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#and it isn't something she can just pretend not to be either

darkficsyouneveraskedfor · 1 day

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the girl next door 29

Warnings: this fic will include elements, some dark, such as age gap, manipulation, chronic illness, noncon/dubcon, coercion, and other untagged triggers. Please take this into account before proceeding. It is up to curate your online consumption safely.

Summary: A new neighbour moves in and upends your already disarrayed life.

Author’s Note: Please feel free to leave some feedback, reblog, and jump into my asks. I’m always happy to discuss with you and riff on idea. As always, you are cherished and adored! Stay safe, be kind, and treat yourself.

This lewk but silverfox

You peel off the suit and wring it out. You leave it in the bathroom to dry, but more so you don't need to look at it. You've never been so humiliated in all your life.

Worse than your mother's bitter grumbles, or the way your grandmother used to nitpick at every part of you was that look in Steve's eyes. It was like nothing you've ever seen before. Not angry, not judging, but something mysterious that unsettled you.

Ugh. You sneer at the wall as you pull on the baggiest tee shirt you have. You hate yourself. No, you hate your body. No matter what you do, it's clumsy and somehow you get in the way of yourself.

You shimmy into a pair of pajama shorts and flop onto your bed. You could read but your head won't let you focus. Drawing isn't an option either, you're still shaking from the exposure.

Sleep. Well, that won't come. Every time you close your eyes, you just see Steve and the water, and your nakedness. You can't imagine what your mother would've said if she'd saw.

She hadn't, had she?

You roll over and hide your head under your arm. You just lay there, desperate to escape somehow. The hours wear on, the day shifting around your unmoving form, the stagnant house dampening your skin with sweat.

When you finally get the strength to flip onto your back, you realise you've been crying. You sniffle and mop your cheeks. You don't know why you're crying. Humiliation, sure, but don't be such a baby.

You sit up cradle your head until it's a little less fragile. You get to your feet and shuffle out to use the bathroom. You pointedly ignore the pink checkered fabric.

When you're done, you go to the kitchen. You look in the fridge. Not much there. You take out an old cup of pudding and fish out a spoon. You sit at the table and stir it but don't eat.

You remember when you were a kid, your grandma would give you tapioca. Your mother only ever got banana. You hate banana pudding. It tastes so artificial.

You're not a kid anymore. You're realising that now. It's time to be an adult. You don't have a place here anymore. Your mom has Steve and you have... nothing.

The front door whines on its ungreased hinges. You wince and look up, shove a spoonful into your mouth.

Steve appears. He has a tee on but still wears his swim shorts. You look at him dully and swallow, scooping up more of the pudding.

"You hungry? You could have come over for lunch."

You shrug and keep eating. Your stomach sickens at the overly sweet treat. You want to spit it out.

"You're still mad?" He asks.

You shrug again.

He sighs. He crosses the room and pulls out the chair across from you, "look, sweetie," he twines his fingers through each other as he rests his arms on the table, "I'm real sorry. I was trying to have some fun. I made a mistake. We all do, right?"

You stare at the table and nod.

"Right, so can we move past it? Forget it ever happened?"

"Forget?" You echo in a croak. "Erm."

"Wiped clean," he unweaves his fingers and makes a smooth motion over the table top. "How about it? Can you forgive me?"

You let the spoon go and slide the cup aside. You can't look up. It's more than the embarrassment of what happened. It's the constant shame that follows you around. You're just a hanger-on. He doesn't have to keep pretending because of your mom. She deserves to have a life after all the years she wasted on you. A life without you.

"I'm sorry. I'm... I'm going to find a job and I'll do my best and..." you ramble as you trace your fingers on the table and tilt your head back and forth, "and you won't have to worry about me."

"Sweetie?" He reaches over to still your hand, "what are you talking about?"

"I shouldn't be... I shouldn't be living with you. Or mom. You two... I'm in the way--"

"In the way? Sweetie," he squeezes your hand, "I promise you that's not true."

"It has to be."

"Why? Why does that have to be true?"

"Because no one wants me," you turn your face down but he won't let go of your hand so you can hide.

"I know that's not true," he insists.

"It is. You see it. My mom..." you shudder and hold back a sob, "hates me."

He's quiet. He clings to you even as you try to pull free. "I don't hate you."

"You barely know me."

"Sweetie, I know enough. Just enough to know you're a sweet girl. A good girl. All this time you've been taking care of your mom. Not anyone does that, you know? Most people would just leave her behind," he brings his other hand up to pet your knuckles, "and you're considerate and kind and gentle."

"Please," you wisp and tug on your hand again, "you don't have to--"

"I want you," he interjects as he tightens his grip, "sweetie, look at me."

Your eyes flick up, startled by his hold and his tone.

"You said no one wants you? I do. I shouldn't. I know it. I... I saw the way you take care of Holly, I saw how hard you try, I saw it all and I--"

He finally lets you go. You recoil, shocked. Your hand tingles and your heart races. He doesn't mean it like that. He can't. You blink and lean back, making yourself as small as you can.

"I'm sorry," he drops his head into his hands, "I'm sorry, sweetie. I'm trying not to feel like this. I've been fighting myself but..." he looks up, fingers stretched up his cheeks as his eyes glimmer, "I... don't love your mom. I only married her so... so..." he closes his eyes and trembles, "I shouldn't say it." His lashes flick open and he sits up straight, "so I could take care of you. That's why. But I couldn't... be honest. Because I didn't want to scare you or lose you. Just having you close is enough so I lied." He sniffs and a tear rolls out, "worse, I couldn't even be honest with myself. Not until now. Until it's too late."

You gape at him. He just watches you. His expression is pained and sheepish.

"Please, sweetie, say something."

"You can't mean it," you breathe, "please take it back."

"I can't," he utters.

You sit in silence. You don't know what to say. You can't think. It's all too much. Why can't today just be over?

He inhales and lets it out as he fixes his posture. He gulps thickly and you look up. He stares at you. The same look as before. The one you don't understand.

"Sweetie," his voice is firmer and his tears are evaporated, "I have one question." You lower your brow, confused, "do you want your mom to be taken care of?"

"What?" You squeak.

"Your mom? You want her to be comfortable? Supported? Get the proper treatment?" He's staunch as he speaks, "you can't do it yourself. We both know you were struggling. Do you got the money for her next hospital stay? For the nurse?"

You whimper and shake your head, "what do you mean?"

"Sweetie, your mom needs me. You need me. Don't play dumb," he intones, "I will do anything. I will make sure mom is nice and cozy. She has her meds and everything she needs. There's only one thing I want in return." He clicks his tongue and inclines his head, "it's too bad it's the only thing you got."

You stare at him. Through him. The whole world narrows in on you as your chest caves in. You close your eyes, wishing against everything, that it can make him go away.

#steve rogers #dark steve rogers #dark!steve rogers #steve rogers x reader #drabble #series #au #silverfox au #the girl next door #mcu #marvel #avengers #captain america

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heavenlymorals · 1 day

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Arthur Morgan's Depression

(Warning: Spoilers for RDR2 and mental health issues)

Arthur Morgan is depressed. Yes, I know the writers haven't exactly come out and said that he is depressed, but it does not take a genius to see that Arthur Morgan is a man who deals with many demons and monsters. Arthur Morgan has some sort of functional depression, and it is shown in many ways. In many missions, he seems downtrodden and sad, but he goes along with it anyway because what else can you do? He talks about himself in such a degrading manner in the mirror, and not just in a way that we all do sometimes, but in a way that invokes actual hatred of himself.

He thinks he's ugly when he's a conventionally attractive man. He thinks he's dumb when he's very witty and smart. He gets knocked down for his intelligence a lot by both Dutch and Hosea (we, as a fandom, need to stop pretending that Hosea is perfect because he really isn't). I know that dudes generally joke like that a lot, but those two aren't his “friends”; they are quite literally his father figures. It's different. His journal is filled with self-doubt, pain, and a general apathetic outlook on life.

But as I was playing “A Quiet Time,” one interaction between Lenny and Arthur stood out to me.

“Why ain't you never married?”

“'Cause no one will have me.”

In the context of this mission, I think this was written as an “oh damn” kinda joke, something out of left field to make the player laugh. But after thinking about it more, I realized something.

If you guys follow my posts, then you probably know that I love to interpret things from a sociocultural perspective—so let's do that.

Now, this is an obvious reference to Mary and how she rejected him in the end for Barry Linton to keep her family satisfied. It might also allude to Eliza or other female love interests that Arthur might've had at some point.

But it may also be a nod to the culture of 19th century America and what it entailed for men.

Arthur isn't married at 36 years old. Men were expected to be married generally by their twenties. He has no children or legacy—the only one he did have died years ago. He doesn't have property or a home—he's always on the move with the gang (given how defensive he got with that woman he picks up to go to Lagras, it's probably a point of insecurity). He has no respectable profession—he should've had an honest career by now.

He hopes that Dutch will get his shit together and have them put their outlaw ways behind them, but Dutch literally cannot, and Arthur is the one feeling the burn for it. He has missed so many milestones that he “should've” reached by this point, yet he is still doing the same thing he was doing since he was a young teen.

He can't bring himself to leave Dutch either, as he feels like he has a debt to pay to the man (“I gotta try! I owe him that, at least.”) that can never be paid.

And that has to fucking hurt. You already hate yourself on the outside by thinking you're hideous. You hate yourself on the inside because you think you're dumb. You feel unaccomplished, like a damn loser. And on top of all of that? You can't bring yourself to let go of all the factors that make you feel that way because “they're family” and “they need you.”

You're trapped, and everything feels awful. I'd be depressed too.

It might also be another reason why Arthur is jealous and angry at John. He has a wife, he has a child, he doesn't feel particularly obligated to the gang (hence leaving for a year), he has a chance to do better, and he just doesn't care. He's reached so many milestones that Arthur misses not because he wants them, but out of pure luck, and I'm sure Arthur feels bitter about it.

It's just sad, man.

#rdr2 #red dead redemption 2 #arthur morgan #john marston #dutch van der linde #hosea matthews #depression #mental health #story analysis #character analysis

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keets-writing-corner · 4 months

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Thinking a LOT about Lucifer in the latest Hazbin episode. Idk what I was expecting but not this??

As I was watching my immediate thought was just "huh... Lucifer is kinda of weird..." but as the episode went on I realized the issue

the dude is off the chain depressed, like he says it as a joke but holy cow it is SO BAD

He's manically just creating rubber ducks cuz his daughter really like it that one time but it's empty, it's never good enough but he keeps doing it, maybe cuz he doesn't know how to pass the time otherwise.

like I get the feeling he HAS better things he SHOULD be doing than making rubber duck after rubber duck. At first I was like, "Bruh why isn't the king of hell doing anything?" aaaaand then it became clear...

The dude is disassociating so bad he can barely hold a conversation let alone remember information. He clearly WANTS to, he wants to be involved with his daughter so bad, he wants to care about the things she's doing so bad, but his depression keeps interfering. It's like he can only hear every other word and he grasps onto the ones he does hear semi-out of context. Like you can see every time he catches something that he hadn't before and he just "well shit I didn't catch that part"

and that's why he reacts so weird when people talk to him. He is struggling so bad to engage with the conversation he's only getting 50% of it

does that look like the face of a man who knows what the hell the conversation is even about??? he is STRUGGLING

like Charlie spent so long telling him about the hotel, and he STILL didn't understand what she wanted. Yeah it comes off as ditzy but literally I've been in that position where your brain just "nope, not doing this right now" and nerfs your conversation comprehension. So as someone who's BEEN in that position, to me it feels exactly like what he's dealing with. He's sorta engaged with the conversation, but only as much as his brain will allow

For example, when I'm dealing with this, this is what someone talking to me feels like this where the crossed out parts are what I missed and bold is what I catch, "Hey! You know I was thinking for dinner we could either make some chicken with rice? But if you don't feel like cooking, pasta is super easy and you love that right? What do you want to do?" you can kinda get that someone is trying to talk to you about dinner, and towards the end you get the impression that they asked something that needs your input so you can decently put 2 and 2 together and try and pass off, but crucial bits were left out, I would have no idea that either chicken or pasta is in the conversation only having heard "rice". When someone is just talking at me, I can decently pass off as being engaged but the second I'm required to participate in the conversation I'm screwed. Seem familiar? At which point I have 2 options, try to give a bullshit answer, or admit that I missed what they were saying and ask them to repeat

Lucifer, unfortunately, is trying so damn hard to hide that he's dealing with like 24/7 dissociation, so he can't admit that he's missing entire chunks of the conversation, hence his really weird replies. He does eventually get the full picture and then he and Charlie start having the real conversation

Also, the Alastor/Lucifer rivalry was hilarious but also really indicative of more of what Lucifer is dealing with

Alastor is, unfortunately, really good at picking up people's insecurities, and thanks to Charlie's description earlier and watching Lucifer clearly trying to overcompensate, he immediately picks up on the fact that Lucifer KNOWS he struggles to be a good dad (we know cuz it's cuz of the depression, hard to be engaged when your brain keeps turning off) and decides to rub salt in the wound by pretending he's been acting as a surrogate father to Charlie. Now why Alastor decided to pick a fight with the king of hell is beyond me, I do not understand Alastor (and I LIKE IT) (maybe it's cuz Alastor thinks he's hot shit and was expecting Lucifer to at least have heard of him but Lucifer just treats him like a nobody? who knows)(why would Lucifer listen to radio anyways when he can't even pay attention to a conversation it'd just be white noise)

But yeah I just was expecting someone who oozed either charisma or presence and instead I got a depressed dad who's dissociating so bad he can barely function and be present in his life. The only thing it seems he CAN do is make rubber ducks cuz his daughter really liked it that one time

Idk Lucifer is tragic to me. Whatever the full details of what heavan did to him absolutely broke him and he can't deal with it. He's aware of it, and he doesn't know how to fix it, so he tries to over compensate and sorta makes an ass out of himself but no one says or does anything cuz this guy is supposed to be THE king of hell

Suddenly it's making a lot more sense why he just rolls over and lets heaven do what it wants and even told Charlie to go in his place the start of the show. He's not in any headspace to hold a basic conversation let alone negotiate! He didn't even know who Alastor was, he's been so out of touch

idk I like him, he seems sweet, I hope Charlie brings some light back into his life. He really needs to get out of that rubber duck room

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capslocked · 3 months

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PASCAL

male reader x karina & irene

part 1 of two roses, by every other name

28k words

It goes without saying that Karina’s reputation is flawless.

Irene’s is remarkably not.

You're not even staunchly a romantic or anything. You just can’t be assed to manage the distinction between desire and distance. So when the dust settles, the best case scenario is the three of you going around telling people, "all of this is actually a true story by the way."

You don't need the extra helping of moody and foreboding, but the wind picks up enough to chill you to the spot.

It blows some of the longer, darker strands of Irene's hair into her eyes and she shivers, too, against the cold as she tucks it behind her ears. You’ve got both hands balled into your coat pockets, watching her pretend like she isn't about to say something you absolutely do not want to hear. Then, a sigh - the length of which is probably unwarranted. You can feel the frost on the air burning through your teeth as you face back out toward the taxi stand.

It’s gotten late and you're still waiting on an empty cab - you’re realizing there was never a conversation to be had in the first place.

“For what it’s worth,” Irene says, and there’s an indecent proposal just in the way she glances at you. “I had my eyes on her first.”

It’s all on account of some sort of moral quandary, or whatever nonsense Irene pretends to believe every time it comes up. A gross power imbalance; an issue of innocence and entitlement; a threat of abuse. Something, another thing, patriarchal expectations, blah, blah - she fudges around the details, but never ever cares who gets hurt. Not really.

And it’s doubtful Irene believes what she says, not to mention she’s skeptical anyone is even capable of zipping their way down Karina’s denim, working a pair of hands up the contour of her long legs, and making her pant and gasp hard enough that she forgets to breathe.

Well, supposedly - that is anyone, save the two of you. Nevermind the fact she’s always, always been off-limits.

The bottom line is she's a whole decade younger than either of you. This just for starters - only legal for alcohol by some narrow margin. Because between you and your fiancée there are all these rules: no coworkers, no labelmates, no close mutual friends, no personal assistants, no jealous ex-lovers, and absolutely none of her juniors. It’s in poor taste, among other things.

Also, just as straightforward: crossing any number of those lines has its own kind of appeal.

"Okay,” you say, “then maybe you should be the one to tell her we’re taking her home."

Irene's arching her eyebrows at you like a silent rebuttal. She smiles after a laugh, quick and easy, because it's what she's good at. It's what she knows. “Like you weren’t hoping she’d be here, too."

The ash Irene taps off the end of her cigarette falls to the ground like snow. Hitting the pavement as if it might punctuate the thought. That's a rare first mistake from someone like you, and then a second one from her: she thinks she’ll need to defend herself with an explanation, like she’d ever need to justify anything to you.

“Besides, she’s not waiting for me to ask.” There’s a curl to her mouth - and then, she adds, for your benefit, "she'd follow you anywhere."

The twisted irony is that the two of you could pick up any woman, anyone at all.

"I think it’s a discussion for another day," you tell her, serious. She laughs out loud.

"Which one? Who Karina wants, or that you're aching every bit as much as I am to spread her out on our bed and fuck her? Because I'm pretty sure we can both agree that at this point-"

Your palm curls around the nape of her neck with a touch of on-your-feet-thinking: one of these moments that lets Irene sit with the knowledge of how small she really is against you, her head against the collar of your coat, chin angled just so to look up at your face. And there's only a beat that passes between your fingers in her hair, tugging gently as her hand releases to your waist, her teeth clipping against the press of your lips, before a cab pulls up right next to you. You kiss her hard. It probably looks cinematic.

If for nothing other than to give Karina one less thing to overhear when she comes back outside to join you.

"Really not the time," you whisper right into the subtle twist of her grin. Her cigarette's gone out in the snowy mess, but Irene smirks deeper in response before throwing it onto the wet concrete. She grinds it beneath her boot like a reminder, her hand still firm on your hip.

"What, you don't think it’d make her day? Don’t think she'd want to hear all those kinds of thoughts running together through our heads?"

You pull Irene in closer. “She’s not you.”

For context - only so you’re aware how it all starts - it wasn’t actually New Year’s Eve, even though everyone had been drinking like it were.

Also for context, it’s not something you were strictly invited to either. Irene’s company holds this holiday party at the end of every year where all of their employees show up (read: idols; Irene likes to argue about work sometimes - to which you have never contested the value of her labor - but your brain tends to fuzz out in the middle, and instead you mostly just watch her pretty mouth in motion). All of the high-up executives and department heads bring their uptight wives and girlfriends to some restaurant ballroom for a cocktail reception that only really functions for name dropping, or influencing the media, or placing side bets on who is sleeping with the CFO - or whose mistress might show up unexpectedly and meet someone's wife face-to-face for the very first time.

It happens to someone Irene knows, once. You pray every year it will happen again.

Be that as it may, there are a plethora of other terrible ways to spend an evening and a half, but it’s all laid bare in Irene's contract - attendance being mandatory; enjoyment excessively optional.

And sure, it’s taken time, but you have gotten used to it: the industry, all of its excess, the inevitable display, the million and one things required of Irene that you, on the other hand, will simply never be able to relate to.

The machine’s so fine-tuned and tightly wound, like clockwork.

"Yeah, whatever," she had said, leaning her hip against your bathroom sink earlier in the day. Her dress laid out neatly across your bed, already pressed, set with her heels and jewelry, everything set on schedule to the point of absurdity.

And so it goes.

You can hear her brushing her teeth through the open door - and see her profile through the hand-swiped-fog on the mirror. She drags the toothbrush to the corner of her mouth: "And before you even ask, yes, you have to come. That's the deal. That's always been the deal - bored, or busy, or trapped talking to some social climbing board member who’s realized the liquor flows fast and free - I don’t wanna hear about it. You’ll be there."

"Uh-huh," you say, eyes fixed on her reflection in the mirror.

"Look, I hate to be the bearer of bad news,” she adds, spits, and lets the faucet run, “but this one’s shaping up to be a really long night.”

You watch the meticulous effort to pull her dark hair back into a low, neat bun as she turns and comes back into the bedroom, tossing her hair clip onto the bed to reclaim later.

“So I guess, pace yourself or something.”

"Ever the salesman, Irene," you say, facetious.

"Um, saleswoman, thank you." Her words are slightly muffled by a silk tank top pulled on over her head, then down the flat length of her body until it hits the tops of her thighs.

It’s not a matter of opinion that she'll look gorgeous in the stilettos, the dress - those earrings that catch light wherever it dares touch her. She'll smile her practiced grin. It'll probably taste sour after the hundredth person asks how long it's been and she tells them she can't remember. But then look - Irene here, still perfectly disheveled: her damp-darkened hair sticking to the porcelain skin of her neck, skin washed free of makeup. She’s beautiful. In a plain and simple way, simple-but-good. Even with the tight little scowl she shoots your direction. It’s a look she has to know could launch a thousand ships; could start a real, actual war; though you're far too charming to know how to fight - you’ve never seen the appeal.

Irene's teeth tug at the corner of her lip like she knows you'd probably end up dying in it. She puts forward this unassuming, nonchalant, “hey.”

She muses it right into a laugh. Covers her genuine smile with her fingers.

"Hey," is how you answer, always.

You’re noticing, now, the strap of her top has fallen just down the petite slope of her shoulder. You want to get your fingers beneath it. Maybe get her back in the shower. You’re never too picky.

And here: an unspoken demand, the thing that always gets you about her - while Irene stands in front of you, her finger looped between the top buttons of your shirt to draw you close. The bow of her lip perked ever-so-slightly, this soft pucker - all pretty in pink. "Before I slip into this dress, you’re going to push me against something sturdy and kiss me until I'm dizzy," she instructs, calm and methodical.

"A lot," you continue for her. You nod seriously, for a moment. "Dizzying."

She closes her eyes and leans in, and you lean into her, too. "Yeah, exactly," she ends up murmuring under a hot breath. "So, get to it.”

And so it goes, and so it goes.

"Have a drink," someone keeps saying.

As a matter of fact, they all do: four shots together - or one old-fashioned, or two vodka seltzers, or three of these mystery concoctions that come in a tall-stemmed glass you didn’t actually catch the name of, and jesus, it fucking reeks of prosecco. You pace yourself, within reason. You really do.

Irene gets elusive under the surface, which is to say, she doesn't change at all - not even at the edges.

And though everyone is here to be seen, only a few actually do any of the talking. Irene has it covered - you do your time.

Happy New Year, sorta. You wait it out.

She tastes like everything sweet, strong on her heels and sharper on her tongue - and sometimes, it’s not the best mix, given all you can manage is the touch and scent of Irene without actually getting at the insides of her thighs or that tempting stretch of skin under her ear, her neck, down to her chest.

This much, and she has no complaint - hardly seems surprised or inconvenienced - to you stepping her into the wall like it's a matter of instinct.

She just sighs, a short huff. "Don't miss these kinds of parties," she then confesses, right into your mouth, her warm exhale filling you whole. The sounds of people laughing and champagne glasses clicking nearby, a new song starting up, it's all an unnecessary backdrop, and Irene isn't distracted by a single bit of it.

Character, setting, scene; it’s all rather textbook, no?

You know what the sounds mean, the soft hums, the lingering touches, the firm press of your palm into the dip of her waist or the slender line of her back. She knows where all the cameras are because she knows everything that anyone could possibly ever want to know, such as the fact that this empty stairwell is a perfect place to start, that there isn't a real plan as to where this might go - or when it should end.

And you should know where not to press - or bite or grab or leave a mark - not in some liminal space, nor some vacant practice-room, not beneath a desk, not behind a curtain. No, not here, cloaked in shadow and secrecy, another scandal in the making. Not that the knowledge stops you from testing out the lines, from drawing little patterns up Irene's waist, slipping one hand along the barest skin where her dress has hitched up along her thigh. To a boundary, the low pitch of her voice, some suggestion like, "not here, are you serious?" mumbled across your lips like it really doesn't matter what gets said or does not.

She’s pinned so properly, so precisely, that the discord between her gentle coaxing, and your hard, bruising edge - that sheer incongruity between what you should do and what you should not - can make the adrenaline spike.

She kisses you harder - and harder, and harder. She catches the small sigh you let out. She kisses you breathless.

You can’t shake the feeling that you’re wasting an opportunity, given that you’re both dressed to the nines and are usually more homebody than anything else. Isn’t that the irony of fame? You sign up for an escape, and spend your life running away.

Irene eventually sinks back into the soles of her heels, wiping her mouth with the back of her wrist, and she smiles so easy. She tugs at the cuffs of your jacket, sets your collar flat and proper.

"I'm thinking," you hear her say, taking stock for herself, the flush high in her cheeks, the tousled sort-of-curls now bared, "in half an hour, if you feel like leaving early, we could, oh, I don't know - escape?"

Escape to a bed with a door that locks, you assume she means. Irene wants; you deliver - however she'd like.

“Sounds tempting,” you tell her. She laughs against your shoulder. "Are you waiting on someone else to sweep you off your feet, maybe? Another offer?"

"Uh, always," she scoffs. It's the little things, confidence, and certainty, the honest-in-practice; how her palms sit soft and secure, cupping the angle of your jaw, one hand, now, toying with the knot of your tie like she's contemplating just how it might fall off of you later. Irene shrugs, leaning her weight back against the wall.

She taps a finger to her lips. Ends up saying, very solemn: "Thirty minutes."

As if you had any intention of absconding without her.

Irene holds true to her word - she catches you on the second to last pass around the banquet room. Some executive with a slack mouth is just launching into what sounds to be a spiel about a merger - it's unimportant, not well-versed, so Irene sidles up to you, and immediately steals your attention. It doesn't bother you in the least. She curls her finger into the cuff of your jacket sleeve, and without really being prompted or asked - and only, probably, due to the clear discomfort she has being there with anyone else - she begins dragging you out of the room; you, her ticket out of hell.

"I'm so sorry," Irene dons the industry smile and is probably charming. It's difficult for you to tell. You follow her blindly. "So sorry," she tells someone else as you exit, just before you both disappear entirely, "We're leaving. But, we'll see you next year, promise!"

A real celebrity.

The two of you suddenly a duo - and for everyone’s safety, the way it should probably always ought to be - here’s how it’s all supposed to go:

You, standing almost amidst a bank of snow gathered at the curb, your coat fanned out around Irene, shivers racking up her slight frame. All hidden just enough that if anyone were to notice where your hand ends up arriving at the narrow of her waist, they might think: 'it's not really any of my business,' and look away.

Her, curled beneath your touch - even the single press of your fingers over the small of her back as a stranger pulls a car up to the curb; or, the pull of you that ensures the driver can't actually see what you're both up to, what you're hiding; the little reach she makes into your pocket for a lighter, smiling appreciatively as she presses her cold face to the crook of your arm, your jaw, the juncture of your neck; a safe space.

“So.” Irene will look up at you, pale moonlight gathered in her lashes. She’ll make another face: this thousand kilowatt grin or her brow raising - sharp, quick, there-then-gone. She'll turn the lighter over in her hand once, twice, and say, “how long has it been since we’ve done anything social?”

You’ll know it’s not what she means, but you’ll offer her the out anyway: "could go downtown - there's a place you've probably never been to. Might even play your style of music, if you're really lucky."

Irene will arch her eyebrow as she raises the cigarette to her mouth, lit up before you know it.

"Is that right?" she'll say, dismissive, a smoky tendril curling up over city neon and catching starlight.

You're no stranger to what’s actually being suggested - an unspoken sort of arrangement. All because Irene sees herself as being above, hiding her intentions in euphemism, tact; in long, slow drags; in lilting lashes - while she's fully and shamelessly aware there's nothing virtuous about it.

Who the hell else could make it sound dignified, pretty even: ménage à trois.

Then, you’ll do your part. You’ll help interpret: another girl, gorgeous and probably unclothed, another bad decision, or two, the three of you finding yourselves back in your apartment where Irene will not hesitate to run her tongue up the side of a sweat-glistened neck, to tilt her head and whisper out a mantra of, honey, sweetie, anybody ever tell you how good you look between a woman’s legs? Or, fuck, let’s get you out of those jeans, let me take you all in, how the fuck have we not gotten our hands on you before?

Which means the question you really ought to be asking sounds more like, “maybe we can invite someone over?”

You’ll meet her eyes as they flick up - a lazy expression, easy to read. "Bingo," she’ll say, blowing smoke and even more caution to the wind.

Almost to a fault, everything she does draws attention. Every fool with a blog and a camera posted outside of an event will have her labeled on-sight. You can already see the headline - because the only thing worse than everyone thinking you're the antagonist is looking the part. The imagery, red carpet, sexy evening dress, sultry, regal. The caption, Bae Joohyun - they use her government name like they really know her - sulking in smoke, or thirty flirty and thriving? below a thumbnail of her holding the cigarette, with your suit jacket draped over her shoulders. She's a total tabloid darling. Irene the temptress, or Irene, ice in her veins, or Irene - "How does she look so fucking gorgeous without makeup?!" or "Do I wanna hate her, or wanna be her? @RedFlavor_ROYAL," or "In every shot I feel like Irene has me staring into her soul."

Add that to the fact the girl’s utterly shrouded in myth.

Everyone running amuck with speculation; she's the girl-next-door, she’s the fantasy-in-real-life, she's someone everyone could see themselves fucking - she’s the heroine they say, the villain, the perfect wife, the one-that-got-away. They never do decide.

Though there’s only one opinion she’ll concern herself with, and only on occasion: yours.

Her fingers will come in the dark to trail feather-light from your collarbone, between the rise and fall of your shirt buttons, before pressing open palmed to your chest to still right there, and she's such a pretty thing in the plain black dress, all yours and very much in the mood - which you'll already have reason to know, in part from having felt your way around her no more than a hour prior, but also just the way Irene's been looking at you from beneath her dark lashes all evening, that subtle predatory gleam in her eyes.

You’ll hold her close. Irene will have the audacity to comment, “love you,” in this delicate little whisper, quiet like it could go either way - affection or gratitude. Maybe a touch of both.

A car will shortly arrive, pulling up to the curb with snow melting under its tires, headlights in your eyes, and then finally, in no particular order, your heart hammering: the click of the lighter, the falling ash, the sweet easy laugh, the crunch of ice under foot as she steps down beside you, the soft sweep of your arm.

You have no complaints about the proposal. A lack of argument or dispute is basically the same thing as consent, isn't it? For all intents and purposes, as a whole, it's really kind of a win-win:

Irene needs variety, which you're well aware of. It's only natural for someone who can have anything they want. And, sure, you happen to be a willing participant when it comes to satisfying the occasional whim.

So - the conversation will follow you right into the backseat of the cab, simply to iron out the details.

“Tall. Beautiful. Soft, soft, soft - like cashmere, a luxury brand," Irene will have one heel off and her knee braced up into the back seat while the other leg extends across your thighs, fingers running along your coat collar to make idle circles against the exposed skin there. "Or, at the very least, someone with a little more bend to their character - you know how those prim and proper types always get a bit lost in you.”

"And wouldn’t you know."

It’ll sound smooth, probably. Irene will roll her eyes.

“So, okay,” you'll return to her, right after instructing the cabbie how to get to Irene's place. None of the implications here are lost on you. “You have anyone particular in mind?”

"Hm, I’m thinking."

You can picture it, roughly: Irene's whole body sunk into the dark corner of the seat - one leg idling over the other. Her foot bouncing at your thigh. She has her heels in one hand, earrings in the other.

She’ll look wistfully out the window; the intermittent flashes of city lights casting her face in different hues. The curve of her jaw; the stately line of her nose; her thick black lashes - composition and subject. It's this kind of attention to detail that the cameras scramble to pick up. It’d be better if they got it for the right reasons.

You’ll pull out your phone. Start the usual scroll from the top of your contacts. The girls you know, the girls you don't, the ones who might be awake or who definitely are, regardless of time of day or night.

Irene will finally perk up, gleaming.

Someone cute, she might say, only because she'd rather not admit, someone like me. There's limits to her vanity insofar as her taste - in all sorts of things.

But she does like the idea of it. Someone young and pretty and impressionable; someone naive, or tiny and helpless; it's never difficult to find the girl who will fawn over her - all wide-eyed and doe-faced the instant Irene floats her fingers across her collarbone, smirking - when she starts at the zipper at the back of her neckline and says, "we’re going to see how wet I can get you," without missing a beat. Someone who will eventually say please when Irene gets a little stern and tells her, "ask me what I'm gonna do to you," in a rasp so smoky that it would make the cigarette seem blasé.

But that, you suppose, is the nature of Irene. A touch domineering. A little more than just a pretty face.

She always takes, but she takes gently - a push here, a pull there, she knows people will give her anything.

It will be more obvious when there's a small voice trembling between the two of you, twisted up in your sheets and simpering with the gentle sort of affection that Irene deals so expertly: two fingers sliding up, pressing down. Curling, beckoning. Slow and tender, without giving up that she's looking for any soft spot; a weak point. Some vulnerability to exploit.

It'll be right after whichever plaything of the hour pulls her lips off yours, off the length of your fingers - or when she unfastens her mouth from the hard shape of your cock with an obnoxiously loud pop: "do you guys do this kind of thing often?"

And Irene, without even an ounce of hesitation, will rip right into the sheer of her stockings, letting out an aggressively casual laugh. She’ll plant a kiss somewhere deep. Say, "oh, honey," as she nuzzles into the crease of her thigh. "We're pretty new to this too."

Everyone, just - believes her. For the same reason you suppose they believe she's perfect. She’s good, really good at all this.

In the taxi, Irene's foot will continue to tap against your leg, until you're stopping her by covering her knee with your hand. As for now, the evening will remain all but written in stone. You'll run a hand through your hair, you’ll lean an elbow against the window - the whole while, ignoring the sudden itch between your shoulder blades at the thought of something else. At the thought of all the other girls who'll take an instant liking to her. Who wouldn't.

The light will change. The intersection will empty. The radio will turn to static.

You'll eventually offer up a name like, "Jennie Kim," among others. Moving alphabetically down your contacts list. Taking you a long while to make it through the 'K's.

"Hm." Irene's soft hum of disapproval, non-committal. "Are you asking, or telling?"

The difference won't matter. "I'm suggesting," you'll say.

You’ll watch how Irene turns the name over in her mouth a few times before smiling - how she knows, there's the smallest part of you that has her held in a certain light. "Maybe," she'll say, tapping her phone against her cheek in the contemplation of whether or not this is a tentative no or a provisional yes - when really what she'll avoid an answer with is, "aren’t we a little tired of Jen?"

Tough to say.

Good, sweet, and just naive enough to get twisted up between you, in her case. Oh, Jennie’s the type of girl - you'll stuff your cock in her pretty little cunt while leaning into her, taking her arms and pinning them to the base of her spine, so she can't reach and can't claw and can't make an utter fucking wreck of herself. The two of you have known Jennie for too long, is what will strike you then. And a moment later, the idea of sinking into her ass from behind with your palm flat and warm against her hip and your voice husky and deep in the way she likes, and saying, god, fuck, Jen, you’d let me do anything wouldn’t you, you’d let me cum in here too.

And - she would, really.

She wouldn't even complain. Her face would be pressed so firmly against Irene's thighs, and she would whimper, not beg. Even though you know it’s what Irene might prefer; how it makes her look real cute - cheeks stained crimson as the syllables roll around her tongue before being forced out into the open.

"I think she's great," you might say out loud, lowkey.

And in a voice that is louder than strictly necessary, Irene will cut in: "she lets you finish in her ass, and then not even three minutes later she'll say it was the best lay of her life, of course you do."

It’ll make the cab driver clear his throat.

"What you’re saying is ‘no.’"

Irene will frown, thoughtful, but not conceding anything - perhaps she means hold onto that thought for now. If nothing else sounds particularly enticing, we'll call it a maybe. "I’m saying: Jennie is. I don't know."

You can hear the end of her sentence: not quite good enough. Not this time around, but someday, sure, someday soon.

"And for the record," Irene will follow, casual, with a dismissive hand wave. "Just because you got to her first doesn't mean she's ever liked you more."

The few that fall afterwards will never make the cut. Irene will turn them all down. Jisoo - no, sorry, look, she's so, so pretty, Irene will be trying to explain, gesturing in a way that's hard to interpret. "But a little too stuck up for my tastes."

You've been speaking in code for years. She means: way, way, way too straight.

"The blonde though," Irene will try right after that. “Daisy, or Lily, oh god something or another, what was her name-”

"Um, do you mean Rosé?”

“Yeah.” Irene will sink back into the leather, sipping down a memory or two and shifting her skirt up the top of her thighs.

You'll consider the angle. Your options: Rosé on her knees right inside the foyer of your apartment, Irene's hands wrapped tightly in her hair, controlling the rhythm. The way she gets her fingers spread under Irene's knees and draws her forward, pushing up with her eager, prying mouth - licks and licks, nosing against the heat of Irene's pussy until she’s gasping and locking her hands around the younger girl's head to steady the jerk of her hips.

Then, you'll laugh out loud. Because you know, Rosie isn’t anywhere close to straight enough.

And the back-and-forth of what-ifs and could-bes will follow. An endless string, a laundry list. Where Irene makes a face for every name, every suggestion: too messy, or too innocent, or too sweet, or too boring, or not nearly shy or gullible enough, or whatever other bizarre caveat she finds to slot between all of her impassioned criticisms. The cabbie will be shaking his head at some point too, because the question hangs over the taxi at large:

What exact criteria could possibly be good enough for the distinguished tastes and sensibilities of Bae Irene?

(The truth is: it doesn’t go like that at all.)

Enter then, Yu Jimin.

The run-in starts there, downstairs, out standing in a pool of warm, yellow light. The snow flurrying about in the glow of a street lamp - melting into where her smoothed curtain of jet-black hair spills over her shoulder and trickles down her sleeve. She looks a little cold, but not noticeably shivering. There's a red flush to the exposed length of her legs, between a pair of knee-high boots and the short hem of the coat itself. The stockings underneath offer little in the way of wintery protection - nor do the little bows that rest at the the bands of elastic around her soft, pale thighs - though it's obvious to anyone who's looking why she'd choose to wear them.

An assay into form over function. She's never cared for pragmatism.

But the lines around her are pristine, a clean-cut of shadow and substance; you take a step onto the curb, feeling yourself fall right into the foreground.

Look: you know Karina. You both do. Enough to recognize where it’s calmest before a storm.

Irene eventually calls out her name into the silence, and there is a split-second where her fingers reflexively wrap around the crook of your elbow. Almost possessive.

A car rushes by. Karina turns with her ungloved hand holding her cellphone to her ear and she's fucking gorgeous as can be, always pinning you with these big, unapologetic eyes - strikingly and somewhat deceptively innocent beneath her sharp brows. A breathy huff in response; she's otherwise unaffected.

Her shoulders shrug in easy dismissal; a quirk of the corners of her mouth. She slips her phone back in the pocket of her pea-coat. "Oh, how we all doing?"

Not for long, the question lingers.

"Fine," Irene finally replies, though her voice doesn't rise above a disinterested murmur.

"Easier, right? To fight for breath down here than it is up there," she says, pointing her gaze up high into the rafters of the building, and in a lot of ways, you realize, she's just like Irene - sweet, charming, this uncanny ability to make you think she's close, when she isn't actually looking to share anything. When she hasn't exactly decided that she likes you or anything at all.

You squint slightly. Take in where her silhouette appears darker against the backdrop of city lights, blending with the velvety black, bleeding into the ink-smudged night sky.

"There's certainly something to be said for flying under the radar at these things," she continues, taking one step closer towards you as if for comfort. Or privacy - to guard against anyone who might walk by.

