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#Sailing Thrillers
dzelonis · 2 months
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Sam Llewellyn - Blood Knot (Sailing Thrillers)
Links uz grāmatas Goodreads lapu Izdevniecība: Michael Joseph Manas pārdomas Bils reiz būdams kara korespondents Tribune laikrakstam nav svešinieks dzīvībai bīstamām situācijām, bet visam ir sava vieta un laiks, un Bils savā gadījumā ir veicis izvēli par labu burāšanai ar kuģi Vixen, kuru mantojis no burāšanas entuaziasta tēva, kuru gan pašam diemžēl nav bijis lemts tik labi iepazīt. Un kur nu…
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gaminegay · 4 months
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my wish to live life to the fullest vs my certainty that everything that can go wrong will, FIGHT
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johnsilvers · 2 years
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i would know steinberg & levine's writing blind by the way its breaths came and its feet struck the earth
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8dancinggods · 8 months
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"Nothing...at all."
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moonydustx · 26 days
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I look better under you
Based on the song Snooze - Sza
Roronoa Zoro x F!Reader
Warnings: smut, mentions of scars, jealousy. Doesn't exactly follow plot canon.
Summary: After two years apart after the incident with Kuma in Sabaody, you and Zoro meet again.
A/N: I was thinking about doing some stories based on songs, especially in the future using one from Cowboy Carter for Ace because it makes so much sense to me. While that doesn't happen, we're left with Snooze, which is one of my favorites from Sza.
requests open | one piece masterlist
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Long as you dreamin' 'bout me, ain't no problem
I don't got nobody, just with you right now
Tell the truth, I look better under you
I can't lose when I'm with you
How can I snooze and miss the moment?
You just too important
Nobody do body like you do
Your body itched when you saw a handful of greenish hair appearing on the horizon of the Sabaody archipelago. It was two long years without seeing each other, without talking, without the little escapades in the crow's nest where you spent hours tangled up in each other. Before you could prepare to talk to him, Sanji and Luffy also appeared in your field of vision, running in some direction you hadn't noticed yet.
"Let's go!" Luffy passed you who immediately started running to keep up with them.
"Finally a beautiful and real woman." Sanji's eyes practically threw hearts in your direction. "So beautiful, so fragrant, so..."
For a few seconds you thought Zoro was going to complain about Sanji, like they always did, but he remained quiet just as he didn't show any reaction when he saw you.
Your companions didn't know about the little escapades the two of you had and for a long time it was what made sense to you. Until your eyes witnessed Kuma erase Zoro's existence before your eyes, at least that's what you believed for a while.
"Isn't that the pretty girl from Thriller Bark?" Sanji caught your attention. A few meters away you recognized the pink hair and the gothic style.
The woman's face was almost glued to Zoro's as she yelled at him. Too close to be just a coincidence. "Why haven't you left here yet?" "I brought you here for nothing." Perhaps your vision was obstructed by the anxiety of being back - which now became a bitterness on your lips. Apparently the two years passed differently for him.
Ignoring the confused feelings, you and your companions ran towards the Sunny and before the navy even thought about reaching you, the ship was already sailing towards the next island.
"It's so good to have everyone back!" Nami hugged you tightly in a hug. "Come on, tell me what you were doing this whole time."
Islands with carnivorous plants, strange laboratories, giant birds, a castle with a certain girl with pink hair. Zoro was sitting next to you. As they listened to everyone talk, something about his posture seemed to show some discomfort in being there.
Everyone seemed to accumulate stories and adventures to tell and despite the small puddle of hurt that accumulated in you, you were happy to see your friends again.
"And you." Robin turned towards you. "What challenges have you encountered?"
"I went to a village that was being attacked by venomous insects. We had to keep shooting at them all the time and maybe that improved my aim." You took one of the small knives from your waistband and threw it past the small gap between Nami's neck and hair.
"Shown off." Zoro murmured next to you, attracting your attention for a brief second.
"Did the animals do this?" Usopp pointed to your arm.
Attracting everyone's eyes, you turned your arm, showing the scars that started on your fingers and went almost to the height of your shoulder.
"No." you smiled sympathetically as the shooter looked on attentively. "Let's just say not everyone on this island was nice or interested in the end of the demonic insects."
The others nodded and it didn't take long for them to engage in another story, paying attention to all the news. Even though you weren't looking in his direction, you could feel yourself being watched the entire time.
After a long conversation, everyone decided to explore Sunny. Review what they left behind, prepare for the next challenges. Before you could do the same, you felt an arm pulling you towards one of the rooms.
"What the hell is this." you saw Zoro in your field of vision. One of his hands closed the door and the other rested on the side of your head.
"It's been so long." he murmured, his face seeking the direction of your lips. Begrudgingly, you dodged his kiss. "What?"
He tried again and saw you repeat the gesture. It took his brain a few seconds to process all the possibilities.
He tried again and saw you repeat the gesture. It took his brain a few seconds to process all the possibilities.
"I understand." he started walking away. "Two years is too long, I understand that maybe you found someone else."
"I did this?" The tone of his voice was shrill and full of indignation. "Says the guy who was with the goth girl there. Did you enjoy your enchanting romance in an incredible castle?"
"Are you crazy?" Zoro analyzed you for a few seconds, seeing how safe it was to approach you. His hands found your chin and when you tried to move away from his touch, Zoro held on even tighter. "You know I had nothing to do with her. You know no one is like you."
Your own hands found his and went up to your face, relief was written on your face. Gently, one of your fingers traced the scar that closed his eye.
"Who made this?" you whispered, wanting to hold that little moment between the two of you.
"No one that matters now." He turned his face, kissing one of your hands. His gaze soon reached your immense scar. "About what you said outside, who was the bastard that hurt you?"
"No one that matters now." You smiled, enjoying his touch on your face. "You know I hate her, don't you?"
"Perona?"
"I wish I had killed that bitch in Thriller Bark!" you grumbled, earning a laugh from Zoro.
He wanted to kiss you, heavens he wanted to be able to take you there but he had missed hearing you too much and seeing your eyes shining in his direction. Everything else could wait.
"You only say that because she was playing with the ghosts and you."
"Exactly." your hands went down to the back of his head, pulling him closer. "I'd kill that bitch again just to think of her stealing what's mine."
You could feel Zoro's laughter almost on your skin, given the proximity. "So jealous" he murmured and before his lips stole yours, the two of you were interrupted when you were thrown from the door and the presence of a euphoric Luffy appeared.
"Let's eat! Sanji is going to make a huge feast for you and us." he pulled you by the shoulders. "Can you get your knife between Brook's ribs, say yes, please."
"Does he know you want to do this?" you asked him, taking advantage of Zoro's support to stand up.
"He said he'll accept it, if you let him see the color of your panties." Luffy spoke with a naturalness that brought laughter from you and a groan from the swordsman.
