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#even if all i can do is analyse the few streams i have watched
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You don't need to worry about the ATSV fandom dying. As someone whose been in the Marvel fandom over ten years - I can assure you this is natural.
The ATSV Fandom Isn't Dead: A brief look into the science of fandoms.
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[me standing beside Hobie beaming my thoughts of love and adoration into his head like I'm professor x]
A lot of people are afraid of the ATSV dying - and I don't blame them.
In the era of shows releasing all in one day, or movies coming to streaming almost immediately - it's not hard to say we're in an era were content is consumed at ridiculously rapid rates.
I mean, this time last year Wednesday was breaking records on Netflix. Where's the hype now?
I know you see it too, there's less posts everyday in the Hobie tag, less screenshot breakdowns, etc etc etc.
But I'm here to tell you - The ATSV fandom is doing just fine. Better than fine. All of this is meant to happen.
Let me put it into perspective.
ATSV released on June 2nd - it's November.
ATSV released a little over six months ago.
For reference: The Avengers (2012) was released on May 4th.
The Avengers DVD wasn't available for purchase until SEPTEMBER 25th - almost SIX months later.
The time that the Hobie fandom has formed and existed - is the same amount of time people had to wait just to see The Avengers again.
Large periods of time where tags only get three posts a day TOPS was nothing to fear. xReaders and fanfics held the fandom over until the next trailer, the next sneak peek or leak.
Prior to the release of streaming, only a little more than ten years ago - it was NATURAL for a fandom to wait six months before even seeing the movie for a second time.
And mind you - streaming didn't exist. If you wanted to see The Avengers again, you had to go out and BUY it. $26.99.
If you wanted to order it online - you'd have to get it shipped to you. Before Disney plus, we watched on BlueRay Discs.
And the fandom was fine and healthy.
If a fandom that doesn't even have a DVD release can keep up content for six months, I think we'll be fine.
But I'll admit - there's still the question:
If the ATSV fandom is 'doing fine' then where is everyone going? Why are the tags getting slower?
The answer is simple:
FANDOM BIOLOGY
I LOVE social sciences and the systems people create and how they work - even unintentionally.
And I have a theory - one about the natural evolution and regeneration of fandom. Hear me out -
When it comes to ATSV:
We are leaving the Analysation Phase, the phase in which content creation is centered around deciphering and breaking down the most recent installment in the fandom.
During this phase usually see art of newer characters, new ships, meta breakdowns, easter egg point-outs.
We were in that phase.
Once the Analysation Phase dies down, usually main content creators may remain. The intermediate or liminal period.
The intermediate is usually when you'll see more x-reader art pop-up, the levels of fanart evening out as artists return to their favorite characters - usually incorporating any new ones they gained from the last installment.
Shitposts usually also become popular around this time, as the shock and weight of the story wear off, and we're more able to joke about the storyline a lot more light-heartedly.
That's why the intermediate point is often see as the passion 'dying out'.
When in fact, it is the fandom getting comfortable. Resting for the next phase.
And after a few months, the next phase comes:
The Speculation Phase:
The Speculation Phase cannot come until the Analysation Phase is over.
During the Analysation Phase the fandom begins to breakdown and digest the writers intentions. They integrate the new character into the story, and the fandom.
As the audience and fandom talk amongst each other, we get more solid ideas of who the characters are, what their motivations might be, and most important of all-
What they might do.
In the Speculation Phase we turn from the last installment - and start looking towards the future.
Let's take Hobie for example.
Looking at the timeline of the Hobie fandom, we can see a progression.
Originally taken as a punk-rockstar and little more, throughout the months the fandom began posting things about punk culture, the 70's, Hobie's motivation in the comics, and how that all correlates to him.
As the fandom analyzed, the collective zeitgeist and understanding of Hobie grew into something a lot more sound, and telling.
We looked at the parellels he provides in the story, and what kind of person he is.
And because if that we have seen a marked improvement in people's contextual understanding of Hobie - as a punk and a hero.
And now that we can understand him - we can predict him.
The same goes for Miguel - over the months, a lot of us have began to question if we know him as well as we think we do , if we really know the kinda person he is -
And if we really know what he's doing to do.
That's where the Speculation Phase comes in.
The Speculation Phase in fandom is when we see some of the most passion - and instead of tapering off overtime, it builds. More and more until the next release.
The Speculation Phase is when the fandom takes the analysis' and from there, they begin to theorize.
Now that we understand, we can begin to predict.
And this is arguably one of the most interesting parts in a fandoms natural ecosystem.
During the Speculation Phase, we can see a number of diverse opinions appear.
As more and more creators begin to gather their understanding, tips from the writers, new released news, and past comic book arcs, we start to see dozens of triguing paths the writers can take us on.
As more news releases, the more hype people get. I mean - imagine how you'll feel when they release the first new poster of Hobie, or Miles? Or when we get to see Miles.G in the trailer?
And with each new poster, or trailer, we're given clues. The theorizes develop more. And the plot thickens.
It's all natural.
So I can understand the fear. Only getting one or two new posts when you visit the Hobie tag can be a bummer. But it's natural and it's GOOD.
Y'all, we need to conserve our energy. We are in the liminal phase. And they never last long.
With the news of the voice actors back in the studio, and a cliff-hanger like we have - I can assure you, it's only a matter of time before we begin to see the theories, the trailer breakdowns, the people guessing what Miguel might do, or exactly how much tech Hobie is hiding.
And when that time comes we need to be READY. I can already feel it on the horizon.
I really wonder what they'll do with all that left over Hobie concept art.
Plus with explosion of Hobie approval, I wonder if they'll add him in even more. Hobie fan-service anyone?
Hmmm...
But chill y'all, we're on the right track -
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If you read this far, as always THANK YOU SO MUCH!! And as a token of my appreciation, I hand you this Hobie. Hold him gently please
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Bye 💗
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butmakeitgayblog · 4 months
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Can I just say I love how like, into revisiting and analysing this dumb show’s scenes you still are — with the rise in popularity of streaming (I’m sure this has something to do with it, anyway) it’s become more and more commonplace for people to consume a piece of media, enjoy it, get bored of it after a while and never touch it again after moving on to the next new thing. It’s so wholesome and refreshing to see people still be so passionate and always find something new to talk about a show that, for all many of us care, ended 8 years ago. I do move in and out of being obsessed and disinterested with the media I’ve enjoyed, but in a world where I’m constantly seeing people say “oh you’re a fan of [X]? But that’s old :/“ (mostly about something that finished like last year lol) your blog is a breath of fresh air :)
Well thank you 🥹
The thing is, I get it. I get why and how people move on to different fandoms so quickly, and I don't really think poorly of that or anything. It's been almost a decade and it's easy to fall out of love with something after so long. Hell, when you think about it, this fandom has outlived the lifespan of a lot of entire relationships people have had 🥴. People find new things to get excited over and the *gasp* feeling of finding this new /thing/ is always fun. So I do get it.
But for me, it's just not that way. It's not that simple. Not because I think I'm somehow special (maybe a lil deranged 😬), but rather that's just how I operate. Before Clexa the only other ship I ever really cared about was Willara from Buffy which I watched when I was a goddamn teenager lol (RIP to my fellow gays always falling for girls who get shot ✊😔). I just don't get attached much to characters and ships. Usually ai like them in passing, enjoy watching them, and then that's... it. Tibette from the L Word. Wayhaught. Brittana. I like them and I follow them, but there's no real desire to delve deeper beneath the surface.
And then something like Clexa comes around and just absolutely fucks me up. It hits me and connects with me in a way that I just can't shake. Watching the show isn't enough. Thinking about it isn't enough. I have to discuss it and dissect it and fill in the gaps that we didn't see, and read and (now) create more stories for them just to understand everything about them to a deeper degree.
So few characters really elicit that kind of connection, but Clexa do. Even for a lot of the people who have moved on, at one time they felt that connection. Clexa was a fuckin madhouse for years and I think the fact that even still to this day people keep discovering and rediscovering them and falling in love with them all over again speaks volumes about just how wonderful that relationship and those characters actually were.
Especially Lexa.
Now, I love Clarke. I make it known that thiiiisss is a Clarke Griffin apologist's blog. That feral little kitten has never done anything wrong in her life. Ever. Including all of the terrible things she's done, as well as the many, many things that were flat out wrong. She is still innocent. She is only a baby. A murderous, tormented, compassionate, complex babygirl. So never get it twisted that I'm saying Clarke is somehow lesser than, but when push comes to shove when we're talking about baseline complexity, there is no character like Lexa. There's just not.
This woman was definition of doomed by the narrative. A child stolen away to be used as a glorified sacrificial lamb for her people. A toddler wielding a sword made of wood taller than her own tiny body, trained to accept her own life as expendable for the greatest good of her people before even learning her ABCs. She took the throne at 12 bby slaughtering her only companions and made her death mask out of kohl and fallen tears. Every person she ever loved as a mother, father, brother, either died for her, or by her own hand. The only two people she ever dared to be weak for were torn from her in the name of politics and the weight of her own bloodied crown. Under all the regalia she was just Lexa. Heda, always surrounded by her people and yet eternally just a lonely soul. Born here on Earth, raised to eventually die for others, left to rule over the people on the ground as best she knew how.
And yet through the pain, she was strong. So fucking strong it emboldened the warriors around her. She was brave, and lethal, and unyielding in her pursuit of peace. Meeting every push against her forward march to change head on, never flinching in her own brutality along the way. She knew that she was born for this; believed the black of her blood to be every bit as much of a blessing as it was a curse. Even when people doubted her and did their best to end her reign, Lexa always came out swinging.
She loved hard and kicked ass even harder, is what I'm saying. And the fact that they took a character like that and ended her so fucking carelessly? I just... I'm gonna be pissed off about that for a very long time. And until I'm no longer pissed off about that, I'll be here running mouth about it 🥴 probably still trying to make it better by writing her and the love of her life in as many stories as I can, so they can finally get the happy ending that was robbed of them in canon 🫡
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inkblackorchid · 8 months
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I watched this duel again yesterday and I honestly wish I had any sort of fresh take or unusual perspective on it, but I think the truth is that I just don't. This duel is three things for me:
Proof of concept for a very intriguing larger narrative (whose execution sadly doesn't land all the way for me)
The introduction of a character who has several interesting key aspects to them (and who could have, perhaps, been handled a bit better)
Emblematic of all the issues I have with the WRGP arc's writing.
As I said, I don't think I have any truly revolutionary things to say about this duel, but I feel like getting my thoughts out, so expect a fairly non-structured, stream-of-consciousness post below. There are multiple things here that bother me and I finally want to dissect them. Feel free to follow along if you also like examining stuff like this in more detail than it perhaps needs to be examined in. And I really mean examine them in unnecessary detail. Be warned, this post could count as a dissertation in terms of length. But I'm passionate and like analysing things, so no attempt to control its length was made.
So, I won't mince words here. The Team New World duel is absolutely where several major aspects of the time-travel-Iliaster plot completely fall apart for me. I want to make it clear that this isn't the fault of Aporia's character writing or what this duel is building up to, though. Nor do I think that the concept of a secret shadow organisation using time travel to influence world events is too out there. Lbr, this is yugioh. The time-travelling-cyborg-shadow-organisation is absolutely not the culprit of why I think some things don't work here. (And by here I mean specifically the WRGP arc.) Moreover, I'll be the first to admit that the finale this duel builds up to, with everything from the Ark Cradle beginning its descent to Yusei's final duel with Z-ONE, is stellar. So there are several things that do work here—but I think that may be exactly the reason why the other things piss me off all the more.
So what are the "other things", then?
Well, simply put, a lot of this arc's supposed setup and worldbuilding falls apart as soon as you start asking a few simple questions, first and foremost "why". And again, I will likely not be treading new ground here, but this just irks me to no end. However, so this post doesn't devolve entirely into unproductive whining about a part of the show I wish had been better than it was, I'll be doing another thing here: Trying to provide solutions for the things that irk me as I go along. As a kind of thought exercise, and because it's not hate motivating me here, merely extreme frustration about an arc that feels like it was fumbled like a hot potato. So, let's start digging through this mess.
The elephant in the room.
This whole arc (and in fact even the pre-WRGP arc before it) hinges on the concept of antagonists using monsters that can absorb synchro monsters, which is treated as such a monumental problem that we see Yusei, our protagonist, in downright anguish about it not one, but several times. Like, this eats at him.
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(Pictured: A troubled boy brooding about his synchro summoning issues.)
And look, I know everyone and their mother has brought this up at this point, but this is already the first bit that falls apart under the weight of the question "why". Why is Yusei so hung up on the fact that duelling against Meklords means using synchro monsters becomes pretty risky? Why is this enough of a problem to supposedly drive the plot for a not insignificant stretch of episodes? Now, I know Yusei uses mainly synchro monsters as his heavy hitters, and I have seen someone bring up the fact before that even irl, completely altering the strategy of your entire deck is a pain in the ass, to say the least. And I do want to admit that this is a valid argument. If Yusei genuinely had to change his whole deck to accommodate the new circumstances, that would be a Herculean task, to say the least. However. While I can see the merit of that argument, I have to raise two counterpoints: One—who said he had to permanently change the entire structure of his deck? The show never gives us reason to believe that anyone other than the cyborgs will suddenly jump out of the woodwork and also use an anti-synchro strategy, and it doesn't show us anyone else who uses a strategy like that, either. And two—note the framing of this issue. The show never suggests that Yusei needs a new deck, or that all his old tricks are completely invalid now. It harps on and on about how he needs a new strategy, yes. But is that the same thing? In my opinion, nothing really demands that Yusei needs to restructure his deck completely. If anything, he only needs to keep in mind that this is now a possibility when duelling people, and thus start keeping a backup plan. And unfortunately, he kind of does, which is where I need to address the Dragon Knight Draco-Equiste-shaped elephant in the room, because it sadly undermines that sensible argument something fierce.
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(Yeah, remember this thing? Because I do and sometimes wish I didn't just so I wouldn't have to get frustrated about it all over again.)
Listen. We're all not stupid. Even before the Team Unicorn match, the vast majority of people watching 5Ds would have been aware that tribute summoning, ritual summoning, and fusion summoning are very much methods to get around the dreaded synchro-killers that already exist in the card game and don't require any supernatural shenanigans to be acquired. But speaking only for myself for a moment, I was still at least a little bit willing to suspend my disbelief and accept that not being able to synchro summon would be a categorical impossibility for our beloved motorcycle family before this scene. Except, then Draco-Equiste comes out. And naturally, you're left to wonder "ah, so this is the solution to the synchro problem, then"? But no. No, it very much isn't. Because unfortunately, this is the one and only time Draco-Equiste even shows up. Immediately before and after this duel, this card is treated as though it never existed. Even though this thing could have posed a serious threat to the Meklords, what with being able to absorb the effect of a dragon synchro monster in the graveyard and being able to bounce back effect damage. (Can you imagine how differently the Team New World duel might have proceeded if Yusei had summoned this again?)
