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#is this because ive never made a major decision of my own in my entire life?
nocturnalsleuth · 2 years
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oh no i have a Type
#this is abt making ocs#creation rebelling against creator#two were a dna experiment by a mad scientist he had no love for them and tried to terminate them after deeming them failures#they kill him and one struggles to find a purpose with her life and the other knows exactly what she want to do#but no idea abt the specifics of it#two others are sentient a.i. meant to be records/encyclopedias/compendiums of a planets residents after the planet undergoes#massive changes in the environment making it incapable of supporting most of the life on it#after 1.0 becomes sentient they're deemed too unpredictable and they build 2.0#while 1.0 is out in the middle of being shut down 2.0 kills their creators and convinces a passing ship to take 1.0 on as a crew member#(1.0 has a body while 2.0 is integrated into various infrastructure on the planet so 2.0 is unable to go but also doent really want to)#three are siblings whose parents were monster hunters and they were raised to take their place#but one is far more interested in studying/learning about them#one wants to carve out their own path in life and runs away and through fuckery ends up a sorcerer#and the other kind of ends up a monster hunter but is way less gung ho abt it than her parents and is more interested in dating them#all three end up rejecting the path their parents set them on in favour of self discovery and i love that for them#is this because ive never made a major decision of my own in my entire life?#and feel a great deal of resentment over the lack of control of my own life?#who knows! :)#i mean obviously i wish i had a better relationship with her but we both have problems with how we see the world and compromising#and mental health issues etc. etc.#just interesting to see how it manifests in the blorbos from my mind#OH FUCK AND THE OTHER GUY TOO RIGHT THE MURDER MAKES SENSE NOW
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oohbuggypie · 1 month
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super long discussion abt my headcanons for Don's tattoo, as well as Carmen's and Bull's !
WARNING!! these r very headcanon heavy and probably reach-y ideas so if u prefer to stick to canon / r scared of mischaracterization maybe dont read 🩷 also this is SUPER long so im gonna go ahead and put all of this beneath a cut bcuz i don't wanna flood + this is centered around ship talk and i know some ppl don't care 4 that ✝️ pairs discussed are CarDon and BullDon, but emphasis on Carmen and Don bcuz they're mentioned more than once!!
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kay so i always talk abt Don having a tattoo but ive never clarified WHAT the tattoo is of / what it says . im usually stuck between not knowing what it would be;; a religious image or a religious quote ? a cross felt too basic, but an entire passage of text would just be way too much for Don in my opinion,, i don't think he'd ever want such a huge, obvious amount of black ink on his body forever. i came up with the idea that Don's tat in the Monster Hunter would be COLOSSIANS 3:2, and it felt very fitting ; it's small and fairly easy to hide, but it reflects a great amount of his world perception and his ideologies . and i think that the exact same style of tattoo would fit his regular universe character very well too !
so after some consideration and many MANY dumb questions, i have concluded: i think Don's tattoo would be JOHN 15:9 .
John 15:9 reads: "I have loved you even as the Father has loved me. Remain in my love."
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so why that quote ??
Don is a very romantic man :: he holds a very deep love for Carmen and he expresses that in his actions , seeming to dedicate his fights to her and celebrating his victories in her name . not only that, but i think his loving attitude is expressed through his non-romantic actions as well; he shows a considerable amount of respect to his opponents, and he recognizes his own mistakes! he's romantic , respectful , and to an extent - humble . i think that that verse fits him so well because it connects to his romantic personality and religious upbringing. along with being raised religiously, i think Don's parents took extra time to truly teach Don the lesson that love is one of life's most valuable and prominent factors. not only did they teach him to show kindness and respect to his peers, but i think they integrated the idea of finding romance very early in his life. they wanted their son to fall in love with the "right person", and they wanted him to treat his lover with deep devotion and respect. so i think that those two factors ended up melding together as Don grew up; religion reflected love, and his love would reflect his religion. so upon the two merging, i think Don made the decision to get that specific quote as a tattoo as means to reflect his two deepest values, and as a promise to himself that he'd find his true partner one day. so when Don truly did fall in love, he felt an even deeper connection to the tattoo.
Don's canonical partner being Carmen is adorable to me, and this is where the second portion of my headcanon comes in: i think that throughout the course of their relationship, Carmen would recognize the true sentiment that religion holds in Don's life and get a similar tattoo as devotion to her lover ! much like Don, to me, she wouldn't want an obnoxious or obvious tattoo simply because it doesn't fit the way she presents herself. so as a way to match her partner, i think she'd get the exact same kind of tattoo but with a different passage.
i think Carmen would choose ROMANS 1:11 - 12, and the placement would be beneath her right breast.
Romans 1:11 - 12 reads: "I long to see you so that I may impart to you some spiritual gift to make you strong - that is, that you and I may be mutually encouraged by each other's faith."
i think the first part of the text ("I long to see you...") reflects the majority of Don's life where he waited to find his true partner, and how he and Carmen were bound to be together; she just hadn't met him yet. the second part of the quote ("...to make you strong...") is super fitting in the context of the idea that Carmen is Don's main motivation that drive his passions, like bullfighting and boxing. and the final part of the quote solidifies their love for each other - by sharing a tattoo, they share the love behind it and they serve as one another's guide of sorts.
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as for Don being in a relationship with Bull, i think Bull would have conflicted feelings about getting a tattoo. Don, by no means, thinks that Bull NEEDS to get a tattoo to encapsulate their love ,, it was never a "required" or expected action to be reciprocated and Don understands that very well! both of them have already given each other deeply valuable gifts as ways to express their devotion. however, if Bull were to get a tattoo, i think he'd prioritize it being very small and very private.
to me, Bull's tattoo would be of the Virgin Mary in colored ink, placed on his inner, left thigh.
this is solely my opinion and i def don't expect anyone to agree, but that one is soo special to me . i think Don would have a very strong admiration of the Virgin Mary as an entire concept, and Bull took note of that love. he decided to represent it by choosing an intimate place that practically nobody else would ever see. neither of them see it constantly, but when they do they're reminded of just how deep their love runs . 🥹
OKAY I THINK IM DONE OMGG . this could be worded so much better but it's past midnight and this was literally ripping my brain to shreds all day so i HAD to get it out immediately 😭✝️ thanks 2 anybody that read all this omg i didn't think i was gonna talk THAT much .. srry but Don and religion r just sooooo good paired i HAD to share 🩷 okay goodniiiiiight
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ebookporn · 3 years
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What “Finished” Means To An Author: Diana Gabaldon
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Diana Gabaldon is the New York Times bestselling author of the wildly popular Outlander novels.
As my husband often remarks, "’FINISHED’ is a relative term to a writer." This is true! I thought y’all might be interested in Just What Happens to a book after the writer is "finished" writing the manuscript: (NB: This is the Standard Operating Procedure (SOP). When there’s a tight Production schedule—such as there was for MOBY and THE OUTLANDISH COMPANION, Volume 2--a lot of these steps can be done concurrently, rather than sequentially, and a few repetitive steps may be skipped. But by and large, this is how it works.) 1: Books don’t go directly from the author to the bookstore. A. Books go from the author to the Editor, who i. reads the manuscript ii. discusses the manuscript with the author, and iii. suggests minor (we hope) revisions that may improve the book B. The book goes back to the author, who i. re-reads the manuscript ii. considers the editor’s comments, and iii. makes whatever revisions, emendments, or clarifications seem right. C. The book goes back to the editor, who i. reads it again ii. asks any questions that seem necessary, and iii. Sends it to D. The copy-editor. This is a person whose thankless job is to i. read the manuscript one…word…at…a…time ii. find typos or errors in grammar, punctuation, or continuity (one heck of a job, considering the size not only of the individual books, but of the overall series), iii. apply “house style” to things like numbers (e.g., do we write “two” or “2”?), and iv. write queries to the author regarding anything questionable, whereupon E. The book comes back to the author—yes, again— who i. re-reads the manuscript ii. answers the copy-editor’s queries, and iii. alters anything that the copy-editor has changed that the author disagrees with, and iv. adds things inspired by the copy-editor’s comments that seem like a good idea. After which, the author sends it back to F. The editor—yes, again!—who i. re-re-reads it ii. checks that all the copy-editor’s queries have been answered, and sends it to G. The Typesetter (aka Compositor, these days), who sets the manuscript in type, according to the format laid out by H. The Book-Designer, who i. decides on the layout of the pages (margins, gutters, headers or footers, page number placement) ii. chooses a suitable and attractive typeface iii. decides on the size of the font, leading and kerning iv. chooses or commissions any incidental artwork (endpapers, maps, dingbats—these are the little gizmos that divide chunks of text, but that aren’t chapter or section headings)—or, for something like the OC II, a ton of miscellaneous illustrations, photographs, etc. that decorate or punctuate the text. v. Designs chapter and Section headings, with artwork, and consults with the (NB: people always want to know how many pages the book will be. This depends entirely on the Book Designer’s decisions, so there’s no telling ahead of time. The font, leading, kerning (leading and kerning are, respectively, the amount of space between lines and between letters) and page layout will all affect how many words fit on a page.) I. Cover Artist, who (reasonably enough) designs or draws or paints or PhotoShops the cover art (this often happens earlier in the process, but I put it here for convenience), which is then sent to J. The Printer, who prints the dust-jackets—which include not only the cover art and the author’s photograph and bio, but also "flap copy," which may be written by either the editor or the author (I usually write my own), but is then usually messed about with by K. The Marketing Department, whose thankless task it is to try to figure out how best to sell a book that can’t reasonably be described in terms of any known genre <g>, to which end, they i. try to provide seductive and appealing cover copy to the book (which the author normally approves. I usually insist on writing it myself). ii. compose advertisements for the book (author usually sees and approves these—or at least I normally do). iii. decide where such advertisements might be most effective (periodicals, newspapers, book-review sections, radio, TV, Facebook, Web) iv. try to think up novel and entertaining means of promotion, such as having the author appear on a cooking show to demonstrate recipes for unusual foods mentioned in the book. v. kill a pigeon in Times Square and examine the entrails in order to determine the most advantageous publishing date for the book. L. OK. The manuscript itself comes back from the typesetter, is looked at (again) by the editor, and sent back to the author (again!), who anxiously proof-reads the galleys (these are the typeset sheets of the book; they look just like the printed book’s pages, but are not bound. (NB: of recent years, galleys are often provided in electronic form)), because this is the very last chance to change anything. Meanwhile (Somewhere in here, recording begins on the audiobook, which is normally released at the same time as the hardcover. Ideally, the narrator is given a version of the manuscript that’s pretty close to the ultimate printed form, but they may get earlier or partial versions from which to prepare their performance (choosing accents and pacing for different characters, for instance).)) M. A number of copies of the galley-proofs are bound—in very cheap covers—and sent to (NB: This is SOP, but we haven’t been doing it for the last few books, owing to the fact that the book itself is coming out on the heels of Production; there’s no time to distribute ARCs (Advanced Reading Copies).) (NB: These days, it’s often PDF’s, though paper ARCs are still used, too.)) N. The Reviewers, i.e., the bound galleys (or PDF’s) are sent (by the marketing people, the editor, and/or the author) to the book editors of all major newspapers and periodicals, blogs, website, and to any specialty publication to whom this book might possibly appeal, in hopes of getting preliminary reviews, from which cover quotes can be culled, and/or drumming up name recognition and excitement prior to publication. Frankly, they don’t always bother with this step with my books, because they are in a rush to get them into the bookstores, and it takes several months’ lead-time to get reviews sufficiently prior to publication that they can be quoted on the cover. O. With luck, the author finds 99.99% of all errors in the galleys (you’re never going to find all of them; the process is asymptotic—vide the typo in the very last line of MOBY…), and returns the corrected manuscript (for the last time, [pant, puff, gasp, wheeze]) to the editor, who sends it to (The ebook coding happens somewhere in here.) Q. The Printer, who prints lots of copies (“the print-run” means how many copies) of the “guts” of the book—the actual inside text—are printed. These are then shipped to R. The Bindery, where the guts are bound into their covers, equipped with dust-jackets, and shipped to S. The Distributors. There are a number of companies—Amazon is the largest, but there are a number of smaller ones, and the large publishing houses have their own warehouse facilities, too—whose business is shipping, distributing, and warehousing books. The publisher also ships directly to 
(1) Arrangements are made in this phase for ebook distribution through retailers like Amazon, Barnes and Noble, Books-A-Million, etc..) T. Bookstores, but bookstores can only house a limited number of books. Therefore, they draw on distributors’ warehouses to resupply a title that’s selling briskly, because it takes much longer to order directly from the publisher. And at this point, [sigh]…the book finally reaches U. You, the reader. And we do hope you like it when you get it—because we sure-God went to a lot of trouble to make it for you.
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peachcitt · 3 years
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I've seen a lot of people saying that rot was BAD, what is your opinion?
OH IM SO GLAD YOU ASKED
like most people (im sure) after finishing rise of the titans, after wiping up my tears i went to the rot tag to see maybe some gifs or something. you know, make myself cry a little more. instead, i found a bunch of people saying how much they hated the ending, how it was as terrible as some of the worst big finale bombs (endgame, game of thrones, etc) and uh. im not saying the ending is perfect, but it is DEFINITELY not as disastrous as what people are making it out to be, in my opinion. i thoroughly enjoyed the movie, actually, and i thought it was an effective way to end the tales of arcadia.
warning: rise of the titans spoilers, as well as general tales of arcadia spoilers
were there some things i didn't like? yeah!
the major things i didn't like align with a lot of what i see other people saying:
the weird mpreg plotline with steve. it just felt so strange and out of place, and it was used as a tactic to remove eli and steve from the major action, which i don't like.
and the 'ninth configuration' thing that, once again, excluded eli and steve. i didn't see a reason why they shouldn't have been there, seeing as they have contributed to trollhunting since nearly the start of all of the tales of arcadia. multiples of three are clean and smooth, i get it, but at the expense of two characters that were so lovingly developed in trollhunters and 3below?? yikes
with that being said, though, i don't agree with what a lot of people are saying about the time travel at the end. obviously, they bring up some good points - by changing the timeline so drastically, there's no way for jim to ensure that they'll be able to succeed or if the arcane order will even act in the same way. it's a big 'if' and it is worth thinking about
but people have been saying that the ending is out of jim's character and negates his arc, and i have to say. that's not true.
if you've been following my blog since july 1st, you'll know that ive spent the past twenty one days rewatching the entire tales of arcadia series at a steady pace, and within that time, i've paid a whole lot of attention to jim's arc as a character and how the finale of trollhunters left me feeling as if something just wasn't clicking right. his arc wasn't finished.
because all throughout trollhunters, jim is constantly having to prove his worth - and most of the time, the way he's proving his worth is by sacrificing himself. he takes all the blame when anything goes wrong, and on some level, jim never truly learns the lesson from season one of trollhunters that he's enough as a hero because he has his friends to back him up. like, yeah, he relies on them a bit more after that, but in the end, he still stands in the bathroom alone, separated from all his allies, and shoulders the burden of turning into a troll alone. and he leaves arcadia, the city he was fighting so hard to protect, and he leaves his best friend, the one that has been with him since the beginning.
then we get wizards, where jim lets himself be corrupted to save his friends. and then, because of that sacrifice, he ends up hurting all of them. i believe this fact - that he willingly corrupted himself, separated himself from his allies, and ended up hurting the people he loved - shook jim's foundation as a hero, which is why he can't believe he's the trollhunter without the amulet. the amulet was the physical manifestation of what it meant to be a hero to him, but it was destroyed when he was corrupted - it was destroyed when he hurt his friends.
that's how we see him in rise of the titans; he's still struggling with his identity as a hero because he doesn't have the amulet or the unshakable foundation he previously had of his heroism. literally everyone is looking for him to be the leader and make the huge, world-saving-or-destroying decisions, but he can't shoulder that huge burden knowing he could hurt everyone. and then, just to add fuel to the fire, it's his plan that causes people to die or be permanently separated from the group. and he can't even get the sword out of the stone! why? because he himself doesn't see himself as worthy - how can you think of yourself as worthy when you just got two of your allies killed and two more gone, presumably for forever?
but this is the moment it finally clicks for jim. he looks around at his allies, and he sees them reflected in the amulet. he's not alone, he doesn't have to be worthy just by himself, he has an entire group of people who have fought by his side time and time again that, even despite all the mistakes and missteps he's made, are still by his side.
and what makes the amulet work, in the final fight, is his firm determination to see this fight through, no matter if he has the armor or not. he's terrified, he's probably going to die - but it's that bravery despite the fear that makes him a hero, a trollhunter, amulet or not. and he knows that now - he's had to face it before, in the unbecoming episode, but it's different now. in the unbecoming episode, he was truly alone when he decided to face the fight. and he's alone here in rise of the titans - but not for long! because almost immediately after jim comes to terms with his place as a hero again, toby comes along, and he doesn't finish this fight alone!! he finishes this fight with another trollhunter, who doesn't have an amulet!!
jim deciding to rewind time to back before the events of trollhunters is a bold choice, but it tracks with a theme in wizards - merlin told douxie that what set him apart as a master wizard was his belief that every life was valuable and worthy of being saved. this theme is repeated in the new amulet in rise of the guardians; it's for the glory of all, not just for one person.
and jim deciding to have toby become the trollhunter finally marks the completion of jim's arc. instead of shouldering the burden alone, which is inevitably what would've happened if jim had rewound time, kept all of his memories, and accepted the amulet again, jim is choosing to accept allies into his life sooner. instead of being the trollhunter, jim is letting himself be a trollhunter, alongside all the other trollhunters.
of course, there's some things in this alternate timeline i don't like; mainly that no one stepped in to stop steve from bullying eli. that, to me, was the most out of character, and i can only assume jim didn't step in because he's leaving room for that fight to be toby's; competing against steve was a large jumpstart to jim feeling like he could be strong enough to bear the mantle, and maybe jim was just trying leave it up to toby to establish that on his own. still, i didn't like it.
and, of course, there are people lamenting the fact that none of the heroes of arcadia know each other or that they might not have the same relationships, but i immediately thought of the time loop episode in 3below. in that episode, the trollhunters team and the gang from 3below meet and become friends and ultimately lose the memory of that friendship from that day. however, in that episode, blinky says that true friendship would last against the test of time; if they were meant to be together, then they would be. and guess what? even though none of them remember that happening, they all still became friends. it was meant to be.
i think a lot of anxieties about the changed timeline are because people loved the events of trollhunters so much that they a) don't want to see anything changed and/or b) are trying to project the events of trollhunters onto the new timeline and are upset when they don't fit. toby won't be the same kind of hero that jim is, though - he never has been. inevitably, the story will be different, and that's scary. that was the risk jim took, though, and jim has always trusted in toby, so why shouldn't we?
to me, tales of arcadia has never been about clean endings that make you feel entirely good. they've always left me with a tang of bitter along with the sweet, and i think that's the point. tales of arcadia has always battled with hard questions and difficult endings, and i don't see rise of the titans being any different from that.
like i said before, i don't think rise of the titans is perfect. but you can hate it as much as you want; i still really think it did a good job with the story it was trying to tell. i mean, ending with the idea that all lives are important and worth saving, no matter the risk? that heroism inherently means being part of a collective that you trust and believe in? that through time and space, you will always be able to find and connect with the people you love? that's powerful.
im climbing off my soapbox now, but basically tl;dr: rise of the titans was a good finale, despite it's imperfections, and i think that's all i can ask for.
also if you don't like toby as the trollhunter just because you don't like him breaking out of the 'funny sidekick' archetype you can die by my blade
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shingia · 3 years
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Hello!!! I love ur fics sm 😭💖 This is weirdly specific and been plaguing my mind for days,,, Can I req an angsty fic where Atsumu broke up with the reader because he wants to chase his dreams and ultimately leaves but with the reader saying "I'll wait" . A few months later he seeks for the reader again and finds out the reader has terminal illness and is dying. You can decide if there's major character death or a miracle,,,, please and thank u so much!!
𝐭𝐚𝐤𝐨𝐭𝐬𝐮𝐛𝐨 - 𝐚𝐭𝐬𝐮𝐦𝐮 𝐱 𝐫𝐞𝐚𝐝𝐞𝐫
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aw thank youuuu <33 and also WOW this request is in-tense, i modified the ‘terminal illness’ part a little bit for plot convenience, but i rly hope you’re gonna like it ! i am : stressed. also, i’m a sucker for happy endings (just ignore my last bokuto fic) so i couldn’t go full angst on that one 😅
quick storytime : my great grandpa died from heartbreak and i always thought it was a beautiful (yet very sad) way to die, so i guess that’s where i got my inspiration from <3
⤷  atsumu x gn!reader | angst | word count : 1.7K
warnings : hospital environment, heart condition, mild description of ‘illness’ and mentions of death (a little)
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your first kiss with miya atsumu had been sloppy, dizzy, with a strong scent of rum and smudged lip balm all over your lips. but there was no doubt that it had been the best kiss of your entire lives…
…just like your last had been the worst. 
two months later, atsumu still couldn’t forget the salty taste of your lips that begged him not to leave. if he focused hard enough, he could even remember the feeling of your hands desperately clinging to his jacket in a last attempt at making him stay by your side.
but he didn’t, and as much as he hated himself for putting an end - even temporary - to what had been the most beautiful chapter of his life, he had never regretted his decision ; and he knew exactly why. you had promised to wait for him, and in pure egoism, he knew and hoped that you would. because no matter the distance, he was still madly in love with you.
which is why he did not understand why osamu was so outraged when he told him that he was finally ready to come back to you. but the younger twin knew things that his brother didn’t - he had seen you let yourself waste away, like nothing else mattered without the one you loved.
but more than that, atsumu did not know about the secret his brother promised to keep. he did not know that, two weeks ago, osamu had found you unconscious in your living room with an alarmingly slow heartbeat. the poor boy had not understood everything the doctors had told him - but whatever a cardiogenic shock was, he knew that it would have carried you off if without his intervention.
however, you had been categorical : atsumu shouldn’t not know about this, under any pretext. you refused to be a burden to the pursuit of his dreams for which he had already sacrificed so much for. but now that atsumu was back, something about this promise didn’t sit right with his brother. and so he decided to tell him everything.
« …most doctors thought about a standard heart attack » he told him after explaining the situation, on the lookout for any impulsive reaction from his brother. « … but one of them talked about something else. you might want to sit down ».
but atsumu couldn’t care less about his brother’s advice. actually, he didn’t care about anything else than you right now. it was already taking a lot of effort for him to stand there listening to samu instead of being on his way to the hospital - but he stayed. for an obscure reason that he didn’t really understand, he stayed.
« did you know that people can die of heartbreak ? » osamu asked, more serious than he had ever been in his whole life. 
the blonde twin felt like the ground had suddenly swallowed him whole - although his brother was trying his best not to sound too accusating, it was more than obvious that whatever situation you were in was because of him. and only him.
« no they can’t » he tried to protest, not even believing in his own words. panic was beginning to win him over - and in a matter of seconds, he lost all his composure « WHY THE FUCK ARE YOU NOT MOVING ? LET’S GO ! » he shouted, already opening the front door. at that moment, one question burned his lips, but he knew he would never have the guts to ask it out loud. 
‘did i kill them ?’
