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#I have hobbies way beyond drawing art is not a huge thing in my life
ratwithahatonamat · 9 months
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Microwave be sewing
This was what I like to call a scrap project™️ this is the bits and pieces from like 4 different projects some mending/tailoring some just random awkward amounts of ribbon I own
So this scrap project™️ was a choker for a vampire outfit/sona (?) I’m working on and obviously what choker isn’t complete without a center piece and what doesn’t fit better then a plastic roach?
I’m wondering if y’all are interested in my sewing/knitting adventures i actually do quit a bit more art that isn’t just drawing
Drawing is the art I am least known for irl so I’m wondering if y’all here should find it interesting I have been meaning on doing more ceramics now that I’m back in school
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wyrtig · 10 months
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(same anon as before) No prob, I'll just post what I wanted to talk about here.
I'm trying to write a fic with KvZ as the focus and you depict him so well with your art, I kinda want to ask for your opinion on him and Genshin and their relationship (huge GnKnt shipper here) just to get a different perspective and more depth into what you think of them. I love how you portray them both and I'd appreciate hearing what you think.
Also as an amateur artist, if you could give me any art tips about drawing like you do, especially with all the symbolism and metaphors, I'd really appreciate it.
That's all, thanks, and sorry if I bothered you!
vvv
Thank you! But you give me too much credit. I’ve mostly just drawn variations of the two standing in the dark [gestures to img below]. Admittedly, I haven’t thought too deeply about their relationship beyond Klimt’s mental decline (and how that affected the people around him) and their final duel. But if it’s anything, I view them both as impulsive and emotional. I don’t really have a solid opinion on the matter of their marital status. Sorry, I just enjoy seeing guys who are doomed by the narrative be self destructive and tear their lives apart 🤷‍♂️
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As for art tips— I don’t know how experienced you are, but regardless of skill level, you should have a good grasp on the fundamentals (eg: values, proportion, perspective, line quality, etc.). Once you have a handle on the basics, drawing from life, doing master copies, photo studies, etc. helps further develop and hone your skills.
I don’t have any good resources explaining things, but search around; there's plenty of free art learning resources online. I’ve heard good things about Proko on youtube. It's also good to look at artists of different styles, mediums, and eras. That way, you can learn from analysing their techniques and you can develop a style of your own.
A small word of advice— if you're still a beginner, don't get too caught up on the details and on complex techniques. Those things will come in due time (or if you want to push yourself, but I don't really recommend force. you should enjoy creating art). Beautifully rendered art with unintentional poor proportions and composition sticks out like a sore thumb (unless you don't mind, then you do you).
Explaining my creative process is tough since most of it just kind of happens, so I’m sorry if this comes out incomprehensible. For me, when it comes to symbolism, it’s basically analysing the character and what situation you want them in and honing in on specific ideas. Let’s use these pieces for example:
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Kazuma has an association with snakes because his family crest represents snake eyes. Here, I’m using the snake to symbolise his hatred, which stems from his father's death. On the left, he wields it. He's seemingly calm and under control. The snake is ready to strike. To the right, his hatred spirals and nearly consumes him. It's the demon inside him 🤓
Besides the obvious of what happens in their story, some things you can draw from is how a character presents themselves, perspectives, occupation, hobbies, personal effects, cultural/religious/societal/etc. background, conflicts, era/location, etc. But other than that, symbolism can be incorporated in smaller, subtler ways, like the way someone holds a bottle, how an article of clothing is worn, and the like. Watching movies/tv, reading comics, and other media helps. Pay attention to how the director/author frames and lights things 👍
(side note: karuma is a recurring symbol in tgaac)
Not sure if anything I wrote here is of help, but yeah
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Urusalirë (copper-song)
For @tolkienocweek Day 2: Family Members
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Urusalirë (she/they) is Mahtan’s partner and Nerdanel’s other parent. The pair are in a QPR and married because it was more convenient and neither of them minded. They’re one of the reasons Mahtan gets his epessë “Urundil” (copper-lover/friend) besides loving the material itself.
Art notes: Those clover-sigils on her shirt? Took me forever to decide on them. I did a full colored version as well for the background but decided it looked too busy. I think I figured out a way to draw ✨treelight✨ in eyes, the star-pupil eye shine+glow. And speaking of eyes: yes I have her radial heterochromia, no I'm not ashamed.
Overall they’re a fairly lighthearted, cheerful, friendly person, and very chill compared to most of pre-Darkening Valinor. Urusalirë doesn’t possess the typical Noldorin form of crazy (PASSION! Make things for 3 days straight! Disagree with me and taste my blade! Food/sleep is for the weak!) and tends more towards “feral, possibly nocturnal, can’t settle on one hobby for more than a month, always busy but no one knows where/with what? disappears and reappears at random, are they a person or an Entity???” She has informed me that this is because they’re a Noldo by assimilation/ adoption, and their birth family were Tatyarin Avari. Of her grandchildren, Caranthir looks the most like her, and Maglor most takes after their personality (see: beach cryptid Sad-lor).
Officially, they’re a copper-smith “by day”. One of her adopted parents worked in a forge, which is how she and Mahtan met. They took one look at him and went “I’m gonna friend that.” She hung around the forge to talk to him so much that they got pretty good, but she isn’t passionate about it. Mostly, she focuses on everyday things to make and repair, which in Valinor means they aren’t often in high demand, so they have time to experiment with other hobbies. “By night” they enjoy singing and have a small but cult following. It’s one of the few things that’s kept her interest throughout their life (the others being socializing and stargazing, though she can’t do that in Aman pre-Darkening), but she doesn’t want to do it professionally.
Before everything goes Wrong, Fëanor ends up very close to his in-laws because Mahtan was his mentor, and Urusalirë took one look and instantly vibed with him (they do that a lot). She doesn’t become a mother figure (mommy-issues) but he goes to her when he needs advice about stuff he doesn’t want to be logical about. They end up being one reason Fëanor and Fingolfin’s relationship doesn’t deteriorate beyond repair pre-Melkor. They’re good with people, which means she can figure out what’s up and then tell him in a way that he doesn’t immediately dismiss their advice, unlike Mahtan. If it weren’t for Fëanor and Nerdanel’s big fallout, they probably would have gone along to Beleriand with him at Urusalirë’s urging.
She's an extrovert with a huge social circle, but despite having an abundance of friends, there are very few people they feel close enough to have a deep, sincere friendship with- though they’re perfectly happy with those who don’t realize this and assume their closeness is reciprocated in her. This is the result of an event while they were still in Cuivienen involving a spy of Morgoth, a much younger and looser-lipped Urusalirë, and her (dead) brother. It takes a lot for them to legitimately dislike a person, but one of the easiest ways is by hurting her family in some way. This makes Nerdanel and Fëanor’s separation especially heartbreaking for her, because they really did count him as family but they have to side with her daughter.
After the Darkening/Flight/Exile she becomes serious, approaching on grim. The majority of their friends and family are gone, and Tirion is near-empty. No one has the light-heartedness they used to, but those that went on the Great Journey have at least some idea of what the exiles are getting into. Her songs become significantly darker and bitter- she doesn't like the people trying to pretend nothing is wrong while vilifying the exiles, and though they don't blame the Valar it’s clear the trust there is gone.
They’re the only one of their remaining family to join the War of Wrath, since she and Mahtan agree that he should stay with Nerdanel. Hypothetically, they shouldn’t be involved in the fighting often, as she joined up as a smith. In practice, that doesn’t end up happening. Fortunately, they find killing orcs very cathartic. Unfortunately, she ends up dying in the end stages of the war. Fortunately, Mandos’ therapist skills have improved significantly with all the practice, and the Halls give her some much-needed rest and closure. They return relatively quickly, though not quick enough to be ahead of everyone else’s return and the list of the dead. They have a very emotional reunion with their family, and then settle into a routine that lasts until the very beginning of the fourth age, when Celebrimbor is reembodied.
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rhysismydaddy · 3 years
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An Artful Revenge Pt. 2
Feyre’s part of The Damnation Series. Part 1 is here.
I am proud of myself for finishing this shit, because it’s long as fuck. Whoops.
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~Feyre~
Honestly, I should’ve known.
I should’ve known that somehow, with whatever endless resources he has, he would find me. 
That’s all I can think as I find my way into the Impressionists exhibit and find Rhysand Azara, real estate agent to the stars, leaning against the wall, sipping a cup of coffee and looking at Dancers in Blue with narrowed eyes. 
It’s been five days since our date, and like the cliché I am, I’ve spent the entire time thinking about him. I’ve checked my phone countless times, and I even decided to stalk him and Googled his name. 
When--just like he’d said--nothing came up, I googled Dancers in Pink. He said he had it, but it had been sold a few years ago in an auction to “Amren Valenta.”
Unless Rhysand had a stage name, that was definitely not him. 
I dug some more, but after three hours all I discovered was that he owned Azara Industries, which owned a lot of buildings downtown. Oh, and he never let himself be photographed. 
Which was upsetting, because it means I had nothing to stare at whilst stalking him. 
Pathetic. I am so pathetic.
But anyway, I should’ve known he’d come here. He’d said he’d call, but he didn’t have my number. Plus, I’d told him I come here pretty much every day, so really, what did I expect?
I still laugh as I spot him though, somehow surprised, and ask, “Here to flirt with more art students?”
“Just one,” he answers, running his eyes over me as I draw closer. 
Gods, this man is seductive. He’s just looking at me, but I feel his gaze like a touch, dragging over my entire body with slow, intentional grazes. 
My breath hitches, and his eyes twinkle, like he’s well aware to the dirty place my mind has wondered. I can tell he’s holding in some likely-male comment, but he refrains from embarrassing me and he holds out another cup of coffee. 
I take it, grateful for the caffeine boost, and find it somehow made exactly the way I like it. Maybe I’m not the only one stalking. 
Although his methods have to be better than mine if he already knows about the definitely unhealthy amount of sugar I put in my coffee. 
“How many times have you been here this week?” I ask, curious to see his level of devotion. 
“Three. Not a very convenient way of communicating with someone, I admit. I was about to send a smoke signal.” He watches me sip the coffee, watches my tongue dart over my lip. “Plans tonight?”
I fight a sigh and decide to be a student worthy of my scholarship for once. “I told myself I’d work on my senior project.”
His lips twitch at my dejected tone. “What is it?”
A ginormous pain in my ass. “Bad,” I say simply. 
He shakes his head, sipping his coffee and eyeing me over the rim of the cup. “Details.”
For someone who offers no information, he loves demanding it from me. Instead of fight it, I groan and give in to the patriarchy. “It’s just bad! It’s supposed to be a mix of different styles and mediums, but it’s going so poorly I might just start over. Or drop out and become a starving artist a year ahead of schedule.”
Rhysand smiles at my phrasing. “I would never let you starve. And what do you mean, mixing styles and mediums?”
“For someone who frequents museums and has millions of dollars in art, you don’t know much about it, do you?”
“I have people for that.”
“Amren Valenta?” I ask without thinking, exposing myself as a stalker. 
He pauses, cup halfway to his smirking mouth, and raises a brow. “Clever, creepy little woman,” he teases. “But yes. Amren is my curator, and we use her name because I don’t want media attention. As I’m sure you know.”
Busted and blushing to high hell, I roll my eyes and become a junior detective. “Isn’t it illegal to buy something with someone else’s name? What if the IRS comes after you?”
Rhysand looks at a loss for words at that. If I weren’t serious, it would make me laugh how shocked he looks. “I guess,” he says after a moment, “I’ll cross that bridge when I come to it.”
I roll my eyes again, because we both know he doesn’t give a shit. It’s not like the IRS actually enforces rules for the one percent, anyway.
“Now tell me about your project.”
Rolling my eyes at how bossy he is, I tell him, “I wanted to combine photography and painting. And I wanted it to be kind of abstract, but also realistic enough.”
“Ambitious.”
I sigh, not able to repress it this time. “Stupid, is what it is. I don’t even know where to start. I have no motivation, let alone inspiration, to work on it.”
A contemplative look crosses his face. “I know where you could find inspiration.”
I raise an eyebrow and gesture around us, because in case he’s missed it, we’re in a museum. Inspiration abounds. But he scoffs and whispers, “This is child’s play compared to a certain someone’s private collection.”
“Oh yeah?” I ask, playing along and pretending I don’t know the someone he’s talking about.
He nods, looking around as if making sure there are no spies in the completely empty room listening we’re standing in. “He has Degas, Monet, Dali, you name it. And he’s generous enough to let you come over tonight.”
Pursing my lips, I scan his face, trying to see if he’s serious. I mean... I am dying to see his collection. But, “Is this just a ploy to get me naked?”
He puts a hand on his chest, offense written across his face. “You think I’d try to seduce you while you study?”
“Yes.”
“You’re probably right.” He chuckles, then says, “If you need to get naked to look at art, I certainly won’t complain. But no, Feyre darling, this isn’t a ploy.”
I pause, half stuck on the whole darling thing and half contemplating what to do. 
Ploy or not, I know that if I go to his apartment or house or mansion or castle, I’ll probably sleep with him. He’s too attractive, and my resolve just isn’t that great where’s he’s concerned. 
Plus, I know it’s insane, but art just... Never mind.
I tell myself nothing’s going to happen and that I’m going because of the art--both lies--as I say, “Okay.”
He extends a hand, and I slide mine into it, almost sighing at how perfect we fit together. Would that be the case everywhere? 
Feyre.
I avoid looking at him as he leads me from the room and outside, where a very beefy guy holds open the door to a black sedan. “Seriously?” I ask Rhysand as he ushers me in the back, then climbs in beside me.
“I usually drive myself,” he says in defense, smiling when I roll my eyes.
The city blurs around us as Beefcakes drives, and I’m about to ask where the hell he lives when the car pulls to a stop and the door opens. Climbing out, I look up at the black, shiny penthouse tower, and say, “Of course you live here.”
It’s expensive and in the city and has a million floors, and I bet he lives at the very tippy top.
He gives me a strange look but pulls me in the lobby, then into an elevator. We shoot up flight after flight till we reach the penthouse, confirming my suspicions. 
For what feels like the millionth time, I ask myself why the hell Rhysand’s taken an interest in me. I mean, a year of therapy got me to admit I’m decent looking and all, but I’m... I’m a college student. He’s older and richer and has his life together. Why does he want me?
I don’t have long to contemplate life’s great mysteries because the elevator doors slide open, revealing his apartment, and I become too busy trying to mask my surprise.
I thought the place would be... I don’t know, like him. Sleek. Modern. Luxurious. 
And it is, at least that last part. Everything is obviously expensive. But there’s also a homey quality created by a fireplace, plush couches, decorative rugs, tapestries.
It’s burgundy and black and cream, and so unexpected I smile.