So, of course, we're left with the question: Why the fuck was this even here? And on the surface, the answer is super simple: To sell copies of Dragon Knight Draco-Equiste, naturally. But narratively? Narratively, this card's appearance is a disaster. It's a miscalculation of such insane proportions I can hardly find the words for it. Because it proves the assumption many viewers, especially TCG players, would have had from the start: Fusion, ritual, and tribute summoning are still a thing and would definitely work against Meklords. To say this takes the wind out of the sails of the central problem of "oh no, what are we going to do without synchro summoning" would be an understatement. And that's without addressing the fact that the actual "solution" the show provides against the Meklords, as cool as Shooting Star Dragon and Red Nova Dragon are, is, on paper, ludicrous: In a bind because your synchro monster gets absorbed? Just synchro summon harder! And I just. Please. We can agree that this is silly, right? Even if they're very cool dragons and I definitely appreciate them, this is almost looney tunes logic.
Swinging around to a more productive discussion, could they have done their "uh oh, synchro summoning is now impossible"-bit in a better, more coherent and less silly way? Probably, but depending on how they might have handled it, they would have probably needed to sacrifice some other things. The issue here is the thematic element. Synchro summoning is hated, and thus punished, by the emperors of Iliaster because to them, it's a symbol of humanity's greed and subsequent destruction. And originally, the show ends up vindicating its use despite their warnings about the destroyed future in a sort of awkward "with great power comes great responsibility"-way. As in, synchro summoning still has the potential to ruin humanity by the end of the show, but Yusei and the others "earn" their right to use it anyway because they and humanity as a whole learn the lesson not to overdo it. Supposedly. The metaphor is, frankly, a bit wonky, which might be another problem in and of itself. But what's relevant here is that any attempt to fix this conundrum would thus have to keep the thematic element intact. To do that, our protagonists would therefore have to rely on synchro summoning at the start of the arc, as they did before, and would also have to rely on it by the end of the arc (again). The in between is, I think, where more interesting things could have been done with the concept, though—moreover, it's where I think the plothole of "hey why doesn't anyone tribute/fusion/ritual summon" could have been addressed. Say the gang learns that synchro summoning might now get dangerous and actually tries to shift gears. Say they do try out fusion, ritual, and tribute monsters to account for that—only to run into an in-universe meta wall and realise that sure, these monsters might not get absorbed by Meklords, but their effects and strength can't keep up with the synchros their opponents use, or that they're flat out too cumbersome to summon! It could have been as simple as showing scenes where trying to get tribute fodder onto the field or play a fusion or ritual spell card would have been too slow, too inefficient in a duel. They could have also gone an even simpler route and flat out made it so that Meklords could have absorbed any extra deck monster. Would this have made them stupidly overpowered? Sure. But wasn't that kind of the point, anyway? The Meklords were supposed to be a nigh insurmountable obstacle that ultimately required discovering not one, but two new, unique ways to synchro summon—and even then, the solutions still weren't perfect because Shooting Star and Red Nova can still get absorbed under especially tricky circumstances. So I doubt making them that much more powerful would have mattered. (And they had to be heavily adjusted for the irl TCG as is, so there's not really a need to factor in that concern, either.) Finally, and I admit this pains me a little to say, I think that any version of the synchro dilemma that wanted to make sense should have flat out removed Draco-Equiste. The card does nothing except open plotholes, and especially if we want to keep the themes intact without opening the can of worms that is alternative forms of summoning possibly being a better solution than Accel Synchro or Burning Soul, its presence just becomes a hindrance. Sorry, Dragon Knight Draco-Equiste.
So much for the synchro dilemma, then. But unfortunately, this is not the last aspect of the worldbuilding surrounding the three emperors of Iliaster and especially their Meklords that's built on a shaky foundation, to say the least. Onto the next one.
2. The Meklord genocide and the many questions it asks (and never answers).
I'm gonna roll several points into one here because they're all related to the Meklord genocide—that being the supposedly unavoidable catastrophe in the future where Aporia received all his trauma from. And I want to preface this with two statements, one good and one bad. Firstly, Aporia and the way his backstory gets exposed, quickly getting us intimately acquainted with the utter devastation of the Meklord genocide, is extremely compelling. You really get a sense of the terror at play and it gives him a perfect, understandable motivation for wanting to avert that future at all costs, even if human lives have to be sacrificed along the way.
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(Ahhh, the lovely smell of childhood trauma in the making.)
Secondly... The Meklord genocide makes zero sense, and it has everything to do with the fact that once again, several major aspects of it buckle under the weight of a few simple questions. But let me roll that back first and examine what those major aspects, which the Team New World duel introduces us to, are.
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Number one: I went back and checked, and this is the first time in the series that we are introduced to the concept of synchro summoning resonating with Moment reactors. Previously, the reactor itself, through the concept of planetary particles, and, by extension, the Moment energy itself was only implied to be something like a perpetuum mobile, infinitely producing its own energy.
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Number two: Now, we have heard of Moment rotating backwards and exploding in the show before. But there are two new things here, one being that the Iliaster trio explains that in this instance, it caused a chain reaction, and that, for some reason, all the Moment reactors began exploding one after the other. The other, more crucial part being that they claim the Moment reactors responded to people's hearts. This ties in with another small thing introduced much earlier, where Bruno/Antinomy explains that Clear Mind, Yusei's accel synchro technique, is a way of "controlling Moment". Both link the reactor and its energy, which are pillars of 5Ds' worldbuilding, to human emotions. And I already need to say this here: This doesn't make lick of sense. But more on that later.
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Number three: We don't get an outright explanation for this in this duel, as in, it's not stated verbally, but right after Moment supposedly "responds to people's hearts", the Meklords show up, heavily implying that the reactor, for some reason, summoned a robot army to destroy humanity.
Now, I'm going to give you the quick-fire round of questions these three concepts immediately sparked in my mind when I saw these scenes, because I think that will illustrate just fine why I have such a problem with all this: Since when is synchro summoning linked to Moment and how? If humanity already knew through the Zero Reverse incident, which is the foundation for 5Ds' canon, that Moment reactors could spin too fast, gain a negative rotation, and subsequently explode, why on earth did nobody think to install safeguards against that? Why are the Moment reactor and its energy linked to people's hearts now? How does that even work? And how is a human supposed to "control" a sodding energy reactor that was implied to stay in perpetual motion through a set of gears, which famously know how to read hearts, through achieving a clear mind? And why, oh why did the reactor—independently of its human creators, apparently—have a killer robot army at its disposal to let loose on humanity when it grew sick of their shit?
This plot has so many holes, it may as well be a net instead. And you know what the worst part is? The show answers none of the questions above. Moreover, the implications behind the concepts introduced for the sake of setting up the Meklord genocide are buckwild, to say the least. Let me run with this real quick to highlight the absurdity here.
Taking the idea that an energy reactor can respond to people's hearts and summon an on-demand murder robot army of apocalyptic proportions when humans around it grow too evil at face value honestly makes me wonder how the Moment reactor in NDC hasn't exploded five times over since its creation. You mean to tell me that between Goodwin's Iliaster goons, the Arcadia Movement, the corrupt security forces, and all the duel gangs in Satellite, there weren't enough evil people there to make the reactor go crazy? Plus, all of these people were already synchro summoning as if their life depended on it! Synchro summoning is basically ubiquitous from the moment the show starts, to the point where it's more unusual to see a duellist who doesn't synchro summon than one who does. But somehow, that wasn't enough to affect the reactor yet? Or is the implication here supposed to be that the part where the man-made machine meant to produce limitless energy can suddenly see into people's hearts was added later into the reactor's development? That humans for some reason decided, "yeah, that's what our new energy source needs! A way to shame and punish us with violence on an unimaginable scale for our transgressions!" And that's without addressing the robot army. Who built these things? And who decided it was a good idea to put them at the disposal of the very reactor itself? Do you mean to tell me some team of utterly cracked up scientists decided that the best entity to put in charge of the robot army that was constructed for some reason was the reactor system supplying the world with energy, "computers can't be blinded by human error and would thus never deploy this army for selfish reasons"-style? (Honestly, I almost wish that had been the idea here, but I'm absolutely certain it wasn't.)
I can already hear two major criticisms to the above, purposefuly hyperbolic extrapolation in the back of my head here. Allow me to talk about them for a moment.
One—"Okay, so the WRGP arc has plotholes. Didn't the dark signers arc have those too, though? It's not like they explained everything about all that stuff."
You're right! It did! As much as I love the dark signers arc, it hardly has the most tightly-written worldbuilding of all time, either. There are lots of things, some small (why was Rudger/Roman somehow a signer and a dark signer at the same time), some not so small (why on earth did Rex' plan to summon the king of the underworld and remake the world seemingly hinge on one of the signers failing to seal their tower, which he could have never guaranteed in a million years) that the DS arc never properly takes the time to explain. But even so, the dark signers arc doesn't fall apart under questions such as "why" and "how" nearly as easily as the WRGP arc for a reason that is as simple as it is stupid: The DS arc has a much less ambitious premise, and though its antagonists are cool, they don't actually pose a greater, moral dilemma. Think about it. The premise of the DS arc is a run-of-the-mill prophecy thing. You've got your chosen heroes, your destined enemies, and a battle for the world using supernatural shenanigans. And a lot of questions of "why" or "how" are relatively quick to be brushed aside with "magic" (or rather, Crimson Dragon/Earthbound Immortal shenanigans). Moreover, the dark signers themselves, while having interesting stories relating to the heroes on a personal level, are still, fundamentally, pure evil. They're not fighting to prevent a devastating, apocalyptic future, they just deadass want to get revenge and destroy the world. And all the more complicated, major themes the arc has (class discrimination, police brutality, how societal alienation can lead teenagers to join cults, poverty, etc.) are actually not really tied in with the Earthbound Immortals, instead happening on the sidelines or only being tangentially related to the dark signers (such as when Kiryu becomes a dark signer through the abuse suffered in prison). The only major theme that ties in with the dark signers is destiny VS. freedom of choice, which also gets resolved in the battle with Rex Goodwin. (Interestingly enough, all the more complicated themes on the side were also dropped after this arc, but that's a rant for another time...) Perhaps the arc still has some inconsistencies here and there, but largely, it stays fully coherent. Thus, the DS arc makes it way easier to suspend one's disbelief, making the unexplained parts seem much less egregious.
Two—"Calm down, this show was made for twelve year-old Japanese boys. They don't need to explain any of this."
If you honestly think children don't deserve well-made entertainment whose concepts and worldbuilding can hold up to scrutiny, I have nothing to discuss with you. Sure, children will swallow some concepts much easier and will suspend their disbelief much longer and more artfully than any adult on average, but that doesn't mean "kids are dumb anyway so why bother putting as much effort into worldbuilding for their shows as for adult shows" is the hot take you think it is. I am fully congnisant of the target audience for this show—that doesn't make me any less convinced that said target audience deserved a show where things made sense while they were watching it and where things could still make sense if they decided to rewatch it years later. Because, you know, that's what I think a good show should be able to do.
And with that, I can come back to the WRGP arc and an issue that ties in with both things I just addressed: The WRGP arc's actual story premise, buried beneath the well-known, equally beloved and beloathed tournament arc format, is a lot more ambitious than the DS arc and has several, fairly heavy, core themes that it sets up and tries to resolve by the end, among them: learning how to cooperate as a team (during the WRGP) and learning how to be independent (by the end of the show), destiny VS. forging your own path (round two), and, most importantly, taking responsibility and fighting for one's future. That last one especially is not only a good topic to address in a show specifically made for 5Ds' target audience, it is also represented by both Team 5Ds and Team New World in-story. Spicier yet, both teams are actually fighting for the same thing. Team New World, having seen the supposedly unavoidable, tragic future and thus decided to take action against it, is fighting for a future that doesn't have to be marred by such tragedy, by whatever means necessary. And Team 5Ds, young, hopeful, and trusting in their connection to one another and humanity as a whole, is fighting for a better future because they believe that tragedy can be avoided. The future these two teams want is almost the same—the only, crucial difference is that Team New World has embraced the use of drastic measures to bring that future about, while Team 5Ds hasn't. To Team New World, the future presents something like a trolley problem, if you will: They think doing nothing will lead to that inevitable tragedy and erase humanity, whereas sacrificing New Domino City in the present will still kill people, but preserve humanity in the long run. And they have firmly decided pull the lever and set the course so the trolley runs over just one person instead of many. Team 5Ds, meanwhile, isn't even thinking about the lever, instead insisting there has to be another way, and that even thinking about getting anyone killed for this is stupid. The whole conflict is, on paper, wonderfully compelling, because you can see where both sides are coming from. Sure, Team New World's members still act like absolute dickheads in true yugioh-tournament-opponent fashion, but ultimately, their goals make sense. Viewers can put themselves in their shoes and perhaps think that, faced with a horrible dilemma like theirs, they would make the same, awful choice to set the course and cause suffering now to avoid greater suffering later. For the greater good.
Unfortunately, the questions I listed above undermine all this somewhat, because as good as these antagonists are on a character level, it's incredibly easy to poke holes into their backstory and especially the circumstances surrounding the horrible, distant future they want to avoid so desperately—which, in turn, undermines that terrible future somewhat, because this is a narrative that demands weight (in my opinion). But if the supposed threat at the end, the terrible thing even our protagonists briefly aren't sure they'll be able to avoid, begins falling apart at the seams in terms of logic when you think about it for more than two minutes, where is that weight supposed to come from? There is also another question to be answered here that I need to discuss so I can touch on a central aspect that hampers the plot in this arc somewhat later:
Why are they so convinced that horrible, destroyed future is utterly unavoidable?
I want you to really think about this question, with me. Canon... never really gives us any direct proof that they're justified in being this certain. However, that doesn't mean we don't get an answer, per se, though the answer is a bit vague.
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The implications here are... something, to say the least. First, as our basis, we have to assume that every "correction" Iliaster has made has been to avoid humanity's destruction in the future. Because frankly, that's all we get as far as Jose, Placido, and Luciano's definition of the "correct path" goes. Then there's the second bit. Apparently, they've been merrily "repairing" history for a good while already, yet, for some reason, they always get the same outcome: The Meklord genocide. This, in turn, has led them to take more and more drsatic measures to try and avoid it. And I want to point out the very obvious, mind-boggling implication that comes with this: Apparently, after every "correction" they made, these three have either let history run its course to see where it ends up this time, or have quickly zipped over to their own time to check whether things were still shit. Meaning Iliaster's whole deal of fixing history to make sure the Meklord genocide never occurs has been a very, very long run of trial and error. (I want you to think of all the possible "fixes" this could have included for a moment. We know from BBT that killing Pegasus was one of the ideas they had, for example. Did they also try to kill the presumed Industrial Illusions employee who came up with synchro monsters? Did they try to kill Yusei's dad so Moment would never be invented? Could they not have tried to simply inhibit the creation of the robot army, then? Or made sure someone installed some bloody safeguards on the reactors, as Yusei later does in-canon, which somehow works when he does it? The list goes on.) Now, we know that in canon, their newest idea is that the future can be fixed if they just destroy New Domino City altogether.