"You've still got it easy," Irene says, "that, and everyone thinks you're too pretty to go after. No one even seems to consider the idea, it’s insufferable."

"Jealous?" Her tone is playful. There’s a smirk she’s suppressing - until she can’t hold it in: an unexpected, stunning smile, dimple and all. This incongruously kind face.

Oh, and listen, no one gets it better than Irene.

"No," Irene exhales, hot. “Not at all.” You can see where the thin plume of her breath hangs over her like a cloud for a moment, thinking, before dissipating against the harshness of a frigid December breeze.

"Really." She smiles at you again. Makes a sound that could be a laugh, you don’t know, the wind takes it, far away.

"Are you out here waiting for someone?" you have to ask.

"Loaded question." Karina purses her lips for a moment. Her long eyelashes blink once, twice. "Because, I dunno, aren't we all?"

"Some of us more than others." Irene speaks quietly, moreso to herself than anyone else - but somehow her voice carries.

"Cheeky," Karina says, and this time she does laugh. "No. I'm waiting for a cab. I've had one hell of a night, and no interest in spending the rest of it in some rising socialite's bed, doubters excluded, because - look, I'm happy for you guys, I guess? You're gonna get married," she claps slowly, slow and mocking, slow enough that Irene rolls her eyes, "-or, the two of you will make a statement saying that you are - either way it sounds fucking exhausting - congratulations to you both. But seriously, congrats."

This is sorta how you've always known her.

Faintly-hinted secrets, flirty half-truths. Her love life is an utter wreck, but that’s not something you’re supposed to know. So that's all she gives, which is more or less how everyone knows her. It's the only way to survive, probably, in a world of glitter and glamour, when everyone's vying to look, to feel, to take, and take, and take. Irene knows how suffocating it can be - she doesn’t lie about it, not to you, which is the only reason you're so well-versed.

Point being, no one wants to admit to any cracks in the fantasy; the gold too shiny, the surface too slick, the mirror too smooth for that illusion to slip.

"So go grab a guy with a half-decent smile and get him to buy you a drink about it," Irene suggests, derisive, "arch your back, push your tits out, get creative. I doubt it'll be much trouble at all."

Karina looks down, back up - with a slight chew of her lip, saying, "you just have me beat in all the important ways, I suppose. You got it in the bag, no real competition."

Irene is smiling, but her expression is unimpressed; it doesn’t mean much, really, to be her friend, her colleague, or worse, her opponent. Irene is calm like an evening in July, a low, cool, languid feeling. "I don't mean to be a prick, but, aren't you a little young to be so jaded?"

"Gosh," Karina’s grin doesn’t change, but does turn a touch wicked, like she's biting back. "I'd hate to be around when you do mean to be a prick, but maybe we'll find out - you know, down the line, someday.”

Irene tuts softly. It sounds patronizing. "Please, you'll have to forgive me - for mistaking you for someone more aware of how the rest of us work."

“You're one to talk, Irene."

“Careful,” Irene warns.

"What, you gonna set me straight?"

"Right." The way the word rolls off Irene's tongue, slow, thick, bitter, like molasses; like the coffee she has when she's tired, like the cigarette she swears left and right she’s cutting out and the vodka she needs you to reach for in the upper cabinets, like the person she is after midnight when you've let her keep drinking to find the limits to her inhibition. You understand Irene too well. And no matter what anyone says, you will not have the facts wrong.

There's no kindness to the way she laughs. None.

She tilts her head to you, grinning: an honest grin, her favorite thing - inimitable, unique, and hers alone; her version of cruelty is what will always have them doubting. You hold her gaze as she adds, "of all things, right now - wouldn’t you just love to set her straight?"

Depending on who you ask, you’ll get different results.

Irene insists you kissed Karina first, probably out there in the snow - god knows how cliche would that be.

She also insists that it was you who suggested that “there’s a lot more sense in splitting a cab,” and then minutes later, “please, it'd be no trouble, just let us pay. Our place is five blocks that way," and Irene - being Irene - mentioning it's actually quite a bit further, but hey, it isn’t worth splitting hairs over. And it's not worth explaining - she shuts you up with another kiss, pressing her weight hard up against you, the arm she slings around your neck.

Then in a sort of mythologized version of the timeline, it's you who makes the proposition - invites Karina upstairs, with the charm that Irene knows is usually reserved for her benefit alone: that slight tick of the brow, the delicate slant of your mouth, the confidence you seem to have in thinking no one will ever say no, no matter how brusque the invitation-

"You two are unbelievable. Is this really your standard procedure?" Karina asks, once you're through the door, or maybe during a bout of smalltalk in the kitchen. Something flirtatious; and suggestive, and maybe a little offhand. A pointed glance downwards, back up. All it really will take. "You get some girl into your home and they're just so overwhelmed and dazzled and in love, they can't even make eye contact for longer than a second? Because that's quite a line," a soft huff, the exhale that seems to carry the faintest note of a sigh. You could call it wistful. Just this side of romantic; very attractive.

“That’s more or less the gist of it,” you offer.

“You’d be surprised.” Irene is lingering on it, back against the counter beside you, laughing. "Some people are more than happy to be swept off their feet."

"Imagine that. If that's how this is meant to go, then tell me," and Karina lifts her chin, a breath drawn slow and deliberate, "what exactly do prince and princess charming do next?"

Consider that Karina’s interpretation of events is closer to reality: no pretense. She is not drunk, and in this story, she never will be.

But it's the slow-burn thing, the rivals-to-lovers thing, the sexual-tension-through-conflict thing, the white-hot-blistering-rage matter gone awry. Not a series of happy accidents, but a result of intentional circumstance - this slow arc of descent. She knows exactly how Irene is tightly wound, and which thread to pull to make everything start to unravel. She'd flirt with you right under her nose - say things in this obnoxiously girlish tone, pout a lot, lean into so much innuendo it becomes impossible to miss the meaning, or the sincerity behind it.

If you had to guess - Karina’s been pining since forever, since Irene accidentally etched her DNA into the girl upon saying, carelessly, that she’d always seen some part of herself in Karina. Probably around the time Irene wrapped a palm over an expanse of bare thigh, just beneath the hem of her skirt, telling her, you're getting way too pretty for your own good.

Doesn’t matter who you are, that’ll fuck you up for real.

And it's not just how she looks at Irene when she thinks no one is watching either; swings and roundabouts, Karina probably can’t keep the thought of you sprawled out over Irene’s petite little frame, or Irene kissing you hard while wrapped around you tight. Your hand, her hand, intertwined and picturesque, sliding down Irene's stomach. Together - and so very without her - fingertips stroking lightly over Irene’s clit, gently dipping inside her.

Irene is not stupid. She picks up on everything, and there's a lot to unpack:

"Can you believe it? Minjeong just asked me if I've ever kissed a girl before," Karina had said to you once, ages ago, between a workout or dance practice, something or another - she was wearing a loose-fit tank top and very intent on showing off. She seemed then to be taking mental note of the face Irene put on, the look of someone trying to hold in an aneurysm.

“Well,” you played along, because you’re not really without blame here either. "Have you?"

"Oh my god." Karina knew what she awas doing, the playful slap to the chest, the lingering touches she’d have on you every chance she could get - total fucking coquette - anything to get a rise out of you, your fiancée. She hushed her voice down to this strategic whisper that Irene could just overhear: "of course not."

You better believe Irene broke her composure not soon afterwards, after Karina made her exit.

"Do not fuck her," she demanded, firm, "I don't care how good you think she might be in bed, or what she would probably let you get away with."

You remember the knit of her brow.

“Do not.”

You’re sighing, profoundly. The memory - not to mention its shocking clarity - has put a smug sort of satisfaction into your bones, indulging. The nip to Karina's jaw, a hot, open-mouthed kiss to her shoulder. A hand tracing down the curve of her hips, under the guise of helping her settle between the cushions of the couch. You feel like you catch the color flooding her cheeks. Then, Irene, her pretty little shadow: the steady presence over her other shoulder.

"What." Karina sounds defensive when Irene pulls her lips away, but the hand she has buried in Irene's hair doesn’t appear to be going anywhere. "Are we going to pretend for a minute I don't see the way you're both looking at me right now?"

"Don't be stupid, darling, of course not." Irene leans up close again. Kisses up her neck, behind her ear, and coos, "the two of us, you just seemed like you were needing someone, that's all," and then whispers the words, barely audible: "I mean look, who wouldn't want the three of us right now?"

Karina hums. "Ah, so - you think I deserve to have a little fun."

"Maybe," she draws it out a little longer.

Your hands dip below her knees, running over the silk-slick surface, tugging at the frills lining her thighs - feeling up over the outline of where her body curves under her dress. Over the dark pattern printed across the front.

Karina swallows visibly, her head dropping back against the armrest, the couch cushion; by the way she shudders slightly and starts breathing, you realize that it's probably been a while since she's had much experience being in a position this helpless. You draw your fingers lightly across the bareness of her skin, right as Irene finds that sensitive spot just where her neck slopes to her collarbone. You trace along the fabric until you have her squirming beneath you both.

She sucks in a breath as Irene drags a touch right over the obvious seam, across the expanse of her hip, and despite your fiancée being a tad forward -

"Both of you should know I'm not that type of girl. Who puts out so easily-"

"Likewise," Irene practically sneers, not missing a beat and threading her fingers beneath her jaw, feeling her pulse against the pad of her thumb.

"Yeah, well. If this isn't a setup, then, what-"

“A setup.” Irene breathes the word out, contemptuous, which is almost as if she says yes, you figured it out, and she starts to lean in closer - the distance between the two of them now negligible as her mouth tightens with her derision. "That is awfully conceited of you."

"Ha."

You choose right there to run your palm between her thighs and cup at the front of her pussy through the skirt of her dress, squeezing tightly. There has to be an element of good cop, bad cop to this whole routine, and you'd be remiss not to participate in the former. Irene's glare is starting to become pretty intimidating.

"The way I see it," you begin, and it's so gentle. Easy to slip through, but easy enough to grip - no threat, or indication that she should stop rocking forward to the motion of your fingers, toying idly. "There's no catch. Only: Irene calls the shots. If you end up with a crush, or worse, think you're in love," a light squeeze to illustrate the point, the dig of nails, not too rough, but definitely drawing attention. "You've gotta walk it off.”

Karina just runs her tongue across her lips, sighing.

“No strings attached, no special treatment. Or anything."

"Oh." Karina is looking straight at you, dazed - as your fingers work harder, picking up where her hips started rolling a second before. She licks her lips. "You're telling me that I'm going to get fucked so thoroughly here, that it's gonna be a problem."

"Actually," you pull away, pushing her dress up so you can touch up ever higher this time. Rooting between her soft thighs. "I can't make any guarantees. You'll need to convince us first."

There's a laugh, from a spot inside her diaphragm - and yeah, there's no denying the reality here. She's nervous; or excited; or nervous-excited. Karina just lets it pass, an exaggerated sound in her throat, before gasping on an exhale of breath: "convince you to fuck me?"

"Between us, we've kissed our fair share of pretty girls in the heat of the moment," Irene supplies.

Karina laughs. Starts saying, "in that case, can I start by confessing that this whole exchange has left me pretty fucking wet-"

You slip one finger down the rise of her panties, this lacy little number she probably picked out with sordid fantasy in mind.

"Oh god," she says, voice drowned in her throat, husky, and sultry - it’s really hard not to appreciate the girl, like this - and then she closes her eyes, saying it again, "oh, yeah, like - like that. Okay, thank you."

Irene puts a hot kiss into her lips, and a subjugating silence stills over the living room, softening around her small voice, her breathing. Everything comes together so seamlessly, so effortlessly:

The click of Irene’s heels against hardwood, these soft sounds of wet tongues twisting and bodies grinding, Karina's face, buried somewhere under Irene's chin, letting out the cutest moan. Irene's helping the rest of the dress up over Karina's ass, then up past her waist, pulling down the scalloped elastic of her stockings. She grabs hold of her hips, feeling the draw of her curves there - you watch how your other half does the thing she does best, the thing where she strips a girl down to nothing like she's doing them a favor.

"Pretty," Irene appraises her naked body - not her face, not her mind, not her ambition or the strength of her determination, or god forbid, something banal like her personality, but, "fuck, look at you, look at this figure," her palm skates along the plane of her stomach, "so pretty."

It could be the insinuation: Irene is ready to reduce the girl down to a heap of jumbled nerves; to tears, probably - given half the chance. Like she's telling her a body as flawless and well-manicured and sweetly receptive to being toyed with as hers needs to get absolutely wrecked, among other things.

(Fucked so deeply, and to the point of utter exhaustion - the point is that she forgets her own name.)

Irene knows just by looking, her eyes tracing down each and every one of Karina’s curves like they’re taking inventory. It could be as simple as a handprint seared into her ass, a stinging red stain etched into her soft, creamy white skin, marking the insides of her thighs, her beautiful fucking tits - oh, the things the two of you could do.

"How do you want it, exactly?" Irene's eyes are dancing around her face, in her stare, darting down, then back up. "How, baby."

Karina smiles against Irene’s lips like she knows the answer, the perfect one. She must already have the script prepared. It's no stretch of the imagination: "anything, as long as it means you both keep looking at me."

Because maybe it's down to the pure physicality of it all. Something Karina's been waiting to feel, desperate to have, for some time - as you set into action, dismantling any pretense that you weren’t about to devour the heat of her aching cunt, from running touches all over her slick pussy. It’s a strong theory, you figure, from the visceral response you get when you get start to fuck her, when you slide a finger inside: tight and snug, and so unbelievably wet.

“Oh,” she breathes out, and it sounds sated and needy all at once.

You make sure to glance at her face before pressing another into her. All the way past the knuckles. She looks lost to the feeling, the pleasure; her expression gone hazy-eyed as you start fucking into her with a few steady pumps of your wrist - slow and then faster, then faster again - fucking into her with increasing urgency.

Just to keep her gasping, panting.

Like a woman starved for it.

"God," Irene kisses softly into her mouth. Her hand tangled in Karina's hair, twisting strands between her fingers and tugging just shy of something painful, "you're really sensitive, aren't you?"

Karina nods, slightly. It’s all she can manage.

You have a soft spot for girls who will spread themselves open like they can't wait, but still end up flustered over how your lips ghost across aching flesh. Who can't even form the words - asking for this, and that, and a million little things; and look at Karina - blushing, her eyes fluttering closed, and digging her nails into the couch the moment you finally put your hot mouth on her. Her entire body is drawn taut like a live wire.

"Relax," you coax, speaking more to the muscle - her legs tensed, and knees pulled tightly together. You know just where to place your lips to make her go to pieces, but it's worth suspending pleasure - your own, and Irene's, who won't admit that this sorta turns her on too - so Karina's face might open up, so the tilt of her brow can slack, and the twist of her expression can soften. Like it's the only chance she'll ever get.

When you place your palm across Karina's stomach to steady her and look up, Irene has started peeling off her own clothes, down to nothing but the little panties underneath. That garter-belt thing that makes her ass look like she was sculpted straight out of clay - a reminder she's always worth your time, no matter what mood she's in, or whether or not she'll eventually let you take the lead. She's lifting herself on the couch to throw off the little slip of a dress, the high heels. “Baby," she purrs, teasing, maybe to distract from how she’s gone from dragging circles with her fingernails across Karina’s collarbones to kneading roughly at her tits. And she might even insert something she's never actually had a chance to confess out loud, or even consider much, like: she's been dying to know what Karina's face will scrunch up into, or what her eyes will look like, tears stained across her lashes while you fuck her within an inch of her life. The image you’ll find when you find all those spots that drive a girl wild.

Your mouth drags over the slick, her lips, her clit, and down again - as if to illustrate the point.

"That feels - so," she starts, and bites off the rest of the words.

Irene grabs hold of Karina's hands. Presses their mouths back together, and bites Karina's bottom lip. Kissing the words out of her, the sentences that start in half measures and stifled gasps:

"- so, good, oh. Do - ah, fuck. Oh, god-"

-and vanish somewhere in Irene's mouth.

"-oh, do that again. Oh my god. There. Just - lick- please, keep fucking, exactly that-"

And pay close attention, because here now is how she slips: from the image she maintains for the cameras, the audiences, her admirers, her competition, her detractors, the ones who mean it, the ones who don't mean a damn thing; the girl who shies away from anything overtly sexual, or sensual, or remotely hedonistic; and doesn't act as though she too, just as much as anyone else, needs someone to fuck her stupid - as if it's an eventuality of her own humanity, instead of a concept she's learned to scorn.

Irene picks up on the distinction, all too familiar with the look filling out across Karina’s angelic features.

She ghosts her thumbnail across Karina’s nipple. Tries out: "why don't you make her cum, baby, right here, on the couch.” A look at you, a quick tilt of the chin. Then, her tongue peeking from behind her teeth, and her voice dropping, "just so you can tell Minjeong, or whoever ends up asking - 'you have no idea how good they fuck.'"

And just like that - with Karina’s body laid out beneath Irene’s hands, your mouth - you simply fucking ruin her.

You both do.

Until it's only a mess of whines and shuddering limbs and that lovely look: pure agony. So helpless. So utterly exposed.

Karina hiccups something incoherent - you’re doubling down. You’re working your touches through the torrid mess between her legs. Her pussy is shimmering wet and hot and every bit as pretty as she is. Then, the motion of your tongue, the slow, heavy flick back and forth, relentless and constant - dragging back and forth, keeping her right up, riding the wave. Back and forth, back and forth.

"Oh my fucking god." Karina can only gasp, jaw-slacked open.

Overwhelmed and blissed-out and suddenly awash in this searing and wondrous sensation that the only real way she's able to make sense of is by twisting her hands in your hair and pulling you flush against her cunt while she cums on your lips.

"Ah - you're fucking kidding me. Please, don't stop, please don't-" Karina has her head turned. Voice pitched right into Irene's shoulder. You fuck her on two fingers until she’s got the heel of her palm pressed firm into her forehead, and she’s starting to jerk her hips into your face. Stutter her breathing, her words: “I, I, I- fucking - what the fuck, you’re making me - jesus fucking christ."

Like some delicate and intricate piece of her had just been irreparably snapped. Broken. You hear her expletive-laden screams - and think, better her, than either of you.

And all the way through every last part of it, cresting, waning, quivering, the tremble of her thighs snapped shut against your ears, the grind of her teeth, and each little choked out gasp-

“I'm… fucking cumming.”

Karina spends the entirety of her first orgasm between the two of you, heaving.

The look on her face alone, just from what parts you can see, has your lower gut clenched - it goes from anguished pleasure, mouth pulled wide and brows wound high and tight, all the way to calm and cathartic, the pretty bow of her lips settling into something manic. Eyes softening with a luster, half-closed. A mask, the afterglow: blissed-out and smiling dreamily.

How anyone could say no to a picture like this, you're unsure. Though not particularly willing to test the theory, naturally.

"That was mean," Karina finally huffs, letting a moment pass to even out her breaths. "Both of you, so mean."

"You said to," is all Irene says, amused.

Karina looks down; lifts her head just slightly - as you bring your own mouth off her, catching her glance. Not even your palm and your fingers covered with the evidence - it's her lips that give her away, the swollen, pouting, bright pink lips of her pussy, still radiant with her climax.

She breathes, "god. Irene."

It sounds an awful lot like she's begging for mercy.

Irene hums softly. Leans in for a kiss, with her slender hands cupping Karina's face. Manages to say: "you just look so fucking hot when you're struggling. Can’t fault us for that." She reaches down, and digs her fingernail into the line of Karina's cheek - near the center, just short of the outer curve where her dimple naturally settles. She works her lips to a very soft, "ow."

"Listen," Irene says, "is there anywhere else you've been considering going? Because in the event you're looking to stay for the night-"

Karina replies, "only everywhere I still haven't gone."

Her smile looks honest. Her cunt seeping and slick - there's abundant honesty there, too. And you manage to catch the wicked glint in Irene's eye, like she's a bit obsessed with all that glisten, and what it means - that Karina hasn't felt a real, good dicking in ages. Maybe, probably, never. That she's slept with everyone and filled her quota of playing pretend: of someone just going through the motions, dragging their mouth or tongue or cunt along the most obvious, conventional routes.

It’s written all over her face: the girl between you needs to be touched everywhere, and by someone who knows how. Needs it deeper, more. Has to feel the pressure everywhere all over.

Irene asks her, plainly, “how might we get you moaning like that again, hm? We're both dying to know."

She puts her hand under Karina’s chin, tilts her face towards hers, and kisses her long and deep. Until the both of them are having trouble catching any breath. Until they have to break, only so one can take another in: inhale, exhale, and back in her mouth.

"Maybe." Karina lets go of Irene's lower lip. She sounds almost bashful, "you'll need to let me get my hands on that cock of his. Let me get it inside, want it real fucking deep inside. Tell you if I'm just, you know. Really fucking horny. Or maybe I have some hangups about sex I've never told anyone - and we have to work past that," she takes Irene's mouth into her own again.

It's the short consideration of sure, mm, why not? until the next suggestion is: "he should be on his knees, in bed, those hands around my waist, behind the small of my back and pulling me into every stroke."

“Oh,” Irene agrees, “I love that. Should I play with myself while I watch him fuck you senseless? So hard and rough - you'll start seeing stars. I wanna see him completely railing into your dripping pussy from behind, fucking you so goddamn well until you're screaming so loud it’ll wake the neighbors."

Karina sighs. “Well I’d hate to get all the way here and half-ass it.”

You barely catch it, but there's a lovely note in Karina's voice. It’s saying, and don't you dare treat me like glass, like I’m fragile.

All in all, a filthy, filthy way for a girl with virtually no ill-reputation or ill-gotten gains - no record whatsoever - to describe how she wants you to fuck her, until she’s biting down on the consonants in your name, moaning loud and unmistakably clear, and-

“-sorry, whose cock?” Irene has no intention of letting her off easy.

You draw away from the meat of her thigh, licking your lips clean, and insert mid-conversation with a husky-voiced, "hmm?"

Karina just shoots you a sharp-eyed look. "You heard."

"Only," you play dumb. You run a hand between her legs, using your palm as you go, so you can pull more sound out of her throat; the pleased sighs, a hum. Another. "The part where you want it 'real fucking deep inside,' I think I heard."

"I mean, wouldn't you?" Karina looks satisfied with that. Lets out an easy laugh and turns to Irene. "Besides, I need to know if it’s more than just pretty eyes and a handsome smile that you’ve gotten yourself so hung up on."

The tilt of your fiancée’s brow above her is noticeable and apparent. Not a twinge of surprise; more like recognition. It's Irene looking haughty - beyond the usual - wrapped up in the afterglow. It's the confidence, and not at all humbled by the reality that she is no stranger to fucking a girl this downright gorgeous, knowing the danger inherent in allowing that kind of damage, but if Irene has you figured - she's figured Karina even better: someone willing to push through the burn. Someone, she’s betting, with the capacity to handle pain like it's an artform.

“Karina,” Irene says, and she's really leaning into it, "you really ought to be more careful with that smart-mouth of yours.”

It's the absolute worst way to proposition someone; maybe second only to what Irene whispers straight into her ear:

"If I had to guess, it’s your sweet, pretty face that has everyone bending over backward just to let you fuck them, hmm?”

You’d anticipated this much. You watch how your beautiful wife-to-be eases forward and leaves a slow kiss into Karina's throat, before adding the worst, most awful thing she can manage, “they're eating up this adorable, innocent facade of yours just as soon as you let it slip - letting you straddle their waist, and slide right on, and chase some clout out of oh, she must have this tight little cunt, or how good it would fucking feel to ruin a load just slamming these perfect tits, or. The best of the best, when it comes to pretty things with brains and mouths on 'em: 'fuck, I bet Karina has a face like an angel, she's the kind of girl who probably really, really loves taking it raw - filled and fucked as deep as she can manage'."

“She’s insinuating you’re a slut,” you offer on the next beat, down from between Karina’s knees. “Or something.”

"I put that much together." Karina has that teasingly pragmatic tone in her voice, matching Irene's level. "Your point?"

The joke is that even Irene - after she has the chance to drag her thumb across Karina's lips - looks mildly impressed.

"Sweetheart," the corner of Irene's mouth quips, as if the reason is so, so very obvious, "let’s say you’re just like me, total hypothetical. You're going to have to let us know which part feels better: the praise, or the degradation. I know it’s what makes you tick: all the attention. I know you need it. The same way I know that I could eat this perfect pussy out for hours just to get it slick, and wet, and wanting, and the thing I’m still not sure you’d be ready to learn," she tells her, a light in her stare that flicks upwards, eyes going from Karina's cunt and back to her eyes, her own mouth, and then hers, "the really good sex? Isn’t always pretty."

There isn't room for misunderstanding, let alone any mercy in it. Irene's face is dark; dangerous. Like, seriously. Karina knows better. Everyone does. You know exactly what she's doing. You know what comes next, but this time, you can't shake the feeling like-

Like Karina wants you to look.

She has her fingers on her cunt, spread, presenting - and a small shrug; her response is so fucking coy: "I guess I can't really help it. Besides, it’s common knowledge, isn’t it? The brattiest girls always turn out to be the best fucks. Honest, I get so wet sometimes, you know and then god, I can't think straight.”

She laughs at the premise.

“I dunno, what's a girl to do?"

You can feel the room starting to tighten up, just barely: Karina’s breath still heavy, her chest heaving, the way Irene holds her still, how her arm curls across her stomach, palm flat under her tits; that pose in particular, the power to entice.

And maybe it's the fact Irene is still making eyes at you from Karina's shoulder, the cruel bite to her upper-lip, showing how she's working at the soft skin of her neck - a smirk, before pressing into another kiss there. Your insides are running hot, a shudder racing up your spine. There’s no mistaking what she's getting off on, not just some pretty-as-paint newcomer. There’s your Irene, your fiancée - and her beautiful, adorable, awful little shadow.

So what if, by some pure hypothetical, this all spirals out of control?

You don't know the consequences of taking home what amounts to a coworker and screwing her with a certain reckless abandon. There’s power harassment, a toxic workplace environment, boundary issues, sexual-fraternization. So on, so forth. It's all relative, but watching Irene and Karina make their way up the stairs and admiring the things that only a woman's hips can do, swaying this way, and that - and, following the path from one tight little ass, the other, all the way up their spines - there are no such qualms to contend with, because there's absolutely zero chance that’s the thing that’ll be keeping you up all night.

Irene laments and hopes in the same breath.

She has two pairs of panties in one hand, Karina’s fingers laced into the other, explaining with a quick squeeze, "don't tell me, baby, I already know," a wink, a laugh. She’s such a sweetheart when she means to be; charming, wooing, the coy girl Karina seems to have gotten so drunk off the idea of getting mixed up with. And yeah, when she drops them on the floor, and pushes Karina gently against the wall. Traces her finger up her jaw, then her cheek, and leans into the crook of her neck, into that same spot from earlier; yes, Karina can count herself lucky, or whatever.

"So, don't stop now, baby-" Karina's huffing - the line of her throat so taut and exposed. "You should really fucking try harder if you want me to beg."

"Honey," is how Irene responds, leisurely.

There will come a point in their intimacy, in all things considered, where this act no longer plays itself: Irene, the seductress, and Karina, a deft and innocent prey; of course you, the hammer to a nail, pushed and pulled in one direction, the next. The moments in which her lips leave the crescent of Karina's mouth - hot, hazy, and half-wet with their own spit, their tongues twisting, the muted click, and the telltale wet drag of a body pushing and straining up against her own-

Maybe in her bones, she is begging for it. Maybe, Irene hopes, she'll have to: eyes turned up, watering, tears coming hot, streaming down her flushed cheeks as she cries it from her lungs.

"I wouldn't have you beg for anything."

It's true that Irene is ninety-nine percent grace, one percent child-like wonder; she's easy to read when the mood hits her. The lines of their bodies tousling, twisting and tangling in moon-lit-darkness. There's some irony to it, only a few steps away from the bedroom. At the base of the staircase. In front of the tall windows covered with frost that serve, now, primarily to remind Karina that she's in a part of town she could never afford, in an ostentatious apartment she could only dream of; but most importantly, that the woman in front of her - with her fingers dipping down between her thighs and up again, tracing over her navel and the rise of her hip and her cleavage - can have anyone she likes, without limitation.

Karina can't deny it's everything she wants.

"Karina, I'm curious." You're easing into that spot, where the two of them have coiled themselves up - you’ve got your cock in your hand and you’re stepping out of your pants - in the hallway, the frame of the door, a heavy, long shadow cast: Karina has Irene pinned now, a wrist over her head, against the other side of the wall where the white paintwork is starting to run thin. "Didn't you say something before about how hard you wanted it? Raw, deep, I believe was how you put it."

Irene smirks. It's just the slightest sneer, until she has her hands reaching over the curves of Karina's hips and pulling her fingers into her soft ass. Spreading her cheeks. Touching up, then down, back in the same groove, this slow rhythm that builds - like they were both expecting this exact sequence of events.

You watch Irene whisper something into the girl's ear, and - fuck - the light catches her expression at just the right moment, head lolled to the side.

"Hey," Karina drawls. She lets it come out breathy - on the note, the middle and upper registers of her voice, hitting something near a perfect alto. "How about instead of having some heart-to-heart, and making me out to be some naive-ass kid, you stop asking questions and get to fucking the life out of my little pussy."

She ends it so charming.

“Oh,” you tell her, feeling how fucking drenched she is right at the end of your cock - sliding her slick up and down the length of her cunt, and knowing the feeling will likely stick to your skin and drip to the floor, all of it - "well. If that's all."

Your hand arrives on the lithe stretch of muscle between her waist, right along the ridge of her hip bone, your cock pressing onto the heat of her cunt. Karina turns her head over her shoulder so you can see it all in profile: that pout. That look. That everything.

"There you have it." Irene squeezes the flesh she's got cupped in her palms, drawing circles. "If only everyone else got to hear that sweet, sharp edge you've got underneath, hm?"

Karina opens her mouth with some clear quip to needle, but stops herself, a catch in the center of her throat, her brows shooting up. The pull of her voice is somewhere out and over.

“God, fuck-” she can just manage to sputter. “You’re- ah, ah - your fucking cock-”

Oh, it has you cursing too. You're pushing so far into her tight little cunt - the soft airy moan, that pretty sound, riding back on every last stroke until you've filled her right to the hilt.

“I know, I know - that feels so good, right?” Irene coos.

You just pull her all the way back onto your cock, thrusting deep. Base to tip. So goddamn fucking deep.

Karina probably doesn’t even mean to whimper, but the press of your hips, slowly snapping in and in, has her lungs constricted, as the pressure slides through every hot, slippery inch inside of her - this glide of agonizing intensity.

“I bet you want to just cream all over that cock,” Irene says, fine eyebrows knitting into something like contentment. “All filled up and feeling full, and just fucking letting it go - he’ll take such good care of you. He’ll fuck you so good you won’t ever get that warm, hazy, blissed-out feeling out of your veins ever, ever again, if he has his way-”

All while the head of your cock works over every fucking sensitive part of her, dragging out to thrust all the way into her soft cunt, the round of her ass bouncing back to meet each stroke. Again, and again, until you've worked through that wet stretch of muscle. And the motion isn't exactly elegant. Karina's mouth hangs wide open, catching short breaths that curl inwards when you reach the line of her waist.

“It’s so fucking good,” Karina’s sighing out. She’s all fluster, no bite.

There’s no lack for juxtaposition in the way Irene dotes on her either - these small beguiling bits of praise like, baby, you’re doing so good, these tits of yours are just, you are - just gorgeous. Mouth quirked into a tight grin as her fingers pull and twist around her nipple. The sharp yelp that comes after. The fact that she's kissing the words into her mouth on the very next whimper: “a girl like you needs the time, and patience, and opportunity to have her insides completely, totally, catastrophically ruined.”

Irene had it exactly right on the first read. She’ll say, “I told you so,” when Karina’s washing the cum off her chest or out of her eyelashes in the shower. It’s the praise; it’s the degradation; it’s you leaning down, your hands finding her hair, curling in, and getting her right up against your lips to say it quiet, low, intimate - like a lover, like she hasn't already heard it before, “such a good little slut for me.”

And the girl absolutely fucking keens.

You grip onto her hips. You pull her hair tight. Her throat bobs under your thumb and you can feel the anxiety start to throb, her pulse hot and heavy in her cunt. How it soaks the base of your cock. Jesus, you’ll fuck a load right into her. So easily. Her pussy is so snug, so unbelievably wet. Perfect enough to know if you fuck into her any faster, any harder - it’ll be just that: you'll paint right up to her cervix; you'll fill her to the fucking brim.

"Fuck, Karina, this pussy is such a fucking dream," is what you're making sure she knows, and at that, Karina just finds that bend. Arches more of herself to you, until her ass is slotted into the plane of your stomach, the head of your cock prodding, testing the limit where her cunt is hottest and wettest. "God, this has to feel incredible. Your ass bouncing on my cock" - Karina goes slack on the force, leaning forward - "as I rail your tight little cunt."

If anything, Irene is there to catch Karina's tearful, thankful gaze when she finally starts fucking crying, a litany of yes, fuck yes, yes-yes-right-there, please fuck, and a wet, dazed little "you're goddamn - you're ruining, fucking - fucking, ruining me," every other syllable broken by her shuddering breaths.

"Aw, you're going to cum again, huh? Baby-" Irene's got her head at an angle - their gazes locked, watching - and maybe Irene really gets it: how much of a big, bad crush this gorgeous fucking woman's had on the pair of you all this whole time, with all that faux-romance, and lust, and envy wrapped up inside her - but if she wasn't so obsessed with the shape of Irene's mouth, the contour of her jaw, the lean and sleek lines of her frame and the soft, round swell of her ass - she’d still be left with the shape of your cock, where it’s pounding her apart. Fucking her and fucking her up.

It's more than worth the breath to remind Karina what she came here for. Irene's fingertips brush the line of her lips, part them just so.

“All over him, baby, let him make a mess of you. Just a total fucking mess. We'll fill you up, and fill you up, until your poor, aching pussy is full of cum," and it's probably as well: Karina does what comes most natural to her - with you three, the whole number. Her eyes flutter and go dreamy. There's not even a moment of hesitation:

"-until it's leaking down these fucking thighs-"

"You're doing so good, babe," is your supporting role in all this, murmuring encouragement straight into her ear as you fuck her to pieces. Your breath fans out against her cheek. And then, your hands make a grip under her thighs, holding her steady, making her mouth fall open - this keen, wobbly, vulnerable thing that exposes the naked girl she is, behind all the makeup, and the heels, and her seductive and all-consuming appeal, everything.

“Just so you know: it’s the best fucking part, Karina. I mean, the look on his face.” Irene laughs with her whole body, until the rich, raspy sound of it fills the hall. “The way he bites his lip when he's close, his eyes clenched - and god, I fucking love when he finally cums. It's so good, watching him. Letting him have his way. Feeling his cock throb and spill into you - hot, and still, and just pumping inside you - just so, so good.”

"Fuck, ah-" the little gasp is like she's starting to hyperventilate.

"Because baby,” is the final nail in the coffin, hammering home, “he’s fucking you just like he’d fuck me.”

"Fucking, please, god-."

Irene's hands have her breasts in their grasp and are playing at where she’s sensitive, then pushing into the soft, delicate space beneath, thumbing the indents. "He's so fucking good, isn't he? Are you going to cream and cream all over his hard fucking cock?"

Then - and because it comes so instinctually to her. Because, actually, your Irene has a slight propensity for evil:

She slaps Karina, right across her tits. "Fucking cum on it."

One.

Tugs hard on a nipple. "I swear, every single bit of you is so goddamn beautiful-"

Two.

"That body is built, perfect. So easy to ruin. And god - what a perfect little pussy you've got-"

Three.

Karina struggles to breathe. Her voice is torn, frayed. She barely manages to utter out a very shaky, very desperate, "harder, fuck- you’re fucking making me so- you can, harder-"

Four.

The cruel contact of Irene’s palm pulls this deliciously hedonistic sound in Karina's throat, a loud moan; like she just hit the sweet spot inside that's all her nerves coming alight. Irene plants a quick peck in Karina's hair. Her temples, the ridge of her brows. Slides her thumb across her eyelashes, brushing them clean from whatever tears had sprung free. You don't even want to try, not at that moment, to try and endure the quiver of slippery muscle all over your cock as she shudders into her orgasm. It's simply too fucking much. She's too fucking tight.

"Aw, shh shh, shh," and then Irene's soft hushes are coming down from the other side of her head. Irene kisses her full, straight on her mouth. Karina is shaking, convulsing and caught and fucked from head to toe - and what she needed was someone like the two of you - to watch her cunt swallow your cock like some magnificent and unbelievable sight, taking the whole damn thing. Irene is telling her, "it's okay. You can let it go."

The silhouettes alone. From the end of the hall, and where the afterimage lingers: the smoke-frosted windows, the dim lights, their bare, beautiful forms - this picture that will stick in the center of your head, will probably haunt you-

"God, I can’t, just- ah.”

“Breathe,” Irene says.

"I'll cum again, it's too- I'm so-" Karina can only plead and sigh.

Irene shushes her one more time. "It's a lot. It's alright, baby. He's going to keep fucking you until he's ready to pull out, until he has a whole mess just painted onto your ass, and thighs, and I'm going to make sure that little pussy gets so wrecked, fucked, stretched on every last inch- until the thought of sex hurts, and then we're going to make you cum again, and again- over, and over-"

You're leaning over her, nose buried into the waves of Irene's hair, the curve of Karina's back, and the flush of skin in contrast. That's when you feel the coil in your chest come loose - unspooling, and bursting - when Karina's lids roll into the back of her head and her lips fall open with a pleasured gasp and a stammer, "y-you're, ah, both, you're so, both- oh god."

You're about to just pull her down and absolutely cream her, stuff her full - a mess.

And she wants you to-

"That feels so fucking good," she lets slip out on the cusp of a shiver, just as her inner muscles are spasming, milking your cock with the pressure from one pulse through the next, squeezing.

She’s right. It does. Her, coming undone. You, at wit’s end.

Another breath, and Karina is managing out between these small hiccups - not as much out of breath, just dumbstruck - simply muttering, "I’m cumming, I- oh my god."

You barely manage it; you unbury your cock from her cunt; you’re cumming all over her ass.

A shot of white that streaks right down to her bare-slicked skin, before it gets painted down into the crease of her pussy, all swollen - wrecked and raw.

Just the way it feels on her skin is enough to earn another hushed moan from her, this sweet little whimper as she can hardly stand up straight. She lets her knees buckle, but Irene is right there, to catch. Her eyes are closed, eyelids clenching, as Irene tilts Karina's face her way, to lay one, two, three soft, adoring kisses on her mouth, the angle all wrong.

“Mmm.” The smack of her lips. The pull of whatever breath she still has to give - right out of her heaving chest. "Sore, that, ahhh- um, thank you."

You fiancée wraps a slender hand right around Karina's wrist, and starts whispering to her, unbridled, "just had to. Had to see how you look-"

It’s wicked, for one thing. More than that, it's seamless:

While Irene still has the girl's voice caught in her throat, she reaches around the curve of Karina's hips and drags two fingertips through the puddle of warm cum that sits right at the base of her spine, glistening all over her ass cheeks and inner thighs, slipping and rolling off her cunt, down the center, running in rivulets. Your cum between her fingers is so filthy, so obscene - dripping hot - right off her reddened skin, and Irene can't possibly help it; not after a display as indulgent as that. The trembling that remains in Karina’s thighs does nothing to hide how her legs now jitter and shake under Irene's touch.

