#expanded middle earth history

[coopsgirl]

Thranduil Fic Masterlist

The Darkening Forest: Set in the Woodland Realm around the year 1050 of the Third Age as Greenwood the Great begins to turn into Mirkwood. King Thranduil meets a young elven woman and his life will never be the same. AO3 link

Words: 34,506

From a Far Away Shore: Set at the beginning of the Third Age just after the victory against Sauron by the alliance of elves and men, Thranduil has just become king after the death of his father Oropher in battle. He gets help from a most unexpected source as he tries to fill his father's shoes and guide his people back to peace and prosperity. AO3 link

Words: 56,048

The Shadow and the Sunrise: Ranyare, a member of the original eldar who awoke on the shores of Lake Cuiviénen, has survived into the Third Age and has lived hidden away from others in Fangorn Forest. Forced to come out of hiding, she meets the elves of Lothlórien and Greenwood. Much to her surprise, she and Thranduil become friends and together they will work through their pain and traumas to finally find peace and love. AO3 link

Words: 22,447

All fics are completed and safe for work. I hope you will enjoy them!

#thranduil #tolkien tag #tolkien elves #tolkien fic #expanded middle earth history #thranduil fanfiction #thranduil fan fic #fluff fic #some angst #lotr #lord of the rings #the hobbit #elvenking #mirkwood #greenwood #legolas #lee pace #thranduil oropherion #fan fic #thranduil fic #thranduil fluff #thranduil drama

[mishacollins]

Time.

I’m at home alone with COVID, which is giving me time to naval-gaze and empty my inbox. In that inbox, I discovered that my friend Alex Gorosh (director of my series RoadFood) sent me this little documentary short on the topic of time.

For some reason, the unfathomable magnitude of space and time has always been a great source of comfort to me. I remember feeling miserable as a teenager and looking up at the stars of the night sky and taking great comfort in the fact that I was just a speck on this tiny blue planet in an ever-expanding universe of quintillions of planets. Looking up at the night sky on a clear night in New England as a kid I could see faint glow of the milky way—hundreds of billions of stars so distant they ceased to be points of light, but together they added up to a dusty smudge of luminosity across the sky—and all of the stars the Milky Way are in our own galaxy! And there are hundreds of billions of stars in hundreds of billions of other galaxies in this universe. To my high school mind all of this comforted me, because how could my little problems ever feel big when held up to the enormity of everything.

I always remember being soothed by the vastness of the universe, but when I was 40, I read “Annals of the Former World,” a tome on geology by John McPhee. The book beautifully illustrated the great expanse of geologic time, which so often exceeds the limits of our comprehension with this simple quote, “Consider the Earth’s history as the old measure of the English yard, the distance from the king’s nose to the tip of his outstretched hand. One stroke of a nail file on his middle finger erases human history.”

When I remember to remember, this too comforts me. The infinitesimally-small-smallness of my troubles helps them fade into nothing. Watching these few minutes on Youtube this morning, it was comforting to see that I am not alone in this perspective on our blink of time in this world. 

https://youtu.be/nOVvEbH2GC0

#Misha #Alex Gorosh #Time #Navel-Gazing

[thesirenisles]

Mercury’s Prophets🐍🪽

gemini & virgo

love, mythology, astrology observations✨

🌬️Mercury in the 1st house, 3rd house, 6th house,

🌬️Sun-Mercury Aspects, Jupiter-Mercury aspects

🌬️Gemini Sun, Ascendant, Rising, Venus, Mercury, Mars, Jupiter, Gemini Stellium

🌬️Virgo Sun, Ascendant, Venus, Mercury, Mars, Jupier, Stellium

🌬️Jupiter in the 3rd house, Jupiter in Gemini, 6th house

🌬️Mercury Dominant, 3rd House Stellium, 6th House Stellium

“She leapt from the Earth. The free winds of the skies coursed beneath her golden wings as she raced for the clouds… the burden of her omniscience left behind. Nothing but silence above the heavens.”

Fascinating mythological history below! Please do not steal any of my original writing.

Voice of the Gods,

Soaring high above, with Godly knowledge ever-expanding… you are a magnificent being, Mercurian.

Gifted with wings to be free of the Earth 🌍 , one might confuse you for an angel.

However, Mercury blesses you with these wings to be a divine messenger, a literal VOICE of the Gods. ✨.

A prophet of sorts if you will. 💁🏾‍♀️

This energy makes you quite attractive, blessing you with divine looks and energy that is welcomed in any room.

When you speak, everyone listens. (Esp. 3rd house). This is a gift and a curse, of course, but it is still very powerful.

People can spot a Mercurian a mile away with your extensive knowledge and mellifluous way of speaking. You have a silver tongue. You could sell water to a fish in the middle of the ocean. (Pisces, I'm talking about you lol. Stop being gullible!).

The words you say leave a lasting impression and can cut someone deep to their core negatively, while also you could bless them greatly with your insightful knowledge and advice! (Because duh, Duality.💁🏾‍♀️)

You are always balancing two halves of yourself. Gemini of Air and Virgo of the Earth.

At your core, you’re both here to make connections and say what needs to be said!

With your planetary ruler being the fastest orbiting planet in our galaxy, you are always in constant, fast motion.

Ideas.. thoughts.. feelings… are always racing through the mind of a Mercurial being. Most are gifted with a natural claircognizance “clear knowing”, which can look different depending on the placement.

Why is this?

Mercury (Hermes to the Greeks, Thoth to the Ancient Egyptians) rules over commerce, communication, short travels, boundaries, intelligence, trickery, and thievery! 👀 LOL

GEMINI or the 3rd house apply these gifts in their natural settings: to the mind, communication, social activity, siblings (twins).

VIRGO or the 6th house on the other hand apply these gifts to their everyday routines and relationships. Less talking and more analysis & servitude. (The maiden).

The Duality of Mercury

Virgo vs. Gemini

Mercury was the messenger of the Gods. He was essential to the communication and diplomacy between the realms. Each one trusted him. So, of course he knew them all well... and their dirty laundry.

🐍 Is it no wonder why they seem to know just about everybody and everybody’s business? Do not deny it, Virgo. LOL👀

Although they held more power individually, Mercury held the power of being their collective voice! (Also rules oration) They entrusted him with how and what was said on their behalf… often being a literal translator. (Powerful!)

This is similar to situations many Geminis and Virgos find themselves in. Many will come to you for advice and insert you into their dealings.👀 (As the middleman.)

Geminis on a social level and Virgos often within the family and relationships.

The Gods' divine trust came with plenty of gifts, which you’ll also find true of lovers in this lifetime. People value you and your gifts, which gives you purpose. (A virgo's dream.)

The most significant gift given to Mercury, was perhaps his trademark wand or staff... known as

"The Caduceus"

Per the mythology, the caduceus was gifted to him by the Sun God, Apollo. A magical olive branch staff with two serpents intertwining around its base.

They say if it touched the dying, it blessed them with a gentle death. However, when applied to the deceased… they would literally return to life. (DUALITY!)

I like to believe these two snakes themselves are yet another symbol of Mercury’s duality.

One is good and the other bad. One yin. Other yang. One Virgo and One Gemini👀

🐍Mercury was also known as the trickster God or God of thievery!

This is essential to note because I have a theory (possibly far-fetched, but makes so much sense) that this may have a connection to a certain Garden of Eden… where a certain serpent spoke to a certain woman and convinced her to eat the fruit of …. KNOWLEDGE. 🤯

They say that before the caduceus had it's powers, it was just a branch. Mercury was stuck in servitude to the God's.

But…what if… Mercury being the trickster God convinced the maiden (virgo) to bite of the the fruit of knowledge in the forbidden garden and gained a portion of the powers of Mercury that he did not want.

If Virgo took on the need to serve, then Mercury would be free to frolick the realms with his tricks and thievery. He was also remarked as a habitual line-stepper, or boundary-crosser. (This is unevolved Gemini energy all the way)

This really gets deep when you realize that Virgo's sister sign Pisces (whom in my Neptune post, I compared to Persephone) bit of the fruit of Hades in the same curious fashion and was in more or less words cursed!

This does not mean that being of service is a curse in any way, but honestly, the mythology behind this dual planet is fascinating.

I think Virgo actually bossed her side of the energy up to the max. She is the earthy incarnation of her own genius, often never showing just how intelligent she really is... so as not to reveal her cards.

Virgo can bring her wildest ideas to fruition within the Earthy realm! (After it's perfected to her liking of course.) A gift!

However, Virgo can also have some trickery within her nature… often appearing or putting on a more innocent act than she really is.

But, with Mercurian energy there is always the possibility for their beautiful thoughts to come out a bit... wrong.

This brings me to a very important note.

🐍Please beware of false gossip.

It’s inevitable honestly, as people can’t help but give knowledge to a heavenly messenger.

However, with the optional tongue of a serpent… be mindful of the power you possess Mercurians! (Think: Parsel-tongue in Harry Potter Universe.) It’s nothing to play with because here in this Earthly realm, Saturn is dominant and it is the ruler of Karma.

You are a divine PROPHET (or Prophetess). Please handle your energy as such. 🫶🏾

Mercurial Love Bites🐍✨

In love, they’ll have many admirers in several dimensions.

🐍I imagine a Gemini Mercurian as a sapiosexual, playboy of sorts. You’ll have your choosing of many lovers and will probably choose none… in search of new lands and ideas to learn and add to your beautiful collection.

You'll have an array of different tastes (in the bedroom as well) and will share passion with many, as you are a master of tricks.

🐍 It’s hard to lockdown a Godly intelligent being with the ability to fly away at a moments notice.

Many an earthly sign lover and watery soul will long for you and you will spin whimsical circles around them with ease, for you are too quick to catch.

Nothing too heavy or emotional, you must keep it light for this winged beauty or she’ll float away…

But, I do have to ask…my beautiful Geminis, 3rd housers if it ever gets tiresome to always be on the go?

Connecting too much to your air and neglecting your earthly connections through Mercury could leave you afloat for all eternity… alone. (This can of course be counter-acted with other placements in the natal chart.)

🐍Virgo Mercurians on the other hand are much more Earthy with their approach to love. This is the person who has thought very intricately about what the lover of their life will look like, smell like, and even their speech cadence. She eagerly awaits to be a perfect wife, organizing the home, teaching the children, etc.

Many will try to win her, as her innocent.. maiden-like energy is very attractive. While she may appear innocent, she is not naive!

All of her daily beauty routines, outfit curations, and perfected speech will not be wasted on just any man.

The Virgo's analytical eyes has surveyed many a suitor who tried to win her heart. She is looking for the perfect man. The one whom she can serve and assist while being provided for in return.

Better believe, if she chose you.. you have checked all of her boxes. For, she wants an Earthly promise...(AKA, Where's the money? If you ask me, the perfect suitor is perhaps a Capricorn or Taurus dominant. ) But, my Virgo queens... do not neglect your airy influences of Mercury as well. Life can be more rewarding than the material world.

This was a bit longer than i intended! But, I have never seen an in depth explanation of these dual energies of Mercury!

Thank you for reading! Wishing you blessings! 🪽✨

Neptune Observation♓️✨

Pluto Observation ♏️✨

Other planets coming soon!

#divine feminine #pluto #astrology #vampire #mercury #3rd house #astro #astro observations #writers of tumblr #love quotes #relationship quotes #beautiful quote #love poetry #hades and persephone #soulmates #mythology #siren #lilith #pisces #6th house #virgo #dark feminine #neptune #vedic astrology #taylor swift #dark academia #gemini #gemini venus #virgo venus #lana del rey

[from-the-coffee-shop-in-edoras]

Religion in Rohan

On the recommendation of @sotwk and on the off chance that others find this interesting or useful, here is another summary of some of the background head canons that support how I think of Rohan when I'm writing stories set there. This one is about religion, for lack of a better term, and covers at a high level what they think about gods, the afterlife, etc. and the influence of that on their culture. I fine-tuned some of this recently as part of a back-and-forth with others, and it's (hopefully?) more interesting than my pages of thoughts about changes in Rohan's horse breeding economy over time (the TL;DR there is that Théoden’s grandfather created crown-sponsored horse breeding enterprises to better supply the expanding army, but that ended up forcing some of the traditional horse breeding families into poverty)! Anywho...

Most of what we know about the religious history of Middle Earth (the full Silmarillion-style recounting of Eru, the Valar, the making of the world, etc.) comes via the elves and Númenóreans. But the Northmen ancestors of the Rohirrim didn’t really interact much with these groups, and so their knowledge of that history was limited to what they directly experienced themselves or what filtered through to them in sometimes irregular ways. This means their belief system, which is what became the Rohirrim belief system, is a mix of those Silmarillion-style ideas plus concepts they picked up in other places and some homegrown beliefs and practices. 

For example, the Rohirrim don’t make a real distinction between Eru and the Valar. To them, they’re all “the gods” who made the world and are of roughly equal power and importance (though they are particularly attached to one as further discussed below). 

They also recognize fewer of the Valar than others do, having a stripped down set of 7 associated with earth, sky, water, plants/animals, battle/protection, weather, and all things to do with the spirit/soul (roughly corresponding to the Silm’s Aulë, Varda, Ulmo, Yavanna, Oromë, Vána and Eru). The compression of all the spirit-based Valar into just one likely happened because these Valar almost never left Valinor and so the evidence of their separate existence for those who had never been there was tenuous at best. Although the Rohirrim gods have spheres of influence as denoted above, the lines between these gods are porous and they might all be involved in anything. They also each have their own Rohirric names.

The Rohirrim don’t practice their beliefs in a form that is anything like organized religion – no formal rites, ceremonies, prayers, etc. They simply pass down beliefs from generation to generation, and individuals or families may all have different ways of expressing those beliefs (or may choose not to express them in any sense). The primary purpose of their beliefs is to explain the world as they see it around them (How was the world created? Where did this storm come from? etc.). People may appeal to a certain god for help in difficult times or they may give thanks to a god for luck or fortune, but they also believe direct, purposeful intervention by a god in the real world is extremely limited since the War of Wrath and the end of the First Age. This causes the Rohirrim to put a lot of weight on both living honorably and taking care of your community, because there probably is no god coming to help you – you can only help each other. 

Unlike the Gondorians, who think the ultimate fate of mortals beyond the world is unknown, the Rohirrim believe in a very specific afterlife. They believe the gods come to collect the dead and reunite them with their families so that they can “live” a second existence together with one another (the so-called “halls of our fathers”). Anyone who doesn’t deserve admittance to their family’s halls is put in service of the spirit/soul god until they’ve earned their honor back through deeds.

