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#metropolis ensemble
burlveneer-music · 1 year
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Tyondai Braxton - Telekinesis
Telekinesis—an eighty-seven-piece work for electric guitars, orchestra, choir and electronics—will be released on November 11, 2022, via New Amsterdam and Nonesuch Records. Featuring the Metropolis Ensemble conducted by Andrew Cyr, the Brooklyn Youth Chorus conducted by Dianne Berkun Menaker, and chamber choir The Crossing conducted by Donald Nally, Telekinesis is the first studio recording of the work. Telekinesis is the result of a co-commission by the Southbank Centre London and Musica Nova, Helsinki Festival. The world premiere took place on April 18, 2018 at Queen Elizabeth Hall with the BBC Concert Orchestra and BBC Singers, followed by a performance at Helsinki Festival by the Finnish Radio Symphony Orchestra. Andre de Ridder conducted both performances. Braxton calls Telekinesis “the latest and largest example of intersections between my electronic music and notated music, both sonically and philosophically.” Throughout the recording and production process, Braxton sought to “create an environment where electronic instruments and acoustic instruments coexist in a place that feels balanced and organic.” To achieve that, the orchestra, choir, and electronics were tracked section by section at Oktaven Audio in Mt Vernon, New York from August 2021 to March 2022 by engineer Ryan Streber. This allowed for a hyper-detailed mix session with Seth Manchester at Machines with Magnets in Pawtucket, RI. As a studio recording, the mix recreates how an orchestra would be placed (with some exceptions), but is exaggerated in its width and in the closeness and depth of certain instruments, surrounding the listener. Braxton says: “As a science fiction and horror fan, the initial idea was to write an opera based on the Japanese manga masterpiece Akira, although over time, I realized I was more interested in the story as an invisible thematic guide rather than something more literal. Among a number of storylines in Akira is the idea that a young boy comes upon the ability to move objects and generate energy with his mind. Entirely enthralled with his own power and apparent limitless potential, and despite his inability to physically and mentally control this force, he launches unrestrained into its use. Ultimately, his hubris overtakes and destroys him. The power of the mind has been a compelling consideration for me and is an underlying theme in this piece.” Composer, Electronics, Celeste: Tyondai Braxton Metropolis Ensemble: Andrew Cyr, artistic director/conductor Brooklyn Youth Chorus: Dianne Berkun Menaker, conductor The Crossing: Donald Nally, conductor Cover Art: "Sanctuary City" by Grace Villamil
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nonesuchrecords · 1 month
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Timo Andres’ The Blind Banister is out now! You can get it and hear it here. The album comprises three works by the composer/pianist: the piano concerto The Blind Banister (a finalist for the Pulitzer Prize in 2016), with Andres as soloist, and Upstate Obscura for chamber orchestra and cello, with soloist Inbal Segev—both of which feature Metropolis Ensemble and conductor Andrew Cyr—and the solo piano piece Colorful History, also performed by Andres.
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thealexanderfiles · 5 months
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Broke: Bruce wayne uses his batman voice to spook his children at 2 am to get them to stop playing video games
Woke: Batman used his Brucie Wayne voice to interrogate JL criminals in custody in a sealed, soundproof room untill they're begging to be let out and give up the information freely
Hyperwoke: Brucie Wayne and his ensemble of children attend the met gala in their full vigilante costumes and Brucie flirts aggressively with anything that moves
Superhyperwoke: Brucie Wayne and his ensemble of children dress up in fifteen dollar Walmart knockoff versions of JL members and go on a sightseeing bus tour of Metropolis.
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superbat-love · 11 months
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Gotham's Superhero Week: Bruce Wayne's Scandalous Antics! Is Romance Brewing Between Batman and Superman?
It's Superhero Week in Gotham City, and the excitement is reaching epic heights as people from all corners of the country flock to the city for the Superhero Festival extravaganza! The streets are teeming with attendees clad in their favorite superhero ensembles, ready to revel in the heroic festivities.
But hold onto your capes, folks, because Gotham's very own celebrity socialite, Bruce Wayne, has taken the city by storm! Sporting the iconic guise of Batman, the Dark Knight himself, Wayne has graced the festival to show undying support for his beloved hometown. The sight of him donning the Bat-suit and striking fabulous poses has sent shockwaves through the crowds, leaving fans in awe and paparazzi in a frenzy.
