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#becoming more and more removed from common humanity

talisidekick · 1 year

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I don't care what nationality you are. US, UK, French, German, anyone in Europe, please do me the grandest of favours and spread this around. Steal the link, make your own post, I don't care; just get it to the eyes of your viewers because if they're Canadian, I need your help.

This petition ends May 26th 2023:

What is this about?

"Whereas:

The world is becoming increasingly hostile to transgender and nonbinary individuals;

Transgender and nonbinary people's rights to live as themselves are being restricted and removed in many places;

This includes the so-called "Western democracies" which have historically been presumed safe;

More than a dozen American states have enacted or are considering legislation eliminating or criminalizing gender-affirming care; and

Canada has prided itself on being an inclusive, tolerant, and welcoming society for everyone regardless of gender identity or gender expression.

We, the undersigned, residents of Canada, call upon the House of Commons to extend to transgender and nonbinary people the right to claim asylum in Canada by reason of eliminationist laws in their home countries, whatever country that may be."

It's better to give people an exit plan, and just hope they won't need it, then to do nothing and assume they'll be fine. Help us keep making Canada a positive place for everyone. I hope you'll sign if you're Canadian, and if you're not, I hope you'll help us make some positivity by sharing this around.

(Edit: A bullet point in the petitions description has been removed from this post, but remains on the petition. It's removal is due to misinformation around the UK's Equality Act 2010 only providing protection for those seeking sexual reassignment surgery. And while the Equality Act 2010 does explicitly state this, the Equality and Human Rights Commission has released an Equality Act 2019 Code of Practice document that specifies all transgender people are protected under the protected characteristic of "gender reassignment" regardless of desire to undergo the specific surgery initially identified in the Equality Act 2010 document. There has been, as of this editation, no direct quote or statement of plans to remove these protections from discrimination to the public.

I'd also like to add that there do exist protections already for 2SLGBTQIA+ folk to seek asylum in Canada, and the MP who made this petition has apparently been made aware of this, however, due to certain restrictions on that act, Canada currently lists the US as a safe country for 2SLGBTQIA+ folk because as long as there is one safe place(state, province, or territory) in the country for queer folk, the ability to seek asylum is denied. This petition clearly states a need to make a more specific clarification regarding this and open up assylum if any discriminatory laws pop up at all within a country, no matter if it's regional laws, or country wide. Specifying this because there's been a reblog or two calling this petition pointless and because I'm already clarifying UK law misinformation, might as well tackle misinformation from my own country as well. ♡)

#trans #transgender #2slgbtqia+#lgbtq+#lgbt+#trans positivity #mtf #ftm #non binary #enby

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prince-geo · 6 months

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literally pleased with almost all of the new atla trailer except as per usual, Zuko's scar, idk why studios are so scared to commit to the intensity of the thing, its supposed to be shocking and obvious and textured and the first thing you see... that's the point, Zuko is supposed to struggle with feeling like it defines and brands him before finally coming to the point in his journey where he defines it.

Hollywood/big studios are known to hesitate or straight up avoid properly and honestly and unapologetically showing people with disfigurements/disabilities/facial differences etc. with the realism they deserve. Which is a shame in general for representation and humanization but ESPECIALLY in this case as its minimization actively harms it's narrative purpose as well

I promise making the scar more intense (shrivel up the ear a bit, make it intrude in his hairline, make his eye in a permanent squint due to nerve damage, for god sake REMOVE THE EYEBROW IT WAS BURNED OFF) will not make Zuko "ugly", (the actor is incapable of looking ugly and also the implication that scars make people too unappealing? yikes) but will actually do the character and his journey justice, not to mention really show Ozai's brutality, another essential narrative tool. Especially when he's bald like hello??? It should be even more stark and intense when he doesn't have hair to distract from it and cover his ear!!!

When transitioning from 2D to live action, of course some visuals are up for interpretation but that usually involved ADDING detail because the constraints of having to stay on modeling frame to frame is gone, not minimizing, removing or airbrushing. Doing Zuko's scar right to me is absolutely essential and I'm disappointed they seem just as as scared to go there as I thought they might. It doesn't have to be gory, if you've ever seen burn victims in real life or in pictures or even cosplayers/artists who are skilled in realistic burn makeup you'd know its possible to balance realism with humanity. It's possible especially with their resources to avoid the "scary Halloween makeup" route while not holding back on the brutality of the original injury.

Budget is definitely not an issue, or "scaring the kids" considering this remake is likely aiming to go a lil darker in tone than the cartoon (which was already super dark with its target audience of nickelodeon 7 year olds so no excuses) Audiences SHOULD be unsettled and upset when they see him but not because he's hard/disturbing to look at but because we are human and do not want to imagine someone doing that to a child.

It's a deliberate choice out of the all too common fear/hesitation to allow someone who is destined to eventually become a protagonist and is meant to be sympathized with to be "too ugly" while this hesitation is very rarely applied to straight up villains (again we come back to media's historic villainization of facial deformity). It's a trend that's always ticked me off in fanart too. The boy's face was melted, for gods sake. Zuko was always portrayed as an attractive boy in the cartoon (fire nation girls fawn over him) even with the intensity of his scar which is something I've always admired! People exist with scars similar to Zuko's in real life, and should not only be permitted to be represented as good guys and/or as attractive when their scars are toned down to be "palatable"

Like I said there's more that I loved than didn't love about the trailer, that can be a whole essay on it's own but I needed to get this very specific vent off my chest because it missed the mark so hard and stands out like a sore thumb in comparison to all the other visuals that hit the nail on the head to me

#atla #zuko #avatar the last airbender #atla live action #ozai #dallas liu #my posts #atla wank #rant #atla critical #prince zuko #netflix #netflix atla

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etheries1015 · 1 month

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Imagining Malleus is going through his heat cycle, and finds himself needing to be guided through the motions by none other than Lilia, of course. His subject? You.

(18+ minors DNI. Afab reader, fem pronouns.) this ones for you, bestie @masquerade-of-misery <3 live laugh love "threesomnia" LMAOOO

How you came into this predicament will be far beyond you. How you were now stripped bare by a hungry Draconic Fae, with your bare back pressed up against Lilias's chest, holding you in his grasp with his hands coming around to play with your sensitive mounds. His hands gently groped your tender breasts, flicking a finger over your hard nipples and pinching them at just the right pressure. Your back arched against his touch and a small and yearning moan elicited from your lips, Malleus looking down at you with a flushed face with his tongue licking his dry and hungry lips. Lilia chuckled at Malleus's eager display.

"It depends on the person," Lilia pointed out as if giving some sort of classroom lecture to the black-haired male, "Sensitivity of the breasts isn't uncommon. However, it seems our prefect here may need a little more than simple foreplay of the bosom to feel satisfied..." He rolled your nipples in his fingers and used the bulk of his palm to give a little squish to your breast, your breath becoming ragged as you melted into his touch, holding back a moan from the back of your throat. Lilia smiled at your rather simple reaction, before eyeing the shirtless fae that loomed over you. Malleus gave him a confused look before Lilia grabbed his hand and placed it on your chest.

Encouraging him to move in the way Lilia had, Malleus placed his much larger and dexterous fingers against your soft skin. His movements were much more uncertain, slow, and passionate versus the older fae whose touch left you thinking about the surprising amount of skill he had and the ability to understand your body the moment his fingers touched your skin. As Malleus gently kneaded your breasts with caution, you were shocked when suddenly you felt sharp teeth dig into the crook of your neck. You let out a yelp of surprise mixed with a moan that sounded rather confused and high-pitched- even your body at odds with the pleasure of your chest and the now throbbing of your neck. Malleus looked up in concern at this, almost glaring daggers at the other fae as if to ask; 'what did you do?'

"The neck," Lilia purred into your ear nibbling the lobe, "Is a rather sensitive spot for humans...biting it is also seen as a form of possessiveness, in both Fae and Human mating. Interesting, no?" Lilia smiled mischievously as he playfully licked the wound he had left, your body shivering at the wet muscle that scaled from the base of your neck before teasing its way to your jawline. Malleus eyed the cheeky fae that held you in his arms, before heading his mentor's words and leaning over to take his place between the other side of your neck. Lilia moved your hair to the side to allow Malleus easier access to mark your neck, his hands continuing his relentless motions on your chest. It seemed he had gotten rather carried away, for you winced in pain and exclaimed "Ow!" when Malleus's nail ended up scratching your nipple. He pulled away, looking at you in worry and quickly removing his hands from your body. Lilia chuckled at this, a seemingly common pastime for him at this point.

"Humans are delicate," Lilia said to Malleus almost to chastise him for his mistake, "Make sure she is alright, and then continue forward. You need to think what each of your body parts are doing, and adapt accordingly." Malleus's eyes caught yours.

"Are you alright, child of man?" He cooed gently, his honey-deep voice immediately setting aside any uneasiness you may have felt. You gave him a nod and the okay to continue, Lilia whispering "Good girl," In your ear before his hands snaked down to the bottom half of your body, also bare for the two men to be witness to. Your legs were closed the time they were experimenting with your breast and higher extremities, Lilia used a skilled hand to open your knee and allow your legs to spread in front of the draconic fae. Malleus stared down at your dripping cunt, taking notice of the slick that glistened around your hole. The growing bulge of his pants became much more apparent as it grew in size, practically begging to be freed from the confines of the fabric he so frustratingly wanted to be released from.

Lilias hand snaked down from your inner thigh to place two fingers over your folds and spread them apart, making the wetness between your legs much more apparent for Malleus to see. You instinctively felt a jolt of pleasure at such a simple touch, your legs almost snapping shut if it wasn't for Malleus quickly using his hands to force your legs apart. Lilias eyes cocked in surprise at this action, his lips curling in a coy smile before resuming his "lecture."

"Human women have their own lubricating system. When they are aroused, they produce this-" He used two of his fingers to rub a few lines from the pearl of your cunt and entrance, holding them up to show off the glistening clear substance that now covered his fingers. "This is how they prepare to take the male in." Malleus watched earnestly with rosy cheeks, almost drooling at the simple idea that you were ready to take him in. Taking this point as the next step, Malleus began to unbuckle his belt to release him of his constricting confines. Your eyes widened at this, and Lilia 'tsked' at this, shaking his head. Malleus looked up in mild annoyance at the red eyed fae.

"Although she produced her own lubricant," Lilia pointed out, "We still must make sure it's safe for her to take you. You must prepare her, first." Malleus furrowed his eyebrows at this, sitting back slightly holding back a growl of impatience.

"Does her body not automatically prepare her for such actions? Is that not the purpose of the lubricant?" Malleus inquired. Lilia shook his head and gently rubbed your thigh, as if thanking you for your patience.

"I understand your impatience, Malleus. But you must understand, despite the lubricant, we want to avoid any injury that may occur for being ill-prepared for the size in which she is to take. To prevent tearing or pain, it's best to prepare her first in order to stretch her out to better take you in. Especially in your case, since most human males only have one." You started at this sudden statement, looking back between the two men bewildered.

"O-one? What do you mean by that?" Lilia looked at you with eyes wide with confusion.

"Hm? I thought you were aware? Draconic fae actually has two phalluses. One is for keeping the entrance of their mate open, while the other is to push their seed in for breeding. Although...it would be in your benefit to start with one at first, to ease you into it." Your face fell at this information, looking back at Malleus with your eyes wavering in concern. Malleus leaned over you, using a hand to place upon your cheek and stroke it gently, his emerald green eyes glowing with lust and affection for you.

"Do not worry," Malleus cooed with his words of honey, "I will be sure to prepare you as Lilia instructs." Biting your bottom lip, you nodded and tilted your head back. Malleus planted a gentle kiss against your forehead before returning back to his original position, awaiting patiently for Lilias's next set of instructions. Lilia continued to hold you against his chest, looking at Malleus from behind your slightly trembling body. The trembling was out of slight fear of the possibility of two fitting inside of you, yet it seemed all the more tantalizing and exciting at the same time...

"Now Malleus," Lilia continued his instruction, his hands trailing back down to your folds using two fingers to caress your pearl in a mix of circular and vertical movements, teasing the inside of your hole with only the tip of his fingertips, not quite indulging into it. you whined and found yourself moving your hips in the hope of more friction, for the bat's touch was light and you felt yourself become impatient. Lilia ignored your feeble movements and continued to explain as if you weren't so needlingly begging for more. "Start with one finger, and when you feel it enough, you can continue to add more. You will be able to tell she's ready by how much she can take of your fingers without feeling too tight." Lilia suddenly pushed two fingers at once inside of you, urging Malleus forward. He watched eagerly as a satisfied hum escaped your lips, your body arching ever so slightly as Lilia massaged the inside of your hole skillfully with his fingers. All at once and far too soon for your liking, Lilia removed his fingers, your slick completely covering them. "Now, you try. Move them like this-" The red eyed fae gave a demonstration to the horned male, malleus nodding before following instruction.

Malleus was much more clumsy when it came to such acts, you could feel it in the way his fingers stiffly entered you with very little fluid movement.

"curl your fingers gently and move upward. Feel how she tightens around your fingers when you do it correctly?" you had to admit, hearing Lilia talk about you in such a blunt manner about the ways in which your body reacted was enough to make your entire face red. Yet, the wetness down below was far more prominent with every word he spoke. Once he was able to add another two fingers, Malleus pulled out leaving you empty once more. He admired his fingers that were covered in your substance, before staring you directly in the eyes and using his tongue to lap up your wetness from his fingers. You weren't sure you could possibly become any more flustered than you already were, yet it seemed possible with every new action both of the men took. Deciding you had been stretched out enough, Lilia had given Malleus the okay to the next step.

The tall male stood up and unbuckled his belt, allowing his pants to fall to the ground and removing his boxers allowing his cocks to be seen by your mesmerized eyes. You watched in anticipation as he shuffled back in front of you on his knees, your eyes never leaving the sheer length and girth that he had been hiding all this time.

"remember what I said earlier," Lilia said, using his hand to pull your legs apart further, "Humans are incredibly delicate. If you are not careful when breeding, you could harm your mate. Enter her slowly..." Lilias fingers snaked back down to your folds and once again used his skilled hand to pull them apart, Malleus pumping the top of the two cocks a couple times before aligning it with your entrance. Lilias fingers remained spreading you apart as he talked Malleus through every inch, yet the second the head of his cock penetrated you, you couldn't help but suck in air and almost pull back.

"t-too.. too big..!" You whined, Lilia hushing you gently and planting a kiss upon your cheek. Malleus leaned forward and groaned, his cock throbbing in desire to bury deep inside you. As you were taking inches of Malleus, you couldn't help but notice something hard poke at your bare back, like cloth that was rubbing against your skin. Lilia was hard. You hadn't the chance to speak up about it before the older fae ignored his obvious 'issue' and continued to coach Malleus through the motions.

"Let her adjust," Lilia said to the black-haired male, "(y/n), Tell him when you're ready to take more. And if it is too much to bear, speak your mind." Lilias's words were kind and gentle, his lips pressing against the lobe of your ear before biting down. After a few moments of adjusting to Malleus's size, you gave him the okay as Lilia guided him deeper inside of you.

"So tight and wet," Malleus let out a deep primal growl from the back of his throat as he was able to finally fully engulf himself in your warmth, "So warm...ah.." groaning while leaning forward and biting the crook of your neck, Malleus found himself trying to push deeper and deeper inside of you. Tears pricked the side of your eyes at the number of stimuli you were receiving, Lilia took notice and moved your head to face him kissing the tears away from your cheeks. "There...Good girl. You're taking him so well, aren't you?" He purred, trailing kisses from your cheeks to your jawline, and from your jawline moving his teeth to graze against the other side of your neck. Once fully adjusted, Malleus began to go at a steady pace with moans of pleasure escaping his lips.

It wasn't long before he was fucking you relentlessly out of pure primal instinct, the room full of wet sounds of skin slapping against each other and moaning. Sweet moans that left your lips with one man penetrating you and the other sneaky hands roaming your body. Lilia used one hand to grope your breast and play with your hardened nipples while the other moved down to your clit and rubbed circles around it leading you closer and closer to your release. You could feel the bubbling pit of your stomach as your walls clenched around Malleus's cock and your back arched, a loud desperate moan slipping from your lips and your body trembling with ecstasy. At the same time, you felt Malleus twitch inside of you, with ropes of cum painting your swollen insides white. Your body went limp against Lillia's chest, panting roughly as the Draconic fae removed himself from the warmth of your cunt. Lilia used his thumb to pull open your swollen hole, watching as Malleus's thick seed pooled out of your twitching entrance. As Lilia sang your praises, Malleus leaned forward and kissed your forehead gently, you taking notice that he was still as hard as he had started.

"Seeing how well both of you did," Lilia smiled, "shall we try using the second one, next?"

You surely weren't going to be pulled away yet, not until Briar Valley had another heir on the way <3

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fatesundress · 11 months

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⭑ for the love that used to be here. tom riddle x reader

summary. you and tom are the only muggle-borns in slytherin, until one day he isn’t.

tags. angst, afab reader who is referred to as a witch a few times and rooms with girls but i don't think i ever use she/her pronouns or say the word girl/woman, biggest warning is that this is SO long (idk what compelled me to write a year 1 – post-hogwarts fic but here we are twenty thousand damn words later), blood purity and bigotry, dumbledore is greatly offended by the bonding of two orphans until he can capitalise on it, frequent wwii mentions (specifically the blitz), book clerk tom, MURDERER TOM… ministry reader, kissing, smut once they’re 21/22 May all the minors in the room exit at once, more angst, sad ending kinda, me spreading a very personal and very nefarious tom riddle agenda that is canon to ME but probably only like two other people

note. i need a shower and an exorcism after writing this shit. i'm exhausted. i don't even remember half of it. but i'm also SO stoked, this is my little (very large, frankly) 100 followers celebration! i've only been on here for about a month and the love has been so crazy so thank you mwah mwah mwah ♡

word count. 21.8k (i know... i KNOW)

You learn quickly that your shade of green is not the same as theirs. The rest of them are emeralds, even at that age — they glitter with their parent’s polish. You are flotsam, sea-sick, envy green; the putrid boiling stuff that brews in your cauldron when you look away for a second too long, and, really, it’s more of a stain than a colour at all. There is a fraction of a second where you find something powerful in that. You are not an easy thing to remove. And then it’s gone, because they want to so badly.

You learn, with a bit less tact, that you doesn’t actually mean just you; that it’s you and him whether you like it or not.

He evidently does not.

“It has to be completely fine,” Tom says to you in Potions, his voice small then but just as practised.

You narrow your eyes. “‘Scuse me?”

“I said the powder has to be completely fine.”

“I heard you completely fine. I know how to read.”

He stares blankly at you before returning to his own station, and that’s that.

It isn’t unheard of for muggle-borns to be sorted into Slytherin, so you’ve been told, but one glance around your common room and you can see it’s pretty damn rare.

There’s Tom Riddle, there’s you, and there’s a seventh-year girl whose knuckles are always white like she’s spent so long with her hands balled into fists that they don’t know how to do anything else. Tom Riddle is a prat, the girl is too old and unapproachable even if she wasn’t, and you are very good at being alone.

That decides it. Flotsam still floats.

Everything is — fine. It’s fine for months; you have no one and need no one and sometimes you catch a jinx in the back of Charms that zips your mouth shut or bends a foot the wrong way (a cruel reminder of how much more these people know than you) and your broom occasionally pivots so sharply the Flying professor has to stop you from careening into a wall and breaking enough bones for a week’s worth of Skele-Gro, but it’s fine.

…It’s just that he’s insufferable.

The boy is eleven years old and he speaks like he’s stealing glances at an invisible lexicon between every word, more refined than any of the orphans you grew up with which makes you wonder which sort he’s surrounded by, and you take it upon yourself to theorise in passing if you could ever scare him badly enough his real voice would slip and he might just appear human for once.

Only it becomes clear when you’re stirring awake in the Hospital Wing after a mysterious bout of dragon pox (conveniently, all the pureblood children developed an immunity after catching it young) has rendered you bed-ridden and pockmarked, that you don’t think anything can scare Tom Riddle. He’s suffering just as well in the bed beside yours to keep the contagion to the two of you, and he’s all cold, eddied rage under sallow skin and beetling bones.

“They’re going to kill you,” he says after three days of silence, when the room is dusted in moonlight so thin it’s like squinting through cinema noise or mohair fluff to try to see him.

You blink at the vague shape of him. “What?”

“If you don’t hurt them back, eventually, they’ll just kill you.”

In hindsight, it’s an assumption so hastily bleak only a scared child could make it.

I want to hurt them, you try to say, but for what follows you cannot: I want to hurt them but I’m not good enough to do it.

You roll over and pretend to sleep, and in the morning, you hurt them anyway.

It’s Avery who’s unlucky enough to be the first to test you when you’re three assignments behind in Transfiguration, still a bit groggy from your last dose of Gorsemoor Elixir, and actually, physically green. He tugs your hair and stings your cheek with the promise of “bringing a bit of colour back to your face” and it’s sort of funny how banal it is compared to the other transgressions you’ve been dealt — that this is the thing that makes you bare your teeth, grip your wand in a hand that still can’t hold half of it, and send Avery flying across the room with a Knockback Jinx.

Tom sits with you in the Great Hall for dinner that night, and he never really stops.

You practise spells by the Black Lake between classes and he’s anything but kind about the ordeal, but you teach each other. You end your days with singe prints and sore wrists and you often take more damage than he does, but sometimes, as spring settles in with warm tones (apple and jade and moss — all the greens you’d never imagined), you leave with less bruises than he does. It hardly feels like friendship. It feels much more like purpose.

When summer comes you don’t write to him, and you don’t expect he will either. You don’t suppose you’ve actually written a letter in your life. Instead you try new wand movements under your quilt every night and wait for August’s departure on a big red train.

You sit together when the day does come. He asks you if you’ve been practising. You frown and tell him you’re not allowed to use magic outside of school.

Second year is nothing but monotonous, antiquated theoretics. Most everyone complains. You don’t see why they should — they’re already aeons ahead of you — but that means you finally have a chance to catch up in your less-than-school-sanctioned meetings with Tom while the rest remain practically stationary.

Deputy Headmaster and Transfiguration professor Albus Dumbledore is imperceptibly less soft with you than he was last year when you make the apparently poor decision to sit beside Tom on the first day, and you file the subtle shift in demeanour into some mental cabinet to review later.

You find workarounds with the librarian, Madam Palles, inclined to sympathy for the poor, orphaned muggle-borns to grant relatively unfettered daytime access to the Restricted Section so long as you keep it tidy and none of the books leave the library. That’s where things get a bit more interesting.

For a month you remain innocuous as can be. You browse through rare historical tombs and foreign biographies that would charge more galleons than you can conceptualise, and you never leave so much as a tea stain on the parchment. You smile at the Madam when you return the key each night, and walk back to the dungeons with your hands behind your back. It is, of course, totally unrelated that a month is what it takes for Tom to master the third-year curriculum’s Doubling Charm. An entirely separate affair when you meet him in the most secluded alcove of the library, slip him the key, and stifle your grin as he duplicates it perfectly.

You discover Christmas break is your favourite time of the year. Nearly all the purebloods go home. The Slytherin dormitories are effectively halved.

It’s two weeks of earnest, uninterrupted work and sleep without fear of waking up with jelly legs or whiskers.

Madam Palles, most nights, makes a slight, drowsy effort of searching the library for leftover students before she casts the lights out and closes the door. Then, it belongs to you and Tom.