Here, the questions begin again (you may sense a running theme): If Moment is already invented and internationally known, why would destroying its place of invention do anything? If synchro summons are already a thing, doesn't that mean destroying NDC would only slow the catastrophe down, at best? And most importantly: Why are these guys so utterly convinced that this "repair", of all the ones they've already done, will save their future? How can they know that this particular plan will work when they've supposedly already tried everything?
(There is, of course, the tragic possibility to consider that perhaps, they know that there's no guarantee this will work. They've tried everything, after all. So maybe they know this won't fix things, either. But we know that Aporia, like Paradox, like Antinomy, and like Z-ONE is, somewhere at the bottom of his despairing heart, still desperate for a shimmer of hope. And maybe, just maybe, he has reached such a point of desperation that he'll watch an entire city getting destroyed if it has even the faintest chance of succeeding. But unfortunately, this is purely speculative—the show never states this, and so, I can only leave it in the realm of fan interpretation.)
The show never answers this question, either, instead relying on the audience to suspend their disbelief some more and assume that Iliaster has put in the work and is 100% certain that the future can and will absolutely end in disaster unless they destroy NDC now. It almost acts like they have some sort of supernatural foresight; they know things nobody else in the show's world does, and due to this (and their non-human status) they label themselves as superior to the "foolish humans", who, without their guiding hands, will only bring about the apocalypse. But their superiority and the internal consistency of their actions is already wobbling under the weight of all the half-assed worldbuilding I mentioned above, which is an extra big problem due to another, major difference between the WRGP and the DS arc: While the DS arc stylised itself as a sort of funky genre mix between cyberpunk dystopia and urban fantasy (in a very broad sense, given that ancient Inca gods are very much real and their prophecies come to fruition in the modern day, yet we are not presented with any sort of magic outside of the conflict with the dark signers), the WRGP arc, aside from its tournament format, stylises itself much more as science fiction. The antagonists are no longer ancient, evil shadow gods, they're cyborgs from a destroyed future. Their motivation isn't as simple as wanting to destroy the world, either! In fact, they want to save the future! And they don't pose a threat to our antagonists through shadow duels in rings of fire and giant, magical monsters that sacrifice human souls to be summoned. No, they have advanced technology like high-tech robots that cut our protagonists off from one of their go-to tactical options, and they send out duel robot armies, and they travel through time by means of sophisticated wormhole-technology.
...But do they?
Now, I said I don't just want to complain here, I also want to provide solutions—and I intend to stick to that. But first, because these two things are so intrinsically tied together, let me address the final aspect that puts Team New World as antagonists and the WRGP arc on such shaky ground from a writing perspective.
3. Wibbly-wobbly, timey-wimey, magic-science cyborg nonsense.
So, I've talked about the strongly differing methods the Iliaster trio uses in comparison to the dark signers. Sci-fi is the name of the game now, so we've got robots, cyborgs, advanced tech and... time travel. But amidst all this, you may have noticed something. Even though our plot is supposedly decided by futuristic tech now, the magical/occult element that was there in the first half of the show doesn't actually get dropped. Why? Because it can't be. Because the signers, our protagonists, are defined by their status as a group of magical chosen ones, hand-picked by an ancient Incan deity. Regardless of what the writers of the show wanted here (and my personal guess, based on hearsay and what I've read on forums, is that they wanted to hardcore-pivot to sci-fi because they hoped it would engage audiences more), this was an element they couldn't erase. (Or, well, technically, they could. The signers do lose their marks at the end of the show, after all. But perhaps they thought doing that earlier was too risky.) So genre-wise, we've got a bit of a situation here. From the pre-WRGP arc on, 5Ds is more of a sci-fi show, yet, we've still got all this occult stuff wandering around that can't be cut out of the narrative and still influences it because it's too intrinsically tied to our main actors not to. And you might have noticed that this actually doesn't just extend to the signers. As in, they're not the only ones where sci-fi and magic elements mix. This happens for the Iliaster trio, too. Placido gets a sword that can randomly cut a hole in space-time (and it's never explained how). The Meklords can cause real damage in duels even though they're supposedly not supernatural. Moment reactors can suddenly read people's hearts. Not one, but multiple cyborgs get a magical girl transformation where they change clothes and runners, or even combine from three people into one. And for some reason, the Crimson Dragon, even though its "own", central enemies, the dark signers, are already defeated, doesn't take its marks away from our heroes until after the cyborgs are taken care of, suggesting that the ancient, magical entity recognises the robots from the future as a supernatural threat of some sort. None of this is presented with any sort of attempt to get it to make sense, yet, we're supposed to believe it isn't magic, because we're all about robots and time travel now.
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(Insert the magical girl transformation song of your choice.)
And I want to make one thing clear: I'm not saying this weird genre-mix couldn't have worked. In fact, I think it's hilarious and low-key brilliant even in the wonky state we got. Sure, let's make the antagonists robots from the future while keeping our protagonists the agents of an ancient Incan god on the mortal plane! If nothing else, you absolutely can't argue the idea wasn't original.
However, even with all the love I have for the show, I can't help but feel like there's an issue here, and the only way I could put it into words would be genre dissonance. We are supposedly in a sci-fi show now, yet the central antagonists, who are also the fundamental reason for this genre shift, seemingly can't decide whether they're actually using technology or magic for their schemes. And this becomes a problem insofar as that seemingly no effort to meaningfully fuse the fantastical elements with the pseudo-scientific ones is made, yet at the same time, they aren't properly separated, either. Specifically the latter might be harming the show even more than the former. Let me explain what I mean.
I'm no stranger to the fact that sci-fi sometimes likes to use technology that's supposed to be so advanced that to an outsider, it begins looking indistinguishable from magic. And in all fairness, that is probably what the 5Ds writers were gunning for. What hampers this a little, though, is that we're just coming from an arc that had actual magic in it, which leads to the allegedly scientific elements sending some mixed messages. Especially because they're never explained. And I'm not saying we needed super hardcore, internally fully consistent sci-fi worldbuilding here. Frankly, with all the weird nonsense 5Ds has already mostly handwaved by the start of the pre-WRGP arc, that would have been absurd. But I think a few explanations here and there, hell, even just the occasional off-handed remark, could have done a world of good for this arc, and especially for the Meklord dilemma and the setup of the ruined future. I don't need a whole breakdown on how exactly a reactor knows about the greed in people's hearts, but a remark somewhere on the side about how, for example, the particles that are the central player in that reactor also happen to be copious within the human heart (which would be impossible to prove, but ignore that) would have been nice. And I don't need a full breakdown of how the robot army was built; a throwaway remark that humanity created it as weapons in their supposedly endless, petty wars could have been cool, though.
My point is, fundamentally, that unlike the occult nonsense, which can skirt by on prophecies and simple, black-and-white, good VS evil stuff, the sci-fi elements feel like they demand a surface-level justification for their existence, at least. A surface-level justification they didn't get. And this is without addressing the much, much bigger problem that may actually be the root cause of most, if not all the things I've listed above so far: The time travel.
I don't think it's any sort of new, groundbreaking opinion to say that time travel is a notoriously finicky worldbuilding element that many writers, regardless of medium and/or skill, have already massively shot themselves in the foot with. And unfortunately, I feel like this has happened in 5Ds, too. Specifically because the time travel has seemingly absolutely no limits. The Iliaster trio (and even Paradox) can seemingly be everywhere they want, in any time period, and do whatever they want/deem necessary. Worse yet, the time travel is actively shown to have massive consequences more than once. And I think it's under the weight of this massive, utterly uncontrollable element that the plot really begins to collapse. Because frankly, with the implications we're given, things just really don't look good in a universe where limitless time travel can be used! Let me circle back to two questions from above to really emphasise this: Why are these guys so utterly convinced that this "repair", of all the ones they've already done, will save their future? How can they know that this particular plan will work when they've supposedly already tried everything? In a universe with limitless time travel, these questions become an absolute mess to deal with. And the real problem is that canon never even entertains the idea of answering them. Sure, you can begin to fill in the gaps for yourself if you feel like it. Maybe it's not that all the previous "repairs" Iliaster did truly didn't work, maybe they brought about even worse futures and that was the reason why they were discarded. Or maybe there's a hidden in-universe rule that people from the future who go back to the past actually don't have the power to change anything, as in, no matter what they change, it will never affect their present, because their actions will always loop back around to causing the same things they already know. But there. Precisely there is the problem. I'm not getting this from canon, I'm making it up from scratch. And sure, all stories have gaps—that's where a lot of fanfiction lives, after all. But when you reach the point where you have so many gaps that the audience can no longer suspend its disbelief over these gaps, that's when there's a problem. And the WRGP arc, for all that its antagonists are extremely compelling, pose genuine, moral dilemmas, and for all that it resolves in one of the best arcs of 5Ds, has precisely this problem for me. The worldbuilding is stretched too thin, and my suspension of disbelief breaks and leaves me wondering why so many good themes have to be buried in an arc that is this frustrating to watch sometimes.
*deep breath*
Okay. So now I've aired all my grievances and laid out all the problems that make me shake my fists in frustration at this arc, at the Meklords, and at the Team New World duel. What about the productive part, then, you might ask. I did say I wanted to provide solutions, as far as I can, anyway. How would I try to solve this mess?
Well, honestly, I think the solution here, at least to me, would be fairly basic: More consistency. Make it make sense. The genre mashup can stay exactly the way it is, but maybe tone down the magic on the cyborgs a bit. Make them actual cyborgs. Even if their tech is justified through bullshit, at least justify it. Why does Placido have a reality-splitting sword? Oh, it's actually the Moment Express wormhole technology in miniature. Why can Moment reactors see into people's hearts? Well, duh, they contain the same, special particles as human hearts. Why is there an army of robots in the future to begin with? Humans built it. For war. Like they did so much else. And why did the reactor use it against them? Because it was just responding to their own negativity. Their own, constant desire for strife and petty conflicts amongst one another made them actually turn the weapons against themselves (or rather, against the people they personally didn't like, which ends up being everyone when everyone has a grudge against someone) through the reactor. (The show almost does this one, but not quite.) How do the three emperors of Iliaster know destroying NDC, specifically, will fix the future? They don't! They're doing this on trial and error, and more importantly—and I think this would work best if it was introduced purposefully late—they can't actually save the future by changing the past, because they're not from the past. They just don't actually know that this is a rule of time travel.
None of these fixes would have to be big, episode-spanning things. Off-handed remarks would have been enough. But I think just that could have saved many points from becoming the plotholes they did.
And with that, I think I'll finally leave you be, I've rambled quite enough. To anyone who has made it all the way to the end, I can only give a sincere, heartfelt thank you. I realise this is a LOT of words. Moreover, I'd like to leave you with one more statement: Though I can absolutely understand if this post comes off as me getting on a soapbox and cupping my hands around my mouth before yelling, it's not meant to be. I absolutely invite discussion about the the handling of, the themes behind, and all the arguments I gave regarding the Meklord worldbuilding and the Team New World duel. So, feel every bit as free as I did to yell about this. This post encourages yelling.
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morallyinept · 7 months
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Shoot: Augustman Singapore, Oct 2019 Issue. Published online on Oct 10th 2019.
Photographer: Doug Inglish
Interviewer: Cezar Greif
Grooming: Mira Chai Hyde
Full interview, behind the scenes, outtakes & shoot photographs below. 👇🏻
Jett's Pedro's Shoots Masterlist
• Cover shot and original images used in the magazine.
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• Outtakes and behind the scenes images.
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• Full interview.
Pedro Pascal: Life before and after Game of Thrones.
Until recently, people were still erroneously addressing Pedro Pascal as Pascal Pedro. But he didn’t mind. Years of struggle in New York’s theatre scene had taught him to take things in stride. Pascal had studied drama in NYU, with his appearances on television after that limited to bit parts in Buffy the Vampire Slayer and a few cop dramas. It took Game of Thrones, playing the part of Oberyn Martell, to make Pascal a household name – at the age of 37, no less.
Since that breakout role, Pascal has been busy. Among other works, he starred opposite Denzel Washington in The Equalizer 2, played a leading role in the Netflix biographical crime series Narcos, and acted as Agent Whiskey in Kingsman: The Golden Circle. There’s more to come, beginning with the titular character in The Mandalorian, which airs on Disney’s new streaming service Disney+ this November. In June next year, Pascal is slated to appear in the next Wonder Woman movie as the villain Maxwell Lord. Clearly, the man’s career has just properly started.
When did you first fall in love with acting?
At a very young age. My father used to take us to the movies three times a week. He’d come home from work and ask if we wanted to go see something, and we would, of course, want to go. I saw First Blood, The Big Chill, and so many other films. There was one summer when my mother would drop me off at the movie theatre as though it was daycare – times were different back then.
I’d watch a few screenings of movies like Poltergeist in one afternoon before she picked me up at six. This exposure to films led to a hobby in acting that my parents were happy I had – at least I wasn’t sitting around watching cable TV all day. It occupied so much of my time and eventually turned into serious training.
Why did you make the shift?
I had to take things more seriously if I wanted to stick with it. It wasn’t just being in love with the idea of appearing in movies and on stage any more – I needed to learn to analyse a story, delve deeper into the various aspects of acting, and learn the technical side of things. What came next was getting jobs to pay the bills. Surviving as an actor, basically.
You took some time to find mainstream success. Did you ever consider quitting?
The confidence definitely fluctuates. I didn’t develop other skills, so my familiar routine was to attend auditions for jobs. One would be enough to pay for rent and food for a while, or I had to wait tables to pay for my expenses. It felt completely desperate because I was really in love with the art of acting and the idea of being a working actor.
But I always got enough work to keep going. I don’t think I would have if I couldn’t get a job in three years or something like that, but such a thing never happened. I would get a role in a tiny little play outside of Boston, or a beer commercial, or an episode of a cop show in the city.
Do you appreciate your popularity more since it came later? How do you think this has influenced the way you approach your status as a celebrity now?
I was definitely more self-assured because my habits and routines were firmly in place and felt more important to me than my newfound success. I know it’s hard for me to describe this, but I just don’t feel famous. That wasn’t part of my development when I was younger, so I came into it “fully cooked”, or maybe even overdone. (laughs) As exciting and as strange as fame can be, it just doesn’t feel as real to me as my relationships, or the fact that my backaches, or how I panic in the morning if I don’t know exactly where I can get my coffee. Those things have much higher stakes to me than the public’s perception of who I am.
Can you identify a reason for your success? Did it make sense for to you when it “arrived”, perhaps because you thought you were becoming a better actor, or was it pure luck?
I oscillate between the two. It can seem totally random, which is terrifying because anything can happen, but the randomness of it all makes a little more sense to me. But I see some clearly predestined circumstances for other people, and you sometimes have these very clear realisations that an opportunity was kept from you a long time ago because it wasn’t the right place or the right time. I guess I probably lean more towards the randomness of it all, or the simple idea that if you keep at the same damn thing, you’re increasing your chances of it succeeding.
And how do you view your breakout role in Game of Thrones now?
