#it could also 100% be a case of developers not caring about themes at all whatsoever

[rawliverandgoronspice]

The Dondon Post (or: the bizarre TotK's side content counterpoints to its main quest's immuable binary morality)

Speaking of strange TotK Choices, I think I have one singe post left in me about this game; and it's about the Dondon quest, "The Beast and the Princess".

(and about other stuff too, you'll see, we'll get to them)

More specifically: about how... strange of a thematic point it feebly attemps to make in the larger context of the storyline, and how it seems to be yet another mark of a world that, perhaps, once tried to be more morally complex that it ended up becoming.

Buckle up: it's a long one, and it gets pretty conceptual.

(good gem boys notwhistanding)

The Princess and the Beast

So, a couple of things about the setup. We are investigating potential Princess sightings; but at this point, either because we have already completed a bunch and know the general gib, because we have met a couple of wild Fake Zelda shenanigans, or through the simple fact that we are completing a side quest, we know there's a good chance it won't lead to an actual Zelda information. So when we ask Penn about what is going on and he replies with the ominous "we saw the Princess riding some kind of beast --a frightening one with huge, brutal tusks-- that the princess seemed to control", we get Ideas. Then the sidequest is registered: "The Princess and the Beast".

So. You know me. And if you don't know me, here's what you should know: my brain immediately flared up with the thought there was no way in hell this wasn't some kind of wink towards Ganondorf's renowned boarish beast form, especially given tusks were given so much focus.

My first assumption was: that's a miniboss right? I will get to fight some small boar-like thing that Fake Zelda rides sometimes. Cool! I didn't hold too hard onto my hope that the relationship of Zelda and/or Ganondorf to the natural world, or to each other would be expanded upon, since I had already been burned before, but my interest was piqued.

You have to understand how starved I was for any hint of complexity or mystery or ambiguity at this point. I was extremely eager for the game to throw anything at me that would surprise me, enlighten something pre-established, make the exploration lead to a meaningful discovery or deepening of characters, world or themes (and not just slightly cooler loot, or a bossfight, or a puzzle devoid of emotional context --cohesion and depth is what motivates my play sessions, especially in an open world game that I want to believe is worth losing oneself into). This was about the most intriguing task on my to do list at the moment, and so I plunged in immediately.

After really REALLY misunderstanding what I was supposed to do (I stalked every corner of every forest surrounding the tropical area at night or during blood moons in hope to see something --which was very much the wrong call), I arrived to the other stable, then was guided to the other side of the river where Cima awaits and explains that these creatures are actually a new species discovered by Zelda; that they are gentle and kind and not at all scary ("Dondons aren't beastly, they're adorable!"), and even somehow digest luminous stones into gemstones. They like the company of people and liked Zelda in particular.

I was... I felt two different ways about this conclusion, and I think it's worth to explore both: disappointment and some sort of... "huh!" Hard to describe this emotion otherwise.

I'll get the disappointment out of the way first, because it's the least interesting of the two. While I think the little emotional arc I was taken on was not devoid of interest --I was indeed taken on by the rumor and intrigued by its implications-- I wanted, well. A little bit more. And if the creatures were to be Zelda's pet project, I would have loved for them to be actually terrifying and feisty, and for her to develop an interest for these creatures in particular regardless. It could have been very interesting characterization that veered out of the perfect princess loving the perfect world floundering around her, always bringing her clear, practical benefits from the interaction.

(I have made another post that speaks of my discomfort that Zelda does everything everywhere and everyone loves her for it --I get what they were trying to go for, but it either lacks conflict for me to buy into that dynamic at the scale of several regions, or they went on too hard for my taste, as she is, at once and in the span of a couple of years at most: a schoolteacher, a gardener, an animal researcher, a scholar, a traveler, a military expert, a knower of landscape, a painter, a horse rider, an infrastructure planner, a [...] princess --at some point it begins to sound made up, "Little Father of the people"-esque to rattle the hornet's nest a little bit, especially if it's not shown as either a clearly godly characteristic or, even more necessary imo, a negative trait; another expression of her killing herself at work to compensate for a perceived flaw she's trying to earn forgiveness for, like she did in BotW. But that's another topic, and the clumsiness of her character arc has been well threaded by basically everybody disappointed in the story already.)

But, if I decide to be a little graceful, I'd like to explore my "huh!" emotion, and take it apart a little bit.

I think there's something interesting to have such strong parallels to setting up a story about the relationship between Zelda and Ganondorf ("The Princess and the Beast", like come on guys that's the conflict of over half the series), or at least Zelda and the concept of Evil since Ganondorf pretty much represents it in this game, and then have it go: actually, there was a horrible monster that everyone was afraid of, but Zelda was wise and patient enough to approach it and realize its potential beyond the tusks, what beauty can be brought upon the world if one makes the effort to look for what exists underneath. It says something a bit deeper about the world and about Zelda in particular. It intrigues, at the very least.

Is it a reach? Probably! Is my first interpretation that the quest is actually about "eww you thought Zelda would be interested in *disgusting vile monsters* and not sweet and gentle and human-loving animals that literally shit jewlery when cared for? jokes on you, she never would feel any ounce of sympathy for anything that isn't Good and Deserving" uhhh definitively truer? Probably! But I also don't want to dismiss that the quest made me think about it. If I had completed it earlier, I might have even felt like it was (very clumsy, not gonna lie) setup about the main conflict.

But that's also a good segway into my next section: the arbitrary limitations between the animal and the creature, the monstrous and the human.

And the fact that TotK points directly at it.

A Monstrous Collection

(these two guys are just. doing So Much and being So Valid despite being massive weirdos the game wants us to be slightly repelled by. I, for one, respect the Monster kinning grind and their general Twilight Princess energy.)

So. These two guys. There is so much to say about these two guys. I don't think I have seen the Trans Perspective on Kolton on tumblr, and I would love to get it because. I feel like it's a worthwhile discussion (just, how gender and identity is handled in TotK overall, I feel like it's a very complicated conversation and I have not seen super deep dives and I'd be very interested in hearing more).

Beyond the throughline of voluntary consumption of magical objects to turn into less human creatures being a weirdly prevalent plot point in TotK (Zelda, Kolton and Ganondorf casually transing their entire species for funsies --Ganondorf being particularly relentless with Fake Zelda, mummy/phantom shenanigans, Demon King and then literal dragon), I want to focus on Kilton a little bit.

Kilton is genuinely the only NPC in the game willing to acknowledge the inherent personhood that monsters have (the game does showcase them picking up fruits, mourning their boss if you kill them, being cutesy and happy to identify you as one of their own if you wear the appropriate mask --and that's not even getting into creatures like the Lynels, who seem to really edge on the limit of being a conscious creature with a system of honor and property and many other things). He does encourage us to think of monsters as more than a species whose only worth lie in how fun it is to eradicate them; even more, gameplay-wise, he does give us a reason to interact with them in other ways than just our sword with his museum. He does encourage us to see that beauty for ourselves and then select what we think is coolest/most intimidating/cutest/eight billion ganondorfs in every pose imaginable

The fact that Ganondorf is considered a monster was a great win for this feature in particular, and is very funny, but it's also... A lot, if we dig at it a little more than warranted. Beyond all of the Implications and all of the things of representation and political conflict and values already discussed ad nauseum: when did he stop being considered a human? What does that mean about the flimsiness of what is a monster and what is a creature and what is an animal and what is a person and what is even a hylian, as sheikahs got absorbed into the definition in this game? Especially with the stones taken into account, how profound changes in nature are a huge part of the plot (even when reversed and ultimately pretty meaningless): how easy it is, to make that slip? Who decides when that slip has been made? What is acceptable to hurt without remorse? What is beautiful and worth preserving? What is both at once? What is neither?

And again, in a classic Zelda conundrum (appreciative(?)): who the fuck gets to decide that, when, and why?

The Bargainers and the Horned God

(major shoutout to these big guys for being the sole and only providers of actual depth to the Depths, and for looking cool as heck)

So. Let's move the conversation to the Depths.

Conceptually: what an interesting idea!! And so well executed (initially)!! A mirror world to the surface, dark and hushed and full of unknown creatures; haunted by gloom and sickness and the unknown. Not a first in the series, far from it: from ALTTP to ALBW, and even taking the Twilight world of TP into account, this idea of a Dark World acting as a deforming mirror to Hyrule and revealing many interesting aspects as we get to explore both is always a very interesting take on corruption and envy and fear/weakness and/or some sense of darkness looming under the perfect exterior. I'd argue even the Lens of Truth of both OoT and MM's serve a similar function, both gameplay-wise, but also in terms of theme: not everything is as it seems. In the world of Light, darkness must hide itself; but darkness also possess its own beauty, its own hardships, and will stare back at you without blinking if you go seek for it. It's, in my opinion, one of the series' most compelling conversation about the cyclical nature of fate, the coldness of godhood, and how small one feels in the face of a universe that is more complicated than it initially appears --which is why Courage must be invoked to push forward regardless.

The Depth's otherworldly ambiance is truy wonderful, whether in the plays of light and shadows, the creatures native to the environment we meet there (wish we met more!), the soundtrack, the strange aquatic/primordial plants, the fact that the dragons visit this place and connect them to the outside --invoking ideas of balance and interconnectivity, that the tree branches look like veins. The coliseums, the mines, the zonai facilities and the prisons do seem to poke at many things about what the relationship to the past was to this place; was it ever truly a place? Did it look like this back then? Why was it buried? Why did it come back? But in spite of it all, I think the Depths struggle overall to question or reveal anything about the surface that we couldn't already assume going in (that the only thing congealing there is Ganondorf's gloom, his lonely domain of Wrongness, only shared by Kohga and the yiga --the only naysayers of Goodness and Light, contemptful and blinded by self-importance and rage). The zonite is mined by gloomy monsters --why, what for?-- so any notion of greed and over-expansion that could have been associated to the zonai is now reabsorbed into Ganondorf's general evilness, since it needs to be reminded he is everything and anything bad with the world: darkness and conquest and greed and capitalism and pollution and bad weather and sickness and darkness and violence and war and death and betrayal and fakeness and lies and patriarchy and exploitation. No matter that he never does a single thing with zonite in the game; rather set up elements of conflict that never go anywhere than, for a second, let the foundations of absolute goodness and absolute evil risk becoming shaky --and you coming to this unwelcoming dark place that hates you, killing the miners and taking their resources for yourself is, on the other holy, royal fur-covered hand, utterly legitimate. The resources were once Rauru's after all, were they not?

And this is what I would say, except... except for the dead. The fallen warriors, the poes, and, most important of all: the Bargainer statues.

The Bargainers are, in-universe, godly creatures guiding the fallen to a place of final respite, regardless of moral alignment. The poes are all, fundamentally, cleansed of judgement: they are lost souls whose past reality does not matter anymore, and all deserve that peace regardless. In spite of the heavy paradise/hell parallels drawn in that game, with Rauru/Zelda/Sonia as the guardians of Light where Ganondorf gets to become a Devil-like figure, it is confirmed here that no such thing exists when you actually die in this universe.

It almost feels as if the fabric of Hyrule itself, in a brief moment that refuses to elaborate on its own point, goes: "yeah, whatever is happening here between Light and Darkness, it doesn't actually matter. This conflict is futile and doesn't understand the real nature of being alive, dead, a god, a person, a monster, an animal. The truth lies elsewhere --but you will never be told what it is."

It's: wild.

One of the game's most striking traits of narrative brilliance in my opinion --to the point where I'm wondering whether it's there on purpose or was effectively an oversight since every other aspect of reality breaks its own back trying to reassure us that everything is at its correct place, receiving the appropriate treatment by the universe in a way that is never to be questioned.

Another case of that ambiguity being allowed to exist without being immediately crushed and repressed is the case of the Horned God (interesting parallel to Ganon's actual horns that he develops in this game in case the hellish parallels weren't clear enough already): a demon Hylia sealed into stone and pushed far from humans in a clear case of questionable behavior since, while the Horned God isn't exactly nice, does propose a different philosophy you are not punished for exploring; and yet, a proposal that has seen itself persecuted in a very real sense by the goddess of absolute goodness, patron of hylians, Zelda, and many more. Pushed away from view.

Interesting.

And Yet, Light Must Prevail

Okay, so, after all of this, we're left to ask... What the fuck is up with morality in Tears of the Kingdom?!

What do we trust? These half-breaths in the occasional sidequests that Light and Darkness is just the wrong frame of reference, that nature cannot be this simple, is ever-shifting and can be recalled or reaffirmed by arbitrary forces, and might even not matter at all in the universe's fabric, despite having so much of its lore soaking in the dychotomy? Or... everything else about the game, this insistence that Good must not only be assumed as whatever tradition the kingdom has passed down for thousands upon thousands of years, but remain utterly unquestioned the entire time? That Bad is without cause, graceless and unworthy of investment?

Are the Bargainer's statues the only thing worth listening to, that morality is a fable the living tells themselves --or should we be moved when Darkness destroys Light, when Light suffers to preserve itself and the world --but not when the Other is rightfully slain?

Was Kilton correct to see beauty in the monstrous? Was Kolton onto something when he let go of his previous form because there is no clear distinction between what should receive an arrow to the face and what shouldn't? Or should we rather focus on Zelda losing her human form as a beautiful and tragic sacrifice --but something that never actually altered her nature as a hylian, the descendant of a lineage of Good Kings meant to rule forever?

Is the Dondon good because it always was, or was it worth Zelda's love in spite of the fear it initially provoked?

Either way, at the end of the game, evil is slain. Ganondorf is, not killed, but --like his angry BotW boar counterpart-- destroyed, as monsters tend to be. He explodes over the lands of Hyrule, freed from Darkness; freed from everything wrong, since the foreign menace that embodied it all was wiped out in one fateful sweep of a holy blade cradled in sacrificial love. Nothing wrong remains. The Sages reaffirm their vows to protect the kingdom forward, and a very human --hylian-- Zelda smiles: Hyrule now forever and ever basked in eternal Light.

#totk #thoughts #tloz #totk critical #when will my brain return from the imprisoning war... #ganondorf #zelda #rauru #bargainer statue #kilton #kolton #dondon #this one gets a bit conceptual but #morality in totk is SUCH a headscratcher #I think this ambiguity is genuinely the only thing that keeps my brain interested in the subject #I am of the opinion that there was a big rewrite at some point #that severely simplified the conflict #and that morality was initially more a topic in TotK because.... the traces do seem to remain #it could also 100% be a case of developers not caring about themes at all whatsoever #and not realizing what they are saying or putting into question #but #worth pondering upon

[elizaellwrites]

WIP Questionaire

Thank you @worldstogetlostin for tagging me here!

Rules: Answer as many (or as few) of the questions about your WIP as you can.

1. What was the first part of your wip that you created?

My ocs, but not all of them. They were part of a separate plotline that I abandoned quickly because it was terrible and cringy. Parts of them changed as they developed, but the core of their characters began here.

The originals are: Annamarie, Rachel, Jacob, Elaine, Jol (the daemon), and Natalie (Anna's mom)

2. If your story was a TV show, what would the theme song/intro be?

I imagine it would be like the soundtracks I listen to while writing. These include songs from Narnia, HTTYD, Pirates of the Carribean, etc. I'm no composer, so I'd trust the judgment of the music expert on the case.

3. Who are your favourite characters you've made? Why?

My automatic instinct is to jump to "all of them," but I'll be reasonable here and keep it brief because I could write an essay about each of them. I won't because a) that's ridiculous to do here, and b) a lot of this has to do with spoilers/stuff on the down-low. My Top 3 (these may be surprising or not) in no particular order are:

Seniar- He's more than Anna's dad, he's lived many lives and seen too much. He's a prince who stepped up to protect his people, defied expectations, and fell in love with a human, earned his place as a war hero, and did his best to protect and raise his daughter after everything he had known and cared for was destroyed in front of him. He might not be perfect, but he's dedicated his life to other people and still provides for his daughter despite carrying the burden of his past.

Roselle- The living dead, her existence shakes the very foundation of my other characters. After being introduced to the universe, nothing was the same, and it was all for the better. She also has this strange charm about her, like she demands attention. Her life and her death are quite possibly the 2nd and 3rd most influential factors in my entire plotline- only outdone by the destruction of Ariya. She's also on a team of her own with a willingness to overlook the rulebook, which makes her extremely fun to write.

Jacob- He's caring but distant at the same time, his family is a disaster, and he's a rule follower and a rule breaker all at once. He's an enigma and has been from the start. You think you know him, but do you really? He's always running from something, facing challenges like he's trying to prove something to himself. Him and his siblings are the driving force of a lot of plot lines, and for good reason. You just can't help but wonder whether he is a good person or a bad person, and maybe he's just both.

4. What other pieces of media do you think would share a fan base for your story?

I'm honestly not 100% sure. My inspiration to write this WIP truly started with Percy Jackson, so there could be some crossover there. Really anyone with an interest in fantasy and okay with dark subjects could find it interesting.

5. What has been your biggest struggle with your wip?

Writer's block. Whether it's because a character wasn't connecting with the action the way I wanted them to, or if I'm having a day that everything I write isn't something I'm proud of... I'm in college and work, so there's often a lot on my mind, and stress and creativity don't flow well together in my brain.

6. Are there animals in your story? Talk about them!

Anna(marie) has a cat named Isa(belle) who she picked up while moving around with her father. Isa is a beautiful and sweet black Turkish Angora whose personality is modeled after my childhood cat Belle. She's not a major focus, but she means a lot to Anna as one of the few beings she could connect with outside of her father.

All other animals are wildlife and have to do with worldbuilding, which could go crazy, so I'll stop it there.

7. How do your characters get around? (ex. trains, horses, cars, dragons, etc.)

While on Earth and involved in traditionally human things, they travel in cars because their goal is to blend in and hide in plain sight.

In the list of natural (magic) Hecathian abilities, one of them is Teleportation. Characters with this ability, or in proximity to someone who is, travel this way. The challenge is it takes more energy the further you are traveling and needs quite a bit of practice and discipline to do it safely and correctly. A couple examples of characters with this power are Seniar, Annamarie (duh), and Jaleya (Cameron's sister).

8. What part of your wip are you working on rn?

Chapter 16- near the middle of book 1.

Not even close to where I want to end this.

9. What aspects (tropes, maybe?) of your wip do you think will draw people in?

I suppose the variety of aspects that appear. There is action, adventure, drama, complex characters and relationship dynamics, worldbuilding aspects, and the world and timeline just keeps expanding with different stories to tell. There's a lot to choose from, and it's all interconnected in the same universe.

10. What are your hopes for your wip?

I have a whole series planned, plus spin-offs and expanded stories to supplement it. I hope I have time to get through all of it because I want my main WIP and its world to someday be a complete set and no longer stuck only in my brain and scattered through thousands of notes.

Lightly tagging @my-cursed-prince, @willtheweaver, @jacqueswriteblrlibrary, @ashen-crest and anyone else who wants to tell me about their WIP!

#writer #writeblr #my wip #tag game #writing tag game #current wip #currently writing

[rohirric-hunter]

Oh yeah and this is the shortlist of my OCs/stolen canon characters that are going to Umbar:

Leonys. Leonys is getting to Umbar in an unconventional manner and will not be involved with most of the Epic.

Hathellang. I know the devs aren't reading my fanfic because that's illegal*, but I honestly do find it hard to believe, after they wrote the perfect foil for Hathellang in Nakasi. And it's a delightful challenge because while there's a fair chance I couldn't do so well myself, there's a 100% chance I wouldn't have. Like this is not something I would have thought to write, regardless of how perfect it is. And that's always fun to play with!

Indarant. I mentioned at some point the idea of multiclassing her "back" into Loremaster, but wasn't really sure what I would do with that. A really good setup is a sorcerer antagonist who makes a big deal out of drawing his power from nature. Make her face head-on what scared her so much about the power way back when. Also Kholtekh is going to come up to her like, "I think maybe Thorongil might have possibly become a king. What do you think of that?" and she's gonna fully look him in the eyes and say, "He did. What about it?" Like in public. Woman has No Tact. I am still figuring out her in-universe reasons for going, though.

Dahlia and Ferelin. I may or may not have mentioned on here that their big motivation for leaving the Shire was to track down their missing father, who, being a Took, had gone off on an Adventure, as Tooks do, and then never came back before they were born. So they've actually never met him. And spoilers technically but I don't really care -- they do eventually find him, one of the oar-slaves aboard a Corsair ship in Pelargir. Pretty quickly after the Black Gate he goes back to the Shire to see their mother. The twins, dealing with mixed feelings about All That, stay behind and go adventuring with Leonys and Hathellang some more. They need to see some of the things their father saw, and also have some conversations with a certain old friend going by a really stupid name and playing at being a bounty hunter assassin. For character development.

Helegdil. Helegdil is my mariner alt and is specifically being developed to stop this from happening again. Leonys and Hathellang weren't even supposed to go to Gundabad, let alone Umbar. They need to go home before I have to rewrite major parts of Blood of the Covenant on account of it happening years in the future. So the next time the Urge strikes me to throw them at a new questline I am going to do my level best to throw Helegdil at it instead. He's a new character and hasn't told me much about himself yet, but I've got a strong base with some wibbly themes that I can work into whatever stories he ends up in, probably. Heavily inspired by many indulgent fanfics set in post-war Gondor that I read as a kid.

I am putting Candaith in this situation. Candaith has an arc in Blood of the Covenant that I think will benefit from this sort of adventure.