You’re splayed rather ridiculously over one of the big reading chairs on Christmas Eve, Lore of Godelot in hand, enthralled by a chapter detailing his controlled use of Fiendfyre through the power of the Elder Wand.

Tom is cross-legged and sat straight, his brows furrowed in concentration.

“What’ve you got?” you ask, leaning over to answer your own question.

Tom as good as rolls his eyes, holding up the book to give you an easier look.

“Magick Moste Evile?” You scrunch your nose. “Bit much, don’t you think?”

“It’s the stuff they’ll never teach us.”

“I wonder why.”

He steals a glance at your own book and smiles in that smug way that makes you want to slap him.

“What, Tom?”

He shrugs. “You might want to know you’re reading stories about the author.”

You look down. Lore of — Godelot wrote Magick Moste Evile?

It shouldn’t really be surprising. Three chapters ago your book was recounting his months in Yugoslavia grave-robbing magical burial sites.

“Whatever,” you mumble, “It’s just a biography. Least I’m not reading the words out of his mouth.”

“Well, they’d be out of his quill.”

“Oh my God, Tom, shut up.”

All good things must come to an end. Term resumes and your hackles are back up.

Abraxas Malfoy, Antonin Dolohov, Walburga Black and the best of the worst of your house have returned, sleek-haired and insatiable and deranged, truly, in such a manner that you don’t think you can be blamed for the instinct you feel every time you pass them to lunge like a wild predator or run like wild prey. All Tom does, though (and so you follow, because he’s standing with you and who has ever done that?) is meet their gazes with equal assuredness. He never seems bothered. He never seems animal. You are still all hammering heart and heavy lungs, and you are learning not to see the world through the eyes of someone who’s only ever had their fists to fight. You have magic, you remember. You’re good at it. You could hurt them, if you really wanted.

Not much is different that summer than the last. The war is hard. The food is hard to chew. You chip a tooth. You’re too afraid to fix it with the Trace on you, but you still smile because you will, and everyone seems put off by that. What is there to smile about?

You suppose, for them, it’s a question with few answers.

For you — you’re back on a big red train musing about the functions of muggle warfare with Tom Riddle, chucking a useless card from a chocolate frog out the window and moaning about how you wasted the sickle you found under your seat.

He’s gotten very good at ignoring your theatrics and going right back to whatever it was he was talking about. And you note, unrelatedly, he almost looks like he’s learned how to open the windows at Wool’s. (You dare not suggest he’s doing something so ludicrous as sitting in the sun too, but this is a start.)

Dippet, or the Minister, or whoever it is that’s in charge of the practicality of the curriculum, has become fractionally less stupid in the last three months.

You don’t have to rely on nights in the Restricted Section or weekends at the Black Lake to actually learn something anymore. Of course, without the assistance of those illicit extracurriculars, you wouldn’t be able to match up to your peers the way you are this year, but it’s nice to duel with dummies instead of motioning your wand vaguely over a desk, and you and Tom still climb the notice boards in rapid succession.

They hate you for it. One of your roommates makes a pointed effort each night to glare at you from her bed like those jelly legs are back on the table, Orion Black (two years younger but just as nasty as his cousin) nearly trips you on your way to Divination, Abraxas Malfoy develops what you think borders on obsession with Tom, and for once it feels almost offhand to not care about any of it.

You’re beginning to think even at its best, Hogwarts is remarkably insufficient. This leads you to books mercifully unrestricted so you can read about a few of the other magical schools for comparison. Beauxbatons is renowned for providing most of the worlds alchemical developments, Uagadou’s early propensity for wandless magic makes it unfathomably more practical than Hogwarts, Durmstrang (though you scoff at their violent anti-muggle sentiment) teaches the Dark Arts as something beneficial rather than unforgivable, and — what do you learn here? Even with the hair’s-breadth of magical leniency you’ve been allowed this year, it’s no surprise so few recognizable names in wizarding history are Hogwarts alumni.

“Let me have a look at that,” you say to Tom one evening, when he’s peering once more over the pages of Magick Moste Evile. He’s a purveyor of knowledge in all forms, but he always seems to come back to Godelot in the end.

He raises a brow, handing it to you like your intrigue doubles his. “No more reservations?”

“Don’t get ahead of yourself. I’m only curious.”

“Curiosity—”

“Killed the damn cat, I know.” You glare at him through the pages. “I think that’s you, in this case though, since you’re the one in love with the bloody thing.”

He shakes his head as he reclines in the low light of the Restricted Section, muttering something that sounds like “ridiculous,” or “querulous,” or something else unimaginably fucking annoying.

You might be wrong. Retract your last quip and expunge it. If Tom’s in love with any book, it’s the behemoth dictionary he’s been spitting stupid adjectives out of since he was eleven.

But Godelot’s musings on the Dark Arts are fascinating enough that you can understand the appeal. He’s no wordsmith, and you appreciate that in a way you’re sure Tom deems regrettable, but his points are straightforward but thoughtful in such a way you can read in them how he was guided by the Elder Wand through everything he did. There’s a stream-of-consciousness to them. Something doctrinal you’re surprised to enjoy for all the obligatory English creed they washed your mouth with at the orphanage.

“Find what you’re looking for?” Tom asks, combing with little interest through the tomb you’d put down in favour of his.

“I’m not looking for anything. I’m just…” You sigh. It’s almost painful to say. “I think you were right, and — oh, shut up, don’t look at me like that — I don’t think we’re learning anything here. Not really; not as much as they do at other schools.”

“Of course,” he says blankly. “Hence this.”

This — restricted books and furtive duels — should not be necessary.

“You know that’s not gonna be enough. For the rest of them, maybe, but not us.”

He tenses how he always does at the reminder of his difference. And you get it. Sometimes in moments like these you forget the reason you’re here in the first place. It isn’t just the rebellious divertissement of two academically eager students, it’s… survival. What future do you have as a penniless orphan in wartorn London? What future do you have as a muggle-born Slytherin who’s apt with a wand when there are a thousand more your age, just as skilled and twice as pure?

It isn’t enough to be as good as them. You have to best them, and you have to do it forever.

The night stumbles into an exhaustive silence because you both know it’s true and it’s a bit too heavy right now. The answer isn’t in this room. Just you. Just him. So you sit in the dark and you stare through that muffled nighttime noise playing tricks on your eyes. The worst of the world can wait until morning.

The worst of the world has impeccable timing.

A fault of both sides of the coin; the muggle world is a travesty and the wizarding world is just a bit fucking late, really.

So there’s the newspaper. It’s October first and the date reads September tenth. School owls are a joke and you can’t afford anything better.

And it’s a dirty, ashen grey. It smudges your green if you ever had it at all. You were born to this and you will return to it always.

BOMB’S HAVOC IN CROWDED PUBLIC SHELTER

MOTHERS AND CHILDREN AMONG THE CASUALTIES

DAMAGE CONSIDERABLE, BUT SPIRITS UNBROKEN

All you can hope to do is pass the paper to Tom and wonder without words what you’ll go home to.

The answer is very little when the summer clouds your vision with dust and you stand dumbly with your suitcase in front of nothing at all. You’d tried your best until your departure to keep up with muggle news, but it had remained, routinely, a month behind with the owls. By the time June arrived you were still holding your breath through May. Tom had attempted to reason with Dippet for summer lodgings at the school but you were both denied in light of the exquisite mercy — the bombs have stopped! The Blitz has ended! Go back to the aftermath and make do with the craters.

It’s a bit ironic that Tom’s orphanage survived and yours didn’t. At least you can finally see what all the fuss is about.

In truth, it’s more strange than anything. You feel unreasonably like you’re impeding on a part of him that has never belonged to you (if any of him does); that place where you intersect but never draw attention to. You remind yourself you had no choice in the matter. The system puts you where it wants to, and these days the options are slim. But it’s — the walls are amber-black tile and plaster, lined with sanitary-smelling hospital beds and a cupboard per room. Per room, you think; you’ve got one of those now, and with only one girl to share it with.

You figure the reason for the extra space is probably not one you want to know.

Anyway, you don’t actually see Tom for two days. The caretakers bring you a tray of dinner that’s vaguely warm and a bit too salty and you sleep off the debris you think you breathed in that morning, half-sated and sun-tired.

But then you do see him, and he’s in these funny uniform shorts and a thick blazer and your greeting is an offhand joke about the scandal of his knees that he doesn’t seem to appreciate. He eyes your muggle clothes while you wait for your own set and you know you really don’t have any room to judge.

He doesn’t, or at least doesn’t say he minds your relocation.

You spend half the summer waking up in the middle of the night to acquaint yourselves with the London tube stations, and the other half in whatever crevices of the orphanage you aren’t harangued by Mrs Cole every five seconds, which are far and few between. She seems to have decided fourteen is old enough an age to worry about your intentions unchaperoned, like it’s the bloody 1800’s, and admonishes you and Tom relentlessly despite only ever finding you quietly buried in useless books.

You begin to miss Madam Palles and her invaluable pity. Everyone’s an orphan here. No one’s sorry.

“What’s his deal?” you ask one stuffy afternoon, reclining in your creaking seat to prop your legs on the desk.

Tom knocks them off (he’s so well-mannered that you sometimes push these little gestures of impropriety just to bother him) and glances at the target of your question. Some broad, blond boy who skitters down the corridor a shade paler than he arrived. You’ve yet to properly introduce yourself to anyone you don’t have to, so names are muddy when you try to apply them to faces.

He shrugs, but there’s a flash of something in his expression you’re fascinated to realise is unfamiliar. “He’s an imbecile.”

“...Riiiiight, but that isn’t a proper answer.”

You smile. Legs return to table. Timeworn Oxfords muddy the surface. Tom scowls.

“There was an altercation last year,” he says tersely, “he’s rather fixated on the matter.”

“An altercation.”

“Very good, that is what I said.”

You narrow your eyes and he sweeps your legs off the desk again, gaze catching the unmistakable ribbon of an old bullied scar on your shin.

“And I suppose you’re above such incidents,” he muses.

You cross your arms and huff. He always wins games like these.

You’re grateful when you return to Hogwarts in one piece after your final night of summer is spent underground, and the certainty of knowing where you’ll rest your head for the next ten months cannot be understated.

But the worst thing has happened, and you blame it on the flicker of a moment where you missed Madam Palles like it was some jubilant, accidental curse to ever miss anyone. A foreign thing you remind yourself never to do again.

She’s only gone and jinxed the locks to the Restricted Section so they cry like newborn Mandrakes when Tom’s replica key clicks in place.

For a second you both stand there looking stupidly at each other. Getting caught was a fear two years ago; you’d almost forgotten it was still possible.

Tom is quicker to collect himself. He grabs you by the arm and casts a Disillusionment Charm, and you don’t burst running out of the library like two blurry suncatchers reflecting the candlelight as your instinct heeds; you cling to the shelves and you slither silently to the door. (You’ll make a joke about it when you can breathe.)

Madam Palles the Traitor comes heaving into the library in her nightgown, a blinding blue light baubled at the end of her wand, and it’s really just theatrical at this point to use Lumos bloody Maxima when the basic spell would do the job just fine.

“Has she suspected us the whole time?” you say on gasp once you’ve made it to the dungeons.

“Perhaps someone else has,” Tom suggests.

“What? Malfoy?”

You think it’s a good first guess. It could have been any of the Slytherins, upon consideration, but Malfoy seemed most fixated on Tom last year and it wouldn’t surprise you to learn he’d been observant enough to follow you to the library and notice you don’t leave with the other students.

But Tom quashes the idea. “I’m doubtful. Malfoy is attentive, but Madam Palles is hardly partial to him.” (He had, in second year, set one of her books on fire while studying offensive spells.) “I suspect it was someone with more influence.”

Only no one has more influence than Abraxas Malfoy. The rest of the Slytherins follow him like lost pups. But then Tom might mean —

“A professor?”

“It may be.” He says it like he’s already decided his suspect.

He is, as always, and ever-infuriatingly, correct.

It’s that file you tucked away for later, reoccurring when you return to Transfiguration in the morning like a second epiphany: Dumbledore.

He assigns the term’s seating arrangements, which he’s never done before, and there’s something in his tone when he pairs you with Rosier that feels intentionally like not pairing you with Tom. You don’t think it’s paranoia clouding your better judgement, and by the way Tom’s gaze hardens as he takes his seat beside Malfoy, neither does he.

Dumbledore is suspicious for a number of reasons. He disappears for weeks at a time. The Prophet writes articles on his sightings in Austria and France like he’s an endling beast. He’s being sighted in Austria and France — two notable countries in Grindelwald’s ongoing war. Perhaps ancillary, you’ve decided the charmed glass repositories he uses to hold his old artefacts are the same ones encasing the least permissible books in the Restricted Section. And if that isn’t paranoia (which, you’re willing to admit, it may be) then you assume he has them so proudly on display because he wants you to know.

You consider it a warning.

Tom does not.

“Just give it up,” you hiss over a game of wizard’s chess, “I bet we’ve read every book in there twice already anyway.”

His jaw ticks as the sole indicator of his annoyance, and he takes your rook. You scowl.

“Tom, that man thinks you’re devil-spawn. You know he’s just waiting for an opportunity to catch you doing something wrong.”

“So?”

It sounds so petulant you think he’s been possessed by his eleven-year-old self. Then you think he was a lot wiser at eleven.

“So?” You make an aggressive move with your knight. “So don’t give him one!”

He stares at the board and his breath is just a trace sharper and you hate that you know him like this and no one else. You wonder if he knows you like that too, but resolve with ease that he does not. You’re hard frowns and lewd jokes and trousers torn at the knee to bare scars with stories you wish you could forget. There’s no mystery there. Tom is nothing but — gordian knots and fixed expressions and little patterns to learn like the rules of this stupid game between you. You must know Tom Riddle by every atom or not at all. And that isn’t a choice, really. You’ve never known anyone else.

“Are you stupid, Tom?”

You glance at the board. He’s got Check. A terrible, true answer.

“No,” you finish. “Then don’t act like it.”

Your king glances at you and you nod. He falls. The game is resigned.

Tom acts stupid.

Dumbledore knows.

It all happens very fast.

You strike Tom harder in the arm with Confringo than is likely necessary that night, and he returns the favour with a Knockback Jinx that thrusts you into the shallows of the Black Lake.

You gasp. The cold water feels like it’s swallowing you whole when it strikes, an envelope sealed around you and licked shut for good measure. Everything holds to you, and it’s fucking November. Your senses are so overwhelmed that you forget to murder Tom the instant you sink in. You forget to do much of anything.

You wade trembling out of the lake when sense returns and Tom huffs, peeling off his robe to treat the burn on his arm.

“You—idi—iot,” you mutter, trying to find the incantation for a warming charm but the words get stuck between your chattering teeth. “You stole a re… stricted book.”

Tom glares daggers at you between his poor healing job and you scowl, mincing through the grass and grabbing his arm. “Fucking imbec-cile…”

You’ve done enough damage that if he were anyone else you’d be proud of yourself, and somehow, simultaneously, if he were anyone else you’d be able to manage a pinch of guilt. But he’s Tom, and you know him by every atom, so you cannot be proud, and he’s Tom — he retaliated by tossing you in freezing water and now your clothes are clinging sodden and heavy to every inch of you, so you certainly can’t be guilty either.

“I borrowed it,” he says tightly. As if that means anything at all. And then he takes his robe and drapes it spiritlessly over your shoulders. “You could attempt communication before curses.”

“I could attempt communication,” you scoff, uttering a charm to partially close the gash on Tom’s arm, “Fucking h-hypocrite. I did communicate. You lied.”

“I —”

“Omitted information? Withheld the truth? Watch your mouth or I’ll steal your fucking dictionary, Riddle.”

You swear a great deal when you’re cold and mad, apparently.

“I won’t be caught.” His calm is infuriating. “It would hardly earn expulsion regardless.”

“It doesn’t matter! He knows it’s you! He was staring at you all class!”

“So nothing novel then.”

“D’you want me to blast you again?”

His lips form a flat line. No. That’s what you thought.

You sigh, clutching his robes in your fists to quell your trembling. “What’d you take, anyway? We never touch the encased stuff.”

That is, you assume, why Dumbledore was vexed enough about the whole thing to mention it in class today. A highly valuable book has gone missing, from a repository you dare conclude belongs to him, and he has to pretend all the while not to know it’s Tom who took it. You are out of the question. Theirs is some delicate vendetta you can’t begin to unfurl.

“Nothing anyone should miss,” Tom says, a complete non-answer as he stops to murmur a warming charm you could probably manage yourself by now.

“Tom.”

“It was an encyclopaedia. It’s entirely in Runes. I suspect it will take months for me to decipher.”

“God’s sake,” you groan. He really is exhausting. “I think Dumbledore’l take his chances and loot your dorm before that happens.”

Tom wipes a stray droplet of water from your cheek. His fingers are soft. “We should return. You look half-drowned.”

“I am half-drowned, dickhead.”

And you accost him in hushed tones the whole walk back. Runes, Tom, really? Threw me in the damn lake over a Runic Encyclopaedia? He accosts you just the same; You burned me first.

It does, in fact, take Tom months to decipher the Runes, and he’s quite secretive about it. He won’t let you see the book, won’t tell you what it’s about, won’t indulge your queries on how far he’s gotten or if it’s worth the way Dumbledore bores his eyes into the pair of you in the Great Hall with nothing but the glass of his spectacles to soften his censure. You consider — well — you consider taking your chances and looting his dormitory.

The day everything changes starts the same as any.

You muse over breakfast about muggle news and how the way Tom holds his wand when he casts defensive spells is too sharp when it should be circular. He argues. You soften the criticism by telling him his offensive magic is stellar but you’ll always beat him in defence if he doesn’t swallow his damn pride and listen to you for once. (So, really, you soften it very little.) He doesn’t take Divination so you don’t see him until Herbology that afternoon and he’s silent enough during the hour you share with your wormwood plant that you know he’s done it sometime between breakfast and now.

Tom has cracked the book.

It’s late spring and the night takes longer to settle than it did in the winter. Errant sunbeams still sparkle on the water when you meet him by the lake, and it’s warm enough to forgo a coat.

“Are you going to tell me what it’s about now?” you ask without preamble, arms crossed over your chest as he approaches.

He hands you the book like it’s worth something to you without his explanation, but you’re intelligent enough to gather something from the illustrations of two twined snakes embroidering the cover.

“I should have suspected it sooner,” Tom says before you can comment. “By the way Dumbledore acted when I told him… I should have known he would have wanted to keep it from me.”

“Tom, I have no idea what you’re talking about.”

“It’s an Encyclopaedia on Parseltongue and its known speakers.”

You flip through the pages and none of it means anything. “Parseltongue?”

“The language of serpents,” Tom supplies, and the two of you walk along the edge of the forest. “It’s almost exclusively hereditary.”

“Okay, so, what — you’re trying to learn it anyway?”

“I have no need.”

You frown. “You… you already know it.”

“I always have,” he says, and there’s something almost unrestrained in his voice. He’s proud in a new light, and it takes you a moment to understand and you’re not sure why exactly it makes your heart sink, but —

“You’re not muggle-born.”

“No, I’m not. And Dumbledore knows.”

“So, he —” You try not to sound crushed because why should you be? Why should it matter that he isn’t some exact reflection of you? He’s at your side, he’s still there, he’ll always be there — “How does he know?”

“When he came to Wool’s to inform me I'd been accepted at Hogwarts. I hadn’t known anything, certainly not that speaking to snakes is emphatically rare, so I asked him. He said it was ‘not a peculiar gift.’ Perhaps to keep my interest at a minimum.”

“Why would he lie?”

“Because it isn’t just that I’m of magical blood. I’m a descendant of Salazar Slytherin.”

You can’t be faulted for laughing. It’s not often Tom makes jokes, let alone funny ones.

“That’s good, Tom. Morgana used to have tea with my great-great-hundredth-great-grandmother, so that works out nice.”

He sighs, taking your hand and leading you further into the woods.

“Are you trying to murder me?”

“I might.”

“You’d be the first suspect.”

“No, I wouldn’t. You’ve far too many enemies.”

Not by choice, you start to scold, and then he stops, not so far into the Forbidden Forest that you’re afraid, but far enough you understand this is not something he’d chance showing you in the open.

He closes his eyes and whispers, and it’s — decidedly not English. And you know the sound of a few other languages, at least; this doesn’t sound like words at all. His consonants are pointed, his S’s stretched, the syllables repetitive but separated by a difference in cadence someone less perceptive might not notice.

It shouldn’t be surprising; it’s exactly what he told you, but it startles you how much it reminds you of a snake.

“Tom?” you murmur, unsure at the prospect of speaking some ancient, unknown language into the air of the Forbidden Forest, and, underneath that, still reeling with the knowledge that this is real at all. You’ve pinched yourself a few times to make sure.

There’s a low susurration in the grass, wet with dew that catches the moonlight, and you gasp, clinging to Tom’s arm when you see the blades part in helices for the space of an adder.

“It’s all right,” Tom says softly, almost elsewhere, his eyes zeroed in on the snake. “It won’t hurt you.”

You’re still by the balance of his arm and some petrifying awe as he extends a hand to the grass and the adder coils around it, weaving upward to his shoulder.

“Oh my God. Oh my God, Tom.”

The adder points its beady gaze at you, and Tom whispers something else in that strange language before it retreats in agreement or compliance or whatever could come close to expression on the face of a fucking snake, and maybe you’re dreaming this despite your pinching. Maybe you’ve lost your mind.

“Hope you didn’t just tell it to bite me,” you try, and it comes out half-choked.

He smiles. It’s partly for you and partly for this venomous little thing on his shoulder, and that’s a bit startling. Tom Riddle smiles for adders and you and not much else.

“Should I?”

And all you manage, for whatever reason, is, “Don’t be like them now that you’re not like me.”

It’s out before you can stop it, welling from a small, scared place that embarrasses you to return to. A hospital bed when you were eleven. The walls of a bedroom ravaged by bombs.

Tom’s smile fades. “We’re nothing like them.”

The thing is, neither of you know that’s the day that changes everything.

You celebrate your fifteenth birthday in the Deathday ballroom with Tom, a stolen dinner pastry, a green candle, and a few sad ghosts. You try to learn how to dance. Tom thinks it’s silly. You tell him that’s only because he’s upset he keeps stepping on your toes.

Summer blisters when it comes.

Some of the children take jobs as mail-sorters and steelworkers and you clasp for whatever you’re (one) allowed and (two) capable of, which isn’t much. You’re both old enough at the end of the day to explore London on your own, opting to spend as much time away from the orphanage as Mrs Cole allots, but you only have knuts and pennies and you warn Tom it would be unwise to swindle muggles and risk a letter from the Ministry. So you work where you’re needed and you eat the rationed nonsense you always do and you miss Hogwarts terribly. It’s much the same: you’re together, you’re hungry, and you’re nothing like them.

And then it’s different: Tom makes Slytherin Prefect, is suddenly tall, and you wonder in fleeting moments if his face has always suited him this well.

A stupid remark. You fervently ignore it.

Fifth year begins and you have almost the same number of electives as you do core classes, Tom has duties in his new role that take much of his spare time, and despite popular belief, you and him are not a mitotic entity, so this splits you up more often than it had in previous years. Which is fine. You still have plenty of things to talk about during meals and between duels, and you reckon you’ll share DADA until you graduate.

But in his absence, your attentions are forced elsewhere, and you should be grateful they land on something potentially promising.

