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#I would look in my books for references but half of my stuff is in storage and I only have books 5-7 with me
aroaessidhe · 9 months
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2023 reads
The Princess and the Fangirl
YA contemporary prince & the pauper set at a convention
follows a fan who wants to save her fave character from being killed off, and the actress playing her who’s desperate to be free of the intense franchise
when they’re mistaken for each other they instantly hate each other - but after a script is leaked, they swap places to try solve each of their problems - and start to see the fandom from the each other’s perspective
light (since they know each other for like 2 days) f/f & m/f
this is so deeply mid-2010s fandom tumblr. lmao.
#a little cringe yet nostalgically entertaining....#The Princess and the Fangirl#aroaessidhe 2023 reads#i read this bc i was looking for available audiobooks and this was vaguely on my backlist of aspec books#bc the sapphic girl is supposedly demi-coded - tbqh there’s like maybe one and a half lines that vaguely implies it#I don’t feel like it’s worth recommending on this basis (and since the thing is set over a weekend I would call her greyspec not demi)#it definitely has the silly drama that i praised the last 2 ya contemporaries i read for not having skdjgkjf#the fangirl mc is. a little bit of an insufferable tumblr fangirl. also her parents are con parents so maybe it's inevitable#there’s a ‘my makeup is my armour’ moment….lmao#it kinda talks about misogyny directed at female stars but not about racism which. felt like a bit of a gap#FAR too many HP references.#‘this only happens in kdramas or YA novels’ beloved. this is a ya novel#would have loved more of the artist alley content LMAO#i will say the artist gets an 'ugh too expensive I'll just print it' comment and just shrugs it off without bitching about it. unrealistic#one thing about the AA is ppl love to bitch about things privately LMAO#there's no way you could spend a weekend with someone you've known for years online and not realise it's a different person...#there’s definitely some stuff about fandom and fan culture that’s still relevant#anyway. I think this is more entertaining to read Now than it would have been when it came out (which was only 2019 tbf but..)#and I wouldn’t have read it not on audio.#the thing is people are like ‘wahh pop culture references will age your book!!!!’ but everything ages every book.#and having a book be such an encapsulation of a certain time can be fun and interesting actually…….#obviously sometimes it can be an uncomfortable way (the hp refs in here were a bit) but like.#you know what i mean. nostalgia. that WAS how things were. still are in some cases. why not have books reflect that#will say im so glad i spent those tumblr fangirl years mostly with 0 local conventions LMAO#by the time i started doing cons regularly (not long before i started selling in AA) i was a bit more mature#have to say when it references TAZ i had to pause and laugh for a second akjfhjkds
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smilingformoney · 2 years
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Hi! Do you think I Book 3, when Snape is raging mad that Sirius escaped and lets it slip that Lupin is a werewolf, this was really about the recognition and Order of Merlin? Dumbledore and Lupin seem to think so, Lupin actually tells Harry this as the reason for Snape revealing what he was. On Wizarding World, this recognition and award also seems to be Severus's motivation.
I always headcanoned that Severus knew of Sirius's supposed role in Lily's death and that this, even more than their school day animosity and the bullying he experienced at his and James's hands, contributed to Severus considering the Dementor's Kiss a fitting punishment. His mania in the shrieking shack also makes more sense this way, as he's never this close to losing his mind out of rage later in Book 5 whenever he finds himself face to face with Sirius, as perhaps Dumbledore has told him what has truly transpired between Pettigrew and the Potters by then.
On the other hand, Severus was a Death Eater at the time and Sirius says many of them were after Pettigrew for thinking he had betrayed them -- how could Severus not know of his involvement then? Do you have an explanation for this?
And finally, Severus rightly revealed Lupin as a werewolf imo as Lupin showed by his irresponsible handling of his affliction: He forgot to take his potion, thereby endangering students. Though I'm not sure whether that was Severus's primary motivation.
Sometimes, I think that JKR has not thought this through so well...
Snape 100% still thought that Sirius was the one who betrayed the Potters. Nobody else knew except Sirius (and Voldy), so why would Snape? He very specifically misses the part in the Shrieking Shack when the truth is revealed - as far as he's aware, traitor and murderer Sirius Black has somehow got Harry et al saying they think he's innocent. Lupin is saying it too, but Snape has suspected Lupin is still buddies with Sirius all year. When he's raging in front of Fudge, he still believes it. There's not really any indication that Dumbledore has repeated the story to Snape yet, and there certainly hasn't been enough time.
I'm not sure Snape actually knew about Wormtail's involvement. For one, not all Death Eaters knew each other, and for another, we don't really know the extent of Wormtail's involvement. iirc, there was a known spy in the Order but nobody suspected it to be Wormtail. I hardly imagine he was doing much for Voldy besides passing information, which wouldn't necessarily require him seeing other DEs, including Snape. So I don't think it's a likely inference that Snape knew Wormtail was the source, not Sirius. His rage was definitely because he thought the man responsible for Lily's death (other than himself and Voldy) had got away.
As for revealing Lupin's lycanthropy, that was probably a mixture of genuine concern for the students and his own spite. He knew Lupin often forgot to take his potion, and so he knew best how much of a threat he really posed. Plus, he no doubt was well aware of the jinx on the DADA position, and knew Lupin would be out anyway, so he decided he may as well be the catalyst for his own satisfaction.
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odyssey-of-babbitt · 1 year
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HE'S HERE
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fatesundress · 1 year
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⭑ for the love that used to be here. tom riddle x reader
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summary. you and tom are the only muggle-borns in slytherin, until one day he isn’t.
tags. angst, afab reader who is referred to as a witch a few times and rooms with girls but i don't think i ever use she/her pronouns or say the word girl/woman, biggest warning is that this is SO long (idk what compelled me to write a year 1 – post-hogwarts fic but here we are twenty thousand damn words later), blood purity and bigotry, dumbledore is greatly offended by the bonding of two orphans until he can capitalise on it, frequent wwii mentions (specifically the blitz), book clerk tom, MURDERER TOM… ministry reader, kissing, smut once they’re 21/22 May all the minors in the room exit at once, more angst, sad ending kinda, me spreading a very personal and very nefarious tom riddle agenda that is canon to ME but probably only like two other people
note. i need a shower and an exorcism after writing this shit. i'm exhausted. i don't even remember half of it. but i'm also SO stoked, this is my little (very large, frankly) 100 followers celebration! i've only been on here for about a month and the love has been so crazy so thank you mwah mwah mwah ♡
word count. 21.8k (i know... i KNOW)
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You learn quickly that your shade of green is not the same as theirs. The rest of them are emeralds, even at that age — they glitter with their parent’s polish. You are flotsam, sea-sick, envy green; the putrid boiling stuff that brews in your cauldron when you look away for a second too long, and, really, it’s more of a stain than a colour at all. There is a fraction of a second where you find something powerful in that. You are not an easy thing to remove. And then it’s gone, because they want to so badly.
You learn, with a bit less tact, that you doesn’t actually mean just you; that it’s you and him whether you like it or not.
He evidently does not.
“It has to be completely fine,” Tom says to you in Potions, his voice small then but just as practised.
You narrow your eyes. “‘Scuse me?”
“I said the powder has to be completely fine.”
“I heard you completely fine. I know how to read.”
He stares blankly at you before returning to his own station, and that’s that.
It isn’t unheard of for muggle-borns to be sorted into Slytherin, so you’ve been told, but one glance around your common room and you can see it’s pretty damn rare.
There’s Tom Riddle, there’s you, and there’s a seventh-year girl whose knuckles are always white like she’s spent so long with her hands balled into fists that they don’t know how to do anything else. Tom Riddle is a prat, the girl is too old and unapproachable even if she wasn’t, and you are very good at being alone.
That decides it. Flotsam still floats.
Everything is — fine. It’s fine for months; you have no one and need no one and sometimes you catch a jinx in the back of Charms that zips your mouth shut or bends a foot the wrong way (a cruel reminder of how much more these people know than you) and your broom occasionally pivots so sharply the Flying professor has to stop you from careening into a wall and breaking enough bones for a week’s worth of Skele-Gro, but it’s fine. 
…It’s just that he’s insufferable.
The boy is eleven years old and he speaks like he’s stealing glances at an invisible lexicon between every word, more refined than any of the orphans you grew up with which makes you wonder which sort he’s surrounded by, and you take it upon yourself to theorise in passing if you could ever scare him badly enough his real voice would slip and he might just appear human for once.
Only it becomes clear when you’re stirring awake in the Hospital Wing after a mysterious bout of dragon pox (conveniently, all the pureblood children developed an immunity after catching it young) has rendered you bed-ridden and pockmarked, that you don’t think anything can scare Tom Riddle. He’s suffering just as well in the bed beside yours to keep the contagion to the two of you, and he’s all cold, eddied rage under sallow skin and beetling bones. 
“They’re going to kill you,” he says after three days of silence, when the room is dusted in moonlight so thin it’s like squinting through cinema noise or mohair fluff to try to see him.
You blink at the vague shape of him. “What?”
“If you don’t hurt them back, eventually, they’ll just kill you.”
In hindsight, it’s an assumption so hastily bleak only a scared child could make it.
I want to hurt them, you try to say, but for what follows you cannot: I want to hurt them but I’m not good enough to do it.
You roll over and pretend to sleep, and in the morning, you hurt them anyway.
It’s Avery who’s unlucky enough to be the first to test you when you’re three assignments behind in Transfiguration, still a bit groggy from your last dose of Gorsemoor Elixir, and actually, physically green. He tugs your hair and stings your cheek with the promise of “bringing a bit of colour back to your face” and it’s sort of funny how banal it is compared to the other transgressions you’ve been dealt — that this is the thing that makes you bare your teeth, grip your wand in a hand that still can’t hold half of it, and send Avery flying across the room with a Knockback Jinx.
Tom sits with you in the Great Hall for dinner that night, and he never really stops.
You practise spells by the Black Lake between classes and he’s anything but kind about the ordeal, but you teach each other. You end your days with singe prints and sore wrists and you often take more damage than he does, but sometimes, as spring settles in with warm tones (apple and jade and moss — all the greens you’d never imagined), you leave with less bruises than he does. It hardly feels like friendship. It feels much more like purpose.
When summer comes you don’t write to him, and you don’t expect he will either. You don’t suppose you’ve actually written a letter in your life. Instead you try new wand movements under your quilt every night and wait for August’s departure on a big red train.
You sit together when the day does come. He asks you if you’ve been practising. You frown and tell him you’re not allowed to use magic outside of school.
Second year is nothing but monotonous, antiquated theoretics. Most everyone complains. You don’t see why they should — they’re already aeons ahead of you — but that means you finally have a chance to catch up in your less-than-school-sanctioned meetings with Tom while the rest remain practically stationary. 
Deputy Headmaster and Transfiguration professor Albus Dumbledore is imperceptibly less soft with you than he was last year when you make the apparently poor decision to sit beside Tom on the first day, and you file the subtle shift in demeanour into some mental cabinet to review later.
You find workarounds with the librarian, Madam Palles, inclined to sympathy for the poor, orphaned muggle-borns to grant relatively unfettered daytime access to the Restricted Section so long as you keep it tidy and none of the books leave the library. That’s where things get a bit more interesting.
For a month you remain innocuous as can be. You browse through rare historical tombs and foreign biographies that would charge more galleons than you can conceptualise, and you never leave so much as a tea stain on the parchment. You smile at the Madam when you return the key each night, and walk back to the dungeons with your hands behind your back. It is, of course, totally unrelated that a month is what it takes for Tom to master the third-year curriculum’s Doubling Charm. An entirely separate affair when you meet him in the most secluded alcove of the library, slip him the key, and stifle your grin as he duplicates it perfectly. 
You discover Christmas break is your favourite time of the year. Nearly all the purebloods go home. The Slytherin dormitories are effectively halved.
It’s two weeks of earnest, uninterrupted work and sleep without fear of waking up with jelly legs or whiskers.
Madam Palles, most nights, makes a slight, drowsy effort of searching the library for leftover students before she casts the lights out and closes the door. Then, it belongs to you and Tom.
You’re splayed rather ridiculously over one of the big reading chairs on Christmas Eve, Lore of Godelot in hand, enthralled by a chapter detailing his controlled use of Fiendfyre through the power of the Elder Wand.
Tom is cross-legged and sat straight, his brows furrowed in concentration.
“What’ve you got?” you ask, leaning over to answer your own question.
Tom as good as rolls his eyes, holding up the book to give you an easier look.
“Magick Moste Evile?” You scrunch your nose. “Bit much, don’t you think?”
“It’s the stuff they’ll never teach us.”
“I wonder why.”
He steals a glance at your own book and smiles in that smug way that makes you want to slap him.
“What, Tom?”
He shrugs. “You might want to know you’re reading stories about the author.”
You look down. Lore of — Godelot wrote Magick Moste Evile? 
It shouldn’t really be surprising. Three chapters ago your book was recounting his months in Yugoslavia grave-robbing magical burial sites.
“Whatever,” you mumble, “It’s just a biography. Least I’m not reading the words out of his mouth.”
“Well, they’d be out of his quill.”
“Oh my God, Tom, shut up.”
All good things must come to an end. Term resumes and your hackles are back up. 
Abraxas Malfoy, Antonin Dolohov, Walburga Black and the best of the worst of your house have returned, sleek-haired and insatiable and deranged, truly, in such a manner that you don’t think you can be blamed for the instinct you feel every time you pass them to lunge like a wild predator or run like wild prey. All Tom does, though (and so you follow, because he’s standing with you and who has ever done that?) is meet their gazes with equal assuredness. He never seems bothered. He never seems animal. You are still all hammering heart and heavy lungs, and you are learning not to see the world through the eyes of someone who’s only ever had their fists to fight. You have magic, you remember. You’re good at it. You could hurt them, if you really wanted.
Not much is different that summer than the last. The war is hard. The food is hard to chew. You chip a tooth. You’re too afraid to fix it with the Trace on you, but you still smile because you will, and everyone seems put off by that. What is there to smile about? 
You suppose, for them, it’s a question with few answers. 
For you — you’re back on a big red train musing about the functions of muggle warfare with Tom Riddle, chucking a useless card from a chocolate frog out the window and moaning about how you wasted the sickle you found under your seat.
He’s gotten very good at ignoring your theatrics and going right back to whatever it was he was talking about. And you note, unrelatedly, he almost looks like he’s learned how to open the windows at Wool’s. (You dare not suggest he’s doing something so ludicrous as sitting in the sun too, but this is a start.)
Dippet, or the Minister, or whoever it is that’s in charge of the practicality of the curriculum, has become fractionally less stupid in the last three months.
You don’t have to rely on nights in the Restricted Section or weekends at the Black Lake to actually learn something anymore. Of course, without the assistance of those illicit extracurriculars, you wouldn’t be able to match up to your peers the way you are this year, but it’s nice to duel with dummies instead of motioning your wand vaguely over a desk, and you and Tom still climb the notice boards in rapid succession. 
They hate you for it. One of your roommates makes a pointed effort each night to glare at you from her bed like those jelly legs are back on the table, Orion Black (two years younger but just as nasty as his cousin) nearly trips you on your way to Divination, Abraxas Malfoy develops what you think borders on obsession with Tom, and for once it feels almost offhand to not care about any of it.
You’re beginning to think even at its best, Hogwarts is remarkably insufficient. This leads you to books mercifully unrestricted so you can read about a few of the other magical schools for comparison. Beauxbatons is renowned for providing most of the worlds alchemical developments, Uagadou’s early propensity for wandless magic makes it unfathomably more practical than Hogwarts, Durmstrang (though you scoff at their violent anti-muggle sentiment) teaches the Dark Arts as something beneficial rather than unforgivable, and — what do you learn here? Even with the hair’s-breadth of magical leniency you’ve been allowed this year, it’s no surprise so few recognizable names in wizarding history are Hogwarts alumni.
“Let me have a look at that,” you say to Tom one evening, when he’s peering once more over the pages of Magick Moste Evile. He’s a purveyor of knowledge in all forms, but he always seems to come back to Godelot in the end.
He raises a brow, handing it to you like your intrigue doubles his. “No more reservations?”
“Don’t get ahead of yourself. I’m only curious.”
“Curiosity—”
“Killed the damn cat, I know.” You glare at him through the pages. “I think that’s you, in this case though, since you’re the one in love with the bloody thing.”
He shakes his head as he reclines in the low light of the Restricted Section, muttering something that sounds like “ridiculous,” or “querulous,” or something else unimaginably fucking annoying.
You might be wrong. Retract your last quip and expunge it. If Tom’s in love with any book, it’s the behemoth dictionary he’s been spitting stupid adjectives out of since he was eleven.
But Godelot’s musings on the Dark Arts are fascinating enough that you can understand the appeal. He’s no wordsmith, and you appreciate that in a way you’re sure Tom deems regrettable, but his points are straightforward but thoughtful in such a way you can read in them how he was guided by the Elder Wand through everything he did. There’s a stream-of-consciousness to them. Something doctrinal you’re surprised to enjoy for all the obligatory English creed they washed your mouth with at the orphanage.
“Find what you’re looking for?” Tom asks, combing with little interest through the tomb you’d put down in favour of his.
“I’m not looking for anything. I’m just…” You sigh. It’s almost painful to say. “I think you were right, and — oh, shut up, don’t look at me like that — I don’t think we’re learning anything here. Not really; not as much as they do at other schools.”
“Of course,” he says blankly. “Hence this.”
This — restricted books and furtive duels — should not be necessary. 
“You know that’s not gonna be enough. For the rest of them, maybe, but not us.”
He tenses how he always does at the reminder of his difference. And you get it. Sometimes in moments like these you forget the reason you’re here in the first place. It isn’t just the rebellious divertissement of two academically eager students, it’s… survival. What future do you have as a penniless orphan in wartorn London? What future do you have as a muggle-born Slytherin who’s apt with a wand when there are a thousand more your age, just as skilled and twice as pure? 
It isn’t enough to be as good as them. You have to best them, and you have to do it forever.
The night stumbles into an exhaustive silence because you both know it’s true and it’s a bit too heavy right now. The answer isn’t in this room. Just you. Just him. So you sit in the dark and you stare through that muffled nighttime noise playing tricks on your eyes. The worst of the world can wait until morning. 
The worst of the world has impeccable timing.
A fault of both sides of the coin; the muggle world is a travesty and the wizarding world is just a bit fucking late, really.
So there’s the newspaper. It’s October first and the date reads September tenth. School owls are a joke and you can’t afford anything better.
And it’s a dirty, ashen grey. It smudges your green if you ever had it at all. You were born to this and you will return to it always.
BOMB’S HAVOC IN CROWDED PUBLIC SHELTER
MOTHERS AND CHILDREN AMONG THE CASUALTIES
DAMAGE CONSIDERABLE, BUT SPIRITS UNBROKEN
All you can hope to do is pass the paper to Tom and wonder without words what you’ll go home to.
The answer is very little when the summer clouds your vision with dust and you stand dumbly with your suitcase in front of nothing at all. You’d tried your best until your departure to keep up with muggle news, but it had remained, routinely, a month behind with the owls. By the time June arrived you were still holding your breath through May. Tom had attempted to reason with Dippet for summer lodgings at the school but you were both denied in light of the exquisite mercy — the bombs have stopped! The Blitz has ended! Go back to the aftermath and make do with the craters.
It’s a bit ironic that Tom’s orphanage survived and yours didn’t. At least you can finally see what all the fuss is about.
In truth, it’s more strange than anything. You feel unreasonably like you’re impeding on a part of him that has never belonged to you (if any of him does); that place where you intersect but never draw attention to. You remind yourself you had no choice in the matter. The system puts you where it wants to, and these days the options are slim. But it’s — the walls are amber-black tile and plaster, lined with sanitary-smelling hospital beds and a cupboard per room. Per room, you think; you’ve got one of those now, and with only one girl to share it with. 
You figure the reason for the extra space is probably not one you want to know.
Anyway, you don’t actually see Tom for two days. The caretakers bring you a tray of dinner that’s vaguely warm and a bit too salty and you sleep off the debris you think you breathed in that morning, half-sated and sun-tired.
But then you do see him, and he’s in these funny uniform shorts and a thick blazer and your greeting is an offhand joke about the scandal of his knees that he doesn’t seem to appreciate. He eyes your muggle clothes while you wait for your own set and you know you really don’t have any room to judge. 
He doesn’t, or at least doesn’t say he minds your relocation.
You spend half the summer waking up in the middle of the night to acquaint yourselves with the London tube stations, and the other half in whatever crevices of the orphanage you aren’t harangued by Mrs Cole every five seconds, which are far and few between. She seems to have decided fourteen is old enough an age to worry about your intentions unchaperoned, like it’s the bloody 1800’s, and admonishes you and Tom relentlessly despite only ever finding you quietly buried in useless books. 
You begin to miss Madam Palles and her invaluable pity. Everyone’s an orphan here. No one’s sorry.
“What’s his deal?” you ask one stuffy afternoon, reclining in your creaking seat to prop your legs on the desk.
Tom knocks them off (he’s so well-mannered that you sometimes push these little gestures of impropriety just to bother him) and glances at the target of your question. Some broad, blond boy who skitters down the corridor a shade paler than he arrived. You’ve yet to properly introduce yourself to anyone you don’t have to, so names are muddy when you try to apply them to faces.
He shrugs, but there’s a flash of something in his expression you’re fascinated to realise is unfamiliar. “He’s an imbecile.”
“...Riiiiight, but that isn’t a proper answer.”
You smile. Legs return to table. Timeworn Oxfords muddy the surface. Tom scowls. 
“There was an altercation last year,” he says tersely, “he’s rather fixated on the matter.”
“An altercation.”
“Very good, that is what I said.”
You narrow your eyes and he sweeps your legs off the desk again, gaze catching the unmistakable ribbon of an old bullied scar on your shin. 
“And I suppose you’re above such incidents,” he muses.
You cross your arms and huff. He always wins games like these.
You’re grateful when you return to Hogwarts in one piece after your final night of summer is spent underground, and the certainty of knowing where you’ll rest your head for the next ten months cannot be understated. 
But the worst thing has happened, and you blame it on the flicker of a moment where you missed Madam Palles like it was some jubilant, accidental curse to ever miss anyone. A foreign thing you remind yourself never to do again. 
She’s only gone and jinxed the locks to the Restricted Section so they cry like newborn Mandrakes when Tom’s replica key clicks in place.
For a second you both stand there looking stupidly at each other. Getting caught was a fear two years ago; you’d almost forgotten it was still possible.
Tom is quicker to collect himself. He grabs you by the arm and casts a Disillusionment Charm, and you don’t burst running out of the library like two blurry suncatchers reflecting the candlelight as your instinct heeds; you cling to the shelves and you slither silently to the door. (You’ll make a joke about it when you can breathe.)
Madam Palles the Traitor comes heaving into the library in her nightgown, a blinding blue light baubled at the end of her wand, and it’s really just theatrical at this point to use Lumos bloody Maxima when the basic spell would do the job just fine.
“Has she suspected us the whole time?” you say on gasp once you’ve made it to the dungeons.
“Perhaps someone else has,” Tom suggests.
“What? Malfoy?”
You think it’s a good first guess. It could have been any of the Slytherins, upon consideration, but Malfoy seemed most fixated on Tom last year and it wouldn’t surprise you to learn he’d been observant enough to follow you to the library and notice you don’t leave with the other students.
But Tom quashes the idea. “I’m doubtful. Malfoy is attentive, but Madam Palles is hardly partial to him.” (He had, in second year, set one of her books on fire while studying offensive spells.) “I suspect it was someone with more influence.”
Only no one has more influence than Abraxas Malfoy. The rest of the Slytherins follow him like lost pups. But then Tom might mean —
“A professor?”
“It may be.” He says it like he’s already decided his suspect.
He is, as always, and ever-infuriatingly, correct.
It’s that file you tucked away for later, reoccurring when you return to Transfiguration in the morning like a second epiphany: Dumbledore.
He assigns the term’s seating arrangements, which he’s never done before, and there’s something in his tone when he pairs you with Rosier that feels intentionally like not pairing you with Tom. You don’t think it’s paranoia clouding your better judgement, and by the way Tom’s gaze hardens as he takes his seat beside Malfoy, neither does he.
Dumbledore is suspicious for a number of reasons. He disappears for weeks at a time. The Prophet writes articles on his sightings in Austria and France like he’s an endling beast. He’s being sighted in Austria and France — two notable countries in Grindelwald’s ongoing war. Perhaps ancillary, you’ve decided the charmed glass repositories he uses to hold his old artefacts are the same ones encasing the least permissible books in the Restricted Section. And if that isn’t paranoia (which, you���re willing to admit, it may be) then you assume he has them so proudly on display because he wants you to know.
You consider it a warning.
Tom does not.
“Just give it up,” you hiss over a game of wizard’s chess, “I bet we’ve read every book in there twice already anyway.”
His jaw ticks as the sole indicator of his annoyance, and he takes your rook. You scowl.
“Tom, that man thinks you’re devil-spawn. You know he’s just waiting for an opportunity to catch you doing something wrong.”
“So?”
It sounds so petulant you think he’s been possessed by his eleven-year-old self. Then you think he was a lot wiser at eleven.
“So?” You make an aggressive move with your knight. “So don’t give him one!”
He stares at the board and his breath is just a trace sharper and you hate that you know him like this and no one else. You wonder if he knows you like that too, but resolve with ease that he does not. You’re hard frowns and lewd jokes and trousers torn at the knee to bare scars with stories you wish you could forget. There’s no mystery there. Tom is nothing but — gordian knots and fixed expressions and little patterns to learn like the rules of this stupid game between you. You must know Tom Riddle by every atom or not at all. And that isn’t a choice, really. You’ve never known anyone else.
“Are you stupid, Tom?”
You glance at the board. He’s got Check. A terrible, true answer.
“No,” you finish. “Then don’t act like it.”
Your king glances at you and you nod. He falls. The game is resigned.
Tom acts stupid.
Dumbledore knows.
It all happens very fast.
You strike Tom harder in the arm with Confringo than is likely necessary that night, and he returns the favour with a Knockback Jinx that thrusts you into the shallows of the Black Lake.
You gasp. The cold water feels like it’s swallowing you whole when it strikes, an envelope sealed around you and licked shut for good measure. Everything holds to you, and it’s fucking November. Your senses are so overwhelmed that you forget to murder Tom the instant you sink in. You forget to do much of anything.
You wade trembling out of the lake when sense returns and Tom huffs, peeling off his robe to treat the burn on his arm.
“You—idi—iot,” you mutter, trying to find the incantation for a warming charm but the words get stuck between your chattering teeth. “You stole a re… stricted book.”
Tom glares daggers at you between his poor healing job and you scowl, mincing through the grass and grabbing his arm. “Fucking imbec-cile…”
You’ve done enough damage that if he were anyone else you’d be proud of yourself, and somehow, simultaneously, if he were anyone else you’d be able to manage a pinch of guilt. But he’s Tom, and you know him by every atom, so you cannot be proud, and he’s Tom — he retaliated by tossing you in freezing water and now your clothes are clinging sodden and heavy to every inch of you, so you certainly can’t be guilty either.
“I borrowed it,” he says tightly. As if that means anything at all. And then he takes his robe and drapes it spiritlessly over your shoulders. “You could attempt communication before curses.”
“I could attempt communication,” you scoff, uttering a charm to partially close the gash on Tom’s arm, “Fucking h-hypocrite. I did communicate. You lied.”
“I —”
“Omitted information? Withheld the truth? Watch your mouth or I’ll steal your fucking dictionary, Riddle.”
You swear a great deal when you’re cold and mad, apparently.
“I won’t be caught.” His calm is infuriating. “It would hardly earn expulsion regardless.”
“It doesn’t matter! He knows it’s you! He was staring at you all class!”
“So nothing novel then.”
“D’you want me to blast you again?”
His lips form a flat line. No. That’s what you thought.
You sigh, clutching his robes in your fists to quell your trembling. “What’d you take, anyway? We never touch the encased stuff.”
That is, you assume, why Dumbledore was vexed enough about the whole thing to mention it in class today. A highly valuable book has gone missing, from a repository you dare conclude belongs to him, and he has to pretend all the while not to know it’s Tom who took it. You are out of the question. Theirs is some delicate vendetta you can’t begin to unfurl.
“Nothing anyone should miss,” Tom says, a complete non-answer as he stops to murmur a warming charm you could probably manage yourself by now.
“Tom.”
“It was an encyclopaedia. It’s entirely in Runes. I suspect it will take months for me to decipher.”
“God’s sake,” you groan. He really is exhausting. “I think Dumbledore’l take his chances and loot your dorm before that happens.”
Tom wipes a stray droplet of water from your cheek. His fingers are soft. “We should return. You look half-drowned.”
“I am half-drowned, dickhead.”
And you accost him in hushed tones the whole walk back. Runes, Tom, really? Threw me in the damn lake over a Runic Encyclopaedia? He accosts you just the same; You burned me first.
It does, in fact, take Tom months to decipher the Runes, and he’s quite secretive about it. He won’t let you see the book, won’t tell you what it’s about, won’t indulge your queries on how far he’s gotten or if it’s worth the way Dumbledore bores his eyes into the pair of you in the Great Hall with nothing but the glass of his spectacles to soften his censure. You consider — well — you consider taking your chances and looting his dormitory.
The day everything changes starts the same as any. 
You muse over breakfast about muggle news and how the way Tom holds his wand when he casts defensive spells is too sharp when it should be circular. He argues. You soften the criticism by telling him his offensive magic is stellar but you’ll always beat him in defence if he doesn’t swallow his damn pride and listen to you for once. (So, really, you soften it very little.) He doesn’t take Divination so you don’t see him until Herbology that afternoon and he’s silent enough during the hour you share with your wormwood plant that you know he’s done it sometime between breakfast and now. 
Tom has cracked the book.
It’s late spring and the night takes longer to settle than it did in the winter. Errant sunbeams still sparkle on the water when you meet him by the lake, and it’s warm enough to forgo a coat.
“Are you going to tell me what it’s about now?” you ask without preamble, arms crossed over your chest as he approaches.
He hands you the book like it’s worth something to you without his explanation, but you’re intelligent enough to gather something from the illustrations of two twined snakes embroidering the cover.
“I should have suspected it sooner,” Tom says before you can comment. “By the way Dumbledore acted when I told him… I should have known he would have wanted to keep it from me.”
“Tom, I have no idea what you’re talking about.”
“It’s an Encyclopaedia on Parseltongue and its known speakers.”
You flip through the pages and none of it means anything. “Parseltongue?”
“The language of serpents,” Tom supplies, and the two of you walk along the edge of the forest. “It’s almost exclusively hereditary.”
“Okay, so, what — you’re trying to learn it anyway?”
“I have no need.”
You frown. “You… you already know it.”