I would really like to put Boromir in this situation too. I don't know how feasible it is from a logistical standpoint, since Imrahil's very good reasons for not going would also apply to him I think. But I have this vague fuzzy idea for what to Do With Boromir post-war and I think this would lead into it very well. That's the trouble with writing an AU that saves characters that die in canon. You have to Do Something with them, especially if, as in this case, parts of the shape of the story after their death are defined by their absence. It can be a lot of heavy lifting.

*It's not illegal actually I don't think but their lawyers will tell them not to do it. For this specific reason. If I was of a less agreeable sort and could produce evidence that they were reading my fanfic then they run the risk of getting sued. I wouldn't win this particular case, I don't think, but getting sued is expensive. And this has happened in the past I think with some TV shows. So unfortunately no fanfic for writers while they're actively writing for a property.

#(also when i say 'less agreeable' i mean i wouldnt do anything for like. broad ideas. concepts) #(if they were to say lift one of my ocs wholesale then i would not be agreeable about it at all) #(but i do not think they would do that. if only because it would be very stupid. from a legal standpoint) #lotro #spoilers of umbar #the wind will set me racing #i was going to throw belharen into the mix but there wasnt anything there #well there was one thing but it was heavy handed and ridiculous and sort of uncomfortable

[vynegar]

ch 10 liveblog

just the quick reactions i have while reading the chapter! updated as i go. i'm making a separate post for translation-related things, but that'll be posted when i finish the whole chapter

so for artem/mc interactions, he feels normally protective and careful of her but the awkwardness is still there he doesn't know if she's mad at him TT (immediately blocking her from view in the car!! and realizing now that he was so shocked because things were awkward between them!!!) also i'm gonna note his reasons for taking the case as close enough to the post-ch9 predictions

hmm artem's acting being SHIT in this chapter. clearly he can act when he wants to, so i'm interpreting this as him thinking the prankster is such a clown that he can half-ass this performance xDD

vyn on leave of absence w/o informing us... they really ARE functioning separately omg

also this guy thinking he has leverage over them with vyn. LMAO. i'm starting to see why vyn was so cruel with him in that screenshot

so bold of this to be in an artem-focused chapter. they knew what they were doing

wHAT????

oh ok he had me in the first half i'm not gonna lie

wait hang on this actually reminds me of artem personal story ch 1... maybe this whole separation charade thing is also to help develop mc's independence...? much to think about...

rhino horn spotted on the workbench in the investigation section! which reminds me, i should add a thing about that in the translation post for some added cultural/language context that non-chn speakers probably wouldn't catch

just screenshotting this since it feels important, as part of artem's philosophy of the role of a lawyer

omg the person who scratched marius is coming back as a plot point. also MARIUS <333

screenshotting the marius convo to think about later. is his other purpose for investigation luke and/or artem since they also got talismans? but i don't think he would know that, or at least he should be pretending he doesn't know in order to feign distance

omg that's another entry for the ch 10 translation post. why does marius keep getting shafted by the eng translation TT he keeps ending up harsher and more CEO-like (but the jp dub makes him sound softer so maybe it evens out? lmao)

the contrast of his appropriate distance at the detention center vs his insistent closeness when they seek out jonah zahn... add that to the theme of closing the distance from the first year of cards... nice nice very nice

a follow-up to his encouragement from ch 9 that mc could handle this?

also another patient of vyn's (or someone who sought treatment at his research center at least) who met a tragic end....

FELICIA LUO YOU ARE SUCH A GIRLBOSS FOR THIS

oh nooo )): jerome is like 100% framing felicia securely for this case. kind of ironic because he told her to go through all the trouble of making a show out of it to ensure justice for her husband, but then he went through so many hoops to frame her instead... also tot is kinda interesting in just how much public opinion affects how the cases play out. here felicia was told having the "curse" cause a stir was the only way to catch the true culprit, but another common thing in stories is the harassment that rosa and artem face as attorneys for high-profile cases... another thing to think about. court of public opinion and whatnot

ok hate to admit it but... AI voice kinda slayed that line. ladkfjadsfj vyn i'm so obsessed w you when you're on a warpath

oh u know that vyn secretly loves having rosa threaten him like this

this is what vyn haters THINK he's like. I FUCKING WISH

anyway. CONTINUED evidence of putting on a hostile performance. just wondering when we can get some answers

uhhhh so CHIEF JUSTICE OF THE SUPREME COURT bryan wing has connections to a secret auction where selling humans isn't off the table?? oh things are getting dark

i have no words...... first of all, writers turning THIS into a comedy moment with the clown bgm.... "capiche".....

LOL

i think another interpretation of artem's acting is that he's particularly good when it comes to being aggressive/arrogant/A. i like to believe all interpretations especially overly specific ones

vyn what the hell are you involved in that you have sway over something like this

OH WAIT??

PFFFFFTTTTT NO WAY ARE THEY USING THE CLASSROOM BACKGROUND FOR THE AUCTION 🤣🤣🤣 I CAN'T TAKE IT SERIOUSLY LIKE THIS VYN IS JUST ABOUT TO GO UP AND EXPLAIN THE PRIMACY EFFECT

ugghhh okay it's really getting good now but gotta sleep :// also might be translating some parts of vyn and ogier's convo (10-19) bc there are slight paraphrasings that i'd like to keep the original implications of

oh i was actually thinking about this during the scene... i'm sorry vyn i have failed u....

this entire scene feels very significant... another thing to go back and chew over...

the way i instinctively yelled "NO! >:(" at the screen

ROSA WHAT THE HELL KIND OF IDEA i know we readers have semi-omniscient pov but oh my god

nah there's still gotta be something with this report. maybe jerome lied. we can't just rule it out like this

ok so the black market drugs are still more like medicinal with severe side effects including hallucinations, while the traces on the cup had acute poisoning levels of NXX (just taking notes)

LUKE'S THROWING IT AWAY?? NOT EVEN KEEPING IT FOR EVIDENCE OR RECORDS OR WHATEVER?? AND DID YOU ALREADY TAKE THE MEDICINE?? (i feel like it's a psych-out but still??)

长命百岁。。。。。

oh hell yeah an entry for the translation post

hmmmm ok jerome is REALLY getting the potential-redemption/sympathy edit?? idk just this continued gentleness that they keep showing from him. i feel like it's going beyond the level of just "this villain is emotionally intelligent enough to garner allies and manipulate others"

VYN!!!!!!!1

god he's so insufferable (affectionate)

wait so vyn has talked to brigid too? ok so basically confirming that he's doing the aforementioned psychotherapy

wow vyn is really just the only therapist in stellis or sth

OH SHIT???????? HERE WE GOOOOOOOO

lasdljfks;alsdjf okay what a chapter. lots to think about and i need to process it. honestly i'm kinda tempted to just go directly into reading ch 11 since i can xDD

#tot liveblog

[heliianth]

how are you enjoying TotK's story so far?

on the dragons tears side i only have 3, 4, 5, 6, and 10 so by no means the complete picture, but unfortunately i have been spoiled for the end of it, i think? ive also only completed the rito regional disturbance quest. ill talk abt what i think so far below the cut

from what ive seen of it, the story is interesting. i dont particularly like time shenanigans stories, more often than not they enable lazy character/writing decisions, create plot holes, and wander around too much to have coherent themes. when time travel comes up in stories i always feel like there needs to be a justification, some lesson or reason that is realized for why it needed to happen. so u can imagine that my experience with the dragons tears so far has been waiting for that justification moment, which i think i already have?

apparently zelda turns into a dragon. tear 5 talks about draconification and how people lose themselves, and ive seen fanart and dragon zelda's actual model in-game flying around the eldin archipelago (made me pretty emotional, though i do suspect any significant reaction i might have with this has been ruined by being spoiled). this is where the story is treading ice for me, and im being super careful to avoid the leadup to the whole dragon thing. because if its a situation where zelda is forced into it, theres no other way and she HAS to do this or else the world explodes or whatever, then i dont think ill be super fond. itll feel like a rehash of what happened during the calamity in botw, where zelda is forced into holding it back for 100 years until link heals. i dont like it when stories have good arcs (in this case, zelda's) but just retread it because theres a sequel and it doesnt know how to further develop the character.

on the other hand, if zelda chooses to make this decision with her own autonomy and reasons, like thinks about it, then i think this writing decision could work as a way of showing how much she's grown when placed in that similar situation she was in during the calamity. zeldas arc is all about love and connection, whether that be with link or her other friends, including love for herself. all i ask for is that the dragons tears story builds upon this instead of just redoing botw but worse

on the rito side of things, i thought it was fun. tulin is a fun little dude. i think its fascinating how hes positioned at the beginning as seeming arrogant and uncooperative, but grows to realize that he needs to rely on others to do the things he wants. hes almost a character foil of revali in that way. the wind powers being revealed as a sage thing is also interesting. obviously i and many other players have made a connection between tulins wind gust (i like to call it tulins tornado c:) and revalis gale, and we know teba isnt related in any way to revali like the rest of them are to the champions. so it does feel like a little extra W from beyond the grave on revali's end. turns out he really did bootstraps his way into rediscovering lost magic. TLDR; i love tulin to bits, even if i wish teba got a tad more screen time. who knows, maybe he'll show up more later.

i would try commenting on the events of the actual game and how they effect link, because link's arc (which happens during the actual game, which i guess the player guides him on) is really important to botw, and i assume it'll be structured similarly here. but obviously im not done with the game so theres not much for me to talk about. i will say that, god. link must be feeling like SHIT. i know when i went to hateno and saw he and zelda lived together, then saw that all the kids in the school loved her enough to draw pictures, i got really choked up. i know i said any significant reaction to the "zelda is a dragon" story beat ill have will be muted by being spoiled beforehand, but depends on how its actually revealed/how link reacts i might still take it like a little baby

so yeah. those are my thoughts

#heliianswers #tloz #didnt tag spoilers bc theyre all below the cut. click at ur own risk

[stellocchia]

Okay, holy crap did we get an interesting stream yesterday! Time for an analysis of it!

So, there is a lot of confusion surrounding the stream and, more importantly, c!Wilbur himself. So I wanted to try and interpret this whole thing at the best of my abilities for my own sanity.

Before that though there are a few things we have to keep in mind: 

For something to be manipulation there needs to be intent on the side of the manipulator, which can be quite hard to establish in some cases

A lot of c!Wilbur’s confusing thoughts and constantly fluctuating opinions come from a general lack of knowledge, his own faulty worldview and his incredible overestimation of his own impact in the world, which I’ll talk about more later, more so then what actually would appear to be an intentionally manipulative behaviour

One more thing to point out is that Wilbur sees his life as a spectacle. To him reaching his “desired conclusion” the first time was a victory and he seems to have started on a sort of scripted “redemption arc”, and I mean scripted within the narrative not meta wise, (in which he’s trying to drag Tommy into as well) after he had his self-proclaimed “villain arc” in Pogtopia, however this view is faulty at best...

We also have to keep in mind that c!Wilbur is truly a relict from the past at this point. He places an incredible amount of value on “factions” and “leadership” and has a very black and white world view, but things have changed a lot since he was around and they’re much more complicated then that now which leaves him with a complete lack of understanding for the world around him and possibly with no tools to correct that lack of understanding

And for last, let’s keep in mind that Wilbur is an INCREDIBLY UNRELIABLE narrator. We cannot trust everything that comes out of his mouth so let’s not take everything blindly as fact

Also, while all I’ve just said is true Tommy is still 100% entitled to not trust him at all and to not be sympathetic towards him, even without considering this stream (and trust me: I’ll get to that one) because their history together is not great. Keep in mind that they were basically alone during Pogtopia and that Wilbur always sorta grouped himself and Tommy together (as in Wilbur considered BOTH of them to be “the bad guys” and BOTH of them to be bad for the server and better off dead) and he was always extremely manipulative in the ways that he used to try and get Tommy to believe his world view as well (and he seemed to adopt a similar behaviour in the stream, but I’ll get to that one later). Sadly that also means that Tommy isn’t a reliable narrator at all for what concerns Wilbur...

Okay, now with all the introduction out of the way the proper analisys will be under the cut! Be advised that it’ll treat some very heavy topics (like abuse, manipulation etc) so, you know, keep that in mind.

The stream I’ll be using for this one is: Meet the latest resurrected gentleman of L'manburg, though I may take some things from: Wilbur Is Revived.

The stream starts with Tommy and Wilbur meating up on the glass covering the L’Manburg crater. Right after we have a bit of banter with Wilbur openly mocking Ghostbur, ignoring Tommy’s discomfort at the subject, like always. I wanna say it right now that the dismissal of whatever Tommy is feeling and whatever he says that does not align with Wilbur’s idea of Tommy is not something new. It’s a behaviour Wilbur developed all throughout the Pogtopia times. He may look like he listens to Tommy a bit more during this stream, but he never takes into account anything he says and constantly dismisses anything he feels, so we know that’s not true. Of course, Wilbur is not the only person who exibited this behaviour (Tommy often gets dismissed when he speaks and if re-watching exile taught me anything is that Dream was also very keen on dismissing all of his emotions). 

Also one of the first things Wilbur asks about is his Chekhov's gun, which Tommy moves on from quickly without answering (propably because it got destroyed by Dream while Tommy had it). 

“Hey pu- Hey! Put Friend down!” “Wh-why? He’s gonna come with us!” “I don’t want you... no he could die!” “And? It’s a sheep Tommy, who cares about-” “Calm down man! I know- I know that you have the power of eternity over him, but just put him down!” “No! I’m just saying: who cares about a sheep man? It’s just a sheep. Just come...” “Oh I fucking...” “What?! It’s just a sheep my man!”

Once again dismissal of Tommy’s emotions, but also an introduction to the theme of attachments that seems like will be important once again. This time the conflict that’s introduced surrounding attachments is not about their intrinsic value (like it was in season 2) but it seems to be that of attachments vs ideals. In this case what we’re presented with is seemingly a detachment from Wilbur (though we can’t say if it’s volountary, like in Dream’s case, or just an effect of his depression yet). 

“Tommy... I’m sorry” “Wait what are you- are you gonna kill me?” “No no sorry” “You’re gonna wack me?” “Ignore the Lore Sword, I’m- I don’t- I’m not good at this man. I need to make some apologies. I told you I needed to have a think and I don’t think an apology would ever sum up... uh... what I did here. I mean look at this mess!” *looking at the crater of L’Manburg* “You did this! Well, not all of it, you did a little bit” “Yeah... I didn’t do the glass. But like I think- I think that I do need to, I need to apologize to some people! You know, I’m gonna- I’m gonna make amends!”

Okay, there are a lot of things to unpack here:

1) Tommy’s immediate reaction to Wilbur apparently softening up while holding a sword is to expect to be hit, probably because of residual trauma from exile where Dream would act in a similar manner

2) Wilbur seems to recognise that he needs to apologize to people, but he doesn’t actually seem to regret anything or doesn’t understand WHAT he needs to apologize for (which is the reason why he only apologizes to people he hasn’t hurt, didn’t know or doesn’t particularly care about). He doesn’t apologize to Tommy for example, his “I’m sorry” at the beginning isn’t directed at Tommy as much as it’s a general statement (this could have something to do with him lumping himself and Tommy together as the bad guys of course). Also, remember that idea about Wilbur seeing his life as a show? Well, he did the villain arc so the only 2 possible ways to go after that are a repeat or a redemtion arc... this is him starting in on the second, while not actually believing in it

3) We already see Wilbur giving himself more importance then he actually did have. Tommy explains that he’s only resposible for a small part of the crater, but Wilbur doesn’t know that Techno, Phil and Dream did exactly what he did but bigger later on and assumes that all of it was done by him (probably making him think that he’s had a decidedly bigger impact then he actually did)

“Well I’m in my forties now Tommy, I counted the years man... how old are you now? You must be what, like, 20? 30?” (Wilbur does not seem to be aware of the time dilatation that occurs in Limbo)

It’s also interesting that Wilbur asks Tommy of all people to give him a tour. I mean, the two were close before and Tommy is the only one who stayed by his side through everything, but Tommy already expressed multiple times a dislike for Wilbur even directly stating to his face in the revival stream that Wilbur should have stayed dead. My best guess is that what brought him to ask Tommy specifically despite that was a mix of being still in a similar mindset to Pogtopia where it was the two of them vs everyone else, Wilbur’s paranoia not having disappeared meaning he doesn’t trust anyone else and a sort of dependency Wilbur has developed on Tommy to avoid loneliness.

“No no! Will, you didn’t get a grave. This is just what you left behind” (destruction and a betrayal of trust are the only remains of who Wilbur used to be it seems)

“Here’s the thing Tommy: I know I was bad and I know I can- I know I can redeem myself but you know there’s- there’s a little bit of fun in being bad, you know, I mean, we’ve spoken about this” (callback to “let’s be the bad guys” and further confirmation that Wilbur isn’t truly interested in redemption as he still sees himself in the role of the villain)

The first person that Wilbur apologizes to is Skeppy who fits the category of “person he more or less knew, but never actually wronged”, meaning that one is a useless apology (and Wilbur seems to recognize that when he asks Skeppy to say one thing he did to him). (Also rip Friend Skeppy doesn’t deserve rights anymore).

“He was Ghostbur’s man! And I wish you’d stop disrespecting him” (technically about Friend but more broadly about Ghostbur as well)

“You see I’ve always seen myself as a bit of an iconoclast so I don’t think I’ll be getting involved in the whoel deity section” (Wilbur is canonically an atheist)

The second person Wilbur apologizes to is Jack Manifold, which is also when Wilbur starts excluding Tommy any time there is someone else there as well. Jack honestly fits in the category of people “Wilbur knew but didn’t really care about”, which is why his apology ends up being quite generic and not very accurate to the historical happenings. He apologized for leaving him behind when he got exiled but, once again, that never actually happened. Jack stayed back of his own volition there. He apologized for not granting Manifold Land independence, which would have been up to Dream. He apologizes for leading him into war which he simply never did, because Jack joined after. All this apologies are what Jack wants to hear, but none of them are true to what happened.

Either way, Tommy brings Wilbur to the roof of the hotel and they have quite the important conversation there. Tommy tries to tell Wilbur about when he decided to go see Dream for the last time, but Wilbur entirely dismisses him.

“I know you’ve had your little strife man” “But I died!” “But I don’t- I don’t care” (full dismissal)

They then end up talking about exile (Wilbur specifically is the one to bring it up).

“Tommy, I’ll tell you what, if I was there and it wasn’t that stupid shell of a ghost instead of me I would have struck down Dream right where he stood. We would have disemboweled him. We would have disemboweled him” “You would have killed Dream?” “Together” “Well Tubbo is the one who sent me off... You would have killed Dream?” “Tommy- Tommy! I wasn’t blind, I saw what he was doing to you Tommy... I saw. I saw what he was doing to Tubbo” “I don’t like thinking about it” “I saw what he did to me”

So talks about Tommy’s exile are always something... Tommy still shows clear hesitance in blaming Dream even after all this time and even more hesitance at the idea of someone killing Dream at the time (probably because he still subconciously bleieves that he was his only friend back then). 

Then there is Wilbur who has admitted to know about Dream’s abuse of Tommy and his manipulation of Tubbo and himself (though to which extent for any of these is unclear) and he seems of the idea that: 1) if he was alive he would have been allowed to go with Tommy, which he wouldn’t have and 2) that if he was there they’d have killed Dream. Though he changes his narrative on the second point right after it’s intersting that he thinks he would have been allowed with Tommy because if he was as aware of the situation as he seems to think he is he’d know that Dream “exiled” Tommy specifically to have him alone and vulnerable where he could mold him as he pleased. It wasn’t a political stance like their previous exile, it was a glorified kidnapping.

“After seeing Ghostbur interact with Dream I realized that, no, Dream is not the enemy, Dream is not the enemy” “He-” “This world was not supposed to be inhabited by people of this caliber. Dream is the hero! Dream needs to be let out of here. Dream’s not in prison because he’s a horrible person, Dream’s in there because he dared to try and stop you all. He dared to try and stop you all from gaining all this power because the minute I was gone there was a vacuum, there was opening and everyone just slicked to get in there and Dream was the only one who stood up to them and told them not to. Dream is the one that held my seat for me”

Again, a few things to unpack here:

1) Wilbur somehow fails to see the contraddiction in his own reasoning. “I know Dream abused you, but he is not being imprison because he is a bad person, he was only doing what is necessary” was what his speach boiled down to which is just bullshit plain and simple. But why does Wilbur get to this conclusion? Well because he has faulty information at best to fill in the blanks from the time he was dead and he has a very simplistic worldview where everything must fit neatly into a small little narrative and where people are either “villains” or “heroes” and since Wilbur thinks of himself as a villain and thinks he corrupted anything he came in contact with it makes sense that he would see Dream, someone who opposed everything and everyone previously associated with Wilbur, as the “hero”.

2) We have Wilbur, once again, giving himself more importance then he did have. Wilbur didn’t leave a power vacuum, L’Manburg was rebuilt pretty quickly and all Wilbur left behind was a bit more trauma and, even then, people have done worse since. Wilbur was, in fact, pretty irrelevant in the grand scheme of things. Once his story was over people moved on one way or the other and Wilbur simply cannot accept that because he sees himself as a protagonist, but he simply wasn’t around for a long time. 