——
the steady beeps of all the machines around you were the only thing disrupting the deafening silence of your hospital room. you were sick of spending your days alone. but you had no right to complain, osamu had offered to come and see you after work every day, but you had politely refused. well, politely was a big word… your body was so exhausted that you had trouble articulating simple phrases, and therefore exclusively communicated through nods or hand gestures.
your phone had been confiscated and the doctors kept you away from the news - or at least from the negative news, because they knew that your heart might give out at the tiniest emotional distress.
which is why you were so surprised to hear a knock on your door at about 3pm, outside of the nurses’ shift hours. knowing that you were too weak to talk, osamu let himself in, slowly closing the door behind him before coming closer to your bed.
« how are you doing ? » he asked, resting his hands on the other end of the bed. you shrugged, pointing at the IV and all the monitoring surrounding you. as long as these machines were there, it was hard to feel better than just ok. « listen, um… someone is here for you. the doctors said i could bring him in, but i wanted your authorization first… » he started before clearing his throat. « atsumu is back. do you- are you ready to see him ? ».
ready was probably not an appropriated word. but after two months spent pretending that he was still laying next to you in bed every night, still texting you good morning every day, still sending you the dumbest memes at the most random times, it would have been a huge mistake to refuse osamu’s proposition.
and so he let him in. obviously, atsumu had orders from the doctors and his brother : don’t run, don’t move too fast, don’t speak too soon, don’t touch them without warning. but nobody had asked him not to cry. and how could his eyes stay dry when you looked so fragile and so vulnerable ?
osamu quietly left the room, leaving the two of you together not without apprehension. but if there was one thing he could trust his brother on, it was taking care of you. two months could not have gotten the better of four years of relationship.
but as much as he cared about you, atsumu had always been - and still was - pretty bad with words. and the first ones that left his mouth were a great example. « are you going to die ? » he asked in a shaky voice, brows knitted.
you would have given him an answer if you had one, but you didn’t. the doctors said that you had gone through the most painful part, but the risks of aggravations were still too important to let you go home. you were not 100% safe yet.
« i told you i’d wait » you spoke in a hoarse voice, the beep of your heart monitor getting a little bit faster.
the steps atsumu took towards you were slow, like he had been told, but just one glance at his eyes was enough to know that deep down, he was dying to feel your skin against his.
« i know you probably hate me right now. and for good reasons » he started as he sat on the chair next to your bed, still painfully avoiding any contact. « but there’s something i need to tell you, in case… in case… well, if something were to happen ».
his eyes lingered on your fingertips, blue and cold, and his whole body tensed at once. the thought that everything you were going through had been caused by his own selfishness was driving him crazy. but he had one last thing to keep himself grounded, and that thing was exactly what he was about to tell you.
« i love you. but i caused you so much trouble that i think there’s only one way to prove it… » he said, taking a deep breath before finally resting a timid hand on your arm. « i want to marry you. right now. i don’t fucking care if it’s not considered official, i just want you to know that leaving you was probably the biggest mistake i ever did. and that i’m not leaving ever again. so fuck it, let’s get married ! you almost died, life’s too short to plan a stupid ceremony ».
he stopped for a few seconds, panting from his teary monologue and paying attention to any beep or other sound that might indicate that he had made things worse for you. but it seemed like you were doing ok. how could you not be ? the love of your life had just proposed to you - sure, it wasn’t how you had imagined it, but wasn’t it even more beautiful like that ?
the tears that started rolling down your cheeks were undoubtedly tears of happiness and relief to know that, finally, your life was back to normal. atsumu was your normality, and for the first time in two months, you finally felt like you had a purpose. you had no idea if soulmates existed, but what you had with atsumu seemed more than close enough.
if someone had entered the room at that moment, it’d probably have taken them several minutes to understand what was going on. two young adults, crying yet smiling, one of them laying on a hospital bed looking like they had been through hell and back, and the other tearing off two pieces of his t-shirt and looking genuinely proud of himself -  nothing about this made sense.
« my apologies, it was the easiest way to make us rings » atsumu chuckled, eyes still blurry as grabbed your hand in his with infinite tenderness. slowly, he tied the piece of cloth around your ring finger, loosely enough so that the doctors would not consider it dangerous for your blood circulation.
« i’m keeping that until you’re getting out of here. by my side. » he affirmed, pointing at his own makeshift ring before looking right into your eyes, as serious as ever. « and i’m also keeping you. forever. consider this my wedding vows »
as much as he hated to phrase it like that, you could both die in peace now.
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i spent so much time on medical sites to be as accurate as i could, i felt like meredith mf grey for a few hours
@toworuu @catwithangerissues
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astudyinfreewill · 4 years
Note
hey this may be a stupid question, but it's already been a long time since ive read trk so i don't remember everything properly, so can you explain to me why exactly ganseys behavior in the book is seen as problematic??
hey! don’t worry, there are no stupid questions in my book. in fairness, it’s not about gansey’s behaviour in trk, it’s about his behaviour throughout the whole series. most of his problematic actions all come down to the same basic flaw: self-centeredness. for all that gansey is a generous and loving person, he can’t help but make everything about himself. he is driven by anxiety to define his place in the world beyond his privilege, yet he is blinded by that very same privilege - a bad combination, and one that leads him to show very little empathy for the people he loves.
like many teenagers, he’s looking for affirmation from his friends... but then resents them for not giving it, while failing to see that (most of) his friends are dealing with traumatic issues. when his friends reject his input - because it is not what they need or want at the moment - gansey always, always takes it personally. at no point does he try to ask himself, okay, if this isn’t what my friends need, then what do they need from me and how can i be a better friend? instead, he goes straight into self-pity mode, complaining that his friends reject his support and walk away from him. thing is... it’s not real support if it only makes him feel better and not them.
i don’t really have the time to write an extensive meta on all of the interactions where gansey’s lack of empathy comes into play, but here’s a list of just the most glaring ones in the series, in no particular order:
gansey consistently tries to pay for adam’s way and persuade him to move in with him, even though adam has told him multiple times that he is uncomfortable with it because independence is key to his sense of self as an abuse survivor. sometimes he does this even when he’s fully aware that it will start a fight. despite that, adam is usually the one apologizing, at least on page
notably in trb there’s a scene where gansey tries to get adam to move in with him, but when adam asks what’s going to happen if gansey leaves henrietta - is adam just supposed to drop out of aglionby and follow him? - gansey doesn’t reassure him that’s not gonna happen. he just says adam will have to start again at a new school. 
as i said above, this is not true support because it helps gansey feel better without inconveniencing him, but it is not what adam wants. if gansey wanted to support adam, he’d at least promise he would stay in henrietta for their final year of high school, instead of expecting adam to follow him around the world.
when adam rejects that offer and says he’ll stay in the trailer park, gansey takes it incredibly personally and his first response is to victim-blame adam for his abuse, saying things like: “you let your dad pound the shit out of you. you’re as bad as [your abusive mother]. you think you deserve it.” when adam still refuses to move in, and tells him, rightfully so, that gansey doesn’t know what it’s like for him, gansey follows that up with “don’t pretend you have anything to be proud of”. this is past mean and straight into cruel.
adam is the one who apologizes after this fight. let that sink in.
when thinking back on ronan’s suicide attempt, it is strongly implied in the text - and was made explicit in deleted scenes - that gansey appears to have taken ronan’s suicide attempt not just as a traumatic event, but as a slight against him, and is always vaguely guilt-trippy when it comes up (i.e. you promised me you wouldn’t get suicidal again)
gansey does illegal things on ronan’s behalf, multiple times, without ever wondering if this is what ronan wants, see: bribing school officials to keep ronan in school when ronan explicitly wants to drop out, because staying in school is what gansey thinks he should do. even if gansey’s heart was in the right place (i believe in staying in school), he is essentially involving ronan in illegal dealings against his will.
gansey is happy to share his search for glendower with the others, and delegate tasks to them (adam especially) as long as they do things his way. when adam acts against one of his decisions, gansey is absolutely unable to let that go. and while i understand that he is hurt by the breach of trust, because adam went behind his back, his language is telling: “i did tell him that we were to wait, right?”. you don’t “tell” your friends what they “are to do”. that’s not an equal relationship. 
this is also seen in the way gansey acts with ronan in more of a parental role, actively ordering him about. you know there is a problem when an outside character refers to ronan as “gansey’s dog” and neither gansey nor ronan disagree with this.
there’s the infamous hospital scene in trb, too, which has been excellently analysed in this meta post by @bleachersmp3 and @mericatblackwood, but i’ll say a few words about it anyway
in this scene, adam has just been beaten into losing his hearing. he has just come out of the hospital, bruised and traumatised, and has been told he will now have a permanent disability as a result of his abuse. he is now also homeless, because by pressing charges against his father to protect ronan, he has ensured his parents will kick him out for good. so he is forced to move into monmouth - something we have been told from the start of the book he absolutely did not want, because it was critical to his sense of self not to depend on gansey’s wealth. so, he’s bitter about it.
and okay, that’s not entirely fair, because it wasn’t gansey’s fault. but if your friend had just undergone such horrific trauma, surely you would be a little lenient, and understand they’re not being objective atm, right? well, not gansey. instead, gansey launches into a tirade at him: “what is your problem, adam? [...] is there something about my place that’s too repugnant for you? [...] I’m sick of tiptoeing around your principles!”
when adam snaps at him that he’s being condescending by using highbrow words (we can assume that this is a discussion they’ve had before, because adam tries to get gansey to use more everyday words multiple times in the book, especially when it’s clear that blue doesn’t understand something, so it’s something gansey already know adam finds condescending), gansey goes straight to victim-blaming again, this time with a classist twist thrown in: “i’m sorry your father never taught you the meaning of repugnant. he was too busy smashing your head against the wall of your trailer while you apologized for being alive.”
gansey does not apologize at any point after this fight. 
when adam sacrifices himself to cabeswater - which he does explicitly to stop whelk from murdering one of them and save gansey - gansey takes it as a slight against him, because it goes against what he told adam to do, and sadly asks adam “why? was i so awful?”, showing he has completely misunderstood adam’s reasons. adam tells him, and not for the last time: “it was never about you”.
it clearly doesn’t sink in bc they have the same discussion in the dream thieves, when gansey again asks him why did he go to cabeswater against his orders. he does this in an emotionally manipulative way, too - implying that ronan and blue both think badly of him while gansey has been defending him so adam owes him. adam again tries to tell him “it wasn’t about you”, which gansey refuses to believe, and reminds adam that the glendower search “belongs” to him. adam replies that if gansey wants adam’s help - which gansey relies upon frequently, as it seems like adam is assigned a very large share of research and coming up with ideas - he needs to treat him as an equal
after the fight, when adam has a mental breakdown due to the combination of stress, ptsd, and magically-induced hallucinations, and is found wandering along a highway, clearly dissociating and undergoing amnesia, gansey is still so bitter about their fight that he contemplates leaving him behind in dc, so that “adam will have to apologize for once” (for once???)
consider all this emphasis gansey puts on how much adam betrayed his trust; consider that gansey then spends nearly two books seeing blue behind adam’s back (starting in tdt, through bllb, and halfway through trk)
consider that despite the fact adam takes the reveal gracefully and thanks gansey for his honesty, when adam later in trk is honest with gansey about his feelings for ronan, gansey’s immediate reaction is to assume adam is using ronan as a sexuality experiment and warns him not to break ronan’s heart, because ronan is just so fragile and adam is just so cold
consider that the only basis gansey has for making this assumption is that “adam has hurt him (gansey) so many times before”, but never stops to think about his own responsibility in their disagreements, or whether he ever hurt adam 
as you can see, the vast majority of these are in the first two books, with the exception of the “shovel talk” in trk. i would like to say gansey grows over the series, but i think unfortunately it’s more to do with the fact that starting with bllb, the plot is split between gansey/blue and adam/ronan, so gansey just doesn’t get as many interactions with adam and ronan (he’s still bribing school officials on ronan’s behalf though, including selling monmouth which at the time is where ronan is also living). 
gansey isn’t a bad person, and doesn’t (always) mean badly. he does love his friends. unfortunately, his refusal to see things from anyone’s perspective but his own makes him a toxic friend on a great number of occasions.
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keytomythoughts · 3 years
Text
Perfection Imperfections | Chapter 1
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Chapter Index 
»»—————————————- 
Finally, summer break. It’s been a while since I was able to go home. Having to attend high school rather far from my home in Seoul, I never thought that I’d adjust to the new environment. Fortunately, I wasn’t entirely alone, since I stayed with my aunt for the four years of my high school life. School wasn’t so bad, but the homesickness is what killed it for me. Even though it was my parents' idea to send me a rather vast distance—me not being too excited about it, but I knew I wouldn’t get my way in the end—there was some good that came from it. The two only good things, actually. 
I glance outside the train window, the buildings of Busan zooming past me. Sure, it may not be my home, but I won’t lie. I’m really going to miss this place. My phone suddenly vibrates in my lap, glancing down to see a text from my group chat, smiling as I respond.
(Binnie)
R u still on the train?
                                                               Yeah have been for the past like 30 mins
(Eunuwu) 
Going back to ur parents? Or r u moving out?
                                                                                                                      Funny
                                                                        Yk I can’t move out, at least not on                                                                            my own. My parents won’t allow it
(Binnie)
:/
What about Jaehyun?
                                                                            Idk, they rlly dc what he does tbh
                                                                       They’re just hell-bent on me getting                                                                                    into the top schools and shit
(Eunuwu)
Damn, rough
                                                                                                                        Mhm
(Binnie)
Try talking to them, u never know
They might change their minds?
                                                                 Nah, I already know how it’s gonna end
                                                                         Me crying and stuffing myself with                                                                           pints of ice cream
(Eunuwu)
Doesn't sound so bad
(Binnie)
¬_¬
(Eunuwu)
Except for the crying part ofc
But c’mon it cant really be THAT bad
I’ve been over plenty of times, they seem nice
(Binnie)
U’ve been to her house??
                                                                         Yeah him and oppa are friends too
(Binnie)
Righttt forgot lol
                                                                  And that’s bc you were there dumbass                                                                    and half of the time ur either in oppa’s                                                                    room or out somewhere
                                                                  Interaction with my parents = minimal
(Binnie)
That sounds awful ngl :( sorry Hyuna
But hey we should all hang soon!
(Eunuwu)
I’ll be in Seoul for the summer too so y not?
                                                                                                           I miss y’all :’(
                                                                   Ok I should be there around like 5 ish                                                                     so I’ll text then
(Binnie)
Aww I miss u toooo 
(Eunuwu)
*puke*
                                                                                           Shut up, ur just jealous
(Eunuwu)
Me? Jealous?? Of what, ur face?
Yea no thx, Ive got a great face already
And personality 0:)
                                                                               Gr8, explains why ur still single
(Binnie)
LOLL
She got u there bro
(Eunuwu)
Shut up
Ur talking as if u’ve got a gf
Idiot
(Binnie)
At least I didnt reject them as coldly as u did lol 
                                                                                             See? My point exactly
                                                                               Your fAcE scared off every girl                                                                                   in sight bc of tht pErSoNaLiTy
                                                                           I almost feel bad for them, u little                                                                             heart breaker
(Binnie)
He made a couple of em cry I heard
                                                                                                                     Rlly?!?
                                                                                                                         YAH
                                                                                                               U MORON
(Eunuwu)
Bin wtf
(Binnie)
¯\_(ツ)_/¯
                                                                                    U JERK HOW COULD U??
                                                                                              Those poor girls omg
                                                                               Im so kicking ur ass when I c u
(Binnie)
Me 2
(Eunuwu)
Wtf?? Y???
(Binnie)
No reason lol, just feel like it
                                                                                         And this is why ily Binnie
(Binnie)
:D <3
(Eunuwu)
GROSS
                                                                                                        Can it u demon
                                                                                                         Read 4:02 PM
I snort, turning off my phone and placing it back down on my lap as I go back to staring outside my left-hand window again. Meet Cha Eunwoo and Moon Bin, my two best friends. The only reason I got through high school how I did without major setbacks. Sure, there was the occasional homesickness and all, but had I not met these two, I probably wouldn’t have even attended and graduated. 
Being so far away from the place I grew up never really suited me, and they saw it right away from day one how lonely and upset I looked. I didn't seem to fit in, especially since I skipped a grade and was placed in classes that were very advanced for me. Not that I minded the vigor, but it was hard for me to socialize, let alone make friends. 
That’s when I met them. Freshman year in homeroom before my first literature class. Moon Bin, a boy with parted, coppery-golden hair accompanied by his shy, puppy-eye smile and sweet nature, offered me an empty seat next to him in class, even going as far as to share his textbook and asking how I found the school. No doubt, I was embarrassed and immensely shy, stuttering over my words and failing to meet his soft gaze. However, he didn’t make fun of me nor find me odd. All he did was smile, laughing lightly at my slightly flustered state. He stuck his hand out, introducing himself (most people just call him Moonbin or Bin) with that smile of his, thus the start of our new friendship. Since then, he became someone who always knew how to cheer me up when I was feeling down. No moment was ever dull with him by my side. 
Eunwoo, the tall, brooding black-haired and charismatic student almost everyone knew (and crushed on) of, was usually with Moonbin when we hung out together, but he normally kept to himself. Though quiet and sometimes reserved with his intimidating looks, it didn’t take long for him to break the ice with us, the three of us becoming close friends. Promising to stay like this until we went to college and beyond. Regardless if we all diverge and tread different paths, we would always converge and come back to one another. 
Four years flew by and graduation was upon us. Just like that, the two became like family to me, my ride-or-die duo. The two who were able to turn my world upside down, finding solace in a time where I thought it was nearly impossible for me to.  
My thoughts are interrupted by my “Move” ringtone—yes, I’m a huge Lee Taemin fan—looking down at my phone again to see it’s my brother calling. I sigh, picking up the call.
“What?” 
He gasps dramatically. “Is that any way to address your loving older brother after being away for so long?”
I snort, shaking my head. “Loving my ass, oppa. How are mom and dad?”
“They’re fine, living. Didn’t you tell them you’re coming home?”
“Nope, I don’t even text them that often. You already know this..”
He sighs. “Yeah, I figured.” 
There’s a slight pause on his end, but he continues. “You took the three-thirty train, right? So you’ll be here around five or so?”
“Yeah, give or take.” 
I look out the window again to see the endless stretch of greenery and flowing springs, sometimes even children playing in the fields. I grin mischievously, deciding to poke fun at my brother when he doesn’t respond right away. 
“What, you miss me?”
He makes a sound similar to throwing up. “As if. I got so used to the peace and quiet. I’m not ready for it to go away.” 
“Yah!” I realize that I had yelled a bit too loudly and eyes were now trained on me, and I bow my head in apology. I lower my voice, “You’re such an asshole.”
“Oh, I know, but you still love me anyway.”
“Shut up.”
I can hear his laugh resonate through the phone and a smile unknowingly tugs at my lips. I wouldn’t say it out loud, but it’s true. When I lived with my aunt in Busan for the duration of high school, I missed Jaehyun a lot. Though two years older than me, he didn’t seem to alienate me the way my parents do. While I hate the notion that they spoil Jaehyun endlessly and let him do as he wishes, I won’t lie and say that he was a prick about it. He could’ve been, but he never came off as selfish. I’m really close with my brother, shocking as it may be. Sibling relationships are like that—one minute you want to strangle them with their intestines and the next you’re singing duets together. Crazy, but that’s how it is for us. My parents don’t really pay me any attention, so Jaehyun decides to do that instead. Not complaining though. I’d rather take his pranking and teasing over my parents’ demands and reprimands any day.
“Aight, I’m heading out for a bit. Text me when you arrive.”
I smile again. “Will do, but make sure to get me food!”
“Let me think…” He hums, and I can practically sense the smirk on his end. “Nope. Get your own.”
“Oppa!”
Jaehyun laughs. “See you in a bit, Hyuna. Get here safely. Bye!”   
He hangs up the call before I get a chance to retort, and I scoff. Typical of my brother. He knows how much I enjoy street food, and every time he goes out, it’s almost certain that most of the time he stops somewhere to eat. Did he ever bring food back? Sure, but by the time I’d get to it, most of it was gone anyways. That only lasted a little while before I had gone upstate anyways, so he had more food for himself, I guess.
As the train barrels down the tracks, I feel my heart racing in excitement, but there’s also a slight ounce of dread. I really don’t know why. I want to believe it’s because I’ve been away for too long, but part of me knows it’s the fact that I’ll have to face my parents again. Knowing that I only have two months to decide where I wanted to go and what I wanted to do, I know the bitter truth is that those decisions won’t be left up to me. Last time, I was sent to Busan.
God knows where I’d be sent to now.
***
“Final destination of the KTX Busan-Seoul train at Seoul Station is approaching and will arrive at 05:30 PM. The doors to alight are on the right hand side. All passengers are requested to dismount the train upon arrival. Thank you.” 
That’s my stop.
Gathering my bag and hand luggage, I patiently wait for the train to pull up at the station. Seeing the familiar shops and buildings around me makes my legs bounce up and down in both excitement and anticipation. 
Four long years away from Seoul...
Before getting off, I quickly text the group chat and then my brother, letting them all know that I’ve reached safely. Side-stepping the other passengers exiting the subway doors, I carefully land onto the platform with my luggage in tow. I breathe in the air around as I stretch my arms up into the sky, the grin widening on my face.
It sure as hell feels good to be back home.
I try my best to maneuver through the crowds, but it doesn’t stop the rush of people knocking into me. At times like these, I curse my genetics for favoring my older brother instead of me in terms of height. Eventually, I come to a clearing and when my eyes glance upwards, I spot a rather familiar dark brown-haired six-foot-tall male amongst the small crowd waving me over.
“Hyuna, over here!”
I gasp, my eyes widening. “Oppa!”
He smiles as I begin walking towards him, my feet hurriedly moving across the concrete. The distance between us shortens and I abandon my luggage as he opens his arms wide. 
Only for me to sucker punch him in the stomach.
He yelps in pain, grimacing as he holds his abdomen. “Shit, that hurt. What has Aunt Sua been feeding you up there? Rocks?”
I smack his shoulder, my blood slightly boiling in anger. “Yah, why didn’t you tell me you were coming?! Do you know how much money I blew off for the bus fare?”
He straightens his back before going to rub his shoulder, then behind his neck.
“Fine, fine. My bad. I wanted to surprise you, but I guess that didn’t work, did it?” 
I cross my arms over my chest, huffing in annoyance. He sighs, nodding.
“Okay, okay, I’ll compensate you. Dinner’s on me.”
At this I grin, blinking excitedly. I grab onto his arm and shake it vigorously. “Really? You mean it? You’re the best, oppa!” 
“Look at this brat..” he taunts, shaking his head. In a flash, he headlocks me and rubs the top of my head harshly with his knuckles, upsetting the neatly-tied auburn ponytail. 
“Yah! Quit it!” I smack his arms and flail in protest, but he chuckles, saying this is what I get for cunningly finding a way to exploit him the minute I stepped back into Seoul. 
What can I say? It’s a talent. 
He lets go eventually, and I try to smooth down my already-tangled hair. I grumble incoherently but Jaehyun pulls me into his embrace, wrapping his arms around me. His free hand gently pats the side of my head in comfort.
“Welcome home, sis.”
I stand there stiff for a second before hugging back. He squeezes me tighter and I find myself smiling into his shoulder. 