“I always have,” he says, and there’s something almost unrestrained in his voice. He’s proud in a new light, and it takes you a moment to understand and you’re not sure why exactly it makes your heart sink, but —
“You’re not muggle-born.”
“No, I’m not. And Dumbledore knows.”
“So, he —” You try not to sound crushed because why should you be? Why should it matter that he isn’t some exact reflection of you? He’s at your side, he’s still there, he’ll always be there — “How does he know?”
“When he came to Wool’s to inform me I'd been accepted at Hogwarts. I hadn’t known anything, certainly not that speaking to snakes is emphatically rare, so I asked him. He said it was ‘not a peculiar gift.’ Perhaps to keep my interest at a minimum.”
“Why would he lie?”
“Because it isn’t just that I’m of magical blood. I’m a descendant of Salazar Slytherin.”
You can’t be faulted for laughing. It’s not often Tom makes jokes, let alone funny ones.
“That’s good, Tom. Morgana used to have tea with my great-great-hundredth-great-grandmother, so that works out nice.”
He sighs, taking your hand and leading you further into the woods.
“Are you trying to murder me?”
“I might.”
“You’d be the first suspect.”
“No, I wouldn’t. You’ve far too many enemies.”
Not by choice, you start to scold, and then he stops, not so far into the Forbidden Forest that you’re afraid, but far enough you understand this is not something he’d chance showing you in the open.
He closes his eyes and whispers, and it’s — decidedly not English. And you know the sound of a few other languages, at least; this doesn’t sound like words at all. His consonants are pointed, his S’s stretched, the syllables repetitive but separated by a difference in cadence someone less perceptive might not notice. 
It shouldn’t be surprising; it’s exactly what he told you, but it startles you how much it reminds you of a snake.
“Tom?” you murmur, unsure at the prospect of speaking some ancient, unknown language into the air of the Forbidden Forest, and, underneath that, still reeling with the knowledge that this is real at all.  You’ve pinched yourself a few times to make sure.
There’s a low susurration in the grass, wet with dew that catches the moonlight, and you gasp, clinging to Tom’s arm when you see the blades part in helices for the space of an adder.
“It’s all right,” Tom says softly, almost elsewhere, his eyes zeroed in on the snake. “It won’t hurt you.”
You’re still by the balance of his arm and some petrifying awe as he extends a hand to the grass and the adder coils around it, weaving upward to his shoulder.
“Oh my God. Oh my God, Tom.”
The adder points its beady gaze at you, and Tom whispers something else in that strange language before it retreats in agreement or compliance or whatever could come close to expression on the face of a fucking snake, and maybe you’re dreaming this despite your pinching. Maybe you’ve lost your mind.
“Hope you didn’t just tell it to bite me,” you try, and it comes out half-choked.
He smiles. It’s partly for you and partly for this venomous little thing on his shoulder, and that’s a bit startling. Tom Riddle smiles for adders and you and not much else. 
“Should I?”
And all you manage, for whatever reason, is, “Don’t be like them now that you’re not like me.”
It’s out before you can stop it, welling from a small, scared place that embarrasses you to return to. A hospital bed when you were eleven. The walls of a bedroom ravaged by bombs.
Tom’s smile fades. “We’re nothing like them.”
The thing is, neither of you know that’s the day that changes everything.
You celebrate your fifteenth birthday in the Deathday ballroom with Tom, a stolen dinner pastry, a green candle, and a few sad ghosts. You try to learn how to dance. Tom thinks it’s silly. You tell him that’s only because he’s upset he keeps stepping on your toes.
Summer blisters when it comes.
Some of the children take jobs as mail-sorters and steelworkers and you clasp for whatever you’re (one) allowed and (two) capable of, which isn’t much. You’re both old enough at the end of the day to explore London on your own, opting to spend as much time away from the orphanage as Mrs Cole allots, but you only have knuts and pennies and you warn Tom it would be unwise to swindle muggles and risk a letter from the Ministry. So you work where you’re needed and you eat the rationed nonsense you always do and you miss Hogwarts terribly. It’s much the same: you’re together, you’re hungry, and you’re nothing like them. 
And then it’s different: Tom makes Slytherin Prefect, is suddenly tall, and you wonder in fleeting moments if his face has always suited him this well.
A stupid remark. You fervently ignore it.
Fifth year begins and you have almost the same number of electives as you do core classes, Tom has duties in his new role that take much of his spare time, and despite popular belief, you and him are not a mitotic entity, so this splits you up more often than it had in previous years. Which is fine. You still have plenty of things to talk about during meals and between duels, and you reckon you’ll share DADA until you graduate.
But in his absence, your attentions are forced elsewhere, and you should be grateful they land on something potentially promising.
It’s like Transfiguration just clicks for you this year. You’ve never been the greatest at Transformation (importantly though, you’ve also remained far from the worst), but fifth year launches you into Vanishment and something about that feels like a perfect equation. There are no complicated half-numerals and objects stuck between inanimacy and being — just unmaking the made. Nothing or not. You’re fucking excellent at it. You glean the theoretics fast and then the practise comes like breathing. Even the purebloods struggle as you Vanish Dumbledore’s Conjured garden snakes in brilliant tendrils of light. You exult unabashedly when you brush past them on the way out of class — who was it that didn’t belong in Slytherin?
You say the same to Tom and he rolls his eyes, but the amusement is there.
“Think you can talk to my snakes for me?” you tease, nudging him on the path to Hogsmeade.
“If they’re yours, I doubt they have anything worth discussing.”
And Dumbledore is… a hue nearer to the man you remember from first year. He praises your improvement and smiles when you can’t hide your giddiness as if equally impressed.
He doesn’t shelve people the way Slughorn does (you’re dismayed to find Tom has been invited to join the Slug Club and you have not) but you think if he did you’d be rapidly climbing your way to the top. Maybe get put in one of those neat little repositories he keeps all his best treasures in.
Dumbledore does, however, offer additional assignments for those who are interested, and tasks you with a few if you’re up to the challenge.
You always are.
The Tom-Dumbledore-Encyclopaedia debacle is apparently either resolved, or your part in it forgotten. 
Tom humours you when you’re both singed at the fingers from duelling, yours dipped in the lake while he buries his in the cold moss, about how Abraxas takes the seat beside him at every Slug Club dinner. He tells you he pretends to be very interested in the Malfoy’s business affairs and their stock in the Bulgarian Quidditch team’s win this coming spring. He tells you he finds it amusing to let Abraxas think he can make Tom his pet. Tom says he considers searching for Salazar Slytherin’s fabled Chamber of Secrets and showing Abraxas what a real pet looks like. You smack him in the arm.
He’s had an ego forever. He just has a few too many reasons for it now.
And maybe that’s why you push harder in Transfiguration, dedicate the majority of your studies to it, spend your Saturday nights scrutinising advanced techniques while Tom makes nice with Potions experts and politics with people who don’t even know what he is but like him anyway. It’s patronising, of course — borderline fetishistic; not a real like — but it scares you. Tom Riddle would not allow himself to be anyone’s pretty mudblood show pony if he didn’t have an ulterior motive.
Everything changes but the observable truth that he is still insufferable.
You’re lucky to see him twice a week if it isn’t in class, and the way it starts is so slow you don’t even fully understand what’s happening until Christmas break when Abraxas stays a few extra days and leaves by Dippet’s Floo instead of the train.
You don’t dare ask where Tom has vanished to in that time or why the hell Abraxas Malfoy would willingly subject himself to unnecessarily extended time at school with all his lackeys gone, and it isn’t because you don’t want to. It’s because he won’t tell you himself. It’s because you’re terrified the answer will feel like a broken promise, and you’ve come to realise (it’s been there for so long; such an obvious, tiny thing that you’ve never stopped to really dissect it) that it’s quite difficult to know someone at every atom and not love them a little bit.
You’re suddenly aware of the risk of it: you love him like an inextricable piece of yourself, and, well, you’ve seen war. You know what amputation looks like. You’ve seen the remains of structures designed to stand forever, and you’re strong like them — casts and gauze in all the weak spots because you remember the pain of breaking them — but those were blows dealt without the complication of loving the bombs behind them.
Tom is the green on your robes, the dragon pox tinge you sometimes think never truly faded when you look in the mirror too long, and all the shades you never imagined. Apple, jade, moss. The beginnings of emerald. (No, he couldn’t be that.) 
You wonder what the world would look like if he stole those colours back, and it’s much worse than some brutal decimation; it would leave you with too much. You would just be you without him.
So you love him into June like you always do, and you pluck his Prefect badge off on the last day of school and tell him it makes you jealous like a joke when it’s half-true. 
It’s raining when you walk to the train together, miserable for what should be summer but not at all remarkable in Scotland. Tom wipes it from your cheek. Your wrists are sore from vanishing bits and bobbles all night while you still can, never truly prepared for three months without magic, and you curl into your seat as soon as you’re in it. Tom wakes you up when you arrive back in London, startling you to find that you fell asleep at all.
It rains a lot that summer. There’s nothing much to see in the city and you can’t get anywhere else (you note: the Trace cares little about broomsticks but you can’t afford one of your own and flying might be the only thing Tom is bad at) so you’re stuck to the library again with a noseful of old paper and a certain prose that magical literature cannot replicate. You theorise a lifetime of reckoning with the mundane forces one to be more creative.
Perhaps it’s the cold that makes you sick. Perhaps it’s the state of your meals. Either way, your final weeks before sixth year are hell. Biblical, blazing hell.
The nurses aren’t sure what it is — another influenza epidemic you’re the first in the orphanage to catch — but they isolate you immediately and there’s not much care they can offer. 
You hear Tom arguing with one of them outside your door but can’t make out the words. Everything is dizzy, sweaty, halfway to unconsciousness but without its relief. You’d take dragon pox over this.
Some days later (though you can’t be sure because it feels like bloody centuries), he’s at your bedside, and you think even if you were lucid enough to ask what horrible thing he’d done to change the nurses’ minds, you wouldn’t. 
But you know he’s not beyond breaking wizarding law, because he’s muttering healing spells with a hand to your damp forehead, and you hazily find yourself reaching for him, trying to shake your head no.
“Not allowed,” you mumble. Your throat is sore and your nose is stuffy. You sound terrible and you probably look worse.
Tom is slightly blurry but you think he’s staring at you. You know if he is it’s with the utmost incredulity.
“Not allowed,” he repeats slowly. It’s very easy to picture him clenching his jaw. “I wonder, if the Trace is so exact that it can detect all forms of magic, it can’t also detect malady. You’re burning — and I’m to consider whether saving your life might be illegal?”
He’s angry. He’s angrier than you’ve seen in a long time; and you can actually see it now. His magic courses through you and your vision clears, bit by bit, until your depth perception steadies and you realise he’s closer than you thought. His jaw is, in fact, clenched.
You move to catch his wrist and manage it this time. “Tom.”
“Don’t argue,” he says thinly.
“You’ll get sick.”
His face is far too neutral for the way his fingers stroke your damp cheek. “Hm. Then it’s a good thing you’d break the law for me too.”
Of course he’s right — you love him. Which makes it a good thing he doesn’t get sick.
Some of the younger children do. The fever comes overnight for a girl who wasn’t in the orphanage last year, and it takes her by the next.
When you get back on the train to Hogwarts, the virus is circulating Britain and you’re livid. 
What Tom said is true; you consider the Trace’s precision and the details of the laws on underage magic — how one of the technicalities is that a young witch or wizard may be absolved of the consequences if the circumstances are life-threatening. You think about how it supposedly doesn’t care about broom-riding or Portkeys or Floo travel, and if the Trace is that complex, surely it understands sickness.
You only wonder if the Ministry would understand it. There haven’t been any epidemics in the wizarding world since Gorsemoor cured dragon pox in the sixteenth century, and when there isn’t healing magic there are antidotes and Pepper-Ups and herbs that muggles simply don’t have. The fatality of a fever of all things is not something you imagine could be comprehended by the sort of people who sent you and Tom back to London in the wake of the Blitz.
Of course, the Ministry hasn't written to you, you haven’t been forced in front of a representative from the Improper Use office, and you have no real reason to be upset.
You are regardless. 
It shouldn’t even be a thought: you immolating into oblivion protesting rescue because one of you might get in trouble for it.
A world you’ve never much cared for is blanketed in ash and its people are dying and you can’t help them. A girl is dead. You’ll return next summer and there will certainly be more.
Life is for the magical, you find. The muggles can burn.
It’s what makes you start to panic this year, knowing you’ve only got one more after it. You have no idea what you’re going to do after school, and it doesn’t help that Tom doesn’t appear to share the sentiment. He’s got Head Boy in the bag and when he isn’t with you he’s with Abraxas, who can surely provide him connections if whatever game Tom is playing at works (and you have no doubt it will), but it’s like you said in third year: that isn’t enough for you.
You remember with a small ache that you no longer means you and him.
And then — it makes sense. You feel incredibly stupid.
“You told him, didn’t you?” you ask Tom the first opportunity you can get him alone, in the glum blue light of the Deathday ballroom on your way back from supper.
He sighs like it’s a conversation he’d hoped to put off for longer. “You’re referring to Abraxas, I presume?”
“You’re referring to — yes, you prick, I’m referring to Abraxas. Of course I’m referring to Abraxas, or are there others? Dolohov and Nott seem unusually enthralled by you, now that I think about it.”
“And for a reason I’m supposed to be aware of, this is an error on my part. Should I be apologising?”
“Why did you tell him, Tom?!”
“Why?” he deadpans.
You throw your hands up. “Oh, for fuck’s sake.”
“Shall I provide you with my itinerary as well? Would you accompany me as I tour the third-years around Hogsmeade? Or can you do me the favour of trusting me to make my own decisions with the nature of my ancestry?”
“You’re keeping something from me and there’s a reason,” you say, stepping closer to him, “and forgive me if I want to know what it is when you were willing to tell me you’re the Heir of Slytherin and you can talk to snakes. What — what could possibly be bigger than that?”
Tom returns your approach with one of his own. His eyes are steady, dark, thick with lashes and you can’t reminisce on the details of the rest of him because that would be strange for a friend to do. Stranger to do it now, when you’re angry with him and there’s two sleeping ghosts in the corner and he’s framed by deep indigoes like the ripples in the Black Lake and — you’re doing it anyway.
To be short, he’s close, he’s very beautiful, and sometimes you despise him.
“Trust me,” he says again, without the derision of the last time. “This will change things for us.”
You frown, but it’s a weak upset in contrast to the explosion you came in here willing to make. There were at least twenty questions you meant to ask and you only managed one.
You are not his keeper. You know that. 
“Change them for the better, Tom,” you say on a sigh.
He blinks, and you think he’ll respond with a nod or a slightly offended ‘of course’ but he does not. He blinks and he just keeps looking at you. It’s disarming. It probably resembles the way you often look at him. There’s a rationale somewhere; you never see each other anymore, life is so incredibly busy, maybe he’s forgotten what you look like.
And he does nod, finally, but he does it with his thumb brushing the corner of your lip.
What? Sorry. What’s going on?
He pulls it away like he’s heard you. “You had something.”
You’re almost positive you did not.
Transfiguration this year brings Conjuration, which is an advanced and welcome distraction, and even more exciting when you consider no longer having to Vanish things you have no idea how to bring back. Dumbledore’s is one of three N.E.W.T classes you’re taking — Defence Against the Dark Arts and Alchemy besides. It’s easily your favourite.
You share it with eleven other Slytherins and twelve Ravenclaws. Four of them are muggle-born, and it’s hard to describe the ease you feel among them because you don’t think you’ve ever had anything resembling ease with anyone but Tom.
Your schedule is more crammed than it’s ever been, but it’s good. Two of the Ravenclaw girls invite you to Hogsmeade every other weekend, you share butterbeers when you can afford one, you study until you collapse, you take Dumbledore’s extra assignments and consider trying out for Chaser on one of your more restless evenings before waking up in the morning and resolving there is such as thing as too much of a good thing. Best not to get ahead of yourself.
Your contentment is remedied quickly.
Someone is found unresponsive in the dungeons. Dippet makes an announcement at breakfast that the boy isn’t dead, rather, petrified. No one is quite sure the cause, but the Headmaster warns a few minor precautions, suggests a buddy system, and says that after dinner studying should remain in everyone’s respective common rooms rather than the courtyards or library.
You know next to nothing about petrification, but the victim is muggle-born, and you suspect it was the result of a poorly performed statue curse by one of the many blood zealots in your house. The whole thing makes you hold onto your wand a smidge tighter, but you’re adamant not to let it drive you to paranoia like it would have a few years ago.
Tom nods at your theory when you manage to escape to the Black Lake together in November.
“That isn’t unreasonable,” he says. High praise.
You sink into the moss, sighing. “Do you think there’ll be more?”
He looks out onto the lake, the lapping waves, the crystalline beads that furrow them, midnight algae and flotsam you don’t think you belong to anymore.
You peer up at his silhouette in the dark. “Do you think whoever did it will do it again, I mean?”
“I don’t know,” he says finally, and after another pause: “but I don’t think it would be you.”
“How’s that?”
“No one would be senseless enough to try.”
And he sinks beside you with that, breath shaping the cold in steady, rhythmic clouds while yours are scattered. His robes brush yours and you take his arm with a sleepy hum, tracing patterns in the stars until your eyes feel heavy and he insists on taking you back to your dormitories.
One of the Ravenclaw girls, Marigold Wright, distracts you with a spare blue scarf and an invitation to her next Quidditch match. You watch from the stands and cheer as she catches the snitch to beat Gryffindor.
It’s a bit strange — having a distraction — having a friend. Mari is kind, smart, a good study partner who’s as keen on stepping into the advanced theoretics of Human Transfiguration a year early as you are. She’s funny in a vulgar way, introduces you to all her friends, shows you the best way to sneak into the kitchens, and you sometimes wonder if she was sorted wrong, but — her methods are creative, and she’s definitely intelligent. She’s also definitely not Tom.
You see less and less of him and more of her, Dumbledore, the Ravenclaw common room and the pages of progressive Transfiguration methodologies. He sees less of you and more of Abraxas, Dolohov and Nott and all the other purebloods, Slughorn’s soirées and Prefect meetings that cut into meals.
It happens again.
Second floor lavatory. A girl called Myrtle Warren. She isn’t petrified.
There’s a vigil the following week and her parents are there, two muggles whose sobs wrack the Great Hall even as the students clear out. Flowers descend from the charmed ceiling, little bluebells and white chrysanthemums.
You cry that night. You can’t remember the last time you cried.
This time, you don’t have to seek Tom out. He catches you on your way back from Alchemy and brings you to the Deathday ballroom with a melancholy glance in your direction that you don't hesitate to follow. You realise it’s an odd place to continue to end up in, but no one else goes there and you suppose that makes it yours.
You’ve seen Tom skinny and sickly and olive green, but today his eyes are circled with veined violets and the lack of summer sun this year has whittled him grey once more. He’s still beautiful. He’ll always be beautiful. But he’s tired and — sad — and for the six years you’ve known him you aren’t quite sure what to do with that.
You don’t spend too long pondering it. You just hug him with the dawning newness of a thing like that; a thing you’ve never done, and never really thought to do. (You ask yourself in bewilderment how you’ve never thought to do it before.)
He’s warm. He’s uncertain. He doesn’t reciprocate immediately. 
And then he does, and you understand without caveats or concerns that you stopped having a choice in your destruction the moment you chose him. He’s home, and that’s going to ruin you one day.
Your arms tighten around him and his around you, the rhythm of his breath holding you to earth when you begin to float away. Nothing makes sense in this moment but the mercy that in all the death you’ve seen, you swear to God you’ll never see his. As long as you’re alive, he must be too.
And there’s something to be said about the innate self-slaughter of loving a person (of loving Tom Riddle, especially): that it’ll cleave you in two, that you’ll say feeble things in his embrace that you should be above saying, like ‘I’m scared’, that his hand will find the back of your head and he'll tell you he knows, that that should not feel like enough but it will be. You’ll clasp your hands under black robes and hold this singular embrace together by the faulty adhesive of your fingers. Maybe you’ll cry again, like your body can suddenly comprehend its capacity for it and is making up for lost time.
The first sign that something is wrong, more than the obvious grievance of the death itself, is the Ministry’s happy acceptance of Rubeus Hagrid as the culprit.
The boy is maybe fourteen years old, half-blood — half human, mind — and no one has a bad word to say about him other than he likes to keep eccentric pets. Which leads you to wonder what pet he possessed with the ability to petrify one student and kill another and what cause he’d have for it in the first place besides two terrible, miraculous accidents.
That question draws an even stranger path. Mari says over butterbeers (on her, bless her soul) that she read somewhere years ago that Gorgons can induce petrification, but that she doesn’t remember much else.
One of the boys in DADA says that his father’s an auror, and heard from him that Hagrid’s pet was some sort of arachnid. Tom deducts five points from his house after class with a scowl on his pale face, muttering about conspiracy.
The second sign that something is wrong is that only one of those things would need to be true for the entire case on Hagrid to be called into question. If Mari’s memory serves right, how the hell did Hagrid come into ownership of a Gorgon? (Could Gorgons even be owned?) If the auror’s son is worth your credence, then what species of arachnid is capable of petrification?
You take to the library.
Unsure of where to begin and hesitant to draw attention, your research lingers into Christmas break and stalls some of your extracurriculars in Transfiguration. Tom is busy enough not to notice the new step in your routine, and you’re grateful not to have him breathing down your back, telling you you’re looking in the wrong places or you shouldn’t be looking at all.
The third sign is the end. 
You wish to retract it all. There are time-turners and memory charms and potions that could dizzy you enough to manipulate the truth; there is anything but this. You’d suffer the consequences for the bliss of loving him with one more day before the ruin — you’d write it down to remember through the fog: look at him, duel him without wanting to hurt him, kiss him to know that you did it at least once, have him, be had. You never will again.
He’d shown you the adder. He’d joked about the Chamber of Secrets. He’d spent months disappearing with Abraxas, earning the trust of the sons of the Sacred Twenty Eight. 
And he’d killed Myrtle Warren.
So it’s statue curses and Gorgons and Tom — speaking to serpents when no one else can, buttressed by pureblood boys who want people like you dead.
Don’t become like them now that you’re not like me.
He’s something else entirely.
What do you do in a moment like this? Panting into an empty library at a revelation you wish you could unknow, fingers digging into the hickory of your desk — another memory carved among the initials and hearts; how do you stand from your chair and leave like the world outside this room is the same as it was when you entered? There’s nothing to orbit. You are cosmic debris, tea dregs in a barren cup, flotsam.
You stand; and you tell no one. Not even Tom.
His presence in your life is so infrequent that you don’t even have to come up with excuses for your distance until three weeks after your discovery when you’re paired together in DADA to practise stretching jinxes. 
You almost laugh. He’s standing beside you, tall (lanky like he was when he was a boy if you look long enough) and serious, and you love him without knowing who he is anymore. You’ve skirted corners to avoid him and sat with Mari during lunch and breakfast like he’s some scorned lover to escape confrontation from and not someone who held you through a grief inflicted by his hand. 
“You look tired,” he says, inspecting the daisy you’d been tasked to elongate.
You glance at him. You are tired. It’s exhaustive, bone-deep, aching like nothing you’ve ever known, and maybe that’s why you can look at him and smile sadly instead of thrashing against his chest screaming for what he did. You suppose it happens enough in your head to satisfy. When you can sleep, you sleep to the thought of it. The waking moments are just blank.
“Mhm,” you hum, transfiguring the daisy stem back to its regular length.
Tom observes it with curious eyes. “You’re getting good at that.”
“I’ve been good at it.”
His lips turn, a small frown before he puts it away. You make the observation that he’s tired too; there are still bags under his eyes and his hands tremble ever-so-slightly with his wand when he loosens his grip on it.
His own doing and still you flicker with some relentless hope that he's drowning in regret.
“Sorry,” you say. A ridiculous thing. Do you intend to slowly push him from your life with weak disinterest and diverging academic avenues? As if he were something extricable. He’d never let you.
You’ll have to confront him, and that’s a revelation that holds its weight on your chest until you think you'll suffocate under it.
You’re in the blue light of the Deathday ballroom with a face you've never worn before when it happens, deep into spring, and you know then that you were wrong all those years ago.
He sees all of you.
Takes you in in the flash of a second and maybe it’s your quivering jaw that reveals you or the flint of betrayal in your eyes waiting to be struck and lit. Yes, you were wrong — Tom Riddle knows you at every atom too.
“Are you going to let me explain?" he asks before any hello. His jaw is tight but there’s nothing else to go on to judge his disposition. He's settling into impassivity like an animal drawing its shell. You will not be allowed in if you're going to make it hurt, and you might be the only one who can.
“Explain," you copy with a hard exhale, “Just tell me it wasn’t you. That’s all there is to say."
He stares at you. There’s nothing there.
“Tell me, Tom.”
Your breath catches on an automatic please but you don’t want to offer him that.
“I cannot.”
Then make me forget, you want to scream. Let it be summer. Let us work for pennies and breadcrumbs and be no one together.
It’s late winter and it’s too cold.
“You killed her,” you say quietly.
“If I told you I did not wish for it, would you even believe me?”
“What are you… so it was an accident?”
“There was — an opportunity presented itself that may never have come again; that does not mean I don’t find the nature of it regrettable.”
“Regrettable.” You’re laughing or crying or both, and you must look unwell. Halfway out of your mind.
He’s so composed in the face of it that it only makes you more incensed.
“You told me to change things —”
“You killed someone! Can you understand that?”
“You nearly died,” he hisses, “and if I am to apologise for recognizing it only as the first of many times, I will not. If I am to apologise for doing whatever is necessary to prevent it, I will not. The hand we were dealt will not be the hand we die to — so yes, I understand it. And one day so will you.”
“Don't," you spit, and your anger must look pathetic under your welling tears. “Don't you dare tell me that this was for me.”
“Do you want me to lie?”
“What could her death possibly bring me, Tom?”
“Her death is the first step to —”
“God, stop dancing around the fucking question!” Both hands have wound their way to your head, clutching at your skull like the brain matter might spill through one of the cracks he’s wearing down. “Just… tell me.”
“You recall Godelot's work," he says stiffly. The question of it takes you by surprise, peels the moment back like the rim of a fruit and you're left uncertain.
All you can do is nod, arms falling to cross over your chest.
“There was one form of magic he refused quite concisely to impart. I searched the Restricted Section for days, and under Dumbledore's watch that was not an easy thing to do."
You stole from him, you're urged to remind him, but it's something you'd say with a nudge of annoyance and a roll of your eyes. Such admonishment is small and far away.
“I found it at last in one of the repositories," he goes on, “Secrets of the Darkest Art."
“...What?"
“It's called a Horcrux,” he says. “Murder, by nature, splits the soul. The Horcrux simply makes use of the act; puts the soul fragment into something imperishable so that it is protected, rather than abandoned. In turn, your life cannot be taken. By malady, by magic, by sword — the vessel is destroyed but the soul lives on.”
You blink, feeling dizzy. “Myrtle was the sacrifice.”
“Myrtle was there,” Tom remedies.
“How lucky for you.”
“The circumstances could be ameliorated if one were to be made for you. I would have preferred it be someone who deserves it.”
“For — you’d do it again? Again, Tom?”
His brows crease, and even his upset seems contrived. There’s this barricade he’s placed that you, in all your infallible knowing of him, cannot puncture. It’s agony to begin to question what he could possibly be keeping from you in a confession like this.
“You killed someone, Tom. You — I would never ask you to do that. I would never live at the cost of someone else."
“No, you would not,” he agrees, though he shakes his head like it’s incredulous of you. “Do you think, even if I knew it were certain,  a summons from the Ministry would have stopped me from saving you this summer? Do you suppose the threat of punishment would cause me to waver at that moment? I know it would not hinder you. So, you have your lines and I have mine — you never needed to ask.”
And now it hurts. The emptiness clears and you can't stand yourself for crying, but you do. It comes out in ragged, breathless sobs, clasped behind your palm as you turn away from him. 
You've loved him since you were eleven. It's always been you two — it was always supposed to be you two. What is there to say to him? He's blurring in your periphery like in the midst of your sickness, and there's nothing he can do to heal you this time. Your vision will clear and Myrtle Warren will still be dead. He'll still be a stranger in the face of the boy you love. 
“Why," you whine, a wet, hollow stain in your voice you've never cried enough to hear before. “Myrtle was — wasn't — uh —" You swallow, hysterics severing your words. You can't really think right now. Your body wobbles and your head feels puffy and hot. This might be shock. 
Tom scowls like it irritates him to watch you push yourself, like this is just the unfortunate effect of you depleting your energy in a duel, not eating correctly, treating yourself carelessly. 
Of course you can't stand or talk or think. You're you, contemplating a life without him.
“Sit," he says in frustration. You smack his hand away when he reaches for you, but the world has turned a shade darker and you're slipping into it. 
He tugs a chair towards you with a silent charge and a reprimand, and your body doesn’t possess the wherewithal not to collapse into it the second it’s under you.
After a moment you can speak again, shaking hands steadied by your knees. “Did you… did you think I wouldn't find out? You know, the only thing that can petrify someone besides a serpent is a Gorgon. And — where would Rubeus Hagrid have found one of those?"
“I thought I would have time.”
“To come up with a good lie? Something I’d sympathise with?”
He bites his cheek. “Evidently the particulars matter little to you.”
Fuck him. “Fuck you.”
“Very cogent.”
“No, fuck you, Tom. We could have — we only had a year left and then we could — we could've done anything we wanted." You're crying again. You don't have the energy to be embarrassed. “And you chose this."
He’s indignant as he steps closer. “With what money? For what life? We are better than all of them and it’s never mattered. It never will; you know that. You told me that. You’re angry now, but you must know the truth of it. I would not forsake you. I would not lose you.”
You blink up at him, mouth stuck with some cottony feeling and cheeks stiff from crying.
“You have lost me, Tom."
He stills as if suspended. Some maceration must follow but it doesn’t.
You stand on weak legs to look him in the eyes. You wonder if he can see the love in yours. You wonder if he knows you will walk away despite it. (Of course he does. You’ve never lied to him.) 
You think about how his fingers seem to always find their way to your cheek and you put yours to his. The bone there is sharp, but the skin is soft. Boyish. 
There isn't a word for a goodbye like this. It shouldn't exist and so it doesn't. You just leave.
You fail your N.E.W.T courses. Quite spectacularly.
Mari sits beside you on the train with a soothing hand on your shoulder, and doesn’t ask what’s rendered you into a comatose husk since March. There’s no crying. You chew numbly on soft caramels from the trolley and stare out the window onto the hills.
That summer is spent in your bedroom unless you’re forced elsewhere. A new girl with skin so white it’s nearly translucent sleeps in the bed beside yours, taking meals on trays like you did in your first days here, tracing the cracks in the tiles, humming to herself in the dark. She makes you feel less pathetic for doing much the same. 
You’d been right in your assumption that there would be more dead upon your return, and wrong that there would be more empty rooms. There are always more orphans being made.