(Also I really wanna punch him in the face for this one because f*ck him for calling Tommy’s abuser a “hero” to his face, that’s a HUGE d*ck move)

“If Dream died instead of me, I would be in there right now” (again, fundamental misunderstanding of why Dream’s in prison in the first place)

“I didn’t actually really care about L’Manburg, I just cared about, you know, sticking it to the man. Actually I cared about L’Manburg for the sole reason that I could use it to stick it to the man! You ever sticked it to the man Tommy?” “That’s not true” “L’Manburg was a tool, it was a great tool, it worked! You know? It divided so many people man”

Listen, we can debate all day wether Wilbur actually cared about L’Manburg beyond seeing as a tool to achieve his ends or not, but that’s not really important. The important thing to take away from this is that Tommy, Tubbo, Niki, Fundy, Eret and Quackity believed in L’Manburg. They believed in it enough to fight for it. Others as well. So whatever the answer to “did Wilbur care?” is, their experiences are not invalidated because of it. The other thing is that the whole conversation about L’Manburg fully establishes the theme of ideals vs attachment that may be explored more in the future.

“I’m sorry for a lot of things but, Tommy that doesn’t mean I’m not gonna try again” (and here it is. Wilbur shows Tommy the most awful side of him that hasn’t changed all the while pretending to be a completely new man in front of others so they won’t believe Tommy if he tells them. This one is full on manipulation)

“I did care about L’Manburg. I did, I did, but if L’Manburg- a rose by any other name would still smell as sweet, L’Manburg would have still been as loved by me if it was called Bim Bum and it was in the middle of the desert” (once again reiterating that it wasn’t about material attchment, but more so about the purpouse of L’Manburg)

“Stick it to the man Tommy! High five” “No! You just said that you loved 'The Man'” (Tommy pointing out the contraddioctions in Wilbur’s reasoning)

“It was like we were a family, you can’t just say that!” “We were a family Tommy. We were. And you know what I guess you just didn’t- I guess you just didn’t have the balls to follow along with me. When I pressed the button you were always against it-” “You blew up our fucking home!” “We’re leaving it behind Tommy, it’s in the past. We’re friends now, we’re friends”

So, two things here: Wilbur seems to resent Tommy partially for not enabling his destructive tendencies seeing Tommy opposing him destroying L’Manburg as him leaving Wilbur behind. And also Wilbur is, once again, dismissing Tommy’s rightful anger, this time in a way that is very reminiscent of Dream (reinforcing the idea of them being “friends” despite having done something that hurt Tommy a lot).

“You’re following me for quite a while for someone who doesn’t care” “*deep sigh* Where are we going next?” (while Tommy is aware that being with Wilbur is not good for him he also seems to not want to leave him either)

“You know I often give him a lot of shit and pretend I don’t like him, because he has a peculiar relationship with Tubbo, but he is a very good man and I stuck up for him because I see potential in him, alright?” “Yeah? What is he, a strong fighter?” “Yeah, well he is- he is a very strong fighter, he stuck by my side, he visited me in exile, he is a good man and he’s helped me”

It’s interesting to see how their opinions diverge. To Wilbur “strenght” is physical strenght and strong ideals. He respects Tommy to a degree because Tommy is not afraid to stand up for what he believes in for example. For Tommy “strenght” is compassion and loyalty. Tommy considers Ranboo strong because he has the strenght to remain kind in a world like theirs where kindness usually doesn’t take you far. And this is the main reason why Wilbur and Ranboo clash, why they are narrative foils: because Ranboo is extremely well loved and secured himself a relatively peaceful life by going against everything that Wilbur believes in. Ranboo is respected and loved where someone like Dream who, to Wilbur, embodies the ideal of strenght is widely hated and he doesn’t understand why because he’s missing so much information.

Third and final person Wilbur apologizes to is Ranboo who falls into the category of “Wilbur didn’t know him”, meaning the apology is, once again, just performative so that Wilbur can move along his perceived “redemtion arc”. During the whole chat with Ranboo Wilbur, once again, mostly pushes Tommy’s presence to the side in favour of the new person, though Ranboo does actually notice Tommy’s constant worry and tension and reassures him multiple times that everything’s fine.

“Everyone I seem to meet seems to have this deep intrinsic feeling of disgust towards me” (no one actually does, this is just Wilbur’s self deprecation talking. Like, Tommy is the only one who has expressed anger towards him so far and he’s still sticking to Wilbur and trying to talk to him)

“Tommy is very suspicious of me because of who I WAS” (this is, once again, manipulation. Trivializing Tommy’s fear and suspicions in front of others while reinforcing them when they’re alone is a way to isolate him from an eventual support system)

“It was big, it was big effects though right? I mean... let’s be honest here” (Wilbur once again overestimating his impact. He did have a lasting effect on people, but nowhere near as he seems to think)

“Tommy I don’t know who you’re tryng to protect here, me or Ranboo” “Ranboo” (yes yes, Allium Duo moment, but also Wilbur seems sort of jealous of the relationship Ranboo and Tommy have and how obvious it is where Tommy’s loyalty lies now)

“You get into people’s heads Wilbur, alright? You’re like a little caterpillar, you go in through their ear, then you hatch a butterfly, before you know it your brain is all colors and flying...” (Tommy lacking proper terminology to describe Wilbur’s manipulation, but still doing a wonderful job at it)

Wilbur spends quite a while interrogating Ranboo on his beliefs and getting progressively more confused about why people (and Tommy especially as he specifies later) love him so much as Ranboo explains his “pick people not sides” philosophy. He seems particularly annoyed by Ranboo soley defining Dream as “bad”, possibly because in the world view he crafted for himself everyone is so extremely divided and he can’t imagine the existence of someone who tries to actively defy that by trying to side with everyone who hasn’t directly harmed his loved ones or himself. At first Wilbur thinks Ranboo must have some ulterior motive for being kind to everyone and is even more shocked at finding out that that’s not the case.

“There’s been more wars while I’ve been dead then when I was alive Ranboo, that’s- that’s a-” “There’s actually been only one and ever since you died and Dream’s been put in prison the server’s actually been peaceful” “So you’re saying that you don’t like me? In the same way you don’t like Dream you’re against me then?” “I- no! No no no, I don’t not like you Wilbur, I don’t like the person that you were. I’m willing- I’m willing to like you now, if you’ve changed”

And here we have Ranboo standing against Wilbur quite directly. Wilbur seems convinced that, because Ranboo doesn’t dislike most people he stands for nothing which, admittedly, Ranboo is quite hypocritical and weak willed, but he is showing the sort of strenght Tommy admires him for here. Ranboo dislikes who Wilbur used to be because he hurt his family, but he is willing to give him a second chance, which is more then even Wilbur ever did for himself. Also, to be fair, once Dream was locked up the server did become more peaceful and there were less wars. Ranboo was right when pointing that one out and the fact that Wilbur doesn’t seem to know it points to his lack of knowledge that he doesn’t seem willing to fix.

It’s also interesting that Wilbur seems to conclude all this meetings in a hurry by asking Tommy to go on with the tour and basically pulling him along... even if it’s pretty clear by now that Tommy isn’t really needed there. Wilbur remembers how to navigate the server without Tommy thanks to Ghostbur’s memories and he ignores Tommy’s presence whenever someone else is near. The only reason why he is pulling him along is because he can and because he uses him to vent and say all the things he lies to others about... so much for his “no lying” oath...

“He’s a follower Tommy! You’re not a follower man! You stand up for yourself, you fight for what you believe in” (reiteration of Wilbur’s idea of strenght which alsoseems connected to worth for him. For him being a “follower” is inherently negative)

“Tommy he felt like the polar opposite of me” (in case we needed more reasons to consider them foils)

Wilbur and Tommy have a fight right after because Tommy’s upset at Wilbur being an ass to Ranboo and completely ignoring him and about his presence just in general. Wilbur is the one insisting for the fight to be physical in a scene that mirrors the Pogtopia pit scene quite a lot while Tommy would have been contented (and would have actually preferred) with Wilbur admitting to his faults. But so far Wilbur hasn’t apologized for his more grave faults even once and he has yet to apologize to Tommy for anything at all and I honestly doubt he intends to at the moment or that he even feel remorseful for anything... they fight and Tommy wins and takes Wilbur’s sword to avoid a repeat of the situation.

“Look at me. No matter what happens, no matter what goes down, today, tomorrow, next week, the week after, the week after next, the fact that I’m alive means that anything that happens along this line I’ve won. I’ve already won. I won when I pressed that button. You can spar me however many times you want for your own personal victories, but, in the grand scheme of things, I’ve already won. And I think, from your silence, you know that”

This brings us back to Wilbur seeing his life as a show and himself as both the protagonist of the story and the villain. The button scene was the ending of his story and he managed to complete it with what he considers his own victory. Of course it’s also a way to put down Tommy in a similar way to how the “you’re never gonna be president” speach worked. Tommy didn’t want to spar with Wilbur in the first place, but he did win. Tommy didn’t want to be president either because, despite Wilbur being convinced that he has his same idea of power, Tommy is quite content to live a simple life with none of the responsabilities that come from having power. In both cases though, Wilbur takes the chance to use the aspiration of the image of Tommy he’s painted in his mind against the real one, by saying thet it’ll be impossible for him to accomplish what he thinks he wants. Doesn’t work anymore though, Tommy immediately called him out on his bullshit even if he was ignored again. Also what’s with Wilbur and constantly asking Tommy to look at him? Is he afraid to disappear if Tommy’s not looking or something?

“You just stick with me man, stick with me. Stick with the winning side. Stick with the side that stands for something, stick with the side that believes in something” (it’s also interesting to note that Wilbur seems to constantly see his life as a conflict adn, right now, he appears to think that it’s him and Tommy vs the world, similarly to how Dream started thinking in prison)

“I thought he had infinite canon lives” (Wilbur seems to have held at least some of Ghostburs naivete it seems)

“Honestly I wasn’t expecting you to have your shit together like this man, I thought you just came on to kill me” (once again Wilbur thinking he’s the center of the world apparently)

“Thank you for that [killing him] by the way. No no seriously, thank you for that! Because if you hadn’t done that I’d ended up living- I would have been exiled with Tommyinnit and then I would have gotten angry at Dream because Dream can’t go around hurting Tommy like that. I would’ve been angry at Dream. I would have tried to fight Dream, which now I see would’ve been a silly move because Dream’s my hero! Dream’s amazing! So I would’ve ended up fighting Dream and then I would’ve been the one in prison and not Dream”

I was kinda surprised that he said all of this to Phil, but I guess he may remember Phil siding with Dream for Doomsday perhaps, so he thinks he can get understanding on all the Dream stuff. He also prefaced this by bringing up something that Phil still feels immensely guilty about meaning he was more prone to listen. Also, again he seems to have a fundamental misunderstanding of what exile was about or why Dream is in prison in the first place but, aside from that, his opinion on Dream just seems to genuinely fluctuate between despising him for hurting Tommy and considering him a hero because he brought him back to life and because he covers the role of the misunderstood underdog who’s trying to do what’s right in the version of the story that he created in his mind. 

“Well yes, but I wouldn’t have stood for Dream’s shit while Tubbo, well Tubbo did stand for it” (see what I mean? Fluctuating opinions. Pretty sure not even he himself is entirely sure of what he feels or think in this regard)

“Oh, Will?” “Yeah?” “I forgot to mention by the way. I, at one point, griefed George’s house with Ranboo and that caused to a chian of events that lead- that- that was kind of why I got exiled more so...” “Okay and Ranboo managed to not get exiled with you?” “Oh no, it was just me” “That’s pretty uh-” “But I stood up for Ranboo. I made sure he didn’t because he was so new and he was, you know, he was-” “Ah, so you got thrown under the bus. Did he not stand up for you? Did he not offer to go with you?” “No he did stand up for me but to, like, to an extent because he didn’t wanna get exiled and that’s fair” “okay... I’m Sure I’ll Get On With Him!”

Wilbur’s obvious distaste for Ranboo shining through again. Also he was pocking in the right direction, but, sadly, Tommy is not the right person to ask this questions to because he fully believes that he deserved what happened to him still, so he won’t be able to explain that the reson why Ranboo wasn’t exiled was because Dream didn’t care about him and the exile was just about gettng him alone. I don’t think anyone aside from Dream has clocked that in quite yet as a matter of fact. Also this conversation has just proven further to Wilbur that Ranboo is the pushover he though he was after all.

After that Wilbur explains to Phil that the reason he lied was because he didn’t want to let him down. He also tries to convince Phil that he doesn’t lie anymore and that he didn’t lie much in the first place, only to address Tommy and go:

“Old Wilbur did a lot of lying Tommy, old Wilbur did a lot of lying”

“Wait did you say there was a counselor on this server that we could talk to?” (Tommy yet again being the only f*cker in the server that genuinely wants to go to therapy)

Also Phil trusts people way too easily. He just confronted Wilbur about lying in his letters for a long time only to turn around and immediately trust him that he is a changed man, even after Wilbur said straight to his face that Dream is his hero. Like... he is supposed to have lived a long ass time, how did he stay this naive?

Will also mentions that he has plans and intends to have both Phil and Tommy in on them as soon as they’re ready. He also proceeds to make it sound like the only reason why Tommy is upset with him and doesn’t trust him is because he was a bit mean to Ranboo which is him, once again, trivializing Tommy’s fears in front of others so that they are less likely to take him seriously in the future. He then asks for a bed and shower which Phil provides. One other thing to note is that Wilbur seems extremely reluctant any time that it comes to going underground, probably due to trauma from living in a ravine in Pogtopia.

“Do you trust me? Do you believe that I’m turning a new leaf Tommy?” (this is not the first time this stream that Wilbur seems to seek out Tommy’s approval and it’s interesting that he doesn’t seem to do it with anyone else)

Once again Wilbur interrupts the visit in a hurry as soon as Tommy tries to explain his side of the story to Phil telling Tommy repedly to go with him. This really seems to be a pattern since it happened every single time, and I’m guessing that the reason is that, once he has given his pieace, leaving Tommy to speak may be detrimental to the manipulation in the long run. 

“Be nice Tommy, okay? Be nice” “Phil, you murdered him” (Lmao)

“Tommy you’re missing the sunrise! You’re missing the sunrise” (for the sun as a symbol enthusiasts)

The two of them then have a very weird argument about stone that it’s literally just textbook manipulation in action right there. At first Wilbur asks for stone then, after Tommy complains a bit, he concedes and switches to cobblestone just to then comment on the fact that stone looks better, but he’s graciously letting Tommy having a say in it. He then expresses that his request is for Tommy to get “all the stone” but making sure that he doesn’t believe that Tommy will be able to do that. Multiple times in fact. He then tells him to get it with Phil because Phil would be able to do so, unlike him. And all of this is just to split up from him in a way that’ll have Tommy still be too busy to explain to anyone about Wilbur. 

“He’s a good kid, he’s a good kid. I’ll be back on the saddle soon... I mean it’s only a matter of times I’ve done it once I’ll do it again” (I do think that Wilbur does care for Tommy a bit, I’m fairly sure about that, but their relationship really sin’t healthy. Also we’re back with Wilbur immediately assuming the role of “protagonist” in his “story” once more)

“Why does everyone like that Ranboo guy? I don’t understand...” (once again, incapacity to understand someone who is so diametrically opposed to him)

“I’m done apologizing” (he didn’t even start. Not in a way that mattered and not to the people who needed it most)

“I don’t know how I was revived” (Wilbur canonically does not know about the revive book)

Wilbur’s stream ends with him checking out Quackity’s book and Wilbur making a whole speach confirming that his idea of power is tied to physical strenght and feeling self assured in the fact that he was “right all along”. Tommy’s stream however was not over yet. 

“I don’t want to try and save the server, I don’t have that in me”

“We need to get the stone... and then we need to stop Will and he hopefully won’t destroy the server” (Tommy being dragged back in the role of the hero kicking and screaming)

“When we did L’Manburg I was a strong guy, a character that could go around and now it feels different. I feel thinner. I feel... don’t have a choice. I don’t have a choice” (once more he lacks the proper words to describe trauma, but he still does a great job of it. He also feels once again like this role was put on him and he has no choice but to oblige)

Tommy later talks about how he won't let anyone put him "through that shit" (manipulation) but that he’ll still get the stone because it would be nice to have Wiilbur be impressed with him. Which is just a great way to let us know that Wilbur's tactic has indeed worked. 

And this is pretty much it!

#tommyinnit #wilbur soot #ranboo #dream smp #tw manipulation #tw abuse mention #character analysis #relationship analysis #long post #my post #pretty sure that this is the longest post I've ever written... #the whole thing was just so utterly confusing #this did clear up my thought though so that's nice! #also shoutout to wilbur dying inside at tommy's tinder joke and visibly having to force himself to stay in character for it

[aromantic-enjolras]

Modern AU Amis cultural backgrounds

Disclaimer: all of my headcanons are fluid, and depend heavily on the story I’m writing and whatever fits the plot and themes I’m working on. But as a general rule, these are my main cultural backgrounds. (Also, those I have written more will have more developed backgrounds, for obvious reasons. Sorry, Bossuet!)

Courfeyrac and Enjolras are French and rich. While Enjolras’ dad is a CEO, Courfeyrac comes from Old Money. His family is old nobility, but they have fallen from grace: he doesn’t really have that much money, but his family owns a manor in the country, and he will get a full set of silver cutlery if he ever gets married, and one of his uncles is obsessed with the family tree and has traced it all the way back to the XVIth century.

Combeferre is half Spanish and half Burkinais. His family from his mother side came from Spain after the Civil War, and they are staunchly revolutionaries. I haven’t decided whether they are communists or anarchists, but in any case, Combeferre has been raised on stories of fighting the fascists. On his father’s side, his father came to France as a young adult from Burkina Faso. Combeferre has never been to Burkina Faso, which pains him a lot, but he makes do with the African community from his home town.

Bahorel is probably the Frenchiest French of them all. Their family comes from a small town in the Pyrenées, and as far as they’re aware they’ve been farmers for forever. They’re actually the first one to go study to the big city. They have a very strong Southern accent.

Jehan is Sepharadic Jew. His family has lived in Algeria for many generations, but they moved to France when Algeria got its independence. That means, among other things, that his native languages are French, Algerian Arabic and Sephardic (according to Wikipedia it’s called ‘Judeo-Spanish’ in English?), and that he took to Spanish like a fish to the water. He sometimes still mixes Sephardic words when he speaks Spanish, Marius finds it fascinating.

Joly is French-born Vietnamese, and he had some identity dilemmas as a teenager, because his upbringing at home was completely Vietnamese (when he arrived to kindergarten he didn’t even speak French!), but outside of the house it was completely French. Is he more French or more Vietnamese?

Musichetta is born and raised in Martinique (a French island in the Caribbean), and she’s painfully aware that they are a colony in everything but name. She is also very very done with people asking her where she’s from, because she’s 100% French, dammit, white people in Martinique are a minority, why is it so complicated to understand!

Bossuet is Sub-Saharan African, and he’s a first-generation immigrant, but I haven’t decided how or when or in what context. I need to write him more.

Feuilly came to France as a teenager, as an undocumented immigrant. As such, he has been treated to every single undignified thing the government throws at people who could be minors, but also could be passed as adults and not be tended to. He stumbled around the foster care system, and at some point he ended living at a squat house that was run by an anarchist group for immigrant kids. At least until they got evicted. That’s also his first links to anarchist movements.

Grantaire is French, from Marseille, and he can imitate the accent very well if he wants to. He comes from a working-class family, that never had a lot of money, and he buys into the whole “that’s how it is, nothing you can do about it” attitude. Which infuriates Enjolras, of course, because he has lived it, how can he not revolt against it???

I have no backgrounds for Marius, Cosette or Éponine, but I’m leaning towards @takethewatch’s approach for Marius, in which he has been raised by a very bigoted French grandfather, and has discovered very very recently that his dad was  X nationality.

#Les Misérables #text posts #my headcanons #headcanons #modern au #Enjolras #Courfeyrac #Combeferre #Jehan Prouvaire #Bahorel #Joly #Musichetta #Bossuet #Feuilly #Grantaire #Marius Pontmercy #Cosette #Éponine #class issues #the migrant experience #languages #my posts #long posts #cultural differences #mentions of racism

[ryukyuan-sunflower]

Romance in Samurai Champloo: The Mirror Reflection of Jin and Shino and Mugen and Fuu

Upon re-watching Episode 11, I was utterly shocked by how many parallels exist between Mugen and Jin as characters, in regards to their relationship with the most important women of their journey. The interactions and concepts are near identical. These specific themes and interactions were only exhibited with two specific women, and no other characters in the series.

In episode 11, Jin falls in love with Shino: a courtesan who was forced into prostitution due to her lousy, abusive husband's gambling debt. Jin later saves Shino from this brothel, and helps her escape to a divorce temple.

Canonically, it was stated in the Samurai Champloo Roman Album by Shino’s character designer that Jin does indeed "fall for" her, so it was not simply chivalry that led him to help her. This echoes his actual dialogue in episode 11:

Fuu: I understand why you pity her but-

Jin: It’s not pity.

It is not pity, because it is love.

So, here is the INSANE number of ways Jin's confirmed romantic dynamic with Shino is an uncanny mirror to Mugen's subtle romantic dynamic with Fuu.

Warning: There is a LOT of comparisons. I was honestly so surprised and have a whole new level of respect for this anime now, and specifically Episode 11.

