#another long-ass meta

[fishofthewoods]

I see a lot of people clowning on the people of Pelican Town for not repairing the community center themselves or clowning on Lewis for embezzling and. like. Those criticisms aren't entirely unfair. But I think instead of coming at it from a perspective of "why can't the townspeople do this" we should be asking "why and how can the farmer do this?"

Like. Think about it. The farmer arrives in Stardew Valley on the first day of spring. By the first day they're obviously different. By day five the spirits of the forest who haven't been seen by the townsfolk in years or generations are speaking to them. By the second week they've developed a rapport with the wizard that lives outside town.

In the spring they go foraging and find more than even Linus, who's spent so many years learning the ways of the valley. Maybe he knows, when he sees them walking back home. Maybe he looks at them and understands that they're different, chosen somehow.

In the summer they fish in the lakes and the ocean for hours on end, catching fish that even Willy's only ever heard of, fish that he thought were the stuff of legend. They pull up giants from the deep and mutated monstrosities from the sewers.

In the fall, their crops grow incredibly immense; pumpkins twice as tall as a person, big enough that someone could live inside. The farmer cuts it down with an axe without even batting an eye. Does Lewis wonder, when he checks the collection bin that night and finds it full to the brim with pumpkin flesh? What does he think? Does he even leave the money? Does he have the funds to pay the farmer millions of dollars for the massive amounts of wine they sell? Or is it someone--something--else entirely?

In the winter, the farmer delves into the mines. No one in Pelican Town has been down there in decades. No one in living memory has been to the bottom. The farmer gets there within the season. They return to the surface with stories of dwarven ruins and shadow people, stories they only tell to Vincent and Jas, whose retellings will be dismissed by the adults as flights of fancy. People walking by the entrance to the mines sometimes hear the farmer in there, speaking in a language no one can understand. Something speaks back.

The farmer speaks to the the wizard. They speak to the spirit of a bear inside a centuries-old stone. They speak to the shadow people and the dwarves, ancient enemies, and they try to mend the rift. They speak to the Junimos, ancient spirits of the forest and the river and the mountain. They taste the nectar of the stardrops and speak to the valley itself. They change Pelican Town, and they change the valley. Things are waking up.

And what does Evelyn think? She's the oldest person in the valley; she was here when the farmer's grandfather was young. (How old *is* she, anyway? She never seems to age. She doesn't remember the year she was born.) Does she see the farmer and think of their grandfather? Does she try to remember if he was like this too, strange and wild and given the gifts of the forest?

And does their grandfather haunt the valley? He haunts the farm, still there even after his death; his body died somewhere else, but his spirit could never stay away for long. Does Abigail, using her ouija board on a stormy night, almost drop the planchette when she realizes it's moving on its own? Does Shane, walking to work long before anyone else leaves their house, catch glimpses of a wispy figure floating through the town? Does the farmer know their grandfather came back to the place they both love so much?

Mr. Qi takes interest in the farmer. He's different, too; in a different way, maybe, but the principles are the same. They're both exceptional, and no matter what Qi says about it being hard work and dedication, they both know the truth: the world bends around the both of them, changing to fit their needs. Most people aren't visited by fairies or witches. Most people don't have meteorites crash in their yard. Most people couldn't chop down trees all day without a break or speak to bears and mice and frogs.

The farmer is different. The rules of the world don't work for them the way they work for everyone else. The farmer goes fishing and finds the stuff of fairy tales. The farmer goes mining and fights shadow beasts and flying snakes. The farmer looks at paths the townspeople walk every day and finds buried in the dirt relics of lost civilizations.

The farmer is a violent, irrepressible miracle, chosen by the valley and destined to return to it someday. Even if they'd never received the letter, they would've come home.

They always come home eventually.

#lich says shit #stardew valley #sorry for the stardew valley meta i'm just so obsessed with how FREAKY the farmer is. Like it's so fun #gonna write another long ass post about the farmer's bloodline specifically and. like. #why did their grandpa leave the valley?? why did their parents never go back?? #stardew valley farmer #sdv

[kaladinkholins]

We all already know Mizu and Akemi are narrative foils. But you know what? Lemme just say it, here's what I think:

Taigen and Mikio are foils.

Not necessarily to each other as individuals in the way that Mizu and Akemi juxtapose each other, but mostly in the contrast between their relationships with Mizu.

I've covered specific parallels between Taigen and Mikio in other posts I wrote; but as the number of parallels I'm noticing between them keeps piling up, I'm compelled to just compile them all in one post. So! This is, thus, the post in question.

First of all, let's look at their similarities.

1. Their status in society is the same. They are both samurai who lost their honour and have dreams of reclaiming it.

2. They are also both diligent as they strive to achieve this goal, they both care deeply about their work, but here as they begin to contrast, as the work in question and way they go about their goals is different:

For Mikio, his work is in taming and rearing horses; in order to prove himself, he must tame Kai—a willful and strong horse—and present it to his lord. For Taigen, his work is in sword fighting and martial arts; in order to prove himself, he must kill Mizu—a willful and strong swordsman—and present her dead body to his lord.

In the parallel above, not only are Taigen and Mikio contrasting each other, but Mizu and Kai are placed in comparison as well. And of course, Kai is Mizu's horse, and represents her. Which is why, when later, Mikio sells Kai off, it represents the way he is tossing Mizu (and their relationship) aside.

From there, the rest of the details of their character begin to contrast and juxtapose each other more clearly. So let's look at those differences, shall we?

Their backstory:

Mikio was a great samurai who was banished. A somebody to a nobody. Taigen was a fisherman’s son who rose to the top. A nobody to a somebody.

2. The first time we meet them on-screen:

Mikio is an adult. An older man. Mizu's superior in age. He is Mizu's to-be husband. A love interest. Taigen is a child. A young boy. Mizu's peer in age. He is Mizu's bully. An antagonist.

3. Their maturity and growth:

Mikio is mature, but stuck in his ways. Taigen is immature, but capable of changing and learning.

4. Their overall attitude:

Mikio is generally relaxed, easy-going and unfussy. Taigen is uptight, irritable and severe.

5. How they talk to and conduct themselves around Mizu:

Mikio is aloof, soft-spoken, and serious. Taigen is obnoxious, brash, and sarcastic. Mikio is quiet, speaking only when spoken to, even when Mizu turns to smile at him and shows openness to be near him. Taigen is loud, talking while others are silent, even when Mizu turns from him and shows no interest in conversing with him.

Mikio doesn't show much of who he is to Mizu throughout their marriage, despite their growing affection. Taigen openly shares his traumas and life story to Mizu during their brief alliance, despite their mutual antagonism.

6. Their external vs internal selves:

Mikio is calm, gentle, and considerate on the outside. Taigen is hot-headed, rude, and selfish on the outside. Mikio is cowardly and deceitful on the inside. Taigen is brave and loyal to a fault on the inside. Mikio tells Mizu that he wants to know and see all of her. But he scorns and betrays her, the woman he loves. Taigen tells Mizu that he wants to duel and kill him. But he endures torture to not betray him, the man he hates.

9. Their hair, a symbol of their honour:

Mikio's topknot is untied by Mizu during their spar. This humiliation occurs in private, the two of them alone in a rural location where no one can see them. Taigen's topknot is cut off by Mizu during their duel. This humiliation occurs in public, the two of them being watched by many others in the Shindo Dojo.

10. Their power dynamic with Mizu:

Mikio believes he is Mizu's mentor. He teaches her to throw knives, how to ride and care for horses, and about the tactical benefits of using a naginata. Taigen believes he is Mizu's equal. He views Mizu as a samurai like himself who received all the same teachings he did, and who possesses the same values.

11. Their perceptions of Mizu:

Mikio sees Mizu's feminine side first. He sees her as sweet and gentle, but also clumsy and incompetent. Taigen sees Mizu's masculine side first. He sees her as terrifying and deadly, but also strong and skilled.

12. The way they approach sparring with Mizu:

Mikio only spars with Mizu once. As the fight progresses and she is beating him, he tries to put a stop to it. When she teases/provokes him, he starts taking the fight personally and seriously, finding no enjoyment in it. Taigen spars and brawls with Mizu all the time. No matter how many times Mizu beats him, he doesn't back down. When Mizu challenges him with a chopstick, he is eager to compete with her and gladly rises up to the challenge.

Mikio and Mizu's one and only spar is a friendly match; Mizu is smiling and having fun while he grows increasingly frustrated. Taigen and Mizu's last-seen spar is a playful wrestling match; both him and Mizu are having fun and laughing.

Mikio cannot deal with Mizu being better than him, so he scorns her and walks off, avoiding her thereafter. When Taigen cannot deal with Mizu being better than him, he follows her to observe her moves and continues training in hopes to eventually beat her. After being bested by Mizu once, Mikio leaves her and sells the horse he'd previously gifted to her. After many times losing to Mizu and fighting alongside her, Taigen commends her and admits she is better than him.

13. When Mizu pins them down in a friendly spar:

Mikio sees Mizu's whole face objectively. Taigen stares at Mizu's mouth and eyes.

Mikio gets angry when she kisses him, throwing her off of him and snapping at her, calling her a monster. Taigen gets aroused, apologising, so she pulls herself off of him.

14. Mizu's blue meteorite sword is a reflection of her soul. She believes most are undeserving to face it, let alone hold it. And on that note:

Mikio is the first person (chronologically) that Mizu fights against using her sword. Taigen is the first person (we see on-screen) that Mizu fights against with her sword. Mikio is the first person (chronologically) to ever hold her sword, as she passes it to him, letting him wield it. Taigen is the first person (we see on-screen) to ever hold her sword, as she passes out, and he picks it up and carries it for her.

15. Then, last but not least, in Fowler's fortress, when she is drugged and in pain, she hears Ringo's voice in the dungeon. She then follows it to an open cell:

Mizu first sees Mikio as a hallucination, the sight of him haunting her and causing her to lose her grip on reality. Her eyes glow a surreal blue to represent this. Her Mama appears then and says Mizu's name accusingly.

Mizu then sees Taigen, but he is real, the sight of him a relief and grounding her back to reality. Her eyes return to their normal blue colour to represent this. Taigen looks at Mizu weakly and says her name softly.

Then, later, when facing Fowler, her revenge awaiting her, she instead chooses to follow her conscience (represented by Ringo's voice in her mind), putting aside her vengeance for a time, in order to save Taigen.

So that's basically all the ones I've noticed so far, but even then, I feel there's already so much that forms a contrast between these two.

What makes it especially incredible about these juxtapositions is that Mikio was Mizu's husband, the man she had fallen in love with, the one person she had ever been intimate with, the man who made her begin to accept herself, to put down her desire for vengeance and instead live a life of peace and happiness.

So for Taigen to have so many parallels with him... Do you see what I'm saying here!

Not to mention that Mizu clearly already has some burgeoning attraction to him, as indicated by how she thinks of him when asked about her desires. And Taigen clearly has shown interest as well (see: him getting a boner after their spar, him holding her hand and telling her, "We're not done yet.").

And on the topic of speculating future possibilities of this relationship, this post by @stromblessed has pointed out yet another parallel between Taigen and Mikio:

Mizu promises Taigen to meet him for their duel in autumn. Mizu fell in love with Mikio and duelled him during autumn.

With all that said, I do believe Mizu and Taigen's relationship is definitely hurtling towards something. But whether they will actually end up together in a sustainable relationship and have a happily ever after? Well, that is a whole other story; we'll just have to wait and see.

#blue eye samurai #mizu x taigen #taigen x mizu #taimizu #taigen blue eye samurai #blue eye samurai meta #hope yall enjoy my thesis on virgin mikio vs chad taigen #this was written last night when i shouldve been writing the new chapter for my taimizu fic that i promised i would work on....whoopsies... #i will get to it eventually but i just have to get a firmer grip on characterisation before i can delve further into it yk #on that note. i kiiinda regret posting the fic on a whim! #my last longfic was written better because i had the whole thing complete and could go back and edit/polish/revise before posting #so it came out much more coherent and consistent ykwim? #this fic might suffer a bit for this reason 🤒 #but its fine i have to remind myself im just doing it for funsies #anyway here have another long ass meta post from yours truly #meta dissertations.pdf #shut up haydar #fandom.rtf

[ladyluscinia]

I do have to appreciate (?) how hard the haters work to ensure their definition of bigotry is Izzy-escape proof. I mean, yeah, if you are saying that it's functionally impossible for him to not be some flavor of bigoted because technically the very concept of having socially informed ideas about ways to be a man and men's behavior is intrinsically linked to homophobia and misogyny and racism, and therefore expressing any negative opinion on how a male character is behaving counts as such...? Alright then? Telling a man not to sob over a breakup (even with a hypothetical woman!) is homophobia AND misogyny if you consider the social reason that would draw attention as a behavior to criticize and our society's collective idea of masculinity. You've defeated me with your social studies thesis logic on Every Insult Under The Sun Can Be Traced To Bigotry 🤷‍♀️

But in practice I still just don't think it's worthwhile to say the antagonist with the literal raison d'etre of not being 100% supportive and approving of the protagonists in order to cause conflict is being irredeemable or violently bigoted by *checks notes* insulting men in the story about men. Just like I don't think Stede or Edward or the rest of the crew are being irredeemable bigots by also having socially informed ideas about masculinity???

