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#i think this is one of my favorite gene’s that i’ve drawn because he just looks so sweet here
golden--doodler · 4 months
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Geneuary Day Seven: Feast/Empathy
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🎶 Taco Tuesday is a day at school 🌮
A day that always makes me drool 🤤
But when only one taco was left 😔
I said, “Rudy, friend, you take the rest ☺️” 🎶
This was one of my favorites to do, and one of the first pieces I had a fully formed idea for. This moment from Nice-Capades was just so cute, and I think it perfectly fit the prompt for today. Gene and Rudy are definitely my favorite brothers. They just have such a brotherly dynamic.
[ID]: Digital fanart of Gene and Rudy from Bob’s Burgers. Gene is looking at Rudy with a sincere expression and holding a tray with one hand and offering Rudy a taco with the other, his head facing Rudy and his body facing the other way. Rudy has a surprised expression on his face and has an exclamation point next to his head. His hand is resting on his hip. The two of them are wearing casual clothing (Gene with his usual yellow shirt and dark pants, and Rudy with a purple shirt and red pants, which match his red hair). They are standing in front of a cafeteria background.
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bamfdaddio · 3 years
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X-Men Unabridged: Proteus
The X-Men, those beautiful mutants that have sworn to protect a world that hates and fears them, are a cultural juggernaut with a long, tangled history. We’ve been untangling that history for a while, but sometimes, you really want a more in-depth look. Interested? Then read the (un)Abridged X-Men!
(X-Men 125 - 128) - by Chris Claremont and John Byrne
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Fun* fact: this particular issue is the oldest comic I physically own.
* for a given value of fun
Something sinister lurks on Muir Isle…
This arc is very much set up like a horror movie. It starts out as a regular X-Men narrative, where Claremont is weaving along several plot threads. We check in with the X-Men in Westchester, we check in with Magneto who has retreated to Asteroid M and we even check in with Xavier in space, who finally learns more about the true scope of the Phoenix and its nature. Finally, we’ve got Jean stationed at Muir Isle, where Moira is investigating the sheer scope of her powers. (She has realized how strong Jean truly is; akin to a god. Her theory is that Jean’s recent power dampening is the result of her human mind trying to cope with her massive power level.) It’s about as everyday as it gets for the X-Men, but, well…
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I always thought Jean molecularly restructured her own outfit into the Phoenix-costume whenever she needed to change, but here, she just… wills it away? Also, why did you need an outfit change for this, anyway? Does the costume simply appear whenever she exerts too much of her powers, like an angry forehead vein? So many questions. (X-Men 126)
Other residents at Muir are Polaris, Havok and the Multiple Man, all of them blissfully unaware that something skulks about in the shadows: the remains of an unfortunate captain, whose body has been taken over by something… other.
But someone else is skulking around in the shadows, too. Jean isn’t aware of it, but a familiar stranger is manipulating her from the sidelines.
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I’ve been gaslighting a cosmic force, ask me how! (X-Men 126)
1979 marks the first appearance of the Hellfire Club, though we only meet one member for now: Jason Wyngarde. (Maybe all of this could have been avoided if he’d had a Barbie doll to dress up in black lace as a child, but alas.) ‘Jason’ is a pseudonym and though most people these days know that he’s a familiar villain from the X-Men’s past, the reveal of his true identity will follow later.
Meanwhile, Beast finally gets off his ass to check on the Xavier mansion, even though the X-Men must have been tripping intruder alarms for months now. Still, we do get this sweet moment out of it:
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Of course she’s going to be surprised at the sheer amount of plot contrivances that were thrown up to keep all y’all apart for a full year. (X-Men 126)
Beast knows that Jean went to Muir, so Scott immediately goes for the phone. Lorna picks up, but during the call she starts screaming, leaning heavily into the horror genre. She fends off the withering remains of the captain, so instead, ‘Mutant X’ jumps into a duplicate of Jamie Madrox and promptly flees to the mainland on a boat.
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Guuurl, that body is snatched. (X-Men 126)
The X-Men (sans Beast) hit Muir Isle, where Moira debriefs them. Moira reveals who Mutant X is: his name is Kevin MacTaggart, her son, who has the terrifying power to warp reality. Because his power is so vast, he burns through bodies at an alarming rate. He can only be contained - or killed - by inorganic metal. In an effort to contain him (and, presumably, help him at some point), Moira locked him in a metal cell. He was kept there, alone, for god knows how long, until Magneto accidentally freed him. They know he escaped the island and, because of his parasitic need for fresh host bodies, Moira posits that he’ll be heading for a big city.
Kevin - who dubs himself Proteus - racks up an impressive body count in the country side, killing 7 people in total. (6 people and 1 dupe? Eh.) He’s a terrific villain, because he’s powerful, has a well-defined weakness and, even though it’s not impossible to emphasize with him -- isolation tends to drive people mad -- the way he discards his victims is truly chilling.
The X-Men chase after him, Wolverine picking up the scent. When Proteus tries to claim him, Logan’s adamantium skeleton repels him. In response, he unspools reality.
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I’ve had this trip. I think they call this strain Dragon’s Dynamite. (X-Men 126)
Storm intervenes, but Proteus leaves Nightcrawler and especially Wolverine rattled. Logan’s heightened senses root him in reality more than most, and when Proteus uses his powers, everything is just screaming wrong at him. But nobody is safe: little Kevin MacTaggart turns gravity against Ororo, taking her out as well.
He tries to claim Storm, but Moira repels him, sniping at him from afar. Proteus fears (metal) bullets, knowing they can kill him. When Cyclops realizes Moira’s shooting to kill, he intervenes - X-Men don’t kill, after all. Moira knocks him out with her gun, but Kevin escapes in the confusion. Moira finally realizes where her son is headed, while the X-Men regroup.
In Edinburgh, Moira pays Joe MacTaggart a visit - her husband, Kevin’s father.
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The MacTaggarts are definitely in the running for the Xavier/Marko-award for Fucked Up Family Dynamics. (X-Men 127)
There’s a calculating coldness to Moira’s character that I’ve never responded well to, but I like how Claremont fills in the blanks here. It’s part unhappiness, part a deep frustration with her inability to help her own son. I wonder how Kevin was a child, before his mutant gene activated: was he a sweet boy, or one with a cruel streak? Did she fear what he might become?
There’s a few gaps in Claremont’s narrative, but Hickman has drawn on this very well, I think: the Moira X in HoXPoX is equally calculating, equally cold. But how can she not be? How often has she raised Kevin? How often has she had to kill him? How many times has she watched these people, these X-Men, die?
Anyway, Moira’s warning is as effective as anger management therapy for Sabretooth, because Kevin comes by Joe’s office a little while later and snuffs out his dad. Phoenix hears Joe screaming telepathically across the moors, allowing the X-Men to pinpoint him. Claremont also makes sure to show that Jean’s power is steadily growing:
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Polaris be like: “No, no, I’m carrying my own emotionally stunted Summers boy, thank you.” (X-Men 127)
Proteus takes Moira hostage as the X-Men confront him. They fight.
Ordinarily, I don’t pay a lot of attention to the fight scenes, because recapping those usually boils down to “Cyclops conks Magneto in the helmet” or “Wolverine snikts Pyro in the gas tank”, but this one is truly great. John Byrne delivers some excellent work, showcasing the scope of Proteus’ powers through his art, his panelling. Don’t just take my word for it:
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I love how trippy all of this is. Pivoting gravity, changing an optic beam into flowers… Sure, Proteus might be a callous and cruel SoB, but he’s also one imaginative motherfucker. (X-Men 127)
One by one, Proteus manages to distract or take out the X-Men, either by endangering passers-by, encasing them in amber (Storm) or burying them alive (Banshee). One of my favorite details is how afraid they all are: especially Wolverine and Nightcrawler hesitate before jumping into the fray. For them, this villain is truly beyond their scope.
In the end, it’s Phoenix who manages to drive him back, outside of the center of Edinburg and up an old castle, where there are fewer civilians to threaten. There, on the ramparts, it’s Colossus who makes the final stand: he destroys Proteus’ physical body and realizes that right now, there’s only one thing they can do to stop him. All it will cost is Piotr’s innocence.
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Showcasing an ancient Japanese truth: Psychic Pokémon are weak to Steel attacks. (X-Men 128)
Proteus scatters to the winds and the X-Men emerge victorious, though Moira has lost both her son and her husband after this ordeal. Moreover, I think this is the first villain that the X-Men explicitly kill, simply because they have no other options left. This marks the first time that their ideal of mutant rehabilitation fails. What’s worse is that Kevin MacTaggart was essentially nothing more than a supremely screwed up boy who got access to way too much power way too quickly.
I wonder if it would have turned out differently had Xavier been there. (I also wonder if it’s a coincidence that this takes place right before the Dark Phoenix saga.)
I think this might be Claremont’s best arc yet, heightened by John Byrne’s excellent art. Chris deftly mixes horror, action and his usual soap opera elements, serving one cohesive narrative that (for once) doesn’t leave much hanging. Proteus is an excellent villain whose powers work visually (pay attention, MCU) and whose entire being touches on one of the same aspects as Krakoa: can and should every mutant fit into any sort of normal society?
If you have someone who’s interested in vintage X-Men and you want to recommend something that doesn’t require a confusing explanation of all the necessary backstory (and perhaps a crude sketch of the Summers and/or Lensherr family tree), I would recommend this arc.
And the rest, as they say, is Hellfire. 1980 is gonna be a doozy.
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pla-teau · 3 years
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WANDAVISION EPISODE EIGHT THOUGHTS
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GIF NOT MINE
HOLY SHIT THIS EPISODE TORE ME TO SHREDS & IT’S VISUALLY MY FAVORITE EPISODE.
hayward fucking lied | that manipulative weasel tried to pin all this on wanda to make her look like the bad guy and at the end she did absolutely nothing wrong except maybe cost them new windows. i believe hayward knew that wanda was going to be the power source to bring vision back to life. he hinted at it and i think he tried to push her at SWORD headquarters. when the hex happened, he put the missile on the drone knowing damn well wanda would stop it. he knew that after he detected that she created a copy of vision within the hex, she was the key to completing their rebuilding of vision. overall, my hatred for the man has reached a new level and i hope he dies at the end of the series.
white vision | obviously referring to project catarract that darcy found in SWORD’s hardrive. when i said i wanted white vision to appear, i didn’t mean this way and i’ve seen some theories floating around that maybe james spader will voice this vision? and if this is the big secret actor paul has been saying he’s going to work with — i will laugh and cry because i am one of those who was thinking we’d get an x-men cameo with either professor x or magneto and i’m gonna hold out hope. if it is just vision vs. vision, i don’t doubt i’ll love it. so excited to see this vision though it’ll hurt to see vision battle wanda since this whole episode just showed us how much they loved each other.
wanda and vision’s relationship | we got to see a very sweet and deep moment between the two in the avengers compounds after age of ultron. when i tell you i damn near cried into my pillow, it made my heart ache. they really are fucking soulmates. i didn’t originally care for the couple but this show really showcased how despite being the pairing of a witch and an android, there is still so much LOVE between these two. i broke when i saw the deed to the lot and vision’s note of growing old together. excuse me marvel i didn’t ask to be emotionally obliterated, thanks.
wanda’s chaos magic | clearly, we see that wanda is responsible for the creation of the hex. i think she didn’t purposely block out her creating the hex. when she said she doesn’t know how it happened, she truly doesn’t. we’ve seen her lose control once and that was after the death of pietro but it wasn’t as strong before. i believe she just blacked out a bit since she hasn’t used that much of her power before. i think with literally no one (where tf was clint? the avengers?? literally anyone????) there to help her grieve and basically keep her grounded, the wave, referring to her powers, did drown her this time and consumed her into this escapist reality where she no longer felt that pain.
wanda & sitcoms | now we learn why the show has been in the style of various television sitcoms. she’s grown up with them since she was a little girl in sokovia - her favorite being the dick van dyke show. hello i’m soft af. even when her parents were killed and she was practically at death’s door with pietro, television was there to help her get through it. in the HYDRA base, wanda still has a television to watch and help her through the days. what this episode told us is that television is wanda’s constant. i mean this in the sense that unlike people, television has always been there for her. wanda has not had a consistent group of people around her. it’s a revolving door when it comes to the people in wanda’s life. we see her alone and almost abandoned when we see how the creation of the hex happened. television is her escape which is what television provides for everyone. that’s the purpose of television shows - give you an escape from your life because in shows like the ones that have influenced wanda’s reality, they always turn out fine by the end of the episode.
agatha’s therapy | throughout this whole thing agatha is sort of giving wanda much needed therapy even if the end goal is not in wanda’s best interest. she mentions very quick about wanda being a young witch which could coincide with the idea that wanda’s always had this sort of gene in her like pietro and other mutants (if they’re going to use her to confirm the existence of the x-gene which im dying for tbh). she has a clue from the get go as to what wanda is but until she has the full picture, she doesn’t reveal it until the end of the episode. she confirms that ‘fietro’ came from a necromancy spell sooo does that mean she’s using a dead body? he was her eyes and ears but of course, wanda didn’t give up much and that plan was foiled.
wanda resurrecting vision | we learn that wanda never stole vision and brought him back to life. because she and vision are both born from the mind stone, it’s not shocking as to her practically using the chaos magic to create a vision for herself. it also explains why vision can’t live outside the hex - he was born from it and without the chaos magic, he’ll die. also, it’s peppered throughout the episode that the two are soulmates so there’s that aspect to it as well. so she hasn’t been puppeteering a corpse - that image of dead vision stems from wanda’s trauma and mentality starting to chip away at her reality. it also proves how fucking powerful this woman is because like agatha said, she’s supposed to be a thing of myth. while she did use her magic to create/resurrect vision, he’s still his own being in a sense - she doesn’t control him completely. he has his own thoughts and perceptions. he’s aware and the fact that something of wanda’s creation can do that really just showcases the power she holds in her.
agatha’s backstory | seems that agatha’s pretty smug when she’s confronted by her coven leader. it’s pretty easy to see through (in my opinion) the pleading to her mother and the rest of her coven. also kathryn hahn is simply eating up this fucking role and i’m here for it. now we learn why she has the broach, it’s her mother’s which is sweet but seeing agatha throughout the series and in the past, seems more of a token of practically massacring her coven that day. i liked seeing that snippet of her past and it seems like she’s always been drawn to the darker and more sinister side of witchcraft.
wanda’s power | as agatha comments at the end, wanda truly doesn’t know how dangerous she can be. wanda can barely remember how the hell the westview hex happened. while yes i’m here for wanda being shown and known as the most powerful being in the mcu, it’s also worth noting that she is dangerous. at the beginning of the episode, agatha rubs her nose in about how simple a protection spell is or how she studied to get her powers to where they are today. wanda doesn’t know anything about witchcraft or spells. yes, she gained powers from the infinity stone but she was made to be a weapon and even after being brought into the avengers, she wasn’t taught magic or how to tap into her chaos magic. she didn’t even know that her power was considered magic. i also think wanda’s powers are very much rooted in her emotions. we saw what she could do in age of ultron when she felt her twin die. wanda is powerful but so dangerous in this aspect. not saying that this is a bad thing but it separates wanda from other magic users like agatha, dr. strange and even loki. agatha has had years of knowledge and training to be as powerful as she is now. what separates wanda from the others is that she doesn’t have the control and mastery like them. she didn’t know that her powers could make another vision or alter the reality of a town populated by 3,000+ people. agatha is right, wanda is dangerous because she hasn’t had years to control the power she holds at her fingertips.
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Hey, Sister (Fred x Reader)
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Summary: Harry’s older sister goes to Beauxbatons and spends the school year at Hogwarts. However you seemed to have met a student who has his eye on you.
Notes: Set in a non Voldemort au. Honestly I came up with this one after I wrote the little sister one where she likes Draco. It’s been in my head ever since, hope you guys enjoy it!
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You were a sharp and quippy person when you were a little kid. You got that from James, most definitely. Remus was your favorite of the uncles, him always encouraging you to strive for greatness. James took up a job with the ministry, sometimes having to travel. The family would sometimes get to go with him and that was the case one year in France. You got to see Beauxbatons in person and became HELLBENT on going. James naturally didn’t want you to go, after all you were his babygirl and he didn’t want you that far away. While Lily shared your sentiments, she saw how you looked at the place. She couldn’t tell you know. And we all know Lily runs the Potter household.
So you went, enjoying your time there making friends, having fun and coming back home for the summer and holidays. You loved your little brother and he loved you, telling you of all the fun events in Hogwarts, wishing that you got to see and spend more time with him. This year was different though. You came home for the summer as usual but you didn’t have a ticket to fly back to France. “Y/n, are you not going back to Beauxbatons?” James asked quietly. “We’re participating in the Triwizard tournament this year. We’re going to Hogwarts!” you said making Harry practically scream and hug you. “CAN SHE GO TO THE BURROW WITH ME PLEASE!?” Harry asked almost like a five year old. Lily chuckled. “Alright, but the first two weeks she spends them here. We missed her too y’know.” Lily said making Harry hug you tighter. “Christ for a fourteen year old you’re strong!” you wheezed. “I get that from Quidditch.” Harry said making you roll your eyes. You spent the two weeks at home, telling Remus and Peter all about your time at the school while doing slightly borderline illegal shit with Sirius. Finally though, you went to the Burrow, Harry practically bouncing with excitement. You walked in and Molly hugged you, instantly making you love the woman. “Harry has told me so much about you!” Molly said. “Harry has mentioned this place so much I almost know the entire layout already.” You chuckled. “Ron! This is my sister Y/n!” Harry introduced. You curtsied (A fun little thing that became a habit after joining Beauxbatons), making Molly smile. “So polite!” She chuckled before someone came downstairs. Fred was unaware you were even there, grabbing an apple before looking over and seeing you. He locked eyes with you and your heart basically drowned out any sound. “Who... Who’s this?” Fred asked. George walked in, also looking at you. However Fred was GLUED to you. “This is Y/n!” Harry said with a smile. “...Harry... You have some fantastic genes.” George said. “That’s my sister you jacka--” “Harry.” You halted him, nodding to the adults present. Fred extended a hand to you and you shook it, noticing his hands were calloused but still soft. Your eyes reflected off of his and he was captivated. “She’s going to Hogwarts with us this year for the Triwizard tournament.” Harry said. “Is she now?” George asked. Fred seemed to be speechless by you. “Yes, Beauxbatons is very proper though, I’m kind of terrified that kids from our school will be EATEN ALIVE.” You admitted. “We’re not... That bad.” Ron said. “Aren’t you worried about ‘being eaten alive’?” George asked. “No, if anything I know me and you two will get along.” You said. “And why’s that?” George asked. “Because I am a prankster at Beauxbatons.” You answered. “Pretty and a sense of humor, Freddie you must be dying right now.” George teased, noticing his brother’s prolonged silence. “She should hang with us.” Fred finally said. “hmm. Might take you up on that.” You said with a smile.