Enjoy the read!

The First Meeting: Saving the Girl and Reading Her Mind

Both Mugen and Jin save a woman’s life at their first encounter. Both also know the girl is in trouble without ever being told.

Both Fuu and Shino reject the notion that they need help. But it is revealed later that they do.

Jin meets Shino on a bridge and saves her life. She confesses much later, that she had been contemplating suicide, but because he stopped to talk with her, she did not go through with it. 

Never did Shino ever show any indication she wanted to drown herself, other than looking at the canal. Jin just knew the moment he walked by.

Mugen meets Fuu in the tea house and saves her life. The magistrate's son was going to have her mutilated and killed. But because Mugen talked with her, she was able to strike a deal of killing them for 100 dumplings.

Never did Fuu tell Mugen that the guys were giving her trouble. Mugen just knew the moment he walked in.

In addition to this first meeting, Jin also stops Shino’s husband from beating her. Mugen also stops Umanousuke from beating Fuu in Episode 25.

Thinking in the Rain: Love Interest Trapped in a Brothel

Previously, in Episodes 3+4, Fuu was thrown into a brothel, just like Shino's predicament in episode 11.

After Mugen skips town and ditches the Yakuza, the thought of Fuu stuck in the brothel invades his mind, and compels him to turn back.

Note: Jin never thinks about Fuu stuck in the brothel.

After being unable to afford Shino, Jin is beaten by bouncers and trudges away, thinking about how Shino is sleeping with another man.

Both of these incidences occur during heavy rain. 

Both think about their love interests trapped in the brothel which leads them to return to save them.

The Brothel Escape.

Both Mugen and Jin attempt to break their love interests out of a brothel.

On the second night they spend together, Jin concocts a plan to sneak Shino out of the brothel.

Never one to be discrete, Mugen’s plan to save Fuu involves breaking into the brothel, kicking open the cage doors, and pulling her out. However, to keep the MugenxFuu romance subtle and to have shippers rip their hair out Fuu escapes alone, and she never finds out about Mugen’s wild attempt to get her back. So, we never get the obviously romantic scene of him grabbing her arm and whisking her away. We just know that poor Mugen tried.

There is evident blood on his sword. He killed a person or multiple people to get back to her.

Mugen could have taken and freed any of these lovely ladies. But no.

Note: Jin is seen putting no effort into saving Fuu at all. When Jin initially sneaks into the brothel of Episode 3+4 disguised as a woman, he had no idea Fuu was there at the time. He was just helping the boy Sousuke save Osuzu. Later, even when he sees Fuu there, Jin never is shown putting in any effort to rescue her, nor thinking about it. If we assume he intended to, with his roundabout way of being involved with the Kawara gang, (who he was already helping anyway), Fuu would have already been bought by a client, because she was. (luckily the client did not have sex with her). 

If this isn't enough of a mirror, Fuu and Shino escape the brothel in the exact same way: tying a series of clothes to the porch and sliding out the window.

Giving Up One’s Sword For a Woman

Shown in both episodes 6 and 8, Jin is extremely protective of his katana, saying that his swords are the equivalent of his soul as a samurai. 

He adamantly refuses to part with them for any reason. He is also shown in episodes 14, 16 and 20 diligently polishing them.

On a different note, Mugen is not shown taking care of his swords as meticulously as Jin, nor as protectively. He is willing to pawn them off if it means being able to eat: shown in episode 6 and episode 8.

But his sword is no less important to Mugen, as he is shown carrying the same sai handled tsurugi in his flashbacks in the Ryukyuan Islands, implying he had carried it for a long time. For Mugen, the sword has nothing to do with some code of bushido, or philosophy. It serves the fundamental purpose of keeping him alive, which is something Mugen constantly struggles with.

In a brothel, swords are not allowed, as it is unsafe for the courtesans if there happened to be a violent client. 

In Episode 25, Umanousuke is about to kill Fuu when Mugen arrives.

To spend time with Shino and free her, Jin willingly gives up his swords.

To save Fuu’s life and free her, Mugen gives up his sword in Episode 25.

Note: The only other example we have of Jin “giving up his swords” is comedy when Mugen and Fuu confiscates his swords against his will, so they can enter an eating contest in Episode 6.

Interestingly, the two men gave up their swords under reversed circumstances, yet with the same intentions.

Jin, who has always cherished his katana, ends up giving them up in a moment that he logically "shouldn't". He does what could be considered a frivolous activity of spending time with a prostitute, which completely goes against his personal code as a samurai.

Mugen, who had always been willing to give up his sword for the sake of survival, finally needs to keep his sword, or he will be brutally tortured and killed by Umanousuke. But instead, he gives it up anyway in this extremely critical moment, to save Fuu's life.

In the end, both men resorted to giving up their swords for one simple reason: love.

Red and Pink Color Composition

This one was very surprising for me, and the reason I ended up writing this entire post. The other examples until now are more obvious. But this? Mugen and Fuu's main colors are obviously red and pink. But...Jin and Shino?

Shino’s kimono color is light green, with a dark green collar. Jin’s color is dark blue.

However, when Shino is put in the brothel and takes on the name “Kohana”, she is seen throughout the majority of the episode wearing pink, with a burgundy collar. This is exactly Fuu’s kimono colors, and no other character in the series wears these colors that I can recall.

More interesting, is Shino’s brothel name becomes “Kohana”. 

Kohana means “Flower Child”. 

Fuu is the child of the “Sunflower Samurai”. 

For the first time, I was suddenly faced with a serious question of "Was this name choice and kimono color put as a symbolism of Jin choosing to buy a woman that resembled Fuu?" And in turn, would this be one solid way to disprove so much that I've always thought and written about Jin being the father figure to Fuu?

But, then I noticed something else.

Shino only wears this pink and burgundy kimono in the brothel. It is not her true outfit. 

And it is not only her who gets a "change" in appearance. Jin does too, in a sense. He gets an addition to his ensemble, only for this particular episode.

Every time Jin visits Shino in pink, he carries a bright red umbrella. Whenever she is in green, he does not have the umbrella. He visits her on four separate occasions when she’s a courtesan, always with the umbrella in tow.

The red umbrella is visually striking, as the atmosphere of this episode is particularly drab due to the rainfall.

The red umbrella becomes the connection between Jin and Shino during her stay in the brothel. It is significant, because it was initially hers, and was a gift to him since she had no use for it in the brothel anymore.

One can argue, “It’s raining and he just needed an umbrella.” But during his depressing walk, he carries it, but doesn't even use it, and we don’t even get to see it or its striking red color. (Which I will explain my interpretation as to why shortly).

We only know he’s holding it, because he continues to have it afterwards.

It is far more a symbol of his connection to her, than for practical use. Watching the episode, everyone else has drab brown and gray umbrellas. Even in Episode 4, Jin donned a drab brown umbrella.

In Japanese culture, red is famously the color that represents the “main character”. This is extremely common in many anime and video games, and particularly shown in the Super Sentai genre, in which every season since 1975 to present, the main character always dons red.

In the case of Samurai Champloo as well, Mugen is confirmed to be the “main character”, first developed by Shinichiro Watanabe, with Jin created later as his foil so the story did not become “one dimensional”, as he said. This is why most episodes focus on Mugen. 

Episode 11 is the very first episode that focuses on Jin. Up until this point, Jin was never a rescuer. (He doesn’t even rescue Fuu until Episode 26).

With Shino, he finally fulfills the "noble hero saving the maiden" role.

More interesting, is the scene where the brothel bouncers attack Jin, who intentionally decides not to fight back. Jin loses his grip on the umbrella. This is my personal interpretation, but I think this could be a representation that Jin could not protect Shino, as she is forced to have sex moments later.

If it were Mugen being attacked, he would kill the men, repercussions or not, just as he did to the Yakuza in Episode 4. Mugen will always embody the “passionate red” that he wears.

But it does not suit Jin. He has chosen the lawful path, unlike Mugen’s chaotic nature of killing whoever stands in his way. Jin does not kill these men, since he has no reasonable cause, and does not risk the repercussions. It is his own fault, not theirs, that he can’t purchase or protect Shino.

In this scene, he not only drops the red umbrella, but Shino also drops her pink robes when she is undressed. They are not red and pink: they are not Mugen and Fuu. They are back to the cruel reality of being a different, more tragic tale of love in which he can’t protect her.

One of the attackers even picks up the umbrella, and throws it at him, as if to add more injury to insult in his failure.

In the ending of the episode, Shino no longer wears pink and burgundy, and is back in her original green kimono. Interestingly, Jin stops using this red umbrella at the exact same point she is back in green. 

Since Shino is no longer a “maiden in distress in pink”, Jin no longer needs to be the “hero in red”. They no longer have to play this role. Their episode is at its close. The anime will return to Mugen and Fuu carrying out the dynamic of “hero and maiden”. 

Jin will once again, play the role as the cool and collected “rival in blue” that foils the main protagonist.

One could still argue these color choices of red and pink were random and thoughtless. They very well could be. But, this is a Watanabe work, and colors often hold surprising symbolism in the anime he directs.

As a more solid example of color symbolism: here is a link to a fascinating video that reveals just how intentional the color palette is in Samurai Champloo's Episode 14. The choice of Mukuro's yellow versus Mugen's red and the episode ending on Koza in gray was all deliberate and was repeatedly shown in the episode's composition through various means, to subtly convey the story.

Flashing the Coin and “Buying”a Woman

Jin is shown to be the character who makes/finds money for the group the most. Even in this episode, he was working for the eel stand. Mugen meanwhile, makes money and spends it selfishly. But in this episode, it is Mugen making the money and Jin demanding it for a selfish purpose, reversing their roles once again. Jin is the main character now, and Mugen the foil.

Mugen flaunts the coin he made to impress Fuu, demanding her validation by tapping her head.

Jin flaunts the same exact coin (Mugen gave it to him), in a very similar way, to show he’s buying Shino.

Both men, in essence, are "buying time with a woman".

While Jin is, in a literal sense, using the money to purchase a prostitute, Mugen's is more figurative.

Mugen gives the money to Jin, causing him to go away, and leaving him and Fuu alone. Once Jin is back, they will once again be a trio, and the “pairing dynamic” between them will be shattered. But for that brief night, Mugen got time with Fuu.

Mugen, despite acting like he detests Fuu's company, does some very strange and completely uncharacteristic things in this episode. For one...he is the one to bring Fuu to the beetle wrestling match. Her dialogue implies she didn't want to go and Mugen dragged her along.

Then, despite being all stingy about the money with Fuu, he willingly gives the money to Jin to send him away to go to a brothel. For a man Mugen claims to despise, this is a remarkably thoughtful act. Especially when he said he was going to use the money to buy seeds to make more in beetle wrestling. Strangest of all, Mugen doesn't use the money himself for a prostitute. He chooses to stay at an inn, alone with Fuu, rather than the prospect of going to the brothel in town, even when he’s repeatedly shown being a womanizer.

I think this act shows both his selfish desire to spend time with Fuu alone, but also his selfless care for Jin as a friend. He killed two birds with one stone. In both cases, these are things Mugen would never admit to his companions.

With the exchange of that on koban coin between them, both Mugen and Jin have "bought time" with their respective love interests.

Helping to Save Each Other's Love Interest.

In every episode Fuu gets into trouble, Mugen is the one who saves Fuu, if she isn’t saving herself. Jin does not. But there is one exception to this: Episode 26. Jin saves Fuu for the first time, in the one moment Mugen can't, while also simultaneously avenging his father figure Mariya Enshirou.

In episode 11, Jin does not have his swords on him. But Mugen and Fuu arrive. Mugen cuts down many men to help them escape. And in addition, he knocks down a man right in front of Shino that Jin failed to incapacitate, before telling Jin “You’re pathetic!”

The Windowsill and the Mirror in the Same Room

This one is a very, VERY minor comparison, so don’t take this one seriously. I just thought the imagery was similar.

In Episode 18, where Mugen attempts to win Fuu in a tagging contest (yes, that was actually the plot: Here's a Post About It), Mugen and Fuu spend a small moment in the inn room alone.

In this inn room, Fuu is looking at herself in the mirror, when Mugen appears behind her. 

Their faces are wonderful.

In the brothel room, Shino also looks in the mirror, when Jin is shown behind her.

Alone with their love interests, they sit on windowsills. 

Again, very, very minor and I highly doubt it was intentional. But there is no other moment of window sill sitting that I can recall.

There is one other gazing into a mirror though: the end credits of Fuu and her mother. This relates her mother to Shino, aside from the fact that they have the same exact hair and wear green kimonos, and who are in love with a poor samurai who ends up wearing gray.

Parting Ways

In the defining moment of Jin and Shino parting, there is a distance of water separating them. But Jin must let her go to the temple to be free of the marriage: her final goal.

In the defining moment of Mugen and Fuu parting, a distance of the Church with Umanousuke is in the way, separating them. But Mugen tells her to go see her Sunflower Samurai: her final goal.

Neither Jin and Shino or Mugen and Fuu are allowed to touch or to embrace before this forced goodbye.

Jin is the one to push the boat away, even when Shino tries to reach out to him.

Mugen is the one who urges Fuu to run, even when Fuu hesitates and wants to stay.

Both Shino and Fuu are reluctant to leave Jin and Mugen behind.

Mugen and Jin remain stoic, even when their emotions must be running wild.

Fuu and Shino’s eyes well up, until they are unable to hold in the tears.

“The Love Triangle” Dilemma: A Lousy Gambler, A Noble Samurai and a Pure Maiden

Now, I am not saying that Mugen, Fuu and Jin is an actual love triangle. I firmly believe it isn't, as I have shown the evidence of the two romances above.

But I believe in Mugen's mind, there is a love triangle, and he’s the odd one out.

Yes, there is a sense that Fuu has insecurity about Jin's abandonment and is jealous of his attention to Shino. Personally though, I think this is in more relation to her father's abandonment, as Jin and Shino strikingly resemble Fuu's father and mother. Jin even gets Fuu’s father’s kimono in Episode 26, and likely his katana too, as his were broken.

But that aside, the relationship dynamics going on in Episode 11 are painfully satirical.

Shino, her husband, and Jin are an ugly representation of Fuu, Mugen, and Jin.

Jin is interfering with both of these "couples".

Shino's husband is an avid gambler, who fell into debt, causing her to be thrown into prostitution. It is no coincidence that Mugen is avidly gambling throughout this episode, and being chastised by Fuu. 

Fuu’s words to Mugen are Shino’s words to her husband.

Mugen is being portrayed as the "lesser man", lacking in morals, while Jin takes on the mantle of the “gallant knight”. This again relates to the earlier concept that Jin has for the first time assumed the position as the “main character”.

This is likely why they chose “Gamblers and Gallantry” as the English title for Episode 11. Note that Gamblers is plural. (Also, the original Japanese title is Fallen Angel).

Fuu’s “jealousy” in this episode is used in the narrative to make Mugen believe she loves Jin, and not him. We see this again, in Episode 20. The one and only time Fuu cries for Jin is comical, compared to her over five emotional times for Mugen, still causes Mugen to stomp off with jealousy and annoyance.

Our first indicator of Mugen harboring jealousy of Jin stems from Episode 11 and piles up more as the show goes on.

There is three separate implied occasions in this specific episode 11.

1. Mugen states that Fuu is jealous that Jin is seeing Shino. But when he says this, it is him to roll over away from her. It is almost a blatant indicator that he is sulking. Then, he feigns sleeping and snoring.

We know his sleeping is fake because upon closer inspection....

His eyes are open and his eyebrows are furled angrily. This “faking sleep” is a trick he repeats three times total in the anime, always concerning Jin and Fuu.

2. When Fuu gets upset at Jin about leaving the group for good, Mugen pretends to sleep yet again, but was listening to the whole thing.

His facial expression is almost sad looking here. Very uncharacteristic indeed.

Note: The very last time Mugen pretends to sleep, is Episode 24, when Fuu hugs Jin on the riverbank. It appears here, that Mugen didn't hear or understand what they were talking quietly about. The dialogue is hard to interpret but it seems Fuu rejected Jin’s dutiful offer to stay with her after the journey close. She seems to confide her feelings for Mugen to Jin in this extremely subtle scene, by mentioning him out of the blue, crying, and then apologizing to Jin for it. Rather than embrace Fuu romantically, Jin comforts her with a hand upon her shoulder, in an understanding that is, by my interpretation, very fatherly.

3. Back to Episode 11, when Fuu decides to help Jin, despite being angry at him for abandoning them, Mugen says some telling dialogue. This scene, Mugen and Fuu are running through town together, just as Jin and Shino are.

If Mugen only stuck around solely to kill Jin, then this exchange makes one question why is he still hanging around Fuu. We also know Mugen was listening the whole time when Jin states "If I don’t return, I want you two to continue your journey without me." It is as if he's trying to convince Fuu to be "over" with Jin.

But this isn't the only time Mugen is fine with taking Fuu to find the sunflower samurai alone. Mugen also agrees to travel with Fuu in ep 21 alone, when they think Jin is leaving for good with Sara, and makes no indication of leaving her to do battle with Jin.

Despite all the jealousy of Jin, and all the intentional comparison that Mugen bears with Shino's husband, we know Mugen is not actually like Shino's husband at all. 

On the surface, perhaps, he seemed like an irresponsible, lawless lecher who frivolously wastes money. But in actuality, he is honorable and deeply cares about Fuu, saving her and worrying about her in every single episode something bad befalls her.. Mugen does more noble deeds for Fuu than Jin ever does. 

While “Gamblers” apply to Mugen and Shino’s husband, the “Gallantry” applies to Mugen and Jin just as much. 

That is why, unlike Shino’s husband, Mugen wins in gambling. And that is why, despite making money gambling, he generously gave it all to Jin.

The secretly gallant character of this episode was Mugen. Had he not given/borrowed this money to Jin, Jin would have never been able to save Shino at all.

How the Relationships Differ

While these comparisons highlight that Jin and Shino is equivalent to Mugen and Fuu, there are some directly opposite characteristics as well. Just as Mugen and Jin are opposite.

Jin and Shino are calm and quiet.  Mugen and Fuu are passionate and loud.

Jin and Shino wear cold colors of green and blue, while Mugen and Fuu don warm colors of red and pink.

Shino is older than Jin. Fuu is younger than Mugen.

While Shino is forced to give herself to men and Jin can’t save her, Fuu is saved from this fate many times by Mugen.

Mugen and Fuu spend an entire, long journey together. Jin and Shino’s time together is fleeting. Mugen and Fuu appear together every episode. Jin and Shino only get one.

Ironically, Jin and Shino consummate their love in this short time, while Mugen and Fuu do not.

The relationships are remarkably the same story but from opposite ends of a spectrum.

Conclusion 

Mugen and Jin may be opposites, but they are also like Yin and Yang. Both characters are a duality of one another, possessing opposite traits in their appearances and attitudes, and yet bearing similar beliefs and morals. In the love department, it turns out that they are also two sides of the very same coin.

After discovering the parallels between these two romances, I was utterly blown away. This concept of duality is the entire point of Mugen and Jin’s dynamic in every other sense.

The love they bore for Fuu and Shino highlighted this concept in another new, astonishing way.

Mugen and Jin both bear something else in common. Even though Jin and Shino is far more an obvious romance due to the sexual consummation of the coupling, Jin and Mugen still relate in one way: they never directly express their love for Shino or Fuu words.

Jin comes off as “old fashioned” with his “I hope that the rain will never stop so I can stay here forever.”, Mugen comes off as “unromantic” by never saying kind and romantic words to Fuu. Their love was wholly expressed through action. Words are unneeded.

Finally, even though Jin and Shino part ways, and even though Mugen and Fuu (and Jin) part in the finale, hope still exists that they will meet again someday. 

Both tales of love do not have tragic endings, but neither does either obtain closure. Their hopeful future is left up to you, the viewer, to determine.

Perhaps, their reunions with their loved one, will be a mirror too.

#samurai champloo #fuugen #jin samurai champloo #mugen samurai champloo #fuu samurai champloo

[ladyloveandjustice]

Spring 2021 anime overview: Quick Takes

Now for my Spring 2021 anime thoughts! I’ve decided from now on if a season’s like, 20- to-24 episodes I’m just going to wait ‘til it’s done to review it unless I feels super passionately, so though I watched To Your Eternity (it’s good!) and MHA (eh), I’ll comment on them next time. Also, for the record, I watched the first eight eps of Joran: Princess and Snow of Blood but I dropped it because it had clearly crossed the line from entertainingly dumb to boring dumb. 

I will probably give Supercub and some other stuff a shot later, this was a stacked season! May give updates on all that later, but this is what I have for now.

ODDTAXI

Quick Summary: A mild mannered middle-aged walrus taxi driver is drawn into a case involving a missing girl, yakuza, Youtube clout-chasers, manzai comedians and idols with big secrets.

It’s rare to walk away from media and be like “that is a singular experience I will definitely never see repeated again” but ODDTAXI is definitely one of those. A tense noir thriller murder mystery starring cartoon animals that spends an entire episode detailing the one (cat)man’s very fall into darkness triggered by addiction to gacha games and an online auction for a novelty eraser? Also there’s a porcupine Yakuza who speaks entirely in rap? Also there’s tons of meandering conversations about stuff like manzai comedy and the struggle to go viral on Twitter?

