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#You didn't deserve this
getvalentined · 2 months
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Thinking about Sephiroth's motivations in Rebirth and getting super emotional because fuck, man, I get it. I get it. It doesn't excuse anything, but I get it in a way I can't even describe.
The Gi establish that those who aren't native to Gaia can't join the Lifestream basically at all, they're held separate entirely; the Gi have never been in it directly, their ghosts wander in a little liminal space they crafted for themselves. This is because they're entirely foreign—the Gi appear to be interdimensional travelers that were somehow marooned on Gaia at some point in ancient history, where they died and were left as ghosts, lingering forever unable to move on.
Sephiroth is slightly different in that he was born on Gaia and he does have human parents as well as Jenova, so he can force his way into the Lifestream as we saw in Lifestream Black and Advent Children, but he can't disseminate into it. He's still conscious and cognizant in some capacity even as the Lifestream fights to strip away the parts of him that belong on the planet, the parts of him that were human. This is, presumably, why his memory is all fucked up postcanon, whether we're talking novels or spinoffs; the Lifestream has been trying to take him but it can't, because there's too much Jenova in him, so the parts of him that have survived are just the parts that are the son of Jenova. He hasn't been fully worn down by the time the Crisis rolls around, likely because his body is still partially intact in the Northern Crater. (Again, see Lifestream Black, as well as the OG.)
And here's where everything starts to hurt.
He's alone. No matter what Sephiroth does, he's entirely, completely alone. There is nothing in the world like him, the planet won't accept him—it's not death, it's a homecoming, and Sephiroth has nowhere to go home to.
And he's done this before, this is a repeating timeline, he's been through this before over and over and over. And he's always alone in the end. He's always there at the edge of creation, the end of all things, the kindling of a new universe, and he's still there. All alone.
So this time he's calling for the ultimate Reunion. He's not just calling his Clones home, he's pulling all of time and space together into a single planet, bolstered with the lingering Lifestream of hundreds, thousands of others, timelines where things fell apart and Gaia sat on the precipice of death before Sephiroth found her and tore the Lifestream loose to feed the timeline he's chosen as the most likely to survive.
Three friends go into battle. One is captured (Genesis, in Deepground), one flies away (Angeal, who chose his own death), and the one who remains becomes a hero.
Heroes save the world.
But it doesn't matter, does it? Because he's going to be alone. Zack asks how he could turn his back on everything, and he says "Easily." Aerith asks how he could possibly want an eternity alone—because she doesn't understand, that's what Sephiroth has waiting for him anyway. That's all he's ever had waiting for him.
Sephiroth is going to save a world that will never accept him, because that's what heroes do, and then he's going to be alone forever. But this time, for the first time in every timeline he's experienced, he's going to do it on his own terms. He knows what he is, he knows how this ends, he has no questions of that. But for once in his existence—and it's a long existence, unending, eternal in a way that neither human nor Cetra could never even comprehend—he's going to control exactly how that happens.
Sephiroth knows he can't control whether or not he ends up alone, but he can choose how it happens. He can do things right this time. Maybe if he saves the world it will be different. Maybe the planet will accept him. Maybe he won't be alone.
And if he is (and he knows he will be), at least it was on his own terms.
At least, for once in the whole of creation, Sephiroth had a single flicker of control over his own existence. For once in the entirety of existence, Sephiroth made a decision for himself.
He'll have to live with that decision, alone, for eternity—but it was his.
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kittenscookie · 6 months
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Okay I've been thinking about Owl House a lot lately and...Guys I'm just so damn angry. Because I rewatched the first episode of the finale and realized something. That first episode is a season finale—That whole episode is one season's worth of content crammed into a single episode. That's at LEAST 12 episodes in 60 minutes—five minutes for each damn episode. But remember the first season of toh was nineteen, the second was twenty-one. If we assume the team would have continued with around that many episodes the average is around twenty. Twenty fucking episodes is sixty minutes—THREE MINUTES AN EPISODE.
This then led me to thinking about my other cancelled show with LGBTQ+ representation—Steven Universe. It's basically the same shit, except somehow fucking worst. The diamond arc should have been it's own fucking season, curing the corrupted gems and them having to get reintroduced to gem/human society should have been a damn season too! The two year time skip makes sense when you really think about it—that's the least amount of time it would have taken to get all that shit done in universe! A year to get the gems readjusted, a year to dismantle the diamond empire—plus episodes filling in gaps/unanswered questions. No wonder Rebecca fought so damn hard for SU Future and the movie! It was a desperate attempt to give herself and the fans some kind of closure! And don't forget! Steven universe seasons were LONG—the median amount of episodes was twenty-four.