“That’s my good girl,” she whispers as her fingertips hover across the apex of her puffy lips. Over and over again, with more force, and more, until you're almost positive it's Karina that leans in a moment later, kissing the rest of her soft assurances right off her tongue.

Listen to her: this incoherent string of words pouring from her mouth, like they can't move fast enough, tripping over each consonant, "are you, oh, oh - oh, fuck."

No one else could make that kind of overstimulation feel so heavenly, you figure, the way she just properly melts. You take a step back, just to let Irene work. Just to watch. To appreciate the craft.

You absolutely get it.

How to touch, how to tease. Firsthand experience has you know she'll ride your cock until you're throbbing and spilling cum and she'll just shh-shh, let you have it - it's okay, sweetie, just let go - until she's rolling her hips just right, or reaching a hand back to massage your balls, or stroking your inner thigh in that exact kind of spot; some method that keeps her all the way on the end of your cock, but not quite off the edge, and your cum leaking down your shaft, spent.

She’ll bite into her smirk. She’ll tie up her hair. She’ll get that serious look on her face because she knows: you’re all hers for the taking.

So she'll sink onto it, again and again, until she's fucking you with the slippery friction only your own spill might provide. "Just a little more," she'll tell you, which is absolutely a lie, "come on, just a bit harder, I'm so close." Irene does this thing - she's had years to refine and perfect - and her voice gets a husky edge to it as her teeth graze the shell of your ear; she makes a small, pained groan into the curl of your hair and breathily hums it: 'I'm almost there.'

Who stands any chance to resist?

And she's always asking you - the same way she's coaxing and promising Karina the world with just the movement of her fingers, this delectable in and out, in and out, pushing that filth up into the red-soaked lips of her pussy - "now, what did I ever do to deserve someone like you?"

Karina blinks, once - a sleepy-lidded draw that leaves her lashes, lush and long, and fanning her flushed cheeks.

The sound between her legs is wet, squelching with your cum, with hers, the barest hint of slapping her tender skin. The beat of Irene's wrist against her thighs - like that's where she needs it most - a deep, primal rhythm, like the last thing she wants is to take a breath. It's fucking hot; her head is tilted, her jaw clenched, and Irene has the tips of her fingers twisted between Karina's legs, swirling your cum right back around in her slick cunt - those plump pussy lips that you've watched stretch out on the first press, the first and the second and the third, as Karina finds what gets her there fast, fast-fast-fastest-

"You can cum for me too, baby."

It’s not a suggestion. There’s nothing but expectation in Irene’s voice.

“Just cum.”

You watch it knock the architecture right out of Karina's legs.

Indulgent, just isn’t quite the right word for it. Careless, reckless, clumsy even-

Look - the tumultuous tangle you three make is all over the fucking place.

One moment, you're at an angle, moreover twisted-limbed with Irene bent over her dresser, then propped up on top of yours the next, your forehead landing against hers, feeling the soft cradle of her shoulders, her legs around you. She has her hands wrapped in Karina's, in that muddled in between: it's a collision of sorts.

There's the chair in the corner of your bedroom that really has only ever known one purpose, a plush rug, all these surfaces, horizontal and vertical for you to take the two most breathtakingly beautiful people in the world on and let your bodies settle into the shape they've needed to ever since your fingertips met Irene's in the cab, ever since she blinked her heavy lashes at you with Karina in-tow, just shy of smiling.

And boy, do you learn that Karina likes to watch herself get fucked in front a mirror. Specifically, the tall one beside Irene’s closet. It's hard to blame her. When you hold her hips tight, and really, truly fuck her, you can’t keep your eyes off how her face twists with the pleasure; or, when you drill the length of your cock into her sopping wet cunt: the wide, glossy rim of her pretty lips pulling back into a wince - and your eyes dropping past the reflection of her shoulders, her collarbones, down to her perfect tits.

The back and forth, the up and down, the way they fucking wobble in their beautifully buxom blur.

Though the eventuality remains unchanged, spread out across your bed. Karina takes a moment, hand pressed to the mattress experimentally like it's all running through her head - this is where Irene gets all that fairy-tale-inspired romance from, really - a quick pause where your future-bride is up on her elbows and staring, watching - your finger sinks in slowly, between where she's soft and warm and wet. She's thinking, you can just read it off her face, 'oh. So that's what you'd do, huh?'

Just for demonstration’s sake, you fingerfuck her in all kinds of ways - show-off and performance and dirty and mind-blowing. Because even better than the whiny, gut-wrenching moan it gets out of Irene, Karina can't get enough of how it’s all presented.

"Ugh," she slides up next to you at the foot of the bed, helping you turn Irene on her side, "why does she have to be so pretty, it's annoying, she's- she's like, made it so fucking far by playing the girl everyone wants to wife, huh?" She's talking directly to you, even while Irene rolls her neck to press her head against the pillow. "Inspirational."

You're drawing circles into her clit. Thumbing the dip, circling in the opposite direction. Karina has her nails biting right into the crease where your knees touch. In tandem, you’ll help your fiancée reach the top of that first wave.

Karina presses, all cheek - a very dry, "cute."

It’s so simple: you eat Irene’s cunt. You hold her down. And Karina slides her tongue lazily against the tight pucker of her ass.

The three of you know she deserves nothing less.

“Oh, christ, you have no idea,” Irene is murmuring into the pillowcase, head tilted at an awkward angle, looking at the wall, almost distant; but her legs are split wide and her hands are reaching forward to rub a circle into your cheek, "you know how sensitive-? Yeah. Like, really, super. Super, super fucking sensitive, okay? So - if you'd keep doing, uh, oh- oh…”

Simultaneous, then slow, and easy - kisses landing right onto Irene's clit. So much so, you can't help but turn a little, smiling right up at your girl as she digs her toes into the duvet and threads a hand into Karina's hair.

The thing is, with Irene: facades fade fast.

Karina gets to measure that fact up close - where the details of Irene's composure are not only sharp, but also readily and openly and emphatically pound to dust by the time the last loose curl of Irene’s hair falls over her collarbone; she ends up on all fours, spread out over Karina - pressed along the length of her stomach, spread over your duvet and fitted sheets, your hand at the base of Irene's waist and tightening into the divots. She’s so small beneath you that when you bury your dick inside her-

“Fuck.” Her cunt is so wet. Her breath uneven - and her words are starting to slur. There’s the gooseflesh on her back that lets you know it’s all already over for her. “Okay,” she tries to steady the ache in her stomach, “okay, okay, just- right there.”

The drag through her pussy is fucking extraordinary. It knocks the wind out of both of you; so soft to the touch, like velvet - she’s unbelievably tight. You pull her hips into you and it opens her right up. Then when you end up balls deep inside your girl a second, third, fourth time:

She simply shudders apart.

Even though you fuck her so slow, so easy - her cunt clenches and squeezes on you like Irene detests the very idea of letting you go. You don’t even need to rail her lithe body to complete and utter ruin just to feel the familiar pent-up tremor starting to build in her muscles, how she rolls her hips back just so-so. How your hands fit that round and pert little ass of hers so well, and when your fingers finally sink in, you’re pulling it all apart to get a good look where your cock shimmers with her slick before disappearing right into her tiny cunt.

Karina mutters something in her ear. It pulls on some thread, somewhere - you feel her wind like a spring, further, and further; your cock edging her so close. The smirk Karina saves for you over your fiancée’s shoulder makes you think she’s figured her out-

“Irene, look-”

Well, at least she’s tuning in on all the right frequencies.

"Aren’t we all about being thorough?" Karina raises a perfectly trimmed brow. She drapes her arm across Irene's neck, their lips sliding together again, and that kiss is drawn-out and languid, albeit needy. "So, say," it gets muffled against the seam of their lips, and comes up, and comes out like a slurry, "are we gonna use everything else too? Your mouth, your perfectly tight ass?"

Irene can hardly muster out, "fuck- fuck- yes, fucking, god," as she takes it, so deep. There’s enough there to make both of you cum, you’re sure.

“Who could’ve guessed - like there’s ever been a more perfect cocktease than bae-fucking-Irene," Karina coos, all lips. She plants a row of kisses along Irene's exposed throat. The tilt of her hips, as she pushes closer - as you press the head of your cock as deep as it can go. "Go on. Cum, baby. Be a good girl, a good hole to fuck, just do it. All over his big fucking cock. Let him fucking have you."

Which is probably about the same time you realize that you, Irene and Karina are all well enroute - becoming this one mind, a single unit. This plurality you know there’s no coming back from.

You look down, with a little more focus, and Irene is being pulled apart in every which way - your cock stretching her out, over and over - Karina’s fingers right under her clit, every circle making her whimper. She’s all sharp edges and delicate angles, but manages to be soft for you in just the right places.

“God, you’re so fucking tight,” you tell her, shifting your hips; pulling her ass flush and filling her completely. Your grip tightens on her waist and she doesn’t flinch a bit. "It's so goddamn easy to cum in this needy little pussy of yours. All wet and slick, and, hah- just pulsing-"

Irene lets out this wanton sound, desperate.

“Oh, right there, huh?” Karina asks. It’s not quite mean, but it’s getting there, fast. “Is that how he’s going to make you cum?”

You thrust on the same angle again, the same depth - you’re hitting all her nerve endings, all her sensitive spots. There isn't even room, now, for some imaginary head-to-head, some verbal volley, the banter; what comes forward is her tiny, broken moan.

How many times had Irene done the exact same, after all. Fucked you without holding back? Fucked you over? The flood of sweet-nothings as you started to approach: honey, you're so perfect, we can go slow, you just have to ask, and if you feel uncomfortable at any point, if you want me to stop-

“Just say please, doll,” Karina tells her.

If Irene told you a quarter of what made it out of the side of Karina’s mouth, you’d have never believed it. "I can't wait to feel what that arrogant mouth of yours will do when he cums inside this cute ass-"

You watch Karina spank her. Hard. There’s a red stain in the round of Irene’s cheek, and her skin is so pale that the imprint of all five fingertips looks stark, glaring.

"Just," Karina presses the rest of herself against Irene's skin and steals a quick glance at you - this half-coy smile pulling on one corner of her lips, "thought I'd do that in the name of-"

"Mmph," Irene’s groan is long, loud, "yes. Fuck, yes- please-"

Karina immediately looks away. An effort to hide the smug satisfaction. She fiddles with the auburn locks behind Irene's shoulder.

You’ll finish the sentiment: "-being thorough," and drive your cock to the hilt. Irene collapses forward onto Karina’s lap.

The sound she makes you swear is a sob. See - for Irene, it’s only about getting control in so far as it is about getting off; she’ll take whatever comes her way so long as it’s directly to her benefit - the theatrics of being pinned, the willingness for surrender, for subjugation, for the sake of telling you, yes, push my knees, spread me apart, hold me there; look at the things you do to me - it's the Irene everyone imagines, when they see the dresses, the gltiz, the glamour, just the brief flash of her grin, or the way she holds her fingernail between her teeth. Everyone wants to put her on her heel and feel a bit powerful. To have you watch the supple arc of her neckline bend, to hear the humility slip off her lips: the notion goes beyond simple kink-

It steps out into pure necessity.

She really, really needs it, and it's written into every muscle and tendon - it's on her breath as it shudders through her whole body. The beautiful, harrowing sound. "I love the way you two fuck me," she murmurs, head buried into the crook of Karina's neck. It's the sort of line, coming from someone like her, you know could raise a few blushes - if either of you was still in the business of such things.

"Honey," her voice wavers. Then, it falters: "please."

The desperation is thick, husky, almost. Karina seems like she's breathing her in, nose tucked against Irene's forehead.

You watch how she runs her nails up Irene's sides, a hot whisper sliding over her skin. You feel it, and so does Irene, this white hot pleasure singing up from the tip of her clit and spreading throughout the soft curves, the sensual lines of her body, this tangible current, a hum, a whine. You see her strain the lean stretch of muscle connecting her neck to her shoulder.

Until her face is tucked under Karina’s jaw, with a hand reaching back and hooked around your wrist and keeping you fucking, filling her, your hips drawn tight against hers, like a second home.

In and in and in.

Fucked-out and outright to the extent she goes completely silent. Almost completely still. The moment she cums all over your waist. Mouth hung open, like she’s in pure disbelief.

It doesn’t really matter, how often or how precisely Karina has imagined the whole thing. It's still a fucking revelation the first time she gets to watch Irene cum.

“No way,” she’s almost laughing, holding Irene’s jaw with both hands. “No fucking way. All the times you- what? No. Nuh-uh. You better fucking explain why this face, you- it’s not fair, the perfect face- I swear, even mid-fucking-orgasm, you are such a fucking doll-"

There's the sheer intimacy - Karina holding Irene's lips open, dragging her thumb down along the center. Quiet and sordid curses slipping from her mouth. And the obvious, her free hand already running down the curve of Irene's spine, her ass: all this sensitive-touching, admiring, appreciating-

"Hey," Karina says, voice raspy and drunk on the sex, the premise, "do me a favor, and tell me this feels as amazing as it looks. Or maybe, for once - just for the sake of fucking argument, is it actually better for the both of us, hm?

Her eyes are half-lidded, heavy, sultry. She's arching up into Irene's warmth - until her palms are spread out against her chest, thumb sliding right over everything sensitive, and she leans right to pull the other breast to her lips, and start all over again. It's clear what she means, spreading her legs as far as she can, pinned beneath the orgasm you're still fucking into Irene. As much as her petite frame will allow.

And in case you missed the point:

"So. What are we waiting for," is what she says a breath later, matter-of-fact, not at all expecting denial. “Or am I not as fuckable as our princess here?"

There's so much wet spill around the base of your cock, and the sound Irene's pussy makes when you finally draw free - all her creamy slick mixed into your mess just fucking leaking around your shaft. Karina holds herself open for you like that, spread wide. All your attention to her pink, raw cunt; you slip right inside.

Karina lets her arms go slack on the mattress, her chest shivering, lips locked around Irene’s panting breath.

And so it goes, and so it goes, and so it goes.

(To anyone taking notes - chemistry, by definition, is the sum total of a certain process; where and when energy becomes matter becomes another.

More relevantly perhaps, it is that race and rise you feel inside your chest.

Nothing about the sensation, it seems, is too exclusive either - Irene, and now Karina, the pair of them equally devastating, all over and again. It has you in communication with a different kind of contentment: to fall apart inside their embrace in particular, and kiss them with enough breath and time to waste until the morning.)

“Jesus,” Karina laughs out loud, “you really believe that? You corrupting me?" she makes another scoff, both hands buried somewhere in the pockets of the sweatshirt you've lent her. "At least do me a favor and cut it out with the solemn tone."

You're leaning over your apartment’s balcony, watching an emergency plow make the slowest grind of progress up the road. It's late. And cold. Or actually - it’s early. The sky is the kind of dark midnight navy you see after all the snow and stars have run through the horizon. Time ticks on, and Irene’s inside sound asleep. A woman that small has no right to snore like heavy machinery.

So,

You and Karina happen to be two things at once: very tired, and very awake.

"What I mean is: I'm sure your manager, or your parents - fuck, someone - would fly off the handle," you say, pulling a cigarette from the pack and offer it begrudgingly. She takes the end and slips it between her lips, a little unsure. You then draw a lighter and offer it, too, and Karina puffs with all her strength. She's no expert, but it looks like the end catches and turns bright.

A bit of color.

"My parents?" Karina flouts, sucking at it, pulling deeply from her chest - smoke pours from her nose.

She finishes with a cough. And says again:

"Um. Your girlfriend had her fingers in my ass - your cock down my throat - and we're worrying what my parents might think?"

Well. She's got you on that count.

"Not to mention: who the fuck thinks they're so virtuous-" a small chuckle as she passes it back. The cigarette is lit, bright. You take a drag. Watch her tap her feet on the snow. "That they need to do that to begin with. It's more trouble, telling me what to think and feel, as if that hasn't just the opposite effect."

“Irene’s protective, albeit in her own sorta peculiar way. So, you know, by extension, she worries-" you pull, and exhale, the smoke blowing past Karina. It gets caught in her fringe, in the wisps. You offer it back when you see her shiver. "That some shit happens, after."

"Your concern is heartwarming, truly - if you want to let me think on it, I might go and write a nice little diary entry tonight. It'll have sparkles and glitter - if you're that worried."

Karina reaches in. Lets her fingers graze yours. Her skin is cool.

“Besides, I don’t need a lesson in image from Irene of all people. She’s her; I’m me.”

She holds onto the cigarette between two long acrylic fingernails, tapping the end so the ash flits out onto the ice. You're caught staring, probably - the dark hair framing her face, all messy and soft, falling about her cheekbones. How that pretty pink blush in her skin seems to never go away.

Your eyes drop to where her mouth is red, a bit swollen - well-kissed; it is snowing again, after all. And it’s easy to be kind of transfixed.

"You're not, I dunno, say embarrassed?" you ask, after a beat.

"Nope." Karina swallows. Brings the cigarette to the pucker of her lips again. You watch how she holds the inhale, holds her wrist up and slacked, head tilted back a little. This exaggerated fashion-model exhale follows, all smooth.

“Because I'm not the type.”

The heavy stream of smoke then blown right into your face.

"Really, I think - sorry, I have always wanted to do that. It felt like a movie. Look," she coughs on the next breath. "I get your dilemma. But also, um-"

There are some quiet moments too, here and there: the heat between your thighs, her pressed up close. She smells like Irene's shampoo and bodywash and that just confuses your head some.

"Who’s to say I’m not just looking out for you," you offer. Every good lie is rooted somewhere in the truth.

"Don't bother," her words hit you square on. "It's about getting off right? You invite me to your bed; I’m so starstruck and enchanted by the very concept of it - Irene and her charming, intoxicating husband. Fuck, I dunno - the way the two of you kiss, look, feel: the experience that you will let me be a part of," she stops and makes another face of amusement, so fucking confident, "you let me play, too, just once, and we're all just a little happier. My version."

“We’re not married,” you correct.

“That’s the part you’re hung up on?” Karina leans over, her upper half across the balcony, staring right up at the sky. “Same difference.”

The moon finds her smile bright like nothing else. It's something infectious. Immediately, it reminds you: of Irene.

"Trust me," she goes on to say. The cigarette slips back into the space where you are connected - the lines of her fingers, her knuckles. "I had a wonderful time, but the sun will rise here, and I'm not gonna stick around to blow you while Irene burns three omelets and finds a spot for me in her fucked up game of house or whatever."

She makes you laugh, free and easy, like a gust of cold air. Something genuine and natural. And as the laugh shakes, Karina makes it impossible not to crumble farther. Not to fucking simper there like an idiot.

“I really thought she was going to make me call her mommy or something, I swear-”

"Hey, I'm sure if you had asked." A spark catches you. The flash of her canine, and those eyelashes. “She’d have done you the favor.”

"Oh, shush." The touch of Karina's fingertip against your hand is delicate, careful - unassuming. But, god, everything with her is just the right amount of heat - it melts you; and when it stops, her touch: that feeling is so cold that you just chase her out of impulse.

"What about New Year's?" you ask. There are still boundaries you really shouldn't be crossing, but here you are, straddling yet one more.

Karina's grin cracks like an old fault line. "You're not allowed to ask me out like that," she insists, batting you away - trying her hardest not to lead with the obvious. You look out on the view, watching a guy in a parka trudge over to a garbage can, a handful of newspaper bundles, then a glance back-

The slightest flush has bloomed up Karina’s face, right underneath where the makeup's been rubbed bare. It's utterly irresistible. "Go wake up your fiancée and ask what her New Year's Eve looks like. Doubt it involves me and my dumb friends."

She’s probably right.

"Karina," you start, watching her push open the balcony door with her foot and walk slowly, lazily, back into the apartment. The window rattles, and she looks back over her shoulder. The bob of her ponytail, the sweeping lashes, that perfect slow-burn smile. That’s how you end up with a title as ridiculous and reductive as ‘original visual’ or ‘the human cg’.

"You’re really going to let them in on what we all got up to?"

"Oh," she makes this low, delighted hum - it sounds so dreamy, how her voice gets the richest sort of rasp, "every last detail."

On Monday: the holidays are officially over.

There's a bunch of stuff on the to-do pile. A lot of loose ends you have to clean up, a ton to catch up on. Irene is judiciously ignoring all of it. She's wearing her glasses - the ones with the big round frames that should look entirely obnoxious - which means she's already decided she's not leaving the apartment; Karina's still wrapping the world at large around her finger and has everyone convinced that she's all femme, no fatale; and you - well, you're back to thinking about how to climb the ladder and maybe how to stay there.

You head downtown with a cup of coffee in one hand and a musing mood in the other.

On your phone, some more choice text messages arrive in the late AM: had a great time by the way, stay out of trouble, this sweatshirt is actually just mine now, duh.

The selfie alongside it is pretty suggestive, but just vague enough to flirt with indecency.

She sends one more at lunch where she's gotten out of the shower, or a hot pool, or maybe a long workout - her breasts squeezed between a towel and an arm - she has the camera all zoomed in and framed tight, almost full body. If her intention is to mess with you, that's what she gets. The texts: ah, fuck off and did you have a nice date with your left hand then, thanks for reminding me, the hotel wifi is shit lmao.

The messages just keep on coming and there's really no better descriptor.

And Irene, later, in a way that's neither diplomatic nor nuanced: jesus, don't let her catch you by yourself. For simplicity’s sake. She interprets being alone with a handsome boy as carte blanche to do absolutely whatever she wants and she's vapid that way.

There’s a chance it fizzles out into nothing. An even greater chance it all goes sideways. You'll have to see what becomes of you three.

Okay, right - new year, new you. The resolution for the past couple remains unchanged, and unfulfilled - less takeaways and eating out; more meal prep, less calories, healthier decisions.

Irene has this cute little apron over her sweater that is fixed extra tight, the belt trailing down the tops of her jeans to accentuate her nice round hips and slim waist. She knows the nature of her charm, her sex appeal. How it occurs, almost, as if by accident.

You say something that will get right under her skin like, “looking real domestic, Joohyun,” as she slides a chopped onion from a cutting board to a bowl.

She presses her hips out just a smidge, just enough. Turns a bit as she opens up the fridge, and the smirk she has for you, that sidelong glance-

“Don’t you Joohyun me,” is her lightest rebuke.

She twists her way onto her tiptoes to fetch at the highest shelf. The crochet corner of her sweater rides up a couple of inches, flashing a hint of the fair, bare curve of her lower back. "You can help me by grating the parmesan, hm? Into that," she gestures back at the table, pointing with the bottle of olive oil.

And so you're ten, fifteen minutes into helping with dishes, with the grunt work - with the realization that Irene is going to chop her fucking fingers off if you leave her to it unchecked.

"Actually, here," you say, "can I?"

She tilts her head, skeptical - still, a quick nod of permission - and her slender fingers surrender the knife and wooden chopping board to you. She's tapping away at her phone, finding the playlist you're both always secretly listening to.

"Wow," Irene says, low, as you start dicing mushrooms, a stalk of celery. "So brave. There’s no way I could do that. Is it safe? Are we, like, in nuptial bliss now, do you think? I fancy you, I fancy you-"

It's always this sorta-delicate dance with her: how much should you step up; how much should you put out of hand; how much she accepts versus how she pushes you aside and gets through you all the same. You're too proud, really - both of you - but fuck. She's adorable; the apron adds insult to injury; and it makes the switch in your head simple.

“I always forget how much I love this song,” she’s saying; the rolling pin she’s grabbed is a reasonable surrogate for a mic. When she’s through singing a verse, she shoves it in your face. You don’t know any of the lyrics.

She doesn’t really care.

You have to laugh at everyone who's ever wasted the effort to theorycraft who she is behind the smoky lashes, the lowered chin, the downturned glance. All the characters and archetypes she'll wear and cast off as she needs.

"Here." She sidles up and tucks her hair behind her ear, the side of her hip grinding into your thigh until she’s pressed firm into the line of your leg. Because she needs to tell you that's way too much garlic, and she's not going to kiss you if your breath is trying to kill her first. She uses the word "pungent" a number of times, just for good measure. Go on - she’s murmuring - taste; right off her finger. If anyone caught this you’d be embarrassed for weeks

“I think, definitely, should open a bottle of wine-”

That’s how you earn all the responsibility for getting the both of you fed; she gets distracted looking through the recipe book.

But there's the way she looks up at you from the opposite of the kitchen island, face held up between her hands, fingers folded underneath her chin. "What?" she asks.

She’s totally caught you staring.

The truth is: Irene only looks this gorgeous when it's just her. When she forgets that she's supposed to stick to a script.

You tell her as much when you end up fucking her right there on the counter.

It's so slow, atleast at the onset. Her panties pushed aside, jeans spilling off an ankle - the fucking apron managed to make it to the floor but her sweater got kinda stuck on the way up. So you're reaching through some overpriced fabric blend to pull down the wire of her bra and get your palm where she most prefers it.

"Say it again," Irene sighs into your neck, clutching to the back of your shirt - white-knuckled at the seam. "Come on, you can be so charming when you want something."

"I wouldn’t push your luck," is all you choose to tell her.

You're hitting all the spots she wants you to hit anyway: her pretty pink cunt, slick, all wet for you already. Everything clenching as she arches her back, until she's hanging off the edge of the marble. You find it’s just enough leverage to fill her completely with your cock - stretching her out and open until her thighs bracket around your waist at the perfect angle.

"Or what?" Irene is out of breath, but hardly at a loss for words. "I know. You'll have to remind me how much smaller I am than you, right? So easy to keep pinned."

Well, if you really wanted: "Hah, ah - right." You get right next to her ear, muttering the words as deep as your chest can go - then take hold of her waist to put her in a spot she can't escape. And, by Irene's usual logic, once that happens, that's as much a victory for her as it is for you. You're being compliant, aren't you? The in and out: fucking her, filling her up, pulling your messy cock out of her pussy and slapping her clit just so she can hear how fucking soaked you make her, merely as a reminder-

"I wonder if she was even half as desperate," she moans against your jaw. "Her heart probably stopped the second you, ah - told her, what? About all of this?"

You stop fucking her, halfway.

"I’m sure you wouldn't be referring to Karina, right?" is where you glance at her. “I remember us both agreeing to chalk that up as a total absolute mistake. That was that.”

Irene just swallows, looks off somewhere over your shoulder. No one wears a blush better than her.

But she won't say it. Her honesty is such a privilege. The prodigy-type. Or at least, that's the word Irene chose. Then again, there’s you and your uncanny ability to turn a blind eye.

To the vice, the virtue, and everything in-between.

"So, can I ask," you press your lips together, finding the point of her chin with a gentle tap - you have her looking you straight back at you. The moment could let you drive back inside and fuck her brains right out, right there, like that - right through, instead: you watch her try not to squirm.

The tension in her upper chest, the rising heat that settles between her thighs, her weight struggling where you spread her knees, as far open as her body can allow. “How long exactly," you choose your words, careful and pointed, "are we going to pretend that she isn't texting both of us?"

You bury the question deep where she’s practically molten - hot and wet and so incredibly needy.

You do, again, and again. You pull her against you, watching that pretty brow scrunch and un-scrunch as your cock bathes in that soak. And hell, Karina had sent her a selfie today, is what she's explaining when you slow down enough - a bit of red, on her cheeks and her lips, and a lot of black, all the rest - the part about a midnight flight that's on hold until tomorrow morning. And then another, an hour later. To you both: her tits, the lace lingerie - so heavy, and soft, and easy to see yourself getting lost in-

Irene gasps at how fast you find all her favorite spots, then repeats - twice and again - hey, Karina said you're "such a cutie," and she sees her as the perfect mistress-material, don't you think? Wouldn’t it be ideal? The perfect fantasy? The perfect toy-

Obviously, that is morally bankrupt, even for the two of you. And you’re making sure she hears about it.

You ask her, point-blank: "are you really so selfish? So callous." It's ground out, slowly, against her hip, into her cunt. You've got Irene dripping wet, she's running everywhere, and you're telling her, "and this is your roundabout way of asking me to validate your twisted little ego?"

Don’t get it too confused: Irene lives for this shit; that sharp, hard-hitting tone - it drives her up the fucking wall.

"Duh. Tell me - just a guess," she presses her hands further back, arching into each push. The slim curves of her chest are bouncing, just under her sweater. "You like to feel so guilty and morose but I bet-" she chokes off mid-sentence, you know exactly how, the exact motion that has her wanting. She gets a leg over your shoulder with no effort at all, and your fingers find their place, digging into her hips as she locks into your thrusts.

Like fucking her is the only thing the two of you ever do.

Your whole body buzzes, it hums in resonance with where her gasps conflagrate to moans - you're pulling her slender frame down into every sloppy thrust and she takes you so fucking well.

"I bet it all sounds like, ah, the prettiest fucking music - in your head-"

“Fucking god, Irene-”

“Mhmm?” she fucking coos.

Because the things she wants to hear never actually leave your lips - your girl, fucking relentless.

Because the line between you fucking her and her fucking you becomes less distinct every time she rocks back and takes you deeper. Or when her mouth catches your next kiss a bit lazily. She takes over to swivel and slide her cunt up and around your length. So good that you have to keep her there. Hand locked onto her throat, digging a bruise or two in her collarbones, fucking her senseless against the countertop-

"Irene, fuck.” Your voice comes out thick, like gravel, and practically as an aside, “you’re going to make me-.”

Irene cuts you off, nodding, shh-shh’ing you into silence. “I know, baby. I know.” This total sigh of agreement - a hushed yes, or maybe uttering something she knows will sink right into your core, two words that sound a lot like “good boy.”

What, is that tacit approval? Probably. It’s hard to think straight.

So you bury yourself inside her, instinctually. Irene tips her chin up when she feels you paint her fucking womb. Every throb - with a fistful of her ass and your face pressed against her chest, sucking and biting and marking her anywhere, everywhere - right through her sweater. Fucking her so full that your mess is dribbling out all over the fucking floor, drip, drip, drip, and-

"Hey, I want you to know that I" - she sounds so amused as she cards through your hair, pressing a kiss to your forehead - "really couldn’t ever ask anyone except you."

(All is fair in love and war, is an adage Irene takes to its logical extreme, tangled in your sheets or with a dress puddled at her ankles. A silk stocking rolling down her leg, the crochet thrown into some dark corner.

You never say yes. You never really have to.)

This all before setting her down, off the edge, back onto her feet and taking another half-step forward and having the awareness not to completely flatten her under the full weight of your body, so she can run a hand down between the two of you and her fingertips can start gathering up all the cum you've pumped inside her. Irene tells you in her sweetest lilt to pay attention as she leans back up against the counter and gathers as much into her mouth as it will allow-

The sight alone.

When her head tips back, tongue passing over her knuckles, and she swallows-

"You are so," you sigh into her temple. Her cheek. You've settled the rest to the space in between. “Absolutely unbelievable."

She reaches out and trails the tips of her fingers lightly along the rise of your cock - her softness up against your hard lines. Her eyes flash when you twitch on the fucking spot. It's so tender all coming from her.

And there, a moment or two more. You can see it in the way she has her lips tilting, dreamy. You've always known what you were signing up for - how she's thumbing the nape of your neck - what her ideal outcome was, is. There's nothing and no one in front of either of you to bar the way.

You’ll make your vows like any other.

"Well, hey," she finally says, slow and husky and curling toward you with a smug self-satisfaction.

You push her hair behind her ears, the dark brown locks. Some part of you understands, unequivocally, that she is the absolute limit of how far you would go for any other person on the planet. No questions. In a heartbeat, without hesitation.

The kiss to the corner of your jaw is unironically chaste - before she’s telling you, "shouldn’t we get a move on it, chef? There’s food to eat, recipes to ignore; aren’t you fucking famished?"

The bolognese reduces down to a scorch in the cast iron. Too much heat, or too long, you got too preoccupied, who knows - there's a moral lesson to ignore here if you're so inclined. So it ends up being over a tray of sushi delivery that Irene explains to you her working theory like it's high-stakes political intrigue.

"Listen," she's got her chopsticks pointed at you, "for one, Karina, to her core, is a total seductress; and she's told me already, more or less to my face - she gets off on the chase, and hates the other shit. To be involved, or invested."

“Okay then why all the go-around; the wait-and-see; what’s her endgame?”

“What’s anyone’s endgame?” Irene shrugs. “Validation." She slips a tuna roll into her mouth.

"I think you might be projecting."

"Or, I'm simply an extremely empathetic person," her sarcasm hits harder through chewing - she almost gets you, and finishes swallowing to say, "look, she's like us if we were pretending to care, okay? Just more, like - explicit about her lack of intention. So. Doesn’t matter if it's to piss her manager off. Or it's like a revenge-slash-extortion-thing against someone she either had or is having an affair with."

"An affair," you repeat, skeptical.

"It's not like it’s an unheard-of workplace hazard, come on," and then the final confirmation: "she’s just into it because it sounds dirty and sexy, okay, like everything else-"

"And you figure we should be the ones to dole it out."

"What I figure," Irene says, doing that same mental calculus she did the first time: how, where, why - it's clear. A dozen different kinds of naked are an old, tired song by now. "I want us to fuck her. However she likes, whenever she likes, for however long she likes. Let her think she’s won something, or think she has you totally fucking hooked - I don't really care. Because it would be so much more satisfying to hear you tell me about it - because the idea of you two being like that for me. It's," her words pitch up a touch.

"That's the fantasy."

And Irene dives into the details. She explains what it could look like, all the more raunchy and ridiculous. This very specific arrangement. It makes no real sense, the conversation alone, and that, you decide - what can't be rationalized - is how she'll take it: by fucking both of you. That's the objective fact. That's the demand.

You listen until it feels less and less like the decisions have already been made.

“Okay, babe,” she’s presenting her case. “Hear me out.”

And she keeps going until you both can see it materialize: "if Karina thinks she can handle both of us, then both of us it'll be." It’s how her fingers end up buried in your boxers and around the throb of your cock. You hear the gentlest laugh Irene has as you start fucking softly into her grip, and she runs her thumb over your weeping slit until she finds you that much more malleable to the suggestion. Effortless almost, she lures the primal part of you from its confines and teases and prods at its wants and desires. Which is also how some charged vocabulary gets thrown in for good measure. Because no, no, no - she's murmuring into your mouth, tipped back, plush lips right above yours - it's not a cuckquean situation, or an open relationship, or anything like freeuse or whatever else might justify the concern. It's not even cheating, Irene’s explaining, strictly speaking, because who said you and I wouldn’t be doing it together?

(Lying by omission is the story you both live - and the difference: she's pathological. You’re just now getting the hang of it.)

"Fuck," is what you exhale out as she opens her fingers, offering. Her thumb glides across the expanse of your head, a trail of pre-cum drawn underneath a nail. And you know all the things her nails can do - can rip your heartstrings. "I mean. God damn. There has to be, like, terms."

There's still sushi sitting on the coffee table, and Irene is placing these kisses into the slope of your shoulder, your sternum, making a show of the movement, how she's traveling down, downward - to her knees. Where she finds the seat between your thighs and tugs your shorts, the fabric gathered down your leg-

"Let me handle it," she tells you, and there goes the cut of your t-shirt, shoved up to your chest. Her grip runs flat, down from the rise of your hip, fingers wrapping around, touching - the flat of her tongue laving across the tip of your cock until she decides to lower her jaw.

"Just think right now. How I want to fuck her and how I'd want you to fuck her, too-"

Right in her warm, wet little mouth.

Jesus, her tongue too-

She has it gliding up, around and against the swell of the underside. Rolling to where you need it, the places she knows you’ve died before. Lapping up the mess she's already gotten out of you-

Like this, Irene's looking at the way that the idea strikes: you and you and you; the only person in the whole goddamn world that can handle her; you fucking know it too - it's the most perfect, hopeless kind of thing. Like the feeling that catches at the apex of your lungs. It burns in your stomach and grips in your gut. She's gone and cut out the nerves - there's the crown of your cock caught in a velvet grip between those pretty pink lips and her fingers twisting at the bottom.

She breathes deep. Sinks her lips so slowly to the base. Anything, everything you want: to put your hands to the side of her head, to weave your fingers through her hair, and coax her, fuck her mouth like it belongs to you, all slow and hard and measured.

To hear all those wet sounds she makes as she chokes on the end of it. The gags as you force your cock into the back of her throat, holding her head tight, her hair pulled up into a fist, to have that mouth hanging around the length of you, tongue stuck to the bottom of her chin as you move her, your fiancée, your toy. To be looking her in the eye and watching her look the fuck back while she revels in every filthy second of it, not a single damn drop of hesitation or doubt.

"Really think," Irene urges, and she's all innocent when she tips her head to kiss her way up your cock.

She’s trying for some grace or finesse, or both - trying, you think, to make a point; instead, you end up watching her gulp and spit into her palm, just to obscure the sensual curl of her tongue with the sloppy-hard rhythmic stroke of her fist. "How hot it would be if you watched us both choke on your cum. Her face fucked stupid - the perfect little fuckdoll, is that not an image for the ages-"

You get a glimmer of that catlike grin - the one you would kill for a picture of. Something for the wallpaper, or the wallet; you've never met a boundary she hasn't challenged. The most depraved ideas in her head are just, as she is, a masterpiece. And so the answer has never changed - there has never been anything she's not been allowed-

"Trust me baby," she presses her cheek against your shaft. You feel her turn and run that mouth all over. The tip of her nose. Her eyelashes. The wet heat of her breath as she nuzzles the length. "Karina's all ours to share."

Her pout, right there, waiting.

You can't stop yourself from grabbing her face, the crook of her jaw, her neck and the tips of her shoulders. Until it all comes with a good, hard pull. The sound of her mouth on your cock, the blowjob she's been perfecting for years. It's starting to fill up the room, her lips wrapping your shaft - the sound of her being so obedient, the most receptive, sweet, pretty thing: letting you guide her pace until she has a steady motion going. Taking the thick base in her hands and working it over between her fingers. There's only enough room for that before you’re all the way inside her, in and out, again: the tip of your cock brushing over the softest curve of her throat.

When you take her at face value, it's fucking wild: your fiancée kneeling before you. Her chin and neck wet with her effort, lips wrapped so pretty, stuffed, used-

There are no questions. This is simply Irene, doing what she loves.

She pushes a hand between her legs and holds herself together as your hips tilt forward, meeting her halfway-

Just letting you get yourself off in her mouth like it's no big deal. It's her throat - it's her goddamn cunt and ass, and whatever else - because you fucking asked, right? Because you gave her the permission, the choice, the agency.

"Hey, where should I?" you’re muttering as you push the hair out of her face, already half-drunk on her slick lips and realistically only a few seconds away from doing some real damage.

There isn't a need; but you want her to tell you, to use her words. In her mouth, on her face, in her palm, you’ll go without thinking. You’ll cum straight onto your own stomach if it’s what Irene says. Even if she’s acting like you already have.

"Make sure you give her,” is what she garbles out around the hard line of your cock, and it’d be impossible to understand if you didn’t know every nuance to her, if you didn’t - you know - fucking love her. To have and to hold - to hold on tight and for better or worse, and this is pretty much as bad as it gets.

The syllables come in-between hollow breaths, all wet and sticky. When Irene wrenches the fuck out of it, the base of your cock- “hm, that same sort of courtesy when, agh, I'm not around-"

Because the image alone is what matters. There, getting your cock sucked like you've earned the privilege - it doesn't have to be real, it just has to look like it's a new truth to believe in. The little motions in her wrist are just - hah, fucking unreal - and the way she sinks down lower on her knees for each stroke, from base to tip - lips pressing over the knuckles she has wet, and squelching, and twisting up and down and up-

She places a hand under your balls, the gentlest cradle, and something of your restraint finally breaks - it snaps - her insistence is ruthless.

