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#I don't think she's fully a Good person. she's not EVIL but she cared more about the thawne name than eobard
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here is the thing
when i started playing bg3, i didn't expect wyll to be so devoted to karlach. her devotion to him is a given; the guy risked his life to save her when they had literally just met. of course he matters so much to her
but wyll matched that same devotion right back, as if she had been the one to save him, even though karlach never really got the chance to do anything of that magnitude back for him
but then i think about it
mizora's punishment plays directly into wyll's worst trauma. to be suddenly branded as demonic, so people will always look at him and see that first. like his father did. like the whole city, everyone who ever knew him, did. no amount of good deeds will ever be enough to compensate for his association with evil; his soul will burn in hell and he will not be welcome anywhere because he's a greedy warlock who made his choice. i don't know if that is actually true, but he certainly thinks it to be, if anything, from his assumption that the people of the grove (whose lives he had just saved, and who had known him for at least a few days as nothing but a kind hero who looked out for them) would be unable to look past his appearance and wouldn't want him near them
and mind, mizora clearly wants wyll to stay isolated. why else would she forbid him from explaining the circumstances of his pact? what could she possibly gain from that, other than making sure he can never dispel the notion that he made a deal with the devil simply for power?
so it makes sense that that, more even than the non-consensual body modification, was the punishment. to put his warlock status on display, so that people would immediately be offput by him - and even if they aren't, he will be sure they are
his own father couldn't stand to look at him, and that was back when he had just lost an eye
but the first thing karlach tells him is this:
"Thank you for seeing me for who I really am. And... I think I can see you for who you really are, too. A hero"
obviously, it's common sense for her to see him like this after he just saved her life at great, and at the time unknown, personal cost. but it would also have been common sense for his father to know that the son he himself raised and who's nothing if not a paragon of kindness and duty wouldn't just decide to sell his soul for power out of the blue one fine day. or that, if he keeps trying to say something but can't, then there might be more to the story. for fuck's sake, he lost an eye. and yet, ulder didn't. wyll's association with the demonic was enough to dispel everything about his personhood, his values, and his actions. and now said association was branded, quite literally, on his forehead
and karlach's suffered so much at the hands of devils. just like with the other tieflings, he expects her to be unsettled by him, at the very least
but then she says that she looks at him and sees only a hero. the man who saved her. the man who cared enough to listen and do what was right. the man who sacrificed something for her, who had to make a choice no one should have to make
he had saved an entire city when he first made the pact, and yet not one soul in it was able to see that. see him
but karlach did
karlach does
and not only that. not only is she the first person in perhaps his whole life to put more weight to wyll's personhood and actions than to mizora's; but she knew he needed to hear that. she says it like someone who's trying to offer a comfort in a hopeless situation, which is exactly what she's doing. she knows that he is afraid of being rejected
and of course she does
she is the one who comes closest to fully understanding him.
can you imagine being wyll and seeing karlach's story play out in dizzyingly rapid succession in your mind? had a pretty good, happy life, then in the span of one day everything changed when she was associated with the demonic. she lost everything and everyone she ever had. from then on, she only knew one thing: to fight. no rest and no friends and no breaks, just endless, senseless fighting. her body was changed against her will. she hadn't been touched in a positive way in ten years. even fucking mizora was there
that's his story, too
sure, he might not have been literally unable to touch people, but neither was karlach when she was in hell. he's been completely alone except for mizora for the last seven years, at least in the ways that matter. nothing in his life was constant, except for the fighting and the humiliation at a devil's hand. and the loneliness
of course he thinks it's a trick. it hits too close to home
and of course he can't help but listen anyway. because wyll is nothing if not compassionate, and he's just watched a tldr of his own pain inflicted on someone else
so when karlach says that she still sees him as himself first?
he is reminded that she gets it
for the first time in seven years, he is not alone, and he is understood
of course he would do anything to keep her in his life, just as she would
in a way, she did save him, too.
(slightly late meta submission for @thekindredcollective's wyllstravaganza2024, day 19: bond)
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blossomthepinkbunny · 3 months
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Charlie as an underdeveloped character
One thing I was genuinely dissapointed by when watching Hazbin Hotel was that they never cared to dive into Charlie's Morality more.
I feel like a lot of people can agree that Charlie felt very flat/sidelined in a show she was supposed to be the main character of and I think that that's because they ran out of Character Moments for her. Her Backstory is pretty much just infodumped at the start so there's nothing you can really explore there (except for her relationship with her parents ig but they only really brought that up and resolved it in one episode). Alastor has the mystery behind him of what his goals really are, Angel Dust has his arc about standing up to his abuser, Vaggie has her dramatic backstory reveal thing and Sir pentious gets focus as the one real guest at the hotel and with his goal to be redeemed.
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Charlie really has no conflict at all, which is weird since the whole plot is that her idea is relentlessly mocked and never succeeds until the end. But she doesn't have a personal conflict. All the issues she faces come from the ignorance of the people around her who don't support her, but never from who she is. She never has to change. They try to hint at this with her being possibly invasive and not respecting boundaries in the Angel Dust and Valentino episode. But the episode doesn't focus on her and Angel as they talk it out and she realizes how she might have to change as well (from how I remember it). It focuses on Husk and Angel's relationship instead.
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I feel like the easiest route they could've taken for her character was that of a moral dilemma. Charlie believes in second chances and being able to change demons and her opposite is Adam, who doesn't think demons should be redeemed and should just be killed instead. But it's never specified if Charlie truly believes everyone deserves a second chance or if there are restrictions to that. Adam sings a song in the first episode and explaines his reasoning for why he believes demons shouldn't be saved, which is that they had their chance to be good and didn't choose it and now they can't expect another one (I guess the real reason is that he's just an asshole who doesn't care but that's because Vivzepop can't write Villains so I'll just pretend like that's his real reason).
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The problem is that Adam is presented as fully in the wrong and I just don't agree with that. I'm not saying he's right with killing random demons of course but the show never takes the time to consider that sometimes people go to hell because they are actually terrible and have done inexcusable things. Like yeah, someone who had an addicition or a mental health problem while they were alive obviously doesn't deserve eternal suffering without any chance for redeemability, but we know that those aren't the only people that go to hell (in the pilot it's literally confirmed that real life criminals like Jeffrey Dahmer are also down there).
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The show blatanly shows us characters like Valentino who are shown to do irredeemable things and be purely evil.
My question is just if Charlie would also look at someone like Valentino and say: "Yeah they deserve to be saved and get a second chance". She obviously thinks Valentino sucks, which we see in the Episode were she meets him.
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So like, what would she have done if in the second episode someone like him stood at their door and wanted to be redeemed instead of Sir Pentious. Does she draw a line? Or would she have really heard him out? Her morality with this "everybody deserves a second chance" attitude is so underexplored even though it would have been the perfect place to develop her more. If they had confronted her with an actually tough situation, where she is presented with a truly terrible person, they could've had two interesting ways to take her character.
She could've accepted the person and with that she'd have taken her role a fully 'good' saviour for the demons. Someone who is truly without judgement, or atleast believes that there is good in everyone that just has to be brought out. Which would've also given room to think about if people like that are even inherently good, if they can 'excuse' the actions of terrible people and still want to help them. This would have made her a very extreme character in her believes, but something coherent and definitive is actually something Charlie desperately needs for her characterization.
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The other way would've had her reject the person and with that she would have to face the idea that maybe Adam isn't fully wrong. In that situation she would have found herself in a similar position to the Angels in heaven, where she basically is the one deciding over what's acceptable and what isn't. This could lead to her having a moral dilemma. Is she even a good person if she's deciding what's moral and what isn't? Can she just be okay with making exceptions to her idea to protect her people? Does she even want to view EVERY demon as her family? Or does she think there are some demons that maybe deserve death?
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I'm just really dissapointed that the show takes such an interesting idea and such a difficult topic and then just does nothing with it. What we view as bad and good and which people we judge harder than others will always depend on social norms and the situation. It's a topic with no real right and wrong answer because there are so many things to consider. But this moral grey conflict that is literally one of the MAIN CONFLICTS in Hazbin Hotel is so incredibly underwritten, that it's not even funny.
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Instead of acknowledging the difficulty of the subject Hazbin does what it does best and takes the easy route with seemingly clear right and wrong sides. This is especially stupid, since morally grey characters are supposed to be the point of the show. Like there are these demons who have done bad things and who aren't perfect, but that doesn't make them bad people. Its about revealing that a person has layers (which the writing doesn't). This is also a big point in Helluva Boss, where characters like Blitzø or Stolas who mess up repeatedly, are supposed to be shown as still having interests, aspirations, and good things to them.
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The easy route which is taken constantly in both shows however makes it so that Charlie is completely in the right and anyone who criticises her is one of the evil people who try to ruin her plan, just like Adam. Who's also such a straw man for anyone who even dares to bring any objection to Charlies ideas, because everyone who does is apparently a hypocrite who just doesn't understand her and would rather side with genocide (I wonder were Vivzepop takes her inspiration from).
Charlies writing was just really dissapointing with almost never any reflection being done on her part. She doesn't have really striking moments, discussions or ideas to her in a show she's supposed to lead. That's just an issue that comes with Vivzepop never really putting as much work into her female characters, even tough they would desperately need it.
I know that only the first season is out so far, but I highly doubt thay they'll bring up a discussion like this in s2. Especially since Adam is dead now and the Angels will probably try to work more with the demons, after Sir Pentious' redemtion and the reveal of the exterminations to them. Also the Vees, Lillith and Alastor will be more of focus from what we can assume by the ending scenes.
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I just don’t like that Viv can take interesting conflicts and write them to be completely one-dimensional and boring.
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thehollowwriter · 1 month
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I think we should talk more about the mysgony when it comes to parents in media, and how fathers are favoured and praised for the most the most basic shit while mothers are demonised for making mistakes or being bad. This is gonna be a long one, buckle up.
I hate Mrs Rosehearts as much as the next guy, but it's unfair that Mr Rosehearts is not given similar criticism for allowing his wife to treat Riddle the way he does. I hardly see people bring him up apart from mentioning that Riddle's parents probably have an unhappy marriage, and some people say something along the lines of "poor Mr Rosehearts, struggling with a wife like that".
Of course, we don't know enough about his character to gauge how Mrs Rosehearts treats him, bit it's clear he just passively stands to the side when it comes to whatever Mrs Rosehearts wants to do with Riddle. That itself is very harmful and it's own form of abuse, imo.
The same applies to Alador Blight from the Owl House. He's praised for being a wonderful dad that finally came through and stood up to his "horrible wretched bitch of a wife" (who, if she was a guy, would probably have more people analysing her and trying to find ways to sympathise with her just saying)..
And while, yes, he did stand up to her and that's a good thing, the general consensus is he was a brilliant dad from the start that was held back by his wife's wicked ways. But... that's not true? His first appearance is him telling Amity to stop being friends with Willow. He ignores his children constantly, and, like Mr Rosehearts, stands passively to the side when Odaliah treats her children like her property.
He's a neglectful parent at best and just as concerned with image and status at Odaliah at worst. But... that stuff is just forgotten. Most people just say "we thought he was bad but it turns out he was manipulated by his wife". He is HIS OWN PERSON. You cannot just blame everything on his "evil manipulative wife" (which is also smt that sometimes happens irl when both parents are abusive). He is still fully capable of making his own decisions.
And again, it's unfortunate, but if Odaliah were to be given his treatment or if Alador were a woman, the general response would be "That's sad but not an excuse! I can't believe she was forgiven!"
The worst I can think of atm, is Silco and Vi from Arcane. Now ofc they're not married. But the circumstances are similar.
Silco is praised to the high heavens for being one of the best dads in animation (#1 goes to Doofenshmirtz ofc, which I agree with) and the reasons for this are because he... shows his care, puts Jinx first, and loves her. Wow. Fucking groundbreaking am I right. The bar is soooo high/s
The thing is, Jinx is a child soldier. She works for Silco, protects his shipments of Shimmer, takes out the enemies that need taken out, etc. He found her as a young child, and when we cut to the present, she's murdering people without so much as flinching, even delighting in it, and suffering badly from trauma and hallucinations.
Obviously, Jinx was not given the care she needed, and was instead trained to assist Silco.
Am I denying Silco loves her? Of course not! He clearly does. But that's just not good enough. He's a loving dad, but not a good one. He's not the father that neither Jinx nor Powder needed.
Meanwhile, we have Vi. Vi loves Powder, protects her, cares for her, tries to keep her out of harm, stands up for her, and so on. She cares so deeply for Powder, and you can see it. The moment she got out of prison, her first goal was to find Powder.
However, because she hit Powder once, and shouted at her, she's apparently an abusive monster who never cared about Powder. Reminder, she hit Powder because her entire family was killed in front of her and then she learned Powder was the reason that happened. She was like... 14? And she immediately left to calm down. She did not abandon Powder, she left to take a breather because she realised she was too angry. And when she came back, she was drugged and arrested.
Silco is a grown adult who purposefully flooded the streets of the Undercity with a highly addictive drug, turned Powder into a soldier, and is generally a terrible person, even if he is a three dimensional amd well written antagonist.
Vi started the story as a teenager suffering poverty and discrimination just like Silco, had to deal with her own parents death, then her adoptive family was killed in front of her, and then she was forcefully taken from her sister. And yet, people are convinced Vi is a terrible and abusive sister who never loved Powder?
The only example worse than this, methinks, is Stella and Stolas from Helluva Boss.
Stella is a shitty mother who ignores her daughter, which the the audience is shown via a scene were Octavia is having a nightmare and she tells Stolas to deal with it. She frequently screams and swears at Stolas and throws things at him, with no regard for her daughter's presence or feelings.
This is pretty terrible, right? Of course! Everyone knows Stella is a horrible mother.
Stolas on the other hand, is praised for being such an loving and caring father, who tries his best. He even has a song with Octavia!