And the surprises don't end there! As the festival roars to life, Wayne takes center stage, belting out a heart-rending rendition of 'I'll Be Your Superhero.' Joining him is none other than the sensational Central City songbird, Alison Green, shimmering in the breathtaking attire of Wonder Woman! The stage ignites with their electrifying chemistry, leaving audiences craving more.
But alas, not all is smooth sailing in our Batman’s world. In an unfortunate turn of events, Wayne found himself at the short end of the stick in a boozy brawl with a belligerent “Green Lantern”. Fear not, dear readers, for salvation arrived in the form of Damian Wayne, the heir to the Wayne fortune, dressed as Nightwing, People’s Sexiest Hero Alive. With his height advantage, he swiftly put an end to the tumultuous scuffle with a nutshot, proving that perhaps not all Waynes are hopeless at combat.
And as if that wasn't enough to set tongues wagging, the Gotham gossip mill has gone into overdrive with jaw-dropping photos capturing Wayne in an intimate embrace with none other than a dashing Superman look-alike! Who is this mysterious Man of Steel? Word on the street is that he hails from Metropolis and works as a reporter. Could sparks be flying between the World's Finest superhero fans? Only time will reveal the truth behind this captivating enigma. Stay tuned, dear readers, as we continue to unravel the secrets of Gotham's Superhero Week! — Gotham Gazelle
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@cakeinpants
Nolybab was always a place that Kyung had mixed feelings towards, and even after scouting the streets of such a metropolis on missions, she never knew what to expect from it at times. However, the day had gone accordingly thus far, with only a few odd encounters with the locals due to how she stuck out among the many khanzumer-class inhabitants. Although, it worked to her advantage since her whole facade relied on being nothing but a frequent tourist to Mudos; and just like any typical foreigner going sightseeing, the Jimseomi looked like she was doing nothing but roaming around and sightseeing. Rather than being dressed in her usual all-black and rather tattered field attire, Kyung wore a much more trendy red ensemble as her disguise. All she had to do was not give away too much, stay walking on her two back legs no matter how much she wanted to sprint on all sixes, and act natural.
During that day, the Jimseomi had picked a popular spot to visit in order to take pictures, and gather more information on it. At the forefront, her thoughts were on her objective, as they normally were. On the other hand, ever since she had her phone call with Pat about him being in the Nolybab area, the impulse to look around for any signs of the dancer persisted wherever she went.
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direct0rhutao · 9 months
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reasons why double face shouldn’t disband
-madara will go back to being all alone on stage :(
-seriously guys i thought solo idols were on the brink of extinction. do we really want mikejimama to be extinct
-we’ve only gotten like 3 or 4 double face events?? and like only 2 of those were song events we need more double face music please
-we haven’t gotten the sleeper mystery train mv yet
-we haven’t gotten the secret of metropolis mv yet
-if double face disbands then ensemble square won’t have any in-house vigilantes and then what will they do when they need some corrupt executives gone. what if they have to outsource their assassins. what if ibara just starts killing people himself. if double face disbands ibara might go back to sending people bomb threats and nobody wants that
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A/N: Your responses have seasoned my month with joy. I cannot thank you all enough.
Created for the 14 Days of Valentines community project, hosted by @muddyorbsblr.
Series masterlist
Pairing: Loki x fem!reader
Includes: Fluff, drinking
Summary: You have a date with mischief
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You pace before Wanda. She sits, legs crossed on your bed with half your wardrobe strewn around her. "Are you sure this is the one?" you ask, holding up a velvet dress. "It's not too presumptuous?"
"I'm sure he's the last person you have to worry about that with," she titters, shifting to help put away the other options.
You roll your eyes. "I mean presumptuous about where he's taking me. I don't want to look like I expect caviar just because he's royalty."
"Breathe," she enunciates. "First of all, the guy wears gold armor, which is entirely impractical by the way.
"Besides, you should've seen him today. He was questioning Stark about where to take you. I even heard him ask 'Brother, if I wear this tie instead, am I still "dressing like a witch?"' He wants you to expect caviar. And champagne for that matter."
"Ok," your shoulders relax a bit. He's nervous too. Unexplainable, but it's endearing all the same.
Wanda zips you into the dress, its fabric a forest at dusk. "And you should wear the black thigh-highs. They'll keep you warm and show some leg when you walk."
"What would I do without you?" you give her a hug and hear the knock.
"Wait for another sex god to land in your lap," she answers with raised eyebrows.
"Wanda," you hiss as you go to get the door.
The trip to Hudson Yards takes a minute at most. Greetings exchanged, he asks, "Do you trust me?"
