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#hollywood may not be able to tell the difference but I am. it's a whole different intonation. different phonetics
cuchufletapl · 1 year
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The Puss in Boots Wikipedia article: He's a Latino character—
Any and all Hispanics that grew up watching the Shrek movies in Spanish: ??????? He is??????
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koraesrambles · 2 months
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GREAT READING ADVENTURE PART 1 (CW: pictures from the Sandman comics may be disturbing to some)
I started with the Sandman, by Neil Gaiman. A legend in comic spheres, and one that I'd been wanting to read for a while.
I found 10 volumes at my local library and have made my way through two of them so far. First off, as a horror book DAMN. DAAAAAAAAAAAAMN these books do not pull punches. They come at you like a gut punch and just keep going. I like to describe myself as someone who enjoys "horror lite" I love monsters, I love angst and crazy situations and some messed up stuff, but I'm kind of a baby about it. Things like Supernatural, Gravity Falls (It's kid friendly, but there's blood!), Buffy the Vampire Slayer, that's my jam (wow, that list makes me feel about 5 years old, but whatever! I like what I like!). The Sandman Is Not That.
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The Writing
Don't get me wrong, it is beautiful in every way, but it's also a lot for a wussy like myself. I'm enthralled, captivated, unable to look away, but there have been multiple times where I've needed to close my eyes for a second and remind myself that this is a comic book, and the world isn't necessarily this dark all the time. I'm pretty triggered by children in danger/getting hurt/dying and these books don't shy away from that. But they're also just . . . so beautiful.
The writing is annoyingly amazing. I expected nothing less, it is Neil Gaiman, but sometimes as a writer you look at other people's writing and just sit back in awe. I wish I could write something like this. Or, if not exactly like this, something as beautiful and poignant as this. The story flows so beautifully. Every scene perfectly blending in with the next. Every word feels like it has a point, which makes you want to pay attention to everything to make sure you're not missing anything.
Writing is my main background, but comic writing is so different from prose. This is what I struggled with the most while drafting up OUTCAST ODYSSEY, how do I get everything across that I need to when I can't just write it all out? How do I pace it when telling a story with pictures vs words feels so different? But Neil does this so well. It felt lyrical, and I could see his influence on every single page. The art was done by someone else, but the ideas, the imagry, the way the story flows from one idea to the next, is all a result of absolutely phenomenal writing.
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It reminded me to trust readers to read between the lines. It's difficult to find the line between "subtlty" and "confusing" and I am often guilty of feeling like I need to spell things out to my readers so that they won't miss anything, but more often then not that just slows down the plot and makes the whole experience clunky. You don't want to go too far in the other direction either, but Neil knew who his audience was and trusted them to at least give things a second glance. I was worried at the beginning that I'd be too dumb to figure out what he was hinting at, but he was able to patiently feed me the information without me getting frustrated or lost.
It's a skill that comes with experience and practice, but I feel like this story really really shines at it. I found myself studying the way he handled exposition and wanting to emulate it in my own work.
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The Art
The art is also stunning. It's not "cute" art. It's not something that I would want to hang up in my house or look at for hours. It's amazing from a skill standpoint (which is easy for me to tell just due to my own extremely obvious shortcomings) but it's not concerned with everyone looking like hollywood movie stars.
Which . . . I mean, that's definitely a feature, not a bug. This story is not supposed to be cute, and a cutsy art style would absolutely ruin the atmosphere. It is rough and full of sharp points. it doesn't shy away from nudity or gore. The characters are not attractive, these are not anime stars, but they are compelling, and distinct enough that I was able to easily tell who everyone is, which is more often then not extremely difficult for me (i think I may be a bit face-blind).
The art adds to the horror of everything. Even when things are supposed to be calm, or sexy, or whatever, there's an edge of panic and unease to it. Part of that is the reader knowing that there's more going on behind the scenes then the character knows, but it's also the style. The heavy black shadows, the hard lines, the emphasis on some details while the obscuring of others, it all combines to perfectly compliment the writing. It's not a pleasure to look at, but that's absolutely the point. It's also extremely difficult to look away FROM. How can something simultaneously look jarring, eerie, and unpolished, while also whispering "Yes. This is beautiful art. Look at it. Bask in it."?
I'm a newbie artist. It's way beyond my skillset to even begin to figure out how they were able to accomplish this. But someday I hope I figure out the secret.
The art perfectly compliments the writing, and the two work together to tell the story. I remember feeling a little annoyed on the artists' behalf that the Sandman is always known as "Neil Gaiman's" when the art side of comics is so incredibly important. The art sets the tone and compliments the words. It helps with reading between the lines and helping us know how seriously we should be taking the words.
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Characters
All of the characters are great! Except the ones I already knew. I'm not saying they were bad, just bland compared to everyone else. Constantine, the Justice League, every cameo that came up and I was excited for felt . . . not quite out of place, but not quite seamless either. I was most excited for Constantine, and he was fine, but I probably have enjoyed him more in every other comic I've ever seen him in. I know they were all included just to try and sell the first few issues of a new story, and I respect that (the amount of comics that I've read just because my favorite character showed up for a few panels is . . *cough* embarrassing), but I was kind of bummed by how little conflict they added to the story.
Constantine immediately agrees to help Morpheus (which, okay, he can see how powerful Morpheus is and doesn't want to get on his bad side, totally in character. But I like Constantine best when he's being a bit of a dickhead), when I was really expecting a bit of tension or at least antagonism between them. We briefly see Etrigan but he is so quickly outshined by Lucifer that I nearly forgot about him, Scarecrow shows up but I didn't really feel like he added much besides a familiar face, we see Scott Free (who I know very little about) and J'onn (whose reaction to Dream was probably the most interesting) but all they do is immediately tell Morpheus where he needs to go. Why were they so quick to be okay with this obviously terrifying powerful force just grabbing stuff? I guess I understand why J'onn was okay with it, since he knew who Morpheus was, but it still felt weird that there wasn't even a single moment of hesitation or resistance. They basically served as a plot GPS.
Again, there's nothing wrong with any of them, they just didn't feel as vibrant as all of the other characters we were introduced to. Even the woman who gave Dr. Destiny/Dr Dee a ride was more vivid and felt more real and purposeful than the cameos did. At least to me.
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The original characters (or at least everyone I didn't recognize. Was Dr. Dee a Gaiman original or had he shown up previously? Cuz he was very much A tier villain for me,) were all amazing and vivid and lively. I cared about them way faster than I normally do, especially at the very beginning of a story. The cameos felt exactly like what they were: Cameos to sell the book.
Final Thoughts
This book is, objectively, better than anything I will ever create. And that's not even a diss on myself, it's just objective fact on the quality of this piece. I learned a lot looking through it, trying to figure out what Gaiman did that worked vs didn't. The lyricism vs crassness of the writing, the way the art complimented the dialogue, how the panels flowed and where it was easy for me to follow vs where I got a little confused. It's a beautiful book and I can absolutely see why it's a graphic novel must read. I'm planning on reading the rest of the series, but I can only read one volume a day, because the horror of it all absolutely follows me after I close the last page.
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ncisfranchise-source · 2 months
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CBS ratings juggernaut NCIS returned to our screens tonight with the first of 10 episodes that star Wilmer Valderrama says “might shock a lot of people.”
In the crime procedural’s season 21 premiere, Valderrama’s character, former lone-wolf agent Nick Torres, copped to the murder of his family’s childhood tormenter after learning the man was victimizing another mother and son.
“Something breaks,” he tells EW. “Something breaks in Torres’ heart. It's almost like he's been waiting for this moment for way too long.”
Torres' actions in “Algún Día” set up a run of episodes abbreviated by the Hollywood labor strikes that Valderrama says may cause jaws to drop. “The fact that we have a shortened season allows us to be like, “Can this be the season where every episode is like crazy?”
Below, the That '70s Show alum talks moving away from the case-of-the-week, yukking it up with Gary Cole, and saying goodbye to David McCallum, who died in September at 90.
ENTERTAINMENT WEEKLY: The season 20 finale closed with Nick Torres holding a mysterious man from his past at gunpoint. How did it feel to be the cliffhanger character who kept audiences speculating during the hiatus?
WILMER VALDERRAMA: We were working on that season finale the whole season. We were talking, having a lot of conversations about, “What is the season?” And I have this crazy idea: Why don't we send Torres to prison? And then we worked backward from that. Like, why would he be there? So we ran with it, and we were able to build something that was really interesting and it was still sustainable for our season finale. 
We've gotten glimpses of his past over the last several seasons, but “Algun Dia” gave us maybe the deepest look at that family history that we've gotten so far. Is it different for you to hit those beats compared to the quips and the crime-solving that you do with a more standard episode?
It's refreshing. It's just really refreshing. Moving forward, we're going to lean a little bit heavier on the souls and the hearts of our lead characters. I feel like our audiences have been so giving and so beautiful to just tune in and watch us and watch these characters. For the actors, it’s very refreshing to exercise all of our muscles to really, really go there and to really find the root of your pain, your trauma, or your patterns.
And the relationship between Parker and Torres is also going to evolve a little bit more. I talked to the showrunners and I was like, you have Gary Cole, who’s a comedic genius, and then you have me, which I have some, you know, comedy experience in my past too.
A little bit, yeah.
And I was like, why are we not doing this, dude? Why are these two characters not running wild in the field? And they loved the idea. There’s some laugh-out-loud stuff that we're about to do that’s really unique for NCIS. With NCIS there are some funny moments and then you're back to the complexity and the darkness of these cases. In this episode, we just went for the comedy, like, let's make it really funny, but not compromise the tonal DNA of our show. 
You sound really excited about these upcoming ten episodes of the season.
I am very excited. I'm excited because this is the rare opportunity where a show that by the grace and the love of the fans has the runway to try things. We're going to swing in directions that are a lot more personal and a lot more high-concept. It's still very much grounded in the mothership. We're not doing unnatural stuff for our characters, but we are really exploring storylines that I think could really help the following seasons
The second episode of the season is going to deal with the death of David McCallum and honoring Ducky by jumping into an unsolved case of his. What was the experience of filming that episode like for you and for the rest of the cast who’ve been working with him for so long?
It's tough. We needed that episode. As much as our audiences want to have a tribute, for us, the actors, this was our humble way of saying goodbye. All the way up to the last scene I did with him, the dude knew what he was doing. He'd come in and then they said, “Action,” and he’d never drop a line. I mean, I was in awe, and it reminded me that we should always do more and that we should always swing harder. That's the only thing you'll take with you is the commitment you gave your art, and that's something I feel he reminded us all. 
Ducky’s episode is going to be, I think, not just emotional, but it'll be a journey. Brian Dietzen is writing it, and I couldn't imagine anyone else really handling that memory the way that he did. There’s beautiful stuff happening in that episode.
In the premiere, Torres fights off a cell block’s worth of angry Russians and then ends up slightly shivved. So I'm curious, which is more stressful: filming the fight scene or filming the shirtless scene afterward?
[Valderrama, whose character is shown shirtless and bandaged in a prison hospital bed, laughs and covers his eyes with his hand]
That’s a great question. They both have a great deal of pressure. It's funny, you know, I pride myself in just loving getting to the gym and staying fit and all of that stuff, but in my career I've never been the guy that does the shirtless stuff. Am I confident doing shirtless stuff? Sure. I'm not insecure about that stuff, you know? But I've just never been that guy. 
I love doing my own stunts. I have a great partner, Brennan Mejia, who does some really difficult stuff for me, but I felt like I needed to do that [fight scene] because you need to understand how dangerous that moment was for him. And then, afterward, when they tell me, “Hey, do you mind wearing this?” I'm like, “I know what you're doing, sure, fine.” It was silly, and obviously my costars had a lot of fun with that.
I bet they did. 
They made a lot of fun of me. It was funny. But I don’t feel pressure for either one. I feel happy to do what it takes for the story. But sometimes it doesn’t take that to tell the story, and somehow it’s still on the page.
This is my favorite combination of the cast in years. I mean, it's been through so many, but the chemistry that you all have right now, it’s working.
I agree with you 100%. That's why I can't wait for people to see this this season. We're literally finishing each other's sentences, and the level of difficulty to pull off the stuff that we're doing, it’s so high, and somehow this cast is making it amazing. And it's been a joy. It's been a joy to spend all that time with these incredible individuals.
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budgetbuildsystem · 2 months
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I have a question for people who have or understand DID very well that also practice Paganism/reiki/energy work/or are energetic vampyres or possibly even otherkin.
Is it possible for an alter, taking into consideration that they are still part of you/your mind/soul, to be a vampyre? Keep in mind I'm talking energetic vampyre not Hollywood. And not the toxic kind either. The ones that feed on energy with consent.
For context I am curious about Lilith. As yes she's a vampire but she doesn't seem like the ones you normally think of. As in she only likes blood in the sense that it's pretty, doesn't divulge her age, and fronts maybe once every month or so and is so utterly drained after that she doesn't front for another month or so. Now, I am well aware that they are technically a part of me, and I have always felt that I am different which I know doesn't mean anything but i am also pretty sensitive to the supernatural if I choose to be and am very sensitive to people and their energies, often able to tell people's moods very easily and with just a bit of effort able to see auras.
I AM NO WAY CLAIMING ME OR ANYONE IN MY SYSTEM IS ACTUALLY A VAMPYRE OR OTHERKIN. I am inquiring as to if it is possible and if so will be doing more research before ever claiming such.
I am also aware that in the vampyre community you should never tell someone they are one, or interfere with a potential awakening. Hence simply asking if this is possible, not asking if I or Lilith am. If it is possible I may simply encourage Lilith to look into the types of vampires/vampyres but nothing more.
I am coming from a place of genuine curiosity, so please no hate.
-Charlie
NOTE: When I say "i" while talking about the sensitivities to Paranormal I more mean in reference to the body as a whole, still not really used to using we terms and actually the others haven't mentioned such sensitivities other than Lilith and possibly Crowley.
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gr0vndz3ro · 4 years
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Sweet Somethings
(Sweet Nothings Pt.2)NSFW
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Warnings: NSFW, 18+, cursing, sugar daddy, daddy kink, size kink (if you squint), slight oral, finger fucking, loss of virginity, praise kink
Word count:6,906
Tag List (permanent): @keigod @dragonhrte @mrs-takami-keigo @fanfic-me-up @gallickingun  @royal-after-dark @hawks-senseis @bnhabookclub
Crossed off: Virgin x Veteran
A/N: I’m so surprised with the amount of love I’ve been getting with Sweet Nothings, it’s almost at 1k when I’m posting this and I can’t put into words how shocked I am. I honestly didn’t think anyone would care for it. I love y’all so much so I hope I did you guys proud with this. 
Pt.1 Here
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One would expect nice things out of a sugar daddy, but that did not mean you were prepared for them. And you were certainly not ready for the luxurious sports car that stood in front of you. Pitch black with orange accents, a monstrous growl emanating from underneath the hood. The nicest car you had ever seen, yet the only thing your brain could focus on was the warmth pressed against you back. The way you could feel Katsuki’s hard pecs through the fabric of both his shirt and your dress was enough to make your thighs press together. What surprised you the most was the way that this man, who was almost a complete stranger to you, was able to control your body with such little effort.
You felt yourself almost let out a whine when he removed himself from behind you, making his way to the passenger side door and opening it for you to make your way inside. Stepping forward, you try to regain what little composure you had, and make your way to the seat, promptly reaching for the buckle when your wrist is stopped by his calloused grip. In confusion, you move your head up to meet eyes with the man attached to the hand now holding onto you. 
“Please, what kind of a gentleman would I be if I didn’t buckle the lady’s seat for her. You do take me for a gentleman, don’t you?” The kind smile upon his lips telling a different story from the devious look he was giving you. You nod your head in agreement, not truly trusting your words as you move your hand away to allow him to do what he was wanting. His fingers wrap around the metal clasp and drag it across your body, bringing it closer to the fastener. Yet as he did so, he allowed his hand to graze against your semi exposed thigh. A tingle rushing throughout you at the simple touch. How are such small things affecting you so drastically?
While the drive was fairly quiet, it oddly wasn’t uncomfortable, yet the hand gently placed just above your knee was quickly going to become your undoing. You had given up on trying to figure out where it was the two of you were going soon after you 4th time asking him, only getting excuses in response along the lines of, ‘What’s the fun in you knowing’, ‘That will ruin the surprise’, and many others. So instead, you have resorted to taking in the passing scenery. The tall buildings that passed you by slowly started to thin out until eventually the only buildings you could see were little convenience stores and well kept historical homes. But it got to the point that they too soon left your view and the only thing that laid outside of the glass were the colossal trees that blocked out the sky. 
After some time, the vehicle slowed down as it approached a gated fence. Saying it was a gated fence felt like an understatement as it was equal to what you would see guarding the homes of Hollywood celebrities. While nearing the entrance, Katsuki rolls down his window while tilting his head to the camera that was positioned on top of a speaker. Words were exchanged between him and whoever was on the other side of the speaker, and while you couldn’t make out everything the man was saying one phrase caught your attention, “Welcome home sir.” Your brow dips in turmoil as you try to convince yourself that the thoughts that were racing through your mind, were not the reason he was bringing you here. Surely he didn’t think that all the money he had donated meant that he had ownership over you and your body. Because if that was what he was thinking he had another thing coming. Almost sensing your inner dilemma, he let out a chuckle before lightly brushing his thumbs against your knee.
“You have nothing to worry about. I told you I was a gentleman, didn’t I?” The smile that pulled at his lips was enough to calm your anxieties. Your head travels to the window to watch as you pass by more trees. How big was this property? When you realize that the tires beneath you had come to a halt, you turn back to him only to watch as he steps out of the car. After unbuckling your seatbelt, you didn’t even have enough time to reach out for the handle before he was opening your door for you, extending his hand out for you to hold onto as you step out of the vehicle. Your mouth opens to ask him what you're doing here but feel yourself quickly get silenced by the warm presence of his hand on your back and his mouth close to your ear. “It’s a surprise, remember? Trust me, you won't be treated like anything less of the princess you are tonight.” A blush dancing across your face as he interlocks his hand with your own, gently guiding you away from where you were parked. 
He led you down a stone path that trailed right along the edge of the small forest, lanterns lighting the way. Smaller trees draped over the path way, shielding you from the slowly setting sun. It wasn’t dark out yet, but the shade that the leaves provided created a cozy aura to the whimsical path. The whole walkway was almost something out of a fairytale. But it almost was fitting with the knight in shining armor on your side. Looking up you watch as his hair just slightly moves with every step he takes. You could tell it had been styled out of his face, but it was almost as if the unruly hair was attempting to fight back the products holding it down. But while you were entranced by the man on your side, you had almost missed the new breeze that swept past you. As the trees start to clear, you turn your head to find yourself shocked. Not because of the chill that was now running down your spine due to the cold wind, or even the gorgeous colors of the setting sun reflecting off of the water. No, instead it was because of the massive yacht that was docked at the pier of this beautiful lake. 
Your jaw drops as he takes you toward the pier and closer to this magnificent boat. As you walk along the side you read the S.S. Lady Explosion Murder. It was kept in pristine condition, almost making you wonder if it had ever even been sailed. When he brings the two of you to a halt, you finally manage to bring your eyes away from the boat and look to see that he stopped in front of the stairs that lead onto it. You look up at him to see if you were supposed to go on, to which he responds by extending his free arm and doing a slight bow as if to say ‘after you’. He releases his hold on your hand to allow you to stabilize yourself on the handrail. As you make your way onto the ship, you see a table romantically decorated for two in the middle of the deck. Roses lay in a vase on the center of the table and candles placed strategically around the area to allow for just the right amount of light. Your jaw slightly drops at the lovely table that he had set up, turning back to him, catching his eye in the process.
“Did you do all of this for me?” In genuine shock, since no person had ever gone this all out for you before. He takes a step toward you closing off the distance before lightly grazing your cheek with his hand, tucking the loose stand behind your ear.
“Of course, you deserve nothing less than the best. I would have done more but I didn’t want to make you uncomfortable, so I just thought a nice dinner on the lake would be good for our first date.”
“You sound so confident that there is going to be more, quite the confident one aren’t you?” A slight smirk making its way to your face as you question him. But he quickly steals the smirk away from you as it travels over to him as he speaks again, his voice now a low purr.
“I have plenty of reasons to be confident. If you’re lucky you may find out why.” Your face turning a dark hue at what his words could imply. A chuckle emits from him as he watches you turn red. “You’re so easy to mess with princess, here let’s go and enjoy our nice night.”  he once again places his hand on your lower back, guiding you to your chair before promptly pulling out your seat for you. You say a quick thank you to him as he pushes you forward, before making his way to the other side of the table to sit across from you. As you both got seated, you felt the boat start to move as it departed from the dock and started making its way further out on the lake. You couldn’t help but watch the water as it hits the side of the boat, mesmerized in the way the colors of the sky reflected off of it. You turn back away from the view to look at the stunning man in front of you.
“So I’m guessing that this must be your yacht?” You assumed that it was but you were curious to see if you were in fact on his property or not.
“It is, this is just the boat I keep here up here at the lake. It’s not often I’m actually able to come up here and enjoy it as I tend to be a workaholic you could say.”
“I do have to ask then, is there any meaning behind the ‘Lady Explosion Murder’?” A smile on your face as you ask him about the bizarre name. You understood men naming them after women they love for good luck, but you couldn’t imagine anyone being named that. He started to laugh at the memories of how he came across the name.
“Do you know what it is I do for a living?” He asked and it caused you to pause, seeing as you hadn’t actually even thought of it. You shook your head no and waited for him to continue explaining. “So, I’m the CEO for a large weapons and ammunition company. We mostly work with the military and deal with trading in foreign affairs. But when I was in school for my business degree we had to come up with a name for a mock company we worked on for a school project. I wanted to name the company King Explosion Murder then Lord Explosion Murder but the teacher said that both of those were too violent so I eventually ended up picked Ground Zero. When I open my own company I choose the same name I had used back then. But as a little homage to the ‘good ole days’ I decided to name the ship in favor of the rejected names.” 
The two of you ended up laughing as he started talking more about his times in high school and you found yourself intrigued at all his stories about him and his childhood friends. He casually was able to switch the conversation over so that it was now on you and as the dinner for the night made its way to the table, you were telling all about your embarrassing memories and the horrible dates you had gone on.  
“So you're telling me he tried to kiss you after that?” Bakugou had never laughed so hard in his life, yet it came so easy when he was with you.
“Yes he did! He spilled his entire glass of soda on me, attempted to ‘wipe it off’ and then proceeded to go in tongue first for a kiss at the end of the night. Needless to say I went home alone once again. I was convinced I was doomed and never going to be able to get past a first date with a decent guy let alone get a boyfriend.” A slight chuckle leaving your lips as you reminisce on all the horrible first dates you had been on. He paused in his laughter as your words processed in his brain.
“Wait, wait, wait. You’re telling me you’ve never had a boyfriend? You’ve got to be shitting me. There’s no way.” A light blush covering your cheeks as he stares at you in disbelief. You shrug your shoulders to say that it was true and he shakes his head. “Please tell me that this hasn’t been at least half as bad as any of your last dates with those wanna be’s” You smile as you watch him stand up from his seat and make his way over to where you were, extending his hand so that you could take it once again.
“It has already been a thousand times better, might even let you kiss me at the end,” Bakugou pulled you up from your chair, but since you weren’t expecting the force, you ended up tripping on your feet and landing dead center of his chest. You glance up making eye contact with him, your cheeks heating up once again as a familiar, devilish smirk spreads across his face. He tilts his head down and lowers it just above your ear, allowing his hot breath to fan across your neck as he speaks again.
“It looks like I already have you falling for me love, are you sure I’ll have to wait for the end of the date for that kiss?” As he goes to pull away from your ear, you move your hand to the back of his neck, keeping him there as you speak.
“Good things come to those who wait Mr. Bakugou.” You release his neck and are relieved to see that for once you weren’t the one with a tint of red across your face. Looking over his shoulder you could see that the sun was starting to set and you got excited at the opportunity to watch the sun set on this beautiful boat. “Oooo, let’s go watch the sun set,” A innocent smile on your face, ignoring what you had previously said to him, instead taking his hand and leading him to the railing on the side of the ship, wanting the best possible view of the setting sun. As you stood with your arms resting against the rail, Bakugou’s arms wrap around your frame, securely holding you against it and his warm torso. Resting his chin on the top of your head, you both stay silent as you enjoy the view together.
As you look off into the distance, just enjoying the peaceful quiet out on the lake, it is disturbed by a man walking up to you. He had cleared his throat, startling, only further pushing you against Bakugou’s  chest. You could feel his hard pecs through the thin material separating you. As you go to move away from his chest, the grasp of his hand on your waist holds you tightly against him. For the hundredth time that night, your face goes red but with a new reason. Not because of any lewd words, or any innuendoes. Instead it was because of the pressure that was now on your butt. You were almost positive he wasn’t hard and the size of it in this state was enough to make your thighs clench. Just how fucking big is he? Your hips unintentionally rock backwards at the thought. The grip that was on your hip tightens as a light groan emits from his throat at the contact. If you weren’t turned on before, that sinful noise definitely had you soaked. As your thoughts continue going south, the man that had startled you in the first place spoke up.
“Sorry to disturb you sir, but there seems to be a malfunction with the engine. It’s nothing major but we aren’t going to be able to get anyone out here until the morning. I can call for another boat to bring you to shore, but I don’t know how long that will take to get here.” He stood by, awaiting an answer from Katsuki. He slightly steps away from you giving you just enough room to turn around to face him. Once facing him, he asks you,
“Would you like me to call for a boat so you can get back to your hotel? It should only take a few hours hopefully. But if you are tired, you can always stay in one of the bedrooms on board the yacht. It isn’t a problem, there’s multiple bedrooms if that would be an issue.” Looking into his eyes it didn’t seem like he had an ulterior agenda, but instead genuinely seemed to want to make sure you were comfortable, and was willing to make whatever you wanted happen. That thought made a smile cross your lips, as he made you feel safe and comfortable, even only knowing him for a small amount of time.
“I’m alright with just staying on the ship. Don’t stress yourself with ordering a charter boat.” Katsuki returned your smile as he slowly turned away from you to inform the crew member that the two of you would be spending the night on the ship but he was free to call for a charter boat if he wanted to go back home. After the man gave a polite bow to the two of you, he turned around and left to go back to the wheel. Now that the two of you were alone, he turned back to you taking your hand in his once again.
“Did you want to head to bed now? Or would you like for me to show you where your room for the night will be?” You nod your head saying yes, after which he guides you to the undercarriage of the boat. There was what seemed to be a living room and jetting off from the room was a hallway which had 3 doors. His other hand that wasn’t connected with you reached out toward the handle of one of the doors. He twists it open and a large bedroom presents itself. Stepping to the side, he makes enough room to allow you to pass by him to enter the room and explore for yourself. You make your way toward the dresser that was next to the wall before turning around when you hear him speak up again. “I’ll be right back, I’m just going to grab you some clothes for you to sleep in.”
As he exits the room you take the time to examine the room. Your hand runs up the bed, the soft sheets almost calling your name to plop down onto them. But you hold yourself back and instead just sit on the edge of it, almost sinking in as the bed welcomes you in cozy arms. Just as you were about to get lost in the relaxation this mattress was tempting you with, Katsuki walked back into the room, a few clothes in his hand. He placed them on the side table before sitting next to you on the bed.
“I only had some of my clothes in the other room, so I hope you don’t mind but I just grabbed you some of my stuff.” He moved his head to look over at you and paused at how close your faces were. His eye brow slightly raises as his eyes travel down your face before landing on your lips, lingering before returning to meet you stare. His hand ghosted over the side of your body before traveling behind your neck, entangling in your hair at the base of your head. “Did you need help with anything else before I go?” You felt frozen under his lustful stare, unable to get the words out of your mouth as there was a lump in the back of your throat and an intense burn in your core. Swallowing the lump you speak up.