Well, he also: openly talks about having sex with Blitz and how much he likes it while she was right there, told her people want her money and her body, generally doesn't pay much attention to her either bc he's wallowing about Blitz not loving him back, and doesn't give her feelings much regard.
And yet, the misogyny extends beyond just Stella because people generally agree that Octavia is ungrateful and doesn't appreciate Stolas enough. They get mad at her for disliking the fact that Stolas is cheating on her mother with an imp who's been nothing but rude to her and ruining their family further, and even mock her for feeling unloved. Hell even Brandon, one of the creators, has allegedly recently called her a "cockblocking slut" which, frankly, is a disgusting thing to say about a 17 year old girl.
Idk man I'm just tired.
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"Murder is Werewolves" - Batman
I don't got the SPOONS to do this thought train justice, I have seriously been trying to write this thing for MONTHS so just, idk, have this half baked skeletal outline of the essay I guess:
I don't believe that Batman's no-kill rule is primarily about rehabilitation or second chances.
His refusal to believe that Cassandra could have killed someone when she was eight years old because "how could a killer understand my commitment not to kill" is absolute fucking MOON LOGIC from a rehabilitationist standpoint. No jury on the planet would think for even a second that she could reasonably be held accountable for her actions in that situation! Her past cannot condemn her to being incapable of valuing human life under a rehabilitation centering framework. However, Batman's reasoning makes perfect sense if he believes that killing is a spiritually/morally corrupting act which permanently and fundamentally changes a person, and that corruption can never be fully undone.
Dick Grayson killing the Joker is treated both narratively and by Batman as an unequivocally WIN for the Joker. The Joker won by turning Nightwing into a killer. Note that this is during a comic in which the Joker transforming people was a major theme! Batman didn't revive the Joker because the Joker deserved to live; he revived the Joker to lift the burden on Dick.
His appeal to Stephanie when she tried to kill her dad is that she shouldn't ruin her own life. He gives no defense of Cluemaster's actual life. Granted this is a rhetorical strategy moment and should be taken with a generous pinch of salt, but it fits in the pattern.
When Jason becomes a willful killer, he essentially disowns him, never treats him with full trust ever again, and... Well, we can stop here for Bruce's sake. Bottom line is that his actions towards Jason do not lead me to believe that he thinks Jason can become a better person without having his autonomy taken from him, either partially or fully.
The Joker is, for better or worse, the ultimate symbol and vessel of pure, irredeemable evil in DC comics now. He hasn't been just another crook in a long time. He will never get better, he will only get worse. If you take it to be true that the Joker will not or can not rehabilitate, then there's no rehabilitationist argument against killing him.
Batman does not seem to consider it a possibly that he'll rehabilitate. Batman at several points seems to think that the Joker dying in a manner no one could have prevented would be good. Yet Batman fully believes that if he killed the Joker, he himself would become irredeemable.
Batman's own form of justice (putting people into the hospital and then prison) is fucking brutal and clearly not rehabilitative. He disrespects the most basic human rights of all criminals on a regular basis. It is genuinely really, really weird from a rehabilitationist standpoint that his only uncrossable line is killing... But it makes perfect sense if he cares more about not corrupting himself with the act of killing than the actual ethical results of any individual decision to kill or not kill.
In the real world cops are all bastards because they are too violent to criminals, even when that violence doesn't lead to death. Prison is a wildly evil thing to do to another human being, and you don't use it to steal away massive portions of a person's life if your goal is to rehabilitate them. In the comic world, Batman is said to be necessary because the corrupt cops are too nice to criminals and keep letting them out of jail. I don't know how to write a connector sentence there so like I hope you can see why this bothers me so damn much! That's just not forgiveness vibes there Batman!!
I want to make special note here of the transformative aspect. You don't simply commit a single act when you kill, no, you become a killer, like you might become a werewolf.
The narrative supports this a lot!
Why did Supes go evil during Injustice? He killed the Joker. Why did Bruce become the Batman Who Laughs? Bruce killed the Joker. Why was Jason Todd close to becoming a new Joker during Three Jokers? Because he killed people, to include the Joker.
Even if these notions of redemption being impossible aren't the whole of his reasoning (people never have only one reason for doing what they do) it is a distinct through-line pattern in his actions and reasoning, and it is directly at odds with notions of rehabilitation, redemption, and second chances.
So why does he give so many killers second chances?
Firstly because this doesn't apply to all versions of Batman. Some writers explicitly incorporate rehabilitation and forgiveness into his actions. You will be able to provide me with examples of this other through-line pattern if you go looking for them. The nature of comics is to be inconsistent.
Secondly the existence of that other pattern does not negate the existence of this one. People and characters are complex, and perfectly capable of holding two patterns of belief within themselves, even when they conflict to this degree. You can absolutely synthesize these two ideas into a single messy Batman philosophical vibescape.
Finally and most importantly to this essay: he has mercy on killers the same way that werewolf hunters sometimes have mercy on someone who is clearly struggling against their monsterous nature, especially if they were turned in exceptional circumstances or against their will. They understand that they are sick, damned beasts, cursed to always be fighting against themselves and the evil they harbor within. It is vitally kind to help them fight themselves by curtailing their autonomy in helpful ways and providing them with chances to do some good to make up for their eternal moral deficiency.
I think in many comics Batman views killers as lost souls. Battered and tormented monsters who must be pitied and given mercy wherever possible. (The connections to mental health, addiction, and rampant, horrifying ableism towards people struggling with both is unavoidable, but addressing it is sadly outside of the scope of this essay.)
Above all, the greatest care possible must be taken to never, ever let yourself become one of them, because once you have transformed the beast will forever be within you growing stronger.
To Batman, it is the most noble burden, the highest mercy, the most important commandment: Thou shalt suffer the monsters to live.
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doyouknowbtsswag · 8 months
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Should Have Picked Up The Phone |So-Mun|
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Sorry this is short
I strolled around the neighborhood shivering at the low temperature. I was originally supposed to be on a date with my boyfriend but he never showed up. Recently he's been canceling dates or leaving me hanging like a fool. All of the pity looks thrown my way by others makes it 10x worse. My mind always makes me wonder if he wants to break up and it makes my heart shatter. I can't help but think of what I did wrong if he doesn't like me anymore. He always says it's because his grandma wandered off again which is valid. I've seen her try to leave and even helped him before but that excuse is getting old. At this point, I wouldn't mind just hanging out at his place if that's the only time I could see him. I haven't seen him in days and even then it's a brief conversation. I walked down the street to my house and saw a man with a hoodie stopped at my door. I quickly hid behind the big dumpster ignoring the awful smell.
"Hello?" I heard the man say as he knocked on my door. "You dropped your ID card so I figured you would want it back."
I scrambled through my bag and looked in my wallet to see if I had actually dropped it but seeing my ID in my bag confused me. Why would he lie about that? I decided it wasn't safe for me to be around here so I quietly and quickly ran away praying I wouldn't trip over my heels. I ran for a good 10 minutes not caring about how much pain my legs and feet were in. I hunched over both of my hands on my knees and tried to catch my breath. I looked around and saw I ended up near the park.
"Mun's house isn't far from here maybe he'll be there," I said to myself my breath still shaky.
I grabbed my phone from my purse and made my way to his house. Even if he wasn't home I would be able to lend a hand to his grandparents. I pushed his contact and let the phone ring but he didn't pick up. I called him a few more times scared and upset about everything.
"Come on pick up pick up" I continued to walk but felt like someone was watching me the whole time. This made me call him more and more. I started to speed walk getting closer and closer to his house calling and calling. I hit the call button one last time before having someone grab me from behind. I dropped my phone struggling against the person who grabbed me. The call went directly to voicemail.
"Mun, shouldn't you answer your phone?" Hana said as she walked over to him. "I think you've trained enough today."
"Who was calling?" He asked stepping away from the punching bag and wiping sweat from his forehead.
"Y/n" Hana handed him his phone.
Mun groaned as he took the phone from her hand. "I forgot we had a date tonight"
"Again?" She said.
"She'll understand"
"How would she just understand?"
"I'll just say what I usually do, something came up with my grandparents"
"Shouldn't you just find time? Or take a break for a day" Hana crossed her arms.
"Evil spirits don't take breaks" He argued. "And with everything going on right now I can't afford to fall back"
"You're not the only counter, you can take a day off," Hana said. "Your not alone"
"I'm just nervous Cheong Shin will do something while I'm taking a break," Mun said as his phone vibrated with a text message.
Alternate:
"Call her back quickly," Hana said. "The nights not fully over"
"I-fine I call her back," He said as he called you back but came back with no answer. He sighed as he texted you saying how sorry he was hoping to get a response. He raised an eyebrow confused but slowly turned into worry as he called you again.
"She isn't picking up," Mun said looking at Hana.
"Try calling her again," Hana said now concerned herself.
"Pick up pick up," Mun said as he paced back and forth. "She's not acting petty right?"
"I highly doubt it"
"It picked up!"
" Y/n? What's wrong? Y/n?" He said concerned. "Are you okay?" The panic and concern in his voice was clear.
"So you do know him" The man said but it sounded like there were two people.
"Who's this?" Mun asked unsure if his ears were deceiving him or not. He was only met with a deep chuckle from the other end of the phone.
"Your worst nightmare" The man grinned. "She might have been safe if you picked up the phone"
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waltwhitmansbeard · 1 month
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so i just read a post explaining why the op (and, according to the op, a lot of other people, even tho the post in question only had 32 notes, some of which were from people who disagreed with them) didn't like the cut to the crown keepers in last week's episode. while i'm totally on board with people not jibing with stuff that just doesn't work for them, i wanted offer some reasons why this seemingly hard pivot to people who are not the main characters of the story being told was a good decision to make (note good decision, not inherently the best decision, which i believe no one, including the dm, at a ttrpg table should ever be expected to make).
matt had an extremely powerful, extremely unexpected character decision dropped in his lap in the final moments of the previous episode. we don't know exactly how much time matt has between recordings, maybe a full week, maybe not, but either way, there's a very real chance that matt just did not have enough time to fully prepare a session to deal with fcg's death and what comes next.
sam now has to create a new character that a) is of a level with the rest of the party and b) makes narrative sense for him to be there. that takes time for both him and matt, and they might just need some space to work on that. when laudna died, marisha was willing to sit away from the table for several weeks because she knew that she wanted laudna to be resurrected, but sam may not want the same thing, and that's okay!
matt may want to fold the crown keepers into his main story, some or all of them—particularly dorian, whom both liam and the fans have been asking to return for a while now. dorian is clearly important to orym and the story that liam is trying to tell, and bringing the crown keepers in may be matt's way to do that.
matt—and dms generally—has always had to straddle a very fine line of making sure that his players are the main characters of their story who feel like their actions have real consequences and effects on the world, while also understanding that in reality, it doesn't make sense for half a dozen chucklefucks to have such an outsized effect on major cosmological goings-on like *checks notes* the potential release of a god-eater. this becomes especially true when you're on your third campaign set in the same world, and your players' previous ultra-powerful pcs are still around and definitely more adept and connected than their current pcs are. i, personally, think matt does a great job at walking that line, and one of the things he does that i appreciate is that he doesn't shy away from the fact that a) his players are powerful but not the most powerful and b) his players aren't the only one who care about what's going on in the world and who are taking actions to effect change. the current plotline re: ruidus is absolutely world-shaking and is causing all the divine girlies to cower in their demiplanes, so of course even the evil ones are going to be calling on their champions to help out. it makes more sense for opal to be involved (which, btw, matt has been hinting at for a while now) than not.
matt might need a fucking break! he's been doing this consistently for nine years now, and shit is complicated! handing over the reins to aabria for a week or two or three may be what he needs to not get burnt out.
dnd is an emotional game, and the entire cast might have been rocked hard by fcg's death. some space away for a week or two could help them process and regroup to get back into a story that is otherwise very stressful and action-packed.
or it's none of these! what do i know! i'm a random idiot on the internet! matt doesn't consult me on these matters! (though my dms are open if he wants to chat, i do have ideas)
i think it's tempting to think of the decisions made in and around critical role (or any ttrpg show) like those made for a television series, because the episodes are serialized and we love them so much. but this show is, first and foremost, a group of friends playing a game together, and not a carefully constructed narrative with the primary goal of entertaining an audience. the audience always has been and, frankly, always should be second to the wishes and fun of the people around that table. matt would not have asked aabria to step in and dm a crown keepers side arc if he didn't think it was a good decision for him and his players, and that priority is the correct one. we are being invited in to watch these friends have fun together, and that's a privilege that we're super lucky to have. as long as the cr story isn't doing things that are outright abusive or harmful to the cast or the audience, i don't think we should begrudge them the choices they make in the name of their own game.
again, it's okay if you're not vibing with the crown keepers! i didn't love the aeor arc of c2! not everything is for everyone! but i think accusing matt and the cast of narrative malfeasance is a bit much when, tbqh, they don't answer to us. they answer to each other.
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gffa · 8 months
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Ive been thinking about the anakin world between worlds sequence and I really hope and think that it was really anakin. Since I first got into star wars i thought at the end of jedi he became anakin again and completely shed vader but I realised him coming to be both vader and anakin like that is really cool and narratively really nice. Because the force is all about balance that there are equal amounts of good and evil. And this being represented in anakin the forces special little guy. Who brought balance to the force twice just makes sence.