It changed my life, but what’s interesting is how all the silly jobs that I’ve had before this one also felt like big breaks. I was a jobbing actor by my late 20s, and I was just as excited with some seventh-tier role on some network television show because it meant that I could pay some bills.
That felt like as big as a win as anything else. It’s the same with theatre. Because it’s so hard to go from the small plays to the medium-sized ones, getting a role in the latter feels like a miracle too. I was close to becoming homeless many times in the past, and was actually staying at an AirBnB before getting the role in Game Of Thrones, so I must really thank the showrunners David Benioff and D.B. Weiss for taking that chance on me.
Has your experience in theatre helped your work in film? How do they compare?
Theatre work is like the building blocks of what I do now. From Shakespeare to something contemporary, and everything in between, I’ve done them all. When you perform the same thing eight times a week, you’re constantly reworking your role to keep it interesting, whether it’s discovering something new or discarding something that exists. It feels like training. The last time I took classes was in college – and that’s something I don’t recommend – but doing theatre work felt like staying in school, which helped. Plus, it provided medical insurance and a weekly paycheck.
Tell us more about the new Mandalorian series.
It’s taking things in a new direction. I think it’s amazing that Lucasfilm is letting Jon Favereau and Dave Felloni take Star Wars into new territories as far as style and tone are concerned, from using practical effects and digital special effects in tandem, to exploring characters out of the familiar Star Wars settings.
They’re also blurring the boundaries between the good guys and the bad guys, and I love the idea of having things in a grey area. We’re dealing with the outer reaches of the galaxy here, which means a lot of ambivalence around what is right and wrong, and the conflict between self-serving and self-sacrificial decisions and actions. It’s all very much a part of the Star Wars story. As for the character, the Mandalorian is a bounty hunter, and people pay him to do jobs. Let’s just leave it at that for now.
Christopher Nolan said he casted Tom Hardy as Bane because of how he acts through his eyes in the mask. What was it like to express everything you needed to in this role with a full-face helmet on?
Much of the work is already taken care of by the writing, which is great, as well as the visual experience that the show provides. But it was still important to me to live in the story as a person who does not show his face, so I worked a lot on the character’s body language. It feels almost like going back to theatre. I think that there’s a lot that can be told with stillness and very economical movements.
I hear that you’re a real movie nerd. Do you have recommendations for fairly unknown directors or movies that we should pay attention to?
I just saw this incredible movie called Monos by Alejandro Landes. It was amazing. And I’ve been floored by [director] Ari Aster. He’s an aesthetician that also brings out great performances, and the films Hereditary and Midsommar blew me away totally. There’s also someone who’s up and coming – Taika Waititi – who made Jojo Rabbit, that’s, in my opinion, the best movie of the year.
Jett's Pedro's Shoots Masterlist
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picturejasper20 · 9 months
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Steven Universe is such a weird case in animation shows because it got half of the internet so obsessed with trying to tear down what was a show for 10-13 years old that had issues much like other shows from its era had (like Adventure Time or Regular Show had in their later seasons). But instead of people trying to be normal about it and accept that the show had some things that could have been better, they got obsessed of ripping apart every tiny detail that it reached to the point misconceptions and lies about the series and the people who worked behind it were spread around and eventually they became the norm of how general fandom talked when it came to Steven Universe.
A few years later Steven Universe started to become somewhat popular again thanks to things like Tiktok fandom and many streaming it on HBO Max. Now there are videos and posts talking about how people getting hyperfixated in ¨destroying¨ it was kinda fucked up, because yes, it was and it is something that a lot of fans have talked for years now. For years one couldn't simply talk about the series normally because the general fandom couldn't be normal when talking about it. Hell, even when it came to talking about a show like Star vs The Forces of Evil, some would bring up how the show was fun to watch until around Season 2 and it had some interesting ideas. In contrast, when it came to SU, you would get 50 different opinions, some valid and others very far-fetched to be taken seriously.
I partially blame all this discourse surrounding the show to the fandom itself. Let's be honest, the SU fandom was very messy and toxic for many back its days and it lead to the show to have a bad reputation because of how annoying some fans were. So, in part i can see where this backlash came from.
Do i think that this issue can be fixed? Honestly, i don't know, i don't think it is possible to fix. The damage has been done and it's going to take plenty of years for people to talk about it normally like they do with other shows. Now there seems to be some change in how people approach analysing Steven Universe, with some praising the backgrounds or talking about certain scenes. Hopefully, one day the general fandom is going to be able to talk about Steven Universe the series like they do with other animated shows nowadays and we can leave all this hatetrain behind us.
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thetwelfthcrow · 5 months
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the best part of the fortnite articles wasn't even posted
Theres one with like 3 paragraphs going in depth about how lando was actually calling lewis "lulu" instead of "lewlew" and was "mocking and demasculating him" by "equating his name to that of a female's." (this is also inaccurate, for anyone who has fallen for it, because I've seen this idea floating around a few different socials). i wasn't feeling well mentally and had the day off, and i watched the whole stream. he ALWAYS referred to the lewis characters as "lewlew," usually in a very fond/excited to see them way/tone.
then this same article tried to claim he had his character bow at lewis' feet to make up for the mocking and i just — yeah. yeah. he meant to do that. that explains why he was so embarrassed he covered his face and looked away from the stream for several moments lmao.
and then don't even get me started on the oscar "mortally wounding" lando claim. that's based off nothing lando has ever said. he was disappointed in himself for making so many mistakes in Qatar, but he was never disappointed in oscar for doing better. He's mentioned Qatar and congratulated oscar in every single season in review video I've seen. This claim is based off some shit brundle was spewing. which is why i am once again, begging for all of the "British bias" bullshit to stop when it comes to non-merc drivers. Like there's a British driver on the grid who actually had the worst season of his career (I'll give you a hint: his name isn't in this message) and basically came last of the drivers in top teams that people had high hopes for, yet you still have brundle and sky calling him a future WDC and an imminent threat to lewis while basically throwing a #LandoNorrisIsOver party. The whole thing is quite funny.
(sorry if you got 2 messages like this, my internet keeps being weird so i wasn't sure the first one sent)
jesus fucking christ people are DELUSIONAL. i suddenly feel a lot better about overanalysing max/lewis as a ship, compared to people saying lando using a nickname is demasculating. i mean - lando is called lala by his cousin, i'd reckon he's got lewlew from it.
they are OVER analysing NOOTHING here. he didn't bow down he fucking clicked to make his character duck and then got flustered bc it looked like his female character was giving head to lewis lmao.
lando's the best fucking teammate on the grid. never seen anyone as supportive of his teammate as him. i think im not getting your lines but it might be bc i'm tired. and yeah british bias is the worst of all of them. even viaplay's dicksucking of max is nothing in comparison.
oh yeah my favorite british driver! how dare you speak truths about him. it's so fucked up to me how the british media is so fucking negative about good drivers (also w lewis' 'this is lewis' second season without wins' or something post like HELLO he's also a 7 time wdc) or how they (like everyone, really) keep underestimating lando. if i were british media i'd be embarrassingly proud of my countrymates. every mistake they make is fine dw you're the best and every good thing they do gets praised into the heavens. but no, of course they only do it with mr Public Relations. and not mental-health awareness lando or activist-for-everything and also the only black guy on the grid lewis.
fucking tired of F1 journalism. can they all collectively stop? scrap presscons too, only give us post-race interviews on the paddock and then w everyone and done. i'd be happy. all drivers will be happy.
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erigold13261 · 1 year
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:3 have some more headcanons
1. Joust and Quinda used Tatiana to cook food when the ghoulings were on tour
2. Remi and Zuke love Spiderman, you bet these two fangirled over spider verse
3. Mayday got Purl into MLP and we can all guess who his favor characters are (Obviously Twilight and Luna)
4. West got Mama to laugh once, she hissed at him out of anger but he saw Purl Hew and Yinu hiss at each other as a greeting so he thought it was a family thing and hissed right back in, honestly the most pathetic manner Mama had ever heard. That got her to think maybe this guy isn't all bad...
5. Eve and Dodo love obscure animated movie and shows
6. Eloni is huge Hollow knight and Undertale fan, she even wrote a bit of fanfiction
7. Nova watches lots of sci-fi movies and shows and will criticize any major inaccuracies
8. Sayu actually went to Hot topic a few times it's a nice place and ze owns a few items from there
9. Cyril's first fictional crushes were Venom and Rouge don't judge him!!
1). I just imagine the two trying to cook those popcorn stove top popcorn packages on her head as she sleeps in the tour bus or van and it not working because she isn't hot enough. But they keep trying and she wakes up and gets mad, making her fire light up and she just burns and melts the popcorn and container lol!
Joust and Quida still end up eating it because Quida can eat the plastic covered popcorn while Joust actually likes burnt popcorn. Elivy stayed far away from the whole mess, but got an earful from Kul Fyra as she complained to him.
2). It's a damn good movie! Of course they would love it! But also I can see Zuke having old comics that are torn at the edges from years of rereading and he brings them over one day for him and Remi to read together.
3). I actually would think Haym would, but honestly seeing both Haym and Mayday sit Purl down to watch MLP would be hilarious. I do agree that Purl would love Luna, but I am not sure about Twilight. Her behaviours, at least in early seasons, would make them not really like her. But they would probably come around, especially after she became a princess.
4). Her just full on with an enraged face hissing at West with absolute anger, and he just hisses back with happiness and a smile but also a really weak and shitty hiss as he's never really hissed before. Of course she would be so confused and flabbergasted that she would just start laughing. Confusing West as she literally walks away as she can't even talk for like 5 minutes.
West honestly thinks he somehow hissed out a joke or something that Mama understood and is so confused. He ends up asking Purl and Yinu, which gets Yinu to laugh a little and explain that Mama is not like them and only hisses in anger, so he literally just confused her into laughter. West apologizes to her and she tells him it's alright.
5). I have very little knowledge of what shows would be obscure, but I can totally see them sitting down and watching weird animated shows. One I remember is like called "Spliced" and I can see them watching that. With like horrified faces at times but still not stopping because they are interested in the strangeness.
Remi never understood this and finds the animation for a lot of these so bad or ugly that he can't even hate-watch these cartoons. But he will listen/watch Dodo and Eve talk about the shows after they are done watching them.
6). Yeah... Yeah I can see that, lol. Honestly they would read TONS of fanfictions for all kinds of games, but only write for a few that really peak their interest, So Undertale is definitely one of them (I don't know much about Hollow Knight but what I have seen would make me feel like Eloni would also write fanfics for it).
For other media though, she would definitely do deep dive analyses. I can imaging her having a whole youtube channel using computer generated voice (that sounds nice, the same one she uses for streams because thinking words into existence is easier than physically speaking for her) and would just have hours to DAYS of analysis content for all kinds of games, shows, and other media.
7). And you better believe that Zimelu is right there beside them asking all kinds of questions. The two will have a 6 hours movie session and only get through one 1.5 hour movie lol.
8). I am literally working on a punk design for all the NSR characters specifically because I wanted to make punk/goth Sayu lol! But oh yeah, totally ze would have stuff from there.
I have a ton of pink skirts and cutesy stuff, so I can see that getting mer into the store but then ze would love one of the darker more goth-y clothes and boom! Sayu is going through a goth phase! And the other mermaids are now following along (also Tila and Sofa lol).
9). Yes! Monster-fucker Cyril is definitely something I thought of before lol! He definitely has weird tastes. Monster and robots are some of them haha.
I swear, he told Purl that if somehow GLaDOS was real he would break up to be with her. And Purl said not to worry because they would do the same thing! The two just have such weird tastes and definitely share them together.
And then there's West not seeing the appeal in a lot of these crushes they have.
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queerfox-tales · 1 year
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* kind of a rant, kind of a hypothesis about a popular romance trope *
So lately I thought about that romance trope where the 2 people greatly dislike each other at the start. People use different ideas to explain it: don't judge someone before you really get to know them, opposites attract, etc.
One of the things I've been doing these past few years to analyse romantic relationships is to compare them to non-romantic relationships. It's amazing how much they share in common. My society totally got 90% of it all wrong. Which makes me wonder what truly is a romantic relationship but that's a whole other rant.
Back to the trope, going outside relationships with romantic or sexual attraction, this quick dislike of certain people is quite common. It can occur for many reasons: the person is simply different in some way, the person has traits you dislike (usually shared traits but "you" deny having them), the person is part of a category that society associates with negativity, etc. Usually what happens is person 1 ignores person 2, attacks them in some way, simply rejects them, or some other behaviour that keeps the two of them apart. So what makes it different in these movies? The attraction. You're attracted to the other person.
You ever notice how some people dislike others of a group but will make exceptions. Like "sure, Bob is technically X but he's..." and then have reasons for why Bob is okay and can be accepted. I think that's what's happening. The 2 people continue to interact in a significant and meaningful way due to the pull from the attraction. As time goes on, they learn more about each other, therefore find "excuses" to make the person an exception to their general bias against those with certain traits or in certain groups.
Part of me is a little upset by it because at no point does the person self-reflect on their initial issue or even acknowledge their bias. It's just some stupid "opposites attract" or "oh I need to get to know someone" instead of the truth of having negative bias against people for no good reason. They still discriminate just as much as the beginning of the movie but now, just not against the love interest because that person's been approved of. What bugs me most is how realistic it is. People do this so often. They never self-reflect nor change. They just make up stupid reasons as to why someone should be accepted despite belonging to a group that isn't even problematic. And they act like that's okay. Like they're not part of the problem. Like the mess at the beginning of the relationship was just something cute and maybe a little annoying.
With movies now mostly needing a streaming platform, I can't watch most new releases. It may be a good thing. Too many tropes drive me crazy. Like the one in this post. There's too much stupid being cheered on and then people cry about the problems it causes. Like self-reflect and stop supporting the things that cause the problems in society. It's not even hard. But it won't make you rich. Who wants happiness and a better place to live if you can't be rich. Not most of this society it seems.
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zeta-in-de-walls · 3 years
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(this isn’t meant to be critical i am a c!ranboo enjoyer) ranboo’s interesting bc from how i understand him he like. thinks acknowledging his flaws without really doing much to fix them is enough to absolve him of them? if that makes sense? a lot of his monologues will follow the line of ‘oh well i also didn’t do this but at least i was aware of it.’ he’s friendly and altruistic yeah but he’s also those things in service of his own goals bc getting to say he’s selfless makes him feel better about himself lol. in doomsday you can see him talk around the situation with techno until he arrives at a viewpoint that still lets him see himself as a good person for going to live with phil. so he has a strong view on sides, he just...continuously shifts what he allows to fit into his view, i guess. not sure if any of that made sense.
Hey! Thanks for the discussion. I adore anons who leave such interesting thoughts in my askbox so cheers!!!
Yeah, I think I broadly agree. I see Ranboo as a cynical person. (Again I haven’t watched enough of him to properly judge so take this all with a grain of salt!)