Then came the first day with the Beauxbatons. Fred saw you in that uniform and nearly dropped to the ground. Your hair was in a low ponytail, resting on your shoulder as you sat with your school. Fred for the life of him, could not fucking focus on ANYTHING Dumbledore was saying. He just kept staring. George was smiling like a git, noticing his brother being infatuated with you. “The Beauxbatons will be staying with the Gryffindors.” Was the only thing Fred heard making him look at Dumbledore and then you. “Let the opening feast commence!” Dumbledore announced. You got up, sitting next to Harry and Fred. “Excited for the tournament?” You asked Harry. “Meh. I’m just glad you’re here, you’re never here.” Harry said making you rough up his hair. “So you’re his sister?” Hermione asked. “Yes I am.” You nodded with a smile. “How is someone like you related to him?” Draco asked. “Shut up Malfoy.” Ron and Hermione said in unison. “And you must be Draco.” you said. “Yes I am. At least someone will be introducing class to Gryffindor.” Draco said. You looked at Harry and smirked. You turned around and faced George. “You said you’re a prankster?” You asked. “Yes dear, best in the business.” George said. “Great. I need your assistance. Both of you.” You said with a look of deviousness that made Fred’s heart practically bang in his chest. So there you three were, sneaking into the Slytherin dorm at an ungodly hour to ensure no one would find you. The maurader’s map Sirius gave you also helped out with this little venture. “Where the hell did you even get this?” George asked in a low whisper as you gripped a “Nair” bottle. “I have some fantastic uncles.” You whispered. You ended up shaving the boy’s eyebrows off in his sleep, sneaking back to the Gryffindor common room. You sat around and George practically passed out while you sat on the couch with a mug of tea looking at the fire. “Think you’ll sign up for the tournament?” you asked Fred. “Maybe. Might could use the prize money for George’s and I’s business.” Fred shrugged. “Is that the prank shop you have set up?” You asked. “You know about that?” Fred asked. “Harry tells me everything that goes on here.” you admitted. “I know that you and George are best friends. I know Ginny is shy but really smart. I know that you play quidditch. I know that you and George are very intelligent but don’t show any particular interest in academics like Hermione does. And I know that you have five brothers, one’s a curse breaker, one studies dragons, one is working for the ministry and the other two go to school with you.” you said. Fred rose a brow. “You listen to your brother talk that much?” Fred asked. You chuckled. “When you’re always away from home, you tend to cherish the moments you have with those around you.” You said looking at him. “...Why not come home?” he asked. “I’m not sure... Part of me is scared to ask my parents I guess.” you shrugged. “I’ve met your parents and I’m pretty sure James would practically piss himself of happiness with the way he talked about you.” Fred chuckled. “So you’ve heard about me too?” You asked. “God yes. You’re all anyone wanted to talk about when we celebrated Christmas with them.” Fred chuckled. You chuckled and leaned back with a yawn. “You should get some sleep, we have classes in the morning.” Fred said. You nodded and left, making Fred stare into the fireplace. You really loved your family...
The next morning while you were brushing your teeth you heard a VERY loud scream from the boy’s bathroom, making you smirk. You sat down at breakfast with Fred and George. “Heard the scream?” Fred asked. “How could I not, the kid gave moaning myrtle a run for her money.” You snorted. “I still think we should’ve dyed them.” George said. “Come now George, eyebrows grow back... We’ll dye them red and yellow to show he’s loyal to Gryffindor.” You said making Fred smile. The time finally came when names could be put in the cup. You put yours in, giving no particular reason except for “just felt like it.” Fred and George put their names in, Ron following soon after to impress Fleur. Soon you all sat in the Great Hall, waiting for names to be drawn. “Viktor Krum” “So you guys all signed up?” Neville asked. You all gave noises indicating yes. “Fleur Delacour.” “hmm.” you rose a brow, not realizing Fleur actually put her name in. “Fred Weasley.” Your eyes widened and everyone looked over at the poor bastard who’s drink just shot out of his nose. 
He came back to the common room with a bewildered look of shock on his face. “There’s our champion in the works.” George said. “My name was actually drawn. What the absolute fuck do I do now?” Fred asked. “We train.” You said, walking out of the girls dormitory in a blue sports bra, black leggings and your hair pulled back. “Wha-- Wha- hmm?” Fred asked, a blush about to come over him. “Fred, you’re acting like you’ve never seen a girl without her shirt.” George said in his ear. “It is different when it is her.” Fred said through his teeth. “I said: We train you. You’re about to go into a deadly competition of wits and physical stress. You need to be sharp and prepared.” You said. “Still, Y/n knowing how you train, don’t you think that’s a little much?” Harry asked. “Again. Deadly competition. None of us know what the hell is going on.” You said. “I’m down.” Fred nodded. “Of course you are.” George said making Fred kick his shin. “Great. Get changed, meet me by the lake.” You said walking out. “I’m so sorry.” Harry apologized. “For what?” Fred asked. “You’ll see.”
 “FRED WOULD YOU SHUT THE FUCK UP AND GIVE ME TWENTY!” “Alright! Jesus woman, even Oliver doesn’t push this hard!” Fred said as he did push ups. “She is going to eat that boy alive.” Ron said watching you two from a distance. “Thank God we’re here to see it.” George snorted. “Do you usually train this hard!?” Fred winced. “I go to a school where fencing is an elective and you can get stabbed, yes Fred, I train this hard.” you said. “Can I please take off my shirt, it is WAY too fucking hot.” He whined. “I’m shirtless. Dude, I don’t care.” You said. He sat up, taking off his shirt and you cracked your neck before noticing abs. Oh Christ... Oh Christ he’s hot. He rose a brow. “Like something you see Princess?” He asked out of breath. You rolled your eyes. “We need to practice hand to hand combat.” You sighed. “Sorry. What?” he asked. “Dueling, actual dueling tends to happen. And I cannot stress this enough Fred, you are in a deadly competition. For all we know a gladiator fight could be a trial.” You said. “Still... I really don’t want to fight you--” You swept his legs out from underneath him, gripping his arm before he could hit the ground. “Shut the fuck up, quit treating me like a girl and fight..” You said sternly. He gulped, standing up straight. “Arms up.” You said, raising yours to your face. He copied your movements. “hit me.” You said. “Y/n--” “Hit me.” you repeated “I really don’t think--” “hit. me.” You said. “No--” “hit me-” “Y/n-” “hit me.” “If you say that one more time--” “Hit. me.” you said. He swung, you rolled under the punch and winded him. “Christ Y/n!” He wheezed. “You have to keep fighting Fred. Come on.” you said. “How did you even--” “Fred.” “Okay! okay.” He stood up, going back to his original position. You took a swing, him blocking it. “Good! Again!” you said. He took a swing, missing, but managed to avoid your next hit. “Good, you’re doing good.” You nodded. “Can we stop?” He asked. “Would Viktor or Fleur stop?” You asked. God damn your persistence. You took a swing, Fred gripping your arm and managing to pin you to the ground hanging over you. “Where’d you learn that one?” You asked. “Five brothers... Five.” he reminded. You laughed and he smiled, still holding your hands above your head. His knee was between your legs, face close to yours. He slowly let go of your hands and you did something he didn’t expect. You cupped his cheek and caressed your thumb against it. He swallowed, you looking in his eyes. What was going on in that pretty head of yours? You pulled back your hand and wiped your hand on your leggings. “You have dirt on your face.” You said. Oh. That’s what that was. He pulled back, sitting on his legs and running his fingers through his hair. Was it that necessary to look this attractive?  “We can stop. But we will do this every morning until your trial.” You said. “This hand to hand combat thing is terrible.” Fred sighed. “It’s for your survival.” You said, drinking from a water bottle. “You say that, but I’m beginning to think you liked being under me.” He said. You chuckled and shook your head. You stood up. “I never said I didn’t.” you said with a smirk, walking back to the common room. 
Fred swallowed hard, watching you walk away. Every morning from that point on you two would train, Fred getting quicker with his movements. You practiced dodging, running, anything you knew really. As he did this though, there were plenty of moments where he definitely caught you staring, eyeing him up and down. Course he was guilty of doing the same thing. Ron and George would watch you two basically mentally undress each other, Harry completely oblivious to what was clearly happening. Finally the first trial came. “Dragons!? I’m going to be in a ring with-- Charlie what the fuck!?” Fred gaped at his brother who couldn’t help but tell him. “Later today you’ll have to draw them from a bag. I’m sorry, I just got the news you were in this.” Charlie said. You walked into the common room, eye brow raised. “What’s going on?” You asked. “The first trial will be me in a ring with a dragon.” Fred said. You frowned. “Are you fucking serious?” You asked. Yep. Definitely your father’s child. “Afraid so.” Charlie said. “Who’s this?” You asked. “Charlie.” Fred sighed. “The one who studies dragons... Hmm... Any tips?” You asked. “Bob and weave. Serpentine and rocks are your friend.” He said. None of that made sense until today. Fred panted, leaning against a rock. “COME ON FRED!” George shouted from the stands. You were next to him, giving Fred a look of “you can do this.” Some how that was the motivator that Fred needed. He sprinted to another rock, closer to the gold egg. He dodged its tail, remembering how you showed him how to do a barrel roll. “KEEP YOUR FORM FRED!” You yelled. He chuckled to himself at your coaching and kept low, narrowly missing attacks until he had the egg in his hands. The dragon geared up and you frowned. Oh no. “BOB AND WEAVE!” you screamed as Fred noticed what alarmed you. He sprinted, taking his brother’s advice and serpentined across the ring before reaching the exit, earning a loud cheer from the crowed. 
“HE DID IT! Y/N DID YOU-- Y/n?” You were already gone, sprinting to the tent. Fred was out of breath when he got to the tent. You ran in and hugged him, nearly knocking him to the ground. He let out a relieved laugh and held you to him like you were the most precious thing to him. “You did it! I am so proud of--” you pulled away slightly, looking in his eyes as your noses were nearly touching. He kept you close, looking at your eyes and then your lips before George ran in, cutting his attention away from you. “You crazy bastard! You did it!” George said as you pulled away. “I literally thought my ass was toast.” Fred said making you laugh. You looked at the egg curiously. “Party in the Gryffindor common room!” George shouted. You kneeled slightly so you were eye level with the egg. “As long as I can sit. Down.” Fred said making George laugh. You pressed the egg, opening it before hearing the loud shriek come from it. Fred and George jumped as you slammed it shut. “What the bloody hell was that!?” George asked. "The egg!" You said, baffled by what it did. You ended up partying with the Gryffindors it of course being loud and fun. But FINALLY it died down and you could relax in peace. You looked at the egg and Fred sat next to you. "Why does it make noise?" You asked. "I have no idea. But it's loud." Fred said looking at it. "I'm still stuck on the fact that it makes sound, there has to be a reason it does." You said. Fred looked at it and sighed. You rose a brow. "Something wrong?" You asked. ".... I'm way in over my heard." He said. "What do you mean?" You asked. "Y/n, my challenge was a fucking dragon. The next one is probably going to be worse... What if I can't handle it?" Fred asked you. "Then you don't win." You said. "But that's not going to happen." You added. "Why are you so confident in me?" Fred asked curiously. "Because I have heard you do some off the wall shit. You're smart, you're quick, you're strong. You can do this." You said. He opened his mouth but you rose a brow to the little girl walking from the dormitory. "Gabrielle, is something wrong?" You asked. "I can't sleep and Fleur is already asleep. I didn't want to wake her." Gabrielle said. You patted your lap and she sat, you pulling her close. "Want me to sing the song?" You asked. Gabrielle nodded and you chuckled with a beautiful smile that Fred loved to see. You played with the girl's hair, brushing it out with your fingers as a way to relax her. "Hold me close and hold me fast this magic spell you cast this is le vi en rose." You sang surprising Fred as Gabrielle seemed to curl up in your lap. When you kiss me heaven sighs, and though I close my eyes I see Le vi en rose." You said, the girl's eyes slowly closing. "when you press me to your heart, I'm in a world apart where roses bloom and when you speak angels sing from above, every day words seem to turn into love songs." You continued, Fred absolutely mesmerized by your voice and smile. "Give your heart and soul to me and life will always be Le vi en rose." You finished, leaving the room completely silent aside from your breathing and the crackles from the fire in the fireplace. "Works like a charm every time." You chuckled in a low whispered. "You're close?" Fred asked in a low whisper, nodding to Gabrielle. "Fleur and her both. That year I wasn't there for Christmas I was with them." You said softly. Fred watched you with Gabrielle. "She's a light sleeper, I think I'm going to end up sleeping here." You chuckled. "I'll stay with you if you want." Fred said. "...I'd like that." You said with a smile. Fred couldn't help but smile at you. God you were so beautiful. He couldn't focus around you, he would trip over his own two feet sometimes, George pestering him nonstop. You turned back to the fire and Fred moved slightly closer to you. "I wouldn't worry about the competition." You said to him. "I'm... It's hard to do this when your mother's voice is going off in your head 'OH GOD THAT'S NOT SAFE'" he said making you chuckle. "I have faith in you Fred... You've got this." You assured, this sincere look. You two sat in silence for a while, Fred thinking nothing of it until your head landed on his shoulder. He looked at you and smiled, pressing a kiss to your forehead as you slept. "Goodnight Princess."
You woke up the next morning on him, blankets covering you, Gabrielle and Fred. You got up, Gabrielle dressing for the day and you getting up with the egg. Fred finally woke up, finding you with the egg on the floor, staring at it from all angles. "....What the hell are you doing?" He asked. "I'm Sherlocking. It's not working." You said looking at the golden egg. Fred sat cross legged next to you. "this is really bothering you." Fred snorted. "Why does it make noise!?" You repeated your question. "By this point I want to just drown the damn-- wait." You gasped. "New murder plot?" Fred asked. "No! I figured it out! You need a bath." You said handing it to him. ".....Y/n what the hell?" Fred snorted. "Oh-- come on." You said pulling him up and walking to the bath. You started filling the tub and he rose a brow. "....Y/n, what the hell are we doing?" He asked. "We could go to the girl's room but you'd have to deal with Moaning Myrtle." You said. "No, why are you so insistent--" you took the egg out his arms and "about a bath? Are you trying to see me naked?" He asked making you blush and roll your eyes. "We're not actually taking a bath you dolt." You said. "Speak for yourself, I still have ash in my hair from yesterday." Fred said stripping making you turn around. "You're welcome to join me." He yawned. "Just go underwater and listen to the egg." You said, your back turned. "Compromise, I keep my underwear on and you listen to it with me in case I miss something." He said. "Why are you so determined to--" he said nothing, putting a hand on your forehead and pulling you back into the bath. "FRED!" You screamed, a loud splash from you as you fell in. "I'm all wet you moron!" You yelled. "I know, I tend to have that effect on girls." Fred laughed as you splashed him. You shook your head and went under, making him raise a brow. You didn't resurface for a while but you shot out when you did. "I WAS RIGHT!" you said making him nearly fall over. "The egg sings!" You said. "What--" you yanked Fred under, looking at the egg it sang. "Come seek us where our voices sound, We cannot sing above the ground, And while you're searching, ponder this: We've taken what you'll sorely miss, An hour long you'll have to look, And to recover what we took. But past an hour - the prospect's black Too late, it's gone, it won't come back" you both popped up for air and Fred coughed. "You were right!" Fred said. "I know, I'm a genius. But I'm getting confused, this is a mermaid singing... Are there mermaids somewhere on campus?" You asked. "In the lake that we usually train by." Fred nodded. "Great. So the next trial is in water... You're retrieving something... What though?" You asked. "I'm not sure... It said I lost it." He said. "Lose anything lately?" You asked. "No." Fred muttered pondering. His focus was broken by the wet clothes currently clinging to your body, showing your curves in way that made it very hard to even form words. "Would you stop staring!?" You said splashing him. He gave you a cheeky grin, splashing you and you sighed. "You're a child." You said.... Before splashing him back. You two continued this goofy little routine and he wrapped his arms around you, flinging you both into the water. You laughed and he smiled. You two were panting from the laughter and stared at each other. Fred was almost prepared to risk it all in that damn bath if it hadn't been for breaking the eye contact and pulling the egg back up. You went back to dorms, changing before leaving to class. "Y/n, dear would you mind coming with me?" Mcgonagall asked. Fred's next trial began and it was fucking cold, breaths being visible. "Of fucking course it's cold." Fred whined. "Where's Y/n?" Harry asked. ".... She's not with you?" Fred asked. "No, I thought she was with you." Fred said. "I've been thinking she was with Fleur." George said. Fred walked over to the girl. "Hi, have you seen Y/n?" He asked. "Ze lake." Fleur said. "What?" Fred asked. "Ze challenge is to retrieve a precious item lost..." Fleur reminded "I know that, I'm asking--" then it hit Fred, him locking eyes onto the dark waters. "No." Fred said. George frowned as Fred walked back over, pacing. "Fred what's going on?" George asked. "She's in the lake!" Fred said. "Champions take your places!" Dumbledore announced. Fred stood at the edge, Neville slipping him something to breathe underwater with. "Thanks Longbottom." Fred said. "On your marks." Dumbledore said. "Good luck Weasley!" A boy shouted. "GO!" was all Fred heard before downing whatever Neville gave him. jumping and colliding with the water. It was fucking cold. He was swimming, looking for you frantically before noticing a tail slink past. Shit. He swam as quickly as possible, finally finding you. He untied you, using his wand to keep the mermaids at bay before Krum got Hermione out of there. "I cannot believe they put my fucking sister in a LAKE. IN WINTER. MY MOTHER WILL KICK YOUR ASS!" Harry yelled before George slammed his hand over his mouth. "Calm down! Fred isn't going to let anything happen to her!" George assured. Viktor came back up, Hermione shivering from the cold. Fred came up soon after, you gasping for air as you left the lake. "Christ it's fucking cold!" You breathed. Fred hugged you tightly, nearly making you fall back. You noticed Fleur empty handed as you pulled away and frowned. "Fleur, où est Gabrielle?" You asked. "Je n'ai pas pu la faire sortir du lac!  les sirènes!" She answered frantically. "What's wrong?" Fred asked, his hand on your back. "Gabrielle is down there still!" You said. The worry and pure fear in your eyes nearly broke him. So... He jumped back in. "FRED!" You screamed, running to the edge with a bunch of other students. One second seemed way too long now, all of you watching-- waiting to see what would happen before he shot back out with Gabrielle. Fleur hugged Fred, thanking him for retrieving her sister.⁸ You hugged Fleur and Gabrielle both, thankful your friends were safe. Fred wrapped himself in a towel before you stood up, walking over to him. He was talking to George when you turned his head by putting a hand on his cheek and kissed it. His face was almost hysterical but it was soon replaced by determination as he slinked his arm around your waist, pulling you forward and kissing you. George and Ron both almost slammed Harry down to stop him from disrupting this. You let out a laugh as he rested his forehead on yours. He noticed your hands were freezing, picking them up and warming them with his breath. "I'm glad you kissed me." You chuckled, him letting out a small laugh. "I've been waiting to do that all fucking summer." He said making you giggle. You and Fred were more... Couply now. Training would take adorable turns when he'd just pick you up after you charge at him and kiss the side of your head. You and him were close, him absolutely adoring you. Despite you two now dating, you never held back in training (Fred would be forced to use full strength because damn for the dainty thing you looked like you could pack a REALLY strong punch), you'd ease up on the yelling sure. But never once did you go soft on his ass when it came to combat. Fred had a new challenge today though. Dancing. Look, the boy is a fucking goofball, his idea of dance is a scene from footloose. You were helping Mcgonagall teach the class seeing as dancing was something you HAD to learn in your second year. Mcgonagall would hide the forming smile when she saw you with Fred, teaching him this. "Fred it's one, two three, come on now." You chuckled. "Love, I cannot DANCE. Not like this." Fred said. "Anyone can dance, you just have to have the right teacher. Maybe I should get Mcgonagall to teach you--" he pulled you closer "Don't you dare." He said with a laugh. You smiled, showing him. "There we go! See I know you could do it!" You chuckled. "Say, this is for that dance..." Fred began. "Mmhmm?" You asked. "Would you maybe want to go with me?" He asked. You snorted. "Fred we're dating. It was implied you and I were going together." You laughed. "I wanted to ask you formally Love, I can never be too sure." He said making you nod with a laugh. "At least you didn't ask me like George did Angela which was just him doing terrible movements while Snape geared up to kill the boy." You snorted making Fred laugh. Hogsmeade was now approaching though, making you very excited. Fred wasn't too sure why until you dragged him to the three broomsticks with Harry. "UNCLE MOONY!" You squealed, hugging a man with a scar on his face. "Y/n! Oh it's so good to see you!" Remus chuckled. "Uncle Padfoot! My man!" Harry said, hugging Sirius. You hugged Peter and motioned for Fred to come over. "Hey, you're the Weasley boy!" Sirius recalled. "Yeah, Sirius right?" Fred asked. "Yep! Good to see you!" Sirius said. "What brings you to us?" Remus asked. "Y/n's persistence." Fred teased making you smile. "You've become good friends!" Peter said. ".... They're dating Worm tail." Harry said making all of the men now stare daggers at Fred. "Dating?" Remus asked. "Does Prongs know?" Sirius asked. "No." Harry said. "Oh please don't tell him until I can see his face." Sirius begged. "Where is mum and dad anyway?" You asked. "What?" Fred asked.  "You've already met them." Harry said. "NOT IN THIS CAPACITY!" Fred whined. "Reminds me of Sirius with Marlene." Peter snorted, resulting in Sirius smacking his arm. "Actually I have something to tell all of you." Sirius said. You finally saw that red hair though and you smiled. "Mum!" You said. "Oh god oh god oh god." Fred muttered. "Y/n! Fred-- George? Which one of you are you?" Lily said. "Fred ma'am." He said, now nearly sweating through his shirt. "What's wrong with this kid?" James asked. Sirius resisted a loud laugh as you pulled a chair out for your dad. "Dad. Sit." You said. "....Why?" James asked. "Sit." You said using the same stern voice your mother does. He sat as an instinct. "Fred and I have started dating." You said. James' jaw dropped and Sirius snorted. "You're dating my baby girl?" He asked. "Congratulations dear." Lily said to you. "Thank you mum." You said. "YOU'RE DATING MY BABY GIRL!?" James screamed. "Oh God." Fred whined. "Dad, calm down." You said. "I'M GOING TO KILL YOU." James yelled. "Fred... Run." You said. "Legs. Won't. Move." Fred whined. You gripped his hand and sprinted out, James running after you. "THIS IS NOT WHAT I HAD IN MIND FOR A FUCKING FIELD TRIP!" Fred whined. "Running practice!" You said with a laugh. "I'M GOING TO WRING THIS FUCKER'S NECK!" James screamed. "JAMES WOULD YOU CALM DOWN!?" Lily yelled. Students noticed you and Fred running but thought nothing of it until a fucking parade of adults ran after you two. "What the hell is going on!?" Cedric gaped. "....Potter." McGonagall said gritting her teeth. 