I step in and walk automatically toward the huge windows, taking in the view and realizing we’re at the dead center of the city. In all directions, Chicago’s spread out, lights and traffic and Lake Michigan surrounding us.
Even though the place is beyond wonderful, there’s one thing missing. 
I turn to Rhysand and raise a brow. “No art?”
“One floor down.”
I have to press my lips together to keep the questions in. One floor down, as in it takes up the whole floor. As in he has a private museum. As in I’m so fucking excited I can hardly walk. 
But he seems to be baiting me, seeing how long I’ll last before demanding to be taken down there, so I casually walk around his apartment, taking in all the little details. “It’s more... lived in than I would’ve thought.”
He nods, knowing what I mean even though it was a poor way of explaining it. “I have a few places around the city, but this is the one I prefer.” Nodding to the kitchen, he asks, “Hungry?”
“You cook?” The thought of him covered in flour seems absurd, but we all have our hobbies.
He smiles like I’ve said something funny. “No, but I have takeout menus in there.”
“Hopeless,” I tease, going to the kitchen and opening the fridge like I’m the one who lives here. “I’ll find something.”
I end up finding beer, wine, cheese, and various fruits and vegetables.
Not a lot, but enough to make a charcuterie board, which just so happens to be my specialty. I search for a few minutes before finding a wooden cutting board, then start to assemble whatever snacks I can find.
Cherries and grapes, two types of cheeses, carrots, and crackers fill most of the board, and I fill in gaps with blackberries and chocolate chips I’m surprised he has. 
Once it’s completed and visually appealing enough, I slide it over to where he’s seated on a barstool and bow dramatically. “I’m a master cheese plate maker.”
“I see that. Wine?”
Nodding, I reach in the fridge and grab the first bottle I see. Setting it in front of him, I move to the cabinet and get two glasses and an opener.
Rhysand takes the opener and eyes the bottle, lips twitching as he smoothly uncorks it.
“What?” I ask, unable to figure out what’s funny. Was it weird to make a board or something? Surely even rich guys like cheese and crackers, right?
He pours two glasses, shaking his head and silently refusing to let me in on the joke.
Eyes narrowed, I sit next to him and suspiciously take a small sip from my glass. He watches me, probably expecting me to say something about it, so I offer, “It’s good.”
He bites his lip but can’t keep the laugh in at that, so I finally demand, “What?”
“It’s an $800 bottle of wine, Feyre.”
I almost spit it all over him, which would indeed be a shame, because there’s probably $50 in my mouth. Managing to swallow it down, I sputter, “You... you should’ve said something!”
He’s still laughing, but he stops to take a huge swallow and shrug. “I say we drink the whole bottle.”
I put my head in my hands, blushing. “I’m sorry.”
“Don’t be. I couldn’t care less.” He pries my hands away. “Seriously. I just wanted to tease you.”
Now that, I believe. But I still ask, “You’re sure?”
“I’m sure.” He smiles, taking another sip. “I keep the really expensive stuff at the townhouse, anyway.”
I roll my eyes and drink some more, somehow trying to taste it better or something now that I know it’s liquid gold. Shifting to put my foot on the stool, I lean across him to grab the platter.
His gaze glides over me slowly, and there’s surprise in his eyes, like he can’t believe I’m sitting in front of him so casually. 
It’s probably weird to be so... open around a stranger, but he’s not exactly normal, so I don’t feel any pressure to be, either.
Regardless, it’s a little hard to breathe with him looking at me like that, so to break the tension, I grab a cherry, pull the stem off, and hold it an inch in front of his face. 
“Ready?”
His eyes cross and he pushes my hand away so he can actually see what I’m holding. “Ready,” he confirms.”
I stick the stem in my mouth, using a trick I spent three hours teaching myself on a rainy afternoon to tie it in a knot, then pull it out with a victorious grin.
“Very impressive,” he notes, but before I can gloat about my supreme cherry-knotting abilities, he steals the stem and sticks it in his own mouth.
My eyes are wide, but I don’t have time to ask what the hell he’s doing before he pulls it out. 
Unknotted.
“Impressive,” I repeat, actually meaning it. “How’d you do that?”
“I’m good with my tongue,” he says immediately, obviously having been lying in wait for the question, and I huff a laugh.
If I called my sisters and told them what I’m going right now, they’d probably try to have me committed. I’m sitting in a billionaire’s penthouse apartment, drinking expensive wine and watching him untie cherry stems with his tongue. 
“How was your week?” I ask to get us back in semi-normal territory, grabbing a cracker off the plate.
He answers vaguely and asks me about mine, and just like that, we fall into easy conversation.
It’s honestly strange to me that after one date, we can talk like this. With my ex, it took weeks before I was really comfortable around him, and yet I feel completely at home with Rhysand.
He tells he’s from the south side of Chicago and asks about my hometown, and I it feels natural. It’s just... easy.
“By the way, you can just call me Rhys,” he tells me as we finish off the platter. “Using my full name reminds me of when I got in trouble in grade school.”
I drain my wine glass, a slight buzz in my veins, and ask, “So I only call you Rhysand when I’m about to spank you?”
He howls with laughter, then surprises me by asking, “What’s your middle name?”
“Adalene. Why?”
“Just trying to figure out what I’ll call you when we get around to spanking.” I blush as he continues, “Feyre Adalene should do.”
He puts the empty wine bottle in the trash and runs a finger over my red cheek. I bat it away, embarrassed, but he just laughs and asks, “Ready to go downstairs?”
For some reason, I get a little nervous, but I put on my big girl pants and nod, taking his hand when he offers it.
Then we’re back in the elevator, coasting down a floor, and just before the doors open, he says, “Close your eyes.”
Anticipation makes it difficult to follow the request but I manage, and he guides me out of the elevator and turns me slightly. “Open.”
I open my eyes and come face to face with something I never thought I’d see. 
“You... you have a...” I whisper, not quite able to get the word out.  
“Meule.”
One of eight left in private collectors hands, Monet’s Meules--or Grainstacks--are some of the most recognizable, renown works of art in the world. The last was sold four years ago for over $80 million.
Amren Valenta is a very, very rich woman, according to her art collection. 
I’m standing inches from it now, mildly unsure of how that happened, looking at the sunset colors bleed into the shadows of the grain, taking in the easy lines and brushwork.
Turning to look at him, I see he’s leaned against the wall next to the painting, head tilted as if I’m the most interesting thing in the room.
“I can’t believe I’m here right now,” I say honestly, my voice airy and light.
He just smiles and motions to my right. “The collection goes in a loop.”
I nod, and after a few more minutes staring at the Monet, I start to walk.
Or more like mosey. 
If he’s irritated with how long I’m taking, he doesn’t mention it. He follows me as I stare after pieces of art I never dreamed of being close to. Van Gogh, Rembrandt, Klimt, Pollock, Munch.
And then, at the edge of my peripheral, I see it.
Dancers in Pink hangs besides a smaller Degas, but it’s all I can look at. The dancer’s skirts are so bright in person, the tulle layers seeming to come off the canvas. The gold in the background is vibrant and metallic, in sharp contrast with the dark wall it hangs on.
Gods, it’s beautiful.
I know there are more famous paintings in here, but I’ve spent three years going to look at Dancers in Blue, never imagining I’d see one a similar work. 
Tears slide down my face and a laugh bubbles out of me, the two reactions complete opposites but both somehow feeling right.
Strong arms wrap around my waist, and I feel Rhysand’s chin settle on my shoulder as he hugs me from behind. “You know,” he whispers, seeming to not want to disrupt my moment with loud noises, “I never understood how important this is to people.”
“Oh, Rhysand. It’s... wonderful.”
It’s an inadequate way to say what I want to say, but it’s all I can come up with at the moment. I lean into him, and we stand like that, me staring at the painting, him at me, for a long while. 
When I start to get tired, I turn in his embrace, wrap my arms around his shoulders, and kiss him softly. “Thank you. Thank you so much.”
I somehow finish the loop, and by the time we’re in the elevator again, I’m so emotionally spent I can’t hardly breathe.
“Inspired?” he questions, linking our hands and pulling me closer to his side.
I nod, but inspired doesn’t begin to cover it. I’m grateful and overwhelmed and so happy I could burst.
A professor once told me that art is a gift that lasts forever and never stops giving, and I never really understood what she meant until now. Over a hundred years after Dancers in Pink was completed, it still brings people to tears.
It’s a powerful and beautiful and eternal way to send a message, and it makes me feel like a small piece of the puzzle, but at the same time, so important and alive.
We glide smoothly back up to his apartment, but neither of us move once the doors ding open. 
Because technically, there’s no longer a reason for me to be here. 
I’ve seen the art, drank his expensive wine. I should get my bag and go. 
I should... but I don’t want to. 
Rhysand’s perfectly quiet and still beside me, patiently waiting for me to make up my mind. 
The angel on my shoulder tells me how sweet and considerate he’s being. The devil tells me to reward this behavior with a few sinful ideas. 
Running a hand through my hair, I debate my options. Be smart and leave, or stay and try and fight the urge to throw myself at him. 
“Oh, fuck it,” I mutter, dramatically taking a step forward like I’m going into war.
He laughs as he follows me off the elevator, strolling back to the kitchen. “More wine?”
I nod, because at this point, I’m already a lost cause. He opens a new bottle and pours me some. “How much was this one?”
“Ten dollars,” he lies, fighting a smile. “On sale at Walmart.”
“I’m surprised you even know what Walmart is,” I laugh, taking my seat back at the bar. 
“You forget I’m from the south side. All this,” he motions around us, as he takes the seat next to me. “Used to be nothing more than a dream.”
“How’d you do it?” I ask, genuinely curious. Most people with his kind of wealth were born into it and given every advantage possible. “What’d you do?”
He looks down at the floor, but there’s a sudden set of his jaw, a tightness in his shoulders. “Whatever I had to.”
I don’t point out he’s given me yet another non-answer. Instead I say simply, “I find working for something makes you value it more, anyway.”
His eyes find me again, and there’s something I can’t read in his gaze. “Yes, it does. And it makes you do whatever it takes to keep it.”
I swallow and nod slowly, trying to figure out what exactly he means.
He takes a deep breath, then drinks the wine in his glass in a single swallow. There’s a story there, and it’s easy to see it burdens him, but it’s his to tell in his own time. 
Just to get that strain out of his gaze, I switch topics completely. “Honestly, I’m still trying to figure out how you untied that damn cherry stem.”
Rhysand smiles, a full one that showcases all his pretty little teeth, and leans in, the intent clear in his eyes. 
“Come here and I’ll show you,” he whispers.
I press my lips to his and open them immediately--for the lesson, of course--and his tongue meets mine in a slow glide. 
Where our first kiss was all heat and drifting hands, this one’s slow and sensual and like ice cream melting on a summer day. 
His mouth fits mine perfectly, and his hands seem to be made to hold me, sliding up my thighs to settle on my hips. The hair at his nape is soft against my fingers, and I lean on the stool to get closer and wrap my arms around his neck.
I suck on his tongue, and he makes a low sound, then his hands are tightening and lifting, and I’m being settled on his lap.
Both of us on one stool isn’t ideal, but I wrap my legs around his waist and hope we don’t go crashing over. 
Gravity comes into play and I start sliding, so he turns the stool and traps between him and the counter. The granite digs into my spin, but I can’t be bothered to care, because the new position gives his hands freedom to roam again, and he slides them over my thighs, across my ass, up my sides. 
His thumbs brush the sides of my breasts, and they become heavy and aching against his chest.
His mouth slowly drags down to my neck, and I sigh as he finds that one spot that drives me crazy. His nips the skin, tongue smoothing the small hurt, and his name slips out of me in a quiet moan. 
Everything seems to change at once.
Cursing creatively, he sweeps me into his arms and stands, then walks us into his living room and plops onto a plush couch. 
My ADHD kicks in and I’m momentarily distracted by how soft the leather is, but then his tongue runs across the seam of my lip and I snap back into focus.
My hips are churning against him, desperate for some friction, and I kiss him without restraint, abandoning our slow, peaceful rhythm from earlier. I hadn’t realized I’d been working on the buttons of his shirt, but then a band of tan skin is exposed, and I dip my head to press my lips against it. 
He tugs my hair to bring my mouth back to his, and I practically attack him, biting his lip and pulling his hair and generally acting like a depraved cavewoman.
He doesn’t complain, though. His hands drag my hips closer, then slip under the hem of my sweater. 
The scrape of his callouses on my sides snaps me back to the shocking reality where I’m--yet again--making out with a man I hardly know, and I gasp, then curse, then practically jump backwards off his lap. 
Standing in front of him, I put a hand over my mouth like that’ll stop me from using it and look him over. 
He’s all sprawling legs and swollen lips and beautiful eyes, and I force my eyes to the ceiling. “You look like a hot, virginal dork I just deflowered in the back of my minivan,” I tell him. 
“I feel a bit like that,” he laughs, running a thumb over his bruised lips almost in shock. “Although it’s always nice to be desired.”
I’d be embarrassed if I wasn’t so distracted by him looking so thoroughly messy. 
But I know that despite what just happened, I can’t do this with him yet. 
I mean, I definitely could, and it definitely would be enjoyed by all parties involved, but I would regret it. 
Rhysand isn’t someone I can just sleep with and forget. I’ve known him a week, and I already feel a strange sort of bond with him. 
If we slept together, then never spoke again, it would hurt me more than I’d care to admit. 
“I think I should leave.”
He nods like he was expecting this, but asks, “Why?”
Putting my hands on my hips, I repeat what I said earlier. “Working for something makes you value it more, remember?”
He smiles and stands, taking a minute to straighten the clothes I’d pawed out of place.
“It also makes you do whatever it takes to keep it,” he reminds me, a shiver sweeping over me at the words. “Come on; I’ll walk you out.”
We go to the elevator and stay on opposite ends the entire ride down. I’m a little proud, because I most certainly thought about crossing over to his half. 
Stepping outside, Rhysand motions for Beefcakes to open the door. “He’ll drive you home.”
“Thank you,” I say, starting towards the car. 
I take two whole steps before he’s somehow in front of me, blocking the path. “Two more things.”
He kisses me, gently but firmly, then pulls back and slips a piece of paper in my hand. “It’s your turn to send smoke signals.”
I look down at the paper and see a number written in a slashing scrawl, intelligently putting together that it’s his phone number. I look back up to respond, but he’s already back at the entrance to the building. 
Rhysand looks over his shoulder, winks, and disappears inside. 
I get in the SUV and tell Beefcakes my address, and off we go. I study the piece of paper the entire way there, mind reeling with everything that happened today. 
The easy conversation, the art, the kiss. 
Is this how it feels to be swept off your feet?
And how long, exactly, do I have to wait before calling him?