And then you receive a letter. It isn’t delivered by owl (only for secrecy, you assume, because there are no muggles who’d be writing to you) but it’s stamped with a vaguely familiar crest. Not Hogwarts’ waxen seal, but something undoubtedly magical. A cockroach and a cup, you think, squinting. Transfiguration.
You tear the envelope open and pull the letter out.
It’s from Dumbledore. Some of it melds together, but the key words stand out.
Spoken to Dippet… Exceptional promise… N.E.W.Ts… May be reconsidered… Upon dispensation… Be well.
Be well.
You are not. You are something half-drowned and half-burned, never enough of one to quell the effects of the other. Sunlight is sparse through your side of the orphanage. On the radio, they warn a pattern of one bomb every second hour. The only other warning is the sound when they fly overhead, and if you can’t run fast enough —
You write your answer in a crowded tube station with a spotty ballpoint pen. Tom is there, looking between you, the dust, and your shaking hands as if to say: tell me I was wrong.
Some of your letter melds together but the key words stand out.
Thank you, Sir. Whatever you need.
It’s a shock that you live to seventh year. It’s a shock that you do it without him — though he watches, and in his gaze you feel regressed. You’re alive, yes, but there’s something there… his dead weight, death-grip; his haunting. They always speak of the dead as something heavy. Something that holds onto you even after it’s gone.
You find that to be true.
Dippet’s condition that you remain in Dumbledore’s N.E.W.T class is that you achieve more than the standard requirement. Essentially, your final exam will be much harder than everyone else's: Human Transfiguration, mastery of petty Transformation (through the means of Wizard’s Chess pieces), Conjuration and Vanishment of various delicate objects — all done nonverbally.
Even Dumbledore seems sceptical, but it translates to more rigorous practise rather than resignation, assignments he doesn’t even task to Mari, though she’s just as good, and you can’t begin to understand why he cares so much. 
“I’ll entrust you with these while I’m away,” he says before Christmas break, sliding a sheet of parchment your way with a flick of his wand.
You frown, unfolding it. His instructions are always short now — you’ve learned to decode his meaning well enough without much exposition. 
Teacup to gerbil — to cat, and inverse.
Inanimatus Conjurus spell (cockroach and cup, as instructed) to be Vanished when perfected.
Study Antar’s Doctrine. Miss Wright will act as your partner.
Due February.
It’s far too much to be done in that time. “Sir?”
Dumbledore lugs a messenger bag over his shoulder that appears small, but he carries it in such a way you suspect it’s magically extended. He smiles wistfully, pushing his spectacles up the bridge of his nose. “You know, I often regret how much this war asks of me. A consequence of my own doing.”
Right — Grindelwald. Sometimes you forget between awaiting the next muggle paper. War is everywhere.
You nod. “I hope… Good luck, Sir.”
Another half-smile as he twists open a jar of Floo Powder, and then he shakes his head with something you almost decipher as amusement. A brittle sort. Tired. “Good luck to you.”
And then he’s gone, in a swath of green flames that do nothing to inspire any desire for Floo travel in you.
Antar’s Doctrine is simultaneously prosaic and grandiose. They read like excerpts of a journal and you yawn into them over your morning tea, stirring amongst the first-years, who are the only people at the Slytherin table you can stand to sit with. Your blood status is apparently nullified by your age, and the worst they do is look at you funny. You aren’t sure what Abraxas’s — Tom’s (the new hierarchy never fails to stagger you) — lackeys would do if you sat with the other seventh-years instead. A part of you longs to know. They certainly don’t bother you in class the way they used to, you aren’t tripped in the corridors, but you wonder how far Tom’s influence can stretch. He is the Heir of Slytherin, and he’s earned them. But you are nothing.
You’d like it if he would let them hurt you. You think the incentive would be enough to hurt him back. And God — God, you want to. You want to hurt him almost as much as you want him.
You practise through the doctrine with Mari, as Dumbledore directed. When you’re able to sever Antar’s egotism from his abilities, you can see why Dumbledore would recommend his book to you. It feels like slipping through a crack in glass without shattering the whole thing. You weave in and back out, and Mari grins when she returns from the shape of a teapot to her body without you needing to utter a word to do it.
In the back of your mind, you’re aware what you’re doing is nearly unprecedented. It’s spring, you’re months away from eighteen, muggle-born, and mastering nonverbal Human Transfiguration like it’s a Softening Charm. Mari tells you you’re the smartest person she’s ever met. It makes your cheeks go hot to hear such open praise, worse when you snap out of the thought that you believe her.
Grindelwald falls. The school celebrates in whispers until the evidence is in front of them — Dumbledore, returned without a scar, a new wand in his hand — and then they’re cheers. The feast that night is a great one, and he toasts to you from the end of the staff table, a discreet tilt of his cup before he takes a sip and returns to converse with Professor Merrythought.
You take from your own, and your eyes land on Tom, spine of his goblet tight in his hand. He’s looking at you like you’ve affronted him somehow. You could laugh — by choosing Dumbledore. Of course. As if it was a choice at all.
But if it bothers him… if it feels anything at all like the betrayal you felt, then — good.
You drink, and don’t look away.
By the time your N.E.W.T.s arrive you have a renewed confidence that you’ll succeed, even with the obstacle of performing each exam wordlessly.
There are only twelve students who came out of your sixth year class, so to divide resources for the tests is no grand task. You’re given a Wizard’s Chess set, a desk with assorted vases and goblets, an intricate epergne (you had to whisper to Mari to learn its name), and a Ministry worker borrowed like some laboratory mouse. You suppose it makes sense, though — you’re all capable enough of Human Transfiguration not to mutilate anyone, and performing on a classmate could obfuscate the results. It’s far easier to Transfigure someone you know than someone you don’t.
You start with the chess set, Dumbledore and the Ministry worker observing you as you turn pawns to knights and rooks to kings, the minutiae of the pieces drawing sweat to your brow. They change, and change, and change, and you don’t mutter an incantation once. The Ministry worker puts the set away and directs you to the glass. You Switch the vases with the goblets, Vanish them, and Conjure them again. The Ministry worker takes notes. Dumbledore nods affirmatively at you and you can exhale. The epergne is the hardest; so kitschy and elaborate you don’t know where to start when you’re tasked to Transform it into an animal. 
An animal — like that isn’t the vaguest instruction you’ve ever received.
You look at it on the desk, mirrors and glass and gold on protracted arms, and you go for the first thing you think of because the Ministry worker is staring at you like you’re inept and you see it in his eyes — this is the muggle-born one, this one can’t do it. 
You’re better than them. You can do it forever.
The epergne spins at the dip of your wand, and emerges more than an animal. A big glass tank appears in its place, round and gold-rimmed, water lapping at the sides. Inside it is a jellyfish. Emerald green, bobbing, tentacles and oral arms coiling against the glass like the limbs of the epergne had spanned its centre.
The Ministry worker swallows. Dumbledore smiles.
“And — and back?” the worker says, like that will be the thing that stops you.
You point again, mouth tight with irritation, and reverse the Transformation. A droplet of water smacks your face and you’re lucky to be so hot you can disguise it as sweat. You suspect even an error that small would cost you a mark.
You wipe it away. A strange thing happens; you imagine Tom brushing the water from your cheek at the Black Lake. You imagine his fingers in the rain.
The Ministry worker steps closer with a shameless frown. He tells you to turn his hair red. You do. He regards himself in the mirror and scribbles something down. He tells you to turn it back. You do. To grow him a beard, to change his clothes, to make him taller, shorter, this and that — all read from a list he does not appear enthused to recite. You do it all.
He shakes Dumbledore’s hand when it’s done, duplicates his notes for him to keep, and follows the other Ministry workers through the fireplace when everyone’s exams are finished.
You find out you’ve passed with an Outstanding on your birthday.
Mari drags you to the Three Broomsticks to celebrate, butterbeers on her. (They always are.)
“Can’t believe we’re about to graduate,” she says into her cup, froth on her upper lip.
You sigh into your own, partially giddy and mostly nervous.
Mari squeezes your face between her thumb and finger so your frown is puckered. “Chin up, genius. You’ll be excellent.”
You push her hand away but can’t help a small smile. “Outstanding,” you correct.
“Outstanding!” She bursts out laughing. “Bloody ego on you now…”
“Well, I am the smartest person you know.”
“I take that back.”
She pushes out of her chair with a slightly inebriated wobble. “Going to the loo. Don’t touch my chips.”
Your hands raise in surrender, and you steal only one when she’s gone.
You aren’t the only ones here to celebrate. (Your birthday and your mutual achievement, yes, but the Three Broomsticks is filled wall-to-wall with seventh years drinking their final nights at school away.) There’s music charmed to reach every corner, even yours at the little alcove hidden from plain sight. It’s nice to watch from here — the stumbling, the kisses meant for mouths that land drunkenly on cheeks and noses, the barkeeps that roll their eyes as soon as they turn away from all the newly adult customers, not yet learned or careless in their drinking manners.
It is not nice to be occluded from plain sight in such a way that you don’t notice Tom Riddle until he’s inches away from your table. It is not nice that no one else notices either.
On instinct you don’t make any impressive exit. He slides into the booth next to you and your brain short circuits for a moment at the warm familiarity of his presence beside you. Then it occurs that it’s been more than a year since this was remotely commonplace — that you cannot forget the reason why.
There’s not much time to decide whether you want to be vicious or indifferent or to debate on past precedent which would bother him more. You haven’t attacked him despite being concealed enough to do it unnoticed, and you haven’t shoved furiously out of the other side of the booth.
Indifferent it is. 
“Can I help you?”
“You’re causing quite the stir,” he says, taking one of Mari’s chips.
You’re allowed. It’s infuriating when he does it.
“Am I?”
“It’s enough to fail a N.E.W.T level class and be expressly petitioned back, but to have a special criteria set for your exams and manage an O on top of it all…” He inclines his head as if to appreciate your face so close after so long. You should not let him. “You are incomprehensible. It terrifies them.”
“They’re afraid of the wrong mudblood, then, aren’t they?”
Indifference effaced. You’re angry.
He seems to have come prepared, and shrugs your scorn off like a scarf you would have forced him to wear winters ago. “Of course, they have no reason to suspect Dumbledore might have ulterior motives.”
Ulterior — you certainly hope he isn’t suggesting this is based on anything but your merit, but then — you couldn’t begin to understand why Dumbledore cared so much, could you? You’d made brief inspections of his disdain for Tom in second year, his waning shades of kindness and the matter of his stolen encyclopaedia, but you hadn’t… you hadn’t thought at all about how his dedication to your progress only begun after you’d stopped sharing a class with Tom, how it had developed as you began to drift from one another in fifth year and accelerated in sixth after the first petrification and Myrtle’s death. How Tom had worn you down with a weighted glare at Dumbledore’s little toast.
It wasn’t because you had chosen Dumbledore, you realise. It was because Dumbledore had chosen you.
“Why don’t you worry about your pets, Riddle?” you snarl, “I’m sure there are bigger problems with your lot than my exam results.”
Something in his face shifts at the name. You swell with distorted pride.
He mends the reaction by looking you over in more detail, his features schooled into something he must know you can’t deduce. You try not to squirm under the intensity of it.
He reaches almost mindlessly for your collar (there is nothing mindless about it, you’re sure) and smooths the fabric gently with his fingers. “I always liked you in this colour.”
You blink. His thumb just barely brushes against the skin of your neck before retreating, and your mouth falls open.
“Don’t do that,” you say. Truly a sad attempt. Your repulsion is more with yourself than him, and that’s not at all right.
Where is Mari?
“Your friend was at the bar, last I saw her.”
You stare at him with wild eyes. How the hell — ?
“You were always easy to read,” he supplies, and leans in so you can follow his line of sight to the tiniest sliver of the bar visible between two columns, where Mari looks deeply engaged in conversation with Leo Ndiaye, one of the Gryffindor Chasers.
You take a sharp, exasperated breath at her antics. She might be more in love with the competition than the boy himself. They’d never last without Quidditch to bind them, but you can’t fault her for wanting a bit of fun.
“Well then —” 
Right. Tom hasn’t actually moved away. You turn and his face is just there.
His eyes dart forthwith to your mouth, and — no. No, he won’t be doing that and neither will you.
“...I’m off to bed.” Stop talking to him like he’s your friend, you think miserably. Stop looking at him like he’s your —
“That would be wise.”
He’s still looking at your lips.
No one else is looking at you at all.
It could exist in just this moment, you deliberate; separate from everything else.
Except nothing about Tom exists in its own moment. He’s all over you all the time, skin and bone and soul. You hope you still have a place in the broken fragments of his.
“So I’ll be going now,” you say again.
“I haven’t protested.”
But he’s leaning in, and he has to know that’s impedance enough.
“But you will.”
His lips touch yours. “Yes, I will.”
You grab him by his shirt and you’re kissing him. You’re kissing each other like either of you know what the hell it means to kiss anyone, but you’ve learned the rest together, haven’t you? Your noses bump and you don’t care. You just need to kiss him, and — God, you make some noise against his mouth and the hand cupping your face spreads to capture more of you, greedy and wayward — he needs to kiss you too. It’s a horrible thing to know. It leads you to pose too many questions.
The need must have begun as want, and when did the want begin? How long has he looked at you and wondered what you’d feel like to kiss, touch, mark? (He’ll never have the latter. You swear that.)
You’re pulling away in intervals. “You don’t have me, you know.”
“I know,” he responds, lips on the corner of yours.
“You still lost me.”
“I know.”
“I hate you.”
He pauses for a moment. “I know.”
You kiss him again. Long and soft, memorising his cupid’s bow and the tip of his tongue, and when one of his hands moves to your waist you part from him like you’ve been burned.
“I —” You resist the urge to touch a finger to your lips, standing abruptly from the table and adjusting your shirt. Your body feels like an evolutionarily faulty vessel, too easy to please, though you can’t imagine it responding to anyone else this way. Or perhaps your mind is the problem. Not wired well enough to resist an evidently bad thing. “Goodnight, Tom.”
You thought there wasn’t a word for your goodbye, but that’s it. So simple it sinks you. Goodnight, Tom. I’ll dream of a morning where I wake up beside you, but you won’t be there.
He grabs your hand before you can go, licking his lips and it haunts you to think he’s savouring you. It stings a place deep in your chest you’d spent all year trying to heal.
“My door is always open,” he says.
He lets you go.
You graduate with Mari’s hand in yours, and you aren’t afraid.
Dumbledore requests that you stay for the summer to help him prepare for the first year’s curriculum in the fall. It’s a ridiculous opportunity for someone your age — free lodgings and a stellar impression on your resume, and — you can only accept it with an ire you haven’t felt since the spread of influenza in muggle Britain.
If he’s offering you lodgings now, he could have done it all along.
It sends you down a horrible train of thought while you move your things from the Slytherin dormitories to a little chamber a few doors down from the staff room; Tom will be removed from Wool’s this year. Will he stay at Malfoy Manor? But Tom is still publicly muggle-born — Abraxas’s parents would never allow it. Will he find a job, a flat? Will he swindle muggles once he turns eighteen and the Trace is no longer an obstruction?
You think of him often. You think of his offer.
My door is always open.
Plenty of doors are open to you now. Why should you want to go back to his?
Still, the Second World War ends in November and you feel like you can breathe at a depth you never could before. The school doesn’t celebrate like it did with Grindelwald. No one but you seems to care at all.
It’s a tempting door.
The year passes in a blur of graded papers and lessons Dumbledore sometimes involves you in and sometimes does not. Most of the first-years care little for you, but there are two Slytherin muggle-borns who look at you like a new sun to orbit. Everything is worth it for that.
You see Mari when you can, and find she’s training with the Italian Quidditch team, who apparently are smart enough to care more about skill than blood. She says she misses the complexities of Transfiguration, but any career in it was always going to be yours. Smartest person she knows, she reiterates. Biggest ego too.
The next summer Dumbledore informs you of a posting at the Ministry. Something small with a smaller wage. He emphasises the weight of his personal recommendation, but that you won’t be respected unless you claw tooth and nail for it. You don’t take long to consider a chance to make an actual income with an actual career doing something muggle-borns simply don’t do before you’re nodding assuredly and asking him what you need.
Better clothes are first, and all you can afford until further notice. You take to Gladrags with intent to purchase for the first time in your five years of wandering in the shop with eyes bigger than your wallet, and the owner looks at you with distrust when you slide her your sickles.
The Ministry job is truly, infinitesimally, insignificant. 
It’s far down in the Department of Magical Accidents and Catastrophes. You’re a glorified secretary, and you recall the few times you’d worked as a mail-sorter during the war. It’s some sick irony that you’ve landed yourself in a pile of paper once more.
But the money, though offensively scant to someone with better options (and it’s infuriating the options you deserve), is more than you’ve ever had, and within the next year you’re able to leave the castle and take a cheap room at an inn in Hogsmeade. You’re close enough to Dumbledore to aid him when he needs you, but far enough to feel like your school days are departed, and you need not worry about memories lurching unexpectedly at every corridor. 
A sick part of you still reaches for your mouth sometimes to remember what it felt like to be kissed. That part of you wishes for Tom. You could kiss him into oblivion. You could find a way to make it hurt him back.
My door is always open.
Then you’ll slam it bloody closed.
Mari invites you to her first professional game and you cheer for her in the stands, a green, white, and red scarf around your neck in place of her old blue.
She wins and you get drinks in a muggle pub. You kiss a man at the bar. You go home with him. His hair is dark, but not dark enough. His lips are soft, but the shape is wrong. He makes you feel good, but you wonder if in another life, the dream is true; you roll over in the morning to Tom beside you, and he makes you feel better.
When you can find time between the monotonous demands of your job, you’re in the Transfiguration classroom, staying behind to help the Slytherin muggle-borns with their Switching spells.
It’s one stupid accident the next fall that changes things.
A muggle bank has been robbed, and whatever idiotic, panicked witch or wizard was behind it apparently found themselves incapable of getting the deed done with a simple Imperius Curse (you can’t imagine, based on the scene, that they’re above Unforgivables), and somehow ended up leaving the building half-charred and teeming with at least six bank tellers Transformed into birds, two chirping into the floor tiles with broken wings.
“Renauld’s on it, though,” your coworker says when the news finds your department.
“Renauld?”
He’s a year older than you, a pureblood with parents in high places, and endlessly fucking hopeless.
“Well, yeah —”
You push out from your desk, files fluttering behind you. “Renauld will expose the whole damn wizarding world if he touches that building.”
“But McCormack sent him.”
“Where is it?”
“I… McCormack said that —”
“Where is it, Flack?”
“Um. Um, near King William, I think. Moorgate or, um —”
That’s good enough. You toss the Floo Powder into the fireplace and go.
The place is a mess. You don’t even have to look for it. There’s some ward around the street, bouncing muggles away like an invisible end to a map they don’t even register is there. At least that’s handled right.
But you slip through it and curse under your breath at the muggles trapped inside the wards. They’re like fish prodding at the dome of their bowl, and some run up to you demanding explanations when they see you unaffected by it. You brush them off — Obliviation is not your strong-suit — though you do shout at a pair of DMAC wizards uselessly standing guard outside the bank.
“What the hell are you doing?” you ask on approach. “Renauld’s supposed to handle the inside, yeah? You deal with fixing them.”
You point toward the frantic muggles, and the officials just regard you with vague confusion at your presence. “Renauld said —”
“Oh my God! Fix. The muggles.”
You afford nothing else before pushing past them to enter the bank.
It’s quite impressive, actually; Renauld, the result of generations of foolproof breeding, is waving his wand around like he’s just stepped out of Olivanders for the first time.
“Heal their wings,” you say without greeting.
Renauld jumps. “What? What are you doing here?”
“Heal their damn wings. They’re easier than human limbs and healing magic’s the only thing you aren’t completely shit at.”
“Who authorised you?” he hisses.
“I did.”
In hindsight, it should have gone horrifically wrong. Your wand could have been taken and your life might have been over in all ways that matter, flung back into the muggle world where you’ve always been told you belong.
But Renauld vouches for you. You Transform the walls, you fix the burns, you mend the bank to something presentable. A muggle robbery — dangerous, financially tragic, but believable. And your suggestion to heal the injured bank tellers in their animal forms might be the thing that saved them. When Renauld mends their wings and regenerates their blood, you Untransfigure them, and the other DMAC officials alter their memories with haste.
You were completely out of line and utterly right.
It isn’t something people like you are allotted.
Your probation period is dreadful. You hide in your room at the inn most days, Vanishing little stained panes on your window to feel the warm breeze of air before you Conjure them again. You help grade papers, though Dumbledore is displeased with you and the night is a silent one. He assures you curtly that he’s doing his best with the Ministry to amend this.
And… he does.
With Renauld’s help and the corroboration of the other DMAC officials, you’re back at work by the start of the school year.
It’s a slow process — almost eight months of meaningless paperwork — before the next incident occurs and you’re hectically ushered to the scene like a belated understudy. And then it happens again. And again. And again.
There’s really no choice but to promote you.
Your heroics are torn from a Gryffindor cloth, so says Flack. You urge him never to say such a thing again.
By your twenty-first birthday, you think about Tom almost exclusively in your sleep. You’re much too busy to think about him anywhere else.
The summer is warm and Hogsmeade is lively. You’ve vacated your room at the inn for a little house on the outskirts of the village, decorating it how you like — discovering what you like. You’d never had a chance to find out before.
Mari visits when she can once you have your fireplace connected to the Floo Network (you yourself prefer Apparating) but her name is slowly working its way from the Italian papers to the British ones, and she has so much to tell you there isn’t possibly enough time in her days to tell it. There’s also the matter of Leo Ndiaye, who has, recently, gotten on one knee and proposed to her. If there had been a bet on them ending up together, you would have been out enough galleons to put you in debt.
After especially gruesome days at work, you and a few colleagues make a habit of getting sherries at the Siren’s Tail, complaining that sometimes the nature of your work is akin to an auror’s but without the notoriety and pay.
“Oh, please,” says Emilia Alves, twirling her straw, “have you seen the shit the aurors are up to lately? I’d rather be a blimmin’ Unspeakable.”
“You’d have to be able to keep your mouth shut for that, Alves.”
Emilia punches Renauld in the arm.
“What are the aurors up to?” Flack asks.
“I dunno much. There was a murder all the way in Albania, s’posedly. Reeked of dark magic.”
“Nothing new,” you join, and then frown. “Why’s our Ministry dealing with it though?”
“I dunno. I got word from Hillicker that the Albanians didn’t know what to make of the mess. They’ve never seen anything like it.”
“Hillicker’s not a source,” Renauld scoffs.
“Yeah? Why don’t you ask your daddy for something better?”
“Alves, I’ll have you know —”
You lean in over the counter. “What do you mean they’ve never seen anything like it?”
She grins. “Why? Storming a bank robbery wasn’t exciting enough for you?”
You roll your eyes, taking a drink.
That ought to be the end of it. One extraordinarily lucky incident to push you up the career ladder was rare enough — there is absolutely no way digging around a case that has nothing to do with you or your department could ever end well.
But something about it itches.
You make nice with Hillicker. She’s a year younger than you and far too kind for her own good, and she gushes freely about her husband’s work as an auror (they must be a perfect match for him to gush freely about it with her). It’s a bit manipulative. You have no excellent excuse for it, but… ambition, and all that, you suppose. Flack’s Gryffindor theory is studded with holes.
You are green, through and through.
Emilia’s updates are meaningless when you garner so much information that you’ve already heard everything she has to say over drinks, and at this point her and Hillicker might be a step behind you. Emilia still only knows about Albania; peppery little details of half a story. Hillicker discusses an assortment of murders with no real string between them, and Dumbledore regards you with cool heeding when you bring up the matter with him.
You see him little nowadays but you’ve never been close in any true sense, traces of resentment budding over the years like rainwater collects on glass until the stream finally slips.
You visit Hogwarts mostly for your Slytherins, fourteen or fifteen now, unafraid of the distinction of their blood.
And then there’s one night after you turn twenty-two where drinks take place at yours for a change, Mari and Leo included and happily wed. You have no sherries but your ale is just as well, and it’s only you and Renauld who are sober by the time everyone else is vanishing into the fireplace and going home.
That makes it much worse when you sleep together. 
There’s no excuse of having had a glass too many — so sorry, I’ll be on my way then, and him stumbling over his trousers to get out of your hair. Of course, he does that anyway, scratching the nape of his neck when he reaches your doorway in the morning.
“Thanks for the — well, you have a nice home — I do think I should —”
“Yes.”
“Right.”
“Oh!” He turns around at the last second. “Er — I know you’ve become a tad obsessed with… Hillicker mentioned another, anyway. Hepzibah something. Killed by her own elf, the aurors suspect.”
“Oh,” you echo, sheets pulled up to your shoulders. “Thanks, Renauld.”
“I thought you might like to know. Don’t be daft about it.”
You’re incredibly daft about it.
There’s something reminiscent about Albania in this case that wasn’t there with the others. The tide of dark magic ebbing across the scene, the cherry-picked information released in the Prophet, the claim of an old, dumb House Elf who poisoned her mistress like the Albanian peasant killed in some insoluble accident. 
The itch exacerbates.
You see him in your dreams again. He peers over Runes in a stolen encyclopaedia, he whispers to an adder on his shoulder, he kisses the corner of your mouth and it isn’t enough. He kills you, again and again. You kill him too.
You wake up and he isn’t there.
It’s a new low when you’re invited to the Hillicker’s anniversary dinner and you end up digging through the drawers of their study halfway through the night.
The Albania file offers nearly nothing. There was the charred residue of dark magic imprinted on a hollow tree in the fields of the peasant’s hamlet, but nothing detailing more than a blank imprint of the Killing Curse in his eyes. Still, you tuck the knowledge away for the file of one Hebzibah Smith, whose tea did indeed have traces of poison, but whose den was also ripe with a layer of darkness that didn’t line up with the Ministry’s tale of senile elf.
And then there’s the forgotten matter of her being a purveyor of ancestral artefacts. The file doesn’t recount whether any are missing, since the woman was wise enough not to proclaim all her possessions to the world, but it’s something. A scratch.
You travel to Albania that Christmas. The neighbours in the peasant’s hamlet have skewed memories, so they provide little help, but the man’s house was left almost untouched.
You tear the place apart and Transfigure it back together when you’re done.
All you find, in the end, is a scrap of an old envelope in a suitcase.
R.R
It could be that it’s old. The cursive seems ancient enough. But you swear the letters have the distinct shape of quill ink — too artful for any pen — and maybe that wouldn’t matter if it weren’t for half a wax seal stuck to the torn edge of the envelope. Stained but silver, the barest hint of two ribbons, a crest, and the letter H.
You return to Hogwarts posthaste.
It’s snowing in the courtyards and you waddle with a duotang under one arm to pretend you’re here for something scholarly, an array of excuses prepared in case you run into Dumbledore, but you don’t.
The Grey Lady is as beautiful as she’s rumoured to be. 
You ask her about her mother, and she’s silent, an expression on her face like you’ve struck her.
“Is it found?” she whispers. The snow floats through her.
Your heart hammers as you consider how to approach this. She thinks you know more than you do, which means there’s something to know.
“Yes,” you say. And you dare further with the context you know, “In Albania.”
“Oh,” she hums. “Oh…”
And if she means to say more she doesn’t seem able, washing away through the balusters, then the walls. You think of your house ghost and what he did to her, and you feel sorry for a second.
Madam Palles expels you from the library the moment you find what you’re looking for, and you rush past a throng of staring students to the staff room fireplace. It’s too far a walk to the border of the castle wards to Apparate. You bite back the preemptive sickness, get swallowed by the flames, and go home.
There are blanks to fill in but you do it easily. Rowena Ravenclaw’s diadem. Hepzibah Smith and her assortment of unregistered artefacts. The stain of dark magic. Something so rare not even the aurors recognized it.
But you do, because he told you.
You wonder on your search to find him what object he used when he killed Myrtle Warren. Nothing special, you think — maybe even the closest thing he could find. These murders involved more preparation. He got to mark them however he wanted.
It’s almost disappointing to find him here. In a little flat over Knockturn Alley with a view of charmed coalsmoke and the brick wall of another shop. 
It’s as tidy as his room at Wool’s, the only dirt the irremediable age of the building itself. The whole place looks almost slanted, large enough only for the bare necessities; a kitchen, a toilet, a bedroom that looks more like a closet, and a study/dining room/den you can’t imagine he hosts many gatherings in. You rescind the mere thought. Whatever gatherings Tom Riddle is having these days, you’re sure you can’t begin to imagine at all.
You wait, legs crossed on an old loveseat, fiddling with your wand.
The door clicks open when the snow has turned to hail and there’s no light but the few scattered candles you’d lit on the mantelpiece. 
It strikes you only when he’s standing before you that it’s his birthday.
You’re in Tom Riddle’s flat, on his birthday, adorned by the orange glow of half-melted candles, and you know everything.
He eyes you carefully, a hint of surprise at the sight of you after four years that even he needs a second to recover from. And then he's even, inscrutable Riddle again, and you dare to think, come back.
“I placed wards," he says, hanging his bag on a rack by the wall.
“I thought your door was always open.”
You see his posture change from just his silhouette.
“Wards never work in Knockturn,” you offer additionally, “not really. There's too much conflicting magic; one border cuts into another; leaves a little sliver behind if you’re smart enough to find it. You should know that." 
He turns to you. You take in a moment to acknowledge how he's changed. It's hard to see in the curtained moonlight, and it seems unreasonable to imagine he’s grown, but you think he has. An inch taller, perhaps. Two. Maybe the dress shoes. His arms are bigger under his button-down, but not enough to consider him muscular. His black hair isn't as perfect as you remember, and you suspect a long day of work undoes his curls. You always liked him better that way in school, after a night duel at the Black Lake, his robes askew and his hair a mess. Evidence that you were the only one to dishevel him. Now you were — what? Did he even think of you anymore? Yes. You'd always think of each other.
“Duly noted. What are you here for?” He tries your surname like a foreign language.
You cross your arms, and you're acutely aware that he's observing your changes too. You're not the matchstick witch he once knew. Your emotions are cultured now, taut to mirror his. You wear dull, formal grey, and that glowing green tinge that should be gleaming on you is under a thick carapace. That’s for Mari, Flack, Emilia — even Renauld. Not for Tom.
You wonder if he knows it was Dumbledore who put in the word that got you this uniform. You wonder if he resents you for it.
“There’s been talk at the Ministry," you say finally, “A string of murders. Whispers of something — some dark magic they don’t understand. And you know they're careful about things like that after Grindelwald."
“A string of murders... Hm. That might imply you understand a connective thread. Is there some sort of accusation being made?”
“Oh, I'm sure you'd be flattered by accusations. There’s not enough there, as it stands. Just whispers." You sink more comfortably in the seat and the springs make a concerning sound. “But I know you."