Here's the thing for me: The Force isn't just an unspecified magic field, that whatever mysticism remains about it (and I love that aspect!! it is fundamentally impossible to completely wholly perceive it!!!) it still operates on some foundational thematic rules. And people are fully free to disagree or whatever, my speaking in a confident voice is only about me being confident in my views, not a condemnation of anyone else. But I do think those foundational thematic rules are central to understanding Star Wars. The Force is about your mindset, your emotions, that what you bring to the Force is what you get back out of it, that the dark side isn't just randomly evil, it's about embracing fear, anger, and hate. You don't just go to the dark side because you're born a bad person, it's about the choices you make along the way, it's about the mindset you have, it's about how you think of things. Lucas' themes for Star Wars are centered on how letting go of the bad shit in your head, on how not clinging to others out of fear of living without them, of how you need to think of others selflessly rather than what's more comfortable for you personally, those are central to what the Force is, because the Force is the unifying aspect of all of his Star Wars. So, what does that mean for becoming a Force Ghost? If Anakin holds onto Darth Vader, if he doesn't let go of the anger and hate and fear that make up Darth Vader, I think that goes against everything the Force is, everything about what Star Wars is trying to tell us. To become a Force Ghost, you have to let go. To become a Force Ghost, you have to be completely in tune with the Force, which means letting go of the hate and fear and anger. Lucas says that a Sith/dark sider cannot become a Force Ghost, they cannot achieve immortality. Only through the light side can this be achieved. Which means I don't think Anakin can hold onto Vader and have become a Force Ghost, I think worldbuilding necessitates that he's shed that part of himself.
So how does that square with what we see in Ahsoka? Letting go of the fear, the anger, the hate doesn't mean that you don't acknowledge that you held those things in your heart, that you didn't do those things, that you weren't responsible for them. Anakin is acknowledging that, yes, he was lost in the dark, those things dug claws into his heart. But his appearance there wasn't for his own sake, we're not seeing Anakin there to learn a lesson--he's there for Ahsoka's sake. And what does Ahsoka need from him? Ahsoka needs him to say that he's more than just Vader so that she can still care about him without feeling guilty, she needs him to point out that, if he can rise above Vader, she can rise above being the student of the man who became Vader. He shrouds himself in Vader's appearance for her sake, to force her to confront her feelings about how she has to keep fighting to live, to let go of her fear about him. I think all of that was a play designed specifically for Ahsoka's sake, because he doesn't really go full Vader until he says she's not listening to what he's saying, she's not getting it, so he has to change tactics. It isn't because Vader is still part of him, but because she is still holding onto Vader and he needs to show her how to let go. Balance isn't equal light and equal dark, Star Wars is pretty against that message. That's neutrality and neutrality in the face of evil is letting evil flourish. Look at Bendu--he's the one in the middle and, ultimately, he's a coward who refuses to help save anyone's life because he's equally light and dark. Balance is stability, balance is moving with the currents and changes of life, moving with the Force that resides in all life forms--balance is exactly what the Jedi teach and practice. Balance is the light side.
And I think to become a Force Ghost, one of the ultimate expressions of the Force, one of the most important thematic examples of What Star Wars Is About, has to be aligned with Letting Go and finding selfless peace. That's why Anakin wears white Jedi robes at the end, rather than his usual dark tabards--because during Attack of the Clones and the Clone Wars, he was equal parts light and dark and that wasn't stable at all. But once he let go, he became stabilized, he became a Force Ghost, he became a Jedi of the Jedi Order, he became balanced.
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ma3mae · 10 months
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Don't be so annoyed, love!
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Summary: He's so annoying sometimes but it's ok because you love him 😭 (HC w/ Dazai, Kunikida, Ranpo)
Genre: Crack, fluff, lowkey suggestive themes
Warnings: 🗿 we ignoring the red flags bc we can. also mentions of farting bc dazai 🗿🗿🗿🗿🗿
A/N: u cant tell me that they wouldnt do any of these things ok 💀also kunikida's got a small drabble out of nowhere but im always wildin when it comes to him 😭😭😭😭😭
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Dazai Osamu
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u cant tell me that as soon as hes rly comfortable in ur relationship that he WOULD NOT be ashamed of just farting outta nowhere honestly 💀
Like yall r just chilling on the couch, watching smth and he just lets it all out bc why should he hold himself back 🗿
Hes at home 🗿
But bro's lucky he doesnt smell but 🗿🗿🗿🗿 wheres the warning from him
u give him the side eye and hes like "What? Are you perhaps ashamed of human nature, bella?" like ok we'll leave him alone but he ruined the emotional moment of the movie yall were watching 😭😭😭
Is also the type to prob leave his socks and clothes lying around
It got better over time but he still sometimes does it bc old habits die hard i guess 🧍
once got so bad you just collected all of his clothes and put them infront of the door so he'd have no choice but to pick all of that up and do it himself 💀
would try to talk his way out of it in the beginning but also felt kinda bad after the relationship got more and more serious
So now hes a good bf/ husband and does it himself 🤩 (with the occasional sock under the couch 💀)
drinking habits would take a bit longer to be fully gone, he'd learn to regulate it over time
He's learned to warn you tho when he thinks that a rly shitty day might hit him bc work and more
sometimes you take the day off and do something together to take his mind off of it
Sometimes you're at work and a "im home" text without hearts will come and you know whats wrong
would feel more comfortable over time letting you take care of him
will definitely show you his appreciation for you the next days in one way or the other 🤩💅
talking about living together, yall would often have to sit down to talk about his spendings bc our man cant save for ANYTHING
Used to often come home with little things like "Look, this reminded me of you!" and it's a plushie of a cat or something
Started off cute and small but got dramatic like him really fast
ngl he came home with a expensive necklace u liked when the both of u went shopping but u didnt buy it bc.. she expensive...
like he was charming as always with his "Tada! Guess what I've got you?~ 😋" ".... Not the necklace...? 😧" "🤩 How did you guess that right, bella??" "😨😨"
THIS man right here wouldnt even hesitate to just right out fking steal shit for you if u want it bc thats how much Power u got over him he'd never admit that tho sksks... OK maybe in bed...
he'd def either blackmail or bribe chuuya into helping him with stealing
probably even has access to his bank account and you'd only realize that when he'd stand infront of your door, asking where that "f*cking b*stard" is
you'd legit have to mediate their convo or else the whole building you live in would be gone immediately skks 💀
Chuuya likes u so he wouldnt make yall pay for it bc he knows that dazai's nearly broke 24/7 and u dont deserve to pay for his fault 💅
it would be enough to destroy his pride to make him obey chuuya for like 2 weeks or sum cue evil cackling from said red head
queen of Gaslightining nr. 1 😭 sometimes its for the dumbest arguments tho like why its okay to smack your lips while eating 😭
"I don't know it's just really noisy and kinda annoying for me?" "But Bella, that shows just how tasty your food is or are going to deny that fact and say that I should not show my appreciation for it? What if for me personally it's a sign of a good meal?" "Yeah but doesnt need to be that for me. Also you can show your appreciation for it in other ways like just simply saying its delicious?"
"But actions speak louder than words, my love." "YEAH, well then what do you want then???"
Its just a whole shit show and would (lmao it WILL) end in him giving you just shameless bedroom eyes and well you know whats gonna be after dinner lmaooo 🤡😭
Also also i do believe that hes not the best cook at first but hes a real fast learner so it prob would only take him a week of consuming cooking videos and reading books and BOOM
"Samu, is this a 3 course meal you're cooking because that's a LOT of ingredients in the kitchen." "Sssh just sit down, wash yourself up and enjoy the evening, my love! I'll call you when I'm done 💕"
Manages to somehow still give you some snacks and drinks in between the cooking 😭 with some sneaked in kisses on your shoulder or lips 😏
If you go and hug him from behind, he'll be MELTING
Like nuzzling your face into his back while wrapping your arms around his torso, you feel the slight rumble in his chest as he chuckles at your cute action 😭
"If you want to eat something then you should take a break from being so cute, you know? Don't want the food to go bad from maybe getting a bit distracted if you stay here for a bit longer." "Ew, are you implying you'd start something infront of our food??"
"... Well, I can just have a whole meal by myself but you'd be left hungry so it's your choice 😋"
🗿 the way he doesnt need long to be turned on is alwaya amazing to u but thats just how whipped he is and bro is a whole snack himself so WHOS complaining 😋💅
food's is guaranteed to taste heavenly but if he knows youve got time, then he'd make excuses to taste your cooking like
"Samu, it's been a while since I've gotten to taste your cooking." "Aww, was it that delicious for you? Hmm but I actually prefer your cooking!"
Time for some cooking and baking lessons together, eoow 💅 with the occasional make out session because the sauce found it's way on your lips and he just had to clean it up with his 😭😋
honestly despite all of some of the difficulties, dazai would never fail in making you feel loved in his own way even tho u gotta peel back some layers 🗿
At the end of the day, his bear hugs and many kisses are smth u love to come back home to after work
also doesnt say it but would def be a house husband for u 🤩 with the occasional "whoops gotta go and do smth quick" text and he comes home at like midnight skks bc the agency needs his cute ass 😋 but dw dinner's ready and house chores have been done so enjoy ur evening after work, zurlie 💅
dont kill me for this but id give him a 7.5/10 😭
Obsessed with him and i love him but it would prob be really really exhausting to get him to FULLY trust you and its honestly understandable
Also he kinda makes me feel like i'd have to walk on eggshells around him because you often dont really know what hes thinking 😭😭
could smile at u while thinking "why u so ugly" 😭😭
also bro is so smooth, its scary like he'd prob make us forget immediately that hes trying to find out everything about us(why he sounding like a stalker 😨😨 wouldnt want him to be MY stalker 😨😨 or would I?? 🤩) MY DELULU BRAIN 👹
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Doppo Kunikida
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😨 Cleaning maniac
personification of the verse "I can COOk, i can CLEAN" (i know its "dont" instead of can but we all know hes like perfect house husband material... maybe a bit too perfect 💀💀💀👹)
If u forgot a cup on the dinner table, he'd legit take the cup, put it in ur hand and be like "why did u leave it there if u r not using it"
WILL def rant about why u shouldnt do it
Honestly huge nagging mom vibes 💀💀
At the beginning of moving in together, he'd just clean everything without a word whatsoever
Like you wanna help around the house too? NUH UH, he already finished everything up.
Vaccuming the house? Done
Swiping? Lmao be sure to not arrive at home after work around that time bc u gotta stand at the door and WAIT until the floor is dried 💀😭
Dishes have been done like at 5 in the fucking morning 💀👹
Bro thankfully doesn't wash clothes that often (gotta be careful of the water bill 😭) but there r days where he legit throws his clothes nearly everyday bc the worse the mission the more blood yk 🗿🗿
U had to legit drag his ass to the couch to talk to him bc he gonn be deep clean the house if someone doesnt stop him
"Kuni, you literally don't need to do EVERYTHING by yourself! I'm also here to help and frankly, it feels like you're my maid sometimes 😞" " Don't worry. Everything fits perfectly in my time plan and since you sometimes work overtime, it's better if I do a bit more of it."
... "🗿 You are legit saving this city from being destroyed so often and I just sit in the office, bro 🤡" "I understand your argument but I have seen the way you look tired so often so let me take a bit of your burden"
He knows how to make us go "🥺"
The argument prob went on for an hour until yall settled on making a plan on who does what on which days and if someone's gotta work overtime or sum then the other takes a bit of it over and so on
So in the end its alrighty 🎉
Groceries and so on are never a problem except it sometiems turns out like going shopping with your mom because...
"Omg Kuni, look!!" *holds up cute decoration* "We could put this on our dinner table! Isn't it cute 🥺??"
Bro just takes it from you and looks at the price. Legit gives you the 🤨 look
"That's 937,32 Yen (around 6€) 🤨🤨. For a tiny statue of a dog? We could find it somewhere way cheaper." "🥺 But it's a limited edition and it reminds me of you bc its got the same fur color 🥺. It's even got ur glasses on 🥺"
Bro will say no but the day after you spot the dog on the table 🤡
Yall lying in bed together and cuddle so give him a peck on the lips while killing him with your cute ass smile (U MURDERER 🗿🗿)
"What was that for?" "Hmmm, well I just noticed that said statue magically appeared on our table. You think it was a cute long haired fairy with glasses and a grumpy look 😋? "
He tries really hard to deadpan at you but the corner of his lips still tug upwards as he pinches your nose
"Well, sometimes its not so bad to buy a little extra, I guess."
If theres a market nearby with some really good deals then you'd either be dragged together with him or he'd come home after work with tons of bags
Always surprises you in how good he is at negotiating about the price
Sometimes you gotta stop him from arguing with some of the shop keepers because some decided to sell some items way too overpriced 🗿🗿🗿
you once found him stay up all night researching about reasonable prices for veggies... 😨
and cue to yall standing in the morning infront of said shop keeper getting absolutely destroyed in an argument by your man.. 😮‍💨😮‍💨😮‍💨
Well guess who even got some extra free stufd because kuni terrified the shit out of him 😋
"Thank you for your hard work in harvesting and selling us these delicious vegetables. My wife is quite a fan of them." Your husband said as he put the money into the shop keepers shaky hands, face red in embarassement as he squeezed out a "It's nothing." between his teeth. His face paled at the words "We'll see each other next Monday. Until then have a great week." leaving your man's mouth as he gave him a friendly smile before taking your hand and going to the next stall,only for you to sheepishly wave goodbye to the shop keeper before going with your husband.
"Well, you gave him quite the scare back there." You said as you felt him squeeze your hand a bit tighter, the bustling of the array of people only increasing by minutes. "Someone had to correct his ways. It would help his sales but only if he's willing to take that advice seriously." he simply answered as he looked at the contents of the bag, counting the ingredients left to purchase.
"Well atleast we got ourselves more than we needed so we can go home and call it a day." "Who are you?" Chuckling at your surprised face out of the corner of his eyes, he continued to make his way towards the end of the market, to finally reach your car.
"I thought over your words and I do believe it would be nice to" laze around together "for once in a while. Everything in the house has already been done, so maybe we could try out that one series you've been talking about. The reviews seem to be quite positive about it."
He just lets a breathy laugh escape his lips at your squeal while you begin to rant on why its gonna be so good watching it and
UUUUGGHHGH 😭😭😭😭 GIVE ME KUNIKIDAAAAAAAGHHHHHH 😭😭😭🤡🤡👹👹👹
honestly there are like no real red flags like his red flags are disguised green flags and yall can legit work through it easily
The only thing would be his tendency to overwork himself and it could lead to an argument but never a real fight because hes pretty easy to reason with
Like even when hes stubborn, he'll STILL listen to your words because the many good things about him that he'd always make sure to take your words seriously 🗿🗿
which sometimes makes it tempting to tease him bc we can lowkey understand why dazai easily tells him the most outrageous shit and your man just casually writes it down in his notebook 😭
"That damn idiot managed to fool me again by telling me that aliens have been among us (AMOGUS 👹) and that the goverment has been hiding it from us for decades." "I thought you already knew about that tho?"