The Rohirrim are particularly attached to their god that is the Valar Oromë the huntsman, who they call Béma and associate with both battle and protection. He was a great favorite of the Northmen, and this connection was passed on through time to the Rohirrim. 

They believe that, just as he did for the earliest elves, Béma rode among early men. They don’t care that the elves and Gondorians don’t believe this happened; they will not be swayed and say that he came in disguise, which is why others didn’t recognize him. They further believe that Béma chose their ancestors among early men to be his loyal foot soldiers in the fight against the evil creatures of the world. He asked for their aid, and they granted it. This established a firm belief among them that coming to the aid of an ally against evil is a sacred duty, never to be refused or ignored when requested in good faith.

As his allies, Béma bestowed horses on them, and the most treasured and best of those horses (the mearas) are thought to be descendants of Béma’s own horse, Hnaegan (whose elvish name, Nahar, is meant to evoke the sound of neighing and so the Rohirrim call him by the Rohirric word for “neigh”). Because Béma always hunted and fought on horseback and usually announced his arrival through the blowing of his great horn, the Rohirrim inherited these same practices from their ancestors.

Béma also influenced the disposition of the people, who adopted his very stern personality and his tendency to pursue thankless duty with grim determination. Showing Béma-like strength and persistence in the face of insurmountable odds is considered one of the very highest demonstrations of character in Rohan, akin to a religious virtue.

While their reverence for Béma shaped many significant elements of Rohirric culture and identity, they also ask/hope for his intervention in times of crisis. As a huntsman, they leave him small offerings of spear heads or bridle bits when they most hope that he will come to their aid, and the phrases “Béma protect us” or “thank Béma” are common parts of the lexicon – as noted above, they don’t necessarily *expect* Béma will show up and intervene, but it doesn’t hurt to ask!

Although their focus is Béma, the Rohirrim also give some primacy of place to his wife, whose name is Vána in the Silmarillion and is called Ácith in Rohan as the rough translation of her epithet “Ever-young”. She’s associated with the weather and turning of the seasons. Much like the other peoples of Middle Earth, the Rohirrim say that flowers bloom in Ácith’s wake as she walks through the world, which she does at the end of each winter to usher in the spring. The Rohirrim also believe that the consistent and otherwise unexplained appearance of simbelmynë on their graves is evidence that Ácith has been there to personally escort the dead to the halls of their fathers. The Rohirric expression that someone “went with Ácith” means that they died.

Other common Rohirric expressions with religious roots: “the light of Hnaegan” (a sign of hope in a bad situation, deriving from the sparks of light that came from Nahar’s golden hooves and were the first light in the world after Morgoth killed the trees); “you’re going to hear Béma’s horn” (you really fucked up and are about to experience someone’s wrath); and “to earn the hall” (doing something good and honorable that would earn your place in the afterlife halls of your fathers).

#lotr #lord of the rings #tolkien #head canons #rohan #religion in middle earth #things no one asked for but i have them nonetheless

[indierpgnewsletter]

Fantasy Cities Volume 1

Around a year ago, I published a series looking at city settings from various fantasy games. I looked at 7 cities including Doskvol, Spire, Eversink, The City from a|state, Into the Cess and Citadel, Infinigrad, and Endon from Magical Industrial Revolution. I’ve now taken those 7 essays and expanded and improved them, added 2 more essays on Lankhmar from DCC’s boxed set and Freeport, a Pathfinder 1e city from Green Ronin. This PDF, Fantasy Cities Vol 1, is available now on my patreon.

Here’s an excerpt from the introduction

In the history of the fantasy genre, cities have an interesting place. Tolkien’s Lord of the Rings, which created so much of what we consider generic about fantasy, doesn't really care for cities. Which makes sense because the books themselves feel like an elegy for a time before industrialization, a love letter to the countryside - to woods and streams and the sands below your feet. The cities of Middle Earth are, at their best, noble and static, and at their worst, corrupt and fallen to the hubris of man.

The earliest thriving fantasy cities are probably in the sword and sorcery of writers like Fritz Lieber or Michael Moorcock. These stories were influenced by, among other things, the machismo of pulp magazine stories. The cities reflect this. At their best, they're a canvas for male bravado and havens for debauchery and dissolution. At their worst, they're predatory and authoritarian.

In modern fantasy, the city is ascendant. The old tropes withered under post-modernism's sarcastic glare. Now, you get Ankh-Morpork and Bas Lag and many more that capture the contradictions, potential, and romance of cities as places to spend your lives. But what about games? A city in a novel has to be interesting on the page. A city in a game has to be interesting at the table, it has to bear the weight of the imagination of 3-5 people over a shitty internet connection. That's where I started the series affectionately known (by me) as WWTAWWTAC (pronounced whatawhatac), i.e. What We Talk About When We Talk About Cities.

And here’s an excerpt from the new entry on Lankhmar:

Creating a roleplaying game supplement for an existing fantasy city is tricky. It's trickier when it's a place as famous as Lankhmar, the City of the Black Toga, the City of Sevenscore Thousand Smokes. Not only are the stories well-loved, the city is an inspiration for other well-loved cities, notably Discworld's Ankh-Morpork which started out as a loving pastiche before evolving into something deeper. (Even the word "ankh" comes from Lankhmar). This means that you have to walk the line between giving fans what they want and making it a useful, usable supplement. Basically, DCC's approach is to not invent any new lore whatsoever - as far as I can see. They lay out what Leiber's originally stories say about Lankhmar and then give themselves permission to colour within the lines with small, inoffensive details. The end result isn't radical or surprising but it does seem genuinely quite good.

I’ve titled it Volume 1 because if we hit the patreon drive’s goal, I’ll do a Volume 2. Maybe I can finally tackle Waterdeep or Ptolus. Maybe I can expand to cities in novels and actually compare them to cities in games directly. Maybe I can look at cities in video games. Where does Dunwall from Dishonored end and Duskwall begin? There’s lots of things to explore!

Thanks to the 30+ folks who signed up last week, we’re currently at 94 out of 150. So if you’re doing okay and able to support, please head over to patreon and subscribe!

Link: https://www.patreon.com/posts/fantasy-cities-1-94754443

#indie rpg #ttrpg #ttrpg community #ttrpgsolidarity #ttrpg design #rpg

[antiracist-tolkien]

Harad Through Fandom Eyes

Plenty of people acknowledge that LOTR's Haradrim, Easterlings and Variags are racist. However, I've seen less discussion about how fandom adds even more racism into the mix. This seems to be mostly because many people have very little knowledge about West Asia and North Africa, aka WANA [Why say WANA/SWANA instead of Middle East?] and what anti-WANA racism looks like.

I'm going to focus on Harad because this is the region that we know the most about. If you need a brief refresher:

Harad, or Haradwaith, is the region south of Gondor. There's a long history of violence between Harad and Gondor which dates back beyond Gondor even existed, to when Numenorians colonised Harad and repressed the people. Since then there were multiple wars and for long periods of time Gondor occupied parts of Harad. The Haradrim fight for Sauron in LoTR, partially due to their hatred of Gondor.

Harad is divided into two. Near Harad is strongly North Africa coded, and Far Harad is sub-Saharan Africa coded.

(Image description in alt text.)

Tolkien uses multiple different names to refer to the people of Harad (Haradrim, Southrons, Swertings, etc.) However, these seem to be the people of Near Harad, who he differentiates from the people of Far Harad. (There's some serious anti-blackness in this next quote, so skip over it if you need to. I only put it here as evidence that the use of Haradrim/Southrons in LOTR refers to Near Haradrim.)

[...] Easterlings with axes, and Variags of Khand, Southrons in scarlet, and out of Far Harad black men like half-trolls with white eyes and red tongues. - Return of the King

There is more to say on this than I would be able to fit into this post. There's a discussion to be had about Tolkien's textual and real life relationship with Black people. There's also a discussion that needs to be had about how Tolkien's racism is often excused with the idea that he was a 'benevolent' or well-meaning racist, a product of his time. It's an excuse that ignores the violence of quotations like this and the way that he wielded his whiteness against Black people in academia and writing.

I don't have time or space for those discussions in this post, but I want to acknowledge them.

What I want to discuss here is fandom portrayals of Haradrim. I'm not going to talk too much about the in-text racism, because that has been extensively covered elsewhere. But in summary:

The idea of the good white guys conquering the lesser brown 'Men of Darkness' is inherently racist

Tolkien's description of the Haradrim, such as repeatedly describing them as a cruel and warlike people, is also racist

The one paragraph where Samwise feels empathy for a dead Haradrim soldier does not lessen the racism.

With that out of the way, let's talk about fandom.

There's a gaping void in the information we're given about the Haradrim, so of course fandom attempts to fill the gaps. Fans often take inspiration from WANA. But many fans don't actually know that much about WANA and don't realise how much of their perception of it is based on racist and imperialist propaganda.

In fannish depictions, Harad all too frequently becomes an exotified fantasy that pulls from Western perceptions of WANA. Orientalist ideals of a mystical, magical, and yet dangerous place predominate the fannish idea of Harad.

The first thing that you should know about WANA is that it's an extremely culturally, religiously and geographically diverse place. If your depiction of Harad is entirely desert, or made of a culturally homogenous people with a narrow range of skin tones and features, you need to expand that. Equally, depictions of Harad as more 'socially backward' than other areas of Middle Earth stem directly from racist propaganda.

Too many stories write Harad as misogynistic and homophobic, often in direct contrast to other areas of Middle Earth. As many WANA people have pointed out, these kinds of sweeping generalisations are often specifically targeted at WANA because of racism.

Mysterious cursed objects from the 'far away lands of Harad', decadent sultans, the fetishization of cultural practices like belly dancing; these are all forms of Orientalism. Female characters may be sexualised, shown as seductresses or members of harems. (By the way, Westerners tend to have a very incorrect understanding of what harems actually are/were. They were the part of a Muslim household reserved for women and pre-pubescent boys. It was outsiders who perceived them as fundamentally sexual spaces and created the modern tropes of sexual harems.)

Male characters may be violent, cunning, greedy, dangerous and strange. There may be public executions and enslaved peoples, regardless of the complete absence of a textual basis. All of these things stem directly from racist ideas of WANA as 'barbaric' and 'uncivilised'.

In fact, Haradrim were once enslaved by Numenorians. They were victims of violent colonisation that continued into the days of Gondor. They have every reason to hate the 'Men of the West' and fight against them.

On a final note, the most major and dangerous WANA stereotype is the portrayal of WANA people as terrorists. This isn't a trope seen in Tolkien's works because it's primarily a post-911 phenomenon. But it's something that you must be conscious of if you're writing about Harad or other WANA-coded regions.

#harad #lord of the rings #meta #racism in tolkien #tolkien fandom racism #personal thoughts

[quasarkisses]

If we discovered a secret core on the moon made of oil, no government on the planet would stop companies from going up there and stealing all the uber-rare moon juice.

Two days after work on the NewMoon oil field was complete, the best of earth's scientists would release a detailed paper explaining how this will explode the moon and put up a website counting down until the day the moon explodes, and the news would be a debate on how space jobs can expand the economy and help the middle class and How You Can Reduce Your Oil Use to Save the Moon!

And as we got closer to #Moongate the moon would start rumbling and bits of it would start crashing into the earth and people would write thinkpieces about how international commerce can adapt without tides, and articles about how to build #Moongate survival bunkers, and poems about the moon watching humans through history and children who will never know the moon.

Nothing would be done. The counter would hit zero. The moon would explode. The planet would be buffeted by debris for days and the smoke would cause another Year Without A Summer and human lives would be lost and thousands of species would go extinct. Anyone who tried to take real action to save the moon would be arrested or shot.

We would lose our moon. For profit.

#blah blah blah #we live in a dystopia #dystopia #doomerism #climate collapse #i don't know how to fix this. i don't have an answer. i don't know how we could save the moon

[spacetimewithstuartgary]

NASA's Chandra Rewinds Story of Great Eruption of the 1840s

Using snapshots taken over 20 years with NASA’s Chandra X-ray Observatory, astronomers have learned important new details about an eruption from Eta Carinae witnessed on Earth in the mid-19th century.

Chandra data spanning decades has been combined into a new movie that contains frames of Eta Carinae from 1999, 2003, 2009, 2014, and 2020. Astronomers used the Chandra observations, along with data from ESA’s (European Space Agency’s) XMM-Newton, to watch as the stellar eruption from 180 years ago continues to expand into space at speeds up to 4.5 million miles per hour. The new insights gleaned from Eta Carinae show how different space observatories can work together to help us understand changes in the universe that unfold on human timescales.

Eta Carinae is a system that contains two massive stars (one is about 90 times the mass of the Sun and the other is believed to be about 30 times the Sun’s mass). In the middle of the 19th century, Eta Carinae was observed to experience a huge explosion that astronomers have dubbed the “Great Eruption.” During this event, Eta Carinae ejected between 10 and 45 times the mass of the Sun. This material became a dense pair of spherical clouds of gas, now called the Homunculus Nebula, on opposite sides of the two stars.

A bright ring of X-rays around the Homunculus Nebula was discovered about 50 years ago and studied in previous Chandra work. The new movie from Chandra, plus a deep image generated by adding the data together, reveal important hints about Eta Carinae’s volatile history, including rapid expansion of the ring and a previously unknown faint shell of X-rays outside it.

“We’ve interpreted this faint X-ray shell as the blast wave from the Great Eruption in the 1840s,” said Michael Corcoran at NASA’s Goddard Space Flight Center in Greenbelt, Maryland, who led the study. “It tells an important part of Eta Carinae’s backstory that we wouldn’t otherwise have known.”

Because the newly discovered outer X-ray shell has a similar shape and orientation to the Homunculus Nebula, Corcoran and his colleagues think both structures have a common origin.

The idea is that material was blasted away from Eta Carinae well before the 1843 Great Eruption — sometime between 1200 and 1800, based on the motion of clumps of gas previously seen in data from NASA’s Hubble Space Telescope. Later, the fast blast wave from the Great Eruption tore through space, colliding with and heating the clumps to millions of degrees to create the bright X-ray ring. The blast wave has now traveled beyond the bright ring.

“The shape of this faint X-ray shell is a plot twist in my mind,” said co-author Kenji Hamaguchi, a researcher at the University of Maryland, Baltimore County, and NASA Goddard. “It shows us that the faint shell, the Homunculus, and the bright inner ring likely all come from eruptions from the star system.”