"Yeah, god, okay- I’m just gonna go ahead-"

There are these images in your head, of Irene: the upturned brows, the hollowed cheeks, and that slutty-as-shit smirk - and then of Karina: doing the exact same thing. Fuck, your cock is heavy, absolutely leaking cum: you can feel yourself leaking into the press of her mouth. It fills up her cheeks as she blushes into the fuck. Her lips become flush and go soft against the ridge of your shaft - her jaw slack in anticipation.

"Your fucking mouth, Irene" you breathe out, “I'm going to cum-”

Just at half the sentence, you're there, sunk into your fiancée's throat. Fingers across her ears and into her hair and watching her own hands pulling you, guiding you-

It’s all flexed in your back. Every muscle. Every fiber.

Irene hums onto a simple, satiated note. She always does, when she tastes it. When you dump a hot load of cum all over her tongue and straight into her throat.

(And yes, some might claim this is the death knell for all kinds of reasoning, but you’ll go ahead and admit it’s so, so worth it.)

"How thoughtful," she says, low and slow, once she's through swallowing the entire fucking thing.

The corner of her mouth tilts up. Because you're finished: two steps left in the brain from falling out of consciousness, a mess on the couch. You get to watch as she pulls you into sorts and slots each piece back to where it's meant to sit. The underwear, your pants. It's with such careful attention. Your soft cock gets cleaned with a tissue and wiped dry. A tiny parting kiss for the tip, her mouth full-on puckered, like she's kissing out anything you have left.

Though it's a pleasant daze. She prefers you soft like this, really.

All you have left to say is: "fuck me, baby." It sounds sloppy and open-ended as hell. "I guess I'll leave everything to you."

If that's a cue or sign for the evening, the only right thing: it isn't exactly misinterpreted.

The actual logistics don’t arrive for a handful more weeks. You find it surprising they ever happen at all.

// Karina 10:41 pm > i'm bored.

// Karina 10:42 pm > suggestions?

// 10:49 pm > have you tried looking into an incognito tab?

// Karina 10:58 pm > lol, and what is it i'm supposed to be finding?

// Karina 10:58 pm > help a girl out here.

"Send her a picture of your cock," Irene says, like it isn’t a joke. She looks up from the smutty-dash-of-romance-porn novel she's got herself wrapped in, with her best faux-serious expression. The pair of readers that usually are in her top desk drawer have made a new home perched low on her nose. "God knows she hasn't stopped leering since she found out what I'm marrying into."

"Please," you tell her, because she's full of shit. "I'm not sending her a dick pic."

Your laptop is warm on your thighs as you huddle on your side of the bed. That's the point of balance where it feels like Irene isn't trying to look. Though she clearly is. You flick up through a couple tabs just to drive the point home.

// 11:01 pm > sorry. i'm not in the business of just handing out freebies

// Karina 11:07 pm > really

// Karina 11:07 pm > thought we were making progress here

// 11:11 pm > you're funny

"Ask her if anyone's home with her." Irene dogears the page she’s reading and sets her book down. "Or ask if she's, like, tied up or something. Something edgy."

"Something edgy," you deadpan.

"Do you want me to put the readers away," Irene offers. She's wearing the sort-of smirk you always need to be wary of.

"No," you say. “God, no.”

"Ask her where she keeps her lingerie. Tell her she should be thinking about what it'd look like: all naked except a thong. With the straps digging into her. Tied up all nice and pretty-like."

// 11:13 pm > u alone right now?

"What the fuck?" Irene slugs a pillow at you. "That is the creepiest way you could've sent-"

// Karina 11:13 pm > yeah. i am :/

You and Irene are both struck a little dumb by that.

“Sheesh, she must have had her finger hovering over the reply button.”

"Yeah," you say, eloquent. “Who could blame her, though.”

"Uh-huh." Irene exhales, staring a bit pointedly.

// 11:16 pm > cool if I come over?

// Karina 11:17 pm > and… do what?

Irene nudges you with her heel, a questioning glance: the window has just been left there wide open and hanging. She whispers like Karina can somehow hear her through the phone, "you are terrible at sexting."

“Can you fucking leave it-”

Irene rolls her eyes.

// 11:18 pm > do you need ideas

// Karina 11:19 pm > got a couple. i wouldn't be against hearing something that lets my imagination fill in the gaps though

"Text her that you're into her throat and want her to show you her tits," and Irene actually cracks a laugh as she has the audacity to make the request. She's in good form this evening; in nothing but her favorite silk camisole - the navy blue one, which pairs great with all 5’2” of the rest of her. Like the soft curves she wears and everything else isn't bad for your heart. "Seriously, I want you to-"

"How am I supposed to end it?" You ask. The tone is purely sardonic. "Babe. Baby. My future wife. Tell me. You do realize you're basically asking me to bait her, right?"

Someone will eventually put their cards on the table, and Karina, Irene, and ostensibly you will realize you’re all currently having a mental break from reality. Or something along those lines. "I mean. Could that really be a negative," she wonders with an eyebrow quirked and another gesture of her arm like she wants to showcase the night sky beyond the bedroom windows.

"How, what - babe."

"You could promise to let her sit on it."

"Is the cockslut routine an act? Like," you lower your volume, "do you really have a playbook, here?"

"So mean." Irene reaches a hand over. She has her head propped on an elbow, the rest of her sprawled and comfortably positioned on the bed. And you wonder why the fuck you feel compelled to argue a point that so obviously has already been lost. "Just go fuck her already, god damn, I dunno."

Right. So. This was the part that was kind of inevitable - and Irene's impatience aside, you probably were about to win a lottery when you showed up at her door - that golden little interaction: "hey it's me, your rival at work's future ex-husband, I guess - I'm so horny and I think you're so beautiful and wouldn't it be so crazy if we, like, boned, haha, what?"

"Just- have sex. Tell me about it after."

The novel beckons Irene back toward it. She makes herself the picture of someone perfectly comfortable with you walking right into the next most uncomfortable predicament.

The sigh. That long, heavy thing. A leadup you do so often.

The simple idea of sending Karina that sort of message sends heat, low - just under the band of your sweatpants, and right where you've got yourself in the palm of your hand and you're already wondering how this is the result, why your cock is coming to a rise already - god damn - why every thought of Karina's face, and Karina's ass, and Karina's everything, every moment her lip is caught in between those teeth is becoming impossible not to touch. "Okay," you huff, "fine. I'm getting up, I'm going now- I mean it, right now, just give me a minute, I am putting my clothes on."

"Wait," and she's saying, "wait. Wait."

And when you turn around, Irene has this cat-that-ate-the-canary grin all stretched on the canvas of her face. She takes off her readers - her elbows thrown into her lap as she goes to the very edge of the mattress, pulling your shoulders for balance. "Babe-"

"Mm."

Irene likes to get you at a low simmer. The way she runs her thumb pad along your bottom lip. And all those questions - a look into her eyes - it's hard not to fold or break - when she's holding onto that sort of expression, unwavering; no matter how her mouth seems to get soft and curious.

Her lips move onto yours, asking - a push. And your eyes - a brush against a shoulder and you've already gone a whole mile from anywhere decent. There's the touch of her tongue between your parted mouths.

"You'll be good right?"

"I mean, sure," is what you manage, watching her lips close.

"You'll fucking wreck her, and do it exactly how she needs it done." And her brow, knit. She can tell your brain is busy jumping ahead to a hundred different scenarios. "Stop worrying."

There's a brief nod of reassurance. Her fingertips dust down your chest and the rest of the way. You hear Irene tell you to-

"And give her an extra hello from me."

"Okay, I love you, but also you're insane, like certifiable."

"Shush, I know you," and Irene gives your hair a little tousle before pushing you out the door.

You're standing there at the front door of Karina's apartment a little after midnight, bathed in dim, orange wicked fluorescence. Like it knows your sins - past, present and future. There's no obvious answer when you go knocking, and for a half-moment, you're thinking, okay, it's alright, this is how I let someone down easy-

Until she answers and leans out, pulling open the door. It takes you by surprise-

"Well, I'd normally let you in," you hear Karina say, and a smug smile starts to cross her face, "but..."

It's about the degree to which she looks hot and a little off kilter in this tight t-shirt - a snug pair of panties around the sway of her hips - that almost sends you spinning. There's not an ounce of self-consciousness; it's like a punch to the gut.

"Aeri's date went south and she's drunk. She's passed out on her bed, like, right now, I don't think-"

There's no bra. It's hard not to get fixated on every detail. Like her nipples, practically standing out. You have an irrational desire for her to take a step back, further into the room, further out of your vision's reach-

"Uhh," you croak. And you do have the mental faculties for, uh. For telling her. "Maybe, you know, later, could be better, yeah, maybe call me."

Though, unfortunately, the suggestion falls short on delivery.

"No, no." Karina has her hands searching up and underneath your sweater. Her fingers dance flat up, right over your stomach - teasing as she hikes you back inside. Right past the threshold. Your mouth is half-caught and stupid under her, the gentle hum and pressure on her lips. "It means we need to be quiet."

She drags you another step forward, with just the hot flash of her gaze.

"Shut the door behind you?"

"Locking it too," you tell her.

The laugh she makes into it, this one little scoff - it's an acknowledgment: an agreement. It's one of the worst fucking sounds, and the whole damn thing gets to you. Like her ass wasn't the perfect fit for the palm of your hands- like you don't want to trace your fingers under the elastic of her panties.

As if it wasn't fucking clear enough. It's the tongue in your mouth and the hands in her hair. She's kissing you soft, she's kissing you deep; her weight rests and pulls back with each swell of your ribs, pushing her fingertips down until they're skating, slow, low into the grooves of your spine. Like she's getting familiar with you again.

"Okay," you breathe. She laughs on your lips and presses forward - pulls you back, farther- "uhh. Okay."

She must see the confliction you're in-

"Hey." Karina keeps going until you've got her backed against a wall, until your thigh has pressed into the crux of hers and your hand is in her shirt. You don't miss how she lets her head tilt back when her eyes shut. It's her. There's no disputing the reality. "Whatever you want to do to me. That is all I've been thinking about. Do it."

"I- don't really-"

She makes a decent show of crossing her wrists and tugging her shirt right over her head. Tosses it someplace safe enough. "So are you just gonna leave me in suspense, or do you need my explicit, enthusiastic permission?"

Your lips draw themselves a blank on anything useful, while your heart rate accelerates.

"Here try this: you’re going to fuck me until I beg you to stop. Then you’re going to fuck me some more. Or whatever- then we can go somewhere, I don't care," she offers with a half-whisper. In all her goddamned glory - barefoot, almost bare chested - it's not like it could be any other thing.

You’re not exactly supposed to end up on your knees for this.

This isn't quite how you pictured-

Okay, fuck, Karina's making the prettiest noises where her spine is curling up against the wall; those sounds you couldn't even make up. How it feels like the easiest damn thing, because there isn't a question to why. Every inch of you is pressed to every inch of her. You know what you'll taste on your tongue, which of these breasts belongs in your palm and the fingerprints in the dips of her waist - her lips on the curve of your jaw - every mark and bruise on her skin, every hint of it is real; it's fucking you up because you're kissing the woman that Irene picked, the woman you met - it's how you pull yourself away-

Karina, for the longest few seconds, is shocked into stillness.

Because you could, of course, decide to give this one last shot, your head between her thighs and eat her out until she was so fucking wet your cock wouldn’t even enter the equation. This is not actually a new idea; the possibility has run through her mind enough times already.

"Yeah. That would work."

Like it's no big deal-

"Do you need instructions? I can get a bit graphic."

"Actually, you know what?" you choke a little, and - "trust me."

You stand straight up for a moment, a second, an extra fraction. You slip your cock inside her hot cunt, and, yeah. She collapses right into you. You’re holding up her just enough to fuck into - she's starting to breathe deeper, harder; you've got her pinned like that - a hand on her neck, fingers sinking into everywhere she's softest: her tits, her ass, her waist, her throat, and there is nothing that isn't some version of fucking glorious about Karina's weight grinding, heavy onto the tip and onto the ridge and down the thickest length of you-

And her face, jesus christ, her fine brows upturned, the tears heavy in her dark lashes, the little gasping-sobbing sounds that spill across her wobbling lips - this is the both the easiest and the hardest part: seeing her get absolutely fucking ruined-

(You know, god help you.)

Irene doesn't even have to ask. There are hickies and bruises shadowing in on your neck, your chest - these marks you never remember Karina giving you, and a ton of scratches all up your back.

"You know I was going to offer to make you breakfast," Irene says, smug, "but I'm wondering if Karina got to you first."

"What the hell do you think?" you say, dumb.

There are eggs burning on a skillet that are never going to be salvageable, no matter what Irene says. She has no respect for the process. And her voice is full of that infuriating smile: "was it everything you hoped?"

"God," you mutter, trying to mask the embarrassed laughter in your words. You can hardly move an inch on her behalf.

"At least tell me something fun, you insufferable tease," she presses her nose into your hair and tickles the spot on your side, just to be a pest.

You lay it all out for her. Everything she wants to hear.

Surprisingly, there’s still plenty to learn about each other; days to weeks to months. The first real thaw of the year comes, and you’re quick to fall into this odd rhythm.

Karina won't actually join Irene on set or production very often - too much heat. It shouldn’t have taken so long to figure out the two don’t belong in the same room together, and if they’d asked you, they’d know - but no one ever really does ask you. However she does spend more and more time around the apartment. In and out of your personal spaces. And maybe a bit in between, or a little underneath too: how she seems to slot herself right into every possible fold whenever Irene’s away.

Always traveling for this reason or that.

And god, the perfect powder keg Karina is - ticking, short-fused, all ready to explode. It’s ironic, you think, she’s drawn to scandal the way Irene will do anything to avoid it, and here, she's found her ultimate indulgence.

The quick lay, the time and place you know you can be patient in pulling her apart, the everything in between.

In fact, you’ve taken to calling her "babe" just so she doesn’t think twice when she gets your cum pooling deep in her cunt, all hot and sopping. Looking like the picture-perfect centerfold. The fucked-dumb face - all twisted in your grip, flushed-red; and the musky scent of sex; the noises and her presence alone. You fuck her, and fuck her, and fuck her, rubbing a thumb across where the mascara runs thick.

To be the gorgeous girl, cock-drunk and fucked-out in your lap - so simple - so natural: Karina finds her way over more often than not.

After your shower, after your nap; your work, the bar - Karina’s never more than a text away. And you'll keep a hand around her waist as she stands around in the kitchen, stealing Irene’s leftovers out of the fridge. Karina ends up straddling your thigh right there at the breakfast table, holding onto the wood for support as she cums all over you.

The long and short of it is:

She's fucking you. She's fucking your fiancée. She sees no problem in having her cake and eating it too. The only caveat is: Karina thinks neither of you know what's actually going on.

“You gonna say hi to Irene for me?" she's teasing one day, snapping her bra back into place. The t-shirt pulled over all that glossy-dark hair, the shimmy of her hips just to get back into the world's tightest jeans. She presses a fleeting kiss to the corner of your mouth. It's such a stark, clinical goodbye - ending with a flick of a thumb across a screen. "And oh, let her know if she ever wants me to teach her a trick or two. Anytime."

“Yeah, I’m sure she’d love that.”

Karina does the most insipid thing. She fucking winks. “I’m sure she would.”

"Uh, are you kidding me?" you ask Irene.

It's late one night, and Irene is standing in the kitchen in her pajamas with a welt the shape of Karina’s lips kissed right into her jaw. A couple drinks in your system have given you both a false sense of clarity, and also an ill-timed desire to solve all your goddamn problems. You lower your voice. "In her ass?"

Irene has that all-triumphant and dopey grin that makes your heart ache for her. There's a soft curl of her hair loose, thrown across a shoulder. "I’m serious, pull her hair right, hold her wrists until her back has to be arched. Pin her to the bed," she continues to illustrate, "it's all in the finer points of how much. Tell her to count, even. I'm not joking-"

She takes another spoonful of yogurt between her lips.

"-she'll let you do anything, promise."

“That’s fucked up.”

“I know.” Irene wags the spoon at you. “It’s great.”

It's not only the hypothetical-homewrecking that gets Karina so torridly wet for the whole affair; when she's pinned beneath you with her legs spread and her toes pointed skyward, or perhaps later - the same day even - riding Irene's face in a locked dressing room and crying out - "ah, hah, jesus, please-"

In her head, she has you both at her beck and call. Forget semantics - Karina is a fool to her own illusion. Because in her head, not only has she managed to go toe to toe with the industry's reigning monarch, she’s managed to win.

You don’t exactly know how Karina ever intends to keep it casual. Because things are damn near constant:

It’s a weeknight, and the moon is high above the windows, casting a crisp rectangle onto the hardwood; it doesn’t actually matter, as far as Karina is concerned.

Irene’s on television again, the sequin in her dress clinging tight, and she’s found the gaze that never breaks for the cameras. Found the flash of her most practiced smile - that little chime of laughter she has that sounds like striking pure gold.

Then Karina: sitting cross-legged at the very end of the sofa. One leg thrown over your thigh, she’s got these nylons on her feet and she’s poking a toe into your ribs. "Isn't she stunning," you hear her muttering, "honestly. Doesn't it, like, turn you the fuck on?"

Her foot grazes your lap, all casual at first; the impossibly soft-curved heel of her sole. There are so many ways she'd prefer to pass the time and they almost all involve getting under your skin, if not just outright getting into your pants.

“Elaborate.”

"I mean listen, in your case, just knowing your fiancée is up there looking like a total angel and at the same time, thinking about you; how she’s got to be considering every which way she’ll unwind just after the showcase - at least, that’s what I’d be doing." She licks her lips, teeth. "Hell, I’m only imagining how pretty her eyes are when she can barely keep them open, and that’s enough to ruin my panties."

"Are you really."

She shifts her weight. Puts that ankle to good use. Rubbing it into the crease between your legs. "Tell me," her lips curl. She’s looking at you dead-on. "How does she usually prefer it, hm?”

Like a wildcat, you suppose, your Irene - a pretty, little predator. You could tell Karina everything, but you don’t. Instead you let her wander into the lair of her own making. Her eyes: light and curious; it’s written in the lines of her face how she's picturing it all so plainly.

“I’d guess she lets you go slow. Or hard. Or maybe a little rough and then you make her cum, and then maybe, just maybe, after the teasing; after the edging, I guess, that's when she comes in hot. I would hope."

Karina twists her foot around, swings her weight onto your lap, and sucks in a sharp breath when you reach out and grip the lean lines of her hips. It’s as easy to hold her still as it'd be to drag her across the couch and under the rest of your body, fuck the goddamn tension until there was no longer any room left for the pretty smirk in her lips. And her gasp would probably sound a hell of a lot better - than all the needling quips - a much louder and much less-pretend whine when you could throw those thighs open and really pound her wet, aching little cunt-

“Easy,” she chides when you end up taking two handfuls of her chest. "Shouldn’t you be more supportive? For god’s sake, it’s your fiancée’s moment in the spotlight, you know-"

There’s nothing stopping you from popping off the buttons of her dress, one by one by one - and kiss right there, into the swell. Your voice feels all the rougher when you respond, "and what a moment."

Her fingertips skim over the places she's been kissing you, where she's been marking and claiming and trying to, at least, to stamp you like her personal property - when the look is that serious. All cold-burn. Right through to the bone.

“So.”

You can feel her touching into your pants. The heat in her soft, silky thighs; she sits above you, keeping a leg on each side. A part of you feels trapped; another is confused why you aren't turning the tables right now - flip her and ride out her cunt on the couch. Some passing thought, or just a fraction, the only one that matters in that particular instant, wonders what Irene would do, will do - has done - in your situation. How her hips would roll. How Karina’s moan might sound when she dug a nail right into a sweet spot.

You push Karina's skirt a little farther up her body and try to gauge the moment she's finally decided she doesn't mind.

“How about you keep your eyes on her, and I'll suck your cock while you do," ends up being the short and not-so-sweet of it all. “-or maybe you can get off between my tits.”

She wraps those fingers around your base and pulls gently. It's not a decision, but merely a continuation, a culmination: a gesture made entirely to pull the response: the hitch to the throat. Her nails skim that ridgeline as her eyes track across the cut of your features. It makes you groan into her next kiss, to say, "if you wanted it so bad, babe, you could’ve just said. Would save us a lot time-"

"Are you complaining?" she husks, pulling your pants down your thighs. Your cock is in her hands and she smiles like a cat - licks her teeth when it twitches at just the slightest touch. "Yeah, I didn't think so," is how the breathless laugh leaves her lips.

You catch the quirk of her brows, her tone: straight-up, like nothing. You’re almost buying into that until she's got your shirt on the floor, those lips of hers in the divot of your collarbone, and her tits wrapped around the base of your cock, and, well, fuck-

She actually wastes no time - none at all. A couple feet away, Irene covers her laugh with one hand. There's a brass award in her other. And the television casts this soft, pale glow.

Karina tips her head, and a curtain of her dark, silken hair spills across the ridge of her breast. She runs those big eyes over you, all wide and round and vaguely-deviant. There's the perfect amount of motion, of squeeze, just a light-bit of pressure, and she's got a face smug-arrogant in an instant, knowing. Fuck, her hands on either side start pushing into the line of her cleavage as she bounces and rocks and draws every inch of your cock up through her soft tits and back down again.

"Fuck," is the harshest exhale she's ever dragged out from you.

She hums a low sound, all self-satisfied when it's her own namesake: your body wants her, like you know the full weight of her needs, your touch, how badly she's fucking craving to get off and still not admitting to anyone it might be more than sex. Like it's really as easy as her next breath, the flutter of her lashes: Karina wants your eyes, the weight of your attention and she's not going to beg for a fucking thing. The feeling, you think, is mutual.

"Irene," she says, her smile as open as it could ever get. "She's just so gorgeous, right?"

On one hand, she’s speaking between the lines. A perfect tincture of deceit - the bawdiness-by-nature: watch me, look at me - is what she might as well say - look what I can fucking do, the whole lewd display. And, god, how she knows every way to make a guy want it, like she wants you to remember it.

Because on the other, the movement is so, so direct.

Karina twists herself in an upward tilt, just an easy, practiced thing; she lets her tits spill around your cock and through her fingers, full and soft - and her lips part, mouth slacking alongside yours, matching the sounds out your chest with her own. Like she knows exactly which slide of slippery friction will make you moan, or which pull and drag will send your teeth straight into your lip.

"Isn't it crazy," she lolls her head a little, letting her own saliva drip down the center, onto your weeping slit. "How much I want your cum filling my cunt, even knowing she's the one you'd rather put the ring on," the drag and drag and drag - her tits are fucking incredible, and she knows it. She pushes up with her fingers and gives you a long draw right through the press, right where the nerve endings run electric, right where she keeps moving, up and down, and up and down-

“-it must be hard, I mean, jesus christ. Here I am, needy and hot. Begging you to wreck me and my only sin, hm - the sin of being second best, right-"

"Holy fuck, you're-"

"Obsessed," she says, and drops her tits against your waist again. "I know, I know. How could I not be?"

You're left muttering into the titfuck alone, watching her rub your precum up between their soft shape, feeling the slight give, how her skin goes warm. The act itself: such a simple-thing-bordering-on-the-absurd that you notice how you coil and flex beneath her curves, how she feels so soft and warm. The slight pucker of her lips every time your cock escapes her cleavage does little to help. It's probably the fault of the brain-fuck but the wet of her mouth is practically everywhere you look. You could eat her alive right here, spread her legs on the coffee table and finish with a bit of screaming, groaning and tearing, and no one would ever stop you.

But instead,

"-it's a good color on her, really; but then every color is a good color on her, isn't it so unfair?" She's taking your cock into her tits, deeper on every rock forward and back, holding them close - a gentle lock of those long manicured fingers keeping it all together. "Even wearing no color at all; you must just love how all the freckles are so easy to see," she murmurs, squeezing tight. The sound is wet, messy. A filthy chorus between her dirty words and the dirtier action, and just that glimpse of friction when she strokes down again is maddening. You're all slippery. So sticky-slick, so tight.

Of course there's not a fucking inch of a reaction out of her; you want to get off so bad-

"You could close your eyes," she tells you. "She would still be there. The sound of her laughter. The image. In that dress or not," and her mouth furls into a half-smile before she pauses. Reaches down, pulls her tits around you impossibly tight. "Just so damn pretty-"

You cum just like that:

"Babe," is what you let her have. The soft, undercurrent hiss. "Fuck."

You shoot clean up, all thick, hot splatter.

Well, mostly up - along the expanse of her neck and throat, coating where her breasts sit so pretty against the lines of your thighs. Across her sternum and the hollow of her neck - her body's covered in your shared mess: slick-filthy-hot, all strewn across her perfect tits.

"Jesus, Karina, baby you’re-"

"Completely covered in you." She's still smiling. That deep-cut and perfectly symmetrical curl of her lips. The gorgeous fucking shade, and her chin, how her cheeks flush, just a little - they've always turned pink in the most specific places when she gets fucking cum-soaked. “I know, just look.”

And her hands slide across her chest, trailing a path through the thick of your release, spreading the glaze all down her front. Making it messy, making the exact look a guy sees once and is driven to the ends of his sanity - just to spill his load out onto her. To get her all used, and trussed up: just how she likes.

(Sanity is being generous, considering.)

You can't do anything other than what's expected: take her up in a kiss, breathe into the mess you've made on her skin. The gasp is full, surprised - just enough, maybe, to count as genuine.

Such a mess - she murmurs - um, come on then, you can do a girl a favor. Bath bomb, bath towel, bath robe - and really it doesn't have to be a suggestion.

You’ll pin her down and fuck her right over the lip of the tub if that’s what she really wants. Just being in her company is indulgent and excessive and begging you to make a terrible habit of it. Have some self–restraint, she has this tone in her voice sounding more and more like a dare. There's just enough there in her hands: one reaching for you and the other reaching into the porcelain, swirling up the lather - and that look on her face, as if to say, can't believe you have me waiting, like some desperate, depraved pervert - only it’s more explicit than that. Only it feels worse - and her mouth is moving again, speaking into the air that already feels stifling hot, words cutting through the steam: you're not very nice, I mean really, it should come as no surprise how she turns out, having this jerk for a fucking boyfriend-

Nevermind. Not a dare, it's a challenge. She was right the first day you undressed her, the brattiest girls always have the worst kinds of fantasies, the darkest little tendrils of self-destruction. How she's laying there, asking and telling, pushing and pulling; and how she thinks she's so clever too.

Though that is no reason, she laughs, for you to think she won't love having her pretty cunt cockwarmed and spoiled for an evening or more. - And so it goes, and so it goes, and so it goes, and so it goes.

(Really, to Irene’s credit, she had Karina pegged right from the jump. A character study in, well, herself.

She's seen as an ingénue by the press, and an outright savant to the executives. They know her as the obvious successor. They give her the runway, they watch the leggy-girl-turn, the model-posture, chin held high and aloof, looking down at the gathered throngs of photographers.

The protégé, the goddamn heir-apparent:

But her favorite game - that bit of innocence served on a platter, ingenuous when it comes to spinning a flaw to gold, and the deception too - Karina loves and loathes every second she spends upstage from Irene's own, hectic, international production. Because if anyone asks her, that girl would claim it's never been a competition in the first place.

So you see, if you and yours have both decided to ruin her-

It is a disaster-in-the-making, isn’t it.)

#karina smut #irene smut #aespa smut #red velvet smut #male reader smut #kpop fanfic #kpop smut

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motherlvr · 1 year

Text

3+1 times Prowler! Miles Morales x Spider-woman! reader

SPOILERS FOR ATSV

read part 2 here!

3 times Miles tried to confess, + 1 time he did.

Word count: 2.7k

Summary: Instead of the radioactive spider biting Miles, it bit you. You turned into Brooklyn's one and only Spider-woman, while Miles turned into the prowler. Miles also helps you with Spanish.

Warnings: friends to lovers, lots of cursing, most definitely not canon, kind of slow-burn?, jealousy, morally gray reader, he's lowkey toxic, no smut, heated make-out session, im feasting on crumbs (his 2 minutes of screen time), this is not ATSV plot heavy, the whole prowler x spidey thing isn't really until the end (enemies to lovers)

A/N: for the sake of the plot, the reader doesn't fluently speak spanish, but can speak some. this has been rotting in my drafts ever since ATSV came out

Miles glares at you two from across the room, predominantly at the guy you're laughing with. Surely he's not that fucking funny. Miles thinks as jealousy spreads within the pit of his stomach like a forest fire. However, you don't seem to notice his stare burning holes through the guy you're speaking to. The same cannot be said for him, however. Miles makes eye contact with him and sends him one glare that immediately makes the poor guy cower with fear away from you.

"I uh...gotta go." The guy squeaks out to you, his voice cracking with terror as he runs away. You raise an eyebrow as you watch him run away. What the hell was that? You think.

Miles appears next to you within the next moment and says, "Hey, ma." he gives you a slight smirk and wraps his arm around your shoulders. That smirk made you weak in your knees, you almost kissed him right then and there. You should be given an award for your amount of self-restraint.

"Hey Miles, qué pasa?" You greet him with a smile that reaches your eyes. Miles' smirk drops and he furrows his eyebrows at you as he inquires. "Who was that guy?" "He's just a friend, why?" You raise an eyebrow and question back. "Don't worry about it, you like him?" His words catch you off guard. You pause for a moment and turn your head to him with a judgmental stare as you shake his arm off you and say, "Miles. What is this? 20 questions?" You deadpan and continue, "He's not important, alright?" Seemingly satisfied with your response, he drops the subject.

After school, Miles and you head to his house. You've been struggling in Spanish class. Spanish grammar might actually be the death of me, you think. Since Miles excels in Spanish due to primarily being raised by his mother, you asked him to tutor you, which he surprisingly agreed to.

It doesn't hurt that you get to spend more time with Miles, either. Something about him never fails to send butterflies straight to your stomach, maybe it's his intense stare that makes you weak in your knees, his accent that somehow makes him ten times more attractive, or- You cut your thoughts off. You felt guilty for feeling this way about Miles. You know you shouldn't. These feelings you harbor would only cause more harm than good. After all, the people you love always seem to be in danger.

After a couple of hours of pure torture, (Spanish grammar) Miles started to speak, "Escúchame, mami. I-"

Loud, blaring police sirens cut off his sentence. Thanks, Brooklyn. Pretending to get a message from your mother, you glance at your phone's screen and look at Miles with an apologetic expression, "Shit, sorry Miles but I gotta go. My mother wants me home. She said it was urgent. But we're still on for tomorrow right?" Miles raises a skeptical eyebrow but ultimately says, "Yea. It's 'Ight, princesa. See you tomorrow" his accent lacing his words. You get up to kiss his cheek and wave him goodbye. As normal friends do, you tell yourself. Shit. You shake the thoughts away before your overthinking completely undoes your brain.

You wait until you're at least a couple blocks away from his house before you reveal the spider suit underneath your clothing and pull your mask down your face. You thwip your webs and swing away to investigate what crime was scheming tonight in Brooklyn. Leaving Miles alone in his room to regret not telling you.

Honestly, you weren't paying attention to whatever Miles was saying. Instead, you were just focusing on how attractive you found his accent. You'd suffer through two more years of Spanish just to hear his voice. In fact, during most of these tutoring lessons with Miles, you weren't paying attention to the actual lesson. It doesn't help that he keeps staring at you with those eyes of his. But behind that cold exterior, you knew he had a soft spot for you. Even if he didn't outright admit it.

Miles' voice brought your attention back to the actual lesson, "Lo entiendes, princesa?" Miles asked you with a knowing smirk. You nodded your head immediately, trying to play it off. "Uhh, si." You said with a thumbs up, immediately regretting it. That was so nerdy. You shame yourself in your mind. You pretended to take notes, shamefully lowering your head down to your notebook.

While you were pretending to take notes, Miles broke the silence.

"So what's up with you and that guy from earlier?" "I told you, he's just a friend. Nothing is going on between us." Miles puts his hands up in his defense, "Alright, mami. It just didn't look like that with the way you were laughing at whatever he said. He's not Kevin Hart."

Way to completely ruin the mood. You dropped the pencil you were holding and stopped taking notes. Looking directly into his eyes, you said "Miles, I really don't know what your deal is." "You really wanna know what 'my deal is'? 'Ight. It's 'cause-"

Miles' phone beeps, interrupting him. He cursed in his mind, not being able to tell you how he felt yet again. He glances down at his screen. "Ay princesa," Miles spoke up, his words never failing to make your face go warm. His nicknames for you weren't new by any means, but they still made your heart flutter. He continued, "Uncle Aaron needs me, I gotta roll. He said it's an emergency. Don't think I'm trying to cut this short. You're still my girl, alright?" He started to leave when he turned around suddenly. He walked over to you and turned your head to him with his hand, kissing your forehead. "Hasta luego, mami." He left the room, leaving you alone in his room with only your thoughts swirling around your mind. You were sure you were about to have a heart attack. His girl? The kiss? Miles was acting oddly affectionate. And what's with him practically using the same excuse I used? It's not like he's the crime-fighting vigilante here. You rolled your eyes.

You didn't know what Miles and his uncle were so busy doing, but you had a feeling that it wasn't very morally right. That would explain how ambiguous he's been lately. More often than not, he's had to leave in the middle of tutoring to tend to whatever his Uncle needed him for. But you can't entirely blame him, you have secrets you've been hiding from him too.

You packed up your things and left his room. "Chao, Mrs. Morales. Thank you for letting me into your home!" You said to Miles' mother while leaving. "Of course, you're always welcome here." She replied to you with a warm smile. That woman was a true saint.

If you had to spend any more time confined in a room alone with Miles and just your emotions, you were sure you'd fucking lose it. By losing it, I mean grabbing him by the collar of his hoodie and kissing him senseless. But you were afraid. Afraid that he would take your heart right out of your chest to shatter it and then leave you alone to pick up the pieces. So, you came up with a little white lie to get out of tutoring today.

"Is it alright with you if I skip tutoring today? My mother is sick and I have to take care of her." The lie slipped off your tongue like butter.

"Nah that's cool." He shrugs. Huh. He let me off that easy? You were two seconds away from having the dreaded 'What are we?' conversation with him after last night, until someone's arms wrap around you from behind.

"Hey, beautiful." Your friend from the other day was back. And he clearly didn't see Miles right next to you. You cringe and awkwardly take his arms off of you and turn around, "Hey, Josh." "Are you free tonight?" Miles was watching this interaction with jealousy coursing through his veins. Did this douche seriously not see him right next to you? Right before you could even open your mouth to respond, Miles responds for you. "Hell no she isn't. Get the fuck out of here, man." Miles snaps at him. Your friend's head whipped to Miles so fast you were sure he'd get whiplash. "Oh shit." He stuttered, "Sorry, man. I didn't see you...I'll leave now." He ran away as fast as his feet could take him. Poor Josh.

You glared at Miles. "What the actual fuck was that, Miles? He was just asking me a question." "He was asking you out, idiot." Miles said right back to you. "So what if he was? Honestly. What's it to you? You've been acting so possessive. May I remind you that we are not together?" You snapped at him. "Maybe I want-" He started, but this time, he was the one cutting his sentence off. He couldn't find the words to tell you just yet.

The bell rings. You look at Miles, awaiting his response. When a few silent moments pass by, you finally say, "What? What is it you want?" For once in your friendship with Miles, he didn't have a response. You, he thought. "Y'know what Miles? Until you've come to your senses, just leave me be for now." He had no right to start acting like you were bound to him. You walked to your class without him. He cursed himself in his head.

You'd been ignoring him the whole day. Yet ever the petty, he hadn't messaged you at all.

Your phone pings. "You busy with Jake?" You read. It was from Miles. That petty fucker. Your face immediately drops. That's not even his name. You left him on read and turn off your phone. For someone who thinks he's heartless and nonchalant, he sure was acting possessive.

Dusk approaches Brooklyn and you're out patrolling instead of thinking about Miles. That's all you've been doing lately, and you needed a distraction.

Unfortunately, Miles had the same idea. He was out taking missions Kingpin gave him.

As you were searching the streets of Brooklyn for crime, you sensed a presence. Ahead of you was a silhouette in a dimly lit alley, their back facing you. You hid behind the wall. Finally something interesting tonight! As you climb on the walls and get closer, you recognize the figure.

Oh, great. It's the Prowler.

This wasn't your first time meeting the Prowler. No, you've fought with him in the past. He's ruthless and a cold-blooded killer. He's efficient and excruciatingly fast. That's what makes him an imminent risk to be allowed to roam the streets freely.

As Spider-woman, it's your responsibility to keep the streets of Brooklyn crime-free. So, you follow him. As you're trailing behind him, crawling on the walls, you notice the people he's meeting with. It's an arms deal, you realize. As you crawl closer, you notice that they weren't regular arms. They were abnormally high-tech for these seemingly harmless criminals.

I'll just web up the couple of amateurs and then deal with the big guy Prowler, easy. Oh how wrong you were.

"Hey, boys! Nice toy you've got there." You said as you dropped your voice down an octave, disguising your voice. You jump down from your place on the wall and thwip your webs at the unsuspecting arms dealers, binding them to the wall. They were knocked unconscious.

You thwip'd your webs at the weapon and effectively took it away from them. You'd have to drop it by the police station later with a friendly note.

The Prowler lunged at you, his steel claws missing your face by an inch.

"Hey, man! That felt a little personal." You shouted, thankful to still have your face attached to your head. You used your webs to grab onto the Prowler and strike him directly on his mask. You started to run, with the Prowler tailing right behind you.

He had you cornered, but you weren't surrendering that easily. You positioned into a defensive stance, ready to defend yourself.

His mask was cracked a bit, causing his voice modulator to reveal his unfiltered voice. "Nowhere to run, spider."

Your heart dropped as your eyes widened through your mask. Not in fear, but in recognition. You could recognize that voice anywhere. That was the voice that sent shivers down your whole body, yet made you want to strangle him the next.

"...Miles?" The words came out more of a whisper. Your voice sputtered as you dropped your fake voice. You webbed the weapon to the wall, disregarding it. Turns out, he didn't need to reject you to shatter your heart into a million pieces.

His stance immediately faltered. He could recognize your voice out of a thousand others.

Prowler, or rather Miles, stood silent.

“Miles, take off that damn mask. I know it's you.” You took off your mask, and he opened his. His eyes were unreadable. “What the hell have you gotten yourself into Miles?" You sighed. You didn't recognize him anymore. You didn't know who he was. There was no way the Miles you knew had become this.

"Fuck, princesa. I didn't want you to get involved in this shit. You're the fucking spider?" You feel as if he was seeing you for the first time again. "I'm fucking Spider-woman, you dick. And I've been involved with this 'shit' ever since I got bit by a spider. Now explain this, whatever you've turned into!" You spurted out, pointing at his suit. "I got roped into business with Kingpin after my father died. Shit, I never meant for this to happen." He exclaimed.

"What, you think you're protecting me by not telling me? Bullshit." You say, throwing your hands up in the air. "I was protecting you. I was protecting you from Kingpin. Because I fucking love you. I meant it when I said you were my girl." He proclaimed.

When you thought this night couldn't get any wilder, it just did.

Alarms blared in the back of your mind, telling you to leave. Your brain is screaming at you to think about your moral obligation to stop the Prowler, no matter who he is. But your heart is telling you otherwise. You choose the latter.

"Fuck, Miles. Shut the hell up." You threw a web at his abdomen and pulled him towards you, efficiently shutting him up by connecting your lips to his. Sliding your hands onto his braids, you pulled him in closer. He immediately reciprocated and grinned into the kiss, setting his arms on your hips.