Admittedly, I had a hard time getting into the first episode, the dry meandering humor not being enough to hold my attention while I was sitting still, but once I watched this while I was working out at the end of the season, I found it an easy binge. A ton of characters with dark secrets or dangerous ambitions, each with their own part to play in a tableau of intersecting events- and it all actually comes together really well.(As for the female characters, it’s a pretty dude driven story, but they do get nuanced characterization and even some good heroic moments from one of them.)

 It’s a great example of a carefully planned narrative paying off, with all the twists appropriately seeded and foreshadowed to reward viewers who paid attention. Even when it ended on a perfect “OH SHIT” moment and denied me closure, I couldn’t help but respect it. If you that all sounds interesting to you, definitely check out the first couple episodes and see if you like it- you’re likely to have a memorable, satisfying experience!

Shadows House

Quick Summary: Emilyko is a ‘living doll’ who’s told she was created to act as the ‘face’ of her shadow master, Kate. The shadows and their ‘dolls’ all reside on the mansion and are required to pass a ‘debut’ to prove they’re a good pairing. If they don’t pass, they might be disposed of. And so the mystery of the Shadow mansion grows...

This slice of gothic intrigue was my favorite of the season, tied with ODDTAXI. With an interesting premise, slightly tense undertones and a strong focus on character building and relationships, it kept me hooked the whole way through. And for any squeamish fans put off by the hype about it, don’t worry, while there are some suspenseful elements, I wouldn’t qualify it as horror. I thought the relationship between Kate and Emilyko might end up being a completely sinister one, but it’s thankfully a lot more complex than that and it’s really interesting to follow how both their characters and relationship grow. The focus of the show is, unsurprisingly, on the “dolls” slowly discovering their autonomy and personhood as they struggle under the rigid system imposed on them by the mysterious elders of this weird Victorian mansion. Can they develop a more equitable relationship with their shadow “masters” (who are also shown to suffer under this system)? There’s a lot to dig into there, and the show has the characters develop through learning to understand and appreciate each other, which is pretty heartwarming. Our hero, Emilyko, is the typical plucky ball of sunshine (they even nickname her sunshine), but she’s also shown to be clever in her own off-the-wall way and she bounces off the far more subdued and cynical Kate well, not to mention the other ‘dolls’ she ends up befriending. 

What’s more, the show spends plenty of time to developing several other character pairings and combinations, and they all have their own interesting dynamic that makes you want to see more of them. Same-gender bonds are at the forefront of this show, and many of them are ripe for queer readings (I definitely appreciated the healthy helping of ladies carrying ladies), but even outside that it’s nice to see a show where a strong, complex bond between girls is at the forefront. My only real complaints about the show are the anime original ending is noticeably a bit rushed (though it’s not too bad, and leaves room for a season 2) and I wish the animation used the whole “shadow” theme more strikingly (like the opening and endings do)- instead the colors are a bit washed out which makes the shadows blend into the background sometimes. The “debut” arc also drags a bit in places, but it makes up for it by having a lot of good character integration.

I hope to check out the (full color)! manga soon and see more of this quirky, shadowy story. There’s some physical abuse depicted, sad things happening to characters and naturally the whole “oppressive familial system” thing, but otherwise not much I can think of to warn about. I give this one a big rec, especially If you’re a fan of gothic fairytales and stories of self discovery.  

Zombie Land Saga Revenge

Quickest summary: In this sequel season, everyone’s favorite zombie idol group must claw their way back into prominence after a disastrous show- the fate of the Saga prefecture LITERALLY depends on it!

This was a fun follow-up to the first season- if you liked the first zombie-girl romp, you’ll probably enjoy this one. In fact, there were a couple areas it improved on- namely, Kotaro failed, ate crow and embarrassed himself a lot more this season, which made him more likeable (as did the fact the girls gained a lot of independence from him). This season also shed more light on what the ‘goal’ of this zombie raising project is and what kind of shit Kotaro got involved with to make this happen, and it’s appropriately off-the-wall and ridiculous. We finally got some backstory for Yugiri too! I wish it had focused on more of her interiority, but she got to be a badass in it, and it was a treat to see this zombie idol show turn into a period piece for a couple episodes (also her song ruled).

 Tae also got a cute focus episode and there was a particular SMASHING performance early on! Also That revelation last season that had the potential to turn creepy hasn’t yet, and hopefully never will. The finale was heartwarming with big hints of more drama to come- I’m definitely down for more zombie hijinks!

Vivy: Flourite Eye’s Song

Quickest Summary: A songstress AI named DIVA (nicknamed Vivy) is approached by another AI named Matsumoto, who says he’s from the future and they must work together to prevent AI exterminating all of humankind 100 years from now.

This show is absolutely gorgeous visually with some really nice action scenes, but when it comes to the story my feelings basically amount to a shrug. It’s fine! I guess! Vivy starts out as an interesting layered character- and I guess still is by the end- with her stoic but stubborn determination bouncing off her fast-talking bossy partner Matsumoto well. She never listens to him, which is delightful. The way the show took place over the course of 100 years was an interesting conceit as well. However, it bought up a lot of themes and then sort of... dropped them. For instance, Vivy interprets her mission (PRIME DIRECTIVE if you will) as protecting humans at all costs, no matter how destructive said humans are or what their fate is supposed to be, and is perfectly willing to murder her fellow androids to do this, showing she inherently thinks of androids (herself and her own people!) as less worthy. Which is a little alarming! There’s a very dramatic point in the show where they bring this up as a potential conflict for her character but then it’s sort of...dropped. Pretty much.

Actually, despite the premise, the show doesn’t dip into the “AI rights” as much as you think it would with the main theme being more about Vivy’s search to find her own creativity and discover what it means to ‘pour your heart into something’. Vivy herself doesn’t actually care if she has rights or anything. Which is in some ways fine, because ‘AI as an oppressed class’ has been done to death, but IT’S ALSO KIND OF IN THE PREMISE, so that means that the show just shrugs really hard at a lot of the questions it brings up  basically just going “humans and AI should work together probably” and that’s it. There’s a lot that feels underexplored. The antagonists in the show also either have motivations that don’t really make sense or have boring hackneyed motivations. In the finale in particular, it feels like a lot of things happen “just because” and it falls a little flat.

I also have to warn that one of the arcs focus on a robot ‘pairing’ where the dude-coded robots actions toward his partner are straight up awful and rob her of her autonomy, but it’s played like a tragic love story. I suppose you could read it differently too, but it definitely made me go ‘ew’ the story seemed to want me to sympathize with this robo dude,

Overall, I wouldn’t anti-recommend this show, it’s an all right little sci-fic romp (and definitely SUPER pretty). My favorite element was definitely the episodes where Vivy develops an entirely new (an loveable) personality, because it played with the idea of of an AI getting “rebooted” really well and interplay between her two “selves” was done really well. But there are a lot of other parts of the show that just feel...a little underexplored and empty, making me have an ‘eh’ feeling on the show overall. It’s definitely an ambitious project, and while it didn’t quite stick the landing, there’s something to be said for a show that shoots for the stars and falls short over a show that just languishes in mediocrity.

Fruits Basket The Final

Quick summary: The final season of that dramatic drama about that weird family with a zodiac curse and the girl who loves them.

It’s very weird that after not cutting a lot out, they kinda sped through some material for, you know, the finale. I guess they thought they couldn’t stretch this final arc to 26 episodes? Or weren’t cleared for another double cour? However, though there were a couple places that felt awkward, despite being a bit condensed it mostly held together pretty well for a D R A M A T I C and ultimately heartwarming conclusion. I was really disappointed they kept the part where Ritsu cut their hair for the ‘happy ending’, I thought  their intro episode not showing them in men’s clothes meant the anime had decided their presentation didn’t need to be “fixed” but WELL I GUESS NOT. That was the only big upset for me though, otherwise the adaptation went about how I expected, sticking to the source material. Furuba has a lot of bumps, from weird age gap stuff to ...gender, but it also has a lot of important feels and great character arcs. It was a gateway shoujo for many and has its important place in animanga history, so I’m glad it finally got a shiny, full adaptation.

#anime overview #spring 2021 anime #shadows house #oddtaxi #zombie land saga #fruits basket #vivy: fluorite eye's song #zombie land saga revenge #fruits basket the final #anime #my reviews #long post

[animeyanderelover]

I have been reading your blog for the past few days and I absolutely love it! Is it okay if I request Modern S/o from a Modern World with Yandere! Naruto, Sasuke, Sakura, since we have already have Hashirama and the other 2 with Mordern S/o, also take your time!

So many modern reader����. I didn’t try to get too much into detail with how they would share a darling since I got a request about that as well.

Tw: Yandere themes, unhealthy mindset, unhealthy relationship, delusional thoughts, possessiveness, obsessiveness, vicious behavior, violence, kidnapping

modern s/o

🍜💙🌸Due to Sasuke needing a lot of time when falling for someone, you most likely appeared during the Team 7 days, when all three of them were still genin. They most likely discovered you together with Kakashi one day on a mission, finding a young you all by yourself and looking obviously flabbergasted and shocked when being found by them.

🍜💙🌸And they of course helped you, realizing that you were lost and their Sensei offering you to lead you home if you would tell them where you lived. You on the other hand just stared back and forth between him, Naruto, Sakura and Sasuke before muttering something from if you were dreaming, pinching yourself to make sure you weren’t dreaming and that this was reality. After painfully discovering that this was indeed real you wanted to be 100% sure, asking if they were Kakashi Hatake, Sakura Haruno, Naruto Uzumaki and Sasuke Uchiha.

🍜💙🌸Whilst you might have known Kakashi as the famous copy cat, they were all surprised when you knew the names of his pupils. You were pretty far away from their village, making the possibility that you knew them from there very little. It led to Kakashi suddenly getting a weird feeling, his intuition telling him that something wasn’t right here. So he asked you once again from where you were, leading to you explaining yourself. And knowing that they would most likely not believe you without proof, you also used your phone, showing them that you weren’t lying.

🍜💙🌸You were like this brought with them together to the Village, Kakashi deciding that you wouldn’t be safe all out there on your own and if someone would find out about you, you could become very dangerous for them. And just like that you were introduced to the Third Hokage who you showed your proof as well, amusing him greatly that in his old life he was still able to witness something like this. A dimension traveler, how utterly fascinating.

🍜💙🌸But he understood why Kakashi had brought you with him. You had explained after all that in your world their whole story was all written down as a “Manga” and could also be watched as an “Anime”. In short, you knew what would happen in the next few years, knowing what abilities someone would possess in the future and what secrets there were. It made you very valuable and if people like Orochimaru would find out about you, you were doomed. And they would be as well if Orochimaru would find a way to press everything you could possibly offer out of him.

🍜💙🌸So you were most likely given a apartment, most likely near Naruto, and were given permission to live in the village. It was also decided that Kakashi should teach you a bit how to fight, also finding out whether you possessed chakra or not. This was made a secret between you, the Third Hokage and Team 7, all promising to not tell anyone.

🍜💙🌸It should come to no one’s surprise that Team 7 naturally grew closer to you overtime since they had found you and were one of the very few who knew about this secret. So they became quickly your best friends.

🍜And Naruto was the first one who developed some more unhealthy feelings for you, openly displaying his big crush on you and making it obvious for everyone that he liked you. For the reason that you never seemed to make fun of him and always cheered him on, not thinking of him as a monster like many others or just an annoying little brat. Much more on the contrary, you always told him that he would be very strong one day. And you had to know it the best. Since you two lived directly next to each other, sleepovers and just spending every evening time together became somewhat a normality to you two, allowing Naruto to grow closer to you. His obsessive tendencies grew stronger due to the fact that you were from another world and he often begged you to tell him more about your world, listening in awe whenever you did tell him.

💙Surprised by who became Yandere next? I’ll explain later on to why not Sakura. Let’s face it, Sasuke was most likely annoyed when first finding you which might have changed quite a bit after finding out who exactly you were. He knew that you weren’t allowed to talk about it, but it did happen quite a few times that he asked you direct questions about his future and you just told him that he would later on become one of the most powerful shinobi which led to Sasuke hanging out more around you, hoping to squeeze something more out of you. What powers exactly would he gain? Would he meet his brother? How could he reach that point of being one of the strongest ninja to exist? Sasuke would keep it more subtle with his feelings even though his possessiveness was most likely triggered due to knowing that Naruto liked you as well, leading often to snarky comments from him when Naruto was all over you.

🌸Sakura was at first just your best friend for a rather simple reason. At that time she still had a crush on Sasuke and also saw that Naruto liked you a lot. And she cared for Naruto a lot, leading to her being glad that he had finally someone who seemed to understand and support him and she became a huge Naruto x (y/n) shipper. Sasuke is a lot more subtle with his signs that he likes you, but Sakura is very observant when it comes to those she’s close and will notice the way Sasuke keeps looking jealous and annoyed whenever Naruto tugs you away or tries to show off in front of you or the way he seems to tolerate you more than others. Even the way he displays a bit more softness with you which will lead her to feel a bit more conflicted, realizing that you are stuck in a love triangle. But different than with Ino she won’t suddenly start disliking you since she also sees that you keep pushing Sasuke away, most likely because you know that Sakura likes him and take that into reconsideration. You also support her just like Naruto all the time, knowing that she’ll later on become one of the strongest kunoichi to exist.

🍜💙🌸After Tsunade was made the next Hokage, she and Tsunade were informed about your secret as well in order to be able to keep in mind that you were somewhat of a special case.

🍜💙When Sasuke left the Leaf Village he might or might not have tried to take you with him, but since I need you here so Sakura can form her obsession, he failed. Even if he would have managed to take you out of the village, we all know that the with Naruto robbed him temporarily all his power, giving you the chance to free yourself and run. The fight between those two would be in general a lot more vicious than it would have been without you. Sasuke had pent-up frustration inside of him due to the fact that Naruto had gotten so strong, him fearing that Naruto might be one day able to beat him. Not only that, but Naruto also liked you a lot, more than a lot and this poured only even more gasoline in his fire since Sasuke had only you left. And now that blonde idiot was starting to become stronger and the strongest wins always in the end. He despised the thought that he could lose to Naruto. And our sunshine boy was mad as well that Sasuke had dared to kidnap you.

💙And so there is a chance that due to Sasuke’s betrayal another person found out, Orochimaru. He most likely sensed during the Chunin Exams that something about you was different. You didn’t participate or anything, but he kept an eye on you because Sasuke was really close to you and what better way to get his hands on Sasuke than blackmailing him and manipulating him with the one he loves dearly? I can even see him as someone who lit the hatred for Naruto inside of him when he noticed Sasuke’s growing jealousy. Would he seriously let such a weakling like Naruto get his darling? And with Orochimaru finding out this situation will become a bit twisted since Orochimaru will form an obsession with you as well for pure egotistical reasons. He wants to know all the secret and just now a mystery bigger than everything else he witnessed in his life so far was offered to him. So he would be all up for kidnapping you as soon as the chance is there.

🍜If we go with the theory that Sasuke did manage to kidnap you, but you were saved, Naruto would afterwards be so incredibly apologetic and feel guilty for not coming to rescue you sooner, adding even more pressure and misery onto him next to the fact that he already didn’t manage to save Sasuke. But he was also incredibly glad that you were now back, due to the shock most likely clinging terribly onto you afterwards and not leaving you alone until he left with Jiraiya, giving you into Sakura’s care for the time being.

🌸Do you remember my Naruto and Sakura sharing a darling post? It would be exactly the same to that. Sakura spent the next few years training with Tsunade and also dedicating a lot of her time with you. And it was during these years that she started developing feelings for you. The betrayal of Sasuke hurt her a lot and she also felt terrible for what you had to endure due to Sasuke’s selfish act, you were her best friend after all. You could say that after this she finally opened her eyes a bit, realizing that Sasuke wasn’t the perfect man she had always pictured in her head. It was somewhat of a wake-up call, and suddenly she realized how kind you had been to her all this time, making her feel appreciated, a feeling she hadn’t experienced so far that often. She grew very close to you and when realizing her feelings she was totally embarrassed as well as ashamed since everyone knew about you and Naruto. You were unofficially together at this point. It gave her a lot of mood swings since at one day she was on cloud nine and the next felt like hiding in a hole out of shame.

🍜🌸When Naruto came back, Sakura most likely told him about her feelings, a big sign of how close her bond with him was. And whilst Naruto was at first a bit conflicted about this, he and Sakura came eventually to the terms of sharing.

💙Sasuke on the other hand trained in order to kill his brother and get rid of Naruto with the ultimate end goal of finally getting you back in his clutches. He had started feeling incredibly lonely without you, the emptiness inside of him really getting to him. If we do go with the scenario where Orochimaru ended up finding the truth out about you, he would want to meet you as well. Not only are you interesting for him because you’re the person Sasuke’s in love with, but you’re also a dimension traveler. He does try to ask Sasuke a bit out about you, but whenever Sasuke shoots him this glare it’s obvious to him that he won’t talk. If Sasuke does manage to kidnap you, he wouldn’t let Orochimaru touch you without losing it. He knows how Orochimaru ticks and is just disgusted by this. Would be really pissed off the moment he finds out that Sakura is now in love with you too. He used to be annoyed by her because she was in love with him, now he’s mad that she loves you and shares with Naruto.

🍜💙🌸Sharing a darling is not necessarily easy for Sasuke as long as he isn’t really close to that person or it isn’t his brother. All free of them most likely started sharing after the war was over and Sasuke was forgiven his crimes. It would settle for quite the turbulent relationship because Naruto and Sasuke would constantly get into fights and it’ll be yours and Sakura’s job to separate them. More to that when I start the sharing a darling post. I don’t want to only repeat myself.

🍜💙🌸All three of them wouldn’t travel with you back to your world if there should be a chance. I do think that Naruto and Sakura would display a certain degree of curiosity in it whilst Sasuke would be more annoyed about it. But all of them would still stay in their world since all of them are dedicated to something in their world. That also means all of them will stop you if you should try to escape them by fleeing back into your world.

#yandere naruto #yandere naruto shippuden #yandere naruto uzumaki #yandere sasuke #yandere sasuke uchiha #yandere sakura #yandere sakura haruno

[telehxhtrash]

I originally wanted to make two separate posts about this but i’m actually making a single one : the overarching theme of love, redemption, second chances and Togashi’s overall positive and optimistic writing are leading me to believe a few things concerning Killua and Gon’s relationship, namely that we’ll get an explicit romantic confession to canonize their relationship, but also that Gon is actually the one who fell for Killua first.

First of all, I know I say it a lot but I really, really do believe that by the end of the manga, Killua and Gon’s relationship will be a canon romantic one. I wrote a short post about this already, but I’m gonna explain briefly my point of view on this as I believe it’s important and relevant to the points I want to try and make in this post.

• Killua is pretty much canonically in love with Gon. There’s just too much subtext concerning this matter, and the “shinjuu” line single-handedly canonizes that fact. Togashi is a very, very smart man, and doesn’t throw random words around, he knows the weight of the word shinjuu and what it implies, and the entire chimera ant arc focuses on Killua’s feelings towards Gon, so there is no doubt in my mind that Killua canonically has romantic feelings for him. These two tweets live in my head rent free because it’s so wonderfully written, so here you go :

• I also deeply believe that Togashi would never leave this ambiguous. I wrote a full post about this if you want to read it, but basically, it doesn’t fit Togashi’s writing style. A lot of people say that Togashi’s queer rep is ambiguous in HxH, but it’s unfair because HxH is literally not over yet. There are still ambiguous things because the manga is still developing. Thing is, Togashi has put queer characters in his previous works, and it was never ambiguous. It was always explicitely stated. Same goes for the relationships between his characters. There’s no reason to believe this wouldn’t be the case for HxH.

• Togashi’s positive writing is echoed in Killua’s story arc, in the sense that Killua reflects Togashi’s optimistic writing style and the overarching theme of love, redemption, second chances and the power human connection. 

Killua’s character arc is one of slowly changing your life around, becoming your best self with a little help from someone to show you the way, it’s about positive growth, healing from trauma and going against what people think of you. It’s about healing and becoming your best self, no matter what.

It’s a very positive character arc, and one that’s been thoroughly demonstrated during the entire story.

That’s why Killua’s romantic feelings towards Gon could never stay unrequited one way or another, because it just would defeat the entire positive narrative of Killua’s character arc. Because Killua’s character arc is about healing and growing, and even though you thought you could never do that, learn how to love. It’s about finding love after abuse. 

And to me, the only way to complete that story arc, when we know that Killua canonically has romantic feelings towards Gon, would be for Gon to return those feelings. Because Killua’s character arc isn’t only about learning how to love someone no matter what, but also about being loved in return. That’s how you complete Killua’s positive story arc. 

I’ll come back to this theme a bit later on, though.

• There’s no way Shonen Jump can intervene and censor HxH. Now, I think I’m one of the few meta writers who actually believes this, but I’m 100% convinced that Shonen Jump always knew that HxH is queer work. I wrote multiple posts about this : the first post I linked mentions why SJ probably knows ; on the general gay subtext in both anime adaptations ; on 99 specifically and finally on the fact that it’s weird that gay subtext was emphasized in 99 anime when there was none in canon material only for it to appear later on in the manga.

But to summarize, there’s just no way Shonen Jump doesn’t know. 

First of all, Hunter x Hunter is published right after Yu Yu Hakusho. Thing is, Togashi ended YYH for a few reasons, but one of them was because he didn’t feel free of doing what he wanted to do with his story, because Jump kept on declining his ideas.