"Yes," tumbles out, to your surprise as well as his. He pulls you tight against his chest, your knees buckling at the heat of him. A flash of green, the scent of snow, and you land gracefully before Peak restaurant's host station.
The man at the head of the line shoots Loki an angry look before stepping back apologetically. A young woman glances up from her seating chart and asks for your reservation.
"Laufeyson," he replies smoothly.
As she leads you to a window seat you ask, "How on earth did you get us a window reservation in a day? Was it..." you gesture.
"Magic?" he smirks. "Quite unnecessary, darling. My silver tongue is more than enough to persuade most ears." The twitch beneath your skirts concurs.
The first course is spent in awe. Sipping mulled wine between bites, you can't decide which view is better, the metropolis below you or the god across the table.
Over your entree he asks which places in the city are your favorite, if you've ventured Upstate, and about the novel you're reading. Hesitantly, he tells you his first year with the Avengers was mandated by an extradition agreement. After completing his sentence, he chose to remain in New York, describing the 3,000-lightyear move as the "gift that keeps on giving."
By dessert you're nearing desperation, completely enthralled. The way his lips encase that spoon, his hums of pleasure with each bite of crème brûlée. 'What must it feel like to be that custard?'
The meal complete, Loki helps you with your coat. "As much as I hate to cover such a breathtaking dress, we can't have you getting cold." When he's satisfied with your ensemble, he leads you out to The Edge.
One hundred stories glow beyond the icy barriers. Loki removes a glove, his hand turning cerulean as raised markings snake along the skin. He presses the tips of his fingers to the glass, absorbing the frost to reveal the city.
You encase his other hand in a death grip. "Darling," his palm warms your cheek, turning your face to him. "I would never allow harm to touch you." His eyes speak sincerity, and he bends to seal the vow.
His lips are satin, their need barely harnessed as they press against your own. Your mouth submits, opening at the caress of his tongue. The taste of cinnamon further ignites your core, melting you into him.
Your back hits the glass, chest heaving against him. You wind your fingers through his raven hair, eliciting a sinful gasp as you grip his locks. An involuntary thrust betrays his desire, ridged and obvious, despite your clothes.
His hand grasps your sides, straining between ingrained decorum and the impulse to explore your curves. He drags himself up for breath, eyes molten lust, and steadies his resolve. "I must take you home. I would be abashed to get overly familiar."
A/N: Thank you for reading! I love every one of you.
Tag list: @peaches1958, @javagirl328, @loopsisloop
Let me know if you'd like to be added to the list.
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arqueete · 3 months
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Here's my attempt to explain what the Illinoise musical (currently playing at the Chicago Shakespeare Theatre, based on Sufjan Stevens' album Illinois though he is not directly involved in this project) is about (full spoilers) for those who aren't able to see it yet or ever. This is just based on my memory, no guarantees of accuracy here.
As warned in the program: "Illinoise explores themes of mental health, including depictions of suicide."
It's mostly a dance piece. The actors on stage only ever dance and act out things, while the band sings the songs from the album on behalf of the characters. There isn't a 1-to-1 of "this singer is the voice of this character," there are three soloists in the band and they wear wings a la Illinoise-era Sufjan tours. There is no dialogue. Sometimes a little bit of context is provided via a changing billboard that more or less refers to the song name.
The lack of dialogue means that character names (other than Carl, who is made to be the one referenced by name in part 2 of "Come On Feel the Illinoise" (etc. etc.)) are only available in the program. The program also has some brief character descriptions along with some bits of original writing by Jackie Sibblies Drury meant to be excerpts from Henry's journal. I didn't read any of these before the show started. (One thing the additional text does clear up for me, is that while the show did seem to suggest that Henry had feelings for Carl, the program makes it clearer to me that Carl probably reciprocated those feelings but the two didn't really talk about it or act on it in a significant way.)
Prologue
We start with a prologue with the main character, Henry, waking in bed next to Douglas, and he quietly gets dressed and seems to be trying to sneak out, but Douglas wakes and they say goodbye. This is over a bit of "Seer's Tower" and "A Conjunction of Drones..." Later we will see this exact moment play out again with context.
Act 1
Through "Concerning the UFO Sighting" we're shown that Henry is haunted by three characters, including Douglas. He then shows up with a bunch of ensemble characters at a campground. The friends gather around the fire. The early songs off the album (like "Come On Feel the Illinois" and "Black Hawk War") are used to establish this scene. The framing device of the whole piece is that these characters are sharing personal things they've written. Several songs from the album ("Jacksonville," "Night Zombies," "John Wayne Gacy, Jr." "Man of Metropolis") are presented as individual ensemble members' stories. When I saw it, "Jacksonville" (with some tap dancing sections in contrast to the style of the rest of the dance in the show) and "Man of Metropolis" (presenting a sweet narrative of the character gaining self-confidence) were crowd-pleasers.