I think he sees the world as not a good place and that people are all selfish but cling to false ideas in that they think they’re good. This contrasts heavily with Tommy for me, whom I’ve always seen as quite an optimistic and an idealistic character. He naturally trusts others and is hopeful always believing they can win and thats why he can be confident and determined. It’s why he didn’t think Wilbur would ever press the button, why he believed in challenging Dream and that others would help them if they went to war rather than him being exiled, why he has trusted people like Dream, Technoblade, Jack, and Sam. Tommy is optimistic. Why, he even let himself believe the egg wasn’t so bad, never believes he’ll get in trouble for his mischief stuff like that. Exile was very dark partly because we saw him losing his faith others, and started to doubt everything, believing the worst. 
Sorry for the Tommy tangent xD! Anyway, yeah Ranboo is the opposite. He’s always afraid. He recognised the Dream was the bad guy on the eve of Doomsday but he said there was no point in fighting him because they couldn’t beat him. (iirc) Ranboo is wary of others, and spends so much time alone getting more powerful to protect himself. That many totems is overkill for instance. 
This really jumped out to me on his stream reacting to Tommy’s death. And yes, he’s got this strange pseudo self-awareness where he thinks he’s the only one who sees the world clearly, everyone else blinded by their ideals. He may be weak-willed but at least he knows it. Of course, Ranboo’s perception is as warped as anyone’s. I also watched Jack’s reaction to Tommy’s death and I saw real contemplation, the grief strongly affected him. The world isn’t a dark place. They were able to defeat Dream and there is wonderful things about the world to appreciate and cherish. 
All that said, Ranboo’s character is also a very nice person. He is kind and thoughtful. He may cynical but he’s never unkind. He wants the world to be a good place, he just doesn’t really believe in it. 
Again, sorry if I got anything wrong about his character! Any Ranboo fans, please feel free to correct me. Using the Tommy’s death reaction as a standard is almost certainly a bad idea. Plus its end was cool in that it challenged his perception when he found that Allium - maybe people do care about others? And I should say, I do like how the character is written! I don’t consider this to be a critical post really, just my analysis. (I only don’t really watch as the type of story he’s been telling with his other self and the unreliable narrator isn’t so much my thing, (plus he often streams too late for me) but the character is cool!)
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theenderwalker · 2 years
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thinking about the fact that ranboo's lore is hard to get into and impossible to get the full picture of without watching literally hundreds of hours of vods that may or may not be archived and also are occasionally scattered across other peoples vods completely randomly including but not limited to awesamdude, philza, capt. puffy, tubbo, tommy, fundy, or wilbur and that many of *these* vods were not archived, not to mention the ARG. and also the fact that this is by design and when given the opportunity to rectify this by doing a recap stream, ranboo did it "in character", meaning a vast majority of these smaller details were completely omitted and lore in chill streams is completely unlabelled because cc ranboo just didn't want to do it, or because he wanted people to watch his streams regardless of if it was lore or not so countless scenes are buried and lost to time, even those that give vital information to his character, such as the two scenes with the plan board that i hardly ever see referenced. and cc ranboo insisting you can understand his character without following the enderwalk arc and then like half of his solo lore is exclusively about the enderwalk arc and ive been following this trail of crumbs hopelessly for over a year now and i have to deal with people having shitty uninformed lore takes and i have to look at this and know that it was done by design that you can follow ranboo lore and get the broader picture through recaps and analyses but will you ever experience digging through or archiving ranboo's inventory from stream to stream to pick out when things were happening off camera? or will you ever stream hop in the middle of the school day for the hope of maybe spotting him wandering around in the background of another stream, maybe sending a cryptic message in chat? do you still watch every single stream trying to connect it to ranboo's story somehow, and then somehow manage to be RIGHT even when ranboo hasn't logged on in a month? do you theorize and theorize based on information given to us a year ago and get that confirmation a year later, only for people who haven't been watching from the start to insist this just means he was manipulated and has no autonomy? and you just have to sit there and hunt for clips that may or may not exist because c ranboo is unreliable and cc ranboo is allergic to confirming anything about the enderwalk state, knowing that this misinformation is by design and so much of this arc is preserved in your memory and in analyses long lost to time or deleted discord servers with months of backlogs and liveblogging from this era. theres so few clips to prove anything outright because none of this information is ever given outright. it's implied, suggested, spread across 4 streams. its a culmination, a build up over time repeatedly slowed down by scheduling issues and real life getting in the way. and it SUCKS because so many of these facts are what make this story well written. but it also makes it exclusionary by design and things get abandoned and pushed to the side and maybe retconned maybe not, maybe reworked and adjusted and it all adds up to something but it's impossible to know what and i adore this story. i adore it because i've had this experience and i've been there from the start. it just makes me a little bit sad because it seems to gatekeep itself and if i weren't a college student and super fucking busy, i'd do it. i'd rewatch the streams from december, january, february, march, and i'd document it all. i'd clip it and give you all the information i build my perceptions of this character off of from back to front, but i physically cannot and that makes me sad. maybe this is a commentary on how inaccessible the DSMP is but it feels like ranboo turns that up to 11. i've been hyperfixated on ranboo's story for over a year now and i want to share that experience, and i do in every way i can. but it's fucking hard sometimes.
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americaswritings · 3 years
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Invisible
Warnings: Angst, Insecurity & Self-doubt, Language
Summary: The reader stays with Tom and his friends during quarantine. To protect her from media and fans, the reader can’t been seen in any social media posts. It leads to her feeling more and more lonely and isolated until she can’t take it anymore.
Words: 2.6k 
Pairings: Tom Holland x reader
A/N: I wrote this when Tom hosted the marvel pub quiz, but completely forgot to post it!
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"That's it. Thank you for joining and taking part in the quiz! I hope you had as much fun as we did and don't forget to post your answers using the hashtag massive marvel pub quiz so we can find your answers easier. Stay safe and healthy. Bye guys!"
You watched as Tom's face disappeared and the live stream ended.
But the excitement that you had felt when you had first heared of the idea of a marvel quiz was gone. Now you just felt empty. And alone.
You knew that you were overreacting, after all Tom and the others were just a few rooms away, but you couldn't help and feel left out. Again.
You weren't invited to join the live stream in the first place so why join them know?
You knew that Tom only wanted to protect you and himself by keeping you out of the public's eye. If they found out that a female in his age was spending the time during quarantine at his house, they would go wild. You could already imagine the headlines that would follow.
After all Tom had exerperienced how far his ‘fans’ and the media would go when a photo of him and Olivia had gone viral.
Only a few blurry images and both Tom and Olivia had been attacked for weeks, even so far that the girl had to make her instagram private, yet the hate comments never stopped.
And Tom knew that he would never risk the chance of you having to read through pages of hate comments of people that didn't even know you. Because if they did, they knew they could never hate you.
You were kind and loving and you cared a little too deeply.
Tom still remembered when you had called him crying, because you didn't feel confident enough to go out after some girls in your class had made it their mission to target all your insecurities and make mean comments whenever you passed them.
He still remembered the anger and hate he felt inside of him when he listened to your sobbing and how the girl's words had gotten to you, to the point you even believed them.
So when you had moved in with him and the boys, he had decided to keep you out of everything that could reveal to the world that you were living with them. You had agreed without a second doubt, because in that moment it seemed the only rational and responsible thing to do.
Now you weren't so sure anymore, because it hurt so much to be invisible every day. You had gotten used to the fact that you could only watch their instagram stories, live streams and tik toks without being able to join them. But what hurt you even more were the little things.
"Hey y/n, could you leave the room for a sec? You are always in the background of the video!"
A second often turned into hours and soon you found yourself retreating to your room more and more to avoid having to leave and get hurt again.
Yesterday you had decided to do a little game night and you felt so carefree that you came to the conclusion that you were being ridiculous and should rather enjoy the time with them instead of obsessing over your feelings. But then you had laughed over something that had been said and Tom has sighed, dropping his phone.
"Great, now I have to delete that, because you were laughing in the background", he stated, clearly frustrated and you felt heat rushing to your cheeks.
"I'm sorry", you mumbled but it sounded more like a question than a sincere apologzy, because really, what where you even apologizing for? Harrsion had leaned over to get a better look at Tom's phone. "That would have been a great post, mate!"
You adverted your eyes, starring at the table and analysing the natural pattern of the wood to try and distract yourself from the embarassment and the tears that had filled your eyes. "I know right", Tom sighed again and you crounched down in your seat even more.
"I will do that again now so you have to be completely quiet now y/n, got it?
You wanted to scream at them, because you weren't dumb and yet they were treating you like a child that had misbehaved and was now lectured. But you only gulped and nodded, fearing that if you said something, your voice would break and reveal how hurt you really felt.
While they recorded the story again, you listened to their loud laughter as you fought back the tears.
Eventually you excued yourself, mumbling something about having a headache, but you doubted that they even noticed.
Now you could hear them laugh again and even though Tom's laugh was one of your favorite sounds, it now cut deeper into your heart like a knife. 
You were still staring at your phone screen where you saw photos of answer sheets already popping up. You had gotten around 20 answers right, but you didn't feel proud.
When Tom had told you about the marvel quiz you had been beyond excited. Since you could remember you loved the marvel movies. Your rooms had been filled with posters and other merchandise and your friends only rolled their eyes when you suggested to watch a marvel movie during your movie nights.
You had build your knowdlege over the years and loved to challenge Tom, who thought of himself as a big marvel fan as well, regarding who knew more about the marvel cinematic universe.
So when he came up with the idea of a marvel live quiz, you insisted to take part and therefore hear the questions for the first time during the stream so you had the same chance as everyone else.
But as soon as Harry and Harrison had joined the live stream your enthusiasm had faded. They were having so much fun and you were sitting in your room, all on your own. The familiar feeling of loneliness and self doubt had accompained you the rest of the live stream and now that it had ended you just wanted to crawl under the covers and weep into your pillow.
Maybe you were clingy and needy and overthinking again, but you couldn't help the overwhelming sadness and you began to doubt if staying with Tom was a mistake and if your friendship meant more to you than the others.
Maybe you should pack your things tomorrow and tell Tom that you needed to go home. He would understand if you claimed to miss the comfort of being at your home but then again, you would be even more lonely.
Frustrated you threw your phone on the nightstand and quickly changed into your pajamas before crawling into bed.
In the darkness of the room the disappointment felt even more overwhelming and you grabbed onto your pillow for comfort.
A knock made you freeze and your heart started pouding in your chest. You prayed that the person would leave you alone and go away if you pretended to be asleep so you stayed silent.
"Y/n?"
It was Tom's voice.
"We want to watch a movie. Wanna join us?"
You knew that he wouldn't go away until the got an answer so you dismissed your plan and braced yourself to speak.
"No, I am tired, but thanks." You hoped that Tom didn't notice how nervous you sounded and after an agonizing moment of silence you could hear him mutter an "okay" and walk away.
Did you imagine it or did he sound disapppointed? Now feeling guilty too, you covered your face in your hands in frustration.
Why did everything have to go wrong?
And wait...did you still have your make-up on?
You let out a sound of frustration when you realized that you had to get up again to wipe off your make-up. You had applied it because you wanted to feel your best during the quiz you had been so excited for, but now it meant walking all the way to the bathroom.
Which meant leaving your room again.
You slowly opened your door, peeking out to check if the corridors were empty. You proceeded to tiptoe to the bathroom and closed the door behind you while relief flooded you. You really didn't want to meet anyone now, not when you felt like breaking into tears every second.
When you looked into the mirror and began to wash your make-up off, you allowed yourself to let the tears flow. A few sobs escaped your mouth, but the bathroom was far enough from the living room so they wouldn't be able to hear you.
Without the make-up on, you felt a little more relaxed and you couldn't wait to get into bed again.
But when you reached your room without running into anyone on the way, you were more than surprised to see that once you had closed the door and turned around, you weren't alone.
Tom was sitting on your bed, looking up at you when you entered the room.
You could conclude from the frown that covered his face that you looked as horrible as you felt. Your eyes were probably still puffy and red from the crying and your hair was in a messy bun.
"Tom?", you stuttered, too shocked to come up with something that would save you from this conversation. "What are you doing here?", you added, hating how weak your voice sounded.
His frown grew even deeper and he mustered your apperance, hurt visible in his eyes.
"You were so excited for the quiz so when you didn't leave your room I grew worried", he explained while you akwardly stood next to the door, leaving as much space between the two of you as possible.
"Oh that- I just didn't feel good so I decided to sleep early today", you tried to brush it off, but you knew that Tom would not fall for it.
"Why have you been crying?"
His question was acommpanied by a stern gaze and you couldn't help feeling guilty and ashamed.
"I- I wasn't", you stuttered, but it didn't even sound believable to your own ears. Tom raised his eyebrow, but when he saw how uncomfortable you looked his features softened.
"Hey, you can talk to me, you know that right? Whatever it is, you can tell me and we can figure this out together." His voice was so gentle and caring that tears filled your eyes again and you silently cursed yourself for being so emotional.
You didn't want to cry in front of Tom. It would not be the first time and when it had happened he had always managed to make you feel better and put a smile on your face again, but you also knew the shame that would follow afterwards.
You didn't want him to think that you were too sensitive.
But the tears weren't only a result of your hurt, no, anger was building inside of you at his words. "Really Tom, really?", you snapped and he flinched in surprise.
"Are you sure you want me to talk to you? Maybe someone is filming an instagram story and I could be heard in the background so I should just say nothing at all. Or even better, why don't I just leave the room so there is a lesser chance that I could ruin your precious masterpieces by just existing."
Tom's eyes had widened at your outburst and you actually felt bad for a second, but then you remembered the many occasions he had made you feel like you weren't good enough and the anger came back.
"You know what? I think it would be best if I just went home. I am done being treated like an outsider and being blamed for everything I do!"
Tom had jumped up from the bed and was crossing the distance between the two of you with large steps, but you raised your hands before he could come closer to you.
"Y/n I am so sorry", he stumbled over his words, desperately trying to find the right words. "I didn't realize- I never would have..." Frustrated he ran a hand through his hair.
"Listen, I screwed up! I didn't realize that my behaviour- that I was hurting you and I am so sorry! I just wanted to protect you and now I am the one making you feel this way. Fuck, I am so sorry!"
His words seemed geniune and your heart ached to step forward and pull him into a hug, but you knew that you could not forget so easily.
"I didn't think that this was so important to you. Why didn't you say anything?" He was rubbing the back of his head, seemingly tensed.
"I don't care much about not being in the stories Tom. But it really hurt whenever I am send away so you can film together or when I am told to shut up so I can't be heard while you all have fun together”, you explained, trying to keep your vice even.
“I just feel like I am a burden to you and if you don't want to spend time with me that's fine I guess but I would appreciate for you to tell me that so I can stop trying and just go home."
"No, no, no it's not like that I swear!” Tom seemed desperate again, articulating with his hands to underline his words.
“I miss spending time with you, I really do and it was stupid of me to let myself being dragged into this whole instagram thing!
You know I am normally not the person to care much about posting, but I thought now that everyone is stuck at home, I could make my fans happy and distract them from the situation by sharing more of my life. I should have never put them before you and I am truly sorry!” You could see the regret clearly in his eyes as he took in a deep breath. 
“Please don't go."