"What" "What?"
"Wait so they're real?"
Cue to him showing him a video (that dazai sent to you a week ago just for this moment 😭)
Lmao dont tease him too much tho but dw, he cant stay mad at you at all lmao 😋💅
Honestly a 8.5/10 bc his nagging scares me 💀😭
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Edogawa Ranpo
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"Greatest Detective" more like "Queen of Gaslightining" 👹👹
Everyone knows hes way too obsessed with sweets but how the hell is his teeth actually still existing 🗿🗿
ngl i believe fukuzawa would prob sometimes just randomly ask him if he brushed his teeth bc he lowkey lowkey raised him ok 🤡
Ranpo is all nice like "yup, i did." but when u ask him, hes a whole b*tch about it
"Hah??? Why would you ask me that?? Do you really believe that I'd be so dumb to forget about brushing my teeth? If i can solve the most difficult cases then why would you assume that brushing my teeth might something that I'd forget, huuuhh??"
His gaslightining used to work at the beginning of ur relationship but sooner or later its not hard to notice his patterns 🗿
Like yas ok, he could just put up a whole ass strategy in how to not get u to notice that he didnt brush em at all but bro
Hes too lazy
And hes a sucker for attention 😩 like he might be "annoyed" if u nag at him bc of smth but he absolutely loves it bc its just one of his many ways to get ur attention without him having to actively get up and get it for himself 🤡🤡🤡🤡
Hes a huge clown but i love him 😭
Dazai tends to forget his socks or smth lying on the floor but THIS mf right here just doesnt rly care 😭
Like that was the first thing u noticed when u entered his apartment 🤡
Its not right out messy on a disgusting degree, its more like theres tons of trinkets n shit from cases or just random candy wrap hidden under the couch 💀💀💀
The epitome of "I can do it tomorrow" bc bro doesnt forget, he just IGNORES that he has to do it 😭
might take a while to actually get him to yk do smth around the house
used to prob only sleep and shower at his apartment and thats it💀
But when hes whipped then hes whipped and hed actually try his best to help around the house
Key word "try" 🤡
Like its often tbh accompanied by "okay, ill do it but only if i get smth"
A MANCHILD, I SAY 👹👹👹👹
But there are days when he legit deep cleans everything by himself bc either you had a bad day or yall had a fight 👹👹
still would whip out the "now gimme something, please 😋" if yall cuddle after a fight and he cleaned and tidied everything up for his love 🤩
doesnt always have to be candy yk HEUEHEUEHEUUE 👹👹👹👹👹
also its not a surprise but dont let him near the kitchen
HE COULD
HE RLY COULD COOK SO WELL
Like he had only cooked for ONE time and it was like a fever dream
Bc u legit had a fever and he cooked chicken soup but uhm 🗿
he cooked it so good??? Like veggies n meat cut and cooked up nicely?
Broth kicking in real hard?
Like? "What the hell? I thought you couldn't cook??"
Bro is about to put that spoon fr away 💀
"I'm not so heartless to let you starve and I definitely wont be giving you some cheap soup either. I just looked it up on the internet and followed the instructions so you gotta get well soon because I miss your cooking 🤩🤩"
Are we flattered?? Gurl, maybe but he'd def know if we tried to make ourselves be sick to taste his cooking again
Bro only offers to help when it comes to baking 😪😮‍💨😮‍💨
His only help is licking the dough or chocolate outta the bowl or smth 😀
would sneak in many kisses tho bc he likes u and sweet stuff is just sugar overload for him and he loves it 🤩
I think one of the important factors for him in a relationship is that fukuzawa approves of you? Since he does value his opinion over his own intellect
Like bro trusted him when it came to Fukichi and other ppl 💀
fukuzawa could legit go "aliens r evil" and ranpo would be like "ok everyone, aliens are evil!!!!" 🗿🗿🗿
honesrly i dont think why there would be a reason for fukuzawa not to accept you (if there is one then time to take 100 steps back and reflect on urself 💀)
He'd prob be impressed on how u even fell in love with him bc.. its ranpo💀
petty, clingy, can be manipulative ( but never with ill intentions), would legit prank ur ass bc he can, impatient and quickly bored af
But hes attentive, kind, can be patient when it comes down to it, empathetic (depends sksks) (also thank u fukuzawa for kinda ramming that into his head 🤩), affectionate in his own way (a sucker for physical touch but would NEVER right out admit it 🗿) and so much more honestly
there arent any real red flags tbh (might come as a surprise for some ppl)
Maybe maybe he'd obviously have a bit of difficulty fully opening up and i do believe there might be times where he once or twice legit deducted what ur feelings r for him bc hes used to being careful around people and especially bc in case someonw could randomly target the agency
Or is some kinda criminal in general
But honestly when hes learned to trust you then you know youve got yourself someone loyal 💅 and i mean FR loyal
personal favorite hc and honestly prob canon since we've already seen it : he'd not be ashamed to throw hands at someone when he thinks you're being insulted or harassed
And with hands i mean exposing them to 100% until they are pissing their pants and begging him to leave them alone 🤩🤩🤩
Also also, gives me off a similar vibe to dazai with the "maybe having to walk on eggshells" around them but ranpo doesnt make you feel as watched tbh as dazai which would kinda make it easier to talk to
but bro isnt as smooth as him so whOOP 💀💀
Overall iconic and a solid 8/10 🤩🤩🤩💕💕💕
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The random ratings i gave them LMAO 💀💀💀 hope u like em 🗿
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sky-scribbles · 3 months
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Playlist for my Aeor longfic
I failed to figure out how to do a fancy spotify embed like the kids do but uh. Here's the playlist for Gravity!
I listened to this while planning and writing, and there are even a few shout-outs to the songs in the fic... Songs are arranged chronologically, so you should be able to hear the story happening, hopefully :'D
Further yelling about song choices under the cut!
A Matter of Time - This one is... sort of the fic's opening titles in my head? I wanted to start out with an instrumental, to capture the vibes of the months before the fic opens - Essek and Caleb apart, thinking about the T-Dock, and each other. Wondering. Waiting.
Horse to Water - Essek in Chapter 1, knowing his life as the Shadowhand is ending, waiting for Caleb to come and take him away to whatever comes next. (I'm normally very picky about not putting songs that reference modern day stuff on fantasy playlists but this one's vibes were too perfect)
Dear Fellow Traveller - Two wizards heading into Aeor together.
Conquest of Spaces - A song for Aeor. A dark, beautiful city, the remains of a people who lived by greed and power. (And two wizards in the ruins, trying to draw closer to each other.)
Neptune - This is mostly for Essek's breakdown in chapter 5, as he worries he'll never break out of his Shadowhand manipulation, wanting to be closer to Caleb and not knowing what that would even look like. And it's a little for Caleb in chapter 6, too, grappling with his feelings for Essek and his fears that they'll ultimately be bad for each other.
Please Don't Say You Love Me - ... and as they move past those fears, this song is for them tentatively acknowledging what they might be to each other. Not yet. But maybe soon.
Woodwork - This is for the chapters 6-9 span, as they learn more about Brashaar's plan. The pressure of a crisis has an odd way of making them realise just how deep their trust and care for each other runs.
Two Evils - Since we're at the point where Brashaar shows up, she gets a song now! This is pretty much her internal monologue during her confrontation with the wizards (though she really should have paid attention to 'if you're not careful, you will lose her' in reference to Quaera...)
Winter - Travelling northward, and yearning. Wishing they had more time.
Mind - A song for a young Quaera, slowly forming a personality, wondering about who she is and how her identity forms...
The Tower - ... and having their own breakdown.
What Could Have Been - I love me a good villainous breakdown, and this is a song for Brashaar's. This is how I imagine she feels during the final confrontation, raging against the gods, against Caleb and Essek, against Quaera after they turn from her. Not quite able to let go of what she thinks Aeor could have been. What, in her eyes, the world is meant to be. (As a bonus, I think the second verse sounds a bit like a retort to her from Quaera...)
Everybody Wants to Rule the World - This is such a fun cinematic cover, and I can't tell you how many times I've imagined a mental AMV of the final battle with Brashaar set to it :'D
Ori, Embracing the Light - I wanted an instrumental here too, because... Essek is dead, Caleb is in shutdown, and Essek and Quaera are communing with the Luxon, a being that doesn't really speak with words. Also, 'embracing the light' is exactly what Quaera does at this point.
Would That I - I know we all use this as Caleb's 'learning to live and love again' song... and I am no exception. This is for him after the T-Dock, finally fully acknowledging his grief, and his love for Essek.
First Day of my Life - Just two wizards realising that they have a future, and agreeing to slowly work at what's between them.
Ready to Call This Love - This one speaks for itself, honestly.
Five - Both of the wizards in the final chapter, but especially Essek realising how isolated he's been from the world, and letting it all in so he can feel it. (Also, studying the universe is a love language - )
Gravity - Gravity is a metaphor for love!!!!
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alostlittleriverlotus · 9 months
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"is it their fault their brain developed that way? No. But they still have the disorder."
"if you killed every narcissist, you would save more people than you would kill"
"narcissism is deadly"
"narcissists are evil"
"do you even know anyone with narcissism?! I do and they're awful people!"
"narcissism can't be cured"
"caring for a human as toxic as that when they literally deserve nothing but a life worse than hell"
These are just a few things I saw about NPD from someone very angry. And I could write more, but my phone is dying and lagging. Cause it was a whole ass multiple paragraphs from people angry about us simply existing.
But sure, ableism against narcissists doesn't exist. Yes I know someone with it, my mom. Yes I know someone with it, me. Yes before I fully understood it in a non-stigmatized way and thought my friend might have it, I was normal about it and knew she was a good egg.
So yes. There is ableism and hatred for us preventing us from being treated. This is who you side with if you think narcissistic abuse is valid even if you can separate the person from the disorder, even if you can separate the word from the disorder, even if you just mean the "toxic" narcissist. This ableism kills and has led people with NPD to suicide. Even my unstable ass is tempted to search up ableism just to give me a reason to go through with killing myself.
So yeah. Fuck anyone that won't listen to us even when educated. You are absolutely ableist and even if you aren't like this person or agree with it, you are on the same side as them. This is what fucking ableism looks like. This is the shit we get fucking told and talked about as if we aren't human. It may be personality disorders, particularly NPD and ASPD now, but it has been BPD and still is in many way. This is the same ableism that will affect other disorders. It may be mostly targeted at narcissists and antisocial now, but it still happens to every disorder because it is not destigmatized and if u throw the personality disorders, the psychotic disorders, the scary "abusive" disorders under the bus, you are only aiding that stigmatization. This shit gets said about us constantly as we are treated like demons, not human, monsters, heartless cruel abusers. When we have been abused too. When we are still more likely to be abused. When no disorder is more likely to be abusive than any other disorder or any neurotypical person.
You just hate the mentally ill. All of us should be included in mental health matters.
Anti-narcissists will assume every narcissist is evil and abusive in a very black and white thinking way without even knowing us. If we are narcissists, they'll use it to discredit anything we say. This is what you side with if you believe in narcissistic abuse. Even if you don't agree with it or believe in it, you are allowing it to continue instead of fighting for us on our side or even just continuing to use those terms.
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flower-boi16 · 2 months
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Given how underdeveloped Vaggie (Why was she named that), Charlie, Millie, and the majority of the female characters are, I won’t be suprised if Lilith turns out to be a one dimensional bitch who only exists to make Lucifer more sympathetic (I like Lucifer’s character but still)
....I disagree, Lilith could actually be a good, or even great antagonist for the show, possibly being one of, if not THE best villain in all of Hellaverse...
...if she's not being written by Viv. I've already talked about Velvette and why she's on of Viv's best antagonists before but she's relevant to my main point; Velvette is a character with an actually cunning, entertaining and well-developed personality that stands out from other antagonists in Hellaverse, making her feel like a breath of fresh air compared to all of Viv's one-dimensional assholes, being an actually good villain...she's also a female character whose episode she got a major focus on...wasn't written by Viv.
We all know Viv is incapable of writing antagonists let alone female antagonists, so, the reason why Velvette ended up being so great compared to Viv's other antagonists is BECAUSE she wasn't being written by Viv or Adam. Viv can't write antagonists or women, so when one of her female antagonists ends up being so great, it's because she's not being written by Viv, but rather, someone who knows how to write female characters.
In episode 2, the episode that IS written by Viv, and where Velvette makes her first appearance, she has a more typical fashionista personality compared to episode 3 (though tbf that's still more of a personality than 99% of Viv's other antagonists), and episode 3, the episode not written by Viv, she has a fully fleshed out personality that makes her a fun antagonist. I really don't think that's just a coincidence.
An guess what? This same thing happened AGAIN in episode 6 with Sera. Sera is the head seraphim and leader of Heaven, she greenlit the exterminations in order to protect Heaven but you get the feeling that she doesn't WANT to do this, that she doesn't feel great about letting Adam and his army murder people bellow. But she feels like she HAS TO in order to protect Heaven...and her sister, Emily.
Initially, in my post about Emily, I said she has no purpose or point as a character, and removing her changes nothing. I was wrong. Emily DOES have a purpose within the show; it's to be a main motivator for Sera, and Emily's existence adds depth to her character. Sera lets the exterminations happen because she also wants to protect Emily and deeply cares about her, she holds her sister close to her and wants to keep her safe.
Sera is a character with real nuances to her actions, she's not just a one-dimensional villain, she's not exactly good either, she's...an actually nuanced and morally grey character that can't be put in either good or evil? In a VIVZIEPOP show???? Like, not saying that Sera is a super deep or compelling character or anything, but like, she's an actually nuanced antagonist with real depth to her...
