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ohworm-writes · 4 months

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「✰」 ━━ CALL OF DUTY: MODERN WARFARE CHARACTER FAMILY OUTLINES

RATING PG-13 - Parents strongly cautioned [ Content warnings : references to sex, references to breeding kinks, heavy fluff, children, both pregnancy and adoption scenarios, toxic family relationship dynamics, minimal cursing, brief mention of Ghost and Farah's traumas, brief mention of transphobia and homophobia ]

SYNOPSIS In my opinion, what having a family with an assortment of Call of Duty: Modern Warfare characters would look like, be it how many kids they would have, their reasonings for having kids, their relationships with their kids, et cetera.

WORD COUNT 6.8k

CAPTAIN JOHN PRICE

Three sons and one daughter - ages ten, seven, five, and one

I'm certain we're all more than aware of this man's painfully obvious and present breeding kink, so it's no surprise to anyone that he would want to have a lot of children to call his own. He won't just be satisfied with one or two children - he's always wanted to have a full, bustling home, and he'll be damned if he doesn't try to make that a reality.

Every child of his is planned, both in pregnancy and adoption scenarios. He meticulously calculates and works to space each child out a certain range and number of years apart from one another in an effort to give himself extended experience with each developmental stage - or so he claims.

He wanted kids of his own, he decided, the second he met you, and he just hopes and prays that you'll be open to the concept of having quite a number of them. And, in his favor, you do and indulge him in his little fantasies.

And, in the ingenious words of @ghostlywhiskey , "i said that man has SWIMMERS AND THOSE MFS ARE PRICE BOYS". So, there's a very obvious patten that begins to form as more and more members are added to his little family. But, of course, there's one token daughter added into the mix, who he loves all the same as he does his boys.

In my eyes, the ideal father figure. He's extremely open and honest with his children, listens and talks with them whenever they have an issue or question, is very understanding and accepting overall, and, more than anything, works tirelessly to be a present, positive figure in their lives.

Because of all of the experience that he has with his own children, this results in the members of Task Force 141 and associated parties going to him for help or to have him answer questions they may have around their own children.

He tries to be as present of a father as he can be, given the challenges and distance that comes with his line of work, but always makes an effort, at the very least, call his kids whenever he can to ask about how they're doing, what they're up to, et cetera.

Refuses to talk about his job or entertain his children in the very idea of joining the military - the horrors he's seen is not in the slightest something he wants his children to witness for themselves. He knows the job best, and he will not allow any of his children to join.

Raises his sons right - they're respectful, mind their manners, don't start fights (but finish them, should the need arise) and instills all the necessary core morals and values they'll need to be good people when they grow up. All the same, he teaches his daughter not to take shit from anyone.

LIEUTENANT SIMON "GHOST" RILEY

Three daughters and one child (non-binary) - ages ten, six, three, and nine

Originally, he had never even spent a moment in time thinking about or entertaining the possibility of him having children, much less actively putting effort into reaching that goal. Especially when considering his own history, he can't even begin to see himself as a father, fearing he'll end up like his own.

So, when you get pregnant for the first time on complete accident/enthusiastically bring up the idea to him of adopting a child seemingly out of nowhere to him, he's completely shell-shocked. This is something he's ever put considerable thought into, and now it's being dropped into his lap without a moment to process it or breathe.

So, when he lays eyes on his first little girl for the first time, he's terrified. He's a dad now, whether he wants to or is ready for it or not. And no, it's not like he didn't tell you to get an abortion/refuse to sign the papers, but he isn't fully ready for such a heavy responsibility yet. But when he has her in his arms for the first time, he's done for.

After the first, he's so open and willing - and, quite frankly, pushing for - trying for/adopting another child. Yes, he was scared for his life to become a dad at first, but now that he's one now, he can't help but want another - and best you believe that his children are his absolute world.

Curse of the military. That's it, that's the tweet. He had all girls, plus, of course, his one gender non-conforming, non-binary kid, and all of them have equal ownership over his heart.

He's the perfect girl-dad, letting them do whatever they want with him - their own personal dress-up doll, if you will. Painting his nails, putting make-up on him, styling his hair, making him attend tea-parties and playing make-pretend. Whatever they want him to do, he does it.

When his second-oldest comes out to him (they came to him first before they did you), his heart absolutely melts. To know that his kid trusts him so wholeheartedly and isn't scared to share such a private thing with him lets him know just how good of a dad he is.

He's quick to use the right pronouns, allocates a separate room for them, helps them go shopping for clothes and items they may want, tests out new names for them should they want to, et cetera.

He's not at all a strict parent, as much as one might believe. He's stoic, cold, and cruel, sure - but that's to everyone but his family. For them? He's the biggest pushover in the world. If his children want anything, best believe he's doing everything in his power to fulfill their wishes.

SERGEANT JOHN "SOAP" MACTAVISH

One son and one daughter - ages four and five

He's always wanted children, that mindset and dream having been set long before he ever even joined the military in the first place. He used to take care of and watch his nieces, nephews, and younger cousins a lot when he was younger, so it eventually evolved into him wanting little rascals of his own as time went on - to be able to nurture, care for, and have fun with.

So, when the opportunity arises to actually start a family of his own, something that he's always dreamed of, he's so giddy. In complete honesty, he's practically beaming and bouncing on the balls of his feet, so willing and ready to make this into a reality. He has his own fears and anxieties, yes, but his excitement far outweighs it.

Both of his children are planned, of course, wanting them to be close in age as he can get them, and he's ecstatic that he gets to have both a boy and a girl. He gets the best of both worlds that way! And, when he finally gets to hold each in his arms for the first time, his heart shatters, melts, and crumbles in the best ways possible.

He isn't just a solider, a boyfriend, or a husband anymore - he's a dad now.

He's such a fun dad in general, always joking around with his kids, letting them - safely - do things that they aren't supposed to do, messing with them, taking them out for desert and sweets, et cetera.

But, as much as he's the "fun dad", that doesn't mean that he's any less strict. If his kids mess up or do something bad, he's often the one responsible for determining punishment, telling them off, and teaching them not to make the same mistake again.

His work is demanding, yes, and that often takes him away from you, his partner, and his kids for long periods of time, but he always comes back, ready to be a dad again and put "Soap" on the backburner.

The perfect role model for his kids, in all honesty - the best combination between a best friend and a parental figure. His kids tell him everything and they aren't scared of him to keep secrets from him, always telling him the truth without shame or hesitation.

SERGEANT KYLE "GAZ" GARRICK

One son and one daughter - ages seven

Both of children are twins

Having children wasn't something he had ever planned for, in his mind. Not to say that he never entertained the idea of having children of his own, nor is it to say something that he's against, either. He simply hadn't ever thought about making it a reality before.

But, when the opportunity to have/adopt children comes up into his life, it's welcomed, allowing himself to go with the flow of things and let them play out as is. He thinks about it a lot more now, daydreaming about what his child's personality will be like, what they'll look like, who they'll like more...

And then boom! Twins!

He's starstruck when he first gets the news that he'll be having/adopting twins. It's like a two-for-one deal, or so he says, genuinely shocked and excited at the same time. The way he sees it, his kids will always have a best friend (or, a partner-in-crime) and he's all for it.

Twins are a lot, he knows, but that doesn't mean he isn't up for the challenge. If anything, it only spurs him on to push to be the best dad he could ever possibly be.

For better or for worse, his kids adopt his sarcastic nature as their own and increase it by tenfold. It's his fault, given that whenever his kids are around, he's talking to them as if they'd understand his points and smart comments. They don't, most of the time, but they know their dad's tone, and they're quick to match it.

Takes the most time off out of anyone else in Task Force 141 to spend with his family if and when he can allocate it. He wants to be as present of a dad as possible, and if that means taking work home when he could easily finish it on base and then come home, maybe a day or two later, he's doing it.

Very adamant on having days out with his kids, be it for the purpose of a mental health day or just for fun. Takes them out to get breakfast and lunch, plus going to do another activity. Maybe the park, the playground, watch a movie at the cinema, go to the zoo/aquarium, et cetera.

He's not a super strict parent but that doesn't mean he isn't going to disciple his children if they misbehave or do something wrong. His punishments are lax, focused more towards talking out the issue that giving harsh lessons.

STATION CHIEF KATE LASWELL

One son - aged sixteen

She and her wife decided that they really wanted to have a kid of their own a few years into their marriage and, especially given that neither of them aren't getting any younger and didn't necessarily have the energy, time, or willingness to take on the challenge of pregnancy for themselves, they choose the more sensible option available and adopt.

It's a long, deliberate process that they have to go through in order to be so much as be approved for being able to adopt, but, once that hurdle is overcome, the two of them waste no time and immediately begin their search for the newest member of their own little family, allocating time to meticulously decide who they'll, inevitably, choose.

Their hearts end up settling on a little boy whose four years old, somehow resembling the both of them in different ways - be it personality wise or by appearance.

The two of them decide that they want to be able to escape and skip the issues that come packaged with newborns and toddlers, but also have a hand in the development process of their son, thus explaining the age they chose to adopt him at. This accomplishes both of these "goals" they have in mind, and it works out beautifully in their favor.

No matter their son's ethnic background, the two of them make a conscious effort to try and introduce practices, traditions, holidays, ideals, et cetera from their son's culture into their own as a means to keep him connected with his own past and history.

Although her job is connected with the military and does, to an extent, seperate her from her families for periods of time, that doesn't diminish the relationship she has with her son. He's fascinated with his mom's career, allowing for lengthy, in-depth discussion about what her job actually entails with him.

She and her wife are such good moms in general - always supporting him in everything he wants to do and encouraging him a thousand times over. There isn't a second in his life where he isn't being supported or loved, but it by his moms or the numerous different adult figures in his life.

Laswell gets in a fair bit of trouble with her wife for not disciplining her son in any way, shape, or form. She may have no issue with doing so with the military individuals she works with - she can be scary and intimidating when she wants to be - but with her son? She's absolutely a pushover.

Quits smoking the second she and her wife make plans towards actually adopting. It's a harsh line she draws, and one she abides by without hesitation or question.

VALERIA GARZA

None

Now, this isn't because I want to exclude her from this concept for any reasoning whatsoever, but rather because I can't really see her having or wanting any children in the first place. She's "El Sin Nombre", after all. And, in her defense, the cartel isn't necessarily the best enviroment for a child to grow up or develop in - surprising nobody.

She knows this fact better than anyone, and, having sworn her life to her role in Las Almas and the cartel, she chooses to not have any children. Additionally, she isn't going to be irresponsible and make herself vulnerable like that where, to have someone to love and care fore, only for the possibility of them being used as leverage against her later on hanging over her head, putting them in danger.

And, in any case, she has a breeding kink to make up for it, eh?

But, in all seriousness, as wonderful as I think she could possibly be with children in general, I doubt she plans on having or adopting children of her own unless she actually makes the move to leave the business of the cartel altogether - which, lets face it, with who she is and the role that she plays, is highly unlikely.

To make up for this, let's talk about her relationship with kids in general - be it the children of Las Almas and nieces and nephews that she has and interacts with.

She fits the "cool aunt" persona to a tee, always bringing gifts and/or cash to her younger family members, getting them whichever they desire, playing games with them, talking shit about people and listening to them vent, et cetera.

If the children have a problem with someone and, if aren't family, she has no issue doing something about it, be it using a scare tactic on them or completely removing the other person from the equation in more serious scenarios.

All the kids love her, no matter if they're family or if they know her or not. If she isn't busy and one of her men have a child of their own that they need to tend to while they're on the clock, she'll let the kid stay around in her office, so long as they don't disturb the peace.

VLADIMIR MAKAROV

One son and one daughter - ages eleven and five

Now, as cold, cruel, stoic, and heartless of a character that Makarov is, I personally believe that there would be select factors that would influence him to actually want children. Technical, albeit, and not for the sake of having someone to nurture and care for - at least, in the beginning - but I do believe that, for his own reasons, he would still want children as he progresses on later in his career and plans.

The only reason I could ever see for him to so much as bring up the concept of having children, in a way that makes sense when considering his character, would be due to the result of a close encounter that has him just barely scraping out of whatever altercation with his life to spare and hold onto.

He decides then and there that he wants to have a child - a son, specifically - who will be able to take his place and lead the groups that he controls and reigns over when he, inevitably, passes because, like he stated: "even I'm replaceable". It's a morbid phrase, yes, but it makes sense for him to have this be his reasoning.

He wants his replacement to be his own, too, and not for one of men to simply be promoted after he passes. After all, their ideologies, morals, and values could change over time and alter from his own, and he can't have that. However, if he were to have a child, he could foster and tailor their beliefs to match his own.

And besides, there's a certain charm that comes with saying his son is going to be the next in line. So, to his favor, he gets a first-born son, just as he had wished. His daughter, however, is completely accidental and unplanned/an abrupt decision when she is born/adopted. (In the context of pregnancy, though, its entirely his fault that she's conceived out of nowhere - wear protection, folks.)

For the longest time, his relationship with his son is, for lack of better wording, toxic - but this does change! If only with your intervention. All he wants in the beginning is for his son to be able to take over for him in the future - that being his sole purpose. And, unfortunately, he makes that a known fact.

Brings his son in with him to work on base often, working to teach and show to him the empire that he'll be taking over once his dad is gone. He gets a front-row view to the horrors his father is behind and in control of, be it the planning process for strategized and organized attacks, his cruel methods for dealing with traitors, and otherwise.

As much as he might, at heart, want to be a boy-dad, his relationship with his son is so strained and, frankly, falling apart, even if he refuses to acknowledge it, and so toxic in nature that it's only natural he becomes a girl-dad when his daughter is finally born. It's unfair, yes, but it's the truth of the matter.

He keeps his daughter far away from his work, shielding her completely from the badness of the world - the badness that he himself helps to create. She's his his pride and joy, and she's such a daddy's girl, leaving his son to fall to you, his other parental figure, for comfort and support - that of which his dad fails to provide.

COLONEL KÖNIG

Four daughters - ages two, three, seven, and fourteen

Interestingly enough, he's actually always quietly desired and yearned for a family of his own, though, he's never had any open discussions about it until it came to you. It's almost funny, the way that he's so awkward and tends to shy away from others any chance he's allowed to, and yet, he wants nothing more than a sizeable family for himself.

To have someone to fight for, to come back home to... it's all a soldier ever wants - himself included. And, for him, that includes a family that doesn't just consist of him and you (as content and happy as he is with it for now). The mere prospect of coming home to children of his own who can greet him and adore him is all he could ever ask for.