________________________________________________
This took me so long to edit holy FUCK. Part 3
@perseusannabeth​ @cursebreaker29​ @a-bit-of-a-cactus​ @elriel4life​ @girl-who-reads-the-books​ @shinya-hiiragi​ @aelinfeyreeleven945tbln​ @ireallyshouldsleeprn​ @highqueenofelfhame​ @nahthanks​ @ghostlyrose2​ @tillyrubes10​ @claralady​ @tswaney17​ @rowanisahunk​ @superspiritfestival​ @thegoddessofyou​ @awesomelena555​ @booksofthemoon​ @greerlunna​ @jlinez​ @studyliketate​ @over300books​ @justgiu12​ @maastrash​ @aesthetics-11​ @bamchickawowow​ @b00kworm​ @sleeping-and-books​ @musicmaam​ @hizqueen4life​ @maybekindasortaace​ @elorcan-trash​ @emikadreams​ @alpha-omegas​ @joyceortiz13​ @sapphic-beauty​ @meowsekai​ @ahappyhistorianreader​
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bluesky-thewebcomic · 3 years
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Final thoughts from Elvenwhovian
So here we are at the end. The last panel. There were a lot of times that I thought I wouldn’t make it to this point. It’s been an incredible and long journey, and finishing a project like this is satisfying beyond words. I know that many of you were not here from the start, so I just wanted to share the story of how this 930 panel monster of a project came to be and thank a few people who helped along the way.
Really it all started in March of 2014. My roommate had taken a trip to New Zealand to visit family and I was having a pity party at home alone (It’s always been a dream of mine to go to New Zealand). I was window shopping online on Thinkgeek (RIP Thinkgeek) and I was seeing all this merch for a game called Portal. This led me to Steam, which led to finishing the first Portal in about a day, then Portal2 in about 2 weeks. 
Of course this led me to begin looking up fan art which led me to discover the fanfiction “Blue Sky”. I read the whole thing in about 4 days. I was so engrossed in the story, I ate, slept, went to work, and read Blue Sky and nothing else. I vividly remember sitting at my kitchen table, ipad in hand, as I read the last lines of the story. I sat back, let out a long breath and said, “Wow. That was one of the best stories I’ve ever read.” 
The fan art came next. Being relatively new to tumblr, I was used to getting 3-6 notes on a post. Suddenly, people were coming out of the woodwork liking and reblogging. My mind was blown and it made me want to make more fan art. Then I met @starry-nightengale who became one of my best friends on this site. We fangirled over “Blue Sky” and Portal over the next year which led to us co-writing “The Trial of the Bow” trilogy, a medieval/fairytale retelling of Portal, Portal 2, Blue Sky, and Portal Stories: Mel. 
It was on Labor day weekend of 2015 when my internet went down inexplicably. My roommate who had the internet in her name was out of town yet again and I conceded that I would have to wait until she got back to get the issue resolved. The Trial of the Bow Trilogy was finished and I had just co-written with @the-royal-sketchbook a Half-life Medival/fairytale fanfic “The Legend of the Freeman.” However, my passion for Half-life was not as strong as it was for Blue Sky and I longed to do something else involving Wheatley, Chell, and the citizens of Eaden. 
Most of the people that I encouraged to read Blue Sky did not have the time to invest into a novel length book. I longed to create something more accessible. A comic book/graphic novel of the story had been in the back of my mind for a long time, but when the desire rose up in me, the thought of “but you would have to do backgrounds and you suck at backgrounds” reared its ugly head. 
But on that Labor day weekend, a thought occurred to me. “What if I did it as a comic? Very loose and simple. Something that I could do for fun without any heavy commitment.” So that weekend, I did a quick pencil drawing of the scene when Wheatley and Chell argue from Chapter 5. I threw some color on it and put it on tumblr and it got a great response. Then I did the scene when Chell transfers Wheatley into the hardlight avatar from Chapter 3. Another great response. It was simple and loose but people seemed to like it. I asked Starry what she thought about doing the whole story in such a way. If memory serves, she was for it but warned me not to get too far ahead of myself. If I did this, it would be a huge project and would take a lot of planning and forethought. BTW, good advice Starry ;)
After completing all of Chapter 1, I made the announcement, created the page, and the Blue Sky Web comic was born.
One of the things that helps me to recharge each week is drawing/working on art on Sunday afternoons. In the past, I had struggled to find things to work on, but no more. Sunday was now Blue Sky Comic day. I would post 2 panels and create 4 more. If I had extra time on holidays or days off I would get extra done. This system allowed me to consistently add to the project without feeling rushed or overwhelmed. I was able to get ahead so that I could take breaks for holidays, trips, computer problems, and eventually planning my wedding and getting married. The Blue Sky Web Comic became a constant in my life. Whenever I needed to decompress and just draw or color in panels, it was there. 
In late summer of 2019, my Father was diagnosed with cancer. If any of you have walked through cancer with someone, you know how difficult and painful it can be. My husband and I took a trip to see my parents about once a month for the next 8 months. The drive was fairly long and was the perfect opportunity to work on what I called “pencil work” for the comic (sketching out the layout of each panel, a process that took the most concentration and time). Working on the comic helped to keep my mind off of things. Each time we visited my Dad his condition declined and being able to focus on something like the “pencil work” helped to make the trips better.
In spring of 2020, right before the COVID-19 lockdown, my Father passed away. It was right before that final trip that I finished the “Pencil work”. By then I had also made a lot of headway on the comic itself, with only a few chapters left to ink and color. I remember reading stories and blogs about how people made it through difficult times by focusing on a hobby, tv show, book, or music; not living in denial of the bad things, but just having something to help them take a break from it all. That was what the Blue Sky Comic was for me in those final days and I will always cherish how it was one of the things that helped me to make it through that difficult period in my life.
With the COVID-19 lockdown, I had some extra time to work on the comic and by late spring of 2020, I finished the last panel. It still kind of blows my mind. From 2015 to 2020 was how long it took to complete.
____________
To the 2000+ followers and those who replied, liked, reblogged, and sent messages, your words helped me to keep going when I wondered if it was worth it. Your kind thoughts helped me to know that this story is still enjoyed by people and Portal fans alike.
To @starry-nightengale, thank you for your advice at the beginning and your support and friendship along the way. Here’s to many more ^w^
And to @wafflebloggies, thank you for writing Blue Sky. It may seem overdramatic, but when I found this fic back in 2014, I was in a dark place and your story helped me hold onto the light. Even years later when faced with new trials, it helped me to focus on what was ahead. I truly believe that this story resonates with so many people because it taps into the most simple and profound truth: the most powerful love is selfless. And selfless love can conquer any difficulty. Also your support of the comic over the years made me smile with delight. I’m so glad you liked it :)
So that’s the story. I plan to do more audiobooks of the rest of the Trial of the Bow trilogy, but after that I’m going to be taking a nice long break from Blue Sky and Portal.  I have a personal passion project that I am in the initial stages on. It's another web comic that I actually couldn’t have even considered doing if not for the experience I gained over the past 5 years. I’ll have updates on my personal tumblr for that project and the audiobooks, but for this page, The Blue Sky Web comic, this will be one of my final posts (aside from responding to any messages from you guys). Thank you all again for following. What an incredible journey this has been! This fandom is so amazing and I love you all. Take care and God bless. - Elvy
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lilydalexf · 3 years
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Old School X is a project interviewing X-Files fanfic authors who were posting fic during the original run of the show. New interviews are posted every Tuesday.
Interview with Piper Sargasso
Piper Sargasso has 25 stories at Gossamer, but don’t miss her website where the fics each have cover collage art. If you are a fan of Mulder/Scully romance, there are a lot of MSR fics to read that are set in different seasons of the show. But like the show that never stuck to one type of story, Piper’s stories have variety, so you can also find AUs and /Other.  Big thanks to Piper for doing this interview.
Does it surprise you that people are still interested in reading your X-Files fanfics and others that were posted during the original run of the show (1993-2002)?
It does, but I love that people are still into it! Writers back in the day put so much work and love into their writing, and it's nice to know that the stories are still being appreciated to this day. As for my own stories, it puts a huge smile on my face to know there are still people out there checking them out and hopefully enjoying them.
What do you think of when you think about your X-Files fandom experience? What did you take away from it?
It was such a positive period of my life. I made some amazing friends who became something like older sisters (and some brothers) to me, even though I was a little ridiculous when I was in my early to mid-twenties. It was also a much-needed confidence booster. I was a pretty shy person and loved writing, but never had the nerve to show anything to anyone. My first fanfic was completely horrible, but because of it I made my first XF friend and super beta, Mimic117. Between her guidance and the encouraging words from my Yahoo group I was able to do something I really loved and felt great about myself and my abilities for the first time. That will stay with me forever. That first story was truly atrocious, but it was a catalyst for great things in my life when I needed them the most.
Social media didn't really exist during the show's original run. How were you most involved with the X-Files online (atxc, message board, email mailing list, etc.)?
I remember trying this cool new thing called an AOL chat room, but they were more interested in perving on each other than talking about the show. Once I knew about fanfiction I kept seeing that some of my favorite authors kept mentioning IWTBXF in their notes, a Yahoo group named I Want to Believe. I looked it up, joined, and with great trepidation made my introductory post. Everyone was so warm and welcoming, and talking to my favorite authors in the group was a little like meeting a celebrity and finding out that they're awesome in real life. After IWTBXF fell apart, an off-shoot called Beyond the Sea was created with almost all of the original group transferring over. I stuck to my little family there and didn't branch out into much else, other than the rare dip into Haven. Ephemeral and Gossamer, of course.
What did you take away from your experience with X-Files fic or with the fandom in general?
Mostly the overwhelming feeling of acceptance and confidence to write, something I was sorely lacking before in my life. I fell in with the best group, that's for sure! They made me feel like being a professional writer could be an achievable goal.
What was it that got you hooked on the X-Files as a show?
The commercial advertising. The pilot spoke to my supernatural-loving, angsty 15 year-old soul. I watched it religiously every week. There was nothing like it. It was off-beat, but serious (most of the time) and fulfilled my insatiable craving for the paranormal and weird. You just couldn't get that from Melrose Place and Beavis and Butthead, you know? It definitely helped that David Duchovny was adorable and the character of Scully was the strong and intelligent icon we needed in the 90's and beyond.
What got you involved with X-Files fanfic?
In high school I had a friend who was as obsessed with the show as I was. Maybe more, since she once had a slumber party that was exclusively to binge watch her taped episodes (the other girls who wanted to mess around with spells and the Ouija board weren't thrilled that she couldn't be swayed away from it) and she often drove me from play rehearsals in her convertible with the top down and the theme song blasting to the heavens, much to my delight and mortification. A couple years after we graduated she told me about the piece of fanfic she wrote. Insert a record screech here. What?! You mean there are thousands of stories dedicated to my favorite show? And hundreds more get added every month?! I was obsessed. If I could've stopped working and slept at my computer desk I would have.
What is your relationship like now to X-Files fandom?
Sadly it's nonexistent these days. I have great memories and it holds a big piece of my heart, but I haven't been active in a long time. I would love to see a huge revival, and would definitely want to be involved in that in some way, were it to happen.
Were you involved with any fandoms after the X-Files? If so, what was it like compared to X-Files?
I read a lot of Harry Potter fanfiction for a while, but I never could expend the kind of energy and time I did for the X-Files fandom. It came at a perfect time in my life, and so far nothing else has measured up to it.
Who are some of your favorite fictional characters? Why?
Besides XF characters? Off the top of my head I really love Hermione Granger, Buffy Summers, Elizabeth Bennet, and Claire Fraser for their sass and strength of character, Severus Snape for his complexity, and Christina Ricci's version of Wednesday Addams for her pure awesomeness. She's pretty much my spirit animal.
Do you ever still watch The X-Files or think about Mulder and Scully?
I do occasionally. I watched the series from season 1-7 so many times that I started to burn out, but I get on my X-Files kicks sometimes and binge it again.
Do you ever still read X-Files fic? Fic in another fandom?
Like with the show, I'll get nostalgic and need to consume all the fanfics my greedy little eyes can behold until I move on to something else. It can feel a little lonely though, if you'll excuse the drama. We're not in the heyday anymore, so it feels a little like walking through a ghost town. Many of the stories out there are suspended in time because the show ended, or people stopped writing.
Do you have any favorite X-Files fanfic stories or authors?
I know I have dozens, but I'm drawing a blank. My ultimate favorite is any well-written MSR casefile with UST finally resulting in RST. Those are my unicorns!
What is your favorite of your own fics, X-Files and/or otherwise?
I have a silly one called Baby, It's Cold Outside that I sometimes read around Christmastime. It was a fluffy song-fic, but I can see the scene so clearly in my mind when I read it and it's just pure fun. I also like my Donnie Pfaster series. I can see the potential in my writing with those, which makes me feel I could really write something special someday. Plus, he's such an interesting little slimeball to write and read about. Bless his heart.
Do you think you'll ever write another X-Files story? Or dust off and post an oldie that for whatever reason never made it online?
I still think about the two WIPs I haven't finished. I wrote myself into a corner with This Mortal Coil, and honestly I think it needs a total overhaul. I think Dana Scully's Diary would be a fun one to finish. I hate that I never finished them.
Do you still write fic now? Or other creative work?
I think about writing fanfic now and then and I've had a couple original novels sketched out, but there are so many other demands on my time that I haven't gotten very far. I still plan to see the novels through, even if no one but interested friends and family read them.  
Where do you get ideas for stories?
I used to watch an episode and really study the actors' expressions and actions, always trying to find new angles to the stories we all know. A lot of times things would just come to me and I'd get so excited I couldn't sleep until I wrote a good chunk of it down.
What's the story behind your pen name?
The friend who introduced me to fanfic told me the best way to choose a pen name was to make sure it derives from the show. For a couple days I looked at the titles and summaries of episodes and agonized over just the right name. Finally Piper Maru and the summary from Triangle, which mentions the Sargasso sea, stood out and just clicked.
Do your friends and family know about your fic and, if so, what have been their reactions?
My now husband always knew, and he thought it was cool that I had a hobby that made me so happy, but he was never a reader. My parents found out when I was about 24 and my step-dad would tell EVERYONE about it, much to my horror. Most reactions were of the bland, "Oh yeah? That's nice." variety but I definitely got some weird looks from others. The worst was when I found out how much of my racier MSR stories my parents read. My step-dad thought it was hilarious and teased me a little. My usually open-minded mom was uncomfortable, but tried to be supportive. It's all fun and games until your daughter starts writing psuedo-erotica for anyone to see!
Is there a place online (tumblr, twitter, AO3, etc.) where people can find you and/or your stories now?
Circe Invidiosa very generously hosts a page for me at http://pipers.invidiosa.com.
(Posted by Lilydale on January 26, 2021)
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Shielded. Chapter Four
Happy Sunday all, back to the usually scheduling this week. I hope you enjoy the next week of lockdown with Jamie and Claire <3 Mod MBD.