"He won't see, but..." you warned, tugging at the waistband of your pants. "It's pink, with white polka dots." Brook's scream outside indicated that he had heard the entire conversation and had probably combusted.
"Hit his head." Zoro grumbled, leaving the room before you.
A lot of thrown knives, a huge feast made by Sanji - and considering that Luffy ate more than half of it claiming he missed the food the cook made. You watched some of your friends retreat to your quarters.
"Has anyone seen Zoro?"
"He said he would be upstairs if anyone needed him." Chopper warned you and you thanked him, leaving him behind.
Knowing he would probably be alone, you walked up the stairs to the crow's nest and entered unceremoniously. Zoro was lying down, contemplating the ceiling.
"I thought it would take longer." He stood up, coming towards you.
"It's just that everyone is going to sleep, I think we can talk properly now." the words barely had space to leave your lips before Zoro reached you and crashed his lips into yours.
Your hands were against his chest and even though you wanted to move away to at least try to talk before finding out what happened during this time outside, Zoro's lips took yours in an intoxicating way. Honey, drinks and longing mixed in your mouths.
"We can talk later." he murmured, almost reading your thoughts. "I just miss you."
"Me too." your lips heaved as you felt his arms lift you so that your legs were wrapped around his.
Such a movement was made only so that Zoro could take you to the ground in a strange delicacy on his part. The green threads became your fingers' favorite path while his hands removed the few pieces of clothing that your body still had.
"No one that matters now?" he traced some scars that adorned your back and watched you twitch. "I'll still kill the bastard."
"This someone is no longer here for you to take revenge on." you took his lips as a distraction for your hands to slide over the shoulders hidden in the kimono.
"That's my girl."
Scars, bruises, nothing would take away the pleasure of Zoro's contemplation. The long two years didn't really seem that long until he saw you. How can you wait so long? How did he not go crazy and come back even if he swam to Sabaody?
"Hi greenie." You caught his attention by letting your hands caress his cheek. "Are you ok babe?"
"You are so beautiful." The words came out suddenly as if it were common for you to hear that every day.
If it were up to him alone, he would make a point of repeating that all night and for the rest of the next nights as well. Your eyes looking down at him asking for attention to your body, your legs closing against his body, small sighs as you felt him touch you. You underneath him was one of the best sights Zoro would have for the rest of his life.
His lips traced every contour of your skin. Every shiver was swallowed by a kiss, every shiver was trapped between his lips. The damp fabric of your panties didn't last long as a hindrance to the swordsman who turned you into tatters. It was like enjoying a feast after years of scarcity, drinking the divine honey that flowed from you.
"Still delicious." "I missed you so much."
Zoro couldn't contain a light laugh when he saw you cover your mouth with both hands, avoiding the screams that hit your body as you poured yourself onto his lips. Your waist took on a life of its own with the sensitivity of your pussy against his tongue.
Without any effort, Zoro turned you around and, handling you, placed your body on top of him, in a lotus position. His cock brought friction against your clitoris, your belly burning with pure anxiety and his hands made your hips move against him without even penetrating you. Your lips already hurt from the pressure you used to not let any noise escape.
"Let me hear you, please." One of his hands caught your hair, placing your head against the back of his neck. "Moan just for me baby. I need to hear you."
"Zoro, fuck, don't torture me. Just fuck me, please."
Hearing you beg was the closest thing a devil like him would get to heaven. Wrong, so wrong. Feeling your pussy contract with every inch he put in, that was paradise.
Despite feeling like you could explode at any moment, you moved slowly, not wanting the night to end. The grips against your ass, the eager hands pressing you against the base of his cock. Neither of them seemed to be able to last long.
The peak reached you first, your lips against the sweaty back of your neck, your fingers prickling the green strands begging for more and more, it was enough for Zoro to sink his teeth into your soft skin, containing his own moans and filling you up.
He lay down, still keeping himself inside you and allowing you to lay against his chest.
"You have new ones too." Your fingers traced some new scars.
"You don't like them?"
"Still beautiful, as always. Zo?"
" What do you need, sweet?"
"I know it wasn't our choice, but... Promise that if we get separated again, we'll find a way and find each other." Your eager eyes drew a sigh from the man, who pressed you even tighter against his embrace.
"This is the easiest promise I've ever made."
The sun began to rise when you could no longer keep your eyes open. With your body tied to Zoro's and covered by his kimono, without worrying if anyone would arrive, the two of you both took a snooze.
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syrupfog · 12 days
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Ahhhhh. Soulmates AU where Sanji has built his whole life around the fact that somewhere out there he has a soulmate. 
Like, it’s the only thing that kept him going, kept him moving forward. An entire childhood of being told by his siblings, by his father, that he’s unloveable—
And the only proof he has, after his mum’s gone, is that somewhere out there is someone who’s DESTINED to love him. The universe has SWORN it. 
Even when he’s getting bruised and bloodied and told he’s worthless from the siblings who have all the love of their father.
Even when he spends his days in a dungeon, the light filtering in from the high window barely visible through his iron helmet, alone and cold. 
Even when he’s slowly dying from starvation, stranded on a rock. 
The one truth Sanji knows is that he has someone who loves him.
He spends his time at the Baratie flirting with anything that moves, but is thoroughly aware underneath it all that he’s worthless. That’s been drilled into him since birth. 
If he’s able to make a woman happy for a moment, then he will, but that’s not for his own sake.
He feels confident, having had years to think on it, that there is one single person in the world who CAN love him. And Sanji feels sorry for them, because he knows he doesn’t deserve that love, but all the same he selfishly looks forward to finding them.
And then— he meets him. 
It’s everything the books — and his mum — described it as. The world bursting into colour, the feeling of RIGHTNESS slotting into place. The man (that’s surprising) has green hair and three earrings and three swords and it feels like fate. It IS fate.
And then the man — Zoro — green hair and three earrings and the only thing Sanji has ever wanted, the person he’s centred his whole life around — he tells Sanji that he doesn’t believe in soulmates. Doesn’t want the universe to be in charge of his own destiny.
And Sanji breaks. 
He— doesn’t know what to do with his life now. He joins the crew because Luffy asks, because the only thing he clings to right now is that SOMEONE wants him. But. 
Zoro doesn’t. 
His soulmate. 
The only one MEANT for him. 
And what does that say about Sanji?
He hates Zoro. HATES. 
He fights him at every chance. Wages war with words and kicks. 
He’s drowning inside. Unmoored. The knowledge that he’s entirely unloveable is a burden too great to bear. 
They sail onward and Sanji cooks and fights and cooks and fights and drowns.
Something shifts at Thriller Bark. 
Sanji’s there when Zoro attempts to sacrifice himself. And Sanji HATES him for it. He hates him because in all this time traveling together, try as he might, hate him as much as he does, Sanji’s never been able to stop loving him.