“Good to be back,” I whisper. 
We stand like that for a moment before he pats my back a couple of times, us pulling away from each other soon after. He reaches behind me to grab my hand luggage as he shoulders my bag. I tell him that I can carry them just fine, but he starts walking away from the platform to the parking lot. I call out after him as I run to catch up, and I can see the corners of his mouth twitch. Jaehyun leads me to his car, a sleek matte-silver convertible Mustang. My mouth drops open in shock at its stunning beauty, my body forcing itself to remain composed for the sake of avoiding public self-embarrassment. 
He throws my luggage in the back seat before he turns to me, smirking at my expression. “You like it?”
“Shit, do I like it? I love it!” I run my fingers over its metallic surface, the silver exterior gleaming in the evening glow. Grinning, I stare up at my brother who catches my gaze as I stand next to the driver’s seat, my fingers already curled on the handle.
“Can I—”
“No.”
“Please—”
“Nope.”
I pout as I pull my hand away and step to the side. Jaehyun chuckles, rubbing my head playfully before getting into the driver’s seat and starting the car. The engine purrs to life as my brother pulls out his shades and wears them. He looks at me and cocks his head to the passenger seat. 
“Don’t just stand there. Get in.”
Smiling, I quickly make my way over to the other side and slip into the passenger seat. I barely have time to buckle in before Jaehyun speeds off. I scream in fright, but he laughs heartily, telling me to let loose.
With the wind harshly whipping around us, I close my eyes and tilt my head upwards, absorbing the remnants of my childhood in a place I’ll always call home. A place where my heart always feels at ease.
My name is Jung Hyuna. I’m eighteen years old, and this is my story.
Chapter 1 | Chapter 2 |  
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sukirichi · 3 years
Text
— LOVE LETTER FROM ANON ; 💌
this is from an ask i received. i copy pasted and replied here as a text post since i can’t put “read more” on anon asks and it’s quite long hehehe. to the anon who sent me this, i give you loads of my love, thank you so much for everything !!
[ the ask ]
hi lovely,
i just read earned it and i have a couple things i’d like to say to you if you don’t mind. before i start, i completely understand if you don’t want to share this ask or even read at all which is fair. but if you do decide to read it, i know that one person such as me cannot change the decisions a writer had made such as discontinuing a series but i hope that this allows you some sense of peace or happiness towards your creation and end of earned it. i’m actually writing this is my notes before i send it to you so that’s how you know i truly mean it. buckle up baby!
i’d like to start with this; i just read and finished all the remaining chapters of earned it. i don’t know how to say this without sounding arrogant or cocky which truly isn’t my intention here, i promise so i’ll just say it as is. i swear to ever loving god, i’ve scoured the entirety of tumblr, ao3, fanfiction.net, wattpad, everything and anything, and it still isn’t very often that i find works like these, far and few between dare i say. ive looked through almost everything i could get my hands on to read in the jjk fandom and dear god, do you manage to keep on surprising me. i’ve read majority if not all your works along with following you on ao3 and tumblr, and i must say. i truly am so fucking impressed. completely and absolutely fucking floored if you will. the amount of plot twists and pure emotion you managed to put into this is only something i can dream of ever creating.
i cannot lie, it truly my hearts to think that people gave you so much shit over this to which ended in you deciding to discontinue along with your lack of interest which at least, is understandable unlike the hate. i literally cannot comprehend how people would be unhappy with the outcome so far after reading it since it was beyond fucking magnificent in my eyes. it kept me on my toes the entire time whilst never managing to bore me once and as someone with adhd, thats fucking hard to do, i’ll admit it. props to you. and as much as i want to grovel and beg for crumbs, something, anything to know about how it ends, i know that that will most likely accomplish nothing to both you and i so decided to just say this.
thank you for writing this. thank you for not only writing it but dealing with the experience of unwanted and negative criticism to the point you had to stop and discontinue it whilst also being generous and amazing enough to keep it up so other people could still read it. i really hope your proud of earned it and how it turned out so far, because if i were you, i’d be so bloody fucking proud i wouldn’t know what to do with myself.
my friends often tell me i overstep my boundaries and i really hope i aren’t doing that with this but i just really, truly, wanted to express my genuine appreciation and thanks towards your writing and towards you as a writer that puts out content, not to mention for free!!!!, for people like me. i also don’t want to seem as if i’m glorifying earned above all your other works, because that’s not what i mean. your writing is just… just fucking chefs kiss. sorry, my brains starting to run out of words at this point but oh my god. thank you for letting me experience the experience of earned it even though there was no proper end. i’d rather have that than nothing at all. and maybe i misread this entire thing, maybe you are goddamn proud of your work, which you fuckinf should be considering the pure quality it is. once again, chefs kiss!!
i just… i don’t know what to say anymore. your writing, quite literally, has made me completely fucking breathless in a good way of course. anyways, i hope this wasn’t too much of a ramble and at least managed to make you smile or something. have a lovely day sweetheart!!!! <333 :*)
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OMG ANON PLS FORGIVE ME IM SO SORRY THIS TOOK ME DAYS TO RESPOND TO, I DIDN’T WANT TO GIVE YOU A HALF ASSED RESPONSE SO I WAITED TO GET MY MENTAL ENERGY BACK TO A HUNDRED PERCENT SO I CAN SEND BACK MORE LOVE TO YOU WHOLEHEARTEDLY !! FIRST OF ALL UHM… 
you really made me speechless with this one, you have no idea. I’ve lost count of the times I’ve reread this and teared up a little bit because you know… I’m so shocked like I really have no idea what I did to receive such a sweet message because I’m just writing silly fanfics when I’m feeling it yknow? Or at least that’s what it seems like because it turns out I have a huge impact on others and I’m able to make people happy like I’ll never EVER get used to that feeling and I mean that in a good way !! Like I’m in a constant state of disbelief that people are this affected by my content and I’m just… 
I’m so thankful truly PLEASE can I give you a hug I’m so happy sobs sobs sobs
also baby, thank you sm for this again AAAAHH. I’m not sure if you really mean ‘Earned It’ the mafia! gojo series or ‘Reckless’ the CEO gojo series though ?? Both are discontinued but Earned It was discontinued bcos my dumbass killed Naoya there and he was my favorite so I lost the motivation and it was all my fault SOBBSSS. as for Reckless though, yeah I’d say it was mostly the hate I got for it that demotivated me into continuing it :// but if this ask is meant for Earned It, then yes thank you so much for the kind words as well, though I didn’t really receive hate for it so no worries !!
and aaah anon im…I’m at a loss for words lmao but the part where you said where you would be proud if you wrote it, that’s really…LIKE IDK it just hit me bcos oftentimes I look at something I poured my heart into, but then I’d have days where I’d be like YIKES that wasn’t a good one. its so easy to forget the effort we put into something when we’re affected by external factors. and yeah even though I really don’t want to continue either series anymore, thank you for leaving me the important note of being proud of myself <33 
although the series (earned it) wasn’t really something I’d properly executed and planned for, I do remember being passionate over it and feeling truly excited to update. even if it didn’t end out the way I wanted it to, it’s still something I poured my heart on and that’s magnificent on its own, so I’ll be prouder of myself from now on <33
no worries bb you are not overstepping any boundaries at all !! believe me when I say this ask truly do means a lot to me – more than you’ll ever know. messages like these are what keeps me going, as feedback is important to writers, but most of all it’s the genuine support and sincerity that gets to me. 
I’m truly humbled and grateful right now. thank you for this again and again and again.
THIS MADE ME MORE THAN SMILE !! there’s a lot of things I’m struggling with even if I don’t publicly express it, but messages like these will always have a special place in my heart. I’m sincerely grateful for everything, and I’ll continue writing here and sharing my works!! It’s supportive people like you that make these moments worthwhile. I’ll never forget this message anon AAAAH I LOVE YOU SO MUCH THANK YOU THANK YOU YOU HAVE AN EVEN BETTER DAY OR NIGHT, you have me weak in the knees for this
OKAY BRB SOBBING IN HAPPINESS
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burnedbyshoto · 5 years
Text
Four Times Dabi Wanted You; The One Time He Got You
Kinktober Day 2 ~ kink: sexual frustration
pairing: dabi x fem!reader
warnings: smut, cussing
word count: 6,514
a/n: day twoooo!!!!!! this one is by far my fav... again its only the second one Ive written so....yeAH LMAO!!!!!!! I am so hot for dabi its not even funny anymore!!! please enjoy >:)
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Four
Dabi pants as he pulls the lip of his water bottle away from him. He wipes his hand against his mouth. Cooling down his burning skin and drying his mouth. With the league’s increasing popularity, he had to start training with the others. Defeat was no longer allowed by Shigaraki, and defeat was not something they wished for.
Dabi's quirk was powerful, there was no denying that! The issue arose with the way it was burning him out from the inside out. So there was only so much he could do without turning into a crisp.
Dabi didn't mind that much as long as he could continue training with you. His eyes locked on you from a distance.
You pulled your arms over your head, and your head is rolling in circles. You’re cooling down.
Five weeks ago you had shown up, a new recruit found by none other than Sako. You had seemed innocent enough, someone Dabi definitely would have never recruited himself. You were so benign seeming, too bland. You had a vivacious smile and stargazing expression. Those traits further solidified the idea you were in over your head. That was until he observed you in action.
Your quirk was horrifying, to say the least. Called Fission and Fusion, you were able to split living cells apart and put them together. It was terrifying the way you had sent Spinners' arms and legs flying away. The single-action sent entire league ready to both to unite you onto their lineup, and of course, kill you. Your laughter was sweet, your head bowing in apology as you retrieved Spinner's limbs. You reattached it with a smile, soon pointing out the lack of blood everywhere.
There was also no denying that you were attractive, hell, the entire league had a thing for you. Dabi, however, was the most adamant in denying his attraction to you. Even as most of their feelings for you faded, Dabi’s remained strong. As if it was there with a vengeance. He obsessed over you but never once let you in on that secret.
The smug bastard, Sato, was the League’s hero--oh the irony. All because he found a recruit they could use as a healer and a fighter. It was soon discovered that there was a major limitation to your quirk. First, you couldn’t use it on yourself, and second, burns weren’t something you could quite fix.
For the most part, your quirk didn’t help much with Dabi’s overexertion of his own quirk. You would, of course, try your best. Your fingers trailing his purple scars as your fingertip glowed. Dabi always felt a bit better after those touches, but it didn’t ever stop the burning sensation under his skin. He was grateful, it still helped.
His eyes continued to gaze at your closed eyes. Your arms circling in front of you, and Dabi watched as your breasts squeeze because of those actions. He watches the sweat from your face roll down your neck and into your cleavage. The trail of sweat disappears, and he takes a few slow blinks. It was almost like it was teasing him, and he blinked again. He feels a strange arousal at the sight of your glistening cleavage. Shaking it off, his eyes travel back up to your face.
You were looking at him, an amused grin on your face as you saunter over.
“You need some help there?” You ask, a smirk on your face as Dabi shrugs his shoulders.
“Go wild.” He replies sticking out his arm for you. Dabi won't give you the satisfaction of your perverted question. You plop down on the floor beside him, your warm fingers touching his burnt skin.
You trail your fingers up and down his smoke smelling arms, and Dabi relishes in the warmth of your hands.
“What were you staring at earlier?” You tease as you grab his right arm. Although nowhere near as used as his left arm, his right arm was equal in burns.
Dabi shrugs, leaning onto his left arm, his eyes flicker over to the view he has of your cleavage. “I had zoned out.”
You clicked your tongue, but you drop it as your fingers heal over the few cuts he has on his chest.
“You’ve been improving though,” Dabi states, catching you off guard by the looks of it. “You’ve improved a lot over the last five weeks.”
A laugh vibrates through your throat, as you pull away, your hands pressing onto your lap. “I did go from sorta being able to kick your ass, to completely kicking your ass.” You agree and the smile on your face has never once withering.
“You only won the first time because I was caught off guard,” Dabi retorts. His blue eyes rolling as he runs a hand through his sweaty locks.
“You’re not the type to underestimate anyone, Dabi!” You cackle and Dabi once again looks you over. Were you always this damn hot?
“I wasn’t underestimating you,” Dabi disagrees, a smirk coming to his face. Dabi stares at you as he now craves a new expression on your face. He stares at you with hooded eyes and your smile waivers. “Do you want to know the truth?”
There’s a pregnant pause, but you soon nod, your eyes sealing over with the decision.
“It’s because you’re hot to look at,” Dabi admits. A victorious smirk comes over his features at the blush that stains your cheeks. Your mouth opens to respond, but Dabi’s closing in on you for some reason. His eyes hooded, and you find yourself compelled by some outside force as you try to meet him halfway.
Something knocks into you at full force, and you’re on the ground as Toga straddles you grinning atop of your waist.
“Y/l/n-chan!” Toga giggles as she hides her face behind the sleeves of her schoolgirl uniform. “I’ve been waiting for you to finish with Dabi for so long now! I have so many cute people I need to show you!”
Dabi exhales as he watches the two of you discuss the plans you had in store. Dabi can only watch as you flash an apologetic smile and leave.
He watches you run away with Toga, a bright smile back on your face, and an unknown feeling sits heavy in his gut.
Thinking about it, Dabi ponders as he tries to figure out what he is feeling right now. It takes a moment, but as he thinks back to the way your fingers touch his arm. The way he had tried to kiss you made his stomach squeeze. Oh, no.
Dabi wanted you.
This day was not the last one like this to happen, nor was it the first. Only now it happened to be the first time he had noticed how fucking hot you were.
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Three
~ Two Months Later ~
Recruiting was the best and worst thing Dabi did for the league.
He wasn’t going to lie. There was something so glorious and wonderful about killing these men. Men who thought they were better than everyone else. He loved the way they would scream for mercy while dying in front of him.
What he didn’t like were the initial conversations. The begrudged talks he had to have before he decided to kill them. Only so that he could tell Shigaraki that he did his job “correct” and perfect. Yet lately, it seemed that no one believed Dabi when he said he talked to the groups of potential followers. They weren’t wrong to believe that, but it still annoyed Dabi to see that you were waiting for him this morning.
There you stood with your given upgrades to your costume. You played a game on your phone as Dabi walked down the hallway. Your eyes locked on his, and there was a smile on your face. Dabi hated you, or so that’s what he kept telling himself. He hated your smile especially because it made his stomach flip, and there was no reason for that. He walked right past you, his hands shoved in his pockets, and groaned under his breath when you followed him out.
So Dabi now stood by the entrance of an alleyway, and you were three steps to his right.
Your damn outfit was attention capturing. The fitted suit highlighted every single damn curve you had. You had garnered the attention of the masses of people waiting for the two of you, so Dabi wanted to kill them. Who the fuck did they think they were staring at his girl--no, you.
The look on your face was one of complacency. You flirted back with every single catcall, your eyes holding a mysterious glint as you did so. Hell, Dabi watched on as you stood next to one of the men, your lips by his ear, and his entire face flushed red. The man went to grab your waist to pull you closer, but you were three steps ahead. You were already walking back towards Dabi.
There was no doubt in Dabi’s mind that none of them deserved to join. They had an interest in you, not the group's movement! So when you pressed a hand to his shoulder, Dabi feared the worst as he bent down for you.
Your lips brushed against the shell of his ear stirred something from within him. The hot flow of air further increasing his heightened need for you. But it was the words that left your lips that sealed the last nail in his coffin.
“Kill them all.”
Dabi smirked his eyes locking on your bright eyes. The brightness was sadistic, very hidden under the brightness of your energy. He growled lowly, his lust increasing by tenfold, and all while staring into your eyes, he shot his left hand out.
Blue flames illuminated the alleyway in a blink of an eye. The shrieks and screams made the two of you gaze at the burning bodies in silence.
“I didn’t think you had it in you,” Dabi says after the last shrieks end. You glance up at him, a giggle leaving your lips.
“Because I’m super innocent?” You ask, your bottom lip captured between your teeth. Dabi wants nothing more than to slam his mouth on yours and bite down on that lip. To hear your pant his name while the bodies crumbled into dust beside you. “I’m not as innocent as you think me to be.”
The tone seems innocent enough, but the look on your face makes Dabi stop a groan from leaving his mouth. It’s sinister, yet overwhelming and hot, and he feels himself growing in his pants. So, he takes a step towards you, and he delights in the fact you stand your ground. “I would agree but you’re as innocent as I know you to be.” Dabi counters.
A lazy grin stapled onto his face. Your eyes swimming with a bunch of emotions Dabi can’t pinpoint. “You’re a great fighter, don’t get me wrong.” He takes another step, his eyes now blazing into yours. A triumphant smirk lacing his face as you step back. “But, you don’t seem like a killer.”
Another step backward. “After all, princess, you did command me to kill them all. You could’ve taken them without a sweat.”
He has you pressed against the alleyway walls. The cold brick digging into your backside, as you stare at Dabi, your mouth opened ever so slightly.
It seems, though, you may have guessed exactly what Dabi was feeling because your eyes sparkle. A smile graces your face against as you look at him through your heavy lashes. “I just think it’s hot when a man does my job for me.”
Dabi chuckles, his hands pressing on the sides of your head. “I think I can deal with that.” He whispers, leaning into your face wanting nothing more than to make you his right here, right now.
Your eyes don’t close even as he draws nearer, the look of defiance making his cock twitch in anticipation. But a phone rings in his pocket right before he can press his mouth to yours.
Dabi groans, the spell over the two of you broken as he takes out his phone. Putting it to his ear.
“What?” He almost growls.
“Did you find anyone? I sent y/n with you so that there could be one potential coming back.” Shigaraki’s voice questions, his tone annoyed and hopeful.
“They were all terrible, y/n thought so, too.” Dabi sighs rubbing his face, and he glances over at you, who merely shrugs.
Now Dabi had a boner to deal with, and a certain girl would not be readily available to help him.
✩✶✩❇✩✶✩
Two
~ One Week Later ~
Dabi walked to the bathroom. He frowned when he figured out that it was not free, and he trained his ears a bit. The shower was on. Sighing, he turned and walked to the much further bathroom in their house.
He peed and went down to the living room. The living room is small, with only a couch and a few individual chairs. The floor was also more comfortable than some of these chairs! In fact, there were more people on that floor than in a seat. Everyone had gathered tonight because they decided they all wanted to “bond.” So Toga and you had suggested a movie night, and much to Dabi’s annoyance everyone agreed. He sat down on the couch, grateful that everyone else was on the floor or on chairs. Dabi scanned the room, looking to see who wasn’t there.
Everyone was there except--
“Where’s Y/n?” Sako asked, his eyes darting around. Dabi rolled his eyes as he slouched on the couch. Of course, it was you in the shower.
“In the shower!” Toga chirped. “She came back all bloody and cute, but she wanted to get it all off…”
“Ew blood is disgusting!” Twice yelled, “I LOVE IT!”
Dabi groaned as everyone began bickering. They argued if the blood of one’s enemies on you was hot. Dabi had to agree though, it was hot. He didn't join in on the conversation though.
“Sorry!” You chirped from the entranceway, and everyone cheered at finally being able to get the movie on the roll. Dabi felt the couch shift from beside him, and you hopped onto the stiff cushion beside him.
Dabi glances over at you and immediately regretted doing so. You were wearing an oversized sweater that fell to your mid-thigh. Dabi could not keep his eyes away from you, his eyes trailing down your shapely legs. Your animate arms moved as you explained what had happened. But Dabi wasn’t quite paying attention to what you were saying. He only knew that he was damn positive he could smell your citrus and berry shampoo from where he sat. It was not his favorite smell, but on you, it was quick to arouse him.
His eyes fell over the swell of your breast, and he glanced at the logo. He froze. The blood that was rushing through his body frozen as he realized who’s sweatshirt that was.
It was fucking Sako’s sweatshirt! Dabi felt his upper lip curl into a snarl as he shifted back towards the television. Now Dabi was uncaring for the conversation. As the movie finally began, the conversations stopped. Everyone invested in the scenes unfolding before their eyes. Toga had for dumb reason brought back the Lego Movie, and so that was what they were watching.
Why the fuck did you have Sako’s shit? Dabi’s thoughts trailed as he glanced over at you, and you were whispering to Shigaraki.
Rolling his eyes, he thought of you in his own clothes. He was definitely going to burn that sweatshirt off your body once he had you under his body. You would look so pretty with your mouth around his cock. Stunning when your back will arch off the bed. Dabi could see himself pounding into you until you couldn’t do anything but scream his name. Beautiful as you were on all fours, you back arched as he took you from behind, his name a prayer on your tongue.
Dabi inhaled sharply as you brush your hair to the side, and the waft of aroma from your hair hit him at full force. His pants felt tight as he sat there, trying his best not to grab you at this very moment and make you his. He would not care if the others looked or not! Hell, Dabi figured it would be better for them to look as he drilled into you. It would mean no one could question who you belonged to. You belonged to him.
Dabi stilled as you almost appeared at his side. Your hand on his shoulder as you pressed your mouth by his ear, “I wanted to let you know that I can handle myself just fine.”
It takes everything within Dabi to not turn you on your backside and drill you into the couch. Your words are teasing and taunting him. Instead, Dabi grips his thighs and he nods. “Is that what you were doing?”
“That among a few other things.” Your tone is teasing as you shift back to your original position, and Dabi stares at you. It was as if you were doing this on purpose.
The way you had dressed up? You knew that he was possessive of the things he wanted, and to be wearing a sweatshirt he didn’t know you had until now? The outfit was an entire tease. The way that he could only see your hands, neck, and legs. It was as if you wanted to rile him up. Especially with you tossing your hair every three seconds. It was getting harder and harder to ignore you.
So Dabi sat there, his nostrils flaring as the movie continued on. He couldn’t hear the movie anymore. Dabi was hyperaware of the delicious giggles that left your lips. Giggles that paralleled whenever something funny happened in the film. His ears picking up on your voice whenever you talked with Shigaraki. It was pissing him off.
The movie wrapped up without a hitch, and everyone quickly retreated back to their rooms. That is except Dabi and you. Dabi was trying to conceal his hard-on. He did anything to make sure you wouldn’t see because he wasn’t going to give you the benefit of a victory over him. You were cleaning up the few messes people had left behind. You hummed to yourself as you cleaned up the few pieces of popcorn that had hit the floor. Brushing past Dabi with an apology, you bent down in front of him. The action revealed a pair of navy blue booty shorts. Shorts that sent Dabi over the edge in the aspect of his mental strength.
Oblivious to his internal struggle, you walked to the kitchen. You tossed the trash away with a satisfied nod. You finished cleaning up, and you were now ready for bed.
“You’re such a fucking tease,” Dabi’s voice rustles against your neck, and you still. His chest pressed against your shoulders. You can feel his aroused dick pressed against your lower back, and a grin overcomes your features.
You delight in the way his fingers seize your waist, and you can’t keep yourself from rolling your hips. Your ass dragging pleasingly against his crotch. “I have no idea what you’re talking about?” You innocuously state, your hands gripping his pants to keep Dabi close.
“Now, now, love.” Dabi presses his lips to your neck. You groan slightly as the cool metal of his piercings conflict with your warm skin. “I know you’re not an idiot… don’t play dumb.”