“I think I can think of a thing or two you could help me with.” Slightly leaning your head forward, feeling yourself getting drawn closer to him. But he must have felt the same because you could feel his word fan across your lips as he replied.
“And what would that be, princess?” His voice so smooth it came out almost as a purr. Yet instead of responding you push yourself forward, closing the small distance between the two of you. Your lips meet in a passionate kiss, perfectly molding together as if they had been created to only meet one another's lips. Your hand runs up his arm to tangle in his hair, gripping it as you try to drown yourself as the kiss makes you almost lightheaded. His spare hand moves down to your hip, squeezing it before relaxing it. The hand that was buried in your hair grips down, tugging at the strands, making a soft gasp leave your mouth at the pulling sensation. Taking advantage of the opportunity, Bakugou dives his tongue into your mouth, exploring the new area. Your tongues battle before his hold on your hair and hip tightens causing you to submit. Your hands travel down from his hair to his chest before you break away from the kiss by pushing his torso flush against the mattress. As you both attempt to catch your breath your hands make quick work to unbutton his pants, his hand grabbing your wrist before you could continue.
“Hey, I don’t want you to think we have to do anything alright? You pause to look up at him taking in deep breath taking in his appearance. His hair messier now from your hands messing it up. His face coating in a thin tint of red from the heat of the situation. Your eyes start to travel down, looking at how the top few buttons of his shirt had come undone, allowing his collarbone to poke out and letting you catch a glimpse of the chiseled pecs that had yet to leave your mind from the first time you had video called each other. Continuing your exploration, your eyes stop when you reach his pants. the tent in his pants prominent under your devouring stare. Reaching your hand out, you let your hand lightly grasp his member, earning a throaty groan from the man under you. Pulling your bottom lip into your mouth as you slowly palm him through his dress pants. Even semi hard you could feel just how thick he was. Moving your hand, your eyes shoot back up to meet with his, his hooded eyes watching your every move. 
“Oh I know. That doesn’t mean I don’t want to do something,” a smile on your face as you separate yourself from him, reaching for the zipper to your dress allowing it to slip past your shoulders and fall to the floor with a soft thud. Strutting your way back to where he was, you connect your hands with his waistband, tugging both his pants and his underwear along with it as you pull them down his muscular thighs. His dick slapping against his abdomen as it is released from its tight confines. Your eyes widen as you feel your jaw slightly drop at the view. Sure you had felt how large it was, but it was nothing in comparison to seeing it in person, right in front of your very eyes. Lowing yourself in front of him, the temptation to lick it was overwhelming as you felt your mouth watering at the sight of it. Taking his length in your hand, you give it a gentle squeeze as you open your mouth, running a long stripe up his length, tracing the pronounced vein that ran underneath of him. You hear him suck in a breath as your tongue flickers over his swollen tip, his hair immediately flying to your hair, needing something to hold onto at the sudden feeling.
“Shit baby girl, don’t mess with me like that.” You would have smirked at the comment but you were preoccupied at the moment. Opening your mouth further you take his head into your mouth, flicking your tongue against him again as you suck on his tip before releasing it while an audible pop. Bringing your head back down you take him into your mouth, relaxing your jaw as you attempt to take him fully into your mouth, almost being successful, but with how big he was it was nearly impossible for you to get him all in. You hold yourself near the base of his dick, tears swelling in your eyes as you try to relax so as to not choke around him. You feel yourself start to gag around him but the low groan that left his mouth made it completely worth it, the sinful sound sending a surge straight to your dripping core. Pulling yourself off of him, you gasp for air as he brushes your hair out of your face.
“Fuck princess, get over here.” He pulls you up to him and connects his lips to you, the kiss much messier than it was before, heated, but amazing to say the least. You break away from him still trying to catch your breath from before.
“Why’d you stop me, I could do a lot more you know.” You walk your fingers across his torso as you give him a playful wink.
“Oh I bet you could, but I’ll be damned if I don’t make you into a sobbing mess before I cum.” You couldn’t hold back the whimper that manages to escape at the thought of him ruining you. “But I bet you’d love that huh princess, want me to make you feel so fucking good.” his lips travel down to your jaw, kissing his way down your neck making it to the dip in your collarbone before licking a strip all the way back to the sweet spot just under your ear. He started moving back down kissing and nibbling as he explored your neck, searching for which spots made you the loudest. That was until he felt himself physically have to pause at your next response, just barely louder than a whisper.
“Yes please daddy...” He groans deeply into, the low pitch sending an electric feeling down your spine and resonating in your core. His hand makes its way to your throat as his finger lightly wraps around it, gently squeezing the sides.
“Say it again. Louder this time.” His fingers pressing into you as you feel a rush going to your head.
“Please daddy, I need you.” He released his grip on your neck and you feel the blood rush to your head. You go to take a deep breath but as you inhale Bakugou grabs you by the waist, flipping you so that he was now inches above you as you're practically pinned to the bed. The very breath you took caught in your throat as he lowered himself to your ear as his deep voice makes chills travel throughout your body.
“What exactly do you need, princess? Come on, I want to hear you use your big girl words.” A whimper involuntarily escaping you.
“I want you to make me feel good. To-- to stuff me with your fingers an- and prep me for your big dick.” Your face a bright shade of red as every drop of confidence you had earlier left with the lewd words he demanded to hear from you. But when you made eye contact with him you could see in the way his eyes darkened and by the smirk on his face that he was satisfied with what you had said. His hands roamed across your body, his rough fingertips slightly scratching you as he looped his fingers in the waistband of your underwear, tugging them down your legs before discarding them across the room. As his hand moves back up to your legs, you press them together at the cold feeling against the newly exposed area. He raised an eyebrow at the action and placed both of his hands on each of your knees.
“Spread them.” Was all he needed to say for you to slowly open your legs, putting yourself completely on display for him. Embarrassed at how exposed you were, you went to cover your face, but that didn’t last for long when you heard him groan as he took the sight of you in. Peeking out from under your arm you watch as he licks his lips as he stares at you, looking as if he was ready to devour you then and there.
“Fuck baby girl, you’re so good, doing exactly what I tell you to do -shit.” He started to talk more to himself as he ran his finger over your entrance, sucking in a breath at just how wet you were. A string of profanities leave his mouth as he dips a finger in after completely coating it in your slick. A whimper leaves your lips at the slight stretch. Slowly pushing himself further in, he curls his finger upwards and brushes it against your spongy wall. Your hips jolt up to try to meet his hand but he is quick to place his hand on your stomach, pressing you to the table making you stop your movements. “I’m going to need you to behave princess or you aren’t going to be getting anything from me, do I make myself clear?”
“Yes daddy..” you take in your lip, hoping that the response you gave him was what he had wanted to hear so that he would continue doing whatever it was that sent that electric surge throughout your body. But when you heard the deep groan come from his throat you knew that was exactly what he had wanted to hear. Slowly he pulls his finger out of you only to push it back into you, enjoying the way you clenched around his digit. After sliding out of you a few more times, you are forced to bite down on your lip as he slips another finger inside of you in a swift movement. Each thrust of his fingers slightly curling up to make sure to press lightly against your g-spot, making a tingle shoot to the tips of your toes. A moan rips from your mouth as he curls his fingers inside of you, pressing against your wall with more force. His pace picks up as the noises coming from you do as well. Just as you start to feel a warm feeling build up, your head shoots up at the sensation of another finger being added into you. You shake your head at him trying to tell him that it was too much but you're silenced as his head dips into the crook of your neck. He leaves a trail of hot kisses all the way from your collar bone to just below your ear before he speaks again.
“You’re doing so good princess, taking my fingers like this- fuck- I know you can take it. I can feel just how close you are. Cum for me baby girl, cum all over Daddy’s fingers.” That was enough to make your body take over in a flood of white bliss as your orgasm soars through you. Your hand gripping his back, nails leaving a trail as you hold onto him. You moan out his name as he speaks in your ear. “Yess fuck baby just like that.” As you come down from your high he pulls away just far enough from you to watch as he pulls his fingers out of you. His fingers dripping as you watch him pull them to his face, his mouth wrapping around them, cleaning them and you feel yourself clench around nothing at the sight alone. His hand travels down from his mouth to your thighs, gently squeezing them before spreading them so that he could be between them. His length pressing against you as he puts each of your legs around his hips. You can feel yourself already getting wet again as his tip rubs against your swollen clit. A smirk on his lips as he watches you squirm against the sheets at the feeling of his length pressed against you. “Do you think you're ready for me? Think you’ll be able to handle it, baby?” He teases you, moving forward so that his head rubs against you again. He continues doing this, loving the way you keep moving your hips in any attempt to earn something more from him. He grabs the sides of your hips, halting your movements, causing you to whine. You try to move again just to get any kind of friction and you hear him suck in through his teeth. “Nuh uh princess, I want to hear you beg for it.”
“Please Katsuki-- god please I need you so bad. I just want you to fill me up. Please daddy, fuck me until I can’t walk.” A chuckle is all you can hear before you feel his hand ghost over your thigh, goosebumps covering you as he travels over your inner thigh to where his length was resting against you. 
“Your wish is my command, your highness.” was all you heard before the room was filled with the sounds of your moans as he pushed into you. As he slowly bottoms out inside of you, your hands shoot up his back and bury themselves in his hair, pulling him close to you. The slight pain of him stretching you out causes you to furrow your brow and bite down on your lip. Noticing your pain, Bakugou dips down, connecting his lips with your own, distracting you from the pain you were feeling. His hands lightly massaging your thighs and hips as he finally is able to press against you fully. He stills himself giving you the much needed time to adjust to his size. Even with the preparation he was so much bigger than you had expected. After some time you pull away from the kiss, your eyes meeting his as you take in a shaky breath.
“Please- move.” He gives you a smile before pulling out of you, immediately leaving you feel empty before he pushes himself back into you. He leans forward while keeping a slow pace and kisses away the tear that, unknown to you, managed to escape your eye. Pressing his forehead to yours you watch him close his eyes, his eyebrows furrowing as he sucks in a breath.
“Shit baby, you’re so fucking tight.” You didn’t know if the statement had even been for you as he was so focused on not railing himself into you. You could see on his face the struggle he was going through at the antagonizing slow pace he was holding. Taking a hold of his face you bring his attention back to you.
“You can go faster. I can handle it, just give me all you’ve got.” You watch as a sinister look takes over him as one of his hands removes itself from your hips and is planted down beside your head, his other hand’s grip on your hip tightening.
“You might want to hold on then princess.” You were just barely able to comprehend his words before you feel him pull out of you and quickly slam back into you. Not being able to hold back the moans he was pulling out of you as he repeats this action, burying his dick deep inside of you, each thrust causing his head to crash into your soft, spongy wall. While you had told him to give it his all this isn’t what you had been expecting. The pure pleasure coursing through you as his unforgiving speed and power only seems to increase. You drag your fingers down his back, sure that your nails were breaking through his skin, but at the moment, that was the least of your concerns. You threw your head back against the pillow as you feel him attach himself to your neck, his mouth leaving hot open kisses against you. As one of your hands pulls against his hair, a deep groan rumbles through his throat sending the vibration straight into you as he connects himself to you again, his kisses turning into harsh sucking and nibbles. As he moves down your neck he stops at where it connects with your collar bone when he hears the broken moan that leaves from you. As he licks a stripe up the length of your throat back to his new favorite spot, a chill runs through you and you clench around him. 
“Fuuuck baby girl, You keep that up and I’ll have no choice but to fuck you all night long.” You whimper at the thought alone. He continues his brutal pace as your grip in his hair tightens, holding on for dear life as you try to keep up. The way he was slamming into you was unforgiving but you loved it. Each thrust making you stretch around him, barely able to handle his size. You could feel your high coming again, and coming fast. But Bakugou must have noticed as well as the hand that was grasping your hip was now rubbing circles into your clit. The pressure was overwhelming as he also somehow picked up the force as he rams harder into you.
“You’re close, aren’t you, baby? Go ahead, cum for me. I want to hear you scream out who is making you feel this good. Let them all know who’s princess you are.” His hip tilted upwards and mixed with what he said was enough to force you to come undone. You scream out his name as your body is taken over in euphoria. “That’s it, baby girl- fuck,” was the only thing you were able to make out as you feel his paint your walls white. His thrust starts to slow as he helps the two of you ride out your highs. 
His head presses against your own as you both attempt to catch your breath, the sounds of your breathless pants were now the only thing filling the room as you feel him soften in you. You feel your body go limp as he pulls himself out of you, feeling incredibly empty. You feel the bed dip as he gets off, heading into the bathroom before returning with a wet cloth. Gently, he cleans away any mess, making sure to be careful when he gets to any sensitive areas. Afterwards he places the towel on the nightstand before sitting back on the bed. Your hands gently run over the raised skin of his back, trying to calm the now irritated skin.
“I’m sorry, I didn’t mean to scratch you so bad,” You felt bad for the marks you left on him. But when he encases your face in between his hands and makes you look into his eyes, you feel a wave of relief take over as he speaks.
“Don’t feel bad princess, you are perfectly fine. If anyone should be apologizing it should be me, I may have been a little rougher than I had originally meant. I didn’t hurt you did I?” A look of worry on his face as he realizes he had sort of lost control. But when you smiled at him he felt a little bit of his stress go away.
“It was perfect. It was better than I ever could have imagined. So thank you.” He slightly smiled while his eyebrow cocked at your statement.
“You say that as if you’ve never been fucked properly before.” He chuckled as he pulled you to lay against his torso. Suddenly a wave of nervousness washed over you as you fiddled with your fingers. He looked down at you. “What is it?”
“Well that would require me to have been fucked before...” You felt him freeze under you.
“You’re kidding right?” You avoided his gaze, but his hand gently grabs your chin pulling you to look up at him. “I wish I would have known.”
“Why, would you have been gentler?” You ask him, worried that he regretted it.
“Of course I would have. It’s your first time. I wouldn’t have gone that all out, I would have held back a bit.”
“Well then I’m glad I didn’t say anything because that...” you pause taking a moment to plant a kiss against his lips. “...was amazing.” He smiled against your lips before pulling you into another kiss, this one much slower and filled with emotion than the ones you had shared before.
“I’m glad that you enjoyed it, next time I’m just going to have to make it up to you.” He brushes your hair out of your face.
“Next time?” You question him and a soft smile spreads across his face as he looks into your eyes.
“Of course, I meant it when I said you never have to worry again. You're my princess, and I’m going to make sure to take good care of you, okay?”
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Tony Leung: “[Wenwu] isn’t a villain at all!”
On September 6, 2021, Tony Leung sat down with Hong Kong actress Carol “Dodo” Cheng for an interview about life, sports, and of course, his latest Hollywood outing as a widower who grieved the death of his beloved wife and a father who “didn’t know how to love [his children]” in Shang-Chi and the Legend of the Ten Rings.
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Interview is originally in Cantonese, and has been translated into English.
FULL TRANSCRIPT BELOW:
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Today I'm really pleased to interview Tony Leung Chiu-Wai. The last time I really chatted with you in earnest was... Do you remember? In 2013.
I think that time I was with...
We were on a plane together. 
At the mall? On a plane?
We arrived in Hong Kong, and went to some awards ceremony. We were waiting for our luggage, exchanged a few words. That was 2013, and we haven’t met since. Where did we meet up next? I’m sure you won’t remember. It was here in Hong Kong. I was surprised by you. I usually go to the supermarket, very early in the morning. Because there's no-one there. 
Yeah.
I saw you there.
I think that was probably it. Not too crowded in the morning. 
You too. Why so early in the morning?
To... buy food. I usually wake up at 6am. I’d exercise until about 10am-ish, and then I’d…
Go for a walk.
Shower, then shop for food. I usually eat quite simply— it’s either salad, or buckwheat noodles. Salad doesn't stay fresh very well. So I’d get up early in the morning, shop for what I like, and prepare it at home.
Have you been eating healthy all this time?
I’m not doing this particularly for my health. I get an upset stomach easily. I get food poisoning very easily. And it’s miserable having food poisoning! When you’re at work, others don’t know how bad you’re having it. But you can’t tell-- you can’t convey that.
Alright, at this point it’s time for a nostalgia trip. We used to be colleagues, and we’ve shot TV series together. At that time, did you feel that you could eat whenever and not have to sleep… When did you start prioritising your health?
When did it start? I think it would have been… at least 20 years ago. Because it’s miserable being sick while on set. You’ve got to keep working. Even when I had a fever, (producer) Wong Kar-Wai would say, “No, it’s the last day, you’ve got to make it.” So I would work with a fever!
It’s good that everyone's health-conscious now, and wants to avoid falling ill. So when I was preparing for this interview, some friends told me, They’d seen you and me do an interview, from many years ago. I don’t think you’d remember. We’re talking many years ago - decades here! You were really young at the time. At the TV station you were a rising star, a top male lead actor. So I interviewed you. I asked you a question, and I don’t know if you remember how you answered. I asked, “Have you thought about retirement?” You did give me an answer at the time. Do you remember at what age you said you’d retire?
I really don’t remember. I’m sure retirement was always on my mind then.
You were in your 20s then, not quite 30. You told me— “I will definitely retire at 36!”
[laughter]
What changed your mind?
I believe that when I started out as an actor, it was certainly hard work when I was just starting out. But I thought, I wouldn’t get to where I am today without going through tough times. But as I slowly grew as a person, my perspectives and values have changed. I feel more at ease. So I wouldn’t think in extremes like I did before. I think that in the past 10, 20… 10 years? I've become a more relaxed person. I wouldn’t just say, “now I’ll retire.” If I want to keep going, I will.
This is your favourite line of work, isn’t it?
Except sport. 
Could you imagine yourself in any other career? I can’t.
I’d be a sportsperson. 
A sportsperson, playing what?
I play a lot of sports. I like mountain biking, sailing, water skiing, surfing… I’m up for anything. 
You really like water sports, don’t you?
It’s hot in Hong Kong, and summer takes up most of the year. What’s more refreshing than being in the water?
How about in winter?
I’d still be in the water, wearing long sleeves.
You wouldn’t take up running?
I don’t particularly like it… I can’t seem to find much variety in running. I like to interact with nature directly. There’s something new every day. Take sailing, for example. Every day is different, the weather changes.
Your body is in a different condition every day.
You're working with the changing conditions. You end up building up a lot of knowledge. You learn about nature, the weather, changes in conditions. The water, currents, what do you call it... Hot weather warms the ocean and you’ll have gusts of wind. I didn’t know all this. But the more I sailed, the more I thought,“This is great!”
You’ve got a real passion for this.
I do.
What have you been up to during the pandemic? It’s been 1— almost 2 years, hasn't it?
I was filming in 2 movies… And... flying here and there.
Do you need to quarantine? 
Quarantine! Countless times.
We’ve talked for so long, let’s come back to this film, Shang-Chi. I believe Tony has received endless invitations to appear in overseas films. Why did you choose this film?
I didn't really... I believe it’s fate to be involved in certain films. I can’t just want to act in some type of film, then get it. An opportunity comes up, but sometimes the director might not like me, or I might not like the screenplay. Or I might like the director, but I don’t like the character. So you can’t just make this sort of thing happen. I think sometimes the time will be just right and things will happen. The director may like me, and I like the project, or I like the director. Or I might want to try something in particular. It takes a lot, a combination of factors, for something to happen.
It's like a piece of furniture, isn't it? The pieces need to be joined precisely.
Yes.
How were you scouted for this movie? How were you approached?
The director approached me, wanted to have a chat with me. So I...
What's your requirements for taking on a film? Do you need to read through the whole screenplay?
That would be best. It would.
You would've been in many films without a solid screenplay, wouldn't you?
There would still be an idea. 
An overview of sorts.
But this movie... You know Marvel is very secretive. At the beginning, I was in a video conference call with the director. What he could tell me at the time was, "You're going to be the main villain. Your character has many layers." Then I asked, "do I need to fight?" "No, because you have those rings." So I said, "then I'll definitely be fine." That was all.
What about that drew you in? Being the main villain?
That was one of the draws. In the past few years, I wanted to try characters different to those I'd played previously.
Why do all actors who have played male leads want to go off and play villains?
Actually... there's more complexity to them. I feel like there's a different mindset between playing a protagonist and an antagonist. I've acted for 30-something years. It's about time I did something different.
So you're in, you're headed to the shoot, and you're now the main villain! What's the mindset behind this?
Oh, not for this film. I thought I was the villain at first. A month before the shoot, I read the script. I didn't think this character was a villain at all. There was a real human side to this villain. Perhaps Marvel was hoping to portray a villain from a different angle this time around. So I was puzzled. Initially I was expecting, "Ooh, a villain, this will be fun", but when I looked at the script, "no, this isn't a villain at all!"
Very sentimental? 
Yes, and a lot of humanity.
You thought it would be easy playing a villain.
I didn't think it would be easy.
You didn't think there would be so much emotion. 
I didn't think it would be easy. I thought there would be more evil in him. I read the script and thought, "oh no, he's not evil at all", And that's difficult to portray. How would you let the audience... and I thought, "wow it's as if he's a good guy?" I read through the script and couldn't find the evil in this character.
How would you portray this character? Was the director able to help you?
The director...
Or did he put a lot of trust in you? 
I rarely... He put a lot of trust in me, and I don't discuss with the director often. I thought, what's the use of discussing? I could just act it out. You can be really idealistic when you discuss. I would rather do more... When I arrived, Destin would ask me, "Do you want to talk it out?" and I would say no.
Was there a read-through? 
No, no read-through.
You went straight to shooting?
Yes, straight to the shoot.
Then it would be like, "Tony, stand here, in this shot do this and that, and you'd do it?
Yeah. It was kind of like that. We filmed the action scenes first. So there was time to warm up. Then the dramatic parts. I like the drama most. I felt the most excited during these parts. The action scenes were particularly tough, because it was summer in Australia then.
Did you need to train?
I did. At first I was told I didn't need to fight. Then when I got there— wow, there's so many action scenes! So I scrambled and...
But you've got those rings. You can just throw the rings.
Sure, but there's still some action involved. Because I didn't physically prepare beforehand, it was rather tough at first. I got used to it as the shoot went on, but the weather was still hot. And there were period costumes, so it was tough at first.
So there was a sequence, they filmed all the action scenes first, and then scenes with dialogue afterwards, is that right?
I think they deliberately scheduled this so I could warm up a little. So I wouldn't need to dive straight into very intense dialogue.
There are a lot of actors involved, right? Your character has a son, too. Is this the first time you're portraying a dad?
Would it be my first time... 
Or you have, but not for a much older son?
Yes, not for a much older son. I had a child in “The Grandmaster” as well. But not that old, no.
How would you portray the emotions of a father-son relationship? Because your character didn't know his son. 
It was manageable. In this movie, the father-- not that he didn't love his children. He didn't know how to love them. This character doesn't even know how to love himself. The love was from his wife, portrayed by Fala Chen, He found love in this woman. But he doesn't know how to love others. So he was very distant from his children, his sons— his daughters were pretty much ignored. He was a father figure who preferred sons over daughters, a rather... traditional father archetype. Almost the old-fashioned type.
In shooting this movie, what was most difficult for you?
The action scenes. 
Do you do all these scenes yourself?
I try to, but they wouldn't let us do the really dangerous ones. If you're injured, who's going to replace you?
Sure.
But I try to do as much as I'm able.
You'd need to rehearse the scenes with everyone. 
Of course. Once we arrived, they arranged for Fala, my son, played by Simu, and my daughter... like you and I used to, we would all practice in the studio.
How long were the working hours?
It was 10 working hours a day, but we went all the way through that. There was no break in between. 
Really? I thought you would be sitting comfortably in your trailer?
No! We filmed a lot every day! You know how that made me felt? It felt like I was in my TV days again.
Really?
You'll think, "will we get through this much filming today?" And by the end of the day, you would. But it was very intense. Perhaps they didn't want us to have a break, because we'd have to disperse and regroup. So we went all the way through. Once we arrived in the studio, it was full steam ahead. There was no meal break, because there was always...
No meal break?
No.
I've never heard of a Hollywood film shoot without meal breaks.
There's food throughout the day. Catering comes around, and we'd just eat.
But there wouldn't be an hour for a meal break.
No.
How long was shooting in total?
I was involved for about... 4 months.
Was that long or short timeframe, in your experience?
I felt like it was short, because they were very efficient and organised. They planned it really well. So every you'd head in and whoosh,
It flowed well. 
Yes, very professional.
In your opinion, are there particular scenes you're in that the audience should pay attention to?
I think... I wouldn't say particular scenes, but the film as a whole. I don't think you've all seen me in this get-up before.
We could tell from the promos.
Very different to what I've played before.
Did you stay in one place for four months, or did you have to fly around?
We were only in Sydney, because we were in a studio. It was all green screen. There were a lot of special effects, so we only had to construct part of a set, And the rest was green screen, so it was mostly shot in the studio. Only the opening and ending were elsewhere, in a park, and in a village on a set they'd constructed. So I was there for... I was in Sydney the whole time. But because of the pandemic, I left for a few months in the middle, and returned when were were able to shoot again.
How did you feel about your experiences after the shoot? It's a Marvel movie, very different from the dramas and other films you've been in. How would you sum up your experiences?
Very stressed, very frustrated.
Really?
Because I'm the type of person who stays in their comfort zone. I filmed with familiar directors, and familiar crew.
You've really leapt out of your zone there.
I really stepped out of this comfort zone, working with strangers. The only person I could trust in was the director. I didn't know anyone else there. And when I got a copy of the screenplay, like I mentioned, I realised, "Wow, a villain that doesn't feel like a villain, what do I do?" I'd only received the script a month before the shoot. And when I got there, I had to work with the dialect coaches on delivery. I was filming, I was thinking... it was stressful. But we got through in the end.
Where were the costumes done?
In Tokyo. I was there at the time, and our costume designer kindly flew over to dress and fit me. At the time I didn't know what was in the script, I didn't know the story. But the costumes helped me a lot at the time. The movie's costumes were made beautifully. I thought they had good design sense. So when I was dressed for the first time, I was able to feel...
That you were the character.
Yes, roughly. I had an initial feeling for it. And then I would turn up in person, and get a better feel as I played the character.
So the shoot is over, it's about to be released. What plans do you have next, Tony?
Well when I came back to Hong Kong, I took part in a local film. Then I might shoot one in Shanghai, and then a TV series in Vancouver.
So you've done a complete turn-around since I last interviewed you. You were thinking of retiring at 36, do you not plan to retire now?
Not that I haven't thought about it... I'll stop when I feel tired. Then I'll go back to playing sports. If I feel like I've taken too long a break, and go "no, I need to do something," and there's something I'm really interested in, I'll do it. I don't need to come to a complete stop. It's something I like, after all.
So when you film in future, you wouldn't be thinking, "oh, I've been in a Hollywood production, "I will only appear in productions at that tier.” You'll be happy with a good screenplay.
Yes.
You might be asked to shoot drama films again. You would still take that on?
Well, I haven't given myself...
You've already left your comfort zone.
Yes, but I haven't really limited myself to what I think I should film. If there's a good film, I'll shoot in it. If there's something I like, I'll do it.
Well Tony, surely a typical day in Hong Kong for you wouldn't be on the water all day. What's a typical day like for you without shoots?
Well I'd get up, and there would be at least 2 hours of exercise.
Every day?
Yes.
Monday through Sunday?
Maybe one, half day's rest. You've got to let your body recover.
How about when you're shooting in Hollywood?
Not during filming, I'd save up my energy for that. Shooting takes 10 hours a day, but hair and makeup could take 2 hours. That's 12 hours, and it was tiring.
That's true.
I needed the energy for filming. But in Hong Kong, without a shoot, I'd have 2 hours exercise in the morning, make lunch, I might do some sports, like sailing, or water skiing. I'll come home, maybe watch a movie, or read a book. That's it. Maybe I'll have dinner.
I wouldn't exactly call that exciting. [Laughter]
It's pretty exciting!
For you, at least.