His hard, sharp gaze falters for a moment. You watch the flames dance behind him, the firelight playing against the lines of his shoulders, and feel your heart skip a beat. “Who else is speculating?"
“No one." Your fingers brush over the book spines on the coffee table. “I guess their attention hasn't been drawn to a book clerk yet, even if you have taken residency... here." You say it with no shortage of disapproval. 
Knockturn was never where Tom belonged. You'd once imagined a flat together in muggle London, taking the telephone booth to the Ministry together, changing the world together. It's a wish that's a lifetime away now.
“Is this a warning? I assure you, I don’t need the condescension.”
“I'm not warning you," you scoff, “I — I'm seeing you. God knows I'll probably never get the chance to do that again once you get yourself locked up in Azkaban, which you will." 
You sound exasperated. You sound half-pleading. “What are you doing, Tom? Is this — this is really what you want?"
“Yes."
You shake your head. “I don't believe that." And then some of that fiery spit returns to you, and you feel like a child again, stuck in the London tube stations holding his hand at every plane that flew overhead, scowling that you needed his reassurance. Scowling that you were afraid.
“Well, your conjecture is ever-appreciated. Shall I lend you mine? Shall I congratulate you on your revolutionary position at the Ministry? Or is it Dumbledore I should afford my thanks?”
“I earned this,” you hiss.
“You deserve it,” he amends. “But do not lie to yourself and pretend that’s why you have it.”
“Fuck you.”
He smiles. “There you are.”
“I don’t need your congratulations, Riddle. Dumbledore doesn’t need your damn thanks. But,” you say, biting back the snarl that wants out, “you could thank me. After all, I could turn to the Ministry any minute with the truth of your heritage. I could tell them about Myrtle, the Horcrux — Horcruxes.”
The humour dissolves from his face and you despise the immense glee it brings you.
“Oh, did you think I didn’t know? Didn’t understand the connective thread? You are sentimental under all that… fucking posturing, you know. I’m sure it’s all very romantic to you — making Horcruxes out of Hogwarts artefacts. Shame it’s such an insult to your intelligence.”
“Very good,” he says after a long, terse silence. You’re sure he’s thinking just the opposite.
You hum, meddling with your nails. “So what’s your plan?”
“I’d need a Vow for that.”
You laugh. “I’m not that desperate.”
“You’re also not an auror, are you?” He tilts his head appraisingly. “And yet you’ve found your way here.”
“How many do you plan to make? How many people do you plan to kill?”
“A Vow.”
“Absolutely not.”
“Tea, then? Biscuits?”
“Oh, I shouldn’t. I read in the paper the other day about a poor old woman who had her tea poisoned.”
“Hm. Terrible shame.”
Your fist clenches around your wand. “Is it paying off well, Riddle? It must be a good life if you’re willing to split your soul to hell and back to have more of it.”
He smiles at the barb in your words. “You never were good with subtlety.”
“I wasn’t trying to be subtle. This place is horrific.”
“I was referring to your inability to see more than what’s directly in front of you.”
“Oh, really? And what more should I see than a boy who’s very good at getting weak men to bow and do very little else? I’d try to see the bigger picture, but I reckon it wouldn’t fit in here.”
Tom regards you colourlessly. You are slate, Ministry-grey, impermeable like palace portcullis. 
“I suppose I should have killed you.” He says it with the nonchalance of a forgotten chore. He says it like you’re a stain. 
He doesn’t say it like he feels any terrible urgency to remove you; and you think, this time, you’d feel more powerful if he did. You think it’s far more debilitating to sit here and be looked at like he regrets wanting you alive more than he wants you dead.
“Yes,” you concur, “I suppose you should have.” 
You place your wand down on the table and scoot your chair away for good measure. “It’s never too late to rectify your mistakes.”
Tom, for a moment, looks surprised. That makes you feel powerful. You’d take more of that.
“You have wandless magic,” he tries. A weak recovery.
“Scout’s honour, Riddle.”
He doesn’t move for a moment, then fixes his wand in his hand and rises, doused in the same inscrutable calm that always used to drive you mad. Now something in you gleams with the knowledge that he only ever looks like this when he’s trying not to look like anything at all.
He steps closer and it gleams brighter. It trembles inside you and you know, distantly, that this is insane. You’re weighing your life on a childhood trust that was shattered years ago, and you don’t think you’ve ever been that good at faith, but he’s approaching you and that gleam you feel is reflected in his eyes and you just… know. Your spilled blood once crawled with his. There’s no undoing that. Half of you is made of the other.
“I should have killed you,” he repeats.
It’s a murmur. Stilted. Angry, even. Angry that you made him this and there’s no fucking rectifying it — what a joke that is. What an immensely you thing to suggest.
“Yes,” you agree.
It’s a breath. Low. Proud, even. Proud that you’re his only mistake and he’s going to make it again.
Tom kisses you. It’s a murder of its own kind. You kiss him back, and — you were always going to kill each other like this, weren’t you? It’s you and him whether you like it or not.
There should be no love in it. You know that. Love is far behind the both of you, stifled in a gasp at the back of your throat on your eighteenth birthday and the soft, selfish hands of a seventeen year old boy. This is mutual destruction. Spite and teeth and skin that’s cold under your fingers.
He was your first in everything but this.
You push back at him and feel the hunger, the need in him, like a flame as he kisses you deeper and harder, and you find yourself losing yourself to it all over again, like you're back in the dark alcove of a pub where you told him goodbye, pushing to extend the juncture. And then he lets out a hitched, gravelly sound; not a moan but enough to make you shudder.
You pull him onto the sofa and crawl onto his lap.
“How long?” he asks thickly.
You don’t have to ask what he means. You bite against his neck, nails under his shirt as you struggle to pop the buttons open. There must be a violence in all your want for him because if there isn't it's just loss. It's just another thing you'll give him without taking anything back. 
“Sixth year," you pant, “in the Deathday ballroom when we fought for the first time. You — ah — you put your thumb on my mouth. Since then."
You hear a sharp intake of breath, and his hand moves up your back to pull you impossibly closer. His voice is ragged. “Should I tell you how long I’ve wanted you?"
You shudder a breath. “Since —" And it's a bit hard to talk with the way he's rolling your hips — “Since when?"
His lips twitch into a mirthless smile, hands spanning your thighs as you start to rock against him. “When you burned me, and I sent you into the lake." 
You swallow, agonised by the slow pace his grip forces you to keep when all you want to do is go faster. 
“Your uniform was terribly wet,” he says, mouth tracing your jaw. “Did I ever apologise for that?"
“N-no.”
He tuts, the hushed sound warm and deadly on your neck. “Bad manners. I must have been distracted."
Oh. Oh, you think. It seems pointless to flush in the position you're in now, but the knowledge that he wanted you then and you hadn't even known is... all the more devastating. 
But you shiver at the question of how he’d wanted you, in what amount of detail, in what precise way. You almost want to ask. See it for yourself. 
You don't think you'd manage the words. He’s hard underneath you and your head wants to lull toward his shoulder but a big hand holds you from one side of your jaw down the length of your neck, his tongue laving up the other. Instead you’re balanced only by his hands and his mouth, rolling against him because it’s all you can do like this.
He’s marking you, you realise with a gasp, and your fingers bury in his hair to remove his mouth from its descending assault on your collar. Not that. You’d sworn against that.
Your fingers return to his buttons and he copies you by finding yours, pulling at the fabric tucked into your trousers until it’s discarded entirely. You press your hands to the planes of his chest and watch him, your mouth agape as his eyes linger on your chest.
His heart is pounding and he must know you’re about to comment on it because his lips are on yours again and he adjusts his position and your fingers dig into his shoulders at the delicious new feeling of him pressing into your thigh. 
You move for his belt. He moves for your zipper. It’s some sort of race, whatever you’re doing, and you’re at an unfair advantage when you’re still fumbling with his buckle when his hand is already carving a slow path to the band of your underwear. You're scalding under the journey of it, little stars pricking you under every new inch he explores.
He dips in and your eyes wrench shut, grasping frantically for his wrist.
“Shh,” he says softly, caressing your cheek with his spare hand, thumb finding your mouth how it did all those years ago and you want to curse him. The fucker knows exactly what he’s doing.
You shake your head, chest rising with heavy breaths as you return to his belt and scrabble to unbuckle it.
“So tense,” he murmurs. The hand at your cheek draws over your lower lip before it falls to your back to hold you closer. “Rest now.”
And his fingers trace you where you want him most, brushing past your clit as he pulls his face back to watch you.
You sink into the feeling, still swaying on his lap, a half-efforted attempt at finding friction in the hardness between his legs that feels fruitless because it won't be enough until he's inside. Your hand just grips onto the fabric of his unzipped trousers and stays there. It’s a pause. An obstacle on your path to him that you need just a moment to recover from before you’ll make him feel just like this. Better. Worse. It’s hard to tell which is which.
He’s stroking at you now, pleased by the way you lurch against him with every touch.
You have to recover, you have to make it even, you have to… you…
A finger presses inside and you moan.
“You came back to me,” he whispers, close enough to be kissing you but there’s just the stutter of his breath. It's a fucking religious thing to say, the way he does it.
“Doesn’t make me yours,” you breathe.
He shakes his head. “I know. You’ll still take it though, won’t you?”
Oh, fuck.
He makes a sound of approval. “Good.”
Good. Fine. Your hands slip from his zipper to the meat of his thighs, pushing yourself forward so the shape of him is firmer against you, and Tom slips another finger in.
You’ll take it, won’t you? Yes. 
Maybe you don’t need to tear him at the seams (though you want to) to make it even. Maybe this is punishment enough. That he can have you like this and it still won’t make you his, that he’ll give you everything and you’ll lap at it with half the greed he possesses.
You ride his hand, clutching his shoulders, rocking your hips. You take all of it, and it builds something delirious inside you, that it’s him doing this, his perfect fingers, the shape of his lips, the soft dark of his hair when you find your hands in it again. The feeling makes you stutter, and he has to move you by the waist himself to keep the momentum when you can't do it yourself.
He’s painfully stiff, pushing up against you with a degree of self-control that feels like it can only end disastrously for the both of you, and you start smattering kisses down his cheek. You tilt his head back and lick a stripe down his neck. Rest now, you'd say if you could.
But he adds a third finger and your head falls, a cry planted in his collar when you come, and you don't think you say anything.
Tom holds your legs steady, guiding you through it like this is just another one of his studies. You are what he knows better than anything else, and still he wants to learn more.
“Look at you,” he mutters, dipping you back to press his lips down your chest, unclasping your bra while you’re still breaking, the sensation swelling again when he takes a nipple into his mouth.
“Tom,” you try to say. Your mouth is the sticky sort of dry that words refuse to come out of.
“Will you give me more?”
Give, not take. You fuss into a stolen kiss, grappling again with his trousers, pulling them down until you can palm him through his boxers.
He hisses, gripping your wrist like he hadn’t just done the same to you, and then he’s pulling you up and off the couch, trousers discarded with what must be magic because you blink and they’re gone. Greedy boy. (You have no room to judge.) Your back is to the wall an instant before his fingers are on you again, pushing your underwear down your thighs until it falls at your feet like they despised to ever part from you.
You arch to feel him press against your stomach, pushing off the wall so that you can meld to him but he just closes in on you to do it himself.
He goads the heat from you when his fingers push in again, still wet, coiling how you like, where you like —
“Want you,” you protest shakily, hand on his abdomen.
That must kill him a little, because he curses under his breath (a thing he never does) and the immediate absence of his touch is cruel when he goes to free himself from his boxers. You reach for him without thinking as he does, and he pins your hand beside you when your fingers so much as graze the length of him.
You sound frail, but you have to ask. “Is this how you wanted me?”
A cruder version of you would go on. Is this how you pictured it? Taking me against a wall? Have you waited for it all this time?
And you don’t belong to him but you’re so incomprehensibly, contradictorily his. You’ll want him forever. He could do anything, and you’d be his. You could haunt him into his lonely eternity, and he’d be yours. Then, you suppose — haunting him makes him yours by principle.
Maybe you already do.
Tom practically growls into your mouth, pressing against you and — God, it’s skin on skin. He's right there. You could push forward and —
He slides in. You cry out at the feel of him inside you, the angle of it like this.
“I wanted you,” he says lowly, your legs wrapped around him, “everywhere.”
You’re gripping him so tight you think he’ll bleed under your nails and somehow you still feel on the brink of collapse when he thrusts deeper.
“I thought mostly of your mouth,” he rasps. “It felt depraved to imagine it wrapped around me, but then I thought of you splayed out before me instead. That maybe you’d like it if it was my mouth on you.”
You whimper.
“Would you like that?” he asks, hands spanning your hips to snap them into his, like you are a piece removed from him he seeks to reattach.
If you wanted to answer you couldn’t. You’re clinging to him and the rising surge inside you, carved between your legs like something sweltering and unfixable. It rushes in and he pulls out of you. He pushes in and you cry for the release of it, the moment the wave lurches over the edge, but he won’t let you have it.
“But,” he says, and your eyes want to roll back at how heavy his restraint is, callous in the tone of his voice, some leash at his neck he must tug himself lest you take it from him — “If I knew how well you’d take me like this, I would have thought of it much more.”
Taking him, again — you don’t feel at all like that’s what’s happening. You feel possessed. You are buoyant in his arms: his and his and his.
“You can — uh — you can — ”
"Hm?" He brushes down the slope of your brow, your cheek, back to the edge of your mouth, wiping a trail of saliva from your chin. “Poor thing.”
And he slams into you again, drawing a mewl from you that slices your unfinished thought.
You clench around him, flames wild and fluttering at every contact of his skin on yours, and there are too many to count. Too many points where they intersect, just some blend of bodies connected at every curve.
“You’re going to give me more,” he says, like it’s an epiphany when you already told him you would.
You remember then. What you meant to say. “You can take me too.”
You feel him twitch inside you, his pace stilling for a moment, and the thumb on your lip slips into your mouth. Your lips close around him and he curses again.
He fucks you with a finger in your mouth and his teeth clamped over your shoulder, soothing the sting with his tongue. His pace is too slow when he drags his free hand between your legs, but you understand its purpose well enough that the mere recognition almost destroys you. 
He’s patient in bringing you to the edge because there's time here. A slow agony that severs you from the rest of the world until it splits you down the middle. And he may not ever have it again.
You have to promise yourself he’ll never have it again.
But the movement of his fingers against the same spot he’s hitting inside you is too much at once, and you won’t last. You drool around his thumb. You let him mark you. You can see on his neck you’ve marked him too. And you hope impossibly there’s a scar. You hope the little death you coax from him claims him as yours for eternity, keeps him even when you're gone. You tighten, lurch for the edge, and make him mortal once more.
Tom holds you there, your cries reverberating as he sinks another finger in your mouth, and then he’s gasping at your neck, peeling back to look you in the eyes when he spills into you. Your eyes screw together and he releases the sounds you make by holding you by the jaw instead.
“Look at me,” he says, and for the strained need in it you do.
You come down to earth and you kiss him, wetness dripping down your thighs as he pins you to this moment. You love him. You’ll always love him.
He’s still inside you when he’s secure enough to bring you to his bed, only removing himself from you when you’re safely in his sheets, legs surrendering their grip on his waist as you pull apart. You pant into the cold linen of his pillow. Everything smells like him. There’s something empty now; the reason you came today; the reason you left four years ago.
You love him and it isn’t enough. Not even to look at him, the sleepy hint of the boy you knew in his eyes, and know that he loves you too.
“Goodnight, Tom,” you say, finding home in the warmth of his chest.
You’ll dream of a morning where you wake up beside him, but you won’t be there.
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mariasont · 26 days
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Lip Gloss - S.R
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a/n: wow this is really short and i feel like i overuse the lip gloss shtick but
masterlist
‧₊˚ ✩°。⋆♡ ⋆˙⟡♡ ⋆˙⟡♡⋆。°✩˚₊‧
pairings: spencer reid x bimbo!receptionist!reader
summary: in which spencer really likes your sparkly lip gloss
warnings: none? fluff
wc: 0.5k
Pink. Sparkles. Lip gloss. Those were the only thoughts running through Spencer's mind as he walked into the break room. Which this was a surprise to him because usually his mind was running a mile a minute--mathematical equations, book references, and case theories. But when you were near that was all reduced to a heaping pile of nothing. Especially now, as you leaned casually against the counter, in pink pumps and matching skirt that definitely wasn't up to the dress code, but he wasn't sure if you cared.
Cradled between your hands was a white mug, its side inscribed with the words 'Britney survived 2007. You can handle today' in stark black letters. He had no idea what it meant, but he noticed it was your favorite, a staple in your daily routine, unless it found its way to the top self, an inconvenience Spencer would subtly always rectify when he went to pour his own cup.
The focal point of his attention, however, was your lips, more precisely, the sheer layer of shimmering gloss that clung to them. Words were forming on those same lips, presumably directed at him, but they seemed to dissolve before reaching his ears, his gaze transfixed by the glistening movement of your mouth.
"Huh?"
With a smile, you pressed your glittering lips together and took a step in his direction. He managed to clear his throat, trying to redirect his attention to your eyes, but his gaze remained helplessly planted.
"I swear, half my routine is just reapplying this stuff after every sip," you said while your thumb worked diligently to wipe away the sparkling smudge from the mug.
"Considering the non-Newtonian fluid dynamics of the lip gloss's polymeric substances, which exhibit both viscous and elastic properties, it leads to a higher propensity for adhesion and cohesion on substrates with varying thermal coefficients."
Your fingers absentmindedly toyed with your earlobe as you cocked your head, a bemused furrow forming above your eyes, but your smile remained undiminished.
"Sorry, that went right over my head," you laughed, nose scrunching in the process. "But it's sweet of you to assume I caught all that."
"Oh, sorry, well, lip gloss is made of oils and waxes that give it that shiny appearance. However, these ingredients don't fully absorb to your skin, so when you press your lips against something, like a hot coffee cup, the excess transfers over."
Heat suffused his face as he registered the unwavering attention you afforded him, as if you were hanging on his every syllable. He sensed your struggle to comprehend, but your effort was evident. He really liked having your attention.
"So, with all that brainpower, do you have any tips for keeping my gloss on my lips instead of my mug?"
"Maybe a straw?"
Your laughter was like music to his ears, filling his senses as your hand, perfectly manicured, lightly touched his arm. A rush of warmth flooded his neck, and he looked at you, momentarily lost for words, as you murmured, "I'll try that out, thanks, Dr. Reid."
"Spencer," he corrects.
"Right, well, thank you, Spencer," you said, standing on tiptoes to plant a kiss on his cheek, before twirling on your heels, your smile lingering in the air.
Spencer could feel the stickiness on his skin, his fingers pressing against the spot you had left, feet glued to the ground. He starting to think he really likes lip gloss. 
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You could drink your whole life away and still never get that taste out of your mouth.
half commission for @salempie half completely self indulgent dreck pieced together from our insane conversations abt franke and elka. told myself id finally write a big explanation for all of the dum shit between these two for context so Thats Under The Cut.
so I already wrote some stuff about elka and franke's relationship back in whispering rock so feel free to look at that too . it goes over elkas blindness/‘seeing’ with clairvoyance and how her and franke started talking & all that good stuff
SO FOR STARTERS. a lot of thsi wont make sense without a big breakdown of elka herself. because elkas potential as a character is like insane to me. like just the idea of her in the long run of her life reads as something so potentially tragic; a young girl whos plagued with visions of doom and destined to be an outcast even in her own home for things she cant control and clings to the One vision of her wedding that she thinks is 'happy' even despite the fact she doesnt really love the person in it. im choosing to take the li-po doc as canon here because its funny shes the only one with backstory-
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but my fucking god even the smallest look into what her parents are like is soo fucked up to me. and i do think elka especially gets a lot of influence from her mother; its funny how easily you can fit mabel doom into a box just from what elka says about her. knees deep in an avon-esque pyramid scheme and leaning into her daughters depressing ass visions & taking her to therapy at age 11 (which would be good if not for the kind of person you can already assume she is & so i doubt the therapist she has really does her any good. i think they share one). she reads as a very I Am My Daughters Best Friend type of mom to me and i can see elka being a centerpiece of the conversation when she has her Amway Girls over for drinks. wine-mom that lets her kid sip from the glass so she can feel like a big girl type deal.
and you can tell that elka is trying to hard to be too mature for her age even in her campster posts. how she writes letters to nils' mom and exchanges baking recipes with her and that feels like she really only interacts with middle aged women and not really many people her own age outside of camp (like her moms friends). which makes sense shed feel the need to ‘grow up’ early when shes probably had to process so many hard things at a young age bc of her visions.
theres a lot of filling the blanks here of course.
elka obsesses over nils to an overbearing degree even despite the fact he treats her like shit ('you promised no talking' and so on) and she treats him bad right back. she leans onto stereotypical heterosexual ideals like taking care of him and overblowing how Manly and Protective JT is and she admires romance stories like pride and prejudice and it feels like she Projects Soooooooo much of what she wants onto boys she barely feels anything for without knowing what its actually supposed to feel like. and clearly she WANTS that ideal future, a happy marriage, an actual romance- but according to nils even when they were dating she ignored him most of the time, which just seems Very Telling
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like shes filling a role, overcompensating for emotions and lacktherof she cant digest quite yet, and it only makes more sense when you know shes had visions of their future together. how could that be bad for her? shouldnt it be like the books and movies? but she doesnt really connect the fact that her visions are only for Doomed futures, and if she does she certainly doesnt show it. Doomed relationships. it's been a part of her family for generations and she isn't turning out much different, is she? i dont think she even realizes thats all she ever sees yet, just that its Going to happen. that it's Her future, and it always will be
and like, her only reference for a real marriage so far has been her own parents, and she already Knows they have an affair, and theyre doomed to split, (and i actually like to think they were in rough waters anyway and elka was a child meant to mend a crumbling marriage but thats a whole other thing) and so without a framework for what an actual healthy relationship is supposed to be like she cant really grasp that her relationship with nils Isnt that and isnt ever going to be. she can only cling to this one happy idea of the future, and thats why she keeps chasing him, self fulfilling the actuality of her situation and creating and fostering the unhappy life they will inevitably live together.
and that bleeds into everything else in her life, of course, because as the years go on, as the visions grow in number it just makes sense for her to fall into the predictability of her life. she always knows whats going to happen, her visions are Never wrong- so why try to change things? shes had time to process tragedies days, weeks, months, years before they happen, shes had time to settle into every crack of her life. her parents divorce, her various break ups, her future with the psychonauts.
“and she's already seen so much of a future with [nils] she feels trapped almost. Like she has to be happy in it or else it just means her life is miserable. And it's a mixture of pride and fear of the unknown that keeps her clinging to the One thing she knows. BUT LIKE!!! She knows what's gonna happen! It's easier to grieve when she's been grieving for years... She wants so badly to be happy, But to do that she has to step into the unfamiliar. And that's more terrifying than staying the same miserable person she's always been.”
and thats where franke comes in— and yeah you Do have to take a lot of liberties for frankes character since it’s basically, like, all the info for her is just that shes a Supreme Baby Dyke but thats enough for me. i think she has protective butch itch in her . on campster shes defensive over other women evidenced in the way she keeps watch over the girls cabins for lili when elton is pursuing her . but shes also eager to please and constantly trying to make kitty laugh and also Very naive. but she tries! and i think it only solidifies more as she gets Older and really gets a hold of her feelings & her powers. this is incredibly franke to me
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and i think as they grow older together— because i think franke and elka Do stay friends, both because elka is just pathetic and needs that positive connection even if she doesnt realize it and because i think franke is a very Loyal person & annoyingly persistent if you let her be . and i am also a kitty/franke truther. because kittys also important in this web we weave
because i think franke and kitty stay together after camp, to a point— theres a falling out facilitated on kittys end and they break up, but reconnect, and franke kind of... saves kitty from herself a little, from her strict military father whos love only extends thru finances , from her own stifling future , she drives all the way to bakersville in her shitty van handmedowned from her dad and they move in together eventually . they get jobs at the motherlobe , because it’s a pipeline to a decent job, because it’s whats easy, because franke doesn’t really have a future, because she’s never really been good at much, because shes never had much sense, because franke doesnt really care as long as she can live and help, sometimes, if she can, and because kitty’s there, and because elka’s there, and shes so used to being elkas eyes now and shes good at it. shes good at being the muscle of the missions when her colleagues lack it, when hypnosis and predictions arent enough. she likes it that way.
and elka appreciates frankes company. she listens, shes sweet, she does little things for her that no ones ever really put the effort for before; she likes her. franke is strong and bold and makes her laugh and shes always there but god elka cant let go of that future, of that box shes put herself in, that her mothers put her in, of being a Good Wife to a Loving Husband, of getting married normally and falling into unfailing familiarity. thats all shes ever wanted and shes not going to jeopardize that . not for franke, who may not be a boy but is handsome like one, whos always held her after every break up with nils and the men that filled empty days inbetween.
and elka is too stubborn to recognize those feelings anyway. too prideful to accept a way out. too set in her cycle no matter how much she hates it, her little self fulfilling tragedy of her own making, wallowing in her own doom. she struggles for control of her own life when she feels like every choice has been made for her anyway, she puts up her walls and carefully constructs what people see. but franke was always harder to trick, because while empathy isnt a particularly useful psychic power it’s certainly an inconvenient one. all franke has to do is get too close and all those carefully crafted walls fall apart, and elkas control is gone, and thats all she really has. and she tries to distance herself, really she does, but franke is also too persistent. and elka wears gloves, keeps contact that would make her walls crumble from happening as best as she can, but she cant really keep herself from the brief moments where she feels like someone actually fucking cares about her.
and that slightest lack of control, the need to wrestle it back is why she proposes to nils the next time theres a falling out— she knows how it happens, she plans every detail. and he accepts, despite everything. gets her a cheap ring and it feels like lead on her finger and its nothing at all like how shed thought it to be when she was a kid, theres no feather light feeling in her chest, only that dreadful reality that she cant turn this back. BUT WHAT CAN U DO LMAO
elka doesnt tell franke about this engagement until later, on their way back from a mission. late at night when neither of them can sleep, and franke invites elka to smoke in her van, because its been so long since theyve been alone like that, because elkas been so strangely absent lately. and because of everything, because frankes always so damn nice, because elka hates the feel of the ring on her finger, because she let herself get high alone with franke fucking athens whos always been so good at pulling her apart— the truth of it all spills out and its messy and emotional and she hates it, she hates the life shes made for herself, but franke makes it easier to bare and now shes here and shes so close and god she wishes she could see her smile again, she wishes she could see franke, thats all she needs right now and she cant but she can touch her and she can hold her and for tonight, she can be known, she can let those walls crumble, she can be something else just for once here with franke . she can kiss her here in this van, touch that happiness for just a moment, and forget the future that waits for her outside of it. franke begs her to forget the wedding, to just let herself be happy— and god, she wants to, but it means turning her back on everything shes known and everything shes saw to be inevitable, and franke has never been in her future, so if it were supposed to work out why hadnt she seen it and she cant, she cant take that risk but she can have this, even if its temporary, she can have it.
and just as soon as she gets a taste of it, its gone. after that night, after the missions over and theyre back at the motherlobe and have to pretend like nothing happened (franke doesnt, of course she tells kitty about it, she tells kitty about everything.) but that brief moment together haunts elka every time she sees franke, sees herself through frankes eyes, sees herself in her wedding dress because god its all franke can think about! of course it is! she knows how much elkas destroying herself she knows how much misery shes wallowing in that kiss in the van felt like an emotional punch to the teeth and she hasnt ever forgotten it and all she can do is sit and watch while elka throws herself into a loveless marriage. she can come to her wedding and see the way the bride and groom kiss with the emotional weight of a wet towel no matter how hard elka tries to hide it under a pretty dress and bouquets of flowers and meticulous planning.
and elka resents nils but she cant really hate him, its not his fault, not really. he feels trapped just like she does and his feelings of misery only cycle back into hers . they fight and gnash and wear away at each other and its a relationship thats crashed and burned a million times before elka even said i do. and its inevitable that she falls into her mothers habits, a sip of wine here and there to loosen up, until it turns to a glass, until it falls into a bottle on nights when whatever work nils does runs late.
but franke’s still there. shes always been there, hasn’t she? always trying to play knight, always trying to save her, dragging her home when shes stumbling over herself because god who else is going to do it but her? who else is left to care? certainly not nils. never nils. because franke knows her. because franke pities her. shes always pitied her. shes always known. and elka hates it, she resents it, but god in the same breath she’s desperate for it, she envies it to her very bones. elka is a mess but after frankes done with her she has someone to go back to that loves her. and god what elka wouldnt do to have that. to take it and keep it for herself because shes never ever got to have that movie romance shes always wanted.
so now comes this.
because elkas particularly miserable and particularly spiteful and she needs to get franke to understand, just for a moment, drink with her and get on her level and she needs her there with her no matter how her pity makes her feel. no matter how much it makes her shake with anger and envy and desperation, but god the way franke looks at her, the way she still tries to salvage what they have, the soft, slurred way she tells her that it’s okay but its not okay, none of this is okay, it never has been and she just wants franke to shut up and see that, and if she cant then she’ll show her, she’ll show her all the raw angry desperation, with too much teeth and hands that claw and grab and she’ll know why everyones always said she’s too much.
and she knows this puts her on nils’ level too. that this makes her a cheater, that shes no better than he is now. no better than her father and his affair. but god, she wants to be selfish. she wants to be in control. just for once. she wants to feel right and she wants to feel happy and she wants to feel loved. thats all shes ever wanted. and franke will let her have that, just for a little while, at the very least.
anyway. sorry. sorry for being crazy . this isnt even getting into the shit after the comic takes place . elkas stupid brainworld thag she has to overcome in order to finally be allowed in the polycule and live happily ever as worlds first lesbian divorceman
sorry for all the shit i make up instead of caring about actual characters with screentime . bye !
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reallyromealone · 3 months
Text
Title: tattoo dates
Pairing: dabi x keigo
Fandom My hero Academia
Warnings: baby reader, single dad Dabi, no quirk au, fluff
☁️🐟☁️🐟☁️🐟☁️🐟☁️🐟☁️🐟☁️🐟☁️🐟☁️🐟☁️
Don't be the step dad, be the dad who stepped up.
The sound of summer could be heard in the early morning of Tokyo, the cool air refreshing for Keigo as he stepped into the small tattoo parlor and taking in all the art on the walls. It was actually quite nice... The parlors he looked at online seemed to try and look more badass but this one was organised and incredibly clean "you're my 8:30, right? Keigo Takami?" What he wasn't expecting based on the aesthetic of the parlor was a black haired man covered head to toe with tattoos and piercings, a loose fitting worn tank top that looked intentionally worn out and a pair of black cargo pants and god Keigo was thankful he was wearing sunglasses as he noticed a feint outline.
"That's me~ thanks for fitting me in so early!"