...and that's because the episode she's in was not written by Viv, just like with Velvette. The reason why Sera is an actually nuanced character is because she's not in an episode written by Viv.
The fact that this happened twice does not seem like a coincidence to me. The reason why Velvette and Sera can be actually decent or even good characters is because they are in episodes that aren't written by Viv or Adam, both of which in all of the episodes they write show the many problems with HH and HB's antagonists. And, ultimately, Velvette and Sera ended up being two of the BEST antagonists in all of Hellaverse because they weren't being written by Viv or Adam.
So, there COULD be a possibility that Lilith can be a good or at least decent antagonist if the episodes she gets a significant spotlight in aren't written by Viv or Adam. If they are...then well, ya, Lilith will probably just be Stella 2.0 or something.
But if she's being written by either of the two guys who did episodes 3 & 6, then she could end up being a good or even great character. The bare is very low for antagonists in these shows, but when they aren't being written by Viv or Adam...they can be kinda good.
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gamerbearmira · 2 months
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More resident evil 8 Au! I don't think I will ever run out of things to talk about for this AU!
First I'm glad you like my idea for julieta's mutation and I 100% agree that Miranda was trying to get rid of Alma's voice but she didn't directly go for her voice box she was just kind of hoping that it would be a side effect of the experiment so it didn't happen.
The Dimitrescu family does need to chill. They try their best but given their mutation and what I feel like is an ingrained primal/animalistic instincts they have a very hard time reeling in their emotions and with self-control in general. They've gotten a lot better over the years but it is something they still struggle with.
I just realized that we haven't got the families opinion on the other Lords or their first interaction with them besides the Dimitrescu family. As you know with Alcina and her family things were very tense and it took them a little while to be able to get along with each other but they managed The family doesn't have very high opinion of them because of their diet and their overall attitude but they are grateful for the fact that they took Mirabel in and took care of her when she was young. None of them like Monroe mostly because of the smell and the disgust that they feel being near him but also because of the fact that he is constantly trying to trick them into doing things to help him look better in the eyes of Miranda. All of them were creeped out by Donna at first, most of them still are, but Donna and Isabela built an odd little friendship over their special interest in gardening/plants. None of them like karl because of his abrasiveness and the attitude that he takes with Mirabel Plus the fact that his solution to the Miranda problem is to experiment on people and create these horrible monsters although camilo does like/appreciates the chaos that karl brings to certain things.
I feel like when Ethan is in Mirabel's creepy Casita he could go to different sections of the house and find different things. Like when his in the kitchen which is Julieta's area he could find healing items that would randomly regenerate more and could probably buy cheaper food items from Julieta, for weapons and ammo I'm torn about who he could get that from I feel like Luisa would be a good person to get that from because of how much she wants to protect her family. But I also feel like Pepa and Felix would be a better choice because in this Au they go crazy protective over the family plus I just get that type of vibe from them better than I do Luisa because at the end of the day Luisa is a cinnamon-roll sweetheart and I can't really imagine her hurting anyone or dealing with weapons.
Yes Ethan lives! I don't trust the B.S.A.A especially after seeing how they treat Rose. She literally didn't have a childhood in their care, and they were going to shoot her because she had a very reasonable reaction to what that one guard dude said, plus the fact the guy even felt comfortable to say something like that to her when she's visiting her father's grave is just gross. In my version The Madrigal family goes back to their encanto with Ethan and Rose, it's the place they all love and they all miss it very much, There are a couple villagers that are still alive and remember the family but not that many. Casita is still standing. Nobody lives inside because Casita refuses to allow anybody to live in her pushing away anyone who tries to get inside. When they get to Casita they were all basically pushed inside Casita was so happy to see them again! Casita had added a room for Mirabel while they were gone, the family doesn't know why or when. They make Ethan a house near Casita so he can have his own privacy and raise Rose the way he wants to. They of course help him whenever he needs it and spend a lot of time with him and Rose!
But I've been thinking. By the time Ethan happens Mirabel would be fully grown and would have been fully grown for a while before Ethan/Rose happens (all the Lords/experiments seem to stop aging after they reach adulthood) and with how much Miranda likes to experiment do you think it's possible that in between that time Miranda would try and experiment on Mirabel to create a vessel for Eva? In this Au Mirabel is considered the favorite and Miranda does have an unhealthy obsession with her so I wouldn't put it past her to try it but I don't know I would really like your opinion on that.
Any art you would like to make is always appreciated!
PLEASE DON'T STOP TALKING ABOUT IT BECAUSE I LOVE IT❗❗ Honestly, Resident Evil by far like my favorite Video Game Media, and in the top five of my favorite media of all time 😭😭 like if you want my attention just mention resident evil
ANYWAYYYYY yeah, I think it's cool for Julieta <333 makes me also think that since her hands leak mold and infect the food, if someone did eat it to heal, it would more effectively heal people who had some form of black mold or any mutation like that; an idea, maybe Ethan, if he goes to her kitchen for healing items, he can take food (if she offers it to him), and he can use it to help regenerate or repair stuff; it can’t regenerate whole limbs though, not unless he has them, hence why Ethan is still missing fingers <\3333 And anyone without mold or mutations have to eat more in order to heal properly. Or maybe ut doesn't heal at all. Idk 🌚
The opinions are so real 😭😭 like I can see why they don’t like Karl (and even Camilo probably only barely tolerates him), and Moreau, for obvious reasons is disliked. Like I know bro is a victim, all of them are, but he SO manipulative it’s not even funny, and he’s just trying to make himself look better in the end. Alcina and the daughters…yeah. By far, if they had to choose one for Mirabel to be around, they prefer Donna, like yeah, she’s creepy, and yeah her weird dolls are creepy, but she’s otherwise pretty chill, and Angie is really just a vessel for her to speak through. I like how Donna and Isa bond over gardening, that’s cool <333
ALSO ETHAN IN CASITA 💪💪💪 he finds the house and family creepy at first, but honestly, with how much he’s been through, he gets over it when he realizes that they only want to help him. Him raiding Julieta's kitchen is so funny, and like she doesn’t care 💀 also I think Pepa and Félix fit for weapons; maybe Luisa can still have a role, since she’s still strong, she can and will defend herself, especially against Lycans. If she’s not at Casita, she will roam the villages and knows her way around, so maybe Ethan can go to Luisa when he needs to know where to go next or where to find certain items (not the flasks though)??
AND THE B.S.A.A…I haven’t watched gameplay of the Rose DLC yet (I need to lmao), so I was going off the B.S.A.A in previous games like 3/5/6. I’m glad they went back to the encanto, and I’m glad Casita is still standing and was so excited that the family came back 🦈🦈 The Madriagls pretty regularly check on the Winters. No Mia. We don’t talk about Mia 👹👹
As for Miranda trying that, yeah, I think so too. Even with her, and the family getting older, Miranda still treats her like a child, like her child. Arguably, her obsession gets worse, and it affects her both Mirabel and even her family to some extent. Mirabel wants to be herself and live as herself, but Miranda essentially ends up viewing her as nothing but a vessel for her daughter, and treats her as such. She either treats her as she would Eva, or she would treat her like the experiment Miranda will ultimately try and turn her into. Mirabel fully believes she won’t fail this time. She refuses to listen to Mirabel, much less her family.
Mirabel might even be a little happy Miranda doesn't really like her family, becayse at least that way, her family is safe from Miranda's obsession with getting her daughter back. Miranda tolerates them but you know. She's not above brutality and LITERAL ASSAULT AND MURDER 🌚)
ALSO ART❗❗ so fun to draw. Honestly, I'll draw a lot for this au 🤭🤭 LIKE...its insane. I had this idea, but it doesn't work with the timeline of RE8 and Encanto 😭 Anyway, I want to do a snippet, so if you have any ideas or more lore 🏃‍♀️🏃‍♀️🏃‍♀️
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venus-is-thinking · 9 months
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A Narrative Defense of Eden Culprit Theory
Hello everyone! 
As I’m sure many of you know, I, among others (notably @accirax, @1moreff-creator and @thebadjoe) believe Eden to be the culprit of the Chapter 2 murder case. I’ve seen a fair number of people say they aren’t convinced for one reason or another. While I fully understand people who don’t buy all the evidence/the insane contraptions we’ve come up with or people who are in denial, I was a little surprised at how many people I saw say that it would be bad writing for Eden to be the killer here. 
While others are fully entitled to their opinions on who the killer is, I want to address this claim. Personally, whenever I’m reading a fangan, I always believe that I shouldn’t consider any killer to be “bad writing” until I see how it’s actually written. After all, there can always be a key twist you’re not expecting to make it actually make sense. Plus, in Eden’s case, I actually fully believe that all the building blocks of a narratively successful killer are already put into place. So, in this post, I’m going to attempt to back up my claim that Eden being the second killer actually makes narrative sense, and it isn’t bad writing either.
Because fangan writing is subjective and what any given author believes is the right move varies, I’ll be doing my best to support my claims with similar content from the canon game trilogy (given that that’s a pretty standard baseline) and from what we’ve already seen of DRDT thus far. That should (hopefully) give us some fair perspective into the sorts of narrative decisions the creator would want to make.
I’ll be going through various points at which I think something could or could not be bad writing, so hopefully that’ll provide some much needed structure to this theory.
Topic 1: Motive
I want to say this early: I do not think Eden is secretly evil. I think that in the context of killing games, “good” people can end up being killers, and I think that’s where Eden’s headed. I understand why, if some people have only seen Eden killer theories in the context of her being evil, they don’t like it. I don't like it either. I think it completely misinterprets her character.
For now, though, I want to talk about what motive she does have. There’s the fact that Arturo is threatening her, obviously. If she feels there’s a genuine threat to her safety, it would be decently reasonable to decide that, if her priority is her life, she’d rather try to get away with a murder than let herself be taken out by Arturo. 
There’s another potential motive out there for Eden that might be enough to push her over the edge. That being, we know she cares a lot about her friends and relationships outside of the killing game too. 
A lot of people, I think, have seen the theory floating around that goes “Eden is trying to leave to get back to the girl she kissed.” I’ve also seen it mentioned that this could be problematic, given that it could be saying “being gay = becoming a killer,” but I think there are several reasons why that doesn’t hold up.
First of all, we have a lot of canonically LGBT cast members. Nico is nonbinary, Whit is bisexual, and in the most recent Q&A, other characters such as Ace, Veronika and Eden herself were also all confirmed to be LGBT+. Given that Eden isn’t the “token gay character,” I think it’s a lot safer to make her a killer without sending the message “if you’re gay you’re a killer.” 
Secondly, I think that there’s more to Eden’s motive than just whoever that girl is. I think the girl will likely be part of it and be relevant, given that it’s Eden’s motive secret. Because it’s the Chapter 2 motive, the motive secrets should play into things in general. But, it’s not like that girl is the only one from Eden’s past that she cares about, right? 
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Eden cares about her family, as we see in the scene where she talks to Levi. We know that Eden cares about her friends, as we clearly see within the killing game. We know that Eden cares about this girl. I think it’s safe to say that, for gay reasons or not, Eden has a lot of people she’d fight to get back to.
Rather than using her motive secret as the only way of justifying the “Eden wants to return to her previous life” motive, why don’t we look at other secret Eden content?
I’m talking about the secret quotes. I assume most people have heard about them by now, but basically, if you go to the characters’ profile pages on the main tumblr account and inspect elements, each character has a secret quote that you can find. Eden’s secret quote is “You can’t go back, no matter how hard you try.”
We haven’t really seen much of Eden trying to go back yet. I guess you could say that when she makes breakfast with Levi, she talks a lot about trying to get the group back together and back to normal, and that isn’t unrelated. Still, I think it makes a lot of sense if Eden is someone who’s focused on the past. After all, Eden’s talent is clockmaking. To the extent her talent influenced her personality/character themes, it seems like time is an important thing with her. Trying to turn back the clock and return to her life before the killing game would make a lot of sense thematically. 
I suspect that Eden’s secret quote relates to the fact that she tries to go back to her previous life by escaping the killing game. “No matter how hard you try” definitely sounds like she goes to pretty extreme lengths, but she still fails in the end. That would be when she’s caught as the blackened and executed; she never gets to go back. It’s precedented for secret quotes to directly relate to how characters died; both Min’s “I wanted to save you” and Arei’s “Because that’s what friends do” tie into the way in which they arrived at their death. I could definitely see it being the same for Eden.
Interestingly, there’s another reason to consider that Eden might be extra-motivated to leave the killing game. That point is that Eden has been shown to be the main person fighting against the killing game. For example, she and Hu brainstormed ways to deal with the Chapter 2 motive. 
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That doesn’t really tell us anything though, right? It’s just trying to manage the killing game from within. That’s not it, though. It’s actually a repeated thing that Eden is constantly looking for ways to obstruct the killing game.
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Even the plan to bore out the killing game, the one Veronika tells us couldn’t work because she’d get too horribly bored, originally came from Eden. I fully believe that there’s a reason we’re being told every other scene that Eden is working towards ending the killing game is that Eden has extra incentive to want the killing game to end, and that’s to try to return to the life and loved ones she left behind.
I also think it’s worth mentioning that, in the canon games, every single second killer commits their crime due to previous attachments that go beyond the killing game. Mondo kills because of the promise he made to his now-dead brother Daiya, Peko kills because of her allegiance to Fuyuhiko, who wants Mahiru dead due to the death of his sister Natsumi, and Kirumi kills because she’s actually the Prime Minister and needs to get back to her duties. Hell, Ryoma is even Kirumi’s victim because he doesn’t have previous outside attachments, which makes him feel like a more understandable victim for her crime. If you throw in “Eden has a lot of meaningful relationships back home and, here in the killing game, she misses them so badly that she’d kill to go back,” I don’t think it feels out of place. 