With XMM-Newton, the researchers saw that the X-ray brightness of Eta Carinae has faded with time, agreeing with previous observations of the system obtained with NASA’s Neutron Star Interior Composition Explorer (NICER) telescope on the International Space Station. The authors applied a simple model to estimate how bright Eta Carinae was in X-rays at the time of the Great Eruption and combined this with the speed of the material — determined from the movie — to estimate how quickly the high-speed gas was ejected.

The researchers combined this information with an estimate of how much gas was ejected to determine that the Great Eruption likely consisted of two explosions. There was a first, quick ejection of a small amount of fast, low-density gas which produced the X-ray blast wave. This was followed by the slower ejection of dense gas that eventually formed the Homunculus Nebula.

A team led by Nathan Smith of the University of Arizona, one of the co-authors of the new X-ray study, has previously suggested that the Great Eruption was caused by the merger of two stars, in what was originally a triple system. This would also explain the ring-like structure seen in X-rays because it would cause material to be ejected in a flat plane.

“The story of Eta Carinae just keeps getting more interesting,” said Smith. “All evidence is suggesting that Eta Carinae survived a very powerful explosion that would normally obliterate a star. I can’t wait for the next episode of data to find out what other surprises Eta Carinae has in store for us.”

#science #space #astronomy #physics #news #nasa #astrophysics

[eilinelsghost]

I've been thinking a lot about oaths lately, due in large part to @thelordofgifs' wonderful The Fairest Stars and also my own wrangling with this in Atandil. And this has gotten me once again brainworming about Finrod's oath and why that oath, sworn by that specific character, with that specific relationship to the world around him mattered for the outcome of the whole First Age.

Buckle up and apologies in advance for the length of this, it's one of my absolute favorite topics.

So basically the overarching premise is this: the only Silmaril that is wrested from Morgoth without the Valar's direct intervention (and pivotally that Silmaril is the means by which their subsequent intervention is pleaded for and won) is only acquired because a second oath from the doomed House of Finwë is fulfilled that serves as a counter-balance to the first (and primary) Oath on which that doom hinges.

(Caveat before we move forward: we're talking about the Oaths here and how they and their resulting actions operate within the narrative. None of this is to imply that the sons of Fëanor, for example, do not operate from other motivations in tandem with their oath, or to claim that Finrod is always a representation of the Good. Like most of Tolkien's characters, these are all complex individuals who act outside of this as well.)

Some Oath Analysis

So. To dive in. Oaths by the House of Finwë basically drive the First Age of Middle-earth—and key to this, I believe, is the striking similarity between the structure of these two pivotal oaths and where they diverge within that structure. So let's look at these side by side:

They both move in three parts (color coded below for reference in the text):

1. the action the oath promises 2. the group it is promised to 3. the relation of the swearer to an associated object

1. The Action the Oath Promises

Thus we can see that in Fëanor’s oath, the action promised is pursuit with vengeance and hatred, a pledge of destruction and revenge. While in Finrod’s oath, the action promised is “abiding friendship and aid in every need,” a pledge of love returned and in fact returned exponentially for what was given.

Both are promised actions that escalate far beyond the inciting event: a stolen possession repaid with pursuit to the ends of the earth, and a life once saved repaid with the promise of help in every need to a whole bloodline rather than a one-off return to pay the debt.

2. The Group it is Promised To

Also in both oaths, the group it is directed toward expands far beyond the inciting event to include people/generations who do not exist at the time of the swearing.

In the Oath of Fëanor, the subject moves out from Morgoth who stole the Silmarils to include literally any creature you can imagine who might exist throughout history and have the audacity to come into possession of a Silmaril—even if they merely found one. (Of course one can quibble over the technicalities of what exactly that means and how it is interpreted by the bearers of the Oath, but the way it plays out—especially at Sirion—I think speaks for how it escalated as time and desperation drew on.) This trail of wreckage ends up including entire kingdoms, repeated treachery, multiple kinslayings, and even, in what is arguably its darkest moment, children left to perish in the wilderness.

In Finrod’s oath, the recipient moves from Barahir to include any of Barahir's kin as well. It expands beyond a “you had my back, now I have yours” return to encompass any current and presumably future generations. Furthermore, it isn't aid in any need, it's aid in every need. An immortal being making a promise like that means Finrod was knowingly signing up to be potentially fulfilling this oath repeatedly for thousands of years to a shit ton of ever-multiplying Barahir-descendants—if it hadn’t claimed his life within the first generation.

3. The Associated Object

And finally, you have the contrast between the relation of the swearer to an object involved in the oath:

In the Oath of Fëanor, it’s all about the swearers retaining (or regaining) possession of the valuable item(s) they consider central to their identity. If anyone else holds a Silmaril, it is a direct affront to their power, property, and birthright.

In Finrod’s, he instead takes the item that serves as a visible representation of his identity (the ring his father gave him that signifies his place in the family, his inherited position, and his father’s blessing—the badge of the house of Finarfin) and he gives it away to another.

So in effect, you have an oath of taking going up against an oath of giving and in some way they seem to at least temporarily cancel each other out. Or at any rate, the oath of giving holds the oath of taking at bay as it is being fulfilled, which allows the quest to succeed.

Possession vs Sacrifice

To me, this all comes down to the primary animating power behind each oath: possessive love vs sacrificial love.

Or, to put it another way, it hinges on each oath-swearer's relationship to power and how it's used—a theme we see time and time again in Tolkien's writing.

Fëanor and his sons (by their co-swearing of the Oath) are driven by a desire to be the sole possessors of the "unsullied light, and masters of the bliss and beauty of Arda.” This leads them even so far as to bring in racial supremacy as they add that "no other race shall oust us."

This, of course, is an outgrowth of the whisperings of Melkor regarding the coming of Men: that they would supplant the Firstborn Children of Ilúvatar and that the Valar were party to this disinheritance. And this sets them immediately in a posture of suspicion toward any new people(s) they encounter.

Whereas from the moment Finrod discovers the Edain, for example, "love for them stirred in his heart" and he works consistently as a mediator to establish peace and friendship between the various Elven peoples and Men, actions which undergird his oath and bond to Barahir.

Put more succinctly: the oath of Fëanor is undertaken in the pursuit of supremacy and the oath of Finrod is undertaken in the pursuit of relationship.

Both oaths ultimately lead to the swearers losing their realms, treasures, power, freedom, and ultimately their lives. But pivotally, those losses are the costs extracted by the oath of Fëanor while they are losses willingly relinquished by Finrod as he seeks to fulfil his.

This is especially of note as Finrod uses the symbol of his own inheritance as the mark of his oath. He gives his own birthright to the Edain and thus even his familial crest becomes known to history as "the ring of Barahir" rather than the ring of Felagund.

He therefore serves as the antithesis to the racial supremacy of Fëanor's words in Tirion and simultaneously as a model of what was intended for the Elves: to prepare the way for the Secondborn and pass the world on to them freely. Tolkien notes this aspect of the Elves in his letter to Milton Waldman where he discusses the connections between the Silmarillion and The Lord of the Rings:

“The doom of the Elves is to be immortal, to love the beauty of the world, to bring it to full flower with their gifts of delicacy and perfection, to last while it lasts, never leaving it even when ‘slain’, but returning – and yet, when the Followers come, to teach them, and make way for them, to ‘fade’ as the Followers grow and absorb the life from which both proceed.”

Letter 131 to Milton Waldman

Again it is that very Tolkienian contrast of taking up power to master something versus laying power down to preserve something. And that, far from being Finrod "swearing a foolish oath" or "throwing away his kingdom because of his pride," is once again that "fool's hope" upon which so much of the estel of Arda is built.

#finrod #fëanor #oaths #the silmarillion #estel

[giveamadeuschohisownmovie]

Some ideas for projects that Avatar Studios can do to expand the Avatar universe:

1) Earth Avatar series that’s 1980s/1990s-themed (Aang’s world was early Industrial Revolution, Korra was the 1920s).

2) Fire Avatar series that’s cyberpunk/futuristic-themed (if the previous series was set in the 1980s/1990s, the next Avatar would be in the future).

3) Zaheer, R-rated spinoff series. Something along the lines of Netflix’s “The Punisher”.

4) Sokka and Suki spin-off series, but set when they’re in their 40s (so about two decades after the main series ended). For their show, I was thinking a spy/political thriller in which they’re trying to stop a conspiracy to destroy the Southern Water Tribe. Something like “Captain America: The Winter Soldier” or “The Bourne Identity”.

5) The Forgotten Avatar/The Avatar Who Must Not Be Named. Set long before Avatar Yangchen’s time, the series follows an Avatar who abused their powers to the point that they’ve been erased from the history books.

6) The Dark Avatar. Taking place simultaneously as the Earth Avatar series, this series focuses on Vaatu’s return and the start of the Dark Avatar lineage.

7) Series about an Earth Kingdom spy sent to infiltrate the Fire Nation royal court in order to assassinate the Fire Lord. This show is set during the middle of the Hundred Year War (literally, 50 years after it started).

8) The First Avatar. An expansion on Avatar Wan’s life, going beyond what we saw in Korra. Something like how the “Andor” show expanded on “Rogue One”.

9) Series centered around a Fire Nation unit during the Hundred Year War. The point of the show isn’t to justify the Fire Nation’s side, but to humanize the soldiers.

10) June the Bounty Hunter movie in which she accepts a job to capture a high-profile Fire Nation general for the Earth Kingdom. For the feel of the movie, think “Atomic Blonde” or “John Wick”.

11) Young Iroh series that features Lu Ten as the deuteragonist.

12) Toph Bei Fong series about her founding the Metalbending Police Force, as well as how she met Lin and Suyin’s fathers.

13) General Iroh II spin-off series.

14) Agents of Republic City series. Centered on a group of agents trying to prevent the four nations from going to war with each other. Think of this show as the Avatar version of “24” or “Homeland”.

15) Young Gran Gran series, showing her life in the Northern Water Tribe and how she fled to the South. Also features young Master Pakku.

#avatar the last airbender #the legend of korra #atla #tlok #Aang #Korra #zaheer #sokka #suki #sukka #vaatu #avatar wan #June the bounty hunter #Iroh #lu ten #toph beifong #lin beifong #suyin beifong #general iroh ii #republic city #master pakku #gran gran #water tribe #earth kingdom #fire nation #air nomads

[coopsgirl]

The Shadow and the Sunrise

Here is the final chapter. Thank you all for reading and I hope you will enjoy it! Read at AO3 here.

Summary: The elves complete their move across the river and away from the encroaching darkness while Thranduil and Ranyare prepare for their wedding and new life together (safe for work)

Work on their new homes continued into Autumn and before the first snow of Winter fell, all the elves of the Woodland Realm had moved across the river. Scout troops continued to monitor the progression of the darkness into their forest and by the time the move was completed, it had engulfed nearly the entirety of the Greenwood. As Thranduil had hoped, the malevolent force did not cross the water and while the size of his realm had greatly shrunk, he did not mind as his people were safe. Extensive work had been done on the caverns to make them into livable quarters and the king beamed with a great sense of pride as so many of his kind had lived in similar abodes throughout their long history.

“I know these halls are not as grand as Nargothrond or Menegroth, but they are still a beautiful wonder” Thranduil said as he and Ranyare toured their new home. “It is amazing how much this space has been transformed. My room is so lovely and instead of the stone feeling cold and lifeless, it actually seems warm and inviting” she explained as they walked along one of the corridors that led to a small waterfall. “I hope you will not get too attached to it. Come Spring, we will move into our shared chamber” he said as they were both living in what were meant to be guest rooms as work continued on their expansive suite. “I am counting the days till then dear one” she said wistfully as they paused and stood hand in hand watching the clear water that fell from a small shaft down into a pool and then out again down a stream flowing through one of the tunnels. Sunlight glittered on the water making it appear as if diamonds instead of water were falling down before them. Thranduil smiled at the magnificent sight and mused, “This is my favorite place in all these caverns. It makes me think of you, and the change you have brought about in my life. Knowing you, loving you, has been like the sun rising and wiping all the darkness and shadows away.” He raised her hand to his lips and tenderly kissed her knuckles. Her eyes teared up as she echoed his beautiful sentiment. “My life for such a long time has been lived in the shadows, hiding away and running from the pain of the past. You helped me face it and overcome it. I will never be able to thank you enough for that and for your love. I love you so deeply nin galad (my light).” They embraced and Thranduil replied, “And I love you, Nendil.” “Nendil?” She was a bit confused by this until he explained. “I thought it was time for you to have a new name for you are no long a wanderer. It means lover of the lake and that seemed fitting for you. You do not have to use it if you do not like it.” She looked up at him with a big, beaming smile and said, “I love it and so Nendil I shall be from now until the end of days.”

Invitations were soon sent to Imladris and Lothlórien regarding the upcoming royal nuptials. Nendil attached the invitation along with a letter she wrote to the carrier bird that would travel the long distance to the Grey Havens. She let it go and watched as the bird rose higher into the sky and further away until it could no longer be seen. “Do you think she will make it?” she asked Thranduil who stood beside her on the hill. “Let us hope she will. I know how much you would like to see him again.” “It is such a long way. I will understand if he is not able to come.” Nendil tried to put on a brave face but Thranduil knew how disappointed she would be if Círdan was unable to attend their wedding. “Come now, let us go on our picnic and enjoy this beautiful day” he said as he picked up their basket and took her hand. Though still in the grip of Winter’s icy fingers, a few sunny days had melted much of the snow and Thranduil meant to take full advantage of this.

“You spoil me too much nin galad” Nendil said as he spread out a blanket and then filled their glasses with wine. He also laid out the food including her favorite cheeses, crackers, and honey cakes. “I do not believe I have yet spoiled you enough nin anor mír (my sunshine).” He reached into the basket and pulled out a small black velvet drawstring bag and handed it to her. “Thranduil, another gift?!” she said with delight and surprise. Ever since she accepted his proposal, he had bestowed many gifts upon her including new dresses, perfumes, vanity items, and jewelry. “It is not much, but I thought you might like it.” She opened the bag and pulled out a roughly oval shaped stone. Her mouth opened in awe as she held it in her palm and admired its beautiful blue-green color. “I remembered your description of Cuiviénen and the color of the water. I found it near the edge of the pool under the waterfall and thought it might be a good match.” “It is perfect” she said unable to take her eyes away from the thoughtful gift. “I shall keep it with me always.” She put the stone in the specially made pocket of her gown where she also kept her knife. Thranduil chuckled and noted that the tailor may need to make her clothes with larger pockets in the future. “Only if a certain ellon continues to give me such wonderful and heartfelt gifts” she jokingly retorted.