Though, even given this, he's especially nervous to actually become a father. He overthinks it a lot, wondering if his kids will even like him, going over the multitude of different ways that he could mess up even when he has no reason to. Because after his first, that fear melts away into enthusiasm.

Four children, especially when they're all girls, is a lot, yes, but he handles it with ease. He doesn't let the stress of it get to him, simply taking everything in stride and dealing with it rationally. He wants to preserve the positive relationship he has with his daughters, and approaching things from a logical standpoint is just the way to do it.

The true curse of the military - all girls, and so many of them, too. His younger children are all girly to an extent, too, so he's no stranger at a tea party and getting his make-up and nails done messily by his daughters. His oldest, although she may not be as girly, still has her moments, be it certain musicians maybe that she's forced her dad to listen to the entire discography of.

His girls love use him as a prop and character in their bouts of playing "make pretend". He's played a tree, standing still for them to climb all over, a dragon, protecting them from all of the bugs and critters that threatens to offend the, and even a race car, holding onto one or two of them as tight as he can and breaking into a sprint. It's strange and exhausting, sure, but he loves it.

Teaches his daughters to stick up for themselves - it's one of the first lessons he ever teaches them. Whether it be in terms of don't let people see you as a pushover, don't let anyone tell you what you can or cannot do, or stick up for yourself by any means necessary, he instills those ideals into his kids. Teaches his eldest how to fight, too - per her request - as another measure and precaution.

Although being apart of KorTac and being a colonel in general keep him busy and occupied and away from his family, that doesn't stop him from trying his hardest to be with them. He sends each and every one of his daughters, with the inclusion of yourself, gifts he picks up while he's away that reminds him of you all, just as a means to remind you all that he's here and he loves you.

COMMANDER PHILLIP GRAVES

Two daughters and two children (transgender) - ages seventeen, six, and thirteen

Both of his trans children, female-to-male, are twins

In his daydreams, he's always imagined himself with a family of his own. A nuclear family, the American ideal - married with two and a half kids, a dog, a big house with a white-picket fence, a stable job. The whole lot. That's all he's ever had in mind for himself and he yearns to make it a reality.

So, when the topic of children come up after the married, dog, house, and job things are already figured out, he's eager to speak his mind and give his input on the matter. He's got the biggest, most lopsided grin spread out across his face when he lays eyes on his eldest daughter for the first time, and that only solidifies his dreams.

Though, ironically enough, he always had in his mind that he'd have more boys than girls. He loves his daughters wholeheartedly and without shame, mind you, but... still, the sentiment remains. He always imagined himself with one, maybe two or three boys - someone he could play catch or watch sports with.

He doesn't get that, until he does, and his twins come out to him (albeit, at separate ages) as trans ftm. Of course, the whole "trans" thing is new to him, and while he may be a little clueless, seeing how happy it makes the two of his kids is more than enough to convince him him to put in effort and be the most supportive dad he can be.

I don't want anyone coming to me saying "oh, he's transphobic" because no he's not. He may fit that all-American persona of his to a tee, but I refuse to say that he would go as far to be transphobic or homophobic, especially with his own children. (Also, I'm petty, so you get two of them).

He fights and works hard to be present in his children's lives. He may be the Commander and CEO of Shadow Company, but that doesn't mean his men can't function without him from time to time. His family means everything to him, all of his time off being spent towards treating them.

Not the parent who pushes for his children to each be involved in a million after-school activities, but encourages them to take up something. His oldest plays volleyball, his second-oldest plays baseball, his second-youngest plays the drums, and his youngest dances. Takes them all to practice and helps them however he can.

Genuinely just copy and paste Jeff Sadecki from Yellowjackets and that's him as a parent. Except... with less of the drama. He's dedicated to being involved in his children's lives, making memories and having fun with them, telling horrible dad jokes from time to time, and whatever else.

SERGEANT MAJOR RODOLFO "RUDY" PARRA

One child (agender) - aged sixteen

He never actually planned on or anticipated becoming a father in the first place, more focused on dedicating his efforts towards his career and not spending more than a passing thought on creating a family. Not to say that he doesn't want one, it's just a concept he hasn't spent too much time thinking about or worrying over.

So, this means that you have to be the one to bring it up to him. And, granted, it somewhat catches him off guard - you want to try for a baby/consider adoption with him? Since when? It throws him off, to be honest, and he genuinely has to take some time to reflect and decide if this is actually something that he wants.

And, in your favor, it is.

He's somewhat nonchalant about the whole thing, not really realizing how big of an event it is until you're close to the due date/you're approved for adoption. And then it hits him full force that, yeah - sooner than later, he's actually going to become a dad and deal with the responsibilities of one and have a child of his own.

It's humbling, funnily enough, and he revaluates his priorities when it comes to his career, you, and child-to-be.

Even though he never anticipated or saw himself as someone who could accurately fill the role of a father, he's a good one. More akin to a close friend at times whereas others he can more accurately be described as a mentor, but it's important for fathers to share both of those factors, in a way. Which he absolutely does.

His child comes out to him before they reach double-digits, and its another moment that he has to pause for. Of course he's going to love them unconditionally, no matter if they identify as something else or go by different pronouns or want to use a different name, it's simply something he hadn't expected.

Doesn't really at all punish his child if they do something wrong. He'll have a conversation with them, sure, but it never truly extends to anything beyond that. Simply a "hey, don't do that again, okay?" and moving on with life. All that matters is that they understand and acknowledge their faults, in his eyes.

Involves himself in whatever his child is interested in and tries to understand it as best he can. They have a sport they're really into? He's buying them merch and watching matches or games with them. They're really into a certain video game? Start up a new save file, he'd love to play. Genuinely super supportive.

Does not at all plan on having another child. He's content with the one and, quite frankly, even one can be a lot at times. He can't count how many times he's had to go to those parent support groups just to ensure he's being as good of a dad as he can be.

COLONEL ALEJANDRO VARGAS

Four sons and one daughter - ages twelve, eleven, nine, and eight

His oldest sons are twins

The absolute definition of a family man. He, somewhat akin to Price, always imagined himself with a family of his own later down the line in his life - a large, lively one, too. He grew up in a larger household himself with a number of brothers and sisters, both younger and older, and he always imagined the same for his future family.

He's so enthusiastic about it, too. He isn't scared or worried at all, confident in his own abilities to take care of children, given his own extended experience, so he has little to no fear in what he'll be like as a parent or his own capabilities. He knows what he'll need to do, how to do it, what to buy, what to say, et cetera, so he's confident.

He doesn't really have a plan for what their ages will be, more so allowing everything to flow naturally, but he can't deny the fact that he has his own picture in mind for what he wants his family to look like. Ironically, he always imagined himself with more girls than boys, but it seems like life had... a different plan for him.

He loves it, though. He's extremely good with newborns and toddlers especially, and when he laid eyes on his twins for the first time, holding both of them to him, it was over. Plain and simple. With the first step taken, he can now fully immerse himself in being a father and cultivating the lives of his children, and that's all he could ask for.

His boys are rowdy. Especially his oldest twins and his youngest son, his eleven-year-old acting much tamer and calmer in comparison, but still has his moments. They roughhouse with one another, mess with each other, talk shit - the whole lot. Typical sibling behavior, yes, but they had so much energy.

Takes a lot of time off to be with his family when he can spare it. If he isn't physically out for an operation and instead is at the Los Vaqueros base, he sometimes will bring one or two of his children to stay in his office while he works. That is, if he doesn't up and leave to go home the second the opportunity arises.

Defiantly the one responsible for disciplining his children and dishing out punishment. It's not to say that he's cruel or mean in any sense, but he can be strict. If they do something wrong, he's quick to decide on a punishment that appropriate and relevant, dedicated to correcting that behavior as swiftly as possible.

He's an absolute pushover with his daughter, though. Not to say that he doesn't love his boys, because he does, but he'd do anything for her. Tea parties? Dress up? Make believe? You name it, no matter how embarrassing or emasculating it may be, and he's doing it if his little girl asks.

Messes around with his boys a lot. He has a positive relationship with all of them, one that's open and honest, which leaves room for him to be able to roughhouse and taunt and poke fun at them from time to time. They might have to be smart with their own words and responses, but he's making smartass, cheeky remarks whenever he can with a grin.

OPERATION OFFICER ALEX KEELER

One daughter - aged eleven

He's thought about having children before, yes, but never in a realistic context. For him, in the past, it's always been more of a "let me imagine a scenario of how myself and a future family would look" but never actively taking strides or realistically think about how he would achieve that.

So, when you bring the topic up to him, he kind of stills and... actually thinks about it. There's a difference between putting yourself in a scenario and imagining it, and actually taking steps to make it into a reality. He sort of panics, too, because... would he actually make a good dad?

He's the most apprehensive and anxious person out of anyone when it comes to considering the path of parenthood. Of course, he agrees, more than willing to try for a baby/go through the adoption process with you, but he's endlessly terrified of messing things up.

Even when he actually gets to meet and hold his daughter for the first time - he's a man who has no shame in crying, because he absolutely does when he sees her - that paranoia remains. But even so, it solidifies his goal to become the best father he can be for his little girl.

So clueless at first at how to even approach fatherhood, purchasing so many parents books and listening to an abundance of podcasts and going to classes and everything of the like. He's confident in most aspects, sure, but parenthood is something he's never dealt with in the past - it's no surprise he wants to do everything in his power to be the best dad he can be.

As anxious as he is, though, he, in my opinion, is probably the best father he could possibly ever dream to be. He's attentive to his daughter's wants and needs, can gauge her emotions correctly and acts accordingly, is responsible in terms of taking precautions to keep her safe, and he's present as much as he can be.

Number one cheerleader in everything she does. Whether it be getting a passing grade or an outstanding one on a test, he's hyping her up. If she joins and becomes a part of a particular activity of interest, he's taking her out to a celebratory dinner. All words of encouragement and praise from him.

Is a very active an present parent, too. Takes her out on little father-daughter days whenever he can to wherever she wants to go. The mall to look at the one obscure candle store? Sure, he's down. The zoo to go make up conversations between the animals. Absolutely. He loves hanging out with her, and seeing the way she lights up whenever he offers to take her out is all he could ever dream of.

COMMANDER FARAH AHMED KARIM

Two sons and one daughter - ages seven, four, and eight months

In the beginning, actually, she was very opposed to the concept of having/adopting children. Given her involvement with the ULF and that the current climate in Urzikstan was far from safe to raise any child in, she had no reason to even entertain the thought. Especially considering her own past, she was against it.

For a while, most conversations of having or starting a family were shut down by her - she yearned for it in the back of her mind, sure, but it wasn't a realistic goal. That was until she and Samara had a conversation about the topic, Samara telling her that while, yes, there were dangers to it, there's nothing more fulfilling than family.

So, after long deliberations, she began to consider it more heavily, leading to discussions where she finally agreed. She has her own reservations, fears, and anxieties about it, yes, but considering all the work she's done, she's allowed to have this. To have a child or children, to make her own family that loves her unconditionally.

She keeps her family completely separate and distanced from her work. As much as she's passionate about what she does, there's that lingering fear in the back of her mind that, one day, her family could get hurt or even possibly used against her as leverage if they're discovered. So, there's a clean separation between the two.

But it's all worth it when she meets her first born son for the first time. She's playing such important roles in her life - the Commander of the ULF, a resistance fighter, someone associated with Task Force 141, and one of the few key figures tasked with liberating her country in its entirety. But, now, she's more than that. She's a mom.

Even though she's never had children of her own before, she handles motherhood like a seasoned professional. Even before her other two children, she never got too overwhelmed with the work and responsibilities that come with being a parent, handling everything with a level head and a calm voice, turning out in her favor.

Though, she's somewhat a bit stricter with her children - not in the sense of being overbearing and not trusting them, or even that she has high expectations and standards for them. Rather, she wants to ensure the safety of her children and that their childhoods never turn out like her own, so she takes extra precautions.

She doesn't actually send her children to school, rather taking time to teach them herself - with your aid, of course. It's partially for those same reasons of fear and wanting to protect her children, but she's actually really good at it. She's taught her children how to write, how to read, how to speak two different languages... it's a way that shows how invested she is in her family.

As serious as she can be with her work, she's much more laid back and relaxed when it comes to her family - just another perk and upside, she supposes. With all the stresses she deals with, being able to come home to her sons and daughter, being overwhelmed with love - it's rewarding in a way she's never experienced before.

NIKOLAI

Two daughters - ages eight and three

He's always imagined himself with children, in complete honesty, even when he was younger - to have maybe one to three of his own. To your luck, he's open about it too, so he's actually the one to bring up the idea to you in the beginning, having no shame whatsoever in his willingness to try for/adopt a child... or two or three.

He isn't scared to become a parent, per se, nor does he have many anxieties or worries about becoming one, but there is still that subtle worry in the back of his mind that he won't be the most fit parent.

Everyone jokes about how he can be reckless and unethical, and he enjoys the banter, but it does make him self-conscious and second guess his own ability to be an adequate father.

He doesn't really consider or worry about what ages his children are, simply allowing things to fall into place naturally, as they should. He may have imagined himself with children in his own daydreams, sure, but there was never any clear specifics for age or gender he had in mind.

But once he actually gets to meet his daughters for the first time, those worries fade away partially - they still linger, yes, but for the most part he lets them simmer on the backburner, not allowing them to interfere with him as he directs his focus away from worrying and more towards becoming the father his girls deserve.

His daughters are just as much of a menace as he is. Maybe not in the "I deal with sketchy people on a daily basis and have done some questionable things" kind of way, but they have their own mischievous streaks like their father. Be it orchestrating pranks or smaller acts of the like, sometimes they even outshine the father.

He's playful by nature, yes, and he is with his girls, but you'll also never meet a more protective parent than him. He may be sly and smug and appear all cool and collected outwardly, but when it comes to his daughters, he's doing everything in his power to protect them from anything, be it people... or ants.

Likes to be his daughters' own personal jungle gym, letting the two of them hold onto him and climb all over him without a care in the world. Additionally, that means he makes for the perfect mode of transport for them, too - having them cling onto him as he walks around, moving them from one place to the other.

He can act like a child in his own right, but he's still a good father nonetheless. In line with that protective nature, he does everything he can to both foster a positive relationship and set rules and boundaries. Bed times, chores, punishments, et cetera - he's in charge of those things, and, while he isn't strict, he's responsible.