Between each story, the characters try and encourage Henry to tell his story, but he keeps refusing.
Act 2
It's finally time for Henry to tell his story and first we get what I believe are a series of flashbacks (as in, not literally what he tells at the campfire) to explain how we got here. Over "Decatur" we're introduced to Henry's best friends Carl and Shelby and we see that Carl and Shelby are romantically involved (and Henry is maybe a bit jealous.) Then Carl and Henry decide to go on this road trip/move that Shelby declines to join, and obviously that's "Chicago." In New York, we see Henry run into Douglas (there's like a meet-cute where they bump into each other Douglas drops a bunch of artwork) and Douglas gives him his number. Meanwhile, Carl gets a call (presumably saying that Shelby is sick) and he decides to go back to Illinois, but Henry refuses to go back with him.
We see Carl and Shelby back in Illinois and "Casimir Pulaski Day" is, you know, probably the most straightforward bit of the entire show.
Shelby dies and we see Carl's mental health deteriorate over a few songs. We get to "The Seer's Tower" and he takes his own life by jumping off a building.
Back in New York, romance is developing between Henry and Douglas. The arrangement of "The Predatory Wasp" seemed to be based on the one Sufjan performed on Austin City Limits, with the extended ending section that gets very chaotic, where we see that Henry can't stop thinking about Carl's death, and then it transitions into the calmer section at the end which has Douglas comforting Henry. This, in my opinion, is the strongest bit of the entire show (and the crowd seemed to agree.)
Act 3
Back at the campfire, Henry tells his story, which he does via what the program just calls "Chicago (reprise)" but is really one of the Chicago arrangements off The Avalanche--I'm almost certain it was the adult contemporary easy listening version. Afterward the friends all embrace Henry. At some point in here Douglas appears at the campfire.
"Tallest Man..." through the end of the album are just like, typical epilogue type stuff of the friends all together and Henry reflecting on the people he's lost and the new love he's found.
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alexzalben · 1 year
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Superman & Lois Season 3 hits the ground running with two strong episodes that expand the world of the show back to Metropolis (while still spending time in Smallville), introduces some terrifying new enemies, all while giving Tyler Hoechlin and Elizabeth Tulloch phenomenal dramatic arcs that they give their all to. There's also plenty for the rest of the cast to do, and the show nicely balances their ensemble between the "kids" and "adults" cast with some fun, soapy twists you probably won't see coming.
The elephant in the room is the new Jon Kent, and though the actor gives it his all, for fans of the show (myself included), the changed Jon is extremely distracting, and hasn't gelled with the ensemble yet by the end of episode 2. Obviously they were in a tough spot with this, and no blame anywhere, but it's jarring whenever he's on screen and we're supposed to roll with it. Luckily, they slow play him in the first two episodes at least, which will hopefully give him time to get his sea legs in subsequent episodes.
Anyway, love this show regardless, and I'm glad it's still going. If they ever gave Emmys to CW shows (which they don't), it feels like this could be Tulloch's season.
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apesoformythoughts · 8 months
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Two years after Valérie Plante's administration said a new housing bylaw would lead to the construction of 600 new social housing units per year, the city hasn't seen a single one.
The Bylaw for a Diverse Metropolis forces developers to include social, family and, in some places, affordable housing units to any new projects larger than 4,843 square feet.
If they don't, they must pay a fine or hand over land, buildings or individual units for the city to turn into affordable or social housing.
According to data released by Ensemble Montréal, the city's official opposition, and reviewed by CBC News, there have been 150 new projects by private developers, creating a total of 7,100 housing units, since the bylaw came into effect in April 2021.
None of the units have yet been made into affordable housing, with all the developers of those projects opting instead to give Montreal financial compensation. Only 550 units are big enough to be considered family housing. Five developers ceded a piece of property to the city instead of creating affordable housing.