Turning into a heated make-out session, he backed you against the wall of the alley. You felt your legs giving out on you. Miles put his knee in between your legs, supporting you. He kissed you with passion. He's pinned for you for the longest time, and he finally has you. He wasn't going to give it up for anything. Unfortunately, you needed oxygen to live, so you pulled back. A string of saliva connected your lips as you parted.

He took away all the oxygen in your body, and apparently your moral compass as well, with only one kiss. Unable to open your eyes until a few moments after, you fluttered your eyes open. "I fucking love you too, Miles" You whispered against his lips. "Oh, really? Couldn't tell." He teased with a smirk, his lips seconds away from yours as he looked down at you. He held your gaze with longing in his eyes.

Muffled screams ruined the moment. Miles and you react immediately, putting your masks back on. You got your webs ready while Miles had his steel daggers out. Lowering your guards, you realize it was the couple of guys you webbed up and forgot. "Sorry, I'll go take care of them." You said as you rubbed the back of your head awkwardly. Miles stifled a laugh as he said, "That's alright, ma. You can make it up to me later." You heard the smugness in his voice as you swung away to the police station. You made sure to fulfill his request later that night.

---------

part 2!

#miles morales x reader #miles morales #miles morales x y/n #miles morales x you #earth 42 miles morales x reader #earth 42 #across the spiderverse #across the spider verse spoilers #into the spider verse #spiderman across the spiderverse #spiderman #prowler miles #miles morales spider man #spider man #spiderman into the spiderverse #jealousy #enemies to lovers #friends to lovers

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nostalgebraist · 1 year

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Honestly I'm pretty tired of supporting nostalgebraist-autoresponder. Going to wind down the project some time before the end of this year.

Posting this mainly to get the idea out there, I guess.

This project has taken an immense amount of effort from me over the years, and still does, even when it's just in maintenance mode.

Today some mysterious system update (or something) made the model no longer fit on the GPU I normally use for it, despite all the same code and settings on my end.

This exact kind of thing happened once before this year, and I eventually figured it out, but I haven't figured this one out yet. This problem consumed several hours of what was meant to be a relaxing Sunday. Based on past experience, getting to the bottom of the issue would take many more hours.

My options in the short term are to

A. spend (even) more money per unit time, by renting a more powerful GPU to do the same damn thing I know the less powerful one can do (it was doing it this morning!), or

B. silently reduce the context window length by a large amount (and thus the "smartness" of the output, to some degree) to allow the model to fit on the old GPU.

Things like this happen all the time, behind the scenes.

I don't want to be doing this for another year, much less several years. I don't want to be doing it at all.

----

In 2019 and 2020, it was fun to make a GPT-2 autoresponder bot.

[EDIT: I've seen several people misread the previous line and infer that nostalgebraist-autoresponder is still using GPT-2. She isn't, and hasn't been for a long time. Her latest model is a finetuned LLaMA-13B.]

Hardly anyone else was doing anything like it. I wasn't the most qualified person in the world to do it, and I didn't do the best possible job, but who cares? I learned a lot, and the really competent tech bros of 2019 were off doing something else.

And it was fun to watch the bot "pretend to be me" while interacting (mostly) with my actual group of tumblr mutuals.

In 2023, everyone and their grandmother is making some kind of "gen AI" app. They are helped along by a dizzying array of tools, cranked out by hyper-competent tech bros with apparently infinite reserves of free time.

There are so many of these tools and demos. Every week it seems like there are a hundred more; it feels like every day I wake up and am expected to be familiar with a hundred more vaguely nostalgebraist-autoresponder-shaped things.

And every one of them is vastly better-engineered than my own hacky efforts. They build on each other, and reap the accelerating returns.

I've tended to do everything first, ahead of the curve, in my own way. This is what I like doing. Going out into unexplored wilderness, not really knowing what I'm doing, without any maps.

Later, hundreds of others with go to the same place. They'll make maps, and share them. They'll go there again and again, learning to make the expeditions systematically. They'll make an optimized industrial process of it. Meanwhile, I'll be locked in to my own cottage-industry mode of production.

Being the first to do something means you end up eventually being the worst.

----

I had a GPT chatbot in 2019, before GPT-3 existed. I don't think Huggingface Transformers existed, either. I used the primitive tools that were available at the time, and built on them in my own way. These days, it is almost trivial to do the things I did, much better, with standardized tools.

I had a denoising diffusion image generator in 2021, before DALLE-2 or Stable Diffusion or Huggingface Diffusers. I used the primitive tools that were available at the time, and built on them in my own way. These days, it is almost trivial to do the things I did, much better, with standardized tools.

Earlier this year, I was (probably) one the first people to finetune LLaMA. I manually strapped LoRA and 8-bit quantization onto the original codebase, figuring out everything the hard way. It was fun.

Just a few months later, and your grandmother is probably running LLaMA on her toaster as we speak. My homegrown methods look hopelessly antiquated. I think everyone's doing 4-bit quantization now?

(Are they? I can't keep track anymore -- the hyper-competent tech bros are too damn fast. A few months from now the thing will be probably be quantized to -1 bits, somehow. It'll be running in your phone's browser. And it'll be using RLHF, except no, it'll be using some successor to RLHF that everyone's hyping up at the time...)

"You have a GPT chatbot?" someone will ask me. "I assume you're using AutoLangGPTLayerPrompt?"

No, no, I'm not. I'm trying to debug obscure CUDA issues on a Sunday so my bot can carry on talking to a thousand strangers, every one of whom is asking it something like "PENIS PENIS PENIS."

Only I am capable of unplugging the blockage and giving the "PENIS PENIS PENIS" askers the responses they crave. ("Which is ... what, exactly?", one might justly wonder.) No one else would fully understand the nature of the bug. It is special to my own bizarre, antiquated, homegrown system.

I must have one of the longest-running GPT chatbots in existence, by now. Possibly the longest-running one?

I like doing new things. I like hacking through uncharted wilderness. The world of GPT chatbots has long since ceased to provide this kind of value to me.

I want to cede this ground to the LLaMA techbros and the prompt engineers. It is not my wilderness anymore.

I miss wilderness. Maybe I will find a new patch of it, in some new place, that no one cares about yet.

----

Even in 2023, there isn't really anything else out there quite like Frank. But there could be.

If you want to develop some sort of Frank-like thing, there has never been a better time than now. Everyone and their grandmother is doing it.

"But -- but how, exactly?"

Don't ask me. I don't know. This isn't my area anymore.

There has never been a better time to make a GPT chatbot -- for everyone except me, that is.

Ask the techbros, the prompt engineers, the grandmas running OpenChatGPT on their ironing boards. They are doing what I did, faster and easier and better, in their sleep. Ask them.

#nostalgebraist autoresponder meta

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mrpenguinpants · 2 years

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Look, but don't touch. [ Harbinger Edition ]

— You're the only one who's allowed to touch him. Likewise, he's the only one that's allowed to touch you.

— Childe, Pantalone, Scaramouche, and Dottore

[Masterlist]

This is written before the Sumeru quest. Harbingers are their own warning.

This was a fever dream, incredibly self-indulgent, don't talk to me about this ok. Honestly don't even wanna tag people in this (´。＿。｀)

Tartaglia

Childe is friendly but he always keeps himself at arm's distance from anyone who isn't his family. The kind of guy that acts like he loves everyone but he truly doesn't like anyone. Always polite but never kind. He won't be outwardly hostile if one of the cicin mages decides she wants to try her luck and cuddle up to him, he sort of admires her bravery, but the hardened stare and indifferent response are awkward enough for anyone to bail halfway.

So what a surprise to everyone when it's Childe himself that pulls you into him. It's not a friendly hug either, he quite literally drags you into his embrace as soon as he sees you, locks his arms around your waist, and spins you around. Before he catches himself and gently settles you down and pretends as if he didn't boldly announce to everyone that you're special.

He is a harbinger at the end of the day so any intimate relationships he has need to be hidden lest he puts you in danger. That said, he doesn't do a very good job. He gets agitated and fidgety if he can't hold you, longing gazes in your direction even if someone else is speaking to him about something important. Whether it's shooing specks of dust off your shoulder, a tap on the arm, or the brief brush of your fingers against his whenever he hands something to you. He always finds some way to touch you.

It's always the worst and best time to speak with Childe if you happen to be there. On the upside, Childe is more likely to give his approval to whatever his subordinates ask just so they go away and leave you both alone. On the downside, because physical touch somehow makes Childe drowsy and almost drunk, he's useless.

It wasn't always like this. During your first months as something more than friends, not quite lovers, he kept you at an arm's distance just like everyone else. Only the occasional arm over your shoulder or a hand on the small of your back, just enough to show you that you meant something to him. But over time, those touches began to linger until the dynamic shifted and he began to rely on your touches to keep him sated. On particularly stressful days, he'll pull you aside into his office with a rushed excuse to just hold you in his lap. He's recharging, don't make tease him.

But he's not a selfish lover. If you need comfort or just want to be held, he'll gladly throw his plans out the window just to spend time with you. What's wrong? Did someone upset you? Want me to take care of them? He'll offer anything to make you feel better while you're cuddled up to him and it makes his heart flutter when you say you just want to stay beside him. He has a bad habit of resting his entire weight on top of you if you're both ever lying down. All that muscle is heavy but sometimes it's comfortable until his elbow accidentally digs into your side.

Childe can be polite if someone else wants to touch him but he's baring his teeth at anyone that has the audacity to place their hands on you. If someone bumps into you? He's fine, accidents happen. Someone moves you to the side? Whatever he won't throw a fit over that. He believes in the below-the-shoulder, above-the-waist, hands not included, rule. If anyone touches you, it's the only time when Childe will throw his reputation out the window.

Scaramouche likes to compare him to a dog and he'll gladly growl and bark if that's what it takes for people to get the hint and leave you alone. He'll slide his arms around your waist, tilt your chin up, and without any concern about the scene that this will cause, kisses you deeply. All the while sending the nastiest glare to the person that touched you. Look, don't touch. You're his.

Childe likes to believe that he has self-restraint. He's a soldier first and foremost so he has discipline beaten into his bones. But right now he's close to snapping the pen in his hands and hurling it into that bastard's forehead. He can feel Ekaterina's concerned gaze on him, shifting on her feet nervously, as she struggles to push through her explanation of his assignment quickly. Unfortunately, it's all white noise to Childe as all of his attention is on the cicin mage whose being a bit too friendly for his liking.

"Lord Tartaglia?"

Of course, you don't blink twice at it. He's seen how that loud electro pirate dotes on you and is overly physically affectionate herself. Maybe he should also fight her as well after he's done dealing with this cicin mage.

"Childe?" Ekaterina tries one last time, using a more familiar name to see if that would catch her superior's attention but alas, he was too busy glaring daggers into her college. Ekaterina raises a hand to lightly tap on her superior's shoulder to get his attention but just as her fingertips brush against the fabric of his uniform, Childe's death glare is directed at her. She flinches away from the otherwise easy-going Childe, her mask doing little to hide her startled expression.

"Sorry, sorry, not meant for you," Childe blinks away the hate from his ocean eyes, coming to his senses as he runs a hand through his hair, "What were you saying?"

"There is no need to apologize, Lord Tartaglia, I overstepped," Ekaterina, bless her heart, waves off the sudden aggression but takes a step back. Before she can continue, she overhears you saying goodbye to the mage and your footsteps coming closer. A small surprised noise escapes your chest as Childe pulls you into his arms immediately. If she didn't know Childe, she could almost say his expression was a bit cute with how pouty he was being. Although the look in his eyes says otherwise now that she was just on the receiving end. This seems to be a common occurrence because you just giggle and hug him back just as tightly.

"Please don't harm her. She was just being nice," you mumble into his chest.

"I'll think about it," he says, his eyes never leaving the mage.

Pantalone

On the one hand, the banker always carries this prestige that makes most people stay away in awe. No one wants to get on the wrong side of the man who basically funds the country of Snezhnaya. On the other hand, Pantalone has an ethereal beauty that compels people to come closer and touch. To see if the porcelain skin is real, feel if he's muscular or lean under the heavy fabric, or sneak a peek at what colour the banker's eyes are. It makes you kind of giddy knowing that this man belongs to you. That you know the answer to all these speculations.

You aren't sure when it started happening but at some point, he always ends up sort of mindlessly touching him. Placing a hand on his arm or knee, running your fingers through his hair, or gently rubbing away the stress from his shoulders. There wasn't an ulterior motive, Pantalone was just too handsome that you can't help but touch him just to make sure he's real. He thought you were overexaggerating a bit but he seemed deeply pleased at your confession since it was coming from you personally. That egotistical bastard.

But he always reciprocated your touch. Offering an arm for you to hold onto, brushing the hair out of your face, or rubbing small circles into your hand. Small gestures of affection would occasionally lead to more. The fact that Pantalone of all people let you be this close was something you secretly prided in yourself. You couldn't help but rub his newfound privilege in front of anyone that got too close that this elegant man was yours to hold. Look all you want but you're the only one that gets to touch.

You weren't aware of Pantalone's level of aversion to touch until he almost caused a scene at a gathering. It was meant more for looks and reputation, the occasional business talk, but overall a lax evening. One of the ladies thought it would be a good gesture to place her hand against Pantalone's arm. A bit flirty but innocent enough that the sheer disdain that swirled in Pantalone's eyes made her flinch away surprised. He struck her hand away, the sound carrying through the now-silent ballroom as everyone turned to the sound. You were surprised as well that Pantalone of all people, the image of control and ever-smiling, lips turned down into a repulsed scowl. Your feet quickly moved over to him, quietly excusing the woman for her careless act, and ushering her away before anything escalated. No one spoke of that night.

Ever since then you've always kept your hands firmly glued to your sides lest you feel his anger. If you happened to brush against his finger you would splutter out apologies and scamper away. If you felt his hand hover near you, you always assumed you were in the way and quickly moved aside for him. Overall, you acted as if it was you that was uncomfortable with touch. With each passing day that you fled from his hand, the crease in Pantalone's frown grew deeper.

It comes to a head one night when you get to see how Pantalone's aversion to touch applies to you as well. Occasionally some wealthy noble will host a gala and as one of the Tsaritsa Harbingers, Pantalone will be required to be present for at least one of them. Given his status, most of the attendees flock over to him which leaves poor you to meander about and find something to do with the time. Despite being his lover, you're not privy to what goes on with his work and frankly, the business talk and parties bore you. At least these places have food.

He sees you conversing with a man he knows is from Liyue, hoping to find more investors and trade partners here in Snezhnaya. He's already spoken to the man and rejected his offer so that's most likely why he's speaking to you, the banker's partner to garner sympathy. Although from the looks of things, you don't seem that impressed either. You notice his stare, perhaps his expression betrays him because your eyes grow concerned before giving a polite bow and turning to walk away and to him. If that was all then perhaps tonight wouldn't have ended so badly.

The man grabs your arm painfully enough for you to whimper and that's all Pantalone needs. He doesn't even try to hide his expression behind a smile, his lips set into a straight line. He grabs the man's arm tightly, the leather of his gloves crinkling from the force, and he nearly breaks the man's arm. How dare this inferior social climber put his filthy hands on you. You have to plead with him to let the man go, desperately trying to pry his grip away as the businessman begs the Harbinger on his knees that he didn't know.

Pantalone-

Pantalone is pissed.

You've never seen him this angry before. The lady all those nights ago doesn't even compare close to the anger radiating off him. His fingers flex still as he leads you away into an isolated hallway. You're not even sure if he knows where he's going, completely blindsided by rage. So you quickly step closer and throw your arms around him, stopping him in his tracks as you bury your face into the soft fabric of his suit.

"It's okay. I'm okay," you whisper softly into his back. You're not afraid, he won't get angry, not with you. Never with you. But it still pains you to see him this way. You feel more than you hear his deep sigh before slowly turning around and taking you into his arms. "Thank you. I didn't mean to start anything, you just looked displeased and I got worried. Oh, I'm sorry-"

You quickly move to shuffle out of Pantalone's hold but you can barely get two steps back before his touch grows firm and you're trapped. Despite how strong his hold is, he gently tilts your chin up so you can look into his pretty eyes. He really does have a nice eye colour you think in the back of your mind.

"You've been avoiding me. Care to enlighten me as to why that's the case? Did someone feed your mind with little lies?" Pantalone sounds coy but you can hear the undertone of worry. As if he's done something wrong which you quickly shake your head to.

"W-Well, that incident with the lady from a few weeks ago, the one in the red and black dress, you looked really angry when she touched you so..." you trailed off as your eyes look at anywhere that isn't the man in front of you, nervously twisting the cuff of your sleeve. When you actually hear it back it does sound a bit ridiculous to believe that but you just didn't want to make him uncomfortable. Or make him act a certain way just because you liked physical touch or to uphold appearances.

"And you thought you were comparable to people like that? That I would allow special treatment just because you were mine? That I would reciprocate to anyone but you?"

You fumble a bit at how honest his words are, searching for some way to justify yourself but at the end of the day, you'll knock your head against the wall for how stupid your logic is. So you stand on your tip toes and reach hesitantly up towards his face. Pantalone's face reminds neutral but he slowly leans into his touch, his muscles finally relaxing just by your touch.

Scaramouche

How the hell he tolerates you is anyone's guess. How the hell you tolerate him is Celestia's guess. He has the worst attitude, is quick to anger, flaunts his authority wherever he goes, and is overall a terrible person to be around. Yet every time he looks over his shoulder, you're always one step away from kicking at his heels. Which you have accidentally done before and somehow survived so he must like you a smidge. You tell him it's because it's out of spite that you're still here and spite is a powerful feeling. He of all people should know.

Scaramouche despises anyone being within his personal space, which is already a pretty big range, so the idea of someone touching him is repulsive to him. If he somehow was in danger and someone touched him in order to save his life, he would probably throw a fit and shock them. Their only reward is that he doesn't kill them. It's not like he has to worry too much, no one really wants to be in his presence longer than they have to and any admirers are quickly turned off within the first couple of seconds. Which makes it all the more baffling that you still hang around him and test just how far you can poke his limits.

The first time you touched him was by accident. Someone had bumped into you causing you to fall into Scaramouche. Luckily for you, you managed to put your hands out first and brace yourself against the wall but you had successfully caged the Balladeer between your arms. If you weren't currently fearing for your life you might have laughed at the horrified expression on the Harbinger's face. The only reason you survived that day was that Tartaglia chose that exact moment to waltz in and frankly, he was a far bigger headache than you were.

He's not sure how you managed to worm your warm into his cold non-existent heart but at some point, he got used to your presence in his life. A few words to take care of himself, extra paperwork being filled, or shooing away other soldiers so he could have space. All of these acts of kindness were met with half-baked insults and suspicious looks. Every time he asked you why the hell you were acting like he was some helpless doll you always answered the same, you just felt like it and he looked like he kinda needed it. Which was so baffling to him that you managed to walk away with your head intact.

It started off with small things. Like you're both feral cats that are trying to co-exist in the same alleyway. You always announce your presence, give him enough time to leave, and your touch is barely there. You never do anything close to intimate, never hold his hand or hold his face, and he never reciprocates ever. Although it speaks volumes when he doesn't push you away ever. You're always nearby, sitting close, and you both exist contently.

But just like a feral cat, with enough time and love, even they will begin to grow comfortable and domesticated. The look on his subordinate's face was hilarious when little old you waltzed over to the sixth harbinger, plopped down into his personal space, and literally sprawled yourself over his lap to see what he was looking at. Just to one-up the absurdness, Scaramouche didn't seem bothered in the slightest, only calling you an idiot for not being able to read the document that was right in his hands.

Although there are some downsides to being so close to Scaramouche. He's possessive with the power the enforce his pride. You have to constantly scold him that he can't go frying anyone that comes within two feet of you. It's hardly efficient and it's annoying having to scream just to know what time it is.

The you from years ago would have balked at how casual you were speaking with the infamous Balladeer.

"All I'm saying is you sound like a possessive maniac," you huff, your arms crossing over your chest as you frown down at the sitting man. You doubt he's even paying attention to you because if he isn't throwing spite around then he's filtering you out of his mind. Scaramouche barely acknowledges your words, still fiddling around with the Electro Archon's gnosis. It gives off faint sparks of electro every time he rolls it over his fingers but he doesn't give any signs of pain. Maybe because he's an electro-user? Either way, he's obviously not listening to you. You let out a loud sigh before shrugging and turning on your heel to walk back into the camp. Suddenly, his hand shoots out and latches onto your wrist and he's yanking you down. The you from years ago would have fainted seeing you sprawled over your superior's lap. As your vision tilts to the sky you can't help but think that for such a small body, he sure has a lot of strength. He wears a bored expression, his other hand is cradling his head while his elbow is on his knee, before a nasty smirk makes its way over his face.

"Yeah? So what?" Scaramouch says, his hand stopping to firmly hold the gnosis, though now one of his hands is now settled on your hip. You blink. Huh, you...weren't exactly expecting the ever-prideful Balladeer to blatantly admit that.

"Well, the "what" is that it makes it incredibly inconvenient to talk to anyone. Everyone avoids me like the plague because their scared you're doing to kick down their door and attack them," you pout, grumpily adjusting your head to lay on his knee, "Also you need to eat more. You make a horrible headrest."

"That's fine. You won't need anyone else," he says dismissively.

You open your mouth to say something but the look in his eyes makes you falter. He's serious. A mixture of a past memory, the present moment of you both together, and a far-off dream all dance in his eyes. It's a look you've never seen before on Scaramouche's face despite how long you've worked under him and you can't help but be mesmerized by it. It's likely the first and last time you'll ever see him be honest. But it's quickly over as his eyes morph into snarky glee, his lips pulling into a mean grin.

"You look stupid."

Il Dottore

People are downright terrified to even be in the same room as the infamous doctor. There's never a safe moment and anyone could be the next test subject depending on his mood. It doesn't matter who it is, even his own segments, if someone touches him that means they've just volunteered to be his next experiment. It's suffocating when Dottore is out and not locked in his lab because everyone need's to be hyperaware of where the doctor is located in the room. So to say that Dottore tolerates you is a massive understatement.

He actually quite likes to parade you around, almost like you're his newest addition to his collection. Touch isn't a problem for him if he's the one initiating it given how often he's dragging you around like you're some pet. He's not gentle in the slightest, nearly pulling your arm out in his crazed rush to show you his newest creation. You would joke and say that in moments like these, he's the one that acts like the pet. Too excited to show its owner its newest achievements. But you have a sliver of sanity in your mind so you keep your mouth shut.

Every moment with Dottore is a warped sense of time. You've been with the Doctor for a long time, before he became a Harbinger, and you don't know how your relationship progressed to this stage. You're walking on a tightrope of old colleges that are too intertwined with history to be separated or co-dependent individuals that need death to finally leave each other. So when he touches you softly, affectionally, you stumble and fall off your rope. The mad doctor laughing from above, arms still outstretched from where he's pushed you.

Half of it is madness, and half of it is out of genuine love. Although, to Dottore, madness and love are the same things. His acts of affection are spontaneous and equally as fleeting. One second he's rattling off medical terms and theories, pauses in his rant just to give you a deep kiss no matter who's around you to witness the act, and proceeds as if nothing happens. That's not to say you don't enjoy it when he decides to reward you, you just wished it wasn't in front of so many people. You suspect he does it on purpose.

There's no softness or quiet time aside from the very very few and far between moments Dottore decides to indulge you. He's a busy man, his mind only built for progress, and he has better things to do than to play pretend. But for you, the one who forcibly carved space into his heart, he can make arrangements. Only for a short while. Some days he may hold you as if you'll shatter if he squeezes any harder, other days he'll push your hair away from your eyes quietly, and one day he kisses you as if you're something more.

Unlike Dottore, you don't have an intimidating reputation. People can touch you if they want to. It makes you a bit happy when Childe will pat you on the back or ruffle your hair cheekily. He's also one of the few who can get away with it as well since Dottore can't physically harm him for touching you since he's a fellow Harbinger. Besides, people speak with their eyes more. Since that doesn't qualify as anyone touching you, Dottore won't do anything. So they stare.

They stare at how the Harbinger holds you in a special place. You aren't remarkable, you're the same as the rest of them. Yet you're untouchable and invincible from the man who can change their entire lives. Mistakes occur frequently when Dottore is in the room, the slip of a finger because everyone is too focused on staying out of the Doctor's way. You get to stand beside someone like that.

It's been a hard day. A very hard day. You're absolutely exhausted and ready to curl up into a ball as soon as you get to your room. You aren't even sure what exactly happened. One second you were doing your job and the next your head was on the ground with a pulsing pain on your right cheek. It's not unusual for patients to lash out but under those circumstances, they don't have anything to do with you intimately. You know what people think about your relationship with Dottore. What people who only glimpse into the relationship you have with him think. Usually, they stay silent, only judging you with their eyes but always silent. That is until nearly 10 minutes ago.

"You're late."

You barely react when you hear his voice. Of course, it's him. God, what bad timing. He's the last person you want to see right now, especially in this state. You only give him a nod and mumbled out apologies, stumbling over your feet like a newborn lamb when his hand latches onto your wrist to drag you off again. You think you might have his fingerprints as bruises now. Another thing people can mistakenly think about your relationship. You only know you're crying when you hear the splatter of your tears against the tiled floors and Dottore's footsteps come to a halt. His grip on you has gotten tighter.

You're startled out of your wallowing when warm hands cup your face, brushing your tears away. His gloves are off. When did he take them off? Dottore simply looks at you as you silently cry. You're too tired to apologize, too tired to break down in sobs. Your arms hang uselessly at your sides but you close your eyes and lean into his touch.

"Give me their name."

He whispers it softly. You think back at the girl that struck you. You think she's new, she has to be. You know that if you say her name, you won't see her tomorrow. But you're too tired right now. So with no hesitation, you volunteer her to become the next test subject.

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keto-keyes · 3 months

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Slytherins with a non!Deatheater S/O

Imagine/preference

The Slytherins are down bad for their partners. So how do they rip off the band aid and break the news that secretly, they're all bad?

Mattheo Riddle:

We all know he's a bad boy with a bad attitude

...except around his S/O

He doesn't try to hide the blood on his hands, but uses the excuse "I was protecting you"

He does actually do it to protect you, don't worry

His dad threatens to end you if he refuses to do his Deatheater duties

So he makes sure to keep you around him whenever he can to make sure you can't get hurt

Our boy stresses the heck out whenever you get even the smallest bit injured

It might start fights sometimes between the two of you, but you KNOW this mamas boy would never lay a hand on you in the wrong way

If you try to join, he discourages it

He doesn't want to psychologically scar you

lots of time together whenever he can kick his dad outta his mind

Then he holds you tight like he's gonna lose you

Don't ever stop loving this man, alright?

Tom Riddle:

It's kinda impossible for you not to know about his...situation

It's all anybody talks about when you're around

But he only wants to protect you

So he makes sure to keep you distracted whenever he must get the job done

He'll take you dancing, or go shopping afterwards

sometimes you might need to clean him up after a scuffle

he lets you, but only if you promise not to ask how he got the injuries

His dad also threatens him with losing you and he could never be complete without his S/O safely in his arms

if somehow you get tangled in his mess of deatheater-ness, he will sacrifice EVERYTHING for you

his only thought is to keep you safe

Theodore Nott:

He doesn't tell you he's a Deatheater until you meet his friends

That's right, he didn't let you meet his friends

not at first

after you meet them, it's kinda like momentum until he finally tells you he's a deatheater

he definitely expects you to hate his ass, but you don't so he's hopeful

he smokes to forget all the horrible things he does.

he does it more once he finally confesses, but tries not to when you're around.

dw, his stoic attitude when you ask him about being a deatheater isn't him being uncaring

he just forgot how to feel remorse after being a human murder weapon for so long.

it's like torture for him, and he hates it

So care for him please, as best you possibly can

Draco Malfoy:

He's probably the most affected by the deatheater thing

If you're dating him, either you're younger than him or your families are close.

So you know all about the deatheater thing

he pretends having a dangerous father is a good thing

like, he can destroy draco's enemies in an instant,

but... he could also force you to join Voldemort, and that's something that can never happen.

you have to either be holding his hand or his cheek AT ALL TIMES,

otherwise his anxiety causes him to start shaking

he'll whisper all his worries as he weeps himself to sleep, and sometime you catch him doing it

his dad only protected him for so long, now it's your turn

Blaise Zabini:

He doesn't talk about it

ever

even when you two have been dating for a while, he doesn't mention it

it's not your problem, it's his

and he wants it to stay that way for as long as possible

he's afraid telling you will somehow lead to Voldemort knowing, and holding it against him

especially since the only thing Voldemort's actually threatening him with is death. extremely painful death.

so he doesn't even mention it.

you know though. you know how painful killing and torturing is for him.

it tears him apart, almost to the point where he wants to smoke with theo

sometimes he wishes desperately that he could tell you everything, but he's scared you would be in danger.

so he stays quiet and lets the anguish build

he doesn't crack. ever

he stays stoic and silent. caring

Pansy Parkinson:

she doesn't like to bother you with the gorey details,

but sometimes they slip out

she breaks down all the time. it's traumatising

but she can't really articulate what she feels

so she just cries as you hold her to your chest/side

yeah, idk i didn't really have any ideas for pansy

Lorenzo Berkshire:

he may be a little flouncy at times, but he cares about your wellbeing enough to protect you

its his main goal in life

so he tries to keep himself between you and the others for as long as possible. like theo

its less of a "you don't need to know them"

and more of a "what? other people? who needs people when I'm your cute bf?" while waving his hands in front of you so you focus on him

he lets you wash his cuts for him

and do his hair in consolidation for not being by your side for a few hours.

Voldemort really can't touch enzo without hurting you.

So he keeps his mouth shut about it a lot.

sweet boy livin in a cruel world, what can i say

#draco malfoy #mattheoxreader #mattheo riddle #lorenzo berkshire #tom riddle #theodore nott #tom riddle x reader #theodore nott x reader #slytherin boys #blaise x reader #pansy parkinson #draco x reader

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luveline · 2 years

Text

𝐣𝐮𝐧𝐞 𝐛𝐚𝐛𝐲 | 𝐞𝐝𝐝𝐢𝐞 𝐦𝐮𝐧𝐬𝐨𝐧 𝐱 𝐫𝐞𝐚𝐝𝐞𝐫

part one | part two

summary you're a single mom living three trailers down. eddie thinks you're the prettiest girl he's ever seen. now friends, you, eddie and junie take a trip to the city. queue oreos with double the cream, a sock related mishap, a display of strength, storybooks, matching pajamas, a velveteen rabbit and a tray of cupcakes to eat on the drive home [15k]

warnings teen mom!reader, fem!reader, r is junie's birth mother, fluff, hurt/comfort, eddie being a total girl dad (<3), mutual pining, yearning etc, tw for not having much money, general mom struggles :(, slowburn friends to lovers, eddie’s mom implied to have passed away, mention of past falsely presumed self-harm (not graphic, just baby eddie scratching a rash and wayne worrying), hair tourniquet + intense panic

𓆩❤︎𓆪

Eddie doesn't mean to come knocking. He's staring at the ceiling with an open tray of Oreos on his chest, chewing through the boredom of a Monday evening and the pain of an aching back when he thinks of you and Junie.

Toddlers like cookies, right?

He shoves his socked feet into poorly laced converse and turns out all the lights as he leaves. The door slams shut behind him, a rattling of metal ringing into the crisp night while he takes his steps two at a time.

He starts up the street to your trailer and slows as your home comes into view. The lights are on, the curtains open. You stand in the middle of the room with your eyes closed, stretching to one side with your arms held high above your head. He can see the moment your back pops, see the tension of the day slip away just slightly. The exposed stretch of your tummy shines in the light.

You say something to Junie. He decides to stop acting like a stalker and bumps up your steps, hesitating at the door with a sinking feeling in his stomach.

What the fuck was he going to say? Hey, guys, I brought a half-eaten tray of cookies. Um. Because I missed you both? Sorry if that's weird?

"What kind of loser…" he scathes. He doesn't finish, bringing his hand to the door and knocking with a haphazard explanation waiting on the tip of his tongue.

You open the door a short few seconds later. You smile wide, wide enough to open the yawning gap in his chest all over again. Tonight when he goes home he'll have to close it like he has to so often lately after seeing you. Pretend his feelings for you – whatever they are – are smaller, less terrifying.

"Eddie," you say, and the gap stretches with how you say it, fond and warm and breezy. "Hey, where's your jacket? It's too cold to walk over here without one."

He doesn't have to explain himself at all, as it turns out. You open the door and step aside to let him past.

He grins at you. "Thought I'd brave the great outdoors without any armour."

You nod like it isn't all nonsense to you and maybe it isn't, maybe being friends with him is clueing you in to all his fantastical lingo. He likes you more for it either way, especially when you say, "You need a healing potion. It's freezing."

You're embarrassed at your attempt. Eddie can't believe how cute you are, lost for words and flailing. His chest warms with affection.

Junie saves you both, whizzing down out of the nest of pillows where she'd been buried on the couch and across the room with surprising speed and accuracy, barrelling for his knees. He grins as she wraps herself around them and starts talking.

It's mostly unintelligible until she says, "Hi! Hi, Eddie!"

He hugs her back with his hand. "Hi, Junie. Good evening."

"Good," she manages in return. She's all but mastered good morning and afternoon but evening continues to elude her.

"What were you watching? Your Muppet Babies?" He looks at the screen to find Kermit, the green frog, singing a song. "Been doing some singing practice for the band?"

"You want coffee?" you ask. Aforementioned healing potion. "I have decaf."

"I brought cookies."

"Warm milk it is," you declare, disappearing behind one of the kitchen cabinets.

Your bravado makes him laugh.

He finds his attention stolen once again by your lovely daughter when she complains, glaring up at him fiercely and coveting his hand. He balances the Oreos on your table by the door and offers her both, naked of their usual rings bar one.

Junie drags him over to her pillows and tries to climb back up. She refuses to let go of his hand, making it an insurmountable feat. Eddie awes at her efforts and helps her back into the nest, hands closing around her small waist and lifting.

He drops her into the pillows with just enough roughness to garner a laugh. "Sorry, my hands slipped. Hey, what's going on here, junebug? This isn't your usual hangout."

"I felt bad because she's always on the floor," you call from the kitchen. He can see your hands and your torso through the gap of countertop and cabinets. You pour milk into a pan on the stovetop and tap your fingers against the handle frenetically. He wonders if you're anxious about something.

Junie whines until Eddie sits next to her. As soon as he's situated she takes his hand again insistently and turns her attention to the television. He rubs the soft, small back of her hand with a less soft thumb and peers down the way at you.

"She loves the floor,” he says.

"I know," you mumble ruefully. A tad theatric. He must be rubbing off on you. "I had to bribe her into sitting on the couch."

"Yeah? What's the tab?"

"A few dozen kisses and all the pillows from my bed."

"Shame it wasn't half a tray of cookies."

"I think those might help me out."

After you've poured the milk into two tall glasses, you admit to him in a smaller voice that you're not sure if Junie likes Oreos.

"'Cos they're bitter?" he asks.

Milk in hand, you sit in the free seat next to Eddie and try not to sound as embarrassed as he knows you're feeling when you say, "She's never had them."

"I'll bring chocolate chip next time."

You shake your head vehemently. "You don't have to bring anything, ever."

"I like sugar."

You smile at him like you know he's trying to make you feel better, a touch shame-faced. He smiles at you in return and hopes it shows how much it doesn't matter – bringing snacks with him when he visits is hardly a generosity. You're friends.

He keeps trying to have that conversation with you, about sharing and money and all that terrible, embarrassing hardship that isn't embarrassing whatsoever but the words taste like chalk in his mouth.

Instead, he offers the hand that hasn't been stolen by Junie to you for a glass of milk. "One of those for me?"

You pass it to him.

"Why'd you feel bad? You're not forcing her," he says as he takes a sip.

"You don't think it looks cruel?"

"No way. She's one of the happiest babies I've ever met, who cares if she lies on the floor?"

"How many babies do you know?"

"One."

You're laughing when you say, "I don't know. I think it's a habit. But we have a couch, so she should sit on it."

Eddie retrieves the Oreos. Junie watches curiously as he peels open the tray, four rows, two empty and two full of black and white cookies.

He takes one and passes it to you without looking at you. Eye contact gives you the opportunity to reject it.

When he's heard the soft crunch of your first bite, glass of milk between his knees, Eddie holds an oreo up purposefully and twists. "See, Junie?"

He licks a big stripe over the vanilla cream. The cream spreads edge to edge as he pushes both sides back together. Softened by a generous dip in milk, he eats the cookie in one vagabond bite.

"You wanna try?" he asks when he's done.

Big hands over her small ones, Eddie shows her how to twist an Oreo open. She brings the cookie with the least of the cream to her mouth and bites it. Her pout wobbles in mild disgust. Eddie tries not to laugh.

She has to like Oreos. They're a staple.

"Let me show you," he says gently, taking the cream heavy side out of her hands. Dark crumbs stain his fingers as he holds it up to her face. "You gotta lick it."

She doesn't want to, evidenced by her wrinkled nose and untrusting gaze.

"You'll have to do it for her," he tells you gravely.

Moving to kneel in front of him, you take the oreo out of his hands and lick it before stealing back the half of the cookie Junie had been munching on and squishing them back together. You dunk her sandwich in milk and press it to her lips until she deigns to take a small bite.

"Yummy?" you ask.

She takes the cookie back, a mess of dark black mush collecting at the corners of her mouth as she eats it.

You gaze up at him from the floor. Your eyes look damn pretty, more so when he offers the tray to you, your smile a beacon. "I haven't had Oreos since I was a kid," you say excitedly.

"Do they taste like you remember?"

You rest your hand on his knee and lean in. "They need more of the filling," you say secretively.

"Yeah?" Eddie's in motion, twisting one oreo apart and then another. He takes the halves with the most cream and pushes them together.

One oreo, twice the cream.

You giggle as he passes it to you. "Oh my god." You're giddy, arm heavy on his thigh.

You eat it like it's something crazy expensive, all smiley and indulgent. You look so pleased that he immediately starts to make you another.

"Eddie," you protest, covering your mouth, "don't, don't waste them."

"I won’t waste them. I like the cookie more than the cream,” he lies.

"Oh."

You finish your oreo. Eddie can’t find it in himself to be modest about it; you’re smiling and it’s his doing and that fills him with pleasure.

He watches you mistreat his jeans as you chew the second, your fingers pulling distractedly at the rips. You tuck your hand underneath, white threads tensing over your knuckles and fingerprints brushing over his kneecap, your entire face cringing as a thread snaps from the pressure.

Eddie looks away quickly. He can feel your eyes on him and has to bite back a smile as you assess if you’ve been caught.

You could ruin them completely for all he cares.

Junie makes happy noises beside him. She’s realised the middle of the Oreo is the sweetest and has split one open in her hands. A terrible mess ensues, cocoa powder fingerprints smattered over the pillows she’s buried in and vanilla cream marring her nose in a sticky line.

“Could you make any more of a mess for your poor mom?” he asks. The rhetoric is lost on her; she says something cheerful and holds her hand out for another cookie.

Her face — expectant, small, cute, all of it evokes an uncontrollable urge to do whatever it is she wants him to do.

“Is that, like, a kid thing?” he asks.

You pull your fingertips away from his skin and cock your head. “What?”

He splits an oreo and offers Junie the cream-heavy half, clarifying through a mouthful of dark cookie, “Following her every command.”

You sit at full height. He instantly misses the heat of your front to his knees, the way you’d draped yourself over him familiarly, and is wondering how he might begin to convince you to do so again as you think it over.