It’s like Transfiguration just clicks for you this year. You’ve never been the greatest at Transformation (importantly though, you’ve also remained far from the worst), but fifth year launches you into Vanishment and something about that feels like a perfect equation. There are no complicated half-numerals and objects stuck between inanimacy and being — just unmaking the made. Nothing or not. You’re fucking excellent at it. You glean the theoretics fast and then the practise comes like breathing. Even the purebloods struggle as you Vanish Dumbledore’s Conjured garden snakes in brilliant tendrils of light. You exult unabashedly when you brush past them on the way out of class — who was it that didn’t belong in Slytherin?

You say the same to Tom and he rolls his eyes, but the amusement is there.

“Think you can talk to my snakes for me?” you tease, nudging him on the path to Hogsmeade.

“If they’re yours, I doubt they have anything worth discussing.”

And Dumbledore is… a hue nearer to the man you remember from first year. He praises your improvement and smiles when you can’t hide your giddiness as if equally impressed.

He doesn’t shelve people the way Slughorn does (you’re dismayed to find Tom has been invited to join the Slug Club and you have not) but you think if he did you’d be rapidly climbing your way to the top. Maybe get put in one of those neat little repositories he keeps all his best treasures in.

Dumbledore does, however, offer additional assignments for those who are interested, and tasks you with a few if you’re up to the challenge.

You always are.

The Tom-Dumbledore-Encyclopaedia debacle is apparently either resolved, or your part in it forgotten.

Tom humours you when you’re both singed at the fingers from duelling, yours dipped in the lake while he buries his in the cold moss, about how Abraxas takes the seat beside him at every Slug Club dinner. He tells you he pretends to be very interested in the Malfoy’s business affairs and their stock in the Bulgarian Quidditch team’s win this coming spring. He tells you he finds it amusing to let Abraxas think he can make Tom his pet. Tom says he considers searching for Salazar Slytherin’s fabled Chamber of Secrets and showing Abraxas what a real pet looks like. You smack him in the arm.

He’s had an ego forever. He just has a few too many reasons for it now.

And maybe that’s why you push harder in Transfiguration, dedicate the majority of your studies to it, spend your Saturday nights scrutinising advanced techniques while Tom makes nice with Potions experts and politics with people who don’t even know what he is but like him anyway. It’s patronising, of course — borderline fetishistic; not a real like — but it scares you. Tom Riddle would not allow himself to be anyone’s pretty mudblood show pony if he didn’t have an ulterior motive.

Everything changes but the observable truth that he is still insufferable.

You’re lucky to see him twice a week if it isn’t in class, and the way it starts is so slow you don’t even fully understand what’s happening until Christmas break when Abraxas stays a few extra days and leaves by Dippet’s Floo instead of the train.

You don’t dare ask where Tom has vanished to in that time or why the hell Abraxas Malfoy would willingly subject himself to unnecessarily extended time at school with all his lackeys gone, and it isn’t because you don’t want to. It’s because he won’t tell you himself. It’s because you’re terrified the answer will feel like a broken promise, and you’ve come to realise (it’s been there for so long; such an obvious, tiny thing that you’ve never stopped to really dissect it) that it’s quite difficult to know someone at every atom and not love them a little bit.

You’re suddenly aware of the risk of it: you love him like an inextricable piece of yourself, and, well, you’ve seen war. You know what amputation looks like. You’ve seen the remains of structures designed to stand forever, and you’re strong like them — casts and gauze in all the weak spots because you remember the pain of breaking them — but those were blows dealt without the complication of loving the bombs behind them.

Tom is the green on your robes, the dragon pox tinge you sometimes think never truly faded when you look in the mirror too long, and all the shades you never imagined. Apple, jade, moss. The beginnings of emerald. (No, he couldn’t be that.)

You wonder what the world would look like if he stole those colours back, and it’s much worse than some brutal decimation; it would leave you with too much. You would just be you without him.

So you love him into June like you always do, and you pluck his Prefect badge off on the last day of school and tell him it makes you jealous like a joke when it’s half-true.

It’s raining when you walk to the train together, miserable for what should be summer but not at all remarkable in Scotland. Tom wipes it from your cheek. Your wrists are sore from vanishing bits and bobbles all night while you still can, never truly prepared for three months without magic, and you curl into your seat as soon as you’re in it. Tom wakes you up when you arrive back in London, startling you to find that you fell asleep at all.

It rains a lot that summer. There’s nothing much to see in the city and you can’t get anywhere else (you note: the Trace cares little about broomsticks but you can’t afford one of your own and flying might be the only thing Tom is bad at) so you’re stuck to the library again with a noseful of old paper and a certain prose that magical literature cannot replicate. You theorise a lifetime of reckoning with the mundane forces one to be more creative.

Perhaps it’s the cold that makes you sick. Perhaps it’s the state of your meals. Either way, your final weeks before sixth year are hell. Biblical, blazing hell.

The nurses aren’t sure what it is — another influenza epidemic you’re the first in the orphanage to catch — but they isolate you immediately and there’s not much care they can offer.

You hear Tom arguing with one of them outside your door but can’t make out the words. Everything is dizzy, sweaty, halfway to unconsciousness but without its relief. You’d take dragon pox over this.

Some days later (though you can’t be sure because it feels like bloody centuries), he’s at your bedside, and you think even if you were lucid enough to ask what horrible thing he’d done to change the nurses’ minds, you wouldn’t.

But you know he’s not beyond breaking wizarding law, because he’s muttering healing spells with a hand to your damp forehead, and you hazily find yourself reaching for him, trying to shake your head no.

“Not allowed,” you mumble. Your throat is sore and your nose is stuffy. You sound terrible and you probably look worse.

Tom is slightly blurry but you think he’s staring at you. You know if he is it’s with the utmost incredulity.

“Not allowed,” he repeats slowly. It’s very easy to picture him clenching his jaw. “I wonder, if the Trace is so exact that it can detect all forms of magic, it can’t also detect malady. You’re burning — and I’m to consider whether saving your life might be illegal?”

He’s angry. He’s angrier than you’ve seen in a long time; and you can actually see it now. His magic courses through you and your vision clears, bit by bit, until your depth perception steadies and you realise he’s closer than you thought. His jaw is, in fact, clenched.

You move to catch his wrist and manage it this time. “Tom.”

“Don’t argue,” he says thinly.

“You’ll get sick.”

His face is far too neutral for the way his fingers stroke your damp cheek. “Hm. Then it’s a good thing you’d break the law for me too.”

Of course he’s right — you love him. Which makes it a good thing he doesn’t get sick.

Some of the younger children do. The fever comes overnight for a girl who wasn’t in the orphanage last year, and it takes her by the next.

When you get back on the train to Hogwarts, the virus is circulating Britain and you’re livid.

What Tom said is true; you consider the Trace’s precision and the details of the laws on underage magic — how one of the technicalities is that a young witch or wizard may be absolved of the consequences if the circumstances are life-threatening. You think about how it supposedly doesn’t care about broom-riding or Portkeys or Floo travel, and if the Trace is that complex, surely it understands sickness.

You only wonder if the Ministry would understand it. There haven’t been any epidemics in the wizarding world since Gorsemoor cured dragon pox in the sixteenth century, and when there isn’t healing magic there are antidotes and Pepper-Ups and herbs that muggles simply don’t have. The fatality of a fever of all things is not something you imagine could be comprehended by the sort of people who sent you and Tom back to London in the wake of the Blitz.

Of course, the Ministry hasn't written to you, you haven’t been forced in front of a representative from the Improper Use office, and you have no real reason to be upset.

You are regardless.

It shouldn’t even be a thought: you immolating into oblivion protesting rescue because one of you might get in trouble for it.

A world you’ve never much cared for is blanketed in ash and its people are dying and you can’t help them. A girl is dead. You’ll return next summer and there will certainly be more.

Life is for the magical, you find. The muggles can burn.

It’s what makes you start to panic this year, knowing you’ve only got one more after it. You have no idea what you’re going to do after school, and it doesn’t help that Tom doesn’t appear to share the sentiment. He’s got Head Boy in the bag and when he isn’t with you he’s with Abraxas, who can surely provide him connections if whatever game Tom is playing at works (and you have no doubt it will), but it’s like you said in third year: that isn’t enough for you.

You remember with a small ache that you no longer means you and him.

And then — it makes sense. You feel incredibly stupid.

“You told him, didn’t you?” you ask Tom the first opportunity you can get him alone, in the glum blue light of the Deathday ballroom on your way back from supper.

He sighs like it’s a conversation he’d hoped to put off for longer. “You’re referring to Abraxas, I presume?”

“You’re referring to — yes, you prick, I’m referring to Abraxas. Of course I’m referring to Abraxas, or are there others? Dolohov and Nott seem unusually enthralled by you, now that I think about it.”

“And for a reason I’m supposed to be aware of, this is an error on my part. Should I be apologising?”

“Why did you tell him, Tom?!”

“Why?” he deadpans.

You throw your hands up. “Oh, for fuck’s sake.”

“Shall I provide you with my itinerary as well? Would you accompany me as I tour the third-years around Hogsmeade? Or can you do me the favour of trusting me to make my own decisions with the nature of my ancestry?”

“You’re keeping something from me and there’s a reason,” you say, stepping closer to him, “and forgive me if I want to know what it is when you were willing to tell me you’re the Heir of Slytherin and you can talk to snakes. What — what could possibly be bigger than that?”

Tom returns your approach with one of his own. His eyes are steady, dark, thick with lashes and you can’t reminisce on the details of the rest of him because that would be strange for a friend to do. Stranger to do it now, when you’re angry with him and there’s two sleeping ghosts in the corner and he’s framed by deep indigoes like the ripples in the Black Lake and — you’re doing it anyway.

To be short, he’s close, he’s very beautiful, and sometimes you despise him.

“Trust me,” he says again, without the derision of the last time. “This will change things for us.”

You frown, but it’s a weak upset in contrast to the explosion you came in here willing to make. There were at least twenty questions you meant to ask and you only managed one.

You are not his keeper. You know that.

“Change them for the better, Tom,” you say on a sigh.

He blinks, and you think he’ll respond with a nod or a slightly offended ‘of course’ but he does not. He blinks and he just keeps looking at you. It’s disarming. It probably resembles the way you often look at him. There’s a rationale somewhere; you never see each other anymore, life is so incredibly busy, maybe he’s forgotten what you look like.

And he does nod, finally, but he does it with his thumb brushing the corner of your lip.

What? Sorry. What’s going on?

He pulls it away like he’s heard you. “You had something.”

You’re almost positive you did not.

Transfiguration this year brings Conjuration, which is an advanced and welcome distraction, and even more exciting when you consider no longer having to Vanish things you have no idea how to bring back. Dumbledore’s is one of three N.E.W.T classes you’re taking — Defence Against the Dark Arts and Alchemy besides. It’s easily your favourite.

You share it with eleven other Slytherins and twelve Ravenclaws. Four of them are muggle-born, and it’s hard to describe the ease you feel among them because you don’t think you’ve ever had anything resembling ease with anyone but Tom.

Your schedule is more crammed than it’s ever been, but it’s good. Two of the Ravenclaw girls invite you to Hogsmeade every other weekend, you share butterbeers when you can afford one, you study until you collapse, you take Dumbledore’s extra assignments and consider trying out for Chaser on one of your more restless evenings before waking up in the morning and resolving there is such as thing as too much of a good thing. Best not to get ahead of yourself.

Your contentment is remedied quickly.

Someone is found unresponsive in the dungeons. Dippet makes an announcement at breakfast that the boy isn’t dead, rather, petrified. No one is quite sure the cause, but the Headmaster warns a few minor precautions, suggests a buddy system, and says that after dinner studying should remain in everyone’s respective common rooms rather than the courtyards or library.

You know next to nothing about petrification, but the victim is muggle-born, and you suspect it was the result of a poorly performed statue curse by one of the many blood zealots in your house. The whole thing makes you hold onto your wand a smidge tighter, but you’re adamant not to let it drive you to paranoia like it would have a few years ago.

Tom nods at your theory when you manage to escape to the Black Lake together in November.

“That isn’t unreasonable,” he says. High praise.

You sink into the moss, sighing. “Do you think there’ll be more?”

He looks out onto the lake, the lapping waves, the crystalline beads that furrow them, midnight algae and flotsam you don’t think you belong to anymore.

You peer up at his silhouette in the dark. “Do you think whoever did it will do it again, I mean?”

“I don’t know,” he says finally, and after another pause: “but I don’t think it would be you.”

“How’s that?”

“No one would be senseless enough to try.”

And he sinks beside you with that, breath shaping the cold in steady, rhythmic clouds while yours are scattered. His robes brush yours and you take his arm with a sleepy hum, tracing patterns in the stars until your eyes feel heavy and he insists on taking you back to your dormitories.

One of the Ravenclaw girls, Marigold Wright, distracts you with a spare blue scarf and an invitation to her next Quidditch match. You watch from the stands and cheer as she catches the snitch to beat Gryffindor.

It’s a bit strange — having a distraction — having a friend. Mari is kind, smart, a good study partner who’s as keen on stepping into the advanced theoretics of Human Transfiguration a year early as you are. She’s funny in a vulgar way, introduces you to all her friends, shows you the best way to sneak into the kitchens, and you sometimes wonder if she was sorted wrong, but — her methods are creative, and she’s definitely intelligent. She’s also definitely not Tom.

You see less and less of him and more of her, Dumbledore, the Ravenclaw common room and the pages of progressive Transfiguration methodologies. He sees less of you and more of Abraxas, Dolohov and Nott and all the other purebloods, Slughorn’s soirées and Prefect meetings that cut into meals.

It happens again.

Second floor lavatory. A girl called Myrtle Warren. She isn’t petrified.

There’s a vigil the following week and her parents are there, two muggles whose sobs wrack the Great Hall even as the students clear out. Flowers descend from the charmed ceiling, little bluebells and white chrysanthemums.

You cry that night. You can’t remember the last time you cried.

This time, you don’t have to seek Tom out. He catches you on your way back from Alchemy and brings you to the Deathday ballroom with a melancholy glance in your direction that you don't hesitate to follow. You realise it’s an odd place to continue to end up in, but no one else goes there and you suppose that makes it yours.

You’ve seen Tom skinny and sickly and olive green, but today his eyes are circled with veined violets and the lack of summer sun this year has whittled him grey once more. He’s still beautiful. He’ll always be beautiful. But he’s tired and — sad — and for the six years you’ve known him you aren’t quite sure what to do with that.

You don’t spend too long pondering it. You just hug him with the dawning newness of a thing like that; a thing you’ve never done, and never really thought to do. (You ask yourself in bewilderment how you’ve never thought to do it before.)

He’s warm. He’s uncertain. He doesn’t reciprocate immediately.

And then he does, and you understand without caveats or concerns that you stopped having a choice in your destruction the moment you chose him. He’s home, and that’s going to ruin you one day.

Your arms tighten around him and his around you, the rhythm of his breath holding you to earth when you begin to float away. Nothing makes sense in this moment but the mercy that in all the death you’ve seen, you swear to God you’ll never see his. As long as you’re alive, he must be too.

And there’s something to be said about the innate self-slaughter of loving a person (of loving Tom Riddle, especially): that it’ll cleave you in two, that you’ll say feeble things in his embrace that you should be above saying, like ‘I’m scared’, that his hand will find the back of your head and he'll tell you he knows, that that should not feel like enough but it will be. You’ll clasp your hands under black robes and hold this singular embrace together by the faulty adhesive of your fingers. Maybe you’ll cry again, like your body can suddenly comprehend its capacity for it and is making up for lost time.

The first sign that something is wrong, more than the obvious grievance of the death itself, is the Ministry’s happy acceptance of Rubeus Hagrid as the culprit.

The boy is maybe fourteen years old, half-blood — half human, mind — and no one has a bad word to say about him other than he likes to keep eccentric pets. Which leads you to wonder what pet he possessed with the ability to petrify one student and kill another and what cause he’d have for it in the first place besides two terrible, miraculous accidents.

That question draws an even stranger path. Mari says over butterbeers (on her, bless her soul) that she read somewhere years ago that Gorgons can induce petrification, but that she doesn’t remember much else.

One of the boys in DADA says that his father’s an auror, and heard from him that Hagrid’s pet was some sort of arachnid. Tom deducts five points from his house after class with a scowl on his pale face, muttering about conspiracy.

The second sign that something is wrong is that only one of those things would need to be true for the entire case on Hagrid to be called into question. If Mari’s memory serves right, how the hell did Hagrid come into ownership of a Gorgon? (Could Gorgons even be owned?) If the auror’s son is worth your credence, then what species of arachnid is capable of petrification?

You take to the library.

Unsure of where to begin and hesitant to draw attention, your research lingers into Christmas break and stalls some of your extracurriculars in Transfiguration. Tom is busy enough not to notice the new step in your routine, and you��re grateful not to have him breathing down your back, telling you you’re looking in the wrong places or you shouldn’t be looking at all.

The third sign is the end.

You wish to retract it all. There are time-turners and memory charms and potions that could dizzy you enough to manipulate the truth; there is anything but this. You’d suffer the consequences for the bliss of loving him with one more day before the ruin — you’d write it down to remember through the fog: look at him, duel him without wanting to hurt him, kiss him to know that you did it at least once, have him, be had. You never will again.

He’d shown you the adder. He’d joked about the Chamber of Secrets. He’d spent months disappearing with Abraxas, earning the trust of the sons of the Sacred Twenty Eight.

And he’d killed Myrtle Warren.

So it’s statue curses and Gorgons and Tom — speaking to serpents when no one else can, buttressed by pureblood boys who want people like you dead.

Don’t become like them now that you’re not like me.

He’s something else entirely.

What do you do in a moment like this? Panting into an empty library at a revelation you wish you could unknow, fingers digging into the hickory of your desk — another memory carved among the initials and hearts; how do you stand from your chair and leave like the world outside this room is the same as it was when you entered? There’s nothing to orbit. You are cosmic debris, tea dregs in a barren cup, flotsam.

You stand; and you tell no one. Not even Tom.

His presence in your life is so infrequent that you don’t even have to come up with excuses for your distance until three weeks after your discovery when you’re paired together in DADA to practise stretching jinxes.

You almost laugh. He’s standing beside you, tall (lanky like he was when he was a boy if you look long enough) and serious, and you love him without knowing who he is anymore. You’ve skirted corners to avoid him and sat with Mari during lunch and breakfast like he’s some scorned lover to escape confrontation from and not someone who held you through a grief inflicted by his hand.

“You look tired,” he says, inspecting the daisy you’d been tasked to elongate.

You glance at him. You are tired. It’s exhaustive, bone-deep, aching like nothing you’ve ever known, and maybe that’s why you can look at him and smile sadly instead of thrashing against his chest screaming for what he did. You suppose it happens enough in your head to satisfy. When you can sleep, you sleep to the thought of it. The waking moments are just blank.

“Mhm,” you hum, transfiguring the daisy stem back to its regular length.

Tom observes it with curious eyes. “You’re getting good at that.”

“I’ve been good at it.”

His lips turn, a small frown before he puts it away. You make the observation that he’s tired too; there are still bags under his eyes and his hands tremble ever-so-slightly with his wand when he loosens his grip on it.

His own doing and still you flicker with some relentless hope that he's drowning in regret.

“Sorry,” you say. A ridiculous thing. Do you intend to slowly push him from your life with weak disinterest and diverging academic avenues? As if he were something extricable. He’d never let you.

You’ll have to confront him, and that’s a revelation that holds its weight on your chest until you think you'll suffocate under it.

You’re in the blue light of the Deathday ballroom with a face you've never worn before when it happens, deep into spring, and you know then that you were wrong all those years ago.

He sees all of you.

Takes you in in the flash of a second and maybe it’s your quivering jaw that reveals you or the flint of betrayal in your eyes waiting to be struck and lit. Yes, you were wrong — Tom Riddle knows you at every atom too.

“Are you going to let me explain?" he asks before any hello. His jaw is tight but there’s nothing else to go on to judge his disposition. He's settling into impassivity like an animal drawing its shell. You will not be allowed in if you're going to make it hurt, and you might be the only one who can.

“Explain," you copy with a hard exhale, “Just tell me it wasn’t you. That’s all there is to say."

He stares at you. There’s nothing there.

“Tell me, Tom.”

Your breath catches on an automatic please but you don’t want to offer him that.

“I cannot.”

Then make me forget, you want to scream. Let it be summer. Let us work for pennies and breadcrumbs and be no one together.

It’s late winter and it’s too cold.

“You killed her,” you say quietly.

“If I told you I did not wish for it, would you even believe me?”

“What are you… so it was an accident?”

“There was — an opportunity presented itself that may never have come again; that does not mean I don’t find the nature of it regrettable.”

“Regrettable.” You’re laughing or crying or both, and you must look unwell. Halfway out of your mind.

He’s so composed in the face of it that it only makes you more incensed.

“You told me to change things —”

“You killed someone! Can you understand that?”

“You nearly died,” he hisses, “and if I am to apologise for recognizing it only as the first of many times, I will not. If I am to apologise for doing whatever is necessary to prevent it, I will not. The hand we were dealt will not be the hand we die to — so yes, I understand it. And one day so will you.”

“Don't," you spit, and your anger must look pathetic under your welling tears. “Don't you dare tell me that this was for me.”

“Do you want me to lie?”

“What could her death possibly bring me, Tom?”

“Her death is the first step to —”

“God, stop dancing around the fucking question!” Both hands have wound their way to your head, clutching at your skull like the brain matter might spill through one of the cracks he’s wearing down. “Just… tell me.”

“You recall Godelot's work," he says stiffly. The question of it takes you by surprise, peels the moment back like the rim of a fruit and you're left uncertain.

All you can do is nod, arms falling to cross over your chest.

“There was one form of magic he refused quite concisely to impart. I searched the Restricted Section for days, and under Dumbledore's watch that was not an easy thing to do."

You stole from him, you're urged to remind him, but it's something you'd say with a nudge of annoyance and a roll of your eyes. Such admonishment is small and far away.

“I found it at last in one of the repositories," he goes on, “Secrets of the Darkest Art."

“...What?"

“It's called a Horcrux,” he says. “Murder, by nature, splits the soul. The Horcrux simply makes use of the act; puts the soul fragment into something imperishable so that it is protected, rather than abandoned. In turn, your life cannot be taken. By malady, by magic, by sword — the vessel is destroyed but the soul lives on.”

You blink, feeling dizzy. “Myrtle was the sacrifice.”

“Myrtle was there,” Tom remedies.

“How lucky for you.”

“The circumstances could be ameliorated if one were to be made for you. I would have preferred it be someone who deserves it.”

“For — you’d do it again? Again, Tom?”

His brows crease, and even his upset seems contrived. There’s this barricade he’s placed that you, in all your infallible knowing of him, cannot puncture. It’s agony to begin to question what he could possibly be keeping from you in a confession like this.

“You killed someone, Tom. You — I would never ask you to do that. I would never live at the cost of someone else."

“No, you would not,” he agrees, though he shakes his head like it’s incredulous of you. “Do you think, even if I knew it were certain, a summons from the Ministry would have stopped me from saving you this summer? Do you suppose the threat of punishment would cause me to waver at that moment? I know it would not hinder you. So, you have your lines and I have mine — you never needed to ask.”

And now it hurts. The emptiness clears and you can't stand yourself for crying, but you do. It comes out in ragged, breathless sobs, clasped behind your palm as you turn away from him.

You've loved him since you were eleven. It's always been you two — it was always supposed to be you two. What is there to say to him? He's blurring in your periphery like in the midst of your sickness, and there's nothing he can do to heal you this time. Your vision will clear and Myrtle Warren will still be dead. He'll still be a stranger in the face of the boy you love.