The money from the fees paid by developers goes into either the city's affordable housing fund or its social housing fund. Those fees have so far amounted to a total of $24.5 million — not enough to develop a single social housing project, according to housing experts
— CBC
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nonesuchrecords · 1 month
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"The title of the piece, The Blind Banister, comes from a poem in five sections by Thomas Tranströmer, the Swedish poet, called Schubertiana, which is about the different ways in which Schubert’s music can be contextualized in different lives, in different contexts and in different situations," composer/pianist Timo Andres says in an Adventures in Music conversation with Jari Kallio, about his new album, out this Friday: "the idea that this disembodied thing, this music that was written hundreds of years ago, can have such different meaning to different people simultaneously … To me that idea of the incomplete being made real or seeming real was the guiding idea for the piece, and it describes very much how I feel about Beethoven’s music and Schubert’s music—as well as Brahms, Schumann, Bach, Sibelius and Ives, so much music of the past that is important in my life that I feel to be this reference point that will always be there, acquiring new meaning for me as I lived my life." You can read the article here.
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wkaustubh · 2 months
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Exploring the Peranakan Culture in Singapore
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The vibrant tapestry of Singapore's cultural landscape is incomplete without the rich threads of Peranakan heritage. Just as the nocturnal Wildlife Park Singapore beckons nature enthusiasts, the term "Peranakan" refers to the descendants of Chinese immigrants who came to the Malay Archipelago, including Singapore, during the 15th to 17th centuries. This unique cultural fusion has given rise to a distinct Peranakan identity that encompasses aspects of Chinese, Malay, and Indonesian traditions. Amidst the hustle and bustle of the city, akin to the thrill of the reverse bungee in Singapore, the Peranakan culture stands as a captivating testament to the harmonious blend of diverse influences in this vibrant metropolis.
Historical Background
Early Migration: The Peranakan story begins with the migration of Chinese communities to the Malay Archipelago. These early settlers intermarried with local Malays, resulting in a harmonious blend of cultural practices.
Cultural Fusion: The Peranakan culture stands as a testament to the amalgamation of Chinese, Malay, and Indonesian influences. The fusion extends beyond mere culinary preferences, permeating every aspect of daily life.
Distinctive Peranakan Cuisine
Iconic Dishes: Peranakan cuisine, also known as Nyonya cuisine, is celebrated for its unique blend of flavors. Signature dishes like Laksa, Ayam Buah Keluak, and Kueh Dadar showcase the intricate marriage of Chinese and Malay culinary techniques.
Culinary Traditions: The preparation of Peranakan dishes involves time-honored traditions passed down through generations. The meticulous use of herbs, spices, and indigenous ingredients contributes to the unmistakable Peranakan flavor profile.
Peranakan Art and Craft
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Intricate Designs: Peranakan art is characterized by intricate designs, often seen in textiles, ceramics, and architecture. These designs reflect the cultural diversity and are a visual representation of the Peranakan identity.
Symbolism in Art: Each piece of Peranakan art tells a story. The intricate patterns on porcelain, known as "straits Chinese porcelain," are laden with symbolic meanings, representing prosperity, good luck, and familial ties.
Traditional Peranakan Clothing
Sarong Kebaya: The traditional attire of Peranakan women, the Sarong Kebaya, is a graceful ensemble comprising a kebaya blouse paired with a batik sarong. This attire is a symbol of Peranakan femininity and grace.
Beaded Slippers: Completing the ensemble are beaded slippers known as "kasut manek." These meticulously crafted shoes are a hallmark of Peranakan fashion, showcasing intricate beadwork and vibrant colors.
Architecture and Heritage Homes
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Shophouses and Their Significance: Peranakan influence is also evident in the architecture of shophouses. Elaborate facades, vibrant colors, and ceramic tiles contribute to the distinctiveness of Peranakan-style buildings.
Preserving Peranakan Heritage: Efforts to preserve Peranakan heritage include the restoration and conservation of heritage homes. These initiatives aim to maintain the authenticity of Peranakan architecture for future generations.
Language and Literature
Unique Language – Baba Malay: The Peranakan community developed its own language, known as "Baba Malay." This linguistic blend incorporates elements of Malay, Chinese, and Indonesian, further emphasizing the cultural amalgamation.
Folktales and Stories: The rich oral tradition of Peranakan culture is encapsulated in folktales and stories that have been passed down through generations. These narratives offer insights into the community's history, values, and customs.
Festivals and Celebrations
Peranakan Weddings: Peranakan weddings are elaborate affairs, blending Chinese and Malay wedding customs. Intricate ceremonies, vibrant costumes, and traditional rituals make these celebrations a unique and visually stunning experience.
Lunar New Year Celebrations: The Lunar New Year holds special significance for Peranakans. The festivities include elaborate family reunions, traditional feasts, and the iconic tossing of the yusheng for prosperity and good fortune.