"Yeah, whatever... You wanted a back tattoo right? Do you have a picture?" Dabi was tired, his kid was sleeping in the other room as it was too early to take him to daycare today and the little guy wasn't feeling well so he didn't want him far away "so serious ~ trying to be all tough for me?" Keigos charm was not working as Dabi rolled his eyes "get on the table and take off your shirt" the black haired man said as Keigo pouted but sent him the reference as their phones touched, hopping on the table and removing his shirt.
"Wings?"
"Red ones" hawks said as he rested his cheek on his fore arm, arms crossed over one another relaxed as he felt the other prepare the tattoo and sanitize his back "what shade?" Dabi asked softly as he prepared the tattoo pen "a bright red...crimson almost"
Dabi was focused, the mirror infront of the table, full length and clean as crystal thus giving Keigo a full view of his tattoos arms flexing under the florescent lights "your parlor is much different the others" Keigo said breaking the silence as the needle hit his skin "yeah, gotta keep things clean..." He said simply, Keigo noting how everything was kept at least 3 feet off the floor or locked away.
Music played softly in the background as Dabi worked away "so what do you do for fun?"
"Don't have much time for hobbies" Dabi said simply, the detail he was putting into it was impressive especially the price the other was paying "really? How come?" Keigo asked curiously and the black haired man looked at him from the mirror "being a dad doesn't give much free time"
"You're a dad?"
"Yeah, eight month old... He's sleeping in the other room right now" it was rather early Keigo thought, having booked out of hours for security reasons "I see..."
The two worked for another hour and a half till Keigo was given a break, looking at the work so far he was quite impressed as Dabi went to the other room to check on the kid "hope you don't mind, he's pretty chill so he won't cause issue"
Ok, why was this man so attractive holding a kid? What the fuck.
Keigo tried not to look flustered as the tiny baby looked back sleepily, drinking his bottle calmly before being set in his play pen that was off to the side "normally I don't keep kid stuff here..." (Name) babbled softly as he played with his toys, fully content doing his own thing as dad was fairly close "you ready to continue?"
By the end of the session, Keigo smiled at the babe who was vibing "your total will be 900" the detail on the wings were insane, best work the other has done as Keigo smiled "thanks for being normal... Most places freaked out when they met me"
"Who are you?" Dabi asked blankly and Keigo looked startled but smiled "just an actor, ya know?" Dabi shrugged as the actor paid for his tattoo, (name) snuggling into his dad's arms as the actor left.
But that wouldn't be for long.
Keigo showed up for another tattoo, though this one would have to be in phases as (name) had a doctor's appointment "yeah, he has teeth growing in... So gotta make sure it's going alright" (name) was chewing on a cold teething ring as Keigo booped his forehead, the babe looking confused but didn't do much else.
"A date?" Dabi raised an eyebrow as Keigo leaned over the counter "yeah, I found a good restaurant and it has a kids menu... Maybe mashed potatoes for the big guy over there" (name) looked up as he was chewing on his dad's fingers "you know what a date means right? Were a package deal, he comes first" dabi was deathly serious and Keigo smiled "absolutely"
"Then wine and dine me pretty boy"
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ambrozjas · 3 months
Note
Could you do a song-fic with Sodapop Curtis w/ the song "Stupid Cupid" by Connie Francis? Love your writing, take your time 💕
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stupid cupid ꨄ︎
sodapop curtis x fem!reader
✧˖*°࿐ notes 🧸ᰔᩚ
THIS WAS SITTING IN MY INBOX FOR SO LONG BUT I LITERALLY LOCKED IN FOR THIS FIC ITS SO CUTE I SWEAR JUST READ ITTT
✧˖*°࿐ warnings ᰔᩚ
reader is referred to as a girl and a lady, reader is called gorgeous and beautiful, beginning of this fic has soda in highschool so it takes place before the outsiders
✧˖*°࿐ word count ᰔᩚ
1609 words, 8588 characters
. ˚◞♡ ⃗ *ೃ༄ . ˚◞♡ ⃗ *ೃ༄ . ˚◞♡ ⃗ *ೃ༄ . ˚◞♡ ⃗ *ೃ༄
stupid cupid, you’re a real mean guy
i’d like to clip your wings so you can’t fly
it felt like the roman god of love had shot sodapop right through the heart, and boy did soda hate it. that’s all that he thought while he gazed at you, chin held in palm as he couldn’t take his eyes off of you. when the school air had a chokehold on everybody, it left out you. you looked absolutely divine. soda wondered if the gods, if there were any or it was just some stories made up to fill the minds of lovesick kids like himself, favored you. because as he looked at you, the sun just seemed to reflect off you just right, to where it coated the side of your face with a honey orange. you looked like an angel sent on earth, disguised as a teenager in soda’s highschool. he asked himself what you were doing in tulsa rather than some other fancy state like california.
i’m in love and it’s a crying shame
and i know that you’re the one to blame
“mr. curtis.” a stern voice broke through to sodapop, breaking the stained glass that in soda’s mind, was a mural of you and only you.
he snapped his neck to look up at the teacher, hovering over his desk as a finger harshly pointed at the paper on soda’s desk, almost empty.
“uh—sorry, sir.” mumbled sodapop as he grabbed his pencil and put his best thinking face on, hoping that the teacher would take the hint and retreat back to his old scratched up desk that looked like it had survived world war one.
the teacher narrowed his eyes at him, his upper lip curling into a sneer as he looked down at soda, before slowly walking back to his desk.
soda comically sighed in relief, taking one more glance back at you. he pressed his lips together tightly as he saw you talking to your friends. he always loved seeing you smile.
he exhaled sharply, earning another warning look from his teacher. soda tilted his head down as he studied the math problems below him, cradling his hand in his hand as his brain tried his best to work.
hey, hey set me free
stupid cupid, stop picking on me
。゚•┈୨♡୧┈ 。゚
i cant do my homework and i cant think straight
“what’s up with you?” ponyboy asked, not looking up from his book. in the corner of his eye, he watched sodapop bounce his leg vigorously as he tried to rub his temples to somehow think better.
“nothin’, pony. don’t worry ‘bout it.” soda responded. he threw his head back to lean on the top of the chair, he was really out of ideas. all that occupied his mind was you. he was writing an essay? you pop up into his brain, he accidentally writes your name to which he has to erase afterwards with red ears.
i meet her every morning ‘bout half past eight
i’m acting like a lovesick fool
you even got me carrying your books to school
how could sodapop miss this once in a lifetime opportunity? he just had to talk to you. one day, when you guys met before school, your breath both evident in the cold oklahoma morning, you made a joke about soda carrying your stuff for you.
“here, be a gentleman, yeah?” a laugh slipper past your lips, and when soda heard that gorgeous sound come out of your mouth, how could he deny you?
your mouth fell into an ‘o’ shape, not even getting the word out before soda grabbed the books from under your arm and held them under his.
you tilted your head as a smile graced your face. gosh, were there wedding bells? soda definitely heard them.
“y’know i was jokin’, right?” you asked, making sure you weren’t forcing him into doing anything. “i can take them back if you want—“
“nah, it’s alright.“ he brushed it off, waving his free hand dismissively before starting again, “plus, you’re right. how could i leave a pretty lady to carry her books on her own?” to that, you sheepishly grinned wider as you tucked a piece of hair behind your ear shyly when you looked away.
you mixed me up for good right from the very start
hey now, go play robin hood with somebody else’s heart
the more that soda talked with you, the harder it was to get you out of his head. but the more he talked with you, the less he minded.
soda had dropped out of school. sure, you somewhat contributed to him failing with how much you occupied his head, but it was also on his own.
he was working at the dx with steve, working on cars all day to especially help darry out.
soda wiped his face with his forearm, cleaning his oily rag as steve rambled about something in the background. he hadn’t seen you in awhile, considering that instead of walking with you to school, darry had dropped steve and soda off at work.
but suddenly, the door tripped the bell, giving it a loud ring as soda looked up at who was walking through the door. and speak of the devil.
he could recognize you just from your sneakers. his head whipped back up to meet your eyes, and gosh was it refreshing to see your face again. a soft smile still remained on your face, as it usually did.
“sodapop! so you really was workin’ here, huh?” you asked, eyes roaming around the multitude of shelves in the gas station interior.
soda’s mouth gaped, opening and closing like a fish. he watched as you walked up to the register and drummed your hands lightly on the counter.
“yeah!”, soda finally managed to blurt out, “how’ve you been? anythin’ new happen at school?” he asked, hearing steve finally shut up. soda could just imagine his ears pricking up at the sound of a pretty girl’s voice appearing.
“nothin’ much,” you leaned in and put a hand to the side of your mouth in a secretive manner, “mandy got pregnant.” soda gasped as he comically brought a hand up to his mouth. you guys whispered and gossiped, steve eyeballing both of you cautiously before slinging an arm around soda’s shoulders and brashly giving him a loud, “who’s this, soda?”
sodapop squinted at his friend and slowly turned his head, full of embarrassment. your eyes darted between the two of them, before giving steve a small wave and quietly giving him your name. your eyes fell back on soda, “well, i was just wonderin’ if you’d like to go to the drive-in wit’ me on saturday?”
“yeah, sure!” why was he acting like such a dork now? in front of the most beautiful girl he’d ever seen? but he sighed with relief when you nodded, giving him the same sweet smile you always greeted him with.
you got me jumping like a crazy clown
and i don’t feature what you’re putting down
once you had left the dx, soda went out to the garage and almost squealed, punching the air in excitement. steve narrowed his eyes as he watched through the garage windows, genuinely considering if soda was possessed or not.
。゚•┈୨♡୧┈ 。゚
saturday couldn’t come quicker. it was already a great time leading up to the date, soda was confident. he was looked at himself in the mirror, popping his collar with assertiveness and heading out the door.
during the actual date, he tried to make subtle moves. shifting closer to you, touching thighs or linking pinkies. although you seemed okay with it, there was no engagement on your part. that almost worried soda, he knew you asked him on a date, but he was still overthinking. was he not all you expected? was he doing too much? too little?
but at the end of the date, when he drove you home in darry’s car that he begged to drive in, a small silence fell over you when you had reached your destination.
“y’need me to walk you up?”
“it’s alright, but do me a quick favor, will you?” soda couldn’t tear his eyes off your mouth when you spoke, lips painted a wine maroon color that somehow flowed so delicately with your words.
“anything.” was all soda said, before you placed your hand on the side of his cheek, giving him enough time to pull away, before closing your eyes and kissing him.
in that moment, it felt like you two were the only people in the world. just you, and soda, crammed into darry’s truck in the darkness of the night, only illuminated by the small light above you two on the car’s roof.
when you pulled away, you looked at soda’s lips, slightly parted and stained with a light purple-ish red as he looked at you, absolutely mesmerized.
“thank you. i’ll make sure to drop by the dx on my way home, ‘kay?” you said, not waiting for an answer as you bolted out of the vehicle due to your nearing curfew.
well since i’ve kissed her loving lips of wine
the thing that bothers me is that i like it fine
all soda could do was gape as he watched you depart into the sea of outside lights surrounding your front door and windows, watching you turn around give him a small wave once you opened the front door.
still dazed, all soda could do was wave back. before a wide grin appeared on his face as he covered his eyes with his hands.
stupid cupid, sodapop thought.
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˚₊· ͟͟͞͞➳❥ this better get some likes i worked my ass off for this little fic and it’s only a thousand words 😭😭
kiss kiss ˗ˏˋ꒰ 🍒 ꒱
105 notes · View notes
festivalsofmargot · 1 year
Note
Hey I just found you recently and I fell in love with way you write!! I wanted ask for something with Sebastian. Him asking the reader to the Yule ball, then going to the Yule ball together, maybe theyre friends with some secret pining in the picture too. Idk know, maybe him confessing. I just want romantic idiots in love kind of stuff. Thank you!!
The Northcott System
{Sebastian Sallow x GN!Reader}
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Introduction: Garreth Weasley has asked the infamous Eric Northcott for dating advice. In order to seem more desirable to you, he needs to play mind games. So instead of asking you to the ball, he asks Nellie Oggspire. This is where he pulls in Sebastian Sallow for help with his plan. Garreth knows he doesn’t have feelings for you, so it would be harmless for him to take you to the ball, right? Unfortunately, shoving you and Sebastian together in this way backfires. And Sebastian becomes just as head over heels for you as Garreth is.
Word Count: ~ 5,700 words
Warnings: Kissing, Some Underage Drinking
Author’s Note: Man... I am ALL FOR YULE BALL ONESHOTS! Lol ramielll, I can’t thank you enough for the request.❤ Romantic high school idiots in love kind of stuff is my shit! I think it's so much fun to write. It’s so awkward and lovey dovey, I adore it. I feel so bad making Garreth the sucker in these Sebastian stories but he fits too well 😭 I need to make more Garreth stories to make up for it, he doesn’t deserve this. Fun fact, Eric Northcott’s advice in this came from my father-in-law. My husband is very lucky he didn’t pull that shit or I would have been long gone lmfaooo (The title is in reference to Sunny in Philadelphia’s D.E.N.N.I.S. System, you’re a real one if you caught it 😉.)
Songs (if interested):
Evergreen - Richy Mitch & The Coal Miners
drift/(:( - Alek Olsen
Butterflies (feat. AURORA) - Tom Odell
The Kiss - Trevor Jones
The Reason - Hoobastank
“Eric Northcott says the best way to get someone obsessed with you is to treat them like royalty, then ignore them for a few weeks.” Garreth Weasley told his group of friends in the hall.
“You took dating advice from Eric Northcott?” Ominis asked in disbelief. 
“Of course I did.” Garreth responded proudly, as if he were the smartest person in the world to have done so. 
“Why on earth would you do that?”
“Don’t even pretend you haven’t heard about all the dates he’s pulled, Ominis.”
“Oh I’ve heard. Doesn’t sound like he’s been able to keep any of them though.”
“He’s a free man, Ominis. He just doesn’t want to be held down.”
Sebastian was half paying attention to the conversation around him. He knew it was related to the upcoming ball, but that’s all. He was looking over his notes on the recent restricted section find of his. It was too big and bulky of a book to carry around everywhere he went, so he had jotted down all he could to read over throughout the day.
“But this is why I need you, Sebastian.”
“Hmm?” Sebastian glanced up at Garreth.
“I know you haven’t spoken much, maybe not even at all for all I know. But I need you to take the new fifth year to the ball.”
Sebastian raised a questioning brow at him. “Why?”
It took way too much effort for Sebastian to try and follow Garreth’s plan. Garreth was going to take Nellie Oggspire to the ball, so he wanted Sebastian to take you to ensure no one with ulterior motives did. According to dating expert, Eric Northcott, you would be riddled with jealousy seeing Garreth with someone else. Then the day after the ball, he’d go up to you and confess his feelings. After seeing how he had other options, he’d be all the more desirable and you’d be over the moon to be chosen by him.
Sebastian felt like the plan was missing a few steps, or maybe had too many wrong ones to begin with. “Wouldn’t it make more sense to - oh, I don’t know - just go with the person you like to begin with?” He tried not to sound smart, but of course he sounded smart.
“It’s genius, Sebastian. You just don’t get it.”
“Evidently not.” He exhaled, looking back to his notes. But, now that he thought about it, he did need a date. He’d had tunnel vision on research for Anne’s curse, the ball had snuck up on him. There wasn’t anyone else who had popped up in his head to ask either. He had been a bit too preoccupied for anyone to catch his eye in that way.
He thought back to every interaction he’d had with you, which wasn’t many. You had held your own against him well enough while dueling in Defense Against the Dark Arts class, but he couldn’t know for sure how good you were. He had held back greatly considering you had just learned levioso and you were using a second hand wand. The only other time he could remember was when you two were partnered in potions class. There wasn’t a whole lot of getting to know each other then either. Still being so new to the magic world, you asked him endless questions about that day’s brew. He thought it a fine quality for someone to have, eager to learn rather than quick to dismiss what you didn’t understand. You were pretty easy on the eyes too.
Sebastian rubbed at his brows with his thumb and forefinger. “Alright, Weasley. I don’t get this plan but I’ll do it. Now if you’ll excuse me,” Sebastian closed up his notes. “I’m off to get a date to the ball apparently.”
-
How could I be so stupid to think Garreth liked me in that way? You inwardly chided yourself. The sting of finding out he had asked Nellie Oggspire to the ball still hadn’t dissipated. The way he had treated you so kindly lately had you certain he was going to ask you to the ball. But not only did he ask someone else, he had noticeably distanced himself from you out of nowhere. You weren’t sure what you did that seemed to upset him, but you didn’t have the time to chase after him and find out. You were already behind enough as it was, maybe the space between you two would help you catch up and get focused.
You hummed a song as you tended to the carnivorous plants in the greenhouse. You usually would have the energy to at least lightly sing some of the words for them, knowing they enjoyed music. But today, you didn’t have the gusto.
The greenhouse door opening and shutting pulled your attention and your humming ceased. You peeked over your shoulder. “Hello, Sebastian. How are you?” 
“I’m well, thank you.” He answered as he made his way over, becoming suddenly nervous. He realized he didn’t have a plan on what to say as soon as he was alone with you.
Just as you were about to bring your focus back to the plants, you remembered you had wanted to speak with him. “Oh! I’m glad you’re here, I've been thinking about you recently.”
He stopped in his tracks and a blush crept up his neck. You’ve been thinking of me?  “Oh?” Was all he could get himself to say.
“Yes.” You nodded enthusiastically, setting down your gardening tools and walking up to him. You brought yourself close and it put him on edge a bit. Keeping your voice low, you asked, “Do you think you could help me get into the uh -” You glanced at the door making sure it was closed all the way, “restricted section sometime soon?”
“Huh.” He didn’t know what he expected you to say to him, but it certainly wasn’t that. He was taken aback by your request, but, even more so, he was intrigued. A smirk tugged at his lips. “Seems I’ve got a reputation if even you’ve heard about my excursions. Whatever for, may I ask?”
“A book on ancient magic, that’s all I know unfortunately. Have you come across any such thing? Do you know where it would be down there?”
Now you had really piqued his interest. He had been trying to look into ancient magic himself lately for Anne. “Hmm. I’ve come across some passages here and there. But I don’t recall seeing any books solely on ancient magic.”
“Ah.” You said, disappointed.
“But another trip to look wouldn’t hurt.” He said quickly. “No matter how much Madam Scribner disagrees. I can get you down there this weekend.”
Your eyes lit up. “Will you? Oh thank you, Sebastian. You have no idea how much you’d be helping me out, you’d be my hero for this.”
He rubbed at the back of his neck, getting a little bashful at the thought of being ‘your hero’, even just a small one that helped you find a book. “Don’t mention it.”
“No seriously, thank you. I’m sorry I have to drag you into helping me at all.” You exhaled, frustrated. “I mean what even is the point of a restricted section? You’d think a proper magical education would include all magic, none of this some are fine, some are off limits nonsense.”
His eyes widened a bit, words seeming to evade him. Seems a kindred spirit may have been closer than he realized.
“Look at me rambling on, now I’m just venting.” You shook your head. “I distracted you from what you needed to do in here, I apologize. I’ll let you get to it.” You went to return to the plants but Sebastian grabbed at your wrist to stop you.
“I came here to find you actually.” You faced him again and he cleared his throat, releasing you. “Garreth told me you’d be in here.”
You tried not to look bitter at the mention of Garreth. “What can I do for you?”
How does one go about asking another to a ball? Especially when it wasn’t his idea. He at least knew it wouldn't be very endearing to mention that part. Maybe he didn’t need to overcomplicate it. Just get the basic idea out, then embellish if asked anything further. “The upcoming ball. Would you like to go with me?”
The surprise was clear as day on your face, but it was a pleasant surprise, Sebastian was relieved to note. Was he holding his breath? 
Sebastian Sallow was asking you to the ball? You weren’t against the idea, not at all. Sebastian Sallow of all people, who would have thought? The two of you had never really spoken, to be honest you didn’t think he knew your name. 
“Y - Yes, I would actually.” You smiled at him, looking genuinely glad he asked you.
He huffed out a breathy laugh and began to feel giddy. Calm down, Sallow. It’s not like this is someone you’ve been pining for. He tried to inwardly deflate himself. This was the first real conversation he’d had with you, how could he possibly feel so elated to you saying ‘yes’ to him? Just happy to have a date to the ball, that must be it.
“That’s -” He cleared his throat, regaining his composure. “That’s all I needed, I suppose. So, I’ll be off.” He said, staying in place and shifting on his feet. He didn’t want to leave the greenhouse, he realized. “See you this weekend?”
You nodded your head, a smile still gracing your lips. “You will.” 
Sebastian returned your smile, then went to leave. When he opened the door, he took one last glance at you before he stepped out. His stomach jumped seeing you still looking at him, a little thrilled you were staring after him. He wanted to say something more, but couldn’t think of anything quick enough. He gave a small bow of his head in goodbye, then left the greenhouse.
Was it supposed to be this thrilling when a boy you barely spoke to asked you to a ball?
-
Sebastian rubbed at his jaw as he made his way out of the herbology wing, his face was starting to hurt from grinning so hard. He was thinking he should write down a list of all the books he’d come across that mentioned ancient magic for you. Just in case you were interested. 
He was so deep in thought he hadn’t noticed Garreth watch him leave the greenhouse and walk up behind him.
“How did it go? Is the plan on?” Garreth asked, breaking Sebastian from his thoughts.
Oh right, the plan. Sebastian thought it was more idiotic by the second, but it got him a date with someone he hadn’t realized he had some things in common with, so it couldn’t be that bad. He stopped walking and faced Garreth, glancing over the red head’s shoulder to make sure you weren’t coming out of the greenhouse. “Sure, it’s on. What now?���
“Brilliant.” Garreth was ecstatic. “Now all I have to do is keep my distance until the ball’s over.”
Sebastian seemed to like the sound of that. “Uh - right. Good thinking. Well, best be off.” Sebastian turned to make his way to his dorm, keen on getting that book list started for you.
“You’re a real one for this, Seb!” Garreth called after him. 
Without looking back, Sebastian gave him a thumbs up.
-
Would he look overeager having brought the list of books and this enchanted bag? Merlin, he hoped not. He was already waiting for you outside the library, a little too late to have that regret.
He pushed up off the wall he was leaning against when he saw you approach. “You’re here.” He said, as if he were a little shocked you were actually going through with this.
“Don’t look so surprised.” You spoke in a hushed tone and smirked. “What’s that you’ve got there?” You asked, looking down at the bag and parchment in his hands.
“Oh, it’s - I was thinking - In case you wanted to take any more books that mention ancient magic while we’re down there, you could put them in here. It’s an enchanted bag that can fit just about anything.”
Your eyes widened, it was very thoughtful of him to go out of his way for you like that. “You’re joking. You didn’t have to do this.” You went up and took the items from him, looking over the list and taking a peek inside the bag.
You were right. He didn’t have to. But for whatever reason, he really wanted to. Why did I want to? 
“I usually bring one anyway. It was no trouble.” The first part was a lie. “Now, do you know the disillusionment spell?”
-
It was way too late in the night when Sebastian returned to his dorm room. But he wasn’t tired, not at all, not after what you and him had just gone through to get that book. 
After kicking off his shoes and shrugging off his robes, he slid into bed easily. He folded his arms behind his head and looked up at the ceiling, already nostalgic for the night he just had with you.
You were… Wow, you were something. Sneaking into the restricted section with you was already riveting. Going through all the books on that list he made and glancing over them together had stirred him. You two stood close while he pointed out the relevant passages he had found, and you listened attentively, as if it were the most fascinating thing in the world. But when you two had found that ancient magic vault, he was done for. What an adventure that was! 
He had so many emotions about it all. Discovering that ancient magic still existed had him ecstatic, he knew there were untouched areas of magic to explore further for Anne. And watching you wield it as if you had done so your whole life had him overwhelmed with hope, hope he was sure his uncle was nearly successful in getting rid of. And to top it off, exploring that vault and fighting giant guardian statues alongside you was… Wow! It was the first time he’d felt so alive since Anne got cursed.
How could someone like you have been under his nose this whole time? He thought back to when you were partnered in potions class, had he really been so blind even then? He couldn’t be wasting any more time. He only had a few weeks until the ball and Garreth would be pulling all the stops to make you his.
-
Sebastian sneaked glances at you during breakfast. You seemed to be busy finishing up some last minute homework, every now and then taking a bite of your toast. Had you always made simple acts look this endearing? Even the face you made while you fixated on your homework had his insides warming like a first year with a crush.
Your gaze lifted from your writing to look around the dining hall in thought. Your eyes landed on him, and he immediately wanted to die, embarrassed he got caught staring. But then you smiled at him, and he didn’t want to die anymore. He smiled back and you went back to your homework.
Gathering your belongings, you got up from your seat and made your way over to him. He got antsy as he watched you approach, but he was able to keep an air of calm. 
“Sebastian, could I steal you for a moment?” You asked in a hushed tone.
“Of course.” Stop sounding so eager, you buffoon. He got up and followed you until you were just out of hearing distance from everyone else.
“I got a lead on where the book’s missing pages are. And I um - Well, I -”
Sebastian eyed you as you started shuffling your feet. Are you nervous? 
“I was wondering - you know, since we worked so well together getting the book - if you’d like to come with me to get them? No need to feel like you have to! I just thought -”
“Absolutely, I’m coming with you.” He found himself saying.
An ecstatic look formed on your features, but you tried to bite it back. “Great, I’ll meet you after dinner tonight.”
Sebastian gave you a nod, trying to hold back an enthusiasm of his own. 
You held your books closer to you as you started to take your leave, but you stopped suddenly, remembering something. “Oh, Sebastian. Before I forget.” You had his full attention again as you dug around in your robes pocket. “Ah, here it is.” You held out a shrivelfig to him, giving him a look of go on, take it.
He took it gingerly from your hand and looked at you, bewildered.
“You mentioned you spent the last of your money on a shrivelfig to try out for Anne, but your uncle destroyed it.” 
Sebastian lifted his brows, amazed you had remembered such a thing. “Thank you.” He said, meaning it more than you knew.
“It’s the least I can do for all your help.” You waved him off. “I’ve been growing some anyway, and I’ve got more on the way if you ever need.” You were getting jumpier by the second and knew you had to get out of there before you made an idiot of yourself. “See you tonight.”
He was about to speak but you rushed off before he could get anything out. He looked down at the shrivelfig and turned it in his hand. You’d only been speaking a few days, and he already had it bad for you.
-
All too soon, it was the night of the ball, the last night he’d have with you before Garreth’s plan came to an end and he’d try to make you his. He wanted to enjoy it. He wondered if he should confront Weasley, but what would the point be if you didn’t have feelings for him any way? You and Garreth had been close for a majority of the year, while you and Sebastian only had these last few weeks together… these wondrous, extraordinary, marvelous few weeks.
He leaned up against the wall with his hands in his pockets as he waited. Nellie Oggspire had just walked down the steps and linked arms with Garreth. The red head gave him a knowing nod of his head as he passed, and Sebastian nodded back, trying not to tip him off that anything was amiss.
He glanced back up at the stairs to see if the person who just arrived was you. He saw it wasn’t and looked back down. Wait, yes it is! He shot up off the wall and stood up straight. He hardly recognized you, you cleaned up so wonderfully. He found you plenty attractive in your day-to-day getups already, yet you still managed to bring yourself up another level? Your smile at him as you walked down the steps was a spell in its own right. That’s not fair. He wanted to whine.
He met you at the bottom of the stairs, holding out his hand for you to take as you walked down the last few steps. He kept his eyes on yours as he kissed your knuckles. The feel of his lips on your skin had you weak, thankfully he held out his arm for you to take. Hopefully he wouldn’t mind if you leaned on him a bit.
The two of you looked out to the great hall, admiring how everything had been redone for the ball. Sebastian caught sight of Garreth gawking at you like he was in pain. Pushing Garreth to the back of his mind, he glanced back at you and was relieved you didn’t seem to notice the green eyed boy.
He cleared his throat, trying to forget Weasley existed. “Would you like to dance?”
“Yes, please.” You smiled sweetly. Dancing was the best next step. Your nerves were wild within you holding onto Sebastian like this, no way you would have been able to keep still.
He guided you to the dance floor and twirled you before bringing you into the proper waltz stance, just as you hoped he would. You looked up at him, holding each other a bit closer than what was probably appropriate for a school dance, and wondered how you two could possibly be so in sync after only a few weeks of getting to know each other. 
You had never thought yourself to be a great dancer. But somehow, with Sebastian in the lead, you felt as if you had suddenly become an expert. It must have been all the dueling the two of you had done together, that was practically a dance in and of itself. Being constantly aware of where the other was at all times, covering each other’s blind spots, not allowing one misstep to let the other get a scratch on them.
Neither of you had any idea how many songs you danced through. If you had the stamina, you two remained on the dance floor. Sebastian couldn’t recall ever liking dancing this much, couldn’t recall ever liking it in the slightest. But you seemed to bring it out of him, he wasn’t complaining. 
It wasn’t until Sebastian started to overheat in his coat that he realized how long the two of you had been going. “I don’t want to stop but I need to take this off.” He huffed with a laugh, slowing the two of you down to a stop. He hated that he had to throw off the momentum at all.
“It’s alright.” You panted. “I need to run to the washroom anyway. Grab us some drinks for when I’m back!” You called to him as you sped off, wanting to return as soon as possible. 
Garreth caught Sebastian’s dreamy stare as he watched you walk off. He excused himself from Nellie to get drinks at the same time as him. 
Sebastian didn’t seem to notice Garreth approach, too caught up in getting a glass for you and him, a pleased smile on his face. Garreth cleared his throat to grab his attention and Sebastian’s gaze shot up, his smile faltering. “Evening.” Garreth said, eyeing him.
“Evening.” Sebastian replied innocently, hoping that was the end of it. With drinks in hand, he went and found the table with your names on it. Garreth, forgetting drinks for him and Nellie, followed close in pursuit. Once he set down your glasses, Sebastian shrugged off his jacket then placed it on the back of the chair. All the while, wishing Garreth would take a hint and sod off.
“Look Sallow. I’m grateful you’re helping me out, but could you tone it down a bit? You two uh… really seem to be enjoying yourselves.” He glanced at the entrance to make sure you weren’t coming back yet, then turned back to Sebastian. “If I didn’t know any better, I’d say you were trying to make a move.” Garreth chuckled amicably, but Sebastian could still hear the warning in it.
“Garreth, relax. It's all a part of the plan.” He’d say anything to keep Garreth away from you that night. “Don’t wuss out now and ruin all your progress. Now off you go, back to Nellie, distance makes the heart grow fonder and such.” He shooed.
Garreth gave him one last uneasy glance, then went on his way. 
Sebastian sat himself down while he waited for you. Catching his breath and trying to recover so he’d be ready to dance again when you returned. He looked up towards the entrance and locked eyes with you as you made your way back. You smiled at each other, both thankful there was still plenty of the night left to go. 