You were biting your lip as you were trying your best to stay calm and not break into tears. You had imagined confronting Tom and letting all your anger and hurt out, but now that he stood in front of you with his eyes full of hurt and regret and his pleading words for you to stay, your anger vanished.
"Are you sure?", you asked him in uncertainty, because you knew you couldn't bare if nothing would change. But Tom desperately nodded. "I am. Tomorrow I am going to post a photo to let my fans now that I am taking a break from social media!"
He looked so determined, so sure, that a warm feeling filled you. "You would do that?"
"Of course! I want to make it up to you and besides I was not lying when I said that I miss spending time with you”, he stated, stepping a little closer to you when you didn’t protest anymore.
“You were so distant the last days and I didn't know what to do, so I thought that I should give you space. Seems like that is the last thing I should have done", he sayed with a sheepish smile covering his face.
"Sorry for being so caught up in myself. I should have said something earlier too", you admitted, a small smile forming on your lips, when you felt the burden fall off your shoulders.
"Hug?", Tom suggested and you didn't have to think twice about it.
When he wrapped his strong arms around you, you realized that going back to your place would have been a mistake. Because at some point your home hadn't been a place anymore. Instead it had become a person and you didn't plan on letting go any time soon.
----
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littleredwing89 · 3 years
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AGENT OF CHAOS - PART THREE
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AGENT OF CHAOS - PART THREE
Jason Todd x Reader
Summary: Everything flew by him in a blur as he sped through the streets of Gotham. His foot slammed down harder on the accelerator desperate to get there faster. Every second counted. He knew all too well what The Joker was like. The way his face slipped as you defied him, terrified Jason. He’d seen that look right before receiving a crowbar to the face.
Warnings – Language. Kidnapping. Stalking. Mild Violence. Angst. Hurt.
Word Count: 4,870
A/N: This is the final chapter everyone, sorry for the little delay, I was working on a few of the actions scenes to ensure they were good. I really hope you all like this xoxo
~~~
It had been almost a month. Every lead turned into a dead end. Nothing. Much like the Joker himself, no one knew a thing. The whole thing was tearing Jason apart. He’d barely slept. He’d maybe had 3 hours per night. If that, and he was convinced the only reason he got sleep was because Bruce had slipped him something in his coffee.
The fourth cassette tape came with a dead yellow rose and a rotten apple. He pushed play on the recorder and swallowed thickly as the grainy camera zoomed in on your face. You looked pale. Your cheeks looked hollow and your once colourful eyes looked gaunt. Haunted.
“Well Jason, I’m a man of my word...I’ve been looking after her so good”, Joker laughed hysterically and smoothed his hand down your cheek, smacking it lightly. The slap caused you to jolt in the chair. A sharp gasp flew out of your chapped lips.
Jason felt Bruce’s hand squeeze his shoulder reassuringly. The notion sent a brief wave of calm through Jason. Maybe this was how Bruce felt all those years ago...when he received similar tape of ..of himself. Jason turned back to the screen and focused his eyes. Searching for a clue. Anything. Something to bring you back to him.
“She’s been such a good little princess bird boy...she’s done everything I asked...and more”, Joker whistled happily as he tapped your nose with a wicked smile. Jason felt his heart stop and looked directly into your eyes through the screen. Good he wanted to hold you in his arms and never let you go. 
The tape skipped and replayed the same thing back, “...and more”. It skipped again, “...and more”. Jason growled and the tape paused before going completely black.
His fist smashed into the computer keyboard, pieces of black plastic scattering across the desk. Jason released a loud sobbing noise and sank to the cold stone floor of the bat cave. His eyes scrunched shut tightly, imagining you were in front of him. Giving him that silly smile you always did when you first woke up. It was one of his favourite smiles. You had hundreds of different types of smiles. The one you gave him when he hugged you randomly. The one you’d give him when he told you a stupid joke. The one you’d show him when you were both standing down one of the grocery aisles for no reason at all.
“Jason...son - we will find her - I promise you”, Bruce’s deep voice shattered Jason’s illusion of you in his mind.
“It’s been so long...what if-”, Jason ran a hand over his face. The stubble was longer, causing him to itch.
“Don’t”, Bruce warned, “don’t think like that. We will find her”.
~~~
The last cassette tape Jason received was covered in a dark, red sticky substance. Jason knew what it was but he didn’t know if it was yours. Before Jason could even think about playing it, Bruce had prized it from his fingers.
“Jason we need to analyse the blood, it might give us a clue”, his voice was stable and deep. He attempted to reassure Jason with a firm grip to the shoulder but it did nothing. Jason felt empty without you.
“We need to watch-”, Jason started but was interrupted by Bruce.
“No, I’ll watch it. You need to get some sleep, let me do this Jason. Please”, Bruce pleaded desperately, “You haven’t slept in over 48 hours”.
Jason laughed but it was hollow and sharp, “You really think I can sleep knowing she’s stuck with that fucking psycho?!”.
Bruce sighed and ran a hand over his face, “Jason I know you want to get Y/N back”, he placed the cassette onto a high tech scanning machine, it bleeped repeatedly as it scanned over the material, “But we all need to be working together and that means recharging our batteries”.
Jason scoffed and pushed past Bruce looking over the computer scanner typing something into the system, “So you’re telling me you went and had an eight hour sleep when Joker caught me?”.
Bruce pinched the bridge of his nose, “Jason”.
“JUST STOP!!”, Jason's voice cracked as he shouted and for a moment, he sounded like the broken man in the abandoned shopping mall that long Halloween night many years ago.
“I-I need to do this Bruce. I-I have to, for Y/N”, his voice was scratchy and raw. 
Bruce simply nodded and turned around. He extracted the cassette from the blood stained cloth and pushed it into the player to the right. Bruce took a secondary glance to Jason, giving him one last option but Jason just stared at the screen, waiting to see what the tape would show.
The second the tape played, the batcave was filled with your screams. They sounded broken and dry. Jason’s heart shattered. The shards stabbing him painfully. As you came into view on the camera, your long h/c hair was matted and stuck to your face. Blood staining it a deep red.
The Joker came into the view of the camera and smiled wide, his teeth showing.
“Jason, I see why you’re so attached to this woman, she’s very fiery...her spirit is impenetrable”.
A flicker of evil flew through his eyes at that word and a sick smile slid onto his lips, “but that’s fine. I’m sure I can find more penetrable spots”.
You tug harshly at your binds as he turned and came closer to you, a small blade held in his gloves hand.
“Hold still princess or I might accidentally cut an important part of you...or slit something”.
The blade cut the straps of your top, and the material fluttered down uselessly to the floor, exposing your padded black bra. The Joker whistled appreciatively and winked back at the camera.
“I say Jason...maybe I’m missing out not having a significant other...especially when they’re as beautiful as this”.
Jason had edged so close to the screen Bruce had to pull him back. Tears were running hotly down his cheeks and he swore he tasted blood from biting down on his bottom lip.
Your voice echoed through the empty warehouse room and through the camera speakers, “GO FUCK YOURSELF”.
The Joker smirked down at you and the blade was pressed against the skin of your neck.
“You should watch your manners, princesses don’t speak like that”.
You gulped and looked into his soulless eyes and laughed. It almost sounded as maniacal as his.
“I’m not your fucking princess”.
You spat at his face. Your spit mingled with blood from the earlier smack around the face.
“He’ll come for me...I know he will. And when he does, it’ll be all over for you”.
Something snapped and you saw his eyes darken. His face twisted and the scowl was demonic.
“You filthy fucking bitch!”, he roared and dropped the knife to wipe his face.
Joker turned to the camera and glowered, “I hope you’re watching Jason whilst I teach this rotten little whore some manners!”.
The first blow caused you to cry out in agony. It was harsh and fast. The sound to Jason was ear splitting. The second hit was drawn out and heavy. Designed to bruise. The third was sharp and felt like hundreds of tiny needles piercing your skin. The Joker was laughing wildly all the way through it. Never ceasing his treatment. As he swung his arm back for the fourth hit, the camera jarred and caught a window. Streams of light shone through. Jason could just about make out a sign. It was blurry.
“REWIND AND PAUSE IT BRUCE! There!!!”, he called and waited for Bruce to zoom in.
“Can you clear up that image...that looks like a road sign...”.
Bruce skipped the tape back several seconds, muting the sounds on the screen. The sounds of you getting smacked in the face shaking him to his core. 
“THERE!!! LOOK!! Can you see?!”, Jason pressed his face as close as possible to the screen as Bruce paused it, the image flickered but the road sign was obvious. 
ACE CHEMICALS.
Before Bruce could even react, Jason had launched himself across the cave, guns strapped to his thighs.
“Jason!”.
Jason ignored Bruce and grabbed his helmet, securing it into place whilst dropping extra magazine clips into his inner jacket pockets.
“Jason, we can’t just go in there all guns blazing. That’s what he’ll want! We have to think about this”, Bruce reasoned and moved into his path.
Huffing in annoyance, Jason’s modulator covered it easily, “I’m going to get her whether you come with me or not”.
Bruce looked stunned for a split second before softening his voice, “You’re letting your emotions get the better of you - they’re clouding your judgment Jason”.
He knew he was right, deep down. But the pressure. The torture you must have endured. Everything. It weighed down on Jason and began to suffocate him slowly. The more time he wasted, the worse it was going to be. He couldn’t do it.
“Let me get into my suit and we’ll tackle this together”.
Nodding briefly, Jason watched Bruce make his way across to the darkened corner of the cave where his suit was behind a glass panel. As Bruce pressed his palm into the wall, the biometric scanner bleeped. The case slid open slowly and Bruce began to take out the suit piece by piece. The batarangs refracted the light they caught from the computer screens.
Fuck. It was taking too long, these precious seconds. He could be half way there by now. His bike was too far away, in the garage at the front of the manor. He side eyed the batmobile and swallowed thickly.
“Fuck it”.
Taking the keys from the secret sliding panel on the desk, Jason leapt into the batmobile before starting the engine and speeding out of the cave. He swore he heard Bruce shouting, he was certain he heard several curse words too. Unlike Bruce. But it was taking too long. He couldn’t wait. He couldn’t leave you. You needed him. You couldn’t wait any longer.
~~~
Everything flew by him in a blur as he sped through the streets of Gotham. His foot slammed down harder on the accelerator desperate to get there faster. Every second counted. He knew all too well what The Joker was like. The way his face slipped as you defied him, terrified Jason. He’d seen that look right before receiving a crowbar to the face.
“Come on...come on!!”, Jason cursed to himself, hitting the steering wheel in fury. All the money Bruce had and it wouldn’t go any faster? He took a sharp turn heading towards the abandoned warehouse behind ACE Chemicals. He was so close. So much closer to reaching you. He’d deal with Bruce later. He couldn’t have waited any longer. Bruce would just have to get over him ‘borrowing’ the batmobile.
Swerving another corner and narrowly dodging the underpass columns, he pulled up in front of the derelict building. Almost all of the windows were smashed and hued green with mould. Maybe some of the toxins spewed from the factory had helped taint the glass further.
Grabbing both of his pistols, Jason left the car and headed towards the building fire escape. He could hear voices chattering.
“Joker said to keep an eye out for Batman”.
A goon; Jason noted peering around the brick wall spotting two of them. He noticed the metal railings above them creaking slightly in the strong winds.
“It’s been over a month now and there’s been no sign of any of the Bat freaks, it’s fine, let’s go grab a beer. He won’t even notice”, a second one encouraged the other smirking.
“You really want to cross him? He’s fucking nuts. I’m surprised the girl has even lasted this long with him, you know what he’s like”.
Jason’s fist tightened around one of his guns at the mention of you. It had to be you. Silently firing his grapple gun, he flew up the side of the building and made his way towards the goons.
“Trust me”, the first one spoke again, “He won’t even realise we’re gone, plus we might find some chicks to-”.
Perching on the railings above them, Jason leapt down cracking the base of his pistols onto one of their heads.
“Pleasure to meet you both”, Jason kicked out at the second goon hearing the sick crack of his ankle snapping.
Spinning on his heel, Jason grabbed the other goon and threw him face first into the brick wall knocking him unconscious immediately before turning back to the other man on the floor whimpering in pain.
“Where is she?”, Jason’s voice was strained even with the modulator protecting him.
The man refused to answer, dragging himself away from Jason with his hands, mud covering his palms.
Taking a large step, Jason reached the man on the floor and purposely stood onto his swollen ankle before aiming the cocked pistol towards his skull.
“I won’t ask again, where is she?”.
The screech from the man was deafening as Jason applied a hefty amount of pressure to his fractured bone.
“Basement!! She’s in the basement!! Please!!”, he begged as his eyes flickered nervously to the gun.
Jason rolled his shoulders before smashing the hilt of his pistol into his skull knocking him out cold. He turned back towards the fire escape and grappled back up to the roof. He’d have to make his way through the building to get to the basement. To you. And if he knew Joker, he wouldn’t have made it that easy. The two idiots on the front door were a sick joke. Tormenting Jason. Getting you back wouldn’t be an easy task.
~~~
Silently dropping through the window on top of the building, Jason landed onto one of the rusty steel girders. It was dark but his helmet adjusted the night vision so he could see clearly. Several goons patrolling an old foreman’s office in the centre. You had to be in there. He needed to take these idiots out quietly before getting to you.
Swinging across to the next rafter, Jason looked down at the first unsuspecting moron. With the stealth of a panther, he landed silently behind the goon before wrapping his arm around his meaty neck. He struggled against the iron grip of Jason’s forearm but the pressure only intensified the more he thrashed. Eventually the squirming stopped and the goon fell limp in his arms. Jason dragged him across to a darkened corner and dumped him behind some barrels.
As he grappled back up to roof beams, he looked down across at the two henchmen digging out a packet of cigarettes. The idiots had left their guns resting against the far wall. Jason had to chuckle to himself, Joker really was hiring morons. Weren’t these guys supposed to be protection? 
Jason creeped across the rafters towards the two men and grabbed both of his pistols. He had to be silent. He couldn’t alert Joker to his presence.
“This is my last smoke”, one complained bitterly as the cigarette perched between his thin lips.
“I’ll get the next packet, quit your whining”, the second growled and patted his jacket for a lighter, “Fuck, where did I put my lighter?”.
“You’re a fucking moron. You asked to come for a smoke and you don’t even have a light!!”.
Now was his chance. Jason landed between them both, his boots thudding as he hit the concrete floor, “You know, smoking is bad for your health”. Before either of the goons could react, Jason lifted his elbow into the larger man's throat before smashing his pistol into the other man's temple, causing him to drop onto his knees. He slipped his guns back into his holsters quickly before turning to the other goon. He dodged the larger man’s grapple before twisting with ease and kicking out his kneecap. The man gasped but the elbow to his throat had killed off his voice.
Jason threw a heavy right hook into the larger man's nose and watched the blood trickle down his face. This seemed to only infuriate him more and he launched himself towards Jason viciously. Gripping both of his arms, Jason flipped the man over his body and slammed him into the floor hard before hammering punch after punch to his face, knocking him unconscious.