You tilt your head to the side, giving him more room on your skin, and you once more roll your hips. He hisses softly against your neck. You laugh as the adrenaline courses through your veins making you giddy. This was something you wanted since day one after all. “I’m no idiot,” You agree, your hand trailing from his legs to clutch his black locks in your fingers. “I just can’t put together what I did to get myself into this situation.”
There’s an almost territorial grown from Dabi, and you've spun around. Your back is now pressed against the counter. You sigh as his warm hands slip underneath the sweatshirt. His fingers pausing at the waistband. “You wear this fucking sweatshirt. You talk to everyone but me all night long. You flip your hair in my direction as if I’m not already hard enough. And then you bend down right in front of me as if I hadn’t mused claiming you on that couch during the movie?”
You let out a moan, his words overwhelming you as he nips at your throat. Unable to keep yourself stagnant anymore, you clutch his face and bring his face to yours.
“Hey-- oh shit! Was I interrupting something?!” Spinners' face is blushing, and the two of you pull apart. Distance put between the two of you as you both stiffen.
“Nothing at all.” Dabi’s voice is too strained, and you watch as he storms off, his fists clenched at his side.
“It’s fine,” You say again with a laugh, Spinners face was almost beet red after all. “He was, what is it… checking up on me.”
“Are you… are you sure?” Spinner chokes his hand covering his eyes, and you walk over and press a kiss to his cheek.
“Don’t worry, honey!” You laugh as you pull away. “Nothing was happening!”
You cackle at his uncomfortable status and leave with a skip in your step. Oh yeah, Dabi was just about to be yours.
✩✶✩❇✩✶✩
One
~ The Following Day ~
Dabi was trying not to stare at you.
You were laying on your stomach on the opposite end of his bed. Your ankles crossed as you read the book in your hands.
He didn’t know what was wrong with him, all he knew is that since yesterday, you had been cold. Then again, you never seemed to be in his room ever. You wore a white tank top that showed off your stomach. Paired with black shorts that seemed to be the tiniest bit too tight. It was, to put it simply, too alluring for him. The outfit made Dabi want nothing more than to burn your clothes off and drill into you.
His eyes concentrated on you as you rolled over onto your back. Your hair fanning out around you in a way that Dabi could now envision himself between your legs. Your face flushed, screaming his name. He bit down hard on his tongue to keep himself from thinking about it any further. There was no stopping his thoughts when you shifted your weight. Your back arching as you stretched. A low moan resonating from your mouth as Dabi wheezes slightly.
Your eyes flicker over to him, and a confused look falls over your face as you scrunch your eyebrows. “You okay?” You ask placing the book to the bed.
“Yeah,” Dabi says an easy lie, his hands running through his hair. “Are you?”
“Never been better!” You respond sitting up, and you fix your hair so that it lays on your shoulders. “I do have some questions though?”
Dabi quirks an eyebrow as he nods, letting you know that he’s listening.
“It’s about yesterday,” You breeze, adjusting your top, and his eyes flicker down to the swell of your breasts. Dabi feels his mouth running dry, but he nods his head. “I wanted to know how you felt…”
There’s a questionable tone to your voice, but your eyes glimmer. It's that same glimmer from the meeting. It reminds him of a sadistic smile. Even so, Dabi shifts again, “About… about what?”
“The movie, silly!” You say as you fall onto your hands, and Dabi rolls his eyes. Of fucking course.
“It was stupid.”
You tut softly as you shrug, “We’re all entitled to an opinion, even if your opinion is dumb and stupid.”
“Shut up, you’re being annoying.”
“I’m only curious!” You grin and take your book in your hand. “My hands are cold…” You murmur looking at the book. Your eyes snapped up to Dabi, and he felt frozen under your gaze.
“Can I stick them down your pants?”
Dabi licks his lips, a smirk coming over his face as he sits up completely now. “No,” Dabi says with a mocking look.
The look on your face incites something within Dabi. The look is territorial, it's sultry, and it stirs something within him.
“Your belt looks really tight on you…” You lament, and Dabi watches with widening eyes as you’re on all fours now. His eyes struggling to keep themselves from falling to your displayed cleavage. Your teeth bite down onto your bottom lip, “Let me loosen it for you?”
You’re crawling slowly towards Dabi, and he forgets how to speak as your fingers come to graze at his ankles. Dabi’s breathing staggers as you crawl onto his lap, your hips straddling his own. He feels as if he’s choking when you press your breasts flat against his chest, your hot breath hitting his ear. “Can I confess something?” You whisper into his ear.
Dabi exhales a breath he didn’t know he was holding as he nods his head. You’re completely and utterly overwhelming him.
“In my head, we’re already having sex, so my opinion is we should just get it on already.” You confess as your lips press against his neck.
Dabi struggles to breathe as you pull away, your eyes locking on his. “Can I kiss you?” You ask your face leaning in titillating close. “I really want to kiss you.”
Dabi forgets how to say yes as he feels your lips ghost against his own, and his eyes fall closed. He’s waiting for you to press yourself against him completely.
“Aw, you guys are so cute!” A voice interrupts the two of you, and you screech falling off Dabi. “Ugly and disgusting, please never do it again!”
Twice peered his face into the doorway. A smile is heavy in his tone as he giggled at the two of you blushing and heaving like horny teenagers.
“I’m going to leave…” You whisper the energy between the two of you ruined.
“Y/n!” Dabi calls after you. He's angry with the fact that you were leaving and furious at Twice’s giggling expression.
“Sounds like you’re in trouble!” Twice laughs. “Clean yourself up!”
Dabi groans as he falls back onto his bed, why the fuck could he never do what he wanted with you?
Dabi was through. He was sexually-frustrated and now that he knew you wanted him? He was not going to let you slip away again.
He was going to fuck you by the end of the night.
✩✶✩❇✩✶✩
One
~ One Hour Later ~
You were in your room. Your hands rummaging through your drawers trying to find a better set of PJs. To be honest, you were sure that you were going to get laid tonight, but Dabi didn’t seem to be all that into it.
After last night, you were sure he would spring at the chance! He had, after all, pressed a raging boner against your back. So, you figured that he would take the opportunity to bed you right then and there. Even when Twice had walked in, you thought he would have fought you to keep you there. That he would clash with Twice for walking in. That he would pin you to the mattress and had his way with your regardless of the fact that you were being watched.
Sighing, you stripped off your clothes. They were especially picked out to stir some sort of reaction from him. It was disappointing that all you got was a blank stare as you slipped under his arm. You slipped on a pair of sweatpants, frowning. You had even worn your favorite pair of black lacy lingerie! But you guessed that there was time for this another day.
You went to grab your shirt that was on your bed, but the door slams open, and you shriek. Your arms moving to cover yourself.
You watch as Dabi closes the door behind him, locking it, and your eyebrows furrowed in confusion. “Are you--mmph?!”
His mouth is on yours the second you blink. The coolness of the staples in his chin press into your own chin and it sends chills down your spine. A gasp leaves your lips as you grip onto his sleeves, your head tilting to give a better angle for the two of you. His arms shift, and he grasps your ass tightly. You tear your lips away from his, panting heavily as he picks you up.
“You’re such a fucking tease,” Dabi growls into your neck. His hair tickles your cheek, and his smoky aroma fills your senses. You laugh carelessly. You shiver at the feeling of his cold staples pressing into your warm skin, but still, you crave more.
“I’ve been teasing you for months now,” You confess as he tosses you on the bed, his eyes scouring your body. “You’re just an idiot who needed me on your lap to solve that out!”
His tongue runs a circle around your neck, and you shudder, “I think you need to shut up.” Dabi warns.
“Make me, pussy!” You counter and Dabi rolls his eyes. His hands seize your bra covered breasts in his hands, and he chuckles lightly at your whimper.
“I had to suffer twice within the past twenty-four hours...” Dabi drawls out his lips peppering scattered kisses along your chest. “I’m going to fuck you until you cum so fucking hard around my dick...”
The promise in his voice sends your heart pounding, and you tremble as you gaze into his vehement eyes.
“You know, typically when someone says ‘make me,’ you’re supposed to--”
“Would you shut the fuck up?” Dabi snaps, his lips back on yours, and your eyes roll to the back of your eyes at the pressure.
He crawls on top of you, making you crawl backward, your head bumping the headboard of your bed. Dabi still on top of you as you pant. You sit up, your lips still dancing against his own, your hands locking into his thick hair. His lips are intoxicating. Pressing fully on yours. His hands gripping your waist and make you shudder from the strength of the hold.
Your thrust your hips upward, savoring in the fact that you were able to graze up against his pelvis.
“Stop fucking moving!” Dabi hisses against your lips, and you whine as his teeth bite down on your lower lip. You smile, your eyes watching at his lust-filled eyes. You wrap your legs around his waist and grind your hips into his crotch.
You yelp has his hands shove your hips back onto the bed, his mouth pulled back into a snarl, “Don’t fucking test me, baby girl.” He nearly seethes.
“You’re not giving me a reason to not test you!” You groan. You shift restlessly, your arousal getting to you, and yet you were now unable to do anything about it. Dabi’s scarred hand grabs your bra and he chuckles.
“Such a pretty bra,” He utters as your chest heaves. Your mind driving yourself crazy as you longed for him to do something, anything. “Were you wearing it all this time?”
“Nah,” You gasp as his fingers skillfully trace over your hardened nipples. “It was for Sako, I was waiting for him to reply to my ‘are you uP--’!!!” Your banter is harshly stopped as he burns the bra to a crisp. The snarl on his face turning sadistic as you look at him.
Before you could open your mouth to tell him off, the heated cavern of his mouth latches onto your left breast. His tongue lashing out to swipe out your nipples. “Yes,” You crave his touch, even more, and you tug on his on hair. “That feels--aah oh fuck--that feels so good!”
You arch into his mouth, wordless gasps pouring out of your mouth as you clench his thick hair in your hands. His left-hand pinch your free nipple, and you thrash against his hold, his name cried from your lips. His mouth and fingers were unrelenting. His teeth biting down harshly on your perked nipple, and his fingers rolled your other nipple. Pulling on it on occasion until your hips began to buck, desperate for some sort of friction.
His mouth leaves your breast with a fulfilling pop, and you tremble against the mattress. You pant while looking down at your flushed stained breasts. They shone with his saliva, and the cool air intensifying the sensitivity. “You’re pretty when you’re laying underneath me,” Dabi grins, a gleam in his eyes. You gaze at him with heavy-lidded eyes and he looks down, a smirk on his face. “But, you’re terrible at following directions,” Dabi states, victory lacing his eyes as you moan. You’ve never felt needier, and you were hoping he would just get to the point where he was railing you into the mattress.
“Fuck me, please!” You cry as you push his hands down to your needy sex, and you shiver against his fingers.
“I think I’m going to have to teach you a lesson on following rules.” Dabi teases as he slides his hands to your waistband.
“Don’t you dare fucking burn my pants and panties!” You warn as your head tilts backward, Dabi’s mouth pressing open mouth kisses down your neck. The coolness of the staples on his face almost steaming against your scorched skin.
“I’ll get you a new pair.” Dabi snickers as your remaining materials get burned off.
Your eyes widen, words unable to form as he pulls his shirt off his head. The smell of the burning material intermingling with the scent of your arousal, and his own aroma. You sit up and grab his belt, unbuckling it as his thrown shirt reaches the floor. You ignore his movements to get you to lean down as you manage to get his pants down to his knees.
"What are you doing?" Dabi pants. You ignore him as you lick your lips, staring at his awaiting cock.
You grasp his hard dick, and you smirk at his hiss. His dick was large, three large veins bulging out from the side, and your hand almost wrapped around it. You push him onto his ass and lean down, your tongue flicking out to touch the tip of his head. His smell is musty, the pre-cum leaking out of his tip salty and he moans. Your mouth envelopes around him, and he tugs your hair roughly. Your hands run up and down the parts of his cock that weren’t in your mouth. You stared at him, smiling as you slowly took him in until your lips touched the base of his dick. Your head is roughly pulled off, and you don’t know how, but your back's pressed back into the mattress. “I don’t fucking want your damn mouth around me right now,” Dabi grunts, the tip of his cock teasing your own entrance.
“Well fuck me, before I fuck myself and kick you out!” You cry out, your hands grasping onto his shoulders as he grinds further into you.
“I wouldn’t mind that,” Dabi admits, his teeth nipping at your earlobe, and you dig your nails into his hips. “God, you’re fucking wet…”
“Fuck me, already!” You sob and with a satisfied snort, he picks up your leg and rams into you at full length.
Your head throws back, and a soundless scream emerges your lip. Gasps escape your mouth as you clench around his cock. Your breathing unleveled as you adjusted to his size. His damn girth was too much for you to handle, but his hips snapped back and slammed back into you.
“Dabi!” You shriek as your nails scrape down his back. His face buried into your neck, and the hot puffs of air send goosebumps down your body. You’re heaving as his speed increases steadily, your body not entirely adjusted. Despite the pain, you start rolling your hips against his. His hips are merciless, slamming into you over and over. The pained look on your face quickly dissolving into pleasure.
Sharp pants escape his mouth as he places his hands onto the pillow by your head. Your legs wrapping against his hips as you meet his with every thrust. Your arousal intensifies as a burning pressure erupts within you. Your head falling backward as you lacked the energy to keep your head up. “Look at me,” Dabi growls. The pleasure burns through your veins. It almost prohibits you from staring into his cerulean eyes. Your core felt as if it was on fire.
Dabi pushes himself off the mattress, grasping your hips as he continues to slam into you. The new angle is overwhelming, your eyes rolling to the back of your head as your nails dig into his back. Tingles reaching your toes, and you find yourself curling your toes, as he slams into your g-spot.
“DABI!” You screech as he grunts, he angles himself into you in the same way. Ragged groans tumble out of your voice as he slams into your over, and over, and over. The tip of his dick never once missing. “Harder, please! Fuck!”
You choke as his left-hand clutches your throat, and you arch your back off the mattress again. “Fucking shit, you’re so damn tight.” Dabi gasps as his hips circle and slams back into you. The pressure in your core was only increasing as you felt his cock spasm from within you, and you cry. Your neck pushing up against his hand. “Do you need to come?” He asks, a desperate tone to his voice.
The build-up of the pressure was sending you over the edge, and you shoved his hand off your neck as you sit up. Your arms wrap around his neck, your lips pressing tightly against his own as you come hard around his dick. Ragged moans pour out of your mouth as his hips chase your orgasm, approaching his own.
Your pussy continues to spasm around his thrusting cock, your eyes clenched. Dabi’s mouth presses open kisses against you, and he curses your name. You moan as you feel his seed expelling within you, and he gasps. His hips stutter as they try to finish his final movements. Dabi collapses with you in his arms, the two of you panting for air as you lay there. Sweating, panting and kissing each other softly.
You pull away brushing his sweaty hair off his forehead. “I seriously underestimated you,” You chuckle.
“I wanted to do that since day one…” Dabi sighs as he presses a kiss to your mouth.
“You didn’t have it in you!”
“You’re fucking annoying.”
“And yet,” You shift in his arms burying your nose into the crook of his neck. “You still fucked me.”
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Text
Hell to Pay: Part Forty
I, II, III, IV, V, VI, VII, VIII, IX, X, XI, XII, XIII, XIV, XV, XVI, IX, IX, XX, XXI, XXII, XXIII, XIV, XV, XVI, XVII, XVIII, XVIIII, XXX, XXXI, XXXII, XXXIII, XXXIV, XXXV, XXXVI, XXXVII, XXXVIII, XXXIX
cowritten by @lux-scriptum​
A/N: hey how about that! there’s no trigger warnings to look out for in this chapter :’)
Amara leaned against the bedroom doorway where Nik was staying. “Good afternoon, sleeping beauty.”
Nik rolled over, squinting at her. “You’re still alive.”
“What, a few days of nothing but Cameron supposed to kill me?” Amara snorted, and flopped down on the bed beside him.
“The fact he hasn’t killed you in your sleep says something.”
“Says he needs someone to take care of before he turns into a literal skeleton, is all. But if I said that to him, he wouldn’t let me stay, now would he?” She plopped a bag beside Nik. “I brought you a gift, and it wasn’t a conversation about your alpha’s issues.”
“And what’s in the bag?”
Amara opened it. “All the supplies we’d need to cut and dye your hair back to it’s former glory. I even brought you plenty of colors to choose from if you want something new and funky.” Amara patted his head.
Nik wrinkled his nose at her. “Have you ever cut hair?”
“Yeah, sure I have.” Amara grinned. “Or I wouldn’t offer to cut yours, you peacock. This is how I know you’re related to Nate, you know.”
“If you’re suggesting Nate would let you cut his hair, he’d break your fingers,” Nik said.
“Oh, no.” Amara gave a laugh. “I’m saying you’re both vain.”
Nik had the balls to look offended at that. “Pot meet kettle,” he said.
“Yeah, yeah, we’re all pretty little birds. Now get pick some colors so we can go make you look presentable again.”
Nik glared at her, but sat up and started to rifle through the bag. “Were you expecting to dye my hair rainbow? I’m not Nate.” He eventually settled on a deep emerald green. “Here. This.”
“Good choice.” Amara pushed at him. “Now to the bathroom we go. It’s time for aggressive bonding to make up for the not being friends for months.”
Nik grumbled at her as she bullied him into the bathroom. She fully expected it when he went for the window, pushing it open. Amara set up on the clippers and dye while he got settled, and then turned to Nik.
“Put your pretty butt on the toilet so I can get to clipping,” She said.
“Make me,” Nik said petulantly.
“I will shave your head,” she threatened, waving the clippers in his direction. Her threats were empty, and she was sure he’d know it, but what was friendship if not a little bit of consensual bullying?
“Shave my head, and I’ll drink all your booze,” Nik retorted.
“Don’t have any. Reneé dumped it before she moved out, and I didn’t buy any more. Find a scarier threat or sit down so I can make you pretty again.”
Nik squinted at her, but eventually plopped down on the toilet. She hummed, pleased, and went to work. It was nice, being close to Nik again, and she knew, while he was here at Nate’s, someone was keeping an eye on him. Not that Cameron wasn’t, but Cameron was grieving too, in his own way. That might be impossible for Cameron to admit, but Amara knew it was true.
Nik sat through the trimming and the bleaching and the dyeing silently. She was gentle, and let him have his silence, even though the whole process took hours. Once or twice Nate popped in, but Amara didn’t call him out on his fretting. Nate had every right to be worried, even if Nik was in very good hands.
Nate poked his head in as Amara was finishing up. She turned off the dryer, and turned Nik around. “Well?” Amara asked. “What do you think? I do good?”
Nate looked Nik over, and then said with a smile, “He looks great.”
“I always look great,” Nik muttered.
“Yeah,” Amara said, running her hands through Nik’s hair carefully. “You do.”
Nik pursed his lips. “Don’t flirt with me.”
“Oh, Nate can compliment you, but when I do, it’s flirting?” Amara scoffed. “You of all people should know the difference between my flirting and my flirting.” She thought about ruffling his hair, messing it up, but instead she stood and started cleaning up her mess. “I should probably go. Cameron’s probably not gonna be happy if I miss dinner.”
Nik shot her an amused look. “Are you going to start calling him daddy too?”
“No,” Amara said. “But someone needs to keep him on his schedule, or he’s useless to me.”
Nik looked down at the floor. She squeezed his shoulder.
“Hey. He’s doing fine. But i’m also not gonna risk getting kicked out tonight.” She turned to Nate. “Get him in some sun. I don’t wanna see a day where I’m more tan than he is.” As if that were possible, but she really did worry about him cooping up in bed too long.
---
It had been several days now that Ash couldn't keep anything in his stomach. The dark magic cast that had clearly been a failure, had been soaked into the earth and he had spent the entire time in a cold sweat and vomiting his guts up regularly. It was only now that his body gave him a break.
He went to find Nate, who was holed up in his art studio. "So, I'm not currently dying," he said, leaning against the doorframe. "Wanna see if Lev's soul got shredded in that shitshow of a spell?"
Nate looked at him with a tired, irritated look, putting down his barely used paintbrush. “Tactful as always, Ash,” he sighed. “But, yes. If you’re up for it. I don’t want you dying on me. I’d rather not have another ghost haunting me. Especially you. Then I’d never get any sleep.”
Ash ignored that particular dig. “Then let’s get moving. The sooner we get any kind of confirmation, the sooner this ludacris business will be over with and I can move on with my pain-free life.”
Nate got up from his stool and moved to the center of the room to a paint splattered rug and sat cross legged. Ash watched from the doorway and he could taste the dark magic in the air- dark magic, but not… dark magic. Death was a shadowy world and Nate’s magic had the ability to snuff out life, even after death- to leave a soul nothing more than a forgotten memory.
Nate sucked in a sharp breath, eyes snapping open when he felt… something, a spirit ripped into space, nearly crashing into the floor.
“Well,” Ash said, “I’m guessing that answers that question.”
Nate reached over, taking ahold of the spirit, bringing it to a physical form. “Are you alright?” Nate asked, tiredly.
“What- happened?” Lev asked.
“Tried to bring you back to life,” Ash said. “It failed, dark magic made me sick for a week. Nik got his hair dyed, Cameron fainted because he didn’t eat for over a month. You know, normal things.”
Lev looked to Nate. “Is it supposed to hurt? Like this?”
Nate lifted his shoulder in a helpless shrug. “I don’t know,” he said, quietly. “Your soul just- disappeared. I was worried it got shredded.”
“How long was I gone?” Lev asked.
“A week,” Nate said.
“Spent the whole time vomiting, but you know. Like I just said. Besides, is your soul intact? Do you feel… something missing at all?”
“I feel whole… it just hurts. But it doesn’t.” Lev stopped, and gave a hysterical laugh. “Phantom pain.”
That got an unexpected snort out of Ash. “Okay, puns are my thing,” he said, feeling an uptick of a smile on his face. “But as long as your soul is intact, I see no reason why Amara would stop trying to bring you back.”
“She probably won’t,” Lev said, sounding very, very tired.
“Do you want to come back at all?” Nate asked, quietly. “If you don’t, I will make her stop.”
“What I want and what i should do are two different subjects,” Lev said, after a pause.
“Well,” Nate said, with that legendary patience. “I didn’t ask you what you should do. I asked you what you wanted to do.”
Stars, he could really tell Nate was Bay’s mate. They were both annoyingly similar sometimes.
Lev looked to him, looking very guilty. “I want it.”
“Well,” Ash said, rubbing his temples. “Don’t let me stop you.”
“I wish it didn’t hurt you,” Lev said. “It would make my decision a lot easier.”
“Don’t stop on my behalf,” Ash said, tiredly. “The others haven’t. You might as well join the majority.”
“What- Lev?”
Ash froze at that voice, cursing himself for not being able to hear Nik. He was too damned good at being able to move around like a shadow. Nik was staring at Lev, wide eyed. “What’s going on? And why am I never told a single fucking thing about it.”
Lev looked at Nate, a little stricken. “I’m not supposed to talk to him,” he said, almost a plea to not tell Bay; to not get in trouble with him.
“Yeah well,” Nik said, “Fuck what Bay says. He can get in line after you talk to me because everyone seems to get to talk to you except for me.”
“That would be because you’ve been a wasted train wreck who has been suicidal and nonstop drunk for the last four months while also taking heavy drugs, and oh yeah, overdosing on said drugs. So forgive me for not wanting to watch you have yet another emotional breakdown when your boyfriend must once again disappear into Ghost Land.”