--   

“Trust me, nin anor mír, you have no cause to be uneasy. Everyone who meets you cannot help but be taken with you.” Thranduil’s words did help to calm Nendil’s nerves about meeting their wedding guests who would soon arrive but a part of her still felt hesistant. “I may be about to marry a king but I do not quite feel like a queen. What if they do not think I belong with you, or with them? They are descendants of high kings and Maia and you are not only a king but a brave warrior of the highest skill. I am a simple Nelyar elf who is special do only to my advanced age.” Thranduil tenderly brushed her cheek with the back of his fingers and then moved his hand down to caress her shoulder. “Your age alone is not what makes you special. You have a gentle, calming presence and a quiet inner strength that shines out through your lovely eyes. Eyes that have seen both good and evil and that look out into the world with renewed hope instead of despair. No one would dare to question your worth or place as a queen.” “How do you always know the perfect words to say?” she said as she put her arms around his waist and pulled him close in a warm embrace. “Because I love you.”    

Nendil’s fears were completely unnecessary as their guests found her as enchanting as her soon-to-be husband did. Elrond, his wife Celebrían, their daughter Arwen, and Glorfindel made up the delegation from Imladris. Their sons were left behind in Lord Elrond’s place, to guard over their realm. Galadriel and her husband Celeborn, Celebrían’s parents, came from Lothlórien where they had recently become the Lord and Lady of the Golden Wood after the disappearance of King Amroth who had gone in search of the elleth he loved. Their first dinner together was held out in the courtyard built for just such a gathering. The early Spring weather was cool and the scent of the first blossoms of the season sweetened the air.

Throughout dinner, Nendil noticed that Glorfindel took a few glances at her wrists. She no longer hid her scars and although they were quite faded, they were visible as her gown had elbow length sleeves. She was beginning to feel a bit self-conscious about them but once, when she caught him eyeing them, he gave her a smile and she felt as if he understood. After dinner, Nendil seeing they were low on wine, said she would go and fetch more bottles. Glorfindel offered to go with her. “I hope you are not intending to steal my fiancé away” Thranduil joked as the golden-haired elf was quite handsome and very charismatic. “I can clearly see she only has eyes for you, although I cannot imagine why” his old friend said with a laugh and twinkle in his grey eyes.

“Thranduil, you have found someone quite wonderful and I am very happy for you” Elrond said sincerely. “Thank you mellon nin. I hope we will have as happy and loving a marriage as you and Celebrían and as long and successful as you two” he said directing his last comments to Celeborn and Galadriel whose marriage had already spanned thousands of years. “When you have the right partner, they give you strength making it easier to navigate the ebbs and flows of life” Celeborn said looking lovingly at his wife. “We will all need strength going forward as I fear the stability and safety we have enjoyed for centuries is waning. I am loath to dampen our happy mood but as you are all aware, something evil has overcome our forest and it may not stay contained with the borders of the Greenwood.” “I was very sorry to hear about this change as I have always enjoyed our visits here. The mountains are, or rather were, so beautiful” Arwen explained as she and her brothers had traveled many times between the two neighboring elven realms of Lothlórien and Greenwood. “Future travel may have to be limited as our focus will need to be on the protection of each of our realms.” Galadriel’s words were true, and they cast a sad pall on the gathering of old and beloved friends. “Sadly, I agree. I would not feel comfortable leaving my realm for an extended period of time and I understand that each of you feel the same” Thranduil explained. “Then I am glad indeed that what may be our last gathering for some time is for such a joyous occasion” Celebrían said as she raised her glass in a toast.

“I beg your pardon for my staring earlier” Glorfindel said as he and Nendil walked together to the king’s personal wine cellar. “No apology is needed, but thank you.” “You and I have something unfortunate in common. We have both been in close proximity to the ultimate evil and have lived to tell the tale.” She looked up at him and saw real understanding in his eyes and expression. “It is a terrible burden, one that time had only slightly lessened, until I met Thranduil.” Glorfindel smiled and said, “I may tease my friend but he is a good ellon and will surely be a good husband. It is quite obvious how much he loves you.” “I was nervous to meet you all but you have been so kind and I am very happy that you are all here to celebrate with us.” “I am as well. I love a good party and feast” he said as she retrieved a couple of bottles and handed them to him. “I hope you do not mind me asking and if you do not wish to speak of it, please do not feel that you must, but I am very curious what it was like to defeat a balrog.” Her words were a bit timid as she realized that was a traumatic event that led to his death and he was only there now as he had been rebodied and sent back to Middle Earth. “I do not mind speaking of it,” he said reassuringly before he continued. “If I could not defeat Morgoth himself, I am glad to have killed that foul creature who was bent to his will. I would willingly give up my life again to stop anymore of his minions who remain.” “I do wish I could have done more. I did kill an orc after I saw Amon Lanc had been taken by them.” “We each do what we can. I believe the best way to defeat the dark is to not let it overcome your light.”

“I simply cannot wait until the wedding day. Naneth and I made this for you both.” Arwen said after Nendil had returned. She had retrieved the gift while waiting for the pair to return with the wine. Thranduil took the large box tied with a green silk ribbon and opened it. He pulled out what appeared to be a tapestry and when he unrolled it, he and Nendil were both in awe of it. Celebrían and Arwen had used their impressive needlework skills to recreate the sketch Thranduil had sent them of Lake Cuiviénen. “It is beautiful. Thank you both” Thranduil said as he continued to marvel at his sketch in this different medium. Diamonds made up the stars that sparkled above the trees and fine threads of Mithril woven through the blue-green water gave it a truly ethereal quality. “I do not believe I have ever seen such beautiful work. This shall hang in our chambers so we will be sure to see it every day. Thank you so much” Nendil said. Mother and daughter were happy that their gift had been so well received and the group spent the rest of the evening enjoying the wine and jovial conversation.

Thranduil walked Nendil to her room and as had become their custom, they kissed goodnight. Thranduil was in such a good mood however, he was not quite ready for the day to end just yet. She opened her door and he asked, “May I come in?” “I am sorry. Only my husband is allowed in my room” she said with a sly smile and teasing tone. “I shall be your husband in a few short days.” He caressed her cheek with his hand as he pulled her towards him and kissed her again. “But you are not my husband yet.” Nendil moved her head to the side to give him greater access as his kisses moved down her neck. “That is but a mere technicality” he said breathily between kisses. She smiled and took his hand as she pulled him into her room and closed the door. “Now what shall we do my soon-to-be but not quite yet husband?” He did not answer but instead gave her a smirk and picked her up and took a few steps toward her bed. “Oh! Thranduil, put me down!” she protested while laughing. He set her feet back on the ground but not until they were next to her bedside table. “I suppose I can wait a bit longer” he said taking her hands in his. He noticed a ball of nettle yarn sitting on the table by the oil lamp and he let go of one of her hands so he could pick it up. “Are you going to knit something?” he asked as he was curious why she had that as she now wore clothes made of fine silk and velvets. She took the yarn ball from him and looked at it, and then back to his eyes that glowed with so much love and admiration for her. “I keep it so I will not forget what my life used to be. It is not just our joys but also our pain that makes us who we are. They are both a part of life. I never want to take my new happiness for granted; I never want to take you for granted.” “Every day I wake up and thank Eru that you will be my wife. It is good to have friends and while they may bring much comfort, you have made me feel whole again after so much loss. Goodnight nin anor mír” Thranduil said sweetly as he kissed her forehead. “Goodnight nin galad” she said softly as they reluctantly parted.

It was now the day before their wedding and Nendil was sitting in the garden of Thranduil’s mother’s plants that flourished in the Spring sunshine as she and Galadriel, Celebrían, and Arwen worked on the flower and ribbon garlands that would decorate the courtyard. Thranduil and Celeborn joined them and after a bit of small talk the king said to his fiancé, “I have a surprise for you.” He then gestured for someone to join them and an ellon with long silver hair and a short white beard stepped out from behind the tall hedge that encircled the garden. “Nowë!” she said with a gasp as she used the name she had known him by so long ago. “Dear Nórime” he said walking towards her and she rushed to him as well and as they embraced, neither one could stop the tears from flowing at such a long-awaited reunion. He leaned down to whisper to her, “We never blamed you for what happened. You did the best you could.” She squeezed him even more tightly and the tears she shed then would be the last that old pain would ever cause her.

For a moment, it was as if they were back at the shores of the lake without a care in the world. The others were anxious to speak to him as it had been a long time since they had been in each other’s company. They were happy to let the pair have as long as they needed and once they finally parted, they walked hand in hand to join their friends. Galion brought them some tea and cakes and then work continued on the garlands as they spoke of many things. “I distinctly remember your hair being as black as a raven’s wing” Círdan said. “I do not recall you having a beard mellon nin.” “I suppose time changes all things, including ourselves” he chuckled in response. Galadriel looked at her husband and teasing him said, “I wonder how you shall look with a beard meleth nin?” They all laughed as Celeborn retorted, “I have many years to go before we may find out.” “Celeborn is going to speak for Thranduil and I want to ask if you would you speak for me tomorrow and give your blessing over our union?” Nendil asked her dear friend as it was custom for the couple’s parents or close friends to do so during weddings. “I would be honored. The only thing that would give me more joy would be to one day see the blessed shores of Aman” he said with a warm smile.  

--

The time for the ceremony had come and Thranduil waited for his bride in the sitting room. “I am ready” she said causing him to turn and stare at her with wonder. The sleeveless light pink gown accentuated her figure and looked beautiful with her silver hair and violet eyes. Darker pink flowers and greenery had been embroidered along the bodice, down past the waist, and along the hem.

“I have never seen anyone more beautiful” he said stepping towards her and taking her hands in his. “You look wonderfully handsome” she replied as his silver tunic with charcoal grey leggings and knee-high black boots made him quite a sight indeed. “You are missing something” he said with a grin as he reached for a box and opened it revealing a silver circlet that matched his own. Nendil bowed slightly and he placed the symbol of her queenship on her head.

When they walked out into the courtyard hand in hand, a great cheer erupted from the gathered elves. The couple smiled and waived as they made their way to a small dais at the front of the crowd where Celeborn and Círdan were already standing. Celeborn began the ceremony as the sun shone bright overhead. “We are gathered here today to celebrate a most joyous occasion, the joining of Thranduil and Nendil in marriage. I have known Thranduil his entire life and am proud to call him my friend. As a child, he would often play in the forest until the late hours and his parents would have to send soldiers out to find him.” The crowd chuckled and then he continued. “I remember a time when Oropher confided in me that he was concerned his son seemed to show no interest in leadership or learning about diplomacy and other skills necessary to be a good prince and maybe someday a king. Of course, Thranduil was only 16 years old.” This got an even bigger laugh. “Those worries were completely unfounded however as you all can attest to his strengths as your king. I am confident his parents would be proud of the leader he has become and of the wonderful elleth he has chosen to be his queen. May the blessings of the Valar and Eru himself make your marriage a strong and happy one” he said concluding his speech as everyone clapped. When the applause died down, Círdan began his blessing. “I cannot express to everyone here how much joy I feel at the happiness my dear friend has found. I can think of no one who deserves it more that she. She has at last found a home and will wander no longer. Thranduil, you are not simply getting a wife or even a queen, but a loyal force of nature who will selflessly fight for you and your people. Cherish each other and let your love be a source of strength for whatever may lie ahead. I second my friend Celeborn’s sentiment in wishing the Valar’s blessings on you both.”

The crowd cheered again as the bride and groom now prepared to share their vows and exchange rings. They were both a bit overcome with emotion but they gathered themselves and began. “Nendil, I Thranduil pledge to you my love, respect, protection, and fidelity all the days of my life.” Celeborn handed him the ring, a gold band with leaves carved into it, and he placed it on her finger. “Thranduil, I Nendil pledge to you my love, loyalty, devotion, and counsel all the days of my life.” Círdan handed her a matching ring and she slid it onto Thranduil’s finger. “To the king and queen!” Celeborn exclaimed as the coupled kissed and the elves boisterously cheered.

The celebration included a wonderful dinner, plenty of Thranduil’s favorite wine, and dancing. Nendil felt as if she was floating as she and Thranduil danced under the setting sun. He whispered something to her causing her to blush and smile from ear to ear. She nodded ‘yes’ and then they snuck away from the crowd and back to their shared chambers. “I hope our guests will not be upset that we left early” she said as Thranduil poured them one last celebratory glass of wine. “I would guess they are surprised we stayed as long as we did” he said matter of factly as he handed her the glass. She giggled as they toasted each other and then drank the sweet, fragrant wine. “I have never had anything like this” Nendil said as she savored the taste. “It is a very special wine that is only produced in small batches. I have saved it for only myself but now, everything I have, everything I am, is yours.” “Nin galad, I love you so very much” she said stepping towards him and wrapping her arms around his neck and he wrapped his around her waist. “Would you care to show me exactly how much you love me?” he whispered into her ear, his breath warm and soft against her skin. “It would be my pleasure aran nin.”

The End    

Notes: Naneth = Mother

#the shadow and the sunrise #thranduil fanfiction #thranduil fan fic #thranduil fluff #thranduil #elvenking #greenwood #mirkwood #tolkien tag #expanded middle earth history #ao3 #thranduil x elvenqueen #elrond #celebrian #arwen #galadriel #celeborn #cirdan #glorfindel

[studentofetherium]

@previous anon: FUCK YOU

Serial Experiments Lain (stylized as serial experiments lain) is a Japanese anime television series created and co-produced by Yasuyuki Ueda, written by Chiaki J. Konaka and directed by Ryūtarō Nakamura. Animated by Triangle Staff and featuring original character designs by Yoshitoshi ABe, the series was broadcast for 13 episodes on TV Tokyo and its affiliates from July to September 1998. The series follows Lain Iwakura, an adolescent girl in suburban Japan, and her relation to the Wired, a global communications network similar to the internet.

Lain features surreal and avant-garde imagery and explores philosophical topics such as reality, identity, and communication.[3] The series incorporates creative influences from computer history, cyberpunk, and conspiracy theory. Critics and fans have praised Lain for its originality, visuals, atmosphere, themes, and its dark depiction of a world fraught with paranoia, social alienation, and reliance on technology considered insightful of 21st century life. It received the Excellence Prize at the Japan Media Arts Festival in 1998. Contents1 Plot 2 Characters 3 Production 3.1 Writing 3.2 Character design 3.3 Themes 3.4 Apple computers 4 Broadcast and release history 4.1 Episode list 5 Reception 6 Related media 6.1 Art books 6.2 Soundtracks 6.3 Video game 7 See also 8 References 9 Further reading 10 External links

Plot

Lain Iwakura, a junior high school girl, lives in suburban Japan with her middle-class family, consisting of her inexpressive older sister Mika, her emotionally distant mother, and her computer-obsessed father; Lain herself is somewhat awkward, introverted, and socially isolated from most of her school peers. The status-quo of her life becomes upturned by a series of bizarre incidents that start to take place after she learns that girls from her school have received an e-mail from a dead student, Chisa Yomoda, and she pulls out her old computer in order to check for the same message. Lain finds Chisa telling her via email that she is not dead but has merely "abandoned her physical self" and is alive deep within the virtual realm of the Wired itself, where she claims she has found "God" there. From this point, Lain is caught up in a series of cryptic and surreal events that see her delving deeper into the mystery of the network in a narrative that explores themes of consciousness, perception, and the nature of reality.