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dyaz-stories · 4 months

Text

in a world of boys, he's a gentleman || Park Chan-Young x f!Reader

summary: Yeong-Su breaks a window at the stadium, and Chan-Young takes the blame for it, resulting in severe consequences. Fortunately, you're here to pick up the pieces afterwards.

word count: 3.1k

warnings & tags: spoilers for season 2 of sweet home, violence, injuries, soldiers being assholes, coarse language, making out, the pronoun "she" is used in reference to the reader

A/N: couldn't find gifs for chan-young so I made this one, but I'm by no means a gif maker, so, yeah. Also, I don't know anything about baseball, so please pretend this makes sense if you know better. I'm not sure which team Chan-Young was supposed to be on, so I picked the Doosan Bears because Sweet Home takes place in Seoul. Finally, it's my first time writing for him, so I hope you'll enjoy my take on this character!

It’s another day at the stadium, which means it’s another day of boredom.

Oh, there are things to do around here, sure. If you don’t mind being ordered around by soldiers who stand behind you with a scowl on their face and remind you that the only reason you’re even there is because of their good will, you’ll find a job to do. Cleaning a corner of the stadium, probably, in hopes that someone will be able to live there — as if there were enough mattresses — or doing the inventory, again, while looking the other way when rations mysteriously go missing and everyone knows who’s doing the taking.

Thing is, you’ve never been one to grovel. In fact, back in the Before days, you were the one giving the orders. Youngest assistant coach for the Doosan bears, the Seoul baseball team, you were in line to become the youngest coach in the history of the country. And, yeah, you weren’t completely in charge, but you were trusted. You had responsibilities. People knew to take you seriously.

You’ve had ideas for how to run this place more efficiently, to avoid making the civilians feel like they’re second-rate citizens, but it’s been made clear to you that you weren’t welcome to make suggestions. So you haven’t bothered, lately, but you also won’t play in that stupid game, where people get to change the rules without telling you.

It means that you do a lot of aimless walking around in the stadium. Chief Ji implicitly lets you roam around, a testament to the fact that you knew each other well back in the days, when you used to bring her coffee before big games, but you mostly try to make yourself useful in the way soldiers haven’t bothered accounting for.

A lot of that means keeping an eye on kids that are left to themselves otherwise. Their parents are busy, and it’s not like there’s much to do for them, here, so you try to keep them entertained. Unfortunately, you’re no teacher, meaning that it’s a lot of physical activities, wherever you find enough place. Other days, people who are teachers take over for you. That is the case today, meaning you’d have the day ‘off’, if it weren’t for Yeong-Su not showing up for class.

You don’t personally think he should have to attend class. You know how mean the other kids can be to him, and though the teachers don’t do much in the name of keeping the peace, you don’t let that fly when you’re in charge. Which is probably why the kid never misses your classes, a small pride that you keep well tucked in your heart.

Still, the teachers insist that you make sure he’s okay, so you agree to go try and find him. He knows the stadium well, meaning it will be no easy task.

You end up finding him throwing a ball against a wall. It looks like he’s practicing his aim, you think when you notice that he’s drawn a square on it. You’re about to approach him, maybe give him a few pointers, when a particularly hard throw has the ball bouncing too high and it crashes through a window, finishing outside of the stadium.

You freeze. Monsters don’t approach the stadium much — it’s been months since there’s been a case of that happening.

But the mere thought of there being something open here still has your heart pounding with fear. It’s only a few seconds before you compose yourself, but that’s long enough for someone to come running. You rush towards Yeong-Su, prepared to fiercely defend him if you need to.

It’s Chan-Young, and you relax, even if your heart is now pounding for a whole other reason.

“What happened here?” he asks.

He may have been running with his whole equipment, but he shows no sign of being out of breath.

“I’m sorry,” Yeong-Su mumbles. He’s hard to handle, especially these days, but he clearly respects Chan-Young a lot. “I didn’t mean to— I was just practicing and—"

Oh gosh, you realize, kid was practicing pitching, and it’s not lost on you that that’s the position Chan-Young mainly played as.

“…and now I’ve lost my ball,” Yeong-Su sniffs.

He’s trying to hold back tears, and it tears a little piece of your heart away. You know that Yeong-Su had found a ball autographed by Chan-Young, know that it’s one of his most prized possessions. It’s no surprise that Yeong-Su can’t stand the thought of losing anything more than what he already has.

Chan-Young glances at you, still standing a few steps behind Yeong-Su.

“He didn’t mean to,” you say. “I’ll help you fix the window.” Eun-Yu probably won’t mind giving you a hand, too.

Chan-Young nods, and you watch as he puts a knee to the floor, so he’s at eye-level with Yeong-Su. If he was any other soldier, you’d be more cautious, but you know him. Worked with him, when he was on your team, lost him when he enlisted, and now you’re in this strange limbo, where he doesn’t seem to know how to interact with you, even though there is this obvious familiarity between the two of you, every time you do speak.

“You need to be more careful,” he tells Yeong-Su, putting on his Serious voice. “If a monster heard that and came in, it could be very dangerous for everyone. And if you’re in front of the window when it happens, it would attack you first. So don’t let that happen again, okay?”

Then he gives Yeong-Su a small, comforting smile.

“If you want to practice again, come ask me next time, okay?” He glances up at you, and there’s such softness in his eyes when he does. “Or ask the coach. She knows her stuff.”

You’d never become coach, not officially, but his use of the word makes your heart swell.

“Okay,” Yeong-Su mumbles, staring down at his feet.

For a moment, it looks like everything will resolve itself just like that, and you’re already putting a hand on Yeong-Su’s shoulders to pull him away with you, when you hear the familiar stomping of military boots coming towards you.

Chan-Young’s expression changes immediately.

“Go,” he orders.

“But…”

He spins around to grab your shoulders, lowering himself to look straight into your eyes.

“Go,” he repeats. “Please.”

There’s such urgency in his voice that you can’t deny him, even if you’re not sure what is going on exactly. You grab Yeong-Su’s hand and pull him with you until you’re both behind a corner, just in time. You keep an eye on the scene, confused. The soldiers behave like assholes, you know that, but surely—

“What happened here?” the Sergeant bellows in Chan-Young’s face. “You’re lucky it was us, who were standing outside the window, and not something else! You better have an explanation, soldier.”

“I’m sorry, sir,” Chan-Young says, shoulders straight, from what you can see. “I was just practicing and—”

Before you can wonder why he’d lie, the punch catches him in the stomach, and he doubles over in pain. You catch yourself before you can gasp out loud, and instinctively cover Yeong-Su’s mouth, which is probably a smart move, because he starts thrashing to run towards Chan-Young. You don’t blame him, but you also absolutely cannot let him do that, not right now.

“Yeong-Su,” you whisper, mimicking Chan-Young’s attitude with you just a minute ago. “You need to go back to Ms. Cha. Okay?”

“But they’re…”

You wince, because they’re still berating Chan-Young, and one of them has just given him a hard kick to the ribs. All the more reason for you to intervene.

“I’ll take care of it, I promise, but I can’t do that if you’re here. So go back to her, and I’ll come see you when everything is okay again, alright?”

He sniffs, rubs his eyes to hide the tears, then turns around and runs. At least he’s got a good survival instinct, you think, even if it hurts to remember where it comes from. The second you’re sure he’s not coming back, it’s your turn to run, but towards the soldiers this time, with a confidence that you now worry is wholly unwarranted.

“Hey, don’t you think that’s enough?” you interject, maneuvering so you can get between them and Chan-Young.

There’s a scoff and they roll their eyes. One of them puts his hand on your shoulder and pushes, but you barely take a step back. You’re used to men trying to intimidate you.

“I thought we’d made it clear that your opinions weren’t welcome,” Seo-Jin snaps at you, getting too close to your face for comfort — like that would make you budge.

“Doesn’t mean I’m going to let you beat up someone because he broke a fucking window, when if you’d gotten to work, that hole would be closed by now,” you reply on the same tone.

He opens his mouth to yell at you once more, a vein bulging on his forehead, when Chan-Young comes to stand in front of you. He’s barely just gotten on his feet, has one hand pressed against his rib cage, and still, he’s already coming to stop you from taking any risk. You want to scream at him and hug him all at the same time.

“Please, sir, she doesn’t have anything to do with this.”

Neither does he!

“That’s enough, Seo-Jin,” sergeant Kim finally intervenes, and the man immediately takes a step back. “Don’t let it happen again,” he tells Chan-Young. “And fix the hole,” he tells you, as an afterthought, before leaving and taking his team with him.

Your blood is boiling. He might try to be the voice of reason now, but you saw him doing nothing while his men got blood on their hands so he wouldn’t have to.

You don’t have time to think about it, though, because next to you, Chan-Young has slowly let himself slide to the floor.

“Are you okay?” you ask, panicked, while he grimaces and leans against the wall.

“I’m fine,” he says, an obvious lie. “You shouldn’t have said anything.”

“You took responsibility for something you had nothing to do with, but I’m the one who shouldn’t have said anything?”

He sighs, shakes his head.

“I just don’t want anything to happen to you,” he says. He looks at you with warm eyes, and you feel your breath catching in your throat.

There’s something about Chan-Young, there always has been. You always have to remind yourself that he’s nice to everyone, because he’s such a kind person. Even that didn’t stop you from falling for him — and it’s the second time that it happens, damn him.

“I’ll go get medical supplies,” you say, pushing yourself to your feet. “Stay here.”

“There’s no need to—”

“Please, do you want to die from an infection after surviving all these monsters? Stay. Here.”

You ignore any further protests as you rush to get the supplies.

It doesn’t take you long. Chief Ji provides you with what you need without questions, and apologizes for not being able to give you painkillers — they’re reserved for emergencies, she explains. You know the other supplies are, too, but you understand her reasoning, and just thank her with a quick nod and a promise to help out for the next few shifts outside the stadium, if she needs it.

When you come back, Chan-Young’s moved to sit on one of the boxes that are always laying around in here, and you grab another one to sit across from him.

“Open your jacket,” you say as you take the disinfectant.

“I— I don’t think that’s necessary—”

“C’mon, it’s nothing I haven’t seen before,” you say with an eyeroll, because the guys on the team weren’t exactly shy about taking their shirt off in front of you and he should remember that.

He clears his throat and glances away, and you notice his ears turning red.

“Um, right. Yeah. Just a second.”

Under the jacket, he’s wearing a simple white t-shirt, and he lifts it up so you can see for yourself.

And it’s not looking good. The area is red and swollen already, and you worry it will be worse soon. Unfortunately, there’s not much you can do about that, so you disinfect the scratches caused by the boots, and gesture for him to put it back down. You’d normally advise to put something cold on it, to calm the swelling, but that’s not really an option here, not when the little electricity you have is mostly used to keep the lights on.

“Try not to move around too much, okay?”

“I’ll try my best,” he says with a brief laugh. It’s a silly recommendation, and you both know it, but you still felt the need to say something.

“Now give me your hand, I’ll see what I can do.”

He does, and you carefully turn it to check the palm. You’re not sure if he hurt himself when he fell earlier, or if it’s just that there’s constantly manual work to be done and it’s hard not to injure your hand. Either way, you start cleaning it and disinfecting it as well.

“Do you think they would have been as hard on a kid?” you ask.

“No!” he protests immediately, maybe a tad too strongly. “They’re humans. I’m sure they wouldn’t have—” He interrupts himself, and you suspect that he knows they still could have hit him, a thought that makes your stomach turn. “But… Yeong-Su’s had a hard enough life as it is. People here are not… kind to him.”

“I’m not blaming you, especially after that,” you sigh, “I just— You do realize that it’s not your responsibility, right? I’d have helped the kid, and it could have ended better than…”

You gesture vaguely at him, and he closes his eyes for a second. He closes his fingers over yours where you’re holding his hand, rubs his thumb over your skin, which sends a wave of heat through your body. It only lasts a moment, though, before he catches himself and lets go.

“I’m— I was in charge, when his sister— I was supposed to be helping them. And I failed him.”

“What?” Ms. Cha told you that story, in hushed whispers, to explain why Yeong-Su was such a complicated child these days. It had been clear that there was nothing Chan-Young could have done. “You can’t blame yourself for someone turning into a monster and going on a rampage.”

“It happened on my watch,” he insists. “If I’d been more careful— If I hadn’t left the bus—”

You stop yourself to look at him straight in the eye. He’s close, but you don’t feel uncomfortable, not with him.

“That could have happened to anyone. You couldn’t have planned for it.” He exhales, long and slow.

“Thank you for saying that,” he says, but you can tell that your words haven’t sunk in. It breaks your heart, and yet you have no idea what more you can say. After all, you weren’t there. It makes sense that he wouldn’t believe you.

“You still shouldn’t put yourself in the line of danger to—” to what, anyway? Expiate his sins? What does he have to prove? Does he have a death wish or something? “You shouldn’t put yourself in danger when you don’t have to.”

“Better me than Yeong-Su,” he insists. “He’s just a kid, and he has his mom — well, Ms. Cha. And he has you.” You set the disinfectant back down, hands almost trembling as you realize where he’s going with this. “Better me than him,” he just concludes sadly.

“Park Chan-Young,” you say, “you don’t seriously think that, right?”

He doesn’t meet your eyes when he replies.

“He has a family here. I— don’t really have anyone—”

You’re not sure what goes through your head when you put your hand on his cheek and kiss him. If you had to rationalize it — which you’re not really in any position to do when it happens — you’d say that you just wanted to prove him how wrong he was. Truth is, though, that you also couldn’t bear the idea that you were letting him believe that when it was so entirely untrue.

His lips are warm against yours, and you think you feel him leaning into you, but you pull away too soon to know.

“There,” you say as you gather your things. “Now you know you do have someone, so don’t put yourself in danger unnecessarily, alright?”

Then you’re on your feet, hell-bent on fleeing the scene.

Of course, Chan-Young catches up with you in an instant. He grabs your wrist, and pulls you back against him. His eyes are wide as he searches yours.

“Did you mean that?” he asks, his voice catching in his throat.

“Mean what?” Your heart is pounding in your chest. You’re… not sure where he is going with this.

“It wasn’t pity, right? You— I have you?”

The words almost send a shiver down your spine.