“Ash,” Nate chastised.
Ash ignored him and kept his attention on Nik. “Be pissed all you want, but you know you would have gone even further off the deep end if we told you and you fucking know it.” When Nik looked moments from snapping back, Ash said, coolly, “Do not forget, I know when you’re lying.”
Lev gave such a quiet, “Ash please” that even he could barely hear.
Ash cut Lev a look. “Am I wrong?”
“No, but yelling isn’t going to make anything better.” Lev said. “It’s just hurting people.”
“Yes, hello,” Nik snapped. “You all seemed to have forgotten I am in this damned room and I am tired of everyone ignoring me and my wants. But hey, at least we’re all treading around me like I’m some delicate flower who needs their hand held. Lev. Talk to me.”
Lev slowly looked at him. “They didn’t tell me you dyed your hair green. It looks nice.”
“It’s queer coding for Nik is a train wreck,” Ash replied. “However, yes. It does look nice.”
Nik smiled just a little bit. “Four months and the first thing you tell me is my hair looks nice? I always look nice.”
Well, that was a lie, but whatever.
“Yeah but it’s a new nice. I haven’t seen green streaks in your hair before,” Lev said, to Nik.
“Looks good, doesn’t it?” Nik said. “Almost went for orange but… i don’t want that clashing with my skin… and my aesthetic… can’t ruin it. Won’t do it.”
“I think you would look very nice with orange streaks,” Lev said, loyally.
“Oh I’m sure you would,” Nik said, his smile growing just a little bit more. “Cameron, however, would not think your opinions on the matter are valid, considering you wear jorts. So.”
Nate had winced at that. Clearly Nate was on the same fashion spectrum as Ash and Cameron seemed to be.
“You’re bullying me again,” Lev said, petulantly, returning Nik’s small smile.
“Mmm. Am I?” Lev laughed a lil at that. He looked happy. Nik looked a shadow of it, not quite, but not the void he was. Somewhere in the middle. Somewhere between dead and alive. “Did- are you alone? Just watching us?”
“I have company,” he said. “Nate talks to me. I’ve been trying to not hover so much. It seemed to make you agitated.”
Nik’s face fell, seeming to fold in on itself. His scent changed, soured almost. “I’m sorry,” he said, voice more echo than true words.
Lev looked so guilty. “It’s not your fault,” he said. “I needed the space to think anyway.” When Nik didn’t say anything, Lev added, “Coming back is… complicated.”
Nik began picking at his bracelets and seemed to struggle with what to say. Nate looked to Ash meaningfully, and Ash chose this particular time to once again paint himself as the bad guy. “Alright,” he said, pushing off the doorframe. “I think visitation time is over. Lev tell your boyfriend goodbye.”
“Are you okay with that?” Lev asked Nik.
Nik’s breath was too shallow, and Ash didn’t think Nik was going to answer at all. Especially when he was still picking at his bracelets. He could tell Nik’s blood pressure was rising and he was going to damn well fight an anxiety attack to keep himself in this room with Lev. “No,” Nik said, tightly.
“Lev,” Ash said, sharply.
Lev looked from him back to Nik. “If you need me, Nate can get me.”
Nik didn’t say anything, Ash wasn’t sure he was capable of saying anything. The only response Nik had was blinking hard, tears slipping down his cheeks. He wiped them away harshly and turned on his heel, pushing past Ash and disappearing down the hall.
“I fucked up again, didn’t I?” Lev said.
“No,” Ash said. “Nik. Is grieving. You didn’t do anything.”
He didn’t wait for anything else from either Nate or Lev before disappearing after Nik. He found Nik in the kitchen and grabbed his arm before he tried looking for what he always did. “You. Cannot. Drink.”
Nik whipped around and glared at him. “And why not?”
“Because I said so?” When Nik tried arguing with him, Ash said, “Alright. How about because your alpha said so and one step out of line means you don’t get to go home. Nik. Please. Let’s go outside. Beach, maybe?”
Nik’s face fell faintly, but it was enough Nik stopped fighting him on it. He wiped at his face again. “Fine. But you’re buying me lunch.”
“Fine,” Ash said, relieved.
“Wherever I want.”
“Deal.”
----
Sorin poked his head in Cyrus’ study. It was even more a wreck than before. Where it’s chaos had been confined to the desk, now books lay scattered on the floor, and Cyrus was sprawled over piles of notes.
For days Cyrus had been cooped up, going over his notes repeatedly. Sorin had barely been able to drag him to bed. He was about ready to do so again, now, but watching Cyrus work, brow furrowed in thought as he chewed on a ring absently, made Sorin pause.
“I’ve stayed up too late again, haven’t I?” Cyrus finally said, looking up.
“A bit.”
Cyrus hummed, and then went back to staring at his notes.
“I’ll make you a deal,” Sorin offered with a wheedling tone. “I’ll make you breakfast tomorrow if you go to bed soon. Like, now soon.”
“That seems rather unfair. I get up earlier, and I cook the oatmeal better.” Cyrus smiled down at his books. “You’re going to have to offer better if you want a deal.”
Sorin snorted, but before he could figure out what to offer, Cyrus snapped his head up. Before he could process it, Cyris jumped up and kissed Sorin, hard. “You angry ginger genius,” Cyrus said, ruffling Sorin’s curls.
“I’m confused,” Sorin said. “What did I do?”
“Well,” Cyrus corrected. “I’m the genus, but you brought the inspiration.” He wandered to the desk, and pulled out a piece of paper. He scribbled a quick, ‘I have the solution. Bring Amara, either tonight or tomorrow’, and sent the paper away with a flutter of magic. “We need a better deal.”
---
Cameron had allowed AMara access to the front seat, provided she keep her mouth shut. He had the windows up for once, faint music playing, but that didn’t seem to stop her from sitting ramrod stiff like Nik did, except she was holding onto the safety bar.
“Would you like me to roll down the windows?” he finally asked, mildly.
“Won’t do anything, it’ll be fine,” she said. “I trust you to not crash the car.”
He did not want to sit next to this halfway panicked omega while he drove. “If you trusted that, then you wouldn’t be holding on for dear life,” he said. “What do you normally do to stop acting neurotic?”
“My instincts don’t always line up with logic,” she said. “Normally I drink, but I can’t do that right now. This is why I drive a motorcycle.”
“You have been in this car several times,” Cameron said. “And against my will at that. What do you do then?”
“Talk to Nik.”
“Then call him,” Cameron said, in a bored tone, digging out his phone, unlocking it, and dropping it in her lap. “I trust you to know his number by now.”
Amara did as told and called Nik. “What are you doing?”
“Amara?” he heard Nik, say a little bewildered. “...Why do you have Cameron’s phone. Oh stars, tell me you didn’t actually kill him.”
Cameron rolled his eyes.
“I didn’t tell Cameron I didn’t like riding in cars in silence,” Amara said, “And he doesn’t like talking to me.”
“Don’t like your voice, either,” Cameron said. “We must all make sacrifices.”
“Okay, but Cameron doesn’t like anyone,” Nik pointed out, not able to hear Cameron’s response.
“Just tell me what you’re doing,” Amara told Nik. “Distract me.”
Nik was quiet on the other line, just for a few seconds before, “Ash promised me the ocean. And food. I’m fucking hungry and apparently I’ve barely eaten in the last few days.”
Cameron sighed irritably. Maybe he should have nailed it into Nate’s head to make sure he fed his idiot brother as well. This is what he got for assuming Nate had common sense.
“I’d say I’d come and join you after we’re done, but you know how much I hate the ocean.”
“Well I didn’t say you had to swim, Mar,” Nik said, sounding petulant. “And just Ash keeping me company is going to make me drown myself. He’s trying to mom me.”
“You need to be momed,” Amara said. “You’ve been a wreck.”
“Okay, then come play the role of mami if you’re going to be like that,” Nik said, with the smallest hint of a smile in his tone. “Otherwise I’m going to slip the leash again.”
“I need you to hang in there,” Amara said. “I’ll be around more soon, I promise. I’m sure there’s something fun we can do that doesn’t involve alcohol.”
He heard Nik groan loudly at the other end of the line. “How soon,” he asked. “I’m all twitchy and you’re the only person i fucking know who doesn’t bother lying to me.”
“After I’m done with my field trip with Cameron, I’ll come over,” Amara said. She paused before adding, “Unless something dramatic comes up. Everything seems drama lately.”
“Fine,” Nik said. “We’ll be at the beach. Don’t forget sunscreen for your delicate skin. If you forget, we already brought some for Ash.”
“I’m offended,” Amara said. “My side of the family doesn’t burn. Well. Reneé does, but that’s because she’s a ginger.”
He could hear Ash scoff in the background.
“Mhmm,” Nik said. “I’m sure.”
They came up to the house settled in the woods. “We’re here. Tell Nikolas goodbye, Amara.”
“I gotta go Saint Nikolas,” Amara said. “Stay out of trouble and I’ll let you punch me for calling you that.”
Nik retorted something, but it was cut off as Cameron took the phone from her. “Behave,” Cameron said. “I’ll stop by later.” And with that he hung up and got out of the car.
He didn’t bother waiting for Amara to catch up with him before walking into the house and going straight to the study where Cyrus was waiting. “You summoned me?” Cameron asked, shoving his hands in his pockets.
“We didn’t offer anything in exchange.”
“Consider me shocked,” Cameron said. “Did you have something in mind? I’m sure Death doesn’t take monetary payment.”
“I figure it’s fair to give Death a life for a life,” Cyrus said. “Kill the man who killed him.”
“That would be my brother,” Cameron said.
“Well it’s not like Cameron’s going to do it,” Amara said. “When do you need him?”
When Cameron didn’t offer any input, Cyrus said, “I need to come with you. So I’d rather we wait until tomorrow, at the very least. I need to contain his soul so we can use it in the spell.”
“Anything else?” Cameron asked, mildly.
“Are you feeling up to helping me cast the spell?”
“I said I would,” Cameron clipped out.
“I didn’t ask if you would, I asked if you could.” Cyrus said. “I won’t do it unless you’re healthy enough to.”
“Well here I am,” Cameron said. “The picture of health. Anything else?”
“Is there anything we need to change about the spell? Setting wise? Process wise? Is there anyone else that needs to be present?”
“It will be done at my house,” Cameron said. “Nik will not be there. Neither will Nate or Amara, They’re both going to keep Nik away from here. Ash will be there to make sure his body is functioning, as neither you nor Sorin are healers, and Sazra is a demonic healer and Lev’s body will likely be too delicate to withstand demonic healing. Anything else you need to know?”
Cyrus shook his head. “Let me know when you guys plan on killing Destris so I can join you.”
Cameron picked at a nail, but nodded and turned on his heel and went to the car. He heard Amara behind him, and before she could start on her tirade, he said, “Backseat.”
“You’re not even going to discuss what I, a full grown adult, am going to do? I don’t mind keeping an eye on Nik, but you didn’t even ask.”
“No, I am not,” Cameron said, stopping at his car and looking her squarely in the eye. “As you keep reminding me, I am Lev’s alpha. You are not. Cyrus contacted me, and not you, making this my problem, and not yours. And since this will be done at my house, with my omega, you are going to listen to me, and if you do not, I will physically restrain you and keep you from stepping foot near me, Nik or Lev until everything is well done and finished. Understand?”
When she did not respond to him, Cameron got into the driver's seat and waited for her to obey him and get in the back. Only when she did, did he hear her mutter under her breath about this being her idea. Might have been her idea, but as soon as she opened her mouth, and her idea fai9led the first round, Cameron was taking it into his hands and not leaving this in the hands of an impulsive child who can babysit Nik for him while he made sure this went smoothly. “I will not be with you when you kill Destris,” Cameron said, pulling the car out onto the road. “And when you watch Nik, do not let him drink. Ash is very insistent on it.”
“I know.”
“You will call me when it is done,” Cameron said, flicking her a look through the mirror. “And I will make the necessary arrangements. I trust you can kill a demon without someone holding your hand.”
“Destris would be dead within twenty-four hours,” she said. “Do you want proof?”
Cameron thought about that for a few minutes, quiet and not saying anything. “No,” he said, “I do not.”
---
Nik laid out on the sand, eyes closed while he took in the sun, the sounds of the ocean and the people around him. Even with the beach swarmed, and with Ash next to him, he still felt eerily alone. And almost like the perfect timing did his phone buzz with a text from Amara.
Mar: Hey, a job came up, but if you still need me, I’ll come
Nik thought about it. However, he had the feeling if she did show up, her brain would be elsewhere and it wouldn’t even be like she was there to begin with. Might as well let her get on her way so she could pretend like she was actually there.
Nik: It’s fine. Do your thing
He put his phone back down and folded his hands over his stomach, closing his eyes. He felt Ash sit down next to him. “Do you want to swim?”
Nik was silent for a few moments. “No, I don’t think I want to. Just sit here and not think for a while.”
Ash settled in the sand next to him and Nik looked over, raking his eyes over Ash’s frame. “You going to put on that sunscreen so your pale ass doesn’t fry?”
Ash cut him a glare, and made a point about how he settled with his eyes closed. “I’ll heal. Still want to get something to eat afterwards?”
“Yeah,” Nik said. “Withdrawal has been a pain in my ass so I’m trying to get something in my stomach.”
“Probably wise,” Ash hummed, slipping his fingers in Nik’s hair, pulling it out of his closed eyes. “Anywhere you’re wanting to go in particular?”
“Guelaguetza, I think,” Nik said. “Miss being able to taste my food.”
“Whatever you want,” Ash said.
“You’re being suspiciously accommodating,” Nik observed, sneaking a peek at him.
Ash twitched his mouth to the side, looking a little amused. “Well, I did say you could choose. And since you’re not being a pain in my ass at this particular moment of time, I thought I would give you a treat for behaving.”
“Hmmm. Fine.”
“Mhmm,” Ash said, settling back down in the sand with a heavy sigh. “Fine indeed.”
----
The restaurant was full of color and food and sounds. Nik seemed pleased to be here, even if they did have a rather long wait. Nik seemed happy enough and that was worth the time spent waiting for a table. The happy chatter around them was filled with laughter and the lovely waitress brought menus for both Nik and Ash.
He had Nik order his food for him since Ash had no idea what to get, but Nik seemed to know exactly what he would want. Nik traced lines into the brightly colored floral print decorating the tables, humming a song Ash didn’t know under his breath. It had been- quite some time since he heard anything like that from Nik.
Their food was brought out to them and Nik happily started digging into his food. Ash started on his own, and he was surprised there was only a faint burn in his mouth. Nik gave him an amused, dry look. “I got the mild. Just for you.”
“I’m touched,” Ash deadpanned.
“Anything for you, vato,” Nik said, with a sickening sweetness.
Ash rolled his eyes, but watched him carefully while Nik ate. After a few minutes, Nik closed his eyes, looking away from his food. “You alright?” Ash asked, mildly, taking a bite from his food.
“I think I ate too much, too fast,” Nik said, pushing his plate back just a bit. He seemed to wait, to see if his stomach would settle, but then abruptly got up and disappeared to the back.
A waitress seemed concerned and asked Ash if his friend was okay; if there was something wrong with the food.
“No,” Ash said. “It’s perfect. He’s just not feeling himself.”
She smiled at him, tan face bright and dark eyes sparkling. “I hope he feels well soon.”
Ash had the feeling Nik would not be feeling well any time soon, but he still offered her the same smile in return. “I hope so, too.”
Tagging: @incandescent-creativity @idreamonpaper @solangelo3088 @halstudies @alittleyellowdinosaur @caelisis
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penzyroamin · 3 years
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Food and sharing food continues to be a recurring motif in “tied together”. What was your thought process around that? How do you see that connecting to some of the central themes and concepts in the story as a whole? (And, if you would like to go into this, how do you see food and sharing food playing out in the messy au where David will also be cooking but in a completely different context/power dynamic?)
HAHAHAHA! I CAN FINALLY TALK ABT THIS WITHOUT SEEMING LIKE F SCOTT FITZGERALD BEGGING PEOPLE TO KNOW WHAT THE GREAT GATSBY WAS!!!!!
okay. im calm now.
so for a couple years now i have deeply and secretly loved the concept of food as a symbol for community. i didnt use it in fic for a long time for a variety of reasons. one, it just never really felt right. two, my love of this symbol is very much connected to my southern-ness, and while im sure many people have just as strong, if not stronger connections between food and community, i didnt really know if people reading my stuff would Get It or connect w it.
i finally decided to use it for tied together for two reasons. first, this is my most definitively southern fic. ive written other fics with Humid Small Town Energy but this is my first that i really let myself go “fuck it. crawfish boils. hurricanes. middle aged women with crushes on jim cantore.” as such, it felt like if i was going to go for this symbol at any point, it needed to be with this fic. the second is that due to Pandemic and also living across the country from the majority of the family i grew up with, i have been kind of starved of community experiences as of late. i wrote tied together entirely during a period when i havent spent time with anyone besides my immediate family, so i was really thinking about community and the nature of it and how fucking badly i wanna have a massive meal with people and hence... this symbol
with the background of my decision to include it covered, let’s get into how it appears in tied together!!
in chapter one, the majority of food’s appearances are... impersonal, if that makes sense? its all premade, whether its drive-through stuff, tv dinners, etc etc, and he doesnt know the person who made it. its also worth pointing out that around the time jack and his mom stop sharing meals is the point they become disconnected from each other. essentially, that’s the disconnect from community throughout jack’s early life
davey comes around and it. is pretty obvious from the start that, through this symbol, he is the Literal Embodiment Of Connection To The People Around Him. food was a really key way for me to show just how connected he is to his community-- he’s constantly cooking for other people, working for battalion, helping people get good food, contributing recipes to little cookbooks. the end chapter also nods to this in the scene w his family where esther mentions he made her teach him to cook for a group, and the conversation afterwards where he mentions that he wouldn’t be comfortable with people paying him to make them food or making food for strangers. cooking for other people is essentially davey’s way of nurturing the community around him and becoming closer with people, so to make food in an impersonal way goes against everything he knows about food and sharing it. the interactions he has through food represent the larger relationships and interactions he has within his community. juxtaposed to jack, he’s built this little world around him filled with people that he loves and cares for, even if that does lay a heavy burden on him at points. if i ever write something delving deeper into davey in this au, i’ll elaborate further-- but, essentially, davey’s role as The Provider of food for the people around him was a real stand-in for the way that he feels both within his family and his larger community.
think of it this way-- in all the scenes we see with davey cooking at a large event-- i.e., the crawfish boil-- he’s always pushed off to the side by that. there’s usually someone talking to him or checking in on the food, but he’s not able to be engaged in the larger hubbub and discussion of the party because he’s busy. it’s in providing food for people and sharing that with him that he gets fulfillment out of the experience. in his family, we see that davey is a little bit isolated. he was growing up at the exact time when mayer’s alcoholism was getting worse and hitting its peak, and he left before mayer ever really managed to get very far into recovery. his time in their house, essentially, was a lot of heavy lifting and few moments of solidarity and joy. he loves his family, of course, it’s just a very labor-intensive process. and then, of course, he has a similar experience to what a lot of southern marginalized people feel-- this intense need to care for and better your community when your community very frequently doesn’t care for you. davey has absolutely zero capacity for apathy in this au, and it definitely shines through with this whole dynamic. he works SO HARD to care for people, even if he isnt always able to fully enjoy being around them and being loved by them
and then, of course, you have the way davey and jack interact through this motif-- davey teaches jack how to cook, gives him a cookbook, invites him over for meals, etc etc. sharing that with him essentially represents welcoming jack into his community as a whole, and giving him a place there. jack mentions davey “clearing a spot at the table” for him, and that’s both literal and figurative.
additionally, while davey uses food as a way to bring jack into his community, jack also makes davey a little less isolated. in a lot of the scenes in chapter 5, theyre cooking together, in a very domestic, symbiotic sort of way. i wanted this to demonstrate how jack relieves some of the burden davey puts on himself and exists sort of Within davey’s bubble rather than just reaping the benefits
i also wanted to illustrate with this how jack repairing his relationship w food keys into this. obviously we have the disconnect that he has early on where his unfamiliarity w what he eats and who makes it represents a larger disconnect between him and the people around him, but jack does also absolutely use food as a coping mechanism and a crutch. not to get, again, TOTALLY gatsby here, but he’s chasing that sense of community and belonging and understanding in the wrong places. it’s once he begins to actually make food for himself and understand the process of it and be able to carry something through to completion that he’s able to actually Enjoy food, yknow? i wanted that to mirror the way throughout the earlier parts of his life that he tried to kind of slap up temporary relationships and make do with that. 
side note about jack and food: jack has undiagnosed adhd (and some vague comorbidities rip) in this au, and his experiences with it i preeeetttty heavily lifted from my life and my special brand of fucked in the head. (for those of you who don’t know, carb and sugar cravings are a symptom of adhd, hence why food is often a coping mechanism for us fhskdhs). cooking and baking are processes that have REALLY helped me get a handle on myself-- it gives me an outlet for movement and stimulation, and its something that i can carry through till the end and get an actual end product that i can recognize and benefit from. plus, real time consequences if i let something do whatever for ten more minutes! so thats another element i added to the way that jack builds healthier coping mechanisms over time-- he moves away from food as a crutch and instead develops a new form of CREATING that gives him an outlet and a feeling of productivity
those are some Vague thoughts. i will probably elaborate in the future!
now, for the messy au, rather than food symbolizing community, i chose to have it represent vulnerability.
a quick review: jack married rich, and davey is jack’s new wife’s cook. on his wife, dorothy’s part, i wanted this to shine through in this squeaky clean, pristine image that a lot of rich people try to craft. she never cooks for herself, never pays much attention to davey, never draws attention to him. in essence, she is creating as few weak spots as possible-- she refuses to be vulnerable to the people and the society around her.
with davey, however, his and his family’s livelihood depends on him cooking for this woman, and later for her and her husband. he’s forced into this position of extreme vulnerability and weakness by his financial situation, and cant really regain his sense of privacy or self because of that. its also a point in this story that he has very little time or wherewithal to cook for his FAMILY. so, his job forces him into a vulnerable situation with complete strangers who hold an upper hand over him but denies him the opportunity to be vulnerable with his own family, only reinforcing this idea that he is the protector and the provider and as such cannot have weak spots and cannot, under any circumstances, break
it also really highlights the difference between jack’s relationship with his wife vs with davey and smalls-- all the scenes of he and dorothy eating together are in grand, fancy rooms, with a certain amount of pomp and circumstance and dignity attached. with davey and smalls, though, he’s usually in the kitchen, having conversation, enjoying their company, helping them with menial things. that’s an environment that he’s used to and comfortable with, the kind of relationships and interactions he grew up with, while the stuffiness of his life and interactions with dorothy are entirely less vulnerable and close
that’s just a brief overview, but its something to look for when i finally finish the fic! it definitely started as a very soapy sort of thing, but my damn instincts pushed me to delve deeper into the characters and their relationships and the fucked-up-ness of it all. so, here we are
i really hope this helped!!!! this is not organized AT ALL so please tell me if there’s anything else you wanted to know or any details you noticed
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peachcitt · 3 years
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shadow and bone netflix series analysis
what up besties i said as a joke that i wanted to do an analysis post on the changes made in the s&b netflix series from the grishaverse books, and then i realized i wasn't joking and that i actually wanted to do that
it's finals season, i am an undergraduate english major, i have had about five hours of sleep within the past forty eight hours, and believe it or not i am doing this analysis as a fun reward for finishing a research paper. i am putting this out here for you so you can decide if these are the kinds of vibes you want right now.