"The Wired" is a virtual realm that contains and supports the very sum of all human communication and networks, created with the telegraph, televisions, and telephone services, and expanded with the Internet, cyberspace, and subsequent networks. The series assumes that the Wired could be linked to a system that enables unconscious communication between people and machines without physical interface. The storyline introduces such a system with the Schumann resonances, a property of the Earth's magnetic field that theoretically allows for unhindered long-distance communications. If such a link were created, the network would become equivalent to Reality as the general consensus of all perceptions and knowledge. The increasingly thin invisible line between what is real and what is virtual/digital begins to slowly shatter.

Masami Eiri is introduced as the project director on Protocol Seven (the next-generation Internet protocol in the series' time-frame) for major computer company Tachibana General Laboratories. He had secretly included code of his very own creation to give himself absolute control of the Wired through the wireless system described above. He then "uploaded" his own consciousness into the Wired and "died" a few days after, leaving only his physical self behind. These details are unveiled around the middle of the series, but this is the point where the story begins. Masami later explains that Lain is the artifact by which the wall between the virtual and material worlds is to fall, and that he needs her to go into the Wired and "abandon the flesh", as he did, to achieve his plan. The series sees him trying to convince her through interventions, using the promise of unconditional love, romantic seduction and charm, and even, when all else fails, threats and force.

In the meantime, the anime follows a complex game of hide-and-seek between the "Knights of the Eastern Calculus" (based on the Knights of the Lambda Calculus), hackers whom Masami claims are "believers that enable him to be a God in the Wired", and Tachibana General Laboratories, who try to regain control of Protocol Seven. In the end, the viewer sees Lain realizing, after much introspection, that she has absolute control over everyone's mind and over reality itself. Her dialogue with different versions of herself shows how she feels shunned from the material world, and how she is afraid to live in the Wired, where she has the possibilities and responsibilities of an almighty goddess. The last scenes feature her erasing everything connected to herself from everyone else's memories of her and everything else that has happened since the premiere. She is last seen, unchanged, encountering her oldest and closest friend Alice once again, who is now married. Lain promises herself that she and Alice will surely meet again anytime as Lain can literally go and be anywhere she desires between both worlds. Characters

Lain Iwakura (岩倉 玲音, Iwakura Rein) Voiced by: Kaori Shimizu (Japanese); Bridget Hoffman4 The titular character of the series. Lain is a fourteen-year-old girl who uncovers her true nature through the series. She is first depicted as a shy junior high school student with few friends or interests. She later grows multiple bolder personalities, both in the physical world and the Wired, and starts making more friends. As the series progresses, she eventually comes to discover that she is, in reality, merely an autonomous, sentient computer program in the physical and corporeal form of a human being, designed to sever the invisible barrier between the Wired and the real world. In the end, Lain is challenged to accept herself as a de facto goddess for the Wired, having become an omnipotent and omnipresent virtual being with worshippers of her own, as well as an ability to exist beyond the borders of devices, time, or space.

Masami Eiri (英利 政美, Eiri Masami) Voiced by: Shō Hayami (Japanese); Kirk Thornton4 The key designer of Protocol Seven. While working for Tachibana General Laboratories, he illicitly included codes enabling him to control the whole protocol at will and embedded his own mind and will into the seventh protocol. Because of this, he was fired by Tachibana General Laboratories, and was found dead not long after. He believes that the only way for humans to evolve even further and develop even greater abilities is to absolve themselves of their physical and human limitations, and to live as virtual entities—or avatars—in the Wired for eternity. He claims to have been Lain's creator all along, but was in truth standing in for another as an acting god, who was waiting for the Wired to reach its more evolved current state: Lain herself. According to another Lain, however, he has never truly existed all along and would not have had any self-obsessed ideas about being God if he had.

Yasuo Iwakura (岩倉 康男, Iwakura Yasuo) Voiced by: Ryūsuke Ōbayashi (Japanese); Barry Stigler4 Lain's father. Passionate about computers and electronic communication, he works with Masami Eiri at Tachibana General Laboratories. He subtly pushes Lain, his "youngest daughter", towards the Wired and monitors her development until she becomes more and more aware of herself and of her raison d'être. He eventually leaves Lain, telling her that although he did not enjoy playing house, he genuinely loved and cared for her as a real father would. Despite Yasuo's eagerness to lure Lain into the Wired, he warns her not to get overly involved in it or to confuse it with the real world. Miho Iwakura (岩倉 美穂, Iwakura Miho)

Voiced by: Rei Igarashi (Japanese); Dari Lallou Mackenzie4 Lain's mother. Although she dotes on her husband, she is indifferent towards both her kids. Like her husband, she ends up leaving Lain. She is a computer scientist. Alice Mizuki (瑞城 ありす, Mizuki Arisu) Voiced by: Yōko Asada (Japanese); Emily Brown4 Lain's classmate and only true friend throughout the series. She is very sincere and has no discernable quirks. She is the first to attempt to help Lain socialize; she takes her out to a nightclub. From then on, she tries her best to look after Lain. Alice, along with her two best friends Julie and Reika, were taken by Chiaki Konaka from his previous work, Alice in Cyberland. Mika Iwakura (岩倉 美香, Iwakura Mika)

Voiced by: Ayako Kawasumi (Japanese); Patricia Ja Lee4 Lain's older sister, an apathetic sixteen-year-old high school student. She seems to enjoy mocking Lain's behavior and interests. Mika is considered by Anime Revolution to be the only normal member of Lain's family:[5] she sees her boyfriend in love hotels, is on a diet, and shops in Shibuya. At a certain point in the series, she becomes heavily traumatized by violent hallucinations; while Lain begins freely delving into the Wired, Mika is taken there by her proximity to Lain, and she gets stuck between the real world and the Wired.[6] Taro (タロウ, Tarō)

Voiced by: Keito Takimoto (Japanese); Brianne Siddall4 A young boy of about Lain's age. He occasionally works for the Knights to bring forth "the one truth". Despite this, he has not yet been made a member, and knows nothing of their true intentions. Taro loves VR games and hangs out all day at Cyberia with his friends, Myu-Myu and Masayuki. He uses special technology, such as custom Handi Navi and video goggles. Taro takes pride in his internet anonymity, and he asks Lain for a date with her Wired self in exchange for information. Office Worker Voiced by: Shigeru Chiba A top executive from Tachibana General Laboratories. He has a personal agenda, which he carries out with the help of the Men in Black. He looks forward to the arrival of a real God through the Wired, and is the man behind the Knights' mass assassination. There are many things he does not know about Lain, but he would rather ask questions about her than disclose his agenda. Men in Black Karl Haushoffer (カール・ハウスホッファ, Kāru Hausuhoffa), Voiced by: Jouji Nakata Lin Suixi (Chinese: 林随錫; pinyin: Lín Suíxī), Voiced by: Takumi Yamazaki The Men in Black work for the above "Office Worker" in tracking down and murdering all of the members of the Knights. They are not told the true plan, but they know that Masami Eiri is somehow involved, despite having been "killed." They see no need for an almighty, all-powerful God—let alone Lain—in the Wired. Chisa Yomoda (四方田 千砂, Yomoda Chisa)

Voiced by: Sumi Mutoh (Japanese); Lia Sargent4 A teenage girl who committed suicide at the beginning of the series. After her death, she e-mails Lain, Julie, and a few other kids, saying that she is still alive in the Wired, leading to the series events. Reika Yamamoto (山本 麗華, Yamamoto Reika) Voiced by: Chiharu Tezuka (Japanese); Lenore Zann4 One of Alice's friends from school. She does not seem to care for Lain, since she harasses her quite a lot. She is more serious than Julie, and also somewhat meaner. Julie Kato (加藤 樹莉, Katō Juri)

Voiced by: Manabi Mizuno (Japanese); Gracie Moore4 Another friend of Alice. She also harasses Lain, but not as severely as Reika does. She is sometimes insensitive to other people's feelings. Masayuki (マサユキ) Voiced by: Sora Fujima (Japanese); Dorothy Elias-Fahn (English) Taro's best friend. He is usually seen hanging out with Taro and Myu-Myu. Myu-Myu (ミューミュウ, Myūmyuu)

Voiced by: Yuki Yamamoto (Japanese); Sandy Fox (English) A young girl who hangs out with Taro and Masayuki at Cyberia Café. She has feelings for Taro, so she gets jealous when he flirts with Lain. Narrator Voiced by: Takashi Taniguchi (Japanese); Paul St. Peter (English)

Production

Serial Experiments Lain was conceived, as a series, to be original to the point of it being considered "an enormous risk" by its producer Yasuyuki Ueda.[7]

Producer Ueda had to answer repeated queries about a statement made in an Animerica interview.[6][8][9] The controversial statement said Lain was "a sort of cultural war against American culture and the American sense of values we [Japan] adopted after World War II".[10] He later explained in numerous interviews that he created Lain with a set of values he took as distinctly Japanese; he hoped Americans would not understand the series as the Japanese would. This would lead to a "war of ideas" over the meaning of the anime, hopefully culminating in new communication between the two cultures. When he discovered that the American audience held the same views on the series as the Japanese, he was disappointed.[9]

The Lain franchise was originally conceived to connect across forms of media (anime, video games, manga). Producer Yasuyuki Ueda said in an interview, "the approach I took for this project was to communicate the essence of the work by the total sum of many media products". The scenario for the video game was written first, and the video game was produced at the same time as the anime series, though the series was released first. A dōjinshi titled "The Nightmare of Fabrication" was produced by Yoshitoshi ABe and released in Japanese in the artbook An Omnipresence in Wired. Ueda and Konaka declared in an interview that the idea of a multimedia project was not unusual in Japan, as opposed to the contents of Lain, and the way they are exposed.[11]

Writing

The authors were asked in interviews if they had been influenced by Neon Genesis Evangelion, in the themes and graphic design. This was strictly denied by writer Chiaki J. Konaka in an interview, arguing that he had not even seen Evangelion until he finished the fourth episode of Lain. Being primarily a horror movie writer, his stated influences are Godard (especially for using typography on screen), The Exorcist, Hell House, and Dan Curtis's House of Dark Shadows. Alice's name, like the names of her two friends Julie and Reika, came from a previous production from Konaka, Alice in Cyberland, which in turn was largely influenced by Alice in Wonderland. As the series developed, Konaka was "surprised" by how close Alice's character became to the original Wonderland character.[12] A young girl in a white shift sits with her back to us in the dark, focusing her attention on many glowing computer screens which surround her. Lain's custom computer features holographic displays and liquid carbon dioxide cooling.

Vannevar Bush (and memex), John C. Lilly, Timothy Leary and his eight-circuit model of consciousness, Ted Nelson and Project Xanadu are cited as precursors to the Wired.[11] Douglas Rushkoff and his book Cyberia were originally to be cited as such,[6] and in Lain Cyberia became the name of a nightclub populated with hackers and techno-punk teenagers. Likewise, the series' deus ex machina lies in the conjunction of the Schumann resonances and Jung's collective unconscious (the authors chose this term over Kabbalah and Akashic Record).[10] Majestic 12 and the Roswell UFO incident are used as examples of how a hoax might still affect history, even after having been exposed as such, by creating sub-cultures.[10] This links again to Vannevar Bush, the alleged "brains" of MJ12. Two of the literary references in Lain are quoted through Lain's father: he first logs onto a website with the password "Think Bule Count One Tow" [sic] ("Think Blue, Count Two" is an Instrumentality of Man story featuring virtual persons projected as real ones in people's minds);[13] and his saying that "madeleines would be good with the tea" in the last episode makes Lain "perhaps the only cartoon to allude to Proust".

[14][15] Character design

A young girl in a white shift kneels facing us with scissors in her hand, and hanks of her own hair on the ground, leaving one forelock uncut. The background is blue. ABe came up with Lain's hair by imagining Lain cutting it herself and making a ponytail of what was left.[8] This was later included in his An Omnipresence in Wired artbook.[16]

Yoshitoshi ABe confesses to have never read manga as a child, as it was "off-limits" in his household.[17] His major influences are "nature and everything around him".[6] Specifically speaking about Lain's character, ABe was inspired by Kenji Tsuruta, Akihiro Yamada, Range Murata and Yukinobu Hoshino.[8] In a broader view, he has been influenced in his style and technique by Japanese artists Kyosuke Chinai and Toshio Tabuchi.[6]

The character design of Lain was not ABe's sole responsibility. Her distinctive left forelock for instance was a demand from Yasuyuki Ueda. The goal was to produce asymmetry to reflect Lain's unstable and disconcerting nature.[18] It was designed as a mystical symbol, as it is supposed to prevent voices and spirits from being heard by the left ear.[8] The bear pajamas she wears were a demand from character animation director Takahiro Kishida. Though bears are a trademark of the Konaka brothers, Chiaki Konaka first opposed the idea.[12] Director Nakamura then explained how the bear motif could be used as a shield for confrontations with her family. It is a key element of the design of the shy "real world" Lain (see "mental illness" under Themes).[12] When she first goes to the Cyberia nightclub, she wears a bear hat for similar reasons.[18] Retrospectively, Konaka said that Lain's pajamas became a major factor in drawing fans of moe characterization to the series, and remarked that "such items may also be important when making anime".[12]

ABe's original design was generally more complicated than what finally appeared on screen. As an example, the X-shaped hairclip was to be an interlocking pattern of gold links. The links would open with a snap, or rotate around an axis until the moment the " X " became a " = ". This was not used as there is no scene where Lain takes her hairclip off.[19] Themes

Serial Experiments Lain is not a conventionally linear story, being described as "an alternative anime, with modern themes and realization".[20] Themes range from theological to psychological and are dealt with in a number of ways: from classical dialogue to image-only introspection, passing by direct interrogation of imaginary characters.