Ominis put his hand on Sebastian’s shoulder, giving a quick whistle to grab his attention. Sebastian glanced up then down at the flask he was expertly sneaking to him. 
“Ominis, you bad bad boy.” Sebastian laughed. Looking back at you, he smoothly took it from him. He hid it in his lap as you arrived and slid into the seat next to him. He realized then, he wouldn’t have any if you didn’t.
“You better give me some of that.” 
He also realized he’d gladly share. Sebastian was slightly aroused at seeing this misbehaving side of yours, how sly you were when holding your glass under the table for him to pour some of the flask in. He then swiftly poured some into his glass under the table as well, then put the cap back on to give back to Ominis.
“If anyone suspects anything, you and I had a fight and didn’t speak to each other at all tonight.” Ominis slid the flask back into his coat and left to join Isaac Cooper’s side.
“Bet I can get it down smoother than you can.” You teased, holding up your glass to cheers with his.
“Can you now?” Sebastian brought up his glass, clinking it with yours. You linked your arm with his and then brought the glass to your lips. He did the same, and you two chugged, keeping your eyes locked. 
The both of you handled it about the same, faces only contorting marginally at the dreadful taste. It wasn’t much, but downing it as you both had could get you a slight buzz.
“Do this often, do you?” You and Sebastian released each other, setting down your glasses and standing.
“I had a life before Hogwarts, believe it or not.” You chuckled as he grabbed your hand and pulled you back out towards the dance floor.
The musicians shifted the tone from elegant waltzing music to exhilarant jig music, a vocalist joining in to sing some well known shanties. You and Sebastian joined in the crowd of students, singing and swaying along. 
With the buzz still warm on your cheeks as you stood side by side in the crowd, he threw an arm around you. You gladly wrapped an arm around him as well, reaching your other hand up to hold onto his on your shoulder. This was one of the greatest nights of his life.
-
Both you and Sebastian were exhausted. Try as you might, you couldn’t stay any longer. You were both worn thin, your night had been incredible.
“Ow.” You whined groggily, resting a hand on the nearest wall.
“What’s wrong?” Sebastian shrugged on his coat then put a hand on your shoulder, looking you up and down in concern.
“My shoes are brand new and I didn’t break them in before tonight. My feet are killing me.” You laughed.
A smirk formed on his face as an idea popped in his head. He moved in front of you and bent his knees slightly. He gestured with his head towards his back. “Up you go.” He said.
Your eyes widened slightly as you stared at him, amused. Then, without another word, you hopped on his back, wrapping your arms and legs around him.
“Where to?” He asked as he gripped your thighs and walked on easily.
Holding on tight, you remembered you had a few magical beasts to feed and brush before bed.
-
As Sebastian carried you to the room of requirement, he was feeling bubble headed in the best way. He hitched you up higher, more out of his bustling nerves than feeling like he didn’t have a good enough hold on you. You rested your cheek against the side of his head, and he didn’t care if you could feel his cheeky grin about it or not.
The two of you arrived all too soon even though you took the long way, avoiding taking any floos. Sebastian was beyond disappointed the door didn’t show up, he was hoping this time would be different when you said it never showed up when someone else was with you. He may not have known exactly what the two of you would do in there, but you would be alone, with no chance of anyone else bothering you. A big part of it would have been validation he wasn’t just anyone you’d brought around. He wanted to be someone special, the only one the room felt worthy to let in with you. 
“I suppose this is where I leave you.” He began sheepishly, letting you down gently from his back. You looked delightedly at one another and he ran an anxious hand through his hair. “I had a really great time tonight.”
Your insides went into a tizzy. “Me too.” You beamed at him. You didn’t want to end this night or part ways with him. “So I uh - I know it’s late, are you sure you still want to help me tomorrow morning? I understand if you’d rather sleep in.” You didn’t doubt he would come with you the next day, you just wanted to hear him tell you he wouldn’t miss it.
“Of course I’m sure. I’ll be there.” He unknowingly took a step towards you, the two of you drifting closer without thinking.
You bit your lip to stop yourself from smiling like a dope. “Good. I’m glad to hear it.”
You two stood in coy silence for a moment, wanting the other to say something, anything to keep your night going a bit longer. “Well, I should get going so the room can appear for you, shouldn’t I?” He chuckled awkwardly, still not making any sort of move to take his leave.
“Ah, right.” You nodded your head, glancing briefly at the wall then looking back at him. You went in to hug him goodbye and he didn’t hesitate to hug you back. You held each other firmly in each other’s arms for a few seconds, then let go, smiles still painfully plastered on your faces. “I’ll see you tomorrow.” You told him.
“Bright and early.” He assured.
“Bright and early.” You repeated, no longer caring if you looked like a flushing mess. “Goodnight.” 
“Goodnight.” 
The two of you looked at each other for another moment, staying in place and becoming jumpy. You both went in for another hug, holding each other closer and longer this time, letting each other’s warmth envelope you. He took in your scent as you nuzzled your face against his neck.
“Goodnight.” He said again in a whisper.
You released each other, your faces temptingly close for a brief moment until you stepped back. He remained facing you as he started taking small, reluctant steps backwards to leave.
He watched as the smile faded from your face and you eyed him as if you were dispirited he was leaving. He stopped in his tracks, and a starved look took over your features. He was sure his face was doing the exact same thing.
You launched at one another, fusing your lips together. It was such a dizzying collision, the two of you weren’t really aware of where your hands were. The only thing that was clear was that they were on each other, holding the other close while roaming all over. Somehow, Sebastian had gotten you pressed up against the wall. He needed help keeping upright while his mouth moved in earnest, gasping and sighing along with yours. 
Sebastian Sallow’s weight against you was something you never knew you needed. You bit at his bottom lip and sucked, hoping that would keep him anchored to you. A deep, muffled “mmh” noise escaped him and it was the most intoxicating sound.
He pulled back slightly to look at you then, eyes going over your features as he caught his breath. He couldn’t help but drag his fingers lightly down your cheek as you looked back at him, just as breathless.
He returned his lips to yours, taking it sweet and slow then. This time, he didn’t want to be dizzy, he wanted to be sturdy and in his right mind tasting you. Your hands felt so soft as they cupped his neck. A tingling sensation went down his spine when they slowly slid up to the back of his head, fingers running through his hair.
You were so lost in one another, that if anyone were to walk by you’d have no idea, no sense to pull away anyway.
-
Sebastian walked down to the Slytherin common room in a whimsical haze, humming each one of the songs he danced with you to that night. His lips felt swollen from all your kisses, it was wonderful.
His dreamy state came to an abrupt end when he found Garreth pacing frantically in front of the Slytherin Common room. The red head looked up at his arrival and his eyes went wide.
“There you are!” Garreth strode up to him and Sebastian got in a readied stance with his feet. “Where were you?! I saw you two leave and the way you were looking at each other all night and - Oh please tell me you didn’t do anything.” 
Sebastian avoided his gaze. He didn’t feel for a second that Garreth should be with you instead, but damn him if he didn’t feel a little sorry for the poor fool.
“Sallow?” Garreth felt like he was going to be sick, but he held out the tiniest bit of hope. If Sebastian said nothing happened between you two, he’d run with it and never look back.
Man up and tell it to him straight. Sebastian took a deep breath and lifted his chin, physically and mentally preparing to get punched, he’d let Weasley have that much. “We kissed. We’re going to start seeing each other.”
Garreth’s eyes went wild, and he let out an incredulous guffaw. “Are you now? Well that’s just brilliant, isn’t it?!” It wasn’t really directed at him, Sebastian noticed. Garreth began pacing back and forth, looking as if he was going mad. “Why in Merlin’s name did I listen to that knobhead?! Hey Northcott, did you know spending time with someone and treating them right works? Who would have guessed?!” He looked back at Sebastian then, he clenched his hand into a fist like he was going to deck him. “I ought to bash your face in, Sallow. But right now, I’m more itching to have a word with Northcott. Best watch your back, I’m not done with you.”
Sebastian released the breath he was holding as Garreth stormed off. He could take him in a duel no problem, but he’d better keep a close eye on his food and drinks for a while.
576 notes · View notes
bbyboybucket · 1 year
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Beds
Bucky Barnes x Reader
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Summary: While sharing a hotel room with Reader, Bucky has a nightmare.
A/N: Surprise. Bet y’all didn’t expect a fic from me. How longs it been? Too long. Anyways, I’m rewriting one of my old fics, or more so taking the same concept but doing it more in character. Also I think this is the first time I’ve written something where we don’t see Bucky’s pov, so I think that’s kinda fun. Btw I’m rusty so don’t judge me if it shows. Also I think this is gender neutral but I’m not sure?
Warnings: language, sexual references, nightmares, ptsd, panic attack (not too intense), allusions to some hydra stuff but nothing graphic, hurt/comfort, frenemies to lovers, Bucky is moody, the one bed trope™️, no use of “y/n”, kinda sappy
—————————
A loud sigh came from the left of you just before the elevator dinged and the metal doors creaked open. You ignored him, you chose not to engage in his passive aggressiveness. You weren’t going to accept the invitation of a petty rant hiding behind that sigh.
You walked down the hallway with Bucky stalking behind you, like an angry pitbull trailing after its owner.
“I don’t even know why we got a fucking hotel in the first place.” Bucky grumbled, and you could practically feel the weight of his eye roll, even though you couldn't see it.
“Here we go.” You muttered under your breath. “What did you want? A safe house? It’s not like we’re on some high stakes, undercover op. Anything more than a hotel would be excessive.”
“Anything more woulda had better sleeping options.” He whined. “Coulda at least got us separate rooms.”
“My god, give it a rest Bucky, you’ve been complaining all day about this.” You we’re exasperated, it was about the third time you’d heard him gripe that day.
“Well, I’m not a fan. Us sharing is the stupidest fucking idea Sam’s ever had.”
“Bitching about it isn’t gonna change anything. And, it’s not like we have to sleep together or anything, I’ll be in a whole different bed.” You said, unlocking the room door. You had been looking forward to chilling out and resting, but as soon as you entered the room, you realized that your night would be anything but restful.
“Fuck.” You laughed, humorlessly, knowing you were about to hear an endless rant. “I take that back, there isn’t different beds.”
Surprisingly that rant didn’t come. Bucky weirdly seemed calmer than he had before and merely shrugged. “‘S fine. I’ll take the floor.”
“Well, one of us can try the couch?”
“That thing could fit a toddler at best.” He gestured towards the small leather love seat as if it was the most ridiculous suggestion he had ever heard, and in all honesty, he had a point.
You pinched the skin between your eyebrows. “Sam said he booked a two person room.”
He shrugged again and then blankly said. “This is why he shoulda booked separate rooms.”
“My god Bucky, I’m not that bad of a roommate. I don’t snore, I don’t sleep walk, and it’s not like I’m gonna kill you in your sleep. It’s one fucking night. Just-“ You took a deep breath and tried to mellow out. “You can have the bed.”
“No, you can have it.”
“You’re obviously more tore up about this than me, so it’s yours. I’ll sleep on the floor.”
“No.” He refused, his eyes held an odd stubbornness. “I’ll sleep on the floor.”
“I literally don’t care, I’ve done it a million times. Plus, your grumpy ass probably needs some good sleep.” You half teased, trying to do the nice thing. You unzipped your bag and pulled your belongings out. “I’m gonna go change clothes.”
When you came back from the bathroom, Bucky was already in his boxers and a T-shirt, positioning a pillow and blanket on the floor.
“I told you the bed was yours.”
“Okay, and?”
“Why are you getting down there?“
“Why the fuck are you arguing?”
“Because you’re all pissy about this whole situation, so I’m trying to make your life easier and give you the bed.” You didn’t understand his defiance and odd aversion to the thing he’d been complaining about restlessly: the better sleeping option.
“I don’t want the goddamn bed, just shut the fuck up about it!” Bucky snapped. His outburst caught you off guard, he acted as if you had been purposefully pushing his buttons.
“Damn, fine.” You held your hands up in defeat, almost offended at the way he lashed out. “I get you’re trying to be all gentlemen-like but ya know, the aggressiveness defeats the purpose.”
“It’s not about being a gentlemen. Don’t get it twisted, I’m not being nice, I-“ He grunted. “Never mind I don’t owe you a fuckin’ explanation. Just get in bed.”
“I will, thank you, cause I’m tired. Especially tired of whatever the fuck is up your ass and has you so bitchy.”
You said it with full sincerity, of course you were used to bickering with Bucky but it always was in a playful manner, even when annoyed with each other, it was always friendly fire. There had been no sign of that all afternoon, Bucky was purely hostile and treating you like his greatest burden.
“You running your damn mouth and arguing isn’t helping anything.” He spat as he turned off the lights.
“Wow, sorry. Didn’t know offering you the bed was so fucking rude and offensive.”
“Shut the fuck up.” He groaned.
You muttered “fucking dick” under your breath.
“I heard that.”
As you settled into the bed, you couldn't help but roll your eyes in frustration. You found yourself pondering what you could have possibly done to provoke such a strong reaction from him. You couldn't shake the feeling that it wasn't entirely about you. Maybe something else was going on and you were standing in as Bucky’s punching bag, just being the unfortunate catheter for his anger.
It didn’t matter. You had to force all the worry and aggravation out of your head because his attitude wasn’t worth losing sleep over. The last thing you need was to be exhausted on a mission.
—————————
You were jolted awake by a sudden, loud gasp, followed by a soft groan emanating from his direction. Rubbing your eyes, you opened them to find him sitting upright, his knees drawn close to his chest. He looked so small, a stark contrast to the huge stature and borderline intimidating presence you’d become so familiar with. His breathing was audible despite the distance between you, it was quick and shallow.
“Buck?” You concernedly called out to him but he didn’t answer. You then got out of bed, and flicked on the nightstand lamp.
“Bucky?” You tried again when you were closer.
Out of all the time you’d known Bucky, this was the first you’d seen him vulnerable. He was trembling harshly, hyperventilating too. He seemed equally dazed and terrified, but also distant as if he were lost in his head. You always thought Bucky had rather sad eyes but right now, the way they were widened with fear and slightly watering, took it to a whole new level.
You knew what was happening and seeing it felt like a stab to the heart. You slowly sat down in front of him, keeping space between you as to not worsen his panic.
“Buck, it’s okay.” You cooed. “Can you hear me right now?”
His gaze shifted to you, finally making eye contact, which gave you an answer.
“Okay, can you try to breathe with me? Deep breath…in 1…2…3” You exaggeratedly took large, slow inhale to lead him. “Out 1…2…3…”
You repeated the example, guiding until he finally started to follow along with you. “Good, you’re doing good. Do you know where you are?”
“….hotel. We’re on a mission?”
“Good, that’s right, good. It’s okay. You’re safe.” With a gentle and caring tone, you spoke to him, hoping to bring a sense of peace to the turmoil that was raging within him. Your heart felt heavy as you seen the pain that was laced within him, and you wished so badly that you could erase it all. You’d been scared you weren’t doing the right things, but his increasing improvement made you more confident.
“Can I touch you?”
He nodded.
You supportively placed your hand on top of his, stroking your thumb over his skin in a soothing manner. He initially flinched but didn’t pull away. “Starting to calm down now?”
“Yeah.” He released a long heavy breath and wiped the wetness off his eyelids with his free hand.
You sat silently with him, providing that tender, tactile support as he as he worked to regain his composure and steady his breathing. As he gradually calmed down, you noticed the shame creeping over him, causing his cheeks to flush red and his gaze to avert from yours.
“I didn’t want you to see this shit.” He finally said after minutes of silence.
“It’s fine-“
“Fuckin embarrassing is what it is.”
“No, stuff happens. I’m not gonna judge, ya know? I understand. I know what having panic attacks is like.” You revealed in attempt to make him feel more seen.
He slightly shook his head, at himself instead of towards to you, but he stayed silent.
“You okay?”
“Yeah.” He paused for a moment, he licked his lips and hung his head even lower. “‘M used to it. Get ‘em bout every night.”
“The panic attacks?”
“Nightmares. Those sometimes comes after though.”
“Oh.” You whispered, feeling like something in you had just shattered. “About hydra?”
“Yeah.”
“You wanna talk about it?” You offered carefully.
“Nothing you should hear. My head’s a fucked up place.” He laughed humorlessly.
“Try me.”
He hesitated for a moment, you assumed he was debating on wether or not he should trust you with such a heavy part of himself. “Basically all memories. Not so much dreams, more so just stuff that’s already happened. Flashbacks I guess.”
As his mouth parted to speak, only to close again, you knew that he wasn’t finished so you waited patiently, allowing him the time he needed to gather his thoughts.
“Most of the time it’s…you know…what I’ve done. People I’ve killed. It’s….of course it’s horrible. Pretty gruesome but uh….I’ve gotten better at dealing with those, it’s still….I just get em so much that I can calm down faster now. But sometimes…it’s the shit Hydra did to me and it’s just….I’d get punished a lot. Some kinda torture or beatings, I’ll spare you the details.”
You continued to stroke his hand and stayed silent, not wanting to push him.
“But uh…they had this chair. Um, I’d get strapped down and they’d electrocute me. That’s how they’d…ya know. And I’d always end up there for a wipe after I fucked up. Or even if I didn’t. I don’t what’s worse honestly…the sick twisted shit they’d come up with or the wipe but…but reliving all that….”
“That’s fucking terrifying.”
“Yeah. Yeah, terrifying is an understatement. Sometimes…it’s hard to feel safe after that.”
His breathing started to pick up again. The cracks in his voice made it clear he was starting to get overwhelmed.
You then firmly grasped his hand, giving it a supportive squeeze. “It’s okay, you don’t have to keep going if you don’t want to.”
“I don’t like to think about all that. I try to never actually. It’s like…obviously it’s…I can’t describe how fucking awful. But at the same time, if I do think about it, it’s like I’m ignoring all the evil shit I’ve done. And that’s not fair to everyone I’ve wronged. So then….if I never think about or deal with the torture….when I have to relive it in these goddamn nightmares…it just fucks me up worse. And my fucking luck is one of the few times it happens is when I’m sharing a room with someone.”
Your heart sank to the floor, your own eyes were watering at this point from getting just this small glimpse of his pain. “I’m so sorry, Buck. Hell, I don’t even know what to say right now. I wish I could do more to help.”
“You’re doing enough.“
“You didn’t deserve it, ya know? I don’t know everything that went on but you never deserved to suffer like that.”
“Half-debatable. At certain point it had to become karma for the suffering I was causing myself.” He shrugged solemnly.
“That’s not true. You had no control.”
He sighed exasperatedly, filled with a sad frustration directed at himself. He put his face in his palm. “We’ve had that conversation. You already know I don’t see it that way.”
“Yeah but I hope one day you will. And I’ll die before I stop trying to get it through your head that you’re innocent. You know you’re strong, right? So damn strong to be holding it together right now. After going through all that pain and to still be here and be a good man? To come as far as you have. I’ve never met anyone as strong as you.”
“We can agree to disagree but I appreciate it….and thanks sitting with me and calming me down and all that.”
“Of course.”
“I’m sorry about earlier. This is why…I didn’t wanna share. And this is….one…of the reasons I don’t like sleeping in a bed. Makes the nightmares worse sometimes. That’s not your fault though, so I shouldn’t’ve…I just didn’t want you to know.”
“It’s alright. I get it now.”
“I shouldn’t’ve took it out on you. I really am sorry.”
“Buck, I get why you were upset. Well kinda, I honestly can’t imagine even a fraction of what you go through.”
“Goin a little far with the pity.” He grew a tiny smirk.
“Compassion.” You corrected. “And I can’t help it, I mean…not to get all sappy, but I care about you. A lot.”
His smirk morphed into a smile and you mirrored it. You wrapped your arm around him and laid your head on his shoulder, Bucky then slowly encircled you with his own arms. You knew the hug was Bucky's way of wordlessly affirming that he cared about you too.
“Didn’t know Mr. Grumpy was capable of hugging.”
“Consider it a one time gift.”
You chuckled in response but then an idea entered your mind.
“You think it’d help if I slept with you?” You asked softly.
He gave you a cheeky grin. “Could at least take me out to dinner first.”
“You know what I meant.”
He sighed. “Not to be an ass but I literally just told you I don’t like beds?”
“No dumb ass, I mean down here.”
He tilted his head and gave a tight lipped frown. “You don’t gotta do that.”
“No. But if it’d help you feel more comfortable, then I want to.”
He didn’t answer at first but because his face had always been an open book, revealing every emotion with striking transparency, he wore an expression that was etched with heartbreaking gratitude.
“Yeah…we can try that.” He whispered, as if he was in shock.
With gentle movements, you plucked the blanket and pillow from the bed and nestled yourself beside him. As you lay towards him, your faces drew closer, until they were mere inches apart. You could feel his warm breath caressing your skin. In that moment, time seemed to stand still as you both gazed into each other's eyes, it was almost hypnotic. There was no awkwardness when it should have been expected, instead, a comforting feeling washed over you. You were consumed by excitement, tinged with a soothing calmness. Sure, it was paradoxical, but it was consuming and left you lost in the moment.
“Um…” Bucky started hesitantly but then cut himself off, he bit his bottom lip nervously.
Before you had a chance to even consider the words, they spilled from your lips. You were surprised with your own spontaneity, but the question had already slipped. “You wanna cuddle?”
It was as if you read his mind, you could practically see all the anxiety melt off Bucky before he pulled you into his chest. “This okay?” He asked.
“Mhm.” You replied, allowing yourself to sink into the comforting warmth of his body, all while listening to the soft thumps of his heart beating. It was a new intimacy that strangely felt familiar and natural, like everything had suddenly fallen into place.
You heard him yawn and you hummed fondly at how cute it was. “Goodnight, Buck.”
Tenderly, he leaned in and softly placed his lips upon your forehead, holding them there for a fleeting moment before settling his chin atop your head.
—————————
Bucky straddled your lap, his hand cupping your face as he devoured you in a passionate kiss that unraveled you with each flick of his tongue. His other hand roamed to less innocent regions of your body, exploring them with a touch that was both bold and tender.
He repositioned and pressed you down onto the couch, towering over you as his tongue continued to dance in your mouth. You were both breathless, and desiring more. He proceeded to plant kisses on your jawline before moving down to nibble on your neck.
He suddenly stopped, muttering against your skin. “You wanna move to your room? Have a little more space for this?”
“You know what’s funny?”
“Hm?”
“How before we got together, you hated beds, but now you want in my sheets every damn second.” You teased.
“Well…feels a lot more pleasant now.”
“Weird way to say ‘I’m always horny’.”
“I’m making up for 80 some years. And like you aren’t, you’re worse than me half the time.”
“Definitely worked up now, so get me to the bed and we’ll go as many rounds as you want, pervert.”
“Fuck you.” He laughed.
“I’m waiting for it.”
761 notes · View notes
factual-fantasy · 8 months
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29 asksss
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Yes
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@britneyt
Aw! Thank you! :DD
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@gilbertsphotography
The elven style ears are meant to make them look less human and to match the Wario bros. :0 My AU's Peach and Daisy are these tall elf like creatures, not humans. They are the same species as the Wario bros.
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Jangles would prepare himself for this brutal duel in "put em up" type battle stance. Ready to give this fight his all.
Only to be squashed by Jangle. Alas, he is made of plastic <XDD
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@pinkpenguin88888
XDD Thought that was a bunny at first-
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:DD Thank you! But hey, nothing's stopping you from book marking the post or saving the link to it somewhere :0
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@whereismycupofcoffee
Honestly I have no hope. I'm thinking its gonna bomb like the Ruin DLC did, lore wise. Calling it now there's gonna be a character named VANESSA and her nickname is VANNY even though this movie is about the first game and has NOTHING TO DO WITH VANESSA. There's gonna be a kid named Cassidy, another kid named Gregory, circus baby is gonna come out of nowhere, there's gonna be a nightmare animatronic reference, one kid is gonna look like the crying child for no reason, Springtrap is gonna talk a lot and take away the horror- its gonna be a mess. The lore will be a terrible. mess.
Horror wise it might be awesome but I am NOT looking forward to all the crap they're gonna mix in with the lore. Its soooo simple, just make a spooky movie that captures the terror that the first game created. Recreate the mystery and horror. Bonnie disappearing, Foxy running down the hall. Freddy's music. Maybe Golden Freddy?? Hints of a darker past with dead kids. It would be awesome. They don't gotta complicate the lore by adding all the other games into it but I know they will-
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@palettepainter :DD Thank you!!
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@randox-talore Nope! The flowers don't make them bigger. They just give the bros ice/fire powers :}
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@devastatorst
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Pretty much XDD
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@andysalleyway
:DDD Thank you so much!! Honestly I'm surprised by the number of my followers that are into the same fandoms I'm into. Sounds like I've found my people! XDD
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Thanks, I'm hoping it finally gets through to people and they'll just leave me alone..
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It is! But ya gotta DM me for it so I can sus out your blog :x
I need to have some idea of who I'm letting in-
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:DD Thank you so much! Also sorry, I don't take requests :/
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@montygatorshusband
THANK YOU! I don't support any ships from any fandoms, I just personally don't like them. So having people harp on me and my AU because a "canon ship" isn't in it was really annoying.. 😓
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Glamrock Bonnie and Foxy would be thinking "Wow, they look different/great! :00"
Glamrock Freddy and Chica are like "WHY IS BONNIE SO LARGE"
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Oooo that would be cool! All my versions of Bonnie are slow, so having him throw things at Gregory would be terrifying-
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@ocinstituterep
The reason why I haven't drawn any classic mermaids like that is because it felt kind'a weird to add a half human creature into the Octonauts universe. Considering humans don't exist in it.. Now that post with the mermaid thing actually has the creature looking humanoid for sure. Because it would look more alien if it was human. But I kept the scales because a straight up half human mermaid would just feel out of place-
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@mashmellowy
Firealpaca! :}}
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@oddesto
XD Thank you!! Also my WHOLE BLOG?? Dang. I apologize for all the Gravity falls cringe you had to see-
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XD Factual Fanta, that's great 🤣🤣
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@citrusfruitman
I think those people are just salty because they wanna draw my stuff but I wont let them. My true fans will have basic human respect and just not draw fanart without sending me hate and rude comments.
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@danman22ful
Monty is much more mellow and kind in the Partial swap. Although he still can be a bit of a grump sometimes. The way Bonnie is treating everyone (mostly Foxy) really angers/upsets him.
Roxy hasn't changed a whole lot tbh. Full of grief and self loathing. Except I don't think she'd have this "I'm better than you" attitude. Her thinking that Freddy's death was her fault would crush her. Just like Monty was crushed in the OG au.
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:DDD Thank you!! Also really? :00 Wow, great minds do think alike! XD
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Aw, I'm sorry that you relate to Bonnie's struggles, <:(
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I was thinking he would do 1 of 2 things.
Either this bombshell that his late friends of 10 years are alive, would be so emotionally overwhelming that he would completely shut down. Literally. They would break into his room and Bonnie is collapsed on the floor. And cannot be reactivated. And when he does eventually reactivate, he absolutely refuses to acknowledge or speak to anyone in anyway..
OR, hearing that Chica and Freddy are alive, would completely drown out any other feeling. They're alive, he would rush out of his room to go see them. All of his stress, all of his anger would be swept away in favor of his anxiousness to see his friends again. And finally, he would talk to people again somewhat. Every day would get easier knowing that once its over he can go see Freddy and Chica again.
I haven't decided which one is better <XD
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@burningmusicfunnygiant (Post in question)
Oh a whole mix of emotions. Mostly joy and sadness though.. Joy to see them alive after all these years. But sadness too see the horrible states they're in.. Mostly Freddy's state-
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<XD Don't worry I wont. I know some of the angsty bits of Bluey but not enough to draw stuff and traumatize you all-
You are spared this time! XDD
149 notes · View notes
saeyoungchoismaid · 1 year
Note
hi love! big fan of your blog <3 if it wouldn't be too much trouble, could I request hc's for a gender neutral MC who calls the obey me boys (minus luke ofc) by terms of endearment as a nickname, like calling mammon honey! love you, have a great day!
Hi anon! I'm assuming you're asking for their reactions to being called smth like that and what they'd prefer to be called? Idk but that's what I did lol. Hope you enjoy!
Genre: fluff
Warnings: none
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Lucifer:
I think the first time you use a term of endearment for him, he's just kinda like 🧍 LMAO
like it just catches him so off guard bc he's not used to it
if you call him smth serious like "darling" or "sweetie," he will blush but try to hide it
if it's smth dumb like "my honey bunches of oats," he's going to give you the most unimpressed look imaginable
definitely prefers to call you and to be called the more 'mature' terms such as darling, honey, my love, sweetheart, my beloved, and so on
Mammon:
blushes 47103784 different shades and can't stop stuttering the first time you call him one
pretends to not like them but is actually obsessed
he will legit think you're mad at him if you use his name instead of a pet name 😭✋😂
likes calling you the cheesy, dorky stuff like sweetie (pie), cutie (pie), my honey bunches of oats, sugar, sunshine, buttercup, sweet pea, and so on
he likes when you call him babe/baby, honey, sweetie, handsome, sweet thang, good lookin, and probs smth ridiculous like stud muffin 💀
Levi:
dies on the spot. rip Levi
nah but he fr gets SO embarrassed
honestly probably takes him a while to call you anything other than your name and "normie" 😭✋
when he finally gets with the program, he'd probably start out with calling you basic stuff like babe/baby and beautiful, and then might start warming up to more playful ones like queen/king or even smth oddly specific like Pudding Pop which ofc has a funny story behind it
he likes it when you call him babe/baby. And while these next ones are so corny and cheesy that it makes him want to die, he secretly loves them. Honey bun, sweetie (pie), love bug, and mayhaps even a baby boy?
Satan:
I can't decide if he'd be blushing red from embarrassment or would just be such a cocky bastard about it 😭✋
idk maybe if he was unsure about your feelings then he'd be flustered, but if he knew how you felt, he'd just be smirking as his sharp tongue went unchecked
honestly, probably uses similar terms that Luci uses, but I think he'd also use terms that are from books, poetry, and so on. Stuff like rosebud, jewel, my beloved, apple of my eye, light of my life, beau, dove, cara mia ("my beloved" in Italian), and so on. He'd also love to call you kitten/kitty cat/etc
he'd probably, again, like similar ones that Luci prefers. I think he'd also like things like Romeo, my other half, soulmate, my one and only, and other stuff like that. He even grows to like "old man" despite the fact that he pretends to hate it 💀
Asmo:
sigh. where to even start with this man
he's been calling you pet names since day one 😭💀
it ranges from cutie to sexy, baby to mi amor, sweet cheeks to darling, little dove to doll. it's a new one every time he addresses you I stg. It honestly just depends on what kind of mood he's/you're in, where you are, who you're with, etc.
he likes when you call him the same things, but especially likes anything that refers to his looks such as handsome, dream boat, papi, hot stuff, sexy, casanova, and so on. He also likes things like prince charming and my knight in shining armor
Beel:
my time has come
probably blushes when you call him one but then gets super happy and is just cheesin for the rest of the day
loves loves loves when you both use food ones 😭😂 sweetie pie, honey (bun), jellybean, cupcake, dumpling, buttercup, sugarplum, puddin, sugar, the list goes on 😭✋😂
I think he would also like the really sweet and cute ones too though like honey bunny, love bug, my love, darling, and so on
Belphie:
can dish it out but can't eat what he's cookin LMAO
easily calls you pet names but always gets so embarrassed when you return it. (He's probably the type to get angry when you call him something sweet or cute LMAO like his embarrassment turns into anger to cope with it anogifehdfah)
he loves calling you my moon/stars/sun(shine). I think he'd also use ones like angel, babe/baby, sweetie/sweetheart, and so on
he'd like when you call him sleepyhead, teddy bear, babe/baby, and snuggle bug. Super cheesy ones like snookums or smth like that will never fail to make him grin and chuckle
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avelera · 10 months
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Where the heck is Satan in Good Omens S2?