“Of course you do. I don’t exactly go around kissing people—”

Next thing you know, his hands are cupping your face and his mouth is on yours. He kisses you feverishly, like he desperately needs you to prove your words to him. You kiss back without hesitation, wrapping your arms around his neck. It isn’t long before your back hits the wall and you let out a brief groan.

“Sorry,” he says, pulling away from you to check on you. “Are you—”

You don’t let him finish, pulling him back down against you. His hands move down to your waist, one of them slipping under your t-shirt to feel your bare skin. He’s kissing you slower now, more sensual, and he abandons your mouth to kiss down your jaw, then your neck, before he comes back to your lips.

“I shouldn’t—” he mumbles against you. “I’m not supposed to—”

“Everyone’s doing it,” you reply, but it doesn’t surprise you when he tears himself away from you. He’s a sight to behold, flushed and out of breath — and is it odd that you enjoy seeing him panting from kissing you when you know he can run for hours without struggling? He’s always been one to stick to the rules closely. It says a lot that he broke one right now, but you won’t push him any further, not until he’s ready.

You take a step back towards him, take his hand in yours, and press your lips to his cheek for one last, soft kiss.

“Don’t forget now,” you say. “You have me. Don’t risk your life without thinking.”

He doesn’t kiss you again, but he leans in to press his forehead against yours, squeezing your hand in his.

“I have you,” he repeats, as if to convince himself. “I have you.”

I hope you liked it! as always, if you did, consider reblogging and letting me know what you thought! feedback is really motivating and is what keep us authors going, so leaving a comment or sending an ask or anything really helps to keep me writing!

more writing for sweet home

#sweet home #sweet home x reader #sweet home netflix #sweet home season #park chan young #chan young #chan young x reader #park chan young x reader #sweet home imagines #park jinyoung #my writing

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drpeppertummy · 4 months

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alphabet-themed stuffing/tummyache/tiny bit of hunger writing/drawing prompts

Air. Your character swallows too much air while eating, chewing, drinking, what have you, and finds themselves uncomfortably bloated. Maybe they refuse to burp out of politeness, their belly grumbling in protest as they swallow down any air that tries to escape.

Bubbles. Your character overdoes it with fizzy drinks. Maybe it's an exceptionally fizzy one, maybe it was just a little too much. Maybe there were Mentos involved. Either way, their stomach is filled to the brim with liquid and gas.

Cookies. It's the holiday season, and your character either bakes or receives more cookies than they know what to do with. Somebody ought to eat them before they get stale.

Determination. Maybe your character is stubborn. Maybe they've taken on a challenge. Maybe they've got some sort of goal to reach, or maybe they're trying to take care of some food that won't be good much longer. Whatever the reason, your character is hell-bent on finishing their food, even if their tummy is begging them to stop.

Endless. Your character has far too much food on their plate, and no matter how much they eat, it feels like they're not even making a dent. How long can they go on before they have to quit?

Friends. Your character sits down for dinner with some loved ones, but they're worried their pal isn't eating enough and urge them to have more.

Greasy. How much oily fried food can your character's tummy handle before they start feeling sick? Hopefully they're at least in the comfort of their own home and not out at a fair or something, otherwise they might have a hard time soothing their upset belly.

Help. Somebody needs help cleaning their plate. Maybe your character gives that last bite to somebody else, or maybe they're the one taking it. Maybe, if you're feeling scandalous, somebody helps them finish by feeding them that last bite.

Inches. How far can your character's belly expand? Maybe enough to be visible. Or for their shirt to ride up. Or even to pop a button. What does it take for them to swell up so much?

Juicy. It's easy to overdo it on fruit, especially when it's nice and ripe. It's refreshing, it's fun to eat, and it's gonna go bad soon anyway, right? No problems, at least until your character realizes how full they are.

KFC. Does your character have a favorite fast food place? Maybe they eat too much when they go there because it's just that good. Maybe it's a little ways away and they have to make it worth the drive. Maybe they have a new special your character's been dying to try and it's bigger than expected. How does all that cheap greasy food feel sitting in their stomach?

Liquid. Your character has a beverage that's a little too much. Maybe they're already full from eating, maybe it's just a huge drink, but either way, for one reason or another, they're determined to finish it.

Movies. Your character overestimates how much food they need for a movie snack and winds up with far too much. Maybe they're too focused on the movie to realize how full they're getting, or maybe they just eat it all because they don't want to have to put it away.

Nougat. It's Halloween, and your character is surrounded by candy. Maybe they're giving it out, maybe they've been given some, maybe they just bought a bunch because they could. How much can they eat before it gives them a bellyache?

Overestimate. Maybe your character's eyes are bigger than their stomach and they dish themself out more than they can handle, or maybe somebody else overestimates their capacity and gives them too big a serving of food. Will they try to finish all of it even once they're full?

Pizza. How many slices can your character eat? Can they fit more if it's their favorite topping? Perhaps this is the time to find out.

Quit. Your character has had it. Their belly is far too stuffed, and they can't eat another bite. Hopefully they weren't feeling pressured to clean their plate, because it's just not happening.

Rubs. Maybe your character has a tummyache, maybe they're stuffed silly, or maybe they just want to cuddle, but they're dying for a belly rub. Hopefully they're getting one.

Soup. It's the dead of winter, and your character is cold and shivering. They need a big bowl of hot soup to warm them up from the inside.

Tired. Your character comes home starving and utterly exhausted. Will they have the energy to cook something? Maybe they'll eat a bunch of easy snacks instead of putting together a meal, or maybe they'll go to bed hungry. If they're lucky, maybe somebody will make them something.

Underestimate. Your character leaves the table not nearly full enough, and it's not long before their tummy is growling. Do they ignore it? Feed it? Maybe they're so hungry that they eat too much to compensate.

Valentine. Somebody gives your character lots of sweets for being so sweet. Maybe they have a number of admirers who leave them saddled with more chocolate than they can handle, or maybe it's just one person who thinks they're just that adorable. Either way, they eat too much in one sitting and wind up with a belly full of sugar.

Water. After realizing how dehydrated they are, your character chugs far too much water in one sitting and winds up with an uncomfortably distended, sloshy belly.

eXtra. Your character is enjoying food with friends, and they make or order way too much, just to make sure they have enough for everybody. Maybe the whole group winds up stuffed, or maybe one person is tasked with taking care of the extra food.

Yogurt. For one reason or another, your character is trying to eat healthy. It's okay to stuff yourself silly if it's health food, right? Or maybe they finally snap and break their diet, but go a little overboard in their frenzy to eat something satisfying.

Zoo. Your character has been walking around the zoo all day--or maybe a theme park, or a carnival, or whatever the hell you want--and they're tired and hungry. They'd better stop for an overpriced snack break. Hopefully they don't spend the rest of their outing with a bellyache.

#belly kink #tummy kink #stuffing #stuffed belly #stomachache kink #hunger kink #prompts #text

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fallinfl0wers · 1 year

Text

i love you more than you'll ever know

fandom: genshin impact characters: albedo, venti, zhongli, xiao, wanderer reader type: gender neutral summary: yearning for someone came hand in hand with heartache. genre: angst and fluff, hurt/comfort. warnings: implied reader's death, also implied character death (xiao and wanderer kinda uh want to unlive themselves but not explicitly? i think?), mourning, slight sumeru spoilers for wanderer's. written as of 3.2 update. notes: inspired by hikaru utada's one last kiss. might do a part two, not sure when it'll be ready haha. xiao's and wanderer's are longer because i love them and i was feeling sadder as i wrote them so lol there they are. i'm sleepy but i wanted to finish these... i'll see if theres anything i need to edit tomorrow.

The meaning of this world, the truth of this world, Albedo thinks, is held within your hands. It is perhaps not the one he was looking for, or the one he had been expected to find, but personally? He would take this as the truth of the world.

Love is the truth of this world, the meaning of all sentient existence. The love one takes and gives, selflessly yet selfish al the same. The kind of love one feels from friends and family and lovers. Love is what really gives the world a meaning for those who live in it.

And for him, it is your love that fills his life with a new meaning.

Love that made him step away from experiments and investigation to take a stroll through the city, love that made him blush and giggle, love that brought a foreign yet sweet warm sensation to his chest, love that you held within your hands every time your fingers intertwined.

Love that somehow, with no reasoning or explanation, survived through all the uncertainty of fate, and the undeniable, unescapable cycle of life and death.

When your and Albedo's story is forced to come to a stop, he won't deny he felt his whole world came crashing down. Yet, more than anything, he feels grateful.

Perhaps at that time, he still would not find the truth of the world his master wanted him to. But one thing is for sure, and that's because of you, and everything you taught him.

If time and chance allow it, his love for you will be immortalized in paintings exhibited in museums; depictions of you and him, and you, you, you and you. Even when he, himself, has long since disappeared, that last trace of your love, of the truth of his world, will be preserved.

For Venti, freedom is everything. He would never tie you down so you could stay with him, even if that is what he would want the most. However, that also means he will not stop you if you, of your own free will, decide to spend the rest of your life with him.

He is selfish, just not selfish enough to decide what is best for you in your stead. This is why, he wholeheartedly decides to love you back without holding anything back, living each day like it is the last, enjoying the present doing anything and everything and nothing all at the same time.

It's ballads and tales, it's drinking and laughing at his silly shenanigans when he gets drunk, it's enjoying the breezes as you glide together and resting on the green hills and valleys of Mondstadt together, every day something new, every day a new memory to keep.

But, he knows, this won't last.

He is very well acquainted with loss, and the fragility of human life.

That is why he insisted on spending so much time together, it is why he was always clingy whenever the timing was right, why he insisted on making you laugh and smile every single day you were together.

The years spent together may seem long to you, even as you took your final breath. Yet, for him, it truly felt like it had been merely the blink of an eye. A momentary sigh, a brief instant of happiness.

Venti will sing ballads of you, for an audience of people or the always reliable, always present audience of the winds. And he knows that, even once his days come to an end, and until the end of this world, your love will be preserved, for eternities to come.

There is, after all, no world where the wind doesn't blow, even if it has come to an stop.

For Zhongli, contracts are everything. In his eyes, promises made are promises kept, and that is precisely what he does.

To you, he promised his love. For better or for worse, in sickness and in health, in life and death. In his own experience and words, everything must come to an end and every journey has its final day, but there is no need to rush. This is why, he never makes it a point to consciously think about the clock mercilessly ticking by as you spend your life with him.

Zhongli, the human, lives with you and shares countless experiences after experiences with you. From the simplest glance to the longest conversation to the harshest of arguments to the sweetest of kisses, Zhongli makes sure to live it with you, in the present moment, mind focused on here and now, carving each memory into his heart with the same precision an artist would carve a statue out of the finest jade.

The former god understands and accepts your mortality, and accepts it as a part of what makes you be who you are. He accepts it, and holds your hand, ever so resilient, as you take your last breaths, and bids you goodbye with a grateful smile and teary eyes.

Perhaps the legends of the mighty God of Contracts will never talk about your love, but even if there is no one left to share your memories with him, until erosion eventually claims him too, his heart won't stop beating for you.

Xiao would be lying if he said he never once doubted your sanity in the time he's known you. After all, why would you do something so terrible to yourself like willingly spending time with him? You must've been insane, he thought.

But, in reality, he was glad you were that little bit insane enough to open a space for him in your life.

From the very start, he's known you wouldn't be there forever. He is all too aware of how fragile life is, of how ephemeral you truly are. Like the sweetest of dreams, you feel like a fragile illusion of happiness that will be gone in the blink of an eye. Oh, but you are real, you are oh so real, and he knows it when you cradle his face with your hands and gently wipe the tears that silently fall down from his tired eyes that stare ahead, filled with complicated emotions, on a face far too unused to emoting, on a body far too small for the true amount of feelings that resided within it.

And he is quiet but his mind is loud, keeps him hyper aware of how short these moments of joy and peace are with you. And, although he would've never blamed you if you ever decided to leave him of your own will, he is glad you never did, he is glad that you would never do so. He is glad that you decided to spend your days with him, glad you were patient enough to wait for him to learn how to properly love you, glad you let him love you.

The days spent with you are easily the best fragment of Xiao's life. Short-lived, ephemeral, dreamlike, everything. Unforgettable.

He would like to keep you forever. His most selfish, impossible dream is for you to stay forever by his side. Greedy he is, but never enough to burden you with such thoughts. Instead, he took every opportunity he had to spend time with you, no matter what you were doing, he wanted to be there, even if it was in a place he didn't like, he didn't want to waste a single second of your life.

When you depart from the world of the living, a part of him leaves with you.

And, Xiao knew when he fell in love. You would be the death of him.

He won't last long after you leave.

He'll do his best to live, because he knows you would want him to live, but he truly won't be able to do so for long.

Legends will speak of the tragically beautiful love that Liyue's last Yaksha had towards a human, speak of how he learned how to be human for love, of how his love was so intense and pure it was the only thing that kept him tied to the world of the living for years to come.

And when Xiao's time comes, he smiles as he sheds tears and looks up at the infinite blue sky.

When the light leaves his eyes, and his last breath is a sweet proclamation of his everlasting love for you, he knows.

He will see you in another life, in another world.

It took him three betrayals to finally understand: the world is an elaborated tapestry of lies.

It took him pain and humiliation, having his one purpose taken away, for him to understand: just because you want something, that does not mean you will get it. No matter what you do, if the world decides you won't have it, then you won't.

Receiving kindness from the dendro archon was and the blessing of an anemo vision were some of the things that set him on the right path to find his true wishes on his own, but most importantly, your existence in his life made something inside him turn and twist. You filled him with an achingly bittersweet yearning to love and be loved, you made him want to trust, made him willing to endure pain and betrayal if it meant he could spend eternity with you.

Eternity, the concept that his creator was (or still is, he wouldn't know) so obsessed with, obsessed with enough to discard him like worthless dross and abandon him to fend for himself with no instructions or expectations. Now, Wanderer felt as though he could understand her just a bit.

Or maybe a lot.

Eternity stretches things over a long time, but each moment within it becomes all the more fragile.

Nevertheless, when he had you, when you loved him, he finally understood why his mother was so desperate back then to attain eternity. He, too, when affronted with the harsh reality that you and your comforting warmth would not be around for long, desperately wished for a miracle to happen so he could stay forever with you. You living forever or him going with you once you left, he cared not, he only wanted you you you you and nothing else.

But, as he discovered, after long periods of anger and denial over painful feelings, acceptance is sure to come.