Communication, in its wider sense, is one of the main themes of the series,[21] not only as opposed to loneliness, but also as a subject in itself. Writer Konaka said he wanted to directly "communicate human feelings". Director Nakamura wanted to show the audience — and particularly viewers between 14 and 15—"the multidimensional wavelength of the existential self: the relationship between self and the world".[11]

Loneliness, if only as representing a lack of communication, is recurrent through Lain.[22] Lain herself (according to Anime Jump) is "almost painfully introverted with no friends to speak of at school, a snotty, condescending sister, a strangely apathetic mother, and a father who seems to want to care but is just too damn busy to give her much of his time".[23] Friendships turn on the first rumor;[22][24] and the only insert song of the series is named Kodoku no shigunaru, literally "signal of loneliness".[25] A series of drawings depicting the different personalities of Lain—the first shows shy body language, the second shows bolder body language, and the third grins in an unhinged fashion. The different personalities of Lain have their names written using different scripts.

Mental illness, especially dissociative identity disorder, is a significant theme in Lain:[19] the main character is constantly confronted with alter-egos, to the point where writer Chiaki Konaka and Lain's voice actress Kaori Shimizu had to agree on subdividing the character's dialogues between three different orthographs.[19] The three names designate distinct "versions" of Lain: the real-world, "childish" Lain has a shy attitude and bear pajamas. The "advanced" Lain, her Wired personality, is bold and questioning. Finally, the "evil" Lain is sly and devious, and does everything she can to harm Lain or the ones close to her.[12] As a writing convention, the authors spelled their respective names in kanji, katakana, and roman characters (see picture).[26]

Reality never has the pretense of objectivity in Lain.[27] Acceptations of the term are battling throughout the series, such as the "natural" reality, defined through normal dialogue between individuals; the material reality; and the tyrannic reality, enforced by one person onto the minds of others.[22] A key debate to all interpretations of the series is to decide whether matter flows from thought, or the opposite.[22][28] The production staff carefully avoided "the so-called God's Eye Viewpoint" to make clear the "limited field of vision" of the world of Lain.[27]

Theology plays its part in the development of the story too. Lain has been viewed as a questioning of the possibility of an infinite spirit in a finite body.[29] From self-realization as a goddess to deicide,[14] religion (the title of a layer) is an inherent part of Lain's background.[29] Apple computers

Lain contains extensive references to Apple computers, as the brand was used at the time by most of the creative staff, such as writers, producers, and the graphical team.[12] As an example, the title at the beginning of each episode is announced by the Apple computer speech synthesis program PlainTalk, using the voice "Whisper", e.g. say -v Whisper "Weird: Layer zero one". Tachibana Industries, the company that creates the NAVI computers, is a reference to Apple computers: the tachibana orange is a Japanese variety of mandarin orange. NAVI is the abbreviation of Knowledge Navigator, and the HandiNAVI is based on the Apple Newton, one of the world's first PDAs. The NAVIs are seen to run "Copland OS Enterprise" (this reference to Copland was an initiative of Konaka, a declared Apple fan),[12] and Lain's and Alice's NAVIs closely resembles the Twentieth Anniversary Macintosh and the iMac respectively. The HandiNAVI programming language, as seen on the seventh episode, is a dialect of Lisp; the Newton also used a Lisp dialect (NewtonScript). The program being typed by Lain can be found in the CMU AI repository;[30] it is a simple implementation of Conway's Game of Life in Common Lisp.

During a series of disconnected images, an iMac and the Think Different advertising slogan appears for a short time, while the Whisper voice says it.[31] This was an unsolicited insertion from the graphic team, also Mac-enthusiasts.[12] Other subtle allusions can be found: "Close the world, Open the nExt" is the slogan for the Serial Experiments Lain video game. NeXT was the company that produced NeXTSTEP, which later evolved into Mac OS X after Apple bought NeXT. Another example is "To Be Continued." at the end of episodes 1–12, with a blue "B" and a red "e" on "Be"; this matches the original logo of Be Inc., a company founded by ex-Apple employees and NeXT's main competitor in its time.[32] Broadcast and release history

Serial Experiments Lain was first aired on TV Tokyo and its affiliates on July 6, 1998, and concluded on September 28, 1998, with the thirteenth and final episode. The series consists of 13 episodes (referred to in the series as "Layers") of 24 minutes each, except for the sixth episode, Kids (23 minutes 14 seconds). In Japan, the episodes were released in LD, VHS, and DVD with a total of five volumes. A DVD compilation named "Serial Experiments Lain DVD-BOX Яesurrection" was released along with a promo DVD called "LPR-309" in 2000.[33] As this box set is now discontinued, a rerelease was made in 2005 called "Serial Experiments Lain TV-BOX". A 4-volume DVD box set was released in the US by Pioneer/Geneon. A Blu-ray release of the anime was made in December 2009 called "Serial Experiments Lain Blu-ray Box| RESTORE".[34][35][36][37] The anime series returned to US television on October 15, 2012, on the Funimation Channel.[38] The series' opening theme, "Duvet", was written and performed by Jasmine Rodgers and the British band Bôa. The ending theme, "Distant Scream" (遠い叫び, Tōi Sakebi), was written and composed by Reichi Nakaido.

The anime series was licensed in North America by Pioneer Entertainment (later Geneon USA) on VHS and DVD in 1999. However, the company closed its USA division in December 2007 and the series went out-of-print as a result.[39] However, at Anime Expo 2010, North American distributor Funimation announced that it had obtained the license to the series and re-released it in 2012.[40]

Episode list

No. Title Directed by Original air date

1 "Weird" Ryūtarō Nakamura July 6, 1998 A high school girl commits suicide by jumping off a rooftop late at night. A week later, students are getting emails from the girl, named Chisa Yomoda, which claim that she only gave up her body, but is actually still alive inside the virtual world known as the Wired, saying that there is a God that exists there. After getting one of these emails, introverted fourteen-year-old Lain Iwakura becomes much more interested in computers and asks her techie father, Yasuo Iwakura, for a new NAVI computer system. When she returns to school the following day, the blackboard writes a subliminal message, inviting her to come to the Wired as soon as she can, revealed to be written by Chisa herself.

2 "Girls" Ryūtarō Nakamura July 13, 1998 At Cyberia, a hardcore techno club, a man buys a nanomachine drug called Accela. On the way to school the next day, Alice Mizuki, along with her friends Julie and Reika, tell Lain they saw her during their first visit to Cyberia, but with a far more vigorous and forceful personality. Lain has her father set up her NAVI computer system at home later that evening. After some persuasion, Lain decides to join Alice at Cyberia that night to prove that she was not there before. However, Lain becomes involved with a shooting in the club by the same man under the influence of Accela. She approaches the man, saying that everyone is connected in the Wired no matter where they are. This leads the man to shoot himself out of psychological shock and trauma.

3 "Psyche" Jōhei Matsuura July 20, 1998 The following day, Lain is scolded by her cold mother, Miho Iwakura, for waking up too late. When she leaves the house, she believes she is being spied on when she sees a black car parked near her house. Furthermore, she hears a voice calling out to her when she enters the train, telling her that she is not alone. Her life is thrown into further disarray when she is anonymously sent a mysterious computer chip. She asks her father what it is, but he says he does not know. When she goes to see Taro, with his friends Myu-Myu and Masayuki, at Cyberia, he recalls seeing Lain on the Wired once, noting her Wired personality being the complete opposite of her restrained real world personality. Mika Iwakura, Lain's older sister, comes home the next day, only to see Lain not acting herself as she starts to modify and upgrade her NAVI computer system.

4 "Religion" Akihiko Nishiyama July 27, 1998 Rumors are flying around school and on the Wired in regards to numerous senior students of various high schools committing suicide, with each of the deceased being addicted to the online action game known as PHANTOMa. Interested, Lain investigates only to discover that the game was glitched with a tag game for kids, in which a little girl scares the students to their deaths. Moreover, she finds out that the deaths were most likely caused by the elite secretive hacker group known as the Knights of the Eastern Calculus. Later at night, she senses the Men in Black, who had been spying on her earlier. When she tells the two to go away, a sound wave penetrates through her window, causing the two to fall back and drive away in their black car.

5 "Distortion" Masahiko Murata August 3, 1998 Amidst the events surrounding Tokyo having its traffic information transmission system hacked to cause deliberate accidents, Lain experiences a series of hallucinations that teach her the nature of the Wired in relation to the real world, by means of inanimate objects in her room and eventually her parents. In the meantime, Mika is driven to terror from the Knights repeatedly communicating in unusual ways for her to "fulfill the prophecy."

6 "KIDS" Ryūtarō Nakamura August 10, 1998 At night, when Yasuo checks on Lain, he sees a dramatic change in her room arrangement and the upgrades on her NAVI computer system, which worries him. As Lain hangs out with Alice, along with Julie and Reika, in the district, she notices that children are looking up into the sky and raising their arms, only to realize that they are looking at an image of herself that appears in the sky. Lain searches for the reason behind the strange happenings and finds Professor Hodgeson, the creator of KIDS, an experiment that started fifteen years ago that tried to gather psi energy from children and store it, though the result of the project destroyed the children. Now it seems that the Knights have gotten hold of the project's schematics. When the Men in Black return, Lain goes outside to see them. The coolant system in her room bursts, leading the Men in Black to confirm that the Knights planted a parasite bomb there.

7 "SOCIETY" Jōhei Matsuura August 17, 1998 As Lain gets more and more involved in the Wired world, albeit at home and at school, Alice starts to worry about her closing up again. It is reported that the Knights cracked the firewall of the information control center of the Wired. As the activity of the Knights begins to surface, the network is in search for Lain. The Men in Black ask Lain to follow them to an office in the Tachibana General Laboratories, where the Office Worker in charge of the Men in Black, after her help of fixing his computer, shows Lain a projection of herself in the Wired taking out one of the members of the Knights. After the Office Worker deduces that Lain in the real world and in the Wired are one and the same, he questions her about her origins. However, she breaks down for not knowing, altering her timid personality to that of a more serious one before she shoves her way out of the room. 8 "RUMORS" Shigeru Ueda August 24, 1998 Lain's family has been acting weird lately, much to her surprise. Upon further investigation, Lain disbelieves that she is omnipresent in the Wired, while she is merely a body, more or less a projection of herself, in the real world. A rumor is spread in the Wired about Alice having sexual fantasies about a male teacher, and a second one says that Lain has spread the first. To cope with the distress of rejection, Lain acts directly on reality for the first time, finding out that she can "delete" the event of the rumors. A lookalike duplicate of herself with its own distinct personality starts appearing more frequently, which leads her to question her own existence.

9 "PROTOCOL" Akihiko Nishiyama August 31, 1998 Throughout the episode, background information is being shown from "archives". Information regarding the Roswell UFO incident, the Majestic 12, which was formed by President Harry S. Truman, engineer Vannevar Bush, who developed what is called memex, physician John C. Lilly, who conducted experiments with dolphin communication, pioneer Ted Nelson, who founded Project Xanadu, and the Schumann resonances are all mentioned, explaining how the human consciousness can be communicated through a network without the use of a device. It is also noted that a man named Masami Eiri has suddenly committed suicide. During that time, Lain gets a computer microchip from J.J., the disc jockey from Cyberia. She then asks Taro on a "date" and takes him to her home, where she asks him about the microchip. After becoming frightened, he admits it is a computer code made to disrupt human memory, and it was made by the Knights. Although he defends them, he admits not knowing much about them. He later kisses Lain before leaving. 10 "LOVE" Masahiko Murata September 7, 1998 As both are seen to have switched bodies, Eiri introduces himself to Lain as the creator of Protocol Seven, saying that Lain no longer needs to have a body in order to be alive. As she, back in her own body, comes home, Yasuo says his farewell after realizing she knows the truth behind her existence. Eiri is considered the God of the Wired because he explained that he is worshiped by the Knights. Knowing this, Lain deals with the Knights once and for all by leaking a list of all of its members onto the Wired, leaving a trail of murder by the Men in Black and suicide in its wake. Even with the Knights gone, Eiri still claims he is the God of the Wired, since he says that the real Lain exists in the Wired, not the real world.

11 "Infornography" Jōhei Matsuura September 14, 1998 Lain lies exhausted in her room, and wakes up to find herself all wrapped in electrical cords. After a really long and complicated memory flashback, seen throughout the series, Eiri appears in her room and congratulates her, for having succeeded in downloading her NAVI into her own brain to see and hear all that is happening. However, he warns her about her "hardware capacity," and that she is merely a sentient and autonomous software computer program with a physical body in the form of a teenage human girl. Lain later appears to Alice in her room to make things right with her again concerning the false rumors. Lain declares that anything is possible now, as devices are no longer needed anymore to enter the Wired freely. The next day, nobody seems to remember the rumored incidents and Lain smiles at Alice's complicity.

12 "Landscape" Ryūtarō Nakamura September 21, 1998 Lain witnesses the frontier between the physical and the Wired worlds finally beginning to collapse. The Men in Black are approached by their Officer Worker, who gives them a final "payment" for their services, telling them to leave town away from any power lines or satellite coverage. After he leaves, both Men in Black suffer death from an image of Lain etched in their retinas. Alice enters Lain's eerie house and goes inside her room. Lain explains that she is actually a computerized program designed to destroy the barrier between the two worlds. Lain is still affixed on the fact that humans no longer need a physical body to stay alive, but Alice shows that her heartbeat proves otherwise. Suddenly, Eiri, first unseen to Alice, appears behind Lain, assuming she needs to be "debugged". Lain argues that Eiri was just an "acting god", for she is the true Goddess of the Wired. Eiri retaliates by transforming into a monstrous form to attain the vastly limitless power and strength that she possesses, but Lain manages to crush Eiri with her electrical equipment, wiping him out for good.