And if anyone’s going to die for this fucking crew, it’s going to be the one who’s so worthless he cant even have a soulmate who loves him back. 
He knocks Zoro out of the way, faces Kuma head on. 
The pain in his side a moment later feels like the Baratie betrayal all over again
Later, on the ship keeping vigil at Zoro’s bedside, he waits until Chopper’s gone and then weeps, face red and blotchy, ugly loud wails as he falls apart, staining the sheets with tears and snot. It should’ve been him. 
He doesn’t stop until a hand wraps around his wrist.
“Cook,” Zoro says, voice painfully rough. “Why the fuck— did you do that?” 
Sanji tries to hide his tears, replace them with that familiar anger. “What?” he asks. “Try to keep you alive?” 
“No,” says Zoro. “Fucking— sacrifice yourself.” 
Sanji frowns. “I’m the best option.”
Zoro, injured as he is, gapes at him. “You’re the cook,” he says. “We need you.” 
Sanji tries to pull his wrist from Zoro grasp. “You need a cook,” he says. “You can find another.” 
“You’re crew,” Zoro says. 
“You can FIND. ANOTHER.” Sanji grits.
“No, we CAN’T,” Zoro yells, grip tightening. 
“You already THREW ME AWAY!” Sanji screams. 
Zoro’s fingers go slack and Sanji gets up and runs from the room.
It’s another week before Zoro can leave the infirmary but when he does, Sanji finds himself cornered in the kitchen, fast enough he can’t plan an escape. 
Zoro’s face is set, serious, Sanji’s gearing up for a fight despite Zoro’s injuries. 
He storms in and pushes Sanji up against the back wall. “I was WRONG,” he says, arms bracketing Sanji in. 
“Wh— no,” Sanji squeaks, trying to find a way around him. 
“Yes I WAS,” Zoro emphasises. “Franky says I was stupid and self protective, but I lied. I’ve loved you from the moment I fucking saw you.”
“No, you DIDN’T,” Sanji says, a rushing in his ears as he looks anywhere but AT Zoro. “Because I’m UNLOVEABLE.” 
Zoro’s breath hitches, and he grabs Sanji’s chin in his hand, forcing him none too gently face to face. 
“You’re fucking not,” he snarls. “Because *I* love you.”
Sanji REALLY can’t handle this. “Stop,” he pleads. “You can’t— it’s okay. I’ve always known that I’m worthless, you don’t have to try to convince me otherwise.” You already did, he thinks. “Just— I can’t handle you lying like this. To me.”
“You’re not—“ Zoro looks at him in shock. “You’re not WORTHLESS, Cook, what the hell? And you’re not unloveable, you’re not any of that shit! I thought you’d be a distraction from my dream, that’s why I said that shit, and I’m SORRY. But I was fucking wrong.”
Sanji is still shaking his head — or he’s just plain shaking now— because it’s too late. He KNOWS this is who he is, doesn’t understand why Zoro is LYING. 
“It’s okay,” he says, making eye contact, placating. “I won’t let this — me— interfere with protecting the crew.”
Zoro growls and lunges forward, capturing Sanji’s lips in a bruising kiss. It hurts, Sanji gasps into his mouth, it— feels like truth. 
“I love you,” Zoro says, low. “Tell me how I can prove it.” 
Sanji chases the kiss before recovering. “I don’t know,” he says, small, uncertain.
Zoro grasps his arms, his waist, his neck, like a desperate man searching, he settles on cupping Sanji’s face, leaning his forehead against him. “I’ll prove it,” he says. “Something in your head is fucked up, Cook, it’s wrong. You’re loved. I fucking swear it.”
Sanji’s still shaking, tears rushing unbidden to his eyes. He doesn’t get it but — he wants it. Desperately he wants it. “Tell me again,” he says, voice small, scared. 
“I love you,” Zoro says. “I’m sorry. I love you.” 
Like a mantra. 
Sanji kisses him, afraid to initiate, but Zoro responds with a vengeance. “
I love you,” Zoro says again, like a prayer. 
“I love you.” 
“I love you.” 
“I love you.” Someday, Sanji will know it intrinsically. But for now it’s good enough to hear it. 
“I love you.” 
“I love you.” 
“I love you.”
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kaijuborn · 7 months
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cozy, slightly spooky games for Halloween season!
Night in the Woods - an adventure game focused on exploration, story, and character, featuring dozens of characters to meet and lots to do across a lush, vibrant world.
Haunt the House: Terrortown - haunt your way through a town in the dead of night! Possess objects with your soul, to scare people away from a museum, a hospital, a theatre and a cruise ship.
Oxenfree - a supernatural thriller about a group of friends who unwittingly open a ghostly rift. You are Alex, and you’ve just brought your new stepbrother Jonas to an overnight island party gone horribly wrong.
Sunless Sea - LOSE YOUR MIND. EAT YOUR CREW. DIE. Take the helm of your steamship and set sail for the unknown!
Beacon Pines - a cute and creepy adventure set within a mysterious book. Sneak out late, make new friends, uncover hidden truths, and collect words that will change the course of fate!
Costume Quest - in this charming role-playing game, choose your hero and trick-or-treat through beautiful environments full of humor and story.
Death's door - reaping souls of the dead and punching a clock might get monotonous, but it's honest work for a Crow.
Hand of Fate - in a cabin at the end of the world, the game of life and death is played. Draw your cards, play your hand, and discover your fate.
LIMBO - uncertain of his sister's fate, a boy enters LIMBO.
Wytchwood - a crafting adventure game set in a land of gothic fables and fairytales. As the old witch of the woods, explore a strange countryside, collect magic ingredients, brew sorcerous spells, and pass judgement upon a capricious cast of characters.
Cult of the Lamb - start your own cult in a land of false prophets, venturing out into diverse and mysterious regions to build a loyal community of woodland Followers and spread your Word to become the one true cult.
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crusty-chronicles · 8 months
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Airheaded S/O Headcannons #11: Luffy (One Piece)
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I feel like Luffy would thrive with an S/O who's just as, if not more, stupid than him.
And he genuinely cannot tell you're not the sharpest tool in the shed.
Combined, you and Luffy have one semi-functioning braincell
And 90 % of the time, Nami has it
"LUFFY FELL OVERBOARD AGAIN!!!"
And there you go jumping right in after him.
"I'M COMING CAPTAIN!!"
Ussop and Chopper are standing by the railing horrified and screaming with everything they've got because 'YOU CAN'T SWIM EITHER!!!'
"How did their bounty increase by 20 million!?!?" Nami exclaimed having seeing your newest wanted poster.
Luffy, who was walking by and heard, suddenly had stars in his eyes.
"Really!?!? They're so cool 🤩"
And Nami is smacking the back of his head as hard as she can
"DON'T ENCOURAGE THEM, MORON!!!"