This is pretty niche, but there’s also something I want to look at in relation to Xander and Min. Notably, the pinned comments by the official account in their bonus episodes. 
Xander’s is “Someone who wants to hold onto the past.” Min’s is “Someone who wants to move on from the past.” While this trend doesn’t have to keep up, I think it would be interesting if every killer/victim pair had one of each. Arei pretty clearly wants to move on from the past where her sisters and classmates ruthlessly bullied her. Eden wants to hold onto it, hoping to return, but she can’t go back, no matter how hard she tries. Just an interesting thing to point out.
But Eden’s motive isn’t the only thing stopping people from believing she’d be a reasonable killer, right? There are other things to consider, too.
Topic 2: Story Arc
To be clear here, “Story Arc” refers to how Eden fits into the larger narrative and story of DRDT. I’ll be talking about her individual story and growth later on in the section labeled “Character Arc.” 
For the most part, the larger narrative, at present, seems to be relating to Teruko and how she navigates her trust and relationships with everyone else. Eden is certainly a key factor in that, given that Teruko has basically acknowledged that outright. 
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Teruko actively tries to avoid being friends with Eden, given the fact that she’s very nice and it’d be easy for Teruko to be friends with her. To Teruko, that means she’d be opening up the door to get hurt to easily when Eden inevitably dies and/or betrays her. Wouldn’t it only be proving Teruko right if Eden were to become a killer?
Yeah. It would. And that’s the point at the story we’re at. 
I don’t think it would make any sense for Teruko’s beliefs to be strongly challenged in Chapter 2. Like, at some point, I’m sure Teruko will figure out why it’s a problem to not trust anyone. After all, her secret quote is “It is an equal failing to trust everybody, and to trust no one at all.” However, at this point in the story, things are going as she expects.
Think about it this way. Teruko believes that trusting people is opening yourself up for betrayal, and those who she gets close to will betray her and die. Let’s go through the people who have died so far, one by one, and see how they match up against that.
Xander: Was Teruko’s closest friend. Betrayed her by trying to kill her, then died. Check. Min: Was Teruko’s biggest supporter after she got stabbed. Betrayed her by actually being the killer, then died. Check. Arei: Previously shared Teruko’s worldview that being nice will just screw you over. Opened up and became friends. Had that friendship used against her to kill her. Check.
It definitely seems like, thus far, we’re validating Teruko’s worldview, basically as much as possible. No killer would validate her worldview more than Eden. That would make Arei an even closer parallel to Teruko (the person who she most tried to befriend was the one who tried to kill her in the end), and it would introduce another would-be friend as a killer.
Eden: Was Teruko’s biggest supporter after the first class trial. Betrayed her by being the second killer, then died. 
It looks an awful lot like Min’s, right?
In a more predictive sense, there’s also the popular theory that Charles will be one of the Chapter 3 victims. If that holds true, it’ll be another example in the same wavelength.
Charles: Was more like Teruko and didn’t trust people, avoiding them to stay safe. After rejoining the group and beginning to trust people, he died.
If that prediction is right, it’d mean that the trend continues past the point of the second victim to the point of a third victim, which would mean that the second killer would likely fit into the pattern.
But that’s a whole lot of my opinion, right? After all, maybe Levi or someone who isn’t particularly related to Teruko is the killer, so Teruko stays mostly the same, too. 
I do want to take a moment to acknowledge a bigger critique of this. It’s possible that some people might say that Eden killing here would be too repetitive in regards to Min and Xander. There are some key differences, though. 
Eden was Teruko’s friend after she started being mean and closed off to everyone. Min and Xander never really got the chance to react too much to Teruko’s antagonistic antics because they died before she was really pushing people away. That means it would carry more significance. Teruko has also spent more time with Eden, so their relationship is a little bit more developed. Eden is also someone that Teruko actively tried not to get close to before she killed, which wasn’t true of Xander or Min. 
Plus, I’d argue that it’s also supposed to feel a bit repetitive. This is what happens to Teruko, all the time. This is her life. It makes it feel more real and understandable how she reacts to Xander and Min if we as the audience begin to see and understand, oh, it really is like this every single time. 
Besides all of that, though, there are a few more thoughts that lead me to believe that someone closer to Teruko might be the killer this time around.
One of the biggest points in favor of this interpretation is the MonoCredits. 
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MonoCredits are introduced in the scene where MonoTV asks Teruko to caulk the bathrooms. Then, she immediately uses one in the next scene where Charles is confronting her about her more antagonistic ways. At first glance, it seems like MonoCredits may have been introduced solely for that Charles interaction, and as a reason to plausibly get Teruko to help MonoTV out so that she could talk to it, too. However…
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MonoTV gave Teruko two MonoCredits. That means she still has one. I wouldn’t blame you at all if you forgot this small detail– and that’s part of why I think the killer will be closer to Teruko. 
MonoCredits, and the fact that Teruko received two instead of one, are a pretty unimportant detail. I wouldn’t expect the creator to necessarily expect the audience to remember that Teruko still has one once we get to, like, the Chapter 4 daily life. I think that, because of that, Teruko will probably end up using this second one sometime soon, so that the audience will have that “oh yeah!” moment when it comes up, rather than an “oh… I kind of remember that…?” moment. 
There’s a very specific scenario in which I think Teruko might use it, too.
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It’s pretty specific, but it’s already happened once, right? I think the most plausible situation for Teruko to use the second MonoCredit, if I’m right about it being this chapter, would be if she ends up in a similar situation before the execution again.
I can totally imagine Eden hugging Teruko and apologizing for betraying her trust, and Teruko, in the middle of freaking out, tells MonoTV she’s using a MonoCredit to get Eden away from her, which would then immediately launch into Eden being executed.
I think that could also be the right kind of push on Teruko’s character arc; her desire to get away from Eden led to Eden dying that much faster. It’d be something that could haunt Teruko a little bit and make her start thinking about how she pushes people away and what the potential failings of that are. 
The final reason I have is just, like… overall despair. Chapter 2 is usually a pretty emotionally devastating case for the cast. Taka loses Mondo and Chihiro meets a pretty tragic end; Peko dying launches Fuyuhiko into his grief → survivor arc while Hiyoko mourns Mahiru; Kirumi leaves the group feeling guilty about killing the Prime Minister, plus Ryoma’s death as a result of him loving no one and no one loving him is pretty sad. Chapter 2 is typically a chapter in the canon Danganronpa games where things get worse, not better. 
Then, Chapter 3 is used as a processing point where characters that aren’t in it for the long run are usually killed off, and Chapter 4 prompts the characters to start really moving towards the finale (Sakura’s death spurs people to want to fight and makes Byakuya realize why emotions are important, Gundham’s sacrifice sets the tone for Nagito’s insane Chapter 5 play and Gonta’s mercy kill in Chapter 4 directly leads into all the Kokichi “I’m the mastermind” stuff that happens in Chapter 5). 
I suspect DRDT will follow a roughly similar pattern. Because of that, it would make sense if the creator wants to pick a very emotionally devastating second killer, frequently due to the relationships that character has with the cast. Eden is the perfect pick for this position.
Eden has also gotten A LOT of focus this chapter. Getting focus doesn’t necessarily mean you’re going to die right then. After all, Charles, for instance, got a lot of focus in Chapter 1, but he’s still alive. It’s difficult to tell when a character is getting content that impacts their character moving forward and when a character is getting focus because their story is about to end. 
In DRDT’s case specifically, though, the creator seems to heavily emphasize a character shortly before they die. Excluding Teruko, Xander was the most visible character in the Chapter 1 daily life. They focused on Min heavily during the Chapter 1 investigation to make sure that she got enough content in before her death. Between her fight with MonoTV, her heartfelt conversation with David, and the conversations she had post-death confronting David about his secret and defending Eden from Arturo, Arei got a lot of focus just before dying, too. 
Eden is one of the most heavily featured characters, and to me, it feels more like one being set up for immediate payoff rather than long-term. 
For example, David’s personality has shifted in a way that’s very interesting. People will want to see how his relationships with other characters are impacted and get to know the “real him” more before any potential death. Because of that, it makes sense that David’s heel turn is being set up for later, rather than being focus on him before he dies in Chapter 2. 
Eden, on the other hand, has shown us pretty much everything she can with this perspective. If she’s already spent two chapters being nice, happy and supportive, where does she go from there that’s narratively interesting and different? The only answer I can really come up with is “becoming less nice, happy, and/or supportive.” If that’s where her character is heading anyways, then doesn’t it make sense that being a killer could be a succinct way to do it? We already have enough people running around who don’t trust people, and it would feel odd to add Eden to that contingent. 
There’s one more story reason that Eden being the killer would make sense here. Check out the Chapter 2 title screen.
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It’s pretty faint, but if you look after the “Glitters,” you can see faint text. It’s easier to see if you crank up the exposure.
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You can tell what it is if you squint hard enough. Here’s me tracing it: 
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“A Good Person.” 
The original chapter title is “All That Glitters,” which is pretty clearly a play on the saying “All that glitters is not gold” (RIP to anyone who just heard “all that glitters is gold in All Star by Smashmouth and didn’t question it. I was with you there). That seemingly applies a lot to this chapter, with appearances of success not being what they seem. It relates to the fact that J’s celebrity wasn’t all it was cracked up to be, and David’s persona was too good to be true. 
The good person interpretation is interesting, too. If you input “A Good Person” into “All That Glitters,” you get “A good person is not gold.” Now, there’ve been a lot of characters who’ve claimed to be or mentioned wanting to be good people over the course of this chapter. However, I think the person most at the center of that is Eden, who’s been called a good or kind person by a lot of people– at the very least, I know Teruko, Arei and Levi do this.
Eden being the killer would be another way to show that people can’t be infallibly good. Again, I don’t think Eden’s gonna pull a 180 and suddenly become evil, I just think she’ll show a little more nuance. Her being suddenly evil does about the same thing for me as her being undeniably good; it reduces her character down to one trait rather than making her a full human. I don’t want her to be a pure cinnamon roll, I want her to be herself. 
Given this chapter title, I honestly think it’d be weirder if Eden didn’t do something notably Not Good this chapter. There could be other options, too, but Eden being the killer seems by far the most likely to me.
Topic 3: Relationships
I want to talk about Eden’s relationships to others in the cast. I’ve already mentioned Teruko a good bit, so I’m not really going to keep going over that. There are two others that I want to touch on.
One, Eden and Hu are known to be friends. They wash dishes together every night, and they generally seem to rely on each other for companionship and mutual help with steering the group in a more positive direction. Hu is someone who hasn’t gotten that much character arc focus, so I think she’ll probably be a bit more of a spotlighted character in the next daily life. Hu has already lost a friend and trusted co-leader in David, but I think it’d be even more interesting for her if she loses both of those people at once. With David in full-on evil theater kid mode and Eden dead as the killer, Hu will be forced to grapple with the fact that both of the people she trusted to help her guide the group not only aren’t helping her anymore, but did so in a way that betrayed her and her trust. 
That’s very speculative, though. The main relationship I’m here to analyze is with Arei, the victim of the case in question.
Arei and Eden have a very complicated relationship. At first, they were pretty neutral. Then, after the cake scene, Arei appeared to be jealous of Eden and her friends for, y’know, having friends. Later, when Eden tries to invite Arei, Arei goes off on Eden and Eden runs out of the room crying. Finally, when Arturo threatens Eden into silence over his secret, Arei shows up and promises to defend Eden and do whatever it takes to assure her that her friendship is real.
This is pretty much the entirety of Arei’s character arc. Because we know that Arei is the second victim, I want to examine that in the context of the canon games’ storylines in Chapter 2.
Chapter 2 frequently deals with the concept of bullying. Kirumi’s kinda doing her own thing here, but if you look at Mondo/Chihiro and especially Peko/Mahiru (and all the lore behind that one), it’s pretty standard. Chihiro is someone who I’m pretty sure has been bullied, and Mondo fits the bully role well enough. SDR2 is the big one, though, with Mahiru being bullied by Natsumi, Sato killing Natsumi because of that, then Peko killing Sato under Fuyuhiko’s command in revenge, and THEN Peko killing Mahiru in the killing game as even more revenge. So, let’s look at bullying in DRDT Chapter 2.
The big and obvious one is Ace and Nico. Ace bullied Nico, and eventually they snapped and tried to kill him in revenge. That means that the creator, at least in this case, opted for a situation where the bullied kills the bully, rather than the other way around.
Arei also bullies Eden notably in Chapter 2, and now she’s dead. I’m not saying that it has to be the same thing, but I think it would be interesting to parallel Ace and Arei and Nico and Eden. Ace, with his fear of death, would have to process just how close he came to being a victim, seeing the same thing play out with Arei, who actually did die. Nico, who’s trying to dodge any actual blame for their crime, would see Eden get executed for doing roughly the same thing. 
That’s something to address, though. What does this all mean for Eden? After all, Eden and Arei were friends now. It seems uncharacteristic of her to kill Arei for any reason. If I’m going to focus in on Eden’s character relationships, I really have to address that part.
Well, my answer is pretty simple. Eden simply didn’t believe her relationship with Arei actually changed. This might seem like an unfair claim at first, but if you look into it, it’s actually quite supported by the game.
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Arei certainly thought Eden didn’t believe Arei’s sudden change of heart. She even goes as far as to call Eden out for it in the moment.
That’s not a very good argument though, is it? It disregards everything that happens afterwards, what with Arei explaining more and Eden hugging her and saying that her promise means “more than she knows.” It’s possible Arei convinced Eden during that second segment, so there’s not really any reason to believe that Eden didn’t believe her anymore.
Except…
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Charles gets cut off by Whit here and immediately shuts up, which is played off as a joke. It is a joke, but I’ve noticed the DRDT creator is very good at putting in jokes that actually convey important information moving forwards. 
The fact that the creator put in not one, but two references to Eden possibly not believing Arei makes me think there’s more to it than making a joke or moving dialogue along. Whit even phrases it as “you wanna do that later?” which might be a hint that we actually are going to come back to that point of conversation later. 