You are not like him in the slightest. Born human, with a heart of your own, knowing kindness and happiness from people around you, while his body was just a mere imitation of human flesh, an empty husk unfit for the only task he was created to perform. Yet, you still loved him as though he was not an easily replaceable abomination, but a human.

After you're gone, he cries the most he's ever cried. Rests his head on your chest that has long since stopped moving up and down with your breathing while his ears are met with silence when before he would listen to your comforting heartbeat, and he cries.

It will be long before the life of the Wanderer comes to an end- after all, he was created to endure an eternity functioning. Every dawn and every sunset, every passing breeze and station, he will remind the days you were together, and smile, as the empty space in his chest weeps silently, waiting, longing, hoping there exists a day in which he can meet you again.

For now, now that you're not with him anymore, he would simply keep walking, chasing the breeze that blows on a bright afternoon.

fallinfl0wers. 2022.

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linkspooky · 2 months

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The Death of Kenjaku

So I was planning to write this meta the week that Kenjaku died, but decided to delay until we got full confirmation of his death. Something I didn't believe in even after Kenjaku passed the merger onto Sukuna. However, watching this video about death in Jujutsu Kaisen inspired me to finish this post. Not because I disagree with anything the YouTuber is saying, but because they can speculate on the meaning of so many deaths in Jujutsu Kaisen but can't find the meaning in Kenjaku's sudden death. This has led me to speculate why Gege made the choice to kill Kenjaku in the way that he did. What meaning is there in Kenjaku's abrupt and unsatisfying death?

Who is Kenjaku?

The first step in understanding Kenjaku's death is of course understanding how he lived. We actually know incredibly little about Kenjaku's character by design. Despite the fact he's literally in Geto's body, he's not meant to have sympathetic or human motivations to his actions (though hold onto that "human motivation" in your head for a moment). No flashback sequence shows the audience why this guy is the way he is, no single event seems to have driven him to do what he did.

This is what we know about Kenjaku in brief. He is a sorcerer who is over a thousand years old who was around in Sukuna's day. He once had a friendship with Tengen, but found her original self boring and unambitious. He also contrasts heavily with Tengen, who lives outside of humanity, because he has lived among humanity for 1,000 years. One of those lifetimes was Noritoshi Kamo who violated a woman and conducted heinous experiments. He produced ten children in his one thousand years, the nine death painting siblings and Yuji Itadori. He considers the first children boring, because human and curse hybrids turned out too normal.

He also partially blames himself for how boring they are, because he can't create anything that will exceed his expectations, the only thing that can exceed his expectations is born in chaos. He spent a thousand years organizing the culling games, and wants to use the games to create a merger, because he thinks creating a merger between Tengen and Humanity will create something entirely new and interesting. He also believes the way towards the future lies in further optimizing cursed energy, not in breaking away from it the way Yuki Tsukumo tried to do and Maki has.

The only people whose word we have on Kenjaku's motivations are Kenjaku himself, and Tengen's word and Tengen themselves who claims to not know what goes on in the human heart.

From all of the above Kenjaku seems to be a shallow character who's motivations can be summed up as "because I can" and "I want to see what happens." This shallowness is intentional however, as Gege who once praised the minimalist storytelling of Nasu and Evangelion likes to pick and choose what crumbs of backstory he gives out for his characters. We've never gotten any exposition on the Gojo clan, but we have an entire chapter about Takaba's failed career as a stand-up comic. This isn't a judgement of good or bad writing, this is just how Gege writes as minimalist as possible. This is in line with how Gege writes the ancient sorcerers as well, they are all much more shallow driven by instinct or Freudian Id (I desire) rather than the higher reasoning of modern-day sorcerers. Takaba uses comedy as a means of communication and bridging the gaps between people, Higuruma's backstory is the critique of the modern day justice system. Ishigori apparently lived a satisfying life where he was succesful and had good women, but that wasn't enough so he wants to get into a fight with Yuta to satisfy his hunger and feel like he's eaten desert.

It sounds shallow when I summarize it in text, but in the context of the fight with Yuta, it's a challenge for Yuta who for the most part only cares about his loved ones and sees the world through his love goggles to be more selfish and fight for his own desires. It's also reflective of a more basic and instinctual kind of thinking, as opposed to the higher reasoning and logic that modern-day sorcerers apply.

I'm keeping most of this first part to text for this reason, like go back and read the fight with Ishigori and Yuta. If I summarize Ishigori's character reasoning out of context it sounds stupid, but read the fight and it works because it's ID (I Desire) vs. Yuta's superego in not only having to collect points to help rescue Tsumiki, find a way to protect all the innocent people in the Culling Games, and also collect enough points to take on Kenjaku himself so Gojo won't have to. Meanwhile Ishigori's just fighting to get some of that sweet desert, the shallow works in contrast to the more layered motivations of our heroes.

Kenjaku is a shallow archetype fighting to satisfy his baser impulses (in his case curiosity) in comparison to the main characters who are fighting for more complicated reasons and often people besides themselves.

The question then becomes what archetype is Kenjaku. In that case answering who Kenjaku is is quite simple.

Kenjaku is a clown.

It might be more accurate to say that Kenjaku embodies what's commonly known as the "trickster archetype" but I'mma go with clown.

The most obvious example of a clown villain is what most consider the joker to be, that is a silly little clown man who challenges the straight faced and grim batman and sews chaos where Batman attempts to establish law and order in Gotham and make the city into a better place.

From the book Batman and Psychology:

More than any other villains, the Joker and Two-face reflect Batman himself as funhouse distortions, converses of who and what he is. The laughing, jesting, brightly colored Joker contrasts with grim, dark Batman. The Joker is the Joker. No alter ego. The film's opening bank robbery shows him wearing a clown mask over clown makeup, Under the surface there's only more Joker. He gives no history except inconsistent lies. When he finally considers the impact of his demand Batman unmask, he retracts the threat and demands that Batman's identity remain undisclosed. He wants a batman who has no other self, a Dark Knight whose only deeper layer is further darkness.

Is there a better descriptor for Kenjaku then these words?

Kenjaku is Kenjaku. No alter ego. A clown mask over clown makeup., Under the surface there's only more Kenjaku.

In other words, what you see is what you get.

Kenjaku even mirrors Joker's opinion of Batman, he thinks people should be more like him, not the other way around. He's not the outlier, he's being true to humanity's basic impulses of curiousity and discovery.

A more apt comparison as a clown though would probably be Loki, one of the most classic examples of clowning in the shared mythology of humanity. The character who challenges the common wisdom of gods like Odin who suspended themselves from the world tree for eleven days in order to gain wisdom. Loki, who through his trickery manages to bring about the events of Ragnarok for no deeper reason than because he can. Everyone swore not to harm Balder and Loki goes to find something that can harm him because BET.

Mythological Loki doesn't need a deeper motivation because what he represents in the mythology is someone who challenges authority and brings about a change, because in Norse Mythology nothing lasts forever and no era is permanent. Jujutsu Kaisen is also a story about how things should not in fact stay the same and tradition is bad sometimes.

When Kenjaku finds Tengen's true body he's curled up in a tree root in the fetal position, and he killed what is basically the all-knowing, all-seeing supposedly immortal sorcerer that maintains the status quo of japan, it's not exactly subtle.

Kenjaku is a clown, and clown's gotta clown. We don't need any more explanation that, it's more about what he does for the story. However, what he represents, the deep intellectual curiosity, and also a drive to disrupt the status quo in an attempt to see something more interesting can also be analyzed more deeply because they are human emotions that motivate us as well. The same way that Mahito is an inhuman monster, but he's created and motivated by the fear of other humans, something all of us have. '

Before moving onto his death though, I wanna hammer in how Kenjaku really is just motivated by these two things, a desire to see something interesting, and intellectual curiosity by comparing him to other characters.

The Clown in Fiction

I've already compared Kenjaku to Loki and the Joker, but when it comes to someone who wants to disrupt the entire order of the world simply because they're bored we've got to go to the original girlboss.

So there are plenty of villains who go "I'm evil because I'm bored" but they usually tend to be pretty shallow, either shallowly written for the lulz evil characters who just exist for shock value or just kinda dull. No one has ever done it as good as Junko Enoshima and no one ever will again.

For those who need context DanganRonpa is a death game series where the main villain basically has caused the apocalypse, wiped out most of humanity, and then induces survivors in a bunker to kill each other in a death game, where if someone commits a succesful murder they can escape the bunker, but if they're caught in a trial they're executed. Also, if they're not convicted in the trial everyone else is killed, motivating the jury to find and execute the guilty murderer.

Junko Enoshima the main villain and orchestrator of this death game ended the world because despair. She wants to inflict despair on everyone because despair. Because hope sucks and despair is where it's at.

It sounds shallow and it is and Kodaka has said in interview he wrote Junko to be a villain character with zero redeeming character traits, and no sympathetic backstory to describe why she is the way she is, but there is still something motivating her.

If you go a bit deeper into the lore and read Dangan Ronpa Zero, there is an entire book which explains the lengths which Junko goes to feel normal human emotions. The thing is much like Kenjaku Junko is too smart for her own good, everything is predictable and therefore everything bores her. Once in an attempt to live normally, she literally lobotomizes herself, makes it so that she can't remember anything and has continual amnesia constantly forgetting what just happened to her, because that's the only way she can live without knowing everything that's going to happen and constantly predicting everyone's actions.

Junko has whatever her universe's version of the six-eyes is, but instead of lording it over other people like Gojo and basking in her superiority she wants to feel normal, and connected to the world. If she can't have that she tries to make the world as unpredictable place as possible so she can experience it the same way that everyone else does.

Hope is harmony. A just heart, moving toward the light. That is all. Despair is hope's polar opposite. It is messy and confusing. It swallows up love, hatred, and everything else. Because not knowing where you will end up is despair. Despair is even what you cannot predict. Only despair's unpredictability can save you from a boring future.

I'm still not describing it properly because I don't want to go into a Danganronpa essay in this post about Jujutsu Kaisen, but one example I always use is two characters from American Dragon Jake Long. They're a pair of twins who see the future, one always sees happy things, and one always sees sad things. The one who has happy visions is a goth who's very depressed and the one who sees disaster is an incredibly peppy girl.

Jake is so confused as to why the twin who always sees good visions is so depressed, and she basically tells him to imagine having every good thing, every small little surprise, every pleasure taken out of life.

Kara: When you only see good things, nothing's special anymore. All the pleasant surprises are taken out of life. Sara: But, when you only see bad stuff, even the smallest bit of good news makes you happy!

All of this to say what Junko feels isn't just boredom, or a desire to commit evil for evil's sake, but also a full on existential crisis where she's simply too smart so she doesn't feel any connection to other people or the world around her. In order to feel that connection, that connection that everyone else has, to feel like she is actually a participant in her life not an observer she's willing to go to extremes to make the world a more interesting place, to therefore make her own life feel satisfying.

Kenjaku vs. The World (Kenjaku Pilgrim's sad little life)

To connect all this back to Kenjaku imagine the profound existential despair of a person who's lived for a thousand years, and felt bored all that time. Sukuna is at least a hedonist, he gets his fun by getting into fights, humans might be bugs to him but they're tasty bugs.

Kenjaku goes to similiar motivations and has similiar extremes, he's uninvested in the world around him, he's lived a thousand years but has no attachment to the world, to life, to the people around him. I said that Junko wants to be a participant in life not an all seeing observer and that was purposeful language because to bring back an old post. I rambled on this post about Gojo that part of Gojo's problem is that he only experiences observer-to-object relationships or I to it.

Ich and Du, translated as I and Thou is a book by philosopher Martin Buber. His two main porositions is that we may address existence in two ways:

The attitude of the “I” towards “it” towards an object that is separate in itself, which we either use or experience.

The attitude of “I” towards “Thou” in a relationship in which the other is not separated by discrete bounds.

In Buber's terms, those who only experience the first type of relationships are only observing the world around them not relating to them. Kenjaku doesn't relate to other human beings because they are objects, he only experiences subject -> object relationships and never subject -> subject.

Buber also goes on to theorize that meaning in our lives comes from subject -> subject relationships we form with other people.

Kenjaku jokingly says that to be his friend you have to never bore him and be his equal, but there's no one considers his equal because he's the subject and everyone else are just objects.

He regrets he can't sit down and talk theories with Tsukumo Yuki because she's one of the few people who think like him.

Kenjaku is a paradox of an incredibly brilliant man who is also shallow as a puddle that you can stand in and not get your socks wet. However, he tragically can't really form a more complex identity because our identities are formed by our relationships to other people and Kenjaku doesn't relate to anybody.

That's basically the theme of the whole Choso and Kenjaku fight, Choso is a weird aborted fetus of a curse who still has a strong identity and is able to feel unconditional love for Yuji because of the connection of family and the ideas of brotherhood that binds the two. Kenjaku is a bad father who abandoned Choso because they were "boring" but also never really gave them a chance to grow up or be interesting, he just dismissed them offhand and moved on to the next weird science project.

However, his reason for dismissing Choso isn't Choso's fault but rather a case of Psychological projection. It's not Choso who is boring, but rather Kenjaku himself, he said so earlier.

"What I can create, does not exceed the bounds of my own potential. The answer is always flickering darkly in chaos."

Kenjaku cannot look within to find anything satisfying abput his life because there's nothing inside of him. He doesn't have a fully formed identiy he's just ID, and because he tramples all over other people to form his desires he also cannot ever form a full ego. Just like Sukuna and most of the ancient sorcerers he's a paradox of being all ego, and yet having an underdeveloped ego with shallow motivators.

Kenjaku cannot look within because he's a boring person, and he cannot look for other people to find worth in his life because they're just objects, so instead he looks into the void, he tries to change the world around him by spreading more chaos hoping that it will make something unpredictable happen in front of his eyes - and that will give him the meaning and investment in his life he's deprived himself of because he refuses to form relationships with other people.

It's the Gojo problem. It's the Kashimo problem. It's not the Sukuna problem, because Sukuna admits he doesn't care about and rejects things like love and meaning.

If Kenjaku makes the world around him a more interesting place, he will be able to live in it. It's the same as Gojo trying to raise people up to his level by creating stronger students.

So after going to great length to demonstrate how powerful and all-consuming Kenjaku's boredom is, and how cut off he is from his own humanity, here's the part where I sort of defend his death.

Wouldn't it be funny if the joke character killed the main villain?