This led him to completely drop the story. Now, if you’re a manga writer who’s been deeply disgusted by how your last manga was controlled, what would you do ? I’m sure you would make 100% sure you could take your next story wherever you wanted. And I’m certain that’s what Togashi did. Because to be able to write his story the way he wanted, he had to make sure SJ would allow him to go anywhere he wanted. That includes his characters and their relationship dynamics, which are the basics when you pitch a story.

Togashi also emphasized in one of his interviews that he’s free to do whatever he wants.

Furthermore, Togashi’s editors and Shonen Jump aren’t dumb. They can definitely pick up on the gay subtext. If they didn’t want gay things in HxH, they would’ve never let Togashi publish some chapters, ESPECIALLY the chapter where Killua declares he’ll commit shinjuu with Gon. SJ isn’t dumb. Shinjuu hits HARD, especially in japanese, so they definitely know what it means (it’s literally the equivalent to saying them dying together would be like Romeo and Juliet).

Finally, and that’s half crack-theory half serious, but one of the main reasons I believe SJ knows is because of the 99 anime adaptation. It was HxH’s first anime adaptation, and Togashi was involved in it to some extent. Now, 99 is extremely gay. I linked the posts where I talk about it above, but basically, it’s rainbow flags overlay on top of the characters in the opening, gay opening and ending song lyrics, over the top gay lines and situations.... which is interesting. Because like i mentioned in one of these posts, it’s interesting that this gay subtext was present and highlighted in the anime adaptation when there was none in the manga at that stage. It’s very, very interesting that gay subtext appeared later on in the manga, after the anime adaptation went crazy with it. I firmly believe it’s because Togashi pitched his manga as gay to the 99 animators, and if so, that’d mean SJ would also know.

Anyways ! In short, I believe Killua and Gon’s relationship will become canon by the end of the manga because there’s no risk of editorial meddling since SJ probably knows this is where the story is going. Killua’s romantic feelings are also pretty much canon, and the only way to complete his positive character arc would be to have Gon return those feelings and prove that you’re worthy of love no matter what. Finally, Togashi would never leave it ambiguous, because that’s something he’s never done before, and Killua and Gon’s relationship has never been portrayed as ambiguous nor subtle, it’s still developing.

Now !! This was just an introduction to what I wanted to talk about in this post, I’m sorry you still have a bit more reading to do HAHAA

But ! 

With this belief in mind that Killugon will be canon in the end, there are two things I want to talk about.

• First, I genuinely believe we’ll get a romantic, highly emotional love confession scene between the two of them. For the sole fact that it’s something deeply intertwined with Killua’s character arc.

Like I mentioned above, Killua’s arc is about overcoming trauma and having a second chance at life, a chance to be better, a chance to be your best self. His arc is about opening up his heart to new experiences and new feelings, and learning how to love and pass that love around. His story arc is representation for trauma survivors that things can and will get better, and you can overcome anything, turn your entire life around, heal, and thrive.

And to me, the completion of that story arc is definitely to show that not only can you learn to open up your heart and love someone, but that you can be loved for who you are. That someone can look at you for who you are, accept you and love you no matter what. You can be loved by someone the same way you love them, in a romantic way.

To me, that’s where the story is going. Considering Killua’s canonical romantic feelings, and the overall positive themes surrounding his character arc, there’s no doubt in my mind that this is the message Togashi wants to convey.

And in my opinion, this message wouldn’t be delivered ambiguously or subtly. This narrative of being loved has always been enforced through highly emotional scenes throughout the manga, to highlight the message that yes !! you, trauma survivor !! can be loved for who you are !!

It’s been expressed through that emotional scene where Nanika tells Killua she loves him, for example.

It’s also been displayed in the countless scenes where Gon expresses his love for Killua, expresses his admiration for him, how he’s glad he’s met him, how happy he makes him, how Killua is his best friend in the entire world.... It’s been conveyed through the stargazing scene on Whale Island, through the entire Zoldyck Family Arc where Gon waltzs in the Zoldyck Mansion to rescue Killua, through the scene in Greed Island Arc where Gon tells him he’s glad to have met him, through the dodgeball match scene where Gon declares that it can only be Killua holding the ball, through the moment Gon says that the first thing he’ll do when he sees Ging is introduce him to his best friend in the whole world, Killua. 

Togashi could have chosen to show and not tell that Gon cares a lot about Killua, and that he finally found someone who loves him for who he is. He could’ve made them hang out normally, and we would’ve understood that Killua found someone who accepts him. But no, this has always been the main theme of HxH. Seeing the both of them grow closer and closer and grow and heal together. He chose to highlight the fact that he’s loved and cared for through words of affirmation to emphasize the narrative of being loved after surviving trauma. For the purpose of providing an extremely clear message of love to trauma and abuse survivors who identify with Killua : that you can find someone like Gon, someone who will love you for who you are. Togashi wanted to make it explicitly clear.

So now, since all of these words of affirmation were “platonic” (i’ll come back to the quotation marks in the last part of this post), but still highly emotional :

Wouldn’t it make sense that the romantic application of this narrative would also be portrayed through a highly emotional scene ? 

For the sole purpose of highlighting the final message of Killua’s story arc of overcoming your past and being loved and accepted for who you are, in a romantic way this time ? Of being loved the same way you love ? 

Since we’ve had so many platonic reaffirmations of this idea, I think it’d be fitting for the romantic part of the narrative to be conveyed through a highly emotional scene. Like a confession scene under the stars that would parallel the stargazing scene on Whale Island, for example, since stars are thematically fitting since they are linked to Killua’s story echoing Tanabata. 

An open love confession would be the final and ultimate way to cement that narrative of loving and being loved. A highly emotional scene, just like we’ve always had, to demonstrate the romantic application of the theme of being loved after experiencing trauma. The ultimate, non-ambiguous message of unconditional love for trauma survivors. 

Showing that you, trauma survivor who identifies with Killua, can learn to love yourself, love someone else and be loved in return.

• Keeping Killua’s character arc in mind, I want to adress a final point that I deeply believe is true. 

To me, Gon is the one that actually fell in love with Killua first.

Thing is, Gon is that type of character that acts first and thinks later on. He always does things on instinct, only giving it thought after the thing happened. So it 100% makes sense that it would apply to romantic feelings too. That’s why, to me, it’s very likely that Gon fell in love first but just didn’t realize it was romantic feelings, because he’s 12, never really thought about it and feelings are confusing. And to me, Togashi is setting up feelings realization on Gon’s part.

Gon has always behaved very intensely with Killua, always reaffirming how much he means to him. He’s always taken onto that role of providing Killua with love from the moment he met him. He accepted him for who he is, and always made him feel cared for. 

Togashi definitely planted the seeds for a possible interpretation of this idea of him falling first. The stargazing scene on Whale Island is just.... so romantic in nature. Gon tells Killua that he’s happy when he’s with him under a starry night sky, tells him he wants to travel the world with him and stay with him, because his presence next to him fills him with joy. Then we have his constant words of affirmation towards Killua, and how cool he is, how amazing and strong he is...

But to me, what really convinces me that Gon fell first is Greed Island arc. Gon’s behavior towards Killua during this arc was extremely emotional. It was deep, deep care and love for his best friend. We get to see him blush as he tells Killua that he’s really, really glad he’s here with him and glad he’s met him.

We get to see him declare that the first thing he’ll do when he finds Ging will be to introduce his amazing best friend to him.

But honestly, what made my brain explode is the dodgeball scene. 

Because as I mentioned in this post, the phrasing Gon uses is one that is used in romantic contexts to confess to someone. It’s a love declaration, literally. And I don’t believe Gon meant it as romantic, because he probably has no idea his feelings are romantic in nature. But. Togashi is a troll. He really, really enjoys toying with his readers. 

To me, the fact this sentence is romantic in nature could be Togashi putting Gon’s feelings right in front of our faces, hiding it in double meaning but still plainly there for us to see. It could be Togashi toying with us in the process of setting up Gon’s feelings, so that when it gets canonized that Gon fell first, on a re-read of the manga, you go “oh. that sentence is romantic. it was literally right in front of our eyes the entire time”. I’m probably reaching !!! but!!!! the fact is, this sentence is still romantic in meaning. It’s still coated in romantic subtext. And that’s intentional on Togashi’s part.

I’ll link this magnificent post by Quintessence that basically explains what I just said much better.

In short, it would totally make sense that Gon fell first. It wouldn’t come out of nowhere, since Gon’s behavior from the beginning of the manga can definitely be interpreted as romantic in nature. The countless emotional scenes where he asserts how much he cares for Killua can definitely be read as romantic, and Gon’s behavior can definitely be explained by him having a crush on Killua, despite him not knowing.

Now, the thing that makes me further believe this is true is the fact that symbolically speaking, it makes sense that Gon fell in love with Killua first. It would enforce the narrative of Killua’s character arc of being loved for who you are and not having to earn love.

It would literally dismiss everything Killua believes about having to earn the right to be loved. About having to earn his place right next to Gon. About having to change to be good enough for Gon.

Because if Gon fell first, then Killua was loved for who he is from the beginning, from the moment they met. Killua didn’t have to earn his love, like he thought he had to, especially in CAA, because he was loved the same way all along.

It’d show that Gon didn’t start to love Killua because Killua earned that right by changing for Gon. He didn’t start to love Killua when he started to heal and change his life to become a good person. He was always loved for who he is because Gon always saw him and loved him no matter what.

And that would once again highlight Killua’s character arc beautifully. It’d show that you are worthy of love even if you literally just came out of years of abuse. That someone can look at you and instantly fall in love with you, no matter how broken and unworthy of love you think you are. You never, ever had to earn that love. It was always here to begin with.

It’d break Chimera Ant Arc completely, it’d break Killua’s belief that he was unworthy of staying by Gon’s side and that he had to earn his place. Because he was always loved and never had to earn his right to stay by Gon, because Gon wanted him there all along. 

And that is a beautiful, deeply symbolic meaning that would complement Killua’s character arc perfectly.

It’d be Togashi showing trauma survivors that you can heal and love yourself, learn how love someone else and be loved in return. 

Showing trauma survivors that you don’t have to prove your worth to be loved. That just like Killua, even if you came out of years of abuse, a broken, scared person, you’re always worthy of love. That you’re worthy of love at any stage of your healing phase. That you’re worthy of love no matter how broken you feel you are. 

Someone will always love you and accept you for who you are. 

Anyways !! Thank you for reading this !! Those two headcanons are really precious to me and I really do believe they could come true. Because it’d make sense in so many ways ! 

I know it’s hard to imagine such a thing happening, because queer representation has always been ambiguous that it’s hard to fathom a manga being openly gay, but I really want to be optimistic about it. We got the subtext, the author interested in LGBT-rep, the positive narrative and virtually no risk of being censored. 

So I want to stay optimistic on this and believe that we’ll get a romantic love confession as a way to canonize their relationship, and that it’ll become evident one way or another that Gon fell in love with Killua first.

Thanks for reading !! 

#hxh meta #killugon #meta #my meta #welp i hope im not reaching too much #but i really really really love the idea of an open romantic confession #and i wanted to explain why it could very much be possible #and i also love the hc that gon fell first #and it makes so much sense on so many levels #and would work with killua's story arc so well #anyways ty for reading this if u decide to do so !!!

[makeste]

if there is a timeskip, how far ahead do you think horikoshi will move along the story?

okay, so... I sat here for a while trying to work out how to phrase this less harshly lol, but I think I’m just gonna be blunt: I really, really hope that Horikoshi does not give us any kind of timeskip. there are precious few things that could potentially push me to quit this series, but a timeskip is one of them. I’m not saying that to be dramatic, I’m saying it just as a fact, because it’s happened to me multiple times before. in my experience, nothing else out there ruins a story as easily or effectively as a timeskip.

but let me try to break down and explain my loathing of them a bit more in depth.

1.) they make it so the audience misses out on character development. this is probably the thing I hate the most about timeskips. so here’s the thing; there are two different kinds of shounen timeskips. the type where the characters (mostly) stay together throughout the timeskip (think Naruto), and the type where the characters split apart during the timeskip (think One Piece). and I hate both of them equally, and let me explain.

I am reading the series because I am invested in the characters and their relationships. I want to see these relationships grow and evolve. timeskips make that impossible, because the whole point of a timeskip is that it skips right over everything so the audience doesn’t get to see it. and so, if the characters stay together during the timeskip, that’s a huge chunk of time during which their relationships are continuing to evolve, and the audience is missing out on all of that. that’s like starting a book and then finding that the entire middle section of it is blank. like, sorry about that, we decided this part wasn’t important enough to write down. if you’re lucky we might show you little bits and pieces of what happened during flashbacks, but otherwise you’ll just have to deal with it. boooo.

on the other hand, if the characters all go their separate ways to train on their own during the timeskip, then in a way that’s even worse. like yes, we’re technically not missing out on any relationship development, because no relationship development is even happening. those relationships are just put on hold for the duration of the timeskip. like, to use One Piece as an example, that means that the crew was together for like six months or however long, and then they all split apart for two whole years. they were apart for four times longer than they were ever together as a crew! like, you brought this found family together and bonded them so strongly only to rip them apart again?? for two years?? and for what! so that they could become boringly overpowered?? well, speaking of --

2.) they make fights predictable and/or disappointing. now for me, this one isn’t quite as bad as the character development one, but that’s mostly because I don’t care about fights as much. that said, post-timeskip fights are usually a dime a dozen, and I hate it. because here’s the thing: the whole purpose of the timeskip was to power up the character offscreen, so that they come back ready to kick more ass. which is great in theory, but in practice, post-timeskip fights tend to feature one of two brands of disappointment. either the protagonist character powered up so much that they easily win the fight, or else they still struggle even after all of that training and effort. the latter is just frustrating, because it’s like, so then what even was the point? but meanwhile, the former is also disappointing in its own way, because there’s no challenge anymore. yes it’s cool for like two seconds, but then what? if all I wanted was to watch someone reliably and effortlessly kick ass all day, I’d go become a fan of a bandwagon sports team. for me, the appeal of shounen is that the characters are learning and growing and struggling. if you make it easy for them then where’s the fun in that? if your character no longer faces any real obstacles then it stops being an interesting story.

and last but not least, 3.) they change the tone of the series (usually for the worse). so this one is interesting because this is one of the main reasons why a lot of people advocate for timeskips in the first place. ‘they help to make the series more mature’, or something along those lines. people are interested in seeing what kinds of storylines would open up with an older, more experienced cast of characters.

except that when people say more mature, what they usually mean is one of two things. either more romance, or else darker/grittier story content (read: more character deaths). which, just speaking personally, I have approximately zero interest in either of those things. if I wanted a grimdarker shounen series I’d be reading Attack on Titan instead. if I wanted more romance, I would read... well actually don’t really know what I’d read lol, because that’s kind of the point I’m trying to make here -- I don’t read romance, because I’m not interested in it (insert aromantic disclosure here). as an element of a more complex story, sure, that’s fine. but as a focus, I’d just as soon not. nine times out of ten I will lose interest in it. that’s 100% a personal preference there of course, but yeah.

anyways, but the point is, I started reading this coming of age story about teenagers at a superhero academy because I like coming of age stories! I like reading about younger characters and their adventures, learning about themselves and the world around them, making mistakes and getting stronger and the like. this is a specific genre that has a specific appeal to me. there’s an idealism and an optimism inherent in it, and I really don’t want the series to go changing that up. especially if there’s no need to change it up. which imo there really isn’t. as it stands, BnHA is already an unexpectedly mature story in a lot of ways, and it’s already exploring a lot of darker and more complex themes as it is, and doing an excellent job of it imo. basically, if it ain’t broke, don’t fix it. most of the time you’ll just end up ruining what was so appealing about the series to begin with.

so yeah! thus concludes my impromptu rant post about timeskips lol, and I’ll just belatedly add in a disclaimer as well that this is just my own opinion of course, and ymmv. but for me personally, I think that shounen series in particular rarely come out better after a timeskip (in fact I can’t think of any off the top of my head to tell the truth). also in BnHA’s case I really don’t think there’s any need for one at all. maybe if we get another short one, like the three-month timeskip that took place just before the start of this arc. but even then, there is just so much going on currently in the manga that it would feel weird to just fast-forward through it. TomurAFO is still on the loose. Dabi just blew up hero society as we know it. All Might is prophesized to die in the near future. the entire Billboard Top Ten was pretty much wiped out. and so on and so forth, and that’s not even getting into all of the character development that recently took place.

it just feels like things are too chaotic right now to skip ahead very far. I want to see what’s going to happen in the immediate aftermath of all this. and I don’t feel like the villains will leave the heroes alone to recover for very long. like, I can’t really figure out where someone would even put a timeskip, I guess is what I’m saying? there’s nowhere that feels natural. I could see them skipping a few weeks ahead maybe, but no more than that. anything more, and one has to assume that Tomura simply comes back to wipe out the rest of the heroes and/or the world lol. unless they shove him into another cryotube or something, I suppose.

so yeah, I think we’ll either get a very short timeskip or none at all. at least I am keeping my fingers crossed for as much. I don’t think it needs to happen or should happen. again, ymmv, but at any rate that’s my answer.

#bnha 295 #bnha meta #bnha #boku no hero academia #bnha spoilers #mha spoilers #bnha manga spoilers #makeste reads bnha #asks #anon asks #long post

[botwstoriesandsuch]

hey Kip! I’m sending asks into different writer’s askboxes, inquiring about cool themes/development facts/stuff the author wants to share about their personal favorite work of their own. What’s yours? :)

Ok so this ask is old and when I first got it I was like “dang I don’t really have a lot to talk about, what should I talk about I could those revalink headcanons the Kip Cut that turned into a working fic uhh hmm maybe I’ll just make something new to talk about real quick” and then I did and now there is a 12+ chapter Revalink fic in my drafts and I’m gonna talk about that now, whoopsie doopsie [click "j" to skip]

aHEM, OK so allow me to break out the primary school white board because yeah, I have a lot of thoughts and the oxford comma has not yet made it’s home into my brain. oh and spoilers for paraphrase. for both all of Chapter one and future events in later chapters, but it’s really nothing you couldn’t surmise from the AO3 tags

so I really wanted to tell the story of Revali and Link learning and struggling to love again after the less-than-fortunate events of Botw, but I wanted a...how you say...fresher, approach on the subject? Like I know we always say that fanfic writers writing the same tropes and stories time and time again is good because we eat that shit up--but at the same time I had asian parenting as was told never to half ass anything ever, no matter what. So now I'm gay and extra and have depression maybe and oh would you look at that @motherhyrule has dropped a beautiful revalink prompt right into my lap

Great so now that we have, that, I shall take you on the step by step process on how to make a :sparkles: story. So step one is to spend at least five to eleven business days for your white board to dismantle your genre and themes and work them around your character arcs. Luckily I have prepared one ahead of time

s*breaks out those laser pointers that uni professors use* So let's start with defining genre. As define because I HATE you, fuck you. I want you to suffer and writhe on the ground, motherfucker. How dare you think that I would give you nothing but pure predictable fluff, fuck you and yours

is the set of expectations that your audience has when consuming a piece of media

And the great thing about fanfiction is that unlike movies or book where the genres are more vague like, "oh it's a noir mystery genre. so there's a crime, maybe a murder, and a detective and a criminal." or "oh it's a teen romance. so there's some white people and a morally questionable six-pack 18 year old love interest that will be painted as desirable for some reason" BUT with fanfiction HALF of the work out the window, because as soon as you see those #revalink #aro sidon #zelpha #revali is an idiot and #found family tags you already know what's up.

Now what's so great about genre and expectation? Well the fun thing about it is that

I will use it to fucking break you.

... ... ...

<3 For example! <3

In Chapter 1: Holes, you already expect there to be revalink, you already expect them to be soulmates with the soulmarks and there's angst and yadayada ya. Revali and Link have to match because thatttss what this is all about, this is about them! This is about cute, little soulmarks and romantic words!

But whoooopsie doopsie [disney channel laugh track plays] they DON'T match anymore! Link's got a different mark! The number one rule of this entire genre has been broken whoooooooooooooooops. *ba dum tiss*

You might notice with a lot of my writing that I do this a lot, this whole..."oop but there's one little thing that's different." TebaSaki sick fic? Ok cool, but what if Teba burns an irreplaceable relic of the Rito champion to fight a wizzrobe first to characterize why his dumbass clicks with Saki. Mipha deciding to persue Link? Ok what if she chases after a dragon to externalize this conflict as she pierces it's flesh for a scale. Link fighting a Lynel? Ok but what if it's actually a sidlink angst fic in disguise and it's also world building on how Link deals with the bloodmoon that erases all of his efforts which is sort of similar to how his existence was erased from Hyrule 100 years ago mwaahahaha! Ok now that I say this outloud I think I just have a pattern of using fight scenes to externalize character growth. I like fight scenes...anyways.

I think another great thing about the realm of fanfiction is that with the tagging system, I can basically use a chekhov's gun sort of deal, without doing any writing. You know I'm gonna use that gun marked "soulmates" but you don't know when I'm gonna shoot it, and you SURE as hell don't know how.

And huzzah! One of the main points of conflict both drives the tension between Revali and Link, solidifies the unique genre and setting of this world, while also creating a new mystery that will carry over for the next few chapters.