Challenges in Preserving Peranakan Culture
Modernization Impact: The relentless march of modernization poses challenges to preserving Peranakan culture. Changing lifestyles, urban development, and globalization threaten to erode the distinctiveness of this unique heritage.
Efforts for Cultural Conservation: Despite challenges, various initiatives aim to safeguard Peranakan culture. Museums, cultural organizations, and community-driven projects work tirelessly to document, preserve, and celebrate the rich Peranakan legacy.
Peranakan Influence in Modern Singapore
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Contemporary Peranakan Culture: The Peranakan influence extends beyond traditional boundaries. Today, Peranakan culture is embraced in contemporary settings, influencing fashion, design, and culinary trends in modern Singapore.
Popular Peranakan Establishments: The popularity of Peranakan cuisine has led to the establishment of renowned Nyonya restaurants and Peranakan-inspired cafes. These establishments not only showcase the culinary heritage but also serve as hubs for cultural exchange.
Tourism and Peranakan Experience
Peranakan Museums: Museums dedicated to Peranakan culture offer visitors a deep dive into the history, art, and traditions of the community. The artifacts and exhibits serve as a testament to the resilience and vibrancy of Peranakan heritage.
Cultural Tours: Guided cultural tours provide an immersive experience, allowing visitors to explore Peranakan neighborhoods, sample authentic cuisine, and witness the living traditions that continue to thrive in the community.
Personal Narratives
Interviews with Peranakan Community Members: Personal narratives from members of the Peranakan community offer a unique perspective. Interviews highlight the challenges faced, the pride in preserving culture, and the ongoing efforts to pass down traditions to future generations.
Stories of Cultural Preservation: Heartwarming stories of individuals and communities actively engaged in preserving Peranakan culture showcase the resilience and determination to ensure that this rich heritage remains alive and thriving.
Conclusion
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In the tapestry of Singapore's multicultural identity, the Peranakan culture weaves a vibrant and colourful thread. From its humble beginnings to the challenges of modernization, the Peranakan community stands resilient, proudly preserving its unique heritage. As we explore the intricate blend of traditions, art, cuisine, and personal narratives, it becomes evident that Peranakan culture is not just a relic of the past but a living, breathing entity shaping the cultural landscape of contemporary Singapore.
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sincerelyvalx · 10 months
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A Brief Travel Guide To Seoul
Seoul, or the Seoul Special City, is the capital and the largest metropolis of South Korea. It is located in the Han River. Seoul was once named as the World Design Capital in 2010 by International Council of Societies of Industrial Design. The city has a humid continental climate; summers are generally hot and humid while winters are often relatively cold.
Things to do in Seoul:
Visit the palaces. Unhyeon Palace - used as an exhibition area traditional art performances, modern and creative dances. The re-enactment of the marriage of King Kojong and Queen Myongsong is one of the main attractions in the palace. It happens twice each year.
Changyeong Palace - known as the most peaceful and serene among all palaces in the city.
Changdeok Palace and Biwon Garden - Changdeok Palace represents a friendlier environment. At this palace you can imagine a king enjoying himself at the top of the tree. Biwon Garden, known as the secret garden, is a typical palace backyards where the royals are relaxing.
Deoksu Palace - the most accessible palace because of its location in central Seoul.
Jongmyo Shrine - devoted to the spirits of Korean royal ancestors. They still follow the original procedures for the offering of sacrificial gifts of food and drink in original ritual utensils. The royal descendants and participants are costumed by rank as well as the ritual dance and music ensembles.
Gyeongbok Palace - located in Seoul's main boulevard, Sejongro. A palace near the President's house, the Blue House.
Explore the museums. National Palace Museum of Korea - exhibits the heritage of Joseon Dynasty and the Imperial Family.
National Museum of Korea - audio or visual guide is recommended when touring this very huge museum as it has so many relics. It has 6 galleries.
War Museum - it has 6 show rooms displaying an almost 5,000 year history of foreign invasions. The park that surrounds the museum displays aircraft, tanks and other fighting machines from the Korean War to the present.
Seoul Museum of Art - the road of the Museum doesn't have walls to allow the visitors to enjoy the sculptures and landscape from the outside. A hundred-year old tree has been preserved together with the sculptures and installed artworks which tells about the past and present shape of Seoul.
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Something I just thought about is that the reason Wonder Woman's world is less know than Superman's or Batman's is maybe because unlike them she doesn't have a way to expose them. Both Superman and Batman have an entire city where most of their supporting cast and ennemies live, and both are filled with elements reflecting their mythos. Diana has Themiscyra but it's not a city in Man's world and the majority of her allies and rogues live elsewhere.