Let's be honest it was Takaba's kill here, Yuta just camped and killstole. I think part of the problem with people not understanding the meaning behind Kenjaku's sudden and unexpected death is attributing the death to Yuta cutting his head off out of nowhere, and not Takaba's thematic victory over Kenjaku.

Takaba represents a blindspot for Kenjaku which is why the main characters use him as a weapon against him, and he also calls out in a fashion Kenjaku's hypocrisy. First and foremost, Kenjaku presents himself as an agent of change, but he actually has no interest in many of the modern sorcerers and holds a bias towards the heian era as the peak of sorcery. He even says that he's going to bring back the Heian Golden Age to Sukuna at the end of Shibuya arc.

Because that's what Chaos is Kenjaku, things being the same as they were 1,000 years ago. Kenjaku is an agent of change and chaos and somehow his definition of change is... resetting things back to the past because the sorcerers of the past were so much better than today.

Kenjaku goes out of his way to awaken hundreds of modern day sorcerers, and then dismisses literally off of them except for Hiromi because they don't have enough potential for him compared to ancient sorcerers. He essentially did the same with the Death Painting Bros, he went through all of the trouble to create them, then dismissed them as not having enough potential BEFORE THEY EVEN GOT THE CHANCE TO GROW UP.

Kenjaku has a habit of just going BORED NOW and leaving before he even gives things the time to impress him. He does the same with the Culling Game, he set up the death game to push sorcerers to fight each other and bring out their powers, but he never actually intended to watch the sorcerers evolve. He just wanted to slaughter everyone inside to start the merger.

He goes through a lot of potential to set up these situations and then abandons them before they have the chance to even evolve, because they do not have enough "potential" in his opinion, but like his opinion is often shown to be wrong. Takaba represents that blindspot because he was one of the modern sorcerers that Kenjaku underestimated and dismissed offhand as boring without giving him a chance to shine.

That is the joke that Takaba introduces himself with "Wouldn't it be funny if a random comic relief side character suddenly defeated the big bad?"

He's immediately pointing out a blindspot, because Kenjaku automatically believes himself to be an important character, he underestimates Takaba because he's a side character, one of the people Kenjaku has dismissed as boring and uninteresting (before they even had a chance to evolve into something else). Like that's the other thing Kenjaku wants things to evolve but he doesn't... let them. He abandoned Choso and the rest before they even grew up, they were literally fetuses and he threw them away. Kenjaku is the protagonist of reality, and Takaba is a side character, and therefore Takaba couldn't possibly harm him because Kenjaku and his boundless curiosity are the center of the world.

It's not just about subverting the audience's expectations to have the main villain die in such an anti-climactic way before the final act even starts, but it's pointing out how narrow Kenjaku's viewpoints really were all along. He wants everything to be surprised but he never lets anything surprise him, because either he gets bored right away, or he looks down on others before giving them the chance to evolve, or the third thing he just straight up has to control everything. He can't let the culling game evolve naturally he's going to slaughter all the players by hand so he can move onto the next part.

It's the contradiction between a schemer who needs to control everything and everyone to bring about his intended result and everything needs to be a part of his big plans, to someone who wants to be surprised by others and have things go off the rails. You can't have both of these things at once, Kenjaku cannot have things surprise him if he rigs everything to go his way with his overly elaborate schemes and his tight-fisted control of everyone in the story.

Like, in comparison to Kenjaku the joker just blows things up and sprays people with laughing gas. They're both playing the same game but the joker is having fun and Kenjaku isn't.

Kenjaku wants an unexpected future, but he doesn't care about any of the modern sorcerers and has a bias towards the heiean era that he considers the height and wants to reset things to bring back the heian era. He wants to be surprised but won't give up control.

Kenjaku's boast is that unlike Tengen he's spent a thousand years living on the ground instead of lording up on them from above like some deity, but is that true? Has Kenjaku lived? Has he engaged with the world? Formed relationships with people? Or does he just sit in the corner rubbing his hands together menacingly and scheming his schemes.

Takaba unironically gives Kenjaku what he wants, something he's never seen before in a thousand years, and it's from a place Kenjaku never expected. Some random guy, who he dismissed as one of the boring modern sorcerers with no potential like Higuruma.

Takaba not only exists in Kenjaku's blindspot, he almost immediately points out Kenjaku's second hypocrisy. If he's willing to resort to mass murder just to feel entertained, then if he found something else to entertain him there'd be no reason to get violent and scheme his schemes.

In other words Kenjaku hasn't really gone looking for other places to try to find what makes life worth living, or at least enertaining, he hasn't really tried any alternatives to finding joy in life because Jujutsu is all he cares about. Takaba says that if he found something else even more entertaining than the merger there'd be no need to go through with the merger, and he turns out to be right. Kenjaku could have found meaning and entertainment with the world someplace else, he was just too narrow minded and never looked anywhere else.

As I said from the beginning Kenjaku's existential crisis comes from his inability to relate to other people and viewing them all as objects, but in Kenjaku's mind of course he can't relate to others they're too boring, so therefore it's the world's fault, and the fault of others and not himself.

However, right away one of those boring people starts relating to Kenjaku.

I joked about how we know nothing about the Gojo clan but Takaba gets an entire backstory chapter about his failed comedy career, but this chapter is plot important because jokes are the way that Takaba relates to and forms relationships with other people. Takaba makes jokes to relate to others but has a fallout with a comedy partner and has never been able to form a lasting relationship with a comedic partner because comedy doesn't mean the same to them as it does to him - because to Takaba comedy is about forming relationships with people. Which is why he thinks he's failed if he's failed to make everyone in the audience laugh because he wants to make comedy that will make other people relate to him and understand him.

However, he almost gives up on comedy because he's afraid that he might fail on that endeavor. He gives up on striving to make everybody in the audience laugh, because of self-affirmation and a desire to protect himself. He didn't want to fail so he started distancing himself from the audience under the excuse "Well, I can't make everyone laugh so it's okay if not everyone understands me."

Takaba at some point gave up on trying to use comedy as a means of understanding and relating to others, because of his fear of failure and at that point he nearly lost - but he rallies himself by saying that he won't give up on making someone like Kenjaku laugh. If his comedy is about connecting to others, about understanding others and having others understand him then he can't just give up on Kenjaku and say it's Kenjaku's fault that Kenjaku can't relate to his sense of humor. He's got to try even harder to make Kenjaku laugh.

This is also pretty much the opposite of Kenjaku's point of view. For Kenjaku it's everyone else's fault for being so boring that's why he can't relate to them. Wheras, Takaba takes personal responsibility, he wasn't funny enough, he has to try harder, he's the one who's going to make Kenjaku laugh by improving himself. Takaba looks inward, and Kenjaku looks outwards because there's nothing inside Kenjaku.

This is a parallel to this.

The difference however, is that Sukuna did not betray his ideology. Sukuna lives for the kicks that battle provides him and wants to face strong opponents so he can eventually devoured them and be momentarily entertained.

Like Sukuna is not bored the way Kenjaku is. The world is his playground. He may refer to living as just killing time until you die, but he also says that there's an infinite variety of humans to entertain yourself with. The world is Sukuna's toybox and he's satisfied with just that. In fact he doesn't even care about the merger, until his frustration with Yuji makes him think a little deeper about himself.

Kenjaku is not the Sukuna in this scene, he's the Gojo. He believed he was above others, only to be reminded suddenly that he was just the same as everyone else and brought back down to humanity. I mean, they even die off panel the same anticlimactic way. Gojo's infinity meant nothing in the face of one surprise attack a world-cleaving slash Gojo didn't see coming. All of Kenjaku's backup plans meant nothing in the face of Yuta camping and kill-stealing.

Kenjaku didn't lose because Yuta's plan of camping and killstealing was simply too brilliant for him to prepare for however, we're given the exact reason kenjaku lost - because he was having too much fun with Takaba.

Which meant what Takaba said earlier was true, if Kenjaku found something funnier, something other than the merger that could make him laugh there'd be no need to go through with the merger to begin with.

Kenjaku loses because all along he could have related to people, formed meaningful relationships with others, looked for meaning in life outside of Jujutsu but just chose not to. Which is also a parallel to this.

Sukuna says that Kashimo and Gojo both lost because they were greedy. They already received love in a way, they had the love of everyone who regarded them as the strongest, they had people who earnestly wanted to challenge them and respected them - which Sukuna sees as a form of love, and yet they still wanted more.

They were the ones who put themselves up on that pedestal and decided to stand above all of humanity, they don't get to whine about being lonely on top of that.

To add my interpretation to Sukuna's speech, what he's outlining is a general conflict in Jujutsu Kaisen, you can choose to be all ego to put personal development above everything else but it comes at the cost of not being able to form relationships. Maki's as powerful as Toji now, but the sister she always wanted to protect is dead and basically committed suicide. Meanwhile Noritoshi Kamo didn't participate in the final battle, but he reconnected with his mother and half-brother.

There are plenty of characters who die and suffer in jujutsu kaisen because they chose to value other people above themselves, because Jujutsu Kaisen rewards selfishness and punishes selflessness / having an underdeveloped sense of self.

I'll pick Mechamaru as my biggest example, he lived to protect Miwa, and not only does he die an unsatisfying death, he also breaks her heart.

However, at least Mechamaru experienced love. His desire to protect Miwa is granted, because Miwa is also out of the final conflict. Mechamaru is one of the most miserable characters in the manga, and yet he experienced love in his life for someone else that made his brief life meaningful. The characters who choose love, and other people over strength tend to get stepped on, but they at least had that love in their life to begin with.

It's a having your cake and eating it too situation. Kashimo chose strength over love, and he got to be so strong he was unbeatable and lived to old age, but not only is he unfulfilled but he whines about being unable to relate to the people around him - you're the one who chose to step on everyone like bugs.

Characters in Jujutsu Kaisen don't just experience death when they try to be selfless however, like yeah there's a disproportionate amont of selfless minor characters who die, but like Yuji is the most selfless character in the manga and he's continually punished for it and yet he's the one referred to as a person with an unbreakable will.

Rather instead of Jujutsu Kiasen preferring the selfish side on the scale of selfishness / selflessness, the kind of messy, deaths that get handed out to people like Mechamaru happen when you betray the ideals you were living for. Whether they were selfish or selfless.

It goes back to Toji's internal monologue. You lose when you lose sight of yourself - like there's some deaths that don't fit the mould but for the most part, Gojo, Kashimo, Toji's and then Kenjaku's deaths all follow this pattern. By coincidence they also all take place offscreen for the most part (I suppose we see Yuta cut off Kenjaku's head but it's quick and unsatisfying compared to all the rest).

Kenjaku died because he betrayed what he was living for and he temporarily lost sight of himself. As I said Kenjaku's airtight principles were that everyone was boring and people weren't worth relating too so the only way to find enertainment in life is to cause chaos - but he found himself relating to some nobody he wrote off as a minor character Takaba and having fun with him. Which meant the belief he was false, he could have tried relating to other people all along he just didn't.

He warped his sense of self to reaffirm his identity. Takaba almost did that too, he tried to blame other people for not finding him funny to protect himself, but he moved past that and redoubled his efforts to make Kenjaku laugh.

There's also the added layer of irony that Kenjaku's sudden death brings about, the person who spent a thousand years trying to make the merger happen doesn't get to see it.

However, here's my assertion on why Kenjaku's death before the merger always had to happen.

Because, even if Kenjaku had seen the merger he still would have been bored.

Literally everything about Kenjaku's character and previous actions shows that even if he made his big scheme come true, he would have gone "meh" and moved onto the next scheme because that's how he always reacts.

He got bored of the death painting siblings, he presumably got bored of Yuji, he got bored of all the ancient sorcerers and new sorcerers he made for the culling game, he worked with the disaster curses and got bored of them and dismissed them as inferior primitive curses, he goes out of the way to engineer these chaotic situations and then never feels any satisfaction from them so why would the Merger be any different?

Not only did Kenjaku die before he saw the merger, he was basically doomed to never see the merger, because it would not have fixed whatever is wrong inside of him.

Because it's not the world that's boring, it's Kenjaku himself.

He gets a brief glimpse of what he could have done in life, that he could have tried to forge connections with the people around him and related to them on a personal level - and then he dies the way he lived, in a kind of boring and unsatisfying way.

It's the narrative punishing him in a way, the same way it punished Gojo, and Kashimo, by not letting him see the big explosion after he went to all the trouble rigging the bombs. It's punishing him for the same reason too - by deviating from his true self and showing what he thought were his reasons were shallow all along. Gojo could have always related to people he just chose to stand on his pedestal alone, and Kenjaku could have always found the world to be more enertaining he was the one dismissing other people as boring without giving them a chance to grow.

Takaba confronted his beliefs and then stayed true to his ideology of making everyone, 100% of the people in the crowd laugh. Kenjaku didn't confront his beliefs, he strayed from them because he didn't have the strength of character to evaluate himself the way Takaba did.

Hence, he's finished off by one of those boring people who used their power in a way he never expected. The main villain is defeated by the comic relief character and it's hilarious.

#jjk meta #kenjaku #fumihiko takaba #ryomen sukuna #jujutsu kaisen #jujutsu kaisen theory #jujutsu kaisen analysis #jjk spoiler #jujutsu kaisne spoiler #big spoiler actually

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theblack3stday · 1 month

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YOUR RAREST OF FLOWERS — Marlene Mckinnon

Pairing: Marlene Mckinnon x shy!reader

Summary: You are a naturally shy girl and you usually only hang out with Remus. But, one day, you find yourself hanging out with the Marauders and being teased by Marlene.

A/N💌: Thanks for the request, I hope you like it🫶🏻🫶🏻

Word count: 2.7k

Warnings: probably none

The weather was a perfect fit for the beauty of spring. The budding of the flowers, the greening of the leaves on the trees, the gentle wind blowing, and the shining sun made it all worthwhile.

As the wind passing through the open windows of the greenhouse spilled out, it also brought the scent of the flowers in the greenhouse and filled the noses of the students.

"The classes are over," said James excitedly as he sunbathed on the grass.

He turned his face to the sun and closed his eyes. In order to enjoy the heat better, he unbuttoned the top three buttons of his shirt, took off his tie and put it in his pocket.

"We are free and we can do whatever we want!" Sirius concluded James' words. He was sitting cross-legged next to James.

He grinned and extended his hand to his best friend, who completed his sentence as he wished. James and Sirius high-fived each other. Remus and Peter chuckled at them.

As Lily and Marlene come, boys’ attention turned to their friends.