This man loves you with his whole heart and has known you since you were both children
Ace had found you sneaking out Dadan's shack with a huge pile of food and captured you.
"What do we do with them?"
"We could kill them." Sabo suggested.
"Excuse me, I really need to use the bathroom." You wiggled against the rope binding you.
"Like that's gonna work on us!"
"No, excuse me for being rude and leaving. You guys are funny but I really need to pee."
And they hadn't realized you'd already torn through the ropes until you got up and walked away.
They are completely dumbfounded and a little impressed.
Well except for Luffy who had been watching because he wasn't allowed to talk to the 'captive' during 'interrogations'. Whatever that meant.
He's getting up and chasing after you with a huge grin.
"Hey! Come back! I wanna be friends with you!!!"
And Ace and Sabo are the running after him before he can catch up, lecturing him about leaving weirdo people like you alone.
"I mean what kind of person just tears through rope and walks away all unbothered????"
"Me! I do that!"
Cue the screams because how did you manage to climb the treehouse without the ladder???
You meet up again several years after you all had set sail.
Ussop spotted something floating in the water shortly after the crew already left from thriller bark.
A person to be exact.
A person on a wooden plank.
And before he could inform anyone about it, Luffy was already stretching himself over to the castaway.
His eyes bugging out when he saw who it was.
"Y/N????"
Your expression matching his.
"LUFFY???"
"Long time no see. How have you been?"
And the crew is peaking over the Sunny curiously. Because who the hell was this that their captain seemed to be very friendly with?
Friendly than usual considering he his arms were wrapped around you several times, picking you up and swaying you.
"The pirate life is hard. My ships keep sinking. Say, mind if I hop on yours for a while?" You asked hopefully.
There was something even more hopeful in Luffy's as he set you down.
"I've got a better idea. Join my crew!"
"I don't kno- IS THAT A FREAKING SKELETON?!?! HELL YEAH I'M IN!!"
The crew warms up to you almost instantly considering you have the same bright personality as their captain.
And the ones weary of you (Zoro, Nami, and Ussop) become convinced when they see you fight and pull your weight.
"Hey, Luffy! Can we try that one move we used to do when we were smaller??"
All you get is a nod in return before he slingshots you towards a Marine ship.
The result?
You basically cannonballing into the side, only to reappear on the deck as it sinks. Reaching back for Luffy's hand as he lifts you up and flings you towards another. Jumping on after you to join the fight.
Your teamwork is practically unbeatable.
And the fact that you can keep up with Luffy perfectly cements your place on the Sunny.
It's no secret Luffy loves you.
And it's no secret you love him back.
The Pirate Empress Boa Hancock?
She's cool, he guesses.
Shirihoshi the mermaid princess? The most beautiful woman in the world?
She's a huge crybaby.
You? An idiot who broke the aquarium after tapping too hard on the glass to get the 'pretty fishy' to notice you?
You're his.
He doesn't make a big deal out of the way he feels.
He doesn't get all blushy or nervous around you
Instead he feels pure happiness and the most at peace he's ever been
Luffy will not try to court you the way a certain cook might court the ladies on the Sunny.
No big or grand gestures
Also not shy showing you affection.
He's known you for so long that gestures like that come naturally.
Holding hands to explore a new island?
Check
Wrestling with you on the deck of the Sunny?
Check
Sharing and stealing food from each other's plate?
Check
Trading around Shanks' straw hat on the daily?
Double check
The closest he'll get to confessing is at a time where the two of you are alone in the crows nest together.
"After I became the king of the pirates, let's keep having adventures together." And he'll put his signature strawhat on your head.
"Who says I'm going anywhere? This is the ship of dreams right? Well my dream is for us to stay together forever. So make it come true, captain."
It's at that point he realizes he'd follow you anywhere you asked him to. The same way you were following him now.
Will Luffy baby you?
You're insane if you think he will.
Because it's just the two of you encouraging each other to do stupid shit.
Actively trying to outdo each other
Luffy catches a huge fish?
You're jumping in the water because you saw a shark.
You broke into the kitchen at night to steal from the fridge?
Luffy is lugging it out so you two can have a midnight snack in the middle of the deck.
Both of you are being chased by Pacifistas?
It's a game to see who can destroy more.
"Do you think if I start training after I eat I'll throw up?" You asked.
"Let's test it out!" Luffy encouraged.
Only to find out that yes, you will in fact throw up training after eating.
"Well now we know!"
Luffy will call you the most bizarre nicknames he can come up with.
Get used to: Meat stick, pork chop, swimmy (because you cannot swim for the life of you), cannonball, and some messed of version of your name. (Think of how he calls Law and Kidd, Traffy and Jaggy)
But occasionally, in the rarest moments known to man, he will call you his treasure.
Luffy will get incredibly jealous if someone outside of the crew talks to you.
With the Strawhats, he doesn't care. You all need to get along anyways.
Brook wants to play you a song to see if it's okay?
Fantastic because you two have the same taste in shanties.
Zoro wants to train with you and see if he can make his attacks any stronger?
Hell yeah! Kick his ass!
You're Sanji's taste tester?
Sneak him something out will ya?
Franky and Ussop want to test out a new invention on you?
So cool!!!!! Tell him what it does when you're finished!!!
He's over the moon with you spending time with them.
But if it's a marine, another pirate, or just a random citizen, he's fighting them.
He's incredibly immature and will not let anyone get too friendly with you.
Luffy will bite, and he will not let go until that person apologizes and leaves.
Man or woman, doesn't matter.
He's throwing hands, gum-gum gatling all the way.
Second gear if he's pissy enough.
All in all, you two don't need a brain to be able to tell you love each other.
Next Up: Uryu Ishida
An: I'm back baby. 🫶 (Also yes I watch one piece in dub pls don't bully me 👉👈)
MASTERLIST
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hoippu · 8 months
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ZoLu Fanfic Masterlist
(Guide for people who want to avoid anime spoilers)
it's in chronological order of the anime arcs but the first several ones are the AU fics
EDIT: check out the google doc for more updates on the list
Ephemerality by greatduwangs
http://archiveofourown.org/works/37446706
Alternate Universe – Demon AU
Don’t need to be caught up to One Piece tbh but still have a good amount of knowledge on some early introduced characters. If you’ve at least gotten to Baratie I think that’s good enough.
Read Roses Mean Friendship by Aki133
http://archiveofourown.org/works/44277967
Alternate Universe – Flower Shop AU
You don’t have to be caught up to One Piece either.
There’s a few characters here tho that get introduced in the anime in Thriller Bark and in Dressrossa.
Tomatoes, Spanish class and roommates by bunnylover101
http://archiveofourown.org/works/38490631
Alternate Universe – Modern College AU
Unrelated to the main story of One Piece but it contains characters from Dressrossa, post-marineford and I think Water 7.