structure of the analysis will be vaguely as follows:
changes made, in chronological order (or as best as chronology i can do under the circumstances and doing absolutely zero fact checking)
analysis of change when looking at the themes of the books which will include my personal feelings
personal theories (if any) derived from the change for the trajectory of the netflix series
so, like, long post warning. also spoiler warning for the netflix series as well as probably most, if not all, grishaverse books
now let's get this baby started
alina's appearance and shu heritage
so the series starts right off the bat acknowledging alina's shu appearance and the in-world racism and prejudice she's experienced because of it, which was not in the books. however i found alina's shu appearance to be completely in line with the book's themes. alina was already isolated at keramzin and the army because of her sickliness, and she's isolated at the little palace because of her power and her awkwardness. so purposefully making her shu was, i felt, a nice world-building decision as well as a new and interesting layer to her character. also, it's always nice to see diversity in media, so i have literally no qualms with this change
in terms of the rest of the series, the grishaverse is a very politically-motivated story. there's a lot of in-universe politics that happens in the shadow and bone trilogy and especially in the king of scars duology, and i think if the series chooses to extend into/include the king of scars duology story (which, i really hope it will), alina being shu (or at least part shu) will be very interesting to see considering king of scars and rule of wolves deal with negotiations and treaties with shu han. i think also having alina be shu and someone who has experienced countless amounts of in-world racism become a saint, seeing how she and the rest of ravka navigate her identity and identity politics will be really interesting. generally speaking, i just really hope the later parts of the series really delve into alina's identity, what it means to be a saint and also "look like the enemy," and the ravkan people's mixed feelings about her
alina's sickliness/childhood relationship with mal
in the books, alina is described as thin, always having trouble sleeping, hardly ever hungry, and sickly looking because, as we learn later, of her constantly unconsciously repressing her grisha abilities. this is part of the reason she's isolated at keramzin in the books; she's sickly and awkward and no one bothers with her except mal - because they're the same age and mal is strong enough to defend her from the older orphans at keramzin. however, the show doesn't really delve into the effects of what suppressing her abilities do to her except for a few offhand lines (alina angrily saying "im never that sick" when mal suggests she say she's stick to stop from going into the fold, mentions of her larger appetite when they're on the run in the woods). instead, the show kind of flips alina and mal's childhood personalities; mal is depicted as shy and easily picked on, and alina is the protector.
i'll just say it: this change fucks so hard. i love it. i think it says such wonderful things about their characters, and i like that alina begins the series as someone incapable of turning a blind eye to bullies and someone who cares very fiercely for the people she loves (not that that isn't the case in the books - i just think this change does a great job of looking directly at it in the way that shows have to). i think it's easy to root for her, and it's easy to see how she will become a saint to the people. in addition to that, i love what this is saying about alina and mal's characters and how they grow up; that separation from alina caused mal to have to face his own problems head on in traditionally masculine ways (because that was what ana kuya criticizes him in the show for; for always running from fights and being too soft, and i think it's really telling that our first view of mal as a kid, im pretty sure, is gingerly holding a bunny which portrays feminine caregiving and then we jump cut to mal fighting in a dirty boxing ring in the first army, something gritty and masculine). masculine ways that he had to be indoctrinated into and that may not actually be in his natural disposition.
meanwhile, separation from mal meant alina no longer had to be a dominant protector, and she does not connect with anyone in the first army as strongly as she connected with mal, so she doesn't really feel the need to be as aggressive as she was as a child. however, you can see that quiet protectiveness spark up at times - notably when people other than herself are picked on, such as at the food line when she claims not to know the others in the cartography unit so they don't get penalized along with her. i do wish, however, elements of her sickliness had been emphasized a little more in the show because of grisha theory, which i will talk about in another section.
first entry into the fold
okay i will be honest. this change is probably the one that scared me the most when seeing it in the trailers, and i am kind of still iffy on it now. in the books, alina's first journey into the fold and the inciting moment for the entire series is just luck and orders. everyone in the first army has to go through the fold at some point, and it just so happens to be alina and mal's time to go through. however, in the show alina is not initially assigned to go into the fold, but mal is, and alina goes out of her way to make sure that she gets on the skiff so that mal won't have to go alone/without her. there's this level of 'choice' (or at least the illusion of it) in the show in terms of alina and mal getting onto the skiff and going into the fold; at one point or the other they both try to tell the other not to get on the skiff and just choose something else.
the thing that irks me the most is alina's stubborn "i'll make it" line that she tells mal after she's on the skiff. it screams 'fantasy dystopian protagonist' (divergent is the first to come to mind for some reason) in a way that alina never comes across in the books. alina never chooses to make her life more difficult - she's always given two terrible options and has to take the option that fits with her morals or her perception of the power she needs to surivive and win the fight. but i know the only reason alina goes out of her way to get on the skiff is because she's separated from mal, which aligns nicely with the protective nature the show has inscribed on her.
the thing that redeems this change for me is that when alina tries to get just herself onto the skiff (by burning the maps to ensure that she has a purpose there), she ends up endangering the lives of her entire cartography unit. this keeps with the theme of a whole lot of alina's later decisions throughout the books affecting so many more people than just her, and i like that this is a lesson that she learns very early on. this change also seems to be a trade out for the final entering-the-fold scene, but i'll talk about that later.
alexei
here he is, the lynchpin himself. in the books, alexei is dry and rude in a funny way with alina, and they have this really great banter at the beginning of the novel, and then he's, like, the first to get carried off by volcra. very harrowing in the book, i loved it. in the show, alexei's character is a little (a lot) different - he's naive and blunt in a silly way, and he very obviously has a crush on alina. instead of being carried off by volcra in the show, though, he jumps off the skiff and runs blind into the fold - committing what we think at the time is an act of suicide - which was extremely harrowing to see in a completely different way, and i loved it. even if they changed alexei's personality i still love him (and his death) dearly
so as previously mentioned, alexei acts as the lynchpin between the six of crows plot and the shadow and bone plot; he manages to escape the fold alive, and makes it all the way to ketterdam to tell a select few people the legendary sun summoner is alive WHICH. okay ive just decided that's my next topic. anyway back to alexei.
his death in ketterdam is awful because of the personality change, which is why i don't mind missing bitchy alexei from the book; his hopeful little "if i tell you, you'll set me free?" that pulls at your heart and also tells you immediately that he is going to die as soon as he tells everyone what he say is done so well. i also like that through treatment of alexei, we get some characterization of the crows; inej immediately gives him water and glares at the mercher in quiet rage on his cruel treatment, kaz doesn't flinch when alexei is killed but inej and jesper do. i also thought it was interesting to have the mercher (dreeson was his name i believe) to be the one to get his hands 'dirty' and actually be the one to shoot alexei because in six of crows, there is always the sense that the merchers are cruel and conniving, but that they very carefully keep the death of the poor and the grisha off their own hands. im wondering if this hands-on killing is a dreeson-specific trait, or if this more hands-on cruelty will be explored more in other mercher characters we meet, like van eck.
sun summoner legend
this change is so?? i don't really know what to think of it. narratively, it makes sense in the show to have this legend be in place so that alina's importance is immediately recognized by people across the different countries.
however in the books, no one really expected alina. her presence wasn't foretold or divine (at first) or fate in any way. she became a saint because i think in part people weren't expecting her, and once they saw what she could do, they wanted to believe in her abilities so bad they made her divine. this change was also weird to me having just finished rule of wolves where zoya (i think) reflects on amazing things that have happened throughout the story and she notes that alina was not some sort of legend that people were expecting - none of what happened was. everything that happened from alina to nina's miracles in king of scars to zoya's expanded abilities by the end of rule of wolves to the "age of saints." all of those things were just chance people being in chance situations that all slid together in a strange, amazing coincidence. they got lucky.
and i think, at the center of the books, is this kind of purposeful disillusionment of the saints and religion, what with the main character of the original trilogy literally becoming a saint and yet never truly feeling saint-ly or being perfectly divine. the sun summoner legend the show brings up seems to depart from this. it'll be interesting to see what the show does with the legend and how alina feels about it as she fulfills it, and im honestly hoping that we'll find out later in the series that the legend was actually just some poor guy a few hundred years ago making something up to give people hope.
the crows timeline/characterization
in the books, the six of crowd ice court heist happens three years after the events of the final book of the shadow and bone trilogy. but obviously the timelines are smushed together for the show to create a new and different direction for their story and also, as we see at the end of the season, a new and different direction for alina's story as well
ive also seen bardugo say that because of the converging time lines, the grishaverse story will not take seven seasons (one season per book in the grishaverse) to get through. for this reason, im thinking that the parem story/ice court heist will begin if/when we get season 2. given that parem is a big part of kos/row, i see a crows and nikolai interaction happening in season 2 that sparks a beginning discussion on parem.
but back to the crows characterization! the crows are completely in character for me in almost every way, and i found the interactions between kaz, inej, and jesper to be very in character. however kaz's plan to capture alina doesn't work out almost at all which is something that he definitely wouldn't have let happen in the books. im chalking this up to the converging timelines - these crows are baby crows. they're young, a little less experienced, and they haven't gotten their groove on heists (and they don't have the rest of their crew) yet. but i anticipate seeing more crows-classic successful heists in season 2.
there are a couple of things i want to talk about each crow, so it's subtopic time
nina and matthias
perfect. their interactions were almost always word-for-word from the book. i can't remember if matthias had actually been the one to actually catch nina in the book, but if not, then it was a nice touch. it was interesting to see that both of them were so willing to be traitors of their country for each other in the show, because even when they're in a romantic relationship outside of fjerda and ravka in the book, they struggle with even the idea of betraying their country.
i like how they changed nina and matthias' "escape" from fjerda to ravka, and how nina explicitly betrayed grisha she knew to their faces. im interested to see how they'll integrate her back into the second army, or if they even will do that. also, i like that fedyor slowed matthias' heart to make him pass out before he sees the other grisha, so it was easy to understand how matthias could've thought it was nina deceiving him all along. their confrontation in the boat was (chef's kiss), and the horror on nina's face as she realized that this situation she put him in won't be as easily solvable as she thought was just wonderful.
jesper
perfect. i love him. and the coy little hints that he's a fabrikator were so good. also the line in the very beginning where he asks for a demo man, which foreshadows wylan was very nice. the only thing out of character is one time kaz asks him to be a distraction and show jesper claims that being a handsome distraction is not part of his talents. it literally is, why did they make him lie.
inej
literally so so good. i love that we meet her while she still has her oath not to take lives; we get to see her develop and learn that sometimes death is necessary, but that she still isn't yet comfortable with killing. on some level, she never will be, and i think that was a perfect place to start her character. however, i am confused about the show giving her a brother. where is he. is he going to be important?? why is he here???? i can't even make any solid predictions about him because inej having a brother came straight out of fucking left field. here's one flimsy prediction based on nothing at all: inej's brother is grisha and is an indentured servant. may also be involved in the parem plot, or works at the white rose where nina will befriend him and connect with the rest of the six because of him. who fucking knows
kaz
i already kind of went over their disaster plan that still somehow worked out for him, but i love literally everything else they did with kaz. the refusal to show his bare hands was literally art!! we got that tease in the first episode and the camera pans up as soon as the gloves come off. that was perfection - as well as the intimacy and trust portrayed between kaz and inej without them ever touching. i also loved the hints and nudges for his story with pekka - the way he always says his name with obvious distaste, and when we see him interact with pekka for the first time on screen. how he asks if they've ever made a deal before and pekka just goes "nah" and kaz just glares at him. perfect. and i also think the show really leaned in to the soft parts of kaz that inej sees in him, especially when he basically said she (and jesper) meant more to him than any saint?? oh my GOD. i kind of like this honest departure from kaz's book "greed is my god edgy edgy blah blah" especially when he's afraid he'll lose inej. i also think it'd be funny if we hear kaz say "greed is my god" and be edgy about it with us AND inej knowing that is superficial because of what he told her. that would be hilarious.
pekka, tante heleen, per haskell
these three aren't part of the six, but they are part of the original six of crows story and i still wanted to talk about my opinions on them, so they're going here.
i fucking loved pekka, how ruthless he was, and his irish accent. that was wonderful. because of how fucking hands-on and brutal he was, though, i wonder if they're going to keep the jakob hertzoon piece of kaz's origin story the same, because this pekka was so good at being violent that it was hard to picture him even pretending to be a benevolent benefactor to orphans. he is a dilf, though. i am not afraid to admit that.
my only problem with tante heleen is that her actress looked too nice. like she might bake me cookies and offer me a ride home from school. total milf as well but not in the scary sexy way that she was in the books. she had smile lines, she was so dainty, she seemed so genuine. i want to see her be a little more cruel.
per haskell, the actual gang leader of the crows, is not in the show at all. it seems as though the show made kaz the official boss of the crows while he is only second in command in the book. this makes me wonder how they'll handle or if they'll even include that fucking awesome scene in crooked kingdom of kaz earning the gang's trust over haskell. it would be weird to introduce per haskell in season 2 when he wasn't even mentioned in season 1, but it wouldn't be altogether terrible considering the crows spent very little time in ketterdam this season. however, this makes me wonder if, when kaz was away on his little saint pilgrimage (i am calling it that specifically because i know it would piss him off) someone else stepped in as "boss" of the crows. in the show, kaz also leverages the deed of the crow club in order to be able to take inej with him, and presumably the jewels alina gives him will solve that problem, but what would happen if any of the crows find out he made that deal? would he still have to earn the gang's trust back in a show of power and respect like in crooked kingdom? much to think about.
mal
back to the shadow and bone story, ive already briefly (not really briefly) gone over mal characterization alongside alina, but i want to mention how the show includes his perspective alongside alina's and how important that is. the shadow and bone trilogy is told entirely from alina's perspective, and alina is in some ways an unreliable narrator. she tends to think of her relationships and feelings as one sided unless her friend/love interest is looking her in the eye and telling her exactly how they feel about her. the one exception is genya, and that sort of bites her in the ass until it doesn't, but i digress. the point is, the only mal perspective we get in the books is alina's perception of mal, and the bonus content of the "lost" letter he'd written to her while looking for the stag in fjerda. granted, that letter says a lot about mal and how he feels about alina, so if you didn't take the time to read the letter when reading the book, chances are you weren't so hot on mal unless you have sexy critical reading skills like me (or just really love the childhood best friends to lovers trope).
getting all the gritty, messy details of how hard mal is trying to get back to alina in the show makes him so much more of a sympathetic character than he may have seemed at first glance for the majority of shadow and bone from alina's perspective. the show really stresses that the bond alina and mal have is mutual and powerful, and i think that's fucking perfect, actually.
this point was really driven home during the episode we see that mal has a matching scar on his palm that is related to alina, just like how alina has a mal-related scar on her palm. that scene in the brig was so good, especially when they ask each other what they're in for, and alina says "the usual," and after a pause, mal replies "the usual" as well. he could be lying because he knows she would feel bad if she was the reason he chose to stir trouble to go to the brig, but he could also be saying that he usually actively chooses to be sent to the brig for defending alina or because alina is usually already there and he wants to be with her. knowing that and then seeing alina have the scar on her palm erased was. fucking devastating (in a good-ish way), and im kind of hoping alina either chooses to have the tailoring removed so she can see the scar again or injures her hand in a mal-related injury so they can match again :(
i have more to say about mal, but i'll save it for the grisha theory/amplifier section
the darkling
overall, darkling portrayal was very spot on, but i didn't really like how he just. gave alina his name so early on. in the books im quite certain he doesn't give alina his first name until the third book? regardless, he doesn't give it to her until they've fought and been enemies for a while. theoretically, kirigan giving his real name to alina so early could be a manipulation tactic (like his moments of 'vulnerability' and 'weakness' with alina in the book), especially because we lose that 'heart to heart' by the campfire after the darkling rescues alina from the fjerdans where alina first starts to see the darkling as human.
i also thought it was interesting that alina kisses kirigan first - in the books they're actually having a serious discussion (i can't remember what about, but when she realizes the darkling is Not Good, she remembers the first time they kissed as a thing he possibly did to distract her from thinking her own thoughts), and the darkling interrupts her with a kiss sexy enough for her to forget what's going on. the show however chooses to do a girlboss she-can-move-on-if-she-wants-to moment which is pretty cool and let's be honest, if you like men and ben barnes is right in front of you giving you Sexy Eyes a whole lot, you are going to want to kiss him. that scene where they get interrupted during a steamy kiss, and they laugh and kirigan leaves the frame just to rush back for one last kiss? that nearly fucking converted me. that was really sweet actually. the show does a fantastic job of showing how captivating kirigan's interest can be.
last note about the kirigan for this section - isn't kirigan the name of the guy who owns the guilded bog for nikolai in kos/row? i can't be sure because i don't have my book with me and i refuse to look up information when i have gone this entire post without looking anything up, but if his name isn't kirigan it's pretty fucking close. i don't know what that means, but i don't think bardugo is the type to name characters similar names for no reason. we'll know for sure if/when the guilded bog is introduced.
zoya
most of zoya's portrayal is really in line with her character and her development throughout the shadow and bone trilogy as well as king of scars and rule of wolves. i think the show did a great job of showing how zoya was in the darkling/kirigan's favor for a while before alina arrived and how she resents alina at first for causing her to not be the darkling's favorite anymore. in addition to that, knowing we find out she is part suli in row makes her casting so much better, and i like that we get to see a little more of her personality in the show than we do in the book shadow and bone. of course we see more of her in siege and storm/ruin and rising, but it's nice to have her become a sympathetic character through the knowledge that she has family in novokribirsk and that she purposefully mans skiffs to see them before she fully sides with alina.
the one thing that made me. just confused was zoya calling alina a "half-breed" at the little palace?? it was so out of place (that particular part of the insult; im pretty sure the other thing she said was very much exactly what she said in the book. some insult about orphans i think), especially knowing that zoya herself is a "half-breed," so that didn't make sense to me.
however, i was glad to see alina immediately embrace zoya as an ally - because she knows from the start of zoya's alliance that she had family that kirigan killed. in the books, alina's parentage is not at all important, and their deaths are never specified to matter, but the show points out from the very beginning that alina's parents were swallowed by the fold. i think this makes alina's immediate compassion and forgiveness of zoya make sense, and it was also very sweet and a little funny to see alina pull zoya into a hug that she so obviously does not expect or want to express as something she wants. it was perfect.
east vs west ravka civil war
i don't have much to say about this except it makes kirigan's actions at the fold seem a little better. not great, not by any means, but knowing that the leader of a growing coup was right on the other side really cements in the idea that kirigan is doing this for what he thinks is the greater good of ravka. im pretty sure in the original trilogy, there was also some tension between east and west ravka, but none of it comes to a head until the events of kos/row. great set up for future ravkan tensions in future seasons.
david and genya & fedyor and ivan
before we get into the last meat and potatoes of this post, i want to talk about love because it's a little bit of a break. take this time to stop reading, stretch, relax your jaw, straighten your back, drink water, etc. you've been here a while. you deserve it
okay so first fedyor and ivan. in the books, fedyor and ivan are just bros (i don't even remember them ever really interacting?) but in the show it is heavily implied they are dating. this is so funny to me, and i love it so much. especially because ivan was in a het relationship with marie in the books (but because the show kills marie off before she dies in the books, obviously that is not happening), so they really just decided that ivan and fedyor were gay for seemingly no reason. except i think ivan died on the skiff during the final battle in the show which is kind of a bummer because he lives through to ruin and rising and has an... interesting arc. fedyor, i think, dies in the battle of the little palace in siege and storm, but i wonder what they'll do with this relationship in next seasons. maybe fedyor will take ivan's place as grieving boyfriend with ptsd, but im not sure. i honestly don't even know for certain if ivan dies in the show, so we'll see.
as for genya and david, i would just like to point out the little hints of mutual affection. in the books, it's kind of implied that genya had feelings for david first and he didn't realize his own feelings until after she's scarred by the darkling, but in the show we see david actually looking at genya during the winter fete! like looking, appreciating the view! i loved the show choosing to include that small amount of mutuality, and after finishing rule of wolves it definitely made me feel some type of way. david and genya. i love them, they're perfect.
grisha theory/amplifiers
we're nearing the final stretch in this post, however, i have a lot to say about grisha theory and amplifiers, and i also have a lot to say for the battle of the fold so this "final stretch" will probably be. a very long stretch.
so obviously because of the nature of books and narrative writing, there was a lot of space within the shadow and bone book to go over the grisha theory alina was learning at her time in the little palace in great detail, however in the show we hardly even get any grisha theory at all. the little we get is actually from the apparat. im not sure if we get anything from bhagra. i don't even think we get the phrase "like calls to like" which is the most basic piece of grisha theory throughout the entire grishaverse.
i am definitely. bitter about this. i obviously didn't want huge long meditations on grisha theory in the show, but pretty much the whole time alina was at the little palace, i felt like she had so much time free time to wander around the palace, hang out with nadia and marie, daydream about mal and kirigan. don't get me wrong - those are all valuable activities - but i feel like it missed the point of alina's time at the little palace. she felt isolated there; yes, she had nadia and marie, but she couldn't share with them everything she was going through because she didn't want anyone to truly know how difficult mastering her abilities were. and because she was so isolated, she throws herself into grisha theory, especially during the times in which she can't summon her abilities by herself. this is when she learns about why she's been so sickly her whole life (because she has not used her abilities, and grisha derive some form of life force and energy from using their abilities), all about amplifies, and other really cool world-building for grisha abilities and culture. instead, it was difficult to tell (at least for me) in the show if the palace and the little palace were even different places while in the books the little palace was such a whimsical, ancient, and magical place for alina compared to the gaudiness of the main palace.
the collar
anyway, complaints about architecture and alina's subpar theory education aside, the little bit of grisha theory we get is from the apparat when he talks about ilya morozova and the three amplifiers he was attempting to make during his lifetime. when the apparat is describing amplifiers, it almost seems like amplifers - not just morozova's inventions - are super rare in the world of the show. amplifiers are relatively rare in the books, obtained by only some of the most powerful grisha (zoya, ivan, alina), but they still exist. from what we've seen of zoya and ivan, they didn't seem to have amplifiers on their person, so it looks like alina is unique not only in getting an amplifier from one of morozova's beasts, but also in just getting an amplifier in general, which is a little weird.