Is Revali right in that Link's rebirth makes him destined for someone new now? What will Link do with the information that his soulmark has changed? Why did it change? Did Revali's change as well? How does anything fucking work right now?

And sure, you might be able to tell where things will end with them, but you sure as fuck will not know how because I HATE you. Fuck you. I want you to suffer and writhe on the ground, motherfucker. How dare you think that I would give you nothing but pure predictable fluff. I am not your goddamn fairy godmother, I will do as I fucking please. You will suffer as you fucking deserve, fuck you and your little tiny--

/j

Oh! But you might have noticed on my little planning whiteboard thing that there was a little T-Chart! For Revali and Link! That's because the next important thing besides plot (and in a lot of cases, including this one, it's argued to be even MORE important than plot) is

~CHARACTER DEVELOPMENT~

[to the tune of that history of the world video on youtube]

So yes, it's a little T-Chart outlining their character views in relation to the themes. And the great thing about themes is that they're not something you can necessarily predict in the same way you can with the genre and plot.

But now see, I'm very lazy so I'm just gonna plagiarize @hyrule-kingdom-updates thingy [that you should read btw] because they said my point quite clear enough

Now I don't really need to care about those points about bond and relationships and being understood, because I'm dealing with already established canon characters. I'm not some NERD who dabbles with entire casts of ocs who even cares about ocs not me that's for sure ahaahahaahahahahahaahahahahahAHAHAAHAHAHAHAHAHAHAHAH *cries in my orphaned WTTU fic* AHAHAHA*sobs*DONT FUCKING LOOK AT ME THAT WAY I SWEAR--

/j I love ocs

But the points I do wanna focus on is the idea that characters provide new perspectives on the theme, and that characters growth can be tracked based on their wants, lies, and needs.

So see, themes can be predicted the same as genre/plot because while you can have the same fanfic plots and tropes, theme will always vary!

Sometimes it's a journey of selfworth with Revali! Sometimes it's an exploration of trauma with Link. Sometimes it's about how you deal with the vulnerabilities of love with Mipha. Sometimes there's straight up NOOOO theme, and people just be fucking, and kissing, and baking, and having a good time. And that is totally fine too!

But I'm not a fucking coward.

I'm gonna weave in themes with my plot, because I fucking can.

I'm not a weakling like you.

Do you hear me, 2019 Kip? Do you hear me Demmers? Do you hear me Quill? I'm coming for your ass. You think you're so great, but I'm coming for you. Rest assured that your graves will be as deep as your sculptured pride--

Heeeere is that T-Chart again, plus more!

yyyyyYou might notice that Revali and Link are quite parallel, to paraphrase. Ayoooo, see what I did there? *dabs* I'm a genius. Anywho

They both start off the same way: 100 years ago they were in love and happy. Basically the equivalent of childish naivety. For the first time in their lives, life is whimsical and charming, and they make each other happy. In fact, it's almost a flaw with how they perceive this happiness. But don't worry! It doesn't last long!

You know what happens.

I think the chart is pretty self explanatory. Revali builds walls fast enough to give a republican a wet dream. Meanwhile Link makes every aromantic in the chat groan with his doubled down sentiments in the idea that his chances of being truly happy again are gone.

Now, I can't exactly describe the full on process of the inbetweens, and where Revali and Link are gonna go from here, because...you have to read it for yourself! Heehee...but something I did think was fun was how these character views on the themes are revealed. Because you'll notice that, I never give exposition. Ever.

Ok well, let me rephrase that. I never give exposition scenes. I will never give you a big LOTR fancy wizard scene explaining the ins and outs of a character's question or the world's magic or whatever. I'm a very impatient Kip, and I value efficiency. Nonono, it's all about multi tasking, baby!

Chapter 1: Holes is divided into three parts.

Post 100 Years - Medoh (Establishes Ghost Rev/Bonk Head Link's view)

100 Years Ago - Flight Range (Establishes old Revalink views)

Post 100 years - Mark (Develops Ghost Rev/Bonk Head Link's view in contrast to who they once were)

I think the way that you structure flashbacks is incredible vital, as it's a very quick way to characterize people without having them say stuff like "I used to be like you, until I took an arrow to the knee" or whatever.

And with the main structure of the chapters and the fic as a whole is focus on their characters, that means I can hide whatever other stuff I want in those scenes, becuase you're too busy absorbing the fun character stuff to realizing I'm giving you boring exposition. Like for example:

Post 100 Years - Medoh and Mark

Foreshadowing for the end of the fic

Set up connection to Medoh with Revali

Link has defeated Windblight

Link has been visiting Revali every night for the past few days

Link has already met Kass and presumably Teba

Link doesn't have the Mastersword

Revali's Gale is still an ability that needs master and practice on Link's end

And that's just some of the stuff.

And see, the only reason I can efficiently give all of this information regarding character, and even exposition, is because of the theme. The themes make everything relevant, and everything circles and encompasses one another, so there's absolutely no wasted space. I mean don't even get me started on how it's gonna be to characterize the other characters around this

I don't wanna talk about the other characters too much either because that's spoilers, but you can probably take a gandar based on my notes.

And oh my god this is just on the theme of the faults that come with "soulmates" and "true love" and all that, and how even magical destined relationships still require work and effort, and that no one thing or person solves all your problems. And that's not even TOUCHING the shit on trauma and scars. I didn't think it was even possible for me to talk about botw without touching on that, ha. Ah well, I've been talking for too long.

Revalink has a lot o' writing potential so das pretty cool yeah, I am excite

#revalink #paraphrase revalink #writing

[vickyvicarious]

Ace Attorney Daemons - Detectives (+former detectives)

Animal species and reasoning behind each choice under the cut, as well as links to other groups of characters!

Dick Gumshoe - Akita dog. Gumshoe’s daemon was one of the first ones I figured out. He had to be a dog, because he just exudes that energy, and there’s a nice bonus for this dog in particular since it’s the same breed as Missile. Akitas are stocky, strong dogs, and males can often weigh up to 100 pounds. Gumshoe’s a big guy. They tend to be aggressive towards other dogs and have a strong prey instinct, which isn’t quite as fitting for Gumshoe, but he does have a tendency to get up in peoples’ faces sometimes especially when first meeting them - and in any case, with careful socialization they aren’t as aggressive. Akitas are very loyal and eager to please, bred as guardians and hunters, and they have a strong work ethic. Once Gumshoe is on your side, he’s there for good, and although he isn’t necessarily the cleverest man, if you put him to a task he will work tirelessly at it and has multiple times saved the day with his efforts. There’s a famous myth about an Akita named Hachiko whose owner died; he would wait every day for his master at the train station he usually took home for nine years. This felt very fitting for Gumshoe to me, and really the number one reason I chose this breed was for that reputation of enduring loyalty and love.

Ema Skye - Coconut octopus. My first thought was that Ema needs a daemon that uses tools. Her passion for forensic investigation, and using scientific tools in particular, demanded it. Coconut octopodes are famous for picking up coconut shells and carrying them around as mobile homes, or wearing them as ‘hats’ to provide protection from predators. In order to move about effectively in this manner, they also walk on only two legs, which is an unusual and notable behavior. They’re a relatively small species, but still have the usual octopode abilities to change color and release ink. The ink especially made me think of Ema’s luminol, so I loved that. But octopodes in general are very intelligent and in captivity are known to escape their tanks and play pranks, or throw things out of their tanks when annoyed, which is great for Ema. This species spends a lot of its time hidden and darting out to get food; when it does hunt it tends to ‘forage’, wandering about and catching whatever is handy, rather than stalking prey. Ema works with a lot of different people and is in general very adaptable, but as an adult she’s generally a bit more withdrawn/not interested in socializing with everyone all the time. She also snacks all the time so I liked the ‘foraging’ for that.

Jake Marshall - Mule. My initial thought for Jake was actually a coyote, and I’m still a little torn on this one. I knew whatever he ended up with had to be something to fit his whole Wild West theme, which both do. Still, while I think a coyote would be fitting too, in the end I leaned more towards mule for a couple of reasons. First, Jake’s cowboy act is mostly that - he’s actually from LA and there’s no indication he’s ever been to Texas, let alone grew up on a ranch or anything. The stereotypical image of a cowboy is of course riding a horse - so this would be another example of him not quite matching his whole attitude. (Because yes, he would saddle up his daemon and ride her around town.) However, many people actually prefer mules over horses. They’re very intelligent and sure-footed, have excellent endurance and resilience, are relatively calm, and in general are known as an example of 'hybrid vigor’, often gaining the best of both their parents’ traits. When treated well, they are actually quite trainable and willing to work. However, they tend to have a stronger sense of self-preservation than horses and can balk when asked to do something dangerous. Also, if given a negative environment or one without enough mental stimulation, they can develop bad behaviors and be hard to manage. I think all of this fits pretty well for Jake - as far as we know, he was a willing and eager detective, and did his job well at the time. However, since getting demoted he lost all motivation for his work, and developed a lot of bad habits. He also is surprisingly astute and confrontational - if it weren’t for the handprint locks, his break-in would have worked completely, and he realized that there was shady stuff going on and confronted Lana about it.

Angel Starr - White Bengal tiger. Angel may act sweet, but only ever for so long. She’s a hunter at heart. She has a lot of boyfriends, all of whom are useful strategically; Bengal tigers are a polygynous species, with one male mating several females. Though she certainly seems like she can work well with others when needed, Angel strikes me as more of private person. She will spend time with people but not necessarily open up deeply to them, and tigers for the most part lead solitary lives. They are also stealthy predators, often waiting till dusk and camouflaging themselves. They also tend to quietly approach their prey from the side or the back - all of this ‘ambush and stealth’ style seems a fitting match to the way Angel plays sweet and then abruptly lashes out with such ferocity. Originally, I just gave her a regular tiger, but then I thought about it a little more and I actually like the white morph for her. It matches her color scheme and fur jacket, which is a nice detail, and white Bengal tigers are very rare in nature and considered very beautiful. Angel uses her beauty to disarm people, so it just seemed fitting.

Shi-Long Lang - Northwestern wolf. Lang Zi says, “Obviously he’s a wolf! There was never any doubt!” I mean, the amount of wolf references is off the charts with this guy. Wolves, of course, are pack animals, which fits his huge team of subordinates that he clearly knows well. Northwestern wolves are the largest wolves in the world, which is another great reference to that. They’re a bit stockier than some other wolves, adapted to high altitudes, and packs often hunt large prey like elk. Lang goes after some pretty major targets, so that’s a nice nod too. Wolves are intelligent and playful, with complex social dynamics and distinctive howls. They are excellent hunters and can travel for long distances after their prey, as well as just roaming large territories. I mean, I could go on, but of course he’s a wolf so it’d all just be reiterating what we already know.

.

Feys, Misc. Lawyers, Prosecutors, Witnesses, Wright Anything Agency, Villains

#dick gumshoe #ema skye #angel starr #jake marshall #shi-long lang #ace attorney #daemons #aa daemons #hope you enjoy anon!

[masterthespianduchovny]

Part of the reason I’m so passionate about Mulder being understood as a character is because his existence literally influenced future fictional male characters.

I won’t call Mulder a flat out anomaly, but back then, he was a stark contrast to how men were usually portrayed: hyper masculine, rational (science), and logic based.

Mulder was masculine, but he also had what was seen as feminine attributes: compassion, sensitivity, his supernatural beliefs (yes, this too), etc. also, he wasn’t aggressive or posturing.

Because of this, directly and indirectly, Mulder influenced how male characters were written in many series.

And what makes this super important was that Mulder wasn’t seen as less than a man because of this. It was just accepted.

Now, as some of you have read previous post about how Mulder isn’t an anti masker, this is a continuation of that post. No, I’m not hung up on the assertion, but I do believe that topic opens up the discussion about the brilliance of Mulder’s character and why I believe some do not understand his character.

The series does several subtle things to ground itself and Mulder when it premiered.

1. Scully as the scientist and skeptic. Although she is there for Mulder in the universe, in real life, she’s there to serve as a mouthpiece for the viewer’s skepticism. Her existence is an important key to buying into the premise of the show.

2. Mulder’s credentials. Before we meet Mulder, we know he’s Oxford educated, graduated top of his class, majored in psychology, and was a brilliant profiler. He was so great as a profiler, people even talk about him at the academy. And then we find out he’s called “spooky.”

This establishes that Mulder isn’t out of his mind. He was/is a respected agent who is clearly intelligent and good at his job. When we meet Mulder this is further cemented when it’s revealed that he read Scully’s college thesis and could counter her arguments. Even the fact that he knows Scully was sent down there to spy on him underscores Mulder’s intelligence. The first scene literally is about this, so he wasn’t paranoid.

3. Mulder grounds himself. Often, Mulder says variations of “I know this sounds crazy.” It shows that Mulder isn’t off of the deep end and knows how his views are not only received, but how to level with people. If Mulder was just some guy who believe in wild shit and expected others to believe in it, the show wouldn’t have worked. It works because a. He knows how others see him and is willing to explain his beliefs b. he can prove how and why a conspiracy is going on.

Also, in addition to him not assuming people should just believe him, when he does expect people to be on his side (really in Scully), he points to their mutual experiences. Mulder constantly justifies his beliefs to Scully when she has no reference point to a phenomenon, but when she does, he references the shit ton of other cases they’ve worked.

Mulder is self aware and because of this, we are comfortable investing in Mulder’s crazy beliefs and theories. Mulder can be pulled back and rationed with.

4. He isn’t only intelligent, he’s well read. Mulder isn’t just book smart, he’s culturally knowledgeable. Mulder literally reads up on everything and has a reference for almost anything. Inadvertently, he validates other cultures and their beliefs. But, the fact that most of his knowledge can be traced back to a culture or cultures IS important. Mulder will explain the history of a thing and the various occurrences of it. You don’t find this in official, well respected books. He reads books, diaries, newspapers, etc. Mulder even listens to folklore.

He’s not pulling this shit out of his ass.

5. At the same time, Mulder can also be a skeptic. It’s not as pronounced as Scully or even just religion based. In “Clyde bruckman’s final response”, Mulder is skeptical of the psychic called to the scene and, as a result, kicked out of the room. This plays into the long running theme of Mulder’s instincts being right. Also, it’s a callback to “beyond the sea.” Mulder believes in psychics, but he is skeptical of them at times, such as murders or well known psychics.

He places truth and finding justice over indulging his beliefs and blind belief. Mulder even explains why he doesn’t believe certain psychics, which is another way the show grounds him. He explained it in a perfectly logical way.

There are other instances of Mulder being skeptical with information he’s given regardless of believing a case to be supernatural.

6. This is why the anti mask argument frustrates me: Mulder not only believes in science, he uses it to legitimize his work. Most of his cases are solved with science. He constantly points out how Scully’s science saved him and the x files. And the sign Idance of this point when it comes to anti maskers is that most of the people who are anti mask are also anti vaxxers and anti science.

For Mulder, if Scully’s science proves him wrong a. Either he reformulates his theory b. Realizes something is missing c. Goes back to square one (looked for bigger picture). Mulder almost never discards science, he just doesn’t want science to limit, but rather, expand understanding. Their cases are just things that science hasn’t come across.

I must explicitly state this: Mulder’s cases are solved with science.

Mulder regularly reads up on science shit, which is how he’s able to follow most of Scully’s rebuttals and even provide his own counterpoints.

He sees science as a tool that can be fine tuned.

And circling back to how anti mask is usually anti vax and anti science, these people usually believe the most bat shit things, which some of the time includes anti Semitism. Think of the most popular bat shit insane conspiracy theories and genuinely ask yourself if you think Mulder would believe them. He would think those people are kooks.

7. He wants to believe. Although Mulder 100% believes in aliens, he knows he needs proof. Mulder sees all of this wild shit and knows it isn’t enough to say he’s seen it. He almost never takes anything as a given and understands that he needs to bring something to the table if he wants to be believed.

8. His talent as an agent was still respected. Something I love about the series, it’s a low key great way to develop the character. Skinner comments on Mulder’s talent as an agent, kersh labels him a lost cause implying that he was great at one point, Mulder’s former partner used his profile for cool points, Tom Colton uses Scully to get Mulder on his case, bill Patterson finds an indirect way to get Mulder on his case and used to drunkly praise him.

9. His sense of justice and compassion for victims overrides his beliefs. At the end of the day, Mulder wants victims to be heard and helped. Whether or not his beliefs have anything to do with the case in the end, he cares more about giving the victims answers. Maybe this is the thing that grounds him the most, or humanizes him and shows that Mulder is more than his zany beliefs.

This is why more Mulder meta is needed. There are so many topics prime for discussion and yet some overlook that for a quick joke. Like, dig into this man, people. There are so many gems and fascinating topics. 😩

#the x-files #mulder #x-files #fox mulder

[syubub]

2021 Reading for BTS and the collective!!

Wow wow wow! I didn't disappear or get dragged away by a demon. No no, I just got thrust into unexpected shadow work and I now have an unhealthy obsession with sea shanties and a love of pasta.

I had this idea planned to be early in January but that didn't pan out so I'm doing it now. I have another yoongi reading in the works and another fun thing coming soon as well!!

I promise I won't bore you to death any longer but I hope you've all been doing well!!

Disclaimer: This is for entertainment purposes only and not to be taken as fact.

If this message doesn't apply, let it fly!

Cool cool cool.

Let's get it.

💜💜💜💜💜💜💜💜💜💜💜💜💜💜💜💜💜💜

Oki. I first want to say that this I gonna be long lol. I did a meditation and gathered some little pieces of things y'all might need to hear and then I pulled cards for every month. The fountain tarot deck is the cards for us, the collective, and the rider-waite cards are for bts. It'll make more sense when I add picks and stuff. I did a little extra card pull for yoongi for the month of May too :) I'll make sure to type out all the cards in text so you know what they are (the pics are kinda wack.) I also used my pendulum to ask if there was a bts related event for every month and that's at the bottom. It's just to take in the possible energy for the month and something that could result from that energy!

LETTUCE BEGIN (hehe)

Starting with the section for the channeled messages. I want to reiterate that this was collective so if it doesn't resonate with you, the message might not be for you! Use your intuition.

(Enough talking. Damn)

So. As I said this was through meditation and connecting to the big column tree thing (I told my cousin about the tree/pillar and they were like,, "so basically a big energy dildo in the æther?" .... I CAN'T STOP THINKING ABOUT IT. h e l p m e) and asking if there was any messages or advice that needed to be delivered and it was... intresting?

Things came fragmented. So there was little messages like, "Its gonna be okay" and "things are changing for everyone" and "open your eyes if you want to see" (that's sassy.) There was one particular thing that was confusing me though. Straight up it was just "flower" on repeat and like a really bad picture of a flower? Like you could tell what it was but it was bad quality. Anyway, I was like "okay. Kindly shut the fuck up. Pls." And I wrote down flower, pink flower and rose. Sooo.... idk but there you go.

More messages were things like, "the block isn't in your head", "try calling forth that which you seek" and... February. Possibly there is specific (very very very loose) connection to the 10th-19th? I'm not to sure what or why but I'd say maybe look out for opportunities on these days and also maybe external events.

Continuing with dates. In the last this 21 and January 21 came up. It came up again but with 2 messages. So first, either 21st is a day where something is put into motion (possibly private or public) or announced and the second was "add them together dumbass" that's not very kind but 3. Again this has been discussed too but but but... maybe a signal of a third mixtape 👀 (not necessarily on the 21st per say but possibly in March? I'm really not sure).

Oki. I got side tracked like I always do and started thinking about tattoos and stuff and I really want koo to have a peony tattoo. I feel it in my BONES. It would suit him so well. and as I was thinking about tattoos I heard, "don't be surprised if yoongi gets/shows a tattoo this year" ??? What the fuck? I think maybe they messing with me but now I have hopes and I don't want them to be crushed and thrown to the wind :(

Back to normal stuff, "the theme is growth" I think that fits very well with the reading. "Blue might be a lucky color" self explanatory. It might be lucky. "Start practicing grounding and centering" this was LOUD. This will help you in how you react to events in the future. Really do practice this if you haven't.

This is where it gets a little weird. So, I got a message that said "start living as if you never existed." I am not a 100% sure what this means but I think I have a pretty good guess. I hate to make it sound weird like this but by sort of focusing on something that is so hard to comprehend (because our brains can't comprehend not existing very well) you kinda break the 4th wall? Like in Deadpool when he addresses the audience and is aware that he is a character played by Ryan Reynolds? anyway, focusing on something that seemingly impossible you kind of accidentally open up the floodgates for a lot of other things. I would say if you are not in the right headspace to do this don't do it but it can be a powerful way to break up the monotony of reality. The theory that everything happens simultaneously bc time isn't a linear progression events blah blah we are energy blah blah the multiverse blah blah.. Theres so so so so so so so so so much about this and how it applies to things that I could probably write you 10+ dictionaries worth of material but for the sake of simplicity and not wanting to write a novel right now, I will continue. The main lesson is to start challenging your perception of the world around you. Ask why and why and why and why. Essentially seeing cracks in the matrix. Pulling your head out of your cosmic ass, realizing that rose you're smelling is actually daffodil ect. It's not supposed to bring you fear but just kinda encouraging you to question all the things that you perceive as given truths.

I tried to make that sound cohesive but really it's such a big concept that I can't really wrap it up all nice and neat.

Oki. May and March are also important times.