“Why," you whine, a wet, hollow stain in your voice you've never cried enough to hear before. “Myrtle was — wasn't — uh —" You swallow, hysterics severing your words. You can't really think right now. Your body wobbles and your head feels puffy and hot. This might be shock.

Tom scowls like it irritates him to watch you push yourself, like this is just the unfortunate effect of you depleting your energy in a duel, not eating correctly, treating yourself carelessly.

Of course you can't stand or talk or think. You're you, contemplating a life without him.

“Sit," he says in frustration. You smack his hand away when he reaches for you, but the world has turned a shade darker and you're slipping into it.

He tugs a chair towards you with a silent charge and a reprimand, and your body doesn’t possess the wherewithal not to collapse into it the second it’s under you.

After a moment you can speak again, shaking hands steadied by your knees. “Did you… did you think I wouldn't find out? You know, the only thing that can petrify someone besides a serpent is a Gorgon. And — where would Rubeus Hagrid have found one of those?"

“I thought I would have time.”

“To come up with a good lie? Something I’d sympathise with?”

He bites his cheek. “Evidently the particulars matter little to you.”

Fuck him. “Fuck you.”

“Very cogent.”

“No, fuck you, Tom. We could have — we only had a year left and then we could — we could've done anything we wanted." You're crying again. You don't have the energy to be embarrassed. “And you chose this."

He’s indignant as he steps closer. “With what money? For what life? We are better than all of them and it’s never mattered. It never will; you know that. You told me that. You’re angry now, but you must know the truth of it. I would not forsake you. I would not lose you.”

You blink up at him, mouth stuck with some cottony feeling and cheeks stiff from crying.

“You have lost me, Tom."

He stills as if suspended. Some maceration must follow but it doesn’t.

You stand on weak legs to look him in the eyes. You wonder if he can see the love in yours. You wonder if he knows you will walk away despite it. (Of course he does. You’ve never lied to him.)

You think about how his fingers seem to always find their way to your cheek and you put yours to his. The bone there is sharp, but the skin is soft. Boyish.

There isn't a word for a goodbye like this. It shouldn't exist and so it doesn't. You just leave.

You fail your N.E.W.T courses. Quite spectacularly.

Mari sits beside you on the train with a soothing hand on your shoulder, and doesn’t ask what’s rendered you into a comatose husk since March. There’s no crying. You chew numbly on soft caramels from the trolley and stare out the window onto the hills.

That summer is spent in your bedroom unless you’re forced elsewhere. A new girl with skin so white it’s nearly translucent sleeps in the bed beside yours, taking meals on trays like you did in your first days here, tracing the cracks in the tiles, humming to herself in the dark. She makes you feel less pathetic for doing much the same.

You’d been right in your assumption that there would be more dead upon your return, and wrong that there would be more empty rooms. There are always more orphans being made.

And then you receive a letter. It isn’t delivered by owl (only for secrecy, you assume, because there are no muggles who’d be writing to you) but it’s stamped with a vaguely familiar crest. Not Hogwarts’ waxen seal, but something undoubtedly magical. A cockroach and a cup, you think, squinting. Transfiguration.

You tear the envelope open and pull the letter out.

It’s from Dumbledore. Some of it melds together, but the key words stand out.

Spoken to Dippet… Exceptional promise… N.E.W.Ts… May be reconsidered… Upon dispensation… Be well.

Be well.

You are not. You are something half-drowned and half-burned, never enough of one to quell the effects of the other. Sunlight is sparse through your side of the orphanage. On the radio, they warn a pattern of one bomb every second hour. The only other warning is the sound when they fly overhead, and if you can’t run fast enough —

You write your answer in a crowded tube station with a spotty ballpoint pen. Tom is there, looking between you, the dust, and your shaking hands as if to say: tell me I was wrong.

Some of your letter melds together but the key words stand out.

Thank you, Sir. Whatever you need.

It’s a shock that you live to seventh year. It’s a shock that you do it without him — though he watches, and in his gaze you feel regressed. You’re alive, yes, but there’s something there… his dead weight, death-grip; his haunting. They always speak of the dead as something heavy. Something that holds onto you even after it’s gone.

You find that to be true.

Dippet’s condition that you remain in Dumbledore’s N.E.W.T class is that you achieve more than the standard requirement. Essentially, your final exam will be much harder than everyone else's: Human Transfiguration, mastery of petty Transformation (through the means of Wizard’s Chess pieces), Conjuration and Vanishment of various delicate objects — all done nonverbally.

Even Dumbledore seems sceptical, but it translates to more rigorous practise rather than resignation, assignments he doesn’t even task to Mari, though she’s just as good, and you can’t begin to understand why he cares so much.

“I’ll entrust you with these while I’m away,” he says before Christmas break, sliding a sheet of parchment your way with a flick of his wand.

You frown, unfolding it. His instructions are always short now — you’ve learned to decode his meaning well enough without much exposition.

Teacup to gerbil — to cat, and inverse.

Inanimatus Conjurus spell (cockroach and cup, as instructed) to be Vanished when perfected.

Study Antar’s Doctrine. Miss Wright will act as your partner.

Due February.

It’s far too much to be done in that time. “Sir?”

Dumbledore lugs a messenger bag over his shoulder that appears small, but he carries it in such a way you suspect it’s magically extended. He smiles wistfully, pushing his spectacles up the bridge of his nose. “You know, I often regret how much this war asks of me. A consequence of my own doing.”

Right — Grindelwald. Sometimes you forget between awaiting the next muggle paper. War is everywhere.

You nod. “I hope… Good luck, Sir.”

Another half-smile as he twists open a jar of Floo Powder, and then he shakes his head with something you almost decipher as amusement. A brittle sort. Tired. “Good luck to you.”

And then he’s gone, in a swath of green flames that do nothing to inspire any desire for Floo travel in you.

Antar’s Doctrine is simultaneously prosaic and grandiose. They read like excerpts of a journal and you yawn into them over your morning tea, stirring amongst the first-years, who are the only people at the Slytherin table you can stand to sit with. Your blood status is apparently nullified by your age, and the worst they do is look at you funny. You aren’t sure what Abraxas’s — Tom’s (the new hierarchy never fails to stagger you) — lackeys would do if you sat with the other seventh-years instead. A part of you longs to know. They certainly don’t bother you in class the way they used to, you aren’t tripped in the corridors, but you wonder how far Tom’s influence can stretch. He is the Heir of Slytherin, and he’s earned them. But you are nothing.

You’d like it if he would let them hurt you. You think the incentive would be enough to hurt him back. And God — God, you want to. You want to hurt him almost as much as you want him.

You practise through the doctrine with Mari, as Dumbledore directed. When you’re able to sever Antar’s egotism from his abilities, you can see why Dumbledore would recommend his book to you. It feels like slipping through a crack in glass without shattering the whole thing. You weave in and back out, and Mari grins when she returns from the shape of a teapot to her body without you needing to utter a word to do it.

In the back of your mind, you’re aware what you’re doing is nearly unprecedented. It’s spring, you’re months away from eighteen, muggle-born, and mastering nonverbal Human Transfiguration like it’s a Softening Charm. Mari tells you you’re the smartest person she’s ever met. It makes your cheeks go hot to hear such open praise, worse when you snap out of the thought that you believe her.

Grindelwald falls. The school celebrates in whispers until the evidence is in front of them — Dumbledore, returned without a scar, a new wand in his hand — and then they’re cheers. The feast that night is a great one, and he toasts to you from the end of the staff table, a discreet tilt of his cup before he takes a sip and returns to converse with Professor Merrythought.

You take from your own, and your eyes land on Tom, spine of his goblet tight in his hand. He’s looking at you like you’ve affronted him somehow. You could laugh — by choosing Dumbledore. Of course. As if it was a choice at all.

But if it bothers him… if it feels anything at all like the betrayal you felt, then — good.

You drink, and don’t look away.

By the time your N.E.W.T.s arrive you have a renewed confidence that you’ll succeed, even with the obstacle of performing each exam wordlessly.

There are only twelve students who came out of your sixth year class, so to divide resources for the tests is no grand task. You’re given a Wizard’s Chess set, a desk with assorted vases and goblets, an intricate epergne (you had to whisper to Mari to learn its name), and a Ministry worker borrowed like some laboratory mouse. You suppose it makes sense, though — you’re all capable enough of Human Transfiguration not to mutilate anyone, and performing on a classmate could obfuscate the results. It’s far easier to Transfigure someone you know than someone you don’t.

You start with the chess set, Dumbledore and the Ministry worker observing you as you turn pawns to knights and rooks to kings, the minutiae of the pieces drawing sweat to your brow. They change, and change, and change, and you don’t mutter an incantation once. The Ministry worker puts the set away and directs you to the glass. You Switch the vases with the goblets, Vanish them, and Conjure them again. The Ministry worker takes notes. Dumbledore nods affirmatively at you and you can exhale. The epergne is the hardest; so kitschy and elaborate you don’t know where to start when you’re tasked to Transform it into an animal.

An animal — like that isn’t the vaguest instruction you’ve ever received.

You look at it on the desk, mirrors and glass and gold on protracted arms, and you go for the first thing you think of because the Ministry worker is staring at you like you’re inept and you see it in his eyes — this is the muggle-born one, this one can’t do it.

You’re better than them. You can do it forever.

The epergne spins at the dip of your wand, and emerges more than an animal. A big glass tank appears in its place, round and gold-rimmed, water lapping at the sides. Inside it is a jellyfish. Emerald green, bobbing, tentacles and oral arms coiling against the glass like the limbs of the epergne had spanned its centre.

The Ministry worker swallows. Dumbledore smiles.

“And — and back?” the worker says, like that will be the thing that stops you.

You point again, mouth tight with irritation, and reverse the Transformation. A droplet of water smacks your face and you’re lucky to be so hot you can disguise it as sweat. You suspect even an error that small would cost you a mark.

You wipe it away. A strange thing happens; you imagine Tom brushing the water from your cheek at the Black Lake. You imagine his fingers in the rain.

The Ministry worker steps closer with a shameless frown. He tells you to turn his hair red. You do. He regards himself in the mirror and scribbles something down. He tells you to turn it back. You do. To grow him a beard, to change his clothes, to make him taller, shorter, this and that — all read from a list he does not appear enthused to recite. You do it all.

He shakes Dumbledore’s hand when it’s done, duplicates his notes for him to keep, and follows the other Ministry workers through the fireplace when everyone’s exams are finished.

You find out you’ve passed with an Outstanding on your birthday.

Mari drags you to the Three Broomsticks to celebrate, butterbeers on her. (They always are.)

“Can’t believe we’re about to graduate,” she says into her cup, froth on her upper lip.

You sigh into your own, partially giddy and mostly nervous.

Mari squeezes your face between her thumb and finger so your frown is puckered. “Chin up, genius. You’ll be excellent.”

You push her hand away but can’t help a small smile. “Outstanding,” you correct.

“Outstanding!” She bursts out laughing. “Bloody ego on you now…”

“Well, I am the smartest person you know.”

“I take that back.”

She pushes out of her chair with a slightly inebriated wobble. “Going to the loo. Don’t touch my chips.”

Your hands raise in surrender, and you steal only one when she’s gone.

You aren’t the only ones here to celebrate. (Your birthday and your mutual achievement, yes, but the Three Broomsticks is filled wall-to-wall with seventh years drinking their final nights at school away.) There’s music charmed to reach every corner, even yours at the little alcove hidden from plain sight. It’s nice to watch from here — the stumbling, the kisses meant for mouths that land drunkenly on cheeks and noses, the barkeeps that roll their eyes as soon as they turn away from all the newly adult customers, not yet learned or careless in their drinking manners.

It is not nice to be occluded from plain sight in such a way that you don’t notice Tom Riddle until he’s inches away from your table. It is not nice that no one else notices either.

On instinct you don’t make any impressive exit. He slides into the booth next to you and your brain short circuits for a moment at the warm familiarity of his presence beside you. Then it occurs that it’s been more than a year since this was remotely commonplace — that you cannot forget the reason why.

There’s not much time to decide whether you want to be vicious or indifferent or to debate on past precedent which would bother him more. You haven’t attacked him despite being concealed enough to do it unnoticed, and you haven’t shoved furiously out of the other side of the booth.

Indifferent it is.

“Can I help you?”

“You’re causing quite the stir,” he says, taking one of Mari’s chips.

You’re allowed. It’s infuriating when he does it.

“Am I?”

“It’s enough to fail a N.E.W.T level class and be expressly petitioned back, but to have a special criteria set for your exams and manage an O on top of it all…” He inclines his head as if to appreciate your face so close after so long. You should not let him. “You are incomprehensible. It terrifies them.”

“They’re afraid of the wrong mudblood, then, aren’t they?”

Indifference effaced. You’re angry.

He seems to have come prepared, and shrugs your scorn off like a scarf you would have forced him to wear winters ago. “Of course, they have no reason to suspect Dumbledore might have ulterior motives.”

Ulterior — you certainly hope he isn’t suggesting this is based on anything but your merit, but then — you couldn’t begin to understand why Dumbledore cared so much, could you? You’d made brief inspections of his disdain for Tom in second year, his waning shades of kindness and the matter of his stolen encyclopaedia, but you hadn’t… you hadn’t thought at all about how his dedication to your progress only begun after you’d stopped sharing a class with Tom, how it had developed as you began to drift from one another in fifth year and accelerated in sixth after the first petrification and Myrtle’s death. How Tom had worn you down with a weighted glare at Dumbledore’s little toast.

It wasn’t because you had chosen Dumbledore, you realise. It was because Dumbledore had chosen you.

“Why don’t you worry about your pets, Riddle?” you snarl, “I’m sure there are bigger problems with your lot than my exam results.”

Something in his face shifts at the name. You swell with distorted pride.

He mends the reaction by looking you over in more detail, his features schooled into something he must know you can’t deduce. You try not to squirm under the intensity of it.

He reaches almost mindlessly for your collar (there is nothing mindless about it, you’re sure) and smooths the fabric gently with his fingers. “I always liked you in this colour.”

You blink. His thumb just barely brushes against the skin of your neck before retreating, and your mouth falls open.

“Don’t do that,” you say. Truly a sad attempt. Your repulsion is more with yourself than him, and that’s not at all right.

Where is Mari?

“Your friend was at the bar, last I saw her.”

You stare at him with wild eyes. How the hell — ?

“You were always easy to read,” he supplies, and leans in so you can follow his line of sight to the tiniest sliver of the bar visible between two columns, where Mari looks deeply engaged in conversation with Leo Ndiaye, one of the Gryffindor Chasers.

You take a sharp, exasperated breath at her antics. She might be more in love with the competition than the boy himself. They’d never last without Quidditch to bind them, but you can’t fault her for wanting a bit of fun.

“Well then —”

Right. Tom hasn’t actually moved away. You turn and his face is just there.

His eyes dart forthwith to your mouth, and — no. No, he won’t be doing that and neither will you.

“...I’m off to bed.” Stop talking to him like he’s your friend, you think miserably. Stop looking at him like he’s your —

“That would be wise.”

He’s still looking at your lips.

No one else is looking at you at all.

It could exist in just this moment, you deliberate; separate from everything else.

Except nothing about Tom exists in its own moment. He’s all over you all the time, skin and bone and soul. You hope you still have a place in the broken fragments of his.

“So I’ll be going now,” you say again.

“I haven’t protested.”

But he’s leaning in, and he has to know that’s impedance enough.

“But you will.”

His lips touch yours. “Yes, I will.”

You grab him by his shirt and you’re kissing him. You’re kissing each other like either of you know what the hell it means to kiss anyone, but you’ve learned the rest together, haven’t you? Your noses bump and you don’t care. You just need to kiss him, and — God, you make some noise against his mouth and the hand cupping your face spreads to capture more of you, greedy and wayward — he needs to kiss you too. It’s a horrible thing to know. It leads you to pose too many questions.

The need must have begun as want, and when did the want begin? How long has he looked at you and wondered what you’d feel like to kiss, touch, mark? (He’ll never have the latter. You swear that.)

You’re pulling away in intervals. “You don’t have me, you know.”

“I know,” he responds, lips on the corner of yours.

“You still lost me.”

“I know.”

“I hate you.”

He pauses for a moment. “I know.”

You kiss him again. Long and soft, memorising his cupid’s bow and the tip of his tongue, and when one of his hands moves to your waist you part from him like you’ve been burned.

“I —” You resist the urge to touch a finger to your lips, standing abruptly from the table and adjusting your shirt. Your body feels like an evolutionarily faulty vessel, too easy to please, though you can’t imagine it responding to anyone else this way. Or perhaps your mind is the problem. Not wired well enough to resist an evidently bad thing. “Goodnight, Tom.”

You thought there wasn’t a word for your goodbye, but that’s it. So simple it sinks you. Goodnight, Tom. I’ll dream of a morning where I wake up beside you, but you won’t be there.

He grabs your hand before you can go, licking his lips and it haunts you to think he’s savouring you. It stings a place deep in your chest you’d spent all year trying to heal.

“My door is always open,” he says.

He lets you go.

You graduate with Mari’s hand in yours, and you aren’t afraid.

Dumbledore requests that you stay for the summer to help him prepare for the first year’s curriculum in the fall. It’s a ridiculous opportunity for someone your age — free lodgings and a stellar impression on your resume, and — you can only accept it with an ire you haven’t felt since the spread of influenza in muggle Britain.

If he’s offering you lodgings now, he could have done it all along.

It sends you down a horrible train of thought while you move your things from the Slytherin dormitories to a little chamber a few doors down from the staff room; Tom will be removed from Wool’s this year. Will he stay at Malfoy Manor? But Tom is still publicly muggle-born — Abraxas’s parents would never allow it. Will he find a job, a flat? Will he swindle muggles once he turns eighteen and the Trace is no longer an obstruction?

You think of him often. You think of his offer.

My door is always open.

Plenty of doors are open to you now. Why should you want to go back to his?

Still, the Second World War ends in November and you feel like you can breathe at a depth you never could before. The school doesn’t celebrate like it did with Grindelwald. No one but you seems to care at all.

It’s a tempting door.

The year passes in a blur of graded papers and lessons Dumbledore sometimes involves you in and sometimes does not. Most of the first-years care little for you, but there are two Slytherin muggle-borns who look at you like a new sun to orbit. Everything is worth it for that.

You see Mari when you can, and find she’s training with the Italian Quidditch team, who apparently are smart enough to care more about skill than blood. She says she misses the complexities of Transfiguration, but any career in it was always going to be yours. Smartest person she knows, she reiterates. Biggest ego too.

The next summer Dumbledore informs you of a posting at the Ministry. Something small with a smaller wage. He emphasises the weight of his personal recommendation, but that you won’t be respected unless you claw tooth and nail for it. You don’t take long to consider a chance to make an actual income with an actual career doing something muggle-borns simply don’t do before you’re nodding assuredly and asking him what you need.

Better clothes are first, and all you can afford until further notice. You take to Gladrags with intent to purchase for the first time in your five years of wandering in the shop with eyes bigger than your wallet, and the owner looks at you with distrust when you slide her your sickles.

The Ministry job is truly, infinitesimally, insignificant.

It’s far down in the Department of Magical Accidents and Catastrophes. You’re a glorified secretary, and you recall the few times you’d worked as a mail-sorter during the war. It’s some sick irony that you’ve landed yourself in a pile of paper once more.

But the money, though offensively scant to someone with better options (and it’s infuriating the options you deserve), is more than you’ve ever had, and within the next year you’re able to leave the castle and take a cheap room at an inn in Hogsmeade. You’re close enough to Dumbledore to aid him when he needs you, but far enough to feel like your school days are departed, and you need not worry about memories lurching unexpectedly at every corridor.

A sick part of you still reaches for your mouth sometimes to remember what it felt like to be kissed. That part of you wishes for Tom. You could kiss him into oblivion. You could find a way to make it hurt him back.

My door is always open.

Then you’ll slam it bloody closed.

Mari invites you to her first professional game and you cheer for her in the stands, a green, white, and red scarf around your neck in place of her old blue.

She wins and you get drinks in a muggle pub. You kiss a man at the bar. You go home with him. His hair is dark, but not dark enough. His lips are soft, but the shape is wrong. He makes you feel good, but you wonder if in another life, the dream is true; you roll over in the morning to Tom beside you, and he makes you feel better.

When you can find time between the monotonous demands of your job, you’re in the Transfiguration classroom, staying behind to help the Slytherin muggle-borns with their Switching spells.

It’s one stupid accident the next fall that changes things.

A muggle bank has been robbed, and whatever idiotic, panicked witch or wizard was behind it apparently found themselves incapable of getting the deed done with a simple Imperius Curse (you can’t imagine, based on the scene, that they’re above Unforgivables), and somehow ended up leaving the building half-charred and teeming with at least six bank tellers Transformed into birds, two chirping into the floor tiles with broken wings.

“Renauld’s on it, though,” your coworker says when the news finds your department.

“Renauld?”

He’s a year older than you, a pureblood with parents in high places, and endlessly fucking hopeless.

“Well, yeah —”

You push out from your desk, files fluttering behind you. “Renauld will expose the whole damn wizarding world if he touches that building.”

“But McCormack sent him.”

“Where is it?”

“I… McCormack said that —”

“Where is it, Flack?”

“Um. Um, near King William, I think. Moorgate or, um —”

That’s good enough. You toss the Floo Powder into the fireplace and go.

The place is a mess. You don’t even have to look for it. There’s some ward around the street, bouncing muggles away like an invisible end to a map they don’t even register is there. At least that’s handled right.

But you slip through it and curse under your breath at the muggles trapped inside the wards. They’re like fish prodding at the dome of their bowl, and some run up to you demanding explanations when they see you unaffected by it. You brush them off — Obliviation is not your strong-suit — though you do shout at a pair of DMAC wizards uselessly standing guard outside the bank.

“What the hell are you doing?” you ask on approach. “Renauld’s supposed to handle the inside, yeah? You deal with fixing them.”

You point toward the frantic muggles, and the officials just regard you with vague confusion at your presence. “Renauld said —”

“Oh my God! Fix. The muggles.”

You afford nothing else before pushing past them to enter the bank.

It’s quite impressive, actually; Renauld, the result of generations of foolproof breeding, is waving his wand around like he’s just stepped out of Olivanders for the first time.

“Heal their wings,” you say without greeting.

Renauld jumps. “What? What are you doing here?”

“Heal their damn wings. They’re easier than human limbs and healing magic’s the only thing you aren’t completely shit at.”

“Who authorised you?” he hisses.

“I did.”

In hindsight, it should have gone horrifically wrong. Your wand could have been taken and your life might have been over in all ways that matter, flung back into the muggle world where you’ve always been told you belong.

But Renauld vouches for you. You Transform the walls, you fix the burns, you mend the bank to something presentable. A muggle robbery — dangerous, financially tragic, but believable. And your suggestion to heal the injured bank tellers in their animal forms might be the thing that saved them. When Renauld mends their wings and regenerates their blood, you Untransfigure them, and the other DMAC officials alter their memories with haste.

You were completely out of line and utterly right.

It isn’t something people like you are allotted.

Your probation period is dreadful. You hide in your room at the inn most days, Vanishing little stained panes on your window to feel the warm breeze of air before you Conjure them again. You help grade papers, though Dumbledore is displeased with you and the night is a silent one. He assures you curtly that he’s doing his best with the Ministry to amend this.

And… he does.