And could we perhaps find evidence of him in the places where the furniture used to be?
For reference:
Hastur & Ligur, 1.1: "All Hail Satan." "All Hail Satan."
Crowley, 1.5: "I never asked to be a demon. I was just minding my own business one day and then… oh, lookie here, it's Lucifer and the guys."
Adam Young 1.6: "You're not my dad and you never were."
Satan, 1.6: "No, no, no!" (He promptly dissolves into black ash and vanishes. Immediately after, Aziraphale and Crowley look at their no-longer-flaming sword and tire iron as if not entirely sure why they're there.)
Crowley, 2.1: "Do you ever think, what's the point? ... Heaven, Hell, Demons, Angels?"
Crowley 2.2 (circa ~2000 BCE): "Satan and his diabolical ministers..."
Gabriel 2.3: "I remember when the morning stars sang together and all the angels of god shouted for joy.” (emphasis mine. Lucifer/Satan was the Morning Star. Why the heck is morning stars plural??)
Edit: Shax 2.6: “I demand that you hand over both Gabriel and Beelzebub as gifts for Satan, our master.” (Could debunk the whole theory, might not only because she seems pretty low-ranked and could be going through the motions even though he's gone, but we'll see. Including to get all the evidence down.)
... And I think there's some other S2 references to higher ups and "Our Lord" by Shax supposedly, but I'm too sleep-deprived to go combing through for them (I'd be much obliged if anyone else could grab any other exact quotes that mention Satan by name or seem to refer to him in Season 2.)
Let's first get the Doylist explanation for why Satan might not be around out of the way: Satan was the Big Bad of Season 1. He's been dispatched. Furthermore, he's played by the most likely very expensive Benedict Cumberbatch, so he's not likely to be back in a hurry if it at all can be avoided, and alluding to him at all might just create confusion with viewers who will then expect to see Satan.
(Below the cut: but what if there's more to it than that?)
But as others may have seen with the, "Metatron is actively editing the Book of Life in S2 and that's why things are weird," meta, there's quite a bit of speculation going around that something fucky is going on in S2.
However, while I agree that some points in S2 are certainly fucky I'm not convinced on all or even most of the supporting evidence. Most of the explanations have a Doylist counterpoint like "It's just bad writing," or "They just wanted to bring back some actors they enjoyed working with," or, "The film crew just made a mistake," or "They just forgot that bit of continuity." After all, half of the original writing duo is tragically no longer with us, so there's going to be some level of story drift regardless.
While in general I find the, "It's not that deep," explanation more plausible in most instances, I'd be a very poor disgruntled English Major indeed if I made sweeping claims that the wallpaper being blue is always a coincidence. It's muddier with TV because there's so many proverbial cooks in the kitchen and plenty of human error to go around, but I'd equally never claim that I think Good Omens S2 wasn't a labor of love by those who worked on it, and certainly there's evidence that care was taken in its production, so everything that's off being a mistake is also not a sweeping generalization I'd want to make either.
Which is my way of saying that I'm not convinced by the Metatron meta but I think some of the ideas there are on to something. I don't think it's plausible that a writer would in S3 reveal that in S2, the heretofore largely off-screen character of the Metatron was actively editing the story as we went with the heretofore only mentioned once, never seen, and immediately denounced as a joke Book of Life. BUT, there is some fucky stuff happening that I won't say was the result of some Genius Mastermind Writer deciding it was a good idea to actively write badly and provide stories with no payoff, but I will consider that some of the apparent continuity errors might not be so accidental as they seem, because this was a labor of love and at least on this count, I don't think that Neil was necessarily that careless. Or at least, I'm more inclined to look for clues in places where I can see logistical choices being made, rather than in more subjective claims like "This bad writing is meant to be Bad Writing and therefore a Clue." Because writing is hard even under the best of circumstances, especially in TV and having lost the aforementioned half of a beloved writing duo.
Moving on! Thing is, if we're to believe that there's some sort of mystery hidden in plain sight that was introduced in Season 2, then it did not pay off yet. This makes me a little suspicious of the overall claims that there was a hidden Season 2 mystery, because a good mystery really should pay off within the text, and expecting the reader to keep their unsatisfied suspicions in their heads for 3-4 years for a later satisfying conclusion is... optimistic at best and downright sloppy at worst.
Unless, the mystery spans the entire show. If the clues we're seeing are meant to pay off in S3, and we assume some level of competence, then more likely these are series spanning mysteries that will be satisfying when one is able to watch all three installments. And that means, if there is a mystery in S2, we should be checking back with Season 1 to look for the roots of it.
Which is what brings me to Satan.
What on Earth happened to Satan?
Is Satan still around?
Now, my theory would be much more satisfying to me, personally, if Satan's name was never spoken in S2 but alas, there is the Book of Job episode and I believe some other mentions by name, mostly by Shax? I'd love some backup on that. But I very deliberately don't count demons just saying things like, "Our lord" or making vague referrals to the powers that be to be references to Satan because if he's vanished, someone could have easily filled the power vacuum or there could be an empty throne room somewhere and everyone is just going through the motions (or he's become the Sandman Lucifer who fucked off to lie on a beach, which would be delightful. Anyway).
When Hastur and Ligure showed up in 1.1 they specifically said, "All Hail Satan," and Crowley was shown to be an outsider that he did not return this familiar call-and-response. Yet no one in Hell in S2 uses the All Hail Satan greeting. The references to Satan are few, even in Hell. There doesn't seem to be a lot of fear of Satan either, but more around other higher-ups like Beelzebub, Duke of Hell, who appears to be the highest ranking person we see in Hell?
And also interestingly, Crowley and Beelzebub are both lamenting how pointless all of this seems. Kind of interesting for two individuals who still despise Heaven too and, presumably, took Satan's side once long ago when they all Fell. The political fire has definitely gone out of them, which can be plausibly attributed to the Apocalypse failing and/or the two of them falling in love with their Angelic counterparts, but it's also just kind of weird that suddenly they both really don't see the point in any of these conflicts that once defined their existence.
Perhaps, and this is where I go out on a limb or ten, because Satan isn't around anymore?
Is there no longer a hand at the wheel in Hell, reminding everyone of their loathing of Heaven?
Is there no longer someone actively above Beelzebub, telling them what to do, such that they have the freedom to sneak away and pursue a romance with an archangel and not have their boss show up to stop them the way Gabriel's did?
Did Adam, when he made Satan not his father but more importantly that Satan never was his father, undo more than we realize?
Because that's the kind of Gaiman mystery that I can wholly believe is lurking in plain sight, because Satan was a big deal in S1, he was the Big Bad! It's in the text! The damned book series is built on the idea of a satirical Antichrist take on The Omen. All Hail Satan is one of the first spoken lines of dialogue in the book. Satan is kind of central to any story that's going to revolve around a battle between Heaven and Hell!
And yet... he's barely mentioned this season. And demons suddenly don't remember what they're fighting for. How odd.
Maggie and Nina's actresses also played nuns of the Satanic Chattering Order of St. Beryl. If there was no Antichrist, isn't it possible that neither of those women would have become Satanic nuns and might, instead, own a coffee shop and a record store somewhere?
If there was no Antichrist, isn't it possible that through some convoluted series of events, Madame Tracy, a witch, fell afoul of a demon or managed to become one herself?
Isn't it possible that once you open the door to the ripple effects of a Satan who either never existed (though the Fall still happened) or who only existed up until at least Job, but who was never Adam's father, that some other fucky things could happen too, like Aziraphale suddenly not being fond of alcohol? This continuity detail is much more of a stretch but it is such a plot point in the book that Aziraphale loves to drink and S1 that I do find that particular continuity break particularly vexing and it's one I side-eye the most in terms of "not sure if sloppiness or a Clue".
Anyway, point is:
Satan is curiously absent this season and technically, he was unmade or at least unmade as Adam's father last season. If something is fucking with the timeline, I think that on-screen, very visible event deserves some scrutiny over and beyond vaguely alluded to, off-screen fuckery by the Metatron with no in-text confirmation at all.
There's a lot of weird and bad writing in S2, sure, but some of the continuity breaks do, admittedly, feel too big to be simple oversights and I don't think it's entirely conspiratorial to think something more might be going on and if such a mystery is going to span multiple seasons, we should look back to S1 for the seeds.
It is possible that the unmaking of Satan has had ripple effects that explain some of these continuity changes and some of the cheeky casting of S1 actors in new roles as perhaps not entirely without in-story justification.
So in my mind, the question I have no answer to, but that might deserve some scrutiny going into Season 3 is:
How much did Satan never being Adam's father alter the timeline?
Edit: And here's one last spooky quote to consider: “I remember when the morning stars sang together and all the angels of god shouted for joy." - Gabriel's weird prophecy / quoting of God
Why single out the reference to morning stars plural? Lucifer is very famously the Morning Star, you can't accidentally allude to morning stars in this context without referring to him, you just can't. So what the fuck is going on with this Biblically sourced quote that sort of alludes to Satan, but not by name, and makes the reference to the Morning Star plural?? And even though it is the original text, apparently, it's still a choice by the writers to really highlight the line about morning stars and give that line to Gabriel to say in the present too. Something is sus.
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devilat-thedoor · 9 months
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What Is and What Should Never Be Ch. 1
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A/N: The parts in this fic are going to be on the shorter side compared to my other one, but that allows me to get them out quicker. This first chapter is really just laying the foundation for the story. I hope you enjoy, babes! and as always, feedback is appreciated🤍 P.S. This is all fictional, straight from my imagination. Please don't take it too seriously💖
Word Count: 9k
Warnings: 18+ Minors DNI, Smut(none yet, but for future reference), Mentions of alcoholism/addiction, Mentions of death. Reader Discretion Advised.
So if you wake up with the sunrise and all your dreams are still as new // And happiness is what you need so bad, well girl, the answer lies with you
“Bell, are we really doing this?” Your grin was beaming as you twisted the key in the ignition, hearing the engine rumble. You rolled the windows down, letting the late March wind breeze through the car.
Your best friend, Bellamy, turned to you from her spot in the passenger seat, “I mean, unless you want to carry all of our stuff back into that shithole…” She jutted her thumb out the window, towards the shabby apartment building that, up until 15 minutes ago, you had called home. “Then we are absolutely doing this!” You laughed, pulling away from the curb as she hung half of her body out the car to shout a goodbye to your hometown. “We’re fucking out of here! See you later, Phil!” Bellamy had her middle fingers in the air as the wind swept through her jet black hair.
Reaching over, you grabbed her shirt to yank her back in the window, “Bellamy, the groundhog can’t hear you!” Your hand went back to the steering wheel as she settled back into her seat and kicked her feet up on the dashboard. “Don’t get too comfortable, you’re not gonna fall asleep on me 20 minutes into the drive.”
She rolled her eyes and gave you a lazy smile, “Fall asleep on you, sweet pea? Never.” She grabbed the aux cord, plugging it into her phone. “Why did we decide to drive again? We could’ve left everything to the moving company and just booked a flight… This is gonna take for-ev-er.” She flicked her sunglasses down over her eyes with a whine.
“Bell, how often are we gonna get to road trip across the country? Think of all the places we’ll get to see!” You tried to sound as positive as you could but, truth be told, you weren’t very excited about the drive either. The speakers came to life when she finally decided on a playlist, opening with House of the Rising Sun by The Animals. “Once we’re on I-80, the drive will go so fast, babe.”
She dropped her feet back to the floor, turning to face you again, “Whatever you say, Y/N.” Digging into the grocery bag full of snacks below her, she grabbed a pack of gummy bears and ripped them open, “God, I just can’t wait to be out of here and in the sun… And our new apartment?” Bellamy curled her legs up into her seat, turning to face you, “Are you okay with me taking the Master bedroom? I really want the en suite bathroom.”
You glanced over to see her pouting her lip at you, “You can have whatever room you want.” Looking back to the road, you turned the music down a bit, “If you told me I had to sleep in a tent on the balcony, I would do it.” It sounded like a joke, but you were partially serious.
“You know you’d be sharing my bed if there was no other place for you, Y/N.” She gave you a pointed look and slouched back into her seat. “We would just need a kind of ‘sock on the door’ signal, yanno?”
Craning your neck to look behind you, you slowly merged onto the interstate, “When has a signal ever worked before, Bellamy?” It was early enough in the morning that traffic was mostly clear, allowing you to set the cruise control to an even 70mph. “Remember Seth? The guy I met at sophomore year IUPatty’s? I left the shamrock beads on the doorknob and that didn’t stop you from barging into the dorm!”
She held her hands up, “In my defense, there were beads scattered through the hallway. How was I supposed to know you put them there intentionally?” Her shoulders raised in a shrug as she remembered back, “And I saved you! Your fake moans weren’t even believable, you weren’t getting off!”
You broke out into a cackle, “Oh my god, Bell! Fuck, you’re actually right.” She stuck her tongue out at you, “He was so hot, but had no rhythm at all… it was just anticlimactic. No pun intended.” You were both in a fit of laughter when your friend popped up in her seat.
“Babe, turn it up!” Bellamy yelled over the wind whipping through the windows as Rocky Mountain Way by Joe Walsh began playing. “It’s our song!”
You reached for the volume dial with a grin, cranking it up as you both started singing along. “…Out to pasture, think it’s safe to say, time to open fiiiire…” You held your closed fist to your mouth, using it as a makeshift microphone, “And we don’t need the ladies crying cause the story’s sad…” 
Holding your invisible microphone out to your friend, she sang the next few lines into it “‘Cause the rocky mountain way is better than the way we had…” The two of you went back and forth, singing loudly through your giggling. You listened as Bellamy vocalized the entire solo at the end of the song, finishing with a deep inhale to catch her breath.
The next song came on as you both settled down and you just drove in a comfortable silence for a while. You stopped for food and gas while passing through Toledo and continued on, only stopping again once you were right outside of Chicago. “I’m sick of driving, Bellamy. It’s your turn.” You whined at her as you pulled the car into a gas station.
“I’ve got maybe five or six hours in me.” She pushed her door open, grabbing her wallet from her bag to head into the gas station, “I do not want to be in the car anymore, so let’s plan on stopping in Des Moines… If traffic stays clear, we should make it by at least eleven. Midnight at the latest.” You followed her into the convenience store, listening to her lay out the plans. “When we get back in the car, look for a motel or something cheap we can stay in for tonight and then we’ll get back on the road early tomorrow.”
You both headed to the restroom to relieve yourselves before grabbing a few energy drinks and bottles of water and paying for your gas. “Sounds good, babe.” After filling the tank, you climbed into the passenger seat while your friend got behind the wheel and began browsing for a place to rest.
“Hey, Bell…” You’d been back on the road for another two hours, going back between music and podcasts, when you turned to her.
She glanced at you with a soft smile, “Yes, sweet pea?”
You were toying with your fingers in your lap, “I haven’t actually said it yet, but thank you.” She gave you a questioning look, prompting you to elaborate, “For bringing me along with you… to San Francisco. I will never be able to make this up to you.” You wanted to make sure she knew how genuinely grateful you were. All you’ve dreamed of, since you were 15, was getting out of your hometown and escaping the living hell that was your life. You thought that the day you turned 18, you’d pack up and leave to head for the west coast, get as far away as you could to avoid the chance of ending up like your mother. But after graduation and without money, your only option to get out of Punxsutawney, Pennsylvania was going to college. Bellamy made you apply to IUP with her and when you both got in, it seemed like things wouldn’t be so bad anymore. Even though the university was only about 40 minutes from your hometown, it was far enough away that you didn’t have to deal with the stress of living with your parents anymore. Your dad was always amazing. He taught you everything you knew, from how to cook to how to change your own brakes and oil. All he ever wanted was to make sure you were capable of taking care of yourself when the time came for you to be on your own and that time came a lot sooner than either of you could have anticipated.
It was your junior year in college and you were so close to getting your Bachelor’s in Anthropology. Your classes kept you busy enough that you didn’t have time for partying or getting into trouble. All of your focus went into your school work in the hopes that once you finished, you would find a great job in doing something you loved and make enough money to go wherever you wanted. But the perfect bubble you’d put yourself in popped that November when you went home for Thanksgiving break.
Your mother’s alcohol addiction wasn’t anything new to you. You would come home from middle school to find her passed out on the sofa, empty bottle littering the coffee table. Some nights she would come into your room to crawl in bed with you, crying that she wanted to be better and that she was going to try to stop drinking. You would let her hold you and cry until your dad would come in and gently walk her back to their bedroom. The smell of her vodka soaked breath is something that would surely stick with you for the rest of your life. Dad would try his hardest to hide how bad her problem really was, but you knew. It started to get worse when you got into high school. She would get drunk and belligerent, screaming and breaking things. You’d gotten accustomed to staying at Bellamy’s. Her father and yours were best friends and that’s how you and Bell ended up as close as you were. On the nights your mother was particularly bad, Bell’s dad, Mr. Cole, would get a call from your dad and within minutes, you would be climbing into the backseat of his car with your best friend to stay with her family for a couple of nights. You begged your dad to leave her, to just let her drink herself rotten and move you and him some place far away where she couldn’t affect you anymore, but he refused. Always telling you that she needed the both of you to get her through it, that she didn’t have the strength to stop drinking on her own. Part of you knew that he didn’t even believe that himself, but you looked up to him more than anybody and trusted that he knew what was best. Still, you couldn’t stand to live in the same house as her, so when you got accepted to the same college as Bellamy, it was like life was finally giving you a break.
Then that Thanksgiving day came crashing down and everything else went with it. You and Bellamy made the short drive home the day before and you dropped her off at her house before heading to yours. Your dad was at the door, waiting to greet you as you pulled in and he rushed out to wrap you in a bear hug and help you with your belongings. You were dreading the kind of state you would find your mom in, but to your surprise, she seemed sober and completely normal. She pulled you into an embrace and you could still smell the faint hint of liquor on her, but her behavior had you fooled into thinking it was just your imagination. You were having a good time, helping her prep the apple pie so it would be ready to bake for the holiday while listening to music. She asked you how your classes were going and she seemed genuinely interested as you explained your course load to her. It was a welcome change to how conversations normally went with her.
 As the day dwindled to early evening, you started to see a change in her. She was getting sloppy and she stumbled through the house and you noticed her eyes starting to droop, but it wasn’t until she started throwing a fit about not having enough wine for the guests that you’d be having over for Thanksgiving that you realized she must have been sneaking drinks throughout the night. You watched as your dad tried to reason with her and calm her down, but she just kept yelling, throwing things around the kitchen until he finally gave in and offered to drive her to the store so they could pick up a few more bottles. You pleaded with him to stay, trying to convince him that he was only enabling her addiction by catering to her temper tantrums, but he brushed you off, wrapping you in hi arms and placing a firm kiss to the top of your head before grabbing his jacket and ushering your mother out the door. You didn’t know it then, but that would be the last time you would ever hug your father. After they started the drive into town, in a drunken fit of anger, your mom would lash out and begin hitting your dad, causing him to run off of the road and into the woods. He was pronounced DOA by the first responders and she would walk away from it without a scratch. Nobody knew that it was her fault, but after his funeral, when she was already half a bottle deep, she confessed it to you. You left her alone that night and never looked back and she ended up moving south to live with family. You couldn’t forgive her and if you never saw her another day in your life, it would still be too soon.
The depression you fell into forced you to drop out of college. You moved back to your hometown and got a job at the local diner, Punxsy Phil’s, to pay rent. Bellamy moved back with you and spent her last year and half commuting to school before graduating with her Bachelor’s in Computer Science. Now, two years later at 26, Bell was offered a job at a tech company. They were based out of Silicon Valley but they wanted her to head a team in their San Francisco office. When they offered to pay for her housing for a year until she got her footing, she sweet talked them into a two bedroom apartment and asked you to go with her. Of course you jumped at the opportunity and now here you were, driving across the country to start your new life and it was all thanks to your best and oldest friend.
“Y/N, I wouldn’t have even thought about taking this job if there wasn’t a chance that you could come with me.” She reached over and grabbed your hand, squeezing it softly, “I know how hard the past few years have been, but we’re starting a new chapter and it’s us, babe. It’s always been you and me.” A grin formed on her face as she put her hand back on the steering wheel, “We’re gonna fucking rule San Fransisco like Christina and Courtney in The Sweetest Thing.” She paused before adding, “But promise me you won’t fall in love with a guy you just met overnight!”
You leaned over the center console, hugging her tightly and planting a giant peck on her cheek, “I fucking love you, Bell.” You were both laughing as she pushed you away.
“I love you more, sweet pea.”
💿💿💿💿💿💿💿💿💿💿💿💿💿💿💿💿💿💿💿💿
It was early Sunday morning when you finally pulled into the parking lot or your new apartment building in the Mission Bay neighborhood. It stood maybe six stories high and each apartment had its own balcony. You and Bellamy were on the third floor, number 308, and she held the keys in her fist as you both stepped out of the car. The excitement couldn’t be contained as you made it up the elevator and she unlocked the door, pushing through it to see your new home in person for the first time. Stepping into the apartment, you both rushed around, exploring the living space. It was quaint and small, but it was perfect for the two of you. You each had your own bathroom and the bedrooms were a decent size. The sliding door that led out to the balcony caught your attention at the same time as her and you were running to slide it open and see the view of the city. “Bell, is this even real?” You gazed out in awe, seeing all the buildings and businesses that surrounded. You couldn’t wait to see what it looked like at nighttime with the city lights. Just as your friend went to answer you, there was a knock on the apartment door that was left wide open and you turned to see the movers standing there. You both looked at one another with large smiles, “Let’s turn this place into home, B.”
“I think it’ll look better against that wall.” Bellamy placed her hand on the man’s arm, pointing to the opposite side of the living room. “Could you just move it one more time?” You bit your lips together, trying to stifle a laugh as she batted her lashes at him. The movers made it to your new home right after you had and your best friend was quick to put them to work. You stood back, allowing her to give directions with flirty giggles, directing the men where to put everything.
Finding it best to stay out of her way, you decided to occupy yourself with something else, “Hey, hun!” You called across the room to Bellamy, “I’m gonna start unpacking the kitchen.” She gave you a thumbs up without breaking concentration on the movers. Walking into the tiny kitchen, you pulled open the first box you saw to reveal all of your plates and bowls, wrapped in old newspapers. You decided on a cabinet and began stacking the dishes, one by one, discarding the papers into the empty box as you went. Next was the cups and mugs then tupperware and pots and pans. After a little over an hour, you had the kitchen completely unpacked with everything in its rightful place.
As you stood in the middle of the space breaking down all of the boxes, your friend came through the doorway, “Everything is officially moved in.” You watched as she padded to the refrigerator to retrieve a bottle of water. She shook a bottle in the air, silently asking if you wanted one, and tossed it after you gave a nod, “And, courtesy of those three very sweet men, the living room is already assembled.” Bellamy gave a proud smile as she cracked open her bottle. “We just have to fill the bookshelf and hang some art on the walls or something.” She shrugged, taking a large gulp of water.
You took a few chugs of your own and checked the time on your phone, pausing the music that was playing. “It’s only 1 o’clock, we’re making pretty good time. You wanna go find lunch somewhere?” Bellamy’s phone began ringing as she nodded her head and you watched her walk back into the living to retrieve it. After a minute you left the kitchen as well, going into your bedroom to find a change of clothes in the mountain of boxes. The apartment already came with beds and bedroom furniture and you dug through one box, pulling out the new sheets and comforter that you’d purchased and tossed them on the mattress.
“Soooo…” Bellamy startled you as she popped her head in the door frame, “Don’t hate me…” She gave an apologetic look.
You dropped the clothes you were holding to the bed and let out a sigh, “We’re not getting lunch, are we?” 
She came into the room, cupping your face with a pout, “I’m sorry, Y/N! Please don’t be mad.” You pulled out of her hold, rolling your eyes, “That was my new boss that just called and he wants me to go down to headquarters to meet everyone.”
You weren’t mad, you knew how important this job was to her, “It’s fine, Bell. Take my keys, they’re on the kitchen counter.” You pointed out the door.
A high pitched squeal left her mouth and she wrapped you in an incredibly tight hug, “I’ll make this up to you, I swear!” She went to her own bedroom to change clothes and you decided you would still go out and get food, but you would also take the time to look at who may be hiring in the area. You pulled on a pair of cutoff denim shorts and a black baby tee that read ‘farm fresh peaches’ with two of the bright fruits printed over the chest. Once satisfied with your outfit, you dug through your laptop case to pull out a copy of your resumé and a separate sheet of paper with a solid list of references, and tucked them into your bag just as Bellamy came back to your doorway, “I love you and I’ll be back soon!”
“Leave me your keys, Bell!” You called as she disappeared back out into the apartment, “I’m gonna go explore the neighborhood a little bit and you’ll have my keys, so leave yours for me.” She nodded, digging her key ring from her purse and dropping them on the counter.
Ten minutes later, you were locking up and riding the elevator to the ground floor. You stepped out on the street, looking left and right to decide which direction you wanted to go in. Opting for the left, you started on your journey, unsure of where you might end up, with a goal of finding lunch in mind. You’d lost count of how many blocks you walked when you landed on Market Street. The entire length of it was lined with stores and bars and restaurants, it was unlike anything you’d see back home. Sure, Pittsburgh was a great city to visit, but it didn’t compare to this in your eyes. You scoped out a few different food spots as you walked along the sidewalk, Some with potential to eat at, others with potential for work, but you continued on, lost in the bustle of everything going on around you until something caught your eye. A bright, neon open sign shined bright in a storefront window and illuminated the ‘Now Hiring’ sign to its right. It was a piece of paper that looked like someone just scribbled the note on with thick, black sharpie, and taped it to the window as a joke. Your gaze traveled up to the hanging sign above the door, Highway Tunes Records, before dropping back to the windows and seeing the art and posters adorning the walls inside. Your eyes fell upon a psychedelic poster, made up of colorful and abstract swirls that came together to unmistakably make Jimi Hendrix. An audible gasp escaped and you found yourself pulling the door open and shuffling inside the store and straight over to the poster. You were entranced as you stared up at it, unable to tear your eyes away until a voice stole your attention.
“You a Hendrix fan?” Turning to find whoever the voice came from, you were met with a gleaming set of teeth, stretched into a mesmerizing grin, with the tiniest gap between the front two.
You returned his smile, murmuring a response once you realized you’d been staring at him, “Uh… Yeah. He was my dad’s favorite musician.” You glanced back up at the framed poster as he replied.
He was standing incredibly close, you could feel the heat radiating from his body, “Well, he is great… So!” His exclamation made you jump and he laughed, “Sorry, it’s been a slow day and you’re probably our fifth customer since opening at noon.” You looked down at your phone to check the time, 2:49pm, and gave him a sympathetic smile. You knew how boring a slow day at work could be. “Anyways… What brings you into HIghway Tunes? Looking for a specific album?”
 “Actually, that is what brought me in here.” You pointed up to the Jimi poster, “It felt like it was calling me in.” You shook your head, aware of how weird that sounded, but before you could try to reword it, the man was already talking.
“Oh. Well, unfortunately, I can’t sell you that specific piece.” He let out a huff, turning on his heel and walking in the opposite direction. Your brow furrowed as you watched him go and he turned around, gesturing for you to follow him, “That one is part of Jake’s personal collection.” He started after you fell into step behind him, “He’d kill me if I sold it and then he’d hunt you down and kill you too… But these…” He stopped in front of a giant bin, filled with rolled up posters, and flipped open the binder above it, “These are all on the market.”
You watched as he thumbed the pages, looking over the inventory of music posters. You couldn’t help but stare at him. Full lips, bordered by a tasteful bit of facial hair. A wild mess of curls that covered his forehead and ears, only leaving the small, silver hoops piercing his lobes to stick out. He had a constant smile on his face and you almost didn’t want to open your mouth out of fear that it would go away, “I’m not… really looking to buy anything.” You watched the grin falter, but he quickly recovered it, “I’m sorry. I just don’t have the spare money right now to spend on things that aren’t necessities.” You scrunched your nose with a shrug.
He turned to face you, looking you up and down as if he was sizing you up, “You’re not from around here.” Suddenly feeling self conscious, you crossed your arms over your chest, looking away from him, “Hey, no. I didn’t mean any offense… Just that the only people who come in here are either regulars or tourists and you’re certainly not a regular.”
“How do you know I’m not a regular?” You gave him a pointed look as you pursed your lips. “Maybe you just always miss me when I come in?”
“Naah. Nobody comes in here without me or Jakey seeing them and I would not forget you.” He slapped his palm over his face whilst shaking his head, “Sorry, that… That sounded creepy. I just meant… never mind.” A bright blush started to overtake his cheeks.
He was so charming and handsome, you couldn’t help the giggle that bubbled from your mouth and if Bellamy were there, she’d accuse you of flirting. “Okay, I did just move here, but tell you what… As soon as I get a job, I promise to become a regular.” You flashed him a sweet smile before turning around and heading for the door, “Don’t forget my face.”
“Woah, wait!” He called after you and you stopped to face him again, a questioning lift to your brows, as he jogged the short distance across the store, “You need a job? We’re hiring.” He sounded desperate as he continued, “The pay is good, I swear. You’ll get great hours and everyone here is chill!”
You looked around at the shop, really taking in the eccentric environment. His smile alone was enticing you to say yes and you couldn’t fight against it, “So… is this an official interview?” You joked and saw his shoulders visibly relax.
He looked around the store as though he was searching for something, “Actually, let me find Jake. We might be able to interview you right now.” He went in the opposite direction from you, giving you no time to decline before heading for the checkout counter, but he stopped, “I’m Josh, by the way!” He yelled from where he stood
You called out to him, still planted by the front door, “I’m Y/N!” His smile seemed to grow brighter as he repeated your name back to you.
Just as he was about to push through the door behind the counter, it flung open to reveal another man behind it, “What’s with all the fucking yelling?” From where you stood, it looked like he was gritting his teeth at Josh. His hair was long, landing past his shoulders, and he wore a pair of dark sunglasses. He peered over Josh’s shoulder to get a look at you and you saw his lips moving before the curly headed boy turned and waved you towards them.