James cut you off with a deranged look in his eyes. "DAD WOULD YOU FUCKING COOL IT!?" You asked. "MY BABY GIRL!? THERE ARE AT LEAST FOURTY DIFFERENT GIRLS ON CAMPUS AND YOU CHOSE MY DAUGHTER!?" James asked. Fred gulped and looked at Lily for help. "JAMES. CALM. DOWN." Lily snapped. "HOW ARE YOU CALM!?" James asked motioning to Fred. "She's sixteen James, I'm honestly amazed she hasn't dated anyone before this." Lily said. "Wait I'm your first boyfriend?" Fred asked looking at you. You had your face in your hand, letting out a long groan. "Prongs, he is a good kid! She could be doing worse!" Sirius said. "Sirius, have kids! Then you'll get it!" James groaned. "That's why I'm here you prat; Marlene is pregnant!" Sirius said making the group turn to him wide eyes. "YOU CHOSE A FUCKING HOMICIDE ATTEMPT TO TELL US YOU'RE HAVING A KID!?" Remus asked. "Surprise!" Sirius said. "TOO MANY VARIABLES. BRAIN CRASHING." James yelled. "Dad knows the word variable?" You asked. "Apparently." Lily nodded, equally surprised "I WANT TO KILL THE BOY, CAN I KILL THE BOY!?" James asked. "No. That's homicide." Lily said. "I WANT TO KILL SOMETHING BY HUGGING RIGHT NOW I'M SO CONFLICTED." James yelled. You walked up to Sirius and hugged him. "I am so happy for you Uncle Padfoot. This kid is going to be so loved." You said with happy tears falling. Sirius hugged you tightly. "He will have the greatest Godmother in the world." He said making you pull away with wide eyes as Remus held back James from choking Fred behind you. "I'm--" "I was going to ask you formally, you and Harry both are the godparents until one of you gets married then it's you and your spouse." He said calmly. You hugged him again and he saw the sight behind you of Lily smacking James upside the head as Fred used Harry as a shield. "I like the boy by the way. He looks at you the same way your parents do... er... Did." He corrected seeing Lily successfully closeline James as he booked it forward towards Fred. You winced as you saw it. "Lilyyyy!" James whined. "CALM. DOWN." she said. She got up gripping Fred's arm and putting him next to you. "We approve--" "Lily!" James whined. "WE. APPROVE." she snapped. You blinked a few times as James grumbled sitting cross legged in the snow. You all went back to the three broomsticks Fred sitting close to you as James gritted his teeth. "So do you know what gender it is yet?" Lily asked. "We find out next week." Sirius said. "I'm proud of you Sirius." Remus said. "What about you and that Tonks girl hmmm?" Sirius asked, nudging his side. Remus flushed pink and you smiled. "I've met her before, she's a sweet girl. Kickass. But sweet." You nodded. "Hmmm. While we're on the topic of love, Fred." Sirius said. Fred looked up. "What drew you to our little Y/n?" Sirius asked. Fred swallowed and blushed making you raise a brow. "I... I just got to know her and I... I don't know I just..." He sighed. "I love her." He said making everyone look at him alarmed. "You... Love me?" You asked. "Yeah... I wanted to tell you for awhile and not in front of your family but I do." He said. Remus smiled as you kissed him, smiling and putting your head on his shoulder. James twitched but Lily stomped on his foot making him yelp. "We're glad you two are together dear." Lily said. "Thank you mum." You said with a smile. The conversation went on, you keeping your head on Fred's chest as he played with your hair, occasionally saying something. James wanted to loathe this kid. But he just... He couldn't. Fred was so irritably like him that he just liked him.
You all got back to the school and you smiled, poking Fred's cheek as he was deep in thought. "What's going on in that pretty head of yours?" You asked. "...I think I have like... Twenty orders I didn't do today." Fred said. You kissed his cheek and he smiled. "And they can wait because you're here." He said kissing you. You chuckled. "You should get them done Freddie." You said, kissing his forehead before walking to the dorms. You sat on the cot that was Fleur's, talking to another British student from Beauxbatons that you regularly hung out with. "So you and that Fred boy." She said. "Someone's in lovvveee." Another girl said with a chuckle. "He's perfect." You breathed with a smile. "There's just something gnawing at me." One of the other girls said. "Hmm?" You asked. "What happens once we leave?" She asked. "What do you mean?" You asked. "We go to school in France. We don't exactly live close together Y/n." The girl said. You frowned. "I... Never thought about that." You admitted. "Don't worry about it." Your friend said. "But--" "Y/n most relationships fail because people are too focused on the future than to actually focus on the present. You and Fred will cross that bridge once you get to it." She said. You nodded. "When did you become so insightful?" A girl asked. "I'm not sure." She shrugged. You took that advice to heart living in the present with Fred. Not one moment came that you weren't smiling. When the Yule ball came, Fred was a mess. He was supposed to be presented. And on top of that he was supposed to participate in that ridiculous dance. Harry insisted on walking you down the stairs, saying that you could trip and break your neck. You assured him that wouldn't happen but still allowed him to do so. When Fred saw you all worry just... Instantly left him. He swallowed hard and looked at you as you dusted something off of Harry's shoulder. "Have fun Harry." You said him smiling and running over to Ron. You turned to Fred and smiled. "Look at you! My God you're handsome." You said with a smile. "Y/n you're..." He seemed speechless. You rose a brow. "God you're beautiful." He said. You smiled and he chuckled. "You're almost ethereal." Fred said with a chuckle. You kissed his nose, taking his hand and walking over to the other contestants. "Vous êtes belle Y/n!" Fleur said making you smile. "Toi aussi Fleur!" You chuckled. You and her went back and forth in French for a while, talking about something to do with how she felt about the next Trial and Fred watched you talk. How in the world were you keeping up with this? Like how are you this perfect holy fuck. The doors opened and you took your place next to Fred, walking about holding his arm. "You've got this Love." You said with a smile. "Can we talk about something to keep my mind off this whole dancing thing?" Fred asked. "Of course. So birds am I right?" You asked making him laugh as you took your place. "Sorry, your immediate conversation topic that you chose is birds?" Fred asked. "I hate geese." You said. Fred snorted and shook his head, dancing with you. "I'm more of a cardinal guy myself." He said making you smile. "Would it be cliche to say doves are pretty?" You asked as you danced, not missing a single step. "Doves look like fancy chickens." Fred said making you laugh. "I thought you were going to say fancy pigeons but you do with chickens!?" You laughed. "Pigeons are just street chickens, change my mind." Fred said. "Chickens can't fly!" You laughed. "Meh. Doesn't change them from being birds." He said making you laugh harder. The two of you finished the dance a slow song soon followed, Fred pulling you into his arms and you smiling. You kissed his nose and he smiled before clearing his throat. "Y/n... I really don't mean to be a downer... But what happens when you go back to France?" He asked. Your face dropped and you cleared your throat. "....I don't want to leave you." Is all you could say. You looked so pained in that expression and he held you close. ".... I'll wait then." He said. "What?" You asked. "Next year we're in our last year. We can wait Y/n... If you want. We'll send letters, we'll see each other on the holidays..." He suggested. You nodded. "I want. I definitely want." You said. "Then it's settled. I'll just wait for you." She shrugged making you smile. You kissed him, him smiling against your lips. "....Doves are still not chickens--" "They are fancy chickens!" He declared. "What are penguins then!?" "ARTIC CHICKENS--" "OH MY GOD" 
You and Fred spent every waking moment together, savoring every memory that you two have you two made. Finally it was the day of the last trial. He was kind of panicked but you were there. "You've got this Love." You said to him. He kissed you, resting his forehead on yours. "I love you." You said. "I love you too..." He said. "CHAMPIONS TAKE YOUR PLACES." The announcer said. He sighed, kissing your knuckles before walking out. You sat with Harry and George. "Nervous for him?" George asked noticing this expression on your face. "A little." You mumbled. "Mum and dad wanted to see the last trial, they're around here somewhere." Harry said. "They are?" You asked. "Yeah." He nodded. You got up and walked around until you found them. "Mum. Dad... Can I talk to you?" Fred stood at the start, clearly nervous. "Good luck Weasley." Krum said. "I'm surprised you know my name." Fred chuckled. "You're a contestant. Of course I do." He said. Fred shook his head and Fleur cracked her knuckles. "You're dating Y/n, correct?" She asked, the French accent being clear as she spoke. "Yes." Fred said. "Hurt her and I kill you."  She said making him open his mouth before the noise sounded off and they all booked it through the maze. "Christ this is creepy." He thought to himself, moving through the area. He stopped for a second, trying to figure out if he just accidentally went in a big circle when he felt something on his arm. He looked and saw the maze reaching out. His eyes widened and he booked it, running as fast as his legs could carry him before literally slamming into Krum. He turned around. "Weasley!?" Krum asked before noticing the maze behind him. "SHIT!" Fred yelled before sprinting down the maze with Krum behind him. Krum however tripped. Fred hesitated before Krum screamed "RUN!" and he nodded, booking it. He saw the cup, sprinting to it and gripping the handle. It was then he realized it was a port key, him hitting the ground hard as he landed. "Ow, holy fuck." He winced. He sat up, you sprinting to him and hugging him. He chuckled and you scattered kisses on his face. “You did it!” You said, him raising a brow before seeing the crowd who was cheering with the band playing as Harry, Ron and George all ran down. “SUCK IT PERCY!” George yelled earning a snort from you as Fred stood up.
Gryffindor had a massive party, all of you celebrating with smiles. “So what are you even planning to do with the money?” Ron asked. “What, hoping for some cash?” George asked, smacking him upside the head. “I’m using it for the business. We’re capitalizing on this bitch.” Fred said, earning a laugh from you. “I knew you could do it.” You nodded with a smile. “My coach also was very helpful, you beautiful thing you.” he said, kissing you with an arm around your waist. “I was serious about my threat.” Fleur said watching him. “You threatened Fred?!” You asked. “She did. But it was more of a ‘you hurt her you die’ situation. I’ve got a whole line of students who will brutally kill my ass if I do something wrong.” Fred said. “Myself included.” Harry said making you roll your eyes. “What can I say? I’m lovable.” You joked. “Oh yes you are.” Fred said earning a gag from Ron. “I feel like I just interrupted something.” George said. “Warning, you might want to back away from Y/n, her parents are coming.” Hermione said. Fred immediately stood back and you snorted as pure fear fell over his face when James entered. “Congratulations kid.” James said looking at him. “Thank you sir.” Fred said. James squinted at him, eyeing him up and down. “This place has not changed at all, holy shit.” Sirius said. “What are you guys doing here?” Harry asked. “Meeting with Dumbledore for something, passing the time while we have it.” Remus answered. Gabrielle ran over to you, talking to you about something making you giggle. Fred smiled, watching you talk to other students with your arms over Gabrielle. Remus took notice and put a hand on his shoulder. Fred looked over and then back at you. “Have you two talked about France?” Remus asked. “We’re going to try to stick through the last year of school... See each other on holidays and such.” Fred said, clearing his throat, his attention obviously still on you. “Think you’ll make it?” Remus asked. Fred watched you rough up Harry’s hair earning him swatting your hands away and Gabrielle giggling. “I’d wait a hundred years if it meant I could see her again.” He said, Remus nodding with a smile.
The last week of school was hard, you not wanting to leave your brother, new friends and Fred. The last night being one of tears and partings. You and the Beauxbatons sat together, Fred watching you with this expression that just... God he didn’t want you to leave. “ Of all the money that e'er I had I spent it in good company” A girl at the table sang, making you look up. “And all the harm I've ever done alas, it was to none but me” another sang. Great. The ending serenade. “And all I've done for want of wit” You sang with them. “To memory now I can't recall” you sang. “So fill to me the parting glass” You all sang, slowly raising glasses. “Good night and joy be to you all So fill to me the parting glass” The students sang, slowly rising “And drink a health whate'er befalls Then gently rise and softly call good night and joy be to you all” You all sang. “Of all the comrades that e'er I had” Fleur sang out, an arm around you as you held glasses up. They're sorry for my going away and all the sweethearts that e'er I had”  You all sang, looking at the scene around you. “They'd wish me one more day to stay but since it fell into my lot that I should rise and you should not” You all sang, students from Hogwarts joining in. “I'll gently rise and softly call good night and joy be to you all fill to me the parting glass and drink a health whate'er befalls then gently rise and softly call” You sang, walking to the Gryffindor table and Fred smiling sadly as he rose and held you. “Good night and joy be to you all” He sang with you making you smile. You extended a hand to George and he took it, hugging you as the school sang with the Beauxbatons. “I’m going to really fucking miss you.” George said. “Ditto Weasley.” You said, crying with smile. “since it fell into my lot that I should rise and you should not I'll gently rise and softly call” The voices around you sang as you shared a group hug with students from Gryffindor. You weren’t ready to let this go, not now. “Good night and joy be to you all so fill to me the parting glass and drink a health whate'er befalls then gently rise and softly call good night and joy be to you all” You all sang, more students slowly beginning to have tearful goodbyes. After all, other students had become good friends with students from the other schools. “Good night and joy be to you all” you all sang.
The next morning was honest to god one of the hardest things you’ve ever had to do. You gave tearful goodbyes to all of your new friends. But the pain of leaving only worsened as Fred approached you. He hugged you tightly, burying his face in the crook of your neck as you gripped his shirt. When you pulled away he pressed a kiss to your forehead and he blinked a few times. “I told myself I wouldn’t cry but damn it this is hard.” He said, letting out a sad laugh. “God, this is stupid! We’re seeing each other for the summer!” You whined, also crying. You kissed him one last time and hugged Harry before walking with the other girls. You gave one last glance to the group and walked away. George put a hand on his brother’s shoulder, pulling him close as to say “I’m here for you.” The next few days Fleur noticed you not showing much emotion. Your laughter was absent and she could tell you really got attached to Hogwarts when you went. You however were released early, school ending because of the tournament. You came home bags in hand a week before Harry would. Even James could tell something was making you sad. He hated seeing his little girl hurt this much. Lily however had a trick up her sleeve. She knocked on your doorway and you looked over, sitting in your window just watching the summer rain. “Hey mum.” You said softly. “Hi darling... Can we talk?” she asked, shutting the door behind her. You nodded at your desk chair and she sat down. “What’s eating at you sweetheart?” She asked. You cleared your throat, tears in your eyes as you spoke. “I don’t want to go back to Beauxbatons mum.” You said. She rose a brow. “You don’t?” Lily asked. “No... When I was at Hogwarts I just... I felt like I was home...” You said softly. “There’s a lot of reasons why I want to leave if  you need to hear them--” “Sweetie” “One: I want to be close when Marlene has the baby” “Sweetie” “Two: I want Harry to be there for my last year” “Y/n.” “I’d be closer to you guys” “I’ve already enrolled you into Hogwarts Y/n.” Lily said. You blinked. “What?” you asked. “And I got you something else.” She said. She handed you a packed bag and you rose a brow. “You’re staying with the Weasley’s.” She said. You threw your arms around her and James saw you off later that afternoon. 