This shit wasn't bad writing, it was rushed writing. Desperate attempts to cram what should have been at LEAST two seasons into a few short episodes. Can you imagine this? Sitting with your coworkers and trying to figure out how to make at least forty episodes only 3–6? What can be kept and what has to be left to the imagination? Think of what we fucking lost at those tables—Spinel could have been teased and had a better build up, we could have gotten a Wittebane Brothers flashback, we could have explored the characters in both shows trauma. I'm not just mad—I'm livid and not even for us. For Dana Terrace, for Rebecca Sugar. To have something you created thrown away without a care. I'd be in fucking tears.
Fuck Disney, fuck Warner Brothers.
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burst-of-iridescent · 2 years
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Hi, so just starting off by saying that I despise the comics and L*K. Character and plot assassination at its finest. However, I did read some of the Imbalance comic. And I will say that, like the other comics, it’s not well-written in the slightest. That being said, if we’re being comic critical here, I can actually see some points being made for KA in that comic. Aang actually going out of his way to comfort Katara for once? Aang admitting that Katara was right, that he listened to her, and that the city needs both of their help, when she says that the city needs only him? Bryke’s incel self-insert would NEVER. It genuinely had me confused when I read it the first time ngl. Then I realized that the comic was written by a woman, and it suddenly all made sense why their relationship was a lot more equal in ways that the show never gave us. Obviously, whatever small amount of growth the comic gave to their relationship is null because the other comics and LOK exists. But yeah, I genuinely think if the ship was written like this (where both of them are older and the romance is a lot more subtle but they are both on equal terms, a lot of people wouldn’t have problems with KA. Just wondering if you’ve seen those parts and what are your thoughts on it?
i've heard that the comics do (retroactively) try to fix kat.aang by addressing some of the issues pointed out in the original show, like giving katara more agency, making her a more equal partner in the relationship (like you pointed out) and having aang explicitly ask for consent, and good on them for trying, but it's just too little too late. not only are the other comics also terrible to ka (*cough* love is a battlefield, the promise, whichever one it is where katara just sits sad and neglected by the side while aang shows off to his fangirls) the original show still exists and that cannot be salvaged. besides, reading and taking the comics as canon means accepting the most bullshit character assassinations, and getting a marginally more tolerable kat.aang just isn't worth that tradeoff.
but i think you hit the nail on the head to say that if the ship had been written with both of them being older and on more equal terms, many people would've been far more okay with it. i've said multiple times that kat.aang was never doomed from the start (the way mai.ko was) and it was a deliberate writing choice to make them not work.
in my opinion, four things had to be done to make kat.aang a palatable and healthy ship:
katara and aang needed to be on the same maturity level, preferably through having aang actually undergo growth. the reason i enjoy book 1 kat.aang is because i think this is the season where katara and aang are the closest in maturity, but the gap between them grows wider as the show continues and hits its peak in book 3, right when they get together. this makes their relationship feel unequal and imbalanced, and makes aang impossible to buy as a romantic partner, because we see him only as a child.
there had to be a give and take on both ends. this means seeing aang give actual emotional support to katara (especially in the southern raiders), and katara stop mothering aang. aang comes from a monastic culture, so having him just naturally help katara with cooking/cleaning/etc because he's used to being in an environment where everyone pitches in would've been a great way to establish katara and aang as a feasible couple who would work well together. i would also most definitely have had katara and aang bond over being the last of their respective benders, because this is something only the other would've truly been able to understand. it would have showed us that katara and aang get and help each other in ways that no other characters can.
the relationship had to be framed from both katara and aang's point of view, not just aang's. scrap the ridiculous will‐they‐won't‐they and just show us that katara is actually interested in aang. have aang be presented from katara's view the same way jet is, the same way she is from aang's. have moments that show us why katara would like aang (see point 2) and for the love of all that's good and holy, do not make katara a voiceless reward for aang's efforts. she deserves just as much say in her romantic relationship as aang does. one of my favourite episodes is the cave of two lovers even though it's so kat.aang heavy because it actually does this reasonably well. katara initiates their romantic interaction, blushes thinking about it, and actually seems to be into it.
take out the chakra blocking plot point. kat.aang was already bad in universe, but making their relationship an external narrative problem just fucked them over both in and out of universe. kat.aang became a huge stumbling block in aang's character arc, was never resolved satisfactorily, and overall contributed nothing to either the ship's or the plot's development (unless another ship was supposed to be endgame)
of course, i also wouldn't have made aang an incel who felt entitled to katara's affections and forced his romantic affections on her, but maybe that's just me.