Eternity would be a Curse (Without You By My Side) by Puppypaws54672
http://archiveofourown.org/works/47262166  
Alternate Universe – Gods & Goddesses
No actual spoilers but theres a lot of characters from like the whole series lol
Splendid fanfic
Part 1 of a series
Eternity Had Cursed Me (To Be Without You By My Side) by Puppypaws54672
Part 2 of Eternity would be a Curse (Without You By My Side)
Alternate Universe – Gods & Goddesses, Reincarnation, Modern
No actual spoilers but theres characters from the whole series
The Story of Us by Mugiwat
http://archiveofourown.org/works/48543286
Alternate Universe – Modern AU
No actual spoilers but theres lots of characters again.
Warning: youre gonna hate Law In this fic lmao
catching butterflies by aquietdin
http://archiveofourown.org/works/48133825
(pre-timeskip) Takes place sometime between Skypiea arc but before Long Island arc.
You should also watch the G-8 filler arc because I think it’s referenced, but it’s okay cuz it is honestly the best and only filler arc worth watching.
Ode to an ocean by novks (thychesters)
http://archiveofourown.org/works/46906945
(pre-timeskip) Takes place right before water 7.
Chimes by drcalvin
http://archiveofourown.org/works/451483
(pre-timeskip) Contains spoilers from Water 7/ Post-Enies Lobby.
Takes place after shortly after marineford I think. Maybe wait until the timeskip begins before reading this one just in case.
Unable Are the Loved to Die by BasicallyACat
http://archiveofourown.org/works/24785554
(pre-timeskip) post Enies Lobby
Is a series
You are all I see by Anonymous
http://archiveofourown.org/works/47441071
Alternate Universe – Modern AU
Do not read until you’ve finished Marineford arc
One of my favorites
The Dawn that Rises Bloody by BasicallyACat
http://archiveofourown.org/works/27556822
a sequel to Unable Are the Loved to Die
(post-timeskip) I don’t recall reading this one yet so I cant really say up until where you should watch the anime. But definitely post timeskip
Feelings, what a mess! by drcalvin
http://archiveofourown.org/works/371473.
(post-timeskip) Very early into the timeskip. I’d say you can read when they’re on the way to fishman island.
Heliotrope by LostInClouds
http://archiveofourown.org/works/44929768
(post-timeskip) As long as you reach the timeskip and have made it more or less to when theyre sailing to Fishman Island, you should be fine.
The Things we do for Love by LostInClouds
http://archiveofourown.org/works/46912906
(post-timeskip) It’s recommended that you reach the timeskip for this one too and probably before fishman island is also good enough.
Of First Mates and Duty by Whatev3rs
http://archiveofourown.org/works/40266276
(post-timeskip) takes place in an indefinite point in the timeskip after return to sabaody arc.
Probably my favorite zolu oneshot fr
His Captain, Captivating by jirachi
http://archiveofourown.org/works/48769138             
(post-timeskip) Try to read after Wholecake arc or at least Punk Hazard. There aren’t any major spoilers for Wholecake but there’s a new crewmate there that doesn’t join until then.
Kizuna by YokoHogawa
http://archiveofourown.org/works/4452800
(post-timeskip) after fishman island
The Five Times Luffy Kissed Zoro, and the One Time Zoro Kissed Luffy by EclecticIsMyMiddleName
http://archiveofourown.org/works/18994144
This one takes place throughout the story up until the end of Wano arc.
It’s preferable that you’re fully caught up because it’s so good you might wanna binge it.
However if you absolutely must here’s the time period for each chapter:
Chapter 1 (pre-timeskip) right after Arlong Park
Chapter 2 (pre-timeskip) takes place in episode 223 (I think that’s a filler arc but its short and not too bad to watch)
Chapter 3 (pre-timeskip) between Enies Lobby arc and post-Enies Lobby arc episodes 312 and 313 (don’t read the chapter summary cuz it has spoilers)
Chapter 4 (pre-timeskip) At the end of thriller bark episodes 377 and 378
Chapter 5 (post-timeskip) from the beginning of timeskip until Wano
Chapter 6 (post-timeskip) end of wano
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subbyp · 1 year
Text
I have this idea for an AU wherein Sanji’s physical Germa modifications kick in during his time starving on the rock, and when he’s like 14 Judge finds out and decides to take him back by force, because if the physical modifications took then surely the mental ones will too and if not there’s always psychological conditioning like what he did to Reiju, right? So Germa rocks up to the Baratie, burns it to the waterline, slaughters the crew (almost) to a man, and drags Sanji back. they don’t realize that Zeff survives, and they probably wouldn’t care if they did. (more fool them)
the mental modifications never kick in, but Sanji learns to act like they do, developing this false persona as a vicious shallow hedonist. he also leans hardcore on his growing resemblance to Sora to get Judge to indulge his whims (no, there’s nothing actually sexual about it, but it is deeply uncomfortable and it’s supposed to be). this is because he’s waiting for a very specific kind of opportunity…..
five years later, the Straw Hat Pirates are in Loguetown, getting ready to scale Reverse Mountain when Luffy fucks up the storefront of a shabby little seafood shack off the main square where Roger was once executed and is enlisted into chore boy duty. he gets to talking about dreams and piracy and sailing with the owner.
“do you have any dreams?” he says, failing to mop the floor.
“I used to have a few,” says the owner.
“not anymore?” says Luffy.
“none of your business,” says the owner.
“you should be my cook!” says Luffy.
“not a chance in hell,” says the owner.
then the shit goes down that leads to Luffy being put up on the block and almost executed. when the Straw Hats flee to the Merry they find the owner standing there waiting for them with a book under his arm.
he explains that he can’t be their cook—he’s too old and too broken, he’s had enough of the Grand Line, and besides staying in Loguetown is the best shot he has at achieving his dream (“I knew you had a dream!” yells Luffy. everyone ignores this), but he’s got a cookbook and nutrition guide he’s been working on and the Straw Hats can have the first draft so they don’t totally die of scurvy and shit if they swear to do him one favor—to, if they ever, out there on the sea, meet a nineteen-year-old kid called Sanji, tell him that Red-Leg Zeff is alive.
“yeah! of course!” says Luffy. “if you tell me what your dream is.”
“to see him walk free,” says Zeff.
Zeff’s cookbook keeps the Straw Hats properly nourished. but they barely make it to Sabaody in canon, and here they have one less combatant, so Kuma decides to split the team at Thriller Bark, and instead of sending Zoro to Kuraigana, he sends his unconscious just-bore-Luffy’s-pain ass right onto the Germa 66 flagship.