If the weather's good and I spend the day out sailing, I'd feel really happy about that. But not every day's a good day. I might capsize, and it would feel wrong. But it's not all that bad.
Why don't you enter competitions?
I have entered competitions.
Have you placed in these competitions?
Well... I have placed before.
What did you place?
I think second.
Oh, that's quite good. If you competed in the Olympics in sailing, there's no age limit there right?
Yes, there's no limit. But you don't necessarily have to compete in the Olympics. I could...
But we would all be happier for it, Tony. Imagine, Tony Leung Chiu-Wai representing Hong Kong and winning a medal! You've seen how happy the medalists have been this year.
It's really hard! It's really hard!
Why is that?
You're not as fit as younger people. It's hard. I play sports purely for enjoyment. I feel like it's an experience.
Fair enough.
It's... I'm not the type to want first place or something.
You're not a competitive person.
Yes. I don't want to experience a sport in that way. I'm there for my own enjoyment, not to win.
Let's say in future... since I last saw you in 2013— that wasn't even an interview, and now I've met you after all this time. Let's say in 5 years. What would you be doing in 5 years' time?
Maybe I...
Back then you said you'd retire at 36. I'll ask you again now, let's not dredge up the past. What do you think you'd be doing?
In 5 years' time, I think I would have more time for sports. [laughter]
Still on the water?
Yeah. Well, not necessarily, but a lot of different sports. I do want to try some—
Try running! I've seen Kar Ling (Carina Lau) run before! 
Yes, she likes running, and hiking too.
Why don't you run with her?
I don't really like running.
Hiking?
Hiking, I'd rather... well when I'm skiing, I'd walk in the back country, in good weather, carrying my skis and wearing my cleats, it's the same thing. I'd hike up and ski down. But not that kind of hiking. Well sometimes... when in summer, in Hokkaido, I can't ski. I would still hike, but I wouldn't really like it. But it would be better with friends.
But you don't like being around too many people. 
I sometimes like being with family. But my family... not everyone can hike. One might cramp up halfway.
Since you like being on the water so much, how many people does it take to do that?
One.
Just you?
Yeah.
Just someone to steer the boat.
Uhh... yeah.
It doesn't matter if there's a boat?
I do a lot of different water sports. I have those... electric boards, the type that shoot up like a magic carpet on the water, I have a stand up paddleboard, I can surf by myself too, that's doable. A lot of the sports I do can be done solo. I don't need a lot of people around.
You've really changed from before. You used to like to... go out at night?
Yeah.
That's all gone?
It has for a while. I haven't been in the nightlife for 20, 30 years. I'd eat out for dinner at most. Then I'd go straight home.
I remember I used to shoot TV dramas with you, you surprised me— We've filmed one or two series together, I would go straight home to bed afterwards, because I've always been a morning person. You could still say, "I'm going to go out for a bit." Yet the next day — our call sheets had us in very early — you were still able to make it in on time. Back then…it was a rite of passage.
Because I was young. Yes, and it was life experience. There are things you should do at that age.
Sure. Well, I hope to see you in another production soon. If this series were really successful, would you continue in any sequels?
[laughter] I really don't know, I can't say.
Why's that?
I feel like... as I've mentioned, there's fate involved in shooting a particular film. We'll see where...
…where fate takes you.
...where fate takes me.
Thank you Tony Leung Chiu-Wai for being with us today.
You're welcome.
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thesmokingguns · 3 years
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Picnic in the Park
Pairing: Axl Rose x Reader
Word Count: 2128
Fluff
Request Summary: “Axl rose meets a girl threw slash who is his childhood friend whos also an amazing painter and just is infatuated with how pretty she is and he just follows her around like a puppy.Tan skin brown hair that goes to lower back brown eyes, wears alot of cute sun dresses and is very kind”
A/N: I am catching up on requests. So if you have requested anything in the past week or so thag oiece should be coming out soon. Thanks everyone for reading
Tag list: @ayablackwood @agroupiewhore @thenobodies-inc @littlemisscare-all
Your mind was a mixture of light and dark, complimentary colors, and images burned into your mind that you wanted to paint later. If there wasn’t a brush in your hand you were taking notes with a pencil, sketching the world around it through eyes that only you saw it from. You captured everyday life like the older woman with the mesh bag she had filled with fruit or the man with his red beard, a few weeks unkept, napping in the alley to get a break from the heat. You took these people, characters of the world and had them live forever on the canvas you painted on.
Art was your passion. You loved walking around Hollywood with a set of watercolors or a notebook to sketch in and take in the lives of others. There was some sort of poetic feeling of taking a stranger from the street and importilizing them as a character in your art. You created a narrative for them that they may not be living. It was cathartic and you’d spend hours of your day people watching until you finally found the right subject.
Sketching out a bump on someone's nose that might have come from a childhood accident or from their Freshman year of college when they drunkenly fell down the front steps of the dorm, you created their unknown life story as you placed each line of their face into place. If you didn’t infuse their story into the piece it was just some colorful person without any meaning. But you wanted to give the viewer of your art a full piece. They should be able to look at your picture and understand the life that the subject lived; your art created that life.
It was crazy to think that a few years before you were in school thinking about becoming an English teacher.It was a chance meeting at a grocery store when you ran into your old friend Saul’s mother. When you had been kids the pair of you had been so close and secretly your mothers had both had fingers crossed for a wedding that never happened. The pair of you split apart the summer after senior year to set out of a life you each wanted. His mother had invited you over for dinner, which she also invited her son to, thrusting the pair of you back into each other's lives.
Oddly enough, it was like time hadn’t passed between you. The easiness of your friendship coming back without even trying and soon the pair of you were hanging out on almost a daily basis. With your schedule up helped manage his house, buying groceries, doing some cleaning, and running a few errands he never remembered. In return you had a few rooms to yourself. Slash had wanted to make sure you had time for your art as well as a space for it.
Dressing in a white floral pattern sundress you grabbed your bag that contained your art supplies. You wanted to get to the park early and set up a blanket you could spend the day sketching and painting on. You planned to soak up the sun in your skin and use the good lighting to get some new work to sell for the craft fair this weekend. As you turned to grab the picnic foods you had made the night before you saw Axl sitting at the counter. His green eyes looked up, smiling when he saw you.
“Hey, Y/N. Slash just left. I’m going to leave in a minute. I was just finishing up some lyrics.” he was always over and you thought that he was lonely in his role as lead singer. Even though Axl put on this tough guy imagine and had a reputation it was like he needed to work for that because he thought that was what rock stars were supposed to do. Whenever he was around you he seemed lost, always making extra conversation or taking the time to go walk to the coffee cafe with you and wait in line, even if he didn't want anything.
“I’m heading out for a day in the park.” you told him, moving the wax paper covered sandwiches into a small wicker basket, along with some fruit and cheese, some water, and a bottle of wine. You could feel his eyes on you, “I’m over packing and have more than enough if you want to come with me?” you let your eyes flutter up from packing the basket to look at him. “I’ll leave you alone to write because I’m just going to spend the time working on some new portraits.” It was important to you that you set up expectations. There was no need for him to feel like he was going there to entertain you or vice versa.
“I’d love to go. You don’t mind?” he asked as you finished packing up the wicker basket. You shook your head no, letting him pick up the food you had just packaged and leading you outside, “What park did you want to go to? I can drive us there.” you told him what you were thinking, getting comfortable in the convertible.
When you had moved in with Slash you had forged fast friendships with his bandmates. Even though you weren’t at every show and didn't always go backstage you had gotten close to them in different ways. On Wednesday nights you hosted a dinner party where you made them all come by so you had an excuse to cook for them. When someone had a ripped piece of clothing at a show you’d quietly take out your sewing kit, stitching patches in jeans and repairing favorite band shirts. You liked being around them all because of how animated everyone was; they were so easy to draw. You had a whole sketchbook of black and white images from the band. Your favorite subjects were Slash and Axl, mainly because they were the two you were around the most and had the most flexibility when it came to moods.
Axl had grown close to you, drawn into the caring nature you had. It was hard for him to understand that someone would do things for him without expecting anything in return. The first time that you had been out drinking with them and insisted Axl came home with you so you knew he was safe he had thought was a come on. When you helped him drink water and gave him aspirin before tucking him into bed he was shocked. Even more shocking was waking up to find his clothes washed and folded on the guest room chair and you carrying in a breakfast tray of freshly made foods. That’s just how you showed you cared about your friends. Being the mother of the group and taking care of them helped you feel like you were contributing as a friend.
Spreading out the blanket under the Weeping Willow tree. You motioned for Axl to sit as you toed off your sandals and moved to sit down. Digging through your bag you set out your sketch pad and pencils. You could see Axl out of the corner of your eye. He didn’t seem to know what to do. You pulled him down to the blanket, settling him so he could rest his back against the tree. You pulled off his shoes and socks and handed him his notebook as you went about unpacking your picnic so he could pick at food if he wanted to.
With him settled in the shade you laid down, belly first in the sun. Picking up your pencil you scanned the park until you found an older man feeding the pigeons. Your eyes followed his movements for a few minutes before you started your sketch. The feeling of the warm sun on the back of your thighs as you twirled the pencil in your hand, capturing all the features of the man.
As you drew you could feel Axl’s eyes on you. At first it was just light glances every few minutes and then it turned to heavy long looks where his eyes were watching you. Ignoring the way his stares made you blush, chalking up the pinkness in your cheeks as just sun exposure.
A hand slid over your calf, over the back of your thighs before going over your dress and laying on the flat of your back. You turned your face upward looking at Axl watching you. His eyes flickering from your art up to your face. There was a pause, curiosity and interest in what he was going to do next. Your heart is beating in your chest even though your body is frozen, wondering what he was up to.
“Do you want to take a break and eat? You’ve been working for a couple hours.” Looking past him you saw the sun had changed position in the sky and time had gotten away from you. Sitting up you handed out sandwiches, positioning yourself comfortably besides him in the shade of the tree.
Axl had been following you for most of the spring and now into summer. He's around all the time and often comes along for days like this. But you liked having him around. You thought that he needed the quiet comfortable silence between the pair of you; so much of his life was filled with noise.
“Y/N, do you like this?” He asked, peeling off the crust to his sandwich. The action seemed to be more of a need to keep his hands busy instead of a dislike for the bed.
“Do I like this? Picnics in the park?” You didn’t know exactly what he meant. Axl sometimes seemed to talk in riddles not wanting to fully play all of his cards.
“Being with me.” He didn’t look up to meet your eyes at this, almost embarrassed to be talking about it. You weren’t like Axl. There was no need to talk in riddles or have him guessing how you felt.
“Of course I like having you around, Axl. It’s nice to be able to spend time with someone I like.” He looked up, almost surprised that someone would like to be around him. “I’ve had a crush on you for a few months and it’s nice to get to know you more and find more reasons to like you.” You didn’t feel nervous telling him this. It actually felt like a relief to get it off your chest.
He put down his sandwich, wiping crumbs off on his shirt and looking at his hands to make sure that they were clean. Before you could figure out what he was going to do he had a hand in your hair, tugging you closer to him in a soft kiss. For months you had been thinking about what it would be like to kiss him on one of your lazy afternoons together and now it was happening.
Instead of letting him pull away and think about what he had just done you slid onto his lap, letting your hands wrap around him. His free hand was on your back holding you close as the pair of you made out like teenagers under the shade of the willow tree.
Finally, the pair of you pulled away, swollen plush lips and wild curious eyes watching each other. This new change between the pair of you sparkling like wonder between the pair of you. Axl was playing with a piece of your hair, wrapping the brown lock around his finger like he had been wanting to do for months.
“Does this mean we can finally start dating?” You asked, watching the way he smirked at this question. “Because I don’t know how many more times you can just casually show up without Slash catching on. And I don’t know how many more picnics I can plan without touching you.” You admitted, his lips were on your chin and up your jaw.
“Mhhh, I’ve been waiting for this for so long and now I can have you all to myself.” His voice whispered huskily to you kissing your earlobe. He pulled away to look at you again. “You have to tell Slash.” He said, making you laugh as you rolled your eyes. If that’s what it would take to have Axl you didn’t mind telling your best friend about the relationship.
“You take care of me and I’ll take care of everything else, babe.” You promised, meaning it. This was everything that you had wanted for months and now you were getting it. The man that you had started falling for was yours. It had only taken months worth of picnics to get him.
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mosaic-system · 2 years
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What is your opinion on the movie Split, if you have seen it, with regards to how it depicts DID? Because like I feel like someone with DID would be offended but at the same time don’t KNOW whether they actually would be? Like when I see anti-asexual or anti-Irish sentiment and think “Hmm. Well that is certainly offensive from an objective viewpoint, but am I personally offended?” I do feel like if the twist behind the ‘Beast’ alter being superhuman was that he had been bitten by a werewolf, because there were so many hints towards him being a werewolf and the whole backstory they gave the protagonist about being a hunter, I feel like it would have suited the story better and avoided the ‘all people with DID are evil’ trope. Am I saying this right?
Short answer: Split is one of THE MOST offensive portrayal of DID I have ever seen.
Long answer: Ever since the "case" of Sybil, DID has been over dramatized and sensationalized by the media. Hollywood took it by the storm and there are several movies showing us as perpetrators of violence when in fact that is quite the opposite.
In recent times, Split is one of THE most recognized movie that has any form of DID "representation" (if you could even call it that).
I can't explain how horrible it feels to tell someone new that you have a semi-rare disorder only to have them look at you and ask "so like Split?" the implication behind this question, though sometimes not intentionally
Are you going to hurt me?
Are you a serial killer?
I decided to humor you though, and watch it myself for the first time. I'm willing to admit, from an outside perspective, if this disorder wasn't already affecting my life and I didn't know about this kind of disorder as well as I do, objectively, the movie is good.
HUge but though, as it happens I know this disorder in and out because I live with it, and have been professionally diagnosed.
Here are some points and misconceptions the movie displays that are wrong so as to explain why the community as a whole does not support this movie in any way, shape, or form:
- People with DID are more likely to be a danger to themselves than to other people, more likely to be victims of violence than displayers.
- James Mcavoy talks about watching video diaries of people with DID, and asked about it to professionals, but never sat down with a person with DID
- No alter is truly evil and if alters are a harm, it is usually to the system itself, not those on the "outside". It is a coping mechanism, the brain will use pain upon itself so abusers will not do as much harm.
-people with DID can "change the body" but it is not through any supernatural means. For example, some alters cannot see or hear while others can , because it was traumatic to see or hear. SOme alter's may have a different glasses prescription because using your eyes is utilizing a muscle and different alters have different muscle memory, these are easily explainable and do not "alter the body's chemistry" but is rather a coping mechanism to survive.
- It takes a lot of work and therapy to be able to switch relatively quickly, and generally no one switches that fast.
In the end, the only redeemable quality of this movie is the portrayal of PTSD by the main character, Casey Cooke. This would be the only lens I would encourage someone to watch this movie, not for learning any sort of DID knowledge or representation.
If you don't know what DID is, I can go more in depth in another post, but this carrd sums it up fairly well.
TL;DR: Yeah a werewolf would have been infinitely better.
-💜+💛
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whump-a-la-mode · 3 years
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Gilded Cage - Part 4
Once again, A won in a landslide. I hope the choices this time around will be a little more interesting. As a result of A winning, Journalist will help Villain.
Both of the options from last time around led to separate twists. It may be a little confusing at first, but I promise, it’ll make sense!
Again, the suggestions I received this time around were amazing!
I hope you enjoy!
CW// Imprisonment, collars, shock collars, villain whumpee, talk of torture, talk of blood, explicit discussion of injuries, medical discussion, deciding whether a person will receive medical treatment, mention of pneumonia, amnesia, panic, talk of law enforcement and criminal charges
The news segment began with its cheery jingle, starting with a light whistle, and crescendoing into an orchestral sound.
The video dawned on Journalist’s set. Behind the camera stood their crew. But the show’s usual host was nowhere to be seen. Instead, having been replaced by two other reporters, sitting behind their table. In their chairs.
“Hello, everyone.” One of the reporters spoke with a nod of the head. Their practiced, fine-tuned smile was present on their face, but there was a level of appropriately moderated sadness to their tone. “We hate to inform you that the previous host of this show, Journalist, has unfortunately left their post.”
The other reporter spoke with a similar tone, looking up at their cohost. “Shall we get right to it, then?”
“I suppose there’s no point in beating around the bush.”
“No. There’s not.” The reporter shook their head. “Your regular news for this segment will be moved to tonight’s News at 10. After much discussion, we figured it was only right to address the situation regarding this segment’s former host.”
“Yes. I am certain that many of you have seen this video on various social medias.”
In the corner of the screen, a panel faded into existence, showing a silenced video. Only a few frames long, looping every time it finished.
The video was of remarkably low quality, and taken in remarkably low light. The faces of only one of those in it could be made out-- that of a bloody, bruised, yet alive Villain. They who stood over the injured was little more than a shadow in silhouette, face never once turning towards the camera. After a few repeats, the video skipped around, showing different frames. Always in shadow. Never showing more than a hundred pixels or so.
The action within could only truly be seen if the viewer was to squint. Or, if they knew what to look for.
“This video was released by the Organization of Heroes, late last night.” One of the reporters spoke up, after the display was finished and faded away. “It was taken by one of the employees of their headquarters, shortly after this very news segment was filmed yesterday, in that very headquarters.”
“The Organization stated that it released this video to promote transparency regarding a current investigation. Though the exact details have yet to be revealed, this video is harrowing on its own.”
“We do not know why Journalist would do this.” The reporter’s gaze met with that of the camera lens. “We all have our own opinions about Villain, but no opinion can justify beating someone senseless. We all knew Journalist. We never thought there were capable of such a horrible thing. It is believed that, after filming an interview with Villain, Journalist led them to an unused room, and beat them severely. This video shows the incident.”
“The Heroes and local law enforcement have stated that they are currently pursuing a manhunt for Journalist on charges of assault and battery.”
“To dispel rumors that have been spreading: As of only a few minutes ago, the Organization of Heroes has reported to us that Villain is alive and well. Rumors of their death are greatly exaggerated. Journalist is not being pursued as a murderer.”
“Villain is currently under the care of in-house medical professionals of the Organization. They are in critical condition, but are expected to recover.”
“If you believe to have spotted Journalist, please call the number on screen. This is a tragedy, but together, we can at the very least bring this criminal to justice. Thank you.”
━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━
“Can they hear us?”
“No, no. They’re asleep.”
Villain’s eyes twitched, the voices above them hazy, coming from behind a layer of fog. Still, they thought they knew them... Maybe. The effort of recognizing who was speaking when made their head hurt, but their heart was beating far too fast to allow them to fade back into sedated bliss.
“Good.” Teammate muttered, their hand shifting the hospital bed ever so slightly as they placed it upon the bedrail.
“Yeah, good.” Hero’s grunt dripped with sarcasm.
“They need their rest.” Villain didn’t quite recognize the third voice, though they could only assume it was a doctor. “They’ve regained consciousness a few times, but they‘re somewhat sedated, right now. We can’t risk them choking.”
Choking. Villain knew that word. They remembered it being shouted, over and over again, next to them. Their mouth tasted so much like copper...
“I wish they’d choke.” Hero growled. Villain didn’t need to open their eyes to feel Teammate’s glare.
“Well, we’re not going to let that happen.” Doctor shook their head. “What we need to do is talk about... well, you’re in control here. We’re under your command. We have them stabilized, but if you want them to do anything more than lay in a hospital bed, we need to talk about what comes next.”
There was a moment of hesitant humming, before Teammate asked, tentatively:
“How bad is it?”
Villain had heard that question before, in a tone of panic and screaming. Who had said it?
Again, hesitance.
“Bad. Really bad.” Doctor sighed, straightening their tone to something more official. “We’ve seen some possible early signs of pneumonia, but, well...” Another deep breath. “Their torso sustained several dents. There’s risk of internal bleeding. That’s not to mention three snapped ribs, five additional broken or fractured ribs, and fractured clavicle. And the leg.”
For a moment, the nerves in the doctor’s voice turned to fury.
Villain knew that fury. The fury of someone who was watching the person they tried to protect die. Why didn’t they remember?
“A spiral fracture. I’ve never- I have no damn clue how you managed to do that. It’s generally only seen in falls, or industrial accidents, but... yes. There is a spiral fracture in their left tibia. We believe it’s shattered into five separate pieces, though we won’t be able to tell for sure until we can perform exploratory surgery. Villain will need to be a lot stronger before that, though.”
“Okay.” Teammate gritted their teeth. “And that’s all... bad.”
“Very bad.”
“Well, they’re not dead.” Hero hissed.
“They may as well be.” Doctor snapped back.
“Hey, who here is paying you-”
“Shut up, you two.” Teammate growled. “Are they going to die?”
“As it stands now... no. We have them stabilized. Any external bleeding has been stopped. But if our suspicions of pneumonia and internal bleeding are correct, then they could very well die, if we don’t act quickly. That’s what we wanted to ask you about.”
“Whether or not to save them?”
“Essentially.”
“Do it.” Hero’s tone was firm, though still frustrated. “At least for a bit. The edited video will go out on national news tonight. If this assault investigation turns into a murder one, it’ll be more scrutiny than I care to deal with. The less anyone looks into it, the better.”
“Having them back on camera so soon may not be a great idea, sir.” Doctor’s voice had practically turned to a whimper.
“Well, how soon can we expect them to be healthy enough for it?”
“A month-”
“A month?!”
“One month for the initial recovery. And at least four for subsequent physical therapy. They should not engage in any strenuous physical activity for at least that long.”
“We don’t have a month. Much less five.”
“Well, I’m a doctor, not a miracle worker.”
“I need them on the air tomorrow. Either tell me a way to make that happen, or I’ll find a better doctor.”
Doctor’s footsteps could be heard against the tile as they stumbled backwards.
“I guess there’s...”
“What is it?”
“The miracle drug. That’s what they call it. It’s certainly not a miracle, but... I’m sure you’ve heard of Hollywood medicine. An injured actor getting up the day after a car crash, looking good as new.”
“You can do that?"
“Well-”
“Then do it!”
“It’s not that simple. There’s no such thing as a miracle drug. Painkillers and steroids won’t fix their injuries, but with the right mix of them, they can be as good as new tomorrow. Well, along with some seriously good makeup work. Those injuries are... not pretty.”
“Then do that. The news is coming back at 9. Now, was that so hard?”
“Wait.” Teammate interjected. “It can’t be that simple. What’s the catch?”
“The catch?” Doctor began. “The catch is kind of the whole matter of the thing. This treatment, it won’t actually do anything. We’d be blocking pain signals to their brain, and giving them enough strength to press on despite their wounds. But that’s all. The injuries will still be there. And the longer they’re untreated, the worse it’s going to get. Especially if Villain is up and moving.”
“But they’ll be able to appear tomorrow night?”
“Yes. They’ll be good as new.”
“Then...” Teammate hesitated. “You treat them like normal, and we just give them some kind of miracle drug whenever we need them on stage?”
“Again, it’s not that simple. This treatment, it’s going to destroy any possibility of a normal recovery. It’s either or, not and. Either we treat them like normal, or we have them ready to perform tomorrow. It’s your choice, but I’m sure you know what I recommend.”
“They’re performing.” Hero spoke with such a force that it was known in the room that no one could hope to oppose the decision. “Get them up and moving. How long will this work? This miracle drug?”
“There’s no way of knowing, really. They run the risk of collapsing at pretty much any time. We’re tricking their mind into thinking it’s unharmed, but we can’t do that with the body. The wounds are still going to be very, very real.”
“Just give me an estimate.”
“I don’t know, two weeks? Less if the pneumonia gets bad.”
“And then?”
“And then they collapse. Kaput. Gone. The human body has its limits, superpowers or not.”
“I can work with two weeks. I want them back in their cell by tonight, understood?”
“Understood, sir. They’ll be as good as new. And, lay off the collar, please.”
“That depends on if they choose to behave, or not.”
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Villain wasn’t sure when the rough linen of the hospital bed turned to a duvet made of plush, laid atop an impossibly soft mattress that sunk several inches under their weight. They must have been moved at some point, they certainly didn’t remember walking. They couldn’t so much as feel their legs, so walking would have been an impossibility.
One hand curling around the plush on which they lay, they fought against their leaden eyelids until they finally relented and opened. The ceiling above them was one they knew far too well, having spent far too many sleepless nights staring up at it.
They blinked a few times, waking up their mind, which was rapidly beginning to panic.
Had they been dreaming? The day before, had all of it simply been a horrid nightmare?
Sitting up took only minor effort, and as their lungs filled with air, they felt no pain. In fact, their whole body was absent of any pain at all. Even their leg felt to not have lost an ounce of its strength.
It couldn’t have been a dream, could it have been? The pain had felt so real, but...
They raised a hand, drawing it to their ribs. Pressing down prompted no pain, only a vague soreness. But even with their limited medical knowledge, Villain knew full well that ribs weren’t supposed to fold inwards like that.
Nope. Definitely not a dream.
At least, that part wasn’t. Maybe? Trying to think about it was so difficult, causing a horrible, gnawing pain at the back of their mind. Closing their eyes to aid their focus, they did their best to recount.
They had eaten lunch, they believed. There had been others at the table. Visitors. Government representatives? The mayor, maybe? That sounded somewhat right. But then, no, that couldn’t have been right. They remembered the burning of stage lights so strongly, it must have been a news crew.
And then...
Then pain.
They didn’t remember the circumstances in any detail, but they remembered exactly how it felt for a boot to collide with their flesh, crushing all in its wake. They remembered how it felt to have every nerve alight in artificial agony.
After that, there was shouting. Someone was touching them, helping them sit up. It mustn’t have worked, though, for a moment after, they were on the ground, and there was more shouting. More yelling. Screams.
Then nothing. Next thing they could remember, they were swimming through sedatives and painkillers in a hospital bed.
And now they were here.
They looked to the clock, noting it to be late in the night. After the time at which the Heroes would have eaten dinner. There were never any appearances at night, so they would be left alone until it was time for lunch.
It probably would have been best for them to go back to sleep, to rest and recover, but now that they were awake, they couldn’t help but feel that such a thing would be impossible. Warmth ran through their veins like alcohol, making them feel more alive than they could remember having felt in quite some time.
Villain couldn’t sleep, but perhaps they could do the next best thing. They felt around their nightstand, finding eventually the television remote, and clicking on the TV mounted on the wall before them. It was what they spent most of their time doing, anyways. Staring at the screen and rotting.
The screen blinked on, displaying something that caused Villain to do a double take. They looked at the info for the channel, double checking its number.
It was the news. The Heroes had always kept every news channel, or really anything that talked about current events, firmly out of their reach. Yet, here one was, playing right in front of them.
They couldn’t help but feel a dull ache in their neck.
Still, who would catch them? No one would be coming in at this hour. Perhaps they could, at least, peek into the outside world. Hell, they would have been grateful to know the weather.
But what was playing was not the weather.
A banner on the bottom of the screen read, in big white letters, “News At 9.” Two presenters sat behind a table, a brief moment of silence hanging between them as a video played in the top right corner.
Villain saw their own face. Their own bloody, beaten face.
“It is believed that, after filming an interview with Villain, Journalist led them to an unused room, and beat them severely. This video shows the incident.”
Journalist.
Villain did not know that name, but it made their stomach twist in on itself.
Their nausea turned to panic in an instant as they heard a quiet knock, echoing against the door to their room. Already shaking, they lunged for the remote, tapping in a random number and willing the channel to change faster. By the time the doorknob twisted and the door opened, they were sweating bullets.
They looked to the doorway, doing their very best to pretend that they had only been innocently watching an approved channel.
They had expected Hero, or perhaps one of the others on their team, and they supposed that they weren’t entirely wrong.
Hero had long since stopped having a singular sidekick, stating that such a thing was horribly inefficient. Instead, they had multiple at any given time, training each for several months before sending them off to other duties.