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cruddyart · 2 years
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Sobbing, crying, screaming
There we have it, oh my girl.
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putonmyfavoriteshow · 2 years
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Can't believe I gave up on the series before making it to this iconic scene ☠️ @iristhedeadflower & @ichiro51 thanks for making sure I didn't miss this special moment (I can't unhear the amy winehouse melody)
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quetzalqueen · 2 years
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Breathing
WIP snippet of an one-shot I am working on documenting the tragic effects of scientific experimentation on Caroline for the GLaDOS project and her subsequent death. 
This is incomplete, and may be changed or revised at any time.
Major TWs for violence, death, human experimentation, and blood/gore. Rated Mature. 
Can also be read on A03: https://archiveofourown.org/works/41510211
Caroline let out a horrific scream that felt as if it was ripping and tearing its way out of her bone-dry throat. Her throbbing head slammed onto the growing puddle of her blood in the ground. It was everywhere: on her chest, dripping down her forehead, and in her mouth; the awfully metallic tang of the liquid clinging to her tongue. She croaked out a groan that sounded like the pathetic, dying strains of a cane toad. Not a word could be formed in her throat, for it was hollowed out and strained to its extremity. She knew she was dying. The Aperture torturers discussed test subject deaths as if they were mere flies swatted with a zapper. "Another one gone, huh?" they'd say. "Unfortunately, there isn't much of the body left for science." They chuckled. The images of a young man's gruesome death in the facility forced their way into her mind's eye. His guts splayed out over the floor. The indifference of the researchers when they discovered what remained of him. The unadulterated terror in his eyes as he realized what was happening to him... Caroline forced a hand to her mouth to keep herself from vomiting. She didn't have the energy to retch again. Not even at the abomination of her husband's betrayal. Cave, the wretched bastard. The same man who had been her closest friend and confidante for twenty years had decided to sell his wife out to 'revolutionary' human experimentation efforts for the Devil knows what. What kind of scum-eating, wife-abusing, Hell-dwelling reptile would do such a thing? She clenched her fists so hard she drew blood. Caroline did not care if it was the moon rocks making him insane. Nothing could justify this. Not even if he needed to torture her to stop Shanghai, New York, or London from being nuked to glass. He had given her Hell. Caroline could only hope as she lay writhing in her own blood that her husband was experiencing the real deal. She thought of it and smiled through gritted teeth. If there were a Higher Being, He would avenge Caroline. He would toss Cave into the deepest pits of Dante's Inferno and leave him to rot for eternity. It was only fitting after what that monster did to her, after all. Divine justice must do its job.
A Note on the Title 
The title is inspired by the Kate Bush song of the same time. It is a Kafkaesque, extraordinary, terrifying magnum opus of Kate's phenomenal career that I fail to ascribe the right words to. (Seriously, if you can handle it, go give it a listen.) It is written from the point of view of a spirit being anticipating its death through nuclear annihilation. In its last moments, the being contemplates the horror of its reality, utterly helpless to stop the existential threat. Mortality and the fear of what is called the abyss, the Void, or nothingness are themes integral to both Kate's Breathing and this story.
If you enjoyed this snippet, please let me what I can improve on!  
Syntax, vocabulary, punctuation, grammar, tension, etc. This is my first fanfic work in the Portal fandom, and I have been writing for a short time (5 years) Therefore, this may be of poor quality. I need to be informed on what should be changed.
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womanofwords · 1 year
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Forgiveness
This is for everyone who was abused in any way, shape, or form, was pressured to advised to forgive the person, and didn’t want to because of the way they treated you. You didn’t deserve this, and this is for you. I hope you enjoy it.
“I don’t forgive you.”
The words hit A like a tonne of bricks. “What?”
“I. Don’t. Forgive. You.” B said the words loudly and slowly.
“B . . . B, you don’t mean that. I can’t have been that bad, right?” A chuckled nervously. “And what brought this on? You’re so nice.”