Like, looking at it that way Stede is a clear misogynist (and more, but we'll stick with just the misogyny bit). I don't think he even realizes he is one, but the whole Mary sequence and just being a man in the 1700s makes it pretty obvious. He might do less misogyny in the future on account of just not interacting with women (suspect behavior tbh), but fundamentally he has not remotely addressed or deconstructed the misogynistic ideas that shape his entire perspective. Honestly, he's probably not going to at this point. They drew attention to his worst behaviors under the framing of just kinda being a self-centered ass, made him realize he fucked up and apologize to the woman he hurt over the course of about 15 minutes, and then sent them both toward happier endings.

Is this story saying that misogyny is actually fine and misogynists are admirable and likable people? Or that misogyny is just a surface level form of bigotry that doesn't really affect your attitude toward women once you stop being an ass? Or, maybe, is the story just not about misogyny???

And if it's not about misogyny despite being literally incapable of avoiding characters expressing misogyny (since in reality that's not so cleanly excised), then why on earth does it have to be about homophobia? Is it just because the leads are gay men?

Like, I'm sorry, but media for 5-year-olds has long been able to tell stories about antagonists learning that it's okay for boys to cry and be emotionally vulnerable and it's mean to make fun of them without insanely complex layers of deconstructing homophobia or intensive requirements to overcome internalized biases. I bet OFMD can teach that lesson without explicit, targeted homophobia. No one is denying in serious meta that Izzy has been an ass? Or that character development to be less of an ass is the logical next step?

I'm not disputing their assertion that Izzy is homophobic because I think the writing team accomplished the impossible and erased homophobia from the background hum of existence for this one TV show. I'm disputing it because the essential second half of said assertation is that this is a meaningfully included and emphasized part of his characterization that will typically justify his future karmic punishment for bigotry and/or require much greater redemptive effort of him to get any sort of neutral-to-happy ending on the table. That's why they care about it. The effect on the story!

If the story isn't about homophobia, then no, the antagonist doesn't usually have "homophobic" as a character trait I need to account for.

And twisting that fairly straightforward narrative interpretation into some kinda gotcha about "So you deny insulting gay men with gendered insults has shades of homophobia?!?" is - to borrow a phrase Lucius used against Stede - "kind of a bitchy question."

#our flag means death #been tossing around ways to word this for a long time #mainly because i'm fully aware this kind of slippery technicality is pretty much universally a bad faith gotcha for a hated character #but like. yeah reality is a mess of interconnected biases and bigotries that all build off one another to justify A excluding B #doesn't mean every single story developed in this intrinsically flawed society has to say something about all of it #does stede know women are people? does anyone want the next two seasons to tackle stede learning women are people? #tbh i would much rather just say he gets it via the 'don't be a self-centered ass' metaphor #ofmd meta #izzy hands ofmd #stede bonnet ofmd #sorry stede but your track record with women? not great 😔 #homophobia #ladyluscinia #no cut because nowhere made sense

[mahalshairyballs]

Some Jake stuff coming from my interpretation of him.

I might have mentioned these things before but I don't think I made any posts meta about them.

It will be separated into two main points : Emotions and Physical Touch

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Emotiooons

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Jake has *a lot* of emotions. But he has learned to hide them. Not by being stoic, he was far from it, but by looking to the outside world like he was well balanced he was also far from that.

To people interacting with him he was social, nice, even polite, warm, flirty, charming, he joked around, smiled more than Marc did (Marc your dark humor needs to come back!). He was just a joy to be around. No need to wonder what Frenchie saw in him.

With Layla it was a bit different since she lived with them. She saw him a bit more grumpy, snappy and contrarian (mostly when Jake fronted right after talking to Marc...). But she still had no idea how he really felt and what Steven and Marc had to deal with.

Inside Jake was boiling with emotions, sometimes totally opposite to what he was showing. He had been training himself a lot to do that, to 'pretend', to show whatever feelings he wanted to show, he'd perfected it.

Jake had to do something like that since almost day one, at least since Marc left their home. Because of what Jake's been through, every time he took control of the body - whether consciously or not, whether it was warranted or not - he was in a heightened state of alert. In a constant fight or flight mode - so in other words panic.

It took him a lot of time and a lot of work, but he managed to not always feel like that every time he fronted - especially when there were no imminent threats he had to deal with. This resulted in him having great control on his stress level, and how he showed his emotions (but didn't change how he really felt). Just existing didn't make him feel high anxiety anymore, but there were some things that could bring that anxiety back (see the 2nd main subject of this post below).

Which in turn made him the best at manipulating being social out of the three. It also made him an excellent liar. So much so that Matt (Daredevil) had the hardest time reading him. His heartbeat barely even changed - changed so minutely - when he lied that even Matt had a hard time noticing it (while Steven's heartbeat accelerated even when he was telling the truth ahah anxiety...)

Even when he killed, he didn't show any intense emotions. I used the word 'going bersek' as a shorthand one time before, but that's not accurate at all. Jake doesn't do that. He might feel anger or hate or whatever else, but he'll just show ruthless, surgical efficiency while doing the kill. And he could talk about the weather with you just after having killed someone.

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In their innerspace it's waaay more difficult for Jake to hide or show something else to what he's really feeling. Their innerspace is like where their 'soul' coexist, so they're all pretty much open books there.

So when Steven once said to someone that Jake was 'very emotional, petty, immature, easy to anger, a lot to deal with'

Layla & Jean-Paul : He is ???

This was not their experience with him at all.

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Jake and Marc were both quick to anger in their innerspace and quick to blame the other for anything. When they interacted tension could rise pretty damn fast. So Marc and Jake fought a lot in their innerspace. Jake and Steven did too initially, but it calmed down pretty quickly and they mostly got along well. So Steven found himself often in the middle of their fight like this :

(Without the blood and without Khonshu lmao)

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Jake didn't mind doing small talk, he actually did it a lot. Surface level, flirty conversations were almost his specialty by now. Both because he couldn't bond with someone long enough to do more and because it helped him get what he wanted out of people. He flirted without intent other than manipulating people all the time. So here you could see how he could evolve into being the intel collector for the system, just like he is in the comics.

He didn't know how to deepen relationships however, he never had the chance to, and he didn't really want to by now. He didn't want to share anything personal or show his real emotions. He was inexperienced with that and didn't know what to expect. He didn't even know if he could love (he definitely can, but his feeling of love is in itself quite different, it's almost painful).

If he did open up though, he'd talk about most of the fucked up things he lived through in a very casual way. He had weird priorities and views of the world. He could be upset by small things but then brush off very awful things. I think there was a meme like that once. The meme enumerated three things, the first two weren't that bad while the third one was significantly worse than the first two but said as if it were equally bad (or was it a trope? ). That's Jake. He would be the kind to do that.

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The only emotions you'd see him show outwardly when he felt them would be emotions that he was unfamiliar with. There's not a lot of those but there's a few, like love (or jealousy...). They would show in his behavior and body language because he wouldn't be able to deal with them. Being new to him, he hadn't practiced dealing with them and/or dissimulating them under another emotion. So maybe he'd look like he was feeling that emotion, but he'd mostly look lost or anxious...and then he'd leave control of the body to Marc or Steven.

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Physical touch

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Jake didn't like being touched, it made him very uneasy and brought his panic anxiety back.

However short or innocent the contact was, he wouldn't like it.

Especially if the touch was supposed to be good and innocent. It also didn't matter if it was under or above clothes, it felt the same to him.

Because :

1) he wasn't familiar with those feelings, both the physical sensations and what they did to his emotions. He didn't know what to do about it, how to react to it. So it made him uneasy and dislike the interaction.

2) he was used to all touches being painfull (except during sex*). Whether it was in his childhood, or later fronting to defend the body, while Marc was a boxer or in the army, or a mercenary, or Moon Knight. That's all Jake knew. So when the touches weren't painfull, his brain still thought it was going to be, any time now. So it prepared him by giving him this very intense anxiety, like a very loud alarm bell in his head.

As a cab/limo driver, he didn't have to be touched by anybody, and Khonshu couldn't touch him. So right then he was living his best life.

Jake wasn't making a big deal out of it either, like for everything else. If an SO tried to hold his hand, give him a hug or cuddle he'd find an excuse to get away from that physical contact as soon as possible. He usually pretended that he had to go somewhere to then put more distance between them, or subtly brushed away the hand on him. If the person did it again or insisted however, they'd get that direct rebuff.

It could be hard for some people who needed physical affection to be Jake's partner. For Duchamp, they were in a strange position. Jake was flirty, funny, teasing him, he was there for him and generous and helpful, but he never ever tried to touch him in their day-to-day life together. Not even a small casual touch on the shoulder, or a hug or anything. The only time Frenchie felt like he could touch him was when they had sex.

Jake never wanted to just make out, or cuddle while watching a movie. He did, however, do one thing. He gave little kisses. Dry closed mouth kisses of a few seconds, that he could do. And he did that often enough to show affection.

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* The one major exception to that was during sex. Mostly because those touches were context specific and Jake usually concentrated on his dick and pleasuring his partners. So he managed to ignore or to deal better with these touches. The touches usually didn't last that long and it was mostly people gripping him or things like that so it was fine.

It made him a really good lover though. He had no problem touching other people, with his hands, with his mouth, with his cock, and he liked doing it. So he was very attentive to other people's body. He didn't really do foreplay either, except when he could treat his partners like that (ask Layla...).

If you wanted to treat him, or 'worship his body', or anything like that, he'd politely decline the offer, usually changing the focus on the partner.

Let me make it clear though that Jake only appears to be promiscuous out of necessity but he wasn't really. Sex was the best way he found to have physical intimacy with someone. He didn't need to be particularly close to the person, could do it quickly - since he couldn't front for long - and could get his physical intimacy needs met there.

He also didn't do French kissing, and he was fine with pillow talks...as long as there was a reasonable distance between him and the partner on the bed.

With Layla, he initially didn't even take the chance. He kept sleeping in the spare bedroom, even after she knew who he was and got to know him.

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Jake knew he could learn to get used to the nice touches, like he got used to live without being in panic mode. He didn't see the benefit in doing that however. Controlling his panic mode had been a necessity, because he felt like that just by being. The panic he felt when someone touched him however could be stopped by simply...stopping that contact. It was easier than enduring countless of high-anxiety inducing interactions just so his body could be used to them. And since he wasn't familiar with what 'nice' touches actually felt like, he didn't miss them.

He didn't think he needed those for a fulfilling relationship. He saw though, that Frenchie really missed doing that kind of thing with his partner...

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Steven doesn't mind touches all that much for someone on the spectrum. He actually really liked touches...but only with people he was really close to. He had two modes 'ew no touchy' and 'let me be all over you all the time'.

Marc has no issues with touches. It's surprisingly one of the few things he has no issues about. He liked touches well enough, he could be tender and physically affectionate when he wanted to be - and he usually did.

This is also why Matt and Jake would make a good fit. Matt is also super-sensitive to touches (for a different reason : his super-senses) so he'd understand Jake's boundaries there.

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Bonus: relationship with Khonshu

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Out of the three of them, it's definitely Jake who has a better relationship with Khonshu and who doesn't need to be as manipulated as Marc was.

There were many ways in which Jake's relationship with Khonshu could be important to him.

Khonshu acknowledged him without telling the others. Khonshu might've been the first other person to actually call him Jake. It definitely had an effect on Jake. Gave him respect for the ol' bird at least.

Khonshu didn't probe him about things Jake didn't feel like talking about. Khonshu didn't care about the Marc system's traumas, he already knew everything that was in their head anyway, so he never brought it up with Jake and Jake was appreciative of that.

Khonshu is immaterial in our dimension so he couldn't touch Jake. Jake was glad for that.

Khonshu trusted his skills, and appreciated him for who he was.

And Jake truly believed in what Khonshu was doing. He also wanted revenge, didn't mind killing or hurting people to protect others. He wanted to defeat the bad guys.