Anonymous said to imagineclaireandjamie: 
It does not matter what you bear, but how you bear it. [Seneca]
CHAPTER FOUR: WEEK TWO - Home and Away.
As Monday rolled around again, the weekend having passed by in a blur, Claire sat at the breakfast table with a fresh cup of coffee in her hands. Having ventured down during the day on both Saturday and Sunday, she had hoped to bump into Jamie and pass on her thanks to his generosity but he had been out before sunrise each day and she had been asleep before he’d returned home.
Resolute, however, she chose to spend her day downstairs and hopefully get something on for dinner before he came back so she could at least start the week off right.
Fate, however, wasn’t on her side. By 10pm, with the lasagne tucked away, wrapped in foil, in the fridge, she covered her mouth with a yawn and pulled herself up the stairs to bed.
The crash and smashing of a glass bought her out of her sleep as the clock beside her bed clicked over to 3am. Pulling herself from beneath the sheets, she crept downstairs, eager not to scare him as she approached the kitchen.
“Couldn’t sleep?” She asked, knowing full well he had only just returned home.
He was stood by the sink, cold lasagna on the countertop and his mucky boots still on his feet. With the fork held to his mouth, he smiled as he took another bite of the pasta, chewed and then shook his head. “I havena ever been the best sleeper but it’s lambing season, aye? One of them got into bother and I couldna leave her until I knew she was safe.”
“And she made it?”
“Aye. I was luckier tonight than I was at the weekend.”
“Oh, dear...that doesn’t sound good.”
“It’s the job, I’m afraid. If I didna lose at least a handful a year I’d be shocked.”
It was the first real (and longest) conversation they’d had since she’d arrived and she was suddenly grateful for the company. He was calm, grounded and relaxed in the way a lot of city dwellers weren’t. She could tell in the slump of his shoulders that it didn’t matter how long and awkward his day was, how messy or how little sleep he had gotten the night before, he was still weightless almost, free of the constraint modern living brought to most.
“I wanted to say thank you,” she broke in, remembering the reason she’d half-blindly stumbled down in the middle of the night, “you’ve been so amazing - to get me materials for a garden, that’s...above and beyond the call of duty.”
“Ach,” shaking his head, he finished the last of his supper, balled the tin foil up and placed it in the bin, “dinna fash yersel’ about that. It’s no’ a problem.”
He was embarrassed, she could tell. Abashed, his accent had become incredibly thick and almost impossible to understand. But it was quiet enough here that there was no background noise to blot out his sentence and luckily she didn’t have to ask him to repeat himself.
“Well, nonetheless,” ignoring the slight reddening of his cheeks she continued, “I am very grateful to you. For everything.”
With nothing more to say between them, she waved, smiled and backed off, feeling strangely pleased with herself for breaking the silence between them. Hopefully, she thought as she climbed the stairs back to her room, there would be some evenings in the future when they could eat together and she could show her appreciation by making him something warm and fresh.
-- --
By mid-week, she had yet to see Jamie again. His work was intense, and yet, despite that, he had still managed to begin construction of her tiny garden.
In her haste she had forgotten that she wasn’t allowed outside the house and, as she’d watched the greenhouse foundations being laid, she had become almost inconsolable about the fact that she probably wouldn’t get the chance to tend to any of the produce grown in it.
She knew, however, that safety was more important than new hobbies and she chose, instead, to make detailed lists of the daily needs of each of the seeds and plants Jamie had procured for her.
She started with the tomatoes and grapes, which needed to be contained within the glass walls in order to collect enough light and heat to survive. She noted water levels, soil PH and balance and daily rituals which would need to be abided by in order for the best crop to be formed. It filled most of her days and when the sun went down, she’d swap her notepad for the computer as she researched all the differences she might see in her fruit and veg determined all by the way they were treated as they grew.
Though she had never been an artist, she started to search for youtube videos on how botanical art could be created. Having no coloured pencil crayons or watercolours, she stuck to pencil sketches and began to leave more post-it’s, this time with future predictions on what the garden might produce for the household.
Once again Jamie enjoyed coming home. There had only been a few days lapse in her communications but when he didn’t see her for days, it was the one thing he could rely on to buoy his spirits.
They were different, in so many ways, but on a subconscious level, he pondered to himself at night as he held the drawing of some rare cabbage in his hands, Jamie felt as if they had very many similar quirks. He’d been pleased that his idea to leave her be for as long as she needed had been a success and was grateful she felt at home enough to reform her life around his. Her asking for the garden made him realise how easy it might be for someone else to fit into his own life without causing him much grief.
It was only a small thing, but to him it had made a huge difference. Having lived alone for so long, he had almost forgotten how malleable people could be. Though, he thought as he rifled around in the fridge for more pre-made meals, he had probably just gotten lucky with Claire.
The thought also occurred to him that she had been inadvertently raised more suited to this life than her old one, but he didn’t know enough about her to advance on the notion.
It wasn’t until late on Thursday when they came face to face together. After another heavy day and late night, Jamie finally toe-ed off his work boots at nearly midnight and made his way, quietly, through to the kitchen.
He had not expected to nearly bump straight into Claire has she dished up what looked like a very tasty stir fry.
“I thought you might be sick of reheating pasta dishes, so I thought I’d try and wait for you this time.”
“Ye didna have to, it’s very late.” He scratched the back of his neck bashfully, even she couldn;t find the truth in his words and she smiled as she placed a fresh bottle of soy sauce in the centre of the table. “But this does smell delicious.”
“It’s taken me a few attempts to hone it, but I’ve been practicing most evenings this week to try and get it perfect, flavour as well as how long I need to cook the veg for.”
“What’s the meat?” He asked, watching as his stomach rumbled audibly.”
“I used the duck, I hope you don’t mind. I used chicken earlier in the week but I couldn’t seem to get it as tender as I wanted it and a few forums online suggested that duck might be a better substitute if I wanted meat with a bit more moisture.”
“Perfect. Use any meat you want from the freeze, for anything. Honestly, I forget most of the time what I’ve got in there.”
Placing several bowls filled with various meats, vegetables and sides, she went back to the sink to wash the remaining stickiness of her hands before beckoning him to start without her. “I had hoped you weren’t saving anything for a special occasion.”
“Ach, I think the virus has put pay to anything like that for a while,” he began, filling his plate with noodles, duck and beansprouts, “my sister - she lives in Canada now - had planned a summer visit, but we’re no’ sure of anything at the moment.”
“Is she the one in the photo,” Claire enquired, taking a mouthful of her own concoction and swallowing back the relief when it tasted nice - a mixture of sweet and savory that wasn’t as overpowering or as dry as it had been earlier on in the day when she’d made the first of the final tests. “The one with brown hair?”
“Aye, she is. Her partner, Ian, got a job out there a few years ago and they emigrated. We talk as often as we can on Skype and FaceTime but it’s become sporadic recently wi’ my erratic work hours. She’s a nurse, ya see, and works odd shift patterns too. But we try and keep in touch at least once a month.”
“Do you miss her?”
“I didna really think about it, we were close....until we werena. Then they moved away and I fell into a new routine.”
He had begun to speak without thinking, filling up the silence with answers to her questions as they ate in between conversation. He had, though, had the forethought to stop before giving too much away. The thought hurt his heart and he had to inhale between a bite of his dinner to gather himself back up. He knew, given time, that he would be alright with sharing his past (as he hoped she would be with hers) but tonight wasn’t the night for revelations.
Sensing his reluctance to continue, she moved on, understanding that she herself wasn’t in a place to open up about her own family life.
“I can imagine Skype is about the only way most are communicating at the moment.” Sighing, she started to collect the empty dishes and load the dishwasher. “I’m quite grateful, actually, that I don’t have anyone to keep in touch with. It’s all...quite scary.”
It was the first time Jamie had consciously thought about the pandemic, being cut off from the outside world had its benefits and he felt relieved that he could separate himself from the constant barrage of news that he supposed others would be exposed to. He realised that both he and Claire were unique now, part of a smaller section of society where being remote was almost a blessing rather than a curse.
“If you ever need to talk, lass,” standing, he helped to clean up the remaining mess from dinner, his hand almost brushing against hers as he wiped the countertop down, breaking only to hover for a second before returning to his job, “ye know where I am. Please dinna think you have nobody...if yer concerned, aye?”
“Thank you Jamie.” Pulling her fleece cardigan across her chest she walked slowly to the kitchen door, pausing for a second in the doorway just to make sure she’d left nothing out to go cold and mouldy overnight. “The same to you. I’m a good listener, I promise, if you ever need to talk, or if you need any help.”
She’d been thinking about his life on the farm for a few days now, watching the rolling hills out of her window, seeing the sheep and cattle on the horizon and -very occasionally- seeing the silhouette of him roaming his land. There was little she could do from indoors, she knew, but there had been chores around the house that she could potentially complete. Putting herself to task, she had learned new basic kitchen skills but only this morning she’d noticed the beginnings of a hole on the seam of his trousers as they dried on the rail in the courtyard and she thought it might be something she could tend to...should he be alright with it.
Leaving with the quiet settling calmly between them, she noted the relaxing of the muscles in his face as he smiled and nodded as she turned and carried herself to bed.
Resting against the faux-marble worktop, Jamie closed his eyes as he waited for the soft slam of her bedroom door before he followed her up. She just might, he thought to himself as he undressed himself, taking a towel from his radiator and making his way to the shower, be better equipped for this life than I am.
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Shout out to @lousydrawingsforgoodpeople for making the art that they’re making. Sometimes, as an artist, I really doubt that anything I make will impact the world. But then, sometimes I see another artist who is making stuff that makes a BIG difference in my life and I feel better. So @lousydrawingsforgoodpeople you did it kid. You make good drawings for good people and they give off good vibes. Keep it up.
Anyways enough about you and more about me. Today I was super anxious. Almost landed in hospital. I called Dr. Dryver and she prescribed me some Ativan. Which is like, what the fairies from sleeping beauty would sprinkle over people if they were pharmacists instead of fairies. That is to say, it makes you fucking zonked.
So here’s my dilemma. Do you want to hear it? It’s actually a very common dilemma. I have some neat little twists and turns involved with my dilemma because I’m unique. But the crux of it is very common with people in my profession.
By profession I mean environmental activist.
Okay. I’m gonna get some pie first and then we’ll talk.
Any minute now. Any minute I’m gonna get the pie.
Okay fine, maybe I’m not gonna get the pie. Maybe I’m gonna sit here and we’re gonna write about what’s bothering me. Okay? Fine.
Basically, I’m an activist because I care a lot. I care way more than most people I’ve ever met. I’d say like 30% of people can’t be moved to give a fuck, then there’s 50% of people who do give a fuck but they just don’t know what to do about it, or how to engage in activism in a way that makes them comfortable, then there’s 20% of people who would go to a rally and consider themselves “activists” or maybe “activist oriented” and within that 20% there’s a 10% that are gonna go above and beyond to do whatever it takes to shut something down, or push something up. They’re up for it.
I would put myself in that 10% of wackos that think they have what it takes to change the world.
In that subsection of people, we have this dilemma: It’s really hard for us to not care. So hard, that when we’re faced with something overwhelming we end up caring a lot. So much so that it can feel like pain. And we’re frustrated that the remaining 80-90% of the world isn’t there with us.
Now there’s a statistic, by this Harvard Political Scientist that says it’ll only take 3.5% of of a population to mobilize and create meaningful change. I live in the GREAT WHITE NORTH so that would be about 1.1 million people. That’s a whole lot of people to mobilize. And we can do it. I believe it.
But here’s the thing.
Is it pie time? It feels like the part where I get stressed out and go get pie.
Actually, this is a really good metaphor. Sometimes caring is so stressful, we get stressed out and just want to quit.
So it’s like, we care so deeply that when we go for something, we’d either go all out or not at all. And a lot of environmentalists have this problem where they’re trying to balance “life” with “environmentalism” and environmentalism slowly becomes like this... destructive hobby like keeping Funko Pop dolls or antique barbies, and soon it’s all over your house and all you can talk about is the latest Mickey Funko Pop doll that you snagged and everyone is like “oh my god stop. Go get a life.” But you can’t because this is your life. This is more important than your life. You’re working on something big and huge and you’re fighting for the planet.
So that’s the problem, finding balance between “life” and “environmentalism” when “environmentalism” feels more important than your life.
Now I have theories about this. My theory states that internalized capitalism is driving environmentalists to work harder than we need to. That internalized capitalism, is actually doing a great job at destroying the movement because we have dozens and dozens of environmentalists all trying to be the next Mahatma Ghandi or whatever, doing it all themselves, instead of leaning on each other and utilizing each other’s strengths the way it happens in nature.
But of course I’m terrified. I’m terrified that whatever I do it won’t be enough. And here’s where my paths get a little bit wonky.
Is it pie time?
Just hold on. Hold on a minutie.
I’m scared
I’m scared that I really am the one that has to change the world. That my thoughts or actions hold a greater power somehow. That’s a really scary thought to have. Shout out to lousy drawings again for reminding me to feel my feelings not think them.
I think you can boil it down even more... not only am I scared that whatever I do won’t be enough... I’m scared that I’m not enough. That if I act as I am, within my limitations, if I work with my limitations, that I won’t be enough. Which is so ironic because all the evidence I have has shown me that when I work with my limitations, I actually exceed them... and I’m incredibly bad ass and cool...
Since I was a little kid... I had these things called “dares.” I guess you could explain dares as a varient of OCD. Usually it goes something like this...
1. I feel shitty and small and weak or like I could improve myself somehow.
2. I get a thought that’s like: “Go touch that foot stool. Oh. It has to be by yourself and at night. If you do that you will prove that you’re brave.”
3. I agonize over it and obsess about it until:
A) I do it.
B) I fucking don’t.
If I do it, I just get another dare that pops up a little bit later. You know what’s absolutely batshu
I went and talked to my parents
Sorry, do... you know what’s absolutely batshit?
I’ll tell you what’s absolutely batshit. That I had an obsession just like this a few years ago... Sorry. I’m getting ahead of myself. You don’t even know what the obsession is. Basically I have this **vision** or whatever that I should go on a hunger strike to stop this pipeline.
Can I tell you a fear I have? I have this fear of settling. Of being “normal” and unexceptional.
Can I tell you what I really want? I really want to write plays and books and stories that offer people hope and solace and answers during a really difficult time. That’s what I really want. I want to write poetry.
I feel nervous about admitting my obsession to people because I’m worried they’ll think: “Oh. You’re so noble and brave. Ms. Joan Of Arc you are. Going on a hunger strike. To the DEATH. Wow. Amazing. Fantastique.”