Fred was relatively quiet on the train ride back, Ginny noticing him looking like he could break at any second. “Freddie... Are you okay?” She asked. “I miss her.” Fred murmured. Ginny hugged her brother and he basically moped the entire time walking to the car. He sighed, Arthur even taking notice to the newfound sadness over Fred. George sighed and poked his brother. “So when are we putting that prize money to use.” George asked, hoping to distract his brother. “Hmm... probably after graduation.” He said. “Right. Well maybe we could set up a plan over the summer.” George suggested. Fred nodded mindlessly and Harry sighed “You’ll see her for the summer Fred. Which is in like... A week.” “I know, I just miss her Harry. Let me mope in peace please.” Fred sighed. They got to the Burrow, Harry walking in and walking upstairs. He saw you and you put your hand over his mouth. “I’ll explain in a minute, go back down and tell me when Fred gets here.” You said. Harry nodded and walked back downstairs, wide eyed. “Harry? Are you alright? Did George gag your drink again?” Ron asked. “No uhhhh...” Fred walked in. “NOW!” He said and you walked downstairs. Fred’s eyes widened and he literally dropped everything, hugging you tightly. You chuckled in his arms and held his face. “What are you doing here!?” He asked. “They let us out early but I have more news.” You said. “is it good news?” Fred asked. “I’m finishing my last year at Hogwarts.” You said making everyone LOSE THEIR MINDS. You all celebrated that night, not one moment of you being seen without Fred. The night ended with you , George and Fred sitting outside with cider. “To the future.” You said holding out your glass. George and Fred clinked glasses with you before you all drank. 
The future was so fucking beautiful. You and Harry met your god daughter Olivia Juliet Black and basically vowed to kill anyone who even so much as looked at the kid wrong. You ended up working with Fred and George, opening the shop with them after graduation. Fred proposed and of course you said yes, later marrying that same year. Remus later married Nymphadora, them having your other god child, Teddy Edward Lupin. Bill Weasley ended up marrying Fleur, you being her maid of honor. You gave birth to your son Atlas Nicolas Weasley. There was not one day of your life that you didn’t enjoy. But let’s not focus on the future now. Let’s live in the present. 
“I cannot believe your sister actually transferred.” Draco griped. “Choose your next words carefully boy. I’ve got two bottles of hair dye with your name on it.” You said. “I KNEW THAT PRANK WAS YOU!” Draco gasped. “Shit.” You winced making Fred snort. “I’M GOING TO END YOU!” Draco yelled, wand drawn as you bolted down the hall with the twins, the sounds of your laughing echoing through the halls.
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happypeachwhispers · 4 years
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Fries Meet Guys: ALEX HØGH ANDERSEN - I DIDN'T THINK I WAS A PERSON WHO SHOULD TALK ABOUT ANXIETY - Part One: Childhood, Parenting, Socializing
Just a couple words about this work of labor, thank you to everyone who encouraged me, helped me and believed in this translation project. Some parts were more hard than others to make sense of, I appreciate some input if you feel so inclined. It will be posted in five parts, weekly. I really did my very best. Enjoy!
Taglist: @ivarsrideordie
We invited you to the studio today, because we would like to be a little wiser about what it means to be a man and what it means to be a man to you. But for a start, we just have some classic questions. What's your name? How old are you?
Hi, my name is Alex. I'll be 25 this summer, I was born in '94. I come from a small town called Skælskør in West Jutland.
What is your profession?
I am an autodidact actor.
And what is your favorite song?
All the songs by Frank Ocean.
What's your favorite movie?
I simply can't answer that. But I talked to a friend today, we watched In Bruges, a movie with Colin Farrell and it was fucking fun.
What's your favorite dish?
It was chicken thighs for a long time, when I was a kid I liked them cooked in the oven for 25/30 minutes at 200 Celsius degrees. You put a little bit of salt on, and then they are ready, mouthwatering and delicious. But not my favorite anymore, today I'd probably say sushi.
We have given homework to Alex, we asked him to think about the word man and now we are very curious to hear what his thoughts are and what he came up with.
I was thinking of a hell of a lot of things, and at the same time, I was thinking zero things. I think it's so hard to talk about this and to feel that you are somehow obligated to talk about it, but I manged to write something down. So I should be able to talk about this. But it is so hard to feel that one has to generalize in any way. But you shouldn't, really. You can only answer for yourself.
When I come to think of a meaning of the word man, I come to think that I couldn't help but imagine some American culture that we all seem to follow blindly that's based on having the coolest clothes and going to clubs to hook up. Or you just see them wanting to be basketball players and driving sports cars. It's either rappers, basketball players or actors. I wasn't a great guy at all and I was heavily influenced by it, but then I came to realize it's not for me. It's not supposed to be like that at all.
So what's the kind of man that gives priority to those things?
The very first thing that comes to my mind is that they are drawn to that lifestyle cause it means having a lot of money, high status and living without a care in the world. You're a breadwinner. Instead I often worry in terms of where I am here in Copenhagen in 2019 and the group of friends I have here and with whom I spend my time with.
So there have been some people in your life, who have been carefree motherfuckers.
Both things. But I like to go to my dad right away and he is not a carefree person at all. But he is also not a man who has struggled with some of the things that I struggled with. Fighting with anxiety for example. And as I know many of my friends struggle with men but as women. And that's it. My dad says he doesn't know about it because he's from a different generation or maybe I've just been unlucky. He never experienced any of that. Before he could worry, he was a grown man who had to support his family. He has had the same job for 25 years now and then goes home, works in the garden, cuddles with my mother and travels around the world and then comes back home. But I would also say that he has not been very manly, he is actually quite soft many times. I can remember my little sister's confirmation where he was supposed to give a speech but didn't get through it, he was feeling emotional. Mom always keeps a watchful eye on him, especially when he talks about breast cancer and what she has been through.
You described your father as the example of a man you saw growing up, but that was your experience as a boy. What did it mean to you growing up? How did that shape the man you are today?
I think my dad has given me a lot of really cool stuff. His presence in my life gave me a lot. His sense of humor first of all, because he's one of the funniest people I know, and he can definitely be funny on a bad day, too. I love him. I hope my sense of humor is as funny as his. Also he has always been really good at taking things easy. So even when it gets tough, he helps heal all the wounds. He was a very important presence in my life, he has being a really good father and I always think of my dad as the primary example of a man. Even the soft side of my dad. When I talked to him and had heart to heart conversations, he showed me his vulnerable side. And I learned that being vulnerable is ok. That's a really good thing, I think. There has always been room for me, to express myself. He hasn't been one of those patriarchal fathers in a carnally old society, so out of touch and never talking to the children.
But what has it meant to you to have such a father? Where was there room for you or your feelings?
It meant everything in the whole world. He has always been an example. He was supportive of my dreams and  has always been there for me. When I started to do theater, he drove me from Skælskør to Copenhagen from the age of 11 to 17. So six years, where my dad comes and picks me up after work, he picks me up in the afternoon after I finish school or high school. And then he drives me to Copenhagen so that I can do theater, sits and waits for three hours while I do theater, and then he drives me home again. And when he's home, he goes straight to bed because he's going to work the day after. He did it for 6 years in a row, it is very touching and beautiful. He has been a great father, so I also hope that I can become an equally good father at some point, because I have had an absolutely wonderful role model. Him.
This is what you remember and treasure from your childhood. Is there a community at the time that you've been a part of?
Well, the schoolyard. It was football with the boys and I've always played both football and basketball. Football was big for us boys, it was everything. We were always thinking: “who is the best and who is the worst?”. We played all the time and that challenged the competition “gene” I have in me, which is pretty extreme, it was all about me trying to do better than the two or three other guys in my class who were about as good. We were all at the same level. We have always been competitive since primary school.
Probably was a way of socializing.
Yes, I think so. We were such innocent boys and then we became a team. But it's that sense of being wild and free and learning how to win and lose. And then tomorrow is a brand new day to play a new game. Carelessness is such a big thing when you're little. Something you could well miss when you're in your mid-twenties having a lot of problems.
When you say that you mean today you're a completely different man or better, a wiser but soft man with challenges and worries?
I think where I came from was from a really, really nice family. There was room for everything.
That feels like winning.
Yes, that's how you win. We didn't understand many feelings being boys that young. But I remember this talent show I was a part of, when I was 11 years old, it was a tv program where I sang and danced. It was different from what country kids experience, you have just sports there. My classmates came to see me and they were extremely supportive, I was so happy, it was fantastic. There was the whole class in there with banners and everything and the amazing experience so wonderful. But strange. Then a couple months later I had an argument with one of my teammates on the football field, he told me that just because I was on a tv show didn't mean I was better than him. I still remember those words, I was shocked, I remember those words like I heard them a week ago.
Kids, it was just kids, but I felt such a sense of shame, did I really act like I thought I was better than him? No matter who the hell you talk to, people who did something that made them a little different from the others, feel this way. People who might be famous or what the hell. They probably always feel completely calm, especially if I imagine me at 11, I just wanted to go back to school to play football. I did not attach any further value to it. I did not feel that me being on a tv show could have caused problems. But apparently it did. I spent the next six years of my life after that “incident” in Copenhagen, at the Eventyrteatret, feeling more at home than ever.
Why did you feel more at home?
Because they were just like me, crazy just like me, energetic just like me and loved dancing and singing just like me.
END PART ONE
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kingofthewilderwest · 4 years
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princesstokyomoon replied to your post ... ... ... can we see the list?
kovu was the first crush baby me ever acknowledged i had, so seeing simba on this list is very validating lol
[high fives] Disney made those lions way too hot for their own good. Kovu would probably be on my list if I had watched the second Lion King movie more recently. It’s been a while since I’ve seen it, but I remember being gripped by him when I was younger. So if he magically appears on that list later...... a rewatch happened.
writingstellar replied to your post ... ... ... can we see the list?
-is queer -has a type -that type involves dark hair and eyes ...my dude do you also like them kinda damaged? Because I think we have the same taste lmao
Bruh. Bruh. I wasn’t going to admit it in the tags, but TOTALLY. When they’re damaged is when my heart melts. I relate to their struggles and issues, I yearn to care for them, I feel for them, I love them. [high five on the same taste]
maski1 replied to your post ... ... ... can we see the list?
"Elizabeth Hawkeye" ? I think it was stated her name really is "Riza" ? When I watched ATLA when I was little I didn't like Zuko. Now he's my favorite character XD Gotta watch The Dragon Prince but before, I have to watch TLoK (and before that, read the chapters that were never adaptated). I'm curious, why Aladdin? Linguini is underrated
I started replying to you in the comments of the original post, but you always have such fun conversations, so I had to hop onto here and expand!
1. Regarding how I present the names on my list, I try to give a character’s full name, so long as there is strong evidence-based canon that gives or implies their name. In a few rare cases, like Elizabeth Hawkeye, there are fans who would dispute me on this, but I can give a very good account based deeply in canon for why I have the name listed as it is. If people want to agree or disagree with me at the end of the day, I don’t mind either way.
Regarding Riza... there are two types of scenarios she is called “Elizabeth” in Arakawa’s writing. One scenario is when everyone in Team Mustang is given code names. I imagine zero fans care about that as evidence. Havoc’s code name is Jacqueline, and that obviously isn’t his real name. Riza being called “Elizabeth” on the phone when Roy is disguising his operations by fake flirting doesn’t count for proof by itself. But the other instance is Roy calling her “Elizabeth” to Madame Christmas. I think most fans read that as Roy simply extending the code name for anonymity reasons. However, given Madame Christmas knows a ton about Roy’s emotional investment in Riza, and I’ve encountered some..... translational difficulties that the official English versions have with names... I think the latter’s a good cue.
Riza in older English translations and older merchandise was legitimately named “Liza,” and Liza is a common nickname for Elizabeth (especially for the time period Fullmetal Alchemist is roughly evoking). I talk about the translation weirdness here in much better depth. As you may know yourself, given your own language background, this would not be the first time the English translators made stupid mistakes with FMA names. Viz Media initially gave Xerxes the clusterfuck spelling ‘Cselkcess’ before they realized what the word was supposed to be. Ling Yao’s name has danced between Ling and Lin, despite Arakawa herself putting the Romanized spelling of his name in some drawn panels. I have seen Ranfun, Ranfan, and Lan Fan all within official FMA merchandise. Viz Media couldn’t even get a kid’s name “Kyle” down right in their translations... originally he was called “Khayal,” because at that point in time, they didn’t have a good grasp of the world (and ergo name base) that Arakawa was drawing from. Jean Havoc’s name should have been given a French pronunciation rather than sounding like ‘Gene,’ and if you wanted to Anglicize his name one step further, you could’ve named him John Havoc more accurately than what we got in the anime dubs.
With all that said and done, a character named Liza who is sometimes referred to as “Elizabeth” seems to me a logical enough indication she would have been born as “Elizabeth Hawkeye.” In any other circumstance, if I met someone who was called Liza but at one point got called “Elizabeth” by people who knew her in her past, I would conclude she was named Elizabeth. So yeah. Some people may disagree with my logic, but that’s the short of why I have it. XD
If other people are curious: another character whose name might disputed on my list is Rufus from Deponia. There’s some information in the obscure Deponia roleplaying book that says his father used to be named Landgull. Rufus was offended when his father changed his name from Seagull to Landgull to distance himself from Rufus (ergo, it wasn’t a first name change, which would’ve been irrelevant to disowning your blood relation to someone); Captain Seagull was always referred to by a title which usually goes with a last name; and ergo it’s likely Rufus could’ve grown up as Rufus Landgull. Even though the games never ever ever actually call him that.
2. NOW GOING ONTO THE ZUKO THING. Dude, I feel you. When I watched Season 1 of ATLA, I hated Zuko. By Season 3, I loved him and he was my favorite character. They did a magnificent job not just creating the character and giving him an arc, but allowing his personality to be increasingly revealed to us as audience members.
3. Why Aladdin? As a kid, I was obsessed with Aladdin. Now that I’m older, I still think his cheeky, adventurous, charming, but genuine yearning spirit are appealing. And he has sUCH pReTTy eYeSSS!!! So yeah. 
4. Linguini is VERY underrated. What a dear.
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Okay I am hyperfixating HARD on Tom and Jerry and all my emotions from childhood have FLOODED forth, so now that I’ve finished watching (almost) all 161 original theatrical Tom and Jerry shorts from 1940 to 1967, I would like to force you all to endure my insane ramblings about this franchise. Although before I begin, I’d like to share where I’ve been watching all these! Here’s a Dailymotion playlist of all 161 shorts, put into the correct order by yours truly :3 OKAY NOW THE INSANITY BEGINS 💖💖💖
1) The Messy Formative Years: Shorts 001-017 (1940-1944)
So obviously, when a series is first created, especially an animated series, the first few episodes will always be a bit odd as the directors and writers find their footing and establish the rules of their own universe, and Tom and Jerry is no exception! In fact, these episodes can be a bit weird and even jarring to watch because the designs of the titular characters are so drastically different from how they look even ten years afterwards. In fact, in the very first episode, they don’t even have their official names yet and are instead named “Jasper and Jinx.” Also, there’s a LOT of talking in these beginning shorts before they decided to make Tom and Jerry almost entirely mute. Shorts 010 and 013 stand out the most, as they feature characters regularly speaking full sentences and it’s just... ohhh it’s SO weird to watch and it feels almost wrong 😅 Of course that’s not to say these shorts are bad, far from it actually! They’re still super fun and fascinating to watch and I think it’s quite interesting to see how such an iconic franchise got its start!
2) The Golden Years: Shorts 018-097 (1945-1955)
Oh. My. GOD. THESE ARE THE ABSOLUTE BEST. I guarantee that when you just think about Tom and Jerry, THESE are the shorts that come to mind. By now William Hanna & Joseph Barbara fully had their formula down and were just pumping out hit after hit afTER HIT HHHHH I LOVE THESE SO MUCH. I’m not kidding when I say that these shorts still make me laugh really hard and I absolutely adore nearly every aspect of them: the fluid and extremely expressive animation, the excellently timed music paired with each short, and the humor that’s constant and lands almost every time. My absolute favorite ones are around 040-080 but really all of these are just sooooo good. I know that this is stating the obvious but one thing that I especially love is just how VIOLENT these cartoons are, even more than the Looney Tunes shorts that were coming out at the same time. Characters are constantly picking up knives or axes or straight up GUNS and ngl I feel like half of the humor comes from that shock factor of the insane absurdity of that violence. Okay I’m starting to sound rly dumb, I know explaining the joke is never fun, but the directing and animation just NAILS every joke; I think the secret behind it is that there’s always a buildup and anticipation before the impact, and that buildup just makes the impact all the more intense! I was going to list my top 5 favorites but it’s impossible to choose so lemme just recommend a random five out of all of them: 026 - Solid Serenade, 048 - Saturday Evening Puss, 067 - Triplet Trouble, 069 - Fit to Be Tied, and 076 - That’s My Pup!
Also, I don’t know where else to mention this so I’ll just say it here: there’s a gradual change that Tom’s design goes through where he’s slowly drawn to be less and less fuzzy. At first his outline was drawn with a lot of points to emphasize his fur, but over time they abandoned doing that, my guess is because it was harder to animate. I’d say that they fully transitioned to Smooth Tom around short 030. That’s just a little detail I noticed and wanted to share! ^-^
3) The Slow Decay: Shorts 098-114 (1956-1958)
*heavy sigh* Well... a good thing can’t last forever. What’s kinda strange is that I can’t really nail down a specific reason caused a decline in quality after 1955; short 096 was the last to be produced by Fred Quimby, with Hanna & Barbara being given the producer credit as well as director credit for the remaining 18 shorts, and MGM animation studios had major budget cuts in the late 50′s and was shut down in 1957, and perhaps the studio shutting down had also taken the joy out of the crew, which would certainly have an effect on the cartoons. Now that doesn’t mean that these last 16 shorts are bad- they’re still quite entertaining, but they just don’t have the same energy as the shorts made in the Golden Years. They’re also nowhere near as cartoonishly violent as the past shorts had been; weapons are almost never used anymore and there are barely any efforts from Tom and Jerry to straight up kill each other, and more often than not they’re working together and even acting like close friends. I think that’s pretty fair evidence that even if these later shorts were much tamer and friendlier, that meant that they were lacking the same chaotic energy that made the other shorts so hilarious. 
Also I just need to vent this here cuz this era also contains the two most absolutely infuriating shorts in the Hanna-Barbera era, that being 100 - Busy Buddies and 114 - Tot Watchers. These two shorts consist of Tom and Jerry attempting to stop a baby from accidentally dying cuz it’s just a dumb baby that doesn’t know anything, while the babysitter is just totally ignorant to everything happening. Now I can’t quite explain why and I’m probably just making myself look like an asshole but these shorts are just... so frustrating to me??? Like its bad enough that this stupid baby whose face NEVER changes from that stupid little smile just keeps wandering into dangerous situations (in Tot Watchers it straight up crawls into a CONSTRUCTION ZONE) but every time Tom rescues the little bastard and puts it back in its crib, the babysitter thinks he’s “bothering” the baby (probably because of that one myth about cats laying on babies and stealing their breath) and so poor Tom is just punished for doing literally nothing wrong!! It’s just... very frustrating to me for some reason I’m sorry... (Although I have to admit that it is interesting and kinda cute that Tom knows how to change a diaper, like wif the safety pins and everything. Why does he know that...?)
