conclusion to the Multiversal War coming and erroneously believed it to be the end of everything but actually it was the multiverse sorting itself out and everything would’ve been fine after.
We (and He Who Remains too) will never know because not only did he not show any evidence to back up his claim that reality was on the brink of collapse, but he himself never allowed things to play out naturally. Whenever the end of the war comes to the brink of something, he always panics, weaponizes Alioth, and traps the universe in his cage of Order with the TVA.
Even more controversial take...maybe the collapse of timelines and the end of everything should be allowed to happen. Maybe the natural cycle of reality is to build and build, splinter and splinter timelines, until it collapses and starts all over again from the void.
Nothing is created and nothing is destroyed, all things exist in a cycle so why should the multiverse be any different?
After all in all, in all three possibilities an infinite number of timelines is destined to suffer and die. Whether it be during the Kang-controlled Order period, Kang-controlled fake Chaos period, or the unrestrained natural Chaos that collapses in on itself...an untold amount of people are dying anyway. There’s only one of those scenarios that has actual unrestrained free will where those people get to exist how they want, make choices they want (even bad ones) for as long as they can.
(Personally, I’ll take that over what the Kangs have wrestled the multiverse into.)
I’ll just take this moment to re-iterate: trust nothing He Who Remains says. He’s a known liar and manipulator, and unlike Loki he has done absolutely nothing to actionably show he’s not still lying or to show that he’s trying to change outside of some sad looks. It’s all pantomime, bruh. Like, the pageantry of it all astounds me. 
Is he maybe telling some truths? Sure. But that doesn’t mean he’s not using the truth to manipulate everything. It’s an illusion, I’m telling y’all! He was up to no fucking good.
Sylvie was far more right to kill him than to not. Loki, Sylvie, & team (prolly also the latest Avengers lineup too) now just need to find a way to break this Kang cycle.
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fivescoffeemug · 4 years
Text
milk coffee. (Five Hargreeves x Reader) (part 2)
Summary : you got too broke to pay for rent so you crash at Five’s.
Warnings : none
Words : 2,137
A/N : please please tell me (thru dm or ask box) if you want to be in this taglist, because I’m making more parts and this is seriously flopping :(
(Just to be clear, the story takes place on 2nd April 2019 assuming they got back to the umbrella academy and not the sparrow academy because fuck the cliffhanger)
taglist : @eyelash-curler
part 1 | part 2
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“Have you got the money?”
“Sorry?”
“The rent.”
“I—I ... I don’t—I don’t have it yet.”
“Sorry but you’ve been here for three free weeks.”
“Miss, please, please just give me another week I swear my book’s just—”
“Get out.”
“Miss just—”
“I’m going broke too and I need the money! But since you’re broke too one of us has to have money right? Now go back up and pack your shit.”
“I’ll be homeless.”
“I’m giving you till five.”
Five. It hit you like a swing of a sledgehammer to the back of your head.
No, you thought. That would be so pathetic.
But what other choice did you have?
You rushed up the stairs, grabbing your phone and finding the word ‘Five’ in your contacts. You pressed on it, calling it immediately.
At the fifth ring, he finally picked up.
“What?” He hissed.
“Wow, you sound overjoyed to hear from me,” You rolled your eyes, soon realizing now was not the time for the petty insults.
“Mhmm,” He hummed, seeming busy with something else. “What do you want?”
This wasn’t the first time you called Five since you met him, probably about the third, the other two times were just because you were bored.
It had just come to you that he always seems so uninterested in your company whenever you began conversations, but he would come around soon enough. You both wouldn’t stop at the scornful insults though.
“Can I ... crash at your place?” You struggled to say, biting your lip and closing your eyes right after.
“You were already crazy enough to even want to keep in touch but this just breaks the mental asylum records by a landslide,” Five comments. “What next, you’re gonna come up and tell me you have powers or something?”
You couldn’t help but smile at his remarks. You always told yourself, ‘damn I hate it when he does that,’ but you always knew that was a lie.
“Well? This is a joke to just keep me listening, right?” Five asked. “What do you really want, Y/N?”
“Sorry to disappoint you today mister masochist, but it turns out that I do infact need a place to crash,” You repeated, hoping you wouldn’t have to explain.
But of course, that’s if you lived in world where everyone was a naive nobody.
“What’s wrong with your place?”
“I’m fucking broke, alright?” You blurted in frustration. “I’m not from here. I’ve got no one else. I had to pay the landlady from the money I could scrape out of my pants pockets and I thought my book would sell by now, but I guess I was getting ahead of myself.”
You could feel Five huffing in a slight chuckle.
“Not from here, so no family or friends to turn to for shelter ... oh helpless, helpless Y/N ... ” He narrated, clearly amused at your desperate situation.
“Well?”
“It would really be amusing to see you on the streets, wouldn’t it?”
“For you, definitely.”
There was silence for a while.
“You know what, fine. I’m not as cruel as you think I am.”
“The fact that you had to point that out means you probably are,” At this point, talking to Five always just triggered the instinct of throwing any insult you could at him.
“You wanna sleep on the streets?”
“No.”
“Then shut up and start packing.”
“Not even your address?”
“I’ll text you.”
“Okay, bye.”
And with that, he hung up, and you threw your phone on the bed and began packing.
...
When you turned up at the place, you thought you read the address wrong, you read it over at least seven times now. You looked up at the tall building. It was a mansion.
It made you wonder if Five really was just some regularly school boy.
You got to the front door, knocking at the wood. You found yourself admiring the patterns on it for a short while before the door finally opened.
“Can I help you?” A taller black woman with frizzy hair asked as you found youself puzzled.
“I—well, I’m ... ” You couldn’t find the words to say. You couldn’t say you were here to see Five because if anything you just needed a place to stay. “I just ... I wanted to see Five.”
“Five!” The woman calls. “Some girl is here for you!”
You heard the faint sound of some footsteps walking rather hastily down the stairs, finally seeing Five in the distance coming closer now.
“I was expecting someone, come in,” he said monotonously, barely making any eye contact with you.
You tugged your small luggage inside the building after you and got a good look at the foyer. There was a large chandelier hanging from the ceiling and the entire place just seemed so grand, giving off the 1990’s vibe but if they were dirty rich.
“F-Five how old are you?”
“Well ... ” his head slowly leaned to the side as he squinted in thought. “It’s complicated.”
“How is that complicated?”
“Okay if I said I was like twenty two would that satisfy you?”
“Well if that’s a lie then obviously not,” You follow him as he began walking up the stairs, dragging along your burden of a luggage.
“Then I guess you’ll just have to be unsatisfied for a while,” He turns to a corridor and you finally meet his plain room.
The walls reminded you of his eyes, the ones you fell for the time you met him. You had to admit, those were a true beauty.
Too bad its owner’s a real pain in the ass, you thought, smirking to yourself.
“What are you waiting for?”
“Do you guys just not have a spare room in this big-ass mansion?”
Five’s eyebrows furrowed as he looked at the ground. “Well, not one I’d want you to use.”
“Why not?”
“My dad’s. He’s dead.”
“Oh ... I—”
“Nope, don’t apologize,” Five shook his head. “Just put down your stuff. Crashing here is the best option you’ve got anyway, I’ll get an air mattress.”
You watch as Five exits the room, another stranger standing by the door, looking surprised and confused at the same time.
“Why?”
“Nothing I just ... I’ve never seen him so ... kind,” he finishes, soon entering the room. “Sorry, I don’t believe we’ve met. Klaus.”
“Y/N,” You shake the hand he held up, soon letting go as Five reappears again, seemingly glaring at Klaus before he left.
“Who are the other people in your house?” You ask before Five could start inflating the mattress.
“Does it matter?” He asks back, seeming to have no intention of letting you know about what was going on.
“Well, you’ll have to make some sense out of this,” You huffed, still slightly confused as to how peculiar Five has been. “If you’re not going to tell me then at least give me your age.”
Five grabs an air-pump and starts inflating the mattress, clearly ignoring your plea. You offer your help, and he let you but after discovering how incredibly slow you were going, he took back the pump and resumed doing it himself.
“Do you like reading books? I wrote one.”
“I really wished I had said ‘I don’t remember asking’, but unfortunately for me, I wanna know how the hell you ended up alone penniless where you don’t belong,” Five finished pumping air into the mattress, which you immediately say on after he left to put the pump back.
“Well?” His eyebrow raised, then returned.
“I was an orphan my whole life, it was abusive and I’ve had enough,” You huffed, frowning up at him. “That’s all I feel like saying.”
“An orphan ... when’s your birthday?”
“Tell me your age and I’ll tell you my birthday.”
Five looked to the side, biting his lip. He nodded, looking at the ground.
“How old do I look to you?” He cocked his head up as your eyes met yet again.
“Like ... eighteen?”
“There you have it.”
“I got it right?”
“Yes now it’s getting late and we’re going out to get dinner soon. You coming?”
“I don’t have any money left.”
“Five, let’s go,” A man appears at Five’s door, soon noticing your presence. “Who’s the girl?”
“Homeless person I decided to help,” Five replied coldly. “Poor Y/N doesn’t have the money for dinner too.”
“I’m not—”
“Y/N?” One of his eyebrows were raised, now facing you. “Don’t take the bitch too seriously he’s always like this.”
“I suggest you do the same for him, sadly Diego doesn’t have any spare braincells left, he shares one with our gorilla brother,” Five reviled, Diego turning back to glare at Five.
“I think I’ll skip dinner; I don’t want to bother the four of you about it.”
“The fou—Five! Does she not know about ...?”
“Do you really think I’d willingly embarrass myself by introducing the rest of our braindead siblings to her?” Five rolled his eyes.
“Up your ass, Five,” Diego digressed, soon smiling at you as he turned to face you again. “There’s actually seven—no six of us here. One of us died.”
“Your dad, right?”
“I—well n-no, he’s not really part of the picture ... ”
“My dad had seven of us. One of us died. That’s the end of it,” Five concluded, or at least tried to.
“My name’s Diego, that’s Five, and the tall black woman’s Allison, the short one’s Vanya, the bigger looking guy is Luther and the high one is Klaus.”
“Didn’t Klaus quit drugs?”
“Well, I don’t know. Drugs or no drugs he always kinda seemed high to me,” Diego shrugged.
...
After Five treated you to dinner, you washed up and Vanya let you use her pajamas for the night. Five got you an extra blanket and pillow too.
In the middle of the night, you had a nightmare. Your neck and face was sweaty and you were panting heavily. Five woke up to his room shaking, a few small things falling off the side of his table. He glanced down at you, trying to shake you awake.
“Y/N! Y/N!”
“No ... please ... I can e-explain ... ”
“Y/N you’re dreaming! Wake up!” Five fell off his bed as the shaking got worse, and ended up on top of you.
“Ow!” You jolted awake and the room’s rumbling had finally stopped.
He scrambled to the edge of the mattress, clutching the sides of your shoulders as concern had smeared his face.
“Y/N are you okay?”
Your face was already stained with tears when you woke up, but you couldn’t help damping your face again as you bury it in your hands, sobbing.
“Y/N ... talk to me.”
“No!” You cried, lowering your head to the mattress. It was a horrible nightmare. “I ... I don’t want to.”
“Y/N ... Y/N ... listen to me. Please, look at me.”
When you heard this, you stopped, as he asked. But it was only because you couldn’t believe what he was saying, or at least, the tone he was saying it in.
His eyebrows arched upwards as your eyes met once more. Those calm, sea blue eyes told wonders to you without saying anything at all. It made you calmer.
“You were dreaming. It was just a nightmare, it’s okay. You’re okay. Do you hear me?”
You felt his hand on yours. It wasn’t so obvious, though, because it was just the tip of his fingers touching yours.
But somehow, you still felt the tears rolling down your cheek.
“I’m ... I’m so sorry, Five,” you started tearing up again.
“Here.”
He held out his arms slightly, and you gladly wrapped your arms around his neck, your back now warm from his touch too. You buried your face in between his neck and your arm, while he places his chin on your shoulder.
You felt him inhale and exhale, and somehow the feeling of his chest, his shoulders rising, it made you feel okay. It made you feel at home.
“Are you okay now ‘cause I’d really like to go back to sleep,” five broke the silence after several seconds of feeling each others’ warmth.
You nod, pulling away from the hug. “It’s okay if you say no, but I ... I really don’t want to sleep alone. I mean, on this mattress. It’s so big, it feels so lonely.”
Five blinked for a few seconds before nodding, standing up to grab his pillow and blanket.