Sidekick was one of the newer trainees. Villain couldn’t quite remember what exactly their powers were, though they remembered that this trainee in particular was one of Hero’s favorites. They were younger-- not a kid, but firmly college-aged, though their stature was far too muscular to suggest such a thing.
They had painted on their face the same smile that Hero always presented to the media. It made Villain shudder.
After flashing that bright smile a moment, Sidekick turned, closing the door with notable care and approaching their bedside. Villain turned off the television, shifting to face their visitor. Sitting up straight, drawing their shoulders back, showing all the respect that a trainee of Hero deserved.
“Can I sit?” Sidekick pointed to a spot on the bed.”
“Yes! Of course.”
They nodded, sitting down. There was a remarkable care in the way they moved and shifted, as if they were terrified of making even the slightest noise.
“Turn the TV back on.”
“Um- okay. I promise, I wasn’t- I didn’t mean to, it just turned on, I’m so sorry, I didn’t mean to, please don’t-”
“Shh, shh. I don’t know what you’re talking about, but I’m not going to hurt you. We need to be quiet.”
Villain nodded, turning on the TV. The noise practically drowned out Sidekick’s voice, and they couldn’t help but feel that that was rather the point.
“Villain. You know me, right?”
“I wouldn’t say that I know you very well.”
“That’s okay. I’m Sidekick, and we want to help.”
“What do you mean ‘we?’“
“Me and your friend. Journalist. They couldn’t be here, it’s too dangerous, but... I know you don’t know me very well. And to be quite honest, I don’t know you very well, either.”
Sidekick raised their hand, causing Villain to flinch back. But they were not struck. Instead, the hand was presented as if offering a handshake.
“Villain, I need you to trust me.”
They felt their mouth grow dry as they looked at the offered hand.
“I know we don’t know each other well, but what I do know is that you’re suffering, and you need help. In three days, you’re going to be at a live press conference, down on the East side. There’s going to be a signal. When the sun disappears, that’s your signal. You’ll know what I mean, okay?”
“I don’t know if I-”
“Please. When you see the signal, you need to cause as much chaos as you can, okay? I mean, don’t hurt anyone, or at least try not to, but do what you need to do to get them running. That’s all you need to do. We’ll take care of the rest.”
“W-Why?”
Sidekick moved their offered hand closer.
“Villain, do you trust me?”
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What should our Whumpee do? It’s up to you to decide!
There are two options, each one leading to a separate story branch. Alongside each option is a question specifying what exactly will happen. Answering this question is completely optional, but it is great if you have any particular ideas! Otherwise, feel free to just put a letter.
To vote, feel free to use any means you would like to contact me. Replying or reblogging this post works just fine, as does PMing me directly or sending me an ask. I am unsure when I will be writing the next part, so as long as the next part hasn’t been posted yet, voting is still open!
I will choose the story path based on which option has more votes, and will choose whichever answer I find the most interesting to base the next part upon. The choices and questions for this part are as follows:
A) Trust - Should Villain go along with the plan? B) Refuse - Should Villain report the infraction?
If you have any questions, don’t hesitate to contact me. This is my first time doing anything like this, so I apologize if it’s odd or confusing ^^
58 notes · View notes
nostalgicatsea · 4 years
Text
Common questions about and excuses for racism in fandom
I noticed that the same excuses, justifications, and questions that have come up in response to racism in fandom over the years appear in the notes for my post, so here’s a FAQ of sorts to address them. Hopefully, this will help people understand why these arguments don’t stand up to scrutiny and have something to refer to in lieu of writing a new reply every time someone says these things. 
Due to the length of this post, I made a Google doc for easier reading. Please note that several points are specific to the Marvel fandom and to the post linked above and are often M/M-focused (I explain why in that post), but generally speaking, the following can be applied to any fandom and various relationships. 
TABLE OF CONTENTS 
I can ship whatever I want. Stop being the fandom police!
Shipping isn’t activism. 
Fandom is supposed to be fun. Being told what to do or not to do isn’t fun.
I put a lot of different people in my works, and I do research about the groups they’re in. For example, I have a *marginalized group here* character (e.g., disabled), and I did research to represent them accurately. It’s not fair to say that I don’t care about diversity.
I don’t think people should write about POC if they’re white, just like I wouldn’t want anyone to talk about *insert topic you’re passionate about or interest group you’re in here* (e.g., the BDSM community) if they didn’t know anything about it.
I really don’t have any knowledge about what it’s like to be a POC, though, so maybe I’m not the best person for this. If POC want to see themselves represented, they should make their own works.
I’m not comfortable with writing POC as I’m unfamiliar with the struggles they experience. I don’t want my writing to come off as inauthentic, inaccurate, or offensive. Why are you saying it’s harmful to use this as a reason for abstaining from writing POC?
It doesn’t make sense to include every single POC in my work.
What you said and the data you have don’t necessarily point to racism. It might just be individual preference. I prefer certain ships over others, and it has nothing to do with race/I don’t see color.
A big part of what informs my shipping is physical attraction or interest in the characters.
I don’t ship _____ because I see them as brothers/sisters/siblings.
Some white characters and ships are popular in the MCU fandom because people bring in canon characterization or material from the comics to the character(s)/ship. Your MCU-only examination fails to account for ships with one character from the MCU and one from comics (e.g., MCU Bucky/616 Clint or Spideypool).
Some subfandoms just have fewer POC which means there will naturally be fewer ships featuring POC. To say that the Marvel fandom is racist as a whole is disingenuous; you can see how more diversity in the cast leads to more diverse ships in fanworks.
Some of the characters and ships are popular because white characters get the lion’s share of screen time and development or they appeared in canon earlier.
Is it racist to racebend a character?
Racist language in fics is more important than fandom representation.
My fanworks tend to focus on one ship and don’t really include other characters in general. When they do, the others mostly talk about that relationship. Am I falling into the trap you mentioned? 
I feel guilty about not including or writing about *character of color’s name here*.
How do I ensure that I don’t offend anyone if I include POC in my work?
What should I do to examine myself for any implicit biases?
The rest of the post is under the cut.
I can ship whatever I want. Stop being the fandom police!
As explicitly stated several times in my post, I agree that you can ship whatever you want. I’m not targeting a specific ship. I’m not telling you to stop shipping what you ship. All I’m asking is for everyone, including myself and other POC, to regularly examine ourselves for any implicit biases. If you’re a multishipper, are all of your ships in the fandom white? If you only have one ship and it’s white, are most or all of your ships in your other/previous fandoms white? Is the only media you consume predominantly or all white? 
Shipping isn’t activism. 
No, it isn’t and in many cases, shouldn’t be seen or treated as the same thing. However, by responding this way to POC who want to see themselves represented in fanworks more and not be ignored or written stereotypically, you’re telling us that our mere existence is a “political issue.” 
Fandom is supposed to be fun. Being told what to do or not to do isn’t fun.
It should be fun for us POC too, and it’s not when we’re consistently misrepresented or we don’t exist in this fandom. By using this as an excuse to exclude POC from your works, you’re saying that only some people are allowed to have fun or that having fun is conditional. Also, no one is forcing you as an individual to do or not do anything. See two paragraphs above.
I put a lot of different people in my works, and I do research about the groups they’re in. For example, I have a *marginalized group here* character (e.g., disabled), and I did research to represent them accurately. It’s not fair to say that I don’t care about diversity.
Just like you do research for those groups, you can easily do research on POC. Also, please be aware that this statement is similar to the “I’m not racist because I have a ___ friend/have a ___ person in my works” argument that many people use to prove they’re not racist, homophobic, sexist, etc. We aren’t interchangeable with other groups. 
I don’t think people should write about POC if they’re white, just like I wouldn’t want anyone to talk about *insert topic you’re passionate about or interest group you’re in here* (e.g., the BDSM community) if they didn’t know anything about it.
Something like BDSM is a lifestyle and preference. It is a choice. Being a POC isn’t. We can’t take off our identity every time we leave the house, the way you might keep it secret at work that you’re in the BDSM scene. 
I really don’t have any knowledge about what it’s like to be a POC, though, so maybe I’m not the best person for this. If POC want to see themselves represented, they should make their own works.
We do. Also, all of us fanwork creators make works with characters who are different from us all the time. Fandom is largely composed of people who aren’t straight cis men, yet the bulk of works on AO3 features characters who are canonically or implied to be straight cis men even if we end up changing that in our works. Most of us aren’t billionaires, but we don’t have a problem writing Tony. We don’t know what it’s like to be a WWII-soldier-turned-brainwashed-assassin who was kept in cryo for decades except when deployed on missions, but we don’t have a problem writing Bucky. The list goes on.
I’m not comfortable with writing POC as I’m unfamiliar with the struggles they experience. I don’t want my writing to come off as inauthentic, inaccurate, or offensive. Why are you saying it’s harmful to use this as a reason for abstaining from writing POC?
Your concern isn’t harmful. Reducing us to our trauma is, and you’re doing that if the reason you’re not comfortable with writing POC is that you don’t know how to write our struggles. We’re not only our pain. We’re more than that.
Not every fic has to be about the trauma of being a POC. We deserve to have fun, silly fics in addition to serious, plotty drama. We’re not thinking about our suffering 24/7 even if we do think about or are affected by it a lot. It’s not like if you write a Sam/Bucky fic, Sam is going to randomly lecture Bucky about the history of Black people in the U.S. and modern enslavement through the prison industrial complex while Bucky is trailing kisses down his neck in bed. We don’t need everyone being racist to MJ in a Pride and Prejudice AU. If you do want to include their struggles because that informs the way the characters think or act in your story, you can do so in ways that feel organic. 
Additionally, this is an excuse that we hear often; you may have heard it as people in Hollywood have used it to explain why they don’t have any, or at least any major, characters from marginalized groups in their works. If we allowed this excuse, an overwhelming majority of who we see in the media would be straight, cis white men considering who has power in the film and TV industry—and we would have to say that’s okay. We would have to say that the only people allowed to write about a certain group are members of that group, e.g., only women can write women. That’s not acceptable especially considering the gatekeeping, oppression, and high barriers to entry and success that make it difficult for marginalized people to even be in the room let alone make a name for themselves.
Fandom is no different. You’re saying that you can’t relate to POC because you’re white, but none of us POC have any problems making fanworks with white characters even though we don’t know what it’s like to be white. There are straight women who write fics about gay men and don’t feel uncomfortable doing so when they don’t know a single thing about being a gay man and the struggles of gay men (M/M can include bi or pan men, fics about gay men by straight women can sometimes include problematic portrayals, and straight men, queer women, and non-binary people write M/M too, but this is just an example).
You should be more careful when writing a POC if you're not a POC. The same goes for men writing women, cis people writing trans people, straight people writing queer people, able-bodied people writing disabled people, etc. However, there ARE ways to go about it, and while I understand the fear of messing up, the truth is everyone is racist, sexist, etc. Everyone including people in marginalized groups. Being a white lesbian doesn’t mean you can’t be racist. Being an Asian man doesn’t mean you can’t be sexist. You can see that within groups themselves. POC are not exempt from racism against other POC or from internalized racism against themselves or their own group. Women aren't free from internalized misogyny. The best we can do is to not make that prevent us from making inclusive works; if you make a mistake, which may happen, all we can ask is that you try your best to be open to feedback and grow. 
It doesn’t make sense to include every single POC in my work.
No one is telling you to. Choose characters who make sense for the story. Don’t choose them just so you have a POC in your work. We don’t want them to be tokenized. 
What you said and the data you have don’t necessarily point to racism. It might just be individual preference. I prefer certain ships over others, and it has nothing to do with race/I don’t see color.
This argument is identical to the “not all _____” rebuttal (“not all men,” “not all white people,” etc.) which places the blame on a few lone individuals and shifts the conversation away from an existing widespread problem. When there’s a consistent pattern and there are many examples of it both within the fandom and in other fandoms, it no longer is about individual preference. 
I urge you to consider the following:
If most people say they don’t write about or include a POC in their work because it’s too difficult or they’re afraid of making that character inauthentic, but they don’t seem to have an issue with writing other characters from groups they’re not in (e.g., if you’re a straight woman who writes a lot of M/M fics despite not knowing what it’s like to be a bi, pan, or gay man), doesn’t that say something?
If most people have the same reasons you do about not being interested in POC (e.g., “they’re not fleshed out enough” while being interested in or fleshing out minor white characters who get the same or even less development as those characters) or ships with POC (e.g., saying “they’re like brothers” while being interested in a white ship with similar dynamics and tropes or seeing why other people might ship it if you don’t), doesn’t that say something?
If most people give characters of color the same roles in their works even if that makes them OOC and/or the role reduces them to a (frequently stereotypical) trope, especially if they’re never fleshed out beyond that trope (e.g., the funny sidekick, wise friend who always helps or gives advice/free therapy, or responsible, mature, and sometimes stern friend who “parents” the protagonist), isn’t that saying something?
If race truly isn’t a factor for you when it comes to liking characters and ships, then this isn’t about you and you don’t have to distract people from the conversation by announcing that. That said, we should all look at characters and ships we like anyway instead of assuming that’s the case as that’s good practice. How much of your list is white? If it’s mostly or entirely white, why is that the case and why do you feel differently about ships of color?
A big part of what informs my shipping is physical attraction or interest in the characters.
What characters and actors do you find attractive or interesting? Are they all or mostly white? If they aren’t, are you drawn to any ships that include those POC? Refer to the section above.
I don’t ship _____ because I see them as brothers/sisters/siblings.
Part of this is preference as it comes down to perceived chemistry and relationship dynamics. However, POC are often not seen as romantic leads both in fanworks and the media and are just friends or “brothers/sisters” (this is why Crazy Rich Asians was a big deal). Sometimes, people even argue against POC being or having love interests in the name of diversity. You see this a lot with WOC in the media where the explanation against a love interest is “she’s a strong, independent woman who doesn’t need a man”; yes, they don’t and sometimes the story doesn’t need a romance, but WOC deserve love too and it’s strange that while white women can get the guy and be independent, WOC can’t and it somehow belittles or reduces them if they do. 
The way you can gauge whether it’s just preference at play or biases you may not have been aware of is to see how many relationships featuring a character of color fall under the “just friends/siblings” category for you, what you need to ship something, and how you feel about white ships with the same type of relationship or same lack of chemistry. For instance, you may say that there needs to be enough interaction for you to ship something and that’s why you don’t care much for Rhodey/Sam. Do you feel the same way about Clint/Coulson then, which has much less interaction (actually much less than Rhodey/Sam in this case)? If it’s about chemistry, are Steve and Sam just “brothers,” but Bruce and Thor aren’t or, if you don’t ship Bruce/Thor, you still “see it” and get why other people might be into it?
What do you ship, or what ships do you understand even if they’re not for you, and how is that different from ships that follow the same beats? Why are Steve and Bucky not brothers, but Rhodey and Tony are (there are many parallels between the two relationships—and one can argue the latter is more nuanced—than appears at first glance, and Rhodey/Tony can be just as sweet or angsty)? If you like the rivals/enemies-to-lovers or meet-ugly aspect to Steve/Tony, Sam/Bucky, Scott/Jimmy Woo, and M’Baku/T’Challa have that dynamic. You like that superior/subordinate-to-lovers dynamic that Clint/Coulson has? Coulson/Fury. Flirty meet-cutes or love/trust-at-first-sight? Steve/Sam.
Some white characters and ships are popular in the MCU fandom because people bring in canon characterization or material from the comics to the character(s)/ship. Your MCU-only examination fails to account for ships with one character from the MCU and one from comics (e.g., MCU Bucky/616 Clint or Spideypool).
I explained why I focused on the MCU here and that most of the fics that feature an MCU character and comics ’verse character tend to be heavily or entirely MCU-influenced here.
Also, characters of color exist in the comics, cartoons, and games too. By this logic, Steve/Sam and Rhodey/Tony should be juggernauts in the MCU fandom considering the depth and history of the characters and relationships. Ask yourself why people are happy to ship MCU Spideypool, to draw on the comics for that relationship and even bring a non-MCU character into the MCU and write him based on his comics history and characterization. Ask yourself why people are unhappy with MCU Clint’s terrible writing and lack of characterization and decide to give him his 616 (usually Fraction-era) characterization. And then ask yourself why people don’t do that for characters of color and then use “___ is a minor character/doesn’t have much development” as an excuse for why they’re uninteresting or not shippable with others.
There are many strong and interesting relationships in the comics, but only a few make it to the MCU fandom and almost all, if not all, of them are white.
Some subfandoms just have fewer POC which means there will naturally be fewer ships featuring POC. To say that the Marvel fandom is racist as a whole is disingenuous; you can see how more diversity in the cast leads to more diverse ships in fanworks.
It’s more important to see how many fanworks there are for ships of color in a fandom than how many ships of color there are in that fandom. See how few works there are for POC ships other than MJ/Peter in the MCU Spider-Man fandom despite the diversity of the cast. See how the most popular ships are white and three of them involve white characters from the Iron Man fandom (explain to me how Harley/Peter has over 1,000 works, but Ned/Peter has 436). 
And sure, you can say almost all of the Black Panther ships feature a character of color so there’s “more” diversity, but see how few works there are for them and how works with a white character fare compare to POC-only ships (almost all have 100-200 or fewer fics, with many having so few that I didn’t include them in the post, while BP ships with a white character have more works despite little to no interaction between the characters). 
Both of these, by the way, are critical and box office hits with characters who are clearly supposed to be the faces of the MCU now that the OG6 are gone. Black Panther is an award-winning critical and box office hit, and it is, more than any other film in MCU history, a huge cultural phenomenon with tremendous impact. It broke so many records and milestones, and it’s STILL breaking and making them. It has the most nuanced and balanced ensemble cast with side characters just as three-dimensional as the lead, a rarity in MCU films. Yet, its tag only has 3,966 works, fewer in total for the whole fandom than some of the white M/M ships on this list. Even if you account for BP fanworks that may have been tagged as MCU instead of BP, the number is paltry as you can see in this post. People simply do not want to make fanworks for characters of color (in this case, specifically Black characters) and don’t. It’s not about how diverse or successful a film is.
Some of the characters and ships are popular because white characters get the lion’s share of screen time and development or they appeared in canon earlier.
Yes, that’s true, but fandom has no problem catapulting white ships with minor characters into extreme popularity. See Clint/Coulson. See fics prioritizing Happy and having him show up more than Rhodey in Steve/Tony fics. 
It’s not about chronology. Many ships of color came before white ships as a whole and before white ships with the same white character they have. See Bucky/Clint vs. Bucky/Sam. 
Lastly, please don’t tell me how certain white M/M ships came to be to explain how they’re exempt or how I’m failing to consider other factors for their popularity. I’ve been in the fandom since 2012, and I’ve seen almost all of the white ships in the fandom be born or boom into popularity. Don’t try to explain, for instance, that Clint/Coulson is big because Coulson has his own show and his fans followed him from the show (this logic falls flat when you look at something like Luke Cage); that ship became huge way before that happened and way before Agents of Shield became “big.” Also, see the section above regarding screen time, development, and fame. 
Is it racist to racebend a character? 
People’s opinions differ on racebending—and often that comes from personal background and on the situation—so I can’t speak on anyone’s behalf. However, I think everyone can agree on the following:
Racebending a white character is not the same thing as whitewashing a POC. For example, making Tony Stark Indian vs. turning T’Challa white or as canonical examples, making Fury black in Ultimates and the MCU vs. making the Ancient One or the Maximoffs white. The latter (whitewashing T’Challa, the Ancient One, and the Maximoff twins) is racist for various reasons. There’s a long history of POC being erased and white people taking roles from POC, a huge imbalance in representation between white people and POC, the unfortunate perception by the public and media that “white = neutral/standard” (Bruce’s whiteness doesn’t define his characterization and development), and the way race plays a role in influencing the way POC feel, act, and are treated.
Racebending a POC from one ethnicity or racial group to another is also problematic as we’re not interchangeable. Hollywood often does this and goes, “But they’re still a POC! We’re being diverse!” 
In general, people who racebend white characters to POC want to see more POC in canon and in the media! These aren’t mutually exclusive.
Sometimes people racebend because they’re not represented at all in their works. (This happens with other marginalized groups too; for instance, some people make cis characters trans in their fanworks as there are few to no trans characters in the canonical source.) For example, there are, as of now, no Latinx superheroes in the MCU films. Even if people wanted to, they can’t make works with an MCU Latinx superhero unless they bring one from the comics or the one Latinx superhero from Agents of Shield (if they know the comics or AoS), make a minor Latinx film character like Luis a superhero, or racebend their favorite white character and put a fresh spin on the character, drawing from their personal experience and background.
There’s a massive difference between fans racebending a character and a creator taking credit by pretending they viewed a character as non-white or didn’t see race all along when it’s clear that the character is canonically white (this is different from a creator saying they support anyone, POC or white, playing that character onscreen or onstage). 
Racist language in fics is more important than fandom representation.
We don’t have to pick our battles. Both are important! I focused on fandom representation as it’s much more quantifiable and easy to find and analyze data for than racist language on a fandom-wide scale on my own without any tools. You’re right that the latter is a problem as is racist representation in fanworks, though. 
My fanworks tend to focus on one ship and don’t really include other characters in general. When they do, the others mostly talk about that relationship. Am I falling into the trap you mentioned?
If the story is about a relationship (examining that relationship and the feelings of the characters in it) and there isn’t much of a plot outside of that, then that makes sense. However, even in situations like this, consider how much time you dedicate to characters of color vs. white characters. If the story is about a ship featuring a POC, do you spend more time on the white character of that relationship? Their white friends and how they feel about that relationship? If it’s about a white ship, do white side characters appear more than side characters of color even if the latter have a closer relationship with the protagonists? For example, does Wanda show up more than Sam or play a bigger role than him in a Steve/Bucky fic? Do you have Pepper show up all the time (or even Happy), but Rhodey is chronically absent? Do only the white characters get to be more than the tropes you’re using, if you’re using any, while the POC don’t get to be nuanced? Are there any stereotypes that you’re reducing the POC to?
I feel guilty about not including or writing about *character of color’s name here*.
See “It doesn’t make sense to include every single POC in my work.” Include the character(s) who make sense for the story, perspective you’re writing/drawing from if applicable, and central group or ship if this is a ship-specific work. For example, if you’re drawing the Avengers and you include the newer Avengers, Rhodey and Sam should appear too, not just Wanda, Scott, Bucky, and/or Carol (this happens a lot). If you’re writing a Tony POV fic that includes other characters, depending on the story, it may make sense that Sam doesn’t appear much as he and Tony aren’t close whereas he would in a Steve POV fic.
How do I ensure that I don’t offend anyone if I include POC in my work?
You can’t ensure anything as POC aren’t a monolith, but you can try to be as informed as possible and avoid common pitfalls while writing. You can do research, just the way you might research anything you’re not familiar with. You can ask if anyone is willing to do a sensitivity read while you write or before you post. You can look for betas. There are a lot of resources out there, but these are good places to start if you’re looking for more information and help:
Writing with Color - resources
Writing with Color - Stereotypes and Tropes page
Reference for Writers - POC tag
What should I do to examine myself for any implicit biases?
We should all take stock of:
our feelings about different characters and relationships, both platonic and romantic, who we prioritize in our works, and how much they’re prioritized
our decision whether or not to seek or make content with characters of color. This includes content for white ships because sometimes every white character in the MCU shows up as a side character, but characters of color don’t or all of the white characters play bigger roles than the POC despite how close they are to the protagonist(s)
the way we interpret and write/draw those characters. For example, is Sam a yes-man? A figurative or literal therapist for white friends? The bro who only cracks jokes and/or gives sage advice but seems to not have any flaws, struggles, or life of his own outside of his white friends? The BFF who thinks his white best friend is being ridiculous about another white guy and wants them to get their act together already? Does the character of color talk in the way you perceive everyone of that race to talk rather than the way they personally do (e.g., does Luis randomly and awkwardly switch into Spanish when he talks just because he’s Latinx despite never speaking Spanish with Scott? Does Sam use AAVE with Steve, Bucky, and Natasha when he doesn’t do that with them?)? 
Also, here’s a Google doc with more anti-racist resources.
Even well-meaning people can slip up or not be as proactive as they hoped they would be so it’s just good practice to check in with ourselves every once in a while and see if there’s anything we missed or didn’t notice.
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365days365movies · 3 years
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February 18, 2021: The Danish Girl (Review)
Before I go into ANYTHING else...let’s talk about the actual Danish Girl, Lili Elbe, or Lili Ilse Elvenes.
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Oh, uh, full warning, this is gonna be LONG, so skip to the bottom if you’re just here for the Review! OK, history time!
Now, what the film The Danish Girl notes about the beginning of the transition is pretty spot-on, from what I can tell. After marrying portrait painter Gerda Gottlieb in 1904, the two lived in Italy and France before moving to Paris in 1912. Yeah, that’s over 14 years before they’re shown doing so in the movie. Inaccuracy #1. In 1908 (here comes number 2), Elbe (Einar at the time) painted this portrait of trees along a fjord in Denmark.
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Yeah, NOT in 1926, as the film says. But, yeah, that’s a nitpick, I recognize that. Anyway, the revelation came when model Anna Larssen (not “Ulla”, which is Inaccuracy #3) was late, and Gerda asked Elbe to fill in. When Larssen eventually showed up, she suggested the name “Lili”. Basically, this scene from the movie was pretty goddamn accurate.
Except for the dates, anyway. Because while the movie mostly takes place around 1926 and afterwards, this probably happened closer to 1920, in Paris. So, yeah, Lili spent a LOT more time as Lili in real life. Additionally, Lili was pretty goddamn public about the whole thing, inviting guests and hosting parties as herself, rather than as Einar. At the same time, Gerda was getting pretty goddamn famous for her paintings of Lili, like this one.
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Which, yeah, are really good! Also, they were considered lesbian erotica by many! YEAH! And here’s a fun fact: Gerda may not have been straight-up straight. Yeah, the film and the book (we’ll get there) kind of ignored the fact that their marriage was annulled by the Danish government, not by the two of them. Inaccuracy #4. Now, obviously, their relationship ended, and Lili ended up getting together with a man (we’ll get there, too), but there are a LOT of unanswered questions about Gerda’s sexuality, and views of sexuality (which is barely hinted at in the “male gaze” speech in the beginning).
After the annulment, the two just...drifted apart. Their relationship dissolved, and the details on that are fuzzy. By 1930, Lili was headed on a completely different path. She wasn’t a painter like Einar (and it turns out that she thought of them as two entirely separate people, like two souls living in the same body, which the movie got mostly right), and she was mostly unsatisfied with her career, life, and other things. And that is where Drs. Erwin Gohrbandt and Magnus Hirschfeld come in, NOT Kurt Warnerkros...yet. He’d come in for the other five (YES FIVE) surgeries, but wouldn’t be involved with the first. Inaccuracy #5, and also #6, while we’re at it! See, the film would make you think that Lili was the first complete gender reassignment surgery, but she was actually the second. The first would be Dora Richter, in a procedure that was performed by Dr. Hirschfeld from 1922 - 1931. YEAH. BIG-ASS INACCURACY THERE. Here’s Dora, by the way:
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Anyway, Lili had her first procedure, to remove the testicles, performed in 1930. In the same year, the divorce between Lili and Gerda was finalized, and Lili legally changed her name. Two more procedures were performed, the first to implant an ovary, and the second to remove the penis and scrotum. Inaccuracy #7, by the way. And, hey, let’s go for number 8! Let’s talk about Henrik, a dude who didn’t exist. He and Hans were both very loosely based on an art dealer named Claude Lejeune.
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Claude was an art dealer (there’s the Hans part), and was indeed in love with Lili. They got together around early 1931, and he’d actually been in love with her for a good, long time. He proposed to marry Lili, and she accepted, also hoping that the two would be able to have children together. But to do that, it was believed that Lili would need a uterus. And, obviously, having children would be MILES more complicated than that in basically EVERY way, but this was early in medical science’s understanding of some of that biology.