4) The Gene Deitch Shit Shorts: 115-127 (1961-1962)
OOOH BOY. I don’t think... that I can really describe how purely and utterly I dislike the Deitch shorts. Okay so, to explain, in 1961 MGM decided they wanted to revive the Tom and Jerry franchise, so they contracted an animation studio based in Czechoslovakia to create 13 new original shorts. All of these shorts were directed by Gene Deitch, who before being commissioned for these cartoons, was open about his disdain for the original Hanna-Barbera shorts that he described as “needlessly violent.” After he was assigned to the series, he did come around to somewhat realize that the violence was intended to be overly cartoonish and humorous, but his initial opinion still had an influence on his directing decisions. In addition to these facts, the foreign team behind this series had only collectively seen a handful of the original cartoons, and each short was given a budget of only $10,000, compared to the $50,000 that the Hanna-Barbera shorts had all been given.
SO. To recap, these 13 new shorts were being made by a foreign team who had barely seen any of the source material, directed by a man who had disliked the original cartoons, and being made on 1/5 of the budget that the Hanna-Barbera shorts were given. Needless to say, the end results were a DISASTER. I’m not kidding when I say that watching these shorts feels almost like a fever dream with how completely baffling and surreal they are. I honestly don’t think they could be any more different from the original series; the music and sound effects are extremely minimalist and usually completely absent, the animation is so jerky and totally lacking the fluidity of the originals, and the character design is also drastically different and, in my opinion, kinda ugly too. These are universally considered to be the worst of the theatrical shorts, and Deitch himself has even stated that he and his team “hardly had a chance to succeed” and he fully understands the negativity directed towards the shorts he directed. I have to confess that when I rewatched all the theatrical shorts, I only got through two of these before outright skipping the rest of them. These 13 shorts are a complete disgrace to the majesty of the Hanna-Barbera series, and while I don’t hold anything against the people behind them, I can’t lie when I say that I hate these shorts. 
5) The Chuck Jones Era: 128-161 (1963-1967)
I have an odd love-hate relationship with these shorts. I don’t think I need to explain to you the legacy of the great Chuck Jones, the creator of Marvin the Martian, Pepe Le Pew, and the Roadrunner and Wile E. Coyote whose name is nearly synonymous with the Looney Tunes cartoons of the 30′s, 40′s, and 50′s. He’s an absolute legend in the animation industry, and yet... the Tom and Jerry shorts that he directed are still significantly weaker than the original series. Let me start with the things I like though! The slight changes in the character design to match Chuck Jones’ signature style are super appealing (I especially like how at times, Tom will almost resemble Jones’ design for the Grinch) and the animation is of course very well done and a joy to watch, but despite these positives, the humor is sadly lacking. There are still quite a few jokes that land, but they’re more restrained and just don’t have the same high-energy oomph! of the impactful gunshot sound effects and violent screams of the original cartoon. I’ll always have an appreciation for this era of shorts and the man behind them, but they sadly didn’t even come halfway close to the Hanna-Barbera series.
WELL. ANYWAY, THAT’S MY RANT!!! Thanks for reading this far, all two people that did. It just felt good to get this outta my system! 💖💖
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keiscait · 3 years
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Hi! Hope you're doing okay. I saw your matchups were pretty intriguing so I decided to request a bedroom matchup if that's okay. (I would also like to request a living room matchup so should I resend my application?)
I'm a 5'3" bisexual (male lean) female. Golden brown wavy hair till my mid back. Reddish brown eyes. Caramel complexion. Full lips. I also love a little mole on my lower lip on the left side. Lean hourglass.
The only sport I do is swimming (not competitive all the time. Sometimes I do it for the heck of it or for exercise) and I love it. But that's about it.
I'm a Pisces and a Slytherin. INFP-T (Turbulent Mediator). I'm an introvert so I tend to be a little shy at first and opening up to others takes me a while. But once I actually like a person I would literally kill for them. I also don't trust easily. I have been diagnosed with depression so I don't even trust myself when the going gets rough. Although I have been trying my best to get out of it. I'm also claustrophobic so I tend to avoid crowds and cramped places. Also spiders and I just don't get along. I woke up to the feeling of something crawling up my arm once and I opened my eyes to see it was a spider and since then I can't stand to be in same room as those bugs. Seriously I'll cry otherwise.
I'm a huge astronomy nerd. Stargazing is the second love of my life. I love reading and listening to music. Music is the first love of my life. I listen to almost every except for heavy metal. Don't really have anything against it just that I end up with a headache after listening to it. My favourite type would either be alternative or pop, depends on my mood.
I'm not into gossiping. More of the deep-conversations-at-3am type of person. Offer me dark chocolate and I'll be your loyal servant of the rest of my life (just kidding... mostly). I love learning new things especially about art and culture. I grew up on the coast so I love nature.
I guess I'm drawn to people who have a good sense of humour and are respectfully of other people's boundaries and opinions. Seriously to me the manners that "maketh" the man appeal more than the genes.
I'm not the confrontational type so I seriously can't stand to argue with the people I love. Also I am a tab bit on the sensitive side (perks of being a Pisces *yay*). Like I don't mean to get overwhelmed by the slightest of things but after a hard day if I come back home to see my favourite snack (ramen) and movie (Tangled) ready, I'm probably gonna spend the time meant for "relaxation" on crying because I just get overwhelmed over unexpected things, I'm sorry. That's about it I guess. Thanks!
((I GOT CARRIED AWAY AND WROTE A MINI FIC HELLO))
Hello and welcome, darling! Thanks for paying me a visit. I hope you’re well, I want you to know that this is a safe space for you. Please make yourself at home (⌒‿⌒) I understand you’d like a bedroom matchup, but unfortunately, there isn’t enough info on here for me to deduce a good one (and I don’t want to half-ass your matchup) 😔 But I’m glad you mentioned your interest in a Living Room matchup, so let’s make our way over there! ٩(◕‿◕。)۶
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For you, I’ve invited...
Akaashi Keiji! (Runner up: Kozume Kenma)
Akaashi has proven time and time again that he knows how to handle people. His understanding of the different ways people think is possibly his biggest strength, and he knows exactly how to adapt to various personalities. The exact reason why I matched you with him. He’s laid back and incredibly pulled together, so there is no way for him to overwhelm you and will never cross any boundaries you’ve set. He seems like a no nonsense type of person, but is used to chaos, and knows how to resolve it because of Bokuto.
- Your relationship with Akaashi would start out with him observing you first. He’ll notice your little quirks, and will be able to detect any non-verbal cues and signs about your mood
- Even when you guys aren’t together yet, he can tell if you find yourself starting to spiral
- The first time he catches it, he won’t push you to talk about it if you don’t want to (and he can 100% tell if you don’t want to), but will still do what he can to make things less overwhelming for you, even in the smallest ways he can
- In return, he will appreciate the fact that you like deeper topics and interests, as he constantly surrounded by chaos and shallow conversations. Totally seems like the type to prefer having a glass of wine in a quiet place over a bar/club
- Another thing he’d love about you is your bluntness and honesty, as he shares the same qualities. You two would be a team!
- Your relationship would be built on the foundation of trust, as you both let your walls down around each other 
- Once you two are together, he just has to be taught once, then he will have mastered navigating you down to an art form
- He can tell when you need space, or gifts, or words, or a day out, or an evening walk, or silence, or warmth - as long as it’s within his capabilities, he will give it to you
- In return, just love and respect him, and make sure he knows how grateful you are for everything he does!
~
This turned into a mini fic askjdhf I hope you like it! (warning: angst, but with a happy ending)
It was dark.
Somehow, you have made friends with the dark - you’re well-acquainted with the way it envelopes you in its quiet. It is an old friend you’ve had a of topsy-turvy relationship with. It shows up in so many different forms - a cup of your favorite hot chocolate; the coast in the nighttime; a confidant when your music blasts from your bedroom speakers. Sometimes, it’s dusted with stars; this is when it loves you most. 
But tonight, it was not kind to you. You lay there and feel yourself sinking, cries clawing up your throat with no signs of making it out, so they come out in the form of silent sobs. You wonder why the dark allows you no comfort tonight.
Your phone lights up, a message - but you’re submerged in the company of your old friend, too focused on its bellowing silence.
After a few more moments of trying to swim up, something cuts through the vastness of the night, and you’re back on your bed, in your room, now illuminated with light pouring from the hall. You look back and see a figure standing in the doorway - your boyfriend, Akaashi, brings you back to reality.
He observes you for a few more moments, assessing the situation. Nothing he’s unfamiliar with, but he still has a concerned look on his face. He reached for the lightswitch but stops in his tracks. His voice, sweet like caramel, breaks the silence.
“Should I keep the lights off? I don’t want the light to shock you.” You nod, then he makes his way to you.
He sits on the edge of the bed and places a hand on your figure, his movements all taken with immense care and gentleness.
“I brought you ramen. I figured you haven’t eaten yet.” 
You were about to ask how he knew, but he interrupted, “Last thing you texted me was that you were on your way home. That was hours ago.”
“I’m sorry,” was all you could manage. Akaashi just shook his head with a reassuring smile. His hand stayed on you the whole time.
“Please let me help you, my love.” 
He held out his hand for you to take it. Suddenly, you no longer felt like you were swimming up - you were back ashore, and right there stood Akaashi Keiji, like a lighthouse in the night. 
~
I CLEARLY GOT A BIT CARRIED AWAY BUT I HOPE YOU LIKED THAT, DARLING! Remember, you have a home here, please feel free to pay me a visit anytime.
Thanks for dropping by! (ノ´ヮ`)ノ*: ・゚
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ohblackdiamond · 4 years
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liner notes/unused joke summaries for kiss fics (part iv)
Despite what my general dislike of the shift key and my tendency to mock all that I love might imply, I actually overthink everything I write to a great extent. I make no claims to these explanations being in any way enjoyable, but if you wanted to know what I was thinking while writing KISS fic… now you do. Part one can be found here. Part two is here. Part three is here. 
little t&a --If Paul had boobs, they would be big and Gene would want to grab them.
>>Title from a Rolling Stones song of the same name; most of the chapter titles are from another Stones song, “The Spider and the Fly.” I started it during quarantine as a means to occupy myself and destress, and didn’t initially plan on posting it at all. Once I’d written five chapters without having posted it or mentioned it to anyone, I figured, well, I guess this might as well go somewhere, so I put it up. I had the hope that it’d give me something to strive for during the stress of lockdown, and I’d assumed that I wouldn’t ever have that much time to devote to a story again.
There were a couple of things that really inspired me. I’ve always enjoyed sexswaps as a bit of a guilty pleasure, but wanted to do a different take on them-- there’s this tendency for sexswaps to either be wacky hijinks or an excuse to write particularly brutal noncon. There’s also a tendency for the sexswapped character to almost automatically start adopting stereotypically feminine traits he didn’t have prior, with no real reason for it. I wanted to try and avoid all that as much as possible.
... There’s also another tendency for the sexswapped character never getting back to normal, and I wanted to avoid that, too. I mean, c’mon, KISS is supposed to start the Love Gun tour a month after the fic. Paul can’t exactly pull the trigger of a love taco. (Maybe gently brush it a bit...)
I had Paul already cursed for five days at the start of the fic because I thought it would make things easier and allow the plot to advance more quickly. I also felt like it would give him more autonomy-- prior to Gene showing up, he has tried (albeit in small ways) to get a handle on what’s happened to him, and while he’s hermited it up, he hasn’t given up. Autonomy in general was pretty important for me re: Paul. (Incidentally, probably one of my favorite things about this fic is that Paul’s made that poor twelve-year-old kid on his bike buy him sanitary napkins.)
I wanted to explore a couple of other things, too, mostly rock and roll’s (and KISS’ in particular) pretty heinous treatment of women. Gene and Paul argue in the eighties that groupies know the score from the beginning, and even postulates that those relationships are more “honest” than just taking a girl out to dinner. They’re not alone in this (and, of course, as married men, these days they try not to discuss those times at all); almost every band/artist from around that time period will give you the same answer. “The girls know what they’re doing.” I think many of them did know. I also think many of them came into those hotel rooms expecting a lot more than they ever received, and I think plenty of girls ended up at the very least disappointed by their encounters, if not humiliated or worse.
I don’t know if this was successful, but I also wanted to at least try to poke a few holes in celebrity/idol worship as well. Carol’s scathing comments to Paul-- “they [fans] think there’s something you’ve got that they can get at, but there’s not” pretty heavily exemplify behavior I’ve seen at conventions, fan meet-ups, etc. At the end of the day, well, there’s no point in putting them on much of a pedestal. I dunno. I’ve seen some weird crap in the name of fan worship, in and outside of RPS. Keith Richards talks about it in his book-- girls urinating on themselves out of sheer nerves/excitement just at seeing the band, etc., which, while disturbing, had to have given them a sense of being something beyond ordinary (and act accordingly, of course).
I don’t know. I like them a lot, but I can’t hero-worship these guys; they don’t live in the real world. They’re not, ultimately, relatable or accessible despite the billions of photos, the twitter posts, the meet and greets-- any more than they were 40-odd years ago. I think there can be a real danger in thinking they are. I wanted to show that, too, but again, I don’t know if it came across properly.
One of the aspects I really struggled with was getting a good handle on Paul’s innately slippery sense of identity without it overtaking the story entirely. Gene’s very stable identity was a good foil, and it helped that most of “t&a” is from his point of view, rather than Paul’s.
Another place I faltered with was Paul’s outing alone at CBGB. The first draft had the guy in the club slip quaaludes into his drink, but I really didn’t like that at all and felt it took too much control away from Paul/punished him for going out on his own. I thought it’d be more interesting if Paul deliberately took what he knew was a dangerous combination (alcohol + quaaludes) in the hopes that would make him feel better about sleeping with someone he didn’t care about.
Unfortunately, or fortunately, having him do that (and the way the scene with the guy at the club ends) also meant that I couldn’t have him hop right into bed with Gene that night, either, so that accounts for some of the delaying. I was also really wanting to make sure in general that when Gene and Paul finally did go all the way, there wasn’t any feeling of being coerced or pressured. Not that Gene would do either of those things, but I didn’t want him or Paul to be doing it out of any feeling of obligation or hurry; I wanted it to be as natural as possible, under the circumstances. And I wanted, again, Paul’s dubious sense of self and Gene’s ambiguous feelings about Paul(’s boobs) to come into play-- yes, Paul, now you, too, can take Gene on the amazing technicolor dreamdate you’ve been fantasizing about for the last seven years! Or, you know, not. Overall, there are some pacing issues and the story slows down considerably after Gene takes Paul home from CBGB, but I like to hope that most of the scenes add something.
There were a couple of secondary plotlines that got scrapped because I couldn’t get them to fit well enough with the narrative. One of them was Paul’s very troubled relationship with his sister, Julia. There’s a fair amount of references to her scattered throughout, and Paul brings her up on several occasions, generally without much provocation, and generally at mildly odd moments (at Central Park and immediately after getting drawn by Gene being the standouts). There was an initial draft of the chapter in which Ace calls Paul, where Julia’s the one calling Paul instead (after having gotten his number from their parents). I wanted to at least get the start of a reconciliation going between them. Ultimately I scrapped it because I couldn’t get it to flow with the main plot and never felt like I’d ever explored it thoroughly enough for it to be worth a detour.
The comparison between Paul and Carol is pretty blatantly obvious, even in the narrative. Paul and Gene both recognize it (Gene, initially, when he notes that Carol doesn’t seem to belong at 54 any more than Paul does), and it makes them highly uncomfortable. (Mary-Anne, Carol’s friend, also notices it-- “she [Paul] reminds me of Carol. Just pitiful.”) They’re both very shy, insecure people that have thrust themselves into a world they’re not naturally suited for (show business) in order to achieve their own ends. They’ve both put great stock in a single person who helped them (inadvertently or not) during a dark time, and are driven by those feelings, despite knowing that person is out of reach.
Physically, they’re intentionally mostly opposite (Carol’s short, with a slight build, lighter hair, blue eyes, vs. Paul being, well, Paul-- tall, fuller build, black hair, brown eyes). But narratively speaking, neither of them are described as beautiful; “cute” and “kind of pretty,” sure, but nothing past that (except when Gene says it towards the end). That was important, too, for a couple of reasons. One, I wanted to further the comparison between them; two, I wanted to at least try and dispel the idea that all groupies were glamorous; many of them were rather ordinary-looking.
Paul not being “playboy material as a girl” was very deliberate. I feel like a lot of sexswaps tend to make the guy in question end up a ridiculously hot babe, which didn’t quite jive with what I was going for (not that I wanted Paul to end up awful-looking, but...). ... He’s probably hotter than he thinks he is though; at least, Gene didn’t mind at all, and Pete thought he was pretty. I wanted him to be recognizable if one knew where to look (face, body language). I didn’t want him to end up a tiny, frail-looking waif-- given what he looks like as a dude, that didn’t make sense to me. So this meant the less perfect attributes had to stay and carry over to a female body. He ended up with big boobs because... well, honestly because if he wasn’t going to end up with a great figure overall, he might as well have great boobs. And I mean, really, his chest’s already pretty all right as-is.
I didn’t want there to be a love triangle, but I did want it obvious, at least in an offhand way, that Peter and Paul had had sex (Ace mentions it in the car with Peter, with his “how long did it take you”). I wanted to incorporate Ace and Peter to as great an extent as possible in general.
Marbas is an actual demon from The Lesser Key of Solomon, although other than the few sentences Paul reads off from that grimoire, there’s not much more information on him to be found. 
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Whats AU's you got?? 👀👀
SO. here are my personal AUs with some preview images! I only have  10 AUs that Im gonna be sharing along with brief descriptions of each. some of these AUs are collaborative efforts! Those will be labelled as such Note that everyone’s aged up in these AUs since some of them cover heavier subject matter-- (do NOT fight me about these.)
ALL UNDER THE CUT!
AUs I’ve personally written!
D. Gray-man Crossover [ACTIVE]
I drew for this one just last night! I literally just think the idea of Lucas and Claus being Noah family members is really neat. And Claus/Ninten enemy to lovers content.
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PSI Users of the Dead! (zombie apocalypse AU)[ACTIVE]
PSI users but without the PSI. I wrote this last year with my hyperfixation on zombie movies n survival concepts. Can never go wrong with high schoolers going out and kicking rotting zombie butt :)
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Dear Ninten Hansen (DEH Crossover) [NOT ACTIVE]
Dear Ninten Hansen, we’ve been way too out of touch! -Claus Murphy Our Sincerely Three!trio is  Ninten Hansen, Ness Kleinman, and Claus Murphy. I also vibe with Lucas being Zoe lol I did post this one, in fact. Those can be found here [LINK] [LINK]
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PK Love Tendency (JJBA:BT)  [NOT ACTIVE]
I posted this one already! [LINK] I really love Battle Tendency specifically.
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SAW Crossover [ACTIVE AF]
I’ve been VERY reluctant on posting this AU at all but it’s by far one of my favorites! I literally love the SAW movies like its not even funny. It’s Clausten-centered, of course. Mostly taking place within the first 3 movies, focusing mostly on SAW III plot stuff. Claus is Porky’s working apprentice and Ninten’s a brain surgeon that has to save Piggy. Claus is only working for Piggy because he is the only one that knows where Lucas is...