“I’ll face the other way,” He said, pullling his blanket over him as he laid beside you. “But I’m here. Just remember that.”
You nod, resting your head on your own pillow, feeling yourself ease back into the drowsy feeling of sleep.
“Actually, Y/N ... how did you make the room vibrate?”
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Text
My Roommate is an Apparition: WHAT A HORRIBLE NIGHT TO HAVE A DAD - Part 2
Based on characters created by @reddpenn
————————————-
Oh man, am I late on posting this.  So many things going on.  Not to mention figuring out how to follow up the first part.
It seems people really like the first-person narration from “A-Pink-Ciation of Culture”, so I went with that again with this piece.
Almost DAILY, I get likes or re-blogs and the occasional follower despite not having posted anything since March.  I’m very curious and would like to hear from you readers about what you like about my writing and what appeals to you.  Eventually, I want to make a living off of writing, but until that time, I definitely could use any and all feedback.
Anyway, now that that’s out of the way, on with the story!
 From the Diary of Lily, March 1st, 2020:
Okay, diary, I’m coming to you because I honestly have no idea where else to go to try and sort through the evening I just had with my Dad and Tulpa.   I can’t put my finger on it, but something about tonight just... bothers me!  It’s like I’m on pins and needles and can’t stop thinking about, well, a LOT of stuff.  Just... hear me out and maybe it’ll make sense if I put this all down on paper (I.E. You).  I just spent the last twenty minutes trying to talk things through out loud, but that got me nowhere so here goes nothing:
First off, my Dad came to visit a week earlier than what I had planned, and immediately sets up shop in my living room with his NES and copy of Castlevania III.  Only problem was I hadn’t talked with Tulpa about his visit since I was expecting him until NEXT weekend.  I kept thinking that the last thing I wanted was for anything weird to happen during his visit.
Which, looking back on it, was a really stupid thing to worry about.
I mean, Dad’s a pretty open-minded guy and he’s quite weird himself.  He’s actually quite proud of his weirdness (embarrassing as it is sometimes).  He tends to under-react to all kinds of things like it’s no big deal.  I’ve even asked him why he doesn’t freak out about some of the stuff he comes across in real life or on TV, and he just tells me, “I’ve seen weirder.”   (If some of the stories he’s told me are true, then he has.  He really, REALLY has!)
For example: if Tulpa had come into the room holding a... I dunno, a plate or something, like would that really freak my Dad out?  Pfft, No!  He (maybe?) wouldn’t see her, all he’d see was a “flying saucer” (he deliberately would make that lame pun too), and then get back to his game.  Then later, he’d try and tell me about the real flying saucers he saw years ago, or something.
Since I had assumed that Dad wouldn’t have been able to see her, it eventually clicked in my head that what I was actually worrying about was, “what would Tulpa think of my Dad?”  He’s a huge Goofus that likes to make bad jokes, tell tall tales, and play video games!  And even if he did weird her out, it’s not like she could go anywhere... right?  I mean, she might avoid interacting with me because of him, but...
Oh...
Oh wow...
I just read what I just wrote and I can not believe I was being THAT irrational!  ( Man, people are stupid sometimes; me included!)
Avoid me because of my DAD!?   That’s gotta be the dumbest thing I’ve ever thought!   It’s not like he LIVES here or anything!   He’s not the one paying the rent; I am!  And... I’ve gotten to know Tulpa pretty well these past few months, but... I guess I still have a lot more to learn about her.  Case in point:
————————————-
So Tulpa tells me that she wants to meet my Dad, and after coming to my senses somewhat, I say she can sit in so long as she doesn’t touch anything (see flying saucer explanation above).  A few minutes later, she walks in looking like the tall girl from Keep Your Hands off Eizouken (I had to look the name up; I couldn’t remember it for the life of me).  By that I mean, she’s coming in as a tall, lanky, skinny, somewhat pale skinned girl looking to be about my age.  She’s wearing some modest clothes and, if I’m being honest with myself, they looked kind of cute in that outfit they had on.  It was a nice ensemble.
Then Dad says “Hi” to her.
...
Let me repeat that in case it hasn’t clicked with you yet.
My Dad GREETED her!
He! SAW! Her!
When I asked her about it later, she said to me that she thought that since he’s my Dad, then whatever it is that allows me to see her could be something my Dad has too.  So far, her theory has been proven right, but... I’m not one-hundred percent sure, because Tulpa... well... she changed.
And I’m being literal here, too!  She no longer had that transparency to her like usual.  She had a nose!  She had ears!  She had five fingers!  And she looked...
...well...
...good.
Tulpa said she had never tried doing this before, but figured that in the off-chance that her hunch was correct, she wanted to make a good impression on my Dad.  (Why do I keep thinking about that old joke in movies and TV shows about the overprotective Dad that threatens the boy about to go on a date with their daughter?)  She even went so far as to create her own “clothes”, saying she knew they’d be important.  Considering that she doesn’t wear (or need) clothes any other time, I ask her how she came to that conclusion.  I still have no idea what she meant when she suddenly bellowed out, “GOOD...!  GRIEF...!  HE’S...!  NAKED!”
[Edit:  It’s from Spongebob, because of course it was.]
So I’m not sure if Dad could see her because she purposely made herself opaque, or if he would have been able to see her if she wasn’t in her human “disguise” (and yes, I’m calling it a disguise and I’ll explain why a bit later, okay?).  But either way, she walks in and my Dad just starts chatting away like so:
————————————-
“Hi there! You must be Lily’s roommate!” says Dad.
At this point, I’m kind of frozen solid on the couch, just watching and listening as everything unfolds in front of me like it’s being burned into my retinas.  You know that saying about slow-motion train wrecks? Y’know, about how you can’t look away from them? This is probably why I remember the conversation so well.
“Heh...Hello,” she responds back nervously.
“I’m Lily’s Dad,” he says as if it wasn’t obvious, “Hope you don’t mind if we play some games out here.”
Tulpa shakes her head and stutters out, “No...N-not at all.”
“Great!” Dad responded with a smile that said, “Even if it was bothering you, I’m still going to take up the TV and play video games.  So nyeh!”  I’ve lived with him long enough to know that he’s not someone who would give up the TV without a fight.
(...gee... that kind of reminds me of someone now that I think about it...)
Tulpa then asks, “M-mind if... I watch?”
Dad gives her this big, goofy smile and responds with a, “Sure thing!” since despite him never admitting to it, he always liked having an audience around when he played games (or almost anything really) in hopes of “schooling” them. (Why he didn’t go into teaching, I will never understand.)
As soon as Dad turns back to his game and un-pauses it, Tulpa smiled, sat back, and looked content (Although it was a little weird seeing her smile with a nose to go along with it.) This snaps me out of my stupor long enough to scootch over to Tulpa and chat with her.
“You actually want to watch him play?” I ask her once more because the mere thought that she’d be interested in something outside of cartoons still hadn’t registered in my head, yet.
“Yeah...” she says as she starts to stare at the screen like she usually does during her cartoon time. “...sounded... familiar,” she said before looking up slightly while lost in thought, “...Simon... Belmont... Mega... Man... Kid... Icarus...” she said again as though that meant something. To me it just sounded almost like some kind of madness mantra, but...
“Oh! You mean Captain N: The Game Master!” my Dad chimed in out of seemingly nowhere.
“YES!” Tulpa said with excitement (worth noting that she doesn’t look excited very often, but when she does, she practically glows). “I remember...” she said before pausing to collect her thoughts and form the words she wanted to say. If I could have, I would have warned her about my Dad’s tendency to pounce on any hesitation in a conversation to take it over.
“Man, I haven’t seen Captain N in decades,” he said wistfully, “Surprised someone young as you remembers it.   I was in High School when that show came on!   When did you see it?”
“Ummm...” she hesitated, “...reruns... when I was... a kid.”
(As I’m writing this down now, I realize she was trying to hide her actual age from Dad. She looked to be in her early twenty’s like I was, but if she said she saw it when it came on the air originally, that’d make her over thirty years old at least.)
“Ahhhh! I see you have good taste in reruns!” Dad complimented.
“Th-thank you,” she stuttered back. As I listened to the awkward conversation of father-roommate bonding, I found my eyes constantly turning towards Tulpa. Not out of adoration or anything, but more like... studying her.
————————————-
On the one hand, she looked like the Tulpa that I had known ever since she became my roommate months ago.  But on the other hand, they somehow weren’t.   It’s kind of like when someone changes their looks a bit for maybe, I dunno, a night on the town, a job interview, a wedding, or something else along those lines.  Only in her case, “dressing up” meant adding additional body parts she didn’t normally have.
(To be honest, I’m still not entirely sure what to think about that...)
I’ve always been a firm believer of people being themselves, and being allowed to be themselves.  I can’t stand situations where people are unable to truly express themselves or feel comfortable.  Way I see it, life is too short to be spent worrying over stupid stuff that makes people miserable just so they can come off as normal.
Sometimes it’s because of social norms and expectations; those unspoken rules of life that people are supposed to just magically “know”.  Like if someone was going to a church or temple service, social norms say they need to wear their “Sunday Best” with stiff, itchy clothes that are dry clean only.  If I was able to go to a sermon wearing a baggy college sweatshirt, sweatpants, and slippers, and NOT be judged like I’m some kind of crazy hobo, it would have definitely made something like that more appealing to me.
Now I have nothing against anyone that likes to dress up in fancy clothes and wear them out and about; I mean, everyone likes different things, right? The point is that if I’m going to do something that makes me uncomfortable, it should be because I wanted to do it for myself.   I don’t think I should bend over backwards making myself feel bad (physically or mentally) for someone else’s sake.  Sure, call me selfish if you must, but I just can’t advocate for doing something that makes you feel bad because you wanted someone else to feel good.
I’m just thankful no one in my family has ever tried to push anything on me.  Sure, they’ve suggested things to me before, and of course made sure I didn’t do something stupid that would injure me or worse when I was too young to know better.  But overall, my family has given me a lot of freedom to do what I want, dress how I want, and be who I want to be.  Now that I think about it, I’m kind of lucky that way.
(I hope I’m making sense on this. Re-reading this, I’m not entirely sure if I do.)
————————————-
Anyway, I’m looking at Tulpa and watching them carefully, trying to figure out if they were comfortable looking like that or not.  She’s just sitting there watching my Dad play Castlevania III, and he was now on the haunted pirate ship with Trevor and Sypha.  He was breezing through at a pretty good pace and sharing an anecdote about how Warren Ellis figuratively gave him the “Turd Cape of Shame” on this old message board back when the Castlevania series on Netflix was just an idea back in 2007.  (I still am not entirely sure if that story is true or not.)
“Hey Lily,” Dad asks suddenly out of the blue, “got anything to drink?”  I offer him some lemonade, he accepts, and I go to the kitchen to pour him a glass.  As I’m doing this, I hear Dad ask Tulpa, “By the way, I don’t think I caught your name.  What was it again?”
“...Tulpa...” she says back to him.
My body freezes up for a moment as I realized that “Tulpa” is not an ordinary name.  I mean the first time she told me her name, it sounded like some kind of Pokémon.  Once again, that irrational fear of my Dad being weirded out or something enters my head, but is dispelled almost immediately.
“Tulpa?” my Dad says aloud to himself, “That’s a very interesting name.”
“T-Thank you...” she says back.
I walk in with a glass of pink lemonade and set it down on a little, folding TV dinner stand that was given to me when I first moved out for college.  I slowly sit back down again as I keep an eye on Dad.  His facial expression is the same as usual: relaxed.  You could call it a poker face, but I’ve seen him play poker and he is BAD at poker.
“Anyone in your family Buddhist?” my Dad asks casually.
I step in, “Dad!  What kind of a question is that!?”  And I meant what I said too. Who even asks something like that!?
“I was just wondering,” he says before once again shutting up and focusing on his game.
This is one of the things about my Dad that bugs me to no end: he likes to be cagey sometimes.  He’ll say something vague with the sole purpose of making the other person curious, confused, or both.  It leaves, like, questions in the back of your head that just start gnawing at your brain and won’t stop chewing away at your gray matter until you finally ask him to explain what the heck he was talking about.    He does this on purpose to “bait” people into asking him questions or to continue with what he’s saying.  So annoying!
I sigh, “Why’s that, Dad?”
He gives a little smile and continues, “Oh it’s just that this isn’t the first time I’ve heard the name “Tulpa” before, that’s all.”
NOW he has my total undivided attention and Tulpa’s too as we both unconsciously lean forward.  Practically in sync, we both say, “It’s not!?”