With Renauld’s help and the corroboration of the other DMAC officials, you’re back at work by the start of the school year.

It’s a slow process — almost eight months of meaningless paperwork — before the next incident occurs and you’re hectically ushered to the scene like a belated understudy. And then it happens again. And again. And again.

There’s really no choice but to promote you.

Your heroics are torn from a Gryffindor cloth, so says Flack. You urge him never to say such a thing again.

By your twenty-first birthday, you think about Tom almost exclusively in your sleep. You’re much too busy to think about him anywhere else.

The summer is warm and Hogsmeade is lively. You’ve vacated your room at the inn for a little house on the outskirts of the village, decorating it how you like — discovering what you like. You’d never had a chance to find out before.

Mari visits when she can once you have your fireplace connected to the Floo Network (you yourself prefer Apparating) but her name is slowly working its way from the Italian papers to the British ones, and she has so much to tell you there isn’t possibly enough time in her days to tell it. There’s also the matter of Leo Ndiaye, who has, recently, gotten on one knee and proposed to her. If there had been a bet on them ending up together, you would have been out enough galleons to put you in debt.

After especially gruesome days at work, you and a few colleagues make a habit of getting sherries at the Siren’s Tail, complaining that sometimes the nature of your work is akin to an auror’s but without the notoriety and pay.

“Oh, please,” says Emilia Alves, twirling her straw, “have you seen the shit the aurors are up to lately? I’d rather be a blimmin’ Unspeakable.”

“You’d have to be able to keep your mouth shut for that, Alves.”

Emilia punches Renauld in the arm.

“What are the aurors up to?” Flack asks.

“I dunno much. There was a murder all the way in Albania, s’posedly. Reeked of dark magic.”

“Nothing new,” you join, and then frown. “Why’s our Ministry dealing with it though?”

“I dunno. I got word from Hillicker that the Albanians didn’t know what to make of the mess. They’ve never seen anything like it.”

“Hillicker’s not a source,” Renauld scoffs.

“Yeah? Why don’t you ask your daddy for something better?”

“Alves, I’ll have you know —”

You lean in over the counter. “What do you mean they’ve never seen anything like it?”

She grins. “Why? Storming a bank robbery wasn’t exciting enough for you?”

You roll your eyes, taking a drink.

That ought to be the end of it. One extraordinarily lucky incident to push you up the career ladder was rare enough — there is absolutely no way digging around a case that has nothing to do with you or your department could ever end well.

But something about it itches.

You make nice with Hillicker. She’s a year younger than you and far too kind for her own good, and she gushes freely about her husband’s work as an auror (they must be a perfect match for him to gush freely about it with her). It’s a bit manipulative. You have no excellent excuse for it, but… ambition, and all that, you suppose. Flack’s Gryffindor theory is studded with holes.

You are green, through and through.

Emilia’s updates are meaningless when you garner so much information that you’ve already heard everything she has to say over drinks, and at this point her and Hillicker might be a step behind you. Emilia still only knows about Albania; peppery little details of half a story. Hillicker discusses an assortment of murders with no real string between them, and Dumbledore regards you with cool heeding when you bring up the matter with him.

You see him little nowadays but you’ve never been close in any true sense, traces of resentment budding over the years like rainwater collects on glass until the stream finally slips.

You visit Hogwarts mostly for your Slytherins, fourteen or fifteen now, unafraid of the distinction of their blood.

And then there’s one night after you turn twenty-two where drinks take place at yours for a change, Mari and Leo included and happily wed. You have no sherries but your ale is just as well, and it’s only you and Renauld who are sober by the time everyone else is vanishing into the fireplace and going home.

That makes it much worse when you sleep together.

There’s no excuse of having had a glass too many — so sorry, I’ll be on my way then, and him stumbling over his trousers to get out of your hair. Of course, he does that anyway, scratching the nape of his neck when he reaches your doorway in the morning.

“Thanks for the — well, you have a nice home — I do think I should —”

“Yes.”

“Right.”

“Oh!” He turns around at the last second. “Er — I know you’ve become a tad obsessed with… Hillicker mentioned another, anyway. Hepzibah something. Killed by her own elf, the aurors suspect.”

“Oh,” you echo, sheets pulled up to your shoulders. “Thanks, Renauld.”

“I thought you might like to know. Don’t be daft about it.”

You’re incredibly daft about it.

There’s something reminiscent about Albania in this case that wasn’t there with the others. The tide of dark magic ebbing across the scene, the cherry-picked information released in the Prophet, the claim of an old, dumb House Elf who poisoned her mistress like the Albanian peasant killed in some insoluble accident.

The itch exacerbates.

You see him in your dreams again. He peers over Runes in a stolen encyclopaedia, he whispers to an adder on his shoulder, he kisses the corner of your mouth and it isn’t enough. He kills you, again and again. You kill him too.

You wake up and he isn’t there.

It’s a new low when you’re invited to the Hillicker’s anniversary dinner and you end up digging through the drawers of their study halfway through the night.

The Albania file offers nearly nothing. There was the charred residue of dark magic imprinted on a hollow tree in the fields of the peasant’s hamlet, but nothing detailing more than a blank imprint of the Killing Curse in his eyes. Still, you tuck the knowledge away for the file of one Hebzibah Smith, whose tea did indeed have traces of poison, but whose den was also ripe with a layer of darkness that didn’t line up with the Ministry’s tale of senile elf.

And then there’s the forgotten matter of her being a purveyor of ancestral artefacts. The file doesn’t recount whether any are missing, since the woman was wise enough not to proclaim all her possessions to the world, but it’s something. A scratch.

You travel to Albania that Christmas. The neighbours in the peasant’s hamlet have skewed memories, so they provide little help, but the man’s house was left almost untouched.

You tear the place apart and Transfigure it back together when you’re done.

All you find, in the end, is a scrap of an old envelope in a suitcase.

R.R

It could be that it’s old. The cursive seems ancient enough. But you swear the letters have the distinct shape of quill ink — too artful for any pen — and maybe that wouldn’t matter if it weren’t for half a wax seal stuck to the torn edge of the envelope. Stained but silver, the barest hint of two ribbons, a crest, and the letter H.

You return to Hogwarts posthaste.

It’s snowing in the courtyards and you waddle with a duotang under one arm to pretend you’re here for something scholarly, an array of excuses prepared in case you run into Dumbledore, but you don’t.

The Grey Lady is as beautiful as she’s rumoured to be.

You ask her about her mother, and she’s silent, an expression on her face like you’ve struck her.

“Is it found?” she whispers. The snow floats through her.

Your heart hammers as you consider how to approach this. She thinks you know more than you do, which means there’s something to know.

“Yes,” you say. And you dare further with the context you know, “In Albania.”

“Oh,” she hums. “Oh…”

And if she means to say more she doesn’t seem able, washing away through the balusters, then the walls. You think of your house ghost and what he did to her, and you feel sorry for a second.

Madam Palles expels you from the library the moment you find what you’re looking for, and you rush past a throng of staring students to the staff room fireplace. It’s too far a walk to the border of the castle wards to Apparate. You bite back the preemptive sickness, get swallowed by the flames, and go home.

There are blanks to fill in but you do it easily. Rowena Ravenclaw’s diadem. Hepzibah Smith and her assortment of unregistered artefacts. The stain of dark magic. Something so rare not even the aurors recognized it.

But you do, because he told you.

You wonder on your search to find him what object he used when he killed Myrtle Warren. Nothing special, you think — maybe even the closest thing he could find. These murders involved more preparation. He got to mark them however he wanted.

It’s almost disappointing to find him here. In a little flat over Knockturn Alley with a view of charmed coalsmoke and the brick wall of another shop.

It’s as tidy as his room at Wool’s, the only dirt the irremediable age of the building itself. The whole place looks almost slanted, large enough only for the bare necessities; a kitchen, a toilet, a bedroom that looks more like a closet, and a study/dining room/den you can’t imagine he hosts many gatherings in. You rescind the mere thought. Whatever gatherings Tom Riddle is having these days, you’re sure you can’t begin to imagine at all.

You wait, legs crossed on an old loveseat, fiddling with your wand.

The door clicks open when the snow has turned to hail and there’s no light but the few scattered candles you’d lit on the mantelpiece.

It strikes you only when he’s standing before you that it’s his birthday.

You’re in Tom Riddle’s flat, on his birthday, adorned by the orange glow of half-melted candles, and you know everything.

He eyes you carefully, a hint of surprise at the sight of you after four years that even he needs a second to recover from. And then he's even, inscrutable Riddle again, and you dare to think, come back.

“I placed wards," he says, hanging his bag on a rack by the wall.

“I thought your door was always open.”

You see his posture change from just his silhouette.

“Wards never work in Knockturn,” you offer additionally, “not really. There's too much conflicting magic; one border cuts into another; leaves a little sliver behind if you’re smart enough to find it. You should know that."

He turns to you. You take in a moment to acknowledge how he's changed. It's hard to see in the curtained moonlight, and it seems unreasonable to imagine he’s grown, but you think he has. An inch taller, perhaps. Two. Maybe the dress shoes. His arms are bigger under his button-down, but not enough to consider him muscular. His black hair isn't as perfect as you remember, and you suspect a long day of work undoes his curls. You always liked him better that way in school, after a night duel at the Black Lake, his robes askew and his hair a mess. Evidence that you were the only one to dishevel him. Now you were — what? Did he even think of you anymore? Yes. You'd always think of each other.

“Duly noted. What are you here for?” He tries your surname like a foreign language.

You cross your arms, and you're acutely aware that he's observing your changes too. You're not the matchstick witch he once knew. Your emotions are cultured now, taut to mirror his. You wear dull, formal grey, and that glowing green tinge that should be gleaming on you is under a thick carapace. That’s for Mari, Flack, Emilia — even Renauld. Not for Tom.

You wonder if he knows it was Dumbledore who put in the word that got you this uniform. You wonder if he resents you for it.

“There’s been talk at the Ministry," you say finally, “A string of murders. Whispers of something — some dark magic they don’t understand. And you know they're careful about things like that after Grindelwald."

“A string of murders... Hm. That might imply you understand a connective thread. Is there some sort of accusation being made?”

“Oh, I'm sure you'd be flattered by accusations. There’s not enough there, as it stands. Just whispers." You sink more comfortably in the seat and the springs make a concerning sound. “But I know you."

His hard, sharp gaze falters for a moment. You watch the flames dance behind him, the firelight playing against the lines of his shoulders, and feel your heart skip a beat. “Who else is speculating?"

“No one." Your fingers brush over the book spines on the coffee table. “I guess their attention hasn't been drawn to a book clerk yet, even if you have taken residency... here." You say it with no shortage of disapproval.

Knockturn was never where Tom belonged. You'd once imagined a flat together in muggle London, taking the telephone booth to the Ministry together, changing the world together. It's a wish that's a lifetime away now.

“Is this a warning? I assure you, I don’t need the condescension.”

“I'm not warning you," you scoff, “I — I'm seeing you. God knows I'll probably never get the chance to do that again once you get yourself locked up in Azkaban, which you will."

You sound exasperated. You sound half-pleading. “What are you doing, Tom? Is this — this is really what you want?"

“Yes."

You shake your head. “I don't believe that." And then some of that fiery spit returns to you, and you feel like a child again, stuck in the London tube stations holding his hand at every plane that flew overhead, scowling that you needed his reassurance. Scowling that you were afraid.

“Well, your conjecture is ever-appreciated. Shall I lend you mine? Shall I congratulate you on your revolutionary position at the Ministry? Or is it Dumbledore I should afford my thanks?”

“I earned this,” you hiss.

“You deserve it,” he amends. “But do not lie to yourself and pretend that’s why you have it.”

“Fuck you.”

He smiles. “There you are.”

“I don’t need your congratulations, Riddle. Dumbledore doesn’t need your damn thanks. But,” you say, biting back the snarl that wants out, “you could thank me. After all, I could turn to the Ministry any minute with the truth of your heritage. I could tell them about Myrtle, the Horcrux — Horcruxes.”

The humour dissolves from his face and you despise the immense glee it brings you.

“Oh, did you think I didn’t know? Didn’t understand the connective thread? You are sentimental under all that… fucking posturing, you know. I’m sure it’s all very romantic to you — making Horcruxes out of Hogwarts artefacts. Shame it’s such an insult to your intelligence.”

“Very good,” he says after a long, terse silence. You’re sure he’s thinking just the opposite.

You hum, meddling with your nails. “So what’s your plan?”

“I’d need a Vow for that.”

You laugh. “I’m not that desperate.”

“You’re also not an auror, are you?” He tilts his head appraisingly. “And yet you’ve found your way here.”

“How many do you plan to make? How many people do you plan to kill?”

“A Vow.”

“Absolutely not.”

“Tea, then? Biscuits?”

“Oh, I shouldn’t. I read in the paper the other day about a poor old woman who had her tea poisoned.”

“Hm. Terrible shame.”

Your fist clenches around your wand. “Is it paying off well, Riddle? It must be a good life if you’re willing to split your soul to hell and back to have more of it.”

He smiles at the barb in your words. “You never were good with subtlety.”

“I wasn’t trying to be subtle. This place is horrific.”

“I was referring to your inability to see more than what’s directly in front of you.”

“Oh, really? And what more should I see than a boy who’s very good at getting weak men to bow and do very little else? I’d try to see the bigger picture, but I reckon it wouldn’t fit in here.”

Tom regards you colourlessly. You are slate, Ministry-grey, impermeable like palace portcullis.

“I suppose I should have killed you.” He says it with the nonchalance of a forgotten chore. He says it like you’re a stain.

He doesn’t say it like he feels any terrible urgency to remove you; and you think, this time, you’d feel more powerful if he did. You think it’s far more debilitating to sit here and be looked at like he regrets wanting you alive more than he wants you dead.

“Yes,” you concur, “I suppose you should have.”

You place your wand down on the table and scoot your chair away for good measure. “It’s never too late to rectify your mistakes.”

Tom, for a moment, looks surprised. That makes you feel powerful. You’d take more of that.

“You have wandless magic,” he tries. A weak recovery.

“Scout’s honour, Riddle.”

He doesn’t move for a moment, then fixes his wand in his hand and rises, doused in the same inscrutable calm that always used to drive you mad. Now something in you gleams with the knowledge that he only ever looks like this when he’s trying not to look like anything at all.

He steps closer and it gleams brighter. It trembles inside you and you know, distantly, that this is insane. You’re weighing your life on a childhood trust that was shattered years ago, and you don’t think you’ve ever been that good at faith, but he’s approaching you and that gleam you feel is reflected in his eyes and you just… know. Your spilled blood once crawled with his. There’s no undoing that. Half of you is made of the other.

“I should have killed you,” he repeats.

It’s a murmur. Stilted. Angry, even. Angry that you made him this and there’s no fucking rectifying it — what a joke that is. What an immensely you thing to suggest.

“Yes,” you agree.

It’s a breath. Low. Proud, even. Proud that you’re his only mistake and he’s going to make it again.

Tom kisses you. It’s a murder of its own kind. You kiss him back, and — you were always going to kill each other like this, weren’t you? It’s you and him whether you like it or not.

There should be no love in it. You know that. Love is far behind the both of you, stifled in a gasp at the back of your throat on your eighteenth birthday and the soft, selfish hands of a seventeen year old boy. This is mutual destruction. Spite and teeth and skin that’s cold under your fingers.

He was your first in everything but this.

You push back at him and feel the hunger, the need in him, like a flame as he kisses you deeper and harder, and you find yourself losing yourself to it all over again, like you're back in the dark alcove of a pub where you told him goodbye, pushing to extend the juncture. And then he lets out a hitched, gravelly sound; not a moan but enough to make you shudder.

You pull him onto the sofa and crawl onto his lap.

“How long?” he asks thickly.

You don’t have to ask what he means. You bite against his neck, nails under his shirt as you struggle to pop the buttons open. There must be a violence in all your want for him because if there isn't it's just loss. It's just another thing you'll give him without taking anything back.

“Sixth year," you pant, “in the Deathday ballroom when we fought for the first time. You — ah — you put your thumb on my mouth. Since then."

You hear a sharp intake of breath, and his hand moves up your back to pull you impossibly closer. His voice is ragged. “Should I tell you how long I’ve wanted you?"

You shudder a breath. “Since —" And it's a bit hard to talk with the way he's rolling your hips — “Since when?"

His lips twitch into a mirthless smile, hands spanning your thighs as you start to rock against him. “When you burned me, and I sent you into the lake."

You swallow, agonised by the slow pace his grip forces you to keep when all you want to do is go faster.

“Your uniform was terribly wet,” he says, mouth tracing your jaw. “Did I ever apologise for that?"

“N-no.”

He tuts, the hushed sound warm and deadly on your neck. “Bad manners. I must have been distracted."

Oh. Oh, you think. It seems pointless to flush in the position you're in now, but the knowledge that he wanted you then and you hadn't even known is... all the more devastating.

But you shiver at the question of how he’d wanted you, in what amount of detail, in what precise way. You almost want to ask. See it for yourself.

You don't think you'd manage the words. He’s hard underneath you and your head wants to lull toward his shoulder but a big hand holds you from one side of your jaw down the length of your neck, his tongue laving up the other. Instead you’re balanced only by his hands and his mouth, rolling against him because it’s all you can do like this.

He’s marking you, you realise with a gasp, and your fingers bury in his hair to remove his mouth from its descending assault on your collar. Not that. You’d sworn against that.

Your fingers return to his buttons and he copies you by finding yours, pulling at the fabric tucked into your trousers until it’s discarded entirely. You press your hands to the planes of his chest and watch him, your mouth agape as his eyes linger on your chest.

His heart is pounding and he must know you’re about to comment on it because his lips are on yours again and he adjusts his position and your fingers dig into his shoulders at the delicious new feeling of him pressing into your thigh.

You move for his belt. He moves for your zipper. It’s some sort of race, whatever you’re doing, and you’re at an unfair advantage when you’re still fumbling with his buckle when his hand is already carving a slow path to the band of your underwear. You're scalding under the journey of it, little stars pricking you under every new inch he explores.

He dips in and your eyes wrench shut, grasping frantically for his wrist.

“Shh,” he says softly, caressing your cheek with his spare hand, thumb finding your mouth how it did all those years ago and you want to curse him. The fucker knows exactly what he’s doing.

You shake your head, chest rising with heavy breaths as you return to his belt and scrabble to unbuckle it.

“So tense,” he murmurs. The hand at your cheek draws over your lower lip before it falls to your back to hold you closer. “Rest now.”

And his fingers trace you where you want him most, brushing past your clit as he pulls his face back to watch you.

You sink into the feeling, still swaying on his lap, a half-efforted attempt at finding friction in the hardness between his legs that feels fruitless because it won't be enough until he's inside. Your hand just grips onto the fabric of his unzipped trousers and stays there. It’s a pause. An obstacle on your path to him that you need just a moment to recover from before you’ll make him feel just like this. Better. Worse. It’s hard to tell which is which.

He’s stroking at you now, pleased by the way you lurch against him with every touch.

You have to recover, you have to make it even, you have to… you…

A finger presses inside and you moan.

“You came back to me,” he whispers, close enough to be kissing you but there’s just the stutter of his breath. It's a fucking religious thing to say, the way he does it.

“Doesn’t make me yours,” you breathe.

He shakes his head. “I know. You’ll still take it though, won’t you?”

Oh, fuck.

He makes a sound of approval. “Good.”

Good. Fine. Your hands slip from his zipper to the meat of his thighs, pushing yourself forward so the shape of him is firmer against you, and Tom slips another finger in.

You’ll take it, won’t you? Yes.

Maybe you don’t need to tear him at the seams (though you want to) to make it even. Maybe this is punishment enough. That he can have you like this and it still won’t make you his, that he’ll give you everything and you’ll lap at it with half the greed he possesses.

You ride his hand, clutching his shoulders, rocking your hips. You take all of it, and it builds something delirious inside you, that it’s him doing this, his perfect fingers, the shape of his lips, the soft dark of his hair when you find your hands in it again. The feeling makes you stutter, and he has to move you by the waist himself to keep the momentum when you can't do it yourself.

He’s painfully stiff, pushing up against you with a degree of self-control that feels like it can only end disastrously for the both of you, and you start smattering kisses down his cheek. You tilt his head back and lick a stripe down his neck. Rest now, you'd say if you could.

But he adds a third finger and your head falls, a cry planted in his collar when you come, and you don't think you say anything.

Tom holds your legs steady, guiding you through it like this is just another one of his studies. You are what he knows better than anything else, and still he wants to learn more.

“Look at you,” he mutters, dipping you back to press his lips down your chest, unclasping your bra while you’re still breaking, the sensation swelling again when he takes a nipple into his mouth.

“Tom,” you try to say. Your mouth is the sticky sort of dry that words refuse to come out of.

“Will you give me more?”

Give, not take. You fuss into a stolen kiss, grappling again with his trousers, pulling them down until you can palm him through his boxers.

He hisses, gripping your wrist like he hadn’t just done the same to you, and then he’s pulling you up and off the couch, trousers discarded with what must be magic because you blink and they’re gone. Greedy boy. (You have no room to judge.) Your back is to the wall an instant before his fingers are on you again, pushing your underwear down your thighs until it falls at your feet like they despised to ever part from you.

You arch to feel him press against your stomach, pushing off the wall so that you can meld to him but he just closes in on you to do it himself.

He goads the heat from you when his fingers push in again, still wet, coiling how you like, where you like —

“Want you,” you protest shakily, hand on his abdomen.

That must kill him a little, because he curses under his breath (a thing he never does) and the immediate absence of his touch is cruel when he goes to free himself from his boxers. You reach for him without thinking as he does, and he pins your hand beside you when your fingers so much as graze the length of him.

You sound frail, but you have to ask. “Is this how you wanted me?”

A cruder version of you would go on. Is this how you pictured it? Taking me against a wall? Have you waited for it all this time?

And you don’t belong to him but you’re so incomprehensibly, contradictorily his. You’ll want him forever. He could do anything, and you’d be his. You could haunt him into his lonely eternity, and he’d be yours. Then, you suppose — haunting him makes him yours by principle.

Maybe you already do.

Tom practically growls into your mouth, pressing against you and — God, it’s skin on skin. He's right there. You could push forward and —

He slides in. You cry out at the feel of him inside you, the angle of it like this.

“I wanted you,” he says lowly, your legs wrapped around him, “everywhere.”

You’re gripping him so tight you think he’ll bleed under your nails and somehow you still feel on the brink of collapse when he thrusts deeper.

“I thought mostly of your mouth,” he rasps. “It felt depraved to imagine it wrapped around me, but then I thought of you splayed out before me instead. That maybe you’d like it if it was my mouth on you.”

You whimper.

“Would you like that?” he asks, hands spanning your hips to snap them into his, like you are a piece removed from him he seeks to reattach.

If you wanted to answer you couldn’t. You’re clinging to him and the rising surge inside you, carved between your legs like something sweltering and unfixable. It rushes in and he pulls out of you. He pushes in and you cry for the release of it, the moment the wave lurches over the edge, but he won’t let you have it.

“But,” he says, and your eyes want to roll back at how heavy his restraint is, callous in the tone of his voice, some leash at his neck he must tug himself lest you take it from him — “If I knew how well you’d take me like this, I would have thought of it much more.”

Taking him, again — you don’t feel at all like that’s what’s happening. You feel possessed. You are buoyant in his arms: his and his and his.

“You can — uh — you can — ”

"Hm?" He brushes down the slope of your brow, your cheek, back to the edge of your mouth, wiping a trail of saliva from your chin. “Poor thing.”