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COLLABORATIVE AUs
FullMOTHER Alchemist (collab with @shima-draws​)
While I have not personally drawn for it, I have written down A LOT. Check out Shima’s latest work on the AU here! >> [LINK] Claus and Edward Elric are literally the same person idgaf
Mer-boys! (collab with @psidragons​)
Fuel and the new guys, Ninten and Ness (who usually work with the dragons), work with fish boys Claus and Lucas... Thank u my sweetest Mouse for fueling my Fuelcas agenda with this one... This was written at the END of MerMay 2019 oddly enough? sad.
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dragons? dragons. (another collab with @psidragons)
I just like thinking of how they’d look as dragons lol. I have contributed literally nothing to this AU other than a few drawings.
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Chimera AU (collab with @rubixbun​ and others!)
Friends and I pieced together modified chimera boys working for Porky. My muse was Ninten, since Ness was already taken.... Both of Ninten’s arms and right leg have been replaced with robot parts. He was also modified with fox genes :)
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Evil Bodyguard AU (collab with @drawingisnotmyforte​)
My sweetest wifey wrote some juicy Clausten content! I only drew for it once, but my doodles for it can be found here >> [LINK] CHECK OUT ME WIFEY’S STUFF! [LINK] [LINK] also details for the AU are on her posts lol
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thats it p much! I have more, but those are either dead as hell or too personal to share lmfao
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graaythekwami · 4 years
Text
One Way or Another - MLB Fanfic
Summary: Plagg knew that when it came time to have a new holder that things would be different. He’d have to get used to his new kitten’s quirks, their personality, what quality of cheese they had access to– all of the important things.
However, no matter what holder or how many generations passed, there was just one thing about Black Cats that never seemed to change.
Rating: G
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Plagg eyed the string cheese in his paws with a critical eye. It was taking everything he had in him not to throw it across the room and shout out how processed cheese was a disgrace to the cheese family, and he wouldn’t be taking another bite unless the cheese provided was brie at the minimum.
They were in France for goodness sake– every house should be stocked with top quality Camembert!
But he ate away at what had been given him, because he couldn’t just ignore the way the girl’s eyes had lit up when he said he loved cheese, and how she had rambled on about how string cheese was her favorite, and then had bolted from room in excitement to grab him some. It had been over a week since then, and he had yet to correct her that cheap cheese was the worst– almost as bad as non-dairy cheese (honestly, who had thought that something without dairy was worthy of being called cheese).
Still, at least string cheese was cheese in some form, it was much better than the sugary stuff Tikki always asked for, and he found that if he left it out for an hour or so it got warm and soft and much closer to the gooey-goodness that was his love, Camembert.
“Plagg?” A soft voice asked, and he turned his attention to the red-haired girl sitting on her bed. It had been a while since he had a female holder– the last three had all been male– so that was something else he’d have to get used to again. Of course the last Ladybug had wielded his ring a few times, so it wasn’t a completely foreign idea to him.
“Yeah kid?” He replied, swallowing a bite of the wannabe-cheese, before turning his attention to Harper. 
She was curled up, knees drawn up to her chin. Long twin braids fell over her shoulders, and her blue eyes were locked on her Miraculous– which she was twisting between her fingers. Its camouflaged form was another thing that was different than when Adrien wore it; with Harper the band had become very thin, almost unnoticeable at a glance when on her finger. It appeared to be made out of copper, with no face of any kind. Subtle seemed to be a priority with Harper, which wasn’t a bad trait for a Miraculous holder.
“In the fight yesterday,” Harper began uncertainly. “Er– um– well–“
Plagg let out a sigh, letting his string cheese fall to the bed as he floated towards his newest holder. He landed on her knee, giving her a small pat. (Humans found that reassuring, right? Tikki said humans always responded well to reassurance.)
“Listen kid, you did well,” he said, looking her straight in the eye. “You saw the news reports yourself– Paris is happy with its new heroes. They’re happy with you, Black Jaguar. You handled the Reincarnate perfectly.”
This hadn’t been the first time he had been summoned to fight Emburr’s Reincarnates– Cataclysm was one of the surest ways to defeat them. He had been nervous upon seeing Harper’s uncertainty to take to the battlefield, but after two fights with her she was doing wonderfully. Not every kitten earned a place in his heart, but she was well on her way to getting one.
She gave him an uncertain smile. “Thank you, Plagg, you don’t know how much that means to me.”
Did this kid really share any genes with Chloe? Plagg couldn’t believe that, she was too sweet, too timid. Harper was most definitely her father’s daughter, Nathaniel through and through.
“Sure kid, just don’t get used to it, sentimental really isn’t my thing,” the kwami said with a yawn, floating up into the air, and to his surprise Harper let out a giggle. He glanced at her, watching as she slipped her Miraculous back on.
“Actually though, that wasn’t what I wanted to talk to you about,” she said, sitting up slightly, cheeks slightly flushed. He blinked, and she quickly looked away. “It’s actually about, um... Ladybird.”
“What about her?” Plagg asked. He was more than familiar with Tikki’s new charge– daughter of the last Ladybug, and more hyper than a toddler on coffee.
Harper was now full on blushing. “Well, um... don’t you think she’s kind of cute?”
Plagg stared at her.
“I just mean she’s so sweet!” Harper blurted out. “I know I’ve only met Ladybird twice but she believed in me even when I was messing everything up, and she was just so encouraging in the fight, and she came up with my superhero name for me, and her eyes are just the bluest and I... I don’t know!”
She let out a small squeal, covering her face with her hands, which was beginning to clash with her red hair. He let out a long sigh as she turned over, burying her face into her pillow as she rambled something unintelligible. Green eyes never left her as she turned over, reaching for her phone, pulling up an article.
There was a picture at the top of the the blue heroine Ladybird, standing next to the green-spotted Black Jaguar, and Harper turned just a bit more red. Plagg brought his paws to the side of his head, swearing that Adrien had done this on purpose. He didn’t care if Harper would ‘wield Destruction safely’ or ‘had all the traits he was looking for in a successor’– he had given her the ring solely to mess with him!
Except for Plagg knew that wasn’t true, because this wasn’t the first time this had happened. In fact, there was honestly no reason why he should even be surprised!
Because one way or another, it seemed like every Black Cat managed to fall for their Ladybug.
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in-tua-deep · 5 years
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While genetically the Boy and Five are the same there has to be an aspect of nature vs nurture. So how do the two differ? Does the Boy want his own name and not simply a gender or does he want a name to symbolize becoming part of a family? Do the two of them react to situations differently? I love this AU so much and I need more!
(for more commission boy au/clone five au check out the previous posts on it one, two, three, four, five)
oh absolutely they’re as different as they are similar - even identical twins raised together are different people, after all! And that’s identical genes (like Five and Boy share) and similar upbringings ;3c
they’re both traumatized in very different ways (with overlapping similarities, like both of them don’t trust strangers/adults they don’t know as they’re both used to adults only wanting to use them/cause them pain)
Five is fucked up about the apocalypse. Fucked. Up. He still has minor meltdowns over what if the apocalypse happens today despite them having stopped it. Probability maps are scrawled across the walls in whatever was closest at hand when Five’s brain went into meltdown mode
The Boy doesn’t use math as a crutch like Five does (or as a way of keeping his mind busy, or as a self soothing habit, or anything else) because he wasn’t allowed to write on,, pretty much anything. He had to give verbal reports. After Five’s whole “hide my equations and plans from the commission by writing them in secret in a book” thing, they didn’t trust the Boy with any kind of planning materials. The only reason he knows how to write is because he pretty much taught himself, tracing letters with his fingers in the dust or on steam covered mirrors tbh
(his handwriting is. atrocious. borderline illegible. he really struggles writing with a pen or pencil but can fingerpaint letters/numbers just find. it’s a work in progress and on god five is going to get his little clone as fast as five himself is at writing shit on walls)
the Boy is still a little math prodigy but he’s only done enormous mental equations, which he is very good at!! but it’s definitely limited him (so he wasn’t capable of doing the complex time equations that Five figured out)
The Boy and Five present their nerves about new situations very differently - the Boy goes small and quiet and anxious whereas Five deals with it by going on the aggressive and yelling. This is because the Boy is way more afraid of punishment/rejection than Five is and is more unsure of his position in the family and his default is “obey, do what they say regardless of how you feel just power through it or face the consequences”. 
Meanwhile Five’s default was ‘rebel, yell, bring attention to himself because if the spotlight was on him then it was off his siblings’ which is depressing in its own way. The Boy didn’t have siblings to protect, he was alone. Five himself probably wouldn’t have drawn attention to himself if there wasn’t anyone to protect, but there was and he did. He bristles like an offended cat and yells
(but tbh, Five doesn’t actually expect anyone to actually listen to him. both him and the boy learned a long, long time ago that their opinions didn’t matter to the adults, that they might as well not be saying anything at all. The Boy went quiet. Five got louder.)
The Boy is definitely more willing to embrace childish things than Five is, because Five feels he has to protect his reputation and prove that he isn’t a kid 
and if there’s some residual trauma there of children vs. adults where Five is fairly convinced that status as an adult offers him some measure of protection against people like Reginald and the Handler, there’s always that. But Five is also probably more willing to be one of “the children” if that means the Boy isn’t alone as the only child because Five’s “protect” instincts overpower his “self preservation” instincts tbh
the Boy is really enthusiastic about things when he thinks he allowed to be (so basically when he’s around Five bc he sees Five as an ally - though he’s getting better around the other siblings without five as a buffer)
his favorite movie is lilo and stitch no you can’t change my mind. it’s the movie he plays constantly as a comfort thing that he never gets tried of. If this was in the era of VHS he would have worn out the tape. Why??? because the boy points at the screen and is like “!! i’m an experiment as well!” and then watches this little blue alien find a family for himself and he’s like “it me!”
…does that make Five the Lilo in this?? possibly. Allison says that it’s more like the Boy is Lilo and Five is Stitch considering Five is the chaos gremlin between the two of them but whatever
(“This is my family. I found it, all by myself. It’s little, and broken, but still good. Yeah, still good.”)
I keep wanting to say the Boy is more skittish than Five but that’s?? not quite true? they’re both skittish and don’t trust easily and cling to the idea of family but in different ways idk like the end goal is the same but they take very different paths to it u know what i mean?
i think the Boy probably does eventually get a different name. Maybe not a name-name since the Boy’s idea of what a name is?? is kind of skewed? like his fav character is Stitch and his brother is Five and he was raised by someone names the Handler like this kid was never gonna have a normal name let’s be real
honestly he probably ends up stuck with something like. Kiddo. Because i HIGHLY doubt the family actually calls him ‘boy’ and in absence of an actual name to call him by end up with nicknames and to differentiate him from Five “Old Man” Hargreeves they probably call him kid and kiddo
i’m thinking about differences and similarities between them again hmm
Five is definitely more assertive?? Five can read the Boy really well (and vice versa) and tends to act as the Boy’s spokesperson when the Boy isn’t comfortable or something. Usually it’s just Five cutting in abruptly like “back off idiot he wants a ham and cheese sandwich not whatever the fuck that is”
the Boy is more likely to approach an issue with violence whereas Five tends to swear and yell and threaten as a first step. Where’s that one meme?? the Boy is “stabs without warning” and Five is “warns (loudly) before stabbing” 
the Boy is arguably more deadly than Five since he’s been trained in assassination since basically infancy where Five was taught to be a hero which are arguably very different skillsets (the Boy was never taught about minimizing casualties or saving anyone rip) BUT Five is more experienced and has arguably more creativity than the Boy. 
Five is a lot more playful in his fighting because he was because when he was little, fighting was playing. That’s how Five and the other umbrella academy kids bonded - by beating the tar out of one another and outdoing each other. They showed off for each other. The Boy is more straight forward because to him, fighting is a job to get over with as soon as possible
ironically it’s five who has to teach the boy to play, and not the other way around. Jump Tag is a favorite between the two where they just zoom through the house trying to catch each other - Five is a lot better at jumping than the Boy since the Boy wasn’t permitted outside of missions and training, but he’s catching up quick (after all, Five did take a brief 45 year hiatus because his powers burned too many calories in the apocalypse, but it’s a bit like riding a bike in that he never forgot)
even so Five is NOT the person to teach others to play because his childhood was messed up as all fuck
so it’s probably claire that really teaches them how to play
Claire is a well adjusted kid whose confidence, unlike Five’s, is not faked. She has adults she knows, loves, and relies upon. She has healthy relationships with peers. She goes to public school and knows and is friendly with a lot of different people. 
So this like, 8-year-old walks in and meets her two skittish emotionally immature uncles (cousin? depends on if they consider the boy to be five’s brother or son) who don’t know fuck all about anything and is like “ah yes. i am your big sister now. i am in charge here.”
and while Five at least rails against the “big sister” charge, neither of them really protest Claire taking charge?? they’re both very willing to follow along behind her tbh neither of them are leadership material and they both know it. they’re probably both very protective of her
if claire is ever bullied god help whoever chose to pick on her bc Five is absolutely willing to maul a middleschooler and the Boy would be right behind him
well i mean. Five is a follower but he’s a little bitch about it, you know? like he’s willing to go with whatever but also if it’s a dumb idea then fuck you. So he’s confrontational with his siblings but if they were ever like “okay then five you take charge” he would be like “oh no. nuh uh. i’m not taking responsibility over all you idiots my blood pressure would go through the ROOF.”
Five loudly declares that Claire is way more sensible and sane than any of the rest of his family so she’s the only one he’ll take real orders from.
(and then Grace walks in and Five will absolutely listen to her as well and not just because the Boy is lowkey scared of Grace and Five is trying to set a good example - as much as he’s capable of setting a good example)
i feel like i’ve talked about their different issues with food, where Five hoards, is food aggressive, and will eat everything whereas the Boy is used to bland nutrition bars and sludge with everything he needs for the day so his issues are more him not knowing what the fuck anything is, being iffy about any strong tasting foods/spices, struggling with eating outside of allotted food times/getting his own food 
there’s a whole post about their differences in nightmares/how they deal with those floating out there somewhere
their fashion sense definitely differs in their own ways? The Boy accepts anything he’s given with no questions and has no style of his own where Five tends towards what Klaus calls “hobo chic” in that he discards clothes he deems not useful to survival. You won’t catch Five in ripped jeans or tight pants that restrict mobility (though admittedly tight restrictive clothing would make the Boy uncomfortable as well but he’ll wear what he’s given with no questions)
both boys struggle with capitalism in that there’s Way Too Many Options for things that are dumb. It’s really overwhelming for them both when they’re sent to the store for like, toothpaste and have to enter an aisle with a bajillion different options for one (1) whole thing
OH the Boy doesn’t shoplift. Five frequently shoplifts because his idea of possessions are “it’s in my hand or in my claimed space/room/etc. it’s mine” regardless of the passage of money whereas the Boy’s idea of possessions is “nothing belongs to me ever” and they’re still working on both of those things
they’re both kind of wary around animals because neither are used to them or know what to expect from them. Mr. Pennycrumb is a therapy dog and no one can convince me otherwise and both boys are instantly smitten with him (but they’re still kind of iffy around like. big dogs that bark. or horses. fuck horses they’re scary motherfuckers.)
the Boy doesn’t like bugs very much after living in the very sterile Commission science rooms but Five will literally pop a wolf spider in his mouth for a snack so yEAH they both have. very different perspectives on that. The Boy is absolutely horrified and the first time he witnesses this hides behind Klaus for half a day because what the FUCK FIVE while Five is unapologetic
they protect each other and support each other and figure things out together bless
it’s secretly a very wholesome au behind the horror of the commission cloning five and training a small child to be a murder machine
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daggerzine · 4 years
Text
Peter Milton Walsh of The Apartments offers a pocketful of sunshine...
Peter Milton Walsh started his, band, The Apartments, in Brisbane, Australia in 1978. He didn’t release his debut LP until 1985 (The Evening Visits...and Stays For Years). I didn’t hear the band until 1995 when Restless Records here in the U.S. released the terrific A Life Full of Farewells (in between was 1992′s Drift). The releases have been sporadic throughout the years (and there were several years in between when Walsh did create any music at all) but each one glistens with a special kind of magic that only Walsh seems to possess. Though 2020 has been a difficult year, to say the least, one of the bright spots was the release of a new Apartments’ record In And Out of The Light released on Talitres Records (through Riley Records). The record is classic Walsh, spare, gorgeous songs written as the sun goes down (or comes up) with love or loss as its main theme (in most cases). I sent Mr. Walsh some questions and he was more than happy to open up about the record and what’s next. 
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Peter Milton Walsh photo by Belddyn Butcher, 2020
When did the songs start coming together for the new record?
 The plan was to record the album in a couple of weeks in September 2019 in Tours, which is about 2 hours South of Paris. Antoine has a studio there. Natasha would come down from Lille, Nick from London. Then I was moving over to Berlin to mix them with Victor Van Vugt, who now has a studio there. Vic produced the evening visits… back in 1985. (He went on to work with P J Harvey, Nick Cave and the Bad Seeds etc.)  
 But the band wanted to hear the songs before September. So I started by making a couple of demos with a guy who lives just around the corner, Darren Cross. A great musician.
 Butterfly Kiss was one, Pocketful too. I sent Butterfly Kiss off to Natasha when she was in Lisbon, and she wrote back to say she’d listened to it over and over, ten times or more, walking at night by the Tagus river and that she fell in love with the song in Lisbon. I thought that was a good sign!
 I found that those two songs came alive in the process of recording the demos, so then I thought I don’t want to do any more demos, I just want to make an album. Now! The process made me impatient to begin the album.
So rather than wait till September, I found a place near where I live in Sydney, and approached the producer, Tim Kevin, telling him I had a couple of songs to start the album off with but that I wanted to try to write the rest of the songs as we went along.
 The earliest we could start was July, early days of Winter here, as Tim’s studio was very heavily booked.
 I have been writing songs since I was 15, and I’ve never really gotten any better at it. I still don’t know what’s happening exactly. But I thought, this will make the whole set of songs very fresh, very in the moment.
 This album will not be me trying to recapture the past, it will be me in the present moment, in the Winter of 2019.
 I had recorded the title track of No Song, No Spell, No Madrigal like that. All we had for NSNSNM was my piano part, Eliot’s bass and Gene’s drums. The rest of it I made up in the studio. Wayne kept asking me when we would finish the vocal part, because we were running out of time, and even though I didn’t have any idea what the finished lyrics would be I kept telling him it was OK—the song would start in the rain and end in the rain and across the course of the song the guy would be changed.
 I thought of the lyric like a voiceover in film noir—the guy reaches the end of the song and just knows he must change his life.
 And that’s how we went with In and Out of the Light. Each time I’d finish a new song, I’d think—I’ll never write another song again. But some time would pass—we were recording very sporadically—and something else would come up. We went on like that until we hit the magic number 8, and I thought—OK, that’s 8 songs that sit together well, don’t tempt fate. Stop now, start mixing the album.