Lack of awareness about the Wonder Mythos stems more from the scarcity of Wonder Woman media focused solely on her, rather than featuring her as part of an ensemble.
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There's never been a Wonder Woman cartoon like Batman and Superman have gotten, the first Wonder Woman solo video game only just got announced, her only TV series was decades ago, and her first two solo movies came out within the last decade. Much as I hate to admit it, comics are a minor concern these days when it comes to building brand awareness for these characters, in the modern era the general audience learns about these IPs from their adaptions: the MCU, the DCEU, the DCAU, the Arkham/Injustice/Lego games, etc. You could write a 100 issue epic that builds up Diana, her supporting cast, her Rogues, her love interests, a "city", etc. into something just as well-crafted as what Gotham has become, and maybe 50-100k people would actually know about it. Only after such a run was adapted outside of comics would it actually get the opportunity to affect the perception of her Mythos. The first movie did a lot to make people aware of who Diana is beyond just "iconic", hopefully the upcoming video game makes people aware of, and more appreciative towards, her slice of the DCU especially her villains who are underrated.
Turning towards whether or not Diana should have a "city" the way Superman has Metropolis and Batman has Gotham, that's a source of fervent debate amongst the Wonder fandom from what I've seen. My own preference is no, Diana should be a traveler as befitting her ambassador status. Batman is in Gotham for specific reasons, it's where his parents died, it's where he grew up, and he's sworn an oath to rid Gotham of crime. Superman likewise has reasons for why he's in Metropolis that fit the themes his character invokes: it's where his job as a reporter is, moving out from where he was raised to make a home for himself in a new location complements the immigrant characteristics of his background, and the City of Tomorrow offers opportunities to mix journalism, science fiction, and super heroics together. In contrast being associated with one place doesn't match Diana's mandate of being an ambassador to all of Man's World. Her job demands she travels often, meeting other cultures and promoting Amazonian ideals. Her foes aren't really associated with a particular place either (aside from Aeaea for Circe), meaning it's easy to justify them popping up anywhere in the world you want to send Wonder Woman to.
Not being tied to city doesn't have to be a drawback, if writers emphasize Diana doesn't have one not because she lacks an identity, but because her wanderlust is part of her identity. I do think she needs a superhero base like the Batcave or the Fortress of Solitude however, some place to hold mementos and trophies, as well as a location to host the Wonder Family all together.
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burlveneer-music · 2 years
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My WVUD playlist, 10/27/2022
(filling in on Java Time)
Brian Eno - These Small Noises Marconi Union - Strata The Art of Noise - Dreaming In Colour (feat. David's Daughters) Scott Bradlee's Postmodern Jukebox - Somebody That I Used to Know (feat. Hannah Gill) Jazz Sabbath - Paranoid anaiis - ultraviolet, counts Todd Rundgren - Godiva Girl (feat. The Roots) Metropolis - Everytime I See Him (feat. The Sweethearts) Daytoner - Time Yarni - In a Dream (feat. Emily Marks) Brooklyn Funk Essentials - AA Side Single Con Brio - Heart on the Dancefloor The Soft Pink Truth - Wanna Know Marxist Love Disco Ensemble - Material Au Suisse - Thing New Order - Crystal Pet Shop Boys - Opportunities (Let's Make Lots of Money) Electronic - Getting Away With It Sidibe - Tellin’ U (feat. MonoNeon) Holler My Dear - Steady As She Goes The Smile - The Opposite Sam Redmore - Music is… (feat. Mr Auden Allen) The Cult - Under The Midnight Sun Simple Minds - First You Jump The Comet Is Coming - Aftermath Dungen - Var Har Du Varit? Bibio - Cinnamon Cinematic Nutrients - Nauseous Cosmic Analog Ensemble - Le droit à l'oubli
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neelkamaloptics · 4 days
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Chennai Chic: Explore the Top 10 Sunglasses Styles Making Waves in the City
Welcome to Chennai, where tradition meets trendsetting, and the fashion scene is as diverse as the city itself. In this vibrant metropolis, sunglasses are more than just a practical accessory – they're a statement of style and individuality. Join us as we delve into the top 10 sunglasses styles that are making waves in Chennai's fashion landscape.