Marc might also have wanted revenge, an outlet for his rage, but the killings took more of a toll on him than it did Jake.

So if Steven & Marc try to convince Jake to break things off with Khonshu....eeeeeeh, they might encounter some strong opposition.

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Tl;dr - So this is how I managed to combine both of the main portrayals of comics!Jake with what we got of MCU!Jake while still making sense character-wise, tadaaaaa : D

Thank you, thank you !

Have a nice Jake-filled day everyone!

#moon knight #moon knight meta #character analysis #jake Lockley #nobody expects the spanish lockley #jake lockley isn't unreasonable #jake: I came I saw and I saved your dumb asses #cw child abuse #cw physical abuse #jake x frenchie #jake x layla #jake x mart Murdock #marc spector #steven grant #layla el faouly #jean-paul Duchamp #matt murdock #Khonshu #hugging the marc system forever #this was another long meta #I think it's the last main things I had left to say about my jake though

[luxraydyne]

honestly thinking abt it i’d definitely have preferred if danganronpa v3 had actually fully committed to the “fiction that hates you and mocks you and wants you to question why you still enjoy it bc you become brainless amoral voyeurs whenever you engage with it, you people kinda suck ass tbh actually” reading all the way to the bitter salted earth end. like i doubt i’d have *liked* the weird superiority complex vibes from it and the whole deflected creative ennui onto the audience still. but i’d for sure have to at least *respect* the gumption, the sheer full-chested audacity of the choice, especially in the context of this specific franchise, if the writing didn’t spend like an extra hour pussyfooting around doing a watered down, sugarcoated little backpedal into “oh no, not you actually bc you specifically are special and nice and good and don’t count”. this trial is way too fuckin long anyway like pick your bit and stick to it binch. call me a sucker to my face binch come on!

#ndrv3 spoilers #drv3 spoilers #like if i go back to ch6 now i spend like four hours doing the logan roy 'fuck oooff' on a loop lmao #tbh a long multi installment narrative will always always be better with a strictly defined end where it goes 'no more.' ofc. #but that works better when like. the writer actually Wants to make the last one #they want it to end but they also really want to Make the last part. not to just have it Be Over With #but still sell another game heeheehoo #and also if you take this legit approach you have to. once again. commit lmao you actually have to stop making more #can't have the apocalyptic (figuratively.) end all and then keep trying to make tha cash money off anime and spin offs and shit lool #if u gonna point and laugh and call me a lil bitch that's your call man i get it but you gotta actually. commit. to. the. bit. #like i couldn't even be that mad. like creatively speaking. boy you picked what you were going for an threw yr whole ass into it fr #except i'm a special boy and actually Not a lil bitch (sadness) so hmm im allowed to keep buying more Kids Getting Murdurrred Franchise #pls dont be taking this too seriously i genuinely do not care abt this series enough to hold strong opinions either way lol #v3 just. as a concept amuses me more than anything. in an absurd way. like that vine of the screaming chorus of rubber chickens #danganronpa spoilers #drv3 #danganronpa #oh and besides zero time dilemma did the whole meta twist series ending better ahAHAHAHAHHEEHEE

[deadsetobsessions]

“I think I’m going to move to Gotham,” Jazz’s tapped away at her laptop, clicking through her college acceptance letters. Danny sat up from where he was scrolling through his phone and stared at her. “Thoughts?”

“And prayers,” he sassed. “Because you’re going to need them. Why the would you pick Gotham when Harvard accepted you?”

“Gotham has Arkham. And Doctor Quinzel.”

“Isn’t she Harley Quinn? The Crime Princess of Gotham?”

“Yeah, and an acclaimed psychologist with hundreds of published work that revolutionized the mental health field! Sure, she’s more criminally inclined now, but I’d kill to pick her brains.”

Danny grinned. “Interesting word choice. You’d fit right in. It’s just weird that all of their psychologists turned into villains.”

“Okay, but I won’t. You’d stop me.”

“Or I’d join you,” Danny rolled back onto the floor.

“Don’t you dare, Daniel Fenton. You’d better stop me if I went villain.”

“But I feel like you’d have a pretty good reason for it though?”

“I appreciate the trust, dumbass, but I’m always this close to loosing it.” Jazz rolled her eyes as she jabbed a finger at Danny.

“Hah! You’ll fit right into Gotham!”

Jazz hummed. “So, Gotham?”

“Yeah, why not?”

——

“Danny!”

“Little busy!” Danny dodged a blast from a GIW agent.

“Why’d you pick up, then?”

“You don’t call often- hey, can you guys knock it off? I’m on a call!” Danny shouted. Surprisingly the agents stopped.

“Woah. You guys actually stopped?”

“We’re anti-ghost, not rude cavemen. Finish your call, Phantom, so we can get back to capturing you.” The agent with red hair said. Her partner nodded their head.

“Riiiight.” Phantom floated away a bit. “What did you want to talk about?” He asked Jazz.

“So, Dr. Quinzel-”

Danny heard a further off “Call me Harley, darling!”

“Harley,” Jazz continued seamlessly. “Is dating Ivy, a meta! Which, totally cute and their relationship is so healthy. Goals, honestly-”

Danny heard another far off comment, “Awe, thanks, Jazzy-wazzy!”

“But long story short, they got in touch with the Justice League about the GIW and they’re getting pulled back! And disbanded! Are you fighting the agents? Can you see if they’ve got the order to pull back?”

“Wait, seriously?” Danny perked up, the exhaustion from the fight all but gone. “I’ll ask.”

Danny turned to the two agents, pulling the phone away from his ear. “Hey! Did you guys get orders to stop hunting me? I heard the Justice League got involved.”

“What? We didn’t-”

“Shit, wait, we got orders.” Her partner jabbed their phone at her.

“Fuck. This isn’t over, Phantom!”

“Yeah, yeah! Shoo!” Danny watched them peel away. “Thanks, Jazz! Maybe I’ll finally get a peaceful school year.”

“R.I.P.” Jazz solemnly intoned.

“Dead-ass.” Danny replied, just as seriously before the both of them broke. Cackling, Danny said goodbye to Jazz.

“Maybe I should get some gifts? Hm… Undergrowth has some rare plants.” Danny muttered as he flew back home.

#danny phantom #jazz fenton #dc x dp #dpxdc #dc x dp crossover #Harley Quinn #that’s DOCTOR Harleen Quinzel to you #poison ivy #harley x ivy #Gotham #justice league #the giw #Jazz Fenton goes to college and takes down a government branch with the aid of well known criminals

[sevensoulmates]

Buddie 7x01 Meta

Okay! Finally, I was able to watch the full episode uninterrupted and have had a couple days to gather my thoughts. Quite simply this episode was fucking fantastic. My meta does sometimes include some spec, so if that's not your thing feel free to ignore those parts. Those of you who follow me know I write long ass essays, so fair warning for a long meta under the cut. ((Also idk how to make gifs, so enjoy my shitty screenshots)).

First, I love to see Buck and Eddie back at it again in their natural element being partners on a scene.

This was very obviously a call back to season 2, even down to the positioning, having Buck watch Eddie be competent in defusing a bomb. Buck has complete faith in Eddie's abilities, it's the fighter pilot whom he distrusts. In the end, they narrowly avoid getting blown up, just like they did in 2x01. This one scene re-establishes the Buck/Eddie work dynamic and shows how they inherently trust each other on and off the field.

Next, we get a scene of Buck and Eddie getting dressed in the locker room. Notably, Buck is fully dressed and Eddie is without his shirt until halfway through the scene. Buck also keeps his eyes on Eddie's naked torso pretty much through the whole shirtless section. This is another blatant callback to season 2x01 when Buck's first introduction to Eddie is when he's shirtless. This draws attention specifically to Eddie's physical attractiveness and how that affects Buck. This scene is odd to have with Eddie half-naked if we're then gonna make comments later on about "sexual tension" with friends, no?

In the same scene we are reintroduced to Buck and Eddie's separate love lives. Eddie is just now learning that Buck and Natalia broke up, and gives an odd facial expression that looks far too much like vindication. We know from the graveyard scene in 6x17 that Eddie wasn't really a fan of Buck's relationship with Natalia (I don't think there's ever been a relationship Buck's had where Eddie has legitimately been happy about it, which is weird if they're just friends, right?) so to him, this was always coming down the road. He seems proud that Buck was able to end it this easily.

Meanwhile, Eddie's going on a "not-date" with Marisol to chaperone Christopher's date with Penny. It's telling to me that Eddie doesn't classify this as a date with Marisol, but Buck does. Buck considers being at home watching Christopher as a date, and yet he seemingly doesn't classify all the times he's been over at Eddie's hanging out with just him and Chris to be a date? To me, this shows the first big disconnect in Buck/Eddie's brains that the show will likely dismantle this season: what is classified as platonic and what is classified as romantic, and which gender is allowed to be in each category. We'll come back to this when we get to the next scene.

Eddie is very supportive of Buck breaking up with Natalia. He doesn't say it directly to his face, but it's implied that Buck really lost himself when he was with Natalia, hence Eddie's "Welcome back to the land of the living". While Buck did struggle with figuring out his life purpose at the end of season 6, he falsely prescribed that purpose to Natalia. Thankfully, this was rectified here. This also shows significant growth for Buck from his last relationship with Taylor Kelly. Buck was able to identify issues in his relationship quicker and was able to cut the relationship short when he realized it was no longer healthy to maintain for him. I am extremely proud of Buck in this moment, as is Eddie, which is the first of two big moments in this episode where Buck and Eddie really showcase their pride in the other's personal growth. "You were missed" is such a simple yet perfect line for Eddie to give to Buck. To show Buck that Eddie has always seen him, and will always see him, even through personal lows, and will still remain by his side when they come out the other side. I really love this showcase of unconditional love here.

The next time we see Buck and Eddie, the chaperone date has already passed. Eddie and Marisol are seen watching Chris and Penny from behind the wall, but it's highkey awkward to watch and the focus of this scene is really not Eddie/Marisol but rather Chris and Penny and Eddie relaying this info to Buck. I first want to point out that we don't actually get to see Eddie/Marisol's first date, we don't see any subsequential dates, and the first time we DO see her, in an episode meant to be establishing couples, she's so blink-and-you'll-miss-it that I had to try 3 times to get this screenshot because it went by so fast. It's never a good sign when we don't actually get to see the beginnings of a non-established relationship.

Additionally, Eddie/Marisol's relationship is framed WITHIN Eddie recounting the night to BUCK. The important Eddie relationship we're supposed to be paying attention to in this scene is not Eddie/Marisol but Eddie and Buck's. It's not important for us to see Eddie and Marisol hanging out, but it IS important for us to see Eddie TELLING Buck about the night. That isn't insignificant. This means the show is clearly placing far more importance on Eddie/Buck than on Marisol, and for a pointed reason to be revealed hopefully later this season.

This is the only line that Marisol has in the entire episode. This being the one line she has is interesting because it's a callback to Eddie's arc last season ie. "Eddie has no game with women". Christopher makes a pointed comment about it in 6x18. And of course, it's a callback to Performance Anxiety 6x14 where Eddie was being pressured about dating women and 6x17 Love Is In The Air where he once again pressures himself into dating women until he finally settles on Marisol. It's an interesting call back to have, considering this scene could have been considered Eddie successfully dating a woman. And of course this ties into later in this episode where we get the "turning women off" comment, which I'll talk more about later.

Eddie goes on to tell Buck that he didn't really see any difference between Christopher hanging out with his male friends vs hanging out with his female friends. This is drawing attention to two things. The first is a call-back to Buck and Eddie's previous scene where we saw that Buck and Eddie have two different ideas of what constitutes "a date" when it's with a man versus a woman. Buck thinks that an at-home date with Marisol to watch Chris counts as a date, Eddie doesn't. Yet Buck doesn't consider his own at-home "hang-outs" with Eddie and Chris to be a date despite them being far more frequent and more meaningful than what we just saw with Marisol. Eddie also doesn't see it that way. This line is an indicator that both Buck and Eddie have blinders on currently when it comes to their interactions with each other, interactions which very much COULD be considered a date (including the later mentioned "underlying sexual tension") if they had done the same thing with a woman. They're just unable to recognize the truth of it at the moment, and this is clearly demonstrated when Eddie can't tell the difference between Chris having his date with his male friends vs. female. My prediction is that this will become more defined for Eddie by the end of the season or leading into next season.

But it's very interesting that this idea of not being able to recognize the possibility of romance except for the heteronormative options is coming into play now because there's really only one gay way to subvert that.

Which is then doubled down by Buck in the very next scene.