 What was the recording process like, I’d read other musicians recorded parts in their own country?
 I would record some guitar or piano, a vocal, arrange the song, then upload it. Natasha, Antoine and Nick would then record things they thought might work and upload them for us, then Tim and I would select what we wanted and add it. It was very easy. In many ways, we were recording in the perfect way for the COVID era—though the COVID era had not yet begun. Sometimes I’d record 1 day in a week, sometimes more. Very short days. Usually home by six. All very unusual, but that was the situation because Tim was so heavily booked.
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 The new record
 Had you worked with produce Tim Kevin before? What did he bring to the sessions?
 No. He’s got a fabulous ear, is a sensational guitar player and singer and has an epic, really impressive concentration span. Also, he was very open to the way I wanted to work—we’d had that discussion before committing to recording. So I could turn up, play him something, and ask if he saw some promise in what I had. And mostly he did.
 Did you have any hesitation about releasing a record in 2020?
 We finished mixing the day before lockdown hit Sydney, so that part of the timing was beautiful. Playing music, being in a band, touring, releasing records—this is a casino life anyway. If you can’t accept that things often don’t go to plan, you’re in the wrong line of work.
 We had a tour planned for September/October 2020, when the album was due for release. That had to be cancelled. We then had a bigger tour planned for February/March 2021—clubs, festivals, some big shows—and had to cancel that as well. I have no idea when we’ll be able to leave Australia—yesterday, the Australian Tourism minister announced that rising COVID cases in Europe and the US mean that Australians won’t be able to visit either of these places next year, unless a vaccine was invented.
  Where did the title come from, In and Out of the Light?
 Possibly two things occurred to me. Firstly, that on the days that I was recording, I would disappear from the high, bright Winter daylight into the lamplit darkness of the studio and that this too—moving in and out of the light—is the pattern of existence. We are constantly changing, and the conditions of our lives do as well. No feeling is final.
 For those of us who wish there were more Apartments records, why do the records come out so infrequently?
 The Apartments once had a good 4 year run—drift, A Life Full Of Farewells, fête foraine and apart then, for personal reasons, I turned away from the music world, and any kind of public life that goes with it.
 Will you be playing any shows (I know here some folks are beginning to do occasional backyard shows and others in other unique venues…drive in theatres, etc).
 That’s a great idea.
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His previous record from 2015
 Who are some of your favorite current musicians/bands?
 If a song has fingerpicking, a certain kind of smoke or melancholy in the voice and maybe a major 7th, I’m a fool for it and always have been, always will be. With new music, I can be as fickle as the next person and I’m not a particularly organized person—so there’s no purpose or method in how songs get to me.
 It’s random, they seem to just float in. But here are some of the tracks that have seduced me recently, from my Soundcloud/Bandcamp/Spotify lists. I’m drawn to singles; if I love the album as well, that’s really magic.
 Lonny—Incandescente
https://soundcloud.com/lonny-sc/incandescente
 Mason Lindahl—Outside Laughing
https://tompkinssquare.bandcamp.com/track/outside-laughing
 Arlo Parks—Black Dog
https://open.spotify.com/track/1NGPZKzplieiPc5g6lAJ49?si=KYK_7EZLRkCK5PUjW0DeUA
 Ruby Haunt—Avalon
https://open.spotify.com/track/5rwKSB1WtNDWOBmwxZMWrg?si=uNxxyWjGRRuvYZrk5500oA
 Endless Winter—Angus Roy
https://angusroy.bandcamp.com/track/endless-winter
 Harkin—Decade
https://handmirror.bandcamp.com/track/decade
  www.theapartments-music.com 
www.talitres.com 
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snowyfrostshadows · 4 years
Text
Glass Hearts in Porcelain Towers
In old movies from Earth, it's not unbelievable for a evil branch of government or corporate giant to destroy the life of some average smoe by killing a loved one. The heartbroken underdog then swears vengeance, overthrows the corrupt institution no matter the cost, and saves a million others from that pain.
Put like that, Mark Temple is a hero.
It's as the flagpole is being stained red with blood and the life fades from Biff's eyes that Temple realizes he's in love with his best friend.
Far, far too late to do anything about it, but in his defense, his love for Biff had been such a constant subtle presence in his life, that it had been far too easy to pass it off as something else.
In hindsight, it should have been obvious that the love Temple had felt went beyond friendship, beyond brotherly companionship when Georgiana had entered the picture.
She'd been fine, at first. But the longer she stuck around and the closer she and Biff got, the more he'd disliked her. Only now, with Biff dead in his arms, did Temple realize he'd been jealous.
He wasn't sure if he was pleased to be here instead of Georgiana for his friend's last moments or disgusted with himself for taking any pleasure from Biff's dying breaths.
...
He was....happy.
Not that he was thrilled with the reality of his closest and longest friend dying in front of him, but, it was better that he was here for Biff's last moments and not Georgiana. Georgiana would ruin it.
Fall apart. Be no comfort at all.
But he was so much better than that. Stronger.
Temple grabbed Biff's hand and squeezed it. "I promise. I will make this right."
Biff's fingers gave a small twitch, perhaps as an affirmation of hearing his promise and then he's gone and with him, Temple's whole world.
                                                         ----
In the days, weeks, months following Biff's murder, Temple discovers that as dramatic and meaningful as 'I will make this right' are to say to a dying friend, they don't exactly lay out a guideline on how exactly to do just that.
He wastes countless hours holed up in his room drawing up plan after plan, each more outlandish and asinine than the last. It's not until a couple of years pass that a path finally opens up for him.
It starts, like all great epics, with a news cast.
At first glance, it's a puff piece. A bunch of soldiers receiving medals of great bravery. And then the details break clear like the dawning of a new sun.
The soldiers are a bunch of SIM Troopers like himself and the other residents of Desert Gulch. Unlike them though, they saw through Project Freelancer's games and joined together to bring the whole thing down.
Temple is in awe.
These men were picked up, played with, thrown aside and then fought back and won.
And now, they're pointing out the path he and the others must take.
They did the hard part. They revealed Project Freelancer to the world as the sham it was.
Temple and the others; they can do cleanup. It was the very least they could do.
For the first time in a long, long time, Temple feels alive. Finally he has a way to fulfill his promise and avenge Biff.
He assigns Gene to find and dig up everything he can about Project Freelancer. They discover how vile and twisted the whole project was. How they would set up multiple bases of SIM Troopers just so their agents could come along and toy with them for their own sick amusement.
Hundreds of brave volunteers tricked into being nothing more than glorified, living, training dummies for a small handful of fully funded sadists.
The UNSC itself isn't much better. They knew what Freelancer was doing. Funded them.
It's enough to make anyone's blood boil.
But it's fine.
He has a plan to make it all right. The UNSC can burn right alongside the ashes of Freelancer as far as he's concerned. It is the barest of what they deserve.
The only drawback to his grand plan, is that most if not all of the very top brass, the highest agents of Freelancer, are already dead. The knowage that he will never be able to personally make Biff's murderer pay is crushing.
But it's fine. It's fine.
He'll just make whose left suffer all that much more to compensate.
Loco, genius that he is, comes up with the bright idea of locking their targets in their armor to avoid a fight. Gene expands on that idea of just leaving them in the armor for a slow, painful death with the added bonus of easy transport and cleanup.
Temple can't help loving the idea.
A painful, drawn out death is the closest these monsters will ever feel to the pain they caused him.
So while Surge, Cronut, and Buckey go to recruit all the poor lost souls Freelancer broke and threw aside, and Loco and Gene develop and test their freeze tech on Lorenzo, Temple draws up plans for their new secret lair.
Barracks for their soon to be army, nicer quarters for himself and his team, a lab big enough to keep Loco happy, and, his personal favorite, a nice, big trophy room to entertain his soon to be captives.
Biff would be pleased at their progress.
And then, a year into construction of the new base, Temple receives word that the ship carrying the Reds and Blues to their final retirement has gone down with zero survivors.
It is a devastating turn of events and a disappointing end to his idols' legacy, even if Surge insists a blaze of glory like a ship crash is one of the top five ways to go.
Temple allows himself one day of mourning for their loss before speeding up work and the hunt for former freelancers begins in earnest.
And it's fun.
More fun than he's had in ages.
No matter how many times his team tracks down a former freelancer, nor how many times they insist they're retired or 'didn't know what the higher-ups were doing', he never gets tired of watching them freeze with a simple press of a button. Of hearing their tough guy talk fall into confused pleading.
It doesn't take long before he starts waiting for their target to strike the perfect pose before freezing them. It's the one mercy he gladly provides. If you had to stay in one pose for all eternity, then it better be a good one right? Something bold and action-y, as a reflection of their lives. And well, he'd hate if all his trophies looked the same. They'd be so boring to look at.
His absolute favorite encounter is Agent Illinois.
The man had to have been an absolute idiot who somehow stumbled his way into the program.
Because the first thing he does when he sees a group of angry SIM troopers is not to fight, but to get up and offer them a drink.
It's almost tragic, but the offered glass of alcohol in one hand, the easy, light pace of Illinois's walk is too beautiful for Temple to not press his button. Especially as he's likely to never get this exact position from anyone else ever again.
So he locks the former freelancer in place, laughs, and carries him onto their dropship.
The liquid in the glass quickly spills out, but Temple is quick to reassure him they'll refill it back on base. He is, after all, a very considerate host.
After the initial capture and settling in, however, Illinois loses any charm he had when they first crossed paths.
He doesn't say a word as he's brought into the trophy room. Nor does he rise to any of Temple's jabs of sharing the same fate as his former teammates.
If it wasn't for his armor broadcasting his vitals, Temple would think he was dead after the first few hours.
It's not until day three, the day that death usually sets in for the former freelancers that he even speaks at all.
"Why?"
Temple pauses in his usual idle talk of how things are going on in outside world to stare at his captive.
"Why...all...this?" Illinois rasps, voice weak from disuse and lack of water.
Temple gives him a thoughtful look before shrugging. Why not be truthful with a dying man? This agent has been kinder than the rest, not interrupting him, or swearing that any day now they'd break free and kill him. It's only fair he returns that kindness with a last request of sorts.
"Do you know the difference between you and I? It's really quite funny. One of us got to fight in the actual war and be a big hero and the other? The other got to play living test dummy for the first. And just like a test dummy, it didn't matter if I got hurt or killed if it made you better.
"I'm just cashing in my due. I had to watch my best friend die so now you and all your stupid friends can join him and apologize!"
It takes a moment for Temple to realize the weird wheezing in the room is Illinois laughing.
"I'm sorry...mate...but that's...the longest...go-around...I've heard...for someone...to say... they're a...sadist."
Temple bristles. "Call me a sadist, but I'm fixing this corrupt mess you and the other freelancers started! I'm in the right!"
Another dry, broken laugh escapes Illinois and Temple sees red. Faster than he can blink, he slams the butt of his gun against Illinois's helmet.
"If this was an attempt for me to release you, you sorely miscalculated."
"Hah...hah...haaaaah. Give me...some...respect....We...both...know...you can't...free... someone who's...already...dead...."
Temple doesn't step back from Illinois because he's unnerved by the amused tone from the man. No, that'd be stupid. He steps away because he's done here. And he runs a very tight schedule with the Blues and Reds and their small army.
And he most certainly doesn't bolt from the room as Illinois's broken ghost of a laugh fills and echoes through the room. He's just busy with a lot of other things he has to do.
An hour later, the vitals for Illinois flat line and it's not relief fluttering about his chest but satisfaction. For another monster slain, another Freelancer down, the universe just a little bit safer.
                                                            ----
A couple months pass after that. The hunt for freelancers has hit a dead wall as either the few remaining have gotten wise to something picking them off and have gone off the grid or Temple and his team have killed them all.
Sad, but probably for the best in the long run. There is another, bigger target that he really should be focusing on.
It is on one of the days he's going through blueprints with Loco that Buckey pulls them out of the lab and to a tv. All of Temple's protests die in his throat as he catches sight of a familiar group on the screen.
The Reds and Blues are alive.
Somehow, against all odds, they'd survived the ship crash. And then proceeded to take apart another corrupt organization-this time Charon Industries.
For one, glorious moment, Temple felt that same wave of awe and admiration for his heroes as he did all those years ago when he first came across their story.
And then he sees a very familiar sickening shade of cyan armor among their ranks and the world is turned on its' head.
The Reds and Blues, his idols, his heroes, his very inspiration for everything are friends with Biff's murderer.
'Maybe they don't know what she did' a hopeful part of him thinks. 'But they revealed Freelancer for what is was. How could they not know?'
Eyes still on the screen, Temple turns slightly towards Buckey and growls "Tell Gene to get me everything on the Reds and Blues. There's been a slight change of plans.''
                                                         ----
They're idiots.
A fact that becomes abundantly clear after listening to hours of audio and pouring over page after page of requests, reports, and even notes on the Reds and Blues. And that's not even the worst thing about them.
No, the worst thing is that not only were they favored by Project Freelancer, they were hand-picked to be copies of his team.
Every single one of them has a counterpart similar enough in personality it's creepy.
Even Biff.
All to keep a digital copy of the very head of the whole project entertained.
Temple stews and locks himself in his room for a full week to think over how best to deal with this disappointing setback.
For a long time, he considers just killing them outright.
Theoretically, it shouldn't be hard.
A bullet to the back of the head, replacing one of their own and then slipping a knife through each of their ribs. Hell, he could probably even get all of their food poisoned.
But somehow, somehow, they survived a crash from fifty thousand feet in the air.
A feat no one else on board managed to match.
So chances were, a bullet or knife or poison may not be able to do the trick.
....armor locking might.
They could live forever and still not be able to move a muscle.
It's a brilliant plan and he's so so close to incorporating it into their plans already in motion when a small shred of doubt wiggles itself into his conscience.
These men tore down Freelancer. Started him on his path. Gave him purpose. And he wants to return that goodwill with venom?
...
Everything points to them being idiots, so it's likely they don't even know their 'friend' is a freelancer who kills and ruins lives for fun. And it's because the Reds and Blues are so trusting, that she's alive and practically gift wrapped for Temple to kill her himself.
Ultimately, he decides to offer them an olive branch.
They've done so much for him, it's only fair he offers them something back in return.
                                                        ----
More intel is gathered on the Reds and Blues. If he wants them to accept his offer, join his team, then he is going to stack his hand with every card in his favor.
-He learns they've killed at least four freelancers themselves while still keeping two alive and within their ranks.
-They cared deeply for the Director's digital copy, going so far as to 'save' it multiple times.
-The copy is currently 'dead'; moreso from being an outdated faulty piece of tech than ever actually being 'alive'.
The lack of the digital copy turns out to be their ticket to reeling the Reds and Blues in. With just a little prodding, Loco is able to cut up audio files of 'Church' and formats them into a distress call and then broadcasts it throughout space.
The others doubt the broadcast will work without set coordinates but Temple knows it will. Somehow, the audio will find them and they'll come running and he'll welcome them with open arms and a smile.
                                                        ----
It ends up taking a few months longer than Temple thinks it would. By the time they set foot at his front door, he's nearly done putting the finishing touches on his greatest achievement. A few more days and they would have missed it.
And while he easily wins their trust with a little air show and some theatrics he can't help being... disappointed by who all shows up.
The Freelancers are easily taken care of. And best of all, the Reds and Blues don't even notice they're gone. Proving to Temple they were merely saving them for him and absolutely will join his vendetta.
However, they brought a reporter with them and she won't stop poking her nose in every little thing. And their orange solider, the one he was most curious to meet, seems to have quit.
He can't even dispose of the reporter because every time he tries to, their maroon solider has pulled her aside for yet another interview to complain about the missing orange one.
If it wasn't for his two brand new captives (one of which is Her) to torment and final checks to see through, Temple is fairly sure he'd lose it.
Besides, it'll all be worth it in the end. (Until suddenly it isn't)
The truth comes out and Simmons, Tucker, Caboose, and Donut throw his generous offer in his face and decide to stand against him.
Not even an hour after that little confrontation, Surge alerts him to the presence of an intruder.
Who, on the camera feeds is walking around the base like he knows the place. And even though he knows, he knows Biff is dead, his very first thought at seeing the orange armor is thinking it's his old friend.
But it's not him.
Because Biff would never pause in his duties to scarf down a plate of fish with terrifying speed. Nor would he get the bright idea of suddenly shoving his body into too small a space for absolutely no reason.
Most damning of all, Biff would never tell him to fuck off before he even had a chance to open his mouth. But Grif does. Even after Temple and his men spent so much of their precious time pulling his fat ass out of their vent.
So he drags the Reds and Blues' orange fuckup to join the rest of them. He can't even enjoy watching his captives hope for rescue fall because Tucker's cursing Grif out and Grif is ignoring all of them in favor of trying to pull some touchy-feely crap.
It's sickening.
And he can't help it, really he can't. The betrayal and utter dismissal from his former heroes hurt. And the temptation of hurting them back, ripping their little world apart in kind is too much.
So he indulges. Reveals the message from 'Church' was a lie to trick them to meet him. Pounds it into Caboose's think skull until he gets it because he has the decency to not sugar coat the uglier side of things no matter how stupid his listeners are.
And finally the mood in the jail cells is what he wants.
Crushed. Despondent. Cursing his name because he's won and better than all of them combined.
Temple rides that high as he leaves and gets things packed up. He's not even upset when he fails to get any word from Withers confirming Sarge killed the reporter and her cameraman.
Even if Sarge had a change of heart and went crawling back to his team, it doesn't matter. Temple's done here and ready to destroy the UNSC's base on earth.
There is literally no way anyone can stop or even catch up to him in time.
Except the Reds and Blues do.
Not only do they hijack what was supposed to be a dropship full of the last of his army, they manage to outfly nearly every torpedo he throws at them. And even when they ARE hit, they walk off another crash because apparently, a thousand tons of twisted steel and fire is about as life-threatening as a buddle of wet tissue paper to them.
A part of him wants to stay behind and finish them himself, but he's so so close to finally avenging Biff. So he orders Cronut and Lorenzo to direct the men stationed outside of the base.
Over one hundred men with an abundance of tanks, jeeps, guns, and ammo against a measly seven. It should be an easy win.
Should be if everyone on this stupid fucking island but him wasn't an idiot!
Because just as Loco's finished the machine, Surge comes running in to announce the Reds and Blues have made it into the building.
It becomes a mad scramble after that.
Surge, Gene, and Buckey all head off to separate areas to try and somehow contain this clusterfuck and stop their 'guests' before they reach the very heart of the building and destroy all his hard work.
At best, the three of them with the help of their many subordinates will be successful. At worst, they'll merely be obstacles distracting the Reds and Blues just long enough for Loco's doomsday device to go off.
He doesn't want to take any chances though and heads to the heart himself. He will be the final obstacle that they simply can't get past.
And at first, it does seem to be that way.
Tucker, Caboose, Sarge, Donut, and even the reporter surround him, as if they have any sort of high ground here. As if they can actually win when victory and revenge are so close to his grasp.
But even when he's losing, Temple has a card up his sleeve which he happily plays.