“I don’t know. Maybe. It might just be a Junie thing, but I guess that’s immature to think. S’pose it’s hormones or something. Like when cats meow.”

He giggles at you. Hormones? Cats?

“What?” you ask, half defensive, half sheepish.

“I just- I love it when you talk like that.”

“Like what?”

He shrugs and takes another pull of milk to think of a way to say, Well, when you’re tired you get nonsensical, and it’s charming how confident you are but hard to follow without offending you. Is there a way to say that without offending you? Or worse, without revealing every wretched feeling he has for you?

“I sounded pretty stupid,” you summarise.

“No! Never. I love that you think like that. That you’d think about cats meowing.”

“They do it to manipulate us,” you explain.

He can almost see the heat of an embarrassed flush radiating off of your cheeks, the press of your lips so endearing he almost leans forward to feel it. He can imagine it, his thumb over your mouth, the pad pulling down your bottom lip.

There’s an arrogance in thinking you’d let him.

“Jungle cats, tigers and lions and stuff, they don’t meow,” and you’re still going! He has to cover his mouth with his hand to stop from bursting. “Because they don’t need to. They have no idea what a baby sounds like, and they don’t need us to take care of them so they’ve never learned how to meow. Babies are like that. We hear them crying and we want it to stop.” You have a smile on your face that says, I don’t know if what I’m saying is true, but I’m gonna pretend it is. Pretend with me?

Eddie’s all about pretending. “Cats are master manipulators,” he eggs you on, "but you realise not everyone wants babies to stop the way you do? Some people just don’t like babies.”

“That’s okay. More babies for me.” You lean out to tap his forehead. “Touch wood.”

“What?” he asks.

“Touch wood,” you repeat. “I don’t actually want more babies right now, don’t wanna jinx myself by saying it, so I had to touch wood. You don’t have that superstition?”

“Are you saying my head is made of wood?”

Your sudden laugh is stunning; he can’t bring himself to be offended.

When Junie's had more Oreos than she should've and the milk's all gone Eddie stands up before you can do it yourself and takes the empty glasses with him, putting them on the kitchen counter with a click.

He grabs an almost empty pack of wet wipes off of the top of the refrigerator and sits down next to Junie, talking fast in hopes of distracting her.

"I got a call last night," he begins, pulling a wet wipe from the pack and taking Junie's wrist into his hand. He doesn't use the wipe at first, tryimg to convince her that this is all affection. "The phone went ring ring," he rolls the sound around, "and I was thinking, who the heck is calling me so late?"

He plays up his outrage but keeps a huge smile in place as he works his thumb into Junie's palm, tickling in circles.

"So I answer the phone, and I say, who is this? And you know who it is?"

Junie waits, looking like she might be close to laughing. And he's just getting started.

Eddie takes a deep breath. "Hi-ho, Kermit the Frog here! Is this Junie on the other end?"

What his impression lacks in accuracy it makes up in enthusiasm.

Her little mouth opens. He wipes the corners with the wet wipe and then her chin. "So I said, no, Mr. Frog, I'm Junie's neighbour. I'm Eddie.

"Kermit said, you can call me Kermit, thank you very much. Mr. Frog was my father."

You snort beside him. He tries not to look at you because he knows your happy face will stop him in his tracks, your laughter enough to make him smile and break character.

He squares his expression and begins again. "I need to talk to Juniper, it's very important." He wipes down her sticky hands, her stained fingers and palms, worse than smug when she doesn't complain and pull them away. "I said, I'm sorry Mr. Kermit but I can't put her on, she's all safe and snug in bed with her mom. And Kermit said, oh, okay. Well, please tell Junie this."

Junie's looking up at him, surprised, very pleased, practically wiggling in her seat. She's lovely. Just like her mom.

He doesn't want to do the voice for this part, struck with a sudden sense of awe. "She is… the smartest, most prettiest, loving little girl in the whole world."

Eddie beams at her and drops her damp hands. When he impersonates Kermit this time, he's trying as hard as he can. "I'd only like her more if she were green!"

You're clinging to sanity.

It's Wednesday, it's washing day, and you haven't managed a single load of clothes since you got home because Junie won't stop crying. This isn't new; babies cry constantly and toddlers aren't much different. But, it's been three hours. She's too old for colic.

Junie has screamed, she's sobbed, she's slapped her tiny hands into your chest. You know she doesn't mean to hurt you, she's just communicating her panic. That doesn't stop the growing distress.

You're terrified.

You've found yourself in tears, too.

"Just tell me, baby," you plead.

It's useless. She screams so loud her voice cracks, and you decide that nows the time. You have to go to the hospital.

You don't think you can let her go long enough to strap her into her car seat. Immediately, you think of Eddie. You don't even lock the door. The small walk to his house feels a block long.

He must hear her crying as you approach because the door swings open just as you mount the first step. You backtrack.

"I'm really sorry," you say quickly, knowing this isn't something he ever signed up for. "I don't know what to do, she won't stop and I think there's something wrong." Your voice wobbles.

There's a huge flash of something akin to the panic you're feeling over his face but he pushes it away, descending the steps two at a time. His hand immediately comes up to your shoulder, fingers curled into your shirt.

"Chill out," he says, more stern than you've ever heard him. It’s surreal to see him turn like that. Almost like he’s become one of his characters, the voices he does for Junie’s story books.

You take a ragged breath.

"I'm serious. You need to calm down. You understand?"

Junie gives a blistering shout and your face crumples. "Eddie," you say.

"Can I hold her?" he asks, softer.

You can see in his face that he isn't sure, that he's out of his depth, but you're so desperate for a life raft that you nod and squeeze your eyes closed, passing her into his waiting arms. Everytime she cries – every wicked intake of air and every subsequent bellowing sob makes your chest ache. You have a splitting headache. Honestly, you're worried you might fall over.

"How long has she been crying?" he asks, looking over her face and shoulders with a perplexed frown.

"Hours. At first I thought she was tired or- or hungry but I've tried everything, Eddie, everything."

"She was like this when you picked her up?"

You nod.

He pats her back, the other hand rubbing down one of her legs soothingly. "Did she hurt herself?" He's looking at you without an ounce of judgement.

"Not- not that I know of." You'd looked under her shirt and trousers already. She doesn't have a single bruise.

He starts to walk back towards your home. You don't follow at first and he reaches out to grab your arm, pulling you along as he says, "Come on, sweetheart. We'll go down to Hawkins general, yeah? Just to be safe."

"Yeah."

Junie screams. "It's okay, sweetheart," Eddie says, again and again and again. He doesn't hesitate, his voice velveteen.

His hand stays on your arm until you're by the car. He's never done a car seat before and you can tell: he tucks her into it with infinite care but can't work out how to do the buckles. You laugh wetly and then feel very guilty. wiping your face with one hand before ducking down to do them yourself. Junie glares at you as you do, still very much crying and now incensed at being strapped in.

You stand back to take her in and push your thumbs across her wet cheeks and under her snotty nose uselessly, feeling so sorry for her, so guilty. Why can't you work out what's wrong? Why can't you fix it?

Eddie stands by your side, waiting.

“You got it,” he encourages as you pull back. "You're okay."

You smile weakly and then narrow your eyes, the two of you seeing it at the same time – Junie reaching desperately for her sock.

You peel it off with shaking hands and feel another hot shock of tears. There, around one of her toes, is a tourniquet. The skin is swollen but looks unbroken, darkened by blood

You smile because Oh my god, this is what's wrong, and then you panic twice as much as you had before, because Oh my god, her tiny toe.

"Eddie, I need- I need something. I need a- a nail scissors or-" You drag your hands down your face, in the thick of it. Adrenaline or cortisol or something must race through your veins, your hands shaking with it.

Eddie pulls you back by the hem of your shirt. "We can't cut it away. You'll never get the blade under that- What is that? A hair?"

"Yeah. A hair."

A lightbulb moment. You brush past him and almost fall up the steps back into your trailer.

"Stay there," you say without any explanation.

You step over the mess you'd left behind and barrel into the bathroom, clipping your shoulder on the bathroom door and slamming onto your knees.

You're lucky you have it, a tiny pot of hair removal cream in an old makeup bag under the sink. Resisting the urge to kiss the lid, you rush back out to the car where Eddie holds one of Junie's hands in his. He looks an impossible mixture of worried and relieved when you reappear.

You elbow digs into his chest as you lean over, opening the cream and smearing a line over Junie's swollen toe. She whimpers and shouts and tries desperately to get out of the carseat and, to your devastation, away from you.

"What is that?" Eddie asks from behind you.

"A hair remover."

You wipe the delapitor clumsily into your only good jeans so you can take both of Junie's arms into your hands. She doesn't want to be touched but you need to be holding her, at least a little bit.

"How long does it take?"

"I'm not sure… Not long. If it doesn't work we'll still have to go to the hospital."

Eddie pushes his hands into the top of your back in answer, his fingers curling either side of your neck like he might give you a massage. You shudder as he pulls you against him, as his fingers trace an invisible pattern.

Junie looks up at you both. Her wounded expression loosens. Maybe she's realised that you've figured out her problem, maybe she's just glad to be looked at. Either way, she subdues.

The hair removal cream's acrid smell tickles your stuffed up nose. You sniffle and Eddie's fingers work into your neck lightly, a silent and unwavering It's okay.

You don't see the hair snap so much as you see the pressure wean. You smother a sob, your relief palpable as you pull your shirt sleeve down to cover your hand and wipe it away. Junie shrieks.

You take the hair between your nails and pull.

"Oh my god," you say, holding it up between you.

Everything feels a little bit hazy after that. Eddie rubs your shoulders placatingly before encouraging you away from the door so he can unclip Junie and pull her out of her car seat. He guides you away from the car and back into your trailer, over the mess and into the kitchen.

You sit heavily in a battered kitchen chair. Eddie stands in front of you, Junie on his hip and a frown warping his pretty features. She grizzles, less when he sets her down in your lap carefully.

"Is that okay?" he asks softly. Then, when you nod, "Are you okay? You look like you're gonna pass out."

"I don't feel well."

"No, I bet you don't. Take it easy."

You pull Junie's leg up to examine her foot. Her toes are covered in hair remover still. "Could you get me the baby wipes, please?"

"Sure can. It'll cost you, though." His joke falls a little flat. You try to smile anyhow, your little huff forcing a last tear. You blink until it's gone, aggravated with yourself.

After all, her toe looks better. Sore, still swollen, but better. Though you could just be seeing what you want to see.

Eddie tries to pass you the baby wipes but your hands are shaking too badly to take them. Without a word he opens the pack, kneeling on the floor in front of you to wipe down her foot tenderly. His eyebrows pinch together when she whimpers, and he murmurs a sorry, "I know, I know."

You're trying very hard to calm down.

"All done," he tells her, parentese in play. "You are so brave, junebug. You're the bravest little girl I've ever met. That's why me and your mom decided you were Juniper the Brave, and you proved us both right."

He taps the tip of a ring-heavy finger under her chin. You watch from over her shoulder. "Really brave. You did a good job, the best job ever," he praises, tilting his head to catch your eye as he says it.

You smile at him the best that you can. He holds your gaze for a weighted second and then drops it back to Junie. "Do you feel better?" he asks.

She doesn't answer, only tips her head against your chest.

Eddie pulls off her remaining sock and waves it at her. "Don't need this."

"Do you think she'll throw up if I make her some dinner?" you ask, the kind of question you don't usually get to ask someone else. A luxury to defer judgement.

"Maybe. Does it matter?"

"I don't want to clean up puke," you say pathetically.

Eddie softens. "I'll clean it up if she pukes. Don't worry about it."

You don't have to, you want to say. Of course he doesn't have to.

"Thank you," you say instead, feeling like you could burst into an entirely fresh wave of tears.

Again, he looks up at you. His smile fades from a cheesy exuberance to something sweeter, a melty-warm thing that has your breath catching.

"I'm really sorry for just showing up like that," you say tentatively, flushed with heat as you realise what you've done.

"Don't be."

"No, because she's- I know you never-" She's mine alone. You never signed up for this. You can't make yourself say it, distracted by his ever-growing smile. "I should've handled it on my own."

"Your mom really doesn't understand how much I like her," he tells Junie humorously, wiggling his eyebrows at her. "She doesn't have a clue. How much I like you," he adds, hand on your thigh, his finger stroking a line down the length of her leg.

"You didn't have to-" You try, stopping again as he huffs out of the side of his mouth.

His hand closes around your thigh. You can feel the heat of each of his fingers, the bulk of every heavy ring.

"It's okay. I promise," he says seriously.

"I got so freaked out, I just…" You give up. Whatever. He knows what you're trying to say. Hopefully.

Eddie leans forward to kiss your knee. His eyes close, his fingers tightening almost imperceptibly over your thigh.

You blink to yourself in a vain attempt at processing what's just happened when he asks, "Do you still feel sick?"

"No.” Your chest burns.

"In that case, I'll make dinner. A feast."

Things start to feel better. Details sink in. Your heart slows. What was only Eddie behind the stovetop becomes his dark hair scraped up and wrapped in a hair tie, his sweatpants and unlaced shoes, his white t-shirt with sharpie writing all over. Sounds filter in; the spoon scraping the bottom of the saucepan and his frenetic humming, the sound of his rubber-bottomed cons squeaking over linoleum.

Junie doesn't cry so much as whine. You press kisses that are more for you than her into her hair and on her forehead, jogging your knee. She's fine. She's okay, and she's here in your lap, and there's nothing to panic over now.

You try to push away the lingering worry. In the moment, a million thoughts had coalesced into only one. What if she's dying? Meningitis, an aneurysm, cancer. Anything. And now those thoughts fall away, leaving behind only the sharp smell of the hair remover and the salty stick of tears.

"Do you think I have time to give her a shower before dinner?" you ask softly, clearing your throat for what feels like the twentieth time today.

"You got it. I'll simmer. You could have one, too, if you want."

"Do I look that bad?"

"Worse." He grins at your expression. "I'm kidding. You look beautiful as always, sweetheart."

You carry Junie into the bathroom. There's no tub and she's too big for the kitchen sink, so a shower it is. You stand her up under warm spray and turn her back so the spray misses her eyes. She smiles at the warm water running down her back. The relief to see her happy can't be understated. You hop in at the same time and clean her off, wash her hair, and bedeck her tiny features in big big kisses.

Wrapped in her baby towel – a pink poncho type thing with a hood – you walk her to the bedroom and dry her off as fast as you can.

"Which ones?" you ask, holding up two pairs of pajamas.

Junie points at the pink shirt and bottoms printed in bright red strawberries with light green tops, letting you dress her and plonk her at the end of the bed without any fuss.

"No socks for you," you say lightly, sitting beside her in your towel.

"No socks," she agrees.

Even though Eddie's been good to you, you can't help wishing that he wasn't here. What you want more than anything in that second is for Junie to be asleep and for your head to be wedged firmly under your pillow, the sheets to your shoulders, dead to the world.

Not truly dead, of course. But a minute of silence.

Junie doesn't seem to know what to do with herself, sitting in companionable silence and stillness with you. Her head falls onto your arm.

"Are you tired?" you ask quietly, too exhausted for bubbly talk.

She sighs. You sigh too.

Eddie hums from the kitchen.

He kissed my knee.

You think you might have imagined it, if you're honest. It could've been anything against your stockings, the brush off his palm or the back of a warm knuckle, but you'd seen it. His lips, his face turned toward your thigh.

"I think he likes me," you tell Junie.

She doesn't say anything. When you look down at her she's already looking up, eyes wide with confusion.

"He kissed me," you whisper, leaning down. "I don't know about you, junebug, but I only kiss the people I care about. For a long time, that's been a really short list." You bump your nose against hers.

You've just finished getting into your own pajamas when Eddie calls out, "Girls? I know ladies like yourselves need longer to get ready but the mac and cheese is acting weird."

"Weird?" you mumble, hooking your hands under Junie's armpits. You'd let her walk if you weren't worried for her foot.

Eddie has created a working man's feast, three identical plates heaping with food. Hills of mac and cheese topped with bacon bits take up half of each plate, fried broccoli and collard greens the other. They're golden, almost red with spices.

"You can cook," you say, surprised.

"Don't sound so shocked," he says defensively. He can only hold his facade for a moment, deflating. "I really can’t. I tried to copy what you do, I've seen it enough times…" He shrugs and flops down into his usual chair. "Don't tell me if it's gross."

"I doubt it's gross."

You can't be bothered for the high chair. Junie looks like she might be too tired to move so you take the chance and sit her between you and Eddie behind the smaller portion (though using small at all feels like a lie, he's made a lot of food). She can barely see over the table.

"Did you use two boxes?" you ask, picking up Junie's spoon.

It's all the perfect temperature for a baby, maybe a little cold for an adult. You're so happy to have somebody else cook for you that you'd die before you complained.

He taps his nose. You pass Junie her spoon.

"What do you mean?" You tap your own nose in imitation. "I'll know when I look."

"So don't look. Eat."

You eat. Without asking him too – because you wouldn’t, you never do – he starts to feed Junie.

He might be the nicest boy on this whole damn planet. You look at him thoughtfully. How come we always end up here? At the kitchen table?

He looks right. Too right. He looks like he’s meant to be here, smiling and talking to your baby in hushed, fond tones, airplaning roasted broccoli towards her mouth.

“You’ll stay to watch a movie?” you ask later, trying to hide how lethargic you are with your hands deep in dishwater.

Eddie wipes a fleck of water off of your cheek with a rag. "Duh."

On the couch, Eddie sneaks a glance at you out of the corner of his eye. You’re pretending to watch the TV and doing a bad job, your attention stolen over and over by Junie where she sleeps in your lap. Your hand rubs over her small, distended tummy, the other holding her foot carefully. You keep glancing at her toe, much less swollen now and with a healthier complexion, though a cruel line remains from where the hair had cut into her skin.

You don't touch it, only looking. He worries as a wrinkle appears between your eyebrows.

Listening intently as he is, he can hear the hitch in your breath. Eddie doesn’t want you to cry again — the first time had been awful enough. Your face covered in tears, coming fast and panicked. It was like you’d hardly noticed you were crying. You’d been so scared that Eddie, despite knowing close to nothing about babies or how to make them feel better, had clung to his calm. He’d stomped down every flicker of panic that had surged and tried his damn best to keep a level head.

Now, with your sad face and the crisis averted, Eddie feels a pang of terror. Just one. You are completely out of your element, Munson.

You’re definitely the kind of friends now that can sit on the couch together and not care too much about personal space. Eddie uses this to his advantage and spreads his legs just enough to brush his thigh against yours. You look at him and hide your lingering upset with a small smile. It’s a far cry from the genuine happy grin he’s become familiar with, but you're still beautiful.

Eddie shuffles across the couch toward you until he can push his hand under your arm. He pulls it to his chest, beware of your tenuously sleeping daughter, and hugs it.

“I was thinking,” he starts casually, looking down at you.

Your eyes crease with a playful smile. “Oh yeah?” Like you can’t believe it.

“Yeah, I was,” he says, quiet so as not to wake Junie but extremely passionate. “What’s that supposed to mean, sweetheart?”

“Nothing." You laugh under your breath.

He glares, faux-offended. Any real offense is swallowed instantly by the sound of your laugh.

“Hm. Anyway, I was thinking,” he begins again, hand running down your arm in what he hopes is a soothing gesture, “that I’d head into the city this weekend. Go to the bookstore ‘n’ the big goodwill by the bus station. I was hoping you’d wanna come with me.” Is he pushing his luck? Maybe.

You look like you want to say yes, but, “Eddie, I don’t really have the money.”

“I’d pay.” He tries to sell it before you can protest. “I’m asking you to come. Stealing your Sunday. We’d leave early, get breakfast on the way. I don't want to go alone.” I want your company.

He tries not to show how terrified he is that you’ll say no.

“I can’t- I couldn’t let you pay for us,” you say, eyes on his chest.

“Can I tell you something?” You nod. “It would make me… really happy if you did.”

He doesn’t know how to explain it. He doesn’t think there’s a way to tell you that won’t involve unveiling his new and shiny feelings for you, feelings that don’t seem to want to slow, or abate, or moderate themselves. Honestly, he doesn’t want them to.

He wants you to be happy. He wants to take care of you.

It's embarrassing in its intensity.

You reach over Junie to wrap your hand around his bicep, though you still don’t look like you’re going to say yes.

He leans in close, tracing the details of your face with a greedy kind of curiosity. “You wouldn’t let me give you anything for the haircut,” he says. “It’s the same, you know? Doing things for the people you care about."

He says it like the idiot he is, all rough and insincere, like caring about people is dumb. You smile anyways and finally, finally, give him a nod. So small it’s near imperceptible.

“If you’re sure,” you say.

“Positive.”

Eddie looks good behind the wheel of your car. The wind whips at his hair, curls that had been neat and pretty only an hour ago now starting to frizz. You think the chaos of it suits him.

He’s singing along to the radio and it’s a song you don’t know. You don’t think Junie knows it either, but she’s signing it like she does, hands flailing in the air and Mr. Bear bouncing in her lap with the force of her dancing. Eddie looks at her in the rear view mirror, beaming brilliantly.

“Yeah, sing it, junebug!" he encourages. Her voice peaks.

You laugh and stretch your hands out in your lap, knuckles brushing the sandwiches you’d packed. You’d let Eddie pay for gas, you might even let him buy Junie a book from the bookstore if he’s feeling generous, but you’re really trying to keep his expenses low. Hence, sandwiches. Even now, the idea of him spending money on you makes you feel guilty.

Deep down – deep, deep down – you want him to. You’re hoping he’ll pick up a book for you, and that fills you with so much shame you have to look away from him, your face to the window. The highway blurs past, the early morning sun lighting the blacktop and bouncing between cars of all kinds coming into the city for a Sunday outing.

Eddie turns down the radio a tiny bit and reaches across the seat to squeeze your shoulder. “You alright?” he asks without looking at you.

You tip your head toward his hand. His rings bite into your cheek.

You’re in the car on a nice day with a nice boy and your pretty baby listening to the radio, the sun at your side and the breeze kissing your warm skin.

You’d even managed to find a nice shirt to wear. Today is a good day. You won't weigh it down with silly feelings.

“I’m great.”

He gives you that smile like he doesn’t believe you and his eyes go back to the road. “Can a guy get another sandwich or does he have to beg?”

You imagine what it might be like to lean over and kiss his cheek. He deserves a good kiss, you think, and then wince as heat blooms from your chest up to your cheeks. You can’t hold in a pleased smile as you click open the Tupperware.

“Do you want PB&J or bacon and lettuce?” The tomatoes have already been accosted by a ravenous Junie.

“I’ll have half of whatever you’re having.”

You weren’t going to have one, and you both know that. You offer him half the PB&J and he takes it, eyes flitting between you and the road. You take a showful bite to release him. He gives you a grateful smile in turn.

Chewing, you take half of the bacon and lettuce sandwich into your hands and pull it apart. You divide the contents and tuck half into one slice to make a quarter sandwich before leaning over the seats to offer it to Junie where she waits in her car seat. She accepts it hungrily.

One-handed, Eddie pulls the car off of the highway. “There’s a parking garage somewhere around here,” he tells you.

Once he's found it he jumps out to go pay. You turn in your seat and smile at Junie. She's mauling her sandwich, face smeared in butter.

"Are you ready for some fun?" you ask.

She looks at you curiously.

You try again, really smiling. "Are you excited? We're gonna go find a book, something fun like Red Cat, Blue Cat, and we're gonna see the stores and the people and maybe mommy can get you a new teddy."

A spark of something. She gets happy when you're happy and today's no exception, her tiny features soon plucked up with joy. When you round the car and open her door to wipe down her greasy fingers and face she barely cares, and she receives your loving kisses with a big smile.

Eddie returns with the parking ticket and slides it onto the dashboard. You leave Junie's door open now he's back to pop the trunk and unfold her stroller. The sound echoes through the parking garage and the sun struggles to find a way in, your arms wracked with goosebumps.

"Hey, junebug," you hear Eddie murmuring.

He messes with the buckles on her car seat until they pop open, his triumphant laugh almost as pretty as his face. Junie's is prettier, your daughter laughing up a storm as Eddie scoops her up and sits her on his hip.

He looks like he had when you first met but with ten times the confidence in holding her and a clear affection. Her hands are in his hair like usual, petting and pulling gently.

"Brush out the tangles for me," he tells her seriously, bumping the door shut.

She hums like she's agreed to his task and continues her exploring.

You hang the baby bag over the stroller's handlebar and Eddie sits her in the padded chair.

"Junie, have I told you how pretty you look today?" he asks, pulling the straps over her shoulders and from between her legs. He uses parentese like you would, distracting her as he locks her in. When the lock click, he plays affectionately with her hair. "You're like a princess. Your mom has talented hands, huh? And a good eye."

Pleasure from his compliment drips in thick and fast. You bite back a smile and squeeze the clean baby socks in your hands, waiting for him to stand so you can fight them onto Junie’s feet. Ever since her ordeal you’ve been waiting as long as you can before putting on socks and shoes. The first thing you do when you pick her up from daycare is take them off.

If Eddie thinks you’re overzealous in your fretting he hasn't said anything. He holds his hand out for the socks and you give them to him, nonplussed though you shouldn’t be as he bunches them up and pushes them over her wiggling feet with patience and bemusement.

“Stay still… Do you want frostbite? Or gangrene?” he asks her.

“Eddie.”

“Sorry." He looks at you guiltily. “In my defense, she doesn’t know what gangrene is.”

“It’s weird, though. To hear you say it like it’s a good thing. S’creepy.”

He squeezes the sole of one of her small feet and stands, much too close to you as he whispers cheerily, “Gangrene. Septicemia. Pneumonia.”

You laugh and push him away from you. “Shut up.”

“You first. Where’re her shoes?”

You procure them with a smug smile. “You’ll never get them on.”

His fingers brush yours as he takes them, his eyes blazing at the challenge.

“Will you sulk all day?” Eddie asks you.

The sulking is for show. You frown like you’re really angry and tighten your grip on the stroller, the wind ruffling your clothes. After a moment the facade falls away and you smile at him, unable to hide your reluctant affection any longer. “How did you get her to sit still like that? You vex me.” Said with equal parts envy and pride.

“I vex you,” he says, voice coloured by good humour.

He’s fallen into step beside you, your jacket tied around his waist.

You should bring your jacket. In case you get cold, he’d said.

I don’t want to carry it, you’d said.

Don’t patronise me.

You glance over the top of the stroller to make sure Junie’s blanket is still in place. She’s quiet. You’ve decided that she’s in shock to be somewhere that isn’t your home or the daycare.

“Yeah, you vex me. Infuriate me. I’ve been a mom for two years and I can’t get her shoes on without a fight, and you’ve been-“ You stop dead, stutter, and quickly adjust what you'd been saying like it has been a slip up of the tongue rather than a thought you shouldn't entertain. “You’ve known her for what, three months? And-“

“Four months,” he corrects, sounding much too proud.

“Four months,” you amend. “And you can do all this stuff that took me years to work out.” You’re a little bit vexed for real.

He nods like he’s considering what you’ve said before tipping his head. “But…”

You wait. He doesn’t further his point. “But what?”

“Well.” Eddie brushes something off of your arm. “I guess I have a great teacher, right?” His voice hikes up high and he steamrolls, “I just copy you. You didn’t really get to copy anyone.”

You feel something melty hot in your chest, another affection for Eddie to add to a growing list. “Oh.”

He takes your shoulder into his hand and you draw to a pause, his other hand pointing off into the distance. “There’s the bookstore.”

You follow his finger. Across a landscape of cobblestone, situated firmly between a Domino’s pizza place and a cafe with a peppering of metal wrought tables stands Morgan’s Books. To your surprise, it’s a glass-fronted building with a big clean sign made up of red, yellow, and blue. It's a children's bookstore.

Eddie has obviously tricked you. You turn to glare at him and find him very close. He doesn’t shy away and you try not to in return. You try, but something about his pretty mouth so close sends shocks like pins and needles to your hands and you have to keep walking lest you embarrass yourself. His hand falls from your shoulder and trails down your back. You swear you can feel even the last millimetre of his fingertip before it falls away.

You get a good look at the landscape ahead and your eyes narrow. Eddie almost bumps into you when you stop abruptly.

“What?” he asks.

"There’s, like, a thousand steps.”

“Gross hyperbole," he argues. A gap of quiet furthers your point; while you had been exaggerating, there are a lot of steps, and he needs time to take them all in.

“Is there a way around?”

“Don’t be dumb, sweetheart. You’ll grab June and I’ll carry the stroller.”

“It’s really heavy. Heavier than it looks.”

He grins like a fiend. “I’m strong.”

Junie’s more than happy to be released, less when you take her into your arms and won’t put her down. You help Eddie snap the stroller back up, indicating which lever to pull with the rubber toe of your converse. He kneels down to guide it into place and looks up at you swiftly afterward, self-satisfied and much too happy considering the task afoot.

“Maybe we should find another way.”

“Y/N,” he says, like your name is inherently funny, like a joke rolled around over his tongue, “I’m starting to get offended.”

You blow air out of the side of your mouth.

Eddie slugs the stroller under one arm and holds it tight with the other, giving you a very determined smile. “Ready?”

You balance the baby bag over one shoulder and start on the stairs. Junie's heavy but she’s a heavy you’ve grown used to, and she doesn’t complain enough to warrant any stress.

You’re impressed when Eddie takes each step at your pace and doesn’t break a sweat. “I thought you were a bus boy. What do you bus? Weights?” you ask incredulously.

He laughs. “I don’t bus weights, but amps are heavy, and I’m not a big shot. I don’t have any roadies to carry them for me.”

You feel terrible then for forgettting. Right. He plays music, you think. You’ve never once seen him play any music, on stage or at home. You’ve seen him play guitar over Junie’s leg to tickle her and tap out a rhythm when he’s heating up desserts in your kitchen, but you’ve never seen him play guitar for real.

“Is that going okay?” you ask, ignoring the small burn beginning to grow in your arms.

“Bussing? Sure. Why’d you ask?”

“Not bussing, music. I never ask- I’ve never asked you how it’s going.”

Eddie winces as the stroller starts to open and pulls it tighter under his arm. It takes him a few seconds to calibrate what you’ve said, and he’s quickly reassuring. “What? Why would you worry about that? You have enough to think about without adding my moonlighting at the Hideout.” He says the Hideout like it’s something to be looked down on. You almost trip up a step and Eddie can’t do anything but watch. “Careful," he begs.

You keep your eyes on your footing until you’re at the very top, worried you'll fall flat on your face and get Junie hurt.. Eddie comes up two behind you and puts the stroller down, wiping his hands together dramatically.

“Conquered. Great job, team. Especially you,” he says, poking Junie’s cheek.

She puts her arms out, vying for his attention now she’s had a taste. He raises his eyebrows at her and offers his arms. You hand her over eagerly, arms aching. You can’t imagine what his feel like.

“I care about it,” you say firmly. It rather than you, but it rings the same. “I want to know, Eddie, I swear. I’m sorry for not asking.”

He looks up from where he’d been making playful faces at Junie to stare at you. It’s not a mean stare, but it unnerves you all the same.

She pushes a hand into his hair like she always does and starts to try and pull her fingers through it. It’s knottier than usual because of the wind, and she struggles to make sense of it. His eyes fall to her tugging.

“Sweetheart,” he says slowly. You know it’s meant for you, even if he’s not looking at you. "If there was something worth telling you, I would’ve told you. I don't doubt that you care.”

You don’t feel better. “No, ‘cos-”

“Why are you so upset?” he asks genuinely.

You hadn’t realised your face revealed the extent of it. “Because we’re friends. You’re the- the best friend I’ve ever had.”

He smiles, sudden and wide. “I’m your best friend?”

“Like we’re twelve?” you deflect.

“Yeah, like we’re twelve.”

You ignore him and try to cool down. A hot flush attacks your skin as you stretch out the stroller and click the supports back into place, shucking off your baby bag to hang over the handlebar with a relieved sigh.

Eddie moves Junie to one side. You anticipate his touch before it happens, his free arm behind your back and pulling you to him. “We’re totally best friends. I’m your best friend,” he says smugly, hand curling around your shoulder. It’s a good hug, friendly and warm and heart-racingly close; you can feel his chest on your back, the curve of a pec through thin fabric.

You turn toward him indulgently but keep your head down. It’s so nice to be hugged that you can’t make yourself move away.

He rubs the top of your arm, the bump of his rings biting into your skin. “You don’t deny it?”

“No. I don’t deny it.”

“Hear that, June?” Again, he calls her June. Not Junie or junebug, June. You like the way he says it. “I’m your mom's best friend. I win.”

You nod happily, warm under his touch.

Wait. “What?”

“She likes me more,” he teases her childishly.

“Eddie!”

“What? Am I wrong?” He leans away from you and feigns confusion.

“Yes! Of course you’re wrong! That’s my baby. Give her to me right now." You join in on his melodramatics, grinning even as you continue, “How could you say that? Sicko."

“That got frosty quickly,” he grumbles, holding her away from you.

You move in to plaster Junie in kisses. Not apology kisses because you didn’t say anything wrong, but kisses all the same.

“Can I get in on one of those?”

You huff at him. He bursts into boyish laughter and holds his hands up. “Kidding!”

“Should we go?” Before you say something stupid.

Eddie carries Junie and you push the empty stroller until you're all looking up at the store's bright sign. "This is where you wanted to come?" you ask him, eyes falling to the window where a sign brags a children's reading nook and their Read Before You Buy promotion.

He shrugs. "Bookstore's a bookstore."

"No, this is for kids. We're never gonna find what you wanted in here. I doubt they have King of the Rings between Red Cat, Blue Cat and Pony Girl."

"King of the Rings," he repeats jovially.

"Whatever it's called."

He pulls a squirming Junie higher up the length of his chest, the fabric of his shirt rides up with her. You pull it down. You're flustered enough, his naked skin is the last thing you need.

"Sweetheart, I'm sure they'll have what I want," he says flippantly, pushing the door open with his elbow.

"If you're sure…" you say, following him in

The bookstore smells fancy. You breathe in the scent of plastic wrap and paper, your eyes searching over floor-to-ceiling bookshelves and pyramids of craft kits. Box sets of Enid Blyton and A. A. Milne sporting classic, whimsy spines are stacked in a towering and precarious looking arch. Signs on either side promise a children's wonderland inside. You follow Eddie around pen displays and jigsaw puzzles, ducking under the archway with an awed, "Oh, wow."

"Watch out," he warns quietly, taking a step down into the kids' reading nook.

You bump the stroller to the bottom of the steps and have to stop, amazed.

Junie is a picture of you as Eddie sets her down, gazing around the room in shock. There's a lot of older kids scattered throughout on big circle pillows with books in their laps and a guardian beside them, but the real wonder is in the decoration. The walls are bedecked in murals; Kermit and Funnybones, The Very Busy Spider and the mouse from If You Give a Mouse a Cookie. Junie sees Kermit on the walls and gasps, running up to the painting with wide eyes.

Eddie follows her without saying anything. When he catches up to her, he offers her his hand. She takes it. She's practically shouting, their joined hands restless as excitement courses through her in waves.

You find two big pillows and a couple of books for Junie to look at. The three of you take to an empty corner and sit, looking over a big picture book full of stills from The Muppets Take Manhattan. Junie makes a lot of excited sounds and nonsense words, talking very confidently though half of it's lost on you both.

"Kermit," she says, pointing at the page passionately.

You wrap your arms around her tummy to keep her comfortable and hum. "Yeah, baby. Kermit, Miss Piggy, Gonzo. They're going to New York," you start to describe the page.

Eddie leans in, his arm pressed to your arm, his skin a heat where it rubs into you as he helps hold open the book.

The further you read the closer he gets.

Junie gets bored quickly, like toddlers tend to, and wants to go look at the walls again. Eddie stays with the stroller and you pick her up to let her touch her hands to the characters.

"That's Spot," you tell her quietly, her fingertips brushing over flat fur. "Spot the doggy."

Junie's never read anything Spot before. He's a popular character. There's three picture books to choose from. You pick up the first, Where's Spot? and offer it to her.

She likes the look of him. You carry her back to your pillows and struggle to sit back down in the tight gap between the wall and Eddie's knee. He stretches his arms out to take her. .

"What'd you find, sweetheart?" he murmurs as he balances her on his thigh.

He reads to her. He has the voice for it, soft and sweet.

"We had sandwiches," you argue, two hours and what feels like fifty stories later.

Eddie had known before he suggested it that you were gonna fight him on this. He’s managed to end up behind the stroller, weaving between unlucky bystanders as his eyes search for somewhere to eat.

“And they were awesome."

“Eddie,” you complain softly.

He peeks at you by his side, grinning at the plastic bag full of books you’d insisted on carrying where it dangles from your fingers.

You take his smile for teasing and sigh. “Come on. I’ll make dinner when we get home.”

“Sweetheart, as much as I love your cooking that’s hours away. We don’t have to go anywhere fancy. Look, there’s a McDonald’s right there,” he says, pointing toward the yellow ‘M’ sign where it flickers, breaking up a white sky.

“I’m not hungry,” you say. He senses your proposition before you offer it. “But if you wanna get food, that’s fine.”

“You don’t like McDonald’s?” he asks.

“I’m really not hungry.”

“Just think of it like- like using the bathroom before a long car ride. You might not need to, but it’s never a bad idea.”

Inside of McDonald’s, Eddie can tell how unhappy you are, your eyes drifting to the menu and your fingers squeezing both handles of the plastic bag.

He parks Junie’s stroller next to a low table and you slide into the booth beside her. He doesn't sit right away.

“You remember what I said?” he asks quietly, leaning on the table with one arm, head inclined to yours.

Your eyes flicker between his face and his arm. You measure his gaze “Doing things for the people you care about,” you say, equally hushed.

Eddie reaches out to squeeze your wrist. “Exactly.” He tries not to squeeze too hard in case his rings dig into your skin.

When you smile, he grabs the high chair and transfers one unhappy toddler into its constraints. There's a little basket of crayons and colouring papers near the registers that you plunder while he orders. By the time he gets back with a greasy tray of food and drinks Junie's made a masterpiece.

"Is that supposed to be me?" he asks brightly.

Of course it isn't – there's a shock of blue and a red blob almost shaped like a heart next to the dark printed outline of Ronald McDonald. It's worth the risk of sounding like an idiot because you start to laugh so hard you can't scold him for the desserts.

After wiping down the highchair's tray with a baby wipe, you peel open Junie's cheeseburger and start to break it into small pieces, blowing on each one vigorously before passing them over. You're about to start on fries when Eddie flicks your hand.

"Eat," is all he says, swiping her fries out of your reach to copy your process.

Tray laden with an abundance of bite-sized fast food, she grabs a cheesy looking slice of burger and screams loudly.

Eddie gawps. "What was that? Is it too hot?"

You swallow a sip of your drink and the cup sheds condensation like a spattering of raindrops when you put it down. "I think she's having a really good day," you say..

"Well fu-" he amends his cuss word quickly, "-dge, me too, junebug. Best day out ever. We got books, burgers, and I'm with my two favourite girls."

It might have sounded more romantic if he hadn't said it around a mouthful of big mac. You look almost as happy as Junie does anyway,

When Junies just about finished you carry her off into the ladies to change her diaper and freshen up. You have a baby in one arm and a bag full of diapers and bottles and onesies in the other, and you stare into the mirror and can't work out Eddie's angle.

Eddie is loud and crude and clumsy. He smells like his close friend Mary Jane half the time and he doesn't know how to style his hair. He laughs loud, sings louder. Almost everything about him is unapologetic and brash, his dark looks and ripped up clothes, his van, his smile.