For the record, I do think it’s also possible that Eden sort of half-believed Arei. She might’ve been committed to a murder plan by that point or something, so even if she thought Arei was being genuine, it’s possible she intentionally tried to convince herself Arei wasn’t genuine. That gets more into character interpretation, though.
Topic 4: Character Arc
This is the biggest one, in my opinion. If Eden is going to die here, what does her story say? Ignoring the big plot beats, Eden should get to have her own character arc, and if this is its conclusion, I want to look at where it went.
In the prologue, Eden is noted to stay positive, but she seems to be the most scared of the killing game itself. Here’s her slide from the official Prologue Recap video: 
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In Chapter 1, we honestly didn’t see too much of Eden. What we did see was mostly her being nice and friendly. It was also established that Arei picked on her. Here’s her slide from the Chapter 1 Recap video:
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Notably, the creator paired all the characters up for Chapter 1. We already know Arei is going to be important to Eden’s story, whether she’s the killer or not. They did pair up Xander and Min though, so it’s not like it’s impossible that they paired a victim with their killer.
Anyways, that means that, going into Chapter 2, the things the creator wanted us to remember about Eden are that she’s nice, cheerful, and one of the people who defended Teruko. Through Arei’s slide, we’re also encouraged to remember that Arei picked on Eden specifically for baking. (Arei also manipulated Levi in that scene pretty heavily, but Eden is the one they want us to remember.)
Where does Eden’s character arc go from there? Well, I’d say that she basically doubles down. 
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Eden basically spends the chapter trying really hard to prevent conflict and stay friends/befriend everyone. She blackmails Teruko for the sole purpose of actually getting to hang out with her, she washes dishes with Hu, she makes breakfast with Levi, and she invites Arei to clockmaking to make sure she isn’t left out again. 
That means that Eden’s story in Chapter 2 is that she’s trying to be the one to get everyone through this hard time.
Because of that, killing seems rather counterproductive. After all, Eden’s been trying to end the killing game on her own terms, right? 
However, it’s possible that the message the creator wants to send us is that the cast isn’t currently capable of being entirely positive and friendly. While David pretended that the point of revealing all their secrets was so that they could get along, that was a lie. Eden being the killer would fit the messaging: with this cast, in this killing game, friendships aren’t a possibility right now. 
Would it be a change in Eden for her to kill now? Yes, of course. That’s how it goes with killers beyond Chapter 1; something changes that prompts them to kill. Like I examined earlier, I believe the motive of getting back to her previous life, in combination with the constant fighting, Arturo's threats against her and her apparent inability to actually make a meaningful change in those around her, would be enough to get her to break and kill in this Chapter 2 position.
I’ve talked about motive, overall narrative, Eden’s relationships and her character arc. That’s pretty much everything, but there’s one more big point I feel I need to touch on.
Topic 5: Eden’s Breakdown
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This is what I assume makes people have the biggest problem with Eden culprit theory from a writing standpoint. After all, this is a very emotional moment and feels very important for Eden’s character arc. If she’s the killer, it would all be a lie, and it would invalidate everything we learned about Eden from this moment.
Except, I don’t think that’s fully true. It’s very possible to have a killer have an emotional breakdown moment mid-trial that makes them seem more innocent, but actually very much relates to the fact that they did kill. 
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Even if she is a killer, I still believe Eden is a good person. Because of that, I think that she is genuinely haunted by Arei’s death, as well as Min’s. In fact, we know she’s haunted by Min’s death, before any of this Arei trial stuff happened. 
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Given the fact that Eden runs out of the room crying after this, I think it’s fair to say that Arei’s words stuck with Eden. Because of that, pairing it with Eden’s breakdown in the trial, we can conclude that Eden feels guilty for both Min’s death and Arei’s death. Because Min’s death wasn’t Eden’s fault, it’s easy to disregard both as her blaming herself for things out of her control. 
It could be genuine this time, though. If Eden is the killer, at least some of that speech has to be fake (ex. When I saw that note, I knew someone must’ve overheard our conversation). However, what’s really interesting to me is what happens after the main part of Eden’s breakdown.
David goes on a little rant about how the victim would have to be incredibly stupid to actually fall for the note– or they’d have to be Arei, who wanted to be friends so desperately that she’d believe anything “Eden” told her. Afterwards, Eden says this: 
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This is Eden agreeing with David’s rant. The non-killer interpretation of this is that Eden is just repeating the same thing, saying that Arei died because of her and her weakness. But, if you look at it from a different perspective, the phrasing is… a little odd?
In her speech earlier, what Eden said boiled down to “I couldn’t defend myself, and because Arei was nice to me and tried to defend me, she died.” Then, David says, “Because Arei wanted to be your friend, she died.” That’s basically the same information and logic, right? 
But Eden asks it as a question. Even though she said “it’s all my fault” earlier, this time she asks, “it really is my fault, isn’t it?” That means that there was something Eden didn’t know in David’s rant.
This could be several things, but I think the most likely thing is that, in my opinion, this is the point at which Eden realized that Arei was genuine about wanting to be her friend. Before this, she still wasn’t sure that Arei was being real, and that allowed her to proceed forward with her plan, keeping it together. However, once David, who got to see Arei in her breakdown, confirms that, yeah, Arei did that because she genuinely wanted to be Eden’s friend, Eden realizes that it was her fault. 
Arei wanted to be her friend, but now she’s dead, and it’s all Eden’s fault.
Interestingly, immediately after that last line, Teruko starts talking, bringing us back to mystery-solving mode. However, if you look at Eden while Teruko’s talking, she’s sobbing. 
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Most of the time when a character is shown to the side, they’re left in whatever pose they were last in. For example, look at MonoTV making the :| face back there despite it having no relevance to the current point of the trial. In fact, MonoTV has that face for the entirety of Chapter 2, Episode 10. The last time MonoTV talked was in Episode 9, where…
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Yeah, same face. It doesn’t change from there. My point is that, switching Eden’s sprite from the face-on, holding her wrist sprite to the sobbing and wiping her tears sprite is a conscious decision. They want to make sure we know that Eden is sobbing after that interaction with David. While that could be prolonged guilt from generally feeling at fault for Arei’s death, I think it makes more sense if it’s her coping with the fact that Arei did want to be her friend, and she killed her. 
Conclusion
Well, that’s my defense of Eden culprit theory from a writing perspective. Hopefully it was fun to read, whether you agree with it or not. Again, my point here isn’t to shame anyone who disagrees or anything, it’s to provide reasoning for why Eden could be the culprit and to defend the creator’s decision if that is the truth of this case. I’d love to hear about any and all other killer theories as well in order to have the greatest chance of catching the real criminal.
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ilex-opacus · 1 month
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This is it this is the day I go crazy and talk about Akagi Ritsuko for way longer than anyone in 2024 should.
The way I have seen her miscaracterised is so.. so heartbreaking to me. Granted the Eva fandom is huge and I haven't been a part of it for a suuuper long time (I mean, the original fanbase from 30yrs ago is reduced to little more than a bunch of ghost accounts on dead forums by now) but the most common interpretation I see of her is something like this: A cold woman who has buried almost all her feelings for the sake of doing anything Gendo tells her because she's in love with him, who knows what she's doing is wrong, but who doesn't seem to care. A woman who has learned to care so little for the pilots, in particular Rei, who many people even say she hates, who only takes a stand on the "good side" once Gendo has personally scorned Ritsuko's love for him by having her put in solitary isolation.
And to me, that reading if her is just... Well not *wrong*, there aren't any *wrong* interpretations in media... What it is instead is willfully ignorant of so much if her character that proves almost all of that to be untrue.
Like yes, Ritsuko is cold. She's calculating and logical, but that's really about as far as the popular interpretation of her goes. She explains that being overly idealistic isn't something she scorns ("it's a nice way of thinking" directed at Maya and "your outlook is also important" directed at Misato) but something she knows she can't indulge in, otherwise the entirety of NERV's operating force would be hinged too much on personal feelings. Also, it's something she doesn't really know *how* to do. Look at Ritsuko's history -- a girl who practically grew up at NERV HQ, during the Second Impact, living under the constant shadow of a mother who didn't even give her the time of day. They write letters to each other in keigo instead of talking face to face. This is clearly a girl who's been isolated at least since high school, probably longer, who has probably lost so many people due to growing up during a damn extinction event. Someone who admits to being so poor at human connection that she supplements any hope for a family by raising cats, and even then! Even then she has to hand them off to relatives when her work gets too much for her. It's not that Ritsuko is cold and unfeeling because she enjoys it or scorns closeness, it's because she has never had the means or freedom to learn and foster those skills. It's her who introduces the concept of the Hedgehog Dilemma, she knows better than most how much you'll struggle to form bonds if you don't consistently try.
And Misato isn't some beacon of pilot safety either. The idea that she's the nice, sweet, helpful one and Ritsuko is the evil wench driving the pilots to their death is just blatantly incorrect. There are MULTIPLE instances of Misato being the one to endanger pilot safety, and Ritsuko being on the other end discouraging that. Take episode (I think 7 or 8?) where Ritsuko confronts Gendo about using children as pilots. She laments placing all of the burden on them, and spearheads the Dummy Plug system in the hopes it will alleviate that strain. Whereas Misato has made multiple allusions to molesting Shinji, has kissed him fully on the mouth, and seemed completely unaffected by the idea of sinking Asuka to unsafe depths in their fight against the 8th angel. The only difference in how they treat the pilots as child soldiers is that Misato is more vocal about how upset it makes her, whereas Ritsuko, not one to be talkative when it comes to her own feelings, as Misato points out, is not.
More examples of Ritsuko being nice to the pilots include: Teaching Rei and Asuka how to cook at Rei's request so that they can have a dinner together with Gendo and Shinji. Ritsuko sees this child, this child raised inside NERV in near total social isolation, begging for a chance at social contact, and she takes time out of her schedule so busy to the point she doesn't have time to wash her own clothes, to teach Rei how to cook. That brings me onto the next thing, actually, the way she's constantly characterised as despising Rei (specifically because she's "a competitor for Gendo's attention"). I can think of, at most, 2 canon instances where Ritsuko is actually mean to Rei in any specific, targeted, or substantial way. One is when she destroys the Dummy Plug system because, quote "these are just empty vessels, they have no soul. I'm going to destroy them, because I hate them." Which is bonkers to me! Bonkers! Because my IMMEDIATE thought when I first saw that scene was "Oh, of course Ritsuko hates the Dummy Plug system, it's science taken too far, it's a disgrace against life to create soulless husks, of course Ritsuko sees it as science used for too evil a purpose to justify. She hates them because they're inhumane." But somehow everyone took that as "Wow Rei I hate you so much I'm going to kill a bunch of your clones"?? I'm sorry, but since when has Ritsuko been characterised as being so *petty*? I mean, this is a 14 year old girl she's supposedly beefing with here.
The only other instance is when she says "(Unit 00) was definitely trying to kill me" after it goes AWOL during the 11th angel attack, implying Rei (who's soul is inside Unit 00) hates her, presumably because of something shes done. But OF COURSE she thinks that. Of course the head of this operation, who has overseen all of these horrible things, signed off on so many inhumane fights, thinks her soldiers want her dead. I don't think for one second Ritsuko thinks she's a good person. She literally says "you'll learn (that being idealistic is impractical) the first time you feel dirty." She feels guilt over what she does just like I said before, just like Misato does forging forward with this whole operation, she's just more quiet about it.
So why? Why does she do this? You can put Misato's involvement with NERV down to a genuine desire to help, the genuine illusion she's doing humanity good by protecting it. Throw in her half a revenge plot, and you can say she's doing these horrible things for ostensibly just reasons. But Ritsuko knows infinitely more about the inner workings of NERV, to the point it's implied (?) she killed Kaji, one of her only friends, to keep the information safe. People always put it down to just "she loved Gendo, that's why" and yes, frankly, that's a terrible reason. It also, doesn't make sense!
Take Ritsuko, a woman with little to no social fluency, a woman who can bouy herself only on her scientific merit, because remember, she lived in her mother's shadow for most of her life. The only way to ascertain her worth, especially underneath someone as unfeeling as Gendo, was to prove her commitment as a scientist. She didn't *have* anything else, she couldn't have anything else, no matter how much she wants to. A woman that has fought so hard for the approval of Gendo, and imagine you're her. Imagine your own mother won't even speak to you. You don't have any father around and you never mention him, but there is a man your mother seems to love. Odd, considering she doesn't seem to love you in any way that really counts. You'd want his approval too, no? You'd want approval from the man your mother, your overshadowing scientific monolith of a mother, melted back into humanity for. You'd want to prove you were as good as her, that you could enrapture the man she managed to ensnare. Because all you want is for people to see you, recognise you, that's like - THE key theme in evangelion across so many different characters. And remember Ritsuko was a highschooler when she met Gendo, when she found out her mother was having a fling. Imagine you're orphaned soon after, and all you have left is impossibly large boots to fill and this man, this man who is important, talented, and special enough to make your mother look at him, and he's asking you to help him. Of course you would. Of course you would. Because all you want is some human affection, no matter how clinical and predatory it manifests itself.
The line about Ritsuko and Gendo is literally "I wish you'd use my body again, like you did back then." Because Japanese lacks plurals, it can also be read "I wish you'd use my body again, like you did that other time." (In fact, I'm actually more inclined to that one because I see 時 used for singular occurance more than multiple ones, in which case 頃 feels a little more common?) I'm sorry, but you'll never convince me this wasn't grooming. Just look at the situation I described and try and convince me this is shorthand for "she was in love with Gendo." Idolised him, sure. Desperately craved his approval on an intimate and academic level? Yeah. Bit *loved* him? No. And there's certainly no way Gendo felt anything back other than some weird, predatory affection (I mean seriously, Gendo. You knew this woman when she was a high schooler and you were old enough to be banging her mom. There's a lot wrong with you already but now I'm adding perv to the list.)