And he slams into you again, drawing a mewl from you that slices your unfinished thought.

You clench around him, flames wild and fluttering at every contact of his skin on yours, and there are too many to count. Too many points where they intersect, just some blend of bodies connected at every curve.

“You’re going to give me more,” he says, like it’s an epiphany when you already told him you would.

You remember then. What you meant to say. “You can take me too.”

You feel him twitch inside you, his pace stilling for a moment, and the thumb on your lip slips into your mouth. Your lips close around him and he curses again.

He fucks you with a finger in your mouth and his teeth clamped over your shoulder, soothing the sting with his tongue. His pace is too slow when he drags his free hand between your legs, but you understand its purpose well enough that the mere recognition almost destroys you.

He’s patient in bringing you to the edge because there's time here. A slow agony that severs you from the rest of the world until it splits you down the middle. And he may not ever have it again.

You have to promise yourself he’ll never have it again.

But the movement of his fingers against the same spot he’s hitting inside you is too much at once, and you won’t last. You drool around his thumb. You let him mark you. You can see on his neck you’ve marked him too. And you hope impossibly there’s a scar. You hope the little death you coax from him claims him as yours for eternity, keeps him even when you're gone. You tighten, lurch for the edge, and make him mortal once more.

Tom holds you there, your cries reverberating as he sinks another finger in your mouth, and then he’s gasping at your neck, peeling back to look you in the eyes when he spills into you. Your eyes screw together and he releases the sounds you make by holding you by the jaw instead.

“Look at me,” he says, and for the strained need in it you do.

You come down to earth and you kiss him, wetness dripping down your thighs as he pins you to this moment. You love him. You’ll always love him.

He’s still inside you when he’s secure enough to bring you to his bed, only removing himself from you when you’re safely in his sheets, legs surrendering their grip on his waist as you pull apart. You pant into the cold linen of his pillow. Everything smells like him. There’s something empty now; the reason you came today; the reason you left four years ago.

You love him and it isn’t enough. Not even to look at him, the sleepy hint of the boy you knew in his eyes, and know that he loves you too.

“Goodnight, Tom,” you say, finding home in the warmth of his chest.

You’ll dream of a morning where you wake up beside him, but you won’t be there.

#tom riddle #tom riddle x reader #tom riddle x you #tom riddle x y/n #tom riddle fluff #tom riddle smut #tom riddle angst #(the trifecta)#tom marvolo riddle #voldemort #voldemort x reader #tom riddle imagine #tom riddle oneshot #harry potter fanfiction #wizarding world #ftltutbh

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thorougly-melted-brains · 7 months

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Ghost is not subtle, atleast, that’s what he thinks. To any plan, to any decision from head to toe, he commits. This lends well to his career, recruiters would kill (literally) for a soldier who lets themself become more tool than person.

So when it occurs to Ghost that one John “Soap” Mactavish is worth knowing, he makes no attempt to conceal his endearment.

Problem is, Ghost is far removed from typical social expectations. And Soap is too accepting (or maybe oblivious).

First is with touch. Ghost is less averse to it than most would assume. His perceived distaste for it is intentional. It’s a bubble, anyone who gets too close gets put back in place. It’s a small thing, but that just puts less work on him. People tend to assume things from there out.

So when Soap punches him on the arm, pats him on the back, grabs his shoulder for support, to Ghost it is perfectly clear he is allowing the other man.

Then is the jokes, the bickering. Most others would (and have been) snapped at for fucking about on missions. But with Soap, Ghost lets it’s slide, joins in, even.

Then there’s sharing: food, weapons, tips, stories, names. And then the mask: self explanatory.

The final is sleep. It evades all soldiers, and falling asleep alone was a luxury, so sleeping in common places was regular. But not typically for Ghost, who was afforded a single room.

So when Ghost would doze off on exfil, rest his eyes at a bar, plop down on the floor next to where Soap was filling out paperwork, it should’ve been obvious that he was indicating trust.

Too bad obvious affection from the Ghost considered normal human behavior by most. Specifically one John “Soap” Mactavish.

(Later, on a rare occasion Ghost is not following Soap like an ominous duckling).

Soap: Hey isn’t it funny how Ghost falls asleep on the floor sometimes.

Gaz and/or Price: He only does that with you.

Soap: What?

Gaz and/or Price: That’s a confession of devotion.

Soap tracks him down like a bloodhound, charges Ghost, and breaks his nose on Ghost’s mask trying to kiss him. Ghost carries him to medical, throwing the bloody, grinning man over his shoulder like a sack of potatoes.

In Soap’s bloody, nasally words,

“Worth it.”

#this was inspired by the mental image of Ghost falling asleep curled around Soap like a large cat #so enjoy that #what a weirdo (the author is projecting)#simon ghost riley #john soap mactavish #ghostsoap #soapghost #writing #cod mw2

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graceofagodswrath · 1 year

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Menstrual Cycles and Aliens

“I apologize, but Williams is doing what?”

Kate sighed, brown eyes rolling at Ka’oolai’s stiff confusion. “Bleeding Niagara Falls out of her uterus. She’s gonna need a couple days.”

“Katy.” Jasmine hissed. “That is not how you explain this shit to people.”

Kate’s lips thinned in exasperation. “It makes them listen! God knows how many times I had to describe it so graphically to get all the men in my family to understand that you can’t just ‘suck it up!’”

The three sat in the dining lounge, a room on the transport ship meant for relaxation for workers on their breaks. Ka’looai, the ship’s second-in-command, had inquired about Pilot William’s ask for absence. Kate Blanche, the engineer and second roommate to De’maya, had answered in her usually blunt way. Luckily, The third roommate and Quartermaster of the ship, Jasmine Lativos, had been there to cushion Ka’looai’s immediate confusion.

Ka’looai held up their four hands to the two humans, insectoid limbs the notable deep, iridescent purple of their native race, Yamogai. They resembled a mix of a beetle and praying mantis, tall with hard, spiny exoskeletons. They displayed a variety of colors like humans (tho more vibrant), but the most common was purple.

“I apologize… I do not understand. Does Pilot Williams have an open wound? Do they need to go to the medibay?” Ka’looai’s voice sounded like the vibrating of beating wings, so they had to pronunciate other languages precisely in order to be understood. So they spoke slowly and with a deliberate concentration. This voice also gave way to an accent that made them pronounce certain letters like ‘v’s. There was a running joke with humans that Yamogai were related to Germans, as their accents were similar when speaking English.

Jasmine shook her head. “No. She’s experiencing a part of her menstrual cycle, the human female reproductive cycle.” Ka’looai cocked their head, so Jasmine continued. “Every month, we expel the inside lining of our uterus, the organ that develops a human fetus if the female is pregnant. If a female isn’t pregnant, our uterus removes the old lining of tissue and blood and gets rid of it from our body to create a new lining in case she does become pregnant. It’s the same muscle contractions as childbirth, though at a smaller fraction. This process can be extremely painful for some, if not most people, and De’maya is one of them. So she just needs some time off to deal with and recover from this experience.”

Ka’looai stared for a moment, mantis-like eyes seeming to stare through the humans souls. “I… see. I will inform the captain, then. Is there anything else we must know about this… event? I assume you two experience it as well as you said every human female does?”

Kate shrugged, long brown braid shifting in her shoulders. “Mine isn’t so bad usually. I’m one of the lucky ones. I get irritable and the occasional back pains, but I don’t need time off recuperate necessarily.”

“Irritable?”

Jasmine smiled, more of grimace for those experienced in reading human expressions. “Annoyed. Aggressive. The process increases the amount of estrogen and testosterone in our bodies, hormones that can heavily influence our emotional states. So we can be a bit…” Jasmine paused to think. “Intense.”

“Ah.” Ka’looai’s antennae twitched emphatically. “That is why I sensed the rise in strange pheromones. So this increase of chemicals affects you physically, emotionally, and mentally. I see why Pilot Williams asked for an absence then. Will the two of you require the same?”

Jasmine made an expression that Ka’looai could not understands. She bared her teeth while narrowing here eyes and scrunching her nose, dark skin wrinkling. Her hands rolled synchronously back and forth, a gesture the Yamogai recognized as a sign for uncertainty. “My cycle is more chaotic. Many factors can influence the way it is, and I tend to be influenced heavily by those.” She gestured at the other human. “Whereas Kate’s average is light and less painful, and De’maya’s average is heavy and extreme pain, mine can be either depending on my situation. If I’m stressed and haven’t taken care of myself, it’s usually pretty painful. If the opposite, I can usually function pain free. It depends.”

“What do you mean by light and heavy?”

“That refers to the amount of blood and tissue we expel. Light is very little, medium is a bit more, heavy means a lot. Some people have more lining than others. The heavier the flow can also increase the amount of pain.”

“Is this process different for every human?”

Both women nodded.

“And you still work through such obstacles?”

“Pretty much.” Jasmine confirmed.

“Interesting.” Ka’looai hummed, the sound vibrating the air rhythmically. “So human females expel a large amount of their own blood and tissue every month simply for not reproducing. And it is incredibly painful, yet some of you still function through it. No wonder females are in higher demand than males. You are a hardy species.” Their laugh sounded like the erratic buzzing of fly multiplied by ten. “Is there anything else I need to know?”

“Oh, there��s a shit ton if you wanna properly educate yourself on human reproduction.” Kate waved a scarred, oil darkened hand. “But Jaz gave you the basics. Hah, you may know and understand it better than the average human male.” Kate chuckled dryly and Jasmine huffed. “But that’s a debate hole that can be saved for another time.”

“If you want to learn more, read some human biology books, and we can answer any questions you have.” Said Jasmine. “Make sure they’re recent ones tho, the outdated ones are full of a lot of misinformation.”

“I see. I will do so. Human biology continues to fascinate. I have always found learning about other races to be rather intriguing, and humans never disappoint.”

“Yeup.” Kate leaned back and threw her arms behind her head. “Just don’t start making jokes about us leaving puddles and shit everywhere, or not being trusted behind the wheel.” Her eyes narrowed and she bared her teeth in a not-friendly-smile. “I will commit some “transgressions,” if so.”