“My flower!” he jumped from his place to give a kiss to his girlfriend. Marlene set her place next to Peter.

“Oh, fuck!” Remus cursed with realisation. “I have to meet Y/n at the library!”

Remus quickly hurried to meet up with you.

Meanwhile, James continued to fawn over Lily, who smiled with satisfaction. Marlene frowned and shouted after Remus. “Who the hell is Y/N?”

“His book buddy.” Peter answered.

Remus rushed through the hallways, desperate to make his way to the library. Once there, he found you already occupying a seat, buried in a book.

You have been Remus Lupin’s book buddy for quite some time now. Despite his quiet and sometimes brooding nature, you always enjoyed your time together spent discussing your latest books and their characters. Before you knew him, you had thought that he’s a noisy annoying idiot like his friends, but he was the opposite. He was calm, nice and understanding. You were a shy person, but when you were with him, you feel like you are with your brother.

Remus had quickly picked up on the fact that you were a shy person, even if you didn’t realize it yourselves. But he didn’t mind at all, because he knew that he was the same way. He found comfort in your quiet nature, and he enjoyed having someone who he could truly share his thoughts and feelings with. It was one of the main reasons why he enjoyed spending time with you so much.

As spotted you reading, he paused to take a few deep breaths to calm his nerves. Once he was sure he would not let his anxiety get the best of him, he approached you with a small smile. "Hey, Y/n. Sorry, I'm a bit late." he greeted you, his tone gentle and warm.

You smiled back at Remus, your face instantly warmed by his gentle demeanor.

"It's okay, I haven't been waiting for too long. Don't worry about it." you assured him, keeping your tone equally as gentle as his.

The two of you sat in comfortable silence for a few moments, both enjoying the feel of the other's company.

“So, what's the book you were reading?” Remus eventually asked, breaking the silence with a lighthearted, inquisitive tone.

You told Remus the title of the book you were reading, explaining that you had just started it but that it had instantly piqued your interest. Remus nodded along as he listened, his own curiosity piqued by your description.

“I can give you the book, when i finish it.” you said. Remus nodded as you offered him that “Thanks.”

“Do you want to read outside? The weather seems nice.” you asked him, closing your book.

As you and Remus walk outside, you see the Marauders lying on the grass, enjoying the sunlight and chatting amongst themselves. You recognize them as James, Sirius, Lily, Marlene and Peter, and they seem to be having a good time. They notice Remus and smile at him, but don't seem to notice you just yet. You feel a bit uncomfortable as your presence seems unnoticed by the Marauders, who continue to chat and laugh amongst themselves. Remus notices your discomfort and asks you, “Is everything alright?”

You shake your head and tell Remus, “Maybe we can read tomorrow, you know..”

Remus understands where you are coming from, and he comforts you, “We are not intruding. They are just chatting amongst themselves, and they are actually friendly people if you get to know them. Trust me, they are not that what you think.” he whispered, so only you could hear him.

“Hey, who’s this, Moony?” James noticed you first. Or you thought like that. Marlene was the one who noticed you. She noticed you before the others, and she quickly looks away, a slight smile on her face. Your shyness was so cute she thought. As you look around to see that the Marauders have noticed you, you see Marlene's gaze turn away with a slight smile on her face. You feel a bit embarrassed and shy being noticed, but you can't help but feel like Marlene's faint smile was directed at you.

“This is Y/N.” Remus said placing his hand to your shoulder. Marlene's faint smile seems to grow larger for a moment when she hears Remus mention your name. You can sense Marlene's gaze lingering on you after you've been introduced to the Marauders. She seems curious about you, and there's the faintest hint of a smile on her face.

As Remus introduced you to them, your shyness seemed to catch their attention. Particularly, Marlene appeared to gaze at you intently as you nervously looked away from her, feeling a little embarrassed by the attention. Her grin seemed to grow larger when she understands that you realised that she was interested in you. That made you blush even harder.

"I guess this is our book buddy, eh James?" Marlene added with a teasing wink, throwing you a flirtatious glance.

James laughed and agreed, "The one and only! We can't wait for you to hang out with us more often, " He joked, a playful glint of mischief in his eye.

As Marlene made the teasing comment, you felt your ears heat up with an instant blush. You could feel the Marauders' gaze on you, each of them finding your blush immensely adorable in its own way.

"Oh, I'm sure she will," Remus replied with a grin as he looked over to you, his tone playful but also reassuring.

"Let's not get too far ahead of ourselves now."

James let out a boisterous laugh as he slapped Remus' shoulder jokingly.

Remus returned a wink, as he smiled at you reassuringly. Marlene playfully rolled her eyes and shot Remus a small smirk before turning her gaze back towards you, her playful flirtatious glances now laced with curiosity.

You could sense a playful tension in the air between the four of them. You didn’t know what to say. You just stand there watching them making jokes, having fun and enjoying the day. You laughed with them, but never joined the conversations. You stood quietly in the background. Remus seemed to sense your nervousness and reluctance to join in on the conversations. He kept a close eye on you as well, and his playful tone became a little more gentle in his efforts to include you.

Meanwhile, Marlene couldn't help but watch you with growing curiosity. Her playful glances kept getting longer, she was becoming more and more intrigued by your soft shyness.

You could feel her gaze, and you found it difficult to not look at her in disbelief as she continued to flirt with you in such a subtle yet noticeable way.

As Marlene watched you, you were unaware that she had been looking at you for longer than you'd expect. She suddenly picked up a flower from near her feet, quietly and subtly.

She then reached up and handed it to you, not saying anything but hoping you'd understand the gesture.

As Marlene gracefully handed you the flower, she smiled with a slight blush filling her cheeks. The gesture was innocent yet clearly filled with romantic meaning, sending your heart fluttering in delight. You felt your ears heat up and your heart beat a bit faster as you softly smiled back at Marlene.

As you accepted the flower from Marlene, a warm feeling spread through you, and you couldn't help but return her smile. The simple gesture spoke volumes, and you felt a connection with her that went beyond words.

"Thanks," you murmured softly, your voice barely above a whisper, but carrying a depth of gratitude.

Marlene's smile widened at your response, and she nodded gently, her eyes sparkling with understanding.

The exchange between you and Marlene didn't go unnoticed by the others. James nudged Sirius playfully, a knowing smirk on his face, while Lily observed the interaction with a fond expression. Even Peter couldn't help but glance over, his curiosity piqued by the subtle yet significant moment unfolding before them.

Remus, ever observant, caught the exchange between you and Marlene, and a soft smile tugged at the corners of his lips. He felt a sense of warmth and happiness seeing you connect with one of his closest friends.

"So, Y/N, what's your favorite book?" James asked you. As the group turned their attention towards you, you felt a mixture of excitement and nervousness fluttering in your chest. You swallowed softly, meeting their curious gazes with a tentative smile, ready to answer any question they had for you.

“You read?” Sirius frowned. James rolled his eyes to his best mate. You chuckled to their silly little ‘argument’. "Um, well, I really love that muggle book called ‘Little Women’"

“She read it 7 times!” Remus added.

James and Sirius were surprised to hear that information. “Did I hear that right?" James turned to his best friend.

“I think so.” Sirius said. Lily playfully rolled her eyes.

“This is a classic, I really love that book too! Do you have any other hobbies besides reading?" she smiled at you gently. You knew she was a nice and calm person. Once you were a group in the potions project.

“Hmm, I like to draw and paint in my free time. It's a nice way to unwind." you said.

“Maybe you could show us some of your works sometime?” Marlene grinned. The playful banter between you two continued, as Marlene seemed intrigued by your interests.

“Sure.” you played with your hair trying to avoid the eye contact between you and her.

“Maybe sometime, we could paint together?” she suggested.

“Sure, yeah.” you replied softly, continuing to avoid the eye contact.

After that day, you began to spend more time with the Marauders. The playful banter and flirtatious tones became a frequent occurrence for you, but you didn't mind it. Remus was still your best friend, but you get along with Lily too. She was so nice and obviously she was a crazy reader like you. The boys, Sirius, James and Peter, sometimes were very noisy, but you got used to it. They were fun, and it felt as if you could truly be yourself with them. Marlene continued to play with you. She loved making you blush, especially when your cheeks turned red. When you avoided eye contact, she knew she was doing it right.

It was an another sunny day. The year was almost over. The Hogwarts hallways were bathed in the warm glow of the midday sun, casting long shadows along the stone walls. Sunlight streamed through the high windows, painting intricate patterns on the polished floors. As students bustled between classes, the air was filled with a sense of energy and excitement.

“Y/N!” Marlene spotted you in the hallway outside of class. She playfully sprinted to keep up with your pace, she run towards you She tried to synchronise to your steps. She eventually caught up, giggling innocently at the sight of her chasing you around. “Do you remember that you promised me to paint together?” she playfully asked, matching your steps and rhythm.

You rolled your eyes “That was before I learned you can’t paint.”

"Then you can teach me, huh?" she said while placing her arm on your shoulder, continuing her playful flirtatious tone.

"Maybe..." you replied, with a confused glance to Marlene, who had a playful look on her face.

The two of you continued to have a playful exchange, with Marlene still matching your pace quite expertly.

"Come on, surely I can't be that bad!" Marlene said, continuing to playfully chase you.

"I wouldn't be so sure." you replied with a smirk, before continuing to walk casually as if the chase was no big deal.

Marlene playfully let out a playful huff of frustration as she continued to try and catch up to you.

"Well, if you want to see it so badly, I guess we're just gonna have to have that painting session soon!" she playfully pouted, clearly enjoying her own pouty behavior.

"If we do, I'll be sure to judge you mercilessly." you teased back with a laugh, as Marlene replied with an apologetic grimace.

As the two of you eventually made your way to the lake where the Marauders usually hung out, Marlene playfully commented on her lack of artistic talent.

"I may not be talented in painting, but I have other skills," she said playfully, as the two of you continued to walk along the quiet path.

“Like teasing shy girls?” you felt your heart beating quickly when you asked her that. You didn’t mean it, it just came out from your mouth and there were you, standing in front of her like a tomato.

"Like teasing shy girls." Marlene replied with a playful grin, causing your ears to warm with a blush of embarrassment.

Your shyness was something Marlene had grown quite fond of, and as such, she regularly enjoyed teasing you whenever the two of you interacted. The playful tone and flirtatious banter only made her teasing more enjoyable, causing you to blush more heavily and smile softly, albeit still feeling a little bit of embarrassment.

You were still blushing profusely when Marlene suddenly leaned forward and kissed you, completely taking you off guard.

You were stunned for a moment, but the feeling of her lips against your own was electrifying and made your blush grow even brighter.

Your shock at her sudden actions soon turned into pure ecstasy, and your cheeks felt warm and fuzzy as you enjoyed the unexpected kiss.

Marlene pulled her face away from yours after the kiss, her expression one of pleasure.

"I hope the shy girl likes me teasing her?" she asked with a giggle, her flirty voice filled with playfulness.

You were still a bit taken aback from the unexpected kiss, but you managed to reply with a soft smile and a nod.

"Good," Marlene said playfully, her playful tone and flirty energy still flowing through her voice.

Marlene giggled softly as she leaned closer and kisses you again, this time leaving no doubt that she had every intention of doing so. The playful flirtatious tension between the two of you only grew stronger with the repeated act of kissing, making both sides eager for more.

As Marlene and you engaged in another series of kisses, the tension and flirttous energy between the two of you escalated intensely, as if to compensate for the shyness and awkwardness you had experienced previously.

Your kisses grew more passionate and intense, and before you knew it, the two of you were deeply involved in a heated and fiery makeout session, oblivious to the world around you. Your hearts were pounding in your throats, and your breaths were coming quickly as you both enjoyed the intimacy of the moment.

@hrts4prongs ‘s request

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sentientcave · 28 days

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Heavy Weighs the Crown

Had to stop working on everything else and write a whole bunch of this instead. Usually I like to finish things that I think might be on the longer side before I start posting, but we're gonna live on the edge with this one. Expect updates in 1-2 Bearimys.

Chapter One - Sweetpea

Next Chapter >

Contains: Generic fantasy setting, Princess Reader, Large men picking up reader like a football, No Y/N, A spot of magic, Some exposition, Reader's dad (deceased) was a real piece of work, Reader descriptions kept as neutral as possible but keep in mind that she is a character to me and does have a specific appearance so things might slip through. This is just me having a bit of fun with a fantasy setting because it is my favourite type.

~3.4k Words - MDNI

Sunlight streams down through the light scattering of clouds above, as you carry your nearly empty basket into town to buy a few things for your auntie Kate. She’s not truly your aunt, but over the past few years it’s hard to think of her as anything less than family. She’s not warm, exactly, but she’s honest, and you know that you can trust her with anything.

Kate would usually be at your side when you go into town, watching the crowd with hawkish intensity, as though she still expects agents of the new king to materialize and snatch you away, but she’s away on business, and her wife much less paranoid. You expect that anyone who was ever looking for you has given up on you now. After the civil war, there was a time of instability, and you laid awake many nights, half expecting armed men to break into your bedroom and snatch you away, but everything is smoothed over now, and there’s no reason why Price would feel like he needed you to cement his rule.

You’re happy to just let him have the kingdom. You have more freedom as an ordinary girl, and you’re happier now than you ever have been. You were miserable living in your father’s halls, just a spindly little flower growing without enough sun or rain. And your people are happy now too. It twists your stomach something fierce, to think that your father was never a good king, but the reality is that he wasn’t. People starved while he feasted behind his walls. He sent good men to wage war on his behalf, to die in far off lands when they should have been home building better lives for themselves and their families. He allowed his chosen men to terrorize the women and children and old men living in the towns still. Things had been bad.

So yes, let Price have the crown, and the castle, and the responsibility and anything he likes. What difference does it make to you now?

What matters now is the sun on your face, and the gentle sound of birdsong around you, and the dull bite of the occasional stone through the soft leather soles of your shoes. The air smells sweet and green, although there’s a slight prickle at the back of your nose that tells you that there will be rain tonight, or tomorrow morning at the latest. There’s nothing to worry about aside from whether or not the children in town will like the end of the book you have tucked into your basket.

You see a young man sleeping by the side of the road on your way into town, his horse tied to a long halter while he lounges beneath a tree. As you pass by, a bird flying too close startles the horse, and it pulls up the peg it’s tied to, and bolts. The young man doesn’t stir, so you dash after the horse without a thought, dropping your basket so you have both hands free to seize the halter.