He’s still smiling as he says, “Nope.  First time I heard that name was when I was doing some monster research for a Castlevania Wiki I had been working on a while back.”
Tulpa practically gulps, “M-M-Monster...?”
“Well not really a monster,” he says back, “more like... a supernaturally, artificially created person.” 
(There are some times when my Dad can be down right spooky and creepy.  This was one of those times.)
Full Metal Alchemist immediately pops into my head, and without even hesitating, I ask, “Like a Homunculus?”
“Nah, more like...” he says before pausing his game and turning to Tulpa and I, “...an imaginary friend.”  Tulpa and I both tilt our heads in confusion.  Dad picks up on this and by now, he is practically glowing at this opportunity to share some weird thing he just happens to know something about.
He explains, “So there’s this word in Tibetan called “Sprul-Pa” which means “Manifestation”, okay?  And in early Buddhism, this is used as the explanation for how Gautama Buddha could travel to heavenly realms and come back again.  You could say he created a clone of himself in the other realm and then transmitted his consciousness to it from his body on Earth.  Kind of like a-”
By now, Tulpa and I were clearly on the same wavelength as she asks, “a Shadow Clone!?” at the exact same time I was thinking of it. Believe it!
Dad’s silent for a moment as he thinks to himself before finally going, “...uhhh... I guess... you could say that. I was thinking “Dream Body” but I suppose a shadow clone could work too.”  My Dad used to watch Naruto with me on Toonami years ago, so he knew full well what a shadow clone was.
He turns to face us as he continues talking, “The thing with a Tulpa is that it’s something made from nothing. A Homunculus, using your example, Lily, requires having the materials necessary to make an artificial being on hand before you can create them. But a Tulpa is willed into existence out of nothingness. It is created from the thoughts of the creator; known as a “Thoughtform” in some cases.”
(WHEN did my Dad even learn this stuff!?)
“The difference between a Tulpa and an imaginary friend,” my Dad continued to say, “is that while an imaginary friend is just that, someone that exists in your imagination, a Tulpa is made when someone’s thoughts are so strong that they will their imaginary friend into existence.”
I look over at Tulpa, and she is totally absorbed in what my Dad’s saying.
“Now from what I’ve read...” Oh my God, Dad! What have you even been reading!? “...it’s very difficult for one person alone to have enough psychic power to will a sentient being into creation. But if you had enough people thinking the same thing, and thinking about it hard enough, then, hypothetically, a Tulpa could be created.”
“So what you’re saying is if enough people think Bigfoot is real, then they can actually make it real just by believing in them?” I snark.
“Yeah, pretty much,” my Dad replies without detecting my snark at all.
“Or like...” Tulpa chimes in, “...how Tinkerbell is saved... by believing in fairies and... clapping hands?” I was a bit surprised Tulpa knew that since I couldn’t recall Disney’s Peter Pan having that scene in it.
Dad thinks about it for a moment, and then goes, “Hmmmmm... yeah! That too, I suppose.”
Right about then, Dad gets a notification on his phone. He pulls it out, looks at it, gets a somewhat serious look on his face, and then stands up and says, “Hey, I gotta make a phone call real quick. Mind if I...” he trails off.
“Yeah, sure thing, Dad,” I say back. He heads down the hallway to the guest bedroom and closes the door as he makes his call. It’s now just Tulpa and me in the living room, and we were both feeling super awkward. I turn to Tulpa and say, “So... did you know anything about all that?”
Tulpa shook her head, “N-n-no. First time I... I ever heard of... of it.” I could tell she was feeling nervous. She had started stuttering pretty badly.
All this time, I knew Tulpa was an apparition, but I never thought about what kind of apparition she was. It never really dawned on me that an apparition could have an origin story. With Tulpa, she was just... kind of there for me, and I never really questioned it. Her being her somehow felt, I dunno... “natural”, I guess.
I never thought I really needed to learn more about Tulpa, anyway. I mean, outside of the occasional mischief, Tulpa was perfectly harmless. Worst thing she ever did was the Pinkening (still don’t know how she did that), but that was partly on me because I was being a big dummy. Overall, she’s always been friendly, kind, and fun to be around, and that‘s always been good enough for me.
“You, uh...” I start to say, “...want to talk about it later?” Tulpa looks ahead of her kind of blankly, and I immediately add, “It’s okay if you don’t want to, Tulpa, I just-“
“Talk about what?” She asks, now looking at me kind of confused.
“About...” I trail off as I try to find the right words, “...about what my Dad just said and about... I dunno... where you came from?”
Tulpa clearly hadn’t thought about it before. She leaned back against the couch and audibly sighed (I think that was the first time I ever heard them sigh!), before saying, “I... don’t know... Lily...”
“Don’t know where you came from, or don’t know if you want to talk about it?” I asked her.
She thought for a moment before saying, “Both...”
I wanted to say something more to her, maybe give them some kind of reassurance, but I just couldn’t as long as my Dad was here! The frustration of wanting to talk about something with someone, but not being able to because of other people being around, is just AGONIZING!  If only Dad would hurry up and leave, but when he says he’s going to beat a video game, he’s going to beat a video game.  Problem was he hadn’t even made it to Dracula’s Castle yet, so who knew how much longer it would be?
Then Dad comes back in and says, “Hey, sorry about this, but I need to get going.”
HAAAAAALLEJUAH!!!
“Oh sweet merciful powers that be, THANK YOU! “  I thought to myself.  I was worried things were going to get all cringy like a bad self-insert fanfic.   “Aww, that’s too bad,” I fibbed out of politeness.  I mean, he’s my Dad and I love him and all, but... y’know...
“Yeah, I got a call from work and they need me to help out with something. ‘Fraid I have to cut my visit short, Lily.” My Dad powered off the Nintendo system and began packing it up. But then he suddenly stopped, looked up, then looked back at me and said, “Hey, you want to borrow my NES for a bit!?”
Dad suddenly leaving to take care of something for work happens every now and then, so that was no big surprise. But Dad suddenly saying he has to leave to take care of something and leave his NES in MY care!? THAT scared the pants off me!
“Oh my God, Dad... you’re not dying are you!?” I ask with a half-serious tone.
“What!? No! What gave you that idea!?” He shoots back.
“Because that’s the NES you’ve had ever since you were a kid! You have NEVER let anyone else look after it! EVER!” I remind him because it is one-hundred percent true.
His lame-sauce excuse was: “Hey, both of your uncles used to look after it!”
And then I remind him, “That’s because you all lived in the same house with grandma and grandpa!  Y’know, because you were all kids and everything!”
“They still took care of it,” he pouts.
“Only after they sneaked into your room, de-hooked it, and snuck it over to their room!  You know I’ve heard the stories at the family gatherings!, right?” This is all completely true.
————————————-
My Dad is the oldest of three, and at family gatherings, like around Thanksgiving, he and my uncles used to tell as many embarrassing stories about each other as possible like they were trying to one-up each other. Like, “Hey, remember that time you stuck a LEGO tire up your nose and had to go to the Emergency Room?”
And my uncle’s all like, “I WAS FOUR!”
Good times....
...now where was I?
Oh right!  Why leaving the Nintendo was a big deal!
————————————-
“C’mon, Dad,” I plead, “The only way I can see you willingly giving away your Nintendo, even if just for a little while, would be if you were on your death bed and filling out your last will and testament. So go on, spill it, what’s up with that?”
My Dad just had this look of offense on his face like I had seriously wounded him with my words. “I am NOT that overprotective of it!”
“Yes you are.”
“Okay, I am,” he admits way too quickly, “but I just thought that you having it might be a good idea in case you finally get some free time coming up. Best way to enjoy it is to play it, after all.”
I chuckle, “Dad, the only way work is going to give me enough time off to sit on my butt and play video games is if some horrible catastrophe caused the art store to shut down. Like, I dunno, a deadly virus or something.”
[EDIT, APRIL 12th, 2020: ME AND MY BIG FAT MOUTH!
AAARRRRGGGHHHH!!!]
Dad chuckles and say, “Yeah... you got a point there. Still, I think between you and your roommate, you’re both responsible adults now who can get some enjoyment out of it. I’m sure I can trust you two to take good care of it,” he says before raising an eyebrow, “or is there some reason I shouldn’t leave it here!?”
“Relax! We can look after it, Dad. Nothing’s going to happen to it,” I say as I whip my head back so fast it could have made a sonic boom. Just as I suspected, there was Tulpa sitting down in front of the Nintendo about ready to poke it with her finger. “Isn’t that right, Tulpa?” I say while looking straight at her.
“Y-yes...” she mutters.
Dad smiles at the two of us and then suddenly, out of the blue, he gives me this big ole bear hug and pats me on the back!  It’s the same kind of hug he gave me on my first day at school, when I was leaving for summer camp, and when I moved into my freshman dorm for college.  It was the kind of reassuring hug that says everything is going to be fine.  “Ohhhhhhh, look at you growing up and being all responsible! I’m so proud of you, Lily!”
“Dad!  Can’t breath, Dad!” I say before he finally lets go.
“Oh yeah, tomorrow, when you get a chance, make sure to pick up a couple packages of toilet paper,” he says casually, “your bathroom’s running low and now would be a good time to stock up.”
[EDIT April 12th, 2020: HE FREAKING KNEW! 
HOW!?!?!?]
“Thanks for the tip, Dad,” I respond before saying the thing that led to my Dad saying the other thing that would make my brain do somersaults for the next few hours and ultimately come to you, dear diary, “What brought up that little nugget of wisdom? Dad-ly Intuition?”  (Yes, that pun was intentional.)
“Well I’ve always considered myself to be a little psychic here and there,” he says about twenty-three seconds before the door closes and forty-five seconds before my face faults, “and you’ve always been a little psychic too, haven’t yah?”
“Sure Dad, I’ll catch you later,” I say waving goodbye.
“Take care, Lily!  Keep in touch!  Love you, sweetie!” he calls back as he’s walking into the hallway heading out,
“Love you too, Dad” I say as I close the door and lock the deadbolt. With that family obligation out of the way, I was feeling much better not having to worry about next weekend, not having to worry about Tulpa and Dad, and could just chill and relax and-
It was right about then that my eyes shot wide open as I stared ahead of me at nothing in particular.  The gears in my head started turning faster and faster as the past few months living here started to tie together.  Tulpa looks at me, slightly concerned.  She’s still in her “disguise”, but looks genuinely concerned.  She waves her hand it front of me and my mind is working at warp speed, so it doesn’t even register.
“Are you... okay... Lily?” she asks.
I slowly turn to look her in the eye, and then ask her flat out:
“Am I Psychic!?”
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Note
please use this ask as an excuse to infodump about any au/headcanon/personal project you might have wanted to tell folks about recently
Ooooh, this is a huge open book, anon. And I very much appreciate the platform to do it. Let's see what I have under my hat that (I hope) I haven't spoken about before...
Semi-Erased AU
This is the title I have for it in my documents because I got inspired from the anime Erased (and some asks ask I got like 2 years ago asking me who among the Trio I thought was older/younger that I can no longer find but I Never Forgot About), but it has almost nothing to do with the original anime/manga. I'm nearly 29K into it so far and not nearly done, lol. I will be shocked if I finish before the end of the year.
However! The basic premise is it's a modern AU where Inigo (just turned 16), Severa (14 at the start and then 15 later), and Owain (12 at the start but later 13) in Ylisse get visited in the dead of night by a strange wizard man (Anankos) who pops out of a portal and begs them for help. Anankos does not elaborate on what this help is or what the Trio need to do other than they need to decide Now, they're needed in Another Country, it's going to involve some Time BS (so don't worry about your parents noticing you're gone, kids!) and he's really, really earnest about it. Inigo, unable to say no to a man so desperate and really awed at the fact Holy Shit Magic Is Real, joins Owain (who wants Adventure so bad) and Severa (who wants to be Independent and why would she say no to this crazy magical opportunity??) in helping out this strange but earnest magic man.
...Which ends up with them getting portaled to Nohr in the dead of night, given fake names, a place to live, some money, etc., told to not contact their parents by any means, and oh, right, they're starting the school year in a few weeks. Good luck!
(Inigo: Wait, you're not staying?? Anankos: Only you can do this! Goodbye! Inigo: But what are we-- Anankos: *already gone*)
(Oh, and of course Xander, Camilla, Leo, & co. also happen to attend this fancy Nohr private school the Trio are sent to. Is this related to the mysterious task Anankos has set them on? Maybe!)