1. Traditional Indian Sunglasses
Embracing their rich cultural heritage, many Chennai residents opt for traditional Indian sunglasses. These sunglasses often feature intricate designs, embellishments, and vibrant colors inspired by Indian art and craftsmanship. Whether adorned with traditional motifs or crafted from indigenous materials, these sunglasses are a testament to Chennai's pride in its heritage and identity.
2. Bollywood-Inspired Sunglasses
As the heart of the Tamil film industry, Chennai draws inspiration from Bollywood's glamorous aesthetic. From oversized frames to embellished details, Bollywood-inspired sunglasses are a favorite among Chennai's fashionistas. Whether you're channeling your favorite movie star or adding a touch of Bollywood flair to your ensemble, these sunglasses are sure to make a statement wherever you go.
3. Eco-Friendly Sunglasses
With a growing emphasis on sustainability, eco-friendly sunglasses have become increasingly popular in Chennai. Made from recycled materials or sustainable sources such as bamboo or wood, these sunglasses offer a stylish and environmentally conscious alternative to traditional eyewear. Whether you're strolling through the city's lush parks or exploring its eco-friendly markets, eco-friendly sunglasses are a chic choice for the conscientious consumer.
4. Traditional Handcrafted Sunglasses
For those seeking a unique and artisanal touch, traditional handcrafted sunglasses are a must-have accessory in Chennai. Crafted by skilled artisans using age-old techniques, these sunglasses showcase the beauty of handmade craftsmanship. Whether adorned with intricate carvings, embroidery, or hand-painted details, each pair of handcrafted sunglasses tells a story of tradition, skill, and cultural heritage.
5. Retro-Chic Sunglasses
Drawing inspiration from decades past, retro-chic sunglasses are a perennial favorite among Chennai's fashion-forward crowd. From cat-eye frames to round lenses, these sunglasses evoke the nostalgia of bygone eras while adding a modern twist to any outfit. Whether you're attending a vintage-themed event or simply strolling through Chennai's historic neighborhoods, retro-chic sunglasses are sure to turn heads and spark conversations.
6. Designer Sunglasses
For those with discerning tastes, designer sunglasses are a symbol of luxury and sophistication. From iconic fashion houses to up-and-coming designers, Chennai's boutiques offer an impressive selection of designer eyewear to suit every style and budget. Whether you're indulging in a shopping spree at Express Avenue or browsing the upscale shops of Khader Nawaz Khan Road, designer sunglasses are a must-have accessory for the fashion-conscious elite.
7. Sporty Sunglasses
With its warm climate and abundance of outdoor activities, Chennai is a paradise for sports enthusiasts. Whether you're hitting the waves at Marina Beach or playing a game of cricket at Chepauk Stadium, sporty sunglasses are essential for protecting your eyes and enhancing your performance. From lightweight frames to polarized lenses, these sunglasses are designed to withstand the rigors of an active lifestyle while keeping you looking cool and stylish.
8. Futuristic Sunglasses
Pushing the boundaries of conventional eyewear, futuristic sunglasses are a bold and avant-garde choice for the fashion-forward individual in Chennai. With their sleek lines, geometric shapes, and innovative materials, these sunglasses exude an air of modernity and sophistication. Whether you're attending a high-tech conference at Tidel Park or exploring the city's burgeoning tech scene, futuristic sunglasses are sure to make a bold statement and set you apart from the crowd.
9. Boho-Chic Sunglasses
Channeling a laid-back and bohemian vibe, boho-chic sunglasses are a favorite among Chennai's free spirits and artistic souls. With their round frames, tinted lenses, and earthy hues, these sunglasses capture the essence of bohemian style and wanderlust. Whether you're browsing the vibrant stalls of Pondy Bazaar or attending a music festival at Besant Nagar Beach, boho-chic sunglasses are the perfect accessory for embracing your inner free spirit and embracing life's adventures.
10. Minimalist Sunglasses
For those who prefer a more understated approach to fashion, minimalist sunglasses are the epitome of chic simplicity. With their clean lines, neutral colors, and streamlined design, these sunglasses offer a timeless elegance that never goes out of style. Whether you're attending a business meeting in the bustling commercial district of Anna Salai or enjoying a leisurely brunch in Mylapore, minimalist sunglasses add a touch of sophistication to any ensemble without overpowering your look.
In conclusion, Chennai's sunglasses scene is a vibrant tapestry of styles, influences, and cultural traditions. From traditional Indian designs to futuristic silhouettes, there's a pair of sunglasses to suit every taste and occasion in this dynamic city. So, the next time you're in Chennai, be sure to explore its diverse array of sunglasses styles and discover the perfect pair to express your unique sense of style and personality.
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