Ka’looai’s antennae twitched. “Understood.”

~~~~~~

I’m currently going through this month’s rounds, and felt like distracting myself. Finally had the motivation to write and of course it was during a shitty time of my life. Needed me some alien feels that understand my woes better than my own family. I know this prompt has been done a lot, but I wanted to give my own take on it.

#humans are crazy #humans are space orcs #humans are space australians #humans are weird #humans are deathworlders #my writing #writing #flash fiction #my fiction #menstrual cramps #menstrual problems #menstrual pain #menstruation cycle #periods #period cramps

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bamsara · 1 year

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OC drawings / painting because I haven't painted in a while. Unnamed OCs for a side project I'm working on. Extra info below the read more

Very quickly scrambled idea summary: The story of an abused girl running away from home set in a dystopia/futuristic setting where automations and humans are commonplace but there’s a societal divide. Humans are constantly at war with each other, using sentient AI as sub-class citizens, and mistreated robots are on the verge of starting a war of their own. While on the run she trips over a corpse in the snow, but it's not really a corpse but rather a combat-machine robot that escaped from the facility it was being created/held in and really has no sympathy or understanding of humanity. They end up traveling together on the run as fugitives because it's easier to run away if you have the guise of a ‘guardian’ figure aka the robot for the child and for the robot everyone thinks he’s a funny-looking nanny bot so they become less suspicious.

AR-50N (The robot, name subject to change): Created as a war machine in an age of sentient AI, it escapes the facility where it was being held with a hatred of humanity and a mission to assassinate key figures in society in order to completely dismantle it. After a kill-switch is activated after it's escape, becomes immobilized in the forest and snowed over to be extracted. However, a young child finds him and removes the chip that tracks and paralyzes him, freeing him, and thus proves herself useful for the first time.

Unnamed Child, (9-11yrs) appearance and name subject to change: The 'trouble' child of a wealthy contractor, this girl decides to run away when the oil-slicken streets and cold forests start to look safer than home. Tripping over what she presumed to be deactivated automation in the snow, she attempts to scavenge it for parts to pawn off for some food money, only to take a chip out which disables said robot, waking it up. It's mean sometimes and scary, but she's faced worse, and since robo-nannies and bodyguards are common, no one would bat an eyelash if they traveled together for convenience.

Unnamed OC (The Hacker Code Named Kudzu, 26-27 yrs old) A brilliant hacker and climate activist, this character is deadset on using and promoting technology to help the planet and each other, even if this means dismantling damaging structures from within, and some other maybe not legal methods. Although she doesn't appear in the story for about a season's worth, she will eventually find a shut-down war bot and an inconsolable, distressed child in her apartment after they broke in for refuge, and decides to help them.

#OC stuff #doodles

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writers-potion · 2 months

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Plotting Tips for Romantasy 𓆩🖤𓆪

Check out my masterpost for more tips :)

Okay, What IS romantasy?

Generally speaking, romantasy is a commercial subgenere that provides equal weightage to romance and fantasy.

If you can remove one side of the plot and still have a complete story, you may not be fulfilling genre expectations.

To summerize:

Romantic Fantasy = Fantasy + Romantic subplot

Fantasy ROmance = Romance + Fantasy subplot

Romantasy = Romance + Fantasy

Balancing Romance and Fantasy Elements

Combine two or more tropes from each genre.

Romantasy is all about an interesting mix-and-match. Think of your favorite romance/fantasy tropes, then marry them:

Enemies to Lovers discover a Portal to Faerieland in their Contemporary Office setting.

Grumpy and Sunshine accidentally anger a Troupe of vengeful witches while on a Road Trip

a Second Chance Couple is thrown into a Forced Proximity in order to plant hunt, and she must keep her Botanical Magical Powers a super-secret from him.

2. Integrate the two plots into one another.

The best way to juggle with two different plots is to integrate them into one another. For example,

Romance as a prerequisite for using magic: e.g. only when a witch meets her soulmate will se be able to use her wand.

Love between characters threatens the fantasy world. e.g. forbidden love between two magical species has now become a full-blown war.

Romance between non-human characters. The key is to remind your readers of the fantasy elemnts by giving the characters nonhuman conflicts, personalisties and values.

Common Genre Tropes for Romantasy

A female lens: The readership is largely made up of women - they want to read narratives that foreground women and their stories. Where the heroine loves the hero, the love interest should be likable.

Strong heroine who saves the day: Most common in books by women for women this includes fewer damsels in distress and plenty of dames doing the saving.

Enemies-to-lovers: This trope has plenty of scope for inter-species prejudices and love across (literal) battle lines, which is a common must in fantasy.

Friendship and found family: Portraying relationships from a romantics AND fantasy point of view is important. The hero who begins as the cool, aloof longer must eventually become part of a collective even if that's only through their partner.

Elemental magic: Who wouldn't want to be able to hurl fireballs or lightening bolts? It would be useful in a lovers' fight, too.

Popular Romantasy Books 📚

The best way to understand the genre norms is to read it for yourself!

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elronds-meleth-nin · 1 month

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I Could Love You With My Eyes Closed

I heard a song and one of the lines got stuck in my head, so here's a fic. (If you're curious, it was "Figure You Out" by VOILÀ.) No idea why, but Thranduil just felt perfect for this.

Cross-posted to AO3 here.

~*~

Thranduil x Reader

[A/N: This is mostly just fluff, but there's some innuendo, so... 18+ ONLY, MINORS DNI!!!]

Warnings: Fluff, angst, Elf x Human romance, mutual pining, idiots in love, Thranduil being dramatic, fake betrothal speedrun, Thranduil being soft for one (1) person only, protective Thranduil, Human!Reader has been adopted by elf who had no idea what he was getting into and Thranduil thinks he's an idiot, mild innuendo.

~*~

My mind wandered during my guard shift. Given that nothing ever penetrated this deep into the realm without the king's consent, the risk of allowing my focus to roam among my busy thoughts was minimal. The night air was brisk as I sat on one corner of the king's balcony with my bow laid across my lap.

Normally, the night air was soothing, but at that moment, all I could think about was how different everything would be soon. There would be no more extravagant views of the stars framed by elaborately gilded windows, no more training with my bow, no more front row seats to royal audiences, and - the worst of all - no more late night conversations when King Thranduil grew weary of his work.

I'd taken those things for granted. Oh, I hadn't squandered my time once I'd become one of his guards, by any means, but now that I might be forced to give up that position sooner than I'd anticipated, a list of regrets seemed to be cycling endlessly in my mind's eye. One that caused me the most pain was that I would very soon no longer be the recipient of his majesty's secret smirks when something we'd discussed privately occurred in his court.

The sound of a quill scratching away on parchment within the king's study ceased abruptly, but not even the anticipation of a quiet, intimate talk with him could lift my spirits. Not after the news I'd had that morning.

The swish of a cloak being removed was followed by unhurried footsteps toward the balcony, and then he was there beside me. The King of the Woodland Realm stood less than a few feet from me in all his finery, save the little circlet that usually rested upon his brow. He tended not to wear it when he retired to his chambers for the evening, choosing instead to lay it atop a book of poetry which resided permanently on his desk.

"On a lovely, cloudless night such as this, what cause would a newly-engaged lady have to look so forlorn?" The smooth, regal voice of my liege met my ears, and under any other circumstances, I might have scrambled to my feet to bow before him, as was his due. All I could muster, however, was a quiet, sincere apology over my shoulder as I remained seated on the balcony. I could feel his keen, pale blue eyes on me as I set my bow aside and let out a heavy sigh. "Oh, dear. Is he that repulsive?"

"Not physically, but...all he seems to see is himself. I am perfectly aware that the betrothal wasn't either of our choices, but he could at least pretend that he's interested when our parents are nowhere to be seen." I was aware that I sounded ungrateful, but just because I was a mortal woman in a realm of Elves didn't mean that I had to like it when I was constantly looked down upon by others.

One of the few people who never gave me the impression that he thought less of me took a seat beside me in robes much too elegant for anything less than a perfectly padded chair to touch.

"Have you spoken with your guardian - apologies, your father - about your fears?" Instead of sounding judgmental, Thranduil's voice held only softness - a rarity, to be sure, but such a tone was more common when he conversed with me than with anyone else. I nodded my head as I recalled the cold aloofness in my adoptive father's voice as he'd dismissed both me and my protests.

"He seemed more concerned with maintaining the status associated with his name than with some silly little mortal's concerns." I tried to keep the bitterness out of my voice, I really did, but the sharp edge that crept in made me cringe a bit. "After all, who am I to complain when he took me in? My life could have been over before it had even truly begun. He could just as easily have left me to die in the ruins of our burning village and adopted an Elfling instead. I...owe him for all that he has done."

One of Thranduil's hands rested lightly on my shoulder, coaxing me to face him. My eyes met his, and his free hand laid over my wrist. The warm weight of his palm covering my pulse made my heart flutter in my chest.

"Is that what he told you?" When I stammered about it being nothing more than the truth, he shook his head while stormclouds gathered in his expression. "What foul words of comfort from one who claims to care for you."

To that, I had no response. Naturally, several statements sprung to the tip of my tongue - defenses for my father's actions - but I swallowed them all down when my king's gaze warned me that he would tolerate no such excuses.

"Remind me, mellon-nin, how long have you served in my guard?"

"Twelve years and a few months, sire."

"And in all of our many conversations, have I ever given you any reason to doubt that I value you as highly as any other in my kingdom? After that first fortnight, when you were terrified of making a mistake, have you ever felt out of place because of your mortality?"

The memory of that fateful night drew a smile to my lips.

"No, mellon-nin. That rather thorough tongue-lashing you meted out made your stance quite clear to all in the palace," I murmured allowing myself the small liberty of turning my hand beneath his and threading our fingers together.

The guards he'd berated for their rudeness and bigotry had practically fled the throne room when he was finished with them. After that night, he'd ordered that whenever I was on duty, I would be assigned to his personal detail.

"Then, what cause have you to believe that I would tolerate anyone treating you so poorly anywhere else in my domain?"

"This is different–"

"How? Enlighten me," the king ordered giving my fingers a gentle squeeze.

"Father has the right to demand that I repay him for the time he has spent on me," I hedged, but Thranduil shook his head.

"Just because he raised you, that does not mean that he was unaware of what he was choosing. He may not have known the full extent of the demands made of a parent, but that was not the fault of the innocent babe he rescued." He sounded so calm, so casual about his assertions that I could do no more than blink as he spoke. "I do not expect Legolas to sacrifice his happiness to satisfy some imagined debt incurred at his birth, nor should your guardian make such ludicrous demands of you."

We sat quietly for a moment, side-by-side and hand-in-hand beneath the moonlight before words began flowing from my mouth almost without my consent.

"He's an ass, you know, the man to whom I have been promised. Nothing brings him greater pleasure than a mirror, and nothing strains him more than remembering a preference held by someone other than himself," I murmured feeling as though this confession of my unkind thoughts about the Ellon would give me some measure of comfort beyond another's commiseration. "Six different times he has insisted that he knows my favorite flower, and six times have I received something completely different. He claims that I keep changing my answer, but, truly, I have given the same response every time."

"He chooses not to listen," Thranduil muttered almost to himself.

"Quite correct, aran-nin. He is dismissive...practically ignores me when we are in the same room..."

"Had he been listening, he undoubtedly would have heard your scathingly pointed sighs, not unlike those which you direct toward any who insult your king in the throne room," he teased, and a huff of laughter bubbled out of me. "I shall have you know that I enjoy those little sighs. They convey a great deal about the receiver's lack of intelligence and manners, whilst simultaneously broadcasting that you would like nothing more than to drag them from the gates by the scruff of their neck. Quite effective, do you not agree?"

"Oh, yes, mellon. As I recall, you've allowed me to do just that on several occasions," I said glancing over at him. The answering sparkle in his eyes coupled with the wicked little smirk adorning his lips made my heart thud faster in my chest.

"And I reveled in every second of their humiliation at your beautiful hands," Thranduil practically purred in satisfaction at the memories, but I sobered rather quickly as I recalled the reason I was so down in the first place. He must've seen my smile slip. "Forgive me, I was certain that you enjoyed dragging witless rats from my sight...?"

"I do...rather, I did." The correction was small, but he pounced upon it immediately. The hand that had been on my shoulder grasped my chin and forced me to look back up at him. He didn't need to say a word. The question floated between us unasked, yet requiring an answer. "My betrothed made it clear that he believed a guard was no proper wife. He has demanded that I resign my position here."

More seriously than he had all night, Thranduil gazed into my eyes.

"Is that what you want? Do you wish to give up the station you fought so hard to attain for a man who cannot remember even the simplest of things about you?" I shook my head as hot, desperate tears filled my eyes. "Then tell me, what do you want? What desires fill your mind when you allow yourself to dream under cover of darkness?"

I most certainly could not give him the whole truth. I couldn't tell him that over the course of our acquaintance and friendship I had fallen in love with him. Nothing could ever come of my pathetic heartache. I was only a guard. A peasant. Peasants might fall in love with royalty, but they did not end up with them. That was not the way of the world.

"Love," I breathed instead. "I want to be loved for myself, not my father's position. I wish to be cared for and to care for another. I wish to remain a guard, a warrior for the Woodland Realm, and to be accepted as I am, not swept aside. Obviously, I am not without fault, but while I attempt to grow wiser and gain experience, I do not wish to be impeded or judged by someone who could never remember even the most basic facts about me. I...What I want is impossible."

A small, gentle smile crossed the king's lips, and an intense, burning desire to kiss him fought a war within me against my common sense. Thranduil could forgive much, but a lapse in judgment as severe as throwing myself at him? Never.

"Your presence here is proof that nothing is impossible. You are much easier to love than you have allowed yourself to believe." His deep, rumbling voice sounded at once comforting and sensual, which proved quite effective at helping me blink back my tears before they could even begin to fall. "When are you next due to meet with this unworthy cad?"

"Tomorrow. My father has invited both he and his parents to our home for the evening meal as it is my day without a shift." I was surprised at how steady my voice sounded after how vulnerable I'd just been. Strangely, though, I felt no shame in having allowed my friend to see my pain.

King Thranduil nodded his head pensively, brushing his thumb over my chin as he did so - why had he not yet released his grip? Not that I was going to complain, of course. Being this close to him, touching him, speaking with him in confidence...that was as close as I was ever going to get to him, and even that might soon be pulled from my grasp, so I savored every moment that I was afforded.

Neither of us had much more to say. Instead, the Elvenking slipped an arm around my waist and tugged me close enough to his side for me to lay my head on his shoulder. We sat in companionable silence until the time came for the guard change. Bidding me sweet dreams and a safe trip home, Thranduil dropped a soft kiss onto my hand and retreated back inside his rooms.

As usual, the guard who was to replace me gave me a raised eyebrow at my familiarity with someone so far above my station, and, as usual, I ignored him.

Sneaking to the stables on my way out, I plucked an apple from my coat pocket and headed to the gilded gates of the stall holding the king's mount. Slicing the fruit quickly in half with my dagger to delay my return home by a few extra seconds, I cooed gently to the large elk, stroking the soft fur on his muzzle as I offered him the treat.

"Who's a good boy? Hm? You are! Yes, you are," I praised as he gingerly bit into the first half of the bright red fruit, then the second. He was a gentle giant, in truth. Much of the kingdom supposed that he would be as prickly as his rider, but nothing could be further from reality. Firstly, the king was only short with those who deserved his ire. Secondly, the admittedly imposing elk upon which he rode hadn't a mean bone in his very large body. "Aww, you're never grumpy with me, are you, mellon-nin?"

He chuffed and snuffled, nuzzling gratefully into my caressing fingers as a 'thank you' for his treat. Even he would be a far superior companion for life than the idiot with whom I'd be forced to spend yet another pointless evening the next day...and perhaps the rest of my life.

"Don't worry, mellon, even if he makes me resign, I'll still find a way to sneak in and bring you extra apples." The pleased little snort he gave me drew a giggle from my lips, but I knew that soon the guard patrolling this section of the grounds would be here. I bid goodnight to my tall, fur-covered friend and set off on the path toward home with our secret intact.

Had I so much as bothered to glance back, I would've seen a familiar head of bright blond hair watching as I tugged the hood of my cloak over my head.

When I awoke the next day, it was still early morning. The lateness of my shift usually tired me out well enough that I slept for at least another hour or two, but after a few bleary blinks, I realized that I'd been awakened by voices.

Odd. My adoptive father did not usually entertain guests at this hour. Either something had happened, or today was destined to turn out rather strangely. As he hadn't bothered to come wake me, I gathered that there was no urgency in whatever had transpired. What was not in question, however, was the way my stomach growled as I tried to roll over and go back to sleep.

With a sigh of defeat, I climbed out of bed and dressed, even going so far as to tie my hair back in a quick braid since it looked as though it might rain. Thus, clothed and presentable, I cleaned my teeth and ventured from my bedroom in search of food.

The voices seemed to be coming from my destination, so it seemed as though I would get both sustenance and an answer to my curiosity all at the same time. A fortuitous turn for such a gray morning.

"...ere she is now." I was able to make out my father's voice as I intentionally stepped on the creaky board in the hallway. I wasn't as quiet as an Elf when I walked, but I still didn't like to appear as though I was eavesdropping or sneaking where I shouldn't be. When I stepped into the kitchen, I froze.

There in all his regal, perfectly-groomed glory was King Thranduil, sitting at our tiny wooden table.

What in the name of the Valar was the king doing in our kitchen?

"Aran-nin," I greeted him, bowing slightly less steadily than I might have if I'd been awake for more than a few minutes. A low, velvety chuckle floated around the space.

"Come now, meleth, you know there is no need for such formality," Thranduil crooned giving me a charming, mischievous smile as I straightened again, but that statement alone nearly shattered my poor tired mind.

He'd said 'meleth,' but...that meant 'love.' He'd never called me that before. And I still didn't know why he was in our kitchen.

Glancing between my king and my father, I tried silently to piece together what the hell was going on here. Thranduil must have seen my lack of progress in my eyes, because he continued as if this was all completely normal.

"Come, break your fast. Your guardian has been kind enough to make tea and lay out some provisions for us," he said standing and pulling out the chair directly beside him.

Almost without thinking, I did as he asked, and my heart thudded rapidly in my chest when he seated me as if we were at some lavish feast instead of around our small, wooden table. He acknowledged my hastily-murmured gratitude, then resumed his own seat with his usual flourish. The three of us ate quietly for a few moments, staunchly ignoring the fact that the king was in our tiny kitchen eating with us as casually as if he had always done so.

It was...pleasant. Strange, obviously, but much more enjoyable than my usual solitary morning meal.

"So, meleth-nin, would you like to tell him the good news, or should I?" Thranduil asked, and I looked up at him. Slightly more cognizant than before, I recognized the glint in his eyes that usually accompanied a desire for me to play along with whatever he said next. I could do that.

"I'm quite certain that it would be much more eloquent coming from you," I demurred, and I very pointedly avoided looking across the table at my father's reaction to whatever bit of theater my king had orchestrated. Less than a heartbeat later, I found my free hand firmly in Thranduil's grasp as he looked at my father.

"The betrothal you arranged for your ward is hereby declared invalid by order of the king," he said, and the stunned expression on my father's face was worth every moment of confusion I'd experienced that morning. He took a moment to gather himself before clearing his throat and looking between us in askance.

"If it is not too presumptuous, sire, may I ask why you have done this? Her betrothal to–"

"That engagement was no more than a farce. We meant to announce it earlier, but with how busy I've been attending to my royal duties, I fear I have been remiss." The king cut him off, and the indignation in my father's eyes gave me a sick sort of pleasure. "You see, your ward is not available for the suitor you preferred, because she has already accepted my own marriage proposal."

Oh. So, that was what he had in mind. A faux betrothal. Somehow, that was both intensely flattering and a knife to my chest.

The announcement worked to perfection, though. My father looked as though he'd been punched soundly in the face.

"You...?" He blinked and made a second attempt at speech. "Why would a king want her?"

Thranduil's head tilted in a manner I recognized as indicative of the imminent rise of his temper.

"Why does a king desire anything? Tell me, why should a king not desire a worthy queen for his realm?" He asked, and my father caught up rather rapidly with the realization that he'd said the wrong thing. Thranduil looked back over at me as he lifted my hand to his lips. "Why should an Ellon not marry the one whom he loves?"

Ow. Those were the exact words I'd longed to hear from him for so many years, but to hear them now knowing that they were all an act...

"And why should I not wish to marry the Elf with whom I have grown so close over my many years of guard duty?" How far he intended to carry this fiction, I didn't know, but I could play along for now. I could hide the pain.

"I...Congratulations," my father stammered hesitantly, but he was no longer relevant. Not now.

"Thank you," the king said without taking his eyes off of me. "Meleth, I believe it is time for you to live in the palace. It will be your home once we are married, and if you are prepared, I can take you back with me. My mount is outside."

"Of course, but I shall need a few moments to pack–"

"Nonsense. You needn't do such menial work. You are to be my queen. I have already arranged for your belongings to be brought to you this evening. For now, you need only bring yourself and a riding cloak," he insisted with a warm smile.

"Might it not be simpler, my king, if I were to save you the trouble of taking her with you? I could escort her to the palace myself this evening so that you needn't be burdened by sharing your mount," my father said, and the blush that sent my cheeks burning at the thought of the pair of us riding together atop his elk was automatic. No acting required.

I prayed that Thranduil was unaware of how drastically he affected me, even within my own imagination.

"Bringing my queen to the palace is my responsibility and privilege. And, if you shall forgive me for saying so aloud outside of the solitude of our marital chambers, meleth-nin, I view the opportunity to feel you in my arms with great anticipation," the king said turning my hand over gently and placing a slow, sensual kiss right over my racing pulse. My breath caught in my throat at the hunger in his eyes. His lips lingered a few beats longer than I expected, only pulling away when my father cleared his throat pointedly. "My apologies. In the presence of such beauty, I find that I am transported into the realm of fantasy."

Thranduil's words did not match his expression. He was an Ellon who found vast satisfaction in playing those around him like an orchestra. He wasn't sorry at all.

"As much as I adore seeing you like this, my darling king, I do hope you will be more discreet while holding court," I teased, but his smirk only grew.

"When my queen is so breathtaking? Never." If it wasn't for the disgustingly sexy wink he tossed me, I'd have thought he was laying his act on a bit thick. As it was, though, he seemed to be staying in character quite effortlessly. For my part, I was one shaky breath away from giggling like brainless idiot, or bursting out in tears because of the simple fact that this was all an act.

Ducking my head in what I hoped was a passable semblance of bashfulness, I tried to steady my breathing.

"I...trust that you still plan to give up your position in the guard?" My eyes flicked up and met my father's. There was something in his expression - disbelief, confusion, suspicion - that I couldn't quite place.

His obvious lack of trust after all these years angered me.

With the sweetest smile that I could muster, I tilted my head curiously.

"Not at all. A queen must be willing to fight for - and alongside - her people if she expects them to fight for her in return. Loyalty must be earned; it is not a gift to which one is entitled." Thranduil gave my fingers a gentle, supportive squeeze. "Surely, after your many years as a warrior, you of all people understand how crucial it is to inspire loyalty in those whom you command?"

He couldn't protest. When Thranduil said nothing, giving him neither a change of subject or an opportunity to dodge the question, my father stammered about his question being a foolish one and about the change in suitors being so sudden.

Almost as soon as we stepped outside, the king's elk snuffled happily. He walked over to us, but to my surprise, instead of vying for Thranduil's attention, he made a beeline for me. Without thought, I patted his muzzle and ran my fingers down his neck. Snuffling lower, as if he knew I usually kept his apples in my pockets, he looked at me expectantly.

"Oh, I'm sorry, mellon, I don't hav–" I was silenced by a large, gentle hand landing on my shoulder.

In my king's grasp was a bright, ripe, red apple. The same kind I usually smuggled out of the larder as a treat for my furry friend. He'd already sliced it in half - when had he even found the time?

"Thank you, but how did you...?"

"Nothing happens in my realm but I know of it," he whispered, the warmth of his breath ghosting over my scalp.

Choosing to temporarily ignore the implications of his statement, I accepted the apple and fed it to his elk. After a moment, Thranduil moved nearly soundlessly back toward my father.

"Ah, before I forget, this is for your ward's former suitor," he said pulling an envelope with the royal seal from his pocket. "Please convey to him that if the contents raise more questions than answers, he is most welcome to see the palace healers about his obviously failing memory."

With his cloak swishing behind him, Thranduil swept back over to me and helped me onto his mount's back. Once he was seated behind me with an arm wrapped firmly around my middle, it all sank in.

This might be an act for my father, but this was happening. I was really riding toward the palace with my king's chest pressing against my back. The guards who manned the gate would see us. Any who encountered us would bear witness to the king's act. How far did he mean to take this?

Surely, he wouldn't actually marry me just to get me away from one unsuitable Ellon? And when he did eventually end this ruse, what then? Would I be forced to go home with my tail tucked between my legs?

When we were around the halfway point in our journey - far enough from both my home and the palace that I was certain we wouldn't be observed - I asked if we could stop for a moment. Despite his confusion, Thranduil gave the command, and his elk trotted to a graceful stop. Without waiting for assistance, I slid off the saddle and landed rather hard on my feet.

Ignoring the new ache in my ankles and the ache that the loss of Thranduil's steadying grip left in my chest, I took a few steps and tried to slow my breathing. The sound of my traveling companion landing infinitely more gently than I had met my ears along with a concerned call of my name, but I just shook my head.

"Are you hurt, meleth?" He asked, and I swallowed heavily.

"No, but...my king–"

"You are perfectly allowed to call me by my name. After all, we are betrothed. It would not do for our subjects to see us behaving as if no love exists between us," he said as he patted his elk's neck, and a pang of hurt wound through my heart. Thranduil was saying all the right words, but it was an act. There were no longer any witnesses. There was no longer anyone to watch as my heart broke.

"Why are you doing this?" At the pain in my voice, confusion and concern washed over his features.

"Whatever do you mean?" The Elvenking asked stepping away from his elk's side. His cloak billowed around him, and it was all I could do not to drop to my knees at the sheer majesty of the figure he presented. All it did, though, was reinforce what I already knew: Thranduil was not for me.

"Please, do not misunderstand, I am grateful that you have saved me from such an unfortunate match. However, you needn't spare my feelings by pretending to love me. There is no need to waste your precious time playacting, mellon-nin."

"'Pretending'?" The word escaped him as a harsh, dangerous whisper. Oh dear. I'd seen the king's rage before, but never had his icy fury been turned upon me. Despite the outrage in his tone, his next words were at the same hushed volume as before. "'Playacting'? What do you take me for?"

I could see why Prince Legolas had insisted that raised voices were preferable to the fear that his father's cool, piercing anger inspired. I wasn't afraid, but I was acutely aware of the severity of his emotions. I wasn't intentionally trying to anger him, but I needed him to know how close he'd come to breaking me beyond repair. Before I could answer, he advanced another step and continued.

"And, pray tell, what am I, in your estimation? Cruel? Unforgiving? Demanding? Judgmental?" His eyes flashed with something akin to pain. "Perhaps your censure is not based upon personality, but upon appearance."

The glamour he kept constantly in place over his scar melted away.

"Is this the source of your misgivings? Am I too ugly for you to accept, even as a king?"

"You know that's not true," I snapped, with an edge of warning in my voice, recalling the first time I'd seen him without the glamour.

A few months after my appointment to the king's guard, I was given a jar of pain-dulling ointment by one of the healers to pass on to the king. I'd delivered it, of course, but when I'd been hesitant to leave him, going so far as to ask if he was injured, he'd locked the door and showed me what the fire drakes of the north had done to him. Thranduil admitted later that he'd intended to frighten me that night, but all I'd done was ask if he needed help applying the medicine. Once he realized I thought no less of him for his injury, he'd let me.

Yet he had the gall to stand before me and accuse me of being shallow? Had he learned nothing about me over the years?

"Then answer the question," Thranduil bit out quietly. "What exactly do you take me for?"

"A king," I breathed looking up into his eyes. Confusion mingled with his anger. "Peasants may fall in love with royalty, but they are not offered the luxury of marrying them. Kings do not give lowly guards a second thought, even if they afford them the title of 'friend,' so I will ask you again, sire: Why are you doing this? Why are you acting as though hope abounds for my doomed heart where none has ever existed?"

His brow smoothed, his lips parted a fraction, and his glamour slipped silently back into place as he processed what I'd said. Oh, Valar, what I'd said! I'd confessed to loving the king!

Comprehension melted his anger away into nothingness. Instead, he moved within a single step of me, lifting one of his large, graceful hands to caress my cheek.

"You truly do not know?" I couldn't even bring myself to answer as I leaned into Thranduil's touch. This might be the last chance to do so after what I'd just admitted. He'd dismissed guards in the past for much less severe transgressions. "When we spoke last night, you told me that you desired to be loved - not by the whole of the Woodland Realm as I believe you deserve, but by one person. The Ellon your father chose for you certainly could not do that when remembering something as small as your favorite flower caused him such strain."

Low and gentle, his voice trickled over my ears as smoothly as honey. He...He didn't sound angry, anymore. Why wasn't he enraged that someone like me had dared to cross the more-than-generous boundary of friendship that he'd allowed me?

"My king–"

"Thandruil," he corrected, but there was no real bite to his words despite having to repeat himself again. He never repeated himself, yet this morning alone he'd done so twice. "You adore the blue wildflowers that grow along our western borders, but if you smell them for too long, they make you sneeze. During the summer, you set them on the sill in your room and keep the window open so that you might enjoy them without discomfort."

I blinked in surprise. I could vaguely remember a conversation years ago where I'd mentioned the flowers, but it was such a trivial thing that I was quite certain it would've been forgotten by morning. After all, what I did with flowers had no bearing on the fate of the kingdom.

"You prefer your tea sweet but not overly so. When you believe it might rain, you take the precaution of braiding your hair so that the humidity will not render it impossible to untangle when you return home."

The Elvenking began slowly, allowing each small fact that he'd observed about me to sink in along with the realization that he'd favored me with his attention frequently enough to accrue them.