In any case, however, Lili would need both a uterus and a vagina to feel whole. And so, the fourth surgery was scheduled. And she had that surgery in 1931, a couple of weeks after Dora Richter successfully had the same surgery performed. But, sadly, Lili wouldn’t be so lucky.
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Lili’s body rejected the uterus, and while transplant rejections of any kind wouldn’t necessarily be fatal now, they definitely were back then. They attempted to remove it, but that subsequent 5th surgery caused infection, which caused a fatal heart attack three months later. Lili Elbe died on September 13, 1931, at the age of FORTY-EIGHT. Yeah, Inaccuracy #9.
By the way, you may be wondering: what about Dora Richter, the first successful person to get these surgeries? Well, she disappeared...in Germany...as the Nazis were coming into power...yeah. Fuckin’ YIKES.
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And so, that’s the true story of Lili Elbe. And there are far more differences than that, I’m sure, but those 9 inaccuracies aren’t insignificant, that’s for sure. Although, it probably doesn’t help that the movie was based on a fictionalized book.
Oh, uh...did I not mention that? Yeah, this movie is based on The Danish Girl, by David Ebershoff, which means that this film is essentially a cinematic game of telephone. Which, uh...not great. Granted, Ebershoof made some other...interesting changes, which the film didn’t inherit. In the book, for example, Gerda is named Greta, and is American? Um...why? I dunno, it’s kind of weird. Oh, and that’s not including one more issue with the movie. But, you’ve waited long enough, huh? Recap of the film is here and here if you wanna check that out! Let’s get to the Review already!
Review
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Cast and Acting: 8/10
I am...conflicted. So let me start here by saying that the acting in the film in and of itself is fantastic, all-around. Not a weak actor in here, that’s for sure. Let’s start with the side-roles, for once. Ben Whishaw, Matthias Schoenaerts, and Amber Heard are all good. Heard’s accent is a little shaky, but they’re still all solid performances. OK, how about Alicia Vikander? She’s great! And she won the Oscar for...Best Supporting Actress. Um...wait...Supporting? But not Best Actress? Uh...OK. That’s a little weird, let’s be honest here. But, Alicia Vikander did deserve that win over...oooooooh, Rooney Mara in Carol? Maybe not...damn.
And OK...let’s get into the elephant in the room, huh?
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Eddie Redmayne is fantastic as Einar Wegener/Lili Eber, and I genuinely think he had a great shot to win Best Actor...but, yeah, Leonardo DiCaprio definitely deserved it, I think that goes without saying. Hell, that year had a SOLID line-up for best actor. And Redmayne had even won it the year before for The THeory of Everything, another biography where he played Stephen Hawking. But ALL of that said...HNNNNNNNNNG, there should have been a transgender actor cast in this role, ideally. Now, I’m fully aware how difficult that would be, as Hollywood isn’t extraordinarily diverse in terms of including trans actors in massive mainstream projects. It’s better now, but it’s nowhere near ideal. But if anybody knows an actor who would’ve fit this role and performed it well, I’m DEFINITELY interested. So, despite that controversy, Redmayne was pretty goddamn great in this role. But, uh...that doesn’t mean everything is perfect...
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Plot and Writing: 5/10
OK, that seems low, I know. But it’s pretty goddamn damning that this movie was based off of a heavily fictionalized book instead of the actual life story of Lili Eber and Gerda Gottlieb. And because of that, there are not only some missed opportunities, but some straight-up damning inaccuracies. That’s a set of pretty poor decisions, I tell you what. Not sure why Lucinda Coxon came to that decision when adapting this screenplay, but it wasn’t exactly nominated for Best Screenplay. And the writing certainly isn’t bad, but it is...overly saccharine sometimes, especially for a film based (loosely) on a true story. I dunno...just not the best set of choices here, sorry to say.
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Directing and Cinematography: 8/10
Tom Hooper shouldn’t direct musicals. However, since this wasn’t a musical, directing and cinematography here is pretty damn good! Real talk, this is a gorgeous looking movie, and the way shots are framed are fantastic. Perfect? Weeeeeeeell...given the fact that painting is a main focus of the film, for both Gerda and Einar, there should’ve been more painter-quality shots in here, I think. And while the cinematography by Danny Cohen is pretty fantastic, I can’t say that it’s perfect. Still, in terms of lighting and general skill, it’s still quite a good looking movie.
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Production and Art Design: 10/10
But the deficiencies in the direction are EASILY compensated for by the production design! Like, hot DAMN, this is a good looking movie, like I said! That goes from the construction of the sets, to the gorgeous outfits all over the place, especially Lili’s outfits. Some iconic pieces of wardrobe there, that’s for sure! But if I have ONE complaint...this movie never once felt like the 1920s. Yup, good old anachronistic complaints from me again! Yeah, I’ll change the record one of these days, I promise. But even with that, it’s hard to ignore just how good this movie looks, to be honest. It’s just...gorgeous.
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Music and Editing: 8/10
As I type this, I’m listening to a track of the film on YouTube, and it is a beautifully delicate tune. I’m not sure that I’d be able to associate it with the film if presented to me on its own, but it’s definitely a nice track to listen to by itself. Playlist worthy? For somebody, almost certainly, but not for me. One of these days, a film like that’s gonna pop up, I swear. But for now, Alexandre Desplat and his score are gonna stay off my iPhone. This really is a nice score, though, I promise. Editing by Melanie Ann Oliver is pretty good as well, and I’ve no complaints about it, to be honest. Overall, this side of things was quite nice, if not the most notable thing I’ve ever seen or heard.
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I might have been a little harsh, but it’s still got an 78%.
This is a good movie, but...I dunno, the inaccuracies do bug me. Hell, there are WAY more than what I’d mentioned, and I mentioned a lot. Not to mention the other glaring issue: no trans people at any stage of the production? Really? No script consultants, no writers, no NTOHING? That’s...egregiously bad. Like, holy shit, guys. And, yes, this includes Redmayne, because even though he performed admirably in the role...I dunno. I’m no expert on ANY of this, as a cissexual dude with cissexual experience, but it feels a little...reductive, is all. Like I said, if any other actors have been suggested for this role, I’d love to know. The whole thing feels...I don’t know, just not great. 
And by the way, that’s without even TOUCHING the question as to whether or not this film is authentic to the trans experience. Again, I have ABSOLUTELY NO IDEA, but I’ve also heard that this film isn’t universally acclaimed in the trans community, so to speak. And I’m definitely interested in the reasons for that. All I know is this: from the perspective of a complete outsider, I was intrigued by this films view of the transgender experience, specifically as seen in the earliest days of those realizations happening and being publicly known and reported on. And that’s all I can really comment on, in truth.
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WHOOF. That was a goddamn topic, huh? And now, I’m going to continue on the the month of romance with...wait, the 19th is my 5-year anniversary with my GF, pictured here:
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Ravishing. Anyway, I think I’ll let her pick from my choices for this next one. Hold on a sec...OK, then. Sing it with me now! AND DO I DREEEEEAM AGAAAAIN, FOR NOW I FIIIIIIIIIIIIIND...
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February 19, 2021: The Phantom of the Opera (2004)
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girlsgonemildblog · 3 years
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Valley of the Dolls and Hollywood's Desire to Self-Protect
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Poster from imdb.com
Valley of the Dolls (1967) tells the story of three young women working in show business in the 1960s. Originally adapted from Jacqueline Susann’s 1966 book by the same name, the screenplay was written by two women, Helen Deutsch and Dorothy Kingsley. The director for the film, though, was a man, named Mark Robson. The plot centers around three protagonists, Anne Welles, Neely O’Hara, and Jennifer North. Their stories connect and separate several times as they each navigate Hollywood, growing in stardom and fading into oblivion. All three storylines follow two themes, the role of women in the 1960s and the abuse of drugs by these women to deal with the pressures of their culture. The film largely stays true to the novel, but alters some important aspects in order to soften the critique that Susann originally proposed. Valley of the Dolls is an attempted commentary on societal demands on women in the 1960s, but is unsuccessful in its criticism due to continuing to perpetuate several misogynistic standards and Hollywood trying to alleviate itself of guilt.
Valley of the Dolls is one of few movies from its era that centers on multiple female leads without allowing for any male characters to come in and dominate the narrative. The story goes further than to just portray women, and even passes commentary on the harmful expectations put on them by society. There are messages about the workforce, body image, and marriage roles all present. Still, while the film may seem to have a feminist message for most of the plot, it falls short in its final moments. The two women, Neely and Jennifer, who are outwardly ambitious and more sexually promiscuous, are punished for their behavior, while the virginally pure and soft spoken Anne is the one who gets a happy ending, though not in the traditional sense.
The first woman to look at is Neely O’Hara (Patty Duke). Neely, the youngest of the three, is also the most talented and the most ambitious. While her two co-protagonists experience minor stardom, Neely becomes a full-fledged celebrity. As Neely begins her rise to the top, she is forced to work out, despite already being nearly rail thin. During her work-out montage, she even asks her trainer, “you call this acting?” This moment serves to show that for women, being an actor was not strictly about their talent, but also the way they looked. Working out is a part of the job for Neely because if she gains weight, people will no longer want to look at her and thus she won’t be able to be on stage or screen.
The affect of her ambition on her womanhood is also seen through the depiction of her first marriage to her hometown sweetheart, Mel (Martin Milner). When Neely gets her big break, she asks Mel to marry her, flipping the tradition of a man asking a woman. This is the first evidence of the gender role reversal that will be present later. In one scene, after Neely has made it and begun earning more money, the audience sees that Mel is now in charge of keeping house, a job typically meant for the wife at this time. The two get into an argument and Mel, sick of being bossed around by Neely, states, “I am not the butler,” to which Neely retorts, “you’re not the bread winner either.” The two get divorced shortly after. In the beginning of the movie, as Neely is about to be cut out of the broadway show, Mel gives her advice on how to handle the situation in a way that is both best for her career and best for earning money. Mel is more than happy to support Neely’s ambition when she is starting out and he is controlling her success. When Neely grows beyond his grasp, begins to overshadow him, and no longer needs him, the turmoil of their relationship begins. Mel’s male ego cannot handle having a wife who not only is not reliant on him, but who he is reliant on.
In contrast, Jennifer’s fatal flaw is not her ambition but her body. The audience is introduced to Jennifer (Sharon Tate) as she is scantily clad in a leotard with a giant showgirl headpiece on. Her first line is concern that she cannot walk, “I feel a little top heavy,” to which her director replies, “Dear, you are top heavy.” This is met by a chorus of laughter from the men in the room and clear distress from Jennifer’s face. Jennifer’s sin is simply her breasts and her beauty; she is punished for merely existing in her natural form. On the phone with her mother, she states, “I know I don’t have any talent, and I know all I have is my body.” She recognizes that she has no marketable skills, but with the way that society has commodified the female figure, she can use her natural assets to get ahead.
Jennifer’s plot line introduces the character of Miriam (Lee Grant), the sister of Jennifer’s husband, Tony (Tony Scotti). Miriam also manages Tony. This is interesting because all the other women in the film are controlled by men, but Miriam is not only not controlled by a man, but controls one herself. Jennifer, who seems not to have a manager, but operates as an independent, eventually is taken on by Miriam, emphasizing the way that Miriam acts as a male figure, controlling and dominating her world like men normally do. Miriam eventually sells Jennifer into porn. When Jennifer tries to protest, Miriam insists, “Tony wouldn’t know the difference.” Jennifer’s plea of “well, I would,” falls on deaf ears. Miriam views the world like a man, thinking only a husband should be offended by his wife’s immodesty, not recognizing that the woman is also a person with feelings about the exposure of her own body.
Jennifer’s whole life and career is based on her body. When she is diagnosed with breast cancer and must get a mastectomy, she states, “all I ever had was a body. All I know how to do is take off my clothes.” She is realizing that without her breasts, she will have no way of earning a living or supporting herself, as she has done her whole life. This drives her to suicide, deciding she would rather die than lose her body. The message of this scene is clear; despite the fact that society has deemed her figure the only thing that gives her value, her exploitation of it still must be punished by death. Women are supposed to surrender to the forces of the patriarchy, not use them to their own advantage.
The third protagonist, the redeemable protagonist, is Anne Welles (Barbara Parkins). Anne is introduced at the very beginning of the film through her own narration as she tells the listener that her family’s home has been around since the revolution, showing that she represents American tradition. The story of George Washington drinking from their well symbolizes that people like Anne are what give America life. This American idealization is what protects Anne throughout her career. As she enters the office for the first time to the slut shaming of a pregnant cat, the audience immediately knows that this place will not be very friendly to women. This is fortified when her boss tells her she is “too good looking” for her job and talks about getting her “broken in”. This is exemplifying the idea that beautiful women aren’t meant for work while also objectifying them by talking about women like they’re shoes.
Her romantic interest, Lyon (Paul Burke), who is also her boss, calls Anne, “barely pink” when he first meets her, admiring how young she is. He later tells her that jewelry is not for her, and that she should only be gifted flowers, specifically white ones. These are both attempts to preserve Anne’s delicacy, or “pinkness”.  Diamonds and gold are too flashy for a soft spoken woman like Anne, and the white flowers clearly symbolize purity. Constantly throughout the entire film, the audience is reminded of Anne being special and unlike other “bad” women such as Neely or Jennifer. At one point Lyon tells Anne that no other girls compare to her because they can’t “stand up to her image”. Not her actual person or personality, but her image. Anne does not have actual personhood in the eyes of Lyon, but exists only as the idealized woman.
This is further exemplified when she becomes the Gillian Girl. The man who hires her says he wants someone known with Gillian exclusively. The idea here is they want her to be only an image of beauty and innocence; if she works with other brands or as an actress she becomes more than one-dimensional and people can discover that she may have flaws. Anne’s ability to maintain her image of perfection and purity throughout the entire film is why she gets to live happily ever after at the end, unlike her two counterparts. She returns to her hometown and lives out the rest of her life as the embodiment of American tradition.
This movie gets its title from the nickname that Neely gives the pills that she and the other two protagonists all become addicted to. The name, “dolls”, calls to mind a picture of girlhood and female adolescence, highlighting how young Neely is (only 17) when the story begins. Many movies of the 1960s, such as Dennis Hopper’s Easy Rider (1969) were depicting taking psychedelic drugs and having crazy trips. Valley of the Dolls shows a different type of drug use, the abuse of painkillers. Though the main characters are movie stars and models, their drug habit was likely more relatable to the suburban movie-going audience than that of Hopper’s characters. It was all too common for housewives to be prescribed “mother’s little helpers” to deal with what was condescendingly written off as “hysteria”. Another difference between these two movies is that psychedelic trips were portrayed as freeing, eye-opening experiences. In contrast, the painkillers are entrapping for the women and ultimately ruin their careers and end their lives.
The character who has the least interaction with the “dolls” is Anne. This is done to keep the idea of Anne as the “pure”, “good” character. The way she begins to take the drugs is interesting, though; she first picks up the bottle when she realizes that her long-term boyfriend, Lyon, is having an affair with her best friend, Neely. This serves two purposes. This first is that it shows that the pills are not used for pleasure, like psychedelics would be, but for numbing purposes. This also displays the corruptive force of Hollywood; it is not until the plot moves from New York to Hollywood that these women turn sour. Because of this city, Neely betrays her best friend and sweet, innocent Anne is driven to drug use.
Jennifer is seen taking the pills two times, twice as often as Anne is. The first time she takes them is when she learns about Tony’s illness. Again, they are used to numb emotional pain. The second time Jennifer is shown taking the pills is when she purposely overdoses on them to kill herself. This is the most extreme version of numbing difficult emotions a person can take, and the most obvious way that the movie could show that these drugs do not provide enjoyment but rather stop misery. What the “dolls” provide is nothingness, and Jennifer takes this nothingness to its maximum.
Neely is the character whose story is most entangled with drug use. She begins when her trainer gives her diet pills to slim her already thin figure. During this montage, the audience clearly sees Mel, the symbol of her pre-fame life, shake his head and tell her no, but she responds with a shrug, as if to say, “what’s the worst that could happen?” Shortly after, she tells Anne that she takes sleeping pills that are so strong, she has to take red pills to counteract them to wake up in the mornings, but then must take the sleeping pills again at night because the red ones have not yet worn off. Taking the pills is an endless cycle for Neely that will lead her to spiral to rock bottom.
In a following scene, Neely is seen being an absolute mess on the set of a movie, causing them to call for her husband to take her home because she cannot work under such strong influence of drugs and alcohol. When Anne and Lyon go to check on her, Anne lectures her about the danger of drinking while taking the pills, but Neely asserts that she must do so because it makes them work faster. This moment shows the desperation Neely has to stop feeling. Later on, after getting drunk in a dive-bar, having sex with some random nobody, and being robbed the morning after, Neely overdoses and nearly dies. Anne implies that this may have been intentional, despite Neely insisting otherwise. The audience is left to wonder.
During the third act of the movie, after Neely has gone to rehab and gotten clean, her older rival, Helen Lawson (Susan Hayward), brags about how she never needed pills like Neely did. Lawson claims her current sobriety is only temporary and Neely will eventually return to her old bad habits. The character summarizes Neely’s entire story with one line, “nothing can destroy her talent, but she’ll destroy herself.” Lawson’s words come true; Neely’s final scene sees her relapsing on opening night of the show she’s supposed to star in and being replaced by her younger understudy, the very thing she was afraid of. Her story closes on her drunk in an alley, screaming her own name.
To properly analyze this film, one must compare it to its source material, Jacqueline Susann’s novel by the same name. Though the movie stays true to the novel in most major plot points, there are distinct narrative changes and omissions that drastically alter the story. One of the most distinct examples of this is that Lyon refuses to marry Anne until the final scene of the film. In the novel, he marries her when they first reunite in Los Angeles. When he begins his affair with Neely, Anne is pregnant with their first child, which gives Anne a stronger motive to turn to the pills than she has in the movie. The book version of the two women are also much closer friends, which creates a more dramatic change in Neely’s character than in the film. Removing these two extremes makes Neely’s character arc less impactful.
Another aspect that was removed is Tony’s obsession with sex. An important part of Jennifer’s characterization is that she has always been made to feel that her body is her only source of value. This is added to, in the novel, by the fact that sex is the foundation for her relationship with her husband. This is only alluded to in the film with one line when they are walking in the park. In the novel, it is emphasized explicitly at multiple points. One of the reasons Jennifer chooses to kill herself rather than lose her breasts is because she believes she will lose even her husband’s love. The film likely made this change, as well as the marital change, to make the characters of Tony and Neely more sympathetic. While this goal is accomplished, it also softens the harsh realities that Susann was trying to expose in her novel.
One final difference between the film and novel is the ending. In the film, Lyon finally proposes to Anne and she rejects him, getting to move on with her life and live peacefully. She gets a happy ending. The novel ends with Anne and Lyon still married, her discovering that he is having yet another affair with a client, and her returning to the pills. This final note makes it clear that there are no happy endings for women in this city. The change is another example of Hollywood trying to show itself in a more flattering light than the one Susann placed on it.
Valley of the Dolls, the novel, was written by a female author as a way to condemn the mistreatment of women in the 1960s, specifically the mistreatment perpetuated by Hollywood on women in show business. The film adaptation tries to duplicate this commentary, but fails for multiple reasons. The first is that it chooses to save the “good girl” character. In the written work, all three stories ending in tragedy shows how no woman is safe from the effects of the patriarchy. Opting to protect the “pure” character alters the message completely so that it is no longer a criticism but a continuation of the idea that ambitious, promiscuous women deserve punishment and good, virginal women deserve happy endings. In addition, it omits important plot points that provide motivation for the characters self-destructive actions, such as Anne taking the pills for the first time and Jennifer committing suicide. By removing the catalysts, the characters are turned into cliché hysterical women. The film fails to adapt Susann’s novel correctly because it replicates the sensational bits while omitting the message. Unlike the book, the film serves only to entertain and not to critique.
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peeterparkr · 4 years
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perennial;tom holland|two.
chapter two: yellow alstroemeria
↳ flower meaning: friendship
chapter summary: to heal with a friend. 
pairing: tom holland x y/n
warnings: angsty a bit, but confort and friendship! mentions of alcohol and mention of sex
word count: 8.1k
SOCIAL MEDIA BEFORE THE CHAPTER: 
masterlist & profiles    one: in which y/n decides to go back to social media and sees a surpirse. 
previous chapter next chapter   perennial masterlist.
perfidy  ( series masterlist)
wanna be tagged?
Hello! Here’s the next one, please, please, please tell me what you think! And please help me out, tags haven’t been working. Also, thanks to everyone who voted for the cast, you’re gonna love it, and I might announce it soon! 
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There are flowers that need sunlight, flowers that don’t. You needed the sun to be bright again to bloom. Good thing, sunshine was coming back to your life. 
 You felt like everything was going great. For the first time you were doing something that you loved and you felt like you were actually healing. It had been different from last time, you were not alone. You were loved, you were being taken care of. Tim and Emma were there for you and you were so incredibly happy you had them. It was like somehow, this time you’d be able to get things done. 
Especially on that particular day, you had woken up happy. You had decided to treat yourself to some pancakes with strawberries and cherries on top. Your phone had decided to be kind to you that day, and you were, too. A happy song was the first one to play as soon as you hit the music shuffle. ‘The Tide is High’ by Blondie, the gentle notes were only adding to the perfect scenario. The flowers that your aunt had gifted you, gaillardias, were blooming, you had a smile on your face and everything seemed to be going great. You even danced a little as you were leaving the apartment and walked to the bus. 
It had been a few weeks, almost a month since you’d arrived in Los Angeles, and you were thriving. 
Your script finally had a name. “Dos-à-dos.” A dancing step, so simple. The 80’s dance movie no one had asked for, but somehow you knew everyone one needed. It felt different seeing your dream and vision starting to come to life. 
You couldn’t help but smile, you had this feeling that something was going to happen. On the bus, you nodded your head along to the music as if it was a movie scene and the spotlight was on you. You felt like the main character just after the storm had finished. Happy notes, colourful day. 
A bright glimpse in your sight, and you had even found yourself blushing. It had been so different from last time. You had friends, and god, they were such good friends. Especially because Emma and you had been healing together, some days were easier, some others weren’t, but you had each other. Dancing, laughing, crying together. Going out together, staying late at night laughing. And Tim, too. He really had his life going great. He had been offered to work in a modelling agency as a side job to his director’s assistant job. Emma was working in a costuming department, and she also did some waitressing as a side job. 
You were working at the flower and coffee shop, too. It somehow made everything nice, after a long day walking to a place that smelled of coffee and flowers. Your aunt really helped you heal with the flowers, learning from them. She was so nice, and she always gave the right advice. 
Hollywood, huh. Dreams seemed impossible, and yet you were reaching them. You were happy. 
Because you weren’t alone. And you were working on another project with them, three film graduates healing from heartbreak can make quite a team. And it was fun, so different from London. In a city where everybody wanted to make a name for themselves. And there you were. Ending up in diners at 3 am, going out biking, being stuck in traffic with the car you’ve managed to lease for the three of you. 
After a long day of work you still had a lot of happy thoughts. Emma and Tim had gotten an invitation to a party, and in Hollywood, you have to go to them, you never know who you’d end up meeting. Maybe it’s the person that will make you reach the stars, or maybe not. Like a different kind of job interview, meet the right people, make a name out for yourself.
But you didn’t want to go to a party that night, Emma had insisted on staying with you but you assured her you were doing just great. 
You had decided to have fun by yourself, you had been tired and you really needed some me time.It had been a happy day, the pre-production was going phenomenal. There were still a lot of corrections going on but the casting was almost over apparently, and filming would start soon and that had you on the edge of your seat. They had said you’d like them. You trusted them. A new director had called to play in, and he’d produce, too. You’d meet him soon. Apparently, he had heard about the project and offered to be director. 
Things were going great.
You poured a glass of wine from the bottle you had on the fridge, it literally only had enough for one damned glass, honestly, that’s all you needed. 
You had an old vinyl player, thank god Emma and Tim had agreed on buying it with you, and you had brought some pieces of vinyl from home. You went through your vinyls, and stopped just as you saw your favourite one. The one Tom had given you on your last birthday. Your birthday. 
That was going to be soon but you just liked to ignore that fact. It really didn’t matter, honestly.
But you weren’t ready to listen to anything related to Tom yet. You weren’t exactly ready to go back to Tom. 
You wouldn’t tell Emma or Tim that every now and then he did cross your mind. That was a lie, he lived rent-free on your mind and heart 24/7. You wondered how he was doing. Had he healed? Was he still angry you left? Had he finally understood why you had left? 
He hadn’t reached out for you. You wouldn’t tell Emma or Tim you had texted him once, though. One final: “I’m really sorry, I love you.” 
He hadn’t answered. Of course that had been stupid. 
You wouldn’t tell Emma or Tim, you knew how friends go: forget him. But could you? You missed him and you really had expected him to come here and maybe pull one of those stupid scenes you hated from rom coms, maybe he’d walk to your apartment, it would have to rain, but it barely ever rained in Los Angeles, but in your scenario, it would. And even if he didn’t know where you live he would show up at the door, and he would try to give a speech of how you are the only one he wants, or how both of you should forget everything and give it another chance because that’s love or whatever crap they say in romcoms, and you’d jump to his arms and kiss him and forget about everything. Kiss him again and again. 
But this was real life. 
So he wouldn’t. 
Of course you wouldn’t tell Emma or Tim that late at night you’d miss him. Or in the morning or the middle of the day. You even missed fighting with him, having to come up with silly comebacks to his stupid comments. You wouldn’t tell Emma or Tim that you missed his ugly face or his stupid laugh.
No, you wouldn't tell them.
But of course, that night you decided you’d have a ‘me, myself, and I’ kind of party. And so you did. Playing music that would make you happy, that you could dance along to. 
And it was the day you’d decided to go back on social media. After a long, long time of not being able to be on your phone for more than 2 minutes, you logged in. You saw pictures of your brother, Emma, Tim. Pictures you’d taken of them. Something you’d gone back to, photography. It was nice. At least that way you could keep Harry’s memory alive. 
Harry. 
You wished you hadn’t lost him. The question he’d asked had lingered in your mind, had things been different, would it really be different? 
Maybe you did think about it. How it could’ve been him. But would it? You had time to think about it.
Maybe you were trying to repress his memory because you knew he was supposed to be with Emma. But you couldn’t ignore the fact that Harry had still… tried something. Of course it was complicated. 
But you knew your heart was stupid and stubborn and it belonged only to one person. Would you call him, soon? 
Would Tom even answer?
Because though the time spent with him had been way shorter than the time apart, it had been strong enough to be engraved on your soul. That’s the thing about true love, or stubborn love, you love for the sake of loving. And if you were given another chance, you’d take it, no questions asked. Another hoax if you may, if he wants to. You could ruin another’s city echo. You would risk staining another street with hopeless memories only to see him again. More blank pictures, more unwearable dresses and lipsticks waiting to be kissed. A new box. You didn’t hate him. You hoped he didn’t hate you, and you wish you could turn back around to his arms. 
And then… there it was. Like someone had punched you in your throat.  As if you’d run out of air, and your whole body ached. You thought you’d never have that feeling again. You had only been scrolling, dancing to music, singing out loud and now… this. You heard something shattering, at first you thought it was your heart but then your senses came back to see the red wine all over your floor as the remaining broken glass had jumped and clashed. 
You stared at it. That was undeniably Tom and he had Cherry’s lips on his cheek. 
Why did this hurt that much? Why—why had he done this? Had he moved on? Did—he and Cherry start dating? 
Had he moved on? So quickly erase your memory? And with your—cousin? You quickly locked your phone.
You quickly got back from your shock and rushed to clean everything up, pretending you hadn’t just seen what you’d seen. Pretending it had just been your imagination. And pretending you didn’t believe it. 
But then you opened it again, and there he was, arms around Cherry, smile wide open, as Cherry was cupping his head and smiling against his stupid face.  
And you only sensed an atrophied heart falling down shattering completely. What did you expect from him? To wait around for you? He wouldn’t. 