Judge wants to vivisect Zoro to figure out how a regular human non-DF-user could be so freakshow strong and then turn his head in for the bounty, but Sanji recognizes him as one of the Straw Hats (and thus, one of the liberators of Alabasta) and improvs on the spot that he wants him as a swordsmanship coach (“after all, sir, you want me to improve my swordsmanship”) and, he heavily implies, bed-warmer. thus Zoro wakes up in a Germa 66 infirmary, wounds bandaged, swords gone, and explosive collar on his neck, as the third-born Prince of Germa demands to be allowed to see his new toy alone. (“yes, I’ll be careful with him. I don’t want to break him when I’ve just got him!”)
zoro, having deduced what sanji is alluding to, is about ready to kill him with his bare hands on the spot, but as soon as they’re alone in the room together sanji starts immediately and profusely apologizing for being such a creep. he says he’s not into men (“especially not unwilling ones”) but it was the only way he could think of to get them even occasional privacy, and btw he is probably going to have to claim that he’s doing some unsavory stuff or else Judge might possibly have Zoro killed, but he’ll never lay a hand on Zoro without his consent besides what is strictly necessary to fake it around the Vinsmokes—
at this point Zoro starts to wonder what the hell he’s going on about. Sanji explains the whole thing and says that he’s planning on somehow getting Zoro back to the Straw Hats as soon as he can, and in the meantime he’ll make sure Zoro gets food and medical care and that nobody sells off his swords or anything, but he needs Zoro to do something for him in return:
“I’m going to feed you every bit of knowledge I have about Germa 66, and when you leave here, you need to give that information to someone who can destroy us until not even memories remain.”
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novlr · 3 months
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What are some ways to describe summer ?
Summer is not just a season; it’s a vibrant setting that can add life and color to your writing. Whether you’re crafting a sun-soaked romance or a beach thriller, the way you describe summer can immerse readers in your story. Let’s dive into how you can capture the essence of summer, focusing on the various senses and elements that make this season unique.
Sights
Sunsets that paint the sky in hues of orange, pink, and purple.
Children chasing ice cream trucks down suburban lanes.
Sunbathers dotting the coastline.
Sprinklers casting rainbows across freshly mowed lawns.
Flower gardens in full bloom, a riot of colours.
Sunglasses showing reflections of the bright world.
Sun hats and flip-flops scattered around pool decks.
Fireflies illuminating the night.
Street markets bustling with locals buying fresh produce.
Hikers on forest trails.
Sounds
The cacophony of cicadas in the late afternoon.
Waves crashing against the shore in a constant rhythm.
The sizzle and pop of barbecues in backyards.
Children’s laughter as they play outside.
Ice clinking in glasses of lemonade or cocktails.
The distant whirr of lawn mowers.
Splashes and shouts from swimming pools.
Chirping songbirds greeting the morning.
The crackle of bonfires during cool summer nights.
The melodic chimes of ice cream trucks roaming the streets.
Smells
The salty tang of sea air at the beach.
The overpowering scent of chlorinated pools.
Freshly cut grass after morning lawn care.
The scent of sunscreen and tanning oils on warm skin.
The smoky aroma of grills at a neighborhood cookout or family barbeque.
Fragrant blossoms like jasmine and roses in full bloom.
The earthy smell of rain on hot pavement.
The mix of fruits, vegetables, fried food, and flowers at an open-air market.
Melting tar with an accompanying heat shimmer on hot roads.
Campfire smoke clinging to clothes and hair during outdoor adventures.
Activities
Beach volleyball games, sand flying as players dive for the ball.
Leisurely picnics in the shade of ancient trees.
Hiking trips taking advantage of the long daylight hours.
Sailing and boating, the wind filling sails on sunlit waters.
Outdoor concerts, where music floats on the warm night air.
Road trips with car windows down, hair whipping in the wind.
Fruit picking in orchards and berry farms.
Camping under the stars, a tent and a sleeping bag for a home.
Water fights with hoses, water guns, and balloons.
Attending summer festivals full of food, music, and dance.
Character body language
Wiping sweat from the brow or fanning themselves to cool down.
Squinting against the harsh sunlight or seeking out spots of shade.
Sipping cold drinks, or gulping down water.
Lounging lazily, limbs relaxed and sprawled out.
Applying sunscreen meticulously.
Adjusting sunglasses or hats for better protection.
Dipping toes tentatively into the sea or a pool.
Tugging at clothes sticking to sweat-dampened skin.
Laughing with carefree abandon, a reflection of summer’s ease.
Turning pages of a paperback with fingers damp from pool water.
Positive descriptions
The liberating feeling of diving into cool water on a scorching day.
The tranquil peace of a sunrise beach yoga session.
The simple pleasure of ice cream melting on the tongue.
The bliss of a hammock nap swayed by a gentle breeze.
The joy of endless blue skies promising adventure.
The warmth of sun-kissed skin after a day outdoors.
The satisfaction of a well-tended garden coming to life.
The contentment of sharing a sunset with loved ones.
The thrill of catching the perfect wave while surfing.
The comfort of balmy evenings spent on porch swings.
Negative descriptions
The oppressive heat making the air feel thick and suffocating.
The relentless buzzing of mosquitoes on a muggy night.
The sting of sunburn after a day of neglecting sunscreen.
The frustration of packed tourist spots and overcrowded beaches.
The exhaustion induced by long days and sweltering heat.
The discomfort of air thick with humidity.
The annoyance of sand finding its way into every nook and cranny.
The disappointment of a rained-out picnic or canceled event.
The lethargy of a heatwave, energy sapped by the relentless sun.
The discomfort of trying to sleep in an overheated, uncooled room.
Helpful Adjectives
Scorching
Balmy
Sultry
Languid
Radiant
Dazzling
Parched
Breezy
Rippling
Sweltering
Sunny
Lush
Blistering
Tropical
Vibrant
Humid
Verdant
Golden
Glowing
Fragrant
Torrid
Tranquil
Crisp
Sizzling
Flaming
Steamy
Refreshing
Shimmering
Lazy
Stifling
Invigorating
Sparkling
Zesty
Fervent
Stuffy
Arid
Saturated
Juicy
Sunbaked
Fetid
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hydine · 27 days
Text
Zosan au? 🫠 Where 19yo Zoro fights a young Mihawk and gets that gnarly chest-scar. A healer takes care of him, but Zoro is an egoistic little shit, and turns on the healer as soon as he could move, and gets cursed into being a tiger who can't die (but can still get injured) and won't age, unless he finds someone who he'd die for.
The same year, Sanji was born.
After a few years Zoro manages to get caught by Germa for being strong and immortal, meets little Sanji in the cells. Zoro makes an impression on Sanji for being docile, and in turn Sanji makes an impression on Zoro for being kind, as the smol boi always shares his food.
They eventually flee Germa together and end up with Zeff. Sanji gives the tiger the name Marimo, because his fur color is the same as mossballs he saw in the book (and ofc he can't know his real name, because tigers can't talk). Marimo is a menace on the Baratie, as he can't walk around freely, in fear of Germa still searching for him (but not for Sanji), but somehow they manage. Marimo watches Sanji grow up and was there through all his highs and lows.