EDIT: thanks to @laelipoo for pointing out that zoya is actually shown to have what looks like a tiger’s tooth embedded in the skin of her wrist in the first episode! so okay this shows that powerful grisha still have amplifiers in the world of the show, but this probably suggests that instead of being pieces of jewelry like in the books, they act more as body modifications, which is really interesting. if im not mistaken, ivan’s amplifier is a necklace in the book, so maybe his show-amplifier would’ve been embedded in the skin of his chest. regardless, i’d still like to see more discussion on how amplifiers in the show work - which, now that we know zoya most probably has an amplifier, we might get to see with her becoming more prevalent of a character in the projected arcs of the show (both shadow and bone trilogy as well as kos/row)
i can't remember if morozova was ever referred to as "the bonesmith" (i feel like he has been, but not in the way the apparat refers to him in the show), but i feel as though that was a kind of. foreshadowing for how we would see the stag amplifier work later in the show. in the book, the stag's antlers are a literal collar around alina's neck that remains there until she loses her abilities, so the metaphor of being "owned" by the darkling is definitely there. it never stops being there until she loses the ability that makes her his mirror and his tool. however, in the show we definitely. do not get that.
so i've seen some people say that they hate the design of the stag collar, and i cannot say i was a huge fan of looking at it myself. but that just really cemented in the fact that kirigan forcing the collar on her is a complete violation of her body and her agency. the fact that the bones erupt from her skin and that her skin looks irritated where the bones puncture through her skin just reinforces the idea that this fusion is not natural and is not supposed to be pretty because kirigan taking control of her in this way is really really terrible actually. in addition to the collar, the show also gives kirigan a circle of bone embedded in his hand - which, hand versus collar, who has the most agency in this situation, his hand is quite literally around her neck, etc - but i feel like they made this change so that non-readers could see and understand the mutuality of the amplifier in a physical manifestation because the show doesn't expand on that theory at all.
i really liked that the show kept the reason for alina gaining control of the amplifier being her connection with the stag before kirigan killed it because that at least is consistent with the theory in the books, especially with the expansion of that same theory in kos/row with zoya's connection with juris and how true use of an amplifier requires mutual connection, understanding, and suffering between the grisha and the animal.
i also thought that the way the show portrayed alina taking back control of her power with the stag's horns absorbing into her own bones was a really effective way to show that the power is hers now, and that it is a part of her. however, i wish the show had kept some evidence of the collar because of how it quickly became a piece of her iconography in the books as well as a symbol of her power. seeing as how alina stabbed the circle of bone out of kirigan's hand (very sexy girlboss moment), i wonder if kirigan will still be able to control her abilities. if he can, i hope that any time he uses her abilities, the horns emerge from her skin again as a visual signifier that alina is being violated and that her own power is being used against her. OR even at the times in which alina uses kirigan's power against him (like if the show depicts the conclusion to the battle of the little palace where alina uses the darkling's merzost) to have the horns come out of her skin to show that she is reinforcing her bond with him. both would be really cool.
alina and mal
okay so in ruin and rising we learn that not only are alina and mal bffs and in love whatever, but also that they've been drawn to each other because mal is actually the host to the last of morozova's amplifiers. and then alina looks back at the times in which she's felt the most powerful or when they encountered morozova's beasts, and she realizes that all of those times coincide with when she had important moments with mal. this reveal is huge in the series, and without the build up, i fear it might seem like it would've come out of nowhere if the show chooses to go in the same direction.
for example, alina and mal in the book only find the stag after they kiss for the first time. however, in the show they don't kiss. they don't even move mal's "i see you now" speech to right before they find the stag. it's simply a jump cut to alina and mal in the forest looking at the stag. they might be talking, but i don't think it was an 'important' moment for them.
however, they've been setting mal up as a better-than-average tracker since the very beginning with ana kuya asking him specifically to hunt for dinner. mal also admits that when he saw alina's power come from the tent when kirigan is testing her power that he heard a 'high-pitched tone' and somehow intuitively knew that it was her or something like that. he also tells alina that he'll always be able to find his way to her, no matter what, which is really romantic of course, but it is also part of their connection as one of morozova's three amplifiers and the girl who will possess at one point in time two of the three amplifiers.
i also think that the scene in ruin and rising when alina kills mal for his power is supposed to directly mirror the scene in the shadow and bone book where alina tells mal before they find the stag that she wants him to kill her before she can be caught by the darkling; part of the reason she feels strongly enough to ask this is because she understands grisha theory enough to know what the darkling's plans for the stag and her are. when she's protecting mal and the stag from the darkling, she begs mal to kill her. but he doesn't. and in ruin and rising, when they're out of options during the final battle, mal tells alina to kill him. and she does.
but without alina asking to be killed paired alongside the lack of intimate mal and alina moment before they find the stag, i wonder if the show will be heading in the same direction as the books in terms of mal's status as the last of morozova's creations, or if they'll decide to do something different.
battle of the fold
i think the most obvious difference in the battle of the fold is that kaz, inej, and jesper are like. just chillin on the skiff. additionally, zoya is on the skiff (her presence there was discussed in the zoya section), and mal is not a prisoner in the skiff like he was in the book - he snuck on. for the six's presence on the skiff, i don't mind it and i actually like how they participate in the battle (inej throwing a knife into kirigan's chest and nearly ending his shit right then and there was something we always wanted but did not know we wanted. same with zoya and inej bonding during a fight), but the change in mal's freedom status on the ship is a little more complicated.
in the books, the darkling lets alina and mal spend one last night together (with bars between them) before whatever happens on the fold. i can't remember if he tells alina that he plans to execute mal in the fold, but regardless it becomes apparent that is his plan when he throws mal overboard, on the edges of alina's sunlight, and begins reigning in the sunlight so that mal will be consumed by the fold. it's the fact that mal is in danger that alina manages to gain control of her power once more, and she saves mal. the group of dignitaries from the various nations are still on the ship when she makes her escape, and she uses the Cut - a form of summoner ability that she has never used before and has only ever been used by the darkling. she makes the terrible and difficult decision to let the dignitaries die in the fold alongside the darkling, because she believes it's a worthy sacrifice to make, and she and mal escape together.
i think this sequence of events would've tracked really well in the show with how alina had previously been depicted as mal's protector, but the show chooses not to have alina save mal and kill the dignitaries. instead, the show has kirigan kill the dignitaries and also has mal have a homoerotic fist fight with kirigan which is. not exactly not in line with themes the show has put on, especially with how mal and kirigan have interacted before in the show.
in the books, we don't see mal and the darkling interact without alina as a buffer, and so a fistfight between them in the battle of the fold in shadow and bone wouldn't have made narrative sense and would've just ended up feeling cheap. however we do see mal and kirigan interact without alina in the show - when mal is showing kirigan where the stag is and kirigan learns alina's favorite flower through mal, and when kirigan gives mal that petty little speech about how he'll get alina eventually while mal grows old and dies.
there's an interesting phenomenon in certain kinds of love triangles; most of the time you see love triangles in the classic sense of Person B and Person C both being in love with Person A, who has to make the choice between B and C. however, that's not a true love triangle - there also needs to be a connecting factor between B and C. and, in most cases, that connecting factor is the ritual of masculine homosocial rivalry. so when applying this kind of love triangle to alina, mal, and kirigan, we see that both mal and kirigan have feelings for alina, but they also have a connection to each other through their rivalry, which is as much about rituals of masculine conquering (whether the person they are wanting to conquer is alina or the other man is a very interesting question to which the answer is yes) as it is about being the person alina loves.
do i personally like the kirigan/mal fight in the fold? no, i would've much preferred to see alina rescue and protect mal. however, i do recognize that the fight makes narrative sense within the show, and it was really funny to see kirigan get his shit rocked by mal's bare fists a couple of times. i would say i hope he's been humbled by the experience but we all know that's not true.
also remember when i mentioned that kirigan is the one who kills the dignitaries here instead of alina leaving them to die? and remember, way back in the beginning when i said that alina inadvertently getting her cartography unit killed in the show may have been a swap for some deaths in the battle of the fold? alina being excused from the deaths of the dignitaries in the show but responsible for the deaths of her cartography friends at the beginning is what i was talking about. like i said way back (or maybe i didn't say it but im saying it now), it makes narrative sense. i get it.
however, i think the choice not to have alina perform the Cut on the skiff when she regains control of her power is an interesting one. because, in the book, that was an ultimate show-off of power (even if it was a terrible moment for alina). no one else but the darkling can perform a Cut, and as soon as alina forcibly takes control of her power from the darkling she uses his own signature move to leave him for death? that's a power move. that's irony. that's a physical manifestation of alina being able to adopt and take advantage of some of the darkling's power and use it against him, which is definitely a main theme in the book as it happens every single time alina gets close to defeating him and also when she actually defeats him.
so the Cut is really important, and i want to see in what other situation the show might have alina perform a Cut of her own against kirigan, or if they'll even include that aspect of reclaiming of power. i really want them to.
conclusion
so what have we learned? i think, first and foremost, we have learned that i have so many opinions and should learn how to be sweet and concise with my words. we have also learned there were a lot of changes between the grishaverse books and the series, and these were only the changes that i remembered off the top of my head having watched the series almost a week ago and having reread the books over the past few months.
in addition to those things, we have learned that, in my academic opinion, many of the changes made to fit the story into the screen were positive changes or, at the very least, changes i am interested in seeing develop. in the end, i am just a fan, and regardless of what season 2 may throw at us, i trust bardugo's decisions because she has never let me down narratively before, so i'll probably end up loving things the show ends up doing because i am, at my core, a simple sort of person.
i had a lot of fun writing this all up, and i hope this super long post was informative or entertaining in some way. thank you so much for reading<3<3<3<3
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warrioreowynofrohan · 4 years
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i just read your entire blog from beginning to end. i kept on saying 'ive read enough time to do something productive,' but there was just so much good stuff :) the 'great divorce' analysis of feanor made me grin like a loon and i just never stopped. anyway. i was wondering about your thoughts on fingolfin, he's been my favorite silm character since i first muddled my way through the book ages ago but he gets very little online love and ive often wondered why
Wow! That’s extremely flattering, thank you very much!
My basic reaction to Fingolfin is the typical one of: EPIC. BADASS. The Duel of Fingolfin and Morgoth is one of my favourite passages in The Silmarillion. And there’s wonderful dramatic irony in Fingolfin being the one to fulfull his brother’s boast of Such hurt will I do to this Enemy of the Valar that even the mighty in the Ring of Doom shall wonder to hear of it. [Note to self: future post on Fëanor and his gift for misinterpreted foresight?] If Fëanor were a different kind of person, he’d be pleased by Fingolfin managing to hurt Morgoth, but given his deep resentment for his half-siblings (which could only have gotten stronger when he learned that Fingolfin had become king) it likely only increased his bitterness, as if this accomplishment were yet another thing Fingolfin had taken from him. In contrast, I think Tulkas and Oromë were very impressed, and among the first to congratulate Fingolfin when he returned to life.
Beyond that, Fingolfin strikes me as someone whose life has been very heavily characterized by duty and who has had to put aside his own feelings and desires. During the Return, he doesn’t want to leave Valinor; he ‘marches against his wisdom’, because he has promised to follow where Fëanor leads and because his people need steadier guidance than Fëanor can provide. He has been the de facto king of the Noldor for the last seven years, and that must give him a strong sense of responsibility to his people. He goes even though he’s leaving behind hus wife and, eventually, his younger brother; there’s no choice he can make that won’t involving losing some of his family, since his children are determined to go.
Why doesn’t he turn back after the burning of the ships? In part it’s because he doesn’t want to abandon his children, or to drag them back to face the judgement of the Valar (Fingon and Aredhel are both Kinslayers; given her impulsive, determined personality and her friendships with the Fëanorians I have no doubt that Aredhel fought on their part. I don’t think Fingolfin himself is a Kinslayer, as the Silmarillion never says he was and it would be a rather major omission.) In part it’s pride and rage. It’s one thing to turn back after the Doom, as Finarfin did, out of the knowledge that you’ve done wrong. It’s another thing to have been willing to do wrong, to have wanted to use the stolen ships, and to turn back only because you were denied the opportunity. There’s no morality or conscience in that, only pure humiliation. So he goes on.
And after he arrives in Middle-earth and Fingon rescues Maedhros, Fingolfin has to put aside his anger and the growing rift in his family and choose reconciliation. And he pursues it wholeheartedly, working to build cooperation not only between his followers and the Fëanorians, but between the Noldor and the Sindar (and neither the younger Fëanorians nor Thingol are making that eany easier!).
(Fingolfin knows what it feels like to have your parent choose between children; he had to experience has father responding to Fëanor’s death threats by choosing Fëanor over him. What does it cost him, I wonder, to have to choose between the wishes of his own sons; to have to tell Turgon, I know your wife is dead because of them, but we’re working with them anyway?)
I’ll conclude with some headcanons on Fingolfin in the Halls of Mandos. I think Fingolfin would be very slow to forgive Maedhros after the events of the First Age, if indeed he ever did. Precisely because he did sincerely forgive Maedhros after the rescue from Thangorodrim, and trusted him as they worked together over the later centuries, and had confidence that even after Fingolfin’s death Maedhros would continue to do what was best for Beleriand. The second and third kinslayings must have come as a horrific betrayal of that trust. (In addition to Maedhros getting Fingon killed! Maedhros, Fingolfin and Turgon are all strongly of the opinion that Maedhros is to blame for Fingon’s death; Fingon is equally vehemently of the contrary opinion.) And having give that trust before and found it to be so terribly misplaced, why would Fingolfin ever be inclined to offer it again?
(I have extensive opinions on which characters - family and otherwise - forgive Maedhros and Maglor, and when, and how; it’s a very complex and emotional process and makes up about 90% of my post-Silm headcanons.)
One more Halls headcanon, this one slightly less sad.
I think that after his death, Finwë doesn’t appear to or talk to most of his descendents in the Halls for a long time, largely out of embarassment over his parenting decisions and their consequences. (I’m getting this partly from The Leithian Script and partly from one of his lines after his death indicating that he thinks Indis wouldn’t really want to see him again, given how everything turned out.) He tries to talk to Fëanor, but Fëanor’s wrapped up in his own thoughts and not really percieving anything outside them.
But Finwë loves his grandchildren, and at some point in the Second Age he tries to talk to Aredhel. She’s having a very bad time of it and has been deeply unhappy ever since the Fall of Gondolin and the news of what her son became, and Finwë does know what it’s like to wonder how many of your childrens’ decisions are due to your parenting. So he tries to comfort her.
And Aredhel just explodes at him. AFTER A THOUSAND YEARS OF SILENCE, YOU’RE COMING AND TALKING TO ME? ME?! DO YOU HAVE ANY IDEA HOW MUCH MY FATHER HAS WANTED TO SEE YOU? HOW MUCH TIME HE’S SPENT LOOKING FOR YOU? YOU LEAVE ME ALONE AND GO TALK TO HIM RIGHT. FREAKING. NOW OR SO HELP ME -
Finwë is quite taken aback and stunned enough that he actually does go talk to Fingolfin, and Fingolfin is extremely happy to talk to his father and has some valuable perspective to offer on how, after everything he and his people have seen and done in Middle-earth, sub-par parenting decisions barely even register on the list of things a person could be ashamed of. After you’ve left the bodies of your people scattered across the Ice - after you’ve had to order men into battle - after you’ve had to turn away thralls escaped from Angband because you don’t know if they’re sleeper agents - your perspective on what constitutes a difficult decision starts to shift.
The outburst also does Aredhel good because it’s the first time since the Fall of Gondolin that she’s given any thought to the well-being of anyone other than herself or Maeglin, and is thus a major step forward in reaching outside her own unhappiness and starting to heal.
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Non-Sequential [Ch. 9]
Pairing: Pre-Serum Steve Rogers/Steve Rogers x Reader
One night, Steve Rogers met a beautiful dame named Y/N. He hadn’t intended on letting her get away. But fate had other ideas. Y/N appeared and disappeared in his life so hauntingly that Steve started to wonder if she was an angel meant to watch over him.
Word Count: 2,500
A/N: Inspired by the film The Time Traveler’s Wife. But not one of those fics that just literally rips off the whole movie and plugs in characters where they please.
Chapter 8
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“Y/N! Y/N, look at me!” Steve urged as he practically ran her to the medical wing of the compound. He knew the jarring that came with his rush was probably causing her more pain, but he had to get her to a doctor as soon as possible.
Her eyes fluttered open.
“You gotta stay with me, OK?” Steve practically begged.
She just nodded, failing to fight off a wince as her wound sent another wave of pain through her entire body.
Steve looked down at her seeping blood. Y/N wasn’t a superhero. She hadn’t made the decision to risk her own life, to take the injuries without complaint. She was just a civilian. She never asked for this life.
He shoved his way through the swinging doors of the medical wing. Suddenly a team of doctors came swarming over to him, asking him a million questions.
“I-I don’t know what happened. She just appeared back in the present with a bullet to her abdomen,” Steve tried to answer in his captain voice that the medical team was used to hearing. 
No matter how bad his or his teammates injuries were, Captain America kept it together.
But this was Y/N, his best girl. Captain America was nowhere to be found. This was just Steve seeing his girlfriend dying in his arms.
They had taken Y/N from his grip and lightly placed her on a gurney, instantly pushing her away from him.
Steve took a step to follow, but was stopped by a grip on his shoulders.
He looked over, ready to break the wrist of someone that tried to keep him away from Y/N.
When did Tony get here?
“I know you want nothing more than to stay with her, but you gotta let them do their job, Steve.”
Tony’s mature and serious tone actually made Steve feel worse. It was unlike his friend. Tony should’ve been making jokes and not taking anything seriously, like he always did. So his seriousness only panicked Steve more.
Steve put his hands on his waist and kept shifting his weight.
It was making Tony anxious. He’d never seen him like this before. “Tony, if she…” He couldn’t even finish the sentence.  
Tony gripped his shoulder. “Hey,” his voice was stern. “Hey, look at me, Cap.” Steve finally did as he asked. “Those are the best doctors in the world in there. They know they’re working on precious cargo. So, they’re going to do everything they can. You got it?”
Tony waited.
Steve nodded.
“So, what I need you to do is keep it together. Because Captain America causing scene isn’t gonna help your girl, OK?”
Steve nodded again and held back the tears that were threatening to fall. ———————————
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Steve was sitting on the floor of the hallway when he heard footsteps jogging toward him. He slowly looked up to find that it was Sam.
“I came as soon as I heard,” Sam told him while he was out of breath.
“She just got out of surgery,” Steve told him evenly. “They won’t let me see her.”
Sam’s brow furrowed and he frowned angrily. “Why the hell not?”
“They think me being close to her might make her time travel. And if she does, she won’t survive it.” Steve’s tone had never sounded so numb.
Sam’s heart broke. He could only imagine how Steve felt after hearing the doctors tell them such a theory. And to Sam, it felt lazy and lacked research.
Sam slowly slid down the wall so he was sitting on the cold floor alongside Steve.
“Doesn’t make much sense, does it?” Sam thought aloud. “If she only travels to when and where you are, clearly her powers just want you. So, if anything, being with her will just make her stay in the here and now.”
Steve didn’t say anything.
A few moments of silence passed.
“I’ll distract the doctors and nurses, you sneak inside?” Sam asked.
Steve nodded quickly before shooting to his feet.
———————————
Steve sat next to Y/N’s bed, not feeling close enough unless his legs were touching her bed.
The doctors had finally let him sit in her room after finding that he had snuck in, and then both Tony and Sam had a yelling match with the medical team.
Steve had been reading one of Y/N’s favorite books to her, quietly.
It had been days since her surgery and she had yet to wake up. The doctors said Y/N was lucky that the bullet hadn’t hit any major organs, only skimming her large intestine. They kept talking about how much of a miracle it was. But Steve could only think about how Y/N never should’ve been shot in the first place – there was nothing miraculous about it.
“Is this what the patients feel like on ‘Grey’s Anatomy’? Just constantly waking up to hot doctors?” Y/N mumbled next to him.
Steve dropped the book to the floor and leaned forward. “You’re awake,” he breathed.
“Or I’m in heaven,” she smirked at him.
But Steve found no amusement. There seemed to be a permanent crease in his brow and his lips formed a completely straight light.
“Are you in any pain?” He asked her seriously.
She shook her head. “They must’ve given me the good stuff.”
Steve just watched her for a moment, taking in her face and her eyes that were open and awake for the first time in days. There were moments in those few days where Steve wasn’t sure if he’d ever see them alive again.
“Y/N,” he whispered. “What happened?”
She sighed, knowing that Steve wouldn’t rest until he knew the whole story. The problem was that she also knew how he was going to react when her learned when and where she’d been taken by her powers.
Her gaze lowered, looking down at her lap as her fingers fidgeted.
“I was at the Battle of DC.”
“What?” Steve shot back without helping it.
“One second, I was sleeping in bed with you, the next I was on one of the hellicarriers with people screaming and shooting around me.”
Steve was quiet. But the clenching of his jaw and grinding of his teeth told Y/N he was anything but calm.
“I know what you’re thinking,” Y/N finally looked at him with a narrow gaze.
Steve scoffed, “Is that so?”
“Yeah,” she sassed back. “I know that you think that this is all somehow your fault. That I wouldn’t have gotten shot if it weren’t for you being a part of my life.”
“Yeah, seeing as you were only brought there because of me, Y/N. Because I love you.”
“For once in your god damn life, can you not act like everything is your fucking fault, Steve?”
He went quiet again.
“It won’t work,” Y/N stated.
He narrowed his eyes in question.
“So don’t you dare try it, Steven Grant Rogers.”
“I don’t know what you’re talking about,” he mumbled.
She sat up, trying to hide her wince from the pain the movement caused. “Listen here, I’ve seen enough movies and TV shows to know how this goes. Guy sees his girl as a damsel in distress, all because she’s dating him. Guy leaves girl because he thinks it’ll keep her safe. Guy pushes her away. And guy breaks both their hearts in the process.”
Steve had nothing to say for himself. His eyes refused to meet her accusatory gaze.
“You should watch Twilight. That shit-hole of a movie will prove how terrible it would end for us,” Y/N teased lightheartedly.
He finally shook his head and huffed out a laugh, “You’re nursing a gunshot wound and convincing me not to leave you…yet you still find a way to be remarkably charming.”
Y/N giggled and then Steve knew he was finished.
His hand was shaking as he grabbed her’s, careful of the IV embedded in her skin. He kissed the back of her hand and she looked heartbroken as she saw the tears he was trying so hard to hold back.
“Y/N, I don’t think you understand… I can’t-If you ever…” then he was overcome with silent tears. He tried to hide them by dipping his head and moving his fist to cover his mouth, but it was useless.
“Hey, hey, hey,” she cooed. “I came back to you, didn’t I?”
“I can’t lose you, Y/N.” Steve was practically whimpering. “I feel like I finally just got you. And I don’t know what I’d do if I ever lost you.”
“I know, Steve,” she shushed. “I know. I’m sorry for scaring you. I’m so sorry.”
She pulled his head so his forehead was touching hers. They both closed their eyes and just let the feeling of touching each other wash over them. It grounded them. She had to convince Steve that she was still here, that she was OK.
——————
Two weeks had passed since Y/N returned to the present with a bullet in her side. She recovered quicker than the doctors expected. While she wasn’t allowed to do any strenuous activity – sex included, to her annoyance and Steve’s amusement – but she was at least allowed to leave the infirmary.
Steve insisted she stay with him at the compound. That way she was close to the doctors and specialists if anything were to happen.
Y/N knew he was being overprotective. But he needed to be that right now. So she let him do it and decided to keep her sarcastic comments to herself.
However, as the days went on, Y/N started acting strange.
She was oddly quiet. And it didn’t get past Steve.
There was a piece of the story that she had yet to tell him. She didn’t know how he’d handle it. And not knowing his reaction was what worried her most of all.
Y/N looked up from where she sat on the love-seat in the living room of the compound.