I have more written than this already (again, about 29K of it) but basically it's part slice-of-life coming-of-age, part teenage romance, part magical adventure, etc. Inigo, Severa, & Owain are two teenagers and a 12 year old living in this house with no parental supervision, and they are Not Friends at the start of this fic, lol. The circumstances would be hard even if they were besties going into this mess, but they're definitely not. They make friends (and crushes) with others! And rivals. And acquaintances. And their relationships with others (and each other) will change over the course of the fic! But they're not besties at the start, lol. Oh, and POVs alternate by the month! (Fic is divided into month sections. Ex: Inigo narrates August, Severa narrates September, etc. )
I have the general plan for why Anankos brought the Trio there, what's going to happen at the climax, how their relationships will change, etc. and a Bunch Of Notes for everyone's ages and background characters and whatnot. The plot just needs to be written out in scene format. However! Since it will be such a long time before it gets finished, here is some snippets from scenes that I have already written as a teaser :3
(1)
September
“Why is the ten-year-old balancing a checkbook?” Xander asked flatly.
“He’s actually twelve,” Laslow corrected as Owain swung his legs under the table and scratched another wobbly number onto the page. “He just looks young. Don’t worry. He does this all the time.”
Somehow, Xander looked even less impressed by this. Laslow—and how strange was it that he was still getting used to that name a full month after this whole endeavor had begun—had to bite the inside of his cheek to keep from laughing or otherwise commenting on Xander’s early developing wrinkles.
“Children should not be worrying about their family’s finances,” said Xander. “They—"
Wrinkling his nose, Owain blew a raspberry at them from the kitchen table. “I’m not a kid!”
(2)
August
The strange, inhuman Anankos came the evening before his sixteenth birthday in what Laslow—then Inigo—had graciously decided not to call a kidnapping.
Inigo had been in the middle of brushing his teeth when he heard a strange noise he could only describe as the sound of air being sucked out of a vacuum. He turned his head just in time to see a flash of blue light and watch a tall hooded figure step out of a rift in time and space in the middle of his bedroom.
He choked on the toothpaste and bent over the sink to cough white foam onto the porcelain.
“I’m so sorry for startling you,” said the hooded figure. “Please, drink some water.”
...
The hooded figure said, “Wait—”
“Dad!” Inigo called down the stairs, making the hooded stranger flinch. “Did you summon any ghosts or demons in the house recently?”
The reply was almost immediate—a returned shout up the stairs. “Nope! Your mother forbid that as of last month!”
There was a bit of shuffling on the first floor.
“Why? Is there a ghost or demon up there?”
Inigo looked over his shoulder and very seriously asked the figure, “Are you a ghost or a demon?”
The figure paused for a moment, as if that wasn’t a totally reasonable question to ask at this point. “No. I am… not either of those.”
Very reassuring.
“Just checking!” Inigo called downstairs.
“Alrighty! Let me know if that changes!”
“Will do!”
(3)
“Nice to meet you,” Keaton repeated. “This here is Fang, Shadow, and Casper.”
He pointed to the very large, very middling, and very tiny set of three dogs that had accosted Selena. All three of them perked up when their names were called.
She looked at the animals, a bit curious despite herself, and then point to the largest dog—a huge mutt with shaggy white hair who looked like it could easily fit Selena’s whole head in its mouth. “That one is Fang?”
“No, no.” Keaton pointed to the chihuahua. “She’s Fang. Shadow is the black one, and the big fellow is Casper.”
Fang looked like she weighed about three whole ounces soaking wet.
“…Okay,” said Selena.
(4)
“Hark! Who goes there?”
Other students leaving the school were turning their heads, looking for the source of the overly loud, barely-into-puberty voice. Selena’s stomach sank at the sight of the middle schooler standing at the bus stop.
Odin pointed at them dramatically. “Is that Selena of the fiery skies that I spy? Partaking the journey back home, are you? And who is this?”
“Oh!” Camilla startled, sounding horribly delighted. “Is this your little brother?”
People were still looking. A pair of teen boys ribbed each other, and one girl giggled to her friends, shooting glances between Odin and Selena.
She forced a laugh. “Haha! No! Absolutely not!”
“Selena and I do not share the bond of blood,” Odin sniffed.
“What a shame,” said Camilla, and she seemed genuinely regretful. “I have a little brother of my own. I thought they could be friends. Leo could use the company.”
“Leo?” Odin dropped the pose he was striking in surprise. “The same Leo who always has his head in a book? And goes to school here?”
Camilla brightened. “Oh, you know him? Do you share a class?”
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anika-ann · 3 years
Text
WINSoD - Pt.2
We Move Together...
Type: series, soulmate AU series  (part 1, part 2, part 3)  
Pairing: Steve Rogers x reader    Word count: 2400
Summary: In which Steve might get a bit tipsy and jealous in a sweet way. 
A/N: As adertised, What I’d Never Say or Do (Had I Been in My Right Mind) is only refered to as WINSoD. Also - enter Age of Ultron ;)
Warnings: mention of superntural creatures, alcohol, language, briefest mention of death, journalists acting like jerks 
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Part 1 (previous chapter)
༻༺༻༺༻ღ༺༻༺༻༺
The press conference was a thing from nightmares. You did not enjoy all the flashes of cameras; you were not Tony freaking Stark, all charming and witty when over a hundred reporters stumbled through the doorway of the huge conference room. No, you could only manage to be sassy and fun within a circle of your friends. Which you found yourself in anyway, but boy, the presence of the others was still very much apparent and they were the ones asking questions.
Even Bruce had been forced to come, much to his dismay, but him and Clint were for some reason left out when it came to the poisonous questions, their duo considered only unwilling participants of the whole plotting for and against the poor soulmate pair of you and Steve.
You truly envied Thor who was off to Asgard once more. And while you wouldn’t want to be in Bucky’s shoes, you sure as hell wished you could sit this one out as he did, the public still not aware of his existence safe for one priest who had helped him to find his way to Steve.
It was ridiculous. The tone a question was asked with was enough to distinguish whether it was aimed at you and Steve or at someone else. Hell, when it came to you and Steve, they didn’t even bother asking, just stating the facts instead.
“Such a long recovery. That must have been horrible, especially with amnesia involved, wasn’t it.” (Yes, shockingly. What is it to you, huh?)
“Such luck you were able to remember, isn’t it.” (Luck had nothing to do with it. God’s sister has.)
“You must be angry with Captain’s team too, aren’t you.” (No, they are the best, you idiot, this whole thing is a stupid lie.)  
“I am sure you’re willing to share your story since people were grieving for you in such a worship-like way…” (…fuck you.)
In reality, you tried to word your indignation towards this herd-like aggressivity aimed at the Avengers and the blatant pity for you rather carefully, speaking of hardship but justified, and yes, you were very lucky indeed. They didn’t need to know just how much.
Steve received a pretty similar set of questions, but they were more of anger and questioning whether the team was still able to function after such a betrayal that nearly ended up tragically. Steve was surprisingly convincing in his act of a disappointed teammate and friend and expressed hope that they would be able to continue to exist and cooperate, his team slowly earning his trust back.
“Have the outcome had been different, my reaction would be too. But the love of my life is here with me and that is what matters. I cannot begin to say how lucky I am to have her back and I thank God for that every day.”
You bit your cheek so you wouldn’t laugh at the private joke and smiled at him instead, earning a whispering wave of ‘awww’ from the crowd and a blinding mess of camera flashes when you gathered the courage to lean in and kiss Steve’s cheek chastely. The reporters went absolutely nuts.
Tony and Natasha on the other hand had to face the stoning. Seriously, there were being personally attacked, questions dripping venom. But they clearly had more experience and knew how to answer without the cunning reporters being able to twist their words into something else, much to the vultures’ dislike and annoyance. Duo Stark-Romanoff fought back and very effectively.
It filled your chest with pride, having friends capable in so many ways. They were so freaking badass.
It made the whole experience more bearable; that and Steve’s hand always touching you, grounding you and reminding you that never ever he would let you face the wolves alone.
༻༺༻༺༻ღ༺༻༺༻༺
You all knew that a public apology and trying your best to deal with the press somehow wouldn’t be enough. Well, you had hoped it would, but hadn’t quite believed, expecting to have to more in near future.
You were right, of course, which was why you were currently dressed up (or dolled up, as Steve loved to say, because you were his doll, after all) and forcing yourself to leave the elevator once it would stop, with Steve by your side.
“It’s gonna be alright,” he coaxed, knuckles brushing your cheek tenderly, planting a soft kiss to your temple, too worried about smudging your lipstick despite Natasha’s earlier reassurance that it wouldn’t smudge under any circumstances as she had thoroughly tested.
You tried not to think about that kind of testing and clearly Steve felt the same.
Instead, you gazed into the cerulean blue with a drop of green of his eyes, not convinced. He was being sweet and all, which you appreciated, but in reality, he had no way of knowing it would be alright. Mostly because Tony went all the way and invited all the important people who could influence the public opinion as much as rising stars of whom he felt could influence the public in the near future.
So next to a senator and a group of big-shot businessmen, there would hang out a pair of lawyers sticking for the little guy and right next to a supermodel, there would be a girl starting a new food bank. Thinking about it, it was a funny parallel to Steve and you by his side, except you weren’t doing any good, unlike them. Not that you would say that out loud.
To be fair, the Avengers decided to spice thing up a little by revealing Bucky Barnes being alive, very slowly leaking his story of a brainwashed soldier. Funnily enough, in a shadow of your big reveal, his own went rather quietly.
People were so freakin’ weird.
“I guess I’m gonna survive…” you murmured, ignoring the icy shiver that ran up your spine at your choice of words. Steve’s gaze seemed to turn distant for a moment before coming back to you, some of the strength he had been trying to project into you disappearing in the wind because of the painful memory. “Sorry. That was-“
The emotion no doubt twisting his gut caused his inhibitions to fly out of the window and his lips captured yours in a searing kiss that took your breath away. You melted against his muscular frame that seemed to engulf you completely, his calloused fingers grabbing onto your bare shoulders, digging in a bit deeper than necessary.
Your head was spinning with the passion displayed so openly and in the back of your mind, you registered that the elevator stopped, but before you could get to the idea of thanking Tony’s AI, your brain got side-tracked when Steve shamelessly licked into your mouth and backed you into the railing by the wall.
Feeling the familiar heat pool in your lower abdomen, sending sizzling heat through your veins, you instinctively gripped the lapels of his suit jacket when his lips retreated to give you a chance to breathe in.
Who needed breathing anyway?
He grinned against your mouth, the little shit he was, and one of his hands guided your head to a tilt for better access. You most definitely whimpered at that as his body trapped you against the wall completely, not leaving an inch in between.
Feeling him this close would never get old and you thought you might burst by the time his mouth moved to your left ear, keeping you in place while his hand moved from your shoulder to trace the line of your dress, slipping between the high slit of your dress to caress your thigh.
“Watch your mouth, doll. Or I’m gonna have to do exactly this to shut you up every time you don’t,” he whispered and your ragged breath caught in your throat when the perfect comeback popped in your head – a reasonable one, surprisingly enough.
“I bet the press would love that.”
His fingers flexed on your leg and his teeth very carefully nibbled on the skin of your neck, causing your heart to skip a beat.
“Don’t care about the press,” he growled lowly, sighing as if in pain when he slowly pulled back, leaving you clutching the railing so you wouldn’t fall as your legs turned into an uncontrollable wobbly mass. Then, as if he wanted to ruin you completely before the night even started, his lips were graced by a soft smile, his eyes twinkling. “I care about you.”
“And you call me trouble…”
He had the nerve to wink at you and thank the AI for the stop he never explicitly asked for.
“My pleasure, Steve,” Jarvis hummed, sounding amused and self-satisfied.
Your soulmate gentlemanly offered you an elbow to lead you out of the cabin.
“Shall we, my lady?”
༻༺༻༺༻ღ༺༻༺༻༺
In all honesty, the party wasn’t that bad, mostly because it wasn’t just to celebrate your resurrection, but also retrieving a sceptre Thor’s brother had used during The Battle of New York.
You wouldn’t go as far as saying you enjoyed the evening greatly, but you had met several interesting people of which only few had weird questions regarding you; however, weird questions when showing up in public was an everyday occurrence.
You finally truly understood why Steve was happy you treated him like an equal (most of the time anyway).
Every single original male Avenger and Sam and Bucky made sure to dance with you as well as with Natasha and for a good measure, when the song got the right beat, your favourite redhead dragged you to the dance floor for a friendly dance; needless to say Natasha was much better at spontaneous dancing than you. Steve assured you about the opposite by a kiss and a rather filthy promise as soon as you shared your thoughts on your lacking skills with him.