Then they eventually meet Luffy, and shortly after, Mihawk enters the scene, who recognizes Zoro. After the fight with Don Krieg, Zeff and Mihawk share a drink (old friends), and Mihawk tells Zeff all about Zoro. Mihawk doesn't know anything about the curse, but he just knows it's the green-haired swordsman from his youth, an actual human. Sanji was caught eavesdropping.
Zeff kicks Sanji out, along with his pet tiger, telling them to find a way to break the curse. They sail with Luffy. Luffy apparently understands tiger Zoro, as if he were human, even manages to talk Nami into buying swords for Zoro, and he actually fights with one in his mouth.
With time, Sanji starts to doubt what would happen if they really find a way to break the curse. If Marimo would stay or not. Luffy assures Sanji that it's fine, he's recruited the both of them after all, so Zoro will have to stay.
Eventually, Thriller Bark happens 🫠 Where Sanji is the first to offer his life, but Zoro still knocks him out, because he wanted to save Sanji.
The curse is broken.
(Whatever happens next, I leave to more skilled fanfic authors 👀)
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blacklegsanjiii · 3 months
Note
Ooh what if sanji grew up with asl brothers somehow? like the orbit couldnt keep a kid around and dropped him off on goa and he ended up cooking for a bunch of feral boys who teach him that brothers dont always have to hurt
I have a lot of thoughts about ASL+Sanji. A lot. (There's so much under the cut, so much)
Sanji who's dropped off in Foosha and is just, jumpy and frightened and runs at every breath towards him. I feel like Makino would tell Luffy about him and when Luffy's first few approaches don't work he tells Ace and Sabo. Sanji who is staring at these three feral gremlins who keep showing up at his hiding spot and trying to talk to him and Luffy who keeps asking about his eyebrows and Ace and Sabo hitting Luffy making Sanji flinch and cower from them.
Sabo would probably be the first one to Sanji warms up to. Both coming from nobile families that hate them. Sabo could recognize the way Sanji holds himself from a mile away so they bond and then Luffy would be next probably. Especially if Sanji has started cooking for them.
Ace would probably be last because he has the hardest to form trust with and Sanji is still skittish and jumpy and he flinches all the time. Ace can't even raise his hand for a high five without Sanji flinching. One night when it's just them Ace asks Sanji if he's a monster and Sanji says no, he knows monsters, was almost killed by monsters and Ace is blinking at Sanji who says that all with so quietly and with so much hurt. Sanji is small and quiet and the best behaved out of the four of them but over time he becomes just as feral.
When Sabo "dies" the three of them are heartbroken and Ace and Luffy go to the extremes of over protectiveness for a while. Ace sets off on his little boat to become a pirate and Sanji is working under Makino who makes him set sail with Luffy because of his dream of the All Blue(effectively making Sanji the first crewmate which Luffy is so glad is his cook and his brother). I feel from there things progress normally, they pick Zoro and Nami, fight Buggy, pick up Usopp and destroy the Baratie.
I don't think anyone would notice that Sanji and Luffy are brothers and then in Alabasta when Ace is visiting Ace is talking with everyone Ace just drops the bomb that the three of them are brothers. Zoro is like trying to wring Luffy's neck and Nami and Usopp are yelling at the top of their lungs as Vivi, Karoo, Chopper and Ace watch. Then Luffy drops the bomb that Sanji broke his back on the last island and Ace is yelling at Sanji for not taking care of himself better and Sanji is yelling back about the avalanche and everything and Ace is just watching with such a pained expression on his face. He thanks the crew for taking care of his little brothers and apologizes for the handful that they are.
Things progress normally until Marineford where Sanji and Luffy manage to show up to save Ace. Like this is all going, they can't find their crew, their brother is going to be executed for being born. Sanji takes this way too personally because of what his birth father did and well if he couldn't give himself up at Thriller Bark for Luffy he will give himself up for Ace and Luffy fuck this admiral. Sanji throws his leg into the lava punch and it still hits Ace but it doesn't kill him.
Law suddenly has three brothers, all of which have been hit with fucking lava, the blond is losing a leg, the one that was supposed to be executed is losing his back tattoo and the one who punched a celestial dragon like a week ago has liquefied organs and the Red Force is following them after Marineford has been sunk???? Is that the fucking White Beard fleet??? Law is the theater for 56 hours before being able to hand these fucking idiots off and hopes he never sees them again.
Shanks and Marco are looking at their respective brat/brother/son/person and the third one with tilted heads and Ace and Luffy keep trying to climb into Sanji's head which makes Marco snap at them for, Luffy especially because of you know, liquefied organs. Ace and Luffy keep crying because Sanji lost a fucking leg for them and Shanks asks Marco if he knew there was another one and Marco says he thought the blond one was supposed to be dead.
Skipping to Dressrosa Ace and Luffy meet Sabo who is there to help on behalf of the revolutionary army and Sabo is pointing at both of them and they're both pointing at him. Sabo asks where Sanji is and if he's alive and Luffy is like "yeah, he just fired on Big Mom's ship, traffy sent him to Zou because Mingo hurt him but he's fine!" And Ace is like "Sanji's fine, he has a metal leg now but-" and that makes Sabo hit both of them with his pipe and yell at them for not telling him anything even though he didn't have his memories and Ace and Luffy yell back at him for being dead.
Thank you for coming to my Ted talk
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manachiichan · 21 days
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Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media
One Piece Masterlist
So far, I will write for Luffy, Ace, Sabo and Sanji as I still have to learn more about other characters personalities. But other than them, I'm also willing to write about Chopper, Nami, Robin and Boa Hancock.
Tumblr media
❀Luffy
✿ To see the world that you are so proud of...
❀Ace
✿ Tba
❀Sabo
✿ Tba
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Isekaid Edition
❀Sailing against Fate Series
Synopsis: In which a sleep deprived college student gets transport to the world of pirates and meets the character she knew and love
✿ Alabasta Saga
✿ Sky Island Saga
✿ Water 7 Saga
✿ Thriller Bark Saga
✿ Summit War Saga
❀Side stories (Canon/Non-canon)
✿Tba
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© manachii 2024 ~ all rights reserved. please do not repost, copy, etc. any of the works I made.
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annebonnydyke · 1 year
Text
So you’ve had fun Goncharov posting and now you actually want it to be real
(Disclaimer that this is my own opinion based on the vibes I get from Goncharov and you might not necessarily agree with me. Also blanket content warning most of these work deal heavily with domestic abuse, violence, racism, and sexual assualt)
1. The Godfather Part 1 and 2- as far as I can tell this is where most of the Goncharov gifsets come from. This is one of those movies people constantly tell you is amazing and when you finally sit down and watch you get upset bc they were right. They’re regarded as some of the best and most important movies in the film canon for a reason. Mafia movies about the corruption of the soul, inescapable cycles, being doomed by The Narrative™ and of course young hot and sexy Al Pacino and Robert De Niro.