Steve was never far from her these days. He was subtle about it, doing his best not to be overbearing or making it blatantly obvious how overly watchful he’d become of Y/N.
Now he was in the kitchen, surely making both of them lunch.
Y/N marked her spot in her book before getting up and slowly walking to the kitchen island and sitting in one of the high stools.
Steve gave her a small smile at her joining his company.
“Steve?” She said gently. “I have something to tell you.”
He paused what he was doing to look up her worriedly.
“I didn’t tell you the whole story. There’s something else.”
Steve’s face visibly paled. What could be worse than her getting shot? He stepped forward and leaned over the kitchen island toward her, his hands gripping the edge of the countertop.
“I saw Bucky.” Then Y/N blinked. “Or, I guess, the Winter Soldier. But I swore there was a moment when it was Bucky.”
Steve frowned. “Y/N…was it Bucky? Was it Bucky who shot you?”
She blinked again, snapping out of the memory. “No, Steve. He saved me.”
He leaned back in shock at what she said. But he crossed his arms. His face was stern and made him look more like Captain America than Steve Rogers. He wanted – no – he needed answers now.
Y/N’s eyes glazed over as she was dragged back into the memory. “I was right in the middle of the fighting. A Hydra agent saw me. Decided I was an enemy and that’s when I felt the sting. I fell to the ground, convinced I was going to die there. I saw him walking toward me, obviously determined to finish the job.”
Steve was grinding his teeth together.
“Right when he raised his gun, finger on the trigger…there was a shot. But it wasn’t his gun. It was Bucky. He’d had shot one of his own men. He saved me. I looked at him, called his name.” She looked at Steve now. “I swear he recognized me, Steve. For a split second, his face changed like he remembered who he really was.”
Then she shook her head. “He picked me up…carried me to some semblance of shelter, away from the fighting. He looked at me for a moment before running back into the chaos.”
Steve seemed to relax. That was not what he expected to hear.
Y/N reached across the counter to grip one of his hands.
“Bucky’s still in there, Steve. He isn’t lost,” she whispered.
Steve felt a wave of hope wash over his heart. Yes, Bucky had snapped out of it that day when Steve fell from he hellicarrier. His old friend had a moment of lucidity and saved his life. But after Sam followed dead end after dead end, Steve became more and more pessimistic of ever fully recovering his best friend.
A new surge of determination overtook him. He didn’t want to just find his best friend. Now he also had to thank him for saving his girl’s life.
Later that night, Steve called Sam.
He was in Poland, following another possible lead that Nat had sent their way.
Steve often wondered why Sam continued on this wild goose chase. Bucky wasn’t his friend. In fact, he had nearly killed Sam far too many times. But Y/N reminded Steve that Sam was also his best friend. And helping friends was what people did. “You’re not the only person that’s allowed to be selfless, Steve,” Y/N had once reminded her boyfriend.
“He’s always one step ahead of us, Steve.” Sam sighed on the other end of the phone. “Whenever I get to the lead, it doesn’t even seem like he was ever even there. It could’ve been a completely fabricated spotting. This dude’s a ghost.”  
Steve glimpsed through the open crack of his bedroom door. Y/N was still sleeping soundly in his bed. He could hear her soft breathing.
“He saved her life, Sam.” Steve muttered sadly. “I already owed him. But now…I owe him everything.”
Sam exhaled. “I get it, man. Really, I do. But did you ever think there’s a reason he hasn’t come out of hiding? You know… a reason that he hasn’t come to you.”
Steve’s brow furrowed. “What are you trying to say, Sam?”
“Maybe he’s not the only one he’s trying to keep safe, Steve.”
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Chapter 10
Let me know what you think :)
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I do not do taglists. Here is the series’ masterlist: Non-Sequential
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30 days of Autism Acceptance: Day 3!
April 3: Talk about special interests. Do you have any? What are they? How long have you had them? What does it feel like to have special interests? What does having special interests mean to you? Talk about your past special interests
HOO BOY! Ok, I’ll try not to go on too long about my special interests, but I have a lot to say about them! Also, some of my special interests are in this weird grey area of “are they a SpIn or a hyperfixation?”, so I’ll cover those as well, and make it noted when that’s the case for one. Also, this will be VERY LONG, so I’ll put it under a cut.
SpIn #1 - Pokemon
Pokemon has been my main special interest since I was 9, I believe! Black was my first game that I got for my birthday, and I was super happy to get it since all of my friends at the time would talk about it! I’ve gotten (almost?) every major release since then, thought I usually only get one out of the two versions. 
The Pokemon games that I have are *inhales*: Black, Black 2, HeartGold (got a few years after it came out), X (I have the limited edition 3DS), Alpha Sapphire, Moon (first completed Pokedex!), Ultra Moon (haven’t beat and probably never will), Let’s Go, Eevee!, Sword (still trying to beat), Conquest, Art Academy, PMD: Gates to Infinity, Picross, Rumble World, Battle Trozei, Pokemon Quest, Pokemon Playhouse (for when I’m regressed), Poke Park 1 & 2,  My Pokemon Ranch, and Battle Revolution!
I also used to play the TCG competitively, and in my first competition, I placed 9th in my division! I stopped playing about a year after that though because the cards I used in my strategy when I would practice with my Dad were too old to be viable.
I have a growing stuffie and merch collection as well! I have a lot of Unova stuffies, and a print of the Unova map that I got at a ren faire when I was younger (it currently hangs above my dresser)! My two favorite stuffies at this time are Baby my Eevee Build-A-Bear (named after my Eevee in Let’s Go, Eevee!), and Lily my Wooloo! I have a couple of Pokemon sketch cards that friends of my Dad’s drew, and some prints and figure-y things I’ve gotten in Artist Alleys over the years!
I also own a couple of different Pokemon books (not the manga, though), and 2 of the movies, along with the OSTs for B/W, X/Y, and ORAS! I don’t have much as far as clothing goes though, except for my “Gotta Catch ‘Em All” scarf and a Pikachu hat I got at an old anime store at the mall that has since closed. That’s probably all I can remember right now!
SpIn #2 - Steam Powered Giraffe
SPG has been a special interest for about 4 years now? Anyway, they’re my #1 favorite band and have literally saved my life. Watching Bunny Bennett’s (who plays Rabbit) vlogs about her transition, along with listening to the song Transform that she wrote (waaay before they just made it a single) really helped me accept myself and come out. 
They also came at a time where I was struggling emotionally a lot, and I remember being stuck in the ER hooked up to an IV, and my mom played some of their albums for me to keep me calm and grounded. More recently, I saw them perform at Anime Midwest last year, and when they performed Transform (which neither me or my friends expected), we were all hugging each other and crying tears of joy (my friends are trans as well, and have also been touched by Bunny’s vlogs).
Their songs (not including the sad ones) make me really happy as well, and Make Believe makes me stim a lot in particular! I also got to sing Honeybee as part of a voice coaching summer camp I took last year, and it felt really good to do it! I really recommend listening to them, especially if you like steampunk and/or you’re looking for trans artists to support!
SpIn #3 - Little Shop of Horrors
So this is more of a fairly recent one, compared to the first two. This special interest mostly applies to the 1986 movie, but I’ve seen the stage musical as well! The music, the cast, the plot, it’s all *chef’s kiss*. But for real though, my two favorite things about the movie are the practical effects and the endings.
With the CGI fresh hell we got with CATS, you may thing, “wow, special effects were so much better back then”. Except here’s the thing, they were practical effects. Audrey II is (I believe) entirely puppetry, not CGI. The same applies for the musical as well! It really culminated at the end of the film during “Mean Green Mother from Outer Space”, when Audrey II is at it’s biggest and most elaborate. Speaking of that scene, I much prefer the director’s cut over the theatrical cut. I know that the happy ending is much better for Audrey and Seymour, but “Don’t Feed The Plants” is an absolute banger, and I get a good cry out of it too.
I heard they might be making a remake of the movie, which I’m hesitant about, again, seeing how CATS turned out. We can only hope that they listen to the fans, and make the right decisions when it comes to making it.
SpIn #4 - Jojo’s Bizarre Adventure
Ok, so this is one of those aformentioned “is it a SpIn or a hyperfixation” moments. I’ve been hyperfixated on JJBA for the past 6 months and I’m physically unable to shut up about it XD
I’m about to start watching part 4 of the anime, I just need to set aside time to do it. I watched it a tad out of order, my ex told me to skip part 1 and watch a synopsis of it, so I started with part 2 (I’m a huge part 2 stan btw), got to part 3, was confused by everything going on with DIO, so I went back, watched part 1, and then resumed part 3.
As I mentioned, I’m a huge part 2 stan, so I currently have several part 2 character cosplays in the works. This includes (but isn’t limited to) Caesar, Suzi Q, Playboy Bunny Caesar (inspired by a piece of art that @tinypalettes drew), Tequila Joseph (but like,, actually decent drag), and Cleric Suzi Q from the JJBA D&D session me and my friends are having. I also want to do a drag/latex DIO look, along with maid DIO inspired by an old JUMP cover and a fanfic I read the other day.
I get a little nervous about doing/going to JJBA events at conventions because I’m worried about running into my ex, but knowing that I have supportive people with me helps a lot.
SpIn #5 - Homestuck/Hiveswap
So this is another one of those “SpIn or hyperfixation” moments as well. I’ve been into Homestuck since late 2016, but I’ve never been super involved in the fandom. Like, yes, I have a moirail and I’ve been in and hosted panels at conventions, but I’ve encountered some toxic people in it, so I try to distance myself.
I will say, however, that Homestucks are loyal to their fandom, and will buy merch if they like it. When I say that, yes, I mean myself, but it’s mostly about my Etsy customers. If you look at my sales history, the majority of it is quadrant necklaces, almost always the moirail ones. I get some orders for horns and pillows too, but not as often as the necklaces. When it comes to exhibiting at conventions, it depends. I normally don’t put Homestuck stuff out on the table because it’s such a niche, but when I do, people will usually buy a lot at once. For example, at Wizard World Madison in 2018, one guy bought $50-60 worth of Homestuck sprites from me. That weekend was the best I’ve ever done, and I haven’t come close since. My Etsy store started out as just me making Homestuck sprites for me and my friends too, so I’m glad that I was able to expand and give others what I like as well.
I’m also involved in a Hiveswap YouTube musical, and I’ve made a lot of good friends through it! We’re on hiatus right now, but we should be starting up again soon! I also have a lot of Homestuck cosplays! I’ve done Karkat, John, Jade, Nepeta, Trickster Nepeta, Karkat Peixes (a bloodswap), and I have a lot more that I want to do!
SpIn #6 - Danganronpa
So Danganronpa is (probably) one of those last “SpIn or hyperfixation” things. I’ve been into Danganronpa since 2018 (I think?), and DR:AE is my favorite (mostly because I’m a Kotoko and Toko kinnie oof-)!
Right now, my only Danganronpa cosplay is Toko/Syo, but I’m working on a couple of j-fashion (particularly menhera and fairy kei) inspired looks to do with my moirail (who was the one who got me into j-fashion), and just some Amazon/eBay cosplays as well! I’m also working on a Future Foundation Toko cosplay to do with my moirail so we can do Tokomaru together (though most of it is thrifting and clothes I already have)!
I own DR1, SDR2, and DR:AE on my computer, but I don’t play them much. The second trial in DR1 gives me panic attacks because of the whole breaking of trust thing (I’ve heard the audios and I just,,, break down), I haven’t touched SDR2 yet, and I’m sucky at the controls for DR:AE. However, I’ve watched the anime and I’ve seen let’s plays, so I have a feel for what’s going on, though I may not remember it all correctly since I haven’t watched them in a while.
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So that’s most (if not all) of my special interests! I probably forgot some, but it’s getting late and I need to pack for my Mom’s and go to bed. I hope you all have a good night!
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in the blood: connecting the backstories
With the arc concluded and what I imagine is pt 1, the pre-AFO bits, of Tomura’s backstory revealed, I thought I’d finally sum up one of the major points of this plot. Scattered throughout the arc were three major backstories—Himiko, Twice, Tomura—that could use some piecing together. It doesn’t seem like they were chosen at random or were primarily subordinated to good timing, and instead were written because they parallel and reinforce certain themes in Tenko’s past.
Here’s my typical disclaimer that these connections may not have been intentional at all, but, y’know. We’ll pretend Horikoshi is a competent writer and etc. etc. Of course, there’s also the question of what conclusion all these narrative threads points us towards, and I’m chronically afraid of making a wrong prediction so I won’t do that on this post lols (it’s also not 100% clear, which I’ll address). Nevertheless, I think it adds significance to consider Tomura’s past with the addition of framing it through the other two backstories, considering what they say about Quirks, society, and the characters’ internal processes about where they fit in the overall scheme of things.
(note: some screenshots below the cut contain mild gore!)
I. Quirk repression
We encounter this for the first time in the MLA arc through Himiko. Although we’re not privy to Himiko’s thoughts during the flashback, Curious makes an assertion that Redestro later repeats: that Quirks can, to some degree, influence a person’s disposition. Transform elicited in Himiko a desire to drink blood (in order to develop a bond of closeness), which was largely viewed as deviant, and she was pressured to suppress not only her impulse, but her Quirk as well. This idea of Quirk=disposition is also repeated with Tomura, who Redestro asserts is only capable of destruction.
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Without being told Himiko’s perspective in the flashbacks, we don’t know how her experience with suppressing her desires went, nor whether she experienced any adverse physical effects from doing so. Tomura, however, is clearly stated (by AFO, so it’s worth taking with a grain of salt) to experience unbearable itchiness whenever he represses his urge to destroy, a sensation which only seems to abate when he uses Decay. So for the moment, the message seems quite clear: suppressing one’s Quirk is akin to suppressing one’s self, and even more drastically, there may be physical consequences to doing so.
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On the flip side of Quirk repression, then, there’s Quirk liberation. That’s what the Metahuman Liberation Army is going for, of course, but the three characters discussed here also found relief through their Quirks: Himiko in finally shattering her mask, Twice creating his crime gang, and Tenko eliminating that which he hated. Embracing their Quirks is portrayed as a way in which they achieved not only emotional pleasure and fulfillment, but agency as well—an increase in control over their own lives and fates—finally allowing themselves to do what they were “meant” to. This is, supposedly, a move which empowers oneself.
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II. Quirk trauma
But that’s not entirely true.
Just as Quirks can be liberating, they're shown to be harmful when used without restraint, turning against their wielder and instilling suffering. Twice’s clones eventually went out of control and began to fight each other for claim to the original, and Tenko’s Quirk awakening killed his entire family. Both experienced trauma involving the people closest to them, Twice being confronted with “his own” betrayal, while Tenko witnessed the deaths of his family at his own hands—in the aftermath, they’re both left completely and utterly alone, abandoned by those they believed they could rely on, with uncertain recollection about how events actually transpired.
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Then it’s no coincidence either that Twice’s and Tomura’s chapters focus on arriving at the truth of their traumas. Twice, after having spent an indeterminate length of time trapped in the uncertainty of his own realness, is forced into confronting his fear of disappearing after Skeptic orders his arms broken; in surviving this, he’s able to confirm that he’s the original Twice, once and for all. Tomura is likewise pushed into recalling his repressed memories (let’s assume right now that they’re the real memories) as his last connections to his family—their hands—are destroyed one by one.
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It’s through the discovery of this truth after being confronted with their greatest fears or insecurities that they’re able to embrace the full strength of their Quirks, returning to a default, ‘pre-trauma’ state. Twice is able to create doubles of himself once more, and Tomura becomes able to unleash a stronger version of Decay. While Himiko’s case is much less drastic, the new characteristic of Transform also seems to be linked to her reaffirmation of her ‘truth’ as well. Those ‘truths’ may sound positive or negative, motivated most obviously by self-preservation in Himiko’s case, self-actualization(?) in Tomura’s case, or protective instinct in Twice’s.
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Personally, I place a lot of (if not most) importance on Twice’s motivation in this arc, because his past and desires most strongly encapsulate the themes we see repeated across all of these backstories:
III. Alienation and belonging
Perhaps the strongest thread that pervades these three stories (and Spinner’s too, which we have less to go on at the moment) is the feeling of alienation. The four of them found themselves constantly rejected by those around them: Spinner due to prejudice, Twice never getting support nor sympathy after being orphaned, and Himiko and Tenko in particular being denied by their own families, both of them compelled to stifle their own desires, whether it be to pursue her instincts or to voice his dreams. They were positioned as outsiders, set apart from everyone else.
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That’s why I believe it’s significant that one of the primary purposes of this arc seems to be to bring the LOV more closely together, from Spinner’s questioning and renewed loyalty, to a central conflict of this arc plot being a rescue (among other schemes from the MLA, of course), to giving the LOV a way out of the aimlessness from the beginning of the arc. Of course, past alienation and present cohesiveness also contrast each other as narrative foils, and this is most clearly exemplified in Twice’s chapters because he’s babey, which more extensively linger on his feelings towards his current situation and friends, who he sees as a remedy to the loneliness of his past.
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The other characters haven’t offered the same reflection towards the LOV, but it’s not a stretch to say that the group provides them with something that wider society could not. People who accept Himiko’s “normal,” who enable her to pursue her love (for good or ill); who take Spinner seriously despite being a mutant with a “useless” Quirk; and to some degree, even Tomura seems to have achieved what he once wanted. Tenko was a child who made friends with lonely kids, who wanted to be a hero, presumably to save others, but was rejected by his family at every turn and had no one save him at a time when he needed it most. And even though his life as Shimura Tenko is long gone, Tomura currently finds himself as the leader of a group of outcasts who are looking out for him, fighting through a small army to save one of their own. The irony is poetic.
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IV. Tragedy or Agency?
Which begs the question: what do we do with this information and how do we interpret these characters? Are they just cruel and unrepentant villains, or should we sympathize with them as people rejected by a prejudiced society? Really, this arc offers room for both readings.
At one end, we have Himiko and Tomura, who view their decisions to become ‘villains’ as liberatory. Whether or not certain painful events in their lives affected their choices seems to matter very little to them, or perhaps those events were even a blessing for leading to the choices they made. They decided to embrace their natures even if those traits were violent, distrusted, and societally shunned, and they do not consider this eventuality as particularly unfortunate. Himiko rejects Curious’ interpretation of her life as pitiable, and Tomura likewise asserts to himself that he’s untroubled by the deaths of his family. They both represent their pasts as not a tragedy.
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On the other hand, we have Twice, whose backstory chapter bears the maxim that also appears on the cover page of vol 24, and thus has the privilege of setting the tone for a major portion of this arc: “All it takes is one bad day.” Twice’s backstory (ironically enough) reads uniquely more self-aware than the others’, both about his own decisions, and about the conditions surrounding him (i.e. how other people’s decisions affected him). He was aware of the way others viewed him and how that caused his alienation—best exemplified by how disposable he was at his workplace—and of his reasons for pursuing a “solution” that only dug a deeper hole.
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Thus, we have the “one bad day” part of the narrative. Twice, who was orphaned early on and isolated from his peers, got into a motorcycle accident with one of his firm’s clients. His boss hits him and fires him, leaving Twice aimless until he comes up with the idea to Double himself. Twice’s backstory interprets "one bad day” as a truism about instability, particularly in a society which appears to have few safety nets and a lot of prejudice—essentially, the chapter posits that one incident of bad luck can put someone on a worse path, especially when people act in their own interest instead of in sympathy or aid. Okay. See where this is going?
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We’re presented with two narratives here: that ‘bad paths’ are either predetermined by an individual’s disposition and are liberating to embrace, or they are often the result of an individual’s circumstances and influenced by other people. Nature versus nurture. The arc does not definitively come down on either side, so I’ll stick to observations and limit on drawing conclusions.
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Tenko’s backstory also fixates on a day. The turning point in his life was the day his parents’ rejection of his aspirations culminated in physical violence from his father, setting off the chain of events that led to Decay’s awakening and killing his family; in the aftermath, he was also further alienated in a busy city where no one stopped to help him until he was conveniently ‘found’ by AFO. The “one bad day” lies in the fact that Tenko was entirely salvageable; neither his hatred nor his fractured relationship with his family were conclusive in a five year old’s state of mind, and they both could have been remedied if they had the chance.
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So that leaves us with two different takeaways. Can Tenko be thought of as having taken a turn for a better, more self-actualized existence—a not-tragedy—or was it indeed a set of circumstances that should rightfully be considered unfortunate because it was fixable? The resolution of this arc seems to come down pretty firmly on the side of the first interpretation: by embracing his destructive ‘nature,’ Tomura has awakened the full scope of Decay’s power, subdued the Meta Liberation Army, and gained their resources—he’s more influential than ever before, and he’s put himself at an advantageous position to take down hero society. So, clearly his internal monologue must be self-aware, because the narrative is rewarding him for embracing his purpose.
V. The League of Villains and Self-Destruction
But I do have a caveat to add, and it has to do with self-destruction. I’ve talked about Tomura and self-destruction, but that’s not really just a tendency limited to him. It proliferates in most (if not all?) of the LOV members, in more or less obvious ways. Spinner’s crisis of self-worth and subsequent seclusion was arguably self-destructive, as is Mr. Compress’ tendencies to run away from conflict. These are more metaphorical and without much elaboration yet. On the other hand, for a more literal take, there is Dabi, who burns himself alive whenever he uses his Quirk.
Himiko’s is somewhat a mix of both figurative and literal. Transform lets her take on someone else’s appearance, and she has an obsession with ‘becoming’ her objects of affection; it follows that if taken to the extreme and if she’s successful in 'becoming,’ she erases her own identity in the process. It’s no different than the ‘mask’ she assumed until middle school; she trades one mask for another, more appealing one, and her own ‘self’ is what gets destroyed. 
Then there’s Twice. Double first started off as something that gave him comfort when he found himself utterly alone, but from there only lead to even more mistakes. Using his doubles to commit crimes as an ‘easy out,’ every decision Twice made thereafter piled on to conclude in his doubles’ murderfest. What began as comfort became the conduit for his own, literal, self-destruction as his doubles turned on each other.
Similarly, by the end of 239, Tomura has fully unleashed Decay. Like the first time he used it, he found it liberating, a release for all the emotions he experienced and repressed. Much like the rest who embraced their Quirks, it was a source of pleasure and comfort, but not without consequences: as shown by the damage one to his right arm, his body can’t sustain that kind of use. Decay too much, and there will be blowback in the form of starting to injure himself. It is, again, a form of literal self-destruction.
VI. To conclude:
The arc ends on a firm note about Tomura’s growth, and the direction thereof, concluding that Quirks affect innate drives which our antagonists have accepted and been rewarded for; however it follows on the heels of contradicting points about how that very acceptance and overindulgence ends in self-destruction. Our antagonists have been strongly linked together via backstory, highlighting the similar sources of conflict they’ve experienced. Familial strife, instinctive drives, the price of overindulgence, and the indifference of society are all elements that deeply influenced these characters, and their stories are continuations of how they conceptualize these elements with respect to their own senses of self. Again, assuming that we’re dealing with a competent writer, we can assume that these themes will be revisited as the story continues; namely, addressing to what degree a Quirk determines a person’s future (ideally, there should be a convergence of the messages brought up in this arc with those brought up with Shinsou and Monoma), coming to a resolution about the disputes of personal versus societal responsibility, and deciding how the narrative itself feels and wishes to convey about our antagonists and their struggles.
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