He’d move on and of course he’d like someone like Cherry. Cherry was a goddess. A goddamn perfect goddess. 
You weren’t like Cherry, of course he’d turn around to see the sculptured doll life had presented him. She was beautiful. A model like fairy queen whatever. 
And you were you. 
But didn’t he—love you? But of course, right you’d hurt him so much and you were a fool to think that someone like him could wait for someone like you when he’d hurt you. 
It was like the damn mirror was being your worst enemy again. You were not Cherry, with her perfect eyes and lips and body. You weren’t Cherry who probably cared too little about her appearance but ended up being perfect. So careless and free. Never planning.
Tom preferred her over you, right? Because you were not enough. You felt it. Every single doubt coming to your mind. Was it your hair? Your makeup? Your body. What is it that she was a perfect fashion guru or that she wasn’t a handful like you. Was it that she probably didn’t dive in. 
Or maybe that you were too easy to get over, too forgettable, nothing extraordinary. But… You had to stop yourself from going back to that place. You were okay, right? 
You were you. That was great. You didn’t need anything else, and this was on him, not on you. This was him trying to date someone else for whatever reason. 
You had to stop comparing yourself, no, no. But you couldn’t help it. And you went back to the picture. 
But that’s the thing, you guessed, about jealousy. So, so, so jealous of her. But jealousy is a horrible feeling that only ends up killing us from the inside. God, but you were still thinking about Tom. You should’ve told Cherry, but that wouldn’t be fair play. You didn’t blame Cherry, Tom was… Tom. 
But maybe you should’ve warned her that his smile was the biggest weapon he’d use against her, and tell her that maybe he’s perfect but he’ll end up making her give him her biggest weakness and he’ll use them as a weapon. That he’ll be an angel, but it’s only a disguise. He was a devil. 
And that once you taste his lips you’ll never be able to live without them again. But no, Tom was only pain. Yes. 
But you had to forget him now. Because he’d forgotten you. Probably he was only a mistake, someone to add to the book, but gosh, no, it couldn’t be. He was an idiot. 
You looked at the picture. Why? 
No, no… How could this be? Why the hell were you crying and why the hell did it feel so bad? Like a dagger coming right through you, like you couldn't breathe, everything had turned dark again. 
You did the only thing you could do then, lay down and cry. Because were you going to call him and tell him to go fuck himself? You didn’t have the right to. You were the one who had gone away. But if only you hadn’t. And you had the enraging and flaming jealousy burning through you, the sadness was bigger. You’d be jealous later. And what would happen if you showed up? 
Why did he do it? 
This was on you. You’d given up, but it hurt so much. You couldn’t even figure out your thoughts, like a million things popping up, but nothing made sense and you couldn’t stop feeling that head and stomach ache, the heartache. You finally took a deep breath that was confused with a sob. Drowning. 
It wasn’t raining in LA, yet you saw your room flooding, water entering from everywhere, and you couldn’t move. You weren’t able to breathe, you were only sinking. Had it all been in vain? 
Maybe…
Maybe. 
Your sorrow was too loud yet you barely made any noise, all curled up in your bed, feeling cold, and drowning, suffocating. The music was still playing, life laughing at you. And you knew it then, it was over. You were broken in two and there was no way to fix this now. Not right now. He’d given up on loving you. You’d lost him, and you wondered, would you ever try to turn back time to stop yourself from loving him if only you had known you’d end up losing him anyway. 
“Y/N—no, Timmy let me handle this, let me--She’s not okay, okay, I know Tim, but you will only make things worse,” a muffled voice was heard outside your room after a while, Emma walked in to see you pitying yourself, as you danced hugging a pillow as you hummed along to the music still playing. She closed the door. “Are you okay?” She asked, and you didn’t lookup. “What a fucking stupid question of course you’re not,” she answered herself as she walked over with some takeout, another bag and two six-packs of beers. “Here, bottoms up, thought beer would go better with this” she said, handing you a beer over. It worked well as a microphone. 
You sang along to the music, not even knowing when the hell you’d started playing that ABBA vinyl. She joined you, knowing that was probably what you needed. Heartaches are a weird thing, you didn’t even know what the hell you were going through, denial, probably. The cold tears kept streaming down as you were probably now in a state of denial, as you danced along your room.
And then, it hit. The pain, again. You sank to the ground and then rested against your bed. 
Emma sat on the edge of the bed watching you. Emma sighed as she sank to the ground with you. you breathed in a sob as she pulled you into a hug, somehow being comforted made you even sadder. 
“It’ll be okay,” she assured you. “It’ll be okay.” 
You tried to soothe your sobs as you sat up. “This is stupid, why am I even crying I don’t care-” 
“No, men are stupid—” Emma stated, you only chuckled softly. “Show me the picture.” 
You handed her your phone, and she stared at it. Emma grimaced and then stayed incredibly quiet. 
“So?” 
She took a deep breath. “Okay—first we need to unfollow them both,” she said. 
“But—” 
She held the phone far from you as she unfollowed them. “Y/N you're going to keep going back and we don’t want that.” 
You sighed, she pulled out some tissues from the bag and cleaned your face with them. You chuckled. She handed you some pills, and then walked over to your mirror, she opened a drawer and took out your makeup wipes. She walked back and wiped off the remaining makeup that hadn’t been absorbed by the tears. 
“Do you think they’re—” You couldn’t even finish the question. 
Emma bit her lip, knowing exactly what you’d meant. “I don’t know, I don’t know Tom enough.” 
You groaned. She thought they were dating. 
Emma realized it’d been the wrong answer. “It’s cause,” she paused as she took a deep breath. “Look, I didn’t know about this, you and Tom. Honestly, when Timmy told me I—I didn’t expect it you know?” 
You blinked. “What?”
“Yeah, like… If you asked me anything concerning Tim and, I’d know, but... You and Tom? But guess it—”
“Didn’t make any sense, yeah I know,” you sighed.
“No, it did,” Emma said. “In a weird way. Even--,” she cleared her throat. “Harry said it once, how he wondered why you guys never dated…I never told Timmy about it but it—It made sense,” Emma nodded. “Him being in love with you made a lot of sense. that’s probably why he was always so attentive and obsessed and—”
“Yeah—Emma  you’re not answering my question,” you gulped. 
Emma chuckled. “What was the question?” 
“They’re dating right?” You asked, showing her the screenshot. 
She bit her lip, staring at it. “I don’t know.” 
“Fuck, maybe not dating but—” 
“Look y/n, I don’t know but—”Emma sighed. “Does it matter? This is a sign that you have to move on.” 
“I don’t know why I feel this way,” you admitted.
“It’s normal.” 
Was it normal? You didn’t know. But you were angry, sad, disappointed. You couldn’t even map your emotions. What were you even feeling? What was it? Jealousy? Anger? Sadness? 
“I mean I guess I did ask him to move on,” you pointed out.
Emma sighed. “Didn’t you ask him to heal?” She had handed you the Chinese takeout she’d brought you as both of you sat on the floor. You stared at the food, but you weren’t even hungry. 
“Isn’t it the same?” 
“Not really y/n,” she said as she stared at her noodles before taking a bite. “You asked him to give you time because you wanted to try it out again.” 
“I’m such an idiot.” 
“Maybe it’s just a rebound,” Emma said. 
“But it’s my cousin!” You cried. “What the fuck is wrong with him?” 
“I mean you kind of—with his brother,” She pointed out. 
“It’s not the same and you know that,” you rolled your eyes as she laughed .”Because -I didn’t.” 
“I’m messing with you, but I know, I know but..” 
“I don’t know,” you sighed. Because you really didn’t know. What was going on? What the hell?
“And cherry didn’t know?” Emma asked, as she changed the box with you, now you had the noodles and she had the chicken. It had become a habit with Emma, sharing food. 
“I didn’t tell her,” you admitted. 
Emma scoffed. “Oh, but come on,” Emma frowned. “Like, it was obvious, like… Please he showed up with flowers to your house? And isn’t she like a fucking flower guru or some shit why the hell didn’t she read the room?” 
You finally took a bite before drinking your beer. “I...well.” 
“But still no, you know what? Tom is the one who’s shit here,” Emma said. 
“Is he?” You asked. 
“Fuck yes,” Emma chirped. “Like, come on, what the fuck? He was so angry at you because you left saying you’d thrown it away,” she dramatized. “But he is the one to throw it all out!” 
“You think?” You frowned. 
Emma rolled her eyes. “I know that!” She snapped. “he—let me see the pic, again.” 
You showed her again. 
“I just didn’t think he’d move on that quickly you know,” you pointed out. 
“Yeah I—it doesn’t add up,” Emma agreed. 
“I feel stupid for feeling this way,” you sighed. 
“No you’re not stupid you’re human and he’s an asshole,” she said. 
“He’s not--” You gulped. “That’s—that’s the thing, okay? And I don’t want to call him that because that’s the reason as to why it all went to shit, because I called him a monster.” 
“Look y/n, I know you still feel guilty about it but that man has hurt you multiple times throughout his life, he’s done some awful shit to you, and yes you hurt him too but he’s shown that he doesn’t deserve your love.” 
“But I want to love him,” you said. “Or wanted.” 
“Yes, alright and that’s fair,” she admitted. “But he’s a man and all men suck.” 
“Right.” 
You stayed quiet for a while as you both ate, sang along to the music still faintly playing in the background, changing boxes, drinking beer. Leaning against your bed, both on the floor. 
“And like—Cherry is so pretty of course he’d date her,” you commented after a while. 
“She’s pretty and so what?” Emma shrugged. “You’re beautiful y/n.” 
“And she is—so perfect and I’m,” you continued. The poisonous thoughts coming back to you. 
“Y/N no don’t you dare compare yourself to her,” Emma warned. 
“But how can I not?” You stated. “She’s bloody perfect, her hair her clothes, she’s just-” 
“Yeah, and look at you, you are fucking beautiful, alright? Look at you, so bloody beautiful and perfect, and talented and you’re amazing and you’ve got great music taste, but y/n don’t compare yourself to her!” 
“Why not? Because we both know she’s a model and-” 
“She’s attractive, yes! But you are too! You’re amazing y/n!” 
“Then why did he move on? Why—why didn’t he come back for me?” You asked, and the question lingered in the air. 
Emma didn’t have an answer to that question. 
“I just don’t know how to feel,” you admitted. “I… I am jealous, but sad, and angry and desperate and I know I shouldn’t be.” 
“I hate seeing you sad y/n,” Emma said, scooting close to you. “But it’s okay, right now you need to cry it out.” 
You didn’t want to keep crying. But you needed, and just as she had said those words, the tears had streamed down again. You leaned against your friend, knowing she really was there for you, but no shoulder to cry on would soothe your sorrow. 
“Yes, I’m here for you, it’s okay,” she said. 
“I just thought I—” words couldn’t even come out. “it’s stupid but all this time I—I thought he’d come back to me but I guess it was just stupid.” 
“No,” Emma said. “It’s not stupid.” 
“I just can’t believe he moved on that quickly,” you said, sitting back up, wiping off your tears. “While I’m here crying over him and thinking about him all the goddamn time and I—I can’t believe he’d hurt me again but he probably doesn’t even know I care,” you continued with a sob, barely even breathing now. “And I—I’ve been pretending I’m doing fine but I just can’t forget about him and god it’s stupid that I keep—doing this.” 
“Cry it out, you’ve gotten out of it before,” Emma said. “We don’t even know if they’re dating or-” 
“No but the thing is Emma that if I fucking dared to post a pic where Timmy is in the background he’d lose his fucking mind and call me and blame me for it,” you growled. “And he’d make a scene and—And I deserve to make a scene too because—-because it’s too soon and I would’ve-” You took a deep breath as your voice was cracking. “I would’ve thought he’d wait just a little but maybe he doesn’t—I don’t even know why I’m… so upset.” 
“Let it out.” 
“I don’t even understand why I feel like this, jealous and sad and—I just it should be me, the one with my lips on his cheek and I am angry because maybe I shouldn’t have left! I’m here wondering what could be different, you know? And I” 
“Y/n you left because of your dream.” 
“And when I go back... what if I never see him again? What if we can’t even say hello or be in the same room.” 
“You were like that before,” Emma said. 
“But I can’t pretend he’s not the love of my life and I can’t pretend that I won’t love him for the rest of my stupid pathetic life.” 
Emma didn’t say anything. 
“I just... I am hurt—and I’m not making any sense. I'm just sad because I was going to call him.” 
“You what?” Emma asked. 
“I thought about it today, how I missed him too much but hey, not anymore, because he’s fucking dating Cherry or he’s fucking Cherry or…” 
“It’s probably a rebound y/n.” 
“With my bloody cousin? Is he for real?” You were exasperated. 
“Men are stupid.” 
“Yes but—but I just... I don’t understand this,” you sank to the floor again as you were running out of breath now, until then you noticed you were bursting into tears. 
“Come here, it’s okay the pain will end,” Emma opened her arms again. 
“I just thought I’d be—alright.” 
“And you will, you are still thriving y/n!” She said. “They’re making a movie out of your script! You actually are doing something you love! You’re living with your best friends!” She pointed out. 
“I guess.” 
“You guess?” Emma frowned as she reached out for your pillow. She playfully hit you with it. “You’re fucking thriving, y/n! And you’re learning a lot of flowers, even if I can’t stand you talking all day about them, y/n you’re doing great!” She said, hitting you with the pillow after every word. 
A faint smile was on your face. 
“And you know what? You’ll forget about him, soon enough and we will dance and laugh and you’ll be okay,” she assured you. 
“Yes.” 
“But right now you need to cry and it’s okay,” Emma continued. You nodded. “Okay, what else?” 
“And she—she tweeted this,” you showed her. 
She frowned. “Love me, love me, say that you love me?” She frowned. “But those are lyrics, ain’t they?” She asked. “And if…Oh sis, look, that girl—Look I know this isn’t what you want to hear but it’s probably what you need to hear but that’s just a very obsessive rebound.” 
“What?” 
“If she’s in love with him already that’s her problem,” she pointed out. 
“Really?” 
“Would you fall in love with a man who was so broken?” 
“...No” 
“Exactly she’s digging her own hole and,-” 
But you didn’t let her finish. “I just don’t want her being in my place I should—it’s… and what if he ends up actually loving her?” 
Emma sighed. “You’ll find someone too, someone better who won’t hurt you and who will actually fly to another country to search for you  instead of blaming it on you for leaving.” 
You sighed. 
“We are very much alike aren’t we, we both thought they’d come here?” Emma said. 
“That’s on us being stupid for expecting something from two men,” you said. 
She laughed as she opened more bottles of beer.
“It’ll be alright y/n.” 
“I know but right now—“
“I know, I know we need to cry.” 
Emma was definitely a friend you needed. And you were a friend to Emma. You hadn’t really had a breakdown, or was mostly helping Emma. You had so far ignored your pain until that night. Maybe because you were trying to assure yourself that it didn’t hurt as much or because you kept the hope that you’d end up together. 
But Tom had moved on and you probably had to move on, too.
You woke up the next day with barely any blankets as Emma had stolen all your bed and pillows. You were sore and your eyes hurt from crying. 
But you knew this didn’t feel as bad. Somehow it didn’t feel like after the club, or after prom, or after the script, or after whatever. 
No. Yes, it hurt. But it felt like a normal kind of pain, like when Louis had broken up with you. Or like when Timmy had tried to start dating another girl just after your breakup. Not the Tom pain. 
But it still hurt. 
You woke up and you saw Tim, a cup of coffee in his hand  as he was leaning against the counter, he was scrolling on his phone. 
You walked over and poured some coffee for yourself. You needed some energy after spending all night crying. The morning routine had an unspoken rule, whoever woke up first would make coffee for everyone. 
Timmy looked up at you. “Hi.” 
“Hi,” you said. 
“Did you get some sleep?” He asked. “Emma is a snorer, so—“
You chuckled. “Yeah, I know,” you sighed as you stared at your coffee. 
“How are you feeling?” He asked. 
You pursed your lips and then shrugged. “Dunno.” 
“Emma didn’t tell me what happened,” he admitted. 
You frowned. “She didn’t?” 
“No, she said I’m a man and I don’t deserve to know,” he said chuckling. 
You laughed. “Yeah.” 
He grinned. “I mean I kind of can assume what happened.” 
“Do you follow Cherry on Instagram?” 
“I do not,” he scowled. “But it’s—About Tom. Right?” 
“Yeah. Tom’s an idiot.”
“But that’s no news,” Timmy pointed out with a smirk. 
You chuckled slightly. “No, I know, same old story.” 
Timmy watched you. “But what happened?” 
You pulled out your phone and showed the screenshot. It probably would be a good idea to delete it and pretend it didn’t exist. But sometimes we are idiots and like to keep adding salt to the wound. 
Timmy grimaced looking at it. 
“Verdict?” You asked. “Are they a thing?” 
“No,” Timmy assured you. “Knowing Tom,” he said. “He did this to hurt you.” 
That—that hurt even more. Because Tim was right. Knowing Tom, this was his way of getting back to you. Knowing Tom he had expected you to see it and cry. 
And maybe he had even expected you to call and yell at him. 
And that’s when you did hear more shattering, this time it wasn’t a cup, this time it wasn’t the glass of wine. It was your heart and it was undeniable. You could hear it again. The rain pouring down, the ripped off stomach. There it was… the Tom pain. 
You hadn’t seen it that way. But it made sense. It hurt more to think that this probably was on purpose. That Tom hadn’t moved on, that Tom was doing this purposely. That he probably expected you to be on the floor tearing yourself apart. Because Tom was probably taking his revenge. And Tom knew that you’d end up comparing yourself. Because that was Tom, he used your weaknesses as his biggest weapons. But you didn’t want to go to war again, no. You had changed, you’d bloom and blossom. 
Yet you could only wonder, who dares to plant flowers on a battlefield? 
“Y/N?” Timmy asked. 
You only took a deep breath. “I’m—Yeah, you’re right.” 
“Yeah, he probably thinks this is the way back to your heart, make you jealous or something,” Timmy said. “Nothing to worry about. I’m—Look, I’m pretty sure  he still loves you but he’s an idiot.”
Big idiot wanting to tear you apart. 
“You know I don’t understand why I’m —feeling this way,” you admitted. Now knowing you were angry and disappointed. Because he probably really wanted to hurt you, give you a spoon of your own medicine. “I—I don’t understand. How many more tears will I have to shed to get over him?” 
“We all wonder about that,” Tim nodded.
“I just—I still, I don’t understand why he does that and why even after he does those things I keep loving him.”
“I think you were told so many times that he hurts you because he likes you that you ended up believing it and allowing it,” Timmy explained. “Maybe that’s why you are having trouble getting used to having people who care.” 
You didn’t answer anything. He was right. He was so right.
“I guess but I didn’t...I thought this time.”
“What?”
“I don’t know, I don’t know, I thought this time it would be different, you know? I thought we would heal and then… have another chance.” 
It was so difficult talking about this with Tim. You didn’t know where he was standing with you. But somehow, it had always been easy talking about anything with Tim, he listened. That was his gift. He listened and he was observant so he gave you exactly what you knew was right. His advice even if it hurt him, would be right.
“Maybe you will,” Timmy shrugged. “But you can’t keep yourself tied to him, y/n. It’s—hurtful to keep trying to reach for something that won’t hold back your hand. Give it time. And look, I’m not telling you to move on, because fuck, moving on when you’re in so deep is hard, but be kind to your heart. Don’t let it ache. Not for someone who’s willing to hurt you. And maybe you’ll go back to him, or end up with someone else, but he needs to grow. And if life really wants you to be with him, then life will give you a chance, but I don’t understand why you want to be with someone who does this kind of thing.” 
“It’s complicated.” 
“Well, is there anything I can do to help?” 
You sighed with a smile. “Turn back time, maybe, get me out of my trance.” 
“It’s a big city, y/n, we can take the day off, have fun you know? Go to a quiet place, I know that helps you.” 
“I don’t know Tim.” 
“C’mon, let’s get you out, have some fun,” he insisted. 
“Maybe later, I need to assimilate things. Today I’m going to be at a meeting with casting and—yeah.” 
The day felt… plain. The usual feeling you were so used to, the Tom pain. But you ignored it, and you saw the cast, it got you excited and back on track. It made you forget about it, about everything, really. 
They still hadn’t told you who’d be directing, but he’d arrive next week. They told you that he had personally reached out for the project, a new director. Exciting news, right? But you couldn’t care about them, because you couldn't ignore the ache. The thoughts, the poison. No matter how sunny the day was, you felt gray. And it was almost ironic. How the day before you felt like everything was great, like rain on your wedding day. Ironic. How it was one of the best things that ever happened to you and you weren’t able to enjoy it. How it weighed on your chest. 
Your aunt noticed you were sad, but she didn’t ask about it. You guessed she probably had seen the picture, too. It was her daughter, after all. Serving coffee and making flower arrangements did help, somehow. You know, help as much as it could with the sadness that was not allowed to cry and was supposed to smile instead. 
You thought about it, how you really wanted to hate him. The city was too bright and happy and you couldn’t escape, you still didn’t think you’d lost him. Maybe that was your pathetic way of pretending it wasn’t over. 
Emma tried to convince you to go out that night. You didn’t. She gave you a week, watching movies with you, letting you listen to music, going out to quiet places for dinner, staying up late at night either laughing or crying, and you were really bonding, watching series, sometimes just laying down on the bed together, while you were both on your phones.. Even if she tried to convince you to go out clubbing, and go out and meet someone, she even tried to make you open tinder, you really didn’t have the energy for it. But Timmy had stopped her from trying. 
“That’s her way of healing, she likes quiet,” you had heard Timmy warn her. 
“But she needs to keep herself busy,” Emma had said. 
“I know her, give her a few quiet days.” 
“But she’s a fucking mess,” Emma had said. “I saw her add champagne to her green juice this morning.” 
“Like a green juice mimosa?” Timmy asked. 
“She’s a mess!” Emma said. 
“I know, but she needs quiet, and hugs and just, don’t push her,” Timmy continued. “If not, we’ll use your way.” 
In that sense, Timmy knew you. That’s probably why he’d suggest movie nights, the three of you. You’d found a place that played old films, you went there, once. 
And a week had gone by, and you weren’t doing better. But you knew it was normal, it was the Tom pain, the Tom effect. The one that didn’t go away easily. The one that lasted, the one that would stay forever. The perennial type of pain, that may be dormant for a while but would come once again. The Tom pain. 
But you felt… that horrible thought came back. How she was prettier or skinnier or smarter or perfect and that maybe he hadn’t done it because he wanted to hurt you. That he genuinely liked her. And why wouldn’t he? Why wouldn’t he like her over you? She seemed more of the type fit for him and not you. She was probably the kind of girl that he would like to be seen with. Not you. 
Cherry. Cherry. Cherry. It was funny how she was named after Cherryblossoms. Meaning renewal. And that was Tom’s new model, wasn’t it? 
Poisonous thoughts that were killing you slowly. And that constant headache. 
“Okay, that’s it, we’re doing it my way,” Emma had stated. You’d be going out that night, which you only wondered if it was right. You couldn’t be hungover the next day since you’d be meeting the director. Finally. 
But Emma had convinced you. You dressed up, and showered with perfume, and you were ready to simply forget about him. Of course Emma stopped you and then did your makeup and made you change your outfit, which obviously hadn’t been picked out well, but who really gets fashion when they’re broken hearted. 
The three roommates, out and happy. Walking into a club, more like a bar sort of place with a dance floor, the three of you sat by the bar. 
“Alright, y/n, here’s the thing we’re gonna do some shots,” Emma stated as she ordered shots for the three of you. “And look, I’ve heard you and right now, y/n, we need… We just need you to forget about him, alright?” 
“Fine.” 
And so it started, the party you so well needed. Maybe you’d changed enough that quiet was definitely not what you needed. And maybe Emma had been right all along. You needed fun. And so fun you had, and you kept drinking and singing along to the music and Emma even dragged you to the dance floor. Yelling lyrics, coming up with new ones and terrible dance steps. Timmy only stayed behind watching you both, he was very amused by the situation. He knew this wasn’t really your thing but, it was fun and exciting and thrilling. 
Then the second part of Emma’s plan started, she walked back to the bar and made you sit there. 
“Now we wait.” 
“For what?” You asked. 
“Please, give it two seconds and men will come like this,” she snapped. “They’re soooo desperate, and we’re pretty and we need free booze, so,” she grinned. You could tell she was tipsy by now. 
“I don’t really want to… flirt with anyone,” you said. 
“Flirt,” she scoffed. “C’mon y/n, you need a cleanse! Tom’s the last man you slept with right?” she asked. 
“Yes.” 
“Can we not talk about that?” Timmy laughed. 
“Oh, please, Tim, did you think that she wouldn’t sleep with that guy who’s basically sex on legs,” Emma said. 
Timmy blinked. “That’s a very weird way to talk about your ex financés brother.” 
You laughed. “Sex on legs? Oh come on, I didn’t sleep with him for that.” 
“I get it, you were in loooove all that shit,” Emma continued.  “And it’s been… What? Two months?” She asked. 
“Almost three, yeah,” you rolled your eyes. 
“See? You need one good hook up and you’ll be fine,” Emma said. 
Timmy chuckled. “Does that even work?” 
“Good question, have you hooked up with anybody?” You asked. “Because if you have and you’re still-” 
“No, I haven’t,” Emma admitted. “I’ve… made out with some guys but nothing really, but maybe that’s what we both need. Or the three of us, just one… random hookup. We need someone to fuck those guys out of our system.” 
Timmy and you shared a questioning look. 
“I don’t really—“
“Now, Timmy please leave otherwise you’ll ruin the place, go pick up some girl and dance with her,” Emma ordered. 
Timmy didn’t even have time to say anything before Emma was pushing him away.
Soon enough, Emma was right, two guys had approached the two of you and offered to buy you both drinks. The conversation was boring. Honestly you didn’t even listen to their names, they were probably the stereotype of guys who feel they’re attractive enough to get their shot in Hollywood. They were talking and talking, the guy interested in Emma wasn’t half as bad, but you still didn’t stand him. Eventually the guy with Emma managed to get her to the dance floor and the guy with you realized you were not all interested and thank god, eventually walked away. 
Two other guys tried to creep up on you but you threw them away, easily and quickly. You were very good at making them go away, maybe that was why Tom had… No, you had to keep that thought out of your head. 
“Hello, ma’am May I buy you a drink?” you heard a voice behind you. 
You laughed. “Timmy.” 
He grinned as he sat beside you. “I’m sorry I just saw a beautiful girl all by herself and I want to buy her a drink.” 
“Please don’t,” you grinned. 
“I’m just trying to cheer you up,” he admitted, laughing as he took a sip of his own drink. 
“Aren’t you interfering with Emma’s plan?” You asked. 
He rolled his eyes. “I thought you were doing that yourself by rejecting everyone approaching you,” he claimed. 
“Yes I just don’t think that a one night stand with meaningless sex will help me,” you said. 
“I agree with that,” he conceded. 
You looked around at the bar, you had had fun when you had danced with your friends but not now. Timmy lit up a cigarette and offered you one, you never were a smoker but a cigarette seemed like an open invitation. “I didn’t want to come,” you admitted. 
“I didn’t either,” Timmy said. 
“But you always go out with her, you like it.” 
“No… Well, yeah, because I know this is helping her, not because I like it, you know this isn’t really my thing but she’s keeping herself distracted, that's her way of healing,” Timmy said. 
“Huh, right,” you nodded. 
“And I know yours involves watching movies in a quiet place, and curling up and all that things,” he continued. 
“Yeah,” you smiled sadly. 
“He’s an idiot you know,” he looked down at his cigarette. 
“Yes he is,” you nodded in agreement as you sipped from your drink.
“Letting you go?” He scoffed, rolling eyes and shaking his head. “Although I do admit it was pretty smart.” 
“What?” you frowned with a chuckle. 
“I should’ve thought about it,” he continued with a smirk. 