2. House of Leaves- for people who enjoy the interpretation of a nonexistent work part of Goncharov, House of Leaves is partly a horror story about a house that bigger on the inside, partly an academic analysis of the nonexistent record of that horror, partly the story of a man’s psychological unraveling, partly a critique of cold academic analysis, and partly a love story. If your favorite part of Goncharov was the metanalysis of a work that doesn’t exist and trying to fit all the pieces together this ones for you.
3. The Handmaiden- for all the people who love Katya and Sofia, two women stuck in their place in the world, who love each other but end up betraying each other. The Handmaiden is psychological thriller about a Korean pickpocket who is sent to con a Japanese noblewoman out of her fortune. Deals heavily with themes of deceit, betrayal, queer love, imperialism, and a woman’s place in a world controlled by men. My favorite movie of all time, highly recommend.
4. Black Sails- truthfully only tangentially similar vibe-wise to Goncharov but as a black sails blog the mutuals would have my head if I didn’t include it on this list and trust me the Goncharov to Black Sails pipeline is very real. Fans of clock symbolism and being being trapped by The Narrative™ will greatly enjoy this one. also that Katya/Sofia and Eleanor/Max/Anne parallels are real and I can prove it and don’t get me started on the Silver and Andrey parallels.
5. Bound (1996)- another one for the Katya/Sofia girlies out there. Two women hatch a plot to steal millions from the mafia, but will they make it out alive? Great style and cinematography and much more punchy and action heavy than the the rest of these. Its a very good modern film noir and the first feature film directed by the Wachowski sisters. Also a much shorter movie (1 hour and 48 minutes) if longer runtimes aren’t your thing.
Honorable Mentions
1. Goodfellas- I personally haven’t seen Goodfellas yet so can’t really give my opinion on it however if you actually want a mafia movie directed by Martin Scorsese starring Robert De Niro here’s one you can actually watch. My friend Angel says this ones really good and I trust their opinion
2. War and Peace 1966-67- again I haven’t seen this one but my friend Bianca really liked this one and tells me whenever she pictures Goncharov she imagines this. From what I gather people who are interested in how soviet history affected the art of the time and enjoy complicated relationship drama will enjoy this one. Also if you’re into very long media this one is split into 4 parts and clocks in at a crisp 7 hours.
If anyone has other suggestions let me know! I love getting recommendations :)
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dykepuffs · 7 months
Text
I want to argue that Dracula is the first work of Nokiawave.
-It's heavily concerned with new technology which drives the plot: Telegrams between everyone being collated into the text, Dr Seward's audiolog on the phonograph which Mina types up, mass transit in the form of both trains and Tube, steamships (and specifically the contrast between steam and sail) and loads of minor examples.
-It's concerned with new social technologies and social change: Mina is a typist, a respectable modern job for a young middle-class woman. Jon is a clerk and is working in an exciting emerging market. Dr Seward uses all the modern methods and keeps up with theory and scientific developments. Lucy is pleased to have plenty of male friends, not just to be seeking to marry. And it contrasts this with both the "good" Old Ways - The helpful, hopeless, peasants who give Jon his anti-vampire icon, the "broad minded" but also clearly steeped in superstition Van Helsing - and the "bad" Old Ways - Obviously, Dracula and also the enslaved Roma (Who, oh god, I I have to write about them in the context of Romanian chattel slavery of Roma, which was technically abolished in stages throughout the 2nd half of the 19th century, but where emancipation came with enforced sedentarism and obligation to a landowner - And where many remained enslaved in all practical terms into the C20th, and specifically in Transylvania the effects of Maria Theresia's Four Decrees that were still in effect that meant they would both be indentured to a landowner as "new farmers" and their children would be kidnapped by the state and given to white families for "reeducation" - but most people analysing the text seem to treat them as willingly Evil Minions).
-It's full of the anxieties about what Eastern and Southern Europe will do as they "modernise and open" (ie become financially and culturally available to the West) and specifically the fear of the Rich Slavic* Oligarch (to a certain kind of British mind, anyone east of Berlin and north of Athens is Slavic, sigh) spreading their malign influence in the Capital Cities of the West. Even the touch that Dracula was once a warlord but is now a slick investor and man-about-town.
-It has lots of continent hopping, focusing on the ~local colour~ in Transylvania and the contrast between both the "superstitious" locals and the traveller who finds it all very quaint and interesting but not very serious, and between the poverty of the normal people and the wealth and seclusion of Dracula, and then likewise giving us whistle-stop tours of the interesting bits of Whitby and London, making the city as much of a character as the humans. The Westerner abroad is seen as just a natural phenomenon, but the foreigners* in Britain are notable and exotic.
- It has a mysterious superweapon/monster which is hidden around a big western capital city, where most people (and even the police and regular military) have no idea what it is and are powerless to stop it, and a lot of tension lies on the crux of "What happens if this gets out here, surrounded by all these civilians?" - In a way that treats the mythological East* as a natural place for atrocities to occur, but them happening in London is a shock.
-It has spying: Jon sneaking around the locked-up Carfax with his miniature camera, trying to take pictures to find out what Dracula is doing in there, could have absolutely been in a 1990s thriller. Likewise, meeting in Harrods to avoid suspicion because it's a plausible place for a fashionable young lady to be, surrounded by anonymising crowds.
-It has information warfare: Dracula reading up on British politics, studying maps of London, paying clerks and using shell companies to disguise his property acquisitions, and likewise the heroes using the telegram and port records and the sheer mass of paperwork generated by his activities to track Dracula, which feels like close kin to the Nokiawave staples of finding someone on cctv or by their credit card, or their car registration being flagged at a checkpoint. Jonathan lamenting the lack of an Ordnance Survey in Europe and the unmapped bits of Transylvania specifically really fits with the idea of the "Control Grid" posited by Gregory Flaxman who writes a lot about surveillance and information control in cinema.
-It has a team of both specialists and laypeople who were dragged into the action by circumstance, and much relies on their relationships. The laypeople's "unimportant" skills (Jonathan's knowledge of property and finance especially, and Mina's skills with logistics as well as her innovation and bravery in using herself as a conduit to Dracula) turn out to save the day. The team is multi-national and basically represents The Free World (TM), as well as allowing for jokes about national stereotypes.
-Mina being notably not a damsel in distress, but instead using her personal connection to the villain to absolutely ruin him in ways that nobody else could, is very much like the role of many women in Nokiawave films: She may be traumatised and in danger, more than anyone else because of the villain's obsession with her, but she's smart and deadly and willing to take risks to complete the mission.
-It ends with a massive cross-continental vehicle chase with tonnes of explosions.
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