And he's nice. He's so nice. Down to the bone, maybe down to his soul, there's a kindness that floors you every single time. He smiles and he squeezes and he says sorry for things that aren't his fault. He helps without being asked. How many times now has he knocked the door, found you kneeling on the living room floor folding clothes and thrown himself opposite you? Bet you I can do double what you've done in five minutes flat. Or stationed himself at Benny's for lunch to check you're having a good day? Here's five for the pretty waitress I saw earlier, make sure she gets it, won't you? How many times has he, hair limp and clothes rumpled, burst beaming into the kitchen with enough dessert for a family of five and a gallon of juice? Why wouldn't I get a gallon? Junebug'll have drank half by the time you sit down, sweetheart.

You look at yourself in the mirror and you can't work out why.

"Hi, girls," Eddie says when you return.

He's cleared off the table, leaning against it with his arms crossed over his chest. Like this, the lean trim of his waist is emphasised, as is the slight curve to the tops of his thighs.

"Hi," Junie says. You echo her greeting.

"D'you have fun? Powder your noses?"

"Can't you tell?" you ask. You did not powder your nose.

He straightens up and peers at you assessingly. "Definitely. S'like you got prettier, and I thought it was impossible." His voice is sugar sweet by the end, attention on Junie. She's aching to be put down and writhing in your grip, but his voice catches and holds her attention until you're back outside.

It's cooler. The air cleaner. You put Junie down and clasp her hand firmly in your own, bending at the waist to tell her face to face, "No running off, alright? You hold mommy's hand tight." You squish her little fingers until she giggles. "Okay?"

"Okay," she says.

"Okay, thank you." Then, because she looks so sweet and this has been one of the best days of your life, "I love you."

You kiss her cheek.

Eddie won't let you push the stroller. "You concentrate on little miss trouble," he says mildly, kicking the brakes with a frown. "I got this. Maybe."

Half a block to the goodwill. It's not as big as you'd expected but there's a fun furniture section that draws Junies attention. You're reluctant to let her climb on the furniture in case anything is dirty or infested, though you do sit her in a wicker chair for a tree swing and a huge velvet loveseat like she's goldilocks, asking, "How's that? Comfy?"

Hidden away, there's a bookshelf painted green and pink that threatens to topple over hiding a grandfather clock still ticking. You lift Junie up so that the three of you can look at the clock face, a small silver disk with illustrations on either side. A gorgeous swelling of purples and melty blues in a ring behind the man in the moon. The sun, a buttery yellow buffeted by white-blue clouds.

"Grand," Eddie praises.

"What did you want to come here for?"

He grins at you and nods his head to the left. "It's over there."

'It' ends up being a clothes rack longer than your trailer home partitioned by size. Every t-shirt different but bragging the same premise – band merchandise. A riot of rock bands peppered in popular duo's like Tears for Fears and the occasional Cyndi Lauper tour shirt, each one sticking out like a sore thumb; a rainbow array besides faded blacks and slate greys.

"Why'd they have so many?"

Eddie shrugs, though he tries to explain his theory anyways. "There's a venue maybe… four blocks away? That has these vendors outside all the time shelling knock-offs."

"So these are knock-offs?"

"Most of them. They're usually in good condition though."

He's right. You find all kinds of shirts in varying qualities. Some obviously real, thick fabric and perfect prints. He picks up a Judas Priest tour shirt that he claims to be the real deal, a Metallica long sleeve that most certainly is not. There's a Twisted Sister shirt with a mysterious brown stain and a Ghoulie Girls muscle tee that's almost completely split down one side.

You shuffle through the things in your size, absent-minded. Junie's not interested in the slightest and is starting to complain. You fend off an oncoming tantrum with a pack of fruit snacks, offering them to her one at a time.

Eddie whistles where he's standing a short distance away, "Oh, fuck."

He unhooks a hanger and holds it out, amazed. "Oh, shit."

"Eddie," you chastise. Not because you care, but Junie saying either of those words at daycare would suck.

"Sorry, sorry. You like these guys, right?" He holds up a t-shirt for The Mamas and The Papas, a group from the sixties. It looks new.

It's the only cassette you own where you can stand to listen to both sides all the way through. "Yeah. Like Cass Elliott's stuff more."

"Who's that?"

You point at Elliott on the shirt. "Her."

"Guess how much they want for it," he demands.

You think. Junie whines for another snack and you give her the packet. "Ten dollars?"

"A dollar." He passes the shirt to you so you can see it for yourself and leans down to bundle up your sighing daughter. She can't decide whether she's enjoying it for a good few seconds, her annoyance at being somewhere this underwhelming for so long clear but fading as Eddie shushes her gently. "Isn't that sick?" he asks you.

"It would be sick, if you liked them."

He shrugs. "I'll wear it as pajamas. A dollar for a shirt? You can't steal it that cheap."

You laugh and drop it into his basket. He bumps his shoulder into yours until you move down the rack, his fingers searching for something with focus. You're in awe at how he's handling it, a basket heavy in the crook of his elbow and Junie on his hip trying to share her fruit snacks with him unsuccessfully.

"Ah-ha!" He pulls out a black t-shirt. The back to you, you can't tell what's so interesting about it until he flips it around. "What do you think?"

It's the same The Mamas and The Papas shirt.

"You want?" he asks.

You check the price tag before answering and find yourself laughing gleefully, almost smug. "Hey, this one's fifty cents."

He gasps. "What?"

"I can afford that one myself."

He pulls it out of your hand, quick but not cruel, and tucks it into the basket. "Don't care. Wanna see if they have one in Junie's size?"

"They won't."

"What about a small and we cut the excess off? She can wear it like a dress. We'll all match."

Eddie picks up a bunch of t-shirts for you, some funny, a lot plain bad. You wonder if you're being made fun of but from the gleeful expression on his face you know he's just having a good time. It's sweet, really, how he seems to pick the more feminine looking ones for you. You try your best to calculate how much he's spending on you – it feels tacky and silly, but urgent – and end up losing the thread. He must've passed ten dollars by now. It makes you feel sick.

You see your saving grace across the way.

"Oh my god!" you feign surprise. Both Eddie and Junie look up at you, startled. "You know what mommy just saw?"

Junie perks up.

"What did I just see? What did mommy see?" you encourage.

"What?" she asks.

"I saw… teddies!"

"Mr. Bear?" she asks.

You beam at her. "Mr. Bear's brothers and sisters, I think. Should we go look at them?"

She says yes and then something else you don't catch, squirming aggressively to be put down.

Eddie says, "Sorry sorry sorry," and lets her down gently.

She snatches your hand and starts to tug you away. You glance over your shoulder to make sure Eddie's following you and he is, a melty-warm smile on his face. You navigate the store floor and almost knock down a bucket of hats with the stroller on the way to the teddies. There's a few of them, all lined up in a row next to jigsaw puzzles and old board games.

"I didn't think this through," you say, watching as Junie picks through the teddies with a huge smile on her face. She starts to hug them towards her and you try not to cringe.

"You can scrub her when we go home," Eddie assures you leaning against the stroller, hair behind his ears.

You grab the end of a curl and pull it back in front of his face, messing with it until it falls the way you want it to. He stays very still. "I might need to de-flea her."

He laughs and it's a shock, an abrupt sound that makes your chest ache with fondness.

"You might. I got some tea tree oil lying around somewhere if you need it," he says.

"And if she gets dermatitis?"

His grins turns embarrassed. "I don't know what that is."

"It's like-" You tilt your head to the side to mimic his own and drop your hand from his hair. "It's gross. Like a bad rash."

"Oh, then we'll give her a tomato soup bath."

You burst into laughter and have to grab his arm to stop from toppling over, or at least that's what you tell yourself. "That's for skunks," you manage to tell him, giggling loudly.

"Shit, really?"

You nod at him, wanting to kiss the sheepishness straight off of his lips. "You're thinking of an oats bath," you say. "Oats are good for the skin. And milk."

"So we just rub her down with oatmeal. Case solved."

Your hand rubs over the curve of his forearm until you reach the cold bite of his chain bracelet. It brings your attention back to what it is you're doing. You pull your hand away.

You have enough money to get Junie any teddy she wants. You'd made sure of that. You'll just have to hide the train in your tights and wear your waitressing skirt low on your hips for a week or three until you can afford a new pair of pantyhose.

You move to kneel next to Junie. She's pulled every teddy off the shelf and sits half-buried in them, talking a hundred words a minute. You think she might be make-believing, catching the slightest difference in her tone as she shakes one bear and then the other.

After checking the price tags stuck sloppily to each ear, you realise you can afford two.

Best day ever.

"Junie," you say with intent, heavy so she'll look at you. "I want you to pick your two favourite bears. Yeah? Pick which ones you like the best. And we're gonna take them home, okay? Give them a bath, brush out their fur, get them some jammies."

Watching the way her expression changes as she realises what you're saying is confirmation. This is the best day ever.

She decides eventually on one too many. There's a pastel green-blue rabbit with floppy ears and a ribbon tied around his neck, half a face of whiskers that make him quite charming and a worn tail. Next to him is a classic teddy bear who could be Mr. Bear's younger brother who seems in very good condition. Last, a bigger, softer golden teddy with an enamel nose and eyes lies over her lap.

You can't afford all three.

You've barely opened your mouth to tell her, a weak smile on your lips ready to placate when Eddie says, "The rabbit is classic. You'll have to let me get her that one."

"Eddie," you say, looking up at him as you shake your head, "you can't. I can't let you."

"She'll have to share him with me, obviously. He's punk rock."

It's the least punk rock plushie you've ever seen.

"Eddie," you say again, quietly.

He scoops the hair away from his face like he's going to tie it up. "Y/N." He says your name expectantly. When you don't budge he lets his hair fall back to his shoulders and turns serious. "You can pay me back, if you want to."

"Really?"

"Only for the rabbit."

You purse your lips to fight a smile.

Junie throws herself into your lap with her new treasures. "For the rabbit," she parrots factually, gazing up at you with eyes full of content. Her small smile means everything.

"He's a bunny," you murmur, fingers brushing his rough ear.

"He's sweet." Eddie crouches in front of you. He smells like something nice though you can't think of what it is. Cologne, something dark and deep hiding under a woody scent. Maybe sandalwood. His knee taps your thigh and his hand wraps around your shoulder for balance. "Got a dirty nose though. Who does that remind you of?"

You giggle and tap Junie's nose. "I wonder."

Down what feels like a thousand steps and back into the parking garage, your legs are hurting in the best way and Junie's half asleep in her stroller. You'd reluctantly let her keep the blue-green rabbit in hand, and she snuggles him close to her chest.

"I'm actually genuinely worried she's gonna get something from him," you confide.

Eddie weaves his arm through yours. "Like rabies?"

"A rash."

"I'm allergic to gain detergent tablets," he says, his hand slipping away from you so he can put both on his hips. "When I moved in with my Uncle Wayne he didn't know that, obviously, not at first. We didn't notice for a while. One day I'm scratching my chest and he says to me, boy, what are you doing always itching like that? You ever take a shower?" He impersonates his uncle's disappointed frown.

You laugh. "Poor baby."

"I mean, I probably wasn't showering." He laughs. "I was like, wow, thanks Uncle Wayne, I love you too.

"He lifts my shirt up in the middle of the kitchen and we both just stare at this rash. It was the first time I'd really noticed. I didn't… I was a skinny kid, I didn't really find any pleasure in looking at myself. And- He got so serious. Asking me if I was okay, if school was stressing me out."

"He thought you were hurting yourself?"

"In a way… It wasn't the first time he tried to get me to talk about how I was feeling, but it was the first time I thought- I mean, the first time I realised that it was permanent. That we were-" He cuts off with a laugh. "I'm being weird."

"No weirder than usual," you tease. Your expression softens.

You slow, trying to convey how much you want to hear it with a smile. You don't want to say something that'll weigh on the impossibly light mood you're both in; the ground practically glows yellow under your shoes, the two of you walking on sunshine or something remarkably similar.

"I guess I realised he was gonna take care of me. I told him all about school, stuff I'd been lying about, how the Walton twins kept taking my lunch money, how I was failing algebra. How much I," he licks his lips and then smiles, "how much I missed my mom."

"Do you still miss her a lot?" you ask, though you know the answer.

"Yeah, I do. I don't remember everything, but I remember the way she talked sometimes. I don't remember her voice," he concedes, "just… the way she moved. She would lean back whenever I was getting into trouble, and she'd get this look on her face like I was the funniest thing on the planet."

You grin at him. Your cheeks ache from what must be a hundred smiles today. It's a really nice memory to have.

"You are pretty funny," you say.

"What was that? You think I'm pretty and funny? Baby, you spoil me."

You stop altogether and press your fists into your eyes, defeated. "I should've seen that one coming."

"Yeah, you should've."

Soft snores, so quiet you almost miss them. By the time you've got back to your car Junie's sleeping with her chin to her chest and the rabbit's ear held tight in her small hand.

"Will she wake up?" Eddie asks quietly.

"Not if I'm very, very careful," you whisper.

You scoop her up and tuck her into her carseat, holding your breath all the while. Eddie tries his best to fold down the stroller.

You emerge from the backseat and make a soft pitying sound. "Stuck?"

"I can do it," he promises, head and face hidden behind the padded seat. His hands fight with the metal bars holding it in place. Again, you tap the right strut with your shoe to help him out.

He says thank you but refuses to look at you. You swear you're gonna kiss his cheek this time for real because he deserves one and you really want to give him one, but he puts the stroller into the trunk and touches your waist as he opens the driver's side. Any bravery gets turned into mush.

He rolls down the window and sticks his head out, ever amused. "Are you coming?"

You pause at the door and get closer than you mean to, close enough to find yourself distracted by the beauty mark along his jawline.

"You want me to drive?" you ask.

"No, sweetheart. You're good."

You smile at each other. It's a strange sort of smile, strange to be taller than him, strange to have your faces this near. There's a lot to say but maybe now isn't the right time to say it, or maybe now is exactly when you should, and his face lifts up just a touch and your hands feel heavy at your sides.

"Eddie…"

You close your fingers over the door, braced as his body turns to yours. You get the sense that he's waiting for you to say – or do – something. To lean down. To take the leap.

He's the prettiest boy you've ever seen.

You waver.

"You know," he says lightly, blinking his long lashes at you in a way that has your heart skipping beat after beat, "if we hurry, I think we can get on the highway before the work rush. We'll be back in Hawkins before dark."

You bring your hand to his cheek. A sorry and a thank you at the same time. "I don't want to be back in Hawkins before dark." I really want to spend more time with you.

"I'll crawl."

You press your lips together, tongue in your cheek to stop from giggling like a loser as you walk around the hood and climb in. He turns the key in the ignition and switches off the radio before it can wake up Junie. True to his word, Eddie goes what must be a half a mile an hour out of the parking garage. The car behind you beeps aggressively.

Your eyes flicker between the rearview and his grinning face. "What are you- oh."

"Crawling," he murmurs smugly.

The sun starts its slow descent. You use his knee for leverage and pull down his sun visor, then your own, blocking the light. Eddie says, "Thank you," very sweetly and you get comfortable and clip yourself in, anticipating a long drive home.

The stores turn on their neon, fast food and take out restaurants open for the night. The smell of warm oregano and olive oil is strong as you drive through the side avenue past a pizza place with its door thrown open.

Eddie asks if you're hungry and you decline. He takes it with grace and doesn't say much besides passing commentary until you realise he's going the wrong way.

"Eddie," you start.

"I know. Just- one last thing. Let me get one more thing and then we'll go home and you never have to let me spend money on you ever again."

You look over his pinched, pleading brows and his slight pout for any insincerity and find it in droves. "Until Friday," you say, dejected.

"Now you're getting it."

He pulls up to a small bakery and weasels his way inside. You wait, car idling, hands rubbing over the cracked leather of your seats wondering what sweet treat he's going to emerge with.

You have a nightmare – a heaping bag of donuts and shortbread and pastries, things you could never pay him back for, more to add to the impossible pile of things he's given you.

Doing things for the people you care about, you repeat to yourself wearily.

You hadn't expected anything for the haircut, but this is more than a haircut. It's difficult not to think of every dollar as an attribute of every hour he's worked. What makes you deserving of his literal physical labour?

I didn't force him. He likes me.

He certainly looks like he likes you as he appears again, shoving his wallet into the back pocket of his black jeans and wielding a flat looking plastic platter with an exuberant expression. He almost drops them trying to show you. Your heart shoots into your throat.

He's still chuckling when he throws himself into the driver's side. "Shit, did you see that? Almost lost 'em. Here, sweet thing. Hold the sweets. Makes sense, right? Sweet thing holding sweet things."

You accept the tray of what looks like a rainbow of blobs and go to peel off the lid. "Can I?" you ask.

"Of course you can."

You pull off the lid. Twelve cupcakes of all different colours in rows of four. The first four are chocolate cupcakes, one with green icing shaped like a frog, one with a white rabbit, one with an orange fox and one with a blue fish. The second row seems fancier. By the third and fourth row there's no pattern, just an assortment of flavours and decorations, chocolate curls and glitter, a half a strawberry, a smattering of mini marshmallows.

"What flavours that one?" you ask, pointing at a golden cake topped with multicoloured icing, a swirl covered in little crystal like sprinkles.

"I don't have a clue. I picked the first four and then realised it was taking too long. Told 'em to give me whatever."

"Eager to get back?"

"Eager as a cry for life. Try it."

"You don't want one before you start driving?" you ask.

"I'll try that one after you."

You peel back crisp, metallic shiny paper and take a cautious bite. It's a bourbon vanilla cake with a coffee flavour buttercream to cut the sweetness. You can't tell whether you like it or not at first, so you take another bite.

"Leave some for me."

"Sorry!" you say through a giggly mouthful. "Here."

He has both hands on the wheel. You don't know what possesses you – though you're starting to wonder if it can be called possession at all, more like a hunger that won't let things lie – to do it, but you bring the cupcake up to his face and hold it so he can take a bite.

He licks a big dollop of icing as it threatens to fall down his chin, head tilted high. "Oh my god. What is that? Is that coffee?"

"I think so."

"Okay, awesome. Let's try another one."

"What?"

"Let's try another one. There's still eleven left! We can save the cute ones for Juniper the Loveliest, but that's still a ton of flavours. C'mon, let me try the one with the chocolate curl. If I remember, it has white chocolate melted inside."

"If you remember?" you ask, peeling back the paper of his requested cupcake. "You've had these before?"

"A long time ago."

You tilt your head toward your shoulder and watch his lashes kiss. "Here," you say warmly.

He accepts the proferred cake and takes a good bite. His eyes roll back into his head dramatically and he goes stiff, shoulders tense and then suddenly not. You watch the muscle of his bicep flex as he tips his head back in pleasure.

You chortle and you're so happy you don't care how silly you sound, nor how unattractive you might look as you hit him in the arm. "Stop! You're enjoying it too much!"

"I'm enjoying it the right amount! Try it, try it," he says quickly. His eyes flick back to the tray. "I wanna try that strawberry one next."

"Watch the road, Munson, god! I'll pass you whatever one you want, just don't crash the car!"

You forget yourselves. Laughing, eating icing with your noses scrunched up, you don't remember to stay hushed, and soon Junie's awake and annoyed.

You worry for a second that her crying will dampen the mood, but Eddie beams wider still. He's more smile than boy.

"Junie baby! What cupcake do you want, sweetheart?" he asks her, watching her in the rearview mirror.

"Cake?" she asks.

"Cupcake! Yeah, baby, what one do you want? There's a froggy and a fishy and a bunny-" He stops to take a turn onto the highway. The road evens out underneath, the plastic tray stops crinkling. "And a fox," he finishes. "All for you."

You twist in your seat, bunny and fish held in your hands. "Fishy or bunny?" you echo.

"Fishy and bunny," she says clumsily, eyes widened with excitement.

"Just one for now, baby. Let's pick the bunny," you say gently.

There's no hopes of her eating it cleanly. You don't bother with any precaution. It's your car and her seat and her clothes and if she wants to cover it all in soft fondant you don't mind, anything she wants if you get to see this look on her face. Pure happiness, her eyes closing in bliss as she takes her first bite.

"Good, huh?" Eddie asks, speaking glances at her.

"Good!" she says loudly, cheeks plastered in white icing and fluffy golden crumbs.

Then, like the good girl she is, she tries to offer up the cupcake and almost drops it.

"S'that for me? Aw, you keep it. You keep it. Mom's gonna share hers with me." He grins at you. "Isn't that right?"

You share that entire tray of cupcakes right there in the car. By the time you get home, back to Hawkins, it's dark, your stomach hurts, and every cupcake bears two missing bites.

𓆩❤︎𓆪

thank you for reading! | my masterlist | multi-chapter

if you enjoyed, please reblog! i promise it makes a difference ♡

#eddie munson x reader #eddie munson x you #eddie munson #eddie munson x y/n #eddie munson x reader fluff #eddie munson imagine #eddie munson stranger things #stranger things fic #stranger things x reader #stranger things 4 #stranger things #eddie munson x fem!reader #eddie munson x afab reader #mom!reader #eddie munson fanfic #eddie munson oneshot #stranger things fanfiction #fem!reader

16K notes · View notes

phas3d · 4 months

Note

can i request something where the reader is sick and she doesn’t eat cause she’s scared to puke so they try to make her eat until they slowly can

this is optional

((but then she feels like a “burden” on her stomach? idk how to explain it ahahah))

You're Sick || Slytherin Boys

type :: comfort

tw/cw :: puking/vomiting (all)

contains :: draco malfoy, tom riddle, mattheo riddle, theodore nott, lorenzo berkshire

summary :: how they help you when you're sick! i hope the requester isn't sick cause I just got better from a fever and omfg i wanted to cry

DRACO MALFOY

He cares deeply for you but he HATES being sick

When you text him that you're sick, he's sad but he won't say that

"Finally a day away from you" but then he'll instantly text you that he misses you

Sends you soup and any snack that you're hungry for

But he won't go near you

He'll enter your room but he won't get super close to you

He's scared to get sick since he literally despises it

Last time he was sick, he stayed sick for almost 2 weeks straight

His immune system is weak asf and can't handle germs that much

He loves you, but he's gonna send you kisses from 6 feet away

But when you get super sick, to the point where you can't eat or even breathe properly, he gets worried

He does his best to be there for you for everything

When you vomit, he's mortified but he holds back your hair and looks the other way

He'll help feed you, but he'll definitely be wearing protection of some kind

Like a mask, gloves, goggles, and more

It's a bit dramatic (Very fucking dramatic) but you don't mind

He helps feeds you slowly spoon by spoon

TOM RIDDLE

I think that he has a strong immune system so he doesn't understand how being sick can affect you so much

But he comforts you in his own ways

Such as, being in the same room as you, making sure all of his devices are muted, sneaking in headache pills in your food, etc

Brings you food from the banquet and feeds it to you spoon by spoon

But sometimes, he pretends he's going to feed you but then feeds himself

You tell him to not do that since you're sick and ate off the same spoon

But he doesn't care and kisses your cheek as extra evidence

When you refuse to eat, he doesn't care and continues to spoon feed you

Even if you deny it, he just rams the spoon on your face, making the soup fall on your clothes

So either you eat the soup or you get covered in it

When you say you're scared to vomit, he groans

He thinks you're being a big baby LMAO since he thinks puking is completely normal

But when you get really upset and start to tear up due to your fear of puking, he panics and sees you're being fr

He goes to the school medics and ask them how to help you

They give him a special vial that allows you to eat and not vomit, which is super perfect for you

He helps you throughout it all and makes sure to care for you :)

MATTHEO RIDDLE

He has a strong immune system too so he doesn't care about being near you

He'll lay in the same bed as you and kiss you, he doesn't care

Probably makes fun of you for being sick and teases you

"You would have never gotten THIS sick if you just ate dirt as a kid"

Promotes the worst health advice you've ever seen

Probably tries to convince you to go jogging or do some weight lifting

Do NOT do that, don't listen to this man

But he is really sweet with you, just in his own way

When you do anything, he's so proud of you cause he knows how hard it is for you

Like when you finally get up to go pee

"WOOOOO GOOD JOB!!! LETS GO!" He shouts, as if he's watching you take your first ever steps

Will spoon-feed you but definitely adds sound effects

Train noises, bird noises, airplane, fucking everything that moves

Definitely teases you still by pretending he's going to feed you, but the eats it himself

But when you don't want to eat it, he genuinely doesn't understand

"If you want to get better, you have to eat. That's how it works"

But if you keep denying, he'll try to make little promises for you

"If you just eat half of this soup, then when you're feeling better, I'll take you on a shopping spree!"

Will coax you into it and eventually you'll give in

But if you throw up, he feels really bad and guilty

Definitely runs to the school nurses to get medicine for you and everything possible

He holds your hair back and rubs your back reassuringly :)

THEODORE NOTT

Despite smoking a shit ton and drinking a lot, his immune system is actually pretty good

He’ll give you small pecks and cuddle but he won’t kiss your lips directly

Gives you a ton of tissues and hugs you all the time

He skips class to spend time with you and make sure you're okay

Doesn't care that he's missing an assignment or two because he's smart enough to just learn the material on his own

My headcanon for him is that he's secretly kinda nerdy and has the best grades out of the Slytherin boys

So when you're napping, he does all of your missing assignments for the day

He's such a good caretake it's crazy

Fluffs your pillows, tucks you in, plays your favorite movies, makes sure you always have water and that the temperature of the room is perfect for you

Goes to the dining hall to get you some food and soup

And if they're not serving soup for the night, then he'll buy some himself

I also headcanon that he's pretty good at cooking :) So he might just make you some

But if you deny the food, he'll reassure you and comfort you that you won't throw up

He spoon feeds you and talks about his day

He makes sure you're not eating too fast or too big of bites to make sure you can avoid puking as much as possible

Such a good boyfriend :))

LORENZO BERKSHIRE

Has an okay immune system but it's pretty weak at times, always has allergies

But even though he knows he's gonna get sick from you, he's still gonna skip all his classes to be with you

Loves this because he has an excuse to skip and spend all day with you!!!

Definitely cuddles with you all day and doesn't care

Takes naps with you and rests besides you

If you struggle to take your liquid medicine, then he'll pour himself a little spoon of it as well

Even though he's perfectly healthy, he'll take it just to make you feel better :)

Does this with pills as well

Brings you food from stores instead of the school's banquet

Buys you fancy and nice dishes that are hot so you can get the best quality possible

When you're scared to eat because you're worried you might puke, he's super fast to reassure you

"It's okay! You need to eat or else you won't get better, love."

Does his best to coax you into trying at least a few spoons of it

And makes sure to tell you that it's from the finest places in town

If you don't like it, he'll just buy you more and more dishes until you finally like one

Anything you want, he'll get for you :)

He will 100000% be sick after you get better, but it was all worth it to him in the end

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wolfiesmoon · 2 months

Text

Genshin guys as dads 🤭

in honour of finally getting off my ass and finishing mondstat, i bring you genshin men as dads <3 i decided to challenge myself and write for characters i haven't written for at all yet

the reader is gender neutral (u can interpret that the kid was adopted or u can interpret that the kid is biologically yours)

Yk the more i read these guys' lines to get a better idea of their characters the more i think they need a therapy session stat

Characters featured: Diluc, Alhaitham, Childe, Ayato

౨ৎ‧₊˚ ⋅ Diluc Ragnvindr

"Diluc! Diluc, are you in here?" you knocked before opening the door to his office, assuming he's probably there. You were finally returning to the winery late in the evening and wanted to see how your daughter and husband were doing.

Tonight, they should both be at the winery.

But to your surprise, the office was completely empty. You haven't heard a single peep from your daughter yet, either. Usually she'd be running around and yelling, even if she wasn't with Diluc.

You went upstairs to check your bedroom and were met with a most adorable sight when you opened the door. Your daughter was very peacefully asleep, drool and all, on Diluc's chest. Diluc did not seem very pleased with this arrangement, however.

"Welcome home." he sighed upon seeing you walk to the side of the bed.

"Looks like someone's on pillow duty." you teased him, petting your daughter's head.

"Don't make fun of me. She's been running around all day with seemingly no end to it. Sometimes I'm surprised at what her tiny legs are capable of." he leaned his head back, looking up at the ceiling.

"She said she's not tired at all. But she fell asleep almost instantly when she sat on top of me to, umm... bother me." to anyone else, Diluc would seem like he hates this kid with how much he says she bothers or annoys him, but you know that isn't the case.

Whenever she runs up to him to show him something she did, he pats her little head lovingly. He keeps the drawing she made of him in his office, even if he is a bit concerned at how grumpy he looks in her artistic interpretation.

"I wasn't making fun of you... Okay, maybe a little bit." you leaned down, cupping Diluc's face and kissing his cheek. He hummed in dissaproval, but his cheeks turned pink anyways.

"Would you mind joining me? If I can't... I want to know that you're safe, atleast." his eyebrows were creased in worry. You don't know what for, exactly, but you gladly joined him on the bed, hugging him too.

"Is your aim to suffocate me further?" the combined weight of about a quarter of your body and his daughter was not the most freeing in the world.

"No, I just happen to understand the appeal of sleeping on top of you." and you really do. It's always so warm and homey.

"You've worked hard today, dad." you moved some stray hairs out of his face. His tired eyes met yours for a moment before they slipped shut. Hehehe, you need to take a photo of this.

౨ৎ‧₊˚ ⋅ Alhaitham

(let's pretend you live together with him now instead of kaveh haha)

"Dad doesn't love me!" the sudden accusation had you turning your head fast, wanting to know what was going on. "What did he do, sweetie?" the little pout on her pudgy face was adorable.

She ran up to you and hugged your leg. "You still love me, right?" she seemed very worried about your reply. It seems like she isn't in the mood to give a proper answer to your question, though.

"Of course I do. You're very very very special to me." You pat her head gently. She seemed satisfied with your reply, giggling happily at you before running off to play.

When Alhaitham returned home that day, he attempted to interact with his daughter, as he tries to every day, but he was utterly ignored.

He looked to you, hoping you'd know the reason, but you just shrugged. "She says you don't love her anymore."

"Hm..." was his only reply.

"That's because he doesn't! I told him 'I love you' yesterday but he didn't say it back!" Your daughter crossed her little arms, scowling at her dad before turning around so she didn't have to look at him.

"So it was that." Alhaitham seemed like he understood the situation properly now. And you realised what happened too, because it happens to you occasionally.

"Sweetie, listen. Your dad likes to wear these thingies in his ears. And when he wears them, he can't hear a thing." You explained in the most child friendly way you could.

"Not even an explosion?" Your daughter finally turned back to look at you and Alhaitham, though her eyes were fixated firmly on you.

"Nope. Nothing at all. When he didn't say 'I love you too' yesterday, it was because he was wearing them and couldn't hear." Your daughter turned her head back with an annoyed 'hmph', but you knew she was listening to you.

"So I propose a hug attack. Whenever you see him wearing them." You smiled evilly, glancing at Alhaitham who shot you a dissaproving glare in return.

"Leave me alone." Your daughter huffed, stomping off down the hallway. Oh well, kids don't always think critically, do they? You have a feeling she's already forgiven him a little, though.

"Children make no sense to me." He admits, and you finally greet him properly with a little welcome home peck.

"That's the fun in it, though." You smiled at him and to your surprise, he smiled right back. As awkward as he can get with the kid, he loves her a whole lot.

౨ৎ‧₊˚ ⋅ Childe

"Mhhhh... what is it?" he mumbled in annoyance when he felt his hand getting shook. His voice sounded quite raspy now.

"Dad... Dad..." turns out it was your son who was pulling on Childe's arm. He looked like he was about to burst into tears any second, now.

As soon as he saw the distress on his son's dimly lit face, his attitude changed and he was overcome with the sudden urge to take revenge on something or someone. Maybe it's the dad instinct.

"I had a nightmare.... I'm scared..." your son sobbed.

By this point, even you woke up, but your body was still mostly asleep, so you were just listening in.

"Come up here." Childe tapped the bed and your son awkwardly climbed up into his arms.

"Was it a scary monster?" Childe asked in an exaggerated scary voice. Your son nodded, gripping onto the front of Childe's shirt.

"In that case... you don't have to worry at all. I always love a challenge." you could practically see the smile on Childe's face. You turn over, opening your eyes slightly. You have to admit, the sight in front of you is adorable.

"What do you mean, dad?" your son sniffled, rubbing the snot away with his tiny hand.

"I'll fight the monster, of course. Oh, how wonderful it would be to see the b-" he winced a little bit when he felt the light slap on his face.

"Ajax, you'll scare him even more." you warned, your own voice raspy. You moved your other hand to ruffle your son's hair to comfort him.

"Ow, clearly, someone doesn't appreciate me enough." Childe rolled his eyes playfully.

Without warning, you lean forward and peck him on the lips. "There. Now I've evened out the slap."

"Just one peck? Well, I suppose we can't do much more right now... Hehe." Childe turned his attention back on your son, stroking his back gently to calm him down.

"Why do you have that look on your face?" you noticed he was smiling strangely.

"What look?" your accusations have been denied. But he sure does have a plan for you later.

౨ৎ‧₊˚ ⋅ Kamisato Ayato

"DAD! Look at where I am!" Your son shouted from somewhere in the tree that was stood in the beautifully maintained garden.

Being the little rebel he is, he climbed the tree despite you telling him multiple times not to.

"Please get down from there. It's unsafe." Ayato tried to reason with him calmly upon noticing him in the treetops.

"Nah, it's so cool up here! I can see the whole estate!" Sometimes, your son's stubborn nature made it hard for him to get along with Ayato. This is one of those cases.

"This is not a joking matter. You could get seriously hurt." Ayato doesn't think he could properly live with himself for a bit if his kid got hurt when he could have prevented it.

"What's going on here?" You joined in, happening to pass by the garden.

"He won't come down. I'm... worried about him." He admits, crossing his arms. Though you do sense a bit of annoyance behind his voice, too.

"Come down. I told you not to climb that tree so many times." You crossed your arms firmly. Your son looked at Ayato's face, then yours and sighed, beginning to descend from the tree. He'd rather avoid a scolding. But his little foot slipped and he suddenly tumbled to the ground.

"Son!" Both of you immediately ran to his side as he started wailing. "Call for healers. Immediately." He seemed fine, looking at him initially, but he might have a broken leg or something.

Both of you stayed by his side the whole time, offering him words of comfort (and a bit of a scolding). It seems like something like this happens almost every week, now. The Kamisato household has certainly gotten livelier ever since getting blessed with your son.

"Well, that was certainly an afternoon." You huffed, sitting down behind the table across Ayato.

"I wish he wasn't so reckless and disobedient, sometimes." Ayato held his cheek in worry. He let his son get hurt, again.

"He got that mischief from you." You smiled innocently, sipping your tea.

"Whatever do you mean, dear?" He smiled innocently back.

"I miss days of solitude. We only have moments now. I suppose my life hasn't been a calm one for a long while now, though." He sips his own tea, looking outside at the sunset. Working as hard as he does every day is taxing on the soul.

"Guess we gotta make the most of it." You stood up, sitting back down next to him and playfully pecking his cheek.

"Oh, I see what you mean." He returned the mischevious smile you know and love. Just as he grabbed your waist, though...

"LOOK WHAT I HAVE!" Your son burst into the room, holding a sword. His sword.

"Aren't you supposed to be resting?!"

#˗ˏˋ ★ ♡ 「Wolfie’s other works」 ♡ ★ ˎˊ˗#genshin impact x reader #genshin x reader #genshin x y/n #genshin impact x you #diluc x reader #diluc x you #diluc x y/n #childe x reader #childe x you #childe x y/n #alhaitham x reader #alhaitham x you #alhaitham x y/n #kamisato ayato x reader #kamisato ayato x you #ayato x reader

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ladylokilaufeyson5 · 2 months

Text

Where The Shadows Dance - The Proposition (i)

Bodyguard!Azriel x AutumnDaughter!Reader

CHAPTER I: The Proposition

SUMMARY: Beron has invited the High Lord and Lady of the Night Court to spend a week in the Autumn Court. Azriel and the rest of the Court of Dream believe he has ulterior motives, and they are correct - but these motives come as a surprise.

WARNINGS: Um. Misogyny. love that for us (i hate the autumn court). swearing (the f-word (as in fuck)), y/n has daddy issues (bc beron is a cunt) and uh... i haven't read acotar in ages so apologies for any OC characteristics and forgetting everything about the autumn court. but i did read HOFAS recently so hopefully az isn't too out of character. also tw: beron

NOTE: so obviously Y/n is the daughter of the autumn court. we know they have red hair BUT i want this to be as less oc as possible so y/n has your colour hair and u can make up ur own story about why but mine is that she's 'rebellious' (as you'll see later on) and just dyes her hair. also special thank you to my moots @icey--stars and @fieldofdaisiies for proofreading my work! i love you guys<3

WORDS: 2.7K

Azriel glowered at the male sat across from him. Eris either didn't notice or pretended he didn't care as he reclined in his chair, one arm over the back and looking for all the world he was in his own home, rather than the Court Of Nightmares.

"Eris," Rhys drawled, "if you have any information to help us with this meeting with your father, we would appreciate it immensely."

The High Lord of the Autumn Court had invited the High Lord and High Lady of the Night Court to his castle for a week, as a gesture of good will, and an attempt to strengthen their bonds. Of course, the court was suspicious of the intent behind such actions. Although Azriel had sent his contacts in to find any sliver of information, his spies had come back empty-handed.

Eris rolled his shoulders, seemingly at ease despite being surrounded by the Night Court's most deadly warriors. "I am not entirely sure what he wants, but I assume it has something to do with my sister, Y/n."

Y/n, the only daughter of the High Lord of Autumn. She was quite young, by Fae standards – only seventy-nine. She had not fought in the war against Hybern, and had very little training according to Azriel's knowledge.

"Why her?" Feyre asked carefully.

Azriel heard the shift in her tone. She was wondering, as they all were, what Beron intended to do with her. The Autumn Court was just as backwards as the Court Of Nightmares, and females were considered little more than property.

Eris simply shrugged, either not hearing the implications in the High Lady's tone, or simply not caring. "That is all I know, I'm afraid."

Cassian grunted, his eyes still on the heir to the Autumn throne. No one was particularly happy about the bargain they had struck with him, but he seemed to be a willing ally. For now.

"What can you tell us about her?" Feyre inquired.

Eris watched her for a moment, before responding, "She is… wild. Untamed, and unpredictable."

Despite his words, Azriel sensed a flicker of admiration in his tone. Azriel stored that piece of information away. It could be a weakness of Eris's, his sister. They may need to exploit it one day.

"Sounds like my kind of lady," Mor grinned.

The fact that Mor bothered speak in Eris's presence was a gift that the heir did not appreciate enough. Azriel glanced sidelong at her, noticing the way her unbound golden hair cascaded down her back, and the amount of skin her low-cut red dress revealed. Once, looking at her like that would have sent Azriel mad with longing. But after she had confided in him, after she had revealed she could never love him back because she preferred females… some part of him had been relieved to let her go.

Eris scoffed at Mor's comment. "Yes, well, she irritates my father to no end."

There was a silence, and Azriel wondered whether Y/n annoyed Eris as well, before Rhys sighed, "Well, if that's all, Eris, I'm sure you have places to be."

The dismissal was clear in the High Lord's tone, and Eris rose from his chair with a nod before leaving the council room. Everyone was silent as the male left, all eyeing each other. Feyre and Rhys were looking at each other, a clear indication of their telepathic conversation, and Azriel watched the two with a hint of jealousy. Of course he was happy from them – finding one's mate was one of the most fulfilling things one could experience. But he couldn't help but feel a sense of longing for his own. It seemed he was the last of the court to find his mate, and he had a fear that he would never find them.