You swallowed your nerves and began shuffling towards them. Your eyes drifted to the ceiling to see it plastered with vinyls, all painted over with intricate and colorful artwork. As you stepped up to the counter, your eyes fell on the men, “This place is a lot like Trax.” They both gave you strange looks, prompting you to clarify, “The record store from Pretty In Pink? With Molly Ringwald?” The confusion didn’t leave their faces as you stared at them, “Seriously? That’s like, my favorite movie. It’s an iconic John Hughes masterpiece! The scene when Duckie sings Otis Redding?” You continued to gush despite how clueless they clearly were.
Josh’s face lit up into a grin as he listened to you, but the other guy remained stoic, almost like he was bored, “Well it’s a good thing you don’t need to know movies to work in a music store.” You couldn’t help the look of shock on your face at his pompous tone.
But you were never one to let a man make you feel small, “No, you’re right, but… if I’m not mistaken, there’s an entire shelf over there,” You pointed to your left with a cocky smile, “that is loaded with movie soundtracks… And if you ask me, music and film go hand and hand.” Looking back at him, you gave an innocent shrug, “But you’re the boss, so who am I to argue?” He was taken aback by your quip but you could’ve sworn you saw a hint of a smirk on his lips as he eyed you. You directed your attention back to Josh, “Maybe I’m not a good fit… but I hope you find someone who will be.” You were about to turn and leave, but he stopped you.
“No, don’t leave!” He slapped the other man’s arm, “Jake, don’t be a jackass. We need the help and I think she’ll be great.” He was practically pleading.
“Ahh, you’re Jake…” You finally connected the dots, “The same Jake that would hunt me down and kill me if I made off with that Hendrix poster over there?” You nodded towards the frame that hung on the wall. “So maybe you don’t know classic movies, but you clearly have good taste in music.” It was an attempt at flattery and it seemed to work because he finally cracked a genuine smile.
His eyes flashed to the poster and came back to you, “What’s your favorite Jimi album? Song?” He was trying to quiz you as if he didn’t believe you were really a fan of the musician. “Answer carefully, peach.” 
Your gaze dropped to your shirt before you narrowed your eyes at him, “Axis: Bold As Love by the Experience and Red House… Specifically the Woodstock live recording.” You raised your eyebrow, waiting for a snide remark, “And I have a name…” You almost forgot that Josh was standing beside him until he cleared his throat.
He clapped his hands together with a laugh, “See, Jakey. You can’t tell me she wouldn’t fit in perfectly.”
Jake leaned forward, resting his elbows on the counter, “Why is Red House your favorite song?” The question made you smile.
“It’s all very bluesy. The guitar riff and solo, his lyrics… The first time my dad played that song, I was completely enthralled.” You were speaking genuinely and judging by the way he was nodding, he knew it.
He turned to Josh, silently communicating to him with a look. You watched them, trying to decipher what was being discussed, but as you studied their expressions, you noticed how similar they looked. Josh’s eyes locked with yours and he answered your question before you could ask it, “Yeah, we’re twins, Y/N.” He chuckled softly, “It’s always the first thing people ask…” You mumbled an apology, casting your eyes to the floor, “Nothing to be sorry for. But good news! You’re hired!”
“What?” You looked at him in shock, “I- But- Don’t you have to…ask more questions?” How did they decide that with just a series of facial expressions to one another? “Do you need references or… I don’t know, it’s never been this easy to get a job, there’s gotta be a catch…”
Jake disappeared through the door behind him for a moment and reemerged holding a t-shirt, “The catch is, you gotta be here bright and early tomorrow to start training.” He tossed the tee at you and slid a piece of paper over the counter, “Take this home, fill it out, and bring it back with you. I’ll see you here at 9am, peach.” He turned around, going back through the door and closing it behind him.
“I promise, he’s not as unpleasant as he makes himself seem.” Josh came around the corner to stand beside you and pulled the paper from the counter, “We’ll start your wages at $20.25 per hour. I just need you to fill out this application with all your basic information. Yanno, name, number, address, social. Then we’ll be able to get you on payroll asap.” He handed you the page with his bright grin that you were growing to really enjoy.
“I’ll take your word for it.” You stuffed the t-shirt and application into your tote bag, “So he’s training me tomorrow?” The distaste was evident in the way you forced a frown, “Are you gonna be around to soften that blow?” You were begging the universe for a yes, but wound up disappointed.
He placed a hand on your shoulder, “Mondays are my days off…” He gave an apologetic smile, “Jake’s actually really cool, Y/N. And I’ll make sure he goes easy on you.” As if he could sense the anxiety radiating from you, he offered a compromise, “Alright, I have some shit to get done tomorrow, but I’ll stop in around lunch to see how everything’s going. Okay?” He flashed that damn smile and you were sold.
“Thank you, Josh.” Your phone began to ring in your back pocket and you pulled it out, muttering a sorry to him as you answered it, “Hey, Bell.” You listened to her speak for a few moments, “No, I haven’t… I’m fucking starving, though. You wanna come pick me up?...Uhhh, I’m not sure, it’s a record store on Market Street…Yeah, I’ll just drop a pin… Perfect. Love you too, babe.” You hung up, sending her your location, and stuffed the phone back into your pocket. “Sorry about that.”
“Was that your boyfriend?” The question caught you off guard, but the apprehension on his face threw you off even more.
You shook your head, partially to answer his question, but also to clear your mind enough to form a response, “Umm. No. No, that was Bell- Bellamy.” You paused before elaborating further, “She’s my best friend. We moved down here together…” 
He let out a breath that you didn’t realize he was holding in, “Oh! Cool.” The silence stretched between you and you weren’t sure if he felt as awkward as you did.
Your phone dinged, saving you from the tension, and you pulled it back out to see a text from your friend, “She’s here, so I’m gonna go…” You pointed towards the door before slowly turning away from him. Just as you reached the door, you looked back to see him watching you and tried to conceal the blush creeping onto your cheeks, “Any quick food recommendations? We haven’t eaten yet today… Oh! Preferably cheap?” 
“If you’re looking for something close, Super Duper Burgers is great. Definitely check their seasonal menu.” He ran his fingers over his mustache, drawing your attention to his lips, “If you're willing to go a little further up the Market, Taqueria Cancun has some solid, authentic Mexican tacos. There’s a ton of sushi joints.”
“How about pizza? I’m kind of craving a greasy slice.” You knew Bellamy was waiting for you, but for some reason, you didn’t want to leave.
“Ahh, a girl after my own heart.” Josh pulled his bottom lip between his teeth for a few seconds, “Slice House. Hands down, best pizza. You gotta try the Drunken Italian.” He pinched his fingers together, giving an exaggerated chef’s kiss, “The vodka sauce is fucking revolutionary.” You held eye contact for longer than you cared to admit, but then the corner of his lip curled into a smirk, “You better get going, your friend is waiting.”
“Yeah, I guess I should… See you tomorrow?” He nodded his head, forcing his curls to sway as he waved goodbye. “Bye, Josh.” You pushed through the door and found Bellamy waiting in your car at the curb.
She pulled her purse from the passenger seat as you slid in and handed your phone off with the directions to the pizza place, “Why am I not surprised that you already managed to find a music store?” She shifted the car into drive, hitting the blinker to pull out.
“Bell, I literally just walked in there and they hired me. I start tomorrow.” You almost didn’t believe the words that poured out of your mouth. “It was the weirdest thing… I walked by and there was this Jimi Hendrix poster, and you remember how much my dad loved Jimi?” She nodded, waiting for you to continue, “When I saw it, it just drew me in. I don’t know how to explain it. But I was standing there and this guy came up to me, Josh, and-.”
“Mhmm…” Bellamy cut you off with a knowing smirk, “Josh, huh?”
You scoffed at her, “No. Don’t start, it’s not even like that.” You didn’t defend any further, just proceeded with your story, “Anyways… He offered me a job and he and his brother interviewed me right on the spot. I start tomorrow morning and get this, Twenty dollars an hour, Bell.”
She gawked at you, eyes wide, “Twenty? That’s over the minimum wage here. Did you suck his dick to get it?” She laughed at her own joke as you lightly hit her arm.
“You’re an asshole, yanno?” You sat back in your seat, laughing with her. “He is pretty cute, I can’t lie… He just seems like a really fun person and he’s always smiling. Like the brightest smile you’d ever see... But his brother, Jake, was sort of insufferable.” You were chewing on your lip as she glanced at you.
“Insufferable how?” She turned to you fully as the car stopped at a red light.
You thought back to the short exchange you’d had with him, “He was arrogant as hell, for starters.” Her eyes went back to the road as she let off the brake and you continued, “He didn’t even bother to learn my name, just kept calling me ‘peach.’ You wouldn’t even know they were twins if they didn’t look identical.” You stared out the window, looking at the buildings to find Slice House.
Bellamy spotted the restaurant at the same time you did, swinging the car into the first available spot she could find, “Twins? Oh, you’re fucking joking, Y/N. We haven’t even lived here a full day!” She cut the engine as she glared at you, “How old are they?”
“I don’t know? Our age, maybe a little older… Why does it matter?” You were toying with your fingers, something you did when you were nervous. “Don’t give me that damn look, Bellamy! It’s just a job. You’re not gonna find some hidden context in this.” Pushing the car door open, you stepped out to end the conversation.
She was popping out of her side right after you, “Okay, babe. Whatever you say…” You knew she had more to say but she dropped the topic for the time being as you both walked into the restaurant.
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You stood right outside of the door, looking at your reflection in the glass to straighten your shirt out. It was 8:48am and you were trying to work up the courage to go in, mentally preparing yourself to be trained by Jake. You were too focused on your reflection to see that he was coming across the store. The door pushed open and you jumped back with a yelp, “Did you plan on coming in for your shift or were you gonna spend another 15 minutes fixing your shirt?” He was holding the door, waiting for you to go inside.
You moved past him, rolling your eyes, “You know, you just make the atmosphere so inviting. How could I not want to be here?” You bit your tongue, aware of how much attitude you’d just given the man who is technically your boss. “Sorry, I-.” You turned back to face him but he was already breezing by you.
“You’re kind of a fucking brat…” You followed behind him, ready to argue his claim, but he was already moving on as though he’d said nothing at all, “Here. We got a long morning ahead of us and you’re gonna need to keep up with me.” He grabbed a cup from beside the register, handing it to you, and pointed to the door behind him, “There’s cream and sugar in the office if you need it, don’t take forever.” Taking the hot coffee without a word, you stepped around him to go into the office. When you came back, he was leaning against the counter, chin propped on his fist, “You fill that paper out, peach?”
Digging into your tote, you pulled the paper out and slapped it down in front of him, “That’s not my name, it’s-.”
“Y/N. I know” His lips curled into a conceited smirk and, had he not been walking away,  you might have slapped it right off of his face, “Peach feels more fitting.” He waved his hand, beckoning you to follow him.
You fell into step as he walked towards the front of the store, “You saw fruit on my shirt and ran with it. Very original idea, can’t believe I didn’t think of it.” The look he had when he whipped around to face you made you clamp your mouth shut, but you couldn’t help the tingle you felt through your body at his response.
Jake was glaring at you with a hint of something you couldn’t quite place, “You’ve got a mouth on you.” He was pointing a finger at you, “and I can think of a few different ways to shut it.” Your jaw practically hit the floor as you stared at him and he flashed a devilish smile, knowing that he’d left you speechless. He turned away again, leading you to a display near the front door, “Pay attention.” You nodded silently as he started mapping things out for you, “This rack is all new release vinyls. We change most of them out weekly, depending on what kind of album drops there are.” He started walking towards the middle of the store, walking between the rows of shelves, “Everything is sorted by genre first and then alphabetical order.” You listened intently as he sped through the rundown, “We keep bargain bins down here.” He pulled open a cabinet door below one of the tables, revealing crates full of vinyls with torn and worn sleeves, “These are all used and donated, we sell them for $3 a piece or we do 10 for $10. It’s hit or miss, some work, some don’t.” Closing the cabinet, he moved to a different part of the store. You trailed quietly alongside him, soaking up all of the information he was spewing. After about 20 minutes, he’d looped you both back to the front, “Let’s see if you’ve kept up…” He crossed his arms over his chest, waiting to see if you’d maintained any of the knowledge.
“Okay…” You took a deep breath, “Here we have new releases. They get updated weekly, unless there aren’t any good drops.” You continued throughout the space, pouring everything he’d given you back out to him, until you made it to the checkout counter, “Limited Edition vinyls are kept behind the counter, the new inventory delivery comes every Friday morning at 8am sharp, and I think that’s everything…?”
Jake was nodding his head, surprisingly impressed, “Not bad, peach.” He glanced at the clock on the wall, “We got a half hour before we open at 11.” He plucked your application from the counter where you’d left it, “I’m gonna get through some paperwork. You can-” He was cut off by the sound of footsteps coming from the back of the store. “Liv? I thought we wouldn’t see you until summer?” He greeted the short, blonde girl.
She had a stereotypical valley girl accent, “Finished my semester early, figured you guys needed me more than UCLA.” She gave him a smile that looked like she wanted to devour him. Her eyes flashed to you dismissively before flying back to Jake, “You here by yourself? I can clock in and help out.”
You shifted on your feet, feeling out of place, and Jake took notice, “Not alone today, I have peach, here, to help out.” He nodded towards you.
“Peach?” She finally took the time to really look you over, “Were your parents hippies or something?”
You opened your mouth and closed it again, not sure how to respond, “Uhh. No, that’s not… My name is Y/N.” You reach out for a handshake, out of respect, but she just stared at your extended hand.
“Cool. I’m Olivia.” And just like that, she directed her attention back to Jake, “Can you fit me on the schedule this week?” She pushed her bottom lip out, looking like a toddler begging for candy, “I know you guys miss me.”
He shook his head with a faint smile, “I’ll talk to Josh.” He left it at that, turning to you, “Take that box and start putting the shit where it goes.” He pointed at the box on the floor.
“Aye aye, captain.” You saluted him with a smile and picked the box up.
A chuckle escaped his mouth and until that moment, you thought he was incapable of feeling joy, “I’ll be in the office if you need anything.” He started to walk around the counter, “I’ll let you know about the schedule, Liv.” He slipped through the door and closed it behind him, leaving you with the girl.
To avoid conversation, you gripped the box in your arms and lifted it to counter to begin sorting through it. Pulling out a stack of vinyls, you carried them through the store, fitting them into their rightful places. You hadn’t realized Olivia was following you until her low, grating voice creeped into your ears, “So…How did you get a job here?” She was watching you carefully, almost like she was waiting for you to make a mistake, “Jake is suuuper picky about who he hires.”
You looked at the last vinyl in the stack you were carrying, “Uhm, I just came in here yesterday to look at something and Josh offered me the job.” Moving through the tables, you went to the Country section and tucked the album away, “Jake gave me a shirt and told me to be here at 9am, so here I am.”
She was standing so close to you that you almost ran into her as you turned around to retrieve more from the box, “Here you are…” She sounded annoyed, but you ignored it as you pushed past her.
You went about your business for the next several minutes, finishing the task that Jake had given you, as she lingered through the store, watching you work while she pretended to browse the music. You pulled the empty box from the counter, ready to ask your boss what he wanted you to do next, when the bell on the front door chimed. You turned around to see a man come in and go straight to the New Release rack. He perused for a few moments before moving to the tables to search through the records. You expected Jake to emerge from the office, but he never did. After a few minutes of the guy looking entirely lost in his search, you took a deep breath and made your way over to him. Your eyes flicked to Olivia to see her staring at you, a cocky grin on her face. “Hi, can I help you find something, hun?” You put on your best customer service smile as he turned to face you.
“Actually yeah…” He looked like he was maybe in his early twenties and he seemed nervous, “I’m looking for something for my dad. He just bought himself a record player, but he doesn’t have any records for it.” He gave a shrug, “I don’t really know where to start here.”
This wasn’t as scary as you thought it would be, “Okay, do you know what kind of music he likes? Any specific artist or band?” You waited patiently for him to answer.
He pulled his phone from his pocket, tapping the screen a few times, and held it up to show you, “This is a band right? I think he likes them.” It was a picture of a man, probably his father, wearing a Led Zeppelin tour t-shirt.
Your eyes went back to his face, giving him another sweet grin, “Yeah. Zeppelin’s a great band. Your dad has great taste.” You moved around him to walk him over to the appropriate shelves, “We should have a ton of their stuff… Do you want anything specific?” You had a feeling that he wouldn’t know what to choose.
“I- Well, what would you recommend?” He stood by while you flicked through the selection, “Which one is the best?”
“That’s a tricky question.” You pulled a few vinyls from the display, holding them up one by one, “So, Zep one is a safe choice. It’s their first studio album, really opened up the door for them, plus it’s got a couple really great blues covers.” You slid that one to the back of your stack to reveal the next, “ Two is also good. You get Whole Lotta Love, Ramble On, Heartbreaker.” He was nodding as you pulled your final option forward, “This one is my personal favorite.” You held up the album, showing him the cover with the peeling paint and the old man carrying a bundle of sticks, “I kind of skipped over three, but Zoso…This is their fourth studio album, and arguably the best.” You handed it to the boy to examine, “Going to California is probably my favorite song of all time. But it’s also got Stairway to Heaven and When the Levee Breaks. Black Dog. If your dad is a Led Zeppelin fan, then he’ll definitely appreciate this.”
“You know what, I’ll take this one and the first one you showed me.” You handed him the first album before turning to put the remaining one back on the shelf. He was smiling wide as he took it from you, “So are you like a music expert or something?”
You giggled at his question, “I wouldn’t say expert… Just really appreciative of what’s good.” You were staring at his light blue eyes, almost entranced in them when Jake barked your name from the counter. You jumped, whipping around to look at him with wide eyes. He held his hand up, waving for you to go to him, “Gimme one minute.” You called out to him and went to turn back to the man in front of you, but Jake’s voice rang out louder.
“No. Right now, Y/N.” He was leaning his hands on the countertop, glaring in your direction, but his eyes weren’t on you.
You muttered an apology to the blue-eyed boy, “I’m sorry, I’ll be right back.” You shuffled across the store, embarrassed at how he’d just spoken to you in front of your first customer, but also pissed at how he treated you like you were an insolent child. You stood in front of him, whisper-yelling to avoid further embarrassment, “What the hell, Jake? What did I do?” You looked around, realizing that Olivia was gone.
“You’re here to work, not flirt.” There was an edge to his tone that you couldn’t fully decipher.
“What?” You stared at him in shock, “I wasn’t- I was making a sale! Yanno? What you hired me to do…” Was this conversation even real?
He stepped out from behind the counter, “Go wait in the office, I’ll finish your sale.” You moved to try and stop him but his voice was dangerously low, stopping you in your tracks, “Office, Y/N. I’ll carry you in there myself if I have to.” He turned on his heel, walking towards the customer without another word, and you found yourself obeying his command to wait in the office.
Pushing through the door, you looked around the small space before closing it and dropping into a chair. You were highly considering just quitting as soon as he came in, but at the same time, you didn’t want to. Everything was so confusing… Why did he accuse you of flirting when he wasn’t even there? And why did the possibility of you flirting make him so mad? You sunk further into your seat, pondering your own questions, but the one you needed an answer for most; Why did you so easily bend to his will? You were pulled from your thoughts by the door opening.
“Good to know you’re capable of obeying orders, peach…”
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yuri-is-online · 4 months
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You Simple Vile Monstrosity: Rook and the Flowers of Evil
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My other two dumb history posts have at least a semblance of fun fact to them, but this is mostly going to be literary analysis and some theory. There's some interesting stuff here sure, but I don't really think it adds much to the overall landscape of twst theories. But it does make Rook make more sense to me so I am making this post anyway.
So without further ado, if you are like me and enjoy reading twst theories, you might know that the beginning lines of Twisted Wonderland are something we have been debating the meaning of since the game came out really. While I think we have been closing in on their true meaning as Chapter 7 progresses along, the phrase "Flowers of Evil" can actually refer to something specific: a french poetry collection of the same name (Les Fleurs du mal in french) by a poet name Charles Baudelaire originally published in 1857. The collection was extremely controversial, but today it is highly lauded and has inspired several other literary works, including a manga series by Shūzō Oshimi of the same name. I found out about the poetry collection while working on this request and finally finished reading it... and another essay by Baudelaire for reasons we can talk about later on in the post. For now let's talk poetry.
Beauté! 100 Points!
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I don't speak french, so I read an English translation done by Aaron Poochigian that does contain the original french text in the back half of the book. The Flowers of Evil is split into seven-ish parts: The Flowers of Evil (just containing "To the Reader"), Spleen and the Ideal, Parisian Scenes, Wine, Flowers of Evil (again but with 12 poems this time), Revolt, and then Death. The sections are more or less organized by the subject of the poems, Spleen and the Ideal is the largest with Baudelaire musing over what the ideal concept of beauty is while Wine deals with getting drunk (on wine mostly if you can believe it.) One of the things that jumps out very quickly about Baudelaire's work is that his concept of beauty is almost synonymous with his concept of evil. He writes a lot about maggots eating corpses, about decay, he has a few poems that talk about vampires appearing to be the highest form of beauty but really being husks of rotted flesh; it's all very much about this acceptance that evil is a part of life and human nature, so therefore there must be beauty in it. The concept of "ideal beauty" must by it's nature be divorced from the concept of "morality." When Rook talks about the potential for Leona or Malleus to kill him and how beautiful that would be, I think he means the act of destruction itself would be beautiful. The circumstances surrounding it and the consequences of it are irrelevant to the concept; this is also why while he initially says he cannot find the crimson lotuses in GloMas beautiful Deuce accuses him of doing just that after everything is said and done. He cannot find beauty in Rollo's actions, but the visual and the fight are beautiful because of the effort he and the other students put in to stop them. And perhaps most importantly, it's why he is willing to drink Vil's poison and look upon what is supposedly ultimate ugliness and say "In this moment you are the fairest of them all." Because how could an act born out of such raw and genuine emotion be anything but?
Le Chasseur D'Armour, The Hunter of Love
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Baudelaire wasn't just a poet, he fancied himself a critic and wrote multiple essays, the one I read for this post is The Painter of Modern Life. Which is actually a collection of several but they are all related, and I was directed to them by this wordpress post. In it, Baudelaire muses over how things can be both beautiful and ugly, and why:
"Beauty is made up of an eternal, invariable element, whose quantity it is excessively difficult to determine, and of a relative, circumstantial element... which severally or all at once, the age, its fashions, its morals, its emotions."
He was talking about fashion plates that depicted outdated costumes, but his point was more or less that if you strictly look at the design of the costume they look ridiculous: ugly. But when you take into account their historical value (these particular plates were all from the around the time of the French revolution) they become exceedingly important: beautiful. He also mentions in this same essay the importance of not just taking into account the opinions of so called "masters" and sneers at people who think they understand what is beautiful just because they have seen a painting done by a professional:
"... to declare that Raphael, or Racine, does not contain the whole secret, and that minor poets too have something good, solid and delightful to offer... that we might love general beauty, as it is expressed by classical poets and artists, we are no less wrong to neglect particular beauty, the beauty of circumstance and the sketch of manners."
In chapter 5, while helping Vil judge the auditions for VDC, Rook gives every audition 100 points because, well, in his mind they are all an example of perfect beauty specifically because they are the work of amateurs, and that is no less valuable to him or less worthy of praise that the work of the master. Now granted he clearly does value professional quality (he did have reasons for voting for Neige other than being a massive simp. Valid ones even if loosing does sting) but that's only in the context of strict rules and guidelines. When Rook is asked for his opinion, while he certainly does believe there is an absolute, academic definition beauty, he doesn't place any value on where that beauty comes from. Baudelaire muses over how human life "accidentally" puts mysterious beauty into the world, and the true appreciator of beauty must make himself not strictly a poet but:
"...an observer of life, and only later set himself the task of acquiring the means of expressing it... For most of us... the fantastic reality of life has become singularly diluted. [But he] never ceases to drink it in; his eyes and memories are full of it."
I strongly dislike suggesting in these posts that xyz is "the definitive reason" for why a character acts the way that he does, but I do think it is very interesting how well this describes Rook's ethos. He thinks of himself as a hunter, but in order to do that he needs to observe. Sure he takes it to exceptionally extreme lengths, but it makes him one of the most lively members of the NRC cast. Baudelaire is right, there are a million things about life we miss on a day to day basis wherein true beauty lies, but Rook sees all of it. His eyes, memories, camera, and secret photo albums are fit to burst with it.
My Noble and Beautiful Flower of Evil
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I mentioned the opening text at the beginning of this post, and I stand by my interpretation that the phrase "flower of evil" it uses likely is not a specific reference to any of the poems themselves... beyond the obvious note that it is a collection of poems about finding beauty in, well, evil and most of the characters are based off of villains.
But there was something that started gnawing at me when I read the introduction to my translation, which was written by a poet named Dana Gioia. It was a very well written summary of Baudelaire's life and the significance of his work, but it mentioned a connection that I have seen brought up in twst theorizing before: Edgar Allen Poe.
You see, Baudelaire was obsessed with Poe. To the point that (according to the introduction) "He considered Poe a sacred martyr for art and referred to him as 'Saint Edgar.' In his morning devotions, Baudelaire prayed first to God and then to Poe."
I have nothing to say on that (because really what could you) but the point that Gioia wanted to make in that introduction was that Poe had a massive influence on Baudelaire's writing style. He wrote multiple essays on his work and translated them into French because he felt like Poe deserved the recognition, so while Gioia used this to argue that Poe's influence on Baudelaire shouldn't be underestimated...
I can't find the post, but someone was talking about how Malleus's mother's name Meleanor is very similar to "Lenore" and I recall people sort of brushing that connection off. I don't that name is a coincidence. I think the poem "Lenore" might very well have been something thought about when constructing her character, and that the themes in Poe's work might be very relevant to the overall story of Twisted Wonderland.
Something about ravens and telltale hearts just feels like they fit; maybe we have got it all wrong and Yuu's visions aren't coming from the mirror in Ramshackle, but the floorboards.
Semi- Unrelated Fun Facts:
If you read the name Baudelaire and thought to yourself it sounded familiar, you might have be thinking of the Baudelaire children from A Series of Unfortunate Events. This isn't exactly a coincidence as the author of the series admits to his writing being heavily influenced by Charles Baudelaire to the point he actually wrote the afterword to the translation I own.
Dana Gioia is the former Poet Laureate of the state of California, something that deeply confused me. Apparently the Governor of California appoints someone to a 2 year term and they travel around the state to promote poetry and literacy which is apparently something that 46/50 U.S. states and D.C. does to????
My glorious motherland of Pennsylvania is not one of these states, apparently we only ever appointed one, then eliminated the position entirely after he retired, and then started just. Handing out ones to people in individual cities and counties. Which is so par for the course here I don't know why I am surprised.
One of the first things any college level literature course will try to drill into you is that you don't examine the life of an author when examining their work. It might sound silly, but I think Baudelaire is a great example of why that's important. The man was addicted to drugs and sex, refused to get a "real job", lived off his inheritance from his wealthy father and eventually whatever money he could convince his mother to send him his entire adult life, and had her use her political connections to bail him out of legal trouble multiple times.
If I thought too hard about that it would make his lines in "Skeleton Laborers" (Nothingness is treacherous.//Even Death is a deceiver.//Alas, forever and ever,//work may be awaiting us) fall terribly flat, which I think does them a disservice. The man was very talented and I am glad he wrote them because I felt very seen when I read them.
Baudelaire opened his publication with a note to the reader, but he made it a full poem entitled "To the Reader." I liked the ending stanza so much I used a version of it to title my blog, and eventually my current masterlist: (Boredom! Moist-eyed, he dreams, while pulling on//a hookah pipe, of guillotine-cleft necks.//You, reader, know this tender freak of freaks-//hypocrite reader-mirror-man-mytwin!)
Likewise the title of this post is also taken from part of a poem, "Hymn to Beauty" (Beauty, you simple, vile monstrosity,//I cannot care about your origin,//provided that your gaze, smile, feet show me//a sweet infinity I have never known.) I think that fits Rook's ideals rather well, don't you?
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milkywayan · 4 months
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Do you have any recommendations for books about the everyday lives of medieval people? The last two that I’ve read were just disappointing, leaning far more into sensationalism than anything, and not taking into account the changes in worldview and society between then and now. I love everyday history of how people went about their lives, from how they made breakfast and what they wore, to the games they’d play to pass time and what they thought of their place in the universe. I love your historical posting and was curious if you had any recommendations for non-disappointing books to read! (I read better in English than German, but either would be appreciated!)
Cool to hear you are interested in 'domestic history' as it is often called!
I read these kinds of books mostly in german as I am interested in central european medieval times, as most english books are about britain and france. So I am sorry, most of this stuff is German.
Personally I was very, very happy with 'Wien in Mittelalter' by Peter Csendes & Ferdinand Opll, which is as the title says about Vienna in medieval times (from ~900 until 1529, which is the date set as the end of the medieval times in austria). First half is a timetable for each year, based on documents found in the archives to state what happened. Not only what kings and dukes did, but also e.g. 'Frenz sued his neighbour because his window is built wrong'. Tells you a lot about things people cared about. Second half describes in detail how e.g. the city was divided, how it was governed, how people lived etc. I really, really liked it, but it is mostly about Vienna and its Bürger and thus does not go into detail of the world beyond.
In addition to that, speaking of Vienna, there is the Geschichte Wien Wiki, which is one of the best history wikis in the world! So much details and also images of a lot of maps and stuff, it is great!
Another book I am currently reading (and loving) is also German, called 'Unerhörte Frauen' by Henrike Lähnemann and Eva Schlotheuber, and is about medieval nuns, mostly of the late 15th century in Germany. It discusses diaries of nuns and also explains how they lived, how the cloister was set up, how their education looked like, etc. It is really nice and it is very well researched, putting attention to often ignored women!
When it comes to food I generally read the actual recipe books from the time, as it is the best representation for it. There are also a lot of blogs from reenactors talking about it. For example this blog where some of my friends are involved, focused in 14th century cooking (also german).
I also recommend this blog by an Austrian reenactment group, where they talk about a lot of cool medieval topics. They are very passionate and have a lot of references (also German but have some posts also in english)
Going more specific and maybe boring there is this 7 book set about the finds of excavations in London. I have two of them by now, and it is quite cool to see what people used, how it looked like, what was common, what stuff was made of. But it is very thechnical/academic, so maybe not what you may be looking for. My reenactment friends and I love these books because it helps a lot in recreating stuff authentically.
Otherwise I read not that many books about medieval life, I mostly read research stuff and read medieval literature (I made a long post about it a while back) and talk with my nerdy friends about it
I hope this is useful!
Any of my followers, feel free to add if you know cool books and stuff :)
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