Actually--- yes, you might even say you enjoyed the party very much, uncharacteristically for you, considering the insane number of people attending. The penthouse was way too full, but here you were, sipping on your third glass of champagne, listening to Thor’s colourful narrating regarding Asgardian battles. It wasn’t that you were interested in battles, no – it was the man himself creating suspense and gesturing wildly and making the whole clutch of listeners breathless.
“Careful with the admiring, doll,” Steve whispered to your ear, his arm sneaking around your waist out of nowhere, nearly making you jump out of your skin. “I might get jealous.”
Giddy from the alcohol, you turned your head and brushed his lips with yours.
“We did establish I’d marry Thor if you weren’t an option, didn’t we?” you teased lowly, catching the wink Thor sent your direction as if he heard you despite your hushed voice. It wasn’t flirtation; no, it felt more like mischief, as if he was being your wingman, which he excelled at apparently, because Steve might get little possessive if the grunt by your ear was anything to go by. “As if you didn’t know I only have eyes for you.”
“Just eyes?”
“Why, Captain, are you implying something?”
“Maybe.”
“Of course, my heart is yours as well,” you smirked at him, making his somehow annoyed and pleased at the same time. You leaned even closer. “And everything else.”
“Alright, but what about that hammer of yours? I mean, I saw people swinging around Captain’s shield – though not as skilfully – but no one uses your weapon. Why? Is it that heavy? Are you the only one strong enough to… keep it up?” one of the women asked, apparently more than a little tipsy, judging by her implication.
Gee, she had no inhibitions. Were you being like this now? You really hoped not…
“Well, my lady, that is a very complicated matter…” Thor started, clearly pleased by that question.
“Dance with me again,” sounded softly at your ear and your lips automatically curled up in a smile.
“Whatever makes you happy, my love.”
Steve grinned as he swiftly got rid of the glass in your hand and was already pulling you away by the time you noticed the envious or the amused stares of your companions.
“Green’s not a good colour on you, Steve,” you hummed incidentally, earning an actual pout. “This is adorable though. And I’m not gonna complain about you getting a bit handsy more often.”
“Trouble, doll.”
“I love you too.”
“I do love you. I’m sorry if I got annoying. It’s just… ugh. Thor. You got this look in your eyes and I just-”
Oh.
You sometimes forgot Steve could be as self-conscious as you were. It made your heart ache and yet grow with fondness for your soulmate.
“No, Steve. I might get starry-eyed, because of course I do admire him. It’s easy to get captivated by his stories or his manners, just look at the crowd around him. But you… there’s something about you… that strikes me right here.” You tapped over your heart pointedly. “You know me through and through and yet here you are. You must know I’m yours and still – you treat me every day like you’re courting me and at the same time, we’re comfortable with each other and--- yeah, that. Thor is great. But you’re everything. You’re mine.”
“I’m yours,” he confirmed, brilliant eyes shining, the drops of Asgardian liquor he had consumed adding to the glow. “And you’re mine.”
“Meant to be…” you cooed, happily giving in to his lips when they found yours again for a short moment. You barely realized you stopped in your steps as the slow song had made you only sway. You whispered into his lips then, unbothered. “Plus, I bet you could lift that hammer and keep it up too if you tried.”
His rich laughter filled your ears and he spun you both in circle, planting a kiss on your forehead. You already planned on how you’d get him a custom-made mug with a little hammer on it, reading ‘I am worthy’ or something like that. You were sure he’d love it.
Yeah, it was an amazing party.
Here was a funny thing though; when you had already been confronted with the fact angels and God existed, you should have known blasphemy was a thing.
So, naturally, as you had said ‘I guess I’m gonna survive…’, you should have known there would be a thick chance that you wouldn’t.
That was the first thing that flew through your mind the moment something burst through a wall as if it was made paper thin and not metal.
The second thought? Oh shit.
༻༺༻༺༻ღ༺༻༺༻༺
Part 3
༻༺༻༺༻ღ༺༻༺༻༺
Thank you for reading! 
Like I said, chapters of this fic will be less chronologically tight. Buuut, you’ll see ;) Also, sorry it took me so long.
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aurorawest · 3 years
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⭐ If you could, write about the part where Loki and Thor are desguised as women as they escape that army camp.
Oooh, sure!
Context: this is from chapter 14 of The Real Asgardians of the Galaxy. Loki is in a massive army encampment and manages to locate Thor by astral projecting. In order to pass through the camp to actually get to Thor, Loki takes female form and barges into Thor’s tent. Thor doesn’t recognize her at first so Loki transforms into a man again. Here’s their escape:
Looking at Loki like he’d just grown a second head, Thor said, “Great plan. I only see one problem with it. We’re here and there’s no way to get out of this camp without being seen. There are guards all around the perimeter, and—” But he stopped, noticing, finally, the way Loki was smiling at him. “Wait. You’re not going to—”
“Why not? It worked for me.”
“It worked for you because when you look like a woman, you are a woman!” Thor said. “I can’t—how am I supposed to pretend?”
“My magic is easily up to the task of glamoring away your hulking masculinity,” Loki said with a flick of his fingers. When Thor still looked doubtful, Loki added innocently, “You’ll be lovely, I’m sure. Did you have a preference on hair color?”
“I’m not concerned about being pretty,” Thor said. “I’m concerned about getting stopped and questioned.”
I knew I wanted Thor to object to this plan because, quite honestly, it’s funny for Thor to object to this plan. What I did not want to do was have Thor objecting to the plan because the idea of looking like a woman was distasteful to him. I also didn’t want him to come across as disparaging the fact that Loki can be both male and female. But Loki is almost kind of pushing to object to it on both of those levels, because Loki likes to push, and he wants people to admit to ugly things so 1) he can feel superior, and 2) he can feel like a victim.
[...] “We won’t be stopped,” Loki said. “And if we are, it will be because someone wants to buy our services. That’s easy enough to make them forget. No one here has any idea I can do magic. We stick to the main paths until we get to the airfield.”
“And then what?” Thor asked. “Have you seen the wall around it?”
“No,” Loki admitted.
“It’s a pretty serious wall.”
Loki raised an eyebrow. “I’m a pretty serious sorcerer.”
Loki has already assumed Thor is going to dismiss his ability to get them out of the situation. He’s totally geared up for an argument here.
Thor looked at him. Loki stared back, wondering if Thor would discount the fact that magic could get them out of this. There was a long history between them of Thor dismissing Loki’s sorcery. It was a talent he couldn’t understand, didn’t share, and which he saw as suspect. At least, he always had in the past. 
Hm, but is this really true? This is Unreliable Narrator Loki at his finest. He’s telling us that Thor was always this way. Loki has been really hurt by what he perceives as Thor’s dismissal of his magic. If you asked Thor, though, he’d probably tell you the opposite story. The actual truth is somewhere in between. This is an example of the two of them not understanding how to communicate with each other.
Things had changed between them after Sakaar. Maybe this had, too.
Thor nodded. “Alright.”
Loki’s mouth opened to argue, but then he realized what Thor had said and he snapped it shut. A smile flashed across Thor’s face, as though he knew exactly what had just gone through Loki’s mind. 
All set to argue, and then nothing to argue with! Thor is definitely trying harder to be what Loki needs him to be, and you can see that here.
I trust you, brother, Thor had said to him before he’d manually calculated the jump that had brought their ship to Asgard. Maybe he’d meant it.
Callback to chapter 1 of the fic, where their navigation system is down and Loki manually calculates a jump on the back of a Big Mac wrapper.
With a nod in return, Loki lifted a hand and twisted his wrist. This was unnecessary, but he’d begun doing it as a courtesy to the people around him in Asgard who hadn’t liked his magic. 
I really love this particular head canon, where Loki’s magic doesn’t require any kind of gesture, spoken spell, etc. It’s a fun thing to play with, because it means he can be as showy as he wants to—but he doesn’t have to be.
[...] A green line of magic ran from Thor’s head to his feet, leaving a woman standing there in his place. Loki completed his own transformation and then said quietly, “Let’s go.”
I purposefully didn’t describe Thor here because Loki hardly thinks about Thor’s physical appearance at all. Loki’s descriptions of people’s physical descriptions tend to be very cursory. Hair color, skin color, height. He’s simply not all that interested.
So what that means is: if Loki is taking more interest in someone’s physical appearance, it might be because he’s interested in them.
The two of them peeked out of the tent. A few of Thor’s cohorts were still around the campfire. [...] Loki jerked her head and they slipped out, walked past the fire, and headed for the camp’s main thoroughfare.
“I should have said good-bye,” Thor said quietly.
Loki shrugged. “Send them a postcard.”
Definitely a little projection (?) here on Loki’s part. He too feels guilty about abandoning his unit, but it takes him ages to come to terms with it. He hasn’t even started to confront the fact that Kalmsh will likely get in trouble, maybe even serious trouble. A little sneak peek of what’s to come: this is something that Loki begins to really grapple with, that despite his penchant for casting himself in the victim role, there have been people in his life who have been willing to put themselves on the line for him, often in very serious ways. He’s way too self-absorbed at this point to recognize that.
She knew it was ridiculous, but it bothered her that Thor had given even this slightest of indications that he had formed attachments to these people. Of course he had. He was Thor. Even Loki felt some affection for her unit. It wasn’t as though Thor wanted to stay here fighting with them.
At least, she didn’t think he did.
A brief comment her on the way I write Loki in female form: I usually write these scenes using male pronouns to make sure I’m not writing female Loki any different than I would write male Loki. Then I go back through and switch them. 
But then again, Thor had preferred to stay imprisoned as a gladiator on Sakaar rather than joining Loki at the Grandmaster’s side. As much as she wished these wounds would heal, they were slow to. It had been almost seven years ago for Thor, 
Hey, I’m glad I got the timespan right here! In chapter 32, I had it wrong and didn’t catch it until right before I posted, haha.
but even if it hadn’t, Thor had always had a tendency to underestimate how his actions and words wounded Loki. He let things go so easily and Loki was the opposite. [...]
This is one of the things that’s at the heart of the House of Odin dynamic. I see both Thor and Odin being this way. They’re passionate people who speak before they think, so they’ll say these deeply hurtful, horrible things...which they don’t actually believe. And Thor and Odin can’t understand why Loki takes things so personally, why he can’t just let them go, while Loki can’t understand how they can be so cruel, and why they pretend to care about him when clearly they don’t, because one time they said this one thing and that obviously is more indicative of how they feel about him then the way they treat him on a daily basis. Full disclosure, I’m very much like Loki, lol. Neither one is right or good, but it’s the way they are, and they’re two very different ways of functioning.
This obviously wasn’t the time to bring it up, though.
“You do want to leave this place, don’t you?” Loki asked.
*rimshot*
Thor looked at her. Gods, even as a woman, that dumbfounded look was unmistakable. “You’re joking.”
“Well, you seem so broken up about the fact that you left without saying good-bye,” Loki said, sneering despite her best efforts.
There is always time for Loki to get bent out of shape for people not giving him the affection he wants. This is wildly inappropriate of Loki to do at this moment, but he just can’t stop himself. He’s so needy that he’ll jeopardize their escape to take his potshot at Thor. I remember when I wrote this, I nearly took it out, because I thought Loki was being such an ass—but Loki is an ass, and I really want to show that. I want to show how warped his perception of reality can be, and how he’ll make really bad decisions because of it.
Two Preccat men walked by them, leering, but Loki ignored them and so did Thor. The men looked disgruntled but let them pass. When they were gone, Thor turned to her and hissed, “Of course I want to leave here, don’t be stupid. Why are you bringing this up now? We’re supposed to be concentrating on getting out of here.”
Thor, the voice of...reason? A major part of Thor’s arc in this fic is actually that he’s kind of a doormat because he’s so grateful to have Loki back, and that obviously can’t hold forever. He’s kind of fighting with himself here, wanting to make Loki have a conversation that Loki’s definitely not ready to have, and which frankly Thor isn’t ready to either. Thor wants to be better for Loki because he knows he’s hurt him, but Loki also is pretty much as impossible as ever.
She scowled but didn’t say anything. Thor grabbed her arm and stopped her. Loki yanked her arm out of her brother’s hold. They glared at each other, but then a group of men came stumbling down the road towards them, obviously drunk. It snapped both of them out of it. “Let’s go,” Loki muttered.