This is blatantly not a true statement. Buck is not only assuming Chris's sexuality, but he's assuming the same would be the case in general, which is not true. Buck knows many queer people, but at the same time, every queer person he knows canonically falls more into the gay-lesbian binary, and not really anywhere in the middle (ie. bi/pan people). It's an oddly heteronormative statement coming from Buck, who is known to be very open-minded and also researches a shit ton? So why are we being shown that Buck has this sort of narrow-mindedness specifically when it comes to the possibility of people being bisexual?

(Spec) Firstly, I think this is to set up for a bisexual Buck arc. It's showing that Buck actually 1.) hasn't ever been with a man before so this is not just a casual bi reveal and 2.) that he's never actually considered it a possibility to have sexual tension with a man before. This is what we in writing call "the character's fundamental misbelief" and it is brought in specifically to be challenged, and I'm near-positive it will be at some point in the season.

Secondly, On the surface, this statement is telling the audience that obviously Christopher would only have tension with his female friends, right? (sarcasm). But what's interesting is that this statement is purposefully gender-neutral. It leaves the real meaning up to the audience to decide. Why? Because this part of the conversation is not really about Christopher. On the surface, yes, but beneath that, this line and the line before it are about Eddie and Buck's relationship with each other. Buck's not out here talking about Christopher having sexual tension with people, and even Eddie recognizes that it's weird to talk about in relation to their child. He's still in the nest for christ's sake! These lines are in relation to Buck and Eddie's friendship and how both of them are blind to the fact that it very much IS possible to have sexual tension with your female AND male friends.

And this is where the gender-neutrality of that phrase gets extra interesting. Because as we've seen before, Buck and (more prominently) Eddie often lack chemistry with their female love interests. It's up for debate, but the general consensus was that most people did not feel any chemistry between Buck/Natalia, and Eddie/Ana or Eddie/Marisol. What's fascinating is that Buck has had chemistry with some of his female love interests, but Eddie hasn't had any since Shannon (and this is not an endorsement of Eddie/Shannon's romantic relationship. I'm not getting into the extreme nuances of that right now.) Some argue Eddie's had chemistry with Felisa or Vanessa, but they aren't the ones Eddie's dating right now, are they? So Eddie, unlike Buck with his female LI's, hasn't really had any sexual tension with Ana or Marisol. The only person that (most) people agree Eddie has had sexual tension with is Buck. And we had a scene with them earlier with Buck watching a half-naked Eddie change too. So in this case, the line might also be a reference to Eddie having chemistry with men, but not really with any of his female LI's. I think the purposeful vagueness here though was a very telling choice on Tim's part.

Additionally, the use of the word "underlying". Underlying implies that the sexual tension isn't overt, but rather is something that lingers unspoken. Under the surface. Subtextual, if you will. Of course, it's possible to have subtextual sexual tension between an M/F pairing. But placing it in the context of this scene, where Buck is being weirdly heteronormative, it feels contradictory. If Buck believes that he (and Chris by proxy) can only have sexual tension with a female friend, why is it something that is hidden under the surface? If anything, due to heteronormativity, the sexual tension between a boy and girl should be plain as day for anyone to see, on the surface, very much textual and with no room for interpretation (ie. "He was a boy, she was a girl, could I make it any more obvious?"). But let's flip this around. With queer pairings and couplings, there's a huge history of their sexual tension and romance only being able to live and breathe in the subtext. This line being spoken between two men that many people for years have pointed out are heavily queer-coded and have a romantically-coded "bro" relationship with each other that so far has only been able to exist in subtext? Tim, you're not sly. I see right through you.

After that, Eddie tells Buck about Christopher seeing 5 girls at the same time. Everyone's shocked and Eddie insinuates that Christopher didn't get this from him. By pointing out that Buck is a reformed playboy (I personally disagree with aspects of this statement but that's neither here nor there), Eddie is implying that Christopher may potentially be getting this trait from Buck. Which is an interesting thing to say to someone if they're not already heavily involved in the process of raising your child. Eddie claims that he's a "nester", which in my mind means someone who is very paternal/maternal, or constantly trying to build the home or the family. ((Sidebar: I googled nesting and apparently it's ALSO a term used in both polyamorous spaces and was later separately coined as a term referring to "where men treat women like they’re in a relationship, but they expect those women to know that it will never lead to real one." I don't interpret this line to mean either of those other definitions, I just think it's interesting that this is what popped up when I googled Nesting)).

Eddie then says he "married the first girl he dated" and Buck instantly volleys back with "think you mean slept with", which is EXTREMELY telling of a few things. First, I want to point out, that I don't believe this is Buck denouncing or disrespecting Shannon's important role in Eddie or Chris's life, but rather recontextualizing it.

We got clarification last season that Eddie fell into his relationship with Shannon almost in the same way that he fell into one with Ana and Marisol. It was heavily implied that Shannon was the pursuer, the one who made their relationship happen. Not Eddie. While Eddie was a little less passive with Ana and Marisol, being the one to ask both of them out, he still exhibits extreme passivity in the furthering of each of these relationships, preferring to "stick it out" rather than actually end it when it's not working. This is the exact same thing he did with Shannon. It's interesting that Buck argues that Eddie married the first girl he slept with rather than the first girl he dated.

Dating someone implies you really genuinely want to form a deep romantic relationship with someone (ie. call back to Buck's line to Maddie "at least when I date someone, I date them"), whereas sleeping with someone does not have to immediately mean wanting to be with them romantically. To me, this implies that while Eddie might've deeply loved Shannon as a friend and eventual mother of his child later and had sexual chemistry with her, the reason why he stayed with her is not because he wanted to continue dating her or being with her because he was IN LOVE with HER but rather because they slept together. And what came about from sleeping with her? A fucking traumatic teen pregnancy.

Both Buck AND Eddie recognize that in this scene (which is huge, especially for Eddie). I'm kinda blown away honestly. It's extremely important for the audience to see that while Eddie did, does and will always love Shannon, it is NOT romantic love, and may have not ever been. Which is FINE. They were literal teenagers for god's sake.

This is once again a recurring theme in Buck and Eddie's story in this episode. Defining what is considered romantic and what is considered platonic AND the possibility of redefining those distinctions years later. And it's interesting that in this case with Shannon, a woman, it's finally being acknowledged that it might not have been as romantic as Eddie may have believed for all these years.

Eddie then asks Buck to be the one to talk to Christopher about his relationship indiscretions. We see Eddie making the active choice to bring Buck deeper into the co-parenting role that's already been established in seasons 2-6. Right after Eddie talks about being a nester, a home-builder, he brings Buck deeper into his family in a parental role. To me, this scene doesn't imply that Eddie can't do it, or that it's out of his wheelhouse, but rather because he feels like Christopher might relate to Buck more about this. But even more so, it shows that Eddie inherently trusts Buck to be the one to talk to Christopher about this, because he's seen how Buck has grown over the years.

Eddie doesn't want Christopher to continue making bad choices in life and he tries to convey this to Buck, but Buck, with his own self-esteem issues, assumes that Eddie doesn't want Christopher to end up like Buck. Which is fascinating because Buck's made it a huge point throughout the series to show that he's grown past his sleeping-around phase (which was never about disrespecting or using women, it was always about Buck's own desire for love and connection that he felt he could only get through sex). And yet with this line, we see that Buck still doesn't realize how far he's come. He still feels like he isn't worth emulating or being someone to look up to. But Eddie does. Eddie sees and loves Buck to his core, and so he points it out to Buck that no, Buck actually didn't become that person, and that Buck is, in fact, worthy of being the one to parent Christopher in this situation. Once again, this is a great moment of showing how these two are able to see past their facades to the truth of each other's issues and provide strength, reassurance, and clarity to each other, as an ideal life partner would be able to do.

Then we get to see this amazing scene of Eddie talking down a panicking woman using his own unique "jello" methods. This coping mechanism tool he walks her through really does sound like something a therapist might teach their patient. Eddie not only is able to admit to having panic attacks but he's able to do it in front of strangers and his team alike with no shame (even a bit of pride at the end). This scene, which could've gotten very awkward very fast, ended up becoming a very sweet, serene moment where we also get to see that love reflected on Buck's face just how proud he is of how far Eddie has come. This episode made a point to show Buck and Eddie recognizing the other's growth and their pride in the other, as well as demonstrate how both are able to be there for the other emotionally in their times of need.

What's interesting is that this is all stuff that we've seen before. Buck and Eddie have been each other's emotional pillars for many years now. This is just a re-establishing episode. We know that this season their relationship is going to be shifting, growing, and showing a new side to it. So I'm intrigued to see how that will manifest given that we have already seen in one episode how Buck and Eddie are each other's closest person. Some might argue that this episode actually frames them to be closer and more emotionally supportive of each other than two of the other canonically romantic couples on the show.

Bathena are shown to be having marital problems in this episode, with Athena worrying she and Bobby might not actually have that much in common outside of the chaos. Madney is shown with pre-martial problems, with Chimney unnecessarily worrying he and Maddie's spark might fizzle out over the years and they might grow to resent each other. I'm not saying either of these relationship problems is really accurate, but it's just interesting to look at in comparison to how Buck and Eddie were framed in this episode, despite not being in a canonical romantic relationship at the moment.

This exchange absolutely took me the fuck out. Because this line did not need to be there. Even for the giggles. It could've even been a line of Buck being sincere and saying that he's proud of Eddie or something. Instead, we get this. "I've never seen a man turn a woman off with such skill". This line connected with the line from Marisol are both callbacks to Eddie's series-long issue with dating women. We get this in conjunction with Buck pointing out that Eddie doesn't really date these women he's in relationships with. He's just with them due to circumstances. Even if the circumstances are of his own making (which could be a symptom of compulsory heterosexuality). Eddie has never once talked about dating women like he's actually attracted to women. I'm so sorry. AND combined with the line where Buck and Eddie actually acknowledge that Eddie wasn't really with Shannon because he wanted to be with her but because of the family they accidentally created. All of this in ONE episode leading up to this line where it's heavily implied that Eddie's skill is his inability to turn women on, and to actually be able to turn them all the way off. And I'm just going to say it, but this line HEAVILY implies queerness. This is the kind of line you'd expect someone to say to a gay man or someone who doesn't actually want the sexual attention of a woman. This, again, in conjunction with Eddie not being able to tell the difference between a date with a woman vs. a man, is all too pointed.

This line alone in a vacuum could maybe not mean queerness, but alongside the whole rest of the episode where beat after beat after beat implies that Eddie has in fact NEVER been in a relationship with a woman 100% of his own active desire for her as a person and not just for what she can provide to his or his son's life?

This points to a very particular direction with Eddie that I'm expecting to see him fight against really hard this season. I would not be surprised if he ends up holding onto Marisol as the last shreds of perceived "normalcy" (ie. heterosexuality) are being threatened. Hopefully, he'll be able to reconcile the truth by the end of the season or going into season 8.

God this is so long and we haven't even gotten to the buddifer scene yet. This part will be a bit more condensed because I'm not really analyzing Chris as a character here or his relationship with Shannon. Maybe I will later.

I'm really loving seeing Christopher become his own person this season. But what really fascinates me here is Chris as a parallel to both Buck and Eddie. Christopher's abandonment trauma is starting to manifest in him through his choices with his love life. The same thing happened with Buck and with Eddie individually. Buck's trauma growing up informed his choices of sleeping around and seeking love from a myriad of individuals who didn't necessarily have his best interest at heart. Eddie's trauma manifested in him being so self-sacrificing that he can't ever choose a relationship for himself, but it always has to be in service of someone else or in pursuit of a perceived "Normal" standard.

In this case with Chris, his trauma is manifesting in a way more similar to Buck's, which is another reason why it's so perfect to see Buck being the one to discuss this with Chris, even though they don't necessarily delve too deep into it. There's no question Buck sees his own issues reflected in Chris. This has been true since 4x08 Breaking Point when Chris runs to Buck's house and confides in Buck his worries about people leaving him. Chris demonstrates a similar issue that Buck and Eddie both hold individually. That being the notion that "it doesn't matter what I do, or how good of a person I am, or how good of a partner I am, I am not worth staying for."

But the difference here is that Eddie and Buck, like the amazing co-parents they are, recognize the problem and take steps to address Christopher's trauma in a way that gives Chris autonomy and isn't condescending or out to make Christopher feel bad about making mistakes. The Buckley parents and the Diaz parents both failed Buck and Eddie in these ways because they blamed their children, never actually took the time to see the underlying issues let alone address them, and made them feel like everything was their fault, even going so far as to actively put their children down over and over and over again. Eddie and Buck get the beautiful chance to break the cycle here with Chris and get to be the parents that they never had.