13 "Ego" Ryūtarō Nakamura September 28, 1998

Lain's attempts to protect her from Eiri's attack result in traumatizing Alice, Lain's only true friend; in order to fix this, Lain decides to do a "factory reset" on her life, deleting herself from everyone's memory. Distraught from doing so, Lain is determined to discover her true form and identity and takes radical action. She is confronted by her separate bolder self of the Wired, who reminds her that the Wired is not an upper layer of the real world. Her bolder Wired self then assures her that she is the true Goddess of the Wired, saying she is an omnipotent and omnipresent virtual being that can go and be anywhere she desires and merely watch the real world from afar. After causing her bolder self to disappear, Lain sees her father. Alice, now older with a spouse, spots Lain standing on an overpass, having some déjà vu about Lain but not recognizing who she is. Alice says goodbye and that she may run into Lain again someday. Lain asserts that this is true, since she is everywhere at once. Reception A suburban scene on a sunny day, showing houses and telegraph poles, but the shadows contain unnatural red splotches. Lain's neighborhood. The "blood pools" represent the Wired's presence "beneath the surface" of reality.[6]

Serial Experiments Lain was first broadcast in Tokyo at 1:15 a.m. JST. The word "weird" appears almost systematically in English language reviews of the series,[23][41][42][43][44] or the alternatives "bizarre",[45] and "atypical",[46] due mostly to the freedoms taken with the animation and its unusual science fiction themes, and due to its philosophical and psychological context. Critics responded positively to these thematic and stylistic characteristics, and it was awarded an Excellence Prize by the 1998 Japan Media Arts Festival for "its willingness to question the meaning of contemporary life" and the "extraordinarily philosophical and deep questions" it asks.[47]

According to Christian Nutt from Newtype USA, the main attraction to the series is its keen view on "the interlocking problems of identity and technology". Nutt saluted Abe's "crisp, clean character design" and the "perfect soundtrack" in his 2005 review of series, saying that "Serial Experiments Lain might not yet be considered a true classic, but it's a fascinating evolutionary leap that helped change the future of anime."[48] Anime Jump gave it 4.5/5,[23] and Anime on DVD gave it A+ on all criteria for volume 1 and 2, and a mix of A and A+ for volume 3 and 4.[42] Lain was subject to commentary in the literary and academic worlds. The Asian Horror Encyclopedia calls it "an outstanding psycho-horror anime about the psychic and spiritual influence of the Internet".[49] It notes that the red spots present in all the shadows look like blood pools (see picture). It notes the death of a girl in a train accident is "a source of much ghost lore in the twentieth century", more so in Tokyo.

The Anime Essentials anthology by Gilles Poitras describes it as a "complex and somehow existential" anime that "pushed the envelope" of anime diversity in the 1990s, alongside the much better known Neon Genesis Evangelion and Cowboy Bebop.[50] Professor Susan J. Napier, in her 2003 reading to the American Philosophical Society called The Problem of Existence in Japanese Animation (published 2005), compared Serial Experiments Lain to Ghost in the Shell and Hayao Miyazaki's Spirited Away.[51] According to her, the main characters of the two other works cross barriers; they can cross back to our world, but Lain cannot. Napier asks whether there is something to which Lain should return, "between an empty 'real' and a dark 'virtual'".[52] Mike Toole of Anime News Network named Serial Experiments Lain as one of the most important anime of the 1990s.[53]

Despite the positive feedback the television series had received, Anime Academy gave the series a 75%, partly due to the "lifeless" setting it had.[54] Michael Poirier of EX magazine stated that the last three episodes fail to resolve the questions in other DVD volumes.[55] Justin Sevakis of Anime News Network noted that the English dub was decent, but that the show relied so little on dialogue that it hardly mattered.[56] Related media

Art booksAn Omnipresence In Wired: Hardbound, 128 pages in 96 colors with Japanese text. It features a chapter for each layer (episode) and concept sketches. It also features a short color manga titled "The Nightmare of Fabrication". It was published in 1998 by Triangle Staff/SR-12W/Pioneer LDC. (ISBN 4-7897-1343-1) Yoshitoshi ABe lain illustrations ab# rebuild an omnipresence in Wired: Hardbound, 148 pages. A remake of "An Omnipresence In Wired" with new art, added text by Chiaki J. Konaka, and a section entitled "ABe's EYE in color of things" (a compilation of his photos of the world). It was published in Japan on October 1, 2005, by Wanimagazine (ISBN 4-89829-487-1), and in America as a softcover version translated into English on June 27, 2006, by Digital Manga Publishing (ISBN 1-56970-899-1). Visual Experiments Lain: Paperback, 80 full-color pages with Japanese text. It has details on the creation, design, and storyline of the series. It was published in 1998 by Triangle Staff/Pioneer LDC. (ISBN 4-7897-1342-3) Scenario Experiments Lain: Paperback, 335 pages. By "chiaki j. konaka" (uncapitalized in original). It contains collected scripts with notes and small excerpted storyboards. It was published in 1998 in Japan.(ISBN 4-7897-1320-2)

Soundtracks

The first original soundtrack, Serial Experiments Lain Soundtrack, features music by Reichi Nakaido: the ending theme and part of the television series' score, alongside other songs inspired by the series. The second, Serial Experiments Lain Soundtrack: Cyberia Mix, features electronica songs inspired by the television series, including a remix of the opening theme "Duvet" by DJ Wasei. The third, lain BOOTLEG, consists of the ambient score of the series across forty-five tracks. BOOTLEG also contains a second mixed-mode data and audio disc, containing a clock program and a game, as well as an extended version of the first disc – nearly double the length – across 57 tracks in 128 kbit/s MP3 format, and sound effects from the series in WAV format. Because the word bootleg appears in its title, it is easily confused with the Sonmay counterfeit edition of itself, which only contains the first disc in an edited format. All three soundtrack albums were released by Pioneer Records.

The series' opening theme, "Duvet", was written and performed in English by the British rock band Bôa. The band released the song as a single and as part of the EP Tall Snake, which features both an acoustic version and DJ Wasei's remix from Cyberia Mix. Video game Main article: Serial Experiments Lain (video game)

On November 26, 1998, Pioneer LDC released a video game with the same name as the anime for the PlayStation.[57] It was designed by Konaka and Yasuyuki, and made to be a "network simulator" in which the player would navigate to explore Lain's story.[12] The creators themselves did not call it a game, but "Psycho-Stretch-Ware",[12] and it has been described as being a kind of graphic novel: the gameplay is limited to unlocking pieces of information, and then reading/viewing/listening to them, with little or no puzzle needed to unlock.[58] Lain distances itself even more from classical games by the random order in which information is collected.[12] The aim of the authors was to let the player get the feeling that there are myriads of informations that they would have to sort through, and that they would have to do with less than what exists to understand.[12] As with the anime, the creative team's main goal was to let the player "feel" Lain, and "to understand her problems, and to love her".[11] A guidebook to the game called Serial Experiments Lain Official Guide (ISBN 4-07-310083-1) was released the same month by MediaWorks.[59] See alsoNoosphere

References

"Serial Experiments Lain BD/DVD Box Delayed 4 Months". Anime News Network. Archived from the original on June 28, 2018. Retrieved June 26, 2018. "FRUiTS October (No.15_1st/Oct./1998)". Cornell Japanese Animation Society. Archived from the original on January 22, 2021. Retrieved October 27, 2019.

Napier, Susan J. (November 2002). "When the Machines Stop: Fantasy, Reality, and Terminal Identity in Neon Genesis Evangelion and Serial Experiments Lain". Science Fiction Studies. 29 (88): 418–435. ISSN 0091-7729. Archived from the original on June 11, 2007. Retrieved May 4, 2007. "Serial Experiments Lain (1999 TV Show)". Behind The Voice Actors. Archived from the original on January 31, 2022. Retrieved January 31, 2022. A green check mark indicates that a role has been confirmed using a screenshot (or collage of screenshots) of a title's list of voice actors and their respective characters found in its opening and/or closing credits and/or other reliable sources of information. "[SEL] Character Profiles". Anime Revolution. Archived from the original on March 23, 2007. Retrieved December 30, 2006. "Otakon Lain Panel Discussion with Yasuyuki Ueda and Yoshitoshi ABe". August 5, 2000. Archived from the original on October 26, 2006. Retrieved September 16, 2006.

Scipion, Johan (March 1, 2003). "Abe Yoshitoshi et Ueda Yasuyuki". AnimeLand (in French). Anime Manga Presse. Archived from the original on September 27, 2007. Retrieved September 16, 2006. The Anime Colony (August 7, 2000). "Online Lain Chat with Yasuyuki Ueda and Yoshitoshi ABe". Archived from the original on October 24, 2006. Retrieved September 16, 2006.

"Anime Jump!: Lain Men:Yasuyuki Ueda". Archived from the original on August 4, 2008. Retrieved September 26, 2006. Animerica, (Vol. 7 No. 9, p. 29) Animerica, (Vol. 7 No. 9, p. 28) "Serial Experiments Lain". HK Magazine. Hong Kong: Asia City Publishing (14). April 2000. in "HK Interview". Chiaki J. Konaka. Archived from the original on November 24, 2010. Retrieved September 25, 2010. and "HK Interview". Chiaki J. Konaka. Archived from the original on November 1, 2010. Retrieved September 25, 2010. Serial Experiments Lain, "Layer 01: WEIRD"

"Movie Gazette: "Serial Experiments Lain Volume : Reset" Review". Archived from the original on May 21, 2006. Retrieved October 11, 2006. Yasuo: "I will bring madeleines next time. They will taste good with the tea." Serial Experiments Lain, Episode 13, "Ego". Lain has just erased herself from her friends' memories, while for Proust the taste of madeleines triggers memories of his childhood. ABe, Yoshitoshi (1998). "Hair cut 01-04". An Omnipresence In Wired (in Japanese). Pioneer LDC. ISBN 978-4-7897-1343-6. "Anime Jump!: Lain Men: Yoshitoshi ABe". 2000. Archived from the original on May 10, 2006. Retrieved September 16, 2006. FRUiTS Magazine No. 15, October 1998.

Manga Max magazine, September 1999, p. 22, "Unreal to Real" Benkyo! Magazine, March 1999, p.16, "In My Humble Opinion" "T.H.E.M.Anime Review of Serial Experiments Lain". Archived from the original on October 11, 2006. Retrieved November 24, 2006. "DVDoutsider Review of Serial Experiments Lain". Archived from the original on March 5, 2012. Retrieved November 24, 2006. Toole, Mike (October 16, 2003). "Anime Jump!: Serial Experiments Lain Review". Archived from the original on June 10, 2008. Serial Experiments Lain, Layer 08: RUMORS "List of Serial Experiments Lain songs". Archived from the original on January 13, 2007. Retrieved December 7, 2006. ABe, Yoshitoshi (1998). Visual Experiments Lain. Triangle Staff/Pioneer LDC. ISBN 978-4-7897-1342-9., page 42 Manga Max Magazine, September 1999, p. 21, "God's Eye View" Serial Experiments Lain, Layer 06: KIDS: "your physical body exists only to confirm your existence".

Study on Lain, Buffy, and Attack of the clones by Felicity J. Coleman, lecturer at the University of Melbourne. From the Internet Archive. "Conway's Game of Life". Carnegie Mellon University. Archived from the original on July 22, 2009. Retrieved June 24, 2009. Serial Experiments Lain, Layer 11: INFORNOGRAPHY. "Be, Inc". Archived from the original on November 28, 2003. Retrieved November 27, 2006. "Serial Experiments Lain – Release". Archived from the original on February 16, 2010. Retrieved September 16, 2009. "Serial Experiments Lain Blu-ray Box RESTORE". ImageShack. Archived from the original on April 2, 2015. Retrieved April 14, 2015. "serial experiments lain Blu-ray LABO プロデューサーの制作日記". Archived from the original on December 26, 2010. Retrieved September 16, 2009. "Playlog.jp Blog". Archived from the original on August 17, 2009. Retrieved October 15, 2009.

"Lain on BD announced – Wakachan Thread". Archived from the original on February 27, 2012. Retrieved October 15, 2009. "FUNimation Week 43 of 2012". Archived from the original on January 23, 2013. "Geneon USA To Cancel DVD Sales, Distribution By Friday". Anime News Network. September 26, 2007. Archived from the original on March 28, 2010. Retrieved January 30, 2010. "Funi Adds Live Action Moyashimon Live Action, More". Anime News Network. July 2, 2010. Archived from the original on July 4, 2010. Retrieved July 3, 2010. Bitel, Anton. "Movie Gazette: 'Serial Experiments Lain Volume 2: Knights' Review". Movie Gazette. Archived from the original on August 21, 2006. Retrieved September 16, 2006. Robinson, Tasha. "Sci-Fi Weekly: Serial Experiments Lain Review". Archived from the original on July 20, 2006. Retrieved September 16, 2006.

Beveridge, Chris (July 13, 1999). "Serial Experiments Lain Vol. #1". Mania.com. Archived from the original on April 2, 2015. Retrieved September 16, 2006. Southworth, Wayne. "The Spinning Image: "Serial Experiments Lain Volume 4: Reset" Review". Archived from the original on September 28, 2007. Retrieved September 16, 2006. Silver, Aaron. "Anime News Network: Serial Experiments Lain DVD Vol. 1–4 Review". Archived from the original on March 25, 2006. Retrieved September 16, 2006. Lai, Tony. "DVD.net: "Lain: Volume 1 – Navi" Review". Archived from the original on September 20, 2006. Retrieved September 16, 2006. Japan Media Arts Plaza (1998). "1998 (2nd) Japan Media Arts Festival: Excellence Prize – serial experiments lain". Archived from the original on April 26, 2007. Retrieved September 16, 2006.From the Internet Archive. Nutt, Christian (January 2005). "Serial Experiments Lain DVD Box Set: Lost in the Wired". Newtype USA. 4 (1): 179. Bush, Laurence C. (October 2001). Asian Horror Encyclopedia. Writers Club Press. ISBN 978-0-595-20181-5., page 162. Poitras, Gilles (December 2001). Anime Essentials. Stone Bridge Press, LLC. ISBN 978-1-880656-53-2., page 28.

Napier, Susan J., Dr. (March 2005). "The Problem of Existence in Japanese Animation". Proceedings of the American Philosophical Society. 149 (1): 72–79. JSTOR 4598910. Napier 2005, p. 78 Toole, Mike (June 5, 2011). "Evangel-a-like – The Mike Toole Show". Anime News Network. Archived from the original on October 10, 2015. Retrieved November 20, 2015. "Serial Experiments: Lain". March 16, 2002. Archived from the original on September 27, 2011. Retrieved April 17, 2015. "Serial Experiments Lain – Buried Treasure". May 11, 2000. Archived from the original on August 26, 2011. Retrieved April 17, 2015. "Serial Experiments Lain – Buried Treasure". November 20, 2008. Archived from the original on April 3, 2015. Retrieved April 17, 2015. "Serial Experiments Lain". Archived from the original on January 22, 2021. Retrieved September 25, 2010. "Games Are Fun: "Review – Serial Experiments Lain – Japan"". April 25, 2003. Archived from the original on September 27, 2011. Retrieved November 10, 2006.シリアルエクスペリメンツレイン公式ガイド [Serial Experiments Lain Official Guide] (in Japanese). ASIN 4073100831.