“What?” You playfully nudged him. 
“Dating your cousin, that’s clever, closest thing to the actual thing,” he snickered. 
“Oh thing then,” you laughed. 
He chuckled and then looked away with a silly smile. “Yes, but she’s not half as pretty.” 
“She is a goddamn model,” you chided. 
Tim coughed. “As an actual model,” he reminded you with a smug smirk. 
“Oh shut up,” you chuckled. 
“As an actual model, I can tell you that she’s not half as pretty as you are,” he assured you. 
You blushed. “You’re blind.” 
He grinned. “Hmm I wish you could see yourself the way I see you.” 
“I’d see a mess,” you stated. 
“Yeah, who drinks green juice mimosas apparently,” he laughed. “But… Pretty mess.”  
You laughed. “It’s not...It’s a thing. Green mimosas.”
“It’s not,” he turned serious. 
You only grinned. 
“So what’s a beautiful girl like you doing in a place like this?” He asked. 
“I’m having fun,” you stated. “Ain’t that obvious?” 
“You’re not from around here are you?” He chuckled. 
“What gave it away?” You smirked. 
“So what brought you to Hollywood?” He laughed. 
“What brings everyone I guess, a hopeful promise,” you lied. 
He grinned. “Hm, and how’s that going?” 
“Huh,” you chuckled. 
You didn’t even realize where the conversation had gone to. You ordered drinks, laughed and watched Emma yet again, like Tim had said, turn down another man. Drunkenly the three of you managed to get back home, but you and Tim kept talking and talking, and laughing. 
After Emma, too drunk to even continue, was tucked in her bed, you and Tim headed to the couch where you both kept talking about silly things. His job, your job, about the project the three of you were planning, everything but Tom. The difference of being here in LA, how you missed London, but didn’t at the same time, the way that you both found funny people in the bus or the way you hadn’t crossed into any celebrity yet. About the script, and how it felt weird to see it come true, with your life, your love story. Was it love? How different it felt, and how you barely believed it. The way that you didn’t know what to write next. 
And you didn’t know how it happened, really. You couldn’t even tell if it had been the alcohol, the conversation, the heartache, a combination of those three things, or maybe not. The absence of love, or how it felt like you had never really had one last proper kiss. 
But his lips were on yours. And you really didn’t mind that his hands were pulling you close to him. You really, truly didn’t mind.
Except for the fact that you probably didn’t care and he did. 
You pulled away as you felt his hand exploring a bit more than necessary. 
“Timmy this isn’t —this isn’t okay,” you said but you weren’t stopping, and he didn’t either. “I don’t want to trick you into doing this,” you said. 
“You’re not tricking me,” Tim said as he pulled away.  “We both...Fuck this is wrong,” but his lips were back on yours, and your hands were on the hem of his shirt. 
“But, no, no,” you finally pulled away. “Tim, no, no, I… can’t.” 
“I know, I know, but…”
“I can’t do this to you.” 
“I’m not complaining,” he pushed. 
“But…”You didn’t even know what the hell you were doing. “I…”
He didn’t even let you finish as he was kissing you again. And again, and again, and again. Until clothes were on your bedroom floor, sweaty wandering hands and lips discovering new spots. Sweet new sensations, and savoury rough kisses. Colliding again, and again, and again. You really didn’t know what you were doing, he probably didn’t either. Because yes, flowers need sunlight, but somehow, something was blooming in the dark. 
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MK 11 Nozomi vs Canon intro fight dialogues part 2
I FINALLY GOT EM FINISHED!
TW/CW for: Trauma, kidnapping, hints of abuse
Nozomi, Melantha, Shariah, Nyx, Michiko, and Fuyuka all belong to me
the rest belong to midway/NRS
ENJOY
Nozomi: Shariah is nearly done healing if you would like to see her.
Baraka: I will believe that when I see her myself Goddess!
Nozomi: What did I just say?
-
Nozomi: Hey, does it ever occur to you that I have a mother?
Baraka: You’re still Quan Chi’s spawn.
Nozomi: Yeah but I’m also Fuyuka’s spawn!
-
Nozomi: I am here to help!
Baraka: We don’t need your help!
Nozomi: That’s not what Kitana said.
---
Nozomi: I appreciate your gratitude Ms. Cage.
Cassie: Don’t sweat it. Just call me Cassie.
Nozomi: Oh? So who’s the humble one now?
-
Nozomi: Out of my way Cassandra!
Cassie: What has Raiden ever done to you!?
Nozomi: Didn’t he get your mother killed?
-
Nozomi: I am a mother trying to help her daughter. Move please!
Cassie: And I’m a daughter trying to save her mother!
Nozomi: I promise you, Sonya won’t be hurt.
---
Nozomi: Go home aunt Cetrion.
Cetrion: Nozomi, please don’t do this.
Nozomi: I said, go home!
-
Nozomi: Did you know the truth too?
Cetrion: Only the One Being knew the soul you harbored
Nozomi: But did you know of his plan to contact that soul?
-
Nozomi: Aunt Cetrion trust me, Rain would never hurt me.
Cetrion: He has a lot to prove before I believe that.
Nozomi: And here I thought Mom’s judgment was enough for you.
---
Nozomi: My mom isn’t weak!
D’Vorah: Then why does Kronika want her erased?
Nozomi: Cause my mom poses a threat to her!
-
Nozomi: Tell your new master that if she touches my world, I’ll erase her instead.
D’Vorah: This one would like to see you try.
Nozomi: Watch me!
-
Nozomi: Want to know a secret D’Vorah?
D’Vorah: And what would that be, Nozomi?
Nozomi: I’m not scared of you either.
---
Nozomi: I’m more than a demi-goddess, Erron.
Erron: Well what in tarnation are you?
Nozomi: A whole mess
-
Nozomi: Erron I’m not good at anything
Erron: Who hurt you?
Nozomi: A lot of people.
-
Nozomi: I have it in for a lot of people Black.
Erron: Would those happen to be the same people who hurt you?
Nozomi: Yes. And no.
---
Nozomi: You seek revenge?
Frost: Give me the ideas grandma!
Nozomi: First, who are we going against?
-
Nozomi: In all seriousness, your mom said you do have a temper.
Frost: A temper that’s saved me!
Nozomi: A temper that has also hurt you.
-
Nozomi: I am ageless, yes.
Frost: Then you must be older than Kronika herself!
Nozomi: Do you not know how agelessness works?
---
Nozomi: Don’t worry about me uncle Fujin. I’m fine.
Fujin: I am sorry we didn’t get to Gae before he got to you.
Nozomi: He’s dead. We don’t talk about him.
-
Nozomi: You wanna know what my other goal is?
Fujin: Yes! Please, talk to me.
Nozomi: There is no other goal. There is only revenge.
-
Nozomi: I must admit, I will miss some people when I go.
Fujin: What is stopping you from staying?
Nozomi: A lot of things Uncle Fujin. A lot.
---
Nozomi: Then you can oppose him?
Geras: You. You are his mother.
Nozomi: I may harbor her soul, but I am not Khaos!
-
Nozomi: If I have three daughters, I won’t let them be eaten.
Geras: You might not be able to avoid that fate, Nozomi.
Nozomi: That will be one fate I won’t repeat!
-
Nozomi: Tell me Geras, does Kronika mess with my memories?
Geras: It is the back and forth from your world to ours.
Nozomi: That’s impossible!
---
Nozomi: I never answered your question did I?
Jacqui: What question?
Nozomi: The one of my disappearance after seeing my dad get decapitated.
-
Nozomi: The family matters my mother is attending is not one I wish to go to
Jacqui: Why not?
Nozomi: I might see him again.
-
Nozomi: Not my mom, but the sword she wields.
Jacqui: The famed Reaper of Nebulas?
Nozomi: The very same!
---
Nozomi: You made sure to put the books back right?
Jade: I am borrowing one right now
Nozomi: Nobody takes books from mother’s temple!
-
Nozomi: Platonically means out of friendship
Jade: Oh! What strange language you gods have.
Nozomi: That’s actually an Earthrealm term.
-
Nozomi: I suggest Melantha. The Goddess of Death herself.
Jade: There is more than one Death deity?
Nozomi: Yes there is.
---
Nozomi: Bold of you to assume we have family get-togethers in the first place, Briggs.
Jax: You’re right. My bad.
Nozomi: No worries Briggs.
-
Nozomi: Oh yeah? Name one other time I lost my shit!
Jax: When your daddy got his chopped off.
Nozomi: Name another time!
-
Nozomi: I don’t think Rain wants to go with me
Jax: Long distance relationships can be hard.
Nozomi: Long distance?
---
Nozomi: No. No. Cage, Quan Chi is my dad by birth.
Johnny: What about Raiden?
Nozomi: He’s my dad in spirit.
-
Nozomi: If you think me controlling lighting is weird just wait til you see the other elements I control.
Johnny: Are you the Avatar?
Nozomi: I need to watch that with Lao again.
-
Nozomi: You don’t get enough recognition in Hollywood Cage?
Johnny: Not anymore.
Nozomi: Ouch!
---
Nozomi: There are variants to my name depending on the characters used
Kabal: The what?
Nozomi: At least according to Earthrealm customs.
-
Nozomi: I’m not saying Kristy lied! I’m saying, did she say it was me?
Kabal: Well, not exactly.
Nozomi: So why am I the first person you went to?
-
Nozomi: No I do not make em revenants like my dad.
Kabal: Then what do you do?
Nozomi: Have you met Michiko and Reiki?
---
Nozomi: Why does my potential union to Rain interest you?
Kano: Bloke owes me a lot of money
Nozomi: And you think I’ll help pay for that? How cute.
-
Nozomi: I’ll teach you a lesson you’ll never forget!
Kano: Eh sorry teach. School’s out for the summer.
Nozomi: Welcome to summer school Kano!
-
Nozomi: A Devil, a Goddess, or a Titan.
Kano: What do all those have to do with me?
Nozomi: Pick whichever you want to call me, but you’re still paying your debt
---
Nozomi: I’m gonna miss you.
Kitana: Won’t you stay?
Nozomi: I’ve stayed long enough
-
Nozomi: Your friend Jade cares a great deal for you
Kitana: Her, Mileena, and Nyx are like my sisters.
Nozomi: Nyx says hi by the way.
-
Nozomi: Mileena is worried you don’t care for her
Kitana: What!? I need to invite her over.
Nozomi: Better do it fast
---
Nozomi: Nyx wouldn’t hurt Shariah, Kollector.
Kollector: And you believe that?
Nozomi: I’ve witnessed that
-
Nozomi: My debts aren’t always of the monetary kind, Kollector.
Kollector: What do you mean by that?
Nozomi: It depends what they offer.
-
Nozomi: Look, whatever went on between you two is none of my business.
Kollector: Could you atleast talk to her for me?
Nozomi: Fine. But you owe me.
---
Nozomi: He is my dad in spirit
Kotal Kahn: Then who was your dad in birth?
Nozomi: Quan Chi.
-
Nozomi: If you must no, Shariah has made a full recovery
Kotal Kahn: I’m glad to hear this
Nozomi: So are several others
-
Nozomi: Do you still wanna see that card trick?
Kotal Kahn: I would actually.
Nozomi: Great! You won’t be disappointed!
---
Nozomi: Ok wise one! Then who would be a better match for me?
Kung Lao: Liu and I are still going over the list.
Nozomi: You two made a list!?
-
Nozomi: Does Jin want a magic trick done for his birthday?
Kung Lao: He said, and I quote, “If she could poof me up a boyfriend that would be great”
Nozomi: Unfortunately, I am not that talented.
-
Nozomi: I’ll miss you so much Lao
Kung Lao: Why do you have to leave?
Nozomi: I can’t stand being hurt anymore
---
Nozomi: You and Lao made a list!?
Liu Kang: Ah. Has he told you who’s on that list?
Nozomi: No, but now I wanna know.
-
Nozomi: Liu, how could I forget the little boy who insisted on holding my hand all the time?
Liu Kang: I really wish you hadn’t reminded me about that.
Nozomi: Why not? It was cute!
-
Nozomi: I’ll miss you a whole lot Liu.
Liu Kang: Please don’t go!
Nozomi: I have to protect myself somehow.
---
Nozomi: Good news! She’s made a full recovery!
Mileena: Then I’ll throw a celebration for her!
Nozomi: Be careful. She needs to take it easy.
-
Nozomi: Didn’t think you cared for his happiness
Mileena: Rain’s been a good friend.
Nozomi: Well color me shocked.
-
Nozomi: Have you been over to Outworld to see your sister?
Mileena: I’m scared she’ll send me away
Nozomi: She won’t. Trust me.
---
Nozomi: I may harbor her soul, but I am not Khaos!
Nightwolf: Deny as you might, she made her home in you.
Nozomi: I didn’t ask her to!
-
Nozomi: Bad things happen to me a lot, Nightwolf. It’s nothing new.
Nightwolf: Why are you so comfortable with it?
Nozomi: I’m not. That’s why I’m leaving!
-
Nozomi: Raiden is a good dad.
Nightwolf: He cares a lot about you.
Nozomi: I know he does.
---
Nozomi: Please. What is there for him to brag about?
Noob Saibot: Your ability to fully restore a life.
Nozomi: I forgot he was there for that.
-
Nozomi: There is a difference between rage and hate.
Noob Saibot: Not for Michiko.
Nozomi: Perhaps she hasn’t had the chance to fully express that.
-
Nozomi: I am aware where my cousin has chosen to stay.
Noob Saibot: So you’ll take over the Brotherhood of Shadow right?
Nozomi: I thought you wanted to do that.
---
Nozomi: Tell me, why does everyone forget that I am also Goddess of revenge?
Raiden: Cause we’re not used to that side of you.
Nozomi: There are a lot of sides to me you aren’t used to.
-
Nozomi: Trust me, Rain will be a good husband
Raiden: For his safety, he better be the best
Nozomi: Hey! Enough with threatening my fiance.
-
Nozomi: I will miss you the most, dad.
Raiden: I promise you, I will do a better job protecting you!
Nozomi: You’re Earthrealm’s protector dad. Not mine.
---
Nozomi: If you don’t want to come with me then maybe we can try long distance?
Rain: But my darling, I would be too hurt without you by my side.
Nozomi: Then join me! Please.
-
Nozomi: Yeah, I don’t trust Hotaru either. He might get stab happy again.
Rain: Then let me go with you Nozomi.
Nozomi: I don’t wanna risk your health my love.
-
Nozomi: Rain, I don’t want worshipers or followers.
Rain: But you deserve them.
Nozomi: Not really.
---
Nozomi: What impression do I give Hanzo?
Scorpion: You give off a kind and caring one Nozomi.
Nozomi: Didn’t think I did.
-
Nozomi: By that description you gave, I say you like Michiko too!
Scorpion: Ahem. No!
Nozomi: I see you blushing Hasashi.
-
Nozomi: I’m still mad at you for killing my dad!
Scorpion: But wasn’t he found hiding in the void?
Nozomi: You’re lucky he was!
---
Nozomi: Rain won’t hurt me Shang.
Shang Tsung: I will trust your word for now Nozomi.
Nozomi: And I thought we were friends.
-
Nozomi: But being elusive is like second nature to you.
Shang Tsung: Not with you my dear friend.
Nozomi: Have I had that great of an effect on you?
-
Nozomi: How could you help her!?
Shang Tsung: Nozomi please. I did not know the One Being had you.
Nozomi: But she did! And you helped her!
---
Nozomi: Touch the sword and I will take your soul!
Shao Kahn: So the little welp wants to follow in daddy’s footsteps?
Nozomi: Follow? I perfect steps not follow them, Shao.
-
Nozomi: Brainwashing someone isn’t loving them Shao!
Shao Kahn: And what would you know of love?
Nozomi: A lot fucking more than you!
-
Nozomi: First you snap Lao’s neck and now you wound Shariah?
Shao Kahn: Is the short one gonna do something about it?
Nozomi: I’m gonna kill you over and over again!
---
Nozomi: Surprisingly, not a lot of people are in my debt.
Sheeva: That is a relief to hear.
Nozomi: In fact I collected my last debt a few hours ago.
-
Nozomi: Good news! Shariah is fully healed!
Sheeva: Then we shall celebrate her recovery!
Nozomi: She does need to take it easy.
-
Nozomi: Is there anyone you want me to bring back?
Sheeva: I have healed from their deaths. I’m alright.
Nozomi: If you change your mind, you know where to find me.
---
Nozomi: I don’t think there will be a wedding
Sindel: By the gods, what happened?
Nozomi: Rain doesn’t want to come with and he doesn’t seem up for long distance
-
Nozomi: Shairah has healed completely!
Sindel: Good. Shao Kahn is still paying for what he done
Nozomi: Done and done!
-
Nozomi: Do me a favor, and don’t get corrupted again.
Sindel: Trust me. I am sticking to Edenia.
Nozomi: Good. Pulling you out of the corruption was a nightmare
---
Nozomi: Shariah is now fully healed.
Skarlet: Tanya and I thank you.
Nozomi: No need to thank me.
-
Nozomi: I’m taking you up on that offer!
Skarlet: Where is he?
Nozomi: Probably loitering around Raiden’s Sky Temple.
-
Nozomi: Consider us be-friended.
Skarlet: This is perfect!
Nozomi: Let’s start blood-bending!
---
Nozomi: I am not a sadist. I don’t enjoy torturing people.
Sonya: So just killing them?
Nozomi: Precisely.
-
Nozomi: I’m not sticking around for anyone, Blade.
Sonya: Why not?
Nozomi: I have been hurt too much.
-
Nozomi: There are a lot of things you don’t know about Kronika.
Sonya: I’m betting there’s a lot I don’t want to know.
Nozomi: According to mom, yeah.
---
Nozomi: She was still processing what happened.
Sub-Zero: The old grandmaster was a fool to allow Shen to train her.
Nozomi: Had he really not known what Shen was doing?
-
Nozomi: I’m a titan by origin of my birth Kuai.
Sub-Zero: Then you could’ve taken down Kronika!
Nozomi: Well I wasn’t able to!
---
Nozomi: I can’t risk being hurt again.
Shinnok: I promise you, I will up the guards in the Netherrealm.
Nozomi: I’m not staying.
-
Nozomi: Uncle Shinnok, Rain’s not gonna hurt me.
Shinnok: I have a torture room with his name if he does.
Nozomi: Uncle Shinnok!
-
Nozomi: If I don’t get to, tell aunt Charu I’ll miss her
Shinnok: This is like losing my sister all over again.
Nozomi: Hey, I’m not gonna be trapped anywhere.
---
Nozomi: Dad, I can’t stay.
Quan Chi: Isaac won’t hurt you again.
Nozomi: It’s not just Isaac!
-
Nozomi: I don’t think there’s gonna be a wedding.
Quan Chi: Ah so death is the flavor of cake Rain wants.
Nozomi: Dad!
-
Nozomi: I know seeing loved ones go is hard, but I’m not dying.
Quan Chi: But I’m afraid you will.
Nozomi: My heart’s not as bad as it was.
---
Nozomi: You can try, but you’ll die before you even reach me.
Hotaru: Don’t underestimate my tracking abilities, Nozomi.
Nozomi: I’m doubting your attentiveness Hotaru.
-
Nozomi: I still haven’t thanked you.
Hotaru: For what?
Nozomi: For helping Rain find me when you did.
-
Nozomi: If you make my cousin upset one more time, I’m taking your head.
Hotaru: Not if I take yours first!
Nozomi: Oh it’s on!
---
Nozomi: My sword is sharp too.
Reiko: I prefer your tongue.
Nozomi: Well you won’t be keeping yours!
-
Nozomi: Out!
Reiko: I didn’t even get a chance to speak.
Nozomi: I don’t care. Go!
-
Nozomi: You being told you were a blood God ain’t impressive.
Reiko: Aww darn.
Nozomi: Besides, what’s a God to a Titan?
---
Nozomi: My son. I am so sorry.
Meat: Why do you have to leave?
Nozomi: I can’t stand being hurt again.
-
Nozomi: You won’t get flesh. I will make sure nobody gives you any
Meat: You can’t do that if you leave.
Nozomi: I can’t heal if I stay.
-
Nozomi: Hey good news son. Shariah is fully healed.
Meat: Oh good. I was worried for my friend.
Nozomi: She was worried about you too.
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kolachess · 3 years
Text
DMBJ 2010 Nangongling Interview Translated
I’ve finally (poorly) translated the infamous Nangongling interview with Nanpai Sanshu (aka Xu Lei, author of DMBJ)! 
This is where that famous quote, ‘My lifetime, in exchange for you a decade of innocence and purity’ comes from. More on that here.
Interview Context: First off, in case you don’t already know, NPSS started DMBJ off as a fanfiction. And more on that here. Hence, his style of engagement with fans will be much more direct and why he’s very... knowing of the fandom world. And why the interview does not hesitate to ask about pingxie.
This interview seems to have been conducted somewhere on the internet in 2010 or nearing it. Although I couldn’t find more confirmation on its ‘authenticity’ so to speak, I also haven’t seen anything to the contrary that this might be made up. (Chinese internet is a strange, strange place...)
Here’s the version I’m basing this off of.
Translation Context:
Ok first, I’m a native Chinese speaker, but grew up in the US and not fluent in reading / writing. I am not at all familiar with a lot of idioms, let alone internet slang and pop culture references (of which there are a lot in this interiew), so there will be a lot of guessing. Anyone who knows better, free free to point it out.
Text Legend:
Parenthesis indicate actions / reactions. E.g. (smiles awkwardly)
[TN: ...] are my notes
[??? some words ???] indicate major uncertainty in translations
== or =w= and such symbols are emojis from the interviewer
Original text sometimes had random forward slashes in between what seems should be one word / term. My guess is it might be to skirt censorship?
Names Context:
They use a lot of different ways to refer to the various characters and NPSS
The interviewer calls NPSS ‘Your Majesty’ or ‘Sanshu’ a lot. But Sanshu can also refer to Wu Sanxing... so it gets confusing a bit.
Zhang Qiling can be anything from Menyouping to Pingzi to Lao Meng to Meng... just... anytime there’s ‘Meng’ or ‘Ping’ or ‘Zhang’ it’s safe to assume they’re referring to ZQL.
Wu Xie is often just Wu Xie or Tianzhen
Nangongling is the name of the interviewer
Interviewer:
Interviewer: Your Majesty, come interview. After this, we’ve got to sleep.
NPSS: OK. Let’s go. Be gentle.
Interviewer: Oh Your Majesty, you’re so shy.
※※※※※※※※※※※※※※※※※※
Interviewer: If we may ask Sanshu, is DMBJ ultimately a tragic or happy ending?
NPSS: For some, a tragedy. For some, a regular drama. For some, a comedy. For some, an absurdity.
Interviewer: That’s no different from not answering! ==
NPSS: But that’s the correct answer.
※※※※※※※※※※※※※※※※※※
Interviewer: What’s the relationship between Tianzhen and ‘It’? Your Majesty, care to give a spoiler? ==
NPSS: No relationship. [TN: ‘No relationship’ and ‘No problem’ are the same phrase, hence the subsequent answer.]
Interviewer: Then go ahead and tell us. =w=
NPSS: No relationship.
Interviewer: … No relationship?
NPSS: Yup. No relationship.
Interviewer: … ==
※※※※※※※※※※※※※※※※※※
Interviewer: If we may ask Sanshu about the plan for DMBJ, when might you finish it?
NPSS: 2010.
NPSS: The problem is…
Interviewer: What?
NPSS: There is an unexpected situation.
Interviewer: Don’t give us cliffhanger sentences. Just tell us. ==
NPSS: Maybe [??? Something about being possessed ???]. I might work on it till 2050.
Interviewer: Hey!
NPSS: It’s great.
Interviewer: Might as well make it a Gundam series. [TN: Gundam is referring to the Japanese anime series. I guess they’re making a joke about how he should turn it into a never ending universe / entire franchise.]
NPSS: Conan never grows up. Wu Xie will never get old either. [TN: Conan is referring to Detective Conan, another Japanese anime series.]
NPSS: Even when you all become old, Wu Xie in the book will still be pursuing the answer to all the mysteries.
Interviewer: And if it’s with Lao Meng forever mutually loving and caring, then we have no objections.
NPSS: Fifty years, Golden Wedding  [TN: Think he’s referring to Golden Wedding as the 50th anniversary].
Interviewer: Yes, yes. Don’t know if there will be a son. (Tea) (Silence) [TN: I guess the actions indicate ‘sipping tea awkwardly in silence’]
Interviewer: Alright, His Majesty has become shy. Let’s continue onto the next question.
※※※※※※※※※※※※※※※※※※
Interviewer: If we may ask what the Menyouping’s ending will be? Will he find his memories? Continue to live on? Your Majesty can’t because of Classmate 370 [TN: Rumors are this is NPSS’s classmate? Potential prototype for ZQL? See ref.] once scorned your [??? finger ???], you end up holding a grudge?
NPSS: Whether or not you can ‘fujoshi’ for 50 years is uncertain. [TN: Word is ‘fu’, which literal = ‘rotten’; but refers to fujoshi. AKA he’s questioning how long they’ll ship pingxie for.]
Interviewer: No worries. In the future, there will appear a lot of Li Yinhe grannies. [TN: Seems to refer to this LGBTQ activist.]
NPSS: Hands / feet have not fallen off, OK? [TN: I’m not sure what this is referring to lol. Maybe some play on the rotten nature of fujoshi.]
Interviewer: Hands / feet… the whole body?
NPSS: The meaning of ‘entirely not fallen off’ is ‘entirely not fallen off’. [TN: Idk I’m lost...]
Interviewer: … ==
Interviewer: Your Majesty, your resentment for 370 is too deep…
NPSS: Menyouping’s ending will definitely surprise you all. It’s definitely not something that can be conceptually considered at all.
Interviewer: Could it be that he really will be mutually loving and caring with Tianzhen? == It’s not in concept…
NPSS: Hn. That’s a nice thought. [TN: Tone reads a little like ‘ha, as if’.]
NPSS: Like, turn him into a woman or something. Or is it Wu Xie who turns into a woman?
NPSS: “Actually, I’m a flat-chested Mary Sue.” [TN: Lol, yes. They refer to Mary Sue omg.]
Interviewer: … hey now… == Speaking of Mary Sues, after Yun Cai is it Xiu Xiu? Your Majesty, you wouldn’t gift Yun Cai to Lao Meng, and Xiu Xiu to Wu Xie, right? ==
NPSS: Maybe I’ll write Lily stories. [TN: I think Lily stories refers to femslash / stories between two females.]
NPSS: Don’t underestimate my pervertedness.
Interviewer: I’ve never underestimated it… (serious)
※※※※※※※※※※※※※※※※※※
Interviewer: If we may ask what Sanshu’s current weight is? Are you losing weight? Hahahah (Hands akimbo)
NPSS: Now it’s probably a little less than 200 jin. [TN: ~220 pounds.] I’m always in the middle of losing weight, but fat really likes me.
Interviewer: Your Majesty, you should continue to make effort to cosplay Pangzi.
NPSS: I think I will exceed Pangzi’s category soon, cosplay a huge monster instead.
※※※※※※※※※※※※※※※※※※
Interviewer: When will the DMBJ movie be released? Who will play Pingzi? To be honest, I don't want to watch. ==
NPSS: Probably around 2015. I don’t know. Hope it’s not [??? black people ???]. [TN: Yeah that’s what it says, but idk if it’s a reference to type of personalities or it actually is referring to skin color. Wouldn’t surprise me if it were a racist remark. China, sigh.]
Interviewer: Could it be there really will be a movie?
NPSS: Probably.
Interviewer: In America?
NPSS: I can’t say I understand / know Hollywood’s situation.
Interviewer: So it’s America… (Tears running) Too tragic!
NPSS: Hei Xiaoge [TN: Lol I think he’s saying a black young lad] is also not bad.
Interviewer: No! No! No!
NPSS: A-ning has already been designated the female lead by a foreign scriptwriter.