It was so amazing to watch this episode with Buck and Eddie being supportive partners to each other and supportive parents to Christopher. It was an episode of growth just as much as it was an episode of reintroduction to a new audience. It was also extremely telling of what the future conflicts and themes will likely continue to be for Buck and Eddie for the rest of this season. I'm so excited to see what the rest of this season brings! And thank you from the bottom of my heart, ABC.

#911 abc #911 meta #buddie #buddie meta #buck meta #eddie meta #911 #911 spoilers #911 analysis #buddie analysis #damn this was long as fuck #thank you to anyone who actually sat here and read all this #I will likely do one for episode 2 once I get back from my trip #this episode was fucking amazing #and it's only the beginning of the season

[dead-bouquet]

DP x DC thoughts

Every fanfic and prompt I read has danny either pretending to be older than he is or just outright telling people he is a child.

I’d love to see actual thousands of years old danny who lost his family and has been in his castle for so many years that he’s become a shell of himself. He’s super knowledgeable, super powerful, but he’s just  t i r e d. 

Not to mention he can change his form like clockwork if he wanted to but most of the time he stays in his 14 yr old form cuz that’s the most comfortable.

Now imagine the JL come in. They summon the Ghost King because they need help and omg that is a child on the throne with a dead eye stare but he’s super powerful and helps them for no fee and and bruce is already pulling out the adoption papers.

Dick gaining an older brother figure and learning not everything has to be on his shoulders.

Jason and Danny bonding over being forced to adapt to a world that’s mourned and moved on from them and the struggle to learn to fit in again (because jason is technologically illiterate with all the advancements he missed and you can pry that head cannon out of my cold dead hands).

Tim gaining an older brother who actually listens to his rants and pushes him towards new info cuz danny has lived for so long and duh he knows stuff.

Damian just being a language nerd with danny and learning some languages that have been lost to time (because now he can shit talk about drake without anyone knowing)

Duke just vibin with this bright ass creature but hey? at least there’s another meta in the fam.

Danny spoils the girls cuz they remind him of dani and jazz.

all the while danny slowly gains his spark back and becomes more and more like his old self.

Just... let me have millennia old danny being a shit disturber.

#dc x dp #let danny be old #danny phantom #ghost king danny #constantine is there but nopes tf out cuz he's not touching danny's shit with a ten foot pole #it'd be the first smart thing he does in his entire life #too bad danny sees disgruntled brit with his soul torn to pieces and just goes oh worm? #bruce tries to parent danny and danny just makes himself older #Bruce: danny you can't have cereal for dinner #Danny: back in my day the youngins used to respect their elders #instead of asking bruce for permission the batkids just start asking danny #batman #batfam #danny likes poison ivy because she reminds him of sam and oops guess that toxic waste plant just mysteriously blew up #my post

[mlm-writer]

Daddy/Dearest (Wade Wilson x M!Reader)

Pairing: Wade Wilson/Deadpool x Alien!Cis!M!Reader  Rating: Mature (lowest I can go with a Deadpool fic) Words: 1048 POV: Third Summary: You matched with Deadpool on the intergalactic dating app Starcrossed. After exchanging many dick pics, you decided to visit Earth for your first date... and blow the planet up if the date sucked. Note: Inspired by the song Party Tonight by Joe Hedourix and this prompt. Tags: first date, fluff, idk who Nick Fury really is tbh, 4th wall breaks, romcom and reader’s appearance is a little vague but at some point I started imagining Megamind

“Deadpool! Open up!” Wade groaned at the insistent knocking on his door. He tried to rub his eyes, only to find out that he was still wearing his mask. A quick look down revealed he had fallen asleep on the couch in his PJs. The knocking at his door stopped, so he rested his body on the couch. He had barely closed his eyes, when the door was knocked down. 

He raised his head with a groan, only to be incredibly surprised by his guest. “Wow, Nick Fury, I am not sure if I am even supposed to know who you are, because the writer has seen exactly one movie in which you had a cat, but he supposes you’re an important dude or whatever.” 

“Shut it, motherfucker,” the man wearing a black trenchcoat barked back at Wade. He clearly took note of the dirty white shirt with a butt on it and the blue chequered underwear Wade was wearing, but he did not comment on it. “Do you know the app Starcrossed?” 

Wade laughed, not reading the room that had been filled with armoured men and women because we are inclusive here and women can and will kick your ass if provoked. 

“That app with all the metas on it? Why? Did we match? I’m sorry if I did not reply, but you’re not really my type and you must have been an accidental swipe.” 

“Stop yapping! Does this guy look familiar to you?” From his pocket he unfolded a picture printed on an A4 paper. Wade leaned in and squinted at the picture. He did recognise the person on it. 

“Oh yes that’s my daddy - not my father - but like a sexual daddy you know. You should see his dick.” Nick looked like he was gonna lose it. Wade could tell, but he frankly did not give a shit. 

“Well, your ‘daddy’ is the leader of an alien race, whose armada is in orbit right now to drop him off for a ‘date’ with you. So get dressed, because whether we get blown up or not today is apparently up to you.” That was a lot to take in, but Wade was used to weird days and this was simply just another one of them. 

Now it was common to be nervous for a first date, but the fully armed SWAT team dropping Wade off was not helping. He tried making conversation with them, but they seemed to blame him for possible annihilation before dinner time. 

When he stepped out of the chopper, there was a masculine figure waiting in front of the former military base. He held a large bouquet of iridescent flowers. They seemed either fake or from an alien planet. “Wadey!” The figure called out, waving frantically with all hands that were not holding the bouquet. The inhuman coloured skin seemed to change colour wherever the late morning sun was directly shining on it. 

“Hi daddy,” Wade called back in the same cooing tone. He skipped over to his date. “Are those for me?” He mused, knowing the answer as his date handed them to him. 

“I heard flowers are quite common to bring to a Terran date, so I brought some rare flowers from my planet for you. I am afraid they will not survive as long as they would on my planet though. The sun here is weak.” Wade smelled the flowers. They smelled like butt. Could be worse. At least Wade was familiar with the smell of butt. Wade held the flowers close as he thanked the other for them. “Well then, shall we? Your government was so kind to help me set up an Earth-date.” 

The atmosphere was… weird. There was a very extensive brunch on a beautifully decorated table, but they were surrounded by people keeping them at gunpoint. “You don’t seem bothered by being held at gunpoint,” Wade noted as he rolled up his mask just far enough to shove a croissant into his mouth. 

“Likewise,” his date smirked back at him. He reached out and touched the edges of the mask. “Come on, I already know your dick and ass are covered in scars. Your face cannot possibly scare me.” Wade thought about it. Well, his identity was not really a secret right now anyway. They already knew where he lived. Wade lifted his mask off his face, trying to not show how insecure he was about his fucked up face. However, when he looked at the alien before him, he swore he could see a hunger in his eyes. “If these people were not around, I would fuck your face right now,” the man sighed dreamily, before continuing to clumsily trying to spread butter on a piece of toast. 

Wade reached out and decided to help him. Their fingers briefly touched and Wade saw the other man smile at the contact. It set his body on fire with desire. “I frankly don’t care about the audience, but after writing all those kinktober fics the writer can really use a break from blowjob scenes, so let’s keep this from being E-rated.”

Wade sat back down after buttering his date’s toast. He watched as the alien’s facial features reacted to the taste of Earth food. “Fascinating,” he spoke softly. Wade chatted with his date and those mesmerising eyes and charming smile kept drawing him in. At some point he was sure even Nick Fury could smell his arousal from wherever he was keeping an eye on the situation. There was no more food left, when his date rose from his seat and offered one of his hands. “Let’s get out of here.” 

Wade grabbed his mask and put it back on. “We’ll have to fight our way out of here if we want to do that.” A corona of blue light started surrounding the alien, a devilish smile appearing on his face. The sudden display of power got people loading their guns and Wade’s gun filling up with blood really quickly. 

“Do not worry, dearest, that can be arranged,” the most powerful being that had ever held him spoke, before he blasted a hole in the line of armed people, lighting the way to their future in a flurry of blue. “Let’s have a good time, dearest.”

#deadpool #wade wilson #ryan reynolds #deadpool x reader #male reader #deadpool x male reader #wade wilson x reader #wade wilson x male reader #mcu #marvel #mcu x reader #MCU x Y/N #mcu x you #mcu x male reader #marvel x reader #marvel x male reader #marvel x you #Marvel x Y/N

[actual-changeling]

Welcome back to a meta post that was not supposed to exist, but I fucking love answering questions, so here we are.

i got an ask (the answer contains a tl;dr) about why I think Crowley has unstable relationship patterns, and the following will be a detailed look at why this is the case, how Aziraphale plays into it, and what it ultimately means for the two of them.

This won't be as unhinged as my usual analyses, so consider this a special edition of Alex's unhinged meta corner - now hinged.

As always, please remember that this is my personal interpretation—not a generalization—and that genuine questions are welcome, either here on the post or in my inbox!

Everything I will say is based on research I have done, books & studies, and many, many conversations with my therapist (and at points my psychiatrist too); just so you know I'm not making shit up as I go.

Now, in the context of trauma-related/based disorders, what exactly does it mean to have unstable relationship patterns, and how does it apply to Crowley and Aziraphale's relationship?

Canonically, heaven does not care about what Aziraphale is doing and they are not keeping an eye on him. We know this both from references in the script and their dialogue and what we see throughout the show as a whole. That "fear" of being found out should he openly commit to Crowley is, for the most part, self-fabricated.

Yes, hell would potentially punish him (that potentially is another long post), but that is not something Aziraphale gets to take and use against Crowley, and the fact that does it anyway to 'prove' that he is not behaving incorrectly is a big issue.

What that leaves them with is a very common and well-known relationship pattern that requires a lot of self-awareness, control, and work to break it.

Aziraphale and Crowley get closer, spend more time together, their relationship grows and the intimacy increases, resulting in their behaviour changing to reflect that. They go on more romantic-coded dates (e.g. 1827, whatever the fuck 1941 was), eat together more frequently, drink together and feel comfortable enough to get drunk drunk while in each other's company—which always carries the inherent risk of doing something 'forbidden' while their impulse control is lowered.

I think the second episode of season one is actually a great example for all of this. When they drive to Tadfield, there's a mutually respectful conversation, they tease each other, they bicker like an old married couple, and don't fall into blaming the other for the situation they're in. At the manor, they are openly flirting from the start, laughing about the paintball guns and blowing kisses to miracle away stains, and the wall slam scene honestly speaks for itself.

I wrote a detailed analysis of it right here, which contains the conclusion that the entire interaction was intentional and orchestrated by the two of them.

They are doing great, they're comfortable, intimate—both physically and emotionally—and their sides are already on their asses about the apocalypse, so why not commit to the relationship?

Because Aziraphale gets scared, scared of intimacy, scared of what it would mean for his life, scared of what it would force him to confront (his faith, mostly, which is another gigantic topic), scared of the changes it would bring to their relationship, scared of breaking out of the pattern they have been moving in since the very beginning.

So he pushes, hard. He insults and denies and hurts Crowley to get as far away from all of that as possible. Push & pull, no matter when, no matter why, it's always the same.

At this point you might be thinking Alex, this is all on Aziraphale, how is this also Crowley's unstable relationship pattern? The answer to that question can be roughly summarized in one sentence:

He does not punish or discourage Aziraphale's behaviour.

There are NEVER lasting—if any—negative consequences for Aziraphale when he forces them into the push/pull dynamic, when he insults him, denies their relationship, calls him evil, you name it. No matter what Aziraphale does, Crowley always forgives and forgets and comes back to him, essentially resetting their loop. That way there cannot be any progress because they're not moving a single inch in either direction that isn't carefully organized and controlled by Aziraphale.

Why does Crowley not confront him? Because he is scared too.

Now, THIS is the part where I explain why I said Crowley has unstable relationship patterns. It is important to understand that Aziraphale's kind of instability is only one possible manifestation, and that they are—broadly speaking—on opposite ends of the spectrum, which not only makes them incredibly compatible, but also makes them worse.

Crowley is terrified of losing Aziraphale permanently and being on his own. God rejected him, heaven rejected him, hell rejected him—his life as been one traumatic incident after the other with a strong focus on abandonment and neglect, especially from people he cared about.

He says himself that Aziraphale is his only friend, he doesn't have anyone or anything else. The bookshop is Aziraphale's anchor, but Crowley has nothing except the Bentley and whatever Aziraphale allows him to partake in. Hell can take his job, his flat, punish and torture him as they please, and make his life, well, hell.