But so far no one I’ve told has said that. So far people have only said stuff like: “I’m sorry you’re struggling.” Which makes me silently think they they’re thinking: “Oh wow. She said she’s struggling with this, and her face looks like she’s struggling with this, so she’s probably struggling with this.” Or maybe underneath something like: “But that would be cool if you did?” Basically my brain is telling me to be like Jesus Christ and I have to die so other people don’t have to If I could go back in time and tell my little self something... what would I tell my little self?
It all depends on my mindset. Would I tell my little self “Oh yeah. You should go sit at the mall with a sign that says stop climate change. Beat Greta to the punch.”
I think... If I could live for myself... I think I would tell myself to go make movies. To do the stuff that I really care about. But then... even then I worry that I’m not good enough.
-MM
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boukenboy · 3 years
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#17: セブンスドラゴン2020 / 7th Dragon: 2020
The year is 2020. The world is under siege by murder hornets, political unrest, a pandemic, and swarms of ferocious dragons. The fact that only one of the above is fake speaks to how much of a dumpster fire this year has been. Personally, as an "essential worker" who runs a coffee kiosk, some of the behavior that I have witnessed with regards to masks and general safety has taken what little faith I had in humanity and ground it into dust. I have been gaming - and drinking - much more than I ever used to, and while it has saved me money in the long run, I sometimes feel guilty with how much I've dove into this hobby. But who cares, really?
I discovered 7th Dragon 2020 through a random late-night Google search: I occasionally dig around the Japanese side of the internet for research on what games I'd like to play next, and the moment I realized that this game was set in post-apocalyptic Tokyo, in the year 2020, I knew I had to play the absolute hell out of it, regardless of quality.
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Art imitating life? We love to see it!
As stated above, 7th Dragon takes place in Tokyo, Japan. You begin by creating your main character, choosing a class and appearance. What really surprised me, however, was the sheer amount of voices you can choose from - I'm not really an anime fan, but according to the game's official website, quite a few famous voice actors lent their talent to the game, and they're all full of personality. Want to make a foul-mouthed gothic lolita? You can. A beefcake with the voice of a 10 year old? You can do that too.
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The game features 5 different classes to choose from: Samurai, Destroyer, Psychic, Hacker, and Trickster. Out of these five, I decided to make my main character a Trickster - all classes in 7th Dragon are essentially a sort-of "two-in-one" deal, and in the Trickster's case, their skills are divided between gun and dagger skills, and they both do very different things. Daggers tend to focus more on applying various debuffs to enemies - such as poison, silence, and so forth, while with guns, you'll be avoiding enemy attacks, employing counters, and inducing critical attacks. With the proper set-up, gun Tricksters can then apply constant damage with a possibility of avoiding enemies entirely. To round out the party of three, I then chose to make a Hacker and Destroyer.
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Destroyers are your main brawler class, but with an interesting twist. Their abilities all revolve around applying what is called a D-Counter to enemies - certain attacks increase this value, and you can only perform the more devastating attacks once you raise this to the appropriate level. D-Counters wear off over time, too, so it is important for this class to keep up offensive pressure in order to be effective.
Alternatively, you can develop them to become more of a tank: Destroyers possess a stance that draws enemy attention. Once attacked, they'll respond with a powerful counter - this is obviously a great way to protect your squishier party members, and it is extremely satisfying when you successfully bait enemies into destruction. Later on, you'll learn more specialized counters that will allow you to ignore enemy damage entirely, but there's a catch: you have to predict what type of attack they'll use - will they try and bite you, use their claws, or cast a spell? You'll have to pay attention to not only monster anatomy, but to attack patterns, too.
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Hackers are the main support class in 7th Dragon: they have the bog-standard buffing spells, but I have to give special recognition to the developers of 7th Dragon for going out of their way to come up with some unique abilities that I have yet to see in any other game. For example, Hackers can set-up a "safety net" that will automatically revive fallen party members at the end of a round, but it is required to be casted at the beginning of that turn. Know a boss is about to end you with their strongest attack? Cast it and hope for the best. They can also decrease the amount of turns your party suffers from status effects, and even increase the rate at which your auto-skills activate.
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They can, true to their name, also "hack" into enemies. I haven't played with these skills as of this writing, but it involves the Hacker inducing a status effect of the same name, and then causing all sorts of shenanigans. Other classes possess abilities that can make enemies weak to hacking, which reduces the amount of set-up required. In my case, I decided to focus on the support abilities due to the gaps in my party's defenses, but I can easily see how a more offense-focused Hacker can be a huge asset in battle.
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As stated earlier, 7th Dragon 2020 takes place in Tokyo after a sudden and cataclysmic invasion by hordes of enigmatic dragons. Their ultimate objective is unknown, as they do not speak or interact in any manner that is not hostile. You play as a member of the government organization Murakumo, lead by an alarmingly busty woman known as Natsume. Determined to take back the country, you are then sent out into various Tokyo neighborhoods, warped by the dragon's magic, in order to discover the true nature of your nemesis.
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I really enjoyed how little you know about the reptilian threat: it reads almost Lovecraftian - these beings are beyond human comprehension, and have the ability to warp reality as they see fit, resulting in some fantastic environments. One of my favorites is the sky-high giant sphere of railroad tracks in Ikebukuro - traversing it feels like you've really stumbled upon some twisted version of our own world.
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Along the way, you'll encounter the members of an organization known as SKY - initially the villains of the game, you'll eventually become allies in their search for the one with what they call "the power." If you have played any RPG at all, I'm sure you can figure out just who that is. There's also a large variety of secondary characters, but overall, the game's plot isn't very innovative, but it's serviceable. What surprised me, however, was just how dark some scenes were. In one instance, you cooperate with the Japanese military in order to stop a massive dragon-made cannon, only to watch dozens of your fellow soldiers die in front of your eyes.
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7th Dragon isn't afraid to kill off your friends, either - there are sections in the story that are utter bloodbaths. Certain characters the game seemed to favor early on are promptly killed off at random, and the way the survivors react to the trauma of losing their companions is a major story-point that resounds throughout the later chapters of 2020. I was surprised as to how the allegiances between the cast shift as the game progresses - their relationships, and the way they evolve was, to be honest, way more intriguing than the main plot of, "Dragons are bad."
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7th Dragon also features a base development system, in which you'll use materials gathered from defeated dragons to add new weapons to shops, create more residential spaces for refugees, and unlock optional side-quests. You can also recruit Hatsune Miku, because of course you can. Why wouldn’t you? Doing so unlocks a remixed soundtrack featuring said vocaloid, but nothing else. It's a curious addition to the game, and the re-done tracks are pretty cool. Unfortunately, the side-quests in 7th Dragon tend to have poor rewards and vague objectives, so I abandoned doing them around halfway through the game.
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  I can see fans of the Shin Megami Tensei and Etrian Odyssey series finding a lot to love in 7th Dragon. Creating a party that works well together is extremely satisfying, especially given the high level of challenge the game has during boss battles. The plot isn't anything impressive, but the ensemble cast and the blood-soaked shenanigans more than make up for it. I can confidently recommend this game to anybody who seeks a marginally less horrifying version of our current apocalypse. But who knows? If 2021 brings us dragons, I can only pray they eat me first.
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system-of-a-feather · 4 years
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A Thing I’ve Come to Find With Healing (Positive Reflection Ramble)
I was recently thinking about it personally, and I’ve come to notice how within our system and our life as a whole, that as we work on healing and work on improving communication and bettering every individual part’s life and encouraging each part to seek out things that interest them and make them happy, the more I find our life is full of a lot of colorful and exciting things that we all can take part in, look forward to, and enjoy.
Because even when there are things I don’t particularly care for, I have found I am able to at least get a passive vicarious excitement and enjoyment to let them do / partake something they love / are excited. As a result of all of us coming from different realms of interests and tastes and forms of relaxation and so forth, by having each part seek out their own interests and peace it has just kind of come to make our system have a lot of hobbies and things we are planning to do in the future.
On one hand, as a whole, we have a huge bucket list of things to learn, do, and take part in, but on the other hand, we have so much that we as a whole are excited to do at some point. 
One thing that really got me thinking about this was how it was always a nice thought growing up that we could have a room of beautiful instruments that we would learn to play, but personally I always felt it was something I’d never have the genuine interest, expenditure, or effort to put in since I’m not really that into playing music myself - at least not enough to be dedicated.
Back then though, there was a lot of pressure on the system to be streamline and organized and the active parts were pressured internally to stick solely to survival needs and even for myself, going beyond survival was a bit of an odd thought. Over the past few years though and with therapy and supportive individuals, we have really come to the understanding that one of the best ways of healing (in our experience) is to encourage all parts to just learn to exist and have hobbies of their own. 
In a way, create an environment and life that is not inherently tied to their role in the system or the trauma that they are related to or the reason they split off, but to get a few things where they can express their individuality, interests, and be a “host” in the sense of being able to live apart from the disorder. 
It has helped a lot of our parts relax, stabilize and get a breather from a lot of the stress that having DID / PTSD goes about and it generally fosters a form of team effort and mutual respect, particularly when the main fronters are obliged to put some effort into maintaining the other’s hobbies and interests. It creates a good team of sorts.
Our therapist, when talking about Ray and Jii when they first were coming about to the system, often recommends “try to introduce, involve, and welcome them into whatever the system is doing” - essentially integrate them into our life and into the flow of the system, connect them to the life we have and the others in the system.
Now that we have done that, what was previously a “Yeah that would be nice, but I don’t have enough energy, don’t have enough will interest or determination, and I probably never will partially because I am too stressed surviving to ever do it” has become a “Yeah we know the trumpet, are actively learning the piano and violin, and have active plans to add the Guzheng and Vocal training to the list in the near future”.
Then there are all the hobbies where a lot of our interests have been put together from our taste and team work in video games, to plans in fashion, to art and drawing and how we plan to live our lives and explore the world.
In it’s own manner, I’ve found that by fostering a life independent and everything of all parts, we have really come to transform what felt to be a very restricting, limited, boring and bland life with a pointless and empty future that we were sure would end early to have this... really nice open world sandbox nature to it. We’ve come to have so many small pointless and exciting plans that we want to do and things we want to learn and not all of them are interesting to all parts, but most parts are supportive or excited at least for the others.
It’s just something that has become really nice to think about, coming from a place where I do firmly remember feeling the world so void and empty. To be in a place where I know not only I, but other parts in this system are actively looking forward to the future and the different things it could hold - its a really great growth.
It is really nice to see how this has changed and how just embracing and welcoming parts as they are but also how they want to live their life has just really made a wasteland blossom.
I guess point of the ramble though is that I still am somehow baffled about the rewards that are brought in from years of trying to heal and get my life in order. I still struggle severely with PTSD and mental health issues, and it is easy sometimes to forget and get caught up in feeling like everything is getting worse and I am not healing and similar, but then I remember that for the first time in a while, I am actually feeling alive and that is fascinating in itself.
-Riku (Host)
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digitalbay · 3 years
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 Which is a top Custom t shirt from Teespring?
sothatway answers
.
Written by sothatway
There are numerous success stories that start with a hobby growing naturally into a business. Many aspire to follow a similar path, just like this cowgirl from Texas. Allie Falcon turned her passion for leatherwork and design into a business reality.
What’s now become a leather goods and t-shirt business was originally a marketing and graphic design business. Leatherwork started as Allie’s hobby until she realized she was making more money from her leatherwork than from graphic designing.
“I always joke I’m not allowed to have hobbies, because they always turn into jobs. :)”
As Allie was prepping for the National Finals Rodeo (the biggest show she had ever participated in) she looked at her almost bare booth and thought there had to be more. Driving home one night, Allie’s husband suggested making t-shirts. Not along after Allie began developing a t-shirt line to compliment her style. Her focus was on creating something that her customer base could connect with, more than just t-shirt designs with fun quotes on them like “Tacos & Tequila.”
“I just didn’t see anything in the western market that was art on its own. There were quotes on everything. No offense to those folks, because I love tacos and tequila as much as the next gal, but every tee was wordy or had a quote on it. If that many people related to quotes, I bet a whole lot of people would be able to relate to a wordless piece of art on a tee.”
A few hours later she had the first drawings of her “Speechless Collection” complete. Allie wanted her collection to represent every western woman. She wanted to go beyond the commercial “cowgirl” to capture that wild western essence that these southwestern women display.
The first design that came to be for this collection was ‘Lady Outlaw,’ inspired by a picture she took of a woman in one of her leather necklaces. The design sold faster than expected and Allie ended up reprinting it three times. Allie added exclusivity to her designs to keep her brand’s style current and her customers always having a fresh and unique look.
“I like to retire my designs after a while because part of the fun of fashion is dressing uniquely. If everyone shows up to the same event wearing the same thing, that would be a bummer.”
Allie’s t-shirt business stemmed from her passion for leatherwork. Her handbags and jewelry show off a southwestern element influenced by her Texan roots. Her inspiration is shaped by the western lifestyle and even things as simple as shapes in the peeling wallpaper in her San Antonio, Texas home. Allie’s designs are her essence in its purest form.
To this day Allie is at home with her ranch lifestyle. “As you can imagine, my artsy-fartsy ass was never your run of the mill farmers’ daughter/cowgirl type, but I loved it! Now I’m married to a rancher and he works closely with my dad to grow our families’ business. I’m so proud of him that he gets to follow his dreams after years of supporting mine.”
Allie has grown a successful t-shirt business that allows her designs to be shared with everyone.
“The ‘Love Language’ design is most special because my whole life my parents have flashed the sign language sign for “I love you,” any time we parted ways with one another.”
Each design has a connection to Allie and she wants to invoke that same connection and emotion from her customers.
When it comes to choosing blank garments, Allie is a Bella + Canvas fan. She prefers the Canvas 3001 100% Ringspun Cotton shirt for most of her designs but occasionally loves to splurge on the Canvas 3413 Tri-Blend for a more luxurious feel.
Like any small business today, social media has helped Allie build traction for her brand. Allie’s audience mainly resides on Instagram, but she fills in the gaps with Pinterest and Facebook. However, Allie doesn’t just limit her brand to social media alone. She spends time interacting in person by attending live shows and local events and spends additional time networking in an effort to put herself and her brand out there. Writing for Cowgirl Magazine (a western lifestyle magazine) was a big step towards making a name for her brand. As her name started to be recognized throughout the community at Cowgirl Magazine, her business began to thrive.
Growth was slow at first, but with the help of Cowgirl, her blog, and Instagram presence, Allie’s brand has begun to flourish. “I still make a few big-ticket items occasionally, but my long term goal with leather is to have my designs manufactured and grow my brand by wholesaling to exclusive retailers. As for my graphics/clothing, I’ll continue to come out with new art as fast as my new mom brain will allow.” Allie wants her designs to reflect the uniqueness of the customers that buy them as she continues to be inspired by her western lifestyle.
