I know the average reading comprehension on this site is zero but I'm different. I'm applying wildly inappropriate analysis lenses to popcorn media. I'm doing a queer theory reading of Horus Heresy novels. Now I'm doing feminist analysis of Warhammer 40k canon. Now I'm applying Marxist analysis to The Outsiders. Time for a historical analysis of The Locked Tomb. A post-colonial reading of the entirety of Doctor Who. A psychological anlaysis of Twilight. On the horseshoe scale of reading comprehension I'm at "so much reading comprehension that it loops back around to not understanding books at all actually". You can't stop me. I'm literary analysis Georg
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not to continue to bring up hamlet in the context of dorian gray but the parallels are soooo good i mean come on
dorian - hamlet: self-centered, unhealthily fixated on life, death, youth and how all things we hold dear die the quickest, bad at being nice to women
basil - horatio: gay, in love with the titular character, watching the person he lives for devolve into madness and pain without being able to help
sybil vane and her family - ophelia, laertes, polonius: literally their scenes together in the beginning before jim goes to australia are perfect parallels for laertes’ talking to ophelia before he goes to france. like, INSANELY similar. and then when sybil dies…
i also think it’s interesting that, of all the plays sybil performs in, she never plays ophelia. i could be wrong, but im like 80% sure that dorian never mentions her in hamlet.
lord henry is an interesting case because you could read him as rosencrantz/guildenstern, given his friendship with both basil and dorian, and i don’t disagree with that reading at all. but he sews the first seeds of doubt in dorian, he’s the reason dorian starts to freak out about the impermanence of youth. to me, he functions as the ghost. i mean, think of it:
basil/horatio meets henry/the ghost in the first scene, dorian/hamlet comes along and basil/horatio BEGS for him to be careful because he doesn’t want his best friend to suffer corruption. henry/ghost and dorian/hamlet have a private conversation which alters the latter’s outlook and mental state, and when he returns, he isn’t the same.
i’m so,,, i’m so normal about this.
also sybil’s suicide/not suicide. AGHHHHHHH
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rawest fucking hozier lyrics in no particular order:
i'd suffer hell if you'd tell me what you'd do to me tonight
heat of her breath in my mouth; im alive i'd be the choiceless hope in grief that
drove him underground idealism sits in prison, chivalry fell on his sword
and when the earth is trembling on some new beginning with the same sweet shock of when adam first came
every version of me dead and buried in the yard outside
the stench of the sea and the absence of green are the death of all things that are seen and unseen
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NO WHO GAVE JOYCE THE RIGHT TO WRITE SOMETHING SO RAW AND BEAUTIFUL AND CONTINUE TO LIVE SO CASUALLY AND THEN DIE AND LEAVE US WITH IT LIKE?????
"I had never spoken to her, except for a few casual words, and yet her name was like a summons to all my foolish blood."
Proceeds to say:
"When we met in the street the houses had grown sombre. The space of sky above us was the colour of ever-changing violet and towards it the lamps of the street lifted their feeble lanterns. The cold air stung us and we played till our bodies glowed. Our shouts echoed in the silent street."
and then :
"Her name sprang to my lips at moments in strange prayers and praises which I myself did not understand. My eyes were often full of tears (l could not tell why) and at times a flood from my heart seemed to pour itself out into my bosom. I thought little of the future. I did not know whether I would ever speak to her or not or,if I spoke to her, how I could tell her of my confused adoration. But my body was like a harp and her words and gestures were like fingers running upon the wires."
// James Joyce from "Araby", Dubliners (1914)
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