“I’ve been thinking about things recently, A. About everything that makes me myself.”
“Why would you need to do that? You’ve done nothing wrong. We were cruel to you.”
“The way you all said it made it seem like it was my own fault. You all hated me, every single thread of me. You called me weak for forgiving, even though you all knew that I believe in second chances.”
“I know, and I’m sorry. We were wrong. This was awful. If there’s anything I can do-” B stopped A with a glance.
“You aren’t going to do it. You’ve never done any of it. You just beg, say you’re sorry and ask me to forgive you. And I did, because I wanted to believe in you. But it’s exhausting, especially since I don’t have to forgive you. Forgiveness is something that is ultimately very nice, but I don’t have to forgive you. I have my own idea for what to do with this horrible relationship we have.”
“We can salvage this, I promise. We’ll do everything we used to do before everything happened. It could be all your favourite things.”
“Don’t bother.” B sighed and kicked at the ground. “If you really want to do something for me, then leave me alone. I feel sick just looking at you.”
“But reconciliation is such a relief!”
“The only way I could get any kind of relief is if I never had to see you again. I don’t want to have to talk to you or any of your old friends ever again in my life. Now go.”
“But B-
“GO! NOW!”
A turned their back and left.
And B went in the opposite direction.
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uncanny-tranny · 3 months
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I think so many people are so deeply alienated from themselves that they have no clue how to exercise their free will and autonomy. For some, this alienation runs so deep that they are afraid of their own autonomy and humanity. It is completely understandable why one would have those feelings, but it can be worrisome.
I want to help others who feel this way, so here are small things I have done to exercise my free will:
Add "guilty pleasure" songs to playlists and actually listen to them (I have a ton of late 1990s-early 2000s music I listen to now proudly that I never listened to in the past out of shame)
Getting the décor item, bath set, bed spread, ect. in the patterns you like, even if it's "childish" (I got a dinosaur-themed wastebasket from the kids' décor section and I adore it)
Taking a new route to get to a place you go to often
Eat dessert first
Celebrate well, and often
Collect things that are "odd" or don't seem like an "acceptable" thing to collect (somebody on my "for you" page collects dandelion crayola crayons and it was so cool!!!!!!)
Incorporate one new piece in an outfit you wear frequently (e.g., a new chain, a necklace, ribbons, bracelets, ect.). Challenge yourself to add onto the outfits if you feel up for it.
Sing along to songs without worrying that you sound "good" or your intonation is completely accurate
Read a book from a genre you weren't allowed to read as a kid (comics, thrillers, mysteries, anything!)
Walk without having a specific destination or goal
Pick up a new craft without expecting yourself to master it or to ever be "good" enough. Get your hands messy.
I don't want to shame anybody for not feeling as though they have free will or that they are exempt from exercising it. However, I wanted to give ideas so that you might read this list and find your own ways to express your intrinsic autonomy and will. You deserve to be a person, to feel alive, not just living. That is what our lives are for.
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inkskinned · 1 year
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the thing is there's like, a point of oversaturation for everything, and it's why so many things get dropped after a few minutes. and we act like millennials or gen z kids "have short attention spans" but... that's not quite it. it's more like - we did like it. you just ruined it.
capitalism sees product A having moderate success, and then everything has to come out with their "own version" of product A (which is often exactly the same). and they dump extreme amounts of money and environmental waste into each horrible simulacrum they trot out each season.
now it's not just tiktokkers making videos; it's that instagram and even fucking tumblr both think you want live feeds and video-first programming. and it helps them, because videos are easier to sneak native ads into. the books coming out all have to have 78 buzzwords in them for SEO, or otherwise they don't get published. they are making a live-action remake of moana. i haven't googled it, but there's probably another marvel or starwars something coming out, no matter when you're reading this post.
and we are like "hi, this clone of project A completely misses the point of the original. it is soulless and colorless and miserable." and the company nods and says "yes totally. here is a different clone, but special." and we look at clone 2 and we say "nope, this one is still flat and bad, y'all" and they're like "no, totally, we hear you," and then they make another clone but this time it's, like, a joyless prequel. and by the time they've successfully rolled out "clone 89", the market is incredibly oversaturated, and the consumer is blamed because the company isn't turning a profit.