Aaaand of course they don’t have a real conversation. Huh sure hope all this stonewalling and sweeping things under the rug doesn’t result in an explosive, hurtful, horrible argument later!
Thank you so much for asking!
Fanfic Writers: Director’s Cut
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e-vasong · 4 years
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Can I ask about your writing process?
Huge fan of your TUA fics here - the way you just GET the characters is incredible - its almost like reading a novel written by the actual show writers!
How do you go about your characterisation and your drafting process? Any tips on nailing the complexities of the characters (specifically five)?
Thanks!!!
:') This is literally so nice I don't know how to respond, oh my goodness. I wish I had, like, life-altering writing wisdom for you here, but I honestly feel like my entire process is kind of a mess. I'll share it with you anyways, though, just in case you can glean anything helpful from it. I’ll tuck it below a cut, but here it is (ft. some of my specific characterization notes on Five, since you asked :D).
Pre-draft: Concept stage! This can be a variety of things -- sometimes it's a specific scene. For me it's usually a challenge of some sort. I like to take things that I think are unlikely for a character (under what circumstances would [x] character ever become a bad guy? How would [x] character’s secrets get revealed if they never talk willingly about their emotions?) Then I build out from there. I outline sometimes now, but I’ve been winging all my pieces for so long that it’s pretty tough for me. 
Draft one: Throw things at the wall. If I let myself, I will spend way too long agonizing on making every word perfect on the first go around, and I’ll never write anything. So draft one has permission to be as bad as it needs to be: sentence fragments, OOC dialogue/actions, clunky word choice, the whole nine yards. The most important thing is getting the words/scenes on the page.
Draft two: What sticks? Everyone is different -- I find it easier to edit than to write in the first place. So here’s where I look over my work from draft one. Is my sentence structure variable enough? How are their voices? Their actions? Does the narration work with the POV I’m using for the scene? 
Like, okay. I’m working on chapter two of the end of the war right now. Currently, it includes this line:
“How did you even—” Five starts, then shakes himself.  Absolutely not.  He isn’t entertaining this.  “Luther.”
In retrospect, I’m not wild about it. It doesn’t sound in character to me. I’m not pulling out receipts right now or anything, but the more I think about it, the more that I feel certain that Five rarely expresses surprise unless really shocked. Part of this is likely the contrast between him in his siblings (all the stuff about the Apocalypse and time travel is familiar to him and new to them, so the show has a lot of “Five explains [x] to his siblings while they look flabbergasted by him.”)
Anyways, it doesn’t sit right. So maybe, instead:
Five frowns, taken off guard. He could ask, but--quite frankly--he’s starting to think that he doesn’t want to know. He does, however, know what this is a preface to -- Luther is going to meddle. 
“Luther,” Five says it like a warning. Luther either doesn’t hear it or doesn’t care.
Anyways, rinse and repeat step two as much as necessary, and you basically have my entire drafting process.
Characterization, though, I have a more thorough process for!
Fanon and meta is super, super helpful, but I definitely prefer to look at canon first and foremost. I find it easiest to build characterization by asking myself questions about the character! I mean, don’t get me wrong. The first step is just to...get your own read on their personality? And there’s no trick to that. Everyone comes away from watching a show/reading a book with a slightly different interpretation of a character’s personality. But when building off of that to write them, I find questions helpful. They vary from fandom to fandom, but, like, here are some of the questions I’ve asked myself while writing Five.
What motivates them? For Five, this is a super easy one. He literally says it at multiple points throughout the show. He’s motivated by his family. To the point of wanting to save the world because they’re a part of it. Five troops through injury and pain and discomfort, but one reference from Handler about a deal to save his family is enough to coerce Five into 1 - working with her when he doesn’t want to and 2 - taking a job that he doesn’t seem like he wants to take.
How far are they willing to go to get it? For Five, he’s willing to do pretty much anything.
Are there any contradictions in their characterization? This is a weirdly specific question, but! People are inherently contradictory. Sometimes in TV or movies or books, it’s just bad writing. But sometimes it’s because people are complicated. So, in TUA, Five is consistently a big-picture thinker throughout the series. He seems to view his job at the Commission with apathy because he knows that it’s part of maintaining the timeline and necessary for him to get back home and stop the Apocalypse. He plans to kill an innocent person because he believes the butterfly effect of their death could stop the end of the world. He is, in many ways, a utilitarian -- the needs of the many outweigh the needs of the few. The greater good sometimes requires a lesser evil. Pull the lever in the trolley problem, and kill the one to save the five. Unless that one is one of Five’s siblings. 
For instance, his dialogue with the Handler in season one seems to imply that he is willing to give up fighting the Apocalypse if and only if she can guarantee his siblings’ safety (though this admittedly turns on how honest you think he was being with her -- I think he was honest, but smart enough to know she’d never follow through, but a fair argument can be made either way.) There are a million ways to read this, and the fun of playing with characterization is that you get to experiment with them! I read it as proof that Five is so driven by his desire to save his siblings that he actually places their wellbeing above his own moral compass (whether his moral compass is right or wrong is a whole other debate.)
What are they like at their best vs. at their worst? At his best, Five is strategic, driven, independent, determined, loyal, and protective. At his worst, he’s controlling, suspicious, bloodthirsty, temperamental, and obsessive. Of course, most people don’t just switch between these two extremes, and these traits frequently coexist, interact, and manifest in milder ways.  Five being suspicious usually manifests as him being cautious until he’s confronted with a character (in season two, Lila) that strikes him the wrong way. Him being obsessive is often just a side product of the fact that he is determined, loyal, and protective.  The fact that he can be controlling is connected to how independent he can be -- the same reason that Five tries to keep Diego in the mental hospital, never tells people that he’s injured, and hides things from them is the same reason he’s so quick and effective at getting things done. This is just a handy way of compiling a flaws/virtues list, and I like to look at it in terms of the potential extremes because I think it makes it easier to see how they interact to create the middle ground where the character actually exists.
How do they talk? Arguably the most important question for actually getting their voice, and the easiest way to nail this down is to just...look at the canon dialogue. Does the character use really big words? Do they talk in long gusts or in short, clipped sentences?  Do they use contractions more or do they not shorten things? This is the hardest part of writing Five for me, because my first impulse is to make him talk like an Intellectual (tm) and Very Erudite Adult. Like, I default to that when writing him, and it’s a horrible habit (in my opinion) because...while he does speak that way sometimes (usually when explaining things to his siblings) that’s not actually how he talks most of the time.  (Like, for instance, I tend to default away from Five using contractions in my first drafts of things. He actually uses contractions a lot, and frequently shortens words--”got to” is “gotta” for Five, “because” becomes “‘cause”, etc.) 
Other examples:
Five: Billions of people are about to die tonight. You can change that.
The Handler: Tonight, tomorrow. So little difference in the scheme of things. Don't you remember the Commission's raison d'etre? What's meant to be is meant to be, or, as I like to say, que será, será.
Five: It's bullshit in any language.
I love this exchange so much :D. And it establishes some great things about the way Five talks! He doesn’t dance around the issue or debate her or try and prove her wrong. He just tells her he thinks that that opinion is dumb, obviously.  He’s blunt, straightforward, and honest. (This seems to tie into the thing I was saying about Five and contractions -- he picks the most straightforward way of saying things unless he’s giving a technical explanation.)
Five: Okay, Luther, but be careful. I mean, I've... I've lived a long life, but you're still a young man. You got your whole life ahead of you. Don't waste it.
Five talks like an old man. Not all the time (though there’s a wonderful gif set out there somewhere of Five using old timer slang -- wait, I found it here.) He doesn’t use the old-timey slang all the time -- and I personally like the idea of mixing up Five’s slang habits and including slang from all sorts of eras because he’s a time traveler whose primary source of interaction after four decades alone was other time traveling assassins. But! He also talks in a way where he shows his age. 
Regardless of where you think Five’s psychological age falls (I have my own Opinions on this), he seems to unilaterally view himself as the Big Sibling, and by a very large margin at that. That’s reflected in how he talks. Not always, since not every line of dialogue is relevant to his age. But stuff like this, or related to it, crops up a fair amount. He counsels his siblings on their problems (as when he comforted Diego post-Eudora’s death), and there are little moments like the quote above, where the point is that Five has indeed seen many more years than his siblings and has the perspective to reflect that.
Well, this is way too long now, and it’s really late where I’m at. I feel like the comprehensibility of this post has been steadily declining the whole time, but if other writers have tips that they want to add onto this, please go ahead! 
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cricketnationrise · 3 years
Text
Books I read in quarantine: Part 1
So on Friday, March 13, 2020 something not that chill happened. We all know what that was. Anyway for me the silver lining was that I got a lot of my TBR knocked out by not being at work. I read over 150 books from mid-march to mid-october.
1. We Should All Be Feminists by Chimamanda Ngozi Adichie: yes, it had been on my list for a while, yes it was awesome, yes, its still worth the read
2. Dragonquest by Anne McCaffrey: eh. listen. she’s one of the most prominent women in fantasy/sci-fi writing and that’s great. and maybe some the later books aren’t quite such a product of their time. but there are some aspects to the dragon “bonding” that feel especially uncomfortable and there’s a lot of violence toward women. so.
3. Briar’s Book by Tamora Pierce: I was in the midst of a Circle of Magic reread. Unfortunately for me, this one is about a plague. It’s still one of the best CoM books and I enjoy it immensely. Its definitely going to be harder to read from now on
4. The Tiger’s Daughter by K. Arsenault Rivera: loved this. empress and ruler of the steppes as lesbians that also battle demons? i needed a family tree, but that’s normal for me. still need to get to the next one in this series.
5. Fablehaven by Brandon Mull:  middle grade fantasy novel. i hesitate to say lighthearted because there are definitely some heavy themes, but all the fantasy creatures you encounter are cool AF and this one at least doesn’t end on a cliffhanger.
6. Magic Steps by Tamora Pierce: less strong than some of the others in the Emelan series, but has some cool worldbuilding that got better fleshed out in the Beka Cooper Tortall books. featuring UNMAGIC. v dark. also dance magic. and romance between two older characters
7. The Bookshop on the Corner by Jenny Colgan: delightful romance, not super explicit, very wish fulfillment if your wish is to run away from your life in london and live off the proceeds of a mobile bookstore in a tiny town. which. is not unappealing.
8. Street Magic by Tamora Pierce: features 9 cats, street urchins, and a VERY TERRIFYING wealthy widow straight up murdering kids for fun and games, stone magic
9. Scythe by Neal Shusterman: okay so take our world and then solve all physical ailments and have everything run by the cloud. except that death is still a thing but only if you are picked by a Scythe. first book in a trilogy. fast paced, amazing, violent (someone gets their head cut off), standard dystopia stuff. you’ll want to have the next two books ON YOUR SHELF
10. Wink Poppy Midnight by April Genevieve Tucholke: there is definitely someone out there who will like this more than me. one of them is my roommate. it was just too dark of a friendship/enemyship for me. lots of unreliable narrators. and like, they were just kind of horrible to each other? the actual plot was kinda cool and i definitely would have liked it more if it ended lighter
11. The Word for World is Forest by Ursula K. LeGuin: a giant of fantasy and science fiction. this was my first of her sci-fi stuff and the first of the hainish cycle that i’ve read. quick read. definitely makes you think.
12. The Haunting of Tram Car 015 by P. Djèlí Clark: number two in a series, but i didn’t know that going in. absolutely going to read the others. a cairo where all sorts of spirits and demons exist and actively interact with the “normal” world.
13. The Girl Who Reads on the Métro by Christine Féret-Fleury: i’ve never been to france but this feels VERY french. magical realism about bringing the right book to the perfect reader. super cute.
14. Fire Starter by P. Anastasia: first of a series. i wanted to like this better based on the magic system. romance felt forced. also it turned out to be aliens. which like, not a problem, but don’t spend 100 pages telling me its magic and then boom alien virus. maybe the others are better, but i’m not going to find out.
15. The House on Mango Street by Sandra Cisneros: i had to read this in middle school and definitely didn’t appreciate it enough. highly recommended.
16. A Witch’s Guide to Escape: A Practical Compendium of Portal Fantasies by Alix E. Harrow: a fantastic short story about reading, libraries, magic and supporting teenagers who need it. you can read it online or as part of Apex Magazine Issue 105 from Feb 2018.
17. On a Sunbeam by Tillie Walden: really long graphic novel about a found family in space trying to do a good job repairing various buildings and stuff. enough queer content for anybody really. gorgeous art.