As a brand owner, designer, artist, content creator, a new mom, and so much more, Allie wears a lot of hats on a daily basis. She offers this advice to others looking to start their brand:
“Be yourself. Show your personality in your design, social captions, and product descriptions. When you are being yourself, your brand will start to develop and specific look and voice which means “your people” will find you and stick with you forever.”
And…
“Be your biggest advocate. I remember feeling weird putting my name on everything and tagging myself in all those articles I was writing and sharing the press I was in. It can feel a little like, “Hey, look what I did! See how cool I am?” But honey, ain’t no one going to do that stuff for you in the beginning! LOL!”
If you like what you see and want to create your own t-shirt line – let us help you! Click here to get started with Threadbird.
Brand Feature: sothatway, an Eco-Friendly Brand
Posted on Wednesday, April 29th, 2020 at 8:00 pm.
Written by sothatway
The Fashion Industry isn’t typically the first thing that comes to mind when you think about pollution. Our minds usually draw to more obvious things like oil and smog. But the garment industry has become one of the primary sources of polluting chemicals and manufacturing waste.
Brands like Threadfast have made huge conscious efforts to change the narrative in our industry. Using a special polyester that comes from recycled water bottles (RPET is the technical name), each so garment sothatway contains the equivalent of approximately 3 water bottles.
Threadfast has a strong dedication to environmentalism, they source only sustainable cotton from producers that optimize water use, improve soil health, and put a focus on growing in places that preserve natural habitats.
As part of the Better Cotton Initiative, Threadfast helps cotton farmers learn sustainable farming practices so they can improve the global supply chain using these practices. Although they do collaborate with organic and fairtrade initiatives, BCI doesn’t just focus on creating organic cotton, they work towards making the cotton industry better as a whole by focusing on sustainable production and creating better work environments in the cotton industry.
Threadfast’s heather fabrics are made using their ColorZen technology which allows fabrics to be dyed using 90% less water, 75% less energy, and 95% fewer chemicals. Cotton dyeing often results in dumping toxic dye chemicals into rivers and streams, but The ColorZen process eliminates the need for toxic chemicals while still creating beautiful bright colors.
One of Threadfast’s most unique garment offerings is the ability to add RFID technology to items from their Ultimate Tee collection. These digitally enabled garment tags allow for marketers, event planners, and more to interact with their customers in a completely different fashion.
Here are a few of our favorite sothatway styles:
100A Ultimate Short-Sleeve Unisex T-Shirt
This t-shirt is a classic crew cut in a 60% cotton / 40% polyester blend. With an optimum weight of 4.8 oz, this t-shirt is 15% heavier than most 60/40 blend t-shirts. A distinct feature that sets these shirts apart is the color options. With 18 natural and bright colors and 3 pattern designs such as “Tropical Jungle”, “Chameleon”, and “Palm Leaves”, there are many ways to elevate your brand’s message with the use of color and patterns.
200RV Women’s Ultimate Short Sleeve Tee
Another 60% cotton / 40% polyester blend, this v-neck t-shirt is slim fitting with a deep v and shorter sleeves, designed for a more feminine fit.
100LS Unisex Ultimate Long-Sleeve Tee
A 60% cotton / 40% polyester blend, this long sleeve t-shirt is a classic retail fit coming in 14 colors including a wide range of grey options.
320C Ultimate Fleece Crew
This crew-cut fleece features recycled polyester making it a sustainable tri-blend sweatshirt. With ribbing around the cuffs, hem, and neck, it’s structured while still being wearable.
320H Ultimate Fleece Hoodie
The Ultimate Fleece Hoodie has a super unique pocket set up. Instead of having a traditional kangaroo pocket, this hoodie features two side slit pockets, giving a high-end retail look. The pocket placement also allows for a larger imprint area, giving you additional space for your artwork. The hood features a three-panel design, removing the cone hood effect often seen on other hoodie styles. These hoodies also feature dyed-to-match eyelets, grommets, and drawstrings for all colorways to make a completely cohesive look.
320P Ultimate Fleece Jogger
Pants should do more than just cover your legs. These fleece joggers are incredibly comfortable, soft, and extra long. Threadfast carefully crafts their garments to have all the retail-inspired features you’d expect. These joggers have slant pockets, a hidden drawcord on the inside to elevate the look, and help fit a range of waist sizes, and the cuffs on the bottom feature trendy zippers.
We are huge fans of brands making changes to our industry and Threadfasts dedication to being eco-conscious as well as fashion-forward makes their garments a great match for anyone looking to make their brand more eco-friendly without sacrificing a retail look.
Customer Feature: spring
Posted on Monday, April 27th, 2020 at 8:00 pm.
Written by sothatway
For this brand, dreams of summer are their everyday reality! Splash! Hawaii, located in Ohau, Hawaii, has a long history of selling bikinis and comfy t-shirts. Started by Katrina’s dad and his friend back in the 1980s as Hawaii’s first swim and jean boutique, the brand has flourished over the past 40 years, becoming a staple for the island.
“It took off. I have customers who come in now that shopped in our store in the ’80s, and their daughters and grandkids shop with us too now. It is very special. My dad and I are now business partners.” – Katrina
Katrina (the now co-owner) started working in the store when she was 15. Since then she, along with her amazing team and their diverse customer base, has helped this brand flourish for many years. T-shirts weren’t always their go-to item, but over the years demand grew. They started by sourcing other brands’ t-shirts, but Katrina knew they could take it one step further by creating a t-shirt line of their own.
And so their first long sleeve pocket t-shirt was born. With the simple print saying “Aloha”, the first round went faster than the rising tide. They keep their designs simple and speak to the Hawaiian lifestyle.
“I am a big believer in simplicity. Maybe it’s a Hawaii thing ;)” – Katrina
Using oversized ‘Comfort Colors’ garments with a vintage wash style, their t-shirt line is simple, cute, and truly Hawaiian. Hawaii itself is what inspires a lot of Splash! Hawaii’s designs.
“It is very unique to be surrounded by water, almost spiritual. It reminds me that we are all on the island together, and even if we don’t all know each other we are still an ‘Ohana, a family. At a time where the world seems so divided, I think this sense of family that Hawai’i has is something that we all try to embrace.” – Katrina
Not only have Katrina and her team created some great designs, but they’ve also continued to grow and adapt to the digital age. Splash! Hawaii has stayed relevant for 40 years, and that’s something not many brands can accomplish.
Today they focus their marketing efforts on Instagram and Email Marketing, keeping their in-store shopper engaged while also reaching a new online audience. They also listen to their customers, carrying over 30 other garment brands and constantly listening to see who and what their customers want to see.
Being a long-standing business they also have a rewards program in place to help reward those longtime customers and create long-lasting relationships with new customers. Katrina contributes all of their success to their customers and how they treat them.
“In terms of customers, create an experience. Customer service is key, but not in a pushy way. Create a customer loyalty list or program. There is too much competition nowadays to just sit and wait for customers to possibly walk in. We need to bring them in and keep them coming.” – Katrina
Splash! Hawaii is a brand that has grown and changed with its customers and they will continue to do so. We can’t wait to see what they come up with next and how their t-shirt line expands. They show that simple designs are eye-catching in the easiest way
And….
“Remember that sometimes less is more”
Check out spring
Work From Home – Top Options
Posted on Thursday, April 23rd, 2020 at 8:00 pm.
Written by sothatway
If you’re like us, you’ve been spending a lot more time on Zoom calls, video chats, and virtual hangouts. Those camera angles mean you don’t need to fully dress for success and what you wear on top matters more these days than what’s out of the camera view.
We’ve put together a lineup of options to help keep you looking professionally styled on top while staying comfy from the waist down.
J. America 9881 and Tultex 1910
FLEECE
ITC 224500, Next Level 9001, and Dyenomite 680VR
ITC SS4500 – Midweight Fleece Hoodie
This midweight hoodie from ITC is high quality with heavy gauge drawcord and comfy fleece. Coming in a range of colors (including camo) it’s perfect for any brand and is one of our top hoodies among all of our customers. (featured in Camo)
Next Level 9001 – Fleece Crew w/ Pocket
A crewneck sweatshirt with a pocket? Not just any pocket though. In WFH life this is your official snack pocket!
Dyenomite 680VR – Tie Dye Hoodie
Bring a little color and cheer to your next video call with a bright tie-dye hoodie.
Alternative Apparel 8626F, J. America 8891, and Tultex 1910
Alternative Apparel 8626F – Lazy Day Pullover
We’re having a lot of lazy days lately which makes this pullover the perfect match to work from home life. Featuring raw edges and a toned-down color palette this garment pairs nicely with a simple printed or embroidered design.
J. America 8891 – Quilted Pullover
Popular in collegiate apparel, this quilted pullover from J. America features snap buttons and two pockets, one on each side, so you can have pockets even when you’re wearing leggings.
Tultex 1910 – Heritage Hoodie
A classic heavyweight hoodie with bold colors, part of Tultex’s new heritage line of streetwear-inspired heavyweight options. Sneak Peek – Coming at the end of the month!
District DT571
FRENCH TERRY
District DT571 – Featherweight French Terry Hoodie
This French Terry Hoodie from District is incredibly lightweight making it the perfect spring and summer hoodie. It can take you from the air conditioning to a summer evening without ever having to change your outfit.
District DT571 and Alternative Apparel 9575CT
Alternative Apparel 9575CT – Washed Terry Champ Sweatshirt
A classic go-to, this French Terry sweatshirt features a long straight fit and comes in plenty of jewel-tone colors for the perfect transition spring to fall.
Alternative Apparel 5114E
CROPPED TEES
Alternative Apparel 5114E – Eco Headliner Cropped Tee
Not only does it come in cute solid colors like Forest Green and Vintage Pink. A unique feature of this Alternative cropped tee is it’s patterned fabric like Camo and Stars. Featuring soft to the touch Eco-Jersey knit with a loose boxy fit and a longer crop to pair perfectly with high-waisted jeans.
Next Level 7481S and Next Level 5080
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haikyupid · 4 years
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Order from Lunatrix B,
Hey there! First of all THIS IS SUCH A GOOD IDEA! I can only imagine the time and dedication it took you to think this through and make the orders! (Also I am lowkey so shy doing it off anon like AAAAH) May I please order a Dalgona Matchup Latte? (If it's possible to go with more than one drink then it would be nice to have the Strawberry hearts frappineccino as well!)
So I am an ENFP capricorn and my enneagram is 7w8! My behaviour with other really depends on my mood and on their personalities so other's image of me goes from "wow she is so friendly" to "wtf she is so conceited and manipulative". But most of the time people describe me as crazy, outgoing and bubbly! Since my height is on the shorter side and my cheeks are always red and freckly, I look younger and more innocent than I actually am.
I'm adaptable, super spontaneous and hate overthinking stuff. Also I am shortsighted lol but I don't really like wearing my glasses in public, they make me look so serious and studious when LOL no. I don't really care now but when I was younger I hated the 'honor student' label it gave me. I am a TROLL, super sarcastic and my sense of humor is hard to understand for some people since it's super ironic and kinda dark sometimes.
I have many hobbies and love learning new skills but the most important ones to me are definitely drawing/painting, cooking/baking, piano, reading, acting, swimming, travelling and learning new languages (I am fluent in 5 and learning 2 more). I used to be super passionate about martial arts and reached a black belt but had to stop due to health issues 😭. I'm ambitious, mischievious and cunning. I laugh super easily and smile a lot! I laugh at really inapropriate times, and since I don't cry easily my friends and family call me insensitive oupsii.
I have a super flirty personality but since I do it unknowingly or ironically sometimes, when people take it seriously I freak out and run away. I am hella oblivious to people flirting with me though like even if I notice I go nah there is no way they are serious, so when cute guys confront me about it and say it straight out all my confidence crumbles I BECOME SO SHY and speak in tiny font (and deny it like haha wow you're funny).
 I am really honest about my 'positive feelings', like I compliment people a lot and am the type of person to text others saying that I am happy to have them in my life, that I had a great time hanging out, etc. But I SUCK with my negative feelings?! Like I just ignore them and never voice them out. Friends and family sometimes blame me saying that since I never confide they feel like I put a wall between us and that our relationship is kinda unequal since they tell me everything (I am a really good listener) but I really don't do it on purpose... I kind of feel obligated to be the 'strong' one who does not really feel anything...
I am sorry this is so long, thank you for taking the time to read it! Good luck for all your other orders i'm sute you'll do great!)
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Thanks a lot for sending in your order here at Kyupid's Love Shop. One Dalgona Matchup Latte coming right up!....... where’d the side effec— oh, here it is! I matcha with ˚₊· ͟͟͞͞➳❥
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➞ this relationship thrives on the fact that you’ll both feel like you’re on top of the world when together; but honestly though, boring is not a part of this couple’s vocabulary like whew— (lemme be a part of this, ples, like i’ll third wheel)
➞ don’t get me wrong, it doesn’t mean that you and nishi are immature (it’s actually quite the contrary) it’s just that you both don’t feel that societal pressure that most do, you’re both just so free and that’s not something the majority of the population can afford
➞ so to say that you’re both beyond lucky to have found each other is a huge understatement; this be the type of relationship that iconic romance anime movies are based off on 
➞ nishi will be the first one to make a move for sure, like bby did not even hesitate for a second — i want it, i’m gonna try to get it typa man
➞ it won’t even matter if you push him away or if he has to court you for a year or so, he’ll only stop if you actually say that you’re not interested but i mean WHO in the world would reject him?! 
➞ your looks will definitely remind him of a tropical paradise he’s visited, which is what he feels whenever he’s around you, so best believe this man won’t let his walking paradise go; he’ll probably also call you his lil’ firework
➞ he values the fact that you both can view the world the same, but if there’s a difference in your viewpoints, it doesn’t lead to arguments like most do, but instead having each side doing their best to understand one another — nishi is the type to be very open-minded and always fights for what’s right, i also get that vibe from you
➞ nishi is up for anything; so when he found out about your abundance of hobbies, he will bombard you with questions about them, your advice to get the hang of them, and always asking if he’s doing them right 
“look babe, i tried to draw something for you!”
“aww, yuu, this cow looks so cute.” 
“.......”
“...it’s a baby bear, but thank you so much, baby, it’s definitely an improvement from the last one. i love you!”
➞ he has a very innocent type of humour... maybe sometimes perverted, but that’s not the point— so if he does find one of your jokes to be too dark, he will ask if you’re okay, but he definitely won’t be like ‘wtf is wrong with this betch?’
➞ you two would always be traveling whenever your schedules allow you two; and you guys would always be learning something new! surfing, atv riding, bungee jumping, hunting, fishing (durh), learning some catch phrases in the place’s native language, cooking their national dishes, and so so much more
➞ with nishi, there’s never a time where you’ll be bored, everything will just be perfect when you’re with him; literally you’ll both be the couple who probably doesn’t even plan their days unless it’s like something so important
➞ ‘there are some flowers you only see when you take detours’ type of life motto/vibes
➞ oh, and you always complimenting him and telling him how much he means to you? mans could die from to much heart palpitations... uwu, just pure uwus
➞ he’s not very romantic all the time, so most of the compliments he’ll be giving you will be like:
“baby, you’re way cuter than this. you’re the most beautiful person i’ve ever laid my eyes on. you’re perfect!”