and like - take even something digital like the tumblr "live streaming" function i just mentioned. that has to take up server space and some amount of carbon footprint; just so this brokenass blue hellsite can roll out a feature that literally none of its userbase actually wants. the thing that's the kicker here: even something that doesn't have a physical production plant still impacts the environment.
and it all just feels like it's rolling out of control because like, you watch companies pour hundreds of thousands of dollars into a remake of a remake of something nobody wants anymore and you're like, not able to afford eggs anymore. and you tell the company that really what you want is a good story about survival and they say "okay so you mean a YA white protagonist has some kind of 'spicy' love triangle" and you're like - hey man i think you're misunderstanding the point of storytelling but they've already printed 76 versions of "city of blood and magic" and "queen of diamond rule" and spent literally millions of dollars on the movie "Candy Crush Killer: Coming to Eat You".
it's like being stuck in a room with a clown that keeps telling the same joke over and over but it's worse every time. and that would be fine but he keeps fucking charging you 6.99. and you keep being like "no, i know it made me laugh the first time, but that's because it was different and new" and the clown is just aggressively sitting there saying "well! plenty of people like my jokes! the reason you're bored of this is because maybe there's something wrong with you!"
#this was much longer i had to cut it down for legibility#but i do want to say i am aware this post doesnt touch on human rights violations as a result of fast fashion#that is because it deserves its own post with a completely different tone#i am an environmental educator#so that's what i know the most about. it wouldn't be appropriate of me to mention off-hand the real and legitimate suffering#that people are going through#without doing my research and providing real ways to help#this is a vent post about a thing i'm watching happen; not a call to action. it would be INCREDIBLY demeaning#to all those affected by the fast fashion industry to pretend that a post like this could speak to their suffering#unfortunately one of the horrible things about latestage capitalism as an activist is that SO many things are linked to this#and i WANT to talk about all of them but it would be a book in its own right. in fact there ARE books about each level of this#and i encourage you to seek them out and read them!!! i am not an expert on that i am just a person on tumblr doing my favorite activity#(complaining)#and it's like - this is the individual versus the industry problem again right because im blaming myself#for being an expert on environmental disaster (which is fucking important) but not knowing EVERYTHING about fast fashion#i'm blaming myself for not covering the many layers of this incredibly complicated problem im pointing out#rather than being like. yeah so actually the fault here lies with the billion dollar industries actually.#my failure to be able to condense an incredibly immense problem that is BOOK-LENGTH into a single text post that i post for free#is not in ANY fucking way the same amount of harm as. you know. the ACTUAL COMPANIES doing this ACTUAL THING for ACTUAL MONEY.#anyway im gonna go donate money while i'm thinking about it. maybe you can too. we can both just agree - well i fuckin tried didn't i#which is more than their CEOs can say
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tagerrkix · 7 months
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rage.
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zosanbrainrot · 1 month
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part 2 of Zoro in WCI
01 02
I tried to write something to sum up my thoughts on this, but then it got longer and longer and tbh I'm itching to write a fic set in this AU djjdkf I think I could develop on their inner feelings more than in the comic form
Before posting the first part I didn't realize people had such strong opinions on how this would play out lmaooo
imo, of course Zoro wants to fight Sanji, not with actual intent to harm (they threaten each other on the daily, come on), but because that's how they are together, how they communicate. He respects Luffy's decisions and their goal here, which is to learn what's really going on with Sanji, but he's gonna be pissy about it all he wants. They both have so many intense and conflicted feelings about this and neither has any idea how to resolve them. So they fight.
ofc yall are free to headcanon this interaction any other way you want <333
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puniflash · 1 year
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Rick shooting the zombie in the tank is kinda stupid. Like, damn Rick even my ears hurt now. But given the circumstances, I get it and probably would've done the same, if I'd even made it that far at all.😅
Hearing Glenn gives me a rush of happiness every single time. It's so good to know, that he's there.
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elizaellwrites · 1 year
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This is my apology note to Lirrynae in particular.
Most of my characters have experienced hardship, but your entire existence on my pages has been pure suffering. So I'm sorry.
...but the story must go on anyway.
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starwarjotta · 3 months
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Cody surrounded by family and the people he loves, because that is what he deserves
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allpromarlo · 1 year
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bro i could run this aston martin strategy better wtf did they do
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flipyeahaudge · 1 year
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i'm sorry, you have seen my reaction to Brokeback mountain, i have to kill you now.
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