With the Bentley only appearing in the early 20th century, for 99% of his life he had nothing except for Aziraphale, his best friend, the person he loves.

So what does he do? He clings, he circles him and tries to push his orbit just a tiny bit closer whenever there's a gap he can use, trying to solidify their relationship. Terrified of being abandoned again, he swallows and ignores everything and anything negative.

The final fifteen are the FIRST TIME that Aziraphale asked him for something and he said no without changing his mind later—and it was literally the worst case scenario, the one boundary he has that he is not willing to cross for him, literally the barest minimum.

Every other time he relented, gave in, apologized for something that wasn't his fault, have Aziraphale everything he wanted from Hamlet over shooting a gun at his face to giving him the Bentley. Crowley's primary objective is to do whatever it takes to avoid being abandoned, so whenever Aziraphale DOES push back and abandons him/says that he will, he panics. He panics even more when there is an outside source threatening Aziraphale's presence in his life.

Look at how frantic he is when he finds Aziraphale after the bandstand, trying to say whatever it takes to get him to come with him. He does the apology dance, gives in when it comes to Gabriel, and never reacts to Aziraphale in a way that would prompt him to re-think the choices he is making, let alone stop doing the push/pull.

His identity revolves around Aziraphale, his only relationship is with Aziraphale, he allows him to shape him to his liking as far as he can take and then some, he needs him to be happy, to enjoy himself, to live a life worth living—and Aziraphale needs him to be and do all of those things so he can keep up his behaviour.

They are dangerously co-dependent and just spiral deeper and deeper until they hit rock bottom and are forced to separate.

Look, I have BPD on top of everything else, I have been in a relationship with this exact pattern in Crowley's role, and it is fucking horrible. Absolutely unbearable. My ex-partner was like Aziraphale, pulling and pushing and pulling and pushing but on a daily basis, every few hours. No amount of talking or begging could get them to not behave in a way that would hurt me, and I was so emotionally tied to them and terrified of being alone that just like Crowley, I relented every. single. time. A year and a half and they never, not ONCE, apologized for anything. Ever. Not for hurting me, not for being an asshole, nothing.

The only way I got out was with a lot of therapy, support, and so much emotional work I was having several panic attacks a day because I was so fucking exhausted. Crowley and Aziraphale separating was the best thing that ever happened to their relationship.

Now, Aziraphale is facing negative consequences for his behaviour and is forced to examine himself and deal with all those fears causing him to behave the way he does. Crowley on the other hand is now forced to learn how to exist without Aziraphale to orbit around—he needs to develop an identity that exists outside of Aziraphale, so he can have boundaries and stick to them.

#alex talks good omens #good omens #crowley #good omens meta #the final fifteen #aziraphale #good omens season 2 #go2 #aziracrow #crowley x aziraphale #ineffable husbands #ineffable wives #ineffable spouses #ineffable divorce #alex's unhinged meta corner

[epiemy]

Jason Todd x Fem!Reader from our reality! Pt. 2

Warnings: just cursing (you’re a crazy bitch and Jason too)

Part 2 of 5 - Part 1

A/N: I missed this app so fucking much but I’m back :) hope you like this part of a series project.

Sorry for Grammar mistakes, enjoy!

"Oh boy, we are going to have a big job with this one." Words from a tired Jason.

“Hey, I’m still here, you know that?” You speak in disbelief. It still felt like a dream, where else would you get to see your favorite characters? You had never been able to shift before, so you faithfully doubted that was the case.

Jason just rolls his eyes saying “Unfortunately I noticed, you won't shut up for a single second” - and there goes your sympathy with him.

“Why are pretty people always jerks? - You're an exception Dick, shush” You say but stop as soon as you see Batman's cloak coming towards you, no longer able to control it, you end up smiling more than you've ever seen in your life, after all he was her childhood hero “My gods, Bruce Wayne? Batman? I could pass out!”

“Jason, no!” Dick speaks in warning before the youngest even opens his mouth, but even so he lets out a sneer and says:

“I could make YOU pass out” Jay mutters and you give him the middle finger “You already did that, idiot”, turning your attention to Bruce.

“Why is there a teenager in the cave, who apparently knows our secret identities? I'm only going to ask once” Batman speaks monotone and looks at the boys with his arms crossed and his mask removed.

“Ehm… well… funny story” Tim starts to say while scratching his head lightly, but Jason rolls his eyes.

“I brought her here, I heard some druggies talking about a girl falling from the sky and I went to check it out. I don't know how a demon can fall from the sky but there she is” He speaks ironically and you just stick out your tongue, murmuring that the only demon in this house was him. The boy continues “When I got close to her, she was cursing more than a sailor and had a fangirl attack shouting “Jaaaaason”, I erased her and brought her here. History end"

Bruce raises an eyebrow at Jason and sighs deeply, rubbing his temples. He honestly needed a break from all this, he couldn't take it anymore. “Currently, Barry informed us that there was a rupture of some barrier between universes caused by some meta, it turns out that she was brought from another reality and that is possibly why she knows our identities. Am I correct, miss..?”

“Y/n, and yes you are right. Finally someone with neurons- no offense Timmy” You mutter and the boy just shrugs, then continues talking “If the kid idiots had listened to me instead of fainting, I would have told them that in my reality you are all characters from a brand , so I theoretically know everything about each of you.” There was a silent pause “That seemed kind of scary, my bad.”

Minutes later, Bruce releases you from the place where you were tied up “As long as we don't know what happened, you are welcome to stay in the mansion, Alfred is already aware of this conversation and will prepare a room for you” He speaks calmly, you he just nods with a small smile in gratitude. He turns to his children “You. I want everyone in the mansion during this time, apparently you don't have an alternative version of her in this universe and she will have to stay here for some time, so we need to train her” He says leaving the Batcave.

“Soooo… Dick, can you and your nice ass show me my new room?” You say with a wide smile and you only hear Jason snort in the corner “What’s up, red bird? Do you want to show me instead of Richard? Come on come on, take me then” A hand sign is made by you, as you walk towards some stairs where Bruce had gone but Jason grabs your waist, changing the direction to the left “Oopsie, thanks kitty” You hear the laughter behind you.

“You’re going to be the death of me,” Jason says, walking up the correct floors with you.

#dc #dick grayson #damian wayne #tim drake #batfam x reader #jason todd x fem!reader #jason todd x y/n #jason todd x you #jason todd x reader #jason todd #jason todd fluff #red hood x you #bruce wayne

[cubitodragon-moved]

Yesterday Mike added more fuel to my “Tubbo is bugged” theory and it’s making me extra worried about what’s going to happen this week LOL.

This post is rambly and long, so I’m sticking things behind a cut!

Mike’s memories of the last 3+ weeks are scrambled and foggy; an interrupted El Quackity treatment? Unclear. But between saying he doesn’t remember anything and then spouting off pro-Federation propaganda (something his anarchist ass would never willingly do!) and fiercely trying to pin blame to Fit as a traitor, a comment by him during one of the questioning sessions stood out to me.

When Fit asked who told him his janitor duties were fake/a front, that he couldn’t be trusted, he said Cucurucho.

We and FitMC know that the Feds are sus of Fit, but they’ve had no actual concrete evidence that he’s been misusing his position to obtain information. And yet now Cucurucho, supposedly, is informing Mike of this so called betrayal?

If we think back to the prison cleanup in August, there was a room that had a chess board map on the wall. Only two pieces were present: a queen and a pawn. And the pawn was positioned on a clear way to indicate it’s meant to represent Fit. A warning - possibly to Fit from the ghost entity in the Prison (or someone in a neighbouring pocket dimension, if recent ruminations and theories on the server have any legs) that aided Pac and Mike, OR the Federation itself, reminding him of who has the power and who is always watching.

But they have yet to take any action. And always praised his work when completed.

Enter: Tubbo. Who arrived on the Island as part of a group rescued from a mysterious location. One with lots of strange blocks, code-eggs, frozen floors and who himself was frozen away. Shortly after, Mike and Pac ventured back to that location to explore, and when he entered the tower, the floor vanished and Mike fell. Fell down into a pool of water at the bottom of a trap lined in black concrete, and then frozen.

During Mike’s absence, Tubbo has gotten to know the “morning crew”, has gotten up in everyone’s business. I’ve outlined some highlights in another post. But more recently, every time he talks to Fit about his cleaning job, he’s picked at it again and again. Freaks out over the badge and keycard - especially over the keycard. (This feels important, for more than just Tubbo’s excuses of it being bugged, but I can’t put my finger on why, yet.). Tubbo whines when Fit won’t give him direct insight, or tell him detailed specifics on what he’s found on the job. Fit has made it clear he will not jeopardise his position to satisfy Tubbo’s need to meta-game win over the system to know everything, resulting in accusations, and Tubbo commenting privately to his own chat that this makes Fit untrustworthy in his eyes. Tubbo has been careless with some of his questions. They’ve been asked topside, sideways comments uttered with side eye. He wants to KNOW what Fit is after.

And Fit did spill to Tubbo that he’s not just there for the obvious. Yes, He IS looking for something. Yeah, he IS trying to find things out about the Codes, the Eggs, and the Federation - he wants his beautiful baby boy (made in Heaven by God Himself) back home safe and sound.

But this has not been successful, never mind the long absence of any work in the last few weeks..and we the viewers know that things he has found have been incomplete, or need more time to cook before he goes to others with evidence. Fit is meticulous, his life on 2B2T trained this into him in order to survive. You don’t last 10 years in an anarchy wasteland without being prepared. Better and safer to leave things unsaid than having to walk them back later. And there’s no point in sharing what isn’t relevant to the matter at hand.

And now Mike - who Fit calls friend, who he bonded with, who he swore to help locate Walter Bob with - said Cucurucho told him that Fit was a traitor, and wasn’t looking for what he said he was, even point blank accused him of lying yesterday about what he’s looking for. And when pressed about what he’d found so far when on janitor duty, Fit had to admit that no, he hadn’t found anything related to the Eggs or the Code.

Mike seemed to take that as proof of his lying about what he’s doing. That what he was told was right. But admitting to a lack of success doesn’t make one a liar. And Fit telling him he found nothing is also a smart play - lose lips sink ships, and better to be thought incompetent. Especially if the Federation are now trying to flush you - and perhaps your ties to your employer, outside the island - out into the open.

The Federation did not know about Ramón’s furnaces until Tubbo did. And they didn’t know Fit was in it for more than the obvious until he spoke with Tubbo. They can’t get Tubbo to take on Fit, but they can use a different pawn they have on the board instead.

I may well be completely off base. And I’ll be delighted if I am. It’s been so much fun to theorise about the lore on QSMP! But mark my words, we need to pay much more attention over the next 48 hours. And who knows what everyone will come back to in a week’s time?

#qsmp #qsmp lore #Qsmp theory #qsmp tubbo #Qsmp fitmc #Qsmp Mike #qsmp cucurucho #Qsmp federation #Qsmp player data plot

[orionsangel86]

I'm sorry but why do you ship them so hard? They just have 1 episode together.. I watched the sandman expecting destiel and it was literally almost nothing there. 1 episode. Idk how you guys got so much ship content out of that.

Ah nonny, I'm sorry but if you go into anything expecting Destiel you are gonna be dissappointed. Destiel is a behemouth of 12 years worth of gradually escalating gay subtext, queer coding, and romantic tropes. Destiel is the ship that people go into expecting that Tumblr exaggerated only to be blown away by how ridiculously gay it is even when it tries so hard not to be.

But remember, once upon a time people shipped Destiel after only a few moments of interaction. The first Destiel fic was written 30 minutes after Lazarus Rising aired...everything has its time.

When I joked that Dreamling was the "Destiel of Sandman fandom" I meant in terms of popularity compared to everything else about the show. The ships share some similar traits when compared on a grand scale - think ancient cosmic entity that has very strict rules slowly changes and starts to become more "human" thanks to their friendship with one dude who just so happens to be a hedonistic stubborn ass who refuses to die - but are otherwise very different.

But if you are wondering why people ship Dream and Hob so hard, well, this post goes some ways to explaining it.

But basically, look this may only be a half hour of television, but it doesn't equate in universe to half an hour of interaction. This half hour of television spans the course of 6 centuries for these two characters. There is a totally untapped potential hidden in the gaps between centuries to explore, and on top of that, the final meeting is left completely up to the imagination of the audience. Its a sandbox ship. Its a dozen fanfiction gaps laid on top of each other. It's at least 20 different prompts for fans to sink their teeth into. Its the potential. It's the what if.