With just a simple press of a button, he has them all frozen in place. Well, those who could be a threat anyway. Caboose and the reporter can still move but the reporter's smart enough not to do anything to escalate the situation and Caboose is too stupid to come up with a plan that won't end with his friends' blood on his hands.
Everything is going wonderfully.
And then, right as he's in the middle of explaining that his hands will forever remain clean because the world, nay, the universe will believe the Reds and Blues, the Heroes of Chorus were behind all of this and everything left of the UNSC will collapse in on itself, he gets interrupted by Grif the lazy, fat one of the group of all people.
He'd be more upset if the disgrace to the color orange didn't fall flat on his face trying to swing in to save the day.
Out of the goodness of his heart, Temple offers him the chance to stand with the rest of his stupid, meddling friends instead of dying by his gun right where he landed.
Only, Grif doesn't....take the easy out.
He rises, focuses a hard look at Temple, and refuses to move.
Even as Temple has his gun pointed at his face, finger tense on the trigger, the two of them standing so close, Grif would never be able to dodge a bullet in time.
It's almost.....noble. Familiar.
'What are you doing, Mark?'
Temple flinches and blinks and suddenly it's not the fat lazy knock off of his best friend looking back at him, but the real thing.
And he can just see Biff's expression behind the helmet. His mouth is turned down slightly like he's looking at a puzzle he's trying to figure out and his eyes are lidded in that way they only get when he's faced with something he doesn't understand.
'We're friends, aren't we? You wouldn't kill me, right? We have each others' backs, we always do. What is this Mark?'
Temple's hands shake and he can feel himself taking a step back when that reporter throws him back to That Day and suddenly his whole body is shaking. He looks away for one second, aiming his gun at her to shoot her first when Biff, no, Grif tackles him to the floor where he loses hold of both his gun and the only thing keeping the Reds and Blues in place.
Then Loco runs into the room calling for Caboose as if they're all friends and the last several hours never happened. And while he can't get the controls for the armor lock again, he does get his gun back just long enough to shoot Loco before he can be tricked into revealing how to shut his machine off.
Because he refuses to lose, to let everything he's worked so hard for go up in flames!
But Loco ends up being his only kill for the day as Tucker turns around and knocks the gun of his hands and kicks him back like a wannabe freelancer. Adding insult to injury is the fact that for whatever stupid reason, Loco decided to make his doomsday weapon into a time machine just so Caboose could say goodbye to an unfeeling computer program.
Any hope he had of things finally going his way die with the revelation that ~surprise~! The reporter has been carrying around an ai strong enough to dismantle a super weapon with no ill effects this whole entire time!
He can't even sneak away when it's all over as Tucker grabs hold of him, only knocking him out because Agent Carolina of all people insists they're too good to just outright murder people.
As if that wasn't a laugh and a half.
His army.
Surge.
Gene.
Loco.
All gone because of them.
It's almost a bitter enough taste to drown out the blandness of the fish the small number of them left get in prison.
Almost.
The only thing Temple really tastes anymore is the ash in his mouth after watching years of hard work and planning go up in flames before his very eyes.
It would have been kinder just to kill him. If the situations were reversed, he would have.
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motleyfuckingcruee · 5 years
Text
Stay (Nikki Sixx x Reader)
Requested:
anon
Summary:
From prompts list "Have you lost your damn mind?!" With smut
Warnings:
Language, smut, fluff
SONG THE TITLE IS BASED OFF OF:
Stay
REQUESTS ARE OPEN!!!!
COMMENT IF YOU WANT TO BE ON A TAGLIST! OR GO TO MY BIO TO ADD YOURSELF TO ONE!
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//
You stand off to the side as you watch people grind on each other. You had only been living with your big brother, Vince, and his friends for three months and you were already tired of their lifestyle. Tommy would bring a bunch of girls he barely knew to have sex with them at different times. You thought it was a disgusting way to treat women, but then again the girls agreed to it. They only have themselves to blame. Nikki keeps disappearing at these parties. You genuinely have no clue where he runs off to. You looked everywhere you could think of. You guys decided to keep the bedroom doors locked so that you wouldn’t have to deal with random people being in you guys’ bed in the morning or the aftermath of two people having sex. It just wasn’t fun to clean up and it made the rooms start to stink.
Nikki seemed to be constantly on your mind recently. You paid close attention to every little thing he did. Whether it be tuning his bass or licking his lips. You were absolutely drawn to him. You don’t know if it was you actually developing a crush on him or if you were just full of lust, but you were always thinking of him.
You love his fluffy black hair that he teased to the limit. You love his bright green eyes that lit up when he talks about something he loves. You love his smirk that you just can’t resist.
You know you shouldn’t think of him that way. He’s your brother’s best friend! That’s just plain wrong. Vince would be so mad at the both of you. Before you even moved in he specifically told you not to have sex with his roommates. You thought that was ridiculous. At least until you saw Nikki. Something about him just drove you insane.
Someone bumps into you, spilling ice cold beer all over your brand new white T-Shirt. Damn it. Vince ruined your only other white shirt and you had just bought this one today.
You groan as the intoxicated man slurred an apology. You push past the swarm of drunk people dancing in the living room. You share a room with Nikki, so that’s the only place you can go. You also don’t have the key to Vinny and Tommy’s room. You pull the key out of your back pocket. You figure that Nikki must’ve left or something. He probably went to a strip club. You love your new friends dearly, but all they seem to think about is sex. That’s gotten on your nerves more than you’d like to admit. When Nikki will talk about his latest “Score” you’d feel yourself get jealous and angry. You knew that was stupid of you. There’s no way Nikki could like you the way you like him.
You unlock the door, pushing it open and getting inside quickly. You don’t want anyone to try to follow you in. You doubt that would happen, but it might. You look down at your soaked shirt. You can clearly see the black t-shirt bra you were wearing. You wear your bras by comfortableness. Not sexiness. It’s not like any guy is going to want to have sex with you anyways. What was the point of dressing up for no reason? You look up from your shirt. You see a flicker of light in the corner of the room. You turn on the light to see Nikki sitting in the corner with a lighter and a journal in his lap. You jump, not expecting to see the gorgeous black haired man.
Your heart is pounding hard and fast. Not because you’re scared. That’s just the effect he has on you.
“Jesus, Nik,” You say, slightly out of breath. “You scared the hell out of me.”
Nikki smirks. “You never had hell in you, darlin’. You’re a pure angel.”
You roll your eyes. “Sure.”
He looks over your appearance, stopping at your chest as he can see your bra. “Win a wet t-shirt contest?”
You laugh dryly. “That’s exactly what happened.” You open the closet. You want to get out of this damn shirt. It’s sticking to your skin uncomfortably. “Actually some drunk asshole spilled his beer on me.”
You hear Nikki get up. Next thing you know, you feel him behind you. “Want me to beat his ass?”
You giggle, glancing at him. He leans against the wall next to you. You finally grab one of Nikki’s old shirts. You know he doesn’t mind. He’s even told you to wear his shirts before. “Nah. I think the killer hangover tomorrow will be punishment enough.”
Nikki laughs. The sound is so melodic to your years. It causes you to laugh a little too. “I think so.”
You peel off the shirt, throwing it onto the floor. You’ll pick it up later. You ignore Nikki’s eyes on you as you quickly slide on the new shirt. It’s a worn out New York Dolls shirt. You smile, knowing how much he loves them.
You walk over and sit on the end of his mattress. Since you guys can’t afford to get a bed frame, you have to crouch down, your knees pulled up to your chest. Nikki sits next to you without a word.
You sigh, leaning your head against his shoulder. “Doesn’t this get old?”
“Does what get old?” Nikki asks, sounding tired.
“This life? Partying every night. Knowing Vince and Tommy, sleeping with different girls every night. Seeing people come in and trash your apartment with no remorse?” You bite down on your lip. “Don’t you get tired of it? I’ve only been here for three months and I know I’m tired of it.”
He laughs. “Well, you’re different. You didn’t get Vince’s partying gene.”
You scoff. “Good thing too.” You pull away from Nikki to look into his eyes. “I’m just not a crowd person. Or a party person. I’d rather it be the four of us watching a stupid movie with popcorn. That’s more my speed.”
Nikki scoots a bit closer. “Sounds a bit like a date.”
You furrow your eyebrows. “How does that sound like a date, Sixx?”
He grins. “If you put on a scary movie, I could hold you when you’re scared.”
You smirk at him. “What are you implying?”
“That you should let me take you out,” He says simply.
“Do you mean on a date or are you going to kill me?” You joke.
He laughs. Louder than he had before. The laugh reaches his eyes and lights them up like Christmas trees. That’s your favorite sight in the world. “On a date,” Nikki says once he calms down. “I promise no killing will happen.”
“Okay,” You say laughing at him.
“Is that a yes?” He asks, looking a bit worried.
“Of course it is,” You say, placing your hand on his cheek.
Nikki leans in with a huge grin on his face. His lips brush against yours when you hear Vince’s loud yell from out in the hallway. You jump nearly ten feet away from Nikki. This doesn’t seem to affect him, but it has you on edge. You totally forgot that you promised Vince you wouldn’t get involved with his friends.
“Have you lost your damn mind?!” You yell. “Vince will kill us both!”
Nikki laughs, understanding why you jumped away. He shakes his head. “No he won’t. He might get mad, but he can’t stay mad at his little sister.”
“He might at this,” You say. “Nikki, I don’t want to cause a fight between you guys.”
Nikki frowns. “I don’t give a fuck what he thinks. I really like you. I have since you walked in the apartment door.”
Your eyes widen. “Really?”
He nods.”I thought you were the most gorgeous woman I had ever seen. I still think that. You’re so funny and kind. You’re perfect to me.”
You blush. “None of that’s true, but okay.” Your gaze drops to your feet.
Nikki tilts your chin so that you’re looking back up at him. “Why can’t you believe you’re so beautiful?”
You shrug. “People have given me reasons to think otherwise.”
He shakes his head. “Fuck them. Listen to me.” He smiles. “You know I’m right, like always.”
You laugh at his cockiness. He starts to lean in again. This time you lean in too. You hear Vince yelling again, but it becomes background noise. All that you’re focused on is Nikki pressing his lips against yours. He starts to get rougher with each kiss. He starts to pull your-well his-shirt over your head. You let him, instantly reconnecting your lips as soon as the shirt is out of the way. He pulls you into his lap. His hands find their way to your ass, finally resting there.
You’re not sure how it happened, but the next thing you knew, you were under Nikki completely naked. He hovers above you, no clothes on as well, leaving a trail of wet kisses down your neck.
He reaches into his bedside table, grabbing a condom out of it. He rips it open with his teeth, balancing himself with only one arm.
“No foreplay?” You ask, out of breath.
Nikki chuckles, his eyes dark with lust. “Fuck that,” He says, rolling on the condom. “I need you.”
Without warning, he thrusts into you hard. He doesn’t let you adjust before pulling out and thrusting back into you. He continues that, you letting out little moans every time he does. Your nails rake down his back, sure to leave marks tomorrow. You’re sure that you won’t be able to walk tomorrow.
Nikki whispers curses into your ear. “Fuck, babe. Scream louder. Let everyone know who’s fucking you this good.”
You reach your climax as soon as Nikki does. You fall over the edge when Nikki reaches his hand down between you and rubs your clit with his thumb. Nikki cums not too long after you do. You both ride out your high. The only thing that can be heard is your heavy breathing. Nikki finally collapses on top of you. His face nuzzles your neck, tickling you lightly. He pulls out of you, taking the condom off and throwing it into the trash can he has next to his mattress.
Sweat is pouring off of him and he has a huge grin on his face. “That was amazing,” He says as he pulls you to lay your head on his chest. You can feel his heart pounding and you smile.
“It was,” You respond, draping an arm over his stomach.
He kisses the top of your head. “I should’ve asked you out sooner.” He pauses, thinking something over. “You do still want to go on a date with me, right?”
You pull your head up to look at him. “What do you think?”
“No?”
You laugh, kissing his lips deeply. “Does that answer your question?”
He shakes his head, a tired smile on his face. “Nope. Try one more time and I’ll see if I know the answer.”
You roll your eyes at him, laughing slightly. You pull his face closer to yours, kissing him deeper than before. You pull away, looking at the man in front of you, who you were undoubtedly falling for.
“I’ll take that as a yes.” He flips you over so that he’s hovering over you again. “Now for round two?”
Taglist:
All fics: @the--blackdahlia @sugar-content @sharon6713 @siliwanoel @charlyallise @lo-bells @lauravic @livingdeadharley @kawennote09 @ozzypawsbone-princeofbarkness
Nikki: @moon-beame @slutfor-sixx @2dead2function @horrorpxnk @timeisthewound
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shy-marker-pliers · 5 years
Note
Quick fluffy drabble of the Host and Eric fanboying over their favorite book together (one they read from the annual Ego book club) while everyone stares on in amazement of how adorable they are
~Book Club~
Warnings: Swearing (mild), food mention, implied mental abuse.
Relationship(s): Heric but it’s like before they officially become a thing so idk
@pawsitively-purfect sorry for taking 420 years but this ended up way longer than expected lol
The book club, surprisingly, was not The Host’s idea. It all started on a stormy day when the power went out, leaving almost everyone with nothing to do. Since it was basically pitch black and the only source of light in the house that wasn’t electric was the candles in the library, they all headed there, figuring that as long as they were quiet, The Host wouldn’t mind them hanging out for a while.
 He wasn’t surprised when they showed up. He’d known for weeks that the power was going to go out, thanks to a vision that he’d had. By the time they had reached the library, he had already made tea and arranged his armchairs in a circle to make conversation easier. 
Most of the egos found books and sat down to read, and the others were off in different parts of the library holding small conversations. Well, apart from the Jims and Wilford, who were having races to see who could scale the bookshelves fastest. 
“Hey Host, what’cha reading?“ King asked from his perch on top of the couch. 
“The Host is reading Frankenstein. It has been one of his favorite books for some time now-” 
“Oh, I love Frankenstein! I must’ve watched the gene wilder version a hundred times, at least!“
“That’s Young Frankenstein, Bim. It’s not even close to the original material. The Boris Karloff version is much better. It’s a classic.”
“Isn’t that the old boring one from like a bazillion years ago?”
“Wh- it isn’t boring, and it isn’t from ‘a bazillion years ago’, it was made in 1931. I saw it in theaters when it first came out and I personally thought it was-”
“Oh my god, we get it Dark, you’re old as hell.”
The Host closed his book and snapped his fingers, which was loud enough to make Eric jump about a foot and get everyone in the library to turn their heads, including the Jims and Wilford, who all toppled off the bookshelf they were climbing and landed in a pile on the floor as a result.
“While The Host does find this argument entertaining, he does wish to know if Bim and Dark have ever actually read the original Frankenstein novel.“
“Of course i’ve read it!“
“And does Dark remember anything from the book?“
“Well no, I read it more than fifty years ago, but-”
“Has anyone here read it, and if so, recently enough that they remember the plot?“
silence.
“Anyone at all?“
A longer, more drawn out silence.
“Heathens, all of you.”
“Okay, Mr. I’ve Memorized Every Book In Existence, if you want us to read it so bad why don’t you make a book club or somethin’?“ Ed scoffed.
Eric smiled and looked up at The Host. “H-Hey, that’s actually a really g-good idea! I m-mean, no one has to join of course and if you don’t want us in the library t-that’s totally okay, but...I think it’d be fun. We could have tea and I could make snacks o-or something! I’ve always wanted to try being in a book club but I was never allow- um...I-I mean, I never got the chance.” 
Eric trailed off at the end of his sentence and his smile dropped as he pulled his handkerchief out of his pocket, looking down at his shoes and running his fingers over the fabric.
“S-Sorry, I was excited and I started rambling...j-just...forget I said anything.”
And that was when The Host made up his mind. He was starting this goddamn book club.
Eric, unsurprisingly, was absolutely ecstatic when The Host agreed to...well, host the book club, even more so when he found out that most of the egos had decided to join in, even the Jims. The first book they read together was (obviously) Frankenstein, and since The Host didn’t have enough copies of the book for every ego to have one, he just ended up reading it to them while they all sat in a circle around him, which turned out to be a good thing, because some of the egos couldn’t concentrate on a book to save their lives and it was better for them to listen instead.
It didn’t take them long at all to finish, especially since they were all so invested. When the book was over, they all discussed their thoughts about it. The conversation quickly delved into chaos, but that was to be expected in the ego house, so no one was angry.
“I liked the part when the monster strangled Victor Frankenstein’s wife!”
“Uh...Wilford, don’t you think that’s a little fucked up?”
“Pff, no! It was funny!”
“No, the best part was obviously when the monster woke up because Victor harnessed the power of lightning and it was like ’ZAP!’ and the monster was all ‘Blehhh i’m aliveee!’” 
“I have to agree with Jim. the zappy zap was very interesting.”
“Thank you, Jim!”
“You’re welcome, Jim!”
While Wilford was trying to convince Bim and the Jims that murder was a completely normal thing to do and Dark was trying desperately to keep everyone else from joining the conversation, The Host stood up from his spot and moved to sit next to Eric on the couch, where he was watching everyone. He glanced over when he heard him sat down, fidgeting as he listened to the others argue.
“I-I’m sorry...if i’d have known that they’d all b-be fighting I wouldn’t have suggested this...”
“Eric has no reason to apologize. He had no way of knowing that this would happen. And besides, The Host rather enjoys this. His library has never been filled with so much life before.” He was silent for a moment as he surveyed the chaos.
“Anyway, the purpose of a book club is to discuss literature, which is what the other egos are doing, even if they are rather...confrontational about it.”
Eric let out a small giggle,and The Host smiled. “Y-Yeah, I guess you’re right. I can’t exactly join the conversation l-like this, though. I’m sure you’ve noticed, but i’m not very much of a fighter.”
“Neither is The Host. Perhaps he and Eric could discuss the book together?”
“Y-Yeah! I can see why you like it so much, I thought it was r-really interesting. Makes you think, y’know? Especially, like, how everyone sees Victor as the good guy even though he made the monster and then abandoned it as soon as it came to life just because it s-scared him and basically caused it to have to live i-in the forest and stuff.”
The Host nodded in agreement. “Exactly. The monster was only a monster because that was how other people saw it. Despite the fact that it had the mind of a human and tried to show people that it was good and not nearly as frightening as it seemed, people refused to see past what it looked like on the outside.” 
Oh. 
Oh.
So that was why The Host liked that book so much.
Eric frowned slightly. “It deserved a much better ending than it got...I wish that Victor had made another monster like it asked him to. A-At least that way it wouldn’t be sad or alone anymore...”
Eric and The Host continued to discuss the book and the underlying commentary, And Host couldn’t have been happier that he had someone to talk about his favorite book with. They were so focused on each other that they hadn’t even noticed that the other egos had all stopped fighting and were looking at them.
“Oh my god, that is literally the most adorable thing i’ve ever seen.”
“I know, right? They’re both so excited!”
“Come to think of it, I don’t think i’ve ever seen either of them this happy...”
“Hush, everyone. Let’s go upstairs now. I get the feeling that they’ll be talking for a while.”
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