And the plan he's making you execute, wouldn't you find it captivating too, if you were her? A world where all those emotional roadblocks you've built for yourself finally disappear, a world where you can open your heart and see your mother again, perhaps connect with her for the first time. A world where you don't have to prove your worth as a individual because you'll be part of so much more. A hivemind filled with love, clarity, and pure acceptance. Sure, she's not some virtuous saviour of humanity, but neither is Misato, really. No one who works at NERV can do so with a clear conscience or for an entirely noble cause. What I'm saying is that Ritsuko isn't as shallow as to do all that for Gendo's dick. She has complex, self-rationalised reasoning there like everyone else.
And that just brings me back around to her relationship with Rei. Maybe she does hate Rei, a little bit. Not because she's vying with her for Gendo's attention, because that's stupid. Ritsuko is a piller of calm rationale, of impersonality and reticence. In what world would she possibly be that possessive of anyone, even the man she idolises on a personal and academic level? She isn't even remotely cold or aggressive towards Kaji when he steals away Ritsuko's only friend or actively goes digging for NERV intel, she's KIND to him, welcomes him as much as she's able to with how closed off she's become. She isn't desperate for attention in the outward way someone like Asuka is. She wants Gendo to approve of her, but never exclusively. Id say the only person she's ever in competition with on that front is her own mother.
Rei is just like her. A girl with limited social contact who's only link to some greater sense of being and humanness is through Gendo, of all people. She needs him, depends on him, sticks to him and adores him despite knowing he's mistreating her ("I don't get special treatment. Believe me, I'd know.") She's also been groomed to be Gendo's obedient, grateful puppet, grateful because if not for him, she'd have somehow less. Maybe Ritsuko does resent her. Maybe it's like looking into a mirror at your old self and wishing you could slap sense into the person you used to be. Or maybe it's like looking at the person who made your mother commit suicide in guilt, perhaps. Everyone seems to forget that little detail.
Maybe the Dummy Plug system being destroyed wasn't Ritsuko's personal act of scientific disgust, maybe she hated those lifeless clones because she cares about Rei so much she knows a fate of reanimation into indentured military servitude is worse than death. Maybe a life spent captive under Gendo's grooming is worse than death fighting the angels. Maybe she can't stand the thought of Gendo using a person so many times over, never learning his lesson. Maybe she wanted to take away one of his strategic devices and punish him. But "she just hates Rei that much" seems like too shallow and excuse.
When Ritsuko turns on Gendo, everyone assumes it's because she's finally been personally scorned by him, and has realised he doesn't love her, or that she's angry he's thrown away all the scientific research she's poured into project E and wants to spite him. And okay, maybe those contain a grain of truth, but combined with her destruction of the Dummy Plug system and her asking him as early as episode 7 if using child soldiers is really something they can justify, Ritsuko's betrayal reads to me as a woman who has finally been given a wake up call surrounding the man who has used her for most of her life. Ritsuko is a woman who is closed off by necessity, of course it takes her personally being wronged by him in a massive, obvious way, to realise just how irredeemable he is. It's not "once you hurt me, that's it for you." its "once you hurt me, I can't overlook you hurting everyone else anymore because of how much I idolised you." That's a selfish road to take, sure, but Ritsuko hasn't the social fluency to be less so. Further proof her rebellion isn't just some scorned lover's hissyfit as so many people paint it is that she *continues* to actively work against him, dedicating all her time and skill, for 14 years during the Rebuild movies. She is so dedicated to stopping him that she works with WILLE for 14 damn years. If that's not a woman thoroughly convinced this man needs to be brought down for his crimes, I don't know what is.
Anyway. I have thoughts about Agaki Ritsuko. My beautiful blonde morally grey but still complex and emotionally wounded babe.
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miraclesabound · 10 months
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All of This is Temporary
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Summary: What should have been Mikey and Reader's special night goes sideways, and unfortunately, it never gets fixed.
Pairing: Mikey Berzatto x F!Reader, pre-relationship
Notes: This idea of Mikey and his friend getting thrown out of some VIP event came to me in a dream (and the music cue as well). A surprise cameo from one of my other favorite characters from a different show, because he showed up in the dream too. Also on AO3.
Warnings: Spoilers for The Bear, canon-typical language, classism, unrequited (?) love, addiction themes, tragic ending (mention of Mikey's suicide)
Tags: @pettyprocrastination, @cinewhore, @phoenixhalliwell, @nolita-fairytale
NOVEMBER 2021
The movie that Mikey won tickets for is at Doc Films , and given the place's history, you and Mikey are almost more dressed for an opera than a movie. He's done out in an old but clean tux, bow tie and cummerbund included - and you bought yourself a silver dress with matching clutch. You may not be a couple, but you take internal satisfaction in knowing how good you two look together right now.
The main thing that's important to you is that, at least from what you can tell, Mikey is fully sober this evening. You know you're not his keeper, but you feel some pride on his behalf - whatever he's strugging with, he's made the effort for you tonight, and that warms your heart.
However, that warmth sours in your stomach when you actually get to the theater. When you and Mikey walk in, it's clear that this is a much smaller event than you thought - and that you and Mikey are WILDLY overdressed. Of the maybe twenty total people there, the only other person dressed formally is a gruff-looking man whose hair is almost as dark as Mikey's is. In his case, he's wearing a strikingly modern all-black suit.
Mikey smiles when he sees the other man and gives him a hearty handshake. "Roy fuckin' Kent! What brings ya this way?"
Roy shrugs, but he accepts Mikey's handshake just the same. "Mikey Berzatto, ya old dog - just takin' some travel time - Coach Lasso fuckin' insisted... And who's this, then?"
Mikey introduces you, explaining that Roy had visited The Beef by accident a few years back during an exhibition tour in the States. "You better come in for a couple sandwiches tomorrow for lunch, ya hear me?" he tells Roy. "Won't take no for an answer!"
"Wouldn't miss it," Roy says. You and Mikey take your seats on Roy's other side.
A woman a few seats away chimes in with: "Oh, you two look so nice - is that your tux?" You don't care for the look of her - she comes across like someone trying to draw Mikey's sister Natalie from a mirror image only.
You want to believe that she's just being nice, but something about her tone is venomous, and Mikey must feel the same way. His response is icy. " 'Course it's mine, why wouldn't it be?"
"You're Michael Berzatto, right?"
"Yeah?"
"My cousins love your shop - I guess I'm just wondering why a sandwich shop owner would need to buy a tux instead of renting one; that's all."
If you didn't know better, you'd think she was trying to call you and Mikey tacky. Apparently Roy feels the same way, because he leans over towards her and says, "Oi, Pam, knock it off, yeah? Movie's startin'."
"Pam..." you think to yourself. "Why does that name sound familiar?" The lights turn off, and you smile to yourself when you hear a familiar musical sting playing for the movie intro.
"Don't call me by my name...all of this is temporary..."
You know this song very well, and you can't help but hum along. To your pleasant surprise, you swear that Roy is humming too. Who knew such a brash guy liked Halsey? Neither of you notice Mikey staring at you like you hung the moon and stars.
Suddenly the lights come up, and that woman who looks like Natalie's evil twin is standing in front of you, a sickening smile on her face. "Miss, you're going to have to leave," she tells you. "This is an exclusive event, and you're causing a disturbance."
Roy, God bless the man, speaks up for you - and thank goodness, because you feel like you're going to vaporize from embarrassment. "Pam, it's nothin', I was humming too."
"You're a VIP, Roy, and she isn't. It's my movie, and if I want her and her ridiculous disco ball of a dress out of here, that's my prerogative." Shit, you realize. This is Pam Stratford, the writer that Mikey enjoys so much. No wonder he was excited to get these tickets...
Mikey pulls you into his side - almost as if he expects Pam to take a swing at you. "Listen, I've always liked your work, but you don't get to talk to my g- - my friend like that - we got our tickets fair and square."
You can see that flash in Mikey's eyes that means either a bender or a fight is coming, and you don't want to see him arrested. Pam seems like the type to call the police in faster than they're needed. Pushing lightly against his chest, you say "Bear, it's ok, I'll just go..."
"Then I'm leavin' too," he says. "Roy, I'll catch ya tomorrow - Pam? You can go fuck yourself for bein' a snobby bitch." The silence is deafening as you two leave the theater, but the outraged look on Pam's face is almost worth it.
You shudder as you step out into the night air, even with Mikey holding you and blasting like a furnace. "It's cold - take me home?"
"Yeah, let's get you back before you freeze."
--
The train ride back to your neighborhood is quiet, and it's not until the two of you are walking up to your stoop that Mikey says, "Pam was wrong - you look gorgeous in that dress, and that's God's honest truth."
You smile at him. "You clean up pretty well yourself."
"Do we...wanna try this again some other time?" he asks, holding your purse for you as you dig out your keys. "Maybe not a movie, but some other excuse to dress up?"
"I'd like that, Bear," you agree. "Let's aim for after Christmas - I know how nutty things get for you during December."
"Then it's a date?" Mikey asks. He doesn't mean to put you on the spot, but if you don't feel the same way he does, he'd rather know now.
Your smile grows even wider. "It's a date - we'll nail down details after New Years." With a sudden burst of bravery, you hug him tight and kiss his cheek. "G'night, my bear."
--
Unfortunately, the holidays madness makes Mikey spiral in a bad way, and he never texts you back about the date. In fact, you don't realize as you turn to open your door that this will be the last time you see him alive.
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legobiwan · 2 months
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1-the character everyone gets wrong for Gravity Falls and 16-you can't understand why so many people like this thing (characterization, trope, headcanon, etc) for Star Wars ??
The character everyone gets wrong (Gravity Falls)
I want to preface this answer by saying that I think there are a plethora of fantastic Gravity Falls fics, comics, and metas out there that address and explore Stanley's possible mental health issues in light of everything we've learned about his backstory, which is pretty damn bleak. And yes, I do enjoy reading this angst.
The fandom tends to focus on this particular side of Stanley and with good reason - it is absolutely fertile ground for analysis and there is no doubt he is a tortured individual.
But there is a tendency to "blorbo-ize" Stan and his sympathetic history. While he was absolutely forced into some horrendous situations and had to make decisions based solely on survival probability, this is also a man who has a rap sheet a mile long, has outstanding warrants throughout the majority of the country, and is heavily, heavily implied to have been dealing in cartel business.
You don't get that far in these circles without having a backbone of steel and the capacity to do some seriously shady - and bloody - shit. Sure, Stan eventually bailed from the more hardcore aspects of his existence. And this isn't to say he's fundamentally a bad person or even liked everything he was doing - but he is a dangerous man, whether that danger comes at the end of a gun barrel or a marked ace of spades.
And I think this aspect of his character gets underplayed in a lot of fandom. (Interestingly enough, Ford is the one who is generally allocated this role, due to his dimensional hobo life on the run. And Ford is a badass, but Stan is equal to his brother in this, albeit in a different context). Stan maybe wants to forget that part of his life (understandable), but he didn't get as far as he did being a criminal (you don't get to rack up that kind of sheet and stay mostly clear of the law without some considerable feats) without developing certain skills and he'd be dead five times over if he weren't some kind of threat. Yes, by the time we meet him in the show, those instincts may have been dulled, likely intentionally, but this is the same man who admits to having 10 firearms in his household, even if his reasoning is (seemingly) ludicrous.
Runners-up: Mabel and the Flanderization of her zaniness. (Let's not forget she put the majority of the puzzle pieces together in Not What He Seems). Ford's seemingly god-like combat skills (the man gets his ass handed to him on multiple occasions in the show and is in constant need of rescue after he comes back from the Portal. Don't get me wrong - I love a badass Ford - but he wasn't exactly batting 1.000 after returning to Gravity Falls).
16. You can't understand why so many people like this thing (characterization, trope, headcanon, etc) (Star Wars)
I fully expect to get pilloried by certain factions of the fandom for this opinion, and to be honest, it's been a long-standing thorn in my side.
The Jedi were not 100% without fault and yes, some of decisions they made fed into their ultimate demise.
Was it deserved? No. Were they evil? No.
Were they a stagnant organization led by a creature who had lived long enough to distance himself from the day-to-day concerns of the majority of mortal beings under his care? Yes. Did they have an effective strategy to combat their massive, massive PR problem - a problem which ended up with them characterized as a baby-snatching cult of superbeings that could easily usurp the will of a (corrupt) Republic government? Nooooo, not at all.
They refused to play politics. Until they had to play politics. And they lost on all sides.
There was so much emphasis on tradition and purity of said tradition in the organization - even if the highest members of the Council didn't necessarily 100% agree with this - the mythology of it was present enough in the Jedi Temple, that constant, subtle pressure to do things in a certain way, to avoid wholly the Dark Side (even if the individual teachings of the Masters went against this). The Jedi wanted to change, but at the same time, couldn't budge the 1,000 ton boulder of their past until it was too late to avoid Palpatine's machinations.
The ultimate tragedy is that the Jedi meant well, but couldn't collectively nudge their organization towards change.
And they did make some baffling decisions - Anakin being allowed to train at all being peak among them. (And then letting Obi-wan - a grieving 25-year old being held hostage by a deathbed promise - to train Anakin, as per the "will of the Force..." This was not well-thought out by anyone involed.)
Dooku had legitimate criticisms of the Order, even if he ultimately expressed his grievances by betraying everyone and everything he loved and aligning himself with an ultimate evil that not even he could overcome. Qui-gon, for all of his many fault, had some great ideas for the Order and should have been on the Council - if for not other reason, than to upset the status quo (and yes, I know he turned it down, and that's another story altogether).
It feels, that in a certain way, the Jedi were crushed by their own mythology, and by the time that leviathan breached the surface, it was far too late for change.
Discussions of the Jedi have a tendency to polarize quickly, and I'd love for there to be more space for exploration of where they did fail without consigning the whole organization to the out-of-touch and evil-by-incompetence box.
(And caveat lector: post this fully admitting I haven't meditated on Star Wars lore in quite some time, so excuse some of the broader strokes of this analysis).
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