Then on top of that, if you follow the comics, you know that the future Dream x Hob meetings also have a hell of a lot of potential to turn romantic. Dream going out of his way to hunt down a specific bottle of wine that doesn't exist on Earth anymore to gift it to Hob in his dreams, the very fact that he visits Hob in his dreams (hello common Destiel trope right there). They don't meet too many more times in the comics, but each time the tension is palpable. The meeting in the Kindly Ones is heartbreaking, because you can tell desperately how much they need each other at that moment, but they are both too distracted or consumed by grief and depression to truly reach out to one another. The comics never reveal why Dream sought Hob out at that point, but given everything happening to him at the time, its not hard to assume that Dream was seeking comfort from his friend - the only person he could really turn to for comfort at that point.

Then we have Hob's dream. One of the final stories in The Sandman original comic run. After everything else has happened, after the climax and all that takes place, after the smoke has cleared and you think everyone else has moved on and you are certain the ending is set in stone, you get to Hob's dream, and your mind is once again blown, and suddenly you have a thousand more questions. So many fans hopes and dreams rely on Hob's dream right now I can't even begin to express how important that particular comic issue is to me.

It's all about the potential. There is so much potential.

Plus the 30 minute scene we got was loaded full of subtext, romantic tropes, and queer coding. I dunno if you picked up on it, but I have an extremely long meta essay still in the works that goes through everything that 30 minute sequence gives us in terms of shipping fodder (I really need to finish that). Its not just the romantic tropes, the break up and make up, its the acting choices, the eye fucking, the freaking song choices in 1989 holy fuck could they be more on the nose.

Also, consider this thought experiment: Crowley and Aziraphale in Good Omens are a hugely popular ship, where their creator Neil Gaiman has confirmed that theirs is a love story. Whatever else you may believe about Crowley and Aziraphale, their story is a love story. Creator confirmed love story.

Now, Crowley and Aziraphale are the leads of Good Omens and interact throughout the entire 6 episode show. But consider the first half of episode 3. Imagine a version of Good Omens where Crowley and Aziraphale don't really interact outside of that 30 minute opening sequence. That the story was much more focused on the Them, the Horsemen, and the other characters. Imagine then seeing that 30 minute sequence which shows Crowley and Aziraphale slowly warming to each other and becoming friends over the centuries, shows them getting to know each other, do each other favours, come to each others defence, get into fights and break up with each other, only to make up later...

Would you still ship them? Even if that 30 minute sequence was all you got? I guarantee if I asked any Ineffable Husbands fan that question they would say yes. Because THAT 30 minute sequence is what solidifies the importance of their relationship and its what MAKES IT a love story.

Guess where Neil Gaiman got the idea for that 30 minute sequence in Good Omens from? Ah Neil, plagiarising his own work all these years later!

If Neil Gaiman thought that Men of Good Fortune would work well for a canonical love story in Good Omens, I wonder what he was thinking when he then adapted Men of Good Fortune for television?

THE POTENTIAL.

I ship Dreamling that hard because it has more potential than any other ship I have come across. It has 6 centuries and all the future of the Sandman show for me to explore, to tweak, to play with. Besides they just suit each other ya know? Like Dream is notoriously bad at relationships, but Hob is literally perfect for him. The more my mind dwells on how perfect Hob is for Dream the more I want to scream about it. Give the sad wet cat man a boyfriend who is literally his opposite in every way. Dream is a character looking for a reason to keep living, and Hob is a character who refuses to die. Dream is a pessimist, Hob is an optimist. Dream is afraid of change, Hob literally changes constantly with the times. Dream is desperate for love and someone to stay by his side, Hob just wants to love someone he doesn't have to eventually leave.

Let them meet in the middle.

#dreamling #destiel #the sandman #there is a destiel quote in there somewhere #they met in the middle #lol #sandman comic spoilers #dream of the endless #hob gadling #sandman meta #dreamling meta #asks

[mahalshairyballs]

What would it take for Jake lockley to fall in love???

Sorry for the delay in the response.

It's actually a very interesting question!

I'm not sure what it'd take 🤔, would he need to work on his emotions before being able to fall in love or can he just do it already, he only thinks he can't because of his past ?

.

Jake weirdly enough, got me thinking about nature vs nurture a lot. Since I don't think Jake's 'real' or 'original' personnality is what he is today. How Jake is as an adult is how his childhood personnality got forcibly changed by the events he went through.

He might not be able to see a path back to his 'original' self, maybe there isn't one.

So what would even be his 'original' self ? Well, a way to see it is 'what if Steven had been the one to receive the abuses' ?

Jake was never like Steven, not exactly. But he was more sensitive? Kind-natured.

I think 'roles' aren't set for alters, not for the Marc system at the very least, they have to be taken. Either Steven or Jake could've been the emotional / physical protector and vice-versa. It just so happened that it was Jake who became the physical protector, but he had the potential to play Steven's role.

So did he have the ability to love before going through all this? Of course.

And now? I think he still does. It's just hidden way deep.

.

I think Jake knows that he's more sensitive than he lets out. And he's scared of it. He's not so much scared of being 'vulnerable' in front of others, as he is scared he won't be able to control it if he lets it out, won't be able to go back to his usually calm demeanors.

Jake isn't scared of new situations, he's used to that. To think on his feet, quickly, and deal with the hand he's given and make the most of it. He is, however, scared of unfamiliar emotions.

So he is scared of love. That may be why he kinda wants to not be able to love, since he doesn't know what he'll do with that emotion.

.

So what would it take for Jake to love?

To feel something strong for someone, to care about them, it wouldn't take that much more than for most people. Actually, just really *seeing* him, seeing him as different from Marc, addressing him by his name, appreciating him for who he is, goes a long way. He'll definitely at least like you a lot just for doing that.

Then, well, someone who is fun to be with, someone who gets what he does and try to understand him, someone who respects him, someone who's nice and gives him special attention.

He can fall fast for someone, since he's as desperate as the other two boys for love and approval. He just doesn't know it, as opposed to Marc and Steven who do.

.

The thing though is, what would those strong feelings feel like ? Would they feel like what we usually associate with 'love' or different?

I think it would be pretty different. I do think there's a few characteristics of love within that feeling, like wanting what's best for the other, liking their personality, wanting to spend more time with them, be close to them, etc. But I don't think it'd feel 'good' necessarily.

Like with his unease about nice physical touches, this kind of unfamiliar feeling that's supposed to be nice would feel - painful instead. Because this time it's the realization of something that's been missing.

Love for him would almost feel like a drug. It's something that's not necessarily enjoyable for him, but nonetheless he still wants more and can't go without once he got in contact with it.

So there's a chance that he'd become the most jealous of the three. Driven by that fear that this new love would go away anytime now.

.

I had a scene in mind where Jake found out that Steven and Jean-Paul had gotten in the habit of cuddling together in the mornings. They weren't doing anything more, but just that got Jake pretty mad at Steven.

Jean-Paul tried to explain the situation and wasn't really happy how mad Jake got for something so innocent to them (especially since they're in an open relationship presumably...). It was the first time Jean-Paul saw Jake that pissed off, which shocked him. But even what Jean-Paul saw was dialled down from how Jake was really feeling.

Jake blew up in their innerspace, so much it scared Steven. It wasn't pretty.

.

Jake feels a lot. He doesn't understand most of these emotions and doesn't try to. He only tries to live without being noticed too much, which means not letting these emotions show and not act on them too much.

So then what would it take for Jake to feel love that's more 'usual' or feels nicer ?

That, my friend, would be therapy. Lots of it. And letting it go, even if that means he won't be able to put it all back in again.

#anon response #anon asks #why is everyone on anon aww #hope the person will see my response #of course it ended up being another long essay about Jake #jake Lockley #moon knight meta #moon knight essay #moon knight headcanon #jake: i came i saw and i saved your dumb asses #jake x frenchie #nobody expects the spanish lockley #jake lockley isn't unreasonable #but sometimes he is

[alpaca-clouds]

The DnD Lore Problem - Accessibility and Characters (and how BG3 might not help)

You know what? I am gonna talk about DnD Lore and the accessibility of that lore. I talked about this exessively before. But to summarize that long blog very shortly:

Wizards of the Coasts currently makes the mistake of putting basically most DnD Lore behind a paywall, rather than offering official ressources. This leads to a lot of tables actually playing with their original worlds, rather than Toril/Faerûn, which in turn also means, that they are not spending money on official products. While my anti-capitalist ass things that the lore should be accessible just so that people can enjoy it, I also think that this inaccessibility actually costs WotC A LOT OF MONEY.

Today I want to talk about another aspect of this inaccessibility, that is kinda linked to some of the stuff I talked about before, but also is linked to the things WotC is currently not doing in terms of both Honor Among Thieves and Baldur's Gate 3. A thing, that also might not quite work with BG3, though.

See, the core problem of this inaccessibility is, that a) there is no official place where you can just get base information about the world and the timeline, b) this world has grown organically for about half a century, which lead to clutter, but also to the fact that things are at times showing their age.

I might actually make a post on the gods and religion in the world at some other point - but for now let me talk about something else: Extended universes and access points.

The Problem with Extended Universes

Okay, let's talk about how a lot of the big franchises for the longest time have told their meta stories - including DnD - and how it kinda struggles to find its audience. The extended universe.

I am frankly not entirely sure what franchise has started this. I am assuming it was Star Trek? But that is just a guess. But at some point in the 60s oder 70s someone had the idea that: "Hey, we could totally give the fans more to chew on by making official tie-in comics and novels!"

And that was how it worked for very long. Like a lot of the big franchises had at times around 10 novels and comics (if not more) releasing per year that would just explore other parts of the universe and allow the very engaged fans to... well, learn more about the world. Now, I am not going to talk about all the drama connected to the Star Wars stuff, but if you know, you know.

DnD did this too. (As did a lot of the big TTRPG systems, like Shadowrun and WoD as well.) Having a lot of tie in stuff - in the case of DnD mostly novels - that told more stories on the world and also established like some big player characters within the world. Elminster Aumar is probably one of the best examples here.

Those established some characters that play a big role within the world and also told just more stories of those big world changing events. In the recent DnD history that would be stuff like the Time of Troubles, the Spellplague and the Second Sundering.

Now, here we have one big issue. And one issue where I am not entirely certain where it arose from. But the fact is: In recent years, people invest way less into those kind of books. This is just a fact.

It is the reason why those big universes went from publishing like ten novels a year to often not more than three. We saw that in the failure of the extended Universe Disney tried to pull off for Pirates of the Caribbean (though I will still maintain that another big problem was that they barely marketed that at all - hi, everyone, who did not know there were extended universe novels for PotC). We also saw that with League of Legends, who really, really tried to tell a lot more stories with short stories and then also some novels set in Runeterra, before finally giving up, because most people didn't care.

In terms of Dungeons & Dragons I can totally see that a lot of people will also say: "I do not care what some other people's characters do within the world." Buuuuuut...

Stories actually can help you understand the world. Which brings me to...

The Elminster Problem

Okay, I do not know how to put this, but... If you look at the novels coming out for DnD literally half of them focus on either Elminster Aumar or Drizzt Do'Urden. Characters that have pretty much been around since the very beginning and. Look, I don't know how to put it but... It shows.

I am currently reading some of the newer novels and the fact is, that they do not really feel like fantasy books from the 2010s and 2020s. Because Elminster and Drizzt are very clearly characters originating in a very different time when stories were told very differently.

I mean, just look at Elminster. He is a wanna-be Gandalf character. He is from the early, early days of fantasy and... Look, I personally just really am unable to identify with a character like this.

And while Drizzt is a bit better as a character, but even he... How to put this delicately? They are both very much characters written by white cishet men for white cishet men. There, I said it.

I am noticing this a lot with reading Salvatore's books currently. Like, female characters are not overly sexualized, which is a plus. But they also very much exist most of the time in service to a man or at least in relation to a man. There is not a lot of female characters running around that have their own agency.

Which kinda leads to another thing. I actually saw this one brought up by one of those very cliché nerdy Youtube channels talking on DnD, who recognized the problem as well: There are basically two large groups of DnD players who barely intersect. One is the cliché nerds, the other is a largely queer and largely diverse group. And the youtube guy, who was very in the white cishet nerd group, suspected that actually the later group makes up more of the player base by now.

Buuuut... that is also the group who really do not get catered to by the canon lore so far. That was until 2023 with DnD:HAT and BG3 - both catering actually a lot to those groups.

Honor Among Thieves and the undermarketed books

Okay, here is the thing: Honor Among Thieves had two novelizations (one for young readers, one for older readers) and two tie-in novels. One featuring Edgin, Holga, Forge and Simon before the stuff with Sofina went down. And the other featuring Simon and Doric taking place at the time while Ed and Holga are in prison.