18. Doughnut by Tom Holt: book 1 in the YouSpace series. very discworld-esq except that its our own world plus a pocket dimension that’s only accessible with a lot of math and a prayer. hilarious at times, but a decidedly darker tone than discworld so just be aware if that’s not what youre looking for
19. The Girl Who Could Move Sh*t with Her Mind by Jackson Ford: teenage girl in california has powers that let her move things with her mind. works as part of a government program with a whole band of misfits. she thought she was the only one and then someone else starts doing crime (TM) and murder with telekinesis and she has to stop them. found family toward the end. graphic violence toward the end. wildfires.
20. Ballad of the Whiskey Robber: A True Story of Bank Heists, Ice Hockey, Transylvanian Pelt Smuggling, Moonlighting Detectives, and Broken Hearts by Julian Rubinstein: what it says on the tin, basically. NONFICTION. this dude in europe had way too many day jobs that were actually crime and his story is WILD. last update i saw was that he was still alive, paroled from jail, and making pottery??
21. The Priory of the Orange Tree by Samantha Shannon: 800+ pages of epic eastern fantasy. some dragons. a witchy big bad. betrayal. queer romance as a main plotline. magic. seriously good.
22. Transcription by Kate Atkinson: flashback within a flashback within a flashback and reversing that path as you move through the book. woman just wants a secretary job during the war. somehow ends up as a spy??? i liked it, i keep meaning to get more of her books
23. Every Heart a Doorway by Seanan McGuire: first in the wayward children series. under 200 pages if you’re looking for a quick read. what happens to kids that have gone through a door, had an adventure, and then forced back into our world? they don’t quite fit. and when that happens they go to Eleanor West’s School. fantastic series that is still being added to (number 7 comes out next year). can be very dark/sinister at times. but theres a lot of queer representation and found family stuff to balance out.
24. Down Among the Sticks and Bones by Seanan McGuire: book 2 in the wayward children series. focuses on Jack and Jill’s backstory of their time before book 1. they are from The Moors where a Vampire Lord and a Mad Scientist are battling against each other to keep the balance of the world with a village of innocents between them
25. Go Fish by Ian Rogers: short story published on Tor.com about a group of paranormal investigators. there’s a fish factory that no one will go in because it’s haunted and/or cursed and people have been dying from going in there
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makeste · 4 years
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BnHA Chapter 266: Sad Naruto Flute Music
Previously on BnHA: Tamaki ate a horse; Dark Shadow punched Re-Destro through a wall; Gigantomachia didn’t want to wake up from his nap; Tokoyami climbed inside of Fatgum’s stomach like a little emo joey and mused about Hawks; Hawks was all “am I evil or no? history shall decide!” and sort of kind of maybe tried to kill Twice; and then Dabi showed up and set the two of them on fire before you could say “stop, drop, and roll.” All of this was a real chapter that really happened. Anyway but then Hawks saved Twice by pulling him out of the fire, which I totally didn’t notice during my first readthrough last week, so that’s nice. But then Dabi stepped on Hawks’s face and used his quirk again. So that was not so nice. We’re really having ourselves an arc, here.
Today on BnHA: Well you know the old saying. Save a man from burning and you feed him for a day, stab him while he’s running away and you feed him for life. Oh, the chapter? Right. Well Hawks is perfectly fine aside from getting a sexy scar for his troubles, which I’ll have you know I did predict. Twice however is not so fine, which, fun fact, I did not predict. If you’re just joining us. Yeah. I boofed it. Anyway so Hawks escapes Dabi using the power of mysterious main character logic, and then he stabs Twice, and Twice dies, very slowly and sadly and in Toga’s arms. That’s it that’s the chapter. You’ll love it. It’s full of feels. And death. Lol I’m in a mood right now I’m sorry guys. I’m gonna go write some healing Bakugou essays.
so as mentioned on the “previously” section above, Hawks saved Twice’s life! meanwhile Dabi apparently arrived in time to listen to Hawks’s “here I go... time to kill you... really gonna do it... here it comes...” speech for at least several seconds before he finally decided to make his grand entrance, as evidenced by him quoting Hawks’s “sentiment” line right back in his face before setting him on fire. so basically Hawks is still okay and villains gonna villain. this is my conclusion and 4 out of 5 dentists approve but you can form your own judgements as well and that’s fine!
(ETA: this is all your fault fifth dentist.)
anyway so before we begin, full disclosure, I was warned this chapter would make me cry. so that ominous pronouncement is gonna be weighing on my mind while we embark upon our weekly manga journey today, but alas such is life! at least life in March 2020. did we really expect any good news at this point. I want a refund on this whole year but apparently I should get in line
so here we go. someone is narrating and it’s not quite clear who
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but the “you’ve just been unlucky” part is a reference to what Hawks was telling Twice in chapter 264, so unless Dabi was listening in on that part too, I would think this would have to be Twice? even though Dabi’s the one whose face is so prominent here, all handsome and crazy
omg Hawks is holding on to his feather and using his tk to blast away while holding Twice
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what a fucking thing to do. is the fucking feather still on fire. and somehow he hasn’t instinctively let go of it?? THIS BOY I SWEAR TO GOD
and so he’s definitely going to have a scar there now it looks like! pretty sure this makes him an honorary Todoroki. aww
and also Twice seems to possibly be unconscious, so I guess that was Dabi’s narration?? you mean to tell me Dabi was basically sitting outside for like a full five minutes. were you fixing your hair. getting ready to livestream?? “hey there villain nation it’s me ya boi, so I’m here in the Hilton Gunga Heights and omg like a shitton of heroes have attacked us out of fucking nowhere, and now the number two hero is getting ready to fucking murder my bro Twice, and he hasn’t even noticed I’m here yet. shit is totally crazy, anyways before we go on just a reminder to click on the link below to check out our official league merch, and if you haven’t already, click on the button to like and subscribe, it really helps us out.” and then boom, just in time to save Twice from Mr. To Stab or Not to Stab
(ETA: now that we know it’s actually Twice what am I gonna do with all these Dabi social media jokes. huh?! Horikoshi you ruined everything!!)
oh this chapter is apparently called “Happy Life.” that’s fun I’m sure we’re going to have a really fun time here
(ETA: so fun the funnest.)
Dabi doesn’t really seem fazed though
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yeah he’s fucked we know don’t have to rub it in ffff
(ETA: Dabi. we underestimated him, Dabi.)
so Hawks is all “you nearly murdered your bro just fyi” and Dabi is all “smirk it’s fine cuz I knew you were going to save him cuz ~that’s ~what ~heroes ~do” wow you guys. I just realized that between Dabi and Hawks, this has the potential to be the single snarkiest fight we’ve ever had in this manga. my hype for this chapter just went up 10x
also even though I just summarized these last few panels I’m also going to post them so we can all shamelessly admire hot wounded Hawks
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hot damn. you were right, AFO. wounded heroes are the sexiest. I may be paraphrasing a bit
also two things, (1) looks like he called some of his feathers back (so then WHERE WERE THEY??), but it’s not much. and (2) he was wearing gloves this whole time that’s right I forgot. so maybe his hands are okay?? the hell are those made of, damn
oh my freaking lord
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this is one attractive chapter I’ll give it that. also raise your hand if you’re surprised that Dabi never actually trusted Hawks. yeah that’s what I thought
well shit looks like we’re finally getting some Hawks thoughts! unsurprisingly, they are all “I’m fucked”
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please note that while talking!Hawks is continuing to be all sassy, thinking!Hawks is busy tallying up Jin’s injuries. this is a good sign, maybe. I hope. lol
anyway but speaking of Jin, what is going on
oh lol he’s making a break for it
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this is so bad you guys. this is so so bad. if Twice lives that’s all well and good, but if he escapes, Hawks is 100% right about how dangerous he is. they could literally capture 90% of PLF in this raid and it would hardly even matter. also in the meantime the #2 hero is about to be roasted alive so that’s also not great for the hero side all things considered
ohhhhhhhhhhhhh no. I don’t like this. no no no
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why did we suddenly cut to outside and someone’s screaming (?) echoing from offscreen. I’m trying to think of not-terrible explanations for this and coming up short. uh
now we’re back to Hawks/Twice/Dabi, only I don’t see Hawks yet. but Twice is just barely dodging the flame blast, and meanwhile Dabi is all
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is he talking to Twice?
yep he’s talking to Twice
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that’s fine. that’s all I need. for Twice to “go wild” while my nine-year-old son is outside with his batteries all fried and innocently waiting for someone to lead him back to where his other child soldier friends are waiting for him. like. say what you will about Hawks and betrayal, but there was a fucking reason he was trying to take Twice out first
hmm but we’re getting this slow-motion panel now and FUCK ME I SWEAR TO GOD IF A FEATHER PIERCES HIS HEART OUT OF NOWHERE I’M GONNA LOSE IT
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WAIT WHAT
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EXCUSE ME BUT
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? ??????????
well you sure have been made to look the fool now, Dabi. thought you’d won just because you had Hawks cornered in a narrow room and you set him on fire while standing in between him and the only exit. rookie fucking mistake. you scrub. you clod. you halfwit. how could you let this happen. wow I can’t believe Dabi let Hawks escape unscathed except for a sexy scar and that’s the end of the chapter
LMAO
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oh my god. well good news everyone this chapter did indeed make me cry
(ETA: listen. I’m going to hell, I know. but it’s still funny as fuck.)
“he went outside with the blast... and flanked me?!” ...sure. sure let’s just go with that. seems reasonable
actually no, sorry, I literally went back two chapters to see if there was another way out of this room, and nope
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by the way that last panel is apparently from Dabi’s POV if I’m understanding this right. just standing behind Hawks waiting for youtube live to connect
but anyway. so no exit. meaning Dabi apparently torched a hole right through the wall and Hawks just sat there and was all “okay this hurts like a mother but if I wait it out a few more seconds I think I can... there we go!” you know, logic
so now there is a ton of action happening which I can’t quite understand, but also Dabi is shouting Hawks’s real name for some reason
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why do I feel like this is definitely the last page before somebody definitely fucking dies. shit. shit
oh thank god so far so good. and also, lol
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BECAUSE HE READ THE DATABOOK, HAWKS. that’s probably how he figured out you were a spy too. we’ve been had
oh snap?!
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don’t do this to me Horikoshi. don’t give me hope. don’t act like you’re gonna actually address this topic sometime before the heat death of the universe
AND HE’S OUT
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MY BABY OFF TO DESTROY PEOPLE. ;_; shitttt hahaha nervous laughter Ralph Wiggum sitting on the bus etc.
GODDAMN IT HORIKOSHI
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I don’t want Twice to kill anyone but it doesn’t mean I want him to die either! just!! can’t I have it both ways?? please stop with this I can’t take it also what is Spinner doing. and also YAY GIRAN SIGHTING hot damn the sex appeal of this chapter is fast approaching critical levels
GOD FUCKING DAMMIT FUCK
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fuck me. [eyes post from last week] the real announcer jinx was the metas we made along the way
well we’re cutting away again!! because of course we are!! Horikoshi won’t show violence unless it’s a dog exploding or a little boy accidentally murdering his entire family
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[taps megaphone] this thing on. all right then. [clears throat] NO ONE WANTS THIS
FOR FUCK’S SAKE
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“I KNOW YOU’RE ALL DYING TO SEE WHAT’S GOING TO HAPPEN, SO HERE, LET’S CUT TO A RANDOM PAGE OF TOGA AND COMPRESS BEING CAPTURED BY A MAN WITH HUNGRY HUNGRY HIPPO ARMS”
oh damn but are they really captured though??
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forgive me for being skeptical. not to doubt you, Hungry Hungry Hippo Man. I’m sure you’re absolutely right and your sentence cut off at the end there because you remembered that they changed their name to Pliff, and not because you’re being stabbed or burned or impaled or whatever the fuck
!!!
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HE LIVED BITCH
yes he totally lived and this definitely isn’t so that he can get one final scene with Toga before he suddenly keels over and dies. shit. at this point it’s fucking inevitable. you had to go and drag his girlfriend into this. I’m so sad you guys I can’t even deal with these emotions I’m just gonna stubbornly joke about stupid shit until I figure out what the fuck else to do
OH MY GOD!!!!???