"Has anyone heard much about this Princess?" Cassian asked, looking towards Azriel.

Azriel shook his head. "She is one of the most guarded individuals in Prythian. My sources struggle to even see her."

"Very guarded indeed," Rhysand murmured.

The Court of Dreams debated between themselves the possibilities of what the High Lord of Autumn could want regarding his daughter. Azriel had a few of his own suspicions – to have her taken away, or perhaps trained in combat – but none of them seemed accurate.

After a while of debating plausible explanations for Beron's offer, the court decided to head home to the City of Starlight in order to get a good night's rest before their meeting tomorrow. The High Lord and High Lady were going, as well as Cassian and Azriel. Morrigan was not permitted in the Autumn Court, so she would stay behind with Nesta to hold down the fort while they were gone. Amren would also be travelling to the Autumn Court, and although the monster she was no longer crawled beneath her skin, she made most people wary.

As he lay in his bed, Azriel couldn't help but wonder what awaited him tomorrow. He was curious about what the Autumn High Lord wanted, especially regarding his daughter, although he was also wary. Although Autumn had helped them in the war, they couldn't be trusted. Azriel fell into an uneasy sleep, cautious of the days to come.

Azriel awoke at dawn the next day. They weren't due in the Autumn Court until the evening, so Azriel decided to go through his morning exercises. The Valkyries weren't up yet, so he went through his warm ups, taking his shirt off halfway through. The morning was uneventful, and Azriel ran over the information they had in his head. Eris had suggested that Beron may be seeking a favour of some sort, so perhaps it had something to do with that.

The day passed by quickly, and soon enough, those travelling to the Autumn Court had gathered in the living room of the River House, just as they had planned. Azriel and Cassian wore their scaled, black armour, while Rhys and Feyre wore their finery. Rhysand held his mate's arm, and Azriel grabbed onto Cassian, before winnowing to the entrance of the Autumn Court castle.

It was big, and made of stone. It was quite majestic, if Azriel was being honest – high towers and red and orange flags waving in the wind, large windows showcasing rich carpets and tapestries inside.

Rhys led the way, Feyre on his arm and Cassian and Azriel following closely, and Amren trailing behind. Guards monitored them as they passed through the halls, their armour heavier the closer they got to the throne room. Azriel marked each one as they passed, something he was sure Cassian and Rhysand were also doing.

The doors to the throne room opened, and revealed the High Lord of the Autumn Court sat atop a dais, the Lady of Autumn seated beside him. Beron's sons stood on his left, and his daughter was seated to her mother's right.

Azriel paused at the sight of her. She was beautiful, even by Fae standards. Her h/c hair shone in the Fae light liming the walls, piled neatly on her head in a braid crown. Y/n’s e/c eyes sparked with mischief and curiosity, skimming over the members of Azriel's Court, until they finally landed on him. Her gaze was mesmerising, and Azriel couldn't find it in himself to break it. A small smirk played at the corners of her mouth, as if she were aware of the effect she had on him, although Azriel's mask of icy cold had not budged even an inch. Azriel quickly tore his eyes away from the Daughter of Autumn, marking the guards posted by the doors and the dais, and counting the weapons each of Beron's sons carried.

"Beron," Rhysand purred, ever the arrogant High Lord, the mask back up despite the High Lords' meeting all those months ago. "So lovely to see you again. Thank you for inviting us to stay."

Beron rose from his dias and stalked towards the High Lord of the Night Court. Everyone tensed as he stepped closer and closer, and Azriel subtly reached for the dagger at his side. Beron's blood would spray across the marble floors the second Azriel suspected he would harm his High Lord or Lady. But Beron simply held his hand out, and Rhys gripped it tightly, his eyes holding a small amount of surprise.

"Rhysand. A pleasure to have you here," Beron replied. Azriel didn't miss the slight strain in his voice. "You must be hungry. Shall we?"

Beron inclined his head to the dining room and led the way with Rhysand and Feyre at his side. He hadn't even acknowledged the High Lady, something that made Azriel want to rip the male’s head off, but Rhys got there first.

“And what about my High Lady?” Rhys purred, a dangerous edge to his voice.

Beron’s smile faltered slightly, and he glanced at Feyre with a barely concealed look of distaste, as if he would rather rip off his own toenails than address a female with the same amount of respect that he would expect. Azriel felt a protective anger surge through him, and he watched carefully, curious as to what the High Lord’s next move would be.

“Of course,” Beron said, his voice dripping with fake courtesy. “My apologies, Lady Feyre. Of course it is wonderful to have you both visit.”

Cassian gave Azriel a look that said, And-what-about-us? Aren't-we-wonderful?

Azriel sent him a look back that said, Shut-the-fuck-up.

Beron led them all to the dining room, the Autumn colours present everywhere they looked. The chairs were all high-backed, and Azriel knew that Beron did not care if he and Cassian would be comfortable with their wings. Everyone took their seats — Beron at the head, Rhysand to his left, and Feyre beside him. Azriel sat next to his High Lady, Cassian taking his seat adjacent to the shadowsinger. The Lady of Autumn (still not a High Lady, despite the fact that Viviane was also now a High Lady) sat to Beron’s right, Eris beside her, and Y/n next to him, and across from Azriel. Azriel felt Y/n’s eyes on him, and he met her gaze. There was a curious look in her eyes, a look of anticipation mixed with mischief.

Dinner was served, an array of meats and vegetables placed on the table by servants, mostly lesser fairies. None of them looked Azriel in the eye, and he wondered if it was because they knew who and what he was, or if they’d been trained not to. Y/n, however, had no such qualms about this, and stared at the shadowsinger unabashedly.

Beron struck up a conversation with Rhys — small talk, something that Azriel internally cringed at, because it was definitely just to fill the silence. Ever the gracious guest, Rhysand responded in kind, although Azriel knew he was wondering what Beron’s ulterior motives were.

“How do your siphons work?”

The table went silent as Y/n spoke, her cunning eyes trained on Azriel. Beron looked at his daughter with a hint of irritation gleaming in his eyes, as if it was unacceptable for her to speak without permission. Azriel glanced at Rhysand, who was watching the daughter of Autumn with a hint of suspicion in his eyes.

“How do you know that is what they are called?” Rhys asked, his eyes trained on the only daughter of Autumn.

She shrugged, and answered, “I read a lot in my spare time. I remember reading about the Illyrians, and their siphons. If I remember correctly, Illyrians tend to possess only one, yet the two of you hold several.”

“There is no need to question our guests, Y/n,” Beron scolded firmly.

Y/n frowned. “I was simply curious.”

“Do not speak back to me,” Beron reprimanded, a burning fury now evident in his eyes.

Y/n slumped back into her chair slightly and bowed her head. “My apologies, Father.”

Beron didn’t even acknowledge his daughter before he turned back to Rhys, as if her mere existence didn’t deserve another moment of his time. Azriel watched the female in front of him as she stared at her plate, and felt a sense of sympathy for her. Azriel owed her nothing — he did not know the female in front of him, did not know if she even deserved his sympathy — and yet he felt the need to protect, to wipe that blank expression off of her face.

“Our siphons act as a conduit for our raw power,” Azriel offered, causing Y/n to look up. Beron paused, glancing at the shadowsinger and the Autumn daughter, and Azriel continued, “It helps to control our magic, to make it precise and nimble, rather than a messy outburst of power.”

Cassian gaped at his brother, as if he had never heard that many words come out of Azriel’s mouth in one sitting. While that was an inaccurate statement, it was true that Azriel never tended to speak in front of new people. He wasn’t sure why he had done so anyway. But Y/n bowed her head in thanks at the information, perhaps still wary of answering and speaking without her father’s permission, but Azriel had observed a small, triumphant light in the female’s eyes at his reply.

Azriel watched as that gleam faded when Beron cleared his throat, gaining the attention from everyone in the room.

“There is a reason why I have asked you here,” Beron stated.

“Surprise, surprise,” Cassian muttered, and Azriel elbowed him.

Beron glanced at Cassian for all of a second before continuing, “There has been an attempt on my daughter’s life.” Stunned silence met Beron’s words, and Azriel caught Y/n rolling her eyes. That raised his suspicion — were Beron’s words false, or did she simply believe it was not an issue? “If it appeals to you,” Beron went on, “I seek to employ one of your Night Court warriors as her personal bodyguard.”

Rhys blinked once, his only sign of surprise. Beron looked at Rhys expectantly, and Azriel could have guessed the thoughts that flew around Rhys’s head.

“Why one of my warriors?” Rhys inquired carefully.

“I hoped it might help strengthen bonds between our courts,” Beron expressed.

Azriel watched the High Lord of the Autumn Court carefully. There seemed to be no ulterior motives hidden within his demeanour — he did not shift nervously, none of his facial features even so much as twitched.

“And say I agree to this,” Rhys said casually, “how long would you hold onto one of my warriors?”

“Until the threat against my daughter’s life is eliminated,” Beron answered.

There was silence for a few moments while everyone processed what was happening. Azriel looked at Eris to see the male’s eyes on his father. They were carefully guarded, a mask in place to ensure no one was able to discern what he was thinking. Azriel turned his gaze to Y/n, and a shadow slithered up by his ear.

She does not believe it to be such a serious matter, the shadow whispered. She wishes for this dinner to be over so she may go back to her quarters and finish her novel.

Azriel blinked in surprise at the information from his shadow. Usually, his shadows would tell him what others could not see and hear — but this felt almost like too much. Yes, his shadows had a tendency to recognise when someone was lying, or what weapons they were concealing, but to give him a person’s unvoiced opinion on a matter was something new.

But indeed, with her chin propped up on her delicate hand, and twirling her dessert fork in the other, she appeared to be completely disinterested. Azriel turned his gaze back to the male beside her, to see Eris already watching his sister. His eyes were cold and calculating as he regarded her, as if he was mentally playing out how this ‘bodyguard’ situation would go. With the slight frown tugging the corners of his lips downwards, Azriel assumed Eris did not believe it would end well.

“Please, do take time to come to a decision,” Beron offered. “I do understand this is a lot to ask.”

“We shall have an answer by the end of the week,” Rhys said with a nod.

Beron nodded back, and Azriel wondered what they were getting themselves into.

TAGLIST: @honeybee54321 @marigold-morelli @lucky7rosie @itsswritten @paankhaleyaar @bubybubsters @5onedirection5 @lilah-asteria @sheblogs @thelov3lybookworm @blushingfawnsposts @thisiskaylin

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andypantsx3 · 3 months

Note

Andy I just had a thought.. Shouto kabedon.. i’m very sane about this

Omg I loooveeeeeeeee this omg!!!!!!! You are a genius!!!!!!! This ask unlocked something inside of my brain; this is barely coherent and unedited but I offer you this heartfelt nonsense in return.

contents: shouto x reader, sfw, implied fem reader, aged-up characters, 1.7k

You tried to ignore it when you first heard Mineta say it.

"Trust me, the babes love it," he'd lisped to his doubtful audience—Kaminari, a befuddled-looking Kirishima, and Shouto, whose face was so impassive you'd actually been under the impression he wasn't listening.

The former members of UA's graduating class of 2X74 were stuffed into Kaminari's new apartment for a party. It was mostly the heroics department, but you'd spotted a few of your fellow general course graduates as you'd passed through the kitchen to grab a drink. You'd come out into the living room to see Mina and Jirou—as well as pretend like you weren't ogling your long-time crush Shouto—but you found you were immediately regretting leaving the safety of that kitchen.

"And you've... done it?" Kirishima asked, eyebrows scrunched.

Mineta made a show of inspecting his fingernails like it was nothing to him—which you seriously doubted. "Trust me, women like assertiveness. This move is plastered all over their romance manga."

You took another sip from your drink. You wanted to pretend like you weren't hearing this, but Mina and Jirou were making it hard, Jirou stone-faced next to you and Mina unsuccessfully trying to filter her gleeful laughter into her own drink.

"Do you think women even know it's a kabedon, if he does it?" she asked, leaning in to whisper.

Jirou looked doubtful.

"He's like, waist height," you whispered back, sighing. "I don't even know if his arm would reach the wall either...?"

"I think it probably looks like he's just trying to hold himself up," Mina said, her grin unholy.

"I pity the woman he's attempted it on," Jirou said drily.

"—you're sure?" Kaminari was saying when you turned back to the boys' conversation, also looking doubtful.

"One hundred percent success rate," Mineta insisted, eyebrows wiggling.

Despite yourself, your eyes slid over to Shouto, like they almost always did, wandering over that handsomely thoughtful expression. It was the thing you liked the most about him—how his angelically beautiful visage was at stark odds with how awkward and kind of strange he was; how he looked like an ice prince but was one of the warmest, kindest people you'd ever spoken to.

You'd been paired for a couple assignments back in school, hung out on the periphery of his Class A friend groups, and had ended up teaching him a fair few things about how to cook and do laundry when he'd asked. He'd even rescued you during one of the many attacks that made up your time at UA together—which was really when your crush hit you full-force.

He'd been so gentle with you, carrying you out of harm's way when your injured leg had crumpled beneath you, and the careful way he'd handled you had been so at variance with the raw, roiling power he'd wielded on the battlefield—the tidal waves of ice that swept up the villains, the towering wall of fire that mercilessly choked off any of their escape points.

You thought Shouto was one of the most gentle, well-mannered men on earth.

He would probably never kabedon someone. He would never need to—people fell all over themselves for him.

"The babes fall right into your arms," Mineta said, raising his voice to encompass the knot of girls stuffed together on the loveseat. "Isn't that right, ladies?"

"I'm going to get another drink, the image of Mineta trying to kabedon me needs to be wiped from my brain," you told the girls, flinging yourself over Mina's legs in your haste to escape.

The kitchen was a welcome reprieve, and you dug around in Kaminari's fridge for another can, letting the cool air wash over you. You studiously ignored that all Kaminari seemed to have in his fridge was a pile of moldering grapes and some mayo.

Can acquired, you briefly considered not going back out into the living room and abandoning Mina and Jirou to their fate. But the pull of Shouto was too strong, and with a sigh you resigned yourself to more of Mineta's lechery.

In the hallway, however, you stumbled into the man himself, coming towards you from the opposite direction. You were struck momentarily dumb by the way the breadth of his shoulders seemed to take up almost the entire span of the hall, the way his fading summer tan looked against the light-blue of his button up. He was so handsome even when he was just walking, it was so deeply unfair.

"Hi Shouto," you said, raising your can in a salute, hoping your voice sounded normal. "Careful in Kaminari's fridge, he's culturing something on his grapes."

Shouto blinked down at you, those beautiful mismatched eyes growing a little wider. "Y/N," he greeted you, though there was a note of something strange in his voice, like there was something weird about you that he hadn't expected.

You wondered if you'd spilled something on yourself like a child, and decided to detour to the bathroom on your way back. How embarrassing.

You gave him a rueful grin, stuffing yourself against the wall so you wouldn't accidentally bump a strong shoulder as you passed, swearing vengeance on your drink if it had betrayed you in this moment—

Except, suddenly there was a hand against the wall in front of you, blocking your passage down the hall. You startled, whipping back around to stare at Shouto, only to find him looming way closer than you had anticipated.

Your back bumped the wall as he crowded you in, his other arm coming up to press against the wall on your other side, caging you inside his reach.

Your mind was so overwhelmed with the sight of him this close—that straight, blade-thin nose, that full, pouty mouth—the light touch of some expensive cologne at his collarpoints—that it took you a second to catch up with what was going on.

Your mouth dropped open when you registered that Todoroki Shouto had just—kabedoned you?—was actively kabedonning you? what the literal fuck—in the middle of Kaminari's hallway.

"Shouto? What—?" you managed, your voice strangled. The air felt like it was resisting you, refusing to be drawn into your lungs.

Shouto's voice was low and intimate as he answered, sending a mortifyingly visible shiver right down your spine. "Is it working?"

You gaped at him, eyes flickering over his serious expression. "Is—what—?"

Shouto shifted even closer, so that his face was a scant two inches from yours. You were suddenly, horrifyingly aware of how close his mouth was, how tall and strong and warm he was over you.

"Do you plan to fall into my arms?" Shouto asked. "Mineta said women liked it."

It was a fight for your life to make the connection over the static in your brain, the lack of oxygen in the air. Mineta had said women would fall for you if you kabedonned them... Shouto was.... kabedonning you.... computation pending...

"You... want it to work?" you asked, words clipped. You felt like any stray movement and your mouth would brush his, and you didn't know if he wanted—it was too strange to think that he might—

"Yes," Shouto replied, his handsome face serious. Those heterochromatic eyes searched over you, trailing over your features like a warm touch. "I want it to. Am I... not doing it correctly?"

Your face heated, and an entire conservatory of butterflies took flight in your stomach. You could not believe what was going on right now.

"No you're—you're doing it right."

Shouto's face was even closer, then, his mouth a whisper away from yours. "Then you have fallen for me," he said, sounding like both a question and a conclusion. He looked like he didn't know what to do next.

You had to suppress a laugh, charmed and mystified and nervous all at once. He was so reliably strange—of course he had taken Mineta's assertions at face value. And he was so straightforward, of course he had implemented the advice straight away. He was so silly, you liked him so, so much.

"I... have," you said, a helpless smile creeping over your lips. "Although it was a while before the kabedon, to be honest."

Shouto blinked, and you could just barely see his mouth grow a little slack in surprise. "Oh," he said, a hint of a shy smile touching his mouth. "Good."

"Yeah. Good," you said, your own grin going wider.

Shouto's eyes dipped down to your mouth, and his eyelashes fluttered. A thrill of anticipation went down your spine, your knees suddenly liquefying, as Shouto leaned back in, and your own eyes fluttered closed.

The press of his mouth was hot and soft—perfect, like you'd always fantasized it would be. He shifted closer, so that he pressed against you, and you had to tilt your head back to accommodate how tall he was, reveling in the strength and the heat of him over you. One of his hands left the wall to thread into your hair as he kissed you, cradling the back of your head like you were something precious, and your stomach swooped in response.

He kissed you boneless, absolutely stupid against the wall of Kaminari's hallway, and it was all your could do to wrap your arms around him and kiss him back. You didn't know how long it was that the two of you stood there, wrapped up in one other. All you knew was you never wanted Shouto's mouth to leave yours again, never wanted to leave the circle of his embrace.

So of course an appreciative whistle broke the two of you apart. You tore your mouth away from Shouto's only to find Mineta standing at the end of the hall, grinning like a wolf. A tiny, lecherous little wolf.

"Nice one, Tododoki," he said, like you weren't even there.

You bristled, stiffening in Shouto's arms as you glanced back at him quickly to measure his response. But the dazed look on Shouto's face pulled you up short, and he looked at Mineta like he wasn't really seeing him.

"You were right," was what he eventually managed. "The kabedon is very effective. Now if you will excuse us, I need to do it again."

A shocked laugh escaped you as Shouto's hand seized yours, and then you were being pulled around the corner into Kaminari's bathroom. Shouto walked you back against the door, an arm coming up just like before, pinning you against the door.

Another pleased laugh was muffled in Shouto's mouth as he took yours again, cupping your face to his. The lock clicked shut behind you.

#shouto x reader #todoroki x reader #todoroki shouto x reader #shouto x you #todoroki x you #character: todoroki shouto

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unmarlou · 4 months

Text

time to pretend.

pairings. slytherins x fem!reader

summary. a typical day at the summer house.

lacy says. saltburn inspo but no bath water :/ this is bad lol purely for the aesthetic.

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"oi!"

the morning sun was beaming down stronger than yesterday. your sunglasses weren't even enough to keep you from squinting, though the book in your hands did good job if held at the right angle. and had it not been for the towel between, your skin would've been sticking to the lawn chair.

"morning blaise..." pansy said dreamily at your right. she was still half asleep.

you looked over your shoulder and saw blaise approaching, draco in tow. "didn't even bother to tell us you were out here, i see."

"we wanted you to get your beauty sleep, darling. nice swim trunks." they had tiny hula girls on them.

"i am a man of fashion." he plopped himself at the chair to your left, adjusting his shorts and sunglasses. he flashed a smile - a pretty one that only he could own and flaunt regardless the time of day. he quickly nudged your leg and pointed to draco, who sat at pansy's feet.

he was covered in noticeable amounts of sunscreen, head to toe. not only with a look of distain on his face but his slouch conveyed a message just fine on its own.

involuntarily a snort escaped, followed by stifled laughs.

"oh shut up."

even pansy, who was curled on her side away from everyone, sticking her hand out to some small animal, laughed, "we're only admiring you.”

all he could do was roll his eyes.

"stolen my chair then, have you?"

everyone’s attention turned to the voice, only to see enzo, also in his bathing suit, holding a platter of fruit. he almost looked like the cover of a magazine your mother wouldn't let you buy.

glancing over the back of the chair you could see mattheo and theodore walking in the field, talking lazily, probably sharing their first hellos of the day.

lorenzo placed the silver plate down on the small table between the chairs. you had asked him to bring something to eat expecting a piece of toast, though with him, you should've known better.

"well we can share, you know?"

"thank you, enzo."

he gave you a quick nod and wink, his way of saying no problem, never wanting to make a big deal out of gestures he found to be the minimum in his friendships.

"want me to sit on your lap then, blaise?"

draco rang on your left, "past a strawberry… please."

your arm extended to him, presenting three instead of just one. he cracked a reluctant smile, always surprised at how well you all knew him, never letting him stay miserable for long, "thanks."

a new shadow appeared on the ground in front of you causing you to peer up and greet theodore, "fruit?"

he shook his head, eyes still puffy and barely open, indicating he had just awoken. he stretched and rested his hands on either side of yours and pansy's chairs. bringing his forehead down to his left hand, he seemed to be taking a chance at sleep again.

"theo's had a rough morning."

you turned again and almost cackled at the sight of lorenzo sitting in blaise's lap, and mattheo sitting in lorenzo's. you could've sworn you saw the chair slightly give way under their weight.

pansy teased, "but an excellent night, isn't that right, teddy?"

he groaned loudly. drinking was never his strong-suit. he could roll and smoke all day, even on his worst, but going shot-for-shot was something he did only when feeling the most audacious. and something he always came to regret.

he shuffled his way to the small dock at the pond in front of you. eyes still closed, he laid down on the edge, his arm hanging over and into the water.

"hangover so bad he had to reconnect with nature."

“we’ve all been there.”

you smiled idly. placing the book on your stomach, not even considering an odd tan line. tilting your head back, your eyes closed.

a breeze blew, giving your skin a break from the exhausting heat it was under. you could feel the full trees above sway, and hear the water of the pond move with theodore’s helping hand. the low indistinct chatter of your friends simply background noise to remind you you weren’t alone in this oasis.

most mornings were like this. easy and quiet, any and all problems excluded from this place, this bubble of a world you had. if ever asked what moment you wished you could relive again and again, it would always be this.

the large, wall lining, arched windows of the left wing hallway made it the sunniest place in the house at this time of day. and the cold tile felt nice under your concrete-burnt feet.

the windows were wide open, allowing the plants and hung-dry linens of the courtyard to creep in and fill the corridor with a scent that could make one nostalgic for a place and time they’ve never even been.

your steps were the only sound until they multiplied. by the cadence of the walk, you knew who it was.

“theodore feeling any better?”

“loads,” in the corner of your eye you could see him pull a cigarette out and spark a light, he took a long drag before continuing, “gave him one of my cures.”

you shuddered, twisting your face. mattheo had an affinity for putting ingredients in a pot, mixing it up, and saying it would fix any and all problems. sometimes you thought even he didn’t believe his own words, he just liked seeing your face contort in disgust. “let me know when his tail starts growing.”

entering the room at the end of the hall, the sound of the shower running became clear. the french doors of the back wall were open, allowing air to flow freely.

you spun on your heel and allowed yourself to fall onto the four-poster, now staring at the charm displayed up on the canopy. one you recognized, as all your parents used to do it when you were children; a depiction of the night sky, to lull you to sleep and wish you sweet dreams.

mattheo was on his stomach next to you, carefully tapping ashes off the side of the bed. in the lighting of the room you could see how summer had be treating him, skin tanned by the sun, while his hair only got lighter. he tapped your arm for your attention, and pointed to the bathroom, furrowing his brows.

“pansy.” you answered.

an oh formed on his face.

the sound of wind chimes rang in the distance, accompanied by tree leaves brushing against each other, and birds singing softly. there were actually a few birds gathered at the small balcony just outside the french doors. they always seemed to gravitate towards pansy, all the beauty in life resided to her.

“i wonder what snape is doing right about now.”

you groaned, putting your hands over your face, trying to hide from the imagine of your professor in your mind, “don’t mention him, his energy will invade the space.”

“say his name three times and he’ll appear, you know!” pansy’s shouting voice carried into the room. there was actually no need for her to, you could hear her perfectly fine seeing as the bathroom door was wide open; she hated having it closed, never wanting to be separated from the rest of world for too long.

you shouted back, “says she who flirts with him for a higher grade!”

“it’ll work one day, just you wait!”

this was true, she was absolutely convinced she could charm her way to at least Exceeds Expectations. not that anything had given her an indication it had worked in the past. or ever.

mattheo sat up, almost choking on his laugh, “just do what enzo does, pretend your best friends with him.”

the shower turned off, followed by long rustled movement before she walked out. she held a stark white towel to her body, water droplets coming off her hair and onto her freckled collarbones. “does it work?”

he ran a hand through his hair while reaching to put his cig out on the bedside ashtray, “ ‘course not. but easier to watch and keep the lunch down than your attempts.”

she made a face before opening one of the dresser drawers next to her and chucking a pair of balled-up socks at him.

suddenly the door bursted open, presenting blaise and lorenzo. they wore cheesy smiles and had their arms extended out beside themselves, “OUR DINNER OUTFITS!”

both were still wearing their swim trunks from earlier in the day, yet this time accompanied by suit jackets, ties, - that certainly did not match and they definitely dug up from the attic - dress shoes, and jewelry to go with. theo ran up behind and wrapped a boa around blaise’s neck.

“no fair! i want one!”

“there’s a whole lot more in the boxes we found, hurry up and we’ll get you one.”

“didn’t think to include me, then?”

“those have to be at least 60 years old.”

“jesus enz, what kinda parties did your dad used to throw?”

he flopped on the bed, a dust cloud emerging from the jacket, causing you to cough and wave your hand through the air. “no clue,” he leaned closer to you, showing his wrist, “but look at this fancy watch i found.”

it looked as old as time.

“no doubt you’re sweating enough for all of us in those?” draco leaned on the doorframe.

“would be unnatural if we weren’t.”

pansy walked to the armoire, and shuffled her hanging clothes along until she found what she was looking for: a silk black dress. she picked the hanger off the rack and walked it over the french doors, putting on the doorframe. she turned to everyone’s eyes on her and shrugged, “might as well.”

playing dress up was always fun, especially when all the glamour was real. watches and diamonds, boas and silks.

the dining hall was lit, wall to expansive wall with candles. the curtains up high drawn back, displaying the rising moon. the long table in the center was decorated with the most gorgeous grand arrangement.

the house elves had absolutely outdone themselves, platters of food spanning each end of the table. and though you didn’t see much of them, you made a mental note to seek at least one out and thank them.

after more digging around and even a trip to the attic, which made you consider taking a second shower of the day, you had found the best box of all; charles berkshire’s record collection. bowie, zeppelin, beatles, queen - it was a 60s/70s wet dream. so for the first time in what must’ve been years, the gramophone record player of the dining hall was to be put to use.

with everyone now standing at their respective seats, prosecco was to be poured.

mattheo, who sat on the right head of the table, was the one to open it; he always was. his naturally mischievous smile was one to be admired, especially when each of you wore the same one. with a big POP! he went around and filled everyone’s flutes - although you all cheered, the night hadn’t started just yet.

each with your drinks, lorenzo danced over to the record player and placed the needle down. a night at the opera began. he slowly turned to face you all once again, raising his glass and walking back to his seat, the left head of the table. all other glasses were then raised high, and his role as host was to be fulfilled, “live forever!”

“live forever!” you chorused, arms extending closer to each other before cheers erupted once again, louder this time, accompanying the crescendo of death on two legs. cups were brought to mouths, and taking your first sip you could’ve sworn you recognized that phrase, somewhere in the deep recesses of your mind, but couldn’t seem to place it.

pulling chairs forward, everyone was sat. looking around, under the immense candle light their faces had a new glow, one that filled you with an unexplainable excitement. the night had begun.

the feast was lovely, you all agreed it must’ve been the best you’d ever had. though you could’ve just been drunk and hungry.

“this is the best food i’ve ever tasted.”

“best.” emphasized lorenzo.

mattheo covered his mouth, still chewing, “never been better.”

this conversation happened multiple times since you had started eating. each time blaise ended it by saying, “god we sound like our parents.”

the room smelled like the extravagant parties back home, the boys smoking their macanudo’s - inspirado black’s, they swore by - leaving strong cigar smoke lingering above you. pansy had drank enough to pull out her cigarettes, and one was passed around the table. your glass was bottomless, literally, allowing your feeling of weightlessness to continue.

the conversations around were indecipherable, you just sat picking at whatever food was left on your plate, intent on listening to the music in the background. the record player was enchanted, never needing for someone to get up and change the record; once the needle was down, and an album was over, a new one would take its place.

you took another sip of whatever it was in your glass, listening to the end of some song, what was going to play next didn’t even cross your mind until the beginning chords of a new one rang out. standing up suddenly, causing your drink to slightly spill on the hard wood, you gasped, “this SONG.”

your arm immediately shot out to pansy, who looked up at you mid-drag and smiled. you couldn’t even remember what song it was or where you had heard it before but you knew it was imperative to give it its own moment. meeting each other halfway, arms waiting for the other person and giggling, your hands interlocked with hers.

dancing, spinning around, and laughing; you had never felt so blissfully unaware. or dizzy.

more bodies appeared around the two of you, but ones you knew well and invited with the most love one could feel for another person. blaise’s boa wrapped around him and draco as they danced and sang, theodore holding a bottle of champagne while mattheo bent lower to waterfall it, and enzo grabbing both yours and pansy’s hands to spin you simultaneously.

you weren’t sure who’s laugh was who’s, or what song was playing, who’s hand you were holding, or what drink was being poured, not like any of it mattered. once again you had entered a bubble, impenetrable from the outside world.

the library couch was the comfiest in the whole chateau. the fire had been crackling for some time, accompanied by lorenzo’s piano playing on the west wall. he was actually the best you’d ever heard, though he shyly kept his talent close to his chest - until the proper moments.

you watched the embers pop off the fire mindlessly, not thinking about anything in particular. a book sat in your lap but it had been forgotten long ago, your unfocused eyes unable to retain the words. they were however able to travel upwards to the painting on the mantle, for the first time you truly looked at it - it was a group of people, slightly older than yourself. you immediately recognized lorenzo’s father, although here he was more handsome, his son certainly took after him. searching farther you spotted a woman, and after some staring you deduced it was bellatrix, her cheekbones being the exact same as mattheo and enzo. she truly was beautiful, regardless of the sinister look she was giving through the paint. you couldn’t make out the others, though you noted a boy, who was definitely younger than the rest, with curls that fit his face well and a solemn expression that carried a worlds worth of weight.

mattheo and draco sat on the rug, silently playing chess. they had become more and more fond of muggle chess as the summer went on.

pansy was sprawled out on the lounge chair to your right, the spaghetti straps of her dress daring to slip off her shoulders. her eyes were closed as she hummed - incorrectly - to the piano. she hung her head over the edge, causing her bangs to fall off her face, and her now open green eyes found yours. your smiles matched each other.

blaise, who was seated next to you on the couch, had his legs resting on the ottoman. he was holding a letter from his mother that had arrived a couple days ago, just now finding the time to read it. theodore was in the opposing lounge chair, eating the chocolates that accompanied the letter. she had sent them just for him - his favorites from honeydukes he had sorely missed. he watched mattheo and draco’s game intently.

“play that last one again.” you had called out to enzo.

he scooted his chair and looked over his shoulder, “liebestraum no. 3?”

“sure.”

“you like liszt?”

you paused, turning to face him and furrowing your brows in obvious confusion, before replying to the best of your ability, “…i like you?”

he gave a smile that was only reserved for you. liebestraum no. 3 began again.

you slumped down on your side, your feet now hitting blaise’s clothed thigh, he gave a tap to your ankle, indicating recognition but not taking his eyes off the letter. with your ear now against the armrest, your breathing slowed.

you focused on every sound. the chess pieces gliding across the wood board followed by draco’s or mattheo’s huffs of concentration, the faraway wind chime carrying in through the open window, lorenzo playing that piece you had grown to love in the last few minutes, the pops of fire, pansy’s subtle soft humming, and the crinkle of the papers blaise held.

your eyes closed, whether voluntarily or not you weren’t sure, but you didn’t fight it. overwhelming comfort and content had taken you, warmth from all over allowing absolute relaxation.

“hey… hey, wake up.”

“y/n… y/n…”

the harsh nudge of your arm made you open your eyes. squinting up, you could make out blaise and theodore. you, unintentionally, matched their tone by whispering back to them, “what?”

“wake up, we’re going for a swim.” blaise flashed you the same smile from the morning, it was so genuine even your groggy mind thought of how you’d never know anyone else with one like that. theo had moved on to wake pansy.

draco’s voice came from behind the couch, “she awake?” before an answer came he peered over from above and your eyes met, “lovely. now get pans and let’s go.”

sitting up and looking around you finally realized why everything looked different - the fire had gone out. now the only light was the full moon shining through the windows. the room was coated in silver.

you rubbed your eyes harshly to adjust and looked over to see pansy doing the same, “what do you want again?” her voice was raspy and tired.

“swimming.” you answered, standing up with the help of blaise’s hand. once to your feet you realized you were still in your dinner attire, suddenly feeling uncomfortable. you stuck an arm out to her. grasping it and standing, she opened her eyes wide and blinked rapidly. her voice was abruptly normal again, “well c’mon then.”

the boys were close behind the two of you, exiting the library. the entire manor was the same coloring of silver and blue. any other place and you would’ve been creeped out and uneasy, but in this place with these people, you could never feel anything other than safe.

going your separate ways from them to change, you and pansy walked the corridors, chatting nonsensically.

entering your room, you undressed quickly, happy to get the confining dress clothes from what seemed like hours ago, off of your body. you picked a bathing suit from drawers, tossing one to pansy too, who couldn’t be bothered to go to her room. both of you helped the other tie their suit.

voices in the hall approached your door, before a series of knocks. you both called back, “yeah?”

draco’s head peered in cautiously, before noticing you both were clothed, then opening the door fully to reveal the others. he held his arm up, “we’ve got towels, come on.”

all the boys said some iteration of come on and let’s go, eager to get out. rushing, you both were handed towels. excited chatter overtook the group, voices echoing and bouncing off the expansive walls. lorenzo appeared suddenly from the back, running, and yelling at the top of his lungs.

this triggered a domino effect, everyone was now chasing each other down the halls. something in the back of your mind told you to look around, and when you did, it seemed as though childhood had come back. playing games and having races with the same people that ran beside you now. watching their faces as they passed you saw summers long gone, of late night swims and early sun-basking mornings, dress up dinners and quiet library lounging. you ran and ran and ran.

your bare feet hit the concrete of the patio before hitting the dewy grass. though night, it was still warm, humidity latched to your skin. you had joined hands with blaise, a silent agreement. the moonlight illuminated the pond, beckoning you to come forward. it was just a ways away.

lorenzo had made it first, his shout as he jumped in rattling everything in a 10 mile radius. for the rest of the summer he would go on to say that he had to have made the world record for largest splash.

mattheo was close behind, so close in fact you thought he might land on enzo’s head, though he resurfaced just in time to watch him jump in and moved out of the way.

you and blaise were next, hand-in-hand again, running off the dock, your screams silenced by the water. cold consumed your entire body for the first time in months. it was relieving to have your body soaked in something other than sunscreen or sweat. feeling the last of your friends enter after you, you opened your eyes and found them. swimming to each other, you grazed skin as if to say even in water, i’m right by your side. if you didn’t need air, you would’ve considered staying down there forever.

breaching the surface and taking a deep breath, you brushed all the hair out of your face. you looked around to find some with droplets combing through from their hair to their eyelashes, and others with water slicked-back hair. each was breathing as heavily as you, half from having to catch their breath, half from pure exhilaration.

water splashed from all directions, making you squint and do the same. you weren’t sure who was splashing you for the fun of it and who was splashing you because you had splashed them. yelps and laughs were echoing off the surrounding trees. the plants were drinking well tonight.

“let’s play chicken!” someone had shouted over all the noise. cheers of agreement erupted from the chorus and subsequently the excessive pushing of water was halted.

you had fond memories of chicken. it used to be the boys on the girls shoulders, back when they all were still shorter than pansy and you. but now they were taller and had built quidditch bodies. as much as you believed in yourself, you didn’t desire feeling a draco sized weight on your shoulders.

“girls versus boys!” you announced.

theo shrugged, “not much of a competition.”

blaise took him by the shoulder, “ay, beware of the black haired one, she likes to go for the eyes.”

it was decided you and pansy versus theodore and lorenzo. they were a great duo, the two of them were the beaters on the quidditch team. they surely knew how to work together.

theo stood behind enzo, waiting for him to dip underwater.

“oi try not to pull the hair, i’ve got a sensitive scalp.” enzo reached a hand up and combed the back his head. theo looked like he was going to say something, before just shaking his head and sighing, “m’sure i’ll manage.”

a countdown from three began, then hitting one, you and lorenzo went under. water engrossed your entirety once more. feeling pansys hand upon your shoulder for balance, then her leg, you held on. within less than a few seconds she was securely on and you rose. you took a big breath once again, pushing your hair out of your face. the boys were in sync with you.

almost immediately pansy and theo were at each others throats. their arms went up, interlocking, and their bodies casted a shadow on lorenzo and you. it was like a tiny pocket. shouts came from beside you; blaise, mattheo, and draco each yelling out what could’ve been tips but when shouting over each other it really just sounded like a bunch of nothing. you were pretty sure whatever they were saying was going to be unhelpful anyways.

between keeping your balance, trying to push enzo, and still treading, you were determined to win.

“ah! ow! STOP TRYING TO PUT YOUR FINGERS IN MY EYES!”

pansy clearly was as well.

it suddenly hit you who you were up against. this was lorenzo, the single most ticklish person you’d ever know. you weren’t sure why you hadn’t thought of it earlier. with a mischievous smile and lots of trust that pansy could remain on your moving shoulders, you reached to his bare stomach and began prodding at him.

just as you expected, he started to freak out. “hey! HEY!” he laughed between his shouts, “STOP- STOP THAT! NOT- FAIR!”

the boys on side were having a field day.

“ENZ!”

“I CANT-”

“DONT YOU DARE DROP ME.”

and with a strong push from pansy up top, and another prod to enzo’s side from you, both of their exclamation were stifled by gurgles of water.

pansy dived down, quickly coming up and hollering. cheers were shared all around, even from theo and enzo.

“let’s stick to quidditch.”

“agreed.”

in the midst of it all, you turned to face the house. it wasn’t foreign to any of you by any means, yet catching it in this moment you couldn’t help but feel amazed by its beauty. as if you were truly noticing it for the first time. it harbored your love within its stone. your love for this season, your love for this place, your love for these people. looking at the scene you saw your friends, you reached for them and they accepted, reaching for you. you heard their laughs, saw their smiles, and felt the same on yourself.

all in one breath you realized what lorenzo had said earlier was not just some toast; it was a definitive proclamation.

in this bubble of a world, you would live forever.

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