Interviewer: Oooh ~~~ We don’t want to see ghosts ~~~ [TN: Idk what this expression is…]
NPSS: Little D might be able to accept. [TN: Idk who Little D is… might just be a slang way of writing ‘little brother’, in which case, I still don’t know if that’s referring to himself or someone else.]
Interviewer: I guess he will squeak along with me. [TN: Again… I’m lost.] Nope cannot anymore. Next question.
※※※※※※※※※※※※※※※※※※
Interviewer: Will there be romance?
NPSS: [??? Eloquent love ???] will have porn scenes.
Interviewer: … who and who?
NPSS: Not sure yet. One party should not be human.
Interviewer: Heavy tastes, Your Majesty.
NPSS: Tentacles.
Interviewer: …… Your Majesty, are you playing some XXOO games recently? [TN: I’m just gonna assume some hentai shit here.]
NPSS: Nope. Haven’t played in a long time. Got any good suggestions?
Interviewer: [??? The imperial doctor has ghost glasses ???] [TN: Guess it’s the title?] Try it (rubs hands).
NPSS: I’m currently still holding out strong.
Interviewer: Gee… what a pity.
NPSS: You can train your boyfriend.
Interviewer: He’s already very calm.
※※※※※※※※※※※※※※※※※※
Interviewer: Pingzi is so good to Wu Xie, any particular reason? I mean deep underlying reason? For example, knowing the truth about Wu Xie’s life / existence or something. Or being entrusted by Wu Xie’s family or something. Or he thinks he’s brought Wu Xie harm and wants to redeem himself or something.
NPSS: Just doesn’t want to disturb.
Interviewer: Huh? What?
NPSS: Don’t want to disturb.
Interviewer: Disturb what?
NPSS: Tianzhen Wu Xie [TN: Remember, this means ‘innocent, naive, and pure’]. The prompt is very deep now. [TN: Sounds like he’s saying he’s given a deep hint now.]
Interviewer: Oh (Actually someone who doesn’t really understand). [TN: GLAD I’M NOT ALONE! IT’S NOT A TRANSLATION ISSUE!]
※※※※※※※※※※※※※※※※※※
Interviewer: Are there new Lunar New Year Celebratory Extras this year? [TN: NPSS writes occasional extras, and often will publish on special occasions like Lunar New Year.]
NPSS: 2010’s publishing work was too heavy. Can’t celebrate. I even wrote the outline already.
Interviewer: That’s such a pity. What about Tibetan Sea Flower. I’m still waiting for the lama that has JQ with Lao Meng. [TN: They use the term JQ here… seems like slang for something like bromance.]
NPSS: Ah little living Buddha… probably can’t write. [TN: Yeah idk what that really means…] Due to religious issues, living Buddha’s chrysanthemum is very sensitive. Huge crawling creatures will come and bombard. [TN: IDK BUT CHRYSANTHEMUMS ARE OFTEN EUPHEMISMS FOR THE ANUS AND GAY BUTT SEX SO IDK.]
Interviewer: Hey… ==
※※※※※※※※※※※※※※※※※※
Interviewer: Qinling Sacred Tree arc was too mysterious. Will Sanshu later be connected to the Sacred Tree? If so, how will you do it? I think DMBJ is not as thrilling / exciting as before. Can you still return to that previous style?
NPSS: There are no plans at present to connect Qinling. I need to settle Meng first. The core of what’s being written is his business. The excitement of DMBJ is not found in the novel but in the heart of the reader. The reader will upgrade / improve while reading.
Interviewer: Is that so… (Eats late night food) [TN: Idk what this expression means.]
※※※※※※※※※※※※※※※※※※
Interviewer: Will you still publish new books and dig new plot holes? == Besides this official vest of Nanpai Sanshu, do you have anything else? Like diving party? == [TN: Yeah idk what that means…]
NPSS: Doesn’t returning to the original style of writing offer you some thrilling / excitement? Your heart has already upgraded, it’s just that the novel is still like that.
Interviewer: Heart! ==||| [TN: Yes, this is another face lol]
NPSS: There’s still some more. Like Nangongling. [TN: Name of the interviewer, but I have no idea what this means.]
Interviewer: The watch drags me underwater. [TN: I got nothing *shrugs*.]
NPSS: Actually are we answering our own questions?
Interviewer: Haha, fun right?
NPSS: Indeed. Could it be a split personality? Never thought my hidden personality is a Fujoshi. Tragedy.
Interviewer: Hey I didn’t say my hidden personality was a perverted uncle yet. (Two bored idiots stare in silence for a few seconds) 
Interviewer: Enough. Next.
※※※※※※※※※※※※※※※※※※
Interviewer: Pingzi’s age… is it ‘uncle’ or ‘grandpa’? Anyway, I know it’s not ‘brother’. [TN: They’re referring to which generation basically.]
NPSS: Taizu Grandfather [TN: Basically hella old… great-great-great-great-great-grandfather?]
Interviewer: Wow… paleontology relic?
NPSS: Age must be in the triple digits.
Interviewer: Old monster! I like it! Just afraid that next to Tianzhen, he seems younger (talking to self)
NPSS: Tianzhen is even older. Quadruple digits.
Interviewer: Really is younger? ==
NPSS: They all end up in the museum display.
Interviewer: Does it cost anything to visit? Museums are now free / open to visit.
NPSS: After hour events charge fees. There are special programs, but the TV station will not allow them to be broadcasted.
Interviewer: Strip tease / dancing?
NPSS: No. It’s the old monster [TN: Probably referring to ZQL]  performing Xiangsheng [TN: Some Chinese duo comedy schtick]. Xie Ling [TN: I think this is Wu Xie + Zhang Qiling?] social / not-famous Xiangsheng actors.
Interviewer: Looks like it will be Two-Person Turn Opera [TN: Idk if there is an English term for this… but another type of skit it seems.]
NPSS: Wear the dancing shoes. [TN: I think it’s just this?]
Interviewer: … It’s so cold… Your Majesty…
NPSS: Zhang Wenling, Wu Wenxie [TN: Lol I guess this would be their comedy stage names. It’s extra / intentionally stupid because all he did was insert ‘wen’ which means ‘literature’.]
Interviewer: Enough… Don’t worry about this anymore. I’m gonna move onto the next question.
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Interviewer: Is Wu Xie the most tragic character in the entire novel? Is it inevitable that, between him and Pingzi, one of them will have to die in the end?
NPSS: Wu Xie’s fate as the most tragic is a set tragedy, but Lao Zhang doesn’t have it easy either.
Interviewer: And then?
NPSS: Delayed the inevitable tragedy.
Interviewer: And then they encountered tragedy together?
NPSS: Using [his] own lifetime to exchange you another decade of innocence and purity.
Interviewer: … (wailing) (too stunned) Lao Meng [??? became the Virgin Mary???] (smashes wall)
NPSS: I also want to get a cult.
Interviewer: Does Lao Meng really not have a crush on Tianzhen? It can’t continue like this. DMBJ is still a serious / proper drama after all.
NPSS: Nah. It’s serious / proper.
Interviewer: But what you said is crooked.
NPSS: Alright. Then let’s put it this way.
Interviewer: How?
NPSS: Comrade Zhang Qiling sacrificed his own time to save and prevent the disillusionment of a youth who was about to go astray. [TN: Yeah… not too sure about the implications of this.]
Interviewer: …. Your Majesty, you [??? use soulmates ???] [TN: I’m really not sure about this… context and definitions I found seems to indicate it’s a soulmate like thing, but also used kind of queerbaity?]
NPSS: I’ve been working real closely with soulmate recently.
Interviewer: We can tell. Next question. Best leave some room for free thought.
NPSS: It’d be fine if you just don’t post it.
Interviewer: This is iron proof of JQ! [TN: Again, some internet slang for bromance / malexmale CPs or something.]
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Interviewer: Are all the incomprehensible things that happened so far man-made? Or will it be explained by the supernatural?
NPSS: There’s nothing incomprehensible.
Interviewer: Probably in reference to Qinling.
NPSS: Oh. Doesn’t that count as a spoiler?
Interviewer: … then let’s skip again. Actually, I thought you already forgot about Qinling.
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Interviewer: What is Pangzi’s little secret?
NPSS: Xiao Pang’s [TN: Little Fat’s] tragic past.
Interviewer: What… Pangzi is also quite tragic.
NPSS: Probably a ‘fought with his best friend over a woman and was hurt very badly’ kind of relationship.  Pangzi had a very simple but tragic love.
Interviewer: Sad…. == You really can’t tell…
NPSS: A woman he promised to take care of for a lifetime and a brother he can’t help but save.
Interviewer: Pangzi has sublimed (victory fist] [TN: I assume ‘sublime’, which literally means converting from solid directly to gas, is just representative of a massive promotion or rise into awesomeness.]
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Interviewer: I’m always thinking of Ershu’s mysterious air. Does he know a lot of things that others don’t? I also want to know what Wu Xie’s dad does.
NPSS: [??? Location scouting ???]
Interviewer: Ershu?
NPSS: He knows some.
Interviewer: Then what about his dad.
NPSS: Location scouting. Totally innocent. Just like Jesus’s old man.
Interviewer: What kind analogy is that… == Next.
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Interviewer: Hey Sanshu, on Dec 9, 2009 at 02:58 in the morning I dreamt of you. Did you dream of me? …. == Your Majesty, your fans [TN: Yeah idk.]
NPSS: That night I seem to have pulled an all-nighter. I wouldn’t mind dreaming again tonight.
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Interviewer: Will Pingzi eventually return to being a normal human? Live on from the age of 18? Has he had a lover / children before? Yun Cai? Is Pangzi the boss or the person coming to supervise the boss (Tianzhen)?
Interviewer: Lao Meng… I’ve long since been speechless towards him. By the way, was he always this kind of stone in the latrine? [TN: I guess a saying about how he’s stuffy and expressionless per usual.]
NPSS: No. It used to be really bad.
Interviewer: …How bad…
NPSS: Like a Tibetan horse. [TN: Lol this is the literal translation but when I Googled it, Kurama from Yu Yu Hakusho came up and hahaha I guess it kind of makes sense as an analogy?]
Interviewer: Your Majesty, your definition of really bad is Kurama’s level huh…= =|| So he wasn’t born latrine stone… [TN: Ok, so background on Kurama - an infamous fox demon thief escaped into the body of a newborn child because his spirit was weakened after being hunted, and so he cohabits the body with this boy… I’m not entirely sure of the reference jousting here.]
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Interviewer: What happens to Pangzi in the end?
NPSS: Dies of old age.
Interviewer: How mundane!
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Interviewer: We want to know when DMBJ 7 will be finished?
NPSS: 3/15-20 complete.
Interviewer: (Recommends to everyone not to believe… ==)
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Interviewer: Sanshu, will someone die at the end of DMBJ? (Alright I only care about MengMeng and Tianzhen and believe Pangzi will definitely not be killed off). Also, just how many volumes will there be?
Interviewer: How many die, I also want to know. [TN: Lol they also use the counter word not for humans, but… something else?].
NPSS: There will be someone half-dead. Because it’s a grave-robbing novel, dying completely will never happen. A-ning died and still comes around often, right? [TN: Lol I’m not entirely sure what this is in reference to… first part he’s making a joke that people can become zombies, but second part… I don’t really recall A-ning coming back? Unless he means in mentions? Then again I’m still making my way through the novels.] Just that you go from hero to villain. I still haven’t decided how many to kill off. Anyways for the last volume, with the exception of Wu Xie, [??? anyone can be killed ???].
Interviewer:  …Just kill everyone why don’t you; it’s easier. (self-destruct) ==
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Interviewer: May we ask Sanshu, will Pingzi have emotional drama in the future?
NPSS: No. No time / effort for that, and communication skills are limited.
Interviewer: Ahaha….
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Interviewer: Normally, will Sanshu come check out our Tieba? [TN: Kind of like Chinese reddit I believe?] Do you know the Warm Fox? [TN: I did a quick search, seems like a big fandom name that interprets a lot of the DMBJ stuff.]
NPSS: Don’t know.
Interviewer: As expected…
NPSS: It’s your husband?
Interviewer: Hey don’t involve me in everything. (Flips table)
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Interviewer: Just out of personal interest… I really want to know if Xie Lianhuan likes Wenjin?
NPSS: Uh, yes. Very much so.
Interviewer: Then what about Wu Sanxing?
NPSS: Also likes her.
Interviewer: So it turns out to be a crime of passion… (awakened)
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Interviewer: Is Yun Cai just an inconsequential character? Those Huo family Forbidden Ladies won’t have some sort of emotional development with Pingxie, right? [TN: It does say Huo family Forbidden Ladies… I guess they might be referring to Huo Xiu Xiu, but not sure why there’s multiple. Also, recall that the Forbidden Lady is that tomb creature.]
NPSS: Huo family really did become Forbidden Lady professional household [TN: Maybe like a ‘firm’?]. Yun Cai’s ending is also quite tragic.
Interviewer: Indeed. If transmigrating, don’t transmigrate into DMBJ. [TN: Transmigrate is the common c-drama trope where someone in modern times / average suddenly wakes up in the body of some one in the past or something.] Female beings all have no good outcome.
NPSS: If you’ve already died once, then there’s no need to be afraid.
Interviewer: Oh yeah, will that pink-shirt show face again? (Xlaugh) [TN: Idk this expression, but I think pink-shirt is referring to Xiaohua.]
NPSS: Yes. [??? Young Lord of Solutions ???] Grave-Robbing Prince.
Interviewer: Ahhhhh~~great~~~ >///<~~ The Old Nine Gates [??? Admirals ???], right? … Then Xiao Hei [TN: Hei Xiazi / Hei Yanjing] also has a role?
NPSS: Yup.
Interviewer: The descendants of the Old Nine Gates [??? Admirals ???] are nine golden men? =w=
NPSS: One isn’t. 8 men. 1 woman.
Interviewer: The female is Huo family Forbidden Lady, right?
NPSS: Yup. Counting her.
Interviewer: So that means Tianzhen still has 7 in his harem… Damn, catching up to Cracked Pot’s bunch of shiny guardians. [TN: Idk what that is in reference to.]
NPSS: Cracked Pot? What’s that? [TN: Yay I’m not the only one!]
Interviewer: Cough Cough. Your Majesty, you don’t need to know.
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Interviewer: Will Sanshu come to Nanning for an autograph session?
NPSS: Nanning? Need a Nanning bookstore to invite me.
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Interviewer: If we may ask Lao San [TN: Still referring to NPSS], from Wu Xie’s (or Pangzi’s) perspective, where does Menyouping stand? Just a ‘person who stands on our side’? [TN: Refers to when ZQL told them he was a person on their side.]
NPSS: Now it should be like a son’s role / part.
Interviewer: What? Son? ==
NPSS: A very promising son.
Interviewer: Is Wu Xie having the ‘My son has grown up’ old mother mentality?
NPSS: Not really. More like, my son has bad memory or something.
Interviewer: Wu Xie he is indeed [??? person wife ???] [TN: Uh... term used was 人\妻 which when Googled had the first link to pornhub lol. But I think the slang used is actually this.]
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Interviewer: In Sanshu’s day to day, how often does you use code words? Or is it scrunching your feet and thinking on it for a month or two before coming up with something? [TN: I think they’re referring to Sanshu as in NPSS and not Wu Sanxing Sanshu?]
NPSS: It’s usually simultaneously [??? buckling ???] and eating and typing.
Interviewer: Does it taste good?
NPSS: Often get stomachaches.
Interviewer: …Very toxic huh…
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Interviewer: Can you fill the bit plothole of Sanshu’s storytelling? Your Majesty, do you have any filled pits? == (Hides face)
NPSS: I promised my father I would fill them before he turns 70. 
NPSS: [??? New Year’s Eve pieces ???]
Interviewer: How old is his esteemed Majesty’s father?
NPSS: 60.
Interviewer: …. (speechless)
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Interviewer: What kind of person is Wu Xie’s mother?
NPSS: Wu Xie’s mother is probably a strong / great woman.
Interviewer: I think so too.
NPSS: Beautiful but strict and fierce, which is why Dad is rather pathetic / a good-for-nothing.
Interviewer: Queens are great. Queens usually marry good-for-nothings. [TN: The ‘queen’ here is literally ‘female king’, so more implies a female ruler.] ==
Interviewer: In the end, did Wu Xie inherit his dad’s genes?
NPSS: Wu Xie also has a very dark personality.
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NPSS: I’m nearly at my limit…
Interviewer: Same here… (sleepy)
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Interviewer: If we may ask Sanshu, if excluding psychological factors, in terms of human nature, do you think Pingxie is suitable?
NPSS: I think, the two of them together. Neither can earn money. Parents on both side would not agree.
Interviewer: Can it not be one steals and the other sells stolen goods?
NPSS: At the very least, Wu Xie needs to get admitted to a civil service position. [TN: These are stable job positions lol]
Interviewer: Looks like Lao Meng eats soft rice! [TN: A saying that refers to men who lives off of women lol. Basically that the woman supports the man instead of the expected vice versa.]
NPSS: And also will need to buy a house in Hangzhou.
Interviewer: … Too realistic… == [TN: Lol no joke this is exactly how couples get ‘permission’ to marry each other by the families… Hangzhou housing prices are not cheap either. I was born there and visit often… those prices have gone uuuuuuup.]
(And the two are dozing off)
NPSS: Let’s end it. I can’t hold on anymore.
Interviewer: Ok…
(The physically / mentally exhausted two rolled off to sleep, interview unfinished… ==)
~ End Interview
Whew that was a long ride. NPSS is such a troll lol... 😅I don’t know nearly enough Chinese slang / internet speak to parse this properly, but the general gist is there.
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spectrumed · 3 years
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I decided to start writing a book. A novel, it’s going to be fiction. It’s a big project. I dread big projects. I don’t feel as if I am ever able to complete them. It’s going to be left unfinished, why do I even bother? So many projects that I’ve started and never finished. I get an idea, then I can’t make myself do the actual work to make it a reality. Why do I think I can write a book when I can barely read books without becoming distracted and doing something else instead? I give up too easily. But, then again, do I really have it in me to produce something that is good? That people would want to read? Insecurity creeps in, telling me that I will fail. I fear failure. Of course I do, who doesn’t? Whenever people say that their greatest fear is failure, all I wonder is who out there is not afraid of failure? Is there someone out there with so much confidence that they absolutely do not in any way fear failure? Even narcissists technically fear failure, it is what leads them to such ridiculous overcompensation, putting on the facade of bravado to mask their actual dire sense of insecurity. Do not fall for the scams, no person is truly without self-doubt. (Well, I guess maybe psychopaths, but there’s a whole lot of things amiss with them.)
Ever since I was a kid, I’ve entertained myself by coming up with stories, fictional universes that I would populate with characters of my own invention. When I was a kid, what I really wanted was to become a comic book writer and artist. Well, in between other gigs I imagined would suit me, including at one point wanting to be a “singing farmer,” as I put it. Still, I’ve always returned to fiction and storytelling. There’s something about creating a world that lets you so fully distract yourself from all the stressful daily hullabaloo that goes on around you. Escapism, it’s fun, it’s therapeutic, I think. There’s a reason why humans have been telling each other stories for millennia, since even before we lived in houses. Back when we were all huddled around the fire, wearing our best comfortable animal furs, sharing tales of the hunt. Your uncle who once took part in killing a mammoth, the impressive beast nearly gorging him with its big tusks. How clever he was when he noticed that the mammoth had one leg weaker than the others, and used that to his advantage. How the entire hunting party banded together to bring the behemoth down, getting all that meat to feed their families with for months! Stories make you feel good. Like as if you have something to celebrate, even when you might be starving due to the more recent hunts not having gone as well. Damn that saber-tooth tiger that killed your uncle…
Storytelling is linked to acting. Both with acting and with storytelling you have to commit. Whatever you are doing, whatever role you are performing, you have to sell it. You may be on stage talking about that time you went scuba diving with your future wife, and how you encountered an oyster with the most magnificent pearl inside, and how you made a ring for the pearl and used it when you proposed to her. You have to sell it. You have to get the audience laughing, gasping, crying, going “aww,” feeling as if they were there with you that day. Of course, they don’t know it is all just lies. You made it up. It’s all fiction. But you committed, so they won’t ever know. Storytelling is a gift to others, people will appreciate you if you tell good stories, but you’re also kinda deviant. Even if it’s technically based on a true story, you’ve certainly added your embellishments. You’re a trickster, a devious individual. No wonder actors have historically been seen as dubious folks. They come into town, romances all the young women and men, telling them big tales of their lives on the road, and they can’t possibly know if you are telling the truth or not. You may just be lying. You probably are lying. Let’s be honest, you’ve probably not told a single true thing in your life.
I am bad at the hustle. No, I can talk quite well, and I can keep people’s attention for a long while. But I can’t be a huckster. Going out there, putting myself on the line hoping people will swallow my bullshit. I can’t really avoid speaking from my heart when I do speak. Or when I write, as I happen to be doing now. This blog has so far been thoroughly candid in places, in such a way I may come across like I’m at a confessional. Not that I have much evil to confess, but I can’t help but be transparent. I can’t flip into different kinds of personalities, each with its own schemes and plots, being some master manipulator, someone who you can never figure out what they're truly up to, or what they truly want. No, what I am is clearly written on my face. I’ve got one self, and it is the one before you. He’s hairy, and tall, and a bit of a dork. I am happy to talk to you, to engage with you, but I won’t be anyone but myself. I am me. I hope that’ll do.
Of course you are familiar with all those pick-up artists that plagues the internet. Or well, not just the internet. Go into any old-fashioned bookstore (where they store books on paper, not in digital code,) and you are bound to find some sleazy book written by a sleazy guy about how to sleazily seduce women. Those books don’t want you acting like me. According to them, seduction is all about manipulation. To figure out the very right thing to say to get women to fawn all over you. They don’t want you to be sincere, telling the truth as you see it. Nah, you gotta keep that stuff bottled up, deep down inside your soul, because most likely, your true self is ugly. It’s interesting how you can get little details from these pick-up artists depending on the sort of things they say, the tips they provide. The fact that all of them seem to harbour this festering misogyny is no big surprise, but every so often, you get these little glimpses of these people’s true worldview, one where power is everything, true love is a fallacy, and happiness is a lie manufactured by Hollywood to make us all into docile consumers. No wonder the “red-pill” so often leads to people taking the “black-pill.” First hucksters will lure you in, telling you that they’ve got the secret as to how to be a success, then when they’ve got you isolated, they reveal to you how truly misanthropic and bleak their actual beliefs are.
I am fascinated with cults, for much of the same reason why I am fascinated with storytelling. What is a cult leader if not just a great storyteller? They’re something like the modern day shaman, capable of spellbinding people with their weird idiosyncratic way of speaking. High-functioning people with autism are often said to have an idiosyncratic way of speaking. No, I am not suggesting that cult leaders are all somewhere on the spectrum, though it wouldn’t surprise me if some famous cult leaders did turn out to have been on the spectrum. However, for an autistic person to become a cult leader, I think they would have to be a true believer, and not some fraud just looking to scam others. Ultimately, no autistic person would want to surround themselves with people unless they truly do believe it is essential, to like, save mankind from damnation or something. It’s the difference between sincerity and insincerity. It is difficult for autistic people to be insincere, as insincerity requires a lot of social skills that autistic people struggle with. Having to juggle all these balls in the air, making sure you keep the big lie going, that you remember to change your behaviour depending on who you are speaking to in order to keep them from figuring out that you’re a bullshitter. Hollow people are great at being insincere. People like L. Ron Hubbard, the founder of the highly profitable cult that is Scientology, was at his core a hollow individual. He had no problems twisting the minds of the people around him, because he never felt a need to be sincere. If an autistic person were to become a cult leader, I can guarantee you that it wouldn’t be a profitable cult. Nah, autistic people aren’t in it for the money, we’re all about keeping it real.
Being a sincere person, surely I should be able to write a novel and make it feel earnest. Like it was delivered with passion, because I wouldn’t be able to write anything that wasn’t true to myself. Well, I do hope so. Having something I’ve made be referred to as genuine is something I see as a great compliment. I’m a student of art history, I’ve made some “serious” art before, I know how terrible art can be when it is not delivered with good faith. Sure, some art is cynical, or ironic, but even then, it tends to come from a real place. Good artists, even when they’re fully armed with the dada mindset, must believe in what they are doing. Whether they are doing it for a laugh or not, that’s irrelevant. Even if all you wish is to be silly and make something that is comical, you have to believe in what you are creating. Or else people won’t bother engaging with it. Why look at a painting by someone who is just interested in making money? Insincere artists do exist, and they can end up becoming quite successful, but ultimately, history won’t be kind to them. Damien Hirst comes to mind, heard he's into NFTs now.
Sure, I don’t like insincere people. Does that make me a bigot? Like, it’s not as if they can help themselves. It’s just who they are, spineless maggots with no soul. It doesn’t mean we have to hate them. No, no, no... I am just generalising. Don’t go thinking there’s just two kinds of people in the world, the sincere and the insincere. It’s not a binary. Most people are both, just like with introverts and extroverts, humans are complex. But there are definitely those that decide to feed into their insincere side, realising that it is often the key to success. Through insincerity, you learn to let go of self-doubt, you stop worrying so much about what others think of you, because you are never truly yourself. If they hate you, then so what? They don’t actually hate you, they just hate a role that you are playing. So what if you seduced that woman, made her feel as if you were the perfect match, then you ghosted her and completely forgot about her? It’s her fault for falling for your tricks. You were clearly just playing the game, being a super-seducer, she should have known better. By embracing insincerity, it’s like gaining a superpower. No longer do you have to care about the impact you have on others, no longer do you have to worry about what it means to be a social human being making choices that affect the others around you. Because you’re not the person they think you are. Actually, you’re not quite sure you’re the person you think you are… Who are you?
I’ve got the plot all laid out in my head for the novel. It’s going to be based in the fantasy world that I’ve been working on for the last few years. I’ve been working on this world for almost half a decade now, come to think of it. Why do I keep feeling as if I am never able to keep to a project, when I’ve clearly been working on a massive project all this time? Sure, it’s all just in my head, but it’s not as if most people have the kind of patience to keep going back to a single big project, even if it is just in their head. Not once, while thinking about my fantasy world have I been distracted and started thinking about cute puppies, instead. And you know how difficult that is. Maybe I am too hard on myself. Maybe I will finish this book, and maybe people will want to read it. Maybe it will even get a minimal number of angry reviews, like, I may get a book published without some folks trying to harass me into committing suicide for daring to think I can write. Some people may even be enthusiastic, blowing up my ego with great praise. Maybe someone will come along and tell me that they want to buy the rights to make my book into a movie or a television series. Maybe I will get rich? Maybe I will get famous! Woo! Success here I come!
Well, no, here I go being insincere. That’s not what it’s about. I should be writing this book because I want to write it. Because I want to prove to myself that I am able to write it. Sure, it’s not as if there’s not a little brain goblin inside my mind whispering sweet nothings about how one day I might turn out a real respected author. One with real fans that gets to do big book tours talking about how brilliant I am, how brilliant my work is, and how brilliant things are going for me. I am not going to pretend I don’t have the same aspirations for success that others have. Inside of me you will find the same greedy piglet of an ego hungry for more adoration and more validation that you will find in any person. Humans don’t know when to quit, we always want more. But I am at least safe knowing that I will never debase myself, descending to the same depths as those inhabited by soulless grifters who go through life abusing the trust of others in order to get by. I’m sincere, in the end. I always turn out sincere, in the end. I am a good boy.
And I am also really sexy. I don’t think I’ve mentioned this before on this blog, but I am really, REALLY, sexy. Like, you wouldn’t believe it. Oh, I am so hot. And if you follow and subscribe and hit that bell, I will teach you how you can be just as sexy as I am! And buy my book! And my merch! And my new single! And of course, my new cryptocurrency, by the name of “autism-coin.” It’s going to be a real success on 4chan, let me tell ya!
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