You try to dig in your heels to stop the big, white-stockinged horse, but it half-drags you a little ways down the road before finally stopping, swinging it’s head around to look at you as though you’ve personally offended it. “Come on,” you tell it, exasperated. “You don’t belong out here.”

Arms wrap around you from behind, hands much larger than yours close over your wrists. “You’re awfully pretty for a horse thief,” a voice says in your ear.

“I’m not a horse thief!” you protest. “I was trying to help!” The horse snorts, as though it intends to tattle on you for something that you most certainly were not doing.

“And you didn’t think to wake me up?” The man behind you lets go of one of your wrists and spins you around, the movement smooth and graceful, like you’re two dancers at a ball, rather than two strangers meeting along a country road. But when you look up, you find the all too familiar face of one of Price’s knights.

“Sir Garrick!” you gasp.

“Princess,” he says, smiling. He’s far too handsome, his smile bright, teeth a little bit too sharp. “How very nice to see you. I thought for sure you’d have left the kingdom by now.”

“No! Oh no.” You push against his chest uselessly. He’s strong, so much stronger than you. Despair claws at your ribs. Your nightmare-come-true may be wrapped in a pretty, familiar face, but you have no desire to return to the capital. “Please let me go. I promise I don’t want the kingdom. Price can have it— You can have it. I just want to be left alone, I swear, I’ll never—”

“Hush, sweetpea.” He tucks a few of your thin braids behind your ear, fingertips grazing down your neck. “I have to bring you in. But you can make your case to Price. Maybe he’ll let you come back, alright? Don’t fret. He’s always been reasonable.”

You’re not certain how to get out of this. Sir Garrick has kind eyes, but his grip is like steel. He lifts you up easily and sets you on his horse before you so much as think of protesting or making a feeble attempt to fight him off.

“We’re not far from the capital. We can make it there before dark,” he continues, voice low and reassuring, as though you’re worried about the travel, and not the destination.

“But— What about my aunt? I should let her know where I’ve gone.”

“We’ll send word. Don’t you worry, your majesty.”

“No, no, don’t call me that. That’s for kings and queens, and I’m neither.” I’m no one, you want to shout.

He's amused by that, amused by you, as if you're just being a silly little girl. "I suppose we'll settle on sweetpea for now." He holds his palm out and three little white birds materialize and fly off in different directions, spectral and iridescent as soap bubbles. And then he swings into the seat behind you and pulls you most of the way into his lap, wraps strong arms around your waist, and nudges his mount into a walk.

“So,” Sir Garrick says conversationally, his voice low, lips far too close to your ear. It’s overly familiar, but you’re already practically sitting in the man’s lap. “What have you been doing out here all these years?”

“Um. Gardening. Embroidery. Taking care of my chickens. Lessons, for some of the children that live nearby. Just letters and arithmetic. I’ve been thinking about organizing a proper schoolhouse.” You can feel your nerves bubbling up as you babble, thoughts coming to you disorganized and stilted. “I never realized how few people can read. It seems a shame. I do a few hours of reading around town, help out at the church. I keep busy. I haven’t any real purpose, so I have to go out of my way to make one.” You sigh, thinking of how you had left things at a particularly gripping point in a story you’d been reading to the town children. They’ll be disappointed if they never hear the end of it, but you still have hope that Price will decide you’ve become something of a country bumpkin with no place in the court, and let you go back home soon. “How have you fared? Is your family well?”

“Quite well. My sisters will be glad to see you again. They always thought you were sweet. Rosie’s opened her own dress shop in the city, and Camellia has five children now. I think Kylie and Jorah were just two or three last you saw them. My mother lives with Cam to help out.” Sir Garrick’s mother and sister used to work at the palace, and he had been apprenticed to the court wizard before he specialized in battle magic and became a knight. You hadn’t been friends, exactly— You’re not sure you ever really had friends— but he’d always been nice enough, when your paths crossed.

“And what of you?” you prompt gently. “Have you found yourself a wife?”

He laughs lightly. “I’m working on it. I’ve a girl in mind, but I think she’ll take some convincing.”

“Oh I doubt that, Sir. You’re perfectly unobjectionable.”

“High praise indeed, princess.”

The two of you chat idly as you travel, mostly about nothing, but it’s pleasant enough. Sir Garrick— Kyle, he insists you call him— is far more charming than you remember, and he makes you laugh so much that you’re certain that you’d simply fall right off the horse if he wasn’t holding onto you so securely. He’s the very picture of a romantic hero, all chivalry and smiles, handsome in the dappled light under the canopy of trees as the road carries you from farmland to forest. You come to a bridge, and he dismounts so his horse can drink, and lifts you down so you can stretch out stiff muscles. His touch lingers, strong hands resting on your hips for a few beats longer than would be appropriate, but you don’t really mind.

You part from his company so you can relieve yourself a little ways into the trees, glad he’s not concerned about you making a run for it. His assurances that Price can be reasoned into letting you go home once you’ve spoken to him is enough to make you cooperative. You’re certain that he’ll take one look at you now and send you right back home. You’ve never had any luck with the young men in town, and if that’s any indication, you’ll be back to your little bedroom in Kate’s house before the week is up.

You fix your clothes and walk back to the road, humming lightly under your breath. Kyle is speaking to a flat glowing disc that hums with energy, floating above his palm. He gives you a smile and a nod and retreats to the tree line while he finishes his conversation. You catch a glimpse of a face on the disc as he turns, searing blue eyes meeting yours for a moment. Price, certainly. You recognize those eyes.

Kyle’s gaze slips over to you again as you kneel by the creek, one arm keeping your skirt out of the water while you trail the other hand through the water idly, the cool stream a pleasant offset to the heat of the afternoon. If you were alone, you would consider stripping down and going for a swim, but as nice as Kyle is, he’s still a man, and not one you know particularly well anymore, if you ever did.

When you look over again, he’s tucking the crystal disc into the front of his tunic, and a wolf is behind him, stalking out of the woods, low to the ground and ready to pounce. “Kyle!” you shout, pointing behind him. He turns quickly, a spell glittering on his fingertips, but the wolf pounces before he can cast it, both crashing into the packed earth along the side of the road.

You rush over, although halfway there you wonder what help you expect to be, and an arm snatches you around the middle, hauling you back. You’re beginning to get a bit annoyed at how much you’ve been manhandled today, and you start kicking as you’re lifted off your feet. “Let me go!”

“Easy, sweet girl. Let the lads say hello,” a deep voice says behind you, the sound rumbling through you like a cat’s purr. “No danger ‘ere.”

You look at Kyle and the wolf again. Only there isn’t a wolf anymore, just a large, naked man laying on top of Kyle, kissing him ardently and more than a little messily. The sound of it makes your cheeks burn. “Oh.”

The man who was a wolf stands up, and you look away, too flustered by the sight of so much bare skin to do anything else. The big man puts you down and turns you to face him, putting your back to the werewolf. “Johnny, put some clothes on before you say ‘ello. We know you were raised by savages, but you don’t need to act like it,” he says firmly, his heavy hands on your shoulders.

You stare at the skull embroidered on the black tunic in front of you, recognizing the emblem, and then the black fencers mask tied around the man’s face, obscuring even the shape of his features. You see a glint of light when he drops his chin to look at you though, gleaming eyes that look at you inscrutably. You know him, by name and reputation and deep, rumbling voice, if not by his face. No one knows him by his face, but he was as highly ranked a knight as Price was, one of your father’s personal guard before the war. Often tasked as your guardian, a solemn but comforting presence always. “Hello, Ghost,” you say, cheeks burning all the hotter. “Been a while.”

“Not as long as you might think,” he says. You can almost hear the smile in his voice. “Been keepin’ an eye on you.”

“What do you mean?” you ask. “For how long?”

“Knew where you were this whole time. Wun’t about to let you disappear, princess.” He tucks you against his side, keeping an arm around your shoulders protectively. “Johnny. Come meet our girl. Best behaviour.”

Johnny the werewolf grins at you as he walks up, still adjusting the drape of the tartan fabric around his hips, broad chest bare and dusted with hair, swirling blue tattoos printed on his scarred skin. His hair is shaved on the sides, a stripe of it left long in the center. “Nice ta finally meet ya, princess. Officially, anyway. We’ve bumped intae each other once or twice, but I was told no’ ta approach unless ye approached first, aye? Shame ye never did.” His smile is crooked, his too-bright blue eyes intent on yours. “Think we’ll get along.”

“The whole time?” you ask, skipping back a few paces in the conversation, glancing up at Ghost. “But Kyle said—”

“Sorry, sweetpea,” Kyle says airily. “I lied.”

“Typical tricksy wizard shite. But dinnae ye worry none, we’ll keep him honest for ye.” Johnny grabs your hand and presses a kiss to your knuckles, and then to the inside of your palm. His rough fingertips push your sleeve back, and he kisses the inside of your wrist too. When you squeak, he gives you a heated look and does it again, teeth grazing sensitive skin as he opens his mouth and licks a stripe across your pulse.

You’re warm from the tips of your ears to your chest, your breath catching on ragged nerves. You tug your hand out of his grip and cradle it with your other, like you’ve been burned by his brash touch.

“Johnny,” Ghost says, exasperated. “S’that what you call best behaviour?”

“She likes it, sir.”

“I most certainly do not!” you protest.

“Oh, aye ye do. Werewolf, ye ken. Can smell ye.” Johnny taps the side of his nose and winks at you. “Ye dinnae need ta be embarrassed, sweetpea. Ye can hardly blame yerself, faced with all this.” He gestures to his admittedly impressive physique, the broad and lean shape of near-perfect manhood on immodest display.

“Let’s move.” Kyle’s hand brushes your elbow. “You can ride with me again.”

Ghost shakes his head and turns, pulling you with him. “No. Come meet Nox.” He whistles, and a huge black shape hurtles down from the sky, glossy black wings snapping open just before the creature hit the ground, flapping a few times so that it lands lightly on four mismatched limbs, stirring up dust leaves. You shrink back against Ghost’s side, eyes wide. A gryphon.

The massive beast has a raven’s head and wings, and shiny black fur on it’s haunches. The catlike tail, with it’s tuft of feathers at the end, twitches back and forth as the bird head tilts to regard you, dark, slit-pupil eyes watching you with interest.

You look up at Ghost for reassurance, and he nods. “Go on. Offer ‘er your ‘and. She won’t bite. Hey, girl?” he scratches the gryphon behind the ear, and it opens it’s mouth to make a vibrating, keening sound that makes Kyle’s horse snort nervously. “That’s right, sweetpea’s a friend.”

You offer your outstretched hand to the giant creature, bolstered by Ghost’s calm, and it sticks it’s beak under your palm, making the same keening sound again. The last of your apprehension melts away, and you step closer, smiling. “Aren’t you a pretty girl?” You scratch the spot where her beak meets her feathers, and her eyes close for a moment.

Johnny reaches for the Nox’s side, and she whips her head around and hisses at him, her throat feathers fluffing up defensively. “Och, yer no’ goan ta git my fingers, ye wee beastie. Thought ye was gettin’ soft.”

“Away, Johnny. Let the girls get to know each other.” Ghost stands behind you and guides your hands to points just behind Nox’s jaw. The gryphon croaks and leans her head on your shoulder, nudging Ghost with her beak.

“Not so scary,” you coo, pressing your face into the soft cloud of feathers. “What a sweet girl.”

“How about it, Nox? Can she ‘op up?” Ghost asks. The gryphon croaks again and backs away enough to lean her front half down. Ghost picks you up and sets you on her back, on a flat saddle that sits right behind the joint of her massive wings, which fold up over your legs like she’s holding you steady. He pats Nox on the neck and starts walking, and she follows, padding beside him, sticking her beak between the joints of his leather armor playfully whenever he takes his hand off her.

You grab the edge of the saddle, mindful of Nox’s feathers, and it takes a moment to adjust to her movement. It’s not the side to side sway of a horse, but she’s steady, like she’s trying her best not to spill an inexperienced rider. Thoughtful of her.

Behind you, Kyle scrambles up onto his horse, and Johnny hustles to catch up, positioning himself on Ghost’s other side, giving Nox a wider berth.

“Thought we weren’t supposed ta tell her we were watchin’,” Johnny said. “Price said—”

“She ought to know. I wun’t too ‘appy about it in the first place, but a deal’s a deal.”

“A deal with who?” you ask.

“I’ll let Price tell you that much, sweetpea. But if it were up to me I’d’ve dragged you back home years ago.”

You shake your head tiredly. “Home is where I was. And I’m going back as soon as this business with Price is done. I don’t know what he wants, but I’m sure we can work something out. Kyle said he’s reasonable.”

“Oh, did ‘e?” Ghost asks, amusement colouring his deep voice. “S’pose that’s ‘ow ‘e had you comin’ along purrin’ like a kitten, hm?”

The blood drains from your face as you turn to look at Kyle, but he doesn’t look guilty, or like he’d been lying to you. “Well, again, I’m perfectly happy to cooperate. There’s no reason why he wouldn’t let me go when he gets what he wants, is there?”

Johnny chuckles, exchanging a look with Ghost that’s inscrutable. “Aye, ye’ve got a point. I’m sure ye’ll have no trouble dealin’ with the old man. Born diplomat, aren’t ye?”

Your stomach twists with nerves. It’s been many years since you’ve seen John Price. You don’t know him as well as you know Ghost. You’d always found the big, faceless man strangely comforting, easy to talk at, if not to, especially when you were still young and silly. But John Price, when he fixed you with those fathomless dark blue eyes, had always rendered you speechless, turned your usually clever tongue to lead. He was a knight captain then, a natural leader of men, a hero. Not someone that your father wanted you to get close to. It’s easy for you to see why now, with your father dead in the ground and Price wearing the crown, but you were glad for any excuse to stay away.

You wish you could ask Nox to fly away with you on her back, maybe home, but maybe somewhere else entirely, where no one knows you, where you can start again without the weight of the crown hanging heavy over your head, an executioner’s ax waiting to fall.

***

Image credits: 1 - 2 - 3 - 4

#Fantasy AU #cod mw fanfiction #x reader #x fem Reader #141 x reader #Heavy Weighs the Crown #Cave Writing #This is mostly gonna be fun and light-hearted I just really enjoy fantasy and I've been watching a lot of DnD content lately #“He's always been reasonable” Kyle lies thinking fondly of his boss - the least reasonable man in the realm #Let me know if you need any content warnings in here but I feel this one's pretty light

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