I am honest: I really, really liked the Ed and Holga novel. It was super cute and charming and really gives a better understanding of the characters.

But of course once again there is the thing: The books - just like the Pirates of the Caribbean books - were super undermarketed. Like, most people I know off do not even know that there were books released. Heck, even within the actual active fandom there are again and again people who will be surprised that those books exist.

And... I actually also think that the books waste one big ass opportunity, by not at all tying into the broader lore. They are super self-contained.

And that is actually just a waste. Because the place were Edgin lived in? Yeah, that place was super affected by the Second Sundering. Heck, that might have had to do something with his troubles.

Why is that an issue? Well, because... there was not a lot going on there that was inviting you to further interact with the world and learn more abotu what is happening. For once, again, because I think it is a super fun and interesting world. But also, because... WotC wants to make money and is so bad at it, that it really boggles my mind.

See, here is the thing: They could've used those characters - that really are fun and sympathetic characters - to create an accesspoint into that world.

Alright, so what about Baldur's Gate 3?

Which brings me to Baldur's Gate 3 and the thing that a lot of people have noticed: The other Baldur's Gate games - as well as some of the other games releasing around 2000 - had their own tie-in novels going into the characters, their background, but also what they were doing in the future.

Something that so far BG3 has not done, which some fans have already critized. Because a lot of people have actually gotten really invested into those characters. A lot of the kind of people especially who so far are underserved by a lot of the tie-in stuff: Queer and generally diverse audiences.

Like, I think there would be a lot of people, who totally would read a novel, about...

Astarion getting drawn into some sort of political intrigue in Baldur's Gate while serving Cazador

Karlach's time in Avernus

Some Adventure Wyll got dragged into while being the Blade of the Frontier.

Shadowheart going onto a mission for Shar (maybe together with Nocturne)

Whatever Gale was doing during the Second Sundering

Lae'zel's youth among the Githyanki

The Dark Urge and Gortash starting up the entire conspiracy

... whatever Halsin had been up to in his long live

Heck, people would eat that stuff up. And you could not only use it to worldbuild but also once more create some access into the world and what happened there. And they are kinda wasting a lot of potential by not bringing out those novels.

Of course, there is one big problem: BG3 makes it kinda hard to write about anything happening after the ending. Because as it is right now, someone is gonna be pissed if a novel set after the game does not go with the decision for a character they go for. Like, Ascended Astarion fans are gonna be pissed, if they go with Spawn Astarion - and the other way around. Same goes with every other character where you have those big decisions happening.

This is something they will have to tackle eventually if they plan on doing something with the characters in the future (no matter if we are talking Larian or WotC), but it is definitely an issue that just arises from the structure of the game.

Bonus of course is, that you just cannot define a canonical Tav. But without a Tav, you also gotta act as if the story of the game happened without a Tav, which still is not ideal. I am honestly not sure with how they are gonna deal with this on the long run.

Access via Characters

Alright, but what is the actual issue here?

Well, basically there are two hurdles to overcome for the accessibility of the lore. The first is the physical accessibility - aka, what I talked about in the last long blog post. The second meanwhile is more related to making the lore engaging. And that happens through characters.

It is for me what happened last year. I actually tried to engage with the lore as the movie came out - but only when BG3, that tied a lot more into the actual lore was released I actually found proper access to the lore. Because I had concrete things I could now look for because the game hinted at so much both through characters and major story events happening.

Here is the thing: If you just have the lore on its own, it is about as engaging as reading a history book. Sure, as your local history nerd I find reading history books fun, but most people really do not want to read a history book to engage with a hobby.

People will however engage with stories and characters that interest them. Which is where we get back to the thing I talked about at the beginning: Right now most canonical novels and stories still cater to an audience that is male, cishet, white and also, let's be frank, definitely over 30 years old. Leaving behind a lot of potential fans that theoretically make up a big part of the player-base, but actually do not engage a lot with the lore for this exact reason.

Look. DnD right now is fairly close to being an actual mainstream hobby, due to the recent proliferation of formerly nerdy stuff. And yet WotC is bleeding money, especially in regards of DnD.

If you ask me, sure... DnD should go into public domain. But it doesn't. And given that there are so many creative, skilled people working on this - no matter how dumb Hasbro is and how shitty of an employer they are - I actually do want them to succeed. I have really become engaged with this world now. And I think it is a pity that they clearly do not know how to market this stuff.

#dungeons & dragons #baldurs gate 3 #dnd #baldur's gate 3 #bg3 #dungeons & dragons: honor among thieves #honor among thieves #dnd:hat #tie in #novels #dnd lore #accessibility #astarion #karlach #shadowheart #wyll ravengard #halsin #gale dekarios #lae'zel #elminster #drizzt do'urden #edgin darvis #holga kilgore #wizards of the coast #wotc #star wars #league of legends

[drawingjester00]

A small sample of the DC x DP fic I'm working on. It's a Damian/Danny (Dead Serious) fic

Danny wonders why these things always happen to him. This was just supposed to be an end-of-year trip to Gotham. One week he didn't have to fight ghouls or deal with Vlad's fruitloopiness. The universe hated him. At least that's the only conclusion that makes sense.

It started at one of Gotham's museums. Everything was great. They were looking at old stuff and he was joking around with Tucker and Sam. Then his ghost sense went off because of course.

It wasn't a surprise to see a few ghosts come in and start wreaking havoc. How did they know where to find him? He quickly got his answer when he saw Vlad. Vlad grabbed a random kid and fled. Sam and Tucker reassured him they got the other ghost to go after Vlad.

Damian was ready to body slam this vampire-looking man. Who the hell was he and where did he come from? The man turned them both intangible, going through several walls before ending up in a mostly empty room. The man tied up his wrist and ankles but left him otherwise unrestrained. Damian was able to press the call button on his watch.

"Hey vampire, you're a long ways away from Transylvania." Damian snarked.

"I'm not a vampire you insolent brat."

Damian rolled his eyes, "Then maybe you shouldn't dress like one."

Vlad went to retort but was tackled by Danny flying through the wall. Damian would have been surprised if weird shit didn't happen to him on the daily but still he had to put on a performance.

Damian looked at the fighting pair deadpan, "oh wow gee looks like I'm in quite a jam."

By the time Vlad was sucked into the phantom thermos Damian had already freed himself. Danny looked at the kid bewildered.

"You know staring is rude."

Danny scoffed, "I wasn't staring. Who the hell are you? What did Vlad want with you?"

"I have no clue. You came in before his villainous monologue," Damian paused before snickering, "is his name really Vlad? Like Vlad the Impaler, the original Dracula."

Danny can't believe he hadn't made that connection himself. He couldn't help but laugh. Damian raised a brow.

When Danny calmed he looked at the kid, "So kid are you hurt?"

"I would think that's the first thing you would have checked for. I could have bled to death while you went hysterical."

"Since when did twelve-year-olds get so snarky."

"I'm not twelve! I'm sixteen!"

"But you're so small."

"You are only a few inches taller than me. I'm also still tall enough to kick your ass. Who are you anyway? Batman doesn't like metas in his city."

"A what now?"

"A meta," a big man stepped out from the darkness, "You okay Damian?"

"Yeah, hood. Is it just you?"

"For now, yes," Red Hood looked at Danny, "who are you kid and why are you in Gotham."

"I'm Phantom and I'm supposed to be on a school trip but one of my arch nemesis found me but I stopped him so I should get going."

"I should go back to Hood. I'm fine and I'm sure the ghost boy would be willing to bring me back."

"Uh yeah sure let's go." Danny flew off.

Red Hood lowered himself and whispered, "keep an eye on him. If you have a tracker, use it."

"I'm not an idiot. I was already planning on it."

Danny flew back into the room, "you coming?"

"Are you gonna walk 'cause I certainly can't fly or phase through walls."

"Oh yeah. Let me just, " Danny scooped Damian up in a bridal style, "there we go. You ready now?"

Red Hood snickered as Damian turned red, squawking at the poor kid holding him.

"Put me down! Don't manhandle me!"

"Sorry but this is the quickest way."

Danny rushed off. Damian scowled like an angry cat. Danny chuckled, causing the other to start another rant full of foul language. Finally, Danny landed. Sam and Tucker were there waiting.

Sam gave him a confused expression, "Why are you carrying the youngest Wayne."

"Who?"

"Me dumbass! Put me down!" Damian squirmed.

Danny set him down. Damian adjusted his expensive uniform muttering. Sam grabbed Danny by the ear and pulled him aside.

She whispered," What are you doing carrying the Wayne kid."

"Vlad had him. Plus I still don't know who Wayne is."

"Wayne as in Bruce Wayne, " Sam pinched the bridge of her nose as Danny stared at her blankly, "Wayne as in Wayne Tech Industries."

"Oh… ohhhh. So maybe Vlad had him for some rich guy reason."

"We should keep an eye on him. He is just some pampered rich kid."

Danny nodded and went back over. He was surprised to see the kid was still there. He shuffled uncomfortably, unsure what to do from here. What he didn't see coming was the quick peck to his cheek followed by a growled thank you. Moments later the kid was gone.

Tucker grinned, "look at you, Danny. You just get all the rich babes don't you?"

"It was just a hero kiss," Sam waved her hand in front of Danny's face, "you still there."

"Yeah yeah just wasn't expecting that."

"Go change and catch up with the class."

"Good idea."

That night Danny patrolled the city. Gotham was a whole different beast at night. It was still busy, the lights were bright and the people were completely unfazed. He decided to take a break in the park. Not even five minutes he was being dragged by a vine. Now he was upside down face to face with a pretty green skin lady.

"Whatcha got there?" The blonde lady next to her asked.

"I think this is the mystery meta that Red Hood was talking about."

"He's a cutie ain't he? What do you think we should do with him?"

"Interrogate. Why are you flying around our city?"

Danny gulped, "just making sure none of the ghosts from the attack earlier weren't causing more chaos."

"Responsible young man aren't ya."

"Look I don't want no trouble I have enough of that —"

"Ivy put him down," A boy came down from the tree tops dressed in a costume, "he hasn't done anything wrong yet."

Ivy hesitated but she dropped him. Danny landed with an oof.

"You spooky kid come here."

Danny hesitated but went over. The kid narrowed his eyes and clicked his tongue.

"Of course it's you. I heard about you," Damian walked over to Ivy, "I will deal with this," he gestures to Danny before putting his hands on his hips, "Isn't tonight date night?"

Harley smiles, "it sure is. Let's go Ives I think we can still make our dinner reservations."

Ivy grabbed Harley's hand, " be careful kiddo." She and Harley left the two vigilantes.

Damian went back over to Danny who just looked confused. So much happened in the past few minutes and he wasn't able to process it.

"You kid, what the hell do you think you're doing?"

"Uh patrolling."

"Gotham already has its team of heroes. We don't need you stirring the pot."

"I'm trying to help. I don't think Gotham's heroes know how to deal with ghosts."

"You don't know anything about Gotham."

"You know you're right. How do I know you're not a villain?"

"Because you would be in big trouble already. You're lucky those two are reformed."

"I guess you're part of Batman's crew although you're pretty short. I'm surprised the big bad Batman lets you out past curfew." Danny smirked.

Damian growled, "you better watch it, ghost boy."

"Oo did I strike a nerve."

Damian scowled and swung. Danny faked a yawn and went intangible. Damian ended up stumbling. He was quickly getting irritated. Damian tries to land a few more hits.

Danny laughed and pinched Damian's cheek, "so cute."

"I'm not cute. I'm gonna figure out what exactly you are and then I'm gonna kick your ass."

Before he could get another word in his ghost sense went off. It was the box ghost being annoying as fuck. Danny rolled his eyes before swiftly kicking his ass. Damian watched amused. Once the box ghost was away Danny was again at Damian's side.

"I didn't recognize that villain but you did adequately I guess."

"That's 'cause he is one of mine. He's a ghost."

"So you're both ghosts. Did you," Damian paused, "did you die?"

"Yeah, kinda I guess. I never thought about it that way."

"That is never easy."

"You say that like you have experienced dying."

Damian stayed quiet. Danny looked at him and was shocked. This boy had experienced death; his silence was answer enough. A million questions ran through his head but he shook his thoughts away and just hugged Damian.

"I don't know how that is possible but I'm not gonna question it."

Damian tense. It was weird the ghost boy felt so cold but it was comforting. Danny pulled away leaving a confused and blushing Damian. Damian was still standing there when Nightwing arrived.

#dp x dc #batfam shenanigans #danny fenton #batboys #dead serious #danny x damian #damian x danny #fiction #crossover #damian wayne #danny phantom #danny phandom