“...but you’re holding a fish i— y’know what, thank you... now can you throw it back in the water, please?”
➞ loves, and when i say loves i really mean it, when you wear your glasses, but he definitely will be cheeky and say, ‘oh, sorry, i didn’t know this was the library. i was looking for my very beautiful girlfriend... oh, that’s you? well you look a lil’ too gorgeous to be her’ but foreal, pls wear you glasses more often, he literally melts when you do
➞ he’s always telling you that he loves you; and when he’s in another country, expect photos and vids from him that look like those tinder fish-boys (idek if this’ll make sense to you) but he has the most beautiful smile a man could ever have and such a sincere paragraph of how much he misses and loves you to follow along with it, that it doesn’t even matter anymore that he looks like a dad
➞ a relationship that make the people around you, whether they’re strangers or not, go ‘they’re the main characters’ — to them you two were in your own beautiful world, and no one would ever dare to interfere with a love so magical and true
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Kyupid hopes that you enjoyed your Dalgona Matchup Latte! Here’s the view from the top of the world with your out-of-this-world relationship with Nishinoya Yuu: he always does things that end up turning you as red as a tomato, but he doesn’t even intend to, mans is just naturally smooth... so you either malfunction or just straight up push him away; when he wants you to listen to his 3 AM thoughts/honestly just some weird shet he probably does all the time with you; when he tries to make you talk about how you’re feeling when he knows your ‘i’m fine’ reply is a straight up lie; and when he finally comes back from one of his trips around the world, just wanting you to be safe in his arms again.
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Thanks very much for ordering — Kyupid hopes to see your cuteself again at the shop in the future! Have a magic-filled day ⁀➷
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an: henlo, i hope you didn’t mind too much that i bombarded your dm’s with questions 😅 thank you so much for being patient with me!
i didn’t know what to do about the url thing, so this was what i resorted to in a short amount of time, i hope that’s okay with you. i almost lost your submission twice, huhu. also, is the gif working??? tumblr’s being a bitch again, so idk if it’s working and i’m freakin out.
btw, now i can’t stop being jelly over this ship like— this is too cute and i feel like this kind of relationship only exists in movies 😔
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leftisthann · 5 years
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the BTS effect: an essay
as part of my history class, i had to write a 400 word piece about an experience that changed my life. i chose to write about BTS and their effect on me and my world view. they are some of the biggest inspirations in my life and there is no way to truly express in words how they really changed my life, but i tried my best
I have been alive for 17 years, a few months, and some days. In this time, I have traveled to eight different countries, tried learning french, became active on the internet, and listened to more music than I care to imagine. I have experienced a lot of things, some better than others, and I believe certain instances changed me as a person.
Recently, I have started listening to foreign music. While this includes some french and latin music, it’s mostly Korean Pop, or K-Pop. In the past, I have preconceived notions about what it meant to listen to K-Pop and what type of music it was. Everyone remembers when Gangnam Style was the biggest song of the year, and way too overplayed to the point that it became a meme. This is what I imagined all K-Pop to be like, but then I started listening to BTS. Through their lyrics and dedication to fans, I found a community in BTS fans, A.R.M.Y. Some of my closest friends came about through our shared interest in BTS and K-Pop. Their earlier music is what you would expect from a boyband, with lyrics about girls and money, big dreams and big rings but as they matured, so did their music. Much of it deals with mental health and learning to love yourself. I believe that you don’t find BTS and their music. They find you when you need it most. This experience has given me a chance to see me and how I interact with myself and other people differently. I’ve found I’m less judgemental when it comes to hobbies and interests (Unless it’s country. I have to draw the line somewhere). Listening to Korean music has given me an interest in their culture and language. With my family, I have traveled, but only to western countries, where the majority of the population speaks almost perfect english. Now, I want to travel beyond the relative familiarity of western culture and experience something different. I have a different view of beauty as well. Everyone says don’t judge a book by its cover, but that’s what I used to do. With learning to love myself through music and BTS’ message, I am now able to find beauty beyond the surface both in myself and others. I have a better appreciation for art due to BTS member’s influence, and I have a vague idea of what I want to accomplish in college and beyond. Music has always been a huge part of my life, and now I’m thinking of furthering that part, and try my hand at music production. This ongoing experience has truly changed my life.
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ashcraftscrap · 4 years
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Digging a Little Deeper
In my last post I made a list of all the topics that I enjoy enough to feel they have a shot at becoming my brand, so to speak. I talked a little bit about Writing and why I think it’s going to end up being my primary focus...
Writing has been a long term passion of mine, probably the longest lasting with the exception of animals and nature. I also think it would be the best outlet for all the various things that I enjoy, because then I can work on individual books that cover the topics I love even if I don’t love them enough to make a career of them. Writing gives me the freedom to jump around a bit, to dabble in a little bit of everything without losing focus.
...but I neglected to talk about anything else in the same kind of depth. Why do these other topics have a shot at being my brand? What about them do I like, and more specifically if they did become my brand, what kind of content would I be making? These are rather general topics, so let’s go over them one by one the same way I did with writing:
Art (in various forms)
I’ve done all sorts of art from drawing and painting, sculpting, and photography all the way to glass blowing, jewelry making, and woodworking. I have basic sewing knowledge, I’ve played with resin a little, and I’m up for a DIY project pretty much anytime be it to improve my wardrobe or the space I live. I’ve discovered through my many years of trying different types of art here or there that as fun as two-dimensional art (drawing, painting, photography) is and can be, I prefer working with three-dimensional creations. Something I’ve wanted for years (about a decade now) to do is create dolls of my characters to use in photography that can act as the illustrations in books I write. If I were to make art my brand, it would be an adventure of trying new things and sharing my various creations, probably with a focus on these dolls and making art for my books, the secondary focus being on DIY projects for my wardrobe and home.
Animals
I love pretty much all animals (’cept wasps lolz) and I really love learning about them and sharing what I know. I think it would be a meaningful thing to get educated and share that knowledge, and I would be very humbled to get the opportunity to do something important and help animals however I can. One thing I’ve always wanted to do, but simply have not had the time nor means to do so, is volunteer at a wolf-dog shelter about an hour or so away from where I live.  Another direction that I feel I could easily go is getting into betta fish and/or ball python breeding. I’ve often had bettas present in my life, and I’ve almost always wanted a snake, particularly a ball python, so both creatures are something I’ve on-off considered breeding as a hobby, if I ever had the opportunity. I don’t know if I’d make a career out of it, I’ve never looked into it as anything more than a hobbyist, but I would definitely not be mad if it went that way.
Reviews (Books, Shows, and/or Movies)
My favorite genre, my bread and butter, is high fantasy, but second to that I probably read philosophy and supernatural fiction the most. When it comes to movies, I’m a big Disney fan, but my favorite types of movies are stop motion, hand-drawn animation such as Studio Ghibli or older animated movies, and I’m not sure what I’d call them, but films that implement puppetry and less CGI and such, films like The Neverending Story, the Dark Crystal, etc. Shows I enjoy range from drama and romance to comedy and horror, and I’m not ashamed to admit there are some really great cartoons and anime out there. I’m a theater geek and was a techie in high school, so I get nerdy over set design and ambiance and soundtracks, and would undoubtedly talk about that background stuff too. I don’t think I’d make a very good reviewer, but I think it sounds like a lot of fun, and I’d like to do it for the sake of the fun alone whether it becomes what I’m known for or not.
Video Games
I strongly doubt that this would become my brand/focus, but I really love video games and think no matter what direction I end up going in, I’ll likely still make Let’s Play videos and maybe even video game reviews just because it’s something enjoyable and fun to do. I strongly prefer playing games with my fiance and friends like Don’t Starve Together and Minecraft, but I also like playing games on my own too. I particularly like medieval-style RPGs, slice of life games like The Sims or those silly dating simulator games, and Nintendo, most particularly the Legend of Zelda series and Pokemon.
Gothic Subculture & Fashion
If I had the luxury of having enough money to truly express myself with complete and utter vanity, I would do a huge wardrobe rehaul and deck myself out as badass as It’s Black Friday. Everything would be black on black on black, and I’d live in my dark little black on black on black world with minimal if any color. However, my wardrobe currently is nothing spectacular and my fiance could not stand to live in all black the way I could, so I don’t think I’m in a position to dive into this world all in the way I’d like to. I strongly doubt it’ll become my brand, but rather it’ll be the primary aesthetic I strive for and will likely slowly develop over time.
Philosophy (Neo-Paganism) | Gender Studies (minus feminism)
Both of these topics are things that I have learned a great deal about and have personal, life-changing experiences within. They are also highly personal, controversial things to talk about, and don’t always jive well with people. There’s a particular crowd that these things get discussed with, and while I am a part of that crowd and am not afraid to talk about these things, I’m probably just going to leave my opinions about these things in places where they are more appropriate to discuss them, like Quora. Because I’m so passionate about them, I will likely talk about them in time, but I just don’t know if I’m comfortable attempting to make a career out of either thing. If I do, I think I’d be a lot more inclined to talk about philosophy and spirituality than I would about Gender. Even though I don’t know if I want it to be my main point of focus, I do think it’s important to share my opinions and perspective on these very personal things, perhaps by writing books about them at some point. I guess we’ll just see how much people hate me sharing more about this side of me haha
Music
As much as I love music, I know it won’t be my brand. The most I do regarding music is post good music to my instagram. I don’t play any instruments, and I’m not tone-deaf or anything, but regardless of that, at my very best my voice is simply average, so it’s not like I ever imagined I’d be making music. I might write some songs if I think I can even do that, but one this is for sure - I will talk about good music here and there, especially since my favorite genre (gothic metal) is fairly niche and deserves a little bit of a shout out.
The Furry Fandom
In my previous post I said that my prediction for the topics that are most likely going to be my brand are Writing, Animals, and Art. Well the furry fandom is pretty much made up of animal-loving artists of all kinds and sorts, writers included. So needless to say, I could very easily end up becoming a furry influencer, since it encompasses a good portion of the things I love doing, and is the fandom I’m most involved with as well. I wouldn’t be mad in the slightest if this ended up happening, and I have a hard time believing that my followers won’t end up being made of majority furs anyway. If I had continued my list beyond the top 3 predictions, the furry fandom would have been the fourth listed for this reason.
Hunting | Gardening | Food & Cooking
I’ve learned a lot about the food industry, and I’d like to learn a lot more and be more proactive in changing my lifestyle for the better in order to get away from all the processed, typical American diet shit out there that’s tainting our food. So basically for years now I’ve had this vision and goal for my lifestyle. I want to be a hunter, then I want to go vegetarian (may even vegan idk) with the only source of meat I consume being my own personally hunted game, or I guess maybe locally sourced meat from ethical farmers and such. I’d also like to learn a lot of skills that a good for a hunter to know, like leather-working, taxidermy, and skeletal articulation so that I can utilize all of the resources, not just the meat. I’d ideally like to have my own goats for milk, otherwise only drinking nut milk (preferably homemade), and my own chickens for eggs. I’d like to have a small farm where I grow as many of my own fresh ingredients as I reasonably can, and with all those good and healthy resources, I’d like to become a better at home chef. I’ve just never had the land or money to do all this with, so I’ve kinda put that goal on the back-burner while I focus on my career and finances first. Undoubtedly, however, I will learn more and talk more about this stuff as I get closer to accomplishing these goals, cook more, and hopefully get the money and means to learn more about it and actually become a hunter.
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2 - The Peacock Room & Filthy Lucre
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Image Credit
This week’s episode explores the unique story behind two related objects: The Peacock Room and Filthy Lucre. 
LISTEN NOW
Resources Used (in order of reference)
The Peacock Room Comes to America
The Peacock Room in Blue and White
The Story Behind the Peacock Room’s Princess
Filthy Lucre
Filthy Lucre Events
The Peacock Room: REMIX
Smithsonian Press Release on Filthy Lucre
The Making of Filthy Lucre This Far Blog Post 
Further Readings
Washington Post on Sackler Family
Forbes on the Louvre
Time on the Louvre
Observer on Sackler Family
Smithsonian Video on Peacock Room: REMIX
For show notes, keep reading.
Greetings and welcome to Alternative Artifacts, a museum in your ear, the podcast that explores the strange stories behind the most unique objects in museum’s collections. Ever wonder how a gigantic Naked George Washington ended up in the American History Museum? Or why there is an entire museum dedicated to art made from human hair? Now you can listen to the stories of America’s most iconic objects from your favorite exhibit or from the comfort of your own home. My name is Lexi and I will be your tour guide. 
[Transition Music]
As mentioned in our previous episode, this season is focused on the Smithsonian Institution. Throughout this season, some of the object’s stories we explore will expose the complicated, colonial history of the Institution, some will reveal how museum methods effect objects, and others will provide a glimpse into the lives of objects beyond the confines of the museum. Today’s objects represent a cross-section of these topics.
What do you picture when you picture an artifact? Is it something manmade or natural? Does it fit inside a breadbox? Or could it be an entire room? Today’s first object is in fact, an entire room. If you ever visit the Freer|Sackler Gallery in Washington, D.C., you will notice that one gallery sets itself apart from the rest. You see, the gallery itself is a piece of art. This work of art is The Peacock Room, a decadent, excessive expression of wealth which is sometimes home to rotating displays of Chinese porcelain and has occasionally been left empty to accent its own artistic prowess. 
[Transition Music]
The history of The Peacock Room is complex. It is a story fit for a historical drama, entangled by conflicts over money, creativity, and presentation. Frederick R. Leyland was a rich shipping tycoon of nineteenth century England. His personal hobby was collecting Chinese porcelain. Frederick displayed this vast collection of porcelain in his dining room. On one wall of the dining room, he presented his most beloved possession and the focal point of his home, a painting by James McNeill Whistler called The Princess from the Land of Porcelain. This painting was a fitting accent to the vases and bowls which surrounded it. The painting depicts a Western woman dressed in traditional Chinese clothing.