He turned quickly to the other man who was scrambling on his knees for the gun resting against the far wall.
“Sorry bud, but that can’t happen”, Jason grunted and landed a heavy kick to the goons stomach. The man yelped but it was quickly cut off by Jason as he slammed his boot into his face. He dropped onto the floor instantly.
Jason panted heavily and looked around the room, his helmet advising him of one more goon loitering around the door of the office. Looking down at the floor he noticed the floor grates wrapped around the room and more importantly under the henchmen’s feet. Perfect.
He lifted one of the grate coverings quietly and slipped under the flooring. He crouched down and edged around the room. The last goon was much larger and bulkier, with a machine gun strapped around his wide chest.
This goon seemed smarter than the others. Looking around and even checking up in the rafters. He grunted and pressed a button on his jacket, “No boss, still no sign of them...nothing Sir”.
The voice that patched through sent a chill down Jason’s spine. It was a tone that would be forever cemented in his mind, a reminder of his own torment.
“If you get ANY inclination the bat or any of his costumed freaks are in the building, you tell me immediately”.
“Yes boss”.
The static of the radio crackled before cutting off completely. Jason cursed mentally. This had to be precise. Perfection. He had to disable the henchman’s radio unit. Padding over his jacket he searched for the disrupter shooter he had. It wasn’t there. Fuck. He’d fucked up in his rush and left it behind. Fuck. Bruce was right. Fuck, fuck, fuck.
Then he heard it. A soft ping from above him. He knew that sound. Jason looked up from the grate and spotted Nightwing hidden in the shadows with his own disrupter. Pointed directly at the goon’s radio system.
“Thought you might need a hand”, Dick patched into Jason’s com line.
Jason growled under his breath, “Thanks”.
“Shall we take this moron out together?”.
“Yes”, Jason muttered before switching his com off and inched closer to the goon.
The second Nightwing flew down from the roof beams, Jason jumped out of the floor grate and kicked out the back of the goons knees. He cursed loudly before Nightwing’s foot landed in his face.
Jason swore he saw a tooth fly out of his mouth along with a glob of blood. He aimed several hard punches to the side of the henchman’s head whilst Nightwing disabled his gun and radio with a graceful poise.
“All this for the girl? She’s nothing but a shell”, the goon smirked across at Jason before choking at the next punch.
“Joker’s hollowed her out...she’s nothing”, he spat out.
His temper flared and his hand subconsciously reached for his pistol. Dick realised and before anything could happen, he landed an electrical ecrisma blow to the goons head, knocking him out cold. His body crashed onto the floor with a loud thump.
“Jason-”.
“Don’t”, Jason cut him off, “I’m fine”.
He took several steps towards the office door and swallowed thickly. You. You’d be in there. You’d told Joker with the last ounce of confidence left that he’d come for you. He’d never leave you. You were right. Jason would never have stopped looking. Ever.
His hand rested on the door handle, trembling only slightly. What if he was too late. What if this was just another trick?
Drawing his hand back almost as though the door had burnt him. He frowned. He couldn’t think like this. No. He had to be strong. Just like you had been in all those videos. You’d been fierce. Your spirit still pouring through to him.
Jason glared angrily at the door and took a step back before kicking it open furiously with his combat boot. The door flew open wildly and as the dust settled. He saw Joker stood in the middle of the room, a sick, satisfied smirk sat proudly on his demented face.
~~~
“Jason my boy! It’s a pleasure to see you again”, his chuckle was deep and sinister, “I see you're still hiding your face though...is that because of what I did?”. The Joker’s eyes danced with delirious joy at the memories.
“I’d have thought you’d have embraced all your scars by now Jason...”, The Joker edged forward leaving you tied up behind him.
Jason rounded The Joker, clicking a button to the side of his mask, revealing his face, his eyes hidden with the domino mask, “I’ve got nothing to hide from you, clown”.
Jason let his eyes run over you for a second. You were bruised and bloodied. Clothes torn and tattered from mistreatment. Your eyes. God. Your beautiful E/C eyes. Red raw from countless tears. Somehow you still managed to give him a smile from behind The Joker. His heart fluttered. God he’d missed your smile.
Tearing his eyes from you he looked back towards The Joker and held his pistols out at him, finger hovering over the trigger. Jason felt the burn mark on his cheek stinging all over again. Pain ever present.
“You don’t have the guts”, The Joker laughed again and walked forward pressing his forehead into the barrel of the gun.
“You wouldn’t dare pull that trigger. I’m your Ace card Jason. You can’t kill me. You want to but you can’t...something will always stop you”.
Jason felt his hand shaking slightly. Everything was throbbing in his mind.
“Even after everything I’ve done to your girl, you still can’t pull that trigger”, The Joker taunted further and grinned sadistically.
“If only you knew where I’d touched...what I’ve done...”, he pushed further into the cold metal of the gun and winked at Jason, “Go on, do it, I dare you...if you don’t- I’m just going to keep coming back and who knows what I’ll do to our little princess next-”.
BANG.
A gun shot blasted through the air. Smoke drifted slowly from the barrel, dancing into the darkness around them.
“JASON!”.
Nightwing had thrown one of his ecrisma sticks to Jason’s gun, knocking it off target. The bullet shattered the brickwork behind them, dust erupting.
Crashing down through one of the broken windows on top of the office roof, Nightwing flew towards The Joker tackling him down onto the damp, concrete floor before he could launch himself at Jason.
Still startled, Jason watched Dick wrestling with The Joker on the floor, punches flying back and forth.
Dick turned to Jason, “Y/N-Jason!! Go get Y/N!! I’ll handle this!”.
The Joker was shrieking with laughter underneath Dick, blood pouring down his lip and from his nose.
“Ahhhh another boy blunder!! I must be lucky!! Two for the price of one!”.
Dick threw another punch and reached for the second ecrisma stick on his back, “I can’t wait to cart you back to the Asylum. I hope you’re looking forward to your 5 star stay in a windowless cesspit!”.
Jason could hear Joker continually laughing at Dick, until the sharp sound of electrical buzzing cut him off with a loud scream.
He almost fell over his own feet as he raced towards you. Jason quickly untied your hands and the second they were free you flung them around his neck, sobbing into his neck. Your tears dropping onto his brown leather jacket.
“Oh baby”, Jason stroked your hair and held you tightly to him. He was worried he was crushing you but you seemed to be squeezing him back just as hard.
You didn’t stop sobbing. The overwhelming emotion of being wrapped in his safe, strong arms make your knees buckle. Jason caught you with ease and lifted you up, “It’s ok baby, I’ve got you. I’ve always got you”.
Jason was one step away from breaking down himself but he needed to be strong for you right now.
You pressed your skin against his, the scratch of his stubble a welcome sting against your cheek. His scent overwhelmed you. Leather. Gunpowder. Smoke. And something distinct you’d never been able to place.
“Jason”.
“Shhh, it’s ok - nothing is going to hurt you, I’m here now - I’m a bit late but I’m here”.
~~~
It had been one week since you’d been back home. Two weeks if you counted the first week you and Jason spent holed up in the manor. Bruce had insisted. You sat in the bathtub, knees pressed up against your bare chest. Silence. All you could hear was the faint crackle of the bubbles every now and again. The clinical white tiles of the bathroom made you feel a little cleaner.
However,  no matter how many baths you took, showers you stood in, you still couldn’t wipe the feel of the slick purple gloves off your skin. Your skin. Skin that was now marred with yellowish bruising. Almost faded physically but not mentally. Looking over the marks you felt yourself transported back into the desolate warehouse. The dank smell of stagnant water filling your nostrils. You choked and coughed loudly, suddenly feeling the oxygen clam up your throat. Drowning in the memories.
“Y/N??”.
Within a mere second Jason had flung open the bathroom door, red tinting his cheek and a little sweat on his forehead, “Sweetheart are you ok?”.
You noted how he chose to call you sweetheart now and not his usual princess. A stark reminder that this whole ordeal had affected him too, more than he’d admitted. You felt the guilt eat away at you. Shame burning at your feet.
“Y-yeah, I’m ok”, you mumbled quietly and swirled some of the water and bubbles around you, “I just accidentally swallowed some of the bath water, I’m sorry”.
Jason nodded although not quite believing you. He closed the door behind him and sat on the edge of the tub taking a deep breath, “It’s ok to not be ok sweetheart...I know it can be difficult to admit that...I know that more than most”, he wiped a stray bubble from the rim of the tub. He looked at you deeply before continuing, “I’ll be here for you...whenever and whatever you need”.
You sat silently in the water and he moved to get up. Maybe he thought it was best to leave you alone, let you uncover your own emotions. Process what had happened. You gripped his wrist and looked up into the crystal blue of his eyes, “Jason”.
“Yeah babe?”, he turned his wrist in your hand and linked his fingers with yours.
“I love you”.
He smiled and squeezed your hand before whispering back, “I love you too, more than you know”.
He looked over you and moved to sit back on the edge of the bath. His spare hand reached out and cupped your chin lovingly, stroking over your skin.
“We’ll work through this together Y/N, I promise”, Jason murmured and leaned forward kissing your forehead lightly, “I’ll do whatever you need me to do...anything at all”.
The words, the touches, the kiss. It made your heart flutter and you fell even more in love with him. Jason made the impossible possible and you had no idea how he managed it every day. You felt so lucky.
“I - I struggle some d-days”, you admitted and with those words you felt a little lighter, “sometimes all I want is for you to hold me and not let me go...Sometimes I-I f-feel like that for hours...”.
“Well then I’ll hold you for hours”, he said simply.
You scoffed lightly but before you could protest or think of arguing back he was stepping into the bath water fully clothed.
“Jay!! You’re going to flood the bathroom”, you gasped loudly, watching the water splash over the sides like dramatic tidal waves. Water dispersed all over the bathroom floor to make way for his broad frame, “What are you doing?!”.
Jason sunk down into the water behind you and wrapped his arms either side, pulling you back into his clothed chest. He rested his head on your shoulder, pressing a chaste kiss there, “Holding you for as long as you need me to”.
You felt yourself melt into his warm embrace. Tears made their way down your cheeks at his endearing show of love, “Jason”.
“Shhh, just let me hold you baby”, he cuddled you tighter into him, his fingers stroking your hips under the water, brushing away the bruises. Marking you with his own special touch.
Relaxing under his soft caresses, you hummed lightly and closed your eyes resting your head back against him. He smelt like leather and spice. You felt at home. He was home.
“Jay”.
“Mmm?”.
“Please call me princess”, you whispered quietly into the air, your eyes still closed.
“Whatever you want...princess”.
~~~
Special Thanks: @offendedfishnoises​​ @internalsealpanic​​ @batarella​​ - thank you both for proof reading this and all the help you have given me - mwah mwah. xoxo
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~~~
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stellocchia · 3 years
Text
Ok, I've somehow seen quite a few people around saying some things that I just cannot agree with, so let's discuss them:
1) Tommy had no character development. He's a stale character. I'm gonna guess this people have never seen a Tommy stream or a stream involving Tommy at all. This boy has sacrificed so much and changed so much I'm shocked at how many people don't seem to see it.
Let's analyse this from yesterday's stream: he finally gave up the disks after realizing that they really aren't worth his friendships, he apologized multiple times for the things he's done, he recognizes that he's done some awful stuff and that he was becoming someone he didn't want to and actively decided to change his course of action (it is to be pointed out that he and Ranboo are literally the only characters who admitted to their wrongdoings, everyone else still acts like they're on this moral high horse, which is kind of frustrating), at the bench he admitted that, no matter what he's been through, it's not an excuse for his actions. Also he immediately took charge in trying to protect his old friends and the country that threw him out and left him to die trying to left any grudges aside in favour of working towards their common goal. Old Tommy would never have done that! Remember he refused Eret's help multiple times even when he was exiled with Wilbur because of his betrayal? This boy has changed...
2) He betrayed Techno. No he didn't. He was clear with Techno from the start about not wanting to harm Tubbo or destroy L'Manburg. What happened there is that neither of them listened to the other, they both knew their objectives didn't align, but they thought they could change each other mind.
This is obvious when Tommy asks Techno: "You're not really siding with Dream are you?" Or something along those lines. Also it is to be pointed out that Techno did say that he still respected Tommy and that he would respect his decision (which is honestly the most character development we've seen from Techno so far...) and also one more little detail: Techno was siding with Tommy's past abuser! How could Techno think Tommy would be on board with that? He saw the effects of Dream's influence on him! (This is honestly just so frustrating to me...)
3) Niki did nothing wrong. I'm sorry, I know this is controversial and I probably should look at her vod, so my opinion may change later on but, for now though, Niki what the Hell was that?!
Let's start from how everyone immediately believed Dream's accusations, no questions asked. Tommy was right in being angry that no-one (aside from Techno and later Ranboo) stood up for him. Hell, they all still believed Dream after he literally admitted to manipulating Tubbo for the disk, to the fact that he literally only cared about the disk and the fact that his objective was to destroy L'Manburg from the start! He basically told them all to their faces that he was using and manipulating them and they all still went: "yep, seems trustworthy to me!"... are you kidding me?!
So, if everyone was acting so extremely dumb, why am I singling out Niki? Because of the way she attacked Tommy mostly, it was just so hypocritical. She was in the revolution, she saw him fight for L'Manburg, time and time again. And sure, he made a mistake, burned down George's house (which was an accident by the way) and he got punished for it! She knows he'd been exiled because they met before now in canon. He already paid for his actions! Heck, he's literally the only one on the server who ever had any official repercussions for his actions! And still she blames him for all of their problems! The guy who, once more, was willing to give up everything, including his last life, for people who, honestly, don't deserve it one bit. She blamed him constantly, said that he was nothing but a lier (sure he didn't admit immediately to his crime when he burned down George's house, but he did at the end! And that was the only time he lied in an important way! Come on! Plus, as I said before, he already paid for his crimes!)
Also Tommy hasn't been in L'Manburg in months in smp time, and everything fell apart anyway, it just feels very unfair to blame him for everything. Especially when you have Dream right there, admitting to be a manipulative ass and wanting to destroy everything! And especially after you have a 16 year old child-soldier telling everyone in a very obvious way that Dream abused him in exile. (He didn't state it directly, but it was impossible not to understand). At this point it just really feels like victim blaming. I'm sorry, maybe I'm misunderstanding Niki's character, admittingly I don't watch her, so feel free to correct me if I missed something big, but that's just how it felt.
Some last few considerations:
I'm gonna admit I'm sad Techno and Tommy split apart. I loved them together and I really don't think L'Manburg deserves Tommy right now... because it is true that they threw him out at the first hardship they encountered and then left him to die, it is true that they never really tried to get him back and it's true that they never stood up for him. Time and time again they forced him in the position of the hero and then acted like that was just what he owed them, but it isn't. He doesn't owe them his life, he doesn't owe them his loyalty, he didn't even owe them his disks! But this is Tommy's choice (even Techno recognized) and he chose to, once again, be selfless. He could have stayed with Techno and chose the easy path, the safe path, but he decided to stand up for what he believes in and fight for his ideals and I think that's something we can all respect in a character.