"Your confidence with daggers is low, but with a bow, you are as bold and graceful as any skilled Elleth warrior. When I express my anger at some wretched fool in my court, you often struggle to suppress your laughter at how close they come to wetting themselves in the throne room - do not deny it. Your body gives you away each and every time."

Had he truly seen so much of me during my service to him?

"When your temper is tested, there is a small line that appears just here," he touched a spot between my brows, "that brings me great consternation. On the one hand, I wish to give you my sword so that you may more easily remove the head of whomever has dared incur your wrath, but on the other, I wish to soothe your frustrations with my words, my lips, my body, whatever you will allow–"

"Thranduil–" His name fell from me as no more than a whisper. The leaves on the trees surrounding the path rustled in the breeze, but the Elvenking could not be stopped.

"Your free time is often spent reading. Once a week before you return home, you sneak out to the stables and feed my elk an extra apple, because you find him sweet-tempered. When you laugh, your eyes sparkle brighter than any star ever could, and you steal the breath from my chest each time you look at me."

My vision blurred, and only when my king's thumbs brushed tears from my cheeks did I realize that I was crying. I'd loved him for so long that this felt as surreal as a dream.

"You said that you wish to be loved, meleth-nin. To answer your question, I am doing this because I can give you exactly what you desire. I could love you with my eyes closed, because I have done so with them open since the day you were assigned to my guard."

Thranduil leaned closer, freezing but a hair's breadth from my lips.

"If you do not feel the same, we can remain friends, but if there is the slightest chance that you could find happiness by my side, then marry me. Be my queen. I am yours." His whispered promise was filled with so much tenderness and hope that my restraint snapped, and I closed the distance between our mouths.

My fingers gripped his robes in an attempt to ground myself, but this heady feeling of being wanted - being loved - robbed me of all coherent thought. There was only the feeling of gentle hands drawing me close by my waist and the nape of my neck. Only soft lips kissing me with the skill of thousands of years' worth of experience. Only a king claiming his queen's heart.

There was only love.

~*~

mellon-nin = my friend

aran-nin = my king

meleth-nin = my love

#elronds-meleth-nin fic #Thranduil x Reader

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yuurei20 · 1 month

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How do you think Idia got his unique magic? Does it say if he was born with it or something, or was it inevitable he would get that specific unique magic? Is it possible to be born with a unique magic in the first place?

Hello hello! Thank you for this question!

Idia says that people born into the Shroud family all have the same unique magic!

A part of Idia's issues is how so much of his life has been decided on his behalf and there is nothing he can do to change his fate no matter what he does, so I think you are right and it was inevitable that one day "Gate to Underworld" would manifest! (Does this mean that every member of the Shroud family is guaranteed to be a mage? Interesting~)

I like your phrasing very much! Does "this unique magic was inevitable" equate to being born with a unique magic?

From what we have seen in the game and the second novel: I think so!

Both game-Leona and novel-Leona comment on how he was born with a unique magic that he never actually wanted.

Novel-Leona goes into more detail with the scorn he received back home due to the misconception that you have to desire and work towards a specific form of unique magic if it is to manifest, which isn't true at all:

"Unique magic that is inherited at birth has nothing to do with the person’s will, but humans wrapped up in their own superstitions are ignorant to common sense. Or maybe they think this is a power that I desired, and fought to obtain." - Leona in Twst the Second Novel

To answer the questions: Idia's unique magic passes down through the Shroud bloodline, so I believe it is safe to say that he was born with Gate to Underworld!

And it does seem possible to be born with a unique magic, as Leona explains, directly. (It is intersting that both characters also have parallel family issues: both of them born into elite families and trapped in roles they want to move beyond, but can't. In addition to their other various similarities)

But this might not mean that baby-Idia was opening and closing the door to the underworld while baby-Leona was turning people to sand!

It is possible that their respective unique magics manifested at whatever age they were when their magic itself made itself known.

As for what age that might have been: I think it has yet to be confirmed how old mages generally are when their magic starts to appear!

Riddle says that he was receiving special training in magic from the age of three, but Riddle is a special case and probably not a good frame of reference for what is "normal" in this universe.

Deuce mentions using magic in middle school, but in Azul's flashback we learn that he was experimenting with magic and spells from an even younger age: while removed from EN, the passage of time between Azul studying spells and sigils and getting control of "It's a Deal" are denoted via the labels "Child Azul" and "Middle School Azul."

The age at which your magic appears might just vary by person! If earlier manifestation = stronger magic, it might actually be possible that Idia and Leona were using magic as children. But one thing seems consistent: whether Riddle or Deuce, it seems that there are generally several years in between a mage coming into their magic and their unique magic manifesting. (But does this also apply to mages who are born with their unique magics, or do they have theirs from the start? Uncertain!)

What might be still vague is how this applies to faeries!

Malleus says that he lives and breathes magic, but according to Lilia Sebek's magic manifested late, with even Silver becoming capable of using magic before Sebek could.

This might mean that faeries, too, have a period of their lives before they become capable of using magic, but it also might just be an effect of Sebek being half human--I am not sure it has been confirmed as of this post!

Lilia mentions Malleus emitting puffs of flame as a baby, but this may be less a "magical infant" situation and more a "that is a dragon" situation.

Malleus himself explains that he once froze nearly the entire castle in which he lived, "back when (he'd) finally started walking on two legs," so it seems that he was wielding magic from very early on!

#twstask #twisted wonderland

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twsted-kinks · 5 months

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Malleus x Reader: Biology Nerd (Part II?)

Fluff & NSFW things (slight angst?)

>ageless and minors dni<

Not really a part two just the same Yuu hanging out with Mal.

Reader is gender neutral but this is very self indulgent so they be fat, hairy, and may come across as masc. Also reader is Yuu.

Content Warning: cultural and biological differences leading to situations, assuming things are normal for another culture, accidental sexual stimulation and arousal, sexual tension, trying to hide arousal, Yuu being a nerd about Malleus's biology, Yuu touching Malleus innocently and Malleus getting off on the touching, is Yuu oblivious or is Yuu insecure and doesn't believe they're attractive enough for Malleus to want to fuck them?

Cuddling. There is so much cuddling. Just about every night Malleus would be floating outside Yuu's window, holding pajamas and a toothbrush. This occurred again and again, until Malleus's absence at night was finally noticed, and Sebek freaked out. The half fae's screams woke up the entire dorm. After that incident a lot more attention was put on Malleus's whereabouts. At first Sebek and Silver offered to join Malleus at the Ramshackle Dorm, but Malleus preferred his time with Yuu to be private. Lilia, being able to pick up on Malleus's little crush, found a solution. Have the child of man stay over at Diasomnia. As long as there weren't lectures the next day, Malleus and Yuu could stay up late doing whatever they wanted, and Sebek and Silver could check in as needed.

So, a new tradition started where, 1-2 times a week, Yuu would sleep over and spend the night in Malleus's room. Again, most nights were spent cuddling, talking, and enjoying each others company. Yuu was one of the few people where Malleus can have his scales, tail, and wings out and act normally around him. Well, as normal as Yuu can be. Though, Malleus's favorite thing about these visits was how Yuu would take care of him. Brushing his hair, polishing his horns, massaging his ears. His ears. It took Malleus using every bit of self control he has to remain still when Yuu touches his ears. Caressing the shell, rubbing the lobe. Malleus forced himself to take deep breaths and bite his lips to prevent himself from letting out a moan.

Malleus didn't have the heart to tell Yuu just what they were doing, how sensitive his ears are, how his cocks emerge from his slit. This became such a common occurrence that Malleus has become an expert at hiding his bulges, tucking them away, hiding them behind a pillow, excusing himself to the bathroom to take care of himself before returning. Did Yuu notice any of this weird behavior? Not really no.

Anytime Malleus did something a bit off, Yuu just assumed it was something either normal for him or just a fae thing. Malleus's dilated eyes, his awkward shifting with a pillow in his lap, the flush of his cheeks. Each thing Yuu could explain away. The eyes? Well, it is kinda dark in here. The pillow? Probably an erection, but that's just something the body does. The flushed cheeks and ears? Malleus isn't used to affection. Plus, if he's hard of course he'd be embarrassed! Yuu doesn't want to make it worse by pointing it out.

And so now they're here again, in Malleus's room. Malleus sits on his bed, pillow on his lap, and Yuu sits behind him. The human gently pulls away loose dead skin from the dragon fae's scales.

"I must thank you, child of man. Removing my shedding is often an inconvenience I'd rather not deal with. However, you've made my usual ordeal an enjoyable experience." Malleus hums and flexes his wings.

Yuu giggles. "You don't have to lie and make me feel better. I know you can just magic it off you."

Malleus is quiet for a beat before responding. "That is true. Removing my shedding is not an issue for me. It is a simple task. However, I did not lie when I stated you make the process enjoyable."

"Hm, yeah that checks out." Yuu focuses as they pick dead skin from between two scales. "Social grooming is a common behavior in social species. Makes sense humans and fae enjoy it."

Malleus thinks for a moment. "Yet you are the one always attending to me."

Yuu peels away the last bit of dead skin from Malleus's dark scales. "That's because I enjoy it too. It gives me something to focus on, something to do with my hands while I'm with you. Plus, you're really interesting to look at."

"Interesting to look at?" Malleus asks.

"Of course! Like-" Yuu runs their hand up Malleus's back to rest where the far's wings connect to his shoulder blades. "Even just your back is beautiful! There are multiple points that move and contract in a layered network of muscles in a way that is both very similar yet also drastically different to what I know. I can feel the movement every time you move your wings. And the way your scales shift and move over these muscles, an interlocking pattern that moves so perfectly on top of everything. It makes me think about the evolutionary process leading to this, and biological ancestry, clades, and categories of different spaient species here. How can I not enjoy myself?"

By the time Yuu finishes their thought, Malleus, tips of his ears dusted with pinkn has turned to face them. "Such an eye for detail for things I think nothing of. You explain your fascination with such passion. You truly have an admirable mind, child of man."

"I mean, you're the same way." Yuu responds.

"I am?"

"Your love for architecture, especially gargoyles. I admit there are times I don't understand what you're talking about exactly, but I enjoy listening to you. You always light up and it's really cute to see."

"Cute." Malleus let's the word sit in his tongue. "I should be used to the way you speak of me by now. But, I do agree. I enjoy listening to you even when I do not understand your words."

Yuu chuckles. "I'm glad to hear that. I know I tend to ramble. You can stop be to ask questions if you don't get it though."

"It is the same for me. You are free to interupt me with questions." Malleus responds. "And I do have a question for you."

"Oh? Shoot."

"What you said earlier about social grooming. Is it common for it to be... so one sided?" The fae asks.

"Well, it can depend on a lot of things, but no. Usually it goes both ways." Yuu answers. "What? Feel bad about me being your personal masseuse?"

Malleus's gaze travels along the human in front of him. Here he is, in nothing but his sleeping bottoms while Yuu sits in an oversized long sleeve shirt and sleeping shorts that stretch around Yuu's thighs. "That is part of it."

"And the other part is?"

"Our bodies are quiet different." Malleus notes. "Perhaps I wish to study yours as well.

"Oh..." Yuu is silent for a moment, shrugs, and then pulls their shirt over their head. "Yeah, that's fair."

Malleus does his best to keep his face calm, biting his lip slightly to keep him grounded. Yuu's plush torso decorated in a kayer of dark hair. The fat on the human's chest look so perfect, as if the soft flesh could fit into Malleus's hands perfectly. The human's soft stomach that Malleus has laid his head against again and again. He can't help but imagine how it would look, bouncing back and forth as the fae buries his cock at a brutal pace into the human. Malleus holds the pillow closer to his lap.

"I know I'm not that impressive, but, if I get to touch you, it's fair for you to touch me."

"Child of man." Malleus reaches out and cups Yuu's cheek in his hand. "You are beautiful."

Now Yuu's ears are the ones dusted with pink. "You don't have to lie to make me feel better."

"I am not lying." Malleus runs his hand down Yuu's neck and rests at the center of the human's chest. "You find my scales and the inner workings of my muscles to be beautiful. Can I not find your hair and your soft flesh beautiful as well?"

"That's no really-" Yuu looks down and hesitates. "Most people don't. At least where I'm from."

"Then I am glad you are here. I hope I can make you see just how beautiful you are."

#twst writings #twst x reader #twst thots #twst smut #malleus x yuu #malleus x reader #masterlist #twst malleus #twst malleus smut

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acoraxia · 5 months

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What are your thoughts on shadowpeach?

Fandom wise? I do not care for it.

Canon wise? I believe in men committing crimes while forming the most toxic, unhealthy attachments to one person could lead to such a dysfunctional relationship that it, eventually, turns into a functional one. And also they’re trans and aspec.

Disclaimer: this is all my opinion and people can do whatever they want, i simply have my gripes with some of the fandom stuff. this is just me explaining what i like and dislike about shadowpeach.

I think the most common thing people fall into when it comes to ships—or shipping in general—is how to domesticate these two characters without fully addressing their flaws, personalities, behavior, and their overall choices throughout the original media/show they come from.

Macaque and SWK both suffer equally through this mischaracterization: Macaque is often painted as this shy or “edgy” character with little to no ties to his actual character in canon and, more often than not, he is perceived as this “dad” type of character when, in fact, he should not be allowed near children for I fear he will bully them nonstop until they sit there in the corner feeling disheartened and miserable about themselves; Sun Wukong is often portrayed as this dumb himbo with little-to-no means of understanding social cues, not understanding emotions in a way that’s very frustrating, and be this yearning, pining idiot who’s still longing for his childhood crush when he did not hesitate to punch this guy in the face multiple times throughout the show. So when they are paired up together it’s this weird mash of people believing Macaque is the better dad with more understanding of human behavior and Wukong is his dumb, doting husband who’s doing his best and cannot stand up for himself when confronted about things.

The amount of times people choose to make Macaque sympathetic by having Sun Wukong’s family side with Macaque when it comes to Wukong’s actions/choices is so vast I could not count them all on one hand. The common trope of having Princess Iron Fan (Sun Wukong’s sister-in-law) become Macaque’s sworn sister is so disheartening to see for someone who read through Journey To The West and thought of how silly the overall family dynamic of the Demon Bull Family and Sun Wukong’s troops was. Removing Iron Fan as Sun Wukong’s literal sister just to have someone backup Macaque and sympathize with him is funny and a bit silly.

That being said… the canon version of Shadowpeach and its possibilities are, in fact, very delicious.

Canon wise this is what we know about Sun Wukong and Macaque’s history together:

Sun Wukong and Macaque meet

The brotherhood is formed after Azure meets Sun Wukong, Macaque tags along with Wukong (note: Macaque is not addressed as “brother” by the characters, only Wukong is)

Macaque tries to warn Wukong about how dealing with Heaven might be a bad idea

They share a peach under a tree; Wukong reassures Macaque this plan will work

Wukong carries on with Azure’s plan anyway (yes, azure lion’s plan, not wukong’s)

The brotherhood is defeated and Wukong gets trapped under a mountain

Presumably no one comes to visit Wukong, only Macaque

During his final visit, Wukong is angry that Macaque is free and can’t see the fact that Wukong was trying to do everything for them and his kingdom

Macaque snaps back at Wukong and calls him an obsessive demon before leaving

They have another fallout and fight

Wukong ends up killing Macaque in the aftermath

500~ years later, Macaque and Wukong fight again with Wukong being more apathetic towards their reunion than Macaque is

Macaque obsesses over Wukong continuously (coughs)

Macaque is biased in his retellings of his and Wukong’s relationship (see: all of shadowplay and the scrolls memories)

They fight (again) throughout S3

They somewhat reconcile by the end of S4

We will address the fact Sun Wukong was groomed into going to war by this former celestial warrior instead of having it be because of his own want to protect his family and friends after Heaven refused to pay him the respect he wanted when he first joined their ranks later. Right now we focus on the fact that Sun Wukong is canonically a person people easily fall in love with (platonically) and have a tendency to want to stay close to regardless of what his future actions will be like and Macaque is sequentially obsessed with him throughout the show.

“The hero and the warrior were like the Sun and the Moon. Their light, a protective glow, shining upon the world. Together, there was nothing that could stop the two of them. Either in the Celestial Realms or on Earth. As time went on, the hero attained power beyond comprehension. As the hero's light grew, so too did his shadow. And soon, the warrior was cast in that shadow. In the darkness, the warrior was forgotten by the hero.”

Fun fact: Macaque is never going to be on par with Sun Wukong’s power and he works best as support than he does a duo-attacker along side Wukong. Wukong is on his own power level and Macaque, while being able of holding his own against enemies, could be stomped to death by Xiaoijiao is he crossed the line.

Macaque’s obsession with Sun Wukong comes from the inability to move on from the past; Macaque wanting things to go back as they were is a subtle theme going through the show — he keeps latching on to biased memories and avoiding the actual problems that caused their relationship to fall apart and it isn’t until Season 3’s big confrontation with Long Xiaojiao’s Samadhi Fire ritual. He realizes he abandoned Wukong during a time of need and proceeds to flee, abandoning him again.

Macaque has issues. More often than not people call out on Sun Wukong for abandoning Xiaotian or the Monkie Kid Crew all while ignoring the fact Sun Wukong does not purposefully leave Qi Xiaotian, he tries his hardest to make it back in time and is visibly scared/horrified when LBD attacks in his absence. Sun Wukong tries his hardest to comfort Xiaotian while Macaque tries to torment him.

Regardless, Sun Wukong and Macaque’s relationship is unique to most media’s portrayal of friends turned enemies. Because Wukong does not see Macaque as a threat up until he teams up with Lady Bone Demon — he is only scary by association, not by anything he has done up until that point. You can tell with the way Wukong mocks him and calls him something akin to a puppet during their interaction in Season 3 when Macaque trapped him and Nezha in the ice.

And even then Macaque doesn’t even bother trying to engage with Wukong in a friendly manner because kindness is for losers HA i’m not apologizing for anything, bye Sun Wukong, you big old LOSER [proceeds to possibly live on the streets and stay homeless until wukong allows him to return to ffm under certain house rules]

You’ll notice that Sun Wukong barely has any opinions on Macaque.

This is because Macaque is favored by the narrative more than Sun Wukong is so we have very little context as to how Sun Wukong genuinely feels towards Macaque.

Sun Wukong sees Macaque as an annoyance, a bother, a threat, a coward, an imposter and then, finally, an ally.

But all we get from that is Wukong handing Macaque a peach-flavored ice cream pop as a parallel to him sharing a peach with his old friend back when they were young monkeys before he was trapped under a mountain for 500 years as a result of his abuser’s power hold on him that forced him to fight heaven as a way to “make the world a better place”.

We love to see it.

Macaque and Wukong’s relationship goes from mutual interest and a supportive friendship established years prior to the original building of the brotherhood to a very weird, uncategorized type of dynamic. The only way to characterize Sun Wukong’s “affection” towards Macaque is, possibly, the same way most people would characterize Macaque to be towards Wukong. Y’know the slightly judgmental actions and eye rolls and scoffs of affection most people write about Macaque when Wukong does something stupid? Yeah.

“But Macaque said “this guy” when Wukong was presenting his plan to defeat Azure—“ yeah have you considered Wukong does a lot of masking in the presence of the entire Monkie Kid Crew and Macaque has a tendency to present himself as this cool persona when in fact he’s just a homeless monkey who’s been crashing on his ex’s couch for the past weeks since the ending of Season 3?

“OK…. but why QPR Shadowpeach?”

Sun Wukong throughout the course of Journey to the West and all its past and future iterations have always had him be uninterested in both men and women. There are multiple instances where he’s capable of courting women and he instead backs away or does not pay it any mind; aside from this he’s heavily implied to only care about familial love and friendships. He does not see his pilgrim brothers as anything more than family and he views Tripitaka as a mentor rather than someone whom he was chained to. And Azure was his idol and he was groomed by him, and everyone else was viewed to him as a troop — or, y’know, a family.

This and the fact that— both Sun Wukong and Macaque are over a thousand years old. Why on earth would they have a normal type of relationship? Giving them a checklist of what passes on as romantic and platonic when to them the line is so blurred it’s barely existent to them is amusing.

Sun Wukong and Macaque having their own weird relationship where it changes from frustrated best friends to partners to angry middle aged demons to the tired traumatized immortals who sometimes cuddle while still beating each other up is so deliciously interesting and unhealthy to the point where it is healthy.

Also Celestial bodies are not the same as mortal bodies; canonically Sun Wukong has transformed into women before and people have addressed him with female-leaning pronouns before. my personal headcanon of sun wukong being genderfluid lves on and now we can have sapphic shadowpeach with transfem macaque.

also im still feverish so if this doesnt make sense then too bad damn im sorry

#analysis #lego monkie kid #monkie kid #six eared macaque #lmk six eared macaque #lmk sun wukong #sun wukong #shadowpeach #qpr shadowpeach #ok im tired #goodbye forever now im going to get a haircut #and then maybe go to the movies ig #lmao

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buckets-of-dirt · 1 year

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(ID: A screenshot of tags that read "#Prev what are some alternatives to the word primitive that are less derogatory" /end ID.)

@panicdeleter I'm responding to your question on a new post so that the op of the original doesn't get this in their notes because answering in good faith is going to take a lot of explanation.

Short answer: there isn't one.

Long answer: as you say in your tags, "primitive" is a derogatory term with a very loaded meaning. Removing it from your vocabulary is less a matter of finding a more PC alternative, and more a matter of understanding why it's derogatory and changing your perception of what's being discussed. To do that, we're going to have to look at archaeological theory for a minute. Stick with me, I do have suggestions at the end.

Archaeological theory is a complicated subject and there's no way I'm going to try to summarize all of it in a Tumblr post since it's a topic arch programs devote at least a semester (if not longer) to. So we'll focus on the relevant bits.

Essentially, in the bad old days when archaeology was starting to become a discipline instead of a thing rich dudes did on the weekends, there was this idea that certain European societies were the peak of civilization and everywhere else was less evolved and therefore primitive. It was based on the misunderstanding of the theory of evolution that was common at the time. Like so:

(ID: a diagram drawn in pen. It's titled "Ye Olde Arch/Anth Theory TM". The next line says "Primitive = simple, less evolved, bad". Below it there is a vertical arrow pointing down, with the words "one way line" next to it. Under the arrow there is a line of text reading "Advanced = complex, most evolved, good". /end ID.)

These early archaeologists believed that all of humanity lived on a hierarchy with the "advanced" societies they lived in (and their ancestors like Ancient Greece) at the top and all the "primitive" past and current societies (destined to either become like them or die out eventually) at the bottom.

It's been a long road for archaeological theory. The 20th century was fraught with theoretical movements and debates that sometimes literally devolved into fistfights. But eventually we all ended up more or less here:

(ID: A hand drawn diagram in a similar format to the one above. It's titled "Arch Theory Today (Short Version). Below the title there is a single line of text centred around a horizontal line with arrows at both ends. The left side of the arrow reads "simple" while the right side reads "complex". The line itself is labeled "continuum or spectrum". /end ID.)

While you'll still find some archaeologists who disagree, the main consensus appears to at least be on the same page that instead of the old primitive vs advanced hierarchy, societies exist on a spectrum that ranges in complexity. In the most basic terms, because I'm glossing over A LOT of nuance here, hunter gatherer societies tend towards the simple end of the spectrum while big state societies are on the more complex end. This is not meant as a value judgement of these societies, but merely an attempt to classify them so other people have a frame of reference for what you're talking about. Even so, there's considerable debate about the language used for certain terms and societies, and I am not necessarily qualified to go into that in this post.

I say all that to help you understand why I can't give you a catch-all term to replace "primitive", because if one did exist it would be just as derogatory. In certain contexts there may be more appropriate words that you can use, such as simple (as in the case of the meme that inspired this post) or old. But a lot of the time an alternative just doesn't exist because we are not better or 'more evolved' than our ancestors any more than people living in big state societies are any better than people still living as hunter gatherers.

I know this has been a very long post, but I really am just scratching the surface here. For more information I suggest looking at podcasts like The Dirt or A Life In Ruins, youtube channels like The Welsh Viking or Archaeology Tube, or the blogs of any of my fellow dirt lovers here on Tumblr like @chaotic-archaeologist, @micewithknives, @art-thropologist, @archaeologistproblems, and @rhysintherain to name just a few. Archaeologists are generally a bunch of nerds who will take any opportunity they can to talk about the human past, and we rarely bite.

#thanks for the question!#I hope this long rambly response was a decent answer

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iwritenarrativesandstuff · 6 months

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Why We Never See Elendira's Story

In a story that emphasizes the human or otherwise sympathetic aspects to its focal characters, it’s very intriguing that Elendira remains an enigma right up until the very end of her story.

We receive some tantalizing hints that there is much, much more to Elendira than what we’re explicitly shown – asides from her apparent sole interest in witnessing the end of the world (to which she'd prefer to see Knives' chosen ending, but is prepared to act herself if he fails), she looks somewhat resigned when saying that nice men “die so easily”, that no matter what Vash does, humans will “ruin it”, and so on and so forth.

[ID: Two screenshots from Trigun Maximum Volume 11. In the first, over a rocky ground, Elendira says "I liked you better when you had nothing to lose. What a shame." She looks down, somewhat resigned, and continues "I don't like nice men. They die so easily." In the second, she stands, frowning and saying "No matter what Vash the Stampede does... there will always be those..." On a close up of her right eye, she says "...who ruin it." End ID.]

Elendira seems to have little to no faith in humanity, and in that sense, she seems a lot like Knives. Knives, who aims to become more and more powerful, and in the process, severing all meaningful ties he has with others on his quest to ensure no one can take advantage of him or use him. We know, of course, that Knives doesn't quite succeed here... but Elendira has. She is the peak of human (or part human? We never get an answer to her unexplained abilities) capability in speed, skill, and strength. The only reason Livio stood any chance in that fight was due to his incredible regeneration.

(As an interesting aside, she also has an interesting commonality with Vash - what comes to mind is her telling the kids to bury Livio because he "died" trying to protect them. Why does she care about that? Why does it matter? None of the other GHGs do this. This is not important to the point I'm making here but it's just interesting to me. There's very few characters who explicitly make a point of burying the dead.)

The point being, Elendira is the height of strength... and at the top, she is alone.

[ID: A panel from Trigun Maximum Volume 13. Elendira is in the action of dropping her white coat, which she has taken off to reveal an underarmour suit that is almost skeletal in appearance. She looks confident. End ID.]

In a story where characters' motives and pasts are told through their connections with others, through their memories with people they cared for, and through the eyes of the people who care for them...

Vash's story is eventually told in pieces to humanity through Meryl, through Luida, and through his sisters. Rem survives in Vash's memories, and we see the part of her story that young Vash saw, just as we also see his own past from this recollection of her.

Milly is a clarifier and communicator who sees so strongly the sides of Meryl and Vash that they suppress, all that grief and fear, for the sake of remaining steadfast. She is the one whose eyes we see through. It had to be seen to be told. Wolfwood does this too.

The rest of GHGs get some elaboration also. Hoppered is defined through his loss of the woman he cared for in July. Midvalley is defined by his fear and contention with Knives. They also have a dynamic between them that few of the other GHGs shared - and it's likely for this reason we received more elaboration on the two of them than many of the others. But even characters like Rai-Dei, for whom we don't get very much at all, has at least his sunk-cost fallacy explained through the memories of the people he's killed to get to that point.

Chronica's story, though largely removed from the people of No Man's Land, is given definition and stakes through the loss of Domina, and we are told about her incredible determination and strategy she has through her reputation with the Earth fleet.

Legato, desperate to play a singularly important role in Knives' story, tells his own through that lens and that lens only. The moment his life changed was the moment Knives entered it, and that is likely the most important memory to him - Knives is the only meaningful bond he has (sadly for him, this was not reciprocated). Well, an argument can be made for the contentious dynamic he builds with Vash too.

Even Knives, for all that he tried to separate himself from others, is known and seen through his connection with Vash - and his acceptance and unwillingness to fully lose this connection is not only what eventually saves him, but also the reason we, as the audience, know his story so well.

We see characters' stories in Trigun mainly through the bonds they share with others - never the whole story, but the sides that others knew of them.

So, who does Elendira have? Every interaction she has is shallow, dismissive, and exceedingly temporary. Through her dislike of Legato, we get that she may be somewhat bitter about his important status to Knives... but there is no elaboration, because it goes no further than that. Knives calls her directly on the phone, and she is very invested in his vision for the end of the world and intrigued by him... but it goes no further than that. He does not really seem to care about her beyond her effectiveness, and she does not offer any information about herself. Even her allegiance is kind of flimsy. She's only there because she wants to be.

During their final fight, Wolfwood lives on through Livio, through his actions and resolve. It is the teamwork between him and Razlo, in the spirit of Wolfwood, that eventually overpowers Elendira. Amusingly (at least to me), Livio is quite literally never alone, because he always has Razlo - and now, Wolfwood too.

"Yer too strong... and that's why yer gonna lose."

[ID: A screenshot from Trigun Maximum Volume 13. Livio narrates over a shot of his eye, Razlo's eye, and finally, his whole face, with Wolfwood's final vial of serum between his teeth. "...to me... to Razlo... and to him." End ID.]

Elendira has succeeded in separating herself from everyone – she is the most powerful of the GHG, and every battle with her is basically one-sided – but she’s alone, and that’s not only why she loses… it’s also why we never get to know her in any meaningful way.

Because no one knows her. She has no personal connection with anyone. Her motivations never get any clarity. We don’t even know who did her modifications or how she gained her power. Even if she did have someone she cared for in the past, she apparently does not hold onto their memory. And maybe that's the reason she told the kids to bury Livio - not out of respect, but because to her, that is where the past belongs - dead and buried, soon to be joined by the rest of the world and humanity as it all comes to an end.

We never see Elendira’s story… because there is no one from whose eyes we can see it in any capacity.

#storyrambles #just my two cents lmao i'm sure there are far simpler explanations such as 'the author just didn't write it out' hdfbvdsh #but i like this one thematically #elendira is so cool. she's one of my favourites fr #trigun #trimax #trigunbookclub #elendira the crimsonnail #trigun meta #call me ace detective the way i am ace. and also a detective.#can i get all my analyses done before october ends? let's find out! (aaaaaa)

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