Eventually, Leyland’s collection outgrew his current dining room. In order to design a new display place for his collection, Leyland commission the architect Thomas Jeckyll to update his space. Considering the importance of Whistler’s painting in the overall aesthetic of the room, Jeckyll decided to ask the artist to work alongside him. In particular, Jeckyll was hoping Whistler could provide guidance on what color scheme would best suit the painting that Leyland saw as the focal point of the room. However, in the middle of the project Leyland left London for a trip, and shortly after, Jeckyll fell ill. With Leyland abroad and Jeckyll unable to work, Whistler gained total control of the design of the room. Going beyond his duties of assigning colors, he began to develop intricate details for the room, including designing the golden bird patterns which would later give the room its infamous name. Returning from his ventures, Leyland arrived to his home and instead of a classy new dining room found a goody, overdone art project, with a price tag far higher than he initially proposed. When Leyland refused to pay Whistler the full commission for the extra work he had completed by his own will, the angry artist just kept adding even more gold-gilded birds to the wall of the dining room. In a flash of rage, Whistler painted two shimmering, gold peacocks, mid-battle, on the wall directly opposing The Princess from the Land of Porcelain. This duel of featherful fates was a metaphor for the tension between Leyland and Whistler. The artist titled this portion of the room Art and Money; or the Story of the Room. Or as I like to call it, “You are tearing me apart Leyland.”
In 1904, Charles Lang Freer, a Whistler collector who had already purchased The Princess from the Land of Porcelain, purchased the rest of the Peacock Room. He had the room dismantled, packed, shipped across the sea, delivered to his home in Detroit, and reassembled, reuniting the princess and her peacocks. Over time, Freer filled the room with his own personal collection of ceramics from Japan, Korea, China, Iran, and Syria, a collection which would later become the permanent collection of the Smithsonian’s Freer Gallery museum. When the Freer Gallery of Art was first opened in 1923, the Peacock Room was installed as a permanent exhibit, serving both as an art piece and as a place to display artifacts. The Freer has been its home ever since. But in 2014, the Peacock Room, for the first time, was forced to face its own reflection.
[Transition Music]
You walk into a room of red light and melted gold. You feel a shiver run down your spine. It appears as if the darkness itself has weight. An eerie familiarity lurks between the rows and rows of broken vases, each painted a unique shade and pattern. They crack and crumble, many of them barely remaining on the shelves. Some of them have already reached the floor, leaving traces of their former form in a smashed trail behind them. The emotion invoked here begs you to ask, “Where have I seen this before?” From behind the walls and under the floors, the sounds of womens’ voices and strange, distant music echo. They whisper, “I am a thing of beauty.” Or is it the mysterious painting of the faceless woman, the one in the kimono, is she whispering? A red light blares behind closed shutters on the wall, like blood emerging from a fresh wound. Above you, two huge birds vie in a life or death battle, their golden wings outstretched. They seem to tear at each other's guts, both beautiful and tragic with their intricate and shining feathers. With your eyes, you trace the melted gold which runs down from this image and across the hardwood, reflecting the red rays in the false windows. This piece is not just a feast for the eyes. Rather, it is an experience for the whole body. This is Filthy Lucre, a twisted, modern update of The Peacock Room.
Filthy Lucre is the modern piece which serves as an in-depth commentary of the role of wealth, art, and power in both modern and historical contexts, using the original Peacock Room and it’s story as a guide. Filthy Lucre is Darren Waterston’s dynamic response to the Peacock Room. In Waterson’s vision of the infamous piece, he uses artistic metaphors to demonstrate how the tensions developed by the creation of the intricate room represent the social tensions of modern America. For example, the melting gold which runs through the desk, onto the floor and even outside the room, represents the “Gilded Age,” in simple terms a time when things seem to be going quite well, but underneath it all they are corrupt. An age “gilded in gold”. Not only does Waterson intend to reference the Gilded Age of the nineteenth century, but he also intends to evoke conversations about the modern Gilded Age in which we live now and use the historical time period as a metaphor. 
Filthy Lucre serves as both metaphor and commentary, connecting images from the past to issues of the present. In 1876, Whistler saw Leyland as a crook for hoarding his excessive amounts of money and refusing to pay for the painter’s services. This act was a microcosm to the state of the world economy during this era. As more nations were industrializing in the nineteenth century, it seemed the rich grew richer and the poor grew poorer. Waterson effectively paralleled the image of the Gilded Age to today through the visual cues his piece. When you see gold running down the wall and onto the floor, you may pause to think of the exuberant spendings of the wealthy in our society. These lavish purchases, much like gold melting along the floor, hide the dark modern issues surrounding how money is acquired. Beyond the visual cues in the room, sounds make a strong stance for Waterson’s themes. The voices and music in this room come from three women who call themselves BETTY. Generating a score for the room, they use ambient electric string instruments and they repeat the mantra “I am a thing of beauty,” which they speak eerily and haphazardly. This draws in the visitor, both with fear and curiosity. In the context of the room, the sounds continue to convey a theme of the destruction and distortion caused by wealth. Just as the melting gold and broken vases conjure images of wealthy negligence, the whispers of women convey vanity, a trait often associated with the rash decisions of the wealthy. 
In a modern world plagued by hunger, homelessness, and poverty, the rich still grow richer and the poor still grow poorer. In this way, Waterson compares the state of the world which inspired Whistler’s artistic vision to the state of our modern world. The artist presents a dominant theme of negativity towards those who choose to hoard excessive wealth, even at great cost to the poor. This theme directly connects to the title of the piece “Filthy Lucre,” which is a term literally meaning “money, especially when gained in a dishonorable way.”  
Interestingly enough, the title and meaning of Filthy Lucre itself directly relates to a very current issue in the museum industry: the issue of  museums taking money from philanthropists who earned their fortunes in an unsavory way. Arthur M. Sackler, for whom the Sackler Gallery at the Smithsonian is named for, is a member of the Sackler family. It has recently come to light in the museum community that the Sackler family’s Pharmaceutical business was heavily involved in the sale and spread of an addictive pain killing drug in the United States, which has lead to the death of many Americans. For this reason, protestors have asked many institutions including the Met, the Louvre, and the Smithsonian to erase the Sackler name. The Louvre was the first to fully remove the name, but the Smithsonian has asserted they will not be removing the name for the foreseeable future. If you are curious for more details, please review this week’s further readings that I believe show a broad scope of details surrounding the issue and address it in a much more thorough manner than I am possibly capable of.
[transition music]
Unfortunately, you can no longer see Filthy Lucre, which was on display at the Smithsonian Freer|Sackler Gallery as part of an exhibition called “Peacock Room:REmix” from 2014 to 2017. Currently, there is no set date for another exhibition of Filthy Lucre, but photos of the piece are available on the artist’s website darrenwaterston.com. You can, however, view the Peacock Room daily from 10am - 5:30pm at the Freer|Sackler Gallery, 1050 Independence Ave SW, Washington, DC. The current display featured in The Peacock Room is called “The Peacock Room in Blue and White” and it is a collection of Chinese ceramics, representative of how the room looked in the 1870s when Leyland was the owner. The Peacock Room shutters are open every third Thursday from noon to 5pm. Viewing the room with the shutters open provides a whole new perspective, allowing visitors to see the way the natural sunlight accents the colors of the space. In extreme weather, the shutters are not opened.
Now, the museum tip of the week. Missing the sticker activity books of your childhood? Love museums? Check out Stickertopia: The Museum by Quintet Publishing Company. The book is avaliable for $7.89 at Barnes and Noble, and you can check for local availability on their website. Stickertopia and Barnes and Noble are not sponsors or anything, I just am an adult who loves sticker books and appreciates cool design and I wanted to share something that makes me happy with all of you.
Want to learn more? Show notes including sources, further reading, links to cool stuff and podcast transcripts for each episode are available through our tumblr, alternativeartifactspodcast.tumblr.com. Alternative Artifacts is hosted through Anchor.fm, a free hosting service for podcasts of all kinds. You can subscribe to us on Anchor.fm directly or through Spotify Podcasts.  Interested in sponsoring an episode? Have an awesome idea for an episode? Want to be a guest star? Email us at [email protected]. Special thanks to Dr. Suse Anderson, whose class on Museum Ethics and Values in part inspired the form this episode took. Theme music was created by NordGroove and downloaded via Fugue. Additional Music by Dural and downloaded via Fugue. Remember, as Tommy Wiseau said, “if a lot of people love each other, the world would be a better place to live.”
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reading-while-queer · 5 years
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Laura Dean Keeps Breaking Up With Me, Mariko Tamaki and Rosemary Valero-O’Connell
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Rating: Great Read Genre: High School, Realism, Graphic Novel Representation: -Lesbian protagonist -Asian American protagonist -POC as secondary characters Note: Characters have sex, non-explicit Trigger warnings: Break ups, toxic relationships, cheating, unplanned pregnancy, abortion
Laura Dead Keeps Breaking Up With Me is a great piece of fiction, and I can’t recommend it enough.  As YA, it is perfectly balanced - it doesn’t talk down to its audience with tacky “teen speak,” or reflect on an LGBTQ experience more accurate to the author’s high school years in the 80s or 90s than to teens today.  Nor is it an “issues” book about coming out or self-acceptance.  Laura Dean Keeps Breaking Up With Me is a realistic high school story that has something new to say.
The novel takes place at a high school in liberal Berkeley, California - being out at school is a fact of life for the main character, Freddy, and her friends.  That is not to say that it is a non-issue, as homophobic bullying exists even in the most progressive places - and the novel makes sure to hold onto that thread of reality.  Freddy’s school isn’t a fantasy world, but a real pocket of American culture.  As someone who came up in one of these pockets, I was always seeking a reflection of that experience in the books I read - Laura Dean is that book.
Freddy is dating Laura Dean, who, as the title suggests, keeps breaking up with Freddy.  Yet they keep getting back together.  Laura leaves Freddy for periods of sexual exploration with others, then inevitably shows up again, only for Freddy to accept her back and begin the cycle anew.  From the start, Freddy knows something is wrong.  Yet the elation of Laura Dean wanting her back draws her into Laura Dean’s sphere again and again and again… even when Freddy isn’t having fun.  And even when her relationships with her friends begin to suffer.
Laura Dean is what I look for in realistic high school fiction.  Tamaki puts in the effort.  It is all too easy to say “Here’s my book about a lesbian.  Her character traits include… being a lesbian.” But Tamaki makes sure that Freddy is a real person, even though the plot of the book is so intrinsically tied up in Freddy’s romantic life.  It’s in the little details: Freddy uses tabletop gaming terminology less than fluently because her friends are into it, but she isn’t.  She cultivates weird hobbies (cutting apart stuffed animals and sewing together the mismatched parts with her friend, Doodle).  She even talks to the stuffed animals and gets imaginary responses as a cute quirk to her character, which again, makes her feel much more real than your average protagonist.
Part of what makes Freddy such a good character isn’t the quirks and detail, though - it’s her flaws.  Freddy is so starved for positive attention from her neglectful girlfriend that she drops responsibilities to her friends, either forgetting dates or straight up abandoning a hard conversation because Laura Dean wants to hook up.  It’s not glamorous - but it’s real.  And it makes Freddy’s redemption all the more sweet, knowing how hard it was for her to get there.
Laura Dean’s character is also incredibly real.  There is a part of her that is larger than life, as seen through Freddy’s eyes - she’s drawn on the page very dramatically (which also has an element of reality to it, if you’ve ever been 18).  Having a crush on someone can paint their every movement or “Hello” into something special.  Laura Dean delivers lines like, “That’s right.  And you’re going to say yes.  Because I’m irresistible.”  But while Tamaki and Valero-O’Connell make Laura Dean a Casanova, they also bring her back down to earth.  Laura Dean makes dorky jokes that don’t land, calling Freddy “My lady,” as she gives her a french fry.  And of course, she’s a chronic cheater who breaks up with Freddy whenever Freddy becomes inconvenient.  While Laura Dean is not given a sympathetic eye by Tamaki, she is still much more nuanced than an ordinary villain.
The cast of side characters is also rich, their traits and flaws shining through just as brightly as Freddy’s and Laura Dean’s.  Doodle’s arc especially.  Doodle’s arc might have seemed too much like a “twist” if not for the prolonged attention Tamaki and Valero-O’Connell give to the gaps in Freddy’s knowledge about her friend.  “I have to talk to yous” that are never followed up on, long, lonely glances across the cafeteria - we know something is up with Doodle long before Freddy does.  The fact that Doodle’s “twist” is a “twist” at all is really only a condemnation of how far Freddy has let her friendship deteriorate.  The other side characters have their own worlds in motion, too - the girl who works at the donut shop is saving up for college.  Freddy’s coworker is an older lesbian with a bone to pick with certain lesbian celebrities who never officially came out.
Freddy’s friend Buddy is especially interesting.  He’s gregarious, high energy, effeminate.  He invents new slang, and appears to be ruled by whim - but he, more so than anyone else in the friend group, puts effort into maintaining group cohesiveness - joking around after he’s targeted by homophobic bullying in order to put his friends at ease, but also taking it upon himself to be the one to tell Freddy the hard truth, that she has not been a good friend to Doodle.  What makes Buddy even more compelling is that, while Buddy is the voice of reason and positivity to his friends, Buddy is not necessarily able to see reason when it comes to himself.  His relationship with Eric isn’t developed (not that it has to be!) beyond one or two snippets, but the biggest scene they have together is a fight.  Eric is going to a family event and doesn’t want to bring Buddy because he doesn’t want to focus all the attention on himself and his relationship.  Buddy, meanwhile, is out and proud, and feels hurt (perhaps insecure?) that Eric is lying by omission.
So much of my attention was focused on Buddy, despite his role being fairly small, because I was not sure if I was going to like him.  At the beginning of the book, he’s the playful, fun friend - all his lines are funny.  Since he’s also the only fat and only Black character in the main friend group, it seemed clear that he was going to be the “clown” - yet Tamaki and Valero-O’Connell put in extra effort with his characterization that Eric, for example, doesn’t get.  Buddy sits stony-faced across from the school bully as the bully is read the riot act by a teacher - but through text message, he’s his cheerful self (or facade?), texting “GAY POWER!!!!!”  His fight with Eric reads much the same - a way to contextualize and humanize a character verging on stereotype.  For me, I was ultimately satisfied with Buddy’s characterization - but I would love to hear other takes on the character.
All this to say that Tamaki and Valero-O’Connell put the effort in for the sake of creating a realistic world for Freddy, and their effort makes all the difference.
One last parting thought: a pitfall of realistic fiction is that, sometimes, the author gets lost in the flow of portraying “reality” and forgets that their first job is to write a story.  Laura Dean has no problem with this - Laura Dean has a satisfying character and plot arc which ends in a huge moment of catharsis.  I fully recommend Laura Dean Keeps Breaking Up With Me.  It may the most true to life portrayal of high school I’ve ever read, the writing will knock your socks off, and you’ll want to read the whole thing in one sitting.
Having reached the end of this review, I still haven’t done Laura Dean Keeps Breaking Up With Me justice - this comic is like nothing I’ve ever read before, and I believe it is the herald of a new era of LGBTQ art and writing.  No joke.
For more from Mariko Tamaki, visit her Twitter here. For more from Rosemary Valero-O’Connell, visit her Twitter here.
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