Listen to your intuition and try not to take everything so seriously. I'm not saying to check out and go squat in the Himalayas but it's important to find joy in the now. Life is already tough enough so don't forget to watch a silly show that you like or change your hair to a style you've never tried, wear makeup in a very loud way. Just have fun and don't worry so much about things that you can't control. Listen to yourself and your intuition.

Well that was all over the place. Let's get on to the actual tarot part now.

For the record, the pictures are right to left.

January for the collective

We have the empress, the sun, 7 of swords and a fortune that says "act well your part; there the honor lies"

Hmm. Ngl I was a little confused to see the empress and the sun for January... I mean it hasn't been great. So I pulled clarity card 7 of swords. The 7 of swords is all about betrayal. It's about the deception and and actively getting away with things. This is people lying, cheating, sneaking and the works.

This makes much more sense!! The Sun card is usually about joy and success and happiness but in this case I see it as illuminating the betrayal. It's shining light on the deception and keeps the spotlight there. Its also an energetic card so I think that shows passion for uncovering the truth.

With the empress card too I think January is all about getting creative in all forms. Creative ways to protest, to mourn, to celebrate, to connect. Also taking in the abundance that we DO have. The beauty that surrounds us. I like to think of aphrodite energy for this. Its not just love and passion and creativity but is also asserting yourself and having strong passion for what you love and fighting for it. Did you know aphrodite was also called upon in ancient Greece in times of war? She was honored as a goddess of war but still a goddess of love, the sea, fertility ect. What I'm trying to say is that being a creative and "feminine" energy is in no way weak. Sometimes the most powerful things come from this energy. Love aggressively with good intentions. The point is that you should take whatever you're feeling and translate it into something creative or something you care about. The fact that covid is still a thing really sucks but take any rage, hurt, sadness, joy, love whatever and use that shit to make something amazing. Bake bread and punch the fuck out of it, paint your frustration, play hopscotch in higheels while you listen to heavy metal. You get the point.

Now January for BTS!!

We have the death card. (I only pulled one card bc I have things planned from this)

January has been... strange? To say the least.

This card can be a lot of things for them. I think this points to more maturity in their music? Like they've finally ditched the "shiny kpop boy band" label and are being taken seriously in the west. I also think that they're going through a musical/concept transformation~ I think it also signified the change in plans bc of the Grammys perhaps they had things planned an that fell through so they were forced to rapidly change plan/course.

For January: possible mixtape or announcement.

February for the collective

We have 8 of coins reverse and hanged man reverse.

The 8 of pentacles reverse talks a lot about self improvement. Doing that good good inner work and self care. Working on developing parts of you that you've maybe neglected. It's also learning how to work with how you are instead of wishing you weren't the way you are. If you have a therapist its a great time to maybe ask for any extra tips that you can practice daily to help you even more. Maybe exploring more into insecurities relating to finance or jobs or your passions. If you don't have a therapist but you have the means to get one I always highly recommend. You don't have to have "problems" to see a therapist. Everyone could use a non biased point of view that is literally trained to help you be you best self. If you can't get therapy, I get it. Shits tough rn but there's still things we can do to better ourselves like Journaling and reading therapy blogs or self help books (not the taky shit) or trying a hobby you fell out of touch with. There's also a lot of places where you can get therapy promise on the internet. Most importantly, better yourself in the way that you need. Take time in February to take notice of what you want to improve upon. The 8 of coins reversed does come with the warning not to get stuck in perfectionism. Go easy on yourself and if you find yourself getting frustrated when working on projects, try to take a step back and practice whatever it is in a fun way and then come back to it later

Hanged man reverse talks about knowing that you need to chill but you don't. You'll need too. Maybe you'll find yourself swept up in work and tasks and you're over whelmed and know you need to stop and catch your breath but you resist. Why? Well, perhaps you're trying to ignore reality by filling the empty spaces with things and stuff so you don't have to face what's bothering you. Not wise. Take time for yourself. There's also the flips side where people are just kinda stuck.. creative block. Maybe you want something to turn out one way and it just isn't, so your stuck and frustrated and can't move past it. Let go of your expectation of how it should be and let it be what it is. Go with the flow and maybe you'll see a new way to overcome your problem. You'll eventually get that break through that you need! The theme of February is about self improvement. Listen to yourself.

February for BTS

We have judgment.

Hehe yeah. This card is about rebirth and the inner calling. Letting go of the old to step into the new version of you. This is also a very spiritual card lol. This can talk about a new decision that you have to trust your gut on. This is a very significant card that screams comeback to me. It also can talk about sharing your struggles with a group of people and that to me sounds comeback ish. Maybe this will be an announcement in February, maybe they'll be working on it idk but this is ultimate comeback energy so I hope they utilize this for a big group project!!

February: possible BTS comeback (even my pendulum knows)

March for the collective

The chariot and justice

This plays directly off of February! With the chariot you're taking the self improvement that you've done and putting it to action! Now is the time to act on the dreams and passions that you have don't wait and hope for the best. March is about action and standing in your power.

Justice card is cause and effect and truth. What you do will have consequences good or bad. Not doing anything also has consequences. Cease the moment and make the best of it. You'll be taking responsibility for what you do. You start a business? Now you have the responsibility of running it and you get the credit. Stuff like that. Stand by your decisions with conviction and trust yourself.

There's also the side of justice that talks about bringing justice. If you've been wronged, you'll be brought justice if you stand up for yourself.

We also carry the continuous lesson of learning what we truly believe and challenge those beliefs!

March for BTS

Oki we have the hermit and the 6 of pentacles reverse.

Well... let's start with the 6 of pentacles reverse. This can really talk about being so generous and giving to everyone else that you forget about yourself. I think that maybe they might be over exerting themselves and giving so much that they're exhausted physically and emotionally as well. I think too, they take on so much of our pain like its their own? Idk but this would be a good time to do a large scale fan project to show them a little extra love!

With the hermit card it talks about a self introspection so they could be looking inward as a team and kinda evaluating their bond.

I also see this as maybe being alone as in they maybe can't physically go to the grammys? Or maybe they had been planning the rescheduled concerts and they had to be pushed back even further? Things like that. Regardless this signals re thinking/reevaluating the goals that they have and considering what direction to go in!

March: possible mixtape or solo project?

April for the collective

We have 6 of coins and 3 of cups reverse.

Let's start with the 6 of coins. It's about sharing. It can be about charity so sharing money via donation but also giving time, effort, energy to people as well. Giving knowledge is good too! It's an all round exchange. Maybe someone lends you money or you lend money to someone. It's give and take. It's a two way street. It's also a card of balanced finance. So money stuff should be looking promising around this time (for you U.S people this could point to more stimulus help as well)

And for the 3 of cups reversed... I see this as reopening of places and people struggling to find the balance. So think people who've been in lockdown celebrating by throwing a big party... yikes. This card reminds that we should be mindful of the long-term consequences that come with our actions.. maybe also people that are experiencing fear of being in public places now. This is only one facet though. Bc I think this also means in general, missing being with friends and having a renewed relationship because you've really realized how important it is to have these people that mean so much to you in your life. Don't forget that you have people that love you and want the best for you. Call them when you feel alone.

April for BTS

The heirophant

Mhmm. This one kinda gives me vibes that they'll be mentoring people? Idk but I see them more as the heirophant teaching what they've learned/ know to help guide others. HOWEVER this could also be them taking a new task under their belt. Learning something new. Since this is as a group reading I assume that this talks about the group as a whole. This card is also very tradition oriented so maybe they are taking lessons that are connected to traditional Korean culture? Maybe its for RUN or maybe its to incorporate into music and preformance. Think bts mma preformance but all of them learning together? Idk, it's just a thought (maybe wishful thinking). It also talks about seeking counseling so maybe they'll do yoongis idea from the most recent RUN.

This can also be them embracing this kind of leadership/ status.

April: I got nothing. It does feel like something though

May for the collective

Five of cups and queen of cups reversed

Five of cups is disappointment, regret and self pity. Now honestly this to me looks like possibly a tightening of restrictions yet again. Regardless of the situation that this is talking about, the best thing you can do is not wallow in the bullshit. You scrape yourself off the pavement and move foward. You'll need forgiveness of yourself and others and that if shit isn't going your way, you need to pull your head out of your ass and look around bc there's options out there. It's like drowning in a kiddie pool. Just stand up, dude. The water is like 5 inches.

Queen of cups reversed talks about self love and self care. It's more of that look inwards energy. Think about really taking care of yourself. May might be emotionally draining so you need to be ready to take care of you! Part of self care is making sure that your boundaries are well enforced.

Be on the look out for codependent behaviors. Check in with yourself.

The queen of cups is very intuitive and having it in reverse can talk about you not taking enough time to listen to it. Make an effort to meditate for like 5 minutes a day at least. Do something to let yourself connect to your intuition and higher self.

May for BTS

9 of pentacles

This about enjoying the fruits of your labor and absolute abundance and luxury. This could talk about them rolling in the dough after signing a new partnership or having a concert or something if the sort. This could also be a time where we see them buying new things like houses, cars and rings (lol) but also this could be them doing a very high production value project! Also namjoon and his bonsai army are thriving in this time!

May: possible concert or scheduled concert event. Activity of some kind.

Yoongi interlude

I asked for one card to give me an idea of what the mystical May 13th really is. I got: the star, 2 of cups, 4 of wands, the world and the sun.

Guys. I can't with this. 2 of cups is a card of union, romance, soulmate. 4 of wands is celebration, joy, homecoming, bliss. The world is completion and the sun is happiness, joy, marriage, enlightenment.

I've said it a billion times but that's some soulmate shit. So soft so cute and May will be eventful for his personal life.

June for the collective

Death and the heirophant reversed.

Wow wow wow death is transformation and a new chapter so a new way of life and something new/ different that changes how we see things. Again this could be relating to new covid things and new policies and stuff like that but also new as in new to all of us. Groundbreaking perhaps?

The heirophant reversed talks about teaching yourself. Being your own teacher and making your own path. This might be spiritual or otherwise. Challange what the world wants from you and instead listen to what you truly want bc you don't need anyone's approval. Continue to ask questions about why things are the way that they are.

June for BTS

Page of pentacles

Oki oki page of pentacles means a new creative venture and manifestation. Maybe something that they've been wanting for a while finally comes to fruition. This might be the start of a new project that they haven't done before or something cross genre? Idk but its a really good sign of being motivated for a new endeavor and manifesting any projects that they've ever wanted to do. Love this promising energy!!

June: idk

July for the collective

10 of swords and 9 of cups reversed.

10 of swords signals a painful ending. Also deceit. Its a necessary end to a long battle. The only thing you can do is control how you react in these situations. You just kinda gotta surrender into the pain and know that it's temporary. Take time to reflect on what happened and why and how it will help you grow.

The 9 of cups reversed talks about valuing stuff and material things over emotions and spiritual things. This can be talking about society in general, that we are becoming more aware to the fact that there is often more value placed on ephemeral items rather than humanity as a whole. This also can be talking about coming to the realization that we've been working so hard towards... something we don't really care about simply because we were told that it's what you do.

If you want something different to happen you have to put in effort. You can't be sitting in front of a water fountain being like, "damn. I'm thirsty. I really really want water so why isn't it in my mouth yet?" Like?? Hello? You have to take the first step, my dude.

Certainly don't try to do anything that would cost you finatial security or health.

You have the potential to find happiness within yourself. So try looking inside instead of looking outward.

July for BTS

4 of swords.

This is about rest and relaxation!

Taking time to meditate and take some time to look at what you've done objectively. Ots like the hermit in a way but much more focused on resting and relaxing so you can come back stronger and with better direction. Maybe they'll take a break for a couple days but I really see it as them reassessing options. Especially if July goes how I think it will. Maybe they'll film something like In The Soop again? Maybe we'll see bon voyage type thing? Idk. But it could be something kinda out of the spotlight? Maybe something more healing?

July: maybe something?? I'm not sure but it seems like something might be in store.

August for the collective

5 of coins and the wheel of fortune

Well let's see. 5 of pentacles talks about isolation and a negative mindset. This talks about falling on hard times but its a temporary set back. This energy can be talking about falling on hard times emotionally as well. In the card it shows a woman outside of a church shivering and cold but she's too busy thinking about all that she's lost that she doesn't notice the warm church that she could step into for shelter.

But then with he wheel of fortune that talks about fate/destiny, opportunity and luck so maybe this is a necessary loss so that a new door can open. This does kinda tie in with July as well. The end of something is painful but it's often a necessary thing. Might be a bit uncomfy but that's how things change. Again I see this maybe hinting more towards society but none the less it's definitely a theme for August to have doors closing and new ones opening so be on the lookout for that.

August for BTS

The devil.

Now don't fret. The devil talks a lot about choice. Most notably the choice between instant gratification and and something more substantial and the devil leans towards indulgence. It also has a lot to do with the shadow side. This could talk about ~scandal~ sure, but I think its more of a time where you become aware of negative patterns and you shine a light on that part you've ignored. On a much lighter note this card talks also about an incredible bond between people. It can be unhealthy if not given space or boundaries. Listen to pied piper and come back to me.

I also REALLY REALLY REALLY hope that this card points to this: sexuality. The boys have always been pretty pg when it comes to the topic of sex and embracing sexuality so I really do hope to see something more daring and grown up and exploring a tastefully sexy concept. On the same vain as sexuality this card also talks about kinks and stuff like that so don't be surprised if we get more outfits like fake love Era bondage harnesses.

August: ???

September for the collective

We have the world and 10 of wands reversed.

The 10 of wands reversed talks about carrying burden. Doing extra work and taking on more responsibility. Doing everything by yourself and carrying this heavy load alone will get you burnt out quicker than anything. You might be taking on too much and you'll need to prioritize what you really need to focus on. I also think there will just be a lot happening in September for a lot of people. It's a lot of working hard because you know it's good work or because it's what's right. This could be social responsibility that's placed on you or work responsibility. For whatever reason this burden isn't something you want to share with others because you think its yours alone to deal with. It's not though bc you'll figure out eventually that if it hurts so much you'll find a way to lessen the burden. 10 in tarot is all about the completion of a cycle and going through the wands cycle is hard work because for anything to be made of passion, you need to put the work behind it. The burden isn't forever, the heavy work load will lighten but this is you seeing things out. It's a good thing!

Especially considering this is paired with with world. The world is all about completion and that's what you're doing here is finding completion. You are seeing things out until the end but you just need to learn to give up some responsibility, lessen your burden.

This also talks about hard work being put into wider social spheres as well. Things like the vaccines becoming more widespread through the whole globe or at least better planing and infrastructures not related to covid. Things are looking up!

September for BTS

Knight of swords reverse

This bad boi is restless energy. It's being so pent up that you're ready to burst and you really want to take action but you can't because something is keeping you from taking that action. Again I do think this is kinda covid related in regards to touring bc if they do tour in 2021 its gonna look a lot different. This energy can be a bit impulsive and directionless so I think maybe they'll channel this into album material something? I'm not really sure tbh. I'm suprised this energy didn't show up earlier because it almost seems inevitable.

September: no clue

October for the collective

Ten of coins and the star reverse.

Welp let's start with the 10 of coins. Its about wealth, financial security, and long term success so this is a pretty prosperous time. This talks about the obvious monetary wealth and material wealth but also an abundance of opportunities. So this is definitely a good time to enjoy whatever consistency you have. This energy is really really abundant in the career space as well. So October could be very prosperous in the job field and you'll have likely found what it is you really want and could be successful at. This could be the actual act or just the idea. This is could also talk about investing in something for your future, this could be time or money.

With the star reversed it can talk about a loss of faith and a disconnection. This often points to feeling like you've just been forgotten or left out. Like the universe doesn't give a shit about you and left you out to die. Things might seem unfair but always try to look for the lesson that you can take from the experience. Seeing the 10 of coins and the star makes me think that a lot of people have kinda lost faith in their manifestations and also just in the concept of not living in a state of need. Especially if you see other people doing well and you've been trying so fucking hard but you haven't gotten a break. I know we hate to hear it but this can serve as a test of faith. Or rather an opportunity to get your shit in line and take a second to breath. Do something good for yourself and then continue on. This star in reverse serves to show you what no longer sparks joy and helps you find what does and what that initial spark was in the first place. Helps you get back to the original vision/ spark.

October for BTS

5 of pentacles reverse.

This signals the end of difficult times and getting that groove back. The last month was restless energy with no where to go but this month that energy is certainly put to good use. They might be figuring out what has been missing In their lives and starting to rectify that. They are definitely reminded that material wealth doesn't bring spiritual or emotional wealth. Might be also feeling a bit alienated too.

October: something is likely but idk

November for collective

Six of swords reversed and the moon.

Transition and change is prevalent. The 6 of swords is about leaving behind the familiar. Maune this is leaving a job, a new change in the status quo, leaving a relationship ect. The thing you have to keep in mind is just how amazing this is in terms of what it will do. It will alow growth!! And bring clarity!! Thos can also be societal as well, something being left behind in favor of something new. It's letting go and reflecting so that you can move foward.

This is strengthened by the moon card. The moon card is the subconscious and all the things that come with it. The anxiety, the illusion, the uncertainty. You'll want to deal with whatever emotions come up. The moon can signify a confusing time where things aren't what they seem to be. That's the illusions so you'll have rely more on intuition at a time like this. Your dreams might hold significance in this time as well. Listen to your guides and your own guidance because it will help you understand more than you did before this journey began. Using moon cycles to your advantage in November might really help you!!

November for BTS

7 of wands

Challenge and competition. People are envious of bts. We know this. But people will be challenging them for what they've gained: music industry domination. This might co.e in the way that people will spread vicious rumors in attempt to disenfanchise or possibly it will be a fair fight. It could also be a challenge/ battle for some other aspect that involves legal matters.

My best guess though is good old competition. Bts has proven again and again that they will continue to do what they do how they do but they will not be trampled over. In the best way this could renew some of that spirit in friendly competition. They will tear eachothers throats out for a pack of ramen so maybe a bit of competition will be good for them. It keeps life intresting.

November: nothin

December for the collective

Two of cups and the emperor!

Let's start off with the emperor card talks about stability and order. It can also signify being the "breadwinner" so its a good sign that you'll kinda be on top of your shit. The emperor is also an amazing leader so you might find yourself taking on a leadership role too! This is very organized energy that works very smoothly!

two of cups is such a lovely way to end out the year! It's love and partnership and attraction so if you aren't in a relationship by this time you might meet someone who strikes your fancy!! On a none romantic relationship note though, this card is also great for business partnership bc it signifies that you're on the same page and have the same goals in mind!

It's harmonious relationships and trust between them!! Love love love this energy so much! Cups are the suit of emotions and this card is so promising.

If you are in a relationship, this can talk about "falling in love all over again" like you're just reminded of how good they are.

December for BTS

Queen of cups

Intuition, creativity and emotional stability. They're using intuition to guide their moves foward with emotional maturity. They are in a place of knowing what they want and why. This would be a good time to work on an album or a book or to release them. The queen of cups is like the friend that you can tell absolutely anything and somehow they have a helpful answer. This card is really calm and it can also talk about subconscious thoughts.

I think that bts is maybe making more of a conscious effort to make sure that what they do is just as emotionally fulfilling for them as it is for us! They might be kinda pondering the future at this time and considering if this is what fills their emotional cup!

December: possibly a thing?

Now these cards are the vibe of the year and some advice.

For the collective (on the left)

Three of swords and judgment reverse.

The fortune says "accept the challenges, so that you may feel the exhilaration of victory"

The 3 of swords is about disappointment and hurt and heartbreak. It's about the emotional release that we all need when shit gets tough. Don't pretend to be strong. If you need to cry, fucking cry. This year is about letting go of expectations and do what you have to do to release so you can move foward and not have these things pile up.

You have to make an effort to not let yourself take on what other people think of you. You aren't defined by what some asshole says. You define yourself.

Judgment reverse is about self doubt and ignoring your path. It's being stagnant and being harsh on yourself. This year has a focus on building yourself up and noticing when you are not. Bring light to the things that are holding you back without harsh judgment for yourself. You can't beat yourself up. If you make a bad decision you know not to make it again. Take accountability and move on.

The oracle card is inner temple.

Seriously all the focus of this year is in self improvement and dear god, please take time to work on yourself spiritually!!! Everything you want to know is there if you take the time to listen. This should be a place where you feel safe and welcome. It definitely should not feel like something you HAVE to do.

For BTS

10 of swords and page of swords

The fortune says "you create your own stage. The audience is waiting" (how tje fuck?? This is the perfect fortune)

The 10 of swords is a painful but necessary end. This is accepting the current situation. They maintain focus for 2021 for them is adapting and keeping their spirits up.

With the page of swords it talks about new ideas and that kind of creativity. It's also a lot about communication so I really think that they'll be figuring out new ways to connect and new projects that will be prosperous.

The oracle card is Pleiades

This is what we talk about all the time. Bts has helped so many people want to be better and do better. They are uplifting humanity and giving people a sense if belonging. Bts finds you when you need them most 💜💜💜

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Wow I had to write this up over 2 days bc this was so fucking long. I need a nap. Idk if I'll proof read this before I post it so don't hate me for the mistakes (honestly, there's like 10,000 spelling and grammar mistakes in my other posts too 🙃)

I hope you guys enjoyed it and maybe this will be helpful to to have a forecast of some possible energy for you to look out for!!

Also bts bc I love them. I have another bts 2021 reading I'll do soon too!

Hope you guys are happy and well 💜

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