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HE DIED BITCH!?!??
he’s already dead he’s already fucking dead fucking shit
ohhhhhh it’s pouring down sads now
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my bird son really went and fucking killed the sweetest little dumpling in the manga. I wrote like 5 thousands essays defending you, Hawks. we gonna have to get you a damn good lawyer now
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why is sad flute music from the Naruto OST playing
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he’s not gonna need it where he’s going Toga. because they already have plenty of handkerchiefs on the farm. and lots of room for him to run around and play with other villains too
lmao fuck
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I really did this to myself, why did I actually start playing Sadness and Sorrow fuck my life. real actual tears
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and it SEEMS TO ME, YOU LIVED YOUR LIFE, LIKE A CANDLE IN THE WIND~~~
[sad makeste noises]
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AND I WOULD HAVE LIKED TO KNOW YOU
BUT I WAS JUST A KID~~
...
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your candle burned out long before
your legend ever did.
[mellow keyboard tones]
welp. ... 2020 ladies and gentlemen
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signofwolf · 3 years
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Kingdom of Ash by Sarah J. Maas – book review
Series: Throne of Glass #7 Genre: YA, Fantasy Theme: Fae, magic users, war Warnings: mentions of torture, imprisonment Star rating: 0,5/10
Why did I pick this up?: I wanted to end this horrible series once and for all.
[Heavy spoilers ahead]
To make myself clear, before this book I quite liked this series. It wouldn’t place in my top 100 books, not even close, but it was a pleasant pageturner to listen to in audiobooks when working.
Language
Let’s start slow. I lack the words to express how much I hate the words ‘male’, ‘female’ and ‘mate’ after this series. Not even gonna try to express my trauma. But these 3 gems aside, Sarah J. Maas needs a dictionary. Or compress her work to a manageable size. Everything sang, Everyone melted, Every man roared, Every woman trembled, Everyone was unleashing themselves at least once a chapter (number of chapters: 122) ). And now I know definitely too much about Yrene’s ‘womb’. I know so much…
Dynamism
I thought that was a book about a war with heavy action content. Oh boy, I was wrong. This 984-pages monstrosity has maybe 5 pages of action. If you squint.
Every sequence, where by design action should take place was followed by one of two scripts:
Few sentences of action and then a few pages long internal monologue. Often repeated with the same character after the next few sentences of action, or with the next character and then the next (sometimes the first character made a second appearance and then everything would go all over again). And the word ‘character’ used in these sentences is not because I’m rambling. This book is written that way!
Few sentences of action and then action stops, and we are graced by a few pages long conversation. In the middle of a battle. Or spying. Or in Erawan’s chambers, when his castle is going down, and he is running up the stairs...
Time
Leaving alone the fact that apparently all series took less than a year (till this book I estimated the plot for about 3 years, Wiki told me it was 2, but Maas knows best), because that is a can of worms in itself. Time in this one? I honestly have no idea. There were many ‘few weeks of travel’ parts with two main groups of POVs. Personally my only time indicator was ‘Orynth won’t fall till Aelin gets here’. But nothing just fit. And I saw Lost Song when in the last episode we as the audience realized that our two POVs parallel storylines are in reality millennia apart. Lost Song made sense.
Emotional loading
… there wasn’t any. Really, it was like reading a milk label. Every time the scene was potentially emotionally impactful, Maas went ahead to overexplaining EVERY. GOD. DAMMED. THING. And it was abso-fucking-lutely everything. ‘Emotional dilemma? Let’s current POV explain it! 2 pages should be enough… Damn maybe it wasn’t enough. I know! I’ll switch POVs and explain it through the other character!’ <= My impression of Maas’ thought process. I’m fairly sure that the record was 7 POVs explaining the same thing in the row, but I was blacking out a little, so I cannot be sure.
And if that wasn’t enough, this book had a second way to defuse tension: random-plastic-repetitive-badly_written-smut. Really badly written and really repetitive. How could you not feel the spicy bits, when Manon (cruel, self assured 100+years old witch-queen) reacts the same in bed as Elide (20years old, virgin, ex-slave). And the rest of them were the same, there weren’t ANY distinctions.Just copy-paste.
The next point in current case: Someone died, it was impactful, I really liked the character, so I got sad. But then 2 of our characters came out of the room with a body, and after a paragraph of grieving they started making out, and then I was regaled with 2-pages-long description of melting cores. That was the place then this book stopped being badly written, and started being distasteful.
Characters
Remember when I was writing about switching POVs (which is 15(!!!) In the whole book. Oh and an omniscient narrator in places when our current POV was grieving too much to overthink something, but Maas still wanted to inform us about something)? They were all savagely murdered in the worst way: character mutilation. Somewhere between books our maybe-not-that-original but colorful and interesting characters became carbon copies of each other. I have no idea how many times I didn’t realise there was a POV switch. The only indicator was a change of pronoun, or when Maas was telling us the name of a current narrator. These were the only ways. And if you can't distinguish if you are in Dorian’s head or in Manon’s, that is the sign of a really BAD writing.
Romance
…there wasn't any. In all this book there wasn't any naturally progressing romantic scene. There were Maas’ endgame pairings which were sexing or pinning. As the author Maas loves to write about soulmates. And it’s not a bad thing itself. When I want some fluffy story I often tag ‘soulmates’ in AO3 and voila, +10 to good mood. But God above, it is not cute when every pair you write about are ‘true mates’ just BECAUSE. It is the only way Maas sees a relationship, as a fated pairing, written in the wake of the universe by the God himself. There is no choice, nor the work to put in it. They are the author's OTP and that means that they are perfect and they should have children right now. Point in case:
Guy was treating a girl like a shit on his sole, including throwing her naked out of tent, on a snow, with their friends present, all the while abusing her verbally in a worst way. But it’s okay, because when she almost died he realised his mistakes and apologised. Two scenes later, he was forgiven, because... fated mates?
The pathos
I know that many people don't like this type of scenes, but it's not my case. I’m reading by picturing images and not repeating words. I like sequences that I can imagine to be grand and glorious, even if they are a little corny. That said, the pathos scenes were the most disappointing ones for me. Maas likes to write parts that are more picturesquely exalted than logically possible [point in case: meeting of 5 armies/forces in the random patch of sand in Empire of Storms, and it being painted as ‘an Aelin’s great plan’. I laughed myself silly at that. But not taking logic and all the plot holes into consideration that was a nicely looking scene. In Kingdom of Ash that wasn’t the case. I would say that the author wanted to paint us a renaissance painting every 20 pages or so. In my opinion, every time she failed miserably. Each and every of those scenes was or to farfetched to be even remotely realistic, and evidently written only for a sake of the picture, or just plainly stupid.
Example, and it’s so priceless a scene, that I just need to share it: Battle of Orynth, 25th day or so (time in this book doesn’t exist), the 13. sacrificed themselves (like thousands before them but hush). And then, time stops: grieving Manon is going through the city, they open the gates for her (yes, the siege is still on), she goes to the place where they died, after her come out all of our main heroes, and half the city itself with ‘flowers, rocks and precious possessions’ and they lay it there in a tribute to these brave (evil till 2 months ago) witches. I honestly can’t remember when was the last time I saw such an abstract scene. It’s a material for an essay in itself. No, I could not take it seriously.
Additionally, it's hard to make an impact as every damn sentence is grand and lofty. In the end it became truly pathetic, Aelin vs Maeve was unreadable.
Character deaths:
Let's make a quick count: main characters in a series at the start of KoA: 12 secondary characters in a series at the start of KoA: 20ish minor and total background: a lot more
Death count: main: 0 secondary: 3 minor: 2 (11 if we try very hard)
Resurrections: 1 (possibly 3, but not gonna analyze it)
Did you feel emotions of this impossible war against this all-encompassing, all-powerful, invincible, immortal, cunning Evil with armies from 3 continents and 2 worlds? No? Me neither.
Oh well, but there were a lot of deaths of ordinary soldiers. I’m quite certain that all of Terrasen’s army was at least twice brought back to life for them to die in these numbers.
Logic or lack thereof
Oh, and let’s not forget about the Deus ex machina army of unbeatable, magical elves on wolves, from legends, living for the past thousands of years in the unreachable lands of the north, because they managed to run from the surprise attack 10 years earlier. Did I mention that they came from portals, which the whole book was telling us were impossible to make in this scenario? After the previous saviour army was already fighting there for a day? And that Aelin didn’t know they would come for sure (how did she contact them again?)? Even though they were waiting in the full armours for these portals? Ah, and also: that army didn’t do anything. They just came and fought for maybe 4 minutes. And there were just so many things like that!
And if we’re on the topic of armies I present you: ‘My favourite absurd-list in the series: allied armies’.
(As a comparison, in A Song of Ice and Fire by J.R.R Martin, in 7 kingdoms of Westeros, at the peak of war there were 7 forces present, but not all were even engaged in a war.)
First the ones that made sense:
Armies of Terrasen’s Lords (counted as one, not gonna nitpick)
The Khaganate army (also counted as one)
Galan Ashryver’s armada
Whitethorn fraction
Rebel Ironteeth witches
…should Dorian be counted as an ‘army’?
And there were some that did not:
Ansel of Briarcliff’s army
The Silent Assassins
Mycenians
Wild Men of the Fangs
Army of magical elves on wolves
And the ‘I don’t even know’ category:
Crochan witches
Overpowering and overreaching
Section title tells it all. The stakes were too high. I was honestly waiting for Aelin to become Super Saiyan and start to throw planets at Maeve and Erawan. I won’t spoil if this happened.
In my opinion it could be a really great series, if our list of villains ended with Arobynn and King of Adarlan, and the list of Aelin titles with an assassin and a princess. We could have had two main fight plots: one emotional with Arobynn, when Aelin would have to face a damage he had done to her, and overcome it. And the second one, with freeing Terrasen from Adarlan’s rule. That’s it. There was an asshole, power hungry king, who feared magic and wanted to rule the East part of a continent. A lot of plot, but not so much that we stopped to care, or didn’t have time to cover everything. We could really get to know what Terrasen and his people were like and not JUST GET TOLD that it was ‘the greatest place in the world’ every damn 20 pages.
Plus…should Dorian be counted as an ‘army’? It's a REALLY valid question.
Climaxes
IIf I have to write a list of things that disappointed me in this book, this review would be thrice its current size, but one of the worst grievances I have is the complete lack of acknowledging the plotlines that had been started. This book series has overall 4 372 pages (not counting novellas) and 12 main characters (still not gonna address this). All of them had their storylines and arcs but if they weren't tied up in the previous instalments they wouldn’t be in this one. I get it, Maeve and Erawan got beaten (in an extremely unsatisfactory way) but they were only a background in this series' plots.
Aelin Well, Aelin was one of 3 people (+2 paragraf-long insertion from Nesryn and Chaol) who got their own POV’s after the battle (second was technically Rowan, who was ‘Aelin’s POV outside of Aelin’.The third Dorian, who got almost a full two pages). And from this we got that: she got crowned, Aedion got his bond and that Maas have no idea how the city looks after weeks of siege. In her case what angered me the most was ‘Terrasen is my home’ subplot. Only in this tome we read at least 3 times that Aelin will be okay with dying, if only she gets to see Terrasen one last time, or if she get to die on Terrassen soil. But you know what? Maas forgot to write the scene where Aelin actually ‘comes in’.
Mannon Didn't get her own POV after the battle, but here’s what we’ve got: She is going to the Wastes with Croachans and Ironteeth. Whait. What? Yes, that was the ending of this 500+ years of feud. They fought together and they decided to unite their two species, completely forgetting more than half a millenia of slaughter. I can only hope that there were at least some talks behind the scenes… NO! F*** NO! This isn’t how it works!
Rowan, Dorian, Chaol, Yrene, Lysandra, Aedion, Lorcan, Elide, Nesryn, Sartaq Lived happily ever after
Secondary minor and total background characters Survived (I acknowledge that they would be ignored in most books’ epilogues, but this abomination is almost 1000 pages of nothing!!).
Good Scenes
That saying, this book actually had 4 good scenes:
Crochan witches go to war - gathering-forces-to-fight trope, which is my *love-always trope* so I’m not even sure if it was relatively good, or if I’m just a slut for this trope. It was still only a paragraph long though.
[recurring] The children’s tale Aelin repeated to herself to remember who she is.
‘Lorcan Lochan’ - the only marginally funny scene in the whole book
I actually found Darrel making Evangeline his heir charming. Even if circumstances were far-fetched at least.
But the words crime of this book? It was agonisingly, mind-numbingly boring. If the overexplaining and repetitions were to be taken out I highly doubt that there would be 300 pages left.
For these 33 hours of audiobook I suffered through I give it half a star. Because Abraxos exist.
Please see my garishly accurate cover on my instagram! You can also like it there :D
instagram | goodreads
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