Further readingBitel, Anton. "Movie Gazette: 'Serial Experiments Lain Volume 3: Deus' Review". Movie Gazette. Archived from the original on May 21, 2006. Retrieved October 11, 2006. Horn, Carl Gustav. "Serial Experiments Lain". Viz Communications. Archived from the original on February 19, 2001. Retrieved September 25, 2010. Moure, Dani. "Serial Experiments Lain Vol. #2". Mania.com. Archived from the original on April 2, 2015. Retrieved September 25, 2010. Moure, Dani. "Serial Experiments Lain Vol. #3". Mania.com. Archived from the original on April 2, 2015. Retrieved September 25, 2010. Napier, Susan J. (2005) Anime from Akira to Howl's Moving Castle: Experiencing Contemporary Japanese Animation ISBN 978-1-4039-7052-7 Prévost, Adèle-Elise; Musebasement (2008)

"Manga: The Signal of Noise" Mechademia 3 pp. 173–188 ISSN 1934-2489 Prindle, Tamae Kobayashi (2015). "Nakamura Ryûtarô's Anime, Serial Experiments, Lain (1998)". Asian Studies. 3 (1): 53–81. doi:10.4312/as.2015.3.1.53-81. ISSN 2350-4226. Sevakis, Justin (November 20, 2008). "Buried Treasure: Serial Experiments Lain". Anime News Network. Retrieved September 25, 2010. Jackson, C. (2012). "Topologies of Identity in Serial Experiments Lain". Mechademia. 7: 191–201. doi:10.1353/mec.2012.0013. S2CID 119423011.

External links Wikiquote has quotations related to Serial Experiments Lain. Look up Appendix:Serial Experiments Lain in Wiktionary, the free dictionary.

this is definitely the new weirdest anon ive gotten

#in case you're wondering this is the entire text of the lain wikipedia article #asks tag

[hopelessromantic1352]

(Un)Professionalism

This one shot shows Casey is learning to deal with the history between Ethan and Harper. But, it’s not as easy as she thought it would be.

This came to my mind when I was replaying OH 3. I couldn’t believe how Harper and Ethan were acting around MC. I also couldn’t believe how they don’t really expand on that storyline unless you do the extra scene with Harper at the MRI machine. Then again, book three was just a little crazy overall 😂

Warnings: slight sexual actions

Ethan Tags: @perriewinklenerdie @shelivesinthewoods @silversparrow1112 @miss-indecisive-says @alj4890 @naffeesaa @hija-del-universo @usuallyamazinglyaverage @heyabby102 @lilyoffandoms @cordoniaqueensworld @carreraleigh @ethanplaysfavorites @amillionmoonsred @drcaseyvalentineramsey @claudevonstrukesblog @princess-geek @lapisreviewsstuff @aworldoffandoms @paisleylovergirl @llamasgrl @blainehellyes @flyawayboo @timmagicktoad-blog @sparklinglilac @whenyourheartskipsabeat @desmaranj @triple-shadow0 @tessa-liam please let me know if you’d like to be added or removed from the tags!

“Remember when Dr. Collins bet you wouldn’t chug that bottle of champagne?”

Casey watches as Ethan cringes at the thought, but Harper laughs and rests a hand on his forearm. Feeling her gut churn in jealousy, the redhead looks back to the file of their patient, wishing Baz was still a part of the team. At least he would acknowledge that she still exists.

“He swore I had the liquid escaping through my ears, which is anatomically impossible.”

Both of them laugh, Ethan looking as carefree as he has been for awhile.

“Look, if you two want to walk down memory lane, why don’t I go do my job.” She slaps the file down onto the table and forcefully pushes her chair back.

Without another look at either doctor, Casey strides out the doors. Before they shut behind her, she can just barely hear Ethan excuse himself and his footsteps hurrying behind her.

“Casey!” The loud whisper isn’t enough for her to even look back, but she picks up her pace, knowing his long strides will catch her easily. “Rookie, please.”

Confused anger clouds his raised tone, causing her to stop. Even though she doesn’t turn back around, she can hear his steps slow down and he takes in a deep breath before he steps in front of her. Her brown eyes focus on the tile spreading down the hall, her body tense with shame and her gut still filled with jealousy.

“Casey, what on earth is the matter?” Ethan’s large hand gently slips under her chin and lifts her face up.

He notices the guilt swimming in her eyes and everything clicks into place. “I apologize. Harper and I were being quite unprofessional.”

Silently, she closes her eyes and nuzzles into his hand before she shakes her head. “That’s not what bothered me.”

Not saying anything, he leads them into an empty patient room, shutting the door behind them. He watches her closely, analyzing her movements before she leans against the bed in the middle of the room. She crosses her arms and doesn’t look at him as her finger taps against her bicep.

“It’s your whole relationship, Ethan. We don’t have that and honestly, I don’t know if we ever will.”

Still utterly confused, he walks to her and lifts her chin again, trying to read her thoughts. “I don’t understand. What you and I have is nothing like the friendship I have with Harper. No offense intended, but I rather like it that way.”

Her eyes bore into his, the ice blue eyes hold their normal warmth she’s become accustomed to. His gentle touch is comforting her, not someone else. Right?

“But you two have history and that spark is still there, I can tell and I think Harper still feels it.” Rambling, she pushes off the bed and steps away from him, needing space to think and calm her racing thoughts.

Understanding dawns on him once again, this time he realizes exactly what is bothering her. He felt the same way during her intern year, seeing her with all those young, bright eyed men surrounding her at various times. The surgeon. The paramedic. Hell, he had even seen other attendings eye her. It was torture on him due to his own selfishness of not allowing them to become an item publicly.

“Casey, you and I are figuring this relationship out, but I can assure you, there is nothing between Harper and I.”

She settles in front of the window overlooking the parking lot, her eyes bouncing from the people to the cars peppering the asphalt.

When she doesn’t say anything, he continues, “She and I may have history, but that is all it is. I think of her as a colleague and a friend, nothing more. I know for a fact she feels the same way but I understand what you are feeling.” Slowly, he approaches her from behind, gently laying his hands on her shoulders. “If you remember correctly, I had a bout of jealousy that earned you a punishment in one of the vacant halls.”

Below his hands, the tense muscles loosen as she laughs quietly. “How did you take care of yourself after that anyway?”

Chuckling, Ethan turns her around and picks her up, allowing her legs to wrap around his waist. Stepping towards the wall, he presses her back against it, pinning her between it and his firm body. She can feel his hardness begin to grow as he presses his groin against hers. Both of them experience deja vu.

“You didn’t give me an opportunity to, so I suppose I had to imagine you as I took care of it myself.” His lips travel across her neck, his stubble tickling her soft skin deliciously. “Perhaps this time, we can take care of each other.”

Casey playfully grinds against the hard member straining against his slacks, tossing her head back against the wall at the sensation pooling in her core.

“Mmm, I think I’d like that.”

He breaks away from her neck and cups her cheek, brushing his thumb across her cheekbone. “Know that I have not been with anyone besides you since Miami.”

“Then why did it take so long for you to give in?” Her big eyes burn with curiosity.

Sighing, he looks down, “Because I could not bring myself to risk your career. At least that is what I told myself. Now, I know I told you and myself that so I could realize that taking a risk on you was not a risk at all.”

Ethan raises his eyes to meet hers again, cupping her face with both hands. “You are it for me, Casey.”

Their lips meet in an electric kiss, her hands delve into his thick curls and her legs tighten around his fit waist. A moan escapes her as his lips reach any skin he can find and as his hands reach under her scrubs, caressing her breasts through the sports bra.

“Ethan, mmm, I love you.”

He pulls away to meet her eyes and gives her a blinding smile, his hands holding her face. “I love you too, Dr. Valentine.”

This kiss they share is soft and gentle, exuding the love coursing between them. But the gasp at the door breaks the trance. The couple breaks apart, Ethan sets Casey down gently as she blushes furiously.

“Do you need something, Harper?” Ethan’s voice is steady, but his lips tremble with suppressed laughter at the shock on their colleague’s face.

Casey steps behind Ethan, hiding the silent laughter at her own embarrassment and Harper’s.

“I—uh—“ Without a coherent sentence, she turns and slams the door behind her, leaving the couple to dissolve into a mess of laughter.

As Ethan turns, he gathers the giggling redhead into his arms, holding in a tight hug. He allows himself to relax, resting his chin atop her head. “I suppose I should do some damage control.”

“Probably. At least this time you don’t have to do your own damage control.”

He releases her at that and smirks, “I would have suggested you take care of that.”

Casey leans forwards and kisses him softly, “Maybe we can arrange for some of that damage control tonight.”

#choices #playchoices #choices ethan ramsey #dr ethan ramseyxmc #dr ethan ramsey #ethan ramsey x casey valentine #open heart #ethan ramsey #choices open heart #play choices #ethan ramsey x mc #choices fic writers creations #dr. ethan ramsey #cfwc fics of the week

[ceescedasticity]

This chapter has been expanded and rearranged a bit from the versions posted here.

#orc bank unforsaken #orc bank

[alphaman99]

When you are trying to explain to an inquirer how the money system has been corrupted, while so many people don't realize it, this is a good quote from the father of deficit spending, Maynard Keynes:

“There is no subtler, no surer means of overturning the existing basis of society than to debauch the currency. The process engages all the hidden forces of economic law on the side of destruction, and does it in a manner which not one man in a million is able to diagnose."

--liberals’ economic hero, Keynes

Only one person in a million is savvy enough to realize the scam, right? He is saying it is the perfect fraud scheme to destroy a country, and history shows it always does; the majority of people refuse to acknowledge it, as they stuff the printed money into their pockets. By printing money, the government povertizes the middle class with inflation, deflates the welfare checks, but manages to expand the rich’s wealth, even as they claim to be against wealth.

Why are there ever-expanding, obvious rewards for wealthy industry leaders?

1. Because the wealthy are rewarded to go along with the fascist part of socialism: Buying out industry leaders to go along with the fascism of socialism. Subjugating industry to gov’t-funded profits which now dominate education, medicine, pharmaceuticals, defense, health insurance, and the equities markets.

2. The socialists can continually blame the rich for the system’s failure; they are scapegoats and rewarded stooges for the most evil people on earth: Communists, calling themselves democrats, socialists, or republicans.

---John Lofgren

[mathematurgist]

Bleach Captains if they were in the Avatar World: Part I

This is a short summary of how various Bleach characters could be fused into the Avatar universe, with regards to their powers and abilities, and how they would fit in the world of Avatar. Additionally, snippets about how the lore of the Bleach universe might fit in with the lore of the avatar universe. Here is a link to part 2 and part 3

Yamamoto

The most powerful firebender in recorded history whose strength surpassed the Avatar's. His unmatched prowess with flame allows him to not just produce vast quantities of fire, but also directly manipulate the volatile element (similar to how a waterbender bends water); additionally, he can control his inner flame to allow him to maintaining his mental and physical state (in a similar manner to how Kyoshi lived hundreds of years). He left the Fire Nation and founded the Soul Society during the reign of Fire Lord Yosor, during this time of great upheaval many people, from all nations flocked to the Soul Society, under the protection of the most powerful and dangerous warriors at the time. Since that day, the Soul Society has remained as a neutral fifth nation, despite many external attempts to "unite" it with both the Fire Nation and the Earth Kingdom.

Soi Fon

The Fon Clan were originally a group of Air Nomads who were captured and subjugated by the Shihoin Clan before the era of Avatar Szeto, when the Soul Society was founded the Shihoin Clan brought along the Fon Clan as their retainers. As the centuries pass nothing remains of the Fon's nomadic heritage other than their bending, with Soi Fon being one of the last remaining air benders and the 9th clan head. She utilises her bending to manipulate the air currents and pressure around her body, allowing her to move at speeds faster than the human eye can see. She carries a short blade on her back, and wears a black and gold gauntlet with a middle finger stinger; the stinger contains a poison which can kill with two stabs. Her most powerful technique involves encircling her body with a hyper-sonic vortex of air, once created she can maintain this vortex indefinitely.

Gin Ichimaru

An incredibly cunning earthbender; without warning he can rapidly move the ground under his opponents feet, which he uses to create openings to strike with his blade. However, his blade is where his true power lies, he claims that he has mastered metalbending a particular alloy which forms his blade. It appears as though he thins and stretches his blade allowing him to lunge and strike at opponents from great distances. However this is a lie, he has actually mastered bending a the dust of a rare substance, which is both extremely poisonous and capable of being compressed into a dense blade. During battle, he earthbends his blade expanding the dust at incredible speed to slice through his opponents before returning all of the substance to it's original blade form (to keep the poisonous nature of the blade a secret). The top-speed of his dust expansion technique is faster than the human eye can follow, however he only unleashes the true speed in the last moments of a strike, to keep his opponent's off-guard and guarantee a hit.

Unohana Retsu

The first and most brutal bloodbender in history, in every nation she was regarded as the most heinous villain alive, bringing slaughter and death wherever she went. In battle, her used a large curved blade to slice open her opponents, before draining the blood from their body through the newly formed wound; she would then use this new blood to create razor thin sweeping arcs of blood to carve through yet more opponents, thus repeating the cycle. Additionally, she used her bloodbending on herself, forcibly moving her body at incredible speeds to make her one of the deadliest swordsman in the world. However, as the decades passed (after the Soul Society was formed) the stories about this monster faded over time, eventually becoming myth and legend. This is because Unohana forsook her murderous ways and instead utilised her bloodbending with her natural waterbending healing to become one of the most powerful healers in the world. As a conseqeunce over this mastery of healing and self-bloodbending Unohana has successfully extended her lifespan by hundreds of years and granted herself eternal youth.

Sosuke Aizen

A charismatic and intelligent waterbender who has completely mastered spirit bending and seeks to use this ability to transform himself beyond his present human body. As a water bender his control over the element is so fine that he can create illusions to manipulate his opponents. He controls the water vapour in the air to diffuse and reflect light to create a visual component to his illusions; he vibrates the water molecules in the air to produce pressure waves to either create false sounds or mask real sounds. However, it is his studies into the spirit realm and spirit bending are what make him exceptionally dangerous; Aizen came to the conclusion that there is no single spirit (other than Vaatu) which is stronger than Raava. Therefore, to surpass the Avatar he would need to forge a new spirit by amalgamating the souls of humans and lesser spirits. Through the process of creation, this forged spirits will would be subjugated by Aizen's own will, thus when he merges with the amalgam Aizen will retain his sense of self.

#bleach #ATLA #gin ichimaru #sosuke aizen #retsu unohana #soi fon #genryusai shigekuni yamamoto #OP