I hope the others (especially the adults... please don't let the literal kids of the server be the only rational ones...) will be able to put their grudges aside and fight together for the greater good... but I have the feeling they'll fall apart. So adamant in not being on Tommy's side that they'll end up helping Dream take over. Also I'm so afraid for Ranboo and Tommy right now, I feel like at least one of them isn't gonna survive today (either that or Ranboo will switch sides).
Also, Punz is not gonna betray them in this battle, or at least, that wasn't the plan he and Dream had. Dream was planning to do something big that would force him to leave for a while and was planning to leave Punz there as his spy on the inside. Their plan is going swimmingly so far...
(Also, on a little note, I love how supportive and understanding Fundy was of Ranboo after the reveal of his "betrayal". He thinks Ranboo was right, he still trusts him and I just... their friendship just makes me so soft and it's honestly my favourite relationship in the smp)
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denkilightning · 2 years
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Uh hey, no pressure but do you have any tips for writing c!george? I'm trying but he just isn't right? In my story and i don't want to mischaricterise him -💛
a bit of a disclaimer: i am actually no the authority on cgeorge since i am not ccgeorge and all the things ill say are based off my opinions. if you dont wanna do sth the way i say it simply dont <33
about mischaracterisation: honestly dont worry. it doesnt matter whether hes in character or out of character because things like that are rather subjective, and what matters is an interesting characterisation. it doesnt have to completely align with canon c george because canon c george is incredibly fucking hard to grasp, mainly because whether he doesnt care or cares about everything is decided like its a russian roulette, same with his grip on reality.
but if you wanna stick to canon i reccomend watching and analysing his behaviour in the presidental debates stream (on quackitys vod channel), 'quackity and jschlatt win the lmanberg election', the november 16th stream (building a house), the george lore stream (not the 'doing george lore' one but the one that was george streaming, with dreamxd), the friendsgiving stream (mainly karls pov, but there are few others) and the 'is dream smp over' stream. they give you a lot of insight on what cgeorge used to be like vs what he is like now.
the biggest thing about cgeorge is how completely independent he used to be and you can see the decline from doing whatever the hell he wants (like running for vice of the nation he wanted destroyed) to being the wreck of a person after his entire family fell apart that cgeorge is now.
for that i also reccomend the lmanberg independence war vids from punzs pov, theyre great base for cgeorges characterisation
other than that few little things that can translate into bigger things depends on what context you write in:
cgeorge actually likes ckarl. like They Live Together and once they were implied to be married where in the same sentence ckarl told csapnap to live in a different house
cgeorge is probably autistic with adhd. at the very least he is very ND coded (using the word coded lightly) imo
whether cgeorge cares about sth happenning is completely up to luck. its like a game of russian roulette and i dont think even cgeorge knows when or why he cares about certain things
cgeorge is the epitome of choosing the people over things. even tho hed complain a lot about not being stacked (believeing not wearing armour is 'being naked' per cdreams words) he doesnt care about material things unless they have emotional meaning to them. a characteristic cgeorge shares with ccgeorge, where hed let sams armour and things burn, but started frantically insisting on saving him once he learnt nikis christmas gifts would also get destroyed
the point of cgeorges character at the moment of the story were in is that if given a chance hed destroy his own very home he helped create. and he definitely doesn't feel safe in his own head or like a person anymore. big derealization and depersonalization issues
other than that i reccomend making him sharper and more contrasting than he is in canon. more aggressive, a bit more vicious, only putting csapnap over everything (remember that its csapnap who was invited to the red banquet but it was cgeorge who actually went), more protective of his own people while not minding murdering them (a trend we see in the ogs, i.e hunters + cpunz). let him be enthusiastic about picking flowers and baking bread as well as killing ans breaking people's bones.
also let him be smart and know things. personally id recommend transforming ccgeorges 'knows a fuckton and loves to talk about technicalities of things like youtube and stuff' trait to cgeorges 'knows a fuckton and loves to talk about technicalities of like torture and assassination and shit'. also science. theres no fucking way cgeorge is not a science nerd so keep that in mind.
it's rly rly important how much cgeorge loves nature. youll see it in the way he got mad at cdream killing the dogs in the early days, or how theyd keep foxes in the house even tho he couldnt tame them, and how while sarcastically praising lmanberg he stood at the crater reclaimed by nature and went 'it actually is pretty nice'.
also!! his trauma response is fawning. thats also important to keep in mind. it really matters wyen it comes to his relationship with cdream
and when it comes to my personally liked quirks about his characterization, i like to think cgeorge and jinx from arcane are very similar. rly smart, rly deadly, rly needing therapy. oh and blue coded <33
but yeah sry if this is very rambly and inconcise, if you have any more specific questions you can always ask or dm me <33 good like with writing your story!!
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ruby-whistler · 3 years
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Small thing- i did my research and as it turns out c!tommy has never stolen dream's chestplate, the only time he took anything remotely like that from dream was when dream died of fall damage once and tommy briefly picked it up and returned it -curious anon (unless u have a vod or something but idk)
hey! this ask has been sitting at the back of my inbox for a while now - and that is because i actually went back and made an analysis of the original disc conflict which is what i was actually talking about.
this is gonna be very in-detail because that's how i do stuff. word-by-word, frame-by-frame.
this is not quite roleplay yet, but the "war" is in minecraft and it's all completely lighthearted, so, i'm saying this just as a disclaimer.
i started analysing tommy's video "So I Started a Minecraft War VS Dream…", not the stream. if anyone knows that the stream has additional, important information, i'll watch it as well.
so, let's start off.
sapnap had a fight with ponk and alyssa - tommy joined in to help sapnap kill them. "however dream doesn't like when people fight on his server" - he already has the reputation of being a mediator. this is very interesting to note for later.
dream logs on after which ponk and alyssa, who have just been killed, start asking him for help.
dream shows up in iron armor, sapnap and tommy fully decked out.
dream is not an idiot. there are two people with stronger gear coming at him, yelling in a stream he has open "LET'S KILL DREAM" at the top of their lungs, having just killed two server members.
the two are charging at him, so he shoots to knock them back. after this he runs while tommy and sapnap proceed to assault him.
they're killing someone who can't protect themselves for fun. dream is the underdog in this situation - funnily enough, this event gets often cited as dream being tyrannical despite the fact.
dream runs himself into a corner besides the fence. sapnap kills him and tommy is mad that he didn't get the kill.
all of dream's stuff is laying on the ground and they pick it up.
[ Sapnap: NOONE CAN TAKE US ]
we can see gold, iron, gapples, food, spare items and materials, which they pick up - and most importantly, dream's crossbow. since his armor and weapons are decent and best, his crossbow is probably his most important item, and tommy gloats about having it.
[ Dream: give me my stuff back ]
tommy responds to this by saying "watch, no, watch this", insulting dream, and then killing him with his own crossbow.
dream has a track record on the smp, that he keeps throughout the l'manberg war as well, of giving people their stuff back if he kills them - this would usually happen to stop them from assaulting someone else. his one rule he enforces is "don't be a jerk", so don't steal things or ruin things people have worked for. this is seemingly why he "doesn't like" conflict.
he doesn't genuinely want anyone to lose the stuff that they've earned, and he expects this same attitude towards himself.
this is why he comes towards tommy with no armor, seemingly completely trusting he would be given back his stuff. this doesn't happen, as tommy wants a dream kill under his belt. tommy chases dream down as he tries to get away. alyssa, seemingly without any items - it's reasonable to assume they were also taken by tommy and sapnap, or maybe she doesn't have anything for some other reason - gets killed again when she runs by tommy and dream. thanks to this fact, dream gets away, and sapnap and tommy start trying to devise a plan to kill dream again.
dream gets punz and ponk to help him, of which punz is the only person with full armor - all three are wearing armor. by this time, tubbo has joined, who has inferior armor to even dream, but the three have much better gear overall. it's unsurprising then, that during this encounter, sapnap and tommy manage to kill all three - sapnap kills ponk and dream while tommy gets punz.
[ Tubbo_: punz wth? ]
during this encounter, tubbo doesn't engage, but watches from the top of the fence.
[ Sapnap: STOP THIS MADNESS ]
tommy then goes to chase dream down in order to finally get the kill he had wanted. dream combat logs, and tommy boasts about how many diamonds he managed to gain by stealing from the people he killed during the fight.
tubbo comments that he doesn't think anyone's won, because things on the server were destroyed during the battle. tommy kicked him from the call, telling sapnap that he's not on their side.
dream relogs and gets immediately killed by tommy.
[ Sapnap: STOP THIS MADNESS ]
[ Sapnap: WE ALL NEED TO TALK ]
[ Sapnap: you just lost a 3v2 ]
[ Tubbo_: why don't you guys just- (cut off) ]
[ Sapnap: 4v2 actually ]
[ Dream: I had nothing ]
[ Sapnap: we can talk ]
tommy suggests to vc, saying "all war stops now". he tells ponk that they've already won, to which sapnap alerts him to dream's messages that he sent in chat.
[ Dream: I have the music discs ]
[ Dream: and I'm going to burn them ]
[ Dream: unless my stuff is returned ]
here we can see that dream literally only wanted his stuff back - when negotiations failed and he was killed three times over, he decided to retaliate and get his items - which he had, much like tommy with the discs, worked hard for - using another method.
this was not him targeting people's attachments or targeting sentimental value. he knew tommy had worked for hours to get them, which is why he used them as leverage.
tommy is understandably distraught after this.
[ Punz: rekt ]
[ Punz: don't touch dream ]
tubbo and sapnap watch dream walk past them, looking into tommy's chests. they don't do anything besides telling tommy.
dream proceeds to kill tommy as retaliation, probably thinking tommy would have his stuff on him.
sapnap kills ponk and doesn't get the discs back from dream.
[ TommyInnit: Dream ]
[ TommyInnit: Where are the discs ]
tommy then tries to blame sapnap for this happening, despite the fact that he was the one to chase after dream and refuse to return his items. sapnap says that they attacked them, which is also not true.
sapnap and tommy scheme to try kill dream, to which dream kills tommy again to set them back and stop them from doing so.
dream manages to kill sapnap with his bow. he then boasts about winning a 1v2 in chat, seemingly replying to sapnap mocking him earlier for losing a 4v2.
dream joins the call after which tommy begins yelling at him about him killing him and stealing his stuff.
"i was walking down a path when two fully decked out people 2v1'd me and killed me. and then i came back, and i killed both of you, i took all of your stuff."
dream here explains that he was just walking down the path, confirming he wasn't planning to attack them, but they jumped him pretty much out of nowhere and essentially mugged him of the few items he had. he doesn't feel bad for retaliating for this unfair treatment.
he then proceeds to say he was not an idiot; he heard them shouting that they were going to kill him because he had had the stream open.
tommy denies all these accusations, dismissing dream's rightful anger. he refuses to apologize.
dream says that he will return his stuff, but burn his discs as punishment for killing people and not apologizing. he speaks on behalf of not only himself, but also punz and alyssa.
tommy tries to negotiate via tricking dream, but dream says he'll keep the discs specifically so that tommy wouldn't kill him again. sapnap apologizes, saying it was an accident (it really wasn't but dream takes it), tommy simply saying he's on his side now instead of a proper apology. dream steps away from saying he will burn them, returning tommy's gear, specifically his chestplate and his sword.
alyssa comes to ask for items and gets killed by dream, then sapnap. dream asks if anyone has his steak. alyssa complains in chat about having all of her items stolen from her and being killed repeatedly. i really feel bad for her in this because she gets the worst treatment from everyone.
dream says he'll keep the discs safe, but that he doesn't trust tommy.
he leaves the call and leaves the room, seemingly not wanting to engage with the conflict anymore. sapnap gets mellohi from dream and gives it to tommy, who goes to hide it, while he keeps him off.
as the disc war goes, the two are stubborn and continue to battle for the discs. this is however what started it, and it did happen because of tommy's (and to a degree sapnap's) actions. he held the discs as leverage because tommy refused to return the few items he had.
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neonscreenlight · 2 years
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what were your thoughts on the new mythro lore video?
oh god i stalled so much on this mythro's new video is coming out tomorrow. alright, sit down. this is gonna take a while.
first off, i just want to say that this video somehow didn't feel nearly as impactful as glad's pit? i swear, that video caused a revolution. suddenly there's a whole load of information about why sven hates mythro, which was one of the big things we couldn't figure out an answer to, plus more worldbuilding in general! there's a boatload of theories to throw out, new headcanons, and more angst opportunities! But I didn't really feel the same with this video, as it's mostly stuff we already knew about. this isn't to say i think the video wasn't good, it just felt a bit underwhelming for the most part. anyways, with that rant out of the way, onto the actual video.
there is so much to talk about the actual escape part. obviously the escape part itself was epic. i have no idea what happened, he like placed a chest and then epilepsy warning!!!!! also i love now nonchalant plumpkin is during the fight scene. it's like that "this is fine" meme. someone make that a meme.
also one thing about the stone statue thing, on the analysing stream mythro did he said that the "sign" that c!mythro saw was actually the guards falling asleep. he said that someone has to be watching the statue at all times to avoid the person in their mind from escaping. since the guard fell asleep, nobody's watching it anymore, so mythro could escape.
can i just say that it's incredibly fucked up that people in the creed can't show emotions? it kinda makes me wonder what the inside of the creed is really like. i don't really have much to say about this, i am a svenlore person, moving on.
WOOOOO the ray lore. ray is my second favourite character aside from sven ofc. best morally grey character. so the amount of things to say about this-
that scar on ray's eye. oh my god. hc that ray is partially blind because of that. i'd imagine having a huge scar on your eye wouldn't be that great for your eye.
also i swear ray is the most traumatized person in this series. it definitely shows with his pure anger towards myth, the fact that even the mention of netti breaks him, and the way he talks about the experience of ares' vault with passion but a hint of sadness. i can tell he's trying to push it away and act like it doesn't bother him. get this fox some therapy man.
finally, the svenlore part. one: hoooooly shit his coat has the two white sides!! good reference to the how to summon a sven video (watch that video btw) and also has a few implications! btw thanks to temteno on discord for most of this, she has a tumblr too i think but i can't remember it rn
in summary:
the yin/yang symbolism in this context probably talks about opposite forces, and without the two forces, everything collapes. once sven split off into yin and yang, yang!sven can only rationalize with yang, so instead of figuring out how to understand mythro's situation, he just assumes he's a bad person.
and you can see that in this scene, sven saying that he doesn't believe mythro after everything he's done to him and that he'd rather trust plumpkin. even after mythro tells him he's being manipulated, it doesn't change his mind. with a combination of being stuck in anger and not being able to rationalize correctly, he turns all his grief on mythro and almost admires plumpkin.
also, on a less theorising note, can i just say that that scene before the fight gave off huge "cutscene before a boss battle" vibes? it's like this is some action-adventure game and i gotta fight them myself. especially that zoom out before the fight... it's like the camera is about to go back to the player.
the personality change????? that journal girl definitely has something to do with that. also, i've been calling the journal girl claire. why? because i want to. it